SOLOMON VAX RUYSD.\KL L,.\NDSCAPE WITH FIGURES CATALOGUE OF PAINTINGS AND OBJECTS OF ART FROM THE COLLECTION OF FRANK C. BALL AT THE JOHN HERRON ART INSTITUTE INDIANAPOLIS, OPENING MAY 5, 1918 b J HI %2.\ / TlrlE Art Association of Indianapolis gratefully acknowledges its indebtedness to Mr. Frank C. Ball for the jg^yi of this important collection of paint ings and objects of art. A majority of the paintings and the ivories are from the collection formed by the late George A. Hearn, of New York City, for many years a trustee of the Metropolitan Museum of Art, in that city, and a large contributor to its collec tions of paintings, particularly by American artists. Through Mr. Ball's generosity, the John Herron Art Institute is enabled to offer this catalog for free distribution to visitors and friends. Those who have no furtlier use of the catalogs, however, are kindly requested to retum them. ITALIAN SCHOOL THE MARRIAGE OF ST. CATHERINE PAINTINGS Italian FRANCESCO GUARDI 1712-1793. Guardi was born, lived and died in Venice, whose varied beauties he has immortalized in almost innumerable canvases, large and small. He was a pupil of Canaletto and, without being an imitator, probably no pupil more faithfully or more successfully maintained the traditions of his master. 1. Ruins and Figures. 2. The Rialto, Venice. ITALIAN SCHOOL 3. The Marriage of St. Catherine. ALBERTO PASINI 1826-1899. Born near Parma and a pupil of Cireri at the Parma Academy. Pasini also studied under Isabey and Rousseau in Paris. He traveled ex tensively in the East, and it is by his Oriental pictures that he is best known. He received many medals at the Salon between 18S9 and 1878. A number of his works are in American collections. 4. An Oriental Market. JACOPO ROBUSTI (called TINTORETTO) 1518-1594. Born at Venice, where he died; studied under Titian, whose in fluence, with that of Palma, Michelangelo and Parmigianino, may be readily traced in his works. His early work, "The Miracle of St. Mark," now in the Academia, Venice, secured him a widespread fame. His output was enormous, and he is well represented in many public galleries and private collections ; in the Schola di San Rocco there are over sixty pictures by him. His fine portraits are much sought after. 5. Portrait of Andrea Bracadin. Flemish JAN BREUGHEL AND SIR PETER PAUL RUBENS Breughel, called Velvet Breughel, was born at Antwerp in 1568, and was the most gifted of a family of painters. His talent was versatile, his color was clear and strong, his finish good and his eflfects of light well arranged. He died in 1625. This painting is probably a small version of a larger work, the land scape being painted by Breughel and the figures by Rubens. 6. Landscape and Figures. SIR PETER PAUL RUBENS (ascribed to) 1577-1640. Rubens was born at Siegen in the Duchy of Nassau, near Cologne, although his parents were natives of Antwerp. He was a pupil of Adam van Noort and Otto van Neen at Antwerp. After being admitted to the Guild as a master at the age of twenty-two, he spent eight years in Italy under the patron age of the Duke of Mantua. In 1608 he returned to Antwerp and the next year was raade court painter. He had innumerable pupils, was a most fecund worker, found time to make diplomatic visits to Holland, Spain and England and left an enormous quantity of work behind him. Not infrequently he employed his pupils to throw up the compositions on canvas and lay in the preliminary paint ing, after which the master completed it. 7. St. Peter Receiving the Keys from Christ. JUSTUS SUTTERMANS 1579-1681. Justus Suttermans was for many years painter to Cosmo II, Grand Duke of Tuscany, of whose family he painted many portraits. He is known as "The Painter of the Medicis"; was born in Antwerp and died in Florence. Willem de Vos, of Antwerp, was his first master; later he studied under Francois Pourbus the second, in Paris. This portrait would seem to represent Maria of Austria, wife of Cosmo II de Medici, whose portrait by Justus Sut termans, representing her somewhat more youthful, is in the Corsono Collection at Florence. 8. Portrait of a Medici Princess. Dutch BERNARDUS JOHANNES BLOMMERS 1845-1914. Blommers was a native of The Hague, where he lived all his life. He was a pupil of Bisschop and of The Hague Academy. Like Israels and Jacob Maris he was interested in the home life of the Dutch people, but he saw the fisher folk from the glad and robust side. 9. Dutch Interior with Figures. MICHIEL MIEREVELT 1567-1641. A native of Delft, Mierevelt learned engraving, and developed into a painter. He painted many portraits of the princes of the House of Nassau. Nearly all the celebrities and rich merchants of his day sat to him, but un fortunately, as in the above case, the identities of many of them have been lost. 10. Portrait of a Gentleman. PIETER NASON Early Seventeenth Century. Born at Amsterdam or The Hague, and beheved to have studied under Jan van Ravensteyn. Very little is known of his career. His portraits include one of Prince Marwitz, Governor of the Brazils, and one of Charles II of England. 11. Portrait OF A Lady. JAN ALBERTZ ROOTIUS Circa 1615-1674. Born at Hoorn, and studied under Pieter Lastman, Rootius became a distinguished portrait painter. In his native town are three large groups of members of the Archers' Guild. His works, many of which have probably been given to better known artists, are of the greatest rarity, only two or three of which have come into the market during the last quarter of a century. 12. Portrait of a Young Lady. FRANCOIS PIETER TER MEULEN 1843- Ter Meulen, born at Bodegraven, began by painting cattle, but had to give up painting for a considerable time. Coming back to his brush after ten years, he wrought thereafter an art largely founded on that of Mauve and William Maris. 13. Watching the Sheep. PIETER JANSZOON VAN ASCH Born in 1603. A native of Delft and a painter of landscapes in the style of the Ruysdaels and Jan Wynants, almost all that is known of Van Asch is that he was an extremely popular artist in his time and that, though he lived to a great age, the date of his death is unknown. Probably most of his works are now attributed to his more famous contemporaries. 14. Landscape in Gelderland. BARTHOLOMEUS VAN DER HELST Circa 1611-1670. Born at Haarlem, probably studied under N. Elias and in- iluenced by Franz Hals, Van der Heist was perhaps the most dignified portrait painter of his period. 15. Family Group. aert van der neer 1604-1677. Gorichem is supposed to have been the birthplace of Van der Neer, but the greater part of his life was spent in Amsterdam. He was much in fluenced by Jan van Goyen and Esias van de Velde, and especially excelled in moonlight eflfects, and in representing conflagrations. His works are marked by poetic feeling, clear tone and excellent finish. 16. Moonlight. 17. Scene in Holland. SOLOMON VAN RUYSDAEL ? -1670. Uncle of the more famous Jacob and also a native of Haarlem, Solomon Van Ruysdael achieved great success in his views of Dutch land scapes and rivers. Except that in 1648 he was Dean of the Haarlem Corporation, very little is known of the details of his career. 18. Landscape with Figures. JAN BREUGHEL AND PETER PAUL RUBENS LANDSCAPE AND FIGURES THEODOOR VAN THULDEN 1607-1676. A native of Hertegenbosch and a pupil and assistant of Rubens, Van Thulden is said to have had a considerable share in the series of pictures painted by Rubens for Marie de Medicis' Palace of the Luxembourg. He painted numerous pictures for churches in France and Flanders. Few of his portraits have come down to us under his own name. 19. Isabella Brandt, Wife of Rubens. JAN VICTOORS 1620-1672. A native of Amsterdam, where he died, and a pupil in the scliool of Rembrandt, whose influence is seen in most of his works. Most of his pic tures which have come down to us are biblical scenes, but he also painted genre subjects and landscapes. 20. Portrait of a Dutch Gentleman. , Spanish ^ I CLAUDIO COELLO ^yMf^ ' ^ Circa 1621-1693. Coello, the last Spanish painter of eminence, was born at\ Madrid of Portugese parents, studied under Francesco Risi and was much in- \ fluenced by Titian, Rubens and Van Dyck. He never traveled out of Spain,/ ¦ and his extraordinary talents are known only in that country. He became' painter to Philip IV, who employed hirn in the Escorial. Supplanted by Lura (jiordano, he is said to have died of vexation. -^ 21, A Spanish Princess. French — ""l-^^ EUGENE LOUIS BOUDIN 1825-1898. The son of a Honfleur pilot, Boudin became one of the leading marine painters of France during the nineteenth century. Acquainted with the sea from infancy and a close student of nature, he was unequaled in his ren derings of the sea's atmosphere and movement. His chief inspiration was found in and around the ports of Normandy, Brittany and Holland. 22. Shipping. GEORGES JULES VICTOR CLAIRIN 1843- Clairin was born in Paris, where he still lives. His training was had at the Ecole des Beaux-ArtS under Picot and Pils. 23. Portia Receiving the Prince of Arragon. ALEXANDRE GABRIEL DECAMPS 1803-1860. Decamps was an historical, landscape and genre painter, who re ceived some art training in the studios of David, Ingres and others ; he traveled extensively in the south of Europe and the Levant and was awarded medals at the Salon in 1831 and 1834. One of the best series of his works is in the Wal lace Collection in London, but he is well represented in many other public museums in Europe. 24. Arab Army Crossing a Stream. NARCISSE VIRGILE DIAZ DE LA PENA 1809-1876. Born at Bordeaux of Spanish parents, and a pupil of Sigalon, Diaz at first painted historical and genre subjects, but is now exclusively remembered for his brilliant landscapes and figure studies. He exhibited at the Salon from 1831 and obtained medals in 1844 and 1846. He ranks with the artists of the Barbizon school, although his theories on art were not entirely in accordance with those of his fellow workers. 25. Landscape. MARIE DIETERLE 1860- Marie Dieterle is a daughter and pupil of the eminent French painter, Emile Van Marcke. Like her father, she specializes in pictures of cattle. 26. Homing Cattle. CLAUDE GELLEE (called CLAUDE LE LORRAIN) 1600-1682. Born at Champagne (Vosges) ; Hved in Rome, with Agostino Tassi, a landscape and marine painter. In Rome he was patronized by Cardinal Benti- voglio and by Pope Urban VIII. For the last forty years of his life he worked in Italy, painting and etching with enormous facility. Although Claude's pic tures are not so much sought after by collectors as in former times, he still ranks as one of the greatest landscape artists of the seventeenth century. 27. Grand Sunset, Genoa. 28. L'Amour et Psyche. JEAN LEON GEROME 1824-1904. Gerome was born at Vesoul. He became the favorite pupil of Delaroche, whom he accompanied to Rome in 1844. He also studied with Gleyre in Paris. With the encouragement of his parents he early achieved success, his first Salon picture being shown when he was but twenty-three. A few years later he visited the East and became much interested in OrientaHsm. During his later years he was one of the most popular teachers in Paris. In addition to being a great painter, he was a sculptor of remarkable ability. 29. In the Mosque. HENRI HARPIGNIES 1819-1917. A pupil of the landscape painter Achard, Harpignies also studied art in Italy and began to exhibit at the Salon in 1853. He continued to exhibit for over half a century and received numerous medals and other distinctions. Nearly all the French and many foreign art museums contain examples, either in oils or in water colors, of this remarkable and talented landscape painter. 30. Sunset. PROSPER MARILHAT 1811-1847. A pupil of Roqueplan and an extensive traveler in Europe and the near East, Marilhat is chiefly remembered by his pictures of Eastern subjects. 31. Edge of the Forest. FELIX ZIEM 1821-1911. Born at Cote d'Or (Beaume), and a pupil at the Dijon Art School, Ziem was awarded medals at the Salon in 1851, 1852 and subsequently, while the Cross of the Legion of Honor was conferred upon him in 1857. His fame largely rests on his numerous pictures of Venice and its lagoons and canals, and in these, with their brilliance and melodies, he is unrivaled. 32. Venice. English THOMAS BARKER 1769-1847. Thomas Barker, known as "Barker of Bath", ranks with Gains borough and Morland as a landscape painter, the last survivor of the early English school of landscape painting. He was an occasional exhibitor at the Royal Academy from 1791 to 1829, but more particularly at the British Institu tion, where, from 1807 to the year of his death, he exhibited ninety-seven works. Many of his pictures, among them the most popular of all, "The Woodman", were engraved. 33. Landscape with Sheep and Shepherd. SIR WILLIAM BEECHEY, R. A. 1753-1839. Sir William Beechey was one of the most able followers of Sir Joshua Rejmolds and ranks with Hoppner and Lawrence as a portrait painter. He was patronized by George III, and became official Portrait-painter of Queen Charlotte. He was elected an associate of the Royal Academy in 1793, and a full member five years later. 34. Mrs. Humphrey. SIR WILLIAM BEECHEY, R. A. (period of) 35. The Sisters. RICHARD PARKES BONINGTON 1801-1828. Bonington was one of the most forceful figures in art during his brief career. While his technique was French, his feehng was English. He studied at the Ecole des Beaux-Arts in Paris, but his art was chiefly influenced by Constable, and like him, he was a brilliant impressionist, and together they may be regarded as the founders of the Barbizon School. While he has never been a "neglected" artist, it is only within the last half century that his great ness as an artist has been fully recognized. Examples of his work are in many public galleries in Europe and America, the finest of all being at Hertford House, London, where there are thirty-four examples. Bonington paid a long visit to Venice in 1824. 36. A Procession on the Quai. GEORGE CHAMBERS 1803-1840. The son of a sailor. Chambers himself was bred to the sea, and is now chiefly known for his marine subjects, in which he was particularly successful. He was patronized by Admiral Lord Mark Kerr and was elected a member of the Water Colour Society in 1834. Three of his pictures of naval battles are at Grenwich Hospital, and some of his water color drawings are in the South Kensington Museum. Z7 . Off Dover Cliffs. PETER PAUL RUBENS (ASCRIBED To) ST. PETER RECEIVING THE KEYS FROM CHRIST JOHN CONSTABLE. R. A. 17/6-1837. Constable ranks as the first and greatest impressionist painter of Enghsh landscape scenery. The son of a miller and intended for his father's calhng. Constable at a very early age was determined to become an artist. He entered the Academy school in 1799, and began to exhibit landscapes at the Royal Academy in 1802. In 1819 he was elected an associate and to a full membership ten years later. He exhibited at the Paris Salon of 1824, receiving a gold medal, and contributing much to revolutionize French landscape paint ing. Constable was a profound student of nature in all her moods, and was at his best in painting scenery in Suffolk, and at Hampstead Heath, London. 38. The Valley Farm. 39. Hampstead Heath. 40. Windsor Castle. 41. George Garrard, A. R. A. RICHARD COSWAY, R. A. 1742-1821. Cosway, whose fame as a miniature painter stands unrivaled, studied (as did Sir Joshua Reynolds) under Hudson, and was elected an associate of the Royal Academy in 1770 and a full member in the year following. His fame as a miniature painter has somewhat obscured his undoubted ability as a painter of life-size portraits. 42. Portrait of a Lady With a Large Hat. JOHN SELL COTMAN 1782-1842. Cotman was born at Norwich, and was for the most part self-taught. He was a member of the Norwich Society of Artists and an occasional exhibitor at the Royal Academy ; from 1834 to 1842 he was Professor of Drawing at King's College, London. 43. Seascape. JOHN BERNAY CROME 1793-1842. The son of "Old Crome", whose style he followed, but of whom he was by no means an imitator. His moonlight scenes on the Yare and elsewhere are admirably executed. He occasionally exhibited at the Royal Academy from 1811 until his death. 44. Moonlight on a River. ENGLISH SCHOOL About 1840. 45. Portrait of a Gentleman. THOMAS GAINSBOROUGH, R. A. 1727-1788. Gainsborough, who has been ranked as the greatest English land scape and portrait painter, was the son of a clothier, and studied with Frank Hayman, at the Martin's Lane Academy, London. In 1745 he settled at his native place, Sudbury, Suffolk, as a portrait painter, whence he removed in 1746 to Ipswich. Four years later he removed to Bath, where he painted most of the distinguished visitors and others at this fashionable watering-place. He was one of the original members of the Royal Academy, founded in 1768. He set tled in London in 1774, where his work was so much in demand that he was unable to execute all the commissions which he undertook. 46. Landscape and Cattle. GEORGE HENRY HARLOW (ascribed to) 1787-1819. A native of London, Harlow lived and died in that city. He was a pupil of Drummond and of Sir Thomas Lawrence, whom he served as assist ant. He painted some historical subjects, but mostly portraits. 47. Lady Barrow and Daughter. JOHN HOPPNER, R. A. (period of) 1758-1810. Hoppner was born, lived and died in London. He studied in the Royal Academy and early attained honor. He enjoyed a considerable measure of royal patronage and his popularity rivaled that of Sir Thomas Lawrence. His style was founded on the work of Sir Joshua Reynolds. He painted por traits almost exclusively. 48. Mrs. Guyon. SIR THOMAS LAWRENCE, P. R. A. 1769-1830. Lawrence at an early age gave proofs of his talent for art; his first great success was the whole-length of Miss Farren (Countess of Derby), which was exhibited at the Royal Academy of 1790. In 1792 he was appointed painter- in-ordinary to the King, and in 1819 succeeded Benjamin West as President of the Royal Academy. For forty years he painted nearly all the rank and talent of Great Britain, and honors were conferred upon him by many European art academies. He ranks as the greatest portrait painter of England during the first quarter of the last century. 49. Portrait of a Lady. SIR PETER LELY 1618-1680. Lely (whose original name was Peter Van der Faes) was born in Soest, Westphalia, and settled in London in 1641; he enjoyed great pop ularity as a portrait painter, being patronized by Royalty as early as 1643, when he painted Charles I, William of Orange and Princess Mary. Charles II knighted him and appointed him his principal painter. His output was large, and his replicas very numerous. 50. Ann Hyde, Duchess of York. GEORGE MORLAND 1763-1804. The son and grandson of artists, George Morland was cradled in an artist's atmosphere, and began to exhibit at the Royal Academy when fifteen years of age. The amount of work which he accomplished in about a quarter of a century was enormous, seeing that during much of the time he was either on drinking bouts or in hiding from his creditors. His scenes of rural hfe have a vividness and character which render theni sui generis, and their popularity with collectors has never waned during the last hundred years. 51. Noonday Rest. JOHN RATHBONE 1750-1807. Rathbone was an excellent landscape painter and was known as "The Manchester Wilson". He was chiefly self-taught; among his friends was George Morland, who sometimes painted the figures in Rathbone's landscapes. He exhibited at the Royal Academy from 1785 till 1807. 52. Ford Castle, Northumberland. SIR JOSHUA REYNOLDS, P. R. A. 1723-1792. Sir Joshua Reynolds worthily ranks as the greatest portrait painter in the history of British art. He studied in London under Thomas Hudson, and re sided in Italy for two years, making copies of the old masters. He settled in London in 1752, and for forty years was the leading figure in the art life of the Metropolis, painting portraits of all the principal figures. At the establishment under Royal Patronage of the Royal Academy, he was elected its first Presi dent; the honorary degree of D. C. L. was conferred upon him by the Uni versity of Oxford in 1773, and in this year also he was elected mayor of his native town of Plympton. 53. Portrait of a Lady. 54. James Paine, Esq. 55. Lady Spencer. GEORGE ROMNEY 1734-1802. Romney ranks third among the painters who may be said to have founded the Early English School of portrait painters. After some desultory teaching from an itinerant portrait painter, Romney settled in London in 1762, and in the following year exhibited a picture at the Free Society of Artists ; in 1764 he visited France, and by 1773 had saved enough money to make a two- year visit to Rome. He settled in London in 1775, and from thence onward his popularity as a portrait painter became so great that "all the Town" flocked to his studio. 56. Miss Eleanor Gordon. JAMES STARK 1794-1859. Stark was one of the ablest of the Norwich School of painters. He studied under John Crome for three years, and was a fairly regular exhibitor at the Royal Academy from 1811 until the year of his death. At his best Stark was an exceedingly fine landscape painter, rivaling his master, to whom many of Stark's best pictures have been attributed. 57. A Woodland Road. GEORGE VINCENT 1796-1836. A native of Norwich and a pupil of John Crome, Vincent began to exhibit at the age of fifteen, was hung at the Royal Academy, London, from 1814 to 1823, and at the British Institution almost regularly from 1815 to 1831. He painted a few scenes in and near London, but his chief sources of inspiration were in Norfolk, and more particularly Norwich. 58. Landscape. SIR JOHN WATSON-GORDON, R. A., P. R. S. A. 1790-1864. John Watson, who assumed the additional surname of Gordon, ranks next to Raeburn in the history of Scottish portrait painters, and some of his fine works are in the National Gallery of Edinburgh. He was elected an associate of the Royal Academy in 1841, and nine years later he became a full member, but was elected President of the Royal Scottish Academy, artd knighted, and appointed the Queen's "Limner". 59. Portrait of a Gentleman. GEORGE INNESS SUNSET IN THE WOODS, MONTCLAIR Belgian EUGENE VERBOECKHOVEN 1798-1881. Verboeckhoven was a native of Warneton in West Flanders; he died at Brussels. He was a pupil of his father, the sculptor, Bartheleny Ver boeckhoven, and of Ommeganck. He devoted himself to the painting of ani mals, chiefly sheep. 60. In the Sheepfold. German AUGUST FRIEDRICH ALBRECHT SCHENCK 1828-1901. Schenck was born at Gluckstadt in the Duchy of Holstein. After some time spent in business in England and Portugal, he became a pupil of Cogniet in Paris and made his debut at the Salon of 1855. When in his prime, he was regarded one of the first animal painters of France, which country he had chosen for his abode and in which, at Ecouen, he died. 61. Sheep in a Snowstorm. Polish ALFRED VON WIERUSZ-KOWALSKI 1849- 62. Arab Cavalry in Battle. American RALPH ALBERT BLAKELOCK, N. A. 1847- Born in New York, Blakelock was self-taught. He is an original painter of landscape with a remarkable color sense. Today he is considered among the leaders of the tonal school and his pictures are in many famous collections, although he struggled years for recognition and as a result for a long period was incapacitated for work of any kind. Recently he has been able to again take up his brush. 63. In the Indian Country. WILLIAM MERRITT CHASE, N. A. 1849-1916. Born at Franklin, Ind., Chase became one of the foremost painters and teachers of the United States. His first art training was had in Indianap olis under B. F. Hayes ; later he studied under J. O. Eaton and at the National Academy of Design in New York and with Wagner and Piloty in Munich. Returning from Munich in 1878 he became a leader among the younger and more progressive element of the painters. His pupils are numbered by the thousands and probably no other one man has exerted so wide an influence on American art of the last forty years. 64. Rest by the Roadside. GEORGE INNESS, N. A. 1825-1894. Inness, generally regarded as the greatest American landscape painter, was born at Newburgh, N. Y., and died while traveling in Scotland. He was apprenticed to a map engraver but because of ill health was forced to abandon that profession. He studied painting with Regis Gignoux and made several visits to Europe. Although he felt strongly the influence of the French Barbizon School, his work was not an imitation of it, but rather the result of a temperament at once sensitive, imaginative, tender, yet simple and vigorous. 65. Early Autumn. 66. Sunset in the Woods, Montclair. HENRY WARD RANGER, N. A. 1858-1916. Ranger, one of the noted landscape painters of the United States, was born in Syracuse, N. Y. He began his art studies early in life, but was chiefly self-taught. His early reputation was gained as a water colorist but after returning from a visit to Europe in 1888, he painted chiefly in oil. The greater part of his estate was bequeathed to the National Academy of Design, in trust, to purchase works of art to be placed in the National Gallery of Art at Wash ington and in the various other museums of the country. 67. The Swamp Pasture. ALEXANDER H. WYANT, N. A. 1836-1892. A native of Ohio, Wyant was practically self-taught, although he was during his earlier years much under the influence of George Inness and he later studied with Hans Gude at Karlsruhe, Germany. His name is associated with those of Inness and Homer D. Martin as making the great trio of Ameri can landscape painters. 68. Near Conway, North Wales. 69. Meadow Land in Vermont. IVORIES 101. Statuette — Henry VIII. French. Sixteenth century. The fore part of the robe opens and reveals within three panels dealing with a genre subject. 102. Statuette — Catherine De Medicis. French. Sixteenth century. The forepart of the body opens, to reveal within the Queen on her throne surrounded by her courtiers, with the action continued in the side panels. 103. Statuette — Mephistopheles. 104. Sunshade. 105. Mirror Case. 106. Mirror Case; 107. Consular Diptych — Marcus Aurelius. Reduced version of the Roman consular tablet, in the British Museum, of the Apotheosis of Marcus Aurelius Romulus (A. D. 308). 108. Group — The Adoration of the Magi. 109. Statuette — The Prophet Daniel. 110. Group — Mystic Marriage of St. Catharine. 111. Group — A Shepherd Rockery. Portuguese. 112. Relief Panel — Joan of Arc and Charles VII Entering the Cathedral of Rheims. 113. Relief Panel — Peter the Hermit Preaching the Third Cru sade (1098). 114. Three Triptychs. (a) In the left one, the Archangel Michael triumphs over the spirit of evil. (b) In the center one, Louis XIII at the Pass of Susa. (c) In the right one, a Procession on the banks of a Dutch Canal. 115. Group — The Flight Into Egypt. 116. Statuette — The Madonna and Child. 117. Relief Panel — The Miraculous Draught of Fishes. After Kasper de Crayer, in the Brussels Museum. ivory triptych henry IV ENTERING PARIS 118. Relief Panel — Marriage of Maximilian and Anne of Bur gundy. French. Fifteenth century. 119. Diptych— Trumpeter and Drummer. 120. Two Relief Panels — (a) Diana and Her Nymphs Bathing; {b) Cupids at Play. 121. Triptych — Homage to Marie De Medici. 122. Statuette — A Lady of the French Court. 123. Triptych — Henry IV Entering Paris. 124. Triptycpi — Joan of Arc Encouraging the French Army. 125. Relief - Panel — Marriage Contract at the Russian Court : Arrival of the Czar's Fiancee. 126. Relief Carving — Joseph Sold by His Brethren. 127. Statuette — A Female Saint. French. Seventeenth century. 128. Lamp Screen. 129. Statuette — An Oriental Lady. 130. Statuette — Charles IL 131. Triptych — The Triumph of Marcus Aurelius: The Army Crossing the Danube. 1 32. Group — Homage Paid to the Country. French. Eighteenth century. 133. Plateau — Frederigo Barbarossa and His Army on the Third Crusade, and in the War With the Lombards. 134. Screen. Louis XIV style with Aubusson tapestry panel. 135. Needlework Picture. French. 136. Table Cover. Persian. 137. Two Embroidery Panels. Turkish. SIR PETER LELY ANN HYDE, DUCHESS OF YORK CLAUDIO COELLO A SPANISH PRINCESS CLAUDE GELLEE GRAND SUNSET, GENOA GEOEGE MORLAND NOONDAY REST JUSTUS SUTTERMANS PORTRAIT OF A MEDICI PRINCESS SIS JOSHUA REYNOLDS LADY SPENCER FRANCESCO GUARDI THE RIALTO, VENICE ALBERTO PASINI AN ORIENTAL MARKET SIR JOHN WATSON-GORDON portrait of A GENTLEMAN JOHN CONSTABLE GEORGE GARRARD,' A. R. A. GEORGE ROMNEY MISS ELEANOR GORDON SIR WILLIAM BEECHEY MRS. HUMPHREY EUGENE VERBOECKHOVEN IN THE SHEEPFOLD RICHARD PARKES BONINGTON A PROCESSION ON THE QUAI JOHN CONSTABLE THE VALLEY FARM ALEXANDER H. WYANT NEAR CONWAY, NORTH WALES JOAN OF ARC AND CHARLES Vll ENTERING THE CATHEDRAL OF RHEIMS PETER THE HERMIT PREACHING THE THIRD CRUSADE ^