2. TWO YEARS AND A HALF THll XAYX-. JOURNAIi OF A CRUISE THE MEDITERRAf BOARD OF THE U. S. FRIGATE CONSTELLATION, IN THE YEARS 1829, 1830, AND 1831. BY E. C. WINES. m TWO VOLUMES. VOL. II. PHILABELPHU: CAREY & LEA, CHESTNUT STREET. 1832. CONTENTS. CHAPTER I. Loss of our Anchor in the Harbour of Genoa — Anxiety to find it — Approach to Genoa — Appearance of the surrounding Coun try—Harbour — View of the City from our Aiichorage— Music along-side the Morning after our Arrival — The Musicians — Spe cimen of Italian Character on going ashore — .Italian Ciceroni — Trattorie — General Description of Genoa — Italian Churches — Difference between them and the Ancient Greek Temples — Church of Carignano — Bridge of Carignano — Cathedral — Chapel of St. John the Baptist — Custom of excluding Women from it — . Ashes of that Saint — The Catino — Church of St. Cyrus — Church ofthe Annunciation — Painting of the Stoning of St. Stephen in the Church dedicated to that Saint — Impossibility of embodying the Attributes of Deity in a Picture or Statue — Palaces — GaUery of Paintings in the Brignole Palace — Gilded Saloon in the Pa lace of the Marquis of Serra — Ancient Palace of tlie Doges — Marble Bust of Columbus — Two original Letters — His Signa ture — Tribute to the Memoi-y of Columbus — Chai-itable Institu tions of Genoa — Asylum for the Deaf and Dumb — Dialogue in writing with one of the Scholars — Albergo dei Poveri — Alto- Rehevo by Michael Angelo, representing Mary contemplating her Dead Son — Occupations of the Poor in the Albergo — Hos pital of Pammatone — Insane Hospital — Asylum for Orphan Girls — University — ^New Theatre — Garden of Pallavicini — ViUa of the Marquis di Negro— Visits on Board while the Ship remained at Genoa — Florentine Family — History of Genoa, 1 — 24 CHAPTER n. * Departure fcom Genoa and Arrival at Leghorn — Visit to Pisa and Florence — Dilatoriness of the Vetturino — Country between Leg horn and Pisa,._Principal Piazza in the latter City — Cathedral — Bronze Doors — Baptistry — Campo Santo — Leaning Tower — Present Appearance of Pisa— Lung* Arno — Historical Recollec- 1-7 CONTENTS. t^ons — Arrival of the Vettura in which the Author had engaged a Seat to Florence — Mode of Travelling in Italy ia the Summer — ^Vale of the Arno — Arrival at Florence — Description of that City — Cascine — ^Walk along the Bank ofthe Arno — Gli Ufizii— jloyal and Imperial GaUery ^Corridor — ^Venus de Medicis — iTri- bune — Group of the Niobe — Arrangement of the Paintings — Collection of Gems and precious Stones— Different Classes of Work^ in the Corridor— Busts ofthe Roman Emperors — ;CoIleij tions of ancient and modern Stataes — Collection of Paintings ai-^ ranged chrpnologicaUy— tilJerality of the Tuscan Govemihent in the Management of &is Establishment — ^Pitti Palace — Arcjii- tecture pjf the Court — ^Pairitingfs — Ornaments ofthe Plafmds^- OngirfandHistory of the Pitti Palate — Gardens of Boboli-=-Mas- siveand prisonlike Appearance of many of the Buildipgs in Florence-^Piazza del Gran Duca — Academy of Fine Arts — Mu seum j)f Natural History — Anatomical Wax Figures — ^Duomo — View from its Dome^Campanile — BaptistSy — Bronze TOoors — Church of St. Lor,enzo — CapelladeiDepoSiti — .Statue of Lorenzo de Medicis— M.idonna with the Bambino — Santa Croce — Brilliant Assemblage of'Dead — Effect ofthe Tomb of Michael Angelo on Alfieri — Galileo — Boccacio — Public Libraries — ^Maglibechian — Ricardian — Laurentian,— Library of the Grand Duke^House of Michael Angelo — ^Return to .Leghorn, - 25^51 CHAPTER ra. Disappointment in not visiting Rome — Passage from Leghorn to Naplss— ^Islands of Corsica and Elba — Scenery of the Bay of Naples at Night — Pecuhar claims of Naples to the Attention of Travellers — General Description of the City — Strada Toledo — Loudness with which the Neapolitans talk— Gesticulation — Character of Neapolitan Coachmen and Shopkeepers — V^ Reale — Grotto of Pausilipo-r-Tomb of Virgil — Churches -i^ Na ples— Sculpture in the Chapel of S. Severo—Vice Un^ceived — Modesty — Dead Christ — Offer of Canova — Dine at^i Convent of Capuchins — Visit from the Monks on Board — R;;f al Palace — Collection of Paintings — Death of Csesar and of Virginia by Ca- muciui— Royal Stables — Theatre of S. CarlJ— IHuminatioji in Honour of the King's Bii-th-Day- Theatr^^of S. Carlino— Aca- demia degh Studii — Rich Collection ofKSculpture— Farnesian Hercules— Farnesian Bull— The PIom— Callipigian Venus— Im- CONTENTS. V possibility, of {jreserving the Expression of Originals in'Casts — Venus Genitrix — Equestrian Statues ofthe Balbi Bamily-s-Aris- tides-;-Cabjnet of Egyptian Antiquities — Collection pf Antique Bronzes — Paintings— Library — Antiquities from Herculaneum, Pompeii and Nola — Female Ornaments-^-Beautiful Cameo — Models ofthe emblematic Stitues, War and Peace,, designed for tjie Capitol at Washington— Fi^e Arts in the United States- Extent to which a Taste for tiiem prevs^ls in Italy-*.Neapontan Society— Great Injustice dbne to the NeapoHtans — Nobility — Fonclness for Finery — Lazzaroni- Punch and Judy — Street Ora tors — Dinner Party at the Chevalier Guardati's — Amusements — Annual Exliibition of the Fine Arts at the Studii,. 52 73 CHAPTER IV. Environs of Naples^Excursioo to Vesu-vius, Pompeii and Hercu laneum — Set off at Midnight — Naples at that Hour — Ride from Naples to Resina — Procuring of Jackasses — Characteristic Scenes ^-Vineyards yielding the Wine called Lachrymae Christir— Scenery along the Sides of Vesuvius — Ascent ofthe Cone — View of the Crater — Descent into it — Inner Mound — Mouth of the Volcano — View from the Ridge of ,the Crater — Descent — Her mitage — Entertainment — Arrival at the Fontana de Resina — Ride to Pompeii — Value of the Remains there in illustrating Ancient History — Excellent Preservation of the Remains — The Appian Way — Other Streets — General-'Style of Architecture — Meanness of the common Houses — Magnificence.of the Public Edifices — Amphitheatre — Secret Shrine in the Temple of Isis — Walls of the City — Difficulty of ascertainining the Manner in which the City was destroyed — Mode of excavating at Herculaneum— Re mains of the Theatre there — Excursion through the Phlegrsean Fields — Romantic Scenery along the Bank ofthe Sea — Island of Nisida — ^Pozzuoli — Beggars — Temple of Jupiter Serapis — Collis- seum — Ride to Cumse — Interesting Recollections connected with the Scenery — L'Arco Felice — View ofthe Plain on which Cumse stood— Cave of the Cumsean Sibyl — Remains of the Temple of Apollo Sanitorius — Baisc — Remains of Temples and Villas — Baths of^Nero — Cave on the Margin of Avernus — Bauh — Cento Ca- marelle — Piscina Mirabile — Sepolchro d' Agrippina — Elysium — Return to Naples-^Excursion to Oaserta and Capua — Scenery of the Campania Felix — .Royal Palace at Caserta — Pleasure Grouhds — Artificial Cascade — Amphitheatre at Capau, 74 — 92 A* VI CONTENTS. CHAPTER V. * ¦ Second Visit to Naples — Varioloid on board — ^Influenza — Heavy Dews — ^Visit to Tunis and Return to Mahon — The Navy — Clean liness and Order prevalent on board of our Ships — .Training of fhe Crews to a Knowledge of their Duty — Disciphne — Points m wliich, the Service is susceptible of Improvelnent— yEstablish- ment of an/ Admiralty — Establishment of a Military Academy — Difficulty of training the Mind in actual Service — Some Account ofthe School on board the Constellation — Importance of form ing the moral Character of our Naval Officers before they enter actively upon their Profession — Importance of having the Navy officered by thoroughly educated Gentlemen — Alterations advi sable in the Pay and Rank of some ofthe Officers — Pay of Midshipmen — Chaplains — Schoolmasters — Modes of Discipline — Flogging — Domestic Economy on board of our Ships — Ne cessity of Regularity in the System of Discipline — Libraries — Running in Debt — Gaming — Character of Sailors — Means of im proving it — Disuse of Ardent Spirits — Libraries for Sailors- Labours of Chaplains — Suggestions in Regard to the most ap propriate Conduct to be pursued by Chaplains in their Inter course with Seamen, - 93—115 (5HAPTER VI. Anxiety to get to*-Sea in the Spring — Sail in Company with the Boston for Tripoli — Passage to that City and to Malta — Music on board — Quarantine at Malta — Hai-bour — Military Works — ^De scription of Malta — Church of St. John — ^Its Riches — Head of Emmanuel Pinto in Mosaic — Governor's Palace — Armoury — Prodigious Weight of 'Some of tiie Armours — Missionaries-r- Visit to St. Paul's Bay— Native Soil ofthe Island of Malta— Arti ficial Soil — Identity of the Bay witli the Scene of Shipwreck described in tiie Acts — Church dedicated to St. Paul on the Water's Edge^St. Paul's Cave — Poetical and Historical Recol lections connected with the Island of Malta — -JJeparture from Malta — First View ofthe Coast of Greece — Characteristics of tiie Scenery — Approach of Evening — Cerigo, the ancient Cythera — Promontory of Tenarmn — Enter the Archipelago in a Gale of^ Wind — Arrival off Milo — Pilots — Sailing among the Cyclades — Naxos and Delos — Coast of Aaia Muior-^Sailing in the Gulf of •Smyrna— ALwival at that City, - - - 116 — 130 CONTENTS. VU CHAPTER VII. Associations of place on approaching Asia Minor — Scene on Land ing — ^Pertinacity of a Jew — Mr. Brewer and his Family — Greek Gu'ls — Frank School — Armenian by the name of Tackvor — Greek Female Schools under Mr. Brewer's Charge — Remarkable Progress ofthe Girls — Novelty of a Female School in Smyrna — Schools for Boys — Abraham's College — Character of Abraham ~ — Armenian and Turkish Schools— American Society at Smyrna — Frank Society generally — Appearance of Smyrna ata Distance — Expectations raised by it — Disappointment on Landing — Architecture of Smyrna — Different Quai-ters of the Town — Marina — Frank Street — Bazars — Diversity of Inhabitants at Smyr na — Distinctness of N.-itional Character — Scenes in the Bazars — Honestj- of the Turks — Sharjung Disposition of the Jews ancl Greeks — Jlode of treating Visitors in Greek and Armenian Fa milies — Lemonade — Sherbet — Gratitude of the Greeks for as sistance during the Revolution — Oppression of the Greeks by the Turks — ^Visit to the Pacha's eldest Son — Palace — Reception — Mode of transacting Business — Barracks;; — Visit to a young Turk ish Officer — His AVardrobe — Moslem Ablutions — Mosque of His- shagiamisi — Forms of Moslem Worship — Greek Churches and Worship — Armenian Worship — Paintings in the Court of the Armenian Church — Armenian Burying-Ground^Cypress Groves — Moslem Burial Places — Antiquities of Smyrna — Meles — Cave of Homer — Theatre — Acropohs — View from its Heights — Grave of a Mahomedan Saint, - - - 131 — 148 CHAPTER Vm. Excursion to Sardis — Preparations — TurkishPunctuality — Appear ance of our Party — Turkish Saddles — Antonio — Memet — Mode of reckoning Distances in the^ East — Ride through the Vale of Smyrna — Caravans of Camels — Turkish Cafenets — Scenes which they exhibit — Character ofthe Turks — Method of making Coffee in Turkey — Ascent up Mount Sipylus — Party of Geek Mer chants — Scenery along the Road — Arrival at Magnesia — Turkbh Khan — Accomodations — Original Character ofthe Caravan-Serai — Ascent up the HiU of the Acropolis — ^Prospect from it — His torical Recollections — ^Description of Magnesia — The Niobe on the side of Mount Sipylus — Repose beneath a Plane Tree — Tutkish Fountains — Turkomans — Cassaba^ — Accommodations at the Khan — Wine — Melon kept over Winter— Cafenet of Achmet via CONTENTS. Leigh — Turkish Guitar — Arrival at Sardis — Recollections — As cent up the Acropolis — WaUs of the Acropolis — ^View from its Summit — Tomb of Halyattes — Temple of Cybele — Ruins of the Church of Sardis — Palace of Croesus — Return to Smyrnar— Cla- zomene, - - - - 149 — 161 CHAPTER IX. Island of Ipsara^-Doria Passage — Sunium — Hydra — Spezzia — Land and Sea Breezes — Regularity with which they blow — Ar- golic Gulf — Scenery and RecoUections — Albanian Costume—" Grecian Ladies — Beauty of the Men — Sabbath in Napoli — Ge neral Description of the Town — Coffee Houses — ^Amusuments — Greek Churches — ^Public Houses — MiUtary Aspect of Napoli — ¦ La Batterie des Cinques Peres— De la Mer — De la Terre — ^Ihk- hali — Palamedi — Garrison — Penitentiary — Cyclopean Remains — Fountain of Kanathos — VUlage of Area — Threshing — ^Bread in Greece — Aversion of Greek Countrymen to having Strangers enter their Dwellings — Militai-y Academy at Napoli — ^Lancaste- rian School— Rapid Progress of the Boys — Deficiency of Books —Classical School — 3'hirst of the Greeks after Knowledge — Political State of Greece at the Time of our Visit — Political Par ties — Capodisti'ias— Governor of Napoli — ffis Lady — Excursion to Tiryns — Diligence in Greece — Cheating Disposition of the Greeks — Beggars — Antiquity of Tyrns — Its WaUs referred to by Homer — Destruction of Tyrns by the Argives — Walls of the Acropohs — Immense size of the Stones — Two vaulted Galleries — Their probable Use — Cyclopean Masonry — Odd Trait in the Character of the ancient Tirynthians — Agricultural School at Tiryns, ... . 162—181 CHAPTER X. The DUigence — Exultation with which it was regarded by the Greeks — Harvesting — Companions in the DUigence — The Ina- chus — Arrival at Argos— Coffee House of Agamemnon — Hospi tality of an EngUsh Lawyer — Greek Wines — General Church — Foundation of Argos— Alitiquities in the time of Pausanias — Character of the Argives— Present Remains — Theatre — Palaio » Tekkee — Oracular Shrine— Limiarti — Remains of a AVall round the Acropohs- Church ofthe Panagia — Other Churches — Wells of Argos— Ascent up the HiU of the Acropohs— Greek Monas tery—Remains of the Acropohs— View from the Summit— Mo dern Argos— Kephalari— Lake of Lerna — Excursion to MycenK CONTENTS. IX — Approach to that City fi-om Argos — Heroum of Perseus — Lion Gate — Alto-relievo — Ancient Cisterns — WaUs ofthe Acropohs — Party formed for a Visit to Corinth — Ancient Remains on the Road between NapoU and Mycense — Site of the Temple of Juno — Breakfast — Pass of Dervenaki — Haunts of the Nemean Lion — • Traces of ancient Carriage Wheels — Dinner — Kourtese — Valley of Cleonse — Fu-st View ofthe plain of Corinth — Accpmodations at the Locanda — Ascent up tiie Acro-Corinthus — WaUs — Soldiers asleep — Reception by the Commanding Colonel — Garrison — Military Works — Fountain of Pirene — Prospect — Associations — Doric Temple — Modern Town — Visit to Sicyon— Theatre — Other Remains there — Greek Hut — Pastoral Life in Greece — Accommodations for the Night at Kourtese — Return to Napoli, ' 182—201 CHAPTER XL Accident to one of the Boston's Cutters — Departare from NapoU — Sailing up the Saronic Gulf— Gulf of Salamis^Grecian Skies and Scenery — Sunset — Excursion to 4-tli^"^ — The Piraeus — Scene on Landing — Ride from Piraeus to the City — Remains of the long Walls — Feehng on approaching Athens — Temple of Theseus — Mars' HUI — Cave of Apollo and Pan — The Parthenon — Sculpture on the Frieze of the Pronaos — View from the Sum mit — ^ectheum — Pandrosfeum — Propylxa — Temple of Victory — Statue of Erecthonius — Operation of grinding Wheat — Num ber of Antiqmties in Athens — Pnyx — The Bema — Temple of Jupiter Olympias— Fountain of CaUiroe— Excursion up Mount Hymettus — Sacred Spring— Mojiern Athens, 202 — 219 CHAPTER XH; Departure from Salamis and arrival at Egina — Harbour — Quay built by Dr. Howe — Town — Orphan Asylum — Libi-ary — Sepulchral Antiquities — Collection of Marbles — Lancasterian School — Cata combs — Ancient Mosaic Pavement — Temple of JEacus — Ex cursion into the Interior ofthe Island — Obstinacy of our Mules — Scenery — Kastro — Temple of Jupiter Panhellenius — ^Locan da — Commerce — Epidaurus — Visit to the Sacred Enclosure — * Theatre — Other Antiquities — Temple of Minerva Sunias — Lesbos — Coast of Asia Minor — Anchor in the Straits of Tenedos — In teUigence ofthe Plague — Consuls in the Levant — Present state of the Troad — Antiquities — Alexandria Troas — ^Palace of Priam : CONTENTS. — Theatre — Site of Homer's Troy — Attempt to beat up to die Dardanelles — Plague at Smyrna — Earthquakes — Scio — Present Appearance ofthe Town and surroimding Country — GoUege of Scio — Sciot Women — Island of Samos — Beauty of its Scenery — Nicaria — Sunset — Mycone — Tenos — Delos — Rhenea — Syra — Serfo — Sefanto — Arrival at MUo — Harbour— Candiot ViUage — Kastro^Ancient Catacombs — Theatre — Remains of the Walls — Natural Phenomena — Island of Milo — Argentiera — Grotto of An- tiparos — Paricchia — Ancient Quarries of Paros — Return to Ma hon — Conclusion. 220—244 ERRATA. Page 25, line 4, from top, between of and dtks, omit tht. 45, 52, 57,63, 77, 84, 97, 121, 127,153, 157,160. 14, from bottom, for is read art. 4, from top, for views read mew. 7, from top, for antiquarians read antiquaries. 4, from bottom, for Academa read Academia. 12, from bottom, for descend teoA. ascend. last, for crates read craters. 6, from top, for continues read continue. 18 from top, forpfaces vesA place, 12, from top, between o/and memory, insert iAe. 19, from top, for lamger read large, last, for somew^rread soroe fewe. 5, from bottom, for welcome read welcomed. TWO YEARS AND A HALF IN THE NAVY. CHAPTER I. At one o'clock, P. M. on the ninth of July, 1830, we were riding at anchor in the harbour of Genoa. In coming-to, the ship had so much head way, when the oi-der was given to let go the starboard anchor, that she snapped the chain cable in two as if it had been no more than a tow string; but the hemp cable soon brought her to her senses. Our people were several days fishing for the aachor before they found it. We all felt a deep anxiety for their success, for if they failed, the forfeiture was to be an abandonment of our summer cruise, and an immediate return to Mahon. The discovery of the lost treasure was therefore hailed with a sentiment of uni versal joy. The approach to Genoa by sea is very fine. We could not, however, enjoy all its, beauty on account of a thick mist, which' filled the atmUgphere and obstructed the view. This fog, cold and damp as it was, operated as a check on my*enthusiasm ; and was rather in oppositioa to those images of cloudless skies aud balmy airs, with which the name of Italy had always been associated in my mind. Howbeit, in reading the accounts of travel lers and tho deseriptions of poets, we must always make some allowance for a wish to pledse by exciting the wonder of their readers. . The skies of Italy are doubt less very beautiful, and its climate deliciQus ; but Italy is nevertheless a part of this terrene ball, and as such is not exempt from the laws to which other parts of it are subject. But to return : I said the approach to Genoa VOL. ir. 1 2 two tears -and A HALF was fine ; and so it is. In nearing the land, we could not at first determine precisely where the city stood, so much did the whole surroundin'g country appear like one continuous city. The coast was hilly, and crowned as it is witli villages and country seats, embosomed in delight ful groves, it presented a most animated, picturesque and flourishing appearance. The harbour of Genoa is capacious, and sweeps round in the exact form of a semi-circle. The entrance is made narrow by a mole, built but from either extremity of the semi-circular arch. From its' edge rises a noble amphi theatre of hills, ascending in regular slopes to the height of eight hundred or a thousand feet above the level, of the sea. On their summits are planted at different dis tances from each other, several strong fortifications. The view of the city from our ancl\orage was superb. It is built upon the declivity of the hills which surround the harbour. The principal part of it stands upon com paratively low and level ground, on your right as you pnter the port; the remainder exhibits the appearance of a country of incomparable beauty, thicMy sprinkled with villas. The scenery on the bay of Naplesjs more grand and diversified ; — more exquisitely beautiful it could not be. Were I called upon to select, from all the cities I have ever seen, the one that, in my opinion, enjoys the finest situation, I should not hesitate to pronounce the nanle of that of whiclu Buonaparte, on first ' Walking through its streets of marble palaces, is said to have ex-; claimed in raptures, " Such a city is worth the risks of Early on the morning of the tenth, I was waked by the sounds of a violin accompanied by a female voice, along side of the ship. This was Italy in good earnest. I sprang from' my hammock, dressed myself and hurried up on deck. A blind' old man and his daughter, a little girl about twelve years old, had come off to ask alms.. The old man was miserably clad, and the girl was not in much better plight. Her features were harsh, IN THE NAVT. 3 and her voice not the most dulcet I have hegird ; but she had a bright eye and a lively expression of countenance. A wreath of natural flowers adorned her hair, which hung in beautiful jet black ringlets down her neck and shoul ders. She was singing a song in praise of America, and the old man was accompanying it on an instrument, that looked as if it might have been in Noah's ark. Music and romance and beggary ! Surely, I exclaimed mentally, there can be no doubt that I am really in Italy ; for in no other country on the globe should I behold such a sight as that upo'n which I am now gazing. The worthy musicians received a very liberal gratuity, which,'! am sorry to say, was more than many better performers got after such things became more common. I was impatient to get ashore. As all the ship's cutters were emjJoyed in fishing for the anchor, immediately after breakfast Dr. and myself hired a shore boat and put ofi' for the town. The wind was high, and we did not reach the landing without shipping now and then a pretty heavy sea ; but we were in fine glee, and, though it wet our clothes, it did not damp our spirits. On land ing we had a specimen of genuine Italian character. We had engaged our boatman for a certain sum, and no sooner had he set us on shore, than he demanded, or rather begged an additional compensation, alleging that the wind was higher than he thought it was, and artfully appealing to our generosity to secure the success of his plea. I, however, from the very outset, had determined to set my face as a flint against imposition, and resolutely refused to add a solitary sous to the original bargain. As soon as he had satisfied himself that I was immovable, he changed the previously sour expression of his counte nance into a smile of the most gracious benignity, assur ing us that, if we ever should have further ' occasion for his services, he was ready to serve us not less from friend ship than for money, and that he would do it cheaper than any body else. Our first object on landing was to procure one of those 4 TWO TEARS AND A HALF ^ persons, known in Italy by the name of ciceroni, whose profession is to show strangers the various objects of in terest and curiosity in the cities where they reside. This class of persons abounds to overflowing in all the princi pal towns of Italy, and we of course had no difficulty in procuring the services of one of them. Their compen sation varies in different cities. In Genoa it is four francs, or somewhat less than eighty cents. In Florence they receive about ninety cents per day; in Naples ten carlini, or ten twelfths of a dollar ; and in Rome just a dollar. The ciceroni of Rome are generally better qua lified' for their profession than those of any other part of Italy. Many of them are profoundly versed in the his tory, literature and_ antiquities qf the ancient capital of the Caesars. But there is one qualification which all, in every part of Italy, possess in perfection, and that is glibness of tongue. They are the most flippant, if not the most learned and judicious, commentators in the world. They will not only point out and magnify, with " an eloquence, rapid as the flow of a torrent, the merits of every statue, painting, church and palace you may visit, -but will often give you the history of the artist, and relate a thousand other circumstances, connected with the work you may happen to be contemplating. We went to a public house, and sent out for one of these Mentors. On entering the apartment 'where we were, he saluted us with a very obsequious bcAv, and ad dressed us nearly in these terms : " Signori, casa vor- rebbero le vostre signorie vedere prima ? — le chiese, i palazzii giardini? Ce nee assai di tuiti."* We decided upon the churches, and immediately set off on a cruise. Our Mentor was a gentleman of about thirty-five years of age, of the ordinary stature, genteelly dressed, with black eyes, curly hair, and ah intelligent expression of countenance. Besides the Italian, he spoke French * " Gentlemen, what would your worships desire to see first ? — the churches, palaces, or gardens ? There are a great many of all of them." IN THE NAVT. 5 and German fluently, but not a syllable of English. He was perfectly familiar with the ground over which he had to go. Never in a single instance did we find him at a loss to answer any question that was put to him. He was intelligent, active and polite; and on the whole the best cicerone I met with in Italy. When the dinner hour had arrived, he took us to, the principal trattoria in the city. It is an immense building situated near the centre of the town. All the large cities in France and Italy are filled with es tablishments of this kind, where you may dine by a bill of fare for a franc or a guinea,, graduating your ex penses according to the state of your appetite or your purse. For two francs, or less than forty cents, you may dine in any part of Italy as well as any man need wish to perform that operation. For this sum you will get a full bottle of wine, a bowl of soup or a dish of maccaroni, two or three courses of meats, and a desseirt, consisting of several kinds of fruit, or pastry if you prefer it. In Rome you may dine for the same money and have just double the number of dishes, as they there serve half portions of wine, soup, &c. It was frequently practised by us in other parts of Italy, when two dined together, to call for single portions only, thus increasing the variety of our fare, without any corres ponding diminution of the contents of our purses. It is not customary, for travellers or other gentlemen, residing for a few weeks or even months in an Italian city, to board. They usually take lodgings merely at a public house, and dine at the trattoria. They break fast and sup either at their own rooms or at a cofiee house. As room-rent is generally low, they are thus enabled to graduate their expenses according to any scale, that may be compatible with their circumstances. This is a far more pleasant "way of living than that com mon among us, and it is to be regretted that establish ments of the kind here described are not more a-la- rhode in our principal cities. VOI<, II. 6 TWO TEARS AND A HALE In the few remarks which I have to make on Genoa, for the sake of greater brevity and method, I shall drop the order of time in which my observations were made. I have already spoken of the delightful situation, which this city enjoys. The view of it from the harbour is indeed enchanting, as all who have ever been there can not fail to testify; and, if the visiter is somewhat disap pointed on landing and walking through it, he still sees enough to justify him in pronouncing it one of the most beautiful and agreeable places in the world. More than one hundred churches and about an equal number of pa laces, many of which are either entirely built of rich marbles, or incrusted and otherwise adorned with them, together with a large number of other splendid public and private edifices, could not fail to give to any city, however situated, an air of grandeur and magnificence. There are three streets in Genoa, [Strada Balbi, Stra da Nuova and Strada Novissima,) composed wholly of the palaces of noblemen and other rich citizens, and though they are narrow and somewhat winding in their direction, nothing can be more rich and imposing than the appearance they present to the spectator. It is these noble streets that have procured for the Ligurian Capi tal the proud appellation. of the "city of mai'ble pa laces." The other streets of G^noa are also narrow and irregular, but they are handsomely paft^ed with square stones, and, except in the poorer parts of the town, clean and wholesome. As in Barcelona, so here, each street, in the commercial parts of the town, presents a homo geneous appearance. There is one allotted exclusively to jewellery, which it would not be prudent for a man, predisposed to violate the tenth commandment, to pass through very frequently. The houses of Genoa average frpm^ve to six stories in height. Some of them run up to.'eight. They are all, those of tlie poor as well as of the rich, .furnished in every story with fountains of excellent mountaiijtovater. ¦ Genoa is encircled by. two walls, called the old and new walls. The fA-mer embraces the more populous IN THE NAVT. part of the city, and is five miles in circumference. The latter takes in the whole amphitheatre of hills by which the harbour is surrounded, and is nine miles in cir cuit. As we commenced our cruise through the city by , visiting the churches, I may as well despatch them first When I was in Genoa, I thought very differently of the beauty of its churches from what I have since done; and in recurring to the rough sketch in my journal made upon the spot, I find many opinions respecting them which I now consider heterodox, and which I should be unwilling to publish to the world. * Before I left Ita ly, indeed, the variety and accumulation of tawdry or naments, with which the Italians decorate their churches, began to cloy and offend me, and the opportunities %vhich I have .since had of contemplating the remains of ancient temples in Greece, have ended with making me regard them as utterly abhorrent to good taste. HoW different is the effect produced upon the mind by the repeated contemplation of an Italian church and a Gre cian temple! The stucco, gilding, frescoes, and other ornaments of the former strike you powerfully at first, but frequent examinations have a tendency to diminish this original effect, till you come at length to view them with indifference, if not with disgust; while the chaste simplicity, the majestic solidity, and the unadorned beauty of the latter only charm you the more, the oftener you contemplate them. Nor is this difference of senti ment less marked in the effect produced by an examina tion of a large number of individual specimens in each of these classes of buildings. The more you see of the former, the less anxious you become to extend the field of your observation ; whereas,-: an attentive examination of ninety-nine. specimens of the latter only whets your appetite for the intellectual feast, which you know you will enjoy in the contemplation of the hundreth. In these remarks I must not be understood as waging 8 TWO TEARS AND A HALF an indiscriminate and universal warfare against the tem ples of modern Italy. Far from it. While good taste discovers enough to deplore and reprobate, she also sees much to admire and to commend in these stately edi fices. Indeed, nothing is more common here than to see good and bad taste locked in fraternal embraces, as if the old differences between them had given way to a loving but most ungracious reconciliation. Of all the churches in Genoa, that which pleased me most both on account of its architecture and the excel lence of the sculpture and paintings with which it is adorned, was the church of Carignano. It occupies an elevated site a little out of the most thickly settled part of the city, and is one of the most conspicuous and in teresting objects that attract the attention in the approach to Genoa. Its form is an exact square. The architec ture is of the Corinthian order, and the ornaments of the four fronts are all alike, with tbe exception of those over the door of the facade facing the bridge bf Carignano. There are three statues; one of the Virgin borne by angels to heaven, and two others, being those of Peter and Paul, by her side. At each extremity of this front rises a lofty campanile, or belfry, and over the cen tre of the church a magnificent dome, said to have been modelled after that of St. Peter's in Rome. There are four smaller domes or turrets at the four angles of the church. These are in bad taste, as they tend to destroy the majesty of the edifice by giving it an air of littleness. The interior of the church is in the form of a Greek cross. The centre .dome is supported by four im mense pillars, in the niches of which are placed four co lossal statues — those, to wit, of St Sebastian, of B. Al- lessandro Saoli, of St John the Baptist, and of St. Bar tholomew. The first two, by the celebrated French ar-, tist Puget, are well deserving of the attention of the lovers of the fine arts. The third, by Philip Parodi, is executed with scarcely less force and spirit than those by Puget The fourth is by Claudius Javid, and is in ferior to either of the others. The ch'SBfl are adorned IN THE NAVT. 9 with paintings by some of the most celebrated masters — Guercino, Procaccino, Cambiaso, &c. This church was erected by a private gentleman, a Genoese nobleman by the name of Sauli. His descendants built a bridge over a deep ravine near the church, a work of prodigious la bour and expense, solely to facilitate the approach to it from the city. This bridge stands upon three arches, and is a curiosity on account of its immense height You look down from it on streets so far below you, that the people whom you see passing appear like a race of pig mies. I cannot descend to particulars respecting the other churches of Genoa, as it would swell this volume beyond the size to which I propose to limit it. Those most worthy the attention of travellers are the Cathedral and the churches of the Annunciation, St. Cyrus, Delle Scuole Pie, and St Stephen. The Cathedral is com monly called the church of St Lorenzo, and is said to stand upon the spot where that Saint resided on his jour ney from Spain to Rome. The order of architecture is a mixed Gothic, and the want of purity and unity in the design detract greatly from the effect, which the specta tor would otherwise feel in contemplating this costly edifice. The fagade is incrusted with slabs of black and white marble, and has three arches, supported by sixty- four small columns of the same kind of marble. The campanile, which stands at one of the front angles of the church, has a similar incrustation. The interior is as rich, and sins as much against good taste, as marble, stucco and gilding can make it The little chapel of St. John the Baptist has been particularly favoured in this respect. Its vault is one glare of gold, and the altar and walls are loaded with a profusion of decorations. There is an iron urn preserved in this chapel, which is said to contain the ashes of the saint to whom it is dedicated. Our cicerone told us a curious story about the efficacy of these ashes in calming a tempestuous sea. « When r+he sea," said he, "is agitated by storms, if this urn is ken down and placed upon the mole, the wind imme- 2* 10 TWO TEARS AND A HALF diately ceases, and the troubled waters become tranquil," This, said I, is what the priests tell you, I suppose. Non, Signore, he rejoined, noi stessi l'abbiam,o ve- duto.* It would not have been quite polite in me to question such authority, and the discussion was dropped at this point. Females are strictly excluded from this chapel, because John was beheaded through the influ ence of a woman. While we were there", a French lady with her two daughters entered it to examine its orna ments more closely: but as soon as the sexton perceived them within the balustrade which separates it from the nave of the church, he hastened to inform them that they were treading on forbidden ground. In one of the vestries of this church is still kept the Catino, or emerald vase, so famous throughout Christen dom, both for what is known and for what is not known of it. It is a sexagon, with two handles or ears, hol lowed on the lower side; one of which is rough, and the other polished. The diameter of the edge is a palm seven inches and a half, and its circumference five palms wanting an inch. The cavity is six inches in perpen dicular depth, and the height eight, leaving two inches for the thickness of the bottom. So much for its shape and dimensions. The opinion that it is emerald is now universally given up. It is green glass, highly polished, and of the most brilliant transparency. Its value arises from its high antiquity and its history. It was found at Cesarea, when that place was wrested from the infidels by the Christians in eleven hundred and one, and was selected by the Genoese as their part of the spoils. It was then supposed to be emerald, and therefore of much more intrinsic value than it was m reality. It was pre served with the most religious care by the city whose piety had chosen it instead of millions, till Napoleon in vaded Italy and rifled her of whatever she possessed most precious in antiquities and the arts, when it was transported to Paris among tlie rest of his ravished trea- • " No, ar, we ourselves have seen it." IN THE NAVr. 1 1 siu-es. It has, however, since been restored to the Ge noese, though considerably injured by a fracture which it received on its journey. This is what is known of it. Conjecture declares that it was presented by the Queen of Sheba to Solomon, and that it is the same out of which Christ and his disciples ate the Paschal Lamb. The church of St. Cyrus is said by some traveller to be one of the handsomest in Italy. However this may be, to my taste it is decidedly one of the finest in Genoa. The quantity and richness of the marbles with which it is adorned, are prodigious. The columns which sepa rate the naves are of beautiful white marble of the com posite order, and each one of them is hewn from a single block. The great altar in front of the choir is the work of Puget. The remains of many ofthe bishops of Genoa and of some of the archbishops of Milan are deposited in this church. In the richness and variety of its adornings, the church of the Annunciation perhaps surpasses any other in Genoa. The frescoes in the vault of the principal nave are by John Carlone, and are sufficient of them selves to confer immortality on the name of their author. They represent, with matchless force and beauty, our Saviour adored by the wise men, — entering glorious into Jerusalem, — praying in the garden of Gethsemane, — risen from the grave', — appearing after his resurrection to his mother, — and she herself in the act of being crown ed by angels Queen of heaven. The other two churches that I mentioned, those, to wit, of Le Scuole Pie and S. Stephen are not remarkable in themselves, but the works with which they are adorned richly repay the trouble of a visit to them. The former contains some ofthe most precious basso-relievos in Genoa. They relate to the mysteries of the Virgin, and were all designed by Francesco Schiaffino, and executed by him and Carlo Cacciatore, one of his pupils. The latter boasts one of the finest, perhaps the very finest painting in Genoa. No one who visits that city, and who is not Restitute of all relish for the beauties of this glorious art, 12 TWO TEARS AND A HALF would be willing to omit seeing it. It is the combined production ofthe pencils of Titian and Raphael — names which need no eulogy of mine to add to their fanie. The subject of the piece is the Stoning of Stephen by the Jews. The great Captain of the " noble army of martyrs" is represented to have fallen to the earth, over whelmed with the shower of stones, which the Jews are pouring upon him. The meek, benignant, forgiving expression of his countenance amid the tortures he is suffering, and with the immediate prospect of death before him, bears the same relation to the supercilious disdain and savage joy painted in the looks of his mur derers, which the spirit of the gospel does to that of the world. So far the picture commits no offence against good taste; nor should I object to the appearance of the Son in the clouds, surrounded by angels, who seem wait ing to receive his spirit, as soon as it is freed from the sufferings of the body. But above them all appears the Almighty Father, encircled by a halo of glory. A sin gle glance at this attempt to embody the attributes of Divinity, is enough to make you feel how utterly, incom petent the human mind is to any such effort. The bold est and most creative pencil can never express the infi nite perfections of the Godhead in such a way as not to do injustice to even the weakest conceptions of created intellects. " Clouds and darkness are round about him,'^ is the uniform language of scripture in relation to the Almighty; and, " Ye have neither heard his voice, at any time, nor seen his shape," should be thundered in the ear of every artist bold, or rather presumptuous enough to conceive the design of embodying his perfections in a picture or a statue. In the number, beauty and magnificence of its palaces, Genoa surpasises all other Italian cities. The same ob jection against excessive decorations does not exist here as in the churches, for we expect more ornaments, and are not therefore offended by them. A minute descrip tion of all those which are worth examining, would of itself form quite a sizable volume, but I must content IN THE NAVT. 13 myself with a very few general remarks. The two palaces which would perhaps excite most interest resplc- tively in the lovers of architecture and painting, are tliose of Marcello Durazzo and Giulio Brignole. The former is one of the noblest edifices, and the latter con tains the choicest collection of pictures in Genoa. The Brignole gallery richly merits the attention of amateurs. The pieces which pleased me most in the collection which forms this gallery, were the following: — Christ praying in the Garden of Gethsemane, by Carlo Dolci; the An nunciation, byCoreggio; a Genoese Senator, by Rubens; the Jews showing the money to Christ, by Vandyke; Christ driving the Merchants from the Temple, by Guer cino; and a burlesque painting of Rubens' family by him self. The first of these pieces is in miniature. It is inimitably executed. The bloody sweat is seen rolling down the face of the Son of God, and so strong and natural is the expression communicated to his features, that you almost fancy yourself listening to those memo rable words, the mingled offspring of agony and resigna tion, " Father, if it be possible, let this cup pass from me: nevertheless, not as I will, but as thou wilt" The palace of the Marquis of Serra is not large, but it is remarkable for containing the richest saloon in Europe. Nothing could be conceived more gorgeous. The deco rations alone are said to have amounted to a million of francs, or nearly two hundred thousand dollars. It is supported by sixteen marble columns, plated with gold. The vault and every other part of the saloon are as rich as gold and precious stones can make them. The dining hall is remarkable for a certain oddity of constructio.n, being both an exact square and an exact circle. The square is formed by a set of round columns, and the circle by a set of angular ones. In a room communicating between the golden saloon and the dining hall there is a portrait of the Marchioness, a young lady of the family of Durazzo. If the painter has not flattered her, she must he a paragon of beauty. Many of our midshipmen were so ravished with the beauty of the picture that they knelt to do it reverence. 14 TWO TEARS AND A HALF .iThe palace of the Doges is worthy of the men who 4jOrmerly occupied it It is a noble structure, encircling a large area or court-yard. The principal stair-way leads up to a small apartment, in other times used as a counsel chamber, where there is a painting of the land ing of Columbus in America, and another, opposite to it, representing the disembarkation of the ashes of St. John the .Baptist at Genoa. From this apartment you enter the grand saloon or senate-chamber, which, though less rich in minute decorations than the saloon in the Serra palace, exceeds it by far in magnificence and grandeur.. Its vast extent and amazing height; fifty-four immense columns of brocatello, a fine variegated Spanish marble; the admirable frescoes which adorn the vault; the beau tiful pavement composed of large slabs of polished mar ble; all combine to fill the mind of the spectator with a sentim.ent of admiration and delight. In one of the apartments of this palace there is a mar ble bust of Christopher Columbus, said to be an excel lent likeness. There are also preserved in the same room two letters in his own handwriting. They are written in Spanish, but are such miserable scrawls that I could hardly decipher a single word. I read, however, a literal translation of one of them in Italian. It was dated at Seville on the second of April, 1502, a short time previous to setting sail on his second ill-fated voy age to America. It was addressed to the 'Bank of St George in Genoa, and relates chiefly to his family affairs. It comiliences with a declaration that, next to David, God had been more gracious to him than to any other mortal; and the whole letter breathes such a spirit of sin cere and unostentatious piety, as to prove that the bold ness and originality of his genius were equalled only by the meekness and docility of his temper. He enume rates the honours conferred on him by his sovereigns in terms of the most unaffected modesty, always ascribing all the glory of his discoveries to the grace of God. These letters, together with a copy of the privileges granted to him by queen Isabella, are preserved by the IN THE NAVT. 15 Genoese Government with the most religious care. Tjg. following is the signature of Columbus in the letters' to which I have referred. S. S. A. S. C. M. S. Xro FERENS. The explanation of which is as follows: Supplex. Servus. Altissimi. Salvatoris. Christi. Marias. Josephi. The name of Columbus must be dear to every true American heart; and I cannot in this place deny myself the pleasiire of -paying my feeble tribute of respect to its memory. On our passage to England, I often of an evening stationed myself in the main chains to look out upon the waters and meditate. At such times the genius, virtues, and achievements of Columbus were frequently my theme. " How different," I would say to myself, "how different the circumstances under which / am crossing the Atlantic for the first time from those of his first voyage over the same ocean! This mighty reservoir of water, now the highway of nations, was then an un known and trackless wilderness. His was the first bark that ploughed its billowy brine, and his the first eye that gazed on its clear and glorious blue. Guided by the star of hope, and fed by visioned glories, he was going — he knew not where. Who can tell the anxieties that agi tated his soul, as his gallant vessel dashed fearlessly along through the pathless and heaving abyss? and who but he who'felt them could utter the wild ecstasies of delight, exultation and gratitude, that filled his bosom, when the new world first burst upon his strained and aching sight, and the gales from its shores wafted to his senses a sweet foretaste of its ri^es? Then, indeed, might he have ex claimed in the la^Piage since attributed to him. 16 TWO* TEARS AND A HALF "jf hat thought, that longing thought, that fed this soaring heart for ^W^ years, ts • Unchecked by aught of falsehood's chain, and unrestrained by fears, Now bounds unfettered in its pride, unpinioned in its' strength. Its star of light is shining now, its triumph comes at length." Spots'^f verdure are refreshing to the eye that has long beheld nothing but burning sands or barren rocks; so the mind in reviewing past times, delights to escape from the images of desolation and wo that throng upon it, and to fasten itself on those points in the picture, which retain somewhat of the loveliness aud purity of Eden. The history of Columbus is one of those points. He was a man of profound and daring genius, but this was far from being his only or his greatest praise. He was the friend and benefactor of his species; qualities which assimilate man to his Maker, and without which genius and talent's and learning only increase the capacity and the disposition to do mischief. It is good to let the characters of such men frequently engross our thoughts. By the contemplation of great and noble actions, the mind is naturally warmed into admiration of {hem, and paftts to mount upward to the same elevated, pure and commanding region. Selfishness and prejudice melt away beneath their influence, and we learn to extend our views and sympathies beyond the limits of kin and country, and to live not more for ourselves and our own times, than for the world and posterity. Genoa is celebrated for the number and splendid endowments of "its charitable and philanthropic insti tutions. Multitudes of Genoese noblemen have devot ed the whole of their fortunes to these benevolent ob' jects. Ambition alone may have beeii their motive, but how much nobler is the ambition of living in'tlie gratitude of the widow and the orphan, the poor and the afflicted, who have been relieved and made happy by its generous contributions, than that grovelling and contemptible sentiment which limits its desires to the wearing of purple and fine linen, to flie giving of costly IN THE NAVT. 17 entertainments, and to making the "ignoble vulgar" stare at the glitter of its equipages. I wish in God that such ambition were morfe prevalent in the world. It would heal the sores of many a heart, now broken and crushed beneath the weight of its own sorrows; it would gild the sunset of life to thousands whom misfortune, at one cruel blow, has stripped of wealth and friends and comfort ; and finally, it would impart to all the indigent, ignorant and distressed of every class, the blessings of competency, knowledge and religion. At the head ofthe philanthropic institutions of Genoa stands the Asylum for the Deaf and Dumb. It is one of the best regulated and most ably conducted institutions of the kind in liie world. It numbered, when I was in Genoa, seventy pupils, forty of whom were females. I saw the male department only, and I was not more gratified with any thing I saw during the whole pe riod of my absence from America, than I was with the ¦progress which these unfortunate beings were mak ing in the various departments of knowledge. Indeed, I was not only gratified but astonished at the excel lence of many of their drawings, and the extent and accuracy of their knowledge of history. As a specimen I subjoin an extract from a dialogue ''which I held in writing with a boy only eighteen years of age, who, in add5;ion to the language of his own country, under stood and wrote Latin, German, Russian, French, Spanish and English. His answers were always given with the utmost promptness. The sentences embraced in quota tion marks are his. Not the slightest alteration has been made in any of them in construction, orthography, punc tuation, or capitals. What Grecian General gained the battle of Marathon ? " Miltiades, whom the ungrateful athenians condemn ed to a fine, upon a mere suspicion of bribery. " What philosopher was said by Plato to have brought philosophy from heaven .¦* " his own master Socrates." Who commanded the American army in the time of the Revolution ? VOL. II. 3 18 ' TWO TEARS AND A HALF " Washington — he was truly an ablest general, which can be compared to Miltiades, for he assured the Inde pendence of his Country with a little army ^inst the most powerful Monarchy in Europe." '^'' How long have you been in this institution ? "13 years." . You have learned a great deal : I am extremely gra tified to see your progress and that of your companions. " I thank you ; yet an application of so many years ought [to] have got me such few knowledges." I gave him the seven following words to introduce into a single sentence ; — ^viz. virtue, vice, piety, honour, peace, justice, indulgence. He did not stop to think cer tainly over two or three minutes, when he wrote and handed me the following : — "The best support in time of Peace of a kingdom which has been illustrated by military Honour in time of war, is to maintain the rights of Justice in its {their] whole integrity, for in such a manner .Vice being de pressed. Virtue gets an Empire over all the inclinations of people, whilst false Piety or unbounded Indulgence can lead it by the corruption of many to a total ruin, as it happened once with the Roman Empire. " Pray correctthe faults." He expressed a wish to visit the ship with his teacher, and I gave him a letter of introduction to an pfficer : whereupon he immediately addressed to me the follow ing : — " I am very grateful for your interesting [interest in] me, and cannot compensate this but by the truest senti ments of my heart and the remembrance of your person and goodness." » Next in interest to the Asylum for Deaf Mutes is the Albergo dei Poveri, or Poor House. The building ap propriated to the institution is the largest in Genoa, and it is also one of the finest specimens of architecture. It is an exact square, each side measuring one thousand seven hundred and fifty palms in length. It encloses four gardens, each of which is about fifty palms square, IN THE NAVT. 19 and adorned with a fountain in the centre. It is five stories in height. The front is ornamented with two orders of architecture, the Tuscan and Corinthian. In one part of the building there is a small chapel, where mass is said for the benefit of the poor attached to the institution. This chapel contains an alto-relievo by Michael Angelo — the most precious piece of sculpture in Genoa. It re presents Mary contemplating her Dead Son. In this little piece, nature is copied with so much accuracy that one can scarcely believe it is marble. Christ appears to be asleep; but, though a Divine benignity still rests upon his countenance, his sleep is evidently the sleep of death. Mary is in the act of embracing her Son, with her eyes fixed intently upon him. And such a look! What ma ternal tenderness! what heart-rending sorrow! yet what pious resignation! The_works of Michael Angelo are generally stamped with a character of greatness and strength, and, while the mastery of his genius in this re spect has been universally felt, it has been thought that his chisel was incapable of giving a " local habitation" to the graceful, the -tender, and the lovely. The little piece which I have just described, is of itself sufficient to refute such a supposition, and to prove that, much as he excels all the sculptors of modern times in the power of animat ing the marble with profound thought and lofty senti ment, he is scarcely less siiperior to them in the power of making it express the gentler and more amiable quali ties of our nature. The number of poor of every description in the Al bergo, when we were in Genoa, amounted to eighteen hundred, i. e. six hundred and sixty males, and eleven hundred and forty females. I was delighted with the neatness, good order and industry which appeared to pre vail in the institution. They have stated hours for la bour, when all who are not sick, or otherwise excused, are required to be at their stations. Their principal em ployments consist in making carpeting, cotton and linen stuffs, handkerchiefs, ribbons and lace. There was a large oblong apartment filled with girls engaged in the two last mentioned employments. Many of the young 20 TWO TEARS AND A HALF women were very beautiful, and some were so abashed by our presence that they covered their faces with their handkerchiefs, ceased their work, and did not raise their heads again till we had left the room. We could not doubt that these were persons who had known what better circumstances were, and in whose mind our presence awakened bitter recollections. We were unwilling to remain long in a place where we knew that our absence would be felt as a relief, and therefore,iiurried out again before we had satisfied our curiosity by examining as mi nutely as we could have wished the beautiful operation of making ribbons. The good effects of this institution are seen in the suppression, or more properly perhaps the di minution of street-beggary. There is less of this in Ge noa than in any other of the Italian cities that we visited. There are two hospitals in Genoa, to wit, H Ospedale J^etto di Pammatone and U Ospedale degV Incurabili. The former had about eight hundred patients when we were there. It is a vast edifice, capable of affording ac commodations to upwards of a thousand invalids. The apartments are large, clean and airy. This hospital was originally founded by Bartolomeo Brosco in 1420, but its funds have since been greatly increased by the libe rality of numerous other gentlemen, whose benefactions are commemorated by the statues, which fill the niches of the Infirmary. In the hospital of the Incurable there were eight hundred and thirty patients; four hundred and eighty females, one hundred and twenty of whom were insane — and three hundred and fifty males, two hundred of whom were insane. Many of the victims of that terri ble disease, insanity, were so bad as to be chained to^ their couches, but 1 will not shock the reader's nerves by any account of their conduct. Such exhibitions are humiliating to the pride of our nature, and ought to make us adore and love the Goodness which has hitherto preserved us from a calamity more to be dreaded than death itself — the loss of our reason, and the prostration of every faculty, that distinguishes man from the brutes. There is another charitable institution in Genoa, IN THE NAVT. 21 which ought not to be omitted in a description of this kind, as it does honour to its founder and to the city for whose benefit it was chiefly intended. It is an Asylum for Orphan Girls, founded in 1760, by Francesco Fies- chi, a rich Genoese nobleman, and tfrom him the girls admitted to its benefits are called Fieschine. Their chief occupation is that of making artificial fruits and flowers, and justly as the French are celebrated for their skill in this beautiful manufacture, those made by the bene ficiaries of this institution are far superior to the French. At the distance of a few paces, the flowers could scarcely be distinguished from those which are natural, and the fruits — it was enough to make one's mouth wa ter to behold the cherries, damsons, apricots, &c., which seemed to invite you to pluck and eat. The girls are kept for the most part secluded from the -world, but they are allowed to marry when of a marriageable age, and^ta facilitate SQjea^FabIe.gnend, there are stated ] public exhibitions, at which the young men of the city and country in want of wives, resort as to a fair to ob tain them. On their marriage, they receive a handsome dowry from the funds of the institution. The building appropriated to the use of the Orphans occupies a delight ful situation on an eminence in the suburb Zerbino. It commands a fine view of the city, the suburbs and the Mediterranean. It is sufficiently capacious to receive six hundred Orphans. There are other buildings and institutions in Genoa, well worthy of the attention of visiters. The palace of the University is a noble edifice. Every thing. about it is in a style of vastness and magnificence; — ^the fagade, the stair-case, the court-yard, the halls, &c. At the foot of the stairs which lead up to the court-yard, are two co lossal lions. The University numbers about five hun dred students. It has a museum containing an extensive and valuable collection of natural curiosities. The li brary comprises forty thousand volumes, among which there is a number of interesting manuscripts. 3* 22 TWO TEARS AND A HALF The new Theatre is a beautiful specimen of architec ture. It is designed and constructed after the model of San Carlo at Naples. I was present at one of the per formances. It was a comedy entitled II Corso, the wliole interest of which arose from a succession of mis takes growing out ef an advertisement of a rich old mer chant, who wished to marry his daughter. It reminded me of Shakspeare's Comedy of Errors, the poorest of all his dramatic productions. Neither the-piece nor the act ing were of any very great merit. In the public Promenade there is nothing worthy of particular remark. It is an agreeable and fashionable place of resort of a summer evening. Genoa boasts a large number of beautiful gardens, but my remarks have already been extended so^ much be yond my original intention, that the reader will no doubt be glad to excuse me from particularizing. The grounds belonging to the palace of Pallavicini are among those which most richly repay the trouble of visiting them. There the visiter meets with grottoes whose vaults and sides are composed of pebbles of variou s colours, fancifully arranged, and wliere the freshness of a vernal evening may be enjoyed during the mid-day heats of the summer sol stice, while the spirit is soothed by the sweet bubblings of the water that oozes out and trickles down their sides. There are fountains and fish-ponds— t^grass-plats and flow er-beds — labyrinthine walks and mournful cypress trees — everything, in short, which the most luxurious imagina tion could desire; and the whole so perfumed with balmy odours that one might easily fancy himself breathed upon by gales wafted from the gardens of Cashmere, or the spice groves of Arabia Felix. The palace itself is as yet unfinished and destitute of furniture, but it occupies an elevated and beautiful site a little out of the town, whence the spectator enjoys a very extensive view. Land and water, town and country, mountains and valleys, groves and pastures, are here brought beneath the eye in one enchanting whole. I will not say that the eloquent IN THE NAVT. 23 looks and words of a young Italian beauty, with whom I visited this place, may not have had some effect upon my ideas of its charms, but leaving the reader to make whatever deductions he may please on that account, I advise him, if he ever goes to Genoa, to pay it a visit, and, if he has any taste for the beauti ful in nature, I am sure he will be obliged to me for my recommendation. No one who visits Genoa, should omit to see the villa and botanic garden of the Marquis Di Negro. The gar den contains a large variety of interesting plants, and is adorned with fountains and arbours. The Marquis has also an extensive and. valuable collection of curiosities both ancient and modern. He has been a great impro- visitore, but is now so far advanced in life that the poetie fires have begun to cool. Unlike Italian noblemen gene rally, he does not allow his servants to receive any com pensation for their attentions to visiters. Our ship was visited a great deal while she lay in the harbour of Genoa, and was much admired. The first Sunday after our arrival, there could not have been less than a thousand persons on board. . I formed an acquaint ance that day with a respectable^ family from Florence, consisting of a mother and two daughters, who were on a visit to some of their friends in Genoa. I called on them frequently during our stay in that city. The oJd lady, when she becanie animated in conversation, in the true style of Florentine politeness, would slap me on the knee, as if I had been an acquaintance of some years standing. The history of Genoa is full of incident and instruc tion. It was anciently a province of the Roman empire, but did not rise to much consideration. In more modern times it has stood on higher ground, and played a more important part. It has sustained one siege'that has been compared to that of Troy, and its long and obstinate 24 TWO TEARS AND A HALF IN THE NAVT. contest with the Venetian Republic has been thought a worthy imitation of the second Punic War. Genoa took a more active part and distinguished herself more in the Crusades against the Infidels, than any other na tion of Christendom- In navigation, commerce, enter prise, devotion to liberty and the extent of her conquests, she left all her sister republics, except that of Venice, far behind. She has left the memorials of her former greatness in almost every part of the Mediterranean and Levant. Every where in the East::— in Egypt, Pales tine, Asia Minor, Thrace and the Isles and Continent of Greece, the ruins of her fortifications and of those of her great rival are seen mingled with the more hallowed re lics of antiquity. To the patriotism, genius and wisdom of Andrew Doria, the greatest of all her citizens, Genoa owed two hundred years of internal quiet and pros perity, during which period she drove an active com merce with all the countries from Spain to Palestine, and from Egypt to the Black sea. It was then that her citizens amassed those princely fortunes, which they have since so liberally expended in adorning their native city with churches, palaces and edifices for charitable and other institutions. But Genoa could not resist the opera tion of the causes which have sapped the foundation of all the Italian Republics; and she whose navies once rode in triumph on every sea, and whose power was felt and feared by the nrost distant nations,' is now a petty portion of the dominions of the king of Sardinia, her commerce swept from the ocean, the enterprise of her citizens paralyzed, her wealth swallowed up in the vor tex of dissipation, and the spirit of liberty crushed be neath an iron despotism. ( 25 ) CHAPTER II. We sailed from Genoa on the twenty-second of July, and came to an anchor in the roads off Leghorn, on the evening of the twenty -fourth. The morning of the twenty-seventh beheld me in the queen of the cities — the fair, the lovely, the glorious Florence. But I will check my raptures for the present, and tell the reader how I got there. Immediately after breakfast on Monday morning, the twenty-sixth, I left the ship ¦ to pay a running visit to Pisa and Florence. I had declined an invitation to go with a large party of officers, chiefly for the purpose of associating more with the natives, and of improving my self in the language. Having obtained my pass-port and engaged a seat in a vettura, that was to pass, through Pisa for Florence in the evening, I took a seat in ano ther for the former city, anxious to see as much of it as I could in the short space of a single afternoon. My vetturino, as is usual in Italy, gave me a piece of money as a pledge of my seat, and assured me that his carriage would set off precisely at eleven o'clock. His eleven in the morning, as it turned out, meant nearly one in the afternooif; and it was not till those of us who had taken seats and were actually in the vettura, had seriously threatened him with leaving it and getting another, that we could induce him to put off. At the gate of the city we were stopped, our pass-ports called for, and our trunks all opened and examined by an officer of the customs. Having performed his duty, he bowed very politely, and wished us a buonviaggio. # The country between Leghorn and Pisa is low, mo notonous and unioteresting. We arrived at the latter 26 TWO TEARS AND A HALF place about three o'clock, P. M. I immediately pro cured a cicerone, and set off on a cruise. The four prin cipal objects of interest at Pisa are, as every body knows, the Duomo, or Cathedral; the Baptistry ;^ the Campo Santo or Cemetery; and the Leaning Tower. These are all situated on a large Piazza, or square, at the north angle ofthe city. There is not another public square, in any city in the world, adorned with so rare, precious and magnificent an assemblage of objects as this. I had not time to examine them minutely, but the passing glance I gave them, was enough to convince me of the truth of this assertion. The Cathedral was built abCut the commencement of the eleventh century, and is supposed to stand upon the site of an ancient palace of Adrian. The architect was Buschetto, and the Pisans claim for him the honour of having been the first to break the shackles of that " de praved and heavy taste adopted by the ancient Goths."* The style of architecture occupies a middle ground between the Gothic and ^the Grecian. The three front doors are adorned with miniature bronze figures, illus trating the histories of Mary and our Saviour. The scenes were designed by Giovanni Bologna, and exe cuted by various artists, among whom Pietro Tacca deserves to be particularly mentioned. They are master productions, and cannot fail to delight every beholder, who knows how to appreciate their merits. Some have regarded them as rivalling the three doors of the Baptis try at Florence, but in this opinion I cannot concur. The interior view of this temple produces a striking effect by its vastness and splendour, though it could be wished that the pleasure which it gives, were not partially destroyed by the want of purity and simplicity in the design. The sexton, a young man of about twenty-five years of age, pointed out the beauties of the building and its various ornaments, with a flippancy, astonishing even in an Italian commentator. * "Quel gusto depravato e pesante che adottarono eU anticlu Goti." ,1. IN THE NAVT. 27 The Baptistry, or church of St. John the Baptist, was erected about a century after the Cathedral. It is a ro- tundo, standing upon an ample basement considerably elevated above the ground. Many of the details, when examined separately, are chaste and beautiful, but as a whole, whether considered externally or internally, it is so crowded with different orders, and so overloaded with decorations, as to be highly offensive to good taste. The Cemetery is on many accounts the most curious and interesting monument in Pisa. It is called Campo Santo, from the circumstance of the ground where it was erected having been covered with earth brought from the Holy Land by the Archbishop Ubaldo Lan- franchi, on his return from a crusade in that country. It is on this account held in the highest veneration by all true Catholics. The architect was Giovanni Pisano, who completed it, according to the original design, in the year 1283; but some additions were afterwards made by the direction of Filippo dei Medici, when he was Archbishop of Pisa. It is a vast parallelogram, two hundred and twenty-two Italian bracci in length, and seventy-six in breadth. It has two entrances, both on the south side. The interior is a vast gallery, eighteen braccia in width and five 'hundred and seventy-eight in circuit, enclosing an open cloister, covered with green sward, and giving support to a few sickly cypresses. The order of architecture is modern Gothic. The pave ment of the gallery is of white marble, and the number of sepulchres underneath it upwards of six hundred. The walls are painted in fresco by some pf the earliest artists, and the great number of antiquities collected there furnish a wide field of observation to the antiquary, ¦and, what is still dearer to him, a wider one for conjec ture and speculation. The Campanile more generally known by the name of the Leaning Tower, is a great curiosity. It is a cir cular marble structure, ninety-five braccia in height and eighty-three in circumference at the base. It is sur rounded by eight peristyles, rising one above another, each of which is composed of twenty-six columns, makr 28 TWO TEARS AND A HALF ing the whole number of columns two hundred and eight Of these some are granite and some marble; — some of ancient and others of modern workmanship. Many ofthe capitals of the modern columns are also relics of antiquity. But what renders the Tower an object of singular attention, is its extraordinary inclination of seventeen braccia, an inclination amounting to about one half of the diameter of the base. The view from its summit is extensive and beautiful. It embraces not only every part of the city, but the whole of the rich plain of Pisa, watered hy the winding Arno, and terminated on one side by the mountains of Lucca, and on the other by. the waters of the Mediterranean. It has long been a contest between those who could find nothing more im portant to quarrel about, whether th^ inclination of the campanile entered into the original design, or was sub sequently occasioned by the accidental settling of the earth under a portion of the foundation. I am not about to enter the lists with either set of champions, but may never theless be permitted to say en passant that the former of these suppositions appears utterly preposterous. If it were true, what would it prove? Why, neither more nor less than that the two architects, who designed and executed the work, Guglielmo d'Inspruck and Bonanno, were a pair of asses; — an allegation, which every other part of this beautiful structure most fully disproves. Pisa, in former times one the most populous towns in Italy, is now reduced to a population of less than twenty thousand souls. The gloomy silence of its deserted streets forms one of the most striking features in the modern city, and cannot fail to make an impression on the mind of every stranger who beholds it, as lasting as the memory of his visit. There are indeed some parts of it which present a more animated and bustling-appear ance. The principal of these is the Lung' Arno, two wide and beautiful streets, running in a winding direction along the banks of the Arno through the whole city. The coup d'ceil which a spectator enjoys in contemplat- IN THE NAVT. 29 ing the scene on the Lung' Arno about sunset, is pecu liarly picturesque and striking. The classic waters of the Arno winding and murmuring beneath his feet, the magnificent marble bridges which communicate between tlie two parts of the city, the spacious and splendid edi fices which line the streets, and finally the multitudes of fair Pisans, who have walked out to inhale the balmy breath of evening, and whose graceful forms are seen lightly tripping over the pavements, combine to form one of the most gratifying and animating spectacles it is possible to imagine. During the triennial illuminations in honour of Ranieri, the patron saint of the city, this view is said to surpass in splendour and theatrical effect any thing ever seen in any other part of Europe. The history of Pisa is replete with incidents possess ing all the interest of romance, with examples of chival rous devotion to country, and with lessons of the highest practical philosophy. To say nothing of its early founda tion by the Greeks, the high consideration to which it afterwards rose, and its importance to the Roman empire, it is enough for its glory that, among the modern Italian Republics, it was second only to Venice and Genoa in power, while it equalled them both in the commercial enterprise and military prowess of its citizens, and left the latter far behind in the more elegant and intellectual pursuits of literature, philosophy and the fine arts. The Pisans in fact claim for their countryman Buschetto the honour of having rescued architecture from the barba rous taste of the Visigoths, and for Giunta, another Pisan, that of having revived the art of painting in 1230, twenty years before Cimabue was born. About dusk I went to the Locanda, or inn, where I was to meet the vettura in which I had engaged my seat As I was in momentary expectation of its arrival, I did not wait for a warm supper to be prepared, but hastily swal lowed a cold partridge, and then had the cold comfort of VOL. IL 4 30 TWO TEARS AND A HALF waiting nearly two hours for the appearance of my friend, the vetturino. Several carriages passed the LocandcC during this period, and I began to entertain serious apprehensions that mine might be among the number. At length, however, much to my relief, a vettura drove up and stopped before the door, and the harsh tones of the vetturino's voice fell like music on my ear, when I heard him inquire if the ujiziale Jimericano was there? I was not long in getting to my seat, and it was precisely ten o'clock, when we set off. During the summer months, travelling in Italy is performed almost exclu sively at night. The comfort of both man and beast is consulted in this arrangement. The nights are gene rally clear, tranquil, and balmy; but the heats ofthe day are almost intolerable, and the dust set in motion by the carriages is little less than suffocating. The d.irect road from Pisa to Florence lies all the way through the vale of the Arno, and frequently so near to that classic stream, that we could distinctly hear its mur- murings, as it flowed along over its pebbly bottom. When I visited Florence, the Arno was reduced to a simple brook, though during the rainy season, it swells to a stream of considerable magnitude. Chateaubriand says that the rivers of America have spoiled him for those of Europe. It is a fact that, in this department of her works, nature seems both there and in Asia to have laboured on a smaller scale than in America. The Ilissus, the Pactolus and the Scamander are no more than purling rivulets ; and even Ingens Pater Inachus, when I had the honour of seeing him, was so far advanced in his dotage, that he had not the strength of a striplitig. He was dry as the sands of Lybia. But if the Arno itself did not answer my expectations, the charming valley through which it flows, more than realized all the bright visions in which fancy had ever arrayed it. Nature and art have exhausted all their resources, and lavished them upon this favoured region. The Vale of Paradise could scarcely have been more enchanting. As you approach the Tuscan Capital, the country becomes like one con tinued garden. It is with justice that Mad, de Stael IN THE NAVT. 31 calls Florence " the city embalsomed with flowers;" and Milton exclaims with equal truth, " How horrible must be the despair which is not calmed by an air so sweet." We arrived at Florence about nine o'clock the follow ing morning. As far as I have had an opportunity of seeing Italian cities, I fully agree with Boccacio that Florence is " oltre ad ogni aXtra Italica bellissima" — beautiful beyond every other in Italy. The streets are wide, clean and elegantly paved with large square stones; the public squares are numerous and adorned with fountains, colonnades, and more than one hundred and fifty marble statues ; many of the churches, palaces and public buildings are magnificent ; the Cascine and the Gwdens of Boboli furnish extensive and delicious pro menades ; and altogether the city and its environs are such as a person fond of fashion and of luxury would select for his residence. Its situation too is just what it should be ; far enough in the interior to be removed from the bustle and confusion of commerce; in the midst of a vast and fertile valley, smiling with vineyards and villages, watered by a river whose very name is poetry, and which flows through it in a thousand graceful sinuo sities, and terminated by a noble amphitheatre of moun tains, which give an air of majesty and grandeur to a scene that would otherwise be only picturesque and beautiful. The Arno flows through the city nearly in a right line, dividing it into two unequal parts. It is crossed by three bridges, all of which are works of great solidity, strength and convenience. That of Santa Trinitii is reckoned one of the finest monuments in Florence. The public Pleasure Grounds, called the Cascine, are without the walls of the city, and may be said to be an island, formed on one side by a canal and on the other by the Arno, Relying upon a judgment formed merely 32 TWO TEARS AND A HALF by the eye, I should say that they cover an extent equal to half the city of New York. I know not in what lan guage to describe them, so as to convey to the reader any thing like the effect they produced upon my own mind. Majestic shade trees, scented groves and verdant lawns — bubbling fountains, a murmuring river and breathing marble, are here congregated together, and compose a whole, fitted, by its beauty and harmony, to afford the highest gratification to the eye and the imagination. Near the centre of the Cascine, Leopold caused to be erected a beautiful palace, which has been further im proved and adorned with appropriate ornaments by Fer dinand the Third. In front of this palace the coaches of the noblemen who drive out there in the evening, are accustomed to stop, and their inmates to descend and divert themselves by promenading and conversation. The number of persons, particularly noblemen and citi zens of the richer sort, who resort to the Cascine, is pro digious. In the principal street, which is bordered on each side by two rows of tall and venerable trees, there is a constant stream of carriages, drawn by steeds full of spirit and richly caparisoned ; while the lawns are gay with a thousand fairy forms, and the sounds of mirth that proceed from the various groups of children playing upon the green sward, fall upon the ear with a touching effect There is indeed one drawback, and it is not a small one, to the pleasure one feels at this hour in these delightful- grounds. While the evidences of luxurious wealth and simple-hearted contentment are so thick around him, he is at the same time often saluted by wretches in tattered garments and with haggard countenances, who beg of him, in the name of the blessed Virgin, some miserable pittance to lighten the pressure of their wants. In returning to the city, the first evening that I walk ed out to the Cascine, I took the path that lies along the bank of the Arno. This was the favourite haunt of the great tragic poet of Italy — Alfieri. Here, it is said, he composed many of those sublime passages, which, when- recited upon the stage, thrilled the multitudes who were IN THE NAVT. 33 assembled to hear them, and which will remain everlast ing monuments to his genius, and to the glory of the country that gave him birth. Here Milton was accus tomed to soothe his spirit by the sweet murmurings of the classic stream that flowed at his feet, and to drink inspiration from the glorious scenery which renders the Vale of the Arno one of the most delicious spots on earth. It was on this bank that tlie passionate Petrarch swept those burning chords that refused to breathe but in praise of the charms of the loved and lovely Laura. Here, as well as from the top of Fiesole, " through optic glass the Tuscan Artist" studied the motions and laws ofthe hea venly bodies; and here too Boccacio was wont to medi tate, while composing those memorable novels, distin guished alike for the licentious images and principles which they exhibit and inculcate, the originality with which they were conceived, and the fascinating graces of style which half conceal the monstrous deformity of this offspring of genius and depravity. At ten o'clock on the morning following that of my arrival, I was at the Royal and Imperial Gallery — that vast collection of monuments of the arts, commenced by the illustrious family of the Medici, and since so enrich ed by the munificence of the Princes of the House of Austria, that it has become the glory and pride of Flor ence, and is in effect, next to that of the Vatican at Rome, the richest and most extensive in the world. The collection composing the gallery is contained in an immense edifice, called Gli Ufizii, designed by Giorgio Vasari, and built on both sides of the street Lamber- tesca. The building consists of two wings, each four hundred and thirty feet in length, and an intermediate part of ninety-seven feet, which crosses the street above- mentioned, and connects the wings. The ascent is by a magnificent stair^way, and the entrance through two vestibules, in the first of which are placed the busts of all the princes Who have enriched the Gallery, and " who seem," so says the guide book, "assembled to do the 4* 34 TWO TEARS AND A HALF honours of their palace to strangers." A spacious and beautiful corridor, eleven feet wide and twenty in height, extends the whole circuit of the building. It contains collections of six distinct classes of works. A suite of apartments, twenty in number, open into the cor ridor, and most of them communicate with each other. Here whatever is rare in antiquities, whatever is gloriou^ in the arts, and whatever is valuable in gems and pre cious stones, are united to gratify the curiosity and taste of the visiter. Each of the apartments is appropriated to a particular class of works. One, for example, con tains specimens of antique bronzes, another paintings of the Flemish school, a third, portraits of painters by them selves, and so on. But I am detaining the reader longer by general de scriptions than I detained myself from a sight of what every one who visits Florence is most anxious to see — the Venus de Medicjs. The author of a burlesque " Trip to Rome," published a few years ago in some of the Magazfnes, speaking of this statue, says that he must of course admire what every body else admires, but adds, " Though I own it between us, there's many a Venus As much to my liking, and not made of stone." I am willing to make the same admission; but those " not made of stone" please me more for that very rea son, and no other; for surely, such ease, such grace, such softness, such incomparable symmetry, I have never be held in any living Venus. This marble of Cleomenes is in fact the very perfection of beauty, and he might well have exclaimed on finishing his immortal labour, as Anacreon did when he fancied the portrait of his mis tress before him, " Enough! 'tis done! 'tis all I ask. It lives, it breatlies, it soon will speak!" The first feeling I experienced on beholding this piece of sculpture, was one of disappointment; but this soon gave way to a sentiment of a very difierent character, and the longer I contemplated, the more I admired. It IN THE NAVT. 35 has been objected to the Venus de Medicis that she is not a goddess; but in what light do the ancient poets re present her but that of a beautiful woman, fond of gaiety and devoted to pleasure ? According to the showing of her most devout worshippers, the only supremacy for which she was fit, was that of being Queen in the Para dise of Coquettes. The room in which this statue is kept is called the Tribune, and contains the choicest pieces in the Gallery both in sculpture and painting. It is a small octagonal saloon, only about twenty-one feet in diameter, but the works collected within it would of themselves richly re pay the trouble of a voyage across the Atlantic. Here are the young Apollo, that model of graceful manly beauty; the Scythian Spy, so true to nature and so full of expression; the Wrestlers, conceived with so much force and executed with equal felicity; and the Faun, that breathing personification of lightness and gaiety. All these are deservedly ranked among the master-pieces of ancient sculpture. The last is supposed by many to be from the chisel of Praxitles. The head and arms have been restored by Michael Angelo in a style so like the original that few would ever suspect that the whole statue was not ancient In the Tribune are also collected many of the chefs d'ceuvres ofthe greatest masters in the art of painting — Guercino, Michael Angelo, Domenichino, Andreo del Sarto, Paul Veronese, Annibal Caraccio, Vandyke, Cor- regio, Rubens, Leonardo da Vinci, Titian, and last and greatest of them all, Raphael. What a brilliant cata logue of names! And the. productions brought together in this sanctum sanctorum of the arts are sucli as fully to sustain the high reputation they enjoy. Who could satiate himself with gazing on such pictures as the two Venuses of Titian, the Samian Sybil and Sleeping Endy mion of Guercino, the Hercules between Vice and Vir tue of Rubens, and the glorious portraits of Pope Julius the Second and Fornarina of Raphael ? " We take no note of time" in such a place. So at least it was with me; for a considerable part of the day had stolen away 36 TWO TEARS AND A HALF before I could tear myself from the enchantment of so much beauty. I paid several other visits to the Gallery, and gave a passing glance to most of the curiosities and works of art which it embraces, but had not time to examine many of them with that attention which they deserved. Ma dame de Stael says that a person might spend days in the Gallery without understanding it: she might have said weeks — such is the number of curious and precious monuments collected within its walls. The Group of Niobe and her Children was every way equal to my ex pectation. The head of the Dying AJexander also me rits all the praise that has been bestowed upon it. These are among the very small number of those statues that have survived the desolations of time, in which the an cients have attempted to express strong emotions. They generally limited their labours to the expression of the more light an^ graceful sentiments of the heart; but enough remains to show that they had equal power in delineating those stormy and violent emotions, which sometimes agitate the soul, and make it Uke the troubled ocean " ^hen it cannot rest" In the group of the Niobe, the mother is undoubtedly the most striking figure^- that which is conceived and executed with: most force and justness. Her form possesses a majesty and grace which a goddess might envy ; and her attitude is natu ral, dignified and commanding. But the highest merit of the conception and execution does not consist in this. The mingled expression of maternal tenderness and an guish portrayed in her countenance, as she throws her drappery around the little daughter who flies to her for protection, and lifts her eyes to heaven, not in hope, but in the vacant wildness of despair, is so true to na ture that no one can behold her for the first time with out an involuntary shudder — a feeling of deep and pain ful sympathy in her sufferings. The other figures in the group, though displaying great power and justness of conception and great force and beauty of execution, are all inferior to Niobe. I am afraid, indeed, that the attitudes of most of them cannot plead exemption IN THE NAVT. 37 from the charge of .being a little too stiff and theatrical ; but the expression given to their countenances is inimi table. Nothing could be more justly or happily con ceived. From the suddenness of the onset, all power of thought seems to be suspended, and a feeling of utter consternation and involuntary reliance upon a mother's protection, is the only one expressed. The difference of expression in the mother and her daughters is most just arid, striking. While her feelings are evidently not less deep and heart-rending than theirs, she still pre serves a majestic loftiness of mien and an instinctive grandeur of sentiment in the midst of her bitterest griefs; but they abandon themselves without reserve to all the violent emotions which the suddenness and weight of their calamity naturally inspire. The collections of ancient and modern bronzes in the gallery are very full, and contain some works of rare value. The arrangement of the paintings according to the schools to which they respectively belong is a very happy one. It enables persons not much accustomed to examine works of this kind soon to distinguish the great characteristics of style which belong to each of the dif ferent schools in this department of the fine arts. The collection of gems and precious stones is above all price. There is not probably such another in the world. The specimens are exceedingly numerous, and many of them invaluable, not less on account of the beauty with which they are wrought, than of the richness of the materials on which the artists have displayed their skill. There are among them a vast number of entire figures, heads, bas-reliefs and vases, wrought from gems and pietre dure, many of them mounted in massy gold, enamelled, and enriched with diamonds, pearls, garnets, and other precious stones. Works in jasper, rock crystal, lapis- lazuli, hyacinth, agate, sardonyx, amethyst, pearl, eme rald, onyx, &c. meet the eye in whatever direction it is turned. The apartment which contains this precious collection is also not undeserving of note. If is a small room in the form of a tribune, ornamented with four su perb columns of Oriental alabaster and four of rock 38 TWO TEARS AND A HALF crystal, each about seven feet in height. It is surround ed by six small cabinets, which are supported by eight beautiful little columns of agate of Sienna and eight of rock crystal, embellished with garnets, topazes, &c. In the centre of the apartment there is a table of pietre dure, of exquisite workmanship, in which is represented the Port of Leghorn. I have already said that there are in the corridor six distinct classes of works. These are busts of the Roman Emperors and persons belonging to the Imperial family; sarcophagi; statues; portraits of illustrious men; other paintings in oil; and paintings in fresco over head. Each series commences at the entrance, and the first ef fect on entering and beholding such a confused assem blage of objects, is amazement rather than delight. The collection of Imperial busts is very extensive, and to a person who has time to study them, is undoubtedly the most interesting class of works which the gallery em braces. Next in interest to the busts is the collection of ancient and modern statues. Of the ancient statues, the most beautiful are a Venus Genetrix, a Cupid, a Bac chus leaning upon a Faun, a Love and Psyche, and a young Mercury. At one extremity of the corridor there is a copy of the Laocoon, executed by Baccio Bendi- nelli. It is said to be an excellent one; but whatever merit it may possess as ^ copy, it is certainly a fine piece of sculpture. The paintings in the corridor are not generally works of very high merit. They are arranged chronologically with the design of showing the progress of the art from its revival to the present day. Before taking leave of the Gallery, I cannot but ex press my gratification at the manner in which it is ma naged. Men of talent and learning are employed by the Government to show to strangers the various objects of curiosity which it contains, and they are not allowed to accept of the slightest gratuity for their services. It is always open to artists, who are liberally furnished with every facility, for making copies of whatever works they please. IN THE NAVT. 39 The palace of the Grand Duke of Tuscany, still call ed, from the name of its original proprietor, the Pitti palace, is a noble pile of the Tuscan or Rustic order. Notwithstanding Bell's criticism on it, the effect of its immense front, which is about five hundred feet in length and three stories high, is, to me at least, exceed ingly fine. It is true, as he states, that it is utterly des titute of ornament, but its naked and majestic simplici ty is above all ornament; and as to the objection which he starts from its apparent want of support, what can be more solid or firm than a wall composed of stones, every one of which is more than twenty feet in length, and of proportionate thickness and breadth ? It has but one entrance in front, which leads to a spacious court yard adorned with three beautiful fountains, a grotto and numerous statues. The court exhibits three orders of architecture, rising one above the other in the three stories of the edifice. The columns are all in mezzo re lievo. The lower order is Doric, the middle Ionic, and the upper Corinthian. This union of orders does not add to the beauty of the effect. The apartments in the pa lace are very numerous, and all worthy of royalty. The collection of paintings probably exceeds, both in the number and value of the works which it embraces, that of any other monarch in Europe, and is scarcely inferior to that of the Imperial Gallery. I dare not trust myself in attempting to give a particular description of any of the chejs d'ceuvres in this vast collection, lest I should be detained too long in a field so seductive; but will merely say that almost every apartment is crowded with the works of such masters as Raphael, Buonarroti, Titian, Guido, Rubens, Vandyke, and a host of others, who, if some what less distinguished than these, still challenge and re ceive the admiration of all the votaries of the arts. The Pitti palace is not very rich in sculpture, but it contains, in a small room appropriated exclusively to her use, the celebrated Venus bf Canova. This statue is of itself a treasure. Though certainly in no way comparable to the Venus de Medicis, it is nevertheless deservedly placed among the first productions of the chisel in modern times. 40 . TWO TEARS AND A HALF This palace of the Grand Duke occupies a distinguish ed place in the annals of Florence. It owes its origin to a sentiment of vanity. Filippo Strozzi having, near the middle of the fifteenth century, completed a large and costly palace, boasted that there was not its equal in Florence. A rich private citizen, by the name of Luca Pitti, having heard this boast, declared that there would be one whose court yard alone would be as large as the entire palace of Strozzi, and whose windows would equal in size its largest door. The work was comm.enced in 1440, according to the design of Filippo di Ser Brunel- lescho Lapi. The Pitti family having become reduced in circumstances, Bonaccorso, great grandson of Luca, found himself under the necessity of selling the palace, which he did to Eleonora di Toledo, wife of Cosmo the First, Duke of Florence. The Duchess caused a new story to be added, and the edifice to he in other respects ornamented and improved, under the superintendence of Bartolommeo Ammannato. The plafonds of nearly all the apartments are adorned with allegorical fresco paintings, illustrating the exploits of the Medicean fami ly. Cosmo removed from the Palazzo Medici to this of Pitti; and it has ever since been the residence of the so vereigns of Tuscany. The Gardens of Boboli attached to the palace of the Grand Duke are very extensive, and every way worthy of the edifice to which they belong. A minute descrip tion of them would of itself fill a long chapter. I can only say that they are laid out in the purest taste, and cannot fail to afford a rich treat to every lover of horti cultural beauty. The other palaces in Florence most deserving of at tention, either on account of their architecture or the works of art which they contain, are the Palazzi Vecchio, Strozzi, Ricardi, Corsini and Mozzi. The palaces and most of the other buildings of Florence look as if they were made, as they actually were, for stormy times. The windows in the lower stories are generally fortified with iron grates, and higher up may be seen the little iron rings from which the different parties that divided the IN THE NAVT. 41 city used to display their respective standards. In the desperate struggles for power between the families and adherents of the Pazzi and the Medici, in the bloody contests of the Guelph and Ghibelline factions, and in the desolating civil wars to which Florence has so often been a prey, it was necessary for the citizens to make their houses not less places of defence than of residence ; and hence the massive, gloomy and prisonJike appear ance of many of the edifices which -adorn this noble city. The square, called Piazza del Gran Duca, in front of the Palazzo Vecchio, is one of the most glorious spots in Florence. When it is said that it is adorned with colossal statues, which sustain the high reputation of such sculp- toi"s as Michael Angelo, Bendinelli, Ammannato and John of Bologna, enough has been said to give the reader some idea ofthe air of luxurious magnificence with which it is invested. The Academy of Fine Arts is an institution to which Florence owes much of her fame. Here were educated many of those great masters in the three arts of design — painting, sculpture and architecture^ — whose works have filled the measure of her glory. This Academy was so much enlarged and so modified in the principles upon which it is conducted by Leopold, that he may almost be said to be its founder. It is an immense establish ment, and affords every possible facility to the students who resort there for instruction. It is provided with professors of the highest talent and respectability. The President, Benvenuti, stands at the head of living his torical painters in Italy. The Academy contains a large collection of copies in chalk of ancient and modern statues and bas-reliefs. It contains also a rich assemblage of cartoons ofthe most celebrated artists, among which may be distinguished many of Michael Angelo, Raphael, &c. Besides the numerous apartments occupied by the stu dents, there is a hall filled with the original pieces which have obtained premiums at the triennial Concorsi, and VOL. IL 5 42 TWO TEARS AND A HALF another containing models of all the most perfect designs in architecture. There is also., a gallery of pictures, next to the collections in the Imperial Gallery and the Pitti Palace, the most extensive and valuable in Florence. The paintings here, like those in the Corridor of the Gallery, are arranged chronologically, so that commenc ing at the revivalof the art by Cimabue, you may trace its progress through all the successive stages of improve ment and retrogradation down to the present moment. The Museum of Natural History presents a rich field to the philosopher and the man of science. It is complete in all its departments — zoology, mineralogy, botany, &c. But what makes it an object of peculiar interest and curiosity is the vast collection it contains of anatomi cal preparations in wax. There are, if I am not mis taken, eighteen apartments filled with these preparations. The perfection with which they imitate nature cannot fail to astonish every beholder. They are not, however, quite so public as I expected to find them. "The awful region of the anatomical preparations," says Forsythe, " which should be sacred to men of science, is open to all ; and the very apartment where the gravid uterus and its processes lie unveiled, is a favourite lounge of the ladies, who criticise aloud all the mysteries of the sex." Credat Judseus, non ego. I will not believe that the fair Florentines are so utterly destitute of delicacy, nor that the gentlemen, who have the control of this establish ment are so regardless of what is due to decency. There were a few ladies in some of the other anatomical apart ments, but from this they were carefully excluded. The door was kept locked, and when I entered, it was imme diately fastened upon me again. Other gentlemen, I observed, were treated in the same way, and when any one wished to retire, he was obliged to rap for the keeper to come and let him out. IN THE NAVT. 43 The churches in Florence are very numerous, and the merit of their architecture ranges through all the degrees of the architectural thermometer. Many of them also possess a strong extraneous interest from the memory of important events which have occurred within them, or from other interesting circumstances associated with their history. The Duomo is the largest church in Florence, being in every respect of about the same dimensions with that of St. Peter's in Rome. It is supposed or proved by the Florentine antiquaries to stand upon a part of the Campus Martins of the ancient Etrurians. Its prodi gious dimensions, being above five hundred and fifty feet in length and more than one hundred and fifty in breadth, produce, especially when seen by moonlight in the still serenity of evening, an effect ofthe most solemn, elevated and pleasing character. It is, however, to be regretted that the greatness of the effect is in part destroyed by the finical intermixture of black, red, green and white mar bles, with which the stupendous pile is incrusted. The first view of the interior depends for its effect almost ex clusively on its vastness, as the minute decorations do not attract any portion of the spectator's attention. The windows are few, and the effect of the feeble light admit ted through coloured glass, is apparently to increase the natural proportions of the building to an indefinite great ness. This happy union of vastness and obscurity, aided by the profound silence which generally reigns there, is well fitted to excite those sentiments of solemnity and awe with which the Deity ought always to be approach ed. It is scarcely possible to conceive, without having felt it, the effect which all these circumstances combined produce upon the mind. They subdue the feelings ; they elevate the soul ; they fill the imagination ; they almost make you afraid to speak, lest the charm should thereby be dissolved, and the rich feast upon which the mind is feeding be annihilated with. it. The dome of this Cathedral is only seven feet less in height, and about twenty in the diameter of its base, than that of St. Peter's. It is an octagon instead of a circle, a circumstance which detracts somewhat from the unity 44 TWO TEARS AND A HALF and beauty of its effect It was designed by the illustrious Brunellesco, but he died before it was completed. " It was, however, finished according to Jiis original plan. Its height, from the pavement of the choir to the cross that forms the summit, is two hundred and two braccia. Few views can surpass in riphness and interest that en joyed by a spectator on this dome. It embraces the en tire city of Florence, with its massive palaces, its marble . churches and its magnificent public squares; the Calcine, with its shade trees, its lawns and its fountains ; the Gar dens oi Boboli ; the winding Arno, with its undulating valley, sprinkled with villages and covered with olive groves and vineyards ; and finally, the distant heights of Fiesole, Vallombrosa and other vine-clad hills. What an enchanting assemblage of objects! and how rich and va ried the associations to which they give rise! Near one of the angles of this Cathedral stands that beautiful Campanile, which Charles the Fifth said ought to be enclosed in a case, on account of the airy elegance and grace of its architecture. Nearly in front of the Duomo, and only a few paces distant from it, is the Baptistry, a large octagonal build ing, interesting chiefly for those two bronze doors, the work of Lorenzo Ghiberti, which Michael Angelo said ought to be placed at the gates of Paradise. On examin ing these exquisite productions, Corinna — that admirable conception, in which the aspirations of genius, the long ings of ambition, the fire of enthusiasm, and the power of suffering are so firmly delineated.-.^is made to exclaim, " What patience ! What respect for posterity! Yet how few piersons examine with attention these gates, before which the crowd passes with distraction, with ignorance, or with contempt Oh! how difficult it is for man to avoid oblivion! and how powerful, on the other hand, is the empire of death !" No one who visits Florence will fail to visit also, while he is there, the Church of St. Lorenzo. It is a fine specimen of architecture of the Corinthian order, designed by Brunellesco; but its highest interest arises from the circumstance tliat it contains the master pro- In THE NAVT. 45 ductions of Buonarroti in sculpture, and also that in tbe Canonica attached to it is the famous Laurentian Li brary. Of the latter I shall speak hereafter: the former are in the New Sacristy, otherwise called La Capella dei Depositi. In this chapel there are no less than seven statues of that great master, who excelled all other artists in painting and architecture, and himself in sculp ture. These are Lorenzo and Julian de Medicis, Day and Night, Morning and Twilight, and a Madonna with the Infant Jesus. Though ^veral of these are left unfi nished, one may still see in tnem all the power, sublimity and beauty of his genius. The Lorenzo is the sublimest conception that was ever eanbodied. That of the Apollo Belvidere may have more majesty; — more forcible it cannot be* The Duke i^ represented in the act of medi tating ^vengeance for the assassination of his brother Julian. - His left elbow rests upon his knee, and he is leaning his chin upon his left hand. His helmet is thrown up from iis face, and reveals a countenance, in which the worliSgs of a soul profoundly agitated, and the vast power of a superior intellect, when all its ener gies are concentratea, are expressed with an accuracy and force which selji rivalry at dpfiance. It is the tri umph of genius in the delineation of passion and thought. This statue has justly been denominated // Pensiero. The Thought — of Michael Angelo. The outlines of the Madonna is only roughly chiselled, but the Bambino — which she holds in her arms,- is finished in a style which shows that the genius of Buonarroti was as elegant as it was sublime. It expresses with inimitable effect the sweetness, purity, delicacy, and all the lovely graces of infancy. The church of Santa Croce, although the last which I shall notice particularly, was not the last that attracted my attention. It is the most interesting of all the churches of Florence, on account of the brilliant assem blage of dead, entombed within its walls; — an assem blage surpassed by no other in the world, and equalled by none, except perhaps that in Westmintej' Abbey. It was in walking through this church, an^|^i^fcularf*in 46 TWO TEARS AND A HALF contemplating the tomb of Michael Angelo, that. Alfieri first felt the desire of glory, and resolved to enter the lists as a competitor for a fame, which shpuld inscribe his name among the most brilliant of those to whose memories he beheld so many splendid mausoleums. It was a bold design, but the result showed that he did not over-rate his genius. His own sepulchre now occupies a place between those of Buonarroti and Machiavelli, company to which the vast powers of intellect displayed in his works fully entitle bin. There can be no ques tion that the monuments reared to the memory of the illustrious dead are calculated to inspire the living with a desire of emulating their virtues and rivalling their celebrity. It was in conforinity with this belief that Rome lined the Appian Way with tbe tombs of her most distinguished citizens. Near the entrance of- this church are the monuments of Michael Angelo and Galileo (the one on your right and "1 ^fiie interest which they excite, but diffanng widely in the the other on your left,) each equal ^the other in the merit of their execution. Galileo ,was born the day Michael Angelo died, and died t\fe day Sir Isaac New ton was born, a succession of births, equally singular and interesting. This venerable philosopher, fojr the subUme discoveries which he had made and published to the world, was for many years confined to the dungeons of the Vatican, and was finally released from his imprison ment on the humiliating condition that he should abjure upon his knees the system he had taught, solemnly pro testing before Heaven that he believed its tendency was to subvert social order, to propagate pernicious heresies, and to disseminate principles repudiated by a sound phi losophy. Who can figure to himself the grey-haired old man, in the presence of mitred ignorance and bigotry, voluntarily submitting to this perjured act of self-abasement for the sake of adding a few miserable years to his existence, without.a feeling of mortification at the infirmities, which cling even to the loftiest natures? But had he, on the contrary, suffered as a martyr to his philosophy, aad mounted the scaffold, or been bound to IN THE NAVT. 47 the stake, declaring his firm conviction of the truth of all his doctrines, and uttering the bold prediction that their triumph wo^ld one day be complete and universal, it would have afforded one of the sublimest moral specta cles the world ever beheld. Galileo returned to his own Florence, but not to pass the remnant of his days there in quietude and happiness. He was banished through the influence of the Medicean family. The Medici, it is true, patronized the arts and embellished their native city with palaces, statues, and pictures, but time can never obliterate the memory of their ungenerous con duct towards the father of modern astronomy, nor wash out the stain which it has left upon their reputation. But exile could not alienate his affections from the land that had given him birth. Like Demosthenes banished to the island of Poros, who still sighed for the air of his native Athens, he cast his last look towards the city of his idolatry — the Athens of modern times — and expired. The world has since united to do homage to his memory, but he, to whom this tribute woujd have been sweet, had it been paid when justly due, no longer lives to enjoy it. The voice of fame, though borne upon the four winds to every corner of the globe, is too feeble to pene trate the marble which enshrines the ashes of him, who was rewarded with imprisonment and exile fgr the dis covery of the most glorious truths, and who died in sad ness and disgrace, after having devoted a long life to the service of mankind. Machiavelli, Leonardo Aretino, Filicaja, the Countess of Albany, and many other distinguished personages have also been buried in this church. There is a monument to the memory of Dante, notwithstanding the inhabitants of the little town where he died in exile, though long and earnestly solicited to do so, have hitherto refused to give up his remains. ^ Eustace might have spared his illiberal sneer at the memory of Boccaccio, as his " im pure dust". has never polluted this illustrious burial-place. I am not aboiit to write a defence of the Decameron, for no man can deplore more sincerely than I do its immo ral character; but this licentiousness is, in my opinion. 48 TWO TEARS AND A HALF less chargeable to'the individual depravity ofthe author, than to that of the age in which he wrote. Nothing could render this more certain to my mind than the very design of the work, as set forth by Boccaccio himself in the preface; which was to furnish amusement to ladies in their idle hours. But Boccaccio has other claims to our respect. It is to him that we are mainly indebted for the cultivation in modern times of the ancient Greek literature. On this subject I quote the language of a dis tinguished Italian historian — Carlo Botta. "But," says he, " as a reformer of the ag^ singular gratitude is due to him for having discovered various Greek manuscripts, and for haying called the attention of his countrymen to the language and literature of Greece. He it is who, tearing in sunder the veil of ignorance, caused to shine upon our astonished eyes the beautiful forms of that nation, the generous and beneficent teacher of the human race. -* * * * The true benefactors of the human species are Dante, Petrarch, and Boccaccio." Highly as Florence js distinguished for the works of art which adorn its galleries, palaces and public places, it is scacely less so for the number and value of its pub- •lic libraries. The principal of these are the Maglibe- chian, the Ricardian and the Laurentian. The first is the most extensive, comprising one hundred and eighty thousand printed volumes, and ten thousand in manu script. In such a vast collection of books there must of course be a great deal of trash, but intermixed with this is most thatis valuable in all the languages of ancient and modern times. Besides many manuscripts of ines timable worth, this library boasts the possession of the first book that was ever printed. It is a theological trea tise ,by one William Durante, entitled Rationalia Bi- vini Officii, and was printed by Faust himself in 1459. The typographical execution has not of course any of the neatness of modern printing, but it is far less rude than I should have expected to finfi it. The Ricardian Library is kept in the Palazzo Ri cardi, and contains twenty-five thousand printed, and three thousand five hundred manuscript volumes. Al- IN THE NAVT. 49 though its proprietor is a private gentleman, he generous ly permits the public to enjoy the benefit of using it three days in the week. In the collection of manu scripts, those of greatest rarity and value are a copy of Pliny's Natural History, of the ninth century, a Pausa- nius and a Dante of the thirteenth, and a Virgil of the fif teenth. The Laurentian Library is kept in a large hall in the Canonica ofthe church of S. Lorenzo. It consists ex clusively of manuscripts. This collection was com menced bj' Lorenzo the Magnificent, and has since been so enriched by his descendants, that it is now the most rare and precious, to be met with in any part of the world. The whole number of works amounts to nine thousand. Among them I had the pleasure of seeing the famous copy of the Virgil of the third century, so many times lost and recovered, but now, it is to be hoped, re stored never again to be removed ; and that, scarcely less celebrated, ofthe Pandects of Justinian, made dur ing the reign of that Emperor. These are both kept in small mahogany cases, with glass lids, and no one is ever allowed to touch them. This library is enriched with various copies of the Bible in Greek, Latin, and Hebrew, a Geography, of the fourteenth century, according to the system of Ptolemy, a Dante of the fourteenth' century, &c. Original copies of many of the letters of Petrarch, of the Decameron of Boccaccio, and of the Tragedies of Alfieri, will not, by the intelligent visiter, be regarded as among the least valuable and curious parts of the collec tion. All these works are chained to the benches on which they stand. Their fetters at first strike one un pleasantly, as they seem to indicate an illiberal spirit on the part ofthe Government; but the precaution is easily forgiven, when it is considered how many times this hall has been rifled of some of its most precious deposits. The illuminations of many of the manuscripts in this collection are most splendid, and. the penmanship can scarcely be distinguished from copper-plate. Among the curiosities in this hall, I should not omit to mention the forefinger of the right hand of Galileo, piously pre served in a small glass case. 50 TWO TEARS AND A HALF In enumerating the li-braries of Florence, that of the Grand Duke of Tuscany in the Pitti Palace, ought not to be passed over in silence. It is a collection consist ing, of fifty-four thousand printed volumes, besides.about fifteen hundred in manuscript. The last place I visited in Florence, is one which I would not have missed of seeing for the worlds— the house of Michael Angelo. It has only four apartments besides the vestibule, all of which are numbered and named. The first, called la Galleria, contains twenty*- five oil and six chiaro scuro paintings, each of which represents some chapter in his life, or some quality of his genius. On the side of the room facing the street, is a statue ofthe artist, said to be an excellent likeness, with two others, emblematical of his character, representing Life in the two states, of contemplation and activity. The second apartment was his bed chamber, and is known by the name of la stanza di giorno e di notte. It is adorned with family paintings in oil and fregco, and hung with cartoons that display all the force and origi nality of the genius of their author. The third room is denominated la stanza degli .Rngioli, and was used as a chapel. Its walls are hung with portraits of all the Saints and Beati of Florence. 'What it contains of greatest value are two beautifully executed Madonnas in bass-relief, one of marble and the other of bronze, by Michael Angelo. But the last and most interesting of all the apartments is Ip studio, wliere, questionless, many of those gigantic and glorious conceptions were origi nated, which have gained for their author an immortality, such as no other human being has ever enjoyed. This room is decorated with portraits of all the distinguish^^ men that Florence has produced, who seem assembled there to do homage to the name of him who excelled thiem all. Here are preserved two plain walking-sticks which he used in his old age, together with many of the implements and materials — such as brushes, chisels, oils, &c. — with which he laboured in his several professions. IN THE NAVT. 51 On the evening of the thirtieth of July, I bade a reluc tant adieu to Florence, having remained there only four days, a period sufficient, indeed, to enable me to get a general idea of the place, and to examine hastily *the elite of the works of art with which it is embellished, but not long enough to satisfy either the eye or the mind. Those who travel on board of a man of war must often be content to see things as they can — not as they would. I arrived in Leghorn on the following morning, without any occurrences by the way worthy of note, except some impositions practised upon me by the buona .. manu gentry — that "thorn in the flesh" to all who tra vel in Italy. On my arrival in Leghorn, my mind was so full of Florence and its glorious monuments, that I felt little curiosity to see it. Indeed, there is little to be seen there. When the stranger has visited the tombs of To bias Smollet and Francis Horner in the English Ceme tery, and examined the four African slaves on the Dar- sena by Pietro Tacca, c'est fini. Leghorn is a busy, bustling, commercial place, with few attractions for the man of t^ste or pleasure. Sea-bathing and alabaster ornaments may be had there in any quantities. ( 52 ) CHAPTER III. Dr. Clarke has well and truly observed that " the consciousness to a traveller of the many interesting things he cannot see, often counterbalances the satisfaction de rived from the views of objects he has been permitted to contemplate." Every one who has ever travelled much, must frequently have been sensible of this feeling. 'We had bitter experience of it in our cruise on the coast of Italy. It was the expectation of all on board to proceed from Leghorn to Civita Vecchia, a seaport in the Ro magna near the mouth of the Tiber, whence we should have had an opportunity of visiting the Eternal City ; but our money — that glittering dross so essential in travel- ling-T-gave out. The captain tried to negotiate a bill of exchange, but could not do so on such terms as he felt authorized to propose. The consequence was that, in stead of getting under weigh for the Roman port, we sailed on the fifth of August for Naples, where we arrived five days afterwards. We were one day becalmed be tween the islands of Corsica and Elba, places whose ex ternal scenery had no particular^ attractions, as far as we saw it, but which it was impossible to behold without a strong interest^^an interest for which they were indebted to the genius and misfortune of Napoleon. We entered the Bay of Naples about dusk with a light breeze, which soon died away to a dead calm, and'we were obliged to get out our boats and tow. Our first view of Naples and its enchanting Bay, it will thus be seen, was by night ; and the effect was probably finer- than it would have been by day, owing to the play which obscurity gave to the imagination. The city stands near the head of the Bay, on your left as you proceed up it The Chiaia, or Royal Gardens, extending for a conside rable distance along the coast, and not distinguishable at TWO TEARS AND A HALF IN THE NAVT. 53 that hour from the rest of the city, gave it the appear ance of being illuminated as on jome gala occasion. Vesuvius was before us, towering in dark and solemn grandeur, and throwing up at short intervals shedts of flame and volumes of smoke. The firmament, with its countless stars reflected from the glassy mirror beneath us, looked like the inner surface of a vast hollow globe, set with thousands of the purest brilliants. The city, the volcano, the romantic scenery -of" the Bay, dimly seen by the rays of the crescent moon, the serene bril liancy of the heavens, the stillness ofthe water, the silence of the hour, unbroken except by the regular plashing of the oars and a few mellowed sounds that reached us from the shore, — all contributed to render the scene solemn, sublime and impressive". But if the view by night was glorious, that which the following morning revealed to our eyes, was not less so. The Bay of Naples has long been celebrated for its beauty, but the reader must have seen so many descriptions of it, that I may be spared the trouble of adding another to the number. " Some of its principal and most captivating features are its majestic and semicircular sweep, the islands of Ischia and Capri at its entrance, Vesuvius, and the beautiful capital which sits like a queen upon a portion of its coast. We were twice at Naples, having returned there a second time in the month of September following, for the purpose of carrying Major Lee and his lady to that city. The whole time that we spent there, including ten days of quarantine, was nearly two months. Without designing to give any thing like a full description of the city or its curiosities, and without any particular refer ence to dates, I shall merely throw out a few cursory remarks, the partial result of my observations at both these visits. Naples contains nearly half a million of inhabitants. In size and population it is the third city of Christian Europe. . In some respects it has stronger claims to the attention of the intelligent traveller than any other in VOL. II. 6 54 TWO TEARS AND A HALF Italy. Inferior to Florence in works of art, to Rome in the grandeur of its ancient remains, and to Genoa and Venice in the number and richness of its palaces, it is more interesting than either of them on account of its vast collection of those antiquities, which give an insight into the manners, domestic economy and private charac ter of the ancients. A gentleman in Florence, in drawing a comparison be tween his own city and that of Naples, said to me, Fi- renze starebbe bene a Napoli. No one who has seen both these places can fail to acknowledge the . truth of this remark. Naples enjoys the advantage of a finer situation and a finer climate than Florence, but in every thing else, in its churches, palaces, public squares, foun tains, promenades, &c., it is certahily inferior to that city. Its streets are generally narrow, winding and filthy; and its houses, though usually much higher and not less solid,have ^ |ess majestic appearance. Every window in the city has an iron balcony in front of it. But Naples is far from being a mean Ipoking city. La Strada Toledo, Santa Lucia, the Chiaia, and the delicious promenade along the coast called Mergellina, are enough to entitle any city to the epithet of m,agnificent. The coup d'ceil presented by Toledo street is indeed one of the finest and most stirring that can be imagined. Two continuous streams of carriages are constantly passing in opposite directions, while the crowds of pedestrians are like two strong currents struggling against each other, and form ing by their opposite action innumerable eddies. The buildings too on this street are more stately than in any other part of the city, and the pavement is almost as smooth as that of a church, being composed of huge blocks of lava, cut in the shape of diamonds. It has more of the busy, bustling, tumultuous appearance, which the principal street of a large metropolis ought to present; than any other I have ever seen. The Neapolitans talk louder than any other people in the world. This is no doubt in part to be attributed to the necessity of speak ing very loud'in the streets in order to make themselves heard. The habit of loud conversation, thus acquired. IN THE NAVT. 55 is carried out in all their intercourse with each other. Every bargain made by a shopkeeper with a customer you would think was a pitched battle between them. They are remarkable too for their gesticulation. The ancient Romans could scarcely have outdone them in this respect. ^ If a Neapolitan wishes to tell his neighbour he is a jackass, he has only to shut his hands, cross his wrists, and stick up his thumbs, and the business is done. So extensive is their language of signs, that an intelli gent ecclesiastic, the superintendent of the public library in the Studii, informed me he was engaged in the com position of a dictionary of them. But not only does the Strada Toledo exhibit the lively aspect above described ; — every part of the city has the appearance of a gay, luxurious, busy capital. All the public places are filled with carriages, and you cannot step out cf doors without having the cry of — volete car- rozza? volete carrozza? volete carrozza? — rung in your ears from a score of discordant voices. If you make a bargain before hand, you can generally procure a coach on the most reasonable terms ; but if you omit this pre caution, no matter how liberally you reward the coach man, it is ten to one that he does not, on receiving the money you offer him, give you a look of ineffable sur prise, and exclaim, questo mi date ? miserabile, sig nore!* A Neapolitan related to me a pleasant anecdote, in illustration of this trait in the character of this class of his countrymen. A young Englishman, fresh from the straight forward honesty of his own country, arrived in Naples and took lodgings in the same house with an old acquaintance of his, who had been some time in Italy. The next morning the new-comer had occasion for a car riage to go about half a mile. " Now," said his friend, « I'll bet you five pounds that if you offer that fellow a crown when you get out of the coach, he '11 grumble at your illiberality." The wager was accepted and lost But whether you arrange the price you are to pay to these coachmen or not previous to employing them, after • what! do you give me only this pittance ? 56 TWO TEARS AND A HALF you have paid them all you intend to, and all they de mand in the way oipay, they will still beg a gratuity of you to drink your health. This disposition to get"as much out of you as possible, is observable in all the shop- dealing in Italy ; but I remarked it more in Naples than any where else. Forsythe has said truly that Italian shopkeepers reckon only downwards. "You go to one ¦of them and demand the price of an article. He tells you the last price is twenty dollars.— You reply that you can't give him half of it. — " You may have it for eighteen." — "No." — "Well, what will you give?" — " Eight dollars." — " Impossible to sell for that ; but let us say sixteen." — " No, I'll give you ten, a^d not one farthing more."^ — " Fifteen is a fair price ; take it at that." — At length you find that you have Jio chance of bringing him to your price while you remain, and you start off. He lets you go till you get nearly out of hear ing, and then closes the farce by bawling out to you, E^! Signor, prendetelo a died — [" take it, sir, at ten dollars."] The otlfer places which I mentioned as forming the distinctive features of Naples, and entitling it to the epi thet of a magnificent city, — viz. S. Lucia, the Chiaia, commonly called the Villa Reale, and the Mergellina, — all lie along the margin of the Bay. The Royal Villa, though not comparable to the Cascine at Florence in aiiy thing except the sculpture which adorns it, is neverthe less a delightful place. Its situation is the most enchant ing that could be imagined, being at the foot of Pausilipo, and on the bank of the most beautiful bay in the world. A band of music is stationed there every Sunday even ing for the diversion of the gay crowds who resort there to amuselhemselves. The Sabbath in Catholic countries is the great day for amusements, and hence the public walks, the theatres, and all the resorts of fashion, gaiety and frivolity are on that day filled to overflowing. IN THE NAVT. 57 Not far beyond the Royal Gardens is the entrance to the Grotto of Pausilipo, cut through the hill of the same name. Whether this grotto was excavated for the pur pose of obtaining building materials, or in honour of some ancient divinity, or, as is perhaps more probable, to faci litate the communication between Naples and Puteoli, is a question which I leave to professed antiquarians. The grotto is nearly a third of a mile in length, about forty feet in height, and wide enough for two carriages to pass each other without inconvenience. There is an aperture near the centre, but it does not let in light enough' to render lamps unnecessary. I rode through it, but I found it so damp and dark and disagreeable that I was glad to issue forth again into the fresh air. ^ Pausilipo is a Greek term signifying repose from sad ness, and is happily applied to this hill as descriptive of its delightful situation and enchanting scenery. On its slope, and overlooking the mpst beautiful water scenery in the world, Lucullus and other rich Romans erected villas, in the decoration of which opulence lavished her resources, and art exhausted Jier ingenuity. Not far from the Grotto of Pausilipo is a |pot which has attracted the homage of the world, and which has occasioned more raptures, feigned or felt, than any other on the globe, — the Tomb of Virgil. It stands in the midst of a vineyard, about an eighth of a mile from the beach. Nothing remains at present but a small square building, flat-roofed, but vaulted within, with two mo dern windows. It is entirely destitute of ornaments of every kind. On a marble slab in an adjoining wall are the two lines commonly considered apocryphal: "Mantua me genuit, Calabri rapudre, tenet nunc Parthenope: cecini pascua, rura, duces." I shall not here repeat the arguments pro and con in regard to the question whether this be the real sepulchre of Virgil or not, but will merely state that my own opinion, from all I have read on the question, inclines to those who maintain the affirmative. Those who have leisure and inclination to look into this subject, may con 6* 58 TWO TEARS AND A HALF ' ' suit Cluverius, Eustace, Forsythe, &c. But whether this be the real tomb or not, it is just such a place as Virgil ought to have been buried in ; — in the midst of such scenes as we may suppose he loved to contem plate, — scenes from which his kindling spirit drank in the true inspirations of poetry, and gathered strength for its glorious flights. Petrarch planted a laurel over the tomb of Virgil, the most appropriate honour he could have rendered to the shade of the poet of his idolatry; but, thanks to the unprincipled rapacity of visiters, not a trace of it now remains. But an aged ilex still over shadows the tomb, a luxuriant mantle of ivy covers its walls, and green scented shrubbery perfumes the breezes that sigh over the ashes of the Mantuan Swain. I looked into most of the churches of Naples, but they are generally finished in worse taste than those in any other part of Italy. Gold leaf has been stuck on wher ever there was a surface to receive it, and ornaments of this and every other description are crowded together with little regard to purity of design or harmony of ef fect Some of them, however, contain works in sculp ture and painting of great merit. The little chapel of S. Severe, owned by the Sangro family, boasts three of the rarest and most valuable statues in Naples. The first that meets your eye on entering is Vice Undeceived — a most singular production. Vice is represented under the figure of a man caught in a net, which he has broken, and from which, aided by the Genius of Good Sense, who stands by his side, he is struggling to extricate him self. The man and net are both carved from one block of marble, but the net is so fine that it is impossible to conceive how it could ever have been done. The pa tience with which the artist must have laboured is really astonishing. He was seven yeai-s in completing his work. This statue is chiefly remarkable for the originality of the design and the difficulty of the execution. Nearly opposite this is another of a very different character, and of much higher merit It is a represen tation of Modesty under the emblem of a very beautiful woman, covered with a light veil. The illusion of the IN THE NAVT. 59 veil is perfect. You seem to behold the form and fea tures of the lady through the thinnest gauze imaginable, and you cannot but be charmed with the sweet and soft ened and retiring expression, which the sculptor has imparted to the marble, and which appears to be half concealed by the airy robe in which he has clotlied his highly poetical conception. But the master-piece of this chapel is a Dead Christ upon a cushion, with a crown of thorns lying at his feet. It is a work of the same class with that just described, designed by the same artist, Corradino, but finished af ter his death by Giuseppe San Martino. The form and features, though human, are such as you might suppose ennobled by the residence of Divinity within ; and the knowledge of anatomy displayed in the whole statue, but especially in the feet, is scarcely inferior to that ex hibited in the works of Michael Angelo. Like Modes ty, the Saviour is robed in a light veil, and the expres sion still lingering upon his countenance, so sweet, so tranquil and so dignified, is that which you feel to be most appropriate to the Son of God, sleeping the sleep of death. I could easily forgive the devotion of a sim ple-hearted peasant, who entered the church while I was there, and kneeling kissed this beautiful image of his Master. Canova was so charmed with this statue that he offer ed for it to the present representative of the Sangro fa mily — a family once very opulent but now in reduced circumstances — the weight of the whole mass in silver. The king, however, uttered his veto, and the poor man was obliged to keep his statue, and go without bread. What could the Sultan have done more? The despot was proud to have such a piece of sculpture in his capital, and yet unwilling to pay for it. Between the churches of this country and those of Ita ly there is of course no comparison. There they are palaces in which every manner of decoration is lavished without regard to expense, and often with as little re gard to good taste. The riches of the clergy, particularly in Naples, are beyond those of royalty itself, and it is 60 TWO TEARS AND A HALF only in the erection of costly and magnificent temples that they can m^ke a display of these immense trea sures. But to what purpose all this ostentation? To me, be it prejudice or be it reason, the temples of my own be loved land, in their unadorned simplicity, appea" more appropriate to the worship of the heart-searching God, than those splendid edifices consecrated to his service in Catholic countries, in whose erectien and decoration millions have been expended. We have at least the sa tisfaction to know that our churches are in no case built upon the oppression of the people, while it is equally certain that a considerable portion of the money that pur chases the gold, the frescoes and the marbles, which adorn the temples of Italy, is forced from the pocket of the poor man, who esteems himself happy if the sweat of his brow can procure for himself and his family coarse fare, coarse raiment, and a miserable hovel to shelter them from the summer's heat and the winter's cold. There are numerous convents in Naples. Some of them are rich, and some supported by charity, but all occupy the most delightful situations in the city. I dined one day at a convent of long-bearded Capuchins. For my invitation I was indebted to a visit I paid there in company with Luigi Firrao and Luigi Marinese, two Roman gentlemen attached to the Papal Court, with whom I accidentally became acquainted on board of our ship. I spent much of my time with them during our stay in Naples, and found them two of the most accom plished gentlemen that I met with during my absence. One of them particularly spoke " tlie Tuscan Syren tongue. That music in itself, whose sounds are song," with a purity, a sweetness, and an elegance, which made me think there was some propriety in the old adage, Lingua Toscana in bocca Romana. One who has never heard the Italian well spoken by natives, can form no idea of the effect produced by its rich and silver tones. I have sometimes found myself obliged to ask for the IN THE NAVT. 61 repetition of a sentence, not because it was not perfectly intelligible, but because, charmed with its music, I had neglected to attend to its meaning. We dined at twelve o'clock, for as the monks have forsaken the world, they must of course despise its fa shions. Dinner was served in a small oblong cell, fur nished in the plainest manner. The table was covered with a very coarse linen cloth, perfectly white, and the napkins were of the same material. It was served exclu sively by younger monks, who showed the utmost defe rence and respect for their superiors. The dinner was plain, but so unmercifully abundant that, being obliged to eat a little of each course, I was stuffed like a sau sage. I made an apology for retiring soon after dinner, and bid them adieu, protesting in my heart against ever dining with monks again. Yet I never was treated with a hospitality and politeness which appeared to proceed more directly from the heart than theirs. The excess of their attentions was the only thing of which I had any rea son to complain. They gave me a pressing invitation to make their convent my home during my stay in Naples. A few days after, I had a visit from my monkish friends on board the ship. None of them had been on board of a man of war before, and they seemed perfectly amazed and delighted with the neatness and order pre vailing there. Noticing a book on each of the mess- chests on the berth deck, one of them asked me what books those were? I told him they were Bibles. " And do your sailors all know how to read?" he inquired with a good deal of apparent surprise. " Nearly all of them," I replied. Che piacere! he exclaimed, turning to his cornpanions, ma in Napoli non e cosi.* Few of the palaces of Naples ever attract the attention of strangers. The only one I thought it worth while to visit was that of the king. This I did in company with the surgeon and purser of our ship. A ticket of admis- • How delightful! but in Naples it is not so," 62 TWO TEARS AND A HALF sion, signed by the king's steward, is generally re quired, but a dollar slipped into the hand of the servant enabled us to dispense with that formality. As the royal family was absent, we were admitted into all the apartments, not excepting the bed chambers of the king and queen, and of the princes and princesses. They are finished with an elegance and splendour, such as we may suppose royalty loves to contemplate. The saloon con taining the throne, though less glittering and gorgeous than that in the Serra palace at Genoa, is in a style of rich simplicity, to me far more agreeable. The throne itself is as splendid as gold and the costliest of silk-da mask and velvet can make it The collection of paintings in this palace, in propor tion to its extent, is the choicest in Naples. Among the artists by whose works it is enriched, are Raphael, Annibal Caracci, M. Angelo da Caravaggio, and the Chevalier Camuccini. The two most striking pieces are by the, last mentioned author. The subjects are the death of Caesar and the death of Virginia. They are paintings which speak to the heart The Csesar is a glorious conception, finely embodied. The painter has chosen the moment when " burst his mighty soul" at the discovery that Brutus was among the conspirators; and the surprise and horror which that discovery occasions, seem indeed to "vanquish him." The chapel in this palace is much celebrated for the richness of its ornaments, but as there is no dearth of such things in Italy, we merely glanced into it, and passed on to what we felt more curiosity to see, — the royal stables. These are the most interesting part of the whole establishment. They gave shelter to five hun dred of the finest steeds in the kingdom, consisting of not less than a score of different breeds, each of which had a particular part of the stable appropriated to itself. A long hall was filled with the most costly and glitter ing caparisons, and many of the carriages were one glare of gold. IN THE NAVT. 63 There a.re seven theatres in Naples. That of S. Carlo, adjoining to the royal palace, is the largest, and is gene rally admitted to be the most magnificent and beautiful in the world. It is capacious enough to accommodate about five thousand persons, and is finished with a splen dour becoming one of the largest, gayest and most beautiful capitals in the worlds On the night of the twentieth of August, it was illuminated in honour ofthe king's birth day. In addition to the customary lights, five candles were burning in front of every box, and the effect was most splendid and imposing. On that night the whole city was illuminated, many of the windows in the fH-incipal streets having a candle at every pane of glass, and the public places rang with the cries of viva il re ! viva il re ! such are the honours paid by the sub jects of arbitrary governments, — not to the virtues of their sovereigns, but to the splendours with which they are invested. How different this hollow-hearted adora tion from that spontaneous and universal burst of grati tude, with which fhe gallant and generous Lafayette was welcomed by the American people. I attended a few times the little theatre of S. Carlino, frequented chiefly by the lower classes of society, but not deserted by such of the higher orders as are not averse to shaking their sides now and then by a hearty laugh. Here Puncinello, that admirable caricature — or rather personification — of the Neapolitan character, showers his graces like rain on the thirsting audience. The broad comic which distinguishes the Merry Wives of Windsor is all the rage in this theatre. The acting one sees there would, among us, be considered the most abominable affectation in the world; but in Naples it is natural to the life: — so different are the modes of inter course in different countries. The Jicadema degli Studii is a vast establishment, containing most that is valuable in Naples both in An tiquities and the Fine Arts. In sculpture, if we except perhaps the Venus de Medicis and the group of the 64 TWO TEARS AND A HALF Niobe, it is richer than the Gallery of Florence. One half of the ground story is filled with the productions of the ancient chisel, nearly all of which were obtained either from the Palazzo Farnese at Rome, or from the excavated cities of Herculaneum and Pompeii. In this collection, though it contains nothing equal to the two works above mentioned, there are a great many pieces of deservedly high celebrity — ^pieces on which the eye and the mind linger, as if attracted by some powerful spell, which it finds itself unable to dissolve. 1 am not much skilled in the technicalities of sculpture or paint ing, and cannot therefore discourse on statues and pic tures like an artist or a connoiseur, but that is notTneces- sary either to understand or enjoy^ the beauties of a fine production of the chisel or pencil. Both arts are an imi tation of nature, and even the uninitiated. may, with a Jittle practice, learn to judge whether or not natme be well imitated. At least, my only mode of judging of the excellence of works of this kind, is by the effect they produce upon my own mind, according to the rule just laid down; and the reader is at liberty to make any de ductions from the weight of my opinions on this account that he pleases. Among the pieces in this collection which I felt most curiosity to see, was the Farnesian Hercules, a giant in the attitude of repose. The chief merit of this statue consists in its wonderful developement of the muscles. It was the author's design to represent bodily strength, and surely no artist ever made a nearer approach to per fection in this respect than Glycon. True, the muscles are not in a state of tension, an objection sometimes made to the statue, but in those prodigious muscular swells with which his whole frame is covered, the brawny demi-god shows what he could do, if roused to the exertion of his power. Almost the only impression, certainly the only strong impression, left upon the mind of a spectator who beholds this statue, is that he has seen the strongest man that ever lived. But how weak, how tame are the feelings which any mere bodily state or quality excites, compared with those deep emotions that IN THE NAVT. 65 we feel in the contemplation of the enjoyments, the suf ferings and the properties of the mind ! In viewing the Hercules, we are amazed at the strength of body it ex presses, but in beholding Niobe and her Children, it is their mental agony that penetrates our soul, and awakens its deepest sympathies. The burning arrows that cover their bodies,/ almost escape our notice, in the contempla tion of that unutterable horror and despair with which' the infliction of Latona's vengeance fills them, and which appear the more terrible, from the high exultation to which they have succeeded. The Farnesian Bull, so mangled by restorations that it is scarcely possible to tell what parts are ancient and what modern, occupies a place in the same apartment with the Hercules. It is the pride of the Neapolitans and a master-piece in the art of sculpture; not the least interesting perhaps from the circumstance that so many artists have been employed on it, and yet that the whole is executed in a style so unique that it might easily be taken for the production of a single chisel. The Flora may be all that connoisseurs make it: it would be pre sumptuous in me to dispute their authority; but it did not strike me as 1 expected it would. The drapery is most admired, and rftost deserving of admiration ; but the colossal size of the statue, and the heaviness almost necessarily resulting from such unnatural dimensions^ were in conflict with all those ideas of delicacy and love liness, inseparable, in my mind, from female beauty. The Callipigian Venus, a most lovely and fascinating creature, is considered by some as no mean rival to the Florentine Goddess. The art of the sculptor has im parted to the marble the appearance of the most delicate transparent flesh, — an appearance that gives to the statue a charm which it is impossible to describe. And here 1 cannot help observing how poor an idea the best casts of all the master productions of the chisel give of the originals. The size, the proportions, the minutest swells and indentures on the surface of the statue, may be per fectly copied and preserved, but the expression, the soul, the indescribable fascination which diffuses its delicious VOL. II. 7 66 TWO TEARS AND A HALF influence through the mind in contemplating the original, all disappear, or are but dimly seen and feebly felt, in the copy. The Venus Genetrix is also another divine production. Her hands are models of delicate sym metry. The collection of statuary in the Studii abounds in Venuses. One apartment fs appropriated almost exclu sively to their residence. The two equestrian statues of the Balbi family, found at Herculaneum, are justly ad mired. The horses are executed with great truth and spirit, and do not belie the fame for beauty enjoyed by that noble animal. But of all the statues that deserve the epithet " speak ing," that of Aristides is certainly the first. Canova was so charmed with it that he marked the three points of view from which it is seen to most advantage ; but seen from any point, it is always a statue that " speaks." How much more forcibly is the mind touched by that noble expression of candour and dignity and firmness, with which the genius of the sculptor has animated the Aristides, than it is by that developement of the muscular system, perfect though it be, which we admire in the Hercules of Glycon. The Cabinet of Egyptian Antiquities contains many objects worthy of notice; and among others, four well- preserved mummies, several sepulchral monuments with inscriptions, a numher of Egyptian idols, a quantity of papyrus, and some specimens of the money paid to Charon for ferrying the souls of the dead over the river Styx. Our cicerone was particular to inform us that it was a kind of money that would not pass any where else! Besides the collections of marble statues and Egyptian antiquities on the ground floor of the Studii, there is also one of antique bronzes, surpassing, in extent and rarity every other in Italy. On the second floor are galleries of foreign and Nea politan paintings, but to one who has just been examin ing the glorious productions that enrich the galleries and palaces of Florence, they appear rather insignificant The library contains two hundred thousand volumes, IN THE NAVT, 67 four thousand of which are manuscripts. The most curi ous of these are an original copy of the Jerusalem Deli vered of Tasso, not improperly characterized by For sythe as a "vile scrawl," and also an original of the philosophy of the " divine" Thomas Aquinas. By far the most curious part of this immense collec tion of curiosities remains yet to be spoken of I refer to the antiquities from Herculaneum, Pompeii and Nola. There is a long suite of apartments, literally crowded with these antiquities, and as you wander through them, the ages that have rolled away since the time of the old Romans, seem to be annihilated, and you almost feel as if you were mingling in the society of those stern lords of the universe. Your eyes are greeted with almost every variety of female ornaments — with carbonized eat ables — kitchen utensils — household furniture — weights and measures — drinking cups — lares — sacrificatory vases . — surgical instruments — dice — tickets for the theatre — ladies' dressing-boxes and combs — metallic mirrors — se pulchral urns — military armour — and a multiplicity of other objects that refuse classification, and are too numer ous to specify. The paintings, though some of them possess considerable merit, particularly in strength of outline and brilliancy of colouring, are mainly interesting on account of the insight they afford into the private life and manners of the ancients. A person might spend weeks in examin ing and studying these remnants of by-gone ages, and still discover something new to gratify his curiosity, and something valuable to repay the labour of his researches. In viewing the pictures and other antiquities found at Herculaneum and Pompeii, although considerable dif ferences are plainly distinguishable, one is continually struck with the similarity between the customs, manners and usages of ancient and modern times. But why should they be different ? The nature, of man, like the great features of the physical world, is the same in all ages. The lapse of time has produced some slight changes in the surface of our globe, and accidental circumstances 68 TWO TEARS AND A HALF modify to a certain extent human character ; while the construction of the one and the elements of the other re main essentially unaltered. The female ornaments are kept in a small room by themselve,?, called la stanza d'oggetti preziosi. They consist for the most part of gold necklaces, bracelets, eardrops and finger rings, of such clumsy workmanship that they appear to have come from the anvil of the blacksmith rather than elsewhere. The bread, flour, eggs, fruits, &c. are preserved almost in a perfect state. In a phial containing olives, the heat has extracted a few drops of the oil, which looks as pure as if it had been niade but yesterday. The drinking cups, in another apartment, are of various forms and sizes, generally re presenting the head of some animal, and so constructed that the persons drinking were obliged to quaff off their entire contents, before they could lay them down. In the room containing the oggetti preziosi, is the most beautiful Cameo in the world. It was found some years ago in Rome by a common soldier, and sold to his captain for a few crowns, who, in his turn, sold it to the Farnese family for, if I mistake not, seventy thousand. Its shape is circular, and it is about a foot in diameter. On one side of it is sculptured the head of Medusa, and on the other the marriage of the River Nile. Years must have been consumed in the execution of this beautiful work. On our second visit to Naples, Persico, an Italian sculptor of great talents, had just finished the models of his emblematical statues of War and Peace, designed to be placed in the two niches in the eastern portico of the Capitol at Washington. The models were much praised by all the intendenti in Naples, and the statues, which are to be of colossal size, will, I doubt not, be well worthy of the edifice they are intended to adorn. War is repre sented under the figure of a man who holds a shield itt his right hand, and a dagger in his left. His face is ani- IN THE NAVT. , 69 mated with an expression of courage and firmness, and his attitude is that of defence rather than defiance. But Peace was my favourite. I was charmed with the sym metry of her form, the harmony of her proportions, the benignity of her countenance, and the light and graceful folds of her drapery. Her right hand grasps the emblem of peace, and her left that of commerce. When interrogated, as I fi^quently was by Italians, with regard to the state of the fine arts in the United States, I have really been ashamed to answer; but I have generally apologized for our comparative inattention to them, by saying that, as a nation, we were still in our youth; that government, commerce, and education were more important than pictures and statues; and that it was necessary first to attend to what is useful and necessary, and afterwards to what is chiefly amusing and agreeable. But this reasoning has never satisfied my own mind. While wandering through the magnificent galleries of painting and sculpture with which not only public insti tutions and the palaces of kings and princes, but also the residences of almost all the rich private gentlemen in Italy, are adorned, I have blushed at the indifference of my own countrymen in regard to the cultivation of these elegant arts. The master-pieces of the chisel and of the pencil ought not to be regarded as the mere pastimes of vacant brains: they constitute a part of the true glory of a nation, not less than discoveries in political econo my, jurisprudence, and science; and they may be made subservient to the same beneficent ends with poetry and moral essays. It is surprising to what an extent a taste for the grand and the beautiful in the fine arts prevails throughout Italy. It extends through all the ramifications of society, from the king on the throne down to the meanest beg gar that follows and torments you, as you pass through the streets of her crowded cities. You are often sur prised at the criticisms of persons belonging to the lower orders of society on a statue, a picture, or a musical com position. They sometimes, indeed, discourse with an 70 » TWO TEARS AND A ffALF elegance of diction and a correctness of taste, that would shame many a long-winded speech-maker on the floor of Congress. Great injustice has, in my opinion, been done to the Neapolitans by many travellers, who have professed to give accurate pictures of the state of society and man ners prevalent among them. They have heen repre sented not only as having no claims to be considered vir tuous, but as destitute even of that miserable semblance of virtue — external decorum — which has been allowed to characterize the inhabitants of other parts of Italy. That the morals of the Neapolitans are of a less severe cast than those of the good people of these United States, will not be questioned; but that they are more dissoliite than in other parts of the south of Europe, nothing that has ever fallen under my observation has given me rea son to suppose. Mothers there take the same precau tions to secure the virtue of their daughters, and young ladies are not less guarded in their manners and conver sation. The nobility in Naples are very numerous, and gene rally very limited in their fortunes. They are fond to excess of gaudy equipages, and often practise economy in their living to very meanness in order to make a show in public. There is no other nation on the globe so devoted to finery as the Neapolitans. The King has carriages about which nothing but gold can be seen; the butcher sticks a bit of gold leaf on his meat in the market; and all the intermediate classes, to the utmost of their means, employ the shining dross in bedizening themselves and their appendages. The lazzaroni in Naples form one of the most nume rous classes of the population. From some of the accounts given of them by travellers, one would suppose that they dressed with as much uniformity as a regiment of sol diers, but the fact is quite the reverse. Their appear ance is as various as all the tatters in Naples could make them. They live chiefly on fruits, maccaroni, horse- IN THE NAVT. 71 cheSnuts, anchovies, and capers. They are a vacant, harmless race of beings, — more to be pitied than cen sured. They do not work, because they can get no em ployment. For a trifling compensation they are always ready to serve you in the most menial capacity. Their intellectual pleasures are of the lowest order, consisting chiefly in listening to the stupid dialogues of Punch and Judy, and the still more stupid holdings-forth of the street orators. Both these amusements are peculiar to Naples. Punch and Judy are automaton figures, carried about in upright boxes, just large enough for the person to squeeze in, who is to pull the cords that set the pup pets in motion, and fill their mouths with the vulgar humour — the only seasoning of their conversation — that never fails to secure the plaudits of the populace. The street orators are persons who recite passages from the Italian classics, interlarding them with^heir own com mentaries, and sometimes'with their own effusions on the same subjects. They may be seen almost every day on .the Mole and in other public places, edifying im mense crowds with their learning and their elo In company with Persico, I dined Chevalier Guardati, at his country ' heights of Pausilipo back of Naples. on just such a spot as a poet would dence. It commands a view of Naples wi bay, the Mediterranean, Vesuvius, and the Campagna Felice. What more could the most enthusiastic lover of nature desire? The dinner was neat, but not sumptuous. Each course consisted of a single dish. There was one of maccaroni, prepared in such a way as to be the most delicious mor sel I tasted while in Naples. A bottle of wine was placed at each plate. No healths were drunk, and the gentle-^ men did not remain at table after the cloth was removed. Soon after dinner, the company began to increase, and by dusk it consisted of some fifty or sixty persons, pretty equally divided between tbe two sexes. It was one of 72 TWO TEARS AND A HALF those parties which the Italians call conversazioni. Two balloons were sent up — one in the afternoon, and the other at night; — a diversion greatly enjoyed by all who witnessed it. Music on the piano, songs, dancing, cards, and conversation, made up the other amusements of the evening. No lady touched the piano, but several favoured us with songs. The dark flashing eyes, the playful features, and the speaking attitudes of the fair performers, gave tenfold effect to the full rich tones of their voices. The first notes of the piano were not there, as among us, the signal for louder and more earnest con versation. Scarcely a whisper was to be heard during the execution of a piece of music, but at the end of their task, the performers were always applauded with a loud clapping of hands. A group of gentlemen, among whom were two priests, the eldest apparently upwards of seventy years a£ age, spent the whole evening at cards. They played for money, but how deeply I do not know. The Chevalier Guardati is about fifty-five years old, urbane, intelligent, and of the most amiable disposition. He speaks English perfectly, and is a great admirer both of the language and its literature. He is a liberalist in politics, and of course opposed to the present govern ment He said there were only three go%'ernments that he liked, — those of England, France and the United States. He spoke in the highest terms of Murat, who has certainly left in Naples many monuments of his en terprise and public spirit. During our last visit to Ngiples, the annual exhibition of the fine arts took place at the Studii. The collection, particularly in paintings, was very extensive, and com posed exclusively of works executed, or at least finished, within the preceding year. Among much trash, it con tained a great deal that was valuable. There was a young Cupid in sculpture, — a statue of uncommon merit The body was faulty, but the legs, the feet, the arms, and the wings were executed with an elegance that would not have disgraced the Grecian chisel. The best painting in IN THE NAVT. 73 the collection was the Death of Attila. The unfortunate girl is reclining in the arms of her afflicted lover, and in the act of receiving the last sacrament from the hands of an aged monk. The sentiments of love, resignation, despair and parental tenderness, are portrayed with ad mirable truth and effect. Similar exhibitions are annually held in all the princi pal towns in Italy. ( 74 ) CHAPTER IV. The environs of Naples are hallowed ground. There are three principal excursions which no one who visits that city, should fail of making. The first is to Vesuvius, Pompeii and Herculaneum ; the second through the Phlegraean Fields to Pozzuoli, Cumse, Baise, &c. ; and the third through the most beautiful part of the Cam pania Felix, still called la campagna felice, to the ruins of ancient Capua and the royal palace near the village of 'Caserta. A party, consisting of three midshipmen. Dr. , and myself, having obtained the captain's permission, left the Constellation on the evening following that of our arrival at Naples, and at midnight set off on the first of these excursions. At that season of the year, it was impossible to ascend Vesuvius by day on account of the excessive heats. It was a tranquil, cloudless, balmy night. The stars shone sweetly, and the full moon look ed like some lovelier and happier sphere, floating through fields of ether, and shedding a portion of its pure efful gence on a dark but not ungrateful world. Our coach man took the street that lies along the quay, so that we had the city on our left and the bay on our right The vast capital of southern Italy was like a giant reposing after the labours of the day. The occasional rattling of a carriage over the smooth pavement, the tread of a soli tary pedestrian, the challenge of a sentry, or the song of a boatman, were the only sounds that broke the stillness of the hour. The effect of moonlight playing on the rip pled surface of the water and among the rigging of the ships that crowded the harbour, and resting on the sombre and massive edifices that line the streets of Naples and IN THE NAVT. 75 the domes and spires that shoot up above them, was like that ofthe wand of some Arabian magician. How solemn, how soothing is the contemplation of such a scene at such an hour! Insensibility could not behold it without kind ling into enthusiasm. The distance from Naples to Resina is five miles, but the country seats on the road are so thick that you scarcely appear to have issued from the city at all in travelling it. Every little while we passed a lamp burning before an image of the Virgin, at which our guide and coachman would cross themselves most devoutly. We stopped at the Fontana di Resina, the residence of the chief of the volcanic ciceroni, Salvadore Madonna, where it is usual to procure guides and jackasses to ascend the moun tain. We agreed to pay our Mentor half a dollar for his services, and an equal sum for each of the beasts. 'This is the usual price; but as I was mounting my jack, a fellow came up and offered me another for half the money. I told him I had already engaged one, and had no need of his. He was not, however, satisfied with this reply, but seized the bridle of my jackass, as if he meant to force me to accede to his wishes, and continued to urge his plea with such pertinacity that I was obliged to give him a stout blow in the face with my fist. Even this was not enough, for he followed me as I rode off^ extolling his animal, and begging me to exchange mine for it Another adventure occurred shortly after this, not less ludicrous, and showing equally the greedy, importunate and shameless character of this class of persons in Italy. We found that each of the owners accompanied his own jackass. Supposing it v^'ould only be for a short dis tance, I said nothing about it; but as they still continued to follow us after we left the town, I stopped and asked them if the bargain was distinctly understood, that we were to pay half a dollar to the cicerone and the same for each of the beasts ? 0 yes, they understood it per fectly, that we were to pay half a dollar for each beast and as much more to its owner for accompanying it. I told them that would never do — ^that they were expressly 76 TWO TEARS AND A HALF excluded from the bargain — and that we wanted not their services. They persisted in maintaining that we could not do without them. At last I dismounted, turned my jackass loose, and commenced walking towards the town, declaring that I would procure a new set of animals al together. This brought them to their senses. They turned their backs upon us and walked sullenly off, leav ing us to pursue our journey without their indispensable company, and without the pain of listening to their in terminable bawling in the harsh Neapolitan dialect The distance from Resina to the foot of the cone which the visiter has to ascend on foot, is about three miles. The road, during the first part of our ride, lay through the vineyards that yield the celebrated wine, called lachrymx Christi, These vineyards, which are rich and flourish ing at the foot of Vesuvius, become gradually less and less so, till at length they entirely disappear. They are succeeded by a little stinted and sickly shrubbery, which, in its turn, gives place to that utter desolation that reigns on the brow of the volcano, and whose empire is not disturbed by the feeblest effort of animated nature. The latter part of our ride conducted us through vast fields of lava, thrown out by the eruption of 1822, and piled to gether in such a manner as to present every wild outline that could be imagined.' Having at length arrived at the foot of the cone, we dismounted and commenced the ascent up the steepest and most difficult part of the moun tain. Hie labor, hoc opu.s est. The ascent here is at a pretty sharp angle, and the side of the. mountain being covered with ashes that yielded to our feet, one half at least, and probably more, of every step was lost, so that we had the labour of ascending more than twice the real distance. We commenced with great spirit, but ^oon had occasion to repent our rash rapidity, for before we reach ed the summit, we felt the want of the strength we had foolishly thrown away at the beginning. We reached the ridge which surrounds the crater just at the peep of day. The first view of the interior filled us witli astonish- IN THE NAVT. 77 ¦I'' ment and awe. We looked down into an immense and frightful gulf, from whose bottoni and sides millions of little columns of smoke were issuing, and in whose centre rose an inner mound, which threw up at short intervals flames, volumes of white smoke, pumice stones and melted lava, with a sound exactly similar to that of thunder. The world cannot contain a prospect of more dreary and sublime desolation. " Nature," says the author of Corinna, "is here no. more in relation with man. He can no longer believe himself her lord, for she escapes from his tyranny by means of death." Although the guide book cautions visiters against the '^ ambitious and most dangerous madness" of descending into the crater, warning them against trusting to the ap parent calm of the volcano, we were rash enough to dis regard the advice and venture down. It is two thousand feet deep, and can be descended only in one place. The descent was through beds of lava so hot that we were obliged to run to prevent our feet from being scorched. The surface of the crater consists of layers of solid lava, broken and thrown up by the force of the internal fires, as we sometimes see ice along the margin of our rivers. These internal fires are constantly working up, so that in some places we trode on hot lava, and in others the smell of sulphur was so strong that we were under the necassity of using our handkerchiefs to keep jrom suffocating;_._Ail--ti»s- notwithstanding, we proceeded over the dangerous soil, till we reached the inner mound, which we had the still greater temerity to descend also. Here we had a view of what may be termed the inner crater, consisting of one principal mouth and two small er ones, from which smoke, flamfe and liquid lava have been issuing for eighteen hundred years. We approach ed so near the fearful abyss that we could distinctly sea the boiling, red-hot lava in its bowels, and with a single leap might have gained that immortality at Vesuvius, which the mad poet Empedocles did at .^tna. The sun had risen while we were in those lower re gions, and on reascending, the view from the summit of the mountain was indeed a relief to the feelings occa- VOL, II. 8 78 TWO TEARS AND A HALF sioned by those'scenes of desolate and dreary sublimity, which alone meet the eye in that abode of death. The Bay of Naples with its fairy islands and its winding, village-crowned coast ; the vast sweep of the ocean; the queen-like city with its innumerable domes and spires, glittering in the clear sunlight of morning; the Phle graean Fields, the fabled battle-ground of Gods, and the favourite haunt of the ancient Muse; Pompeii, the only perfect specimen of "an ancient city which the moderns are permitted to contemplate; the Campagna Felice, that classic valley covered with the richest vineyards in the world, and gay with a thousand smiling villages; and fi nally, the distant Apennines, lifting their majestic sum mits to the clouds, — all lay spread out before us like some enchanted scene, believed to exist only in imagi nation, and to be seen alone on the pages of romance. What an accumulation of glories ! Surely, the universe cannot contain such another prospect. ' Well may th? Neapolitans be proud of what Nature has done for their country. No where else has she scattered her beauties with such lavish prodigality. The mountain which it had cost us so much labour to ascend, we descended in a twinkling. The yielding na ture of the ashes destroyed all apprehension of danger, and we were thus enabled to take enormous strides. We seemed scarcely^ to have started, before we found our selves where we had left 0Hii.-3a3.kass^ , On^our return to Resina, we stopped at the hermitage, which stands, as it were, between life and death, being at that point where vegetation, as if overcome in the last struggle, yields up the empire to utter and eternal sterility. It was here, the reader will recollect, that Mad. de Stael makes the irresolute but generous and noble-hearted Lord Nelvil unfold the secrets of his heart in the touch ing history he relates to his loved and fascinating Co rinna. The hermit, a grey-bearded old man, clothed in a robe of the coarsest cloth, came out and politely in vited us into his little cell. He treated us copiously to the lachrymae Christi wine, which, had it been less ex cellent than it really was, would have been very refresh- IN THE NAVT. 79 ing after our excessive fatigue; and fruits and cakes were placed before us. in great abundance. He keeps a large book in which nearly all who ascend the mountain, re cord their names and residences, and put down such other notices as they think proper. We were struck at the enormous proportion of English names record ed in tliis book. Some of the remarks noted down there are highly amusing. On taking leave, the good old man received the money that we gave him with great apparent gratitude, and pronounced upon us a hearty benediction. We reached the Fontana di Resina about eight o'clock, where we were welcomed by the owners of our animals, who congratulated us on our safe return, inquired how we liked our jacks, and wished us " much diversion" in the rest of our excursion. We were obliged to throw away the boots we wore up the mountain, — an event for which we had prepared our selves by taking two pair apiece. After breakfast we rode to Pompeii. During the whole of my absence from the United States, I saw no thing that excited in me an interest equal to that produc ed by this precious relic of antiquity; I sa.y precious, because, taken in connexion with the antiquities disco vered there, and which are now in the Museum at Na ples, it teache" .