8 2 3 5 h l
NEW YORK HERALD.
Bacon's riddle read at
last.

THE LIBRARY
OF THE
UNIV
ERSIT
OMNIBUS ARTIBUS
COMMUNE VINCUL
OF MINNESOT
CLASS
8235h1
BOOK DN49



i
is
NEW YORK HERALD.
NEW YORK, SUNDAY, APRIL 22, 1894.
BACON'S RIDDLE
READ AT LAST.
Dr. Owen Discovers Astounding
Facts About Sir Francis'
Literary Industry.
WROTE EVERYTHING, ALMOST.
Besides Shakespeare, He Was the Real
Spenser, Marlowe, Greene,
Peel and Burton.
SO THE CIPHER DECLARES
Marvelous Story Also of the Parentage
and Secret Life of "Novum
Organum's" Author.
ANYBODY CAN READ IT NOW
There is a young physician in Detroit
who has made the biggest discovery of this
century-or thinks he has. He has solved
the Bacon-Shakespeare controversy and
Beside his discoveries
a whole lot more.
Ignatius Donnelly's famous "Cryptogram"
grows pallid and wan.
Did Bacon write "Shakespeare?" Bless
you, if you will believe Dr. Owen-that is
the young man's name-Bacon not only
wrote the plays, but about everything else
worth reading in the Elizabethan age.
Dr. Owen has found out all this by the
aid of a magic cipher-not the Donnelly
cipher, which Dr. Owen repudiates-but
what he declares was Bacon's own.
According to his wonderful cipher Bacon
declares the actual list of his written
works to be these:-
William Shakespeare,
Robert Greene, George Peel and Christopher Mar-
lowe's
Stage Plays; the "Faerle Queen," "Shepherd's Cal-
ender,'
And all the works of Edmund Spenser;
The Anatomy of Melancholy" of Robert Burton,
"The History of Henry the VII.," the "Natural
History,'
"The Interpretation of Nature," the "Great In-
stauration,
"Advancement of Learning," the "De Augmentis
Scientarum,
11
"Our Essays," and all the other works of our own.
It is easy to see that Dr. Owen thinks
Bacon quite the most marvelous genius
who ever lived on earth-that there was
never anyone like him.
works
HE HAD HIS HANDS FULL.
Bacon's publicly
publicly acknowledged
were extensive enough to keep a pretty
smart man at work for a lifetime. Then
there were Shakespeare's plays, which in-
clude about five times as much as any
other playwright ever wrote, down to
Dion Boucicault. There are 21,000 lines in
the "Faerie Queen," to say nothing of
Spenser's other works. Marlowe, Peel and
Greene each filled a comfortable volume,
and "The Anatomy of Melancholy" repre-
sents the researches of a bookworm's life-
time.
Besides all this, Bacon was a councillor
of State, a judge, a busy intriguer and a
man of science.
Now, if Dr. Owen is right, he not only
found time to write all of these immortal
works, his own and that of all the others
named, but wove into them in passages,
metaphorical miles apart, a cipher history
of his own life, and of his times as well.
That history is the most wonderful thing
in the whole affair. In it the Doctor says
he has discovered forty new and important
historical facts. Among his disclosures
are the assertions that Elizabeth and Dud-
ley were secretly married, that Bacon was
their child, that Bacon murdered Shake-
was black-
speare because Shakespeare
mailing him, and no end of other things
that Froud and Macaulay never dreamed
of, or, at least, never told. But the De-
troiter is nothing if not sensational.
It is now eight or ten years since these
things began to be clear to Dr. Owen's
mind. He was in doubt at first, but is
away past that now. He was in New York
a few days ago and told me the story of
his discovery at length.
Dr. Owen himself is as agreeable man as
you want to meet. He is tall, slender, and
good looking and an eloquent talker at that.
He has a prodigious memory, can repeat
well nigh all of Shakespeare by heart and
pretty much all of the rest of the works
Bacon claims in this cipher story.
Orville W Owen, M. D., is his full name,
and he is a physician in reputable standing
in his home. He was the regular lecturer
on physiology in the medical college, and
before he began to decipher the cipher he
enjoyed a practice of $10,000 or $12,000 a
year. He isn't poor man now.
HOW THE DISCOVERY WAS MADE.
In telling me of the discovery he began
'way back at the beginning. He sa-
"The theory of a cipher in Shakespeare
is not new. Many have sought for, but
have failed to find. what it has been my
privilege to discover and put before the
world in intelligble and unquestionable
form.
"What is a cipher? Bacon himself says,
'A cipher has three requisites-that it be
easy to read and write, hard to decipher
and without suspicion.
The cipher which he has used to cover
his own history and that of England is the
embodiment of these, else it would not have
remained hidden for nearly three centuries.
I became convinced of its existence from
the passage in 'Love's Labor's Lost,' where
the long word occurs, and I was confirmed
in my belief that more than one book was
used from this passage in 'Love's Labor's
Lost
There is five in the first show
"You are deceived, 'tis not so."
The pedant, the braggart, the hedge priest, the
Tool and the boy
Abate, throw at Novum, and the whole world againe
Cannot pricke out five such, take each one in's
vaine.
The ship is under saile, and here she comes
amaine.
+
"On this idea I have spent eight years'
hard study. I read Shakespeare until I
could repeat it from cover to cover. When
I read a line in the Tempest' or a line in
the 'Merchant of Venice' or a line in 'Othel-
lo' upon the same subject matter I was en-
abled to put them together, and the story
began to unfold itself.
KEYS OF THE CIPHER.
"Many who have read my book will at
once say: Honor, Fortune, Reputation and
Nature are the keys of the cipher. These
are but the guides. The keys are the con-
cordant, similar words, sentences, lines and
passages around these guides. A guide may
lead to a closed and locked door, but with-
out a key you cannot enter in.
"I found the first reference to the guides
in King John. "Turn face to face and
bloody point to point, then in a moment
Fortune shall cull forth out of one side her
happy minion, to whom in favor she will
give the day.' I turned the page and found,
'Nature and Fortune joined to make thee
great.'
"Then I remembered in 'As You Like it'
and in Merry Wives of Windsor' the au-
thor had played upon the two words nature
and fortune, and I joined them together.'
I then went through the seven volumes
and marked all these guides. Around these
guides I looked for the concordant words,
the keys which unfold the story.
"Collecting all the absolutely similar mat-
ter, I sort it into piles and make the trans-
lation.
"To illustrate:-A child with no knowl-
edge of geography is given a dissected map
of the world. Placing the curiously sawed
blocks together the first time, he has a
large number of blocks that do not fit. He
begins again, and this time two or three
unused blocks. The third, fourth or fifth
time he has placed each block in its right
and normal position, and the world is be-
fore him. In this translation, I build up
as does the child."
•
Perhaps you see it and perhaps you don't,
The doctor does without a blink. Picking up
his translation of the "Cipher Story" he
read this message on the subject from Ba-
con himself:-
And, sir, though far and wide the secret thread
Of these rules seem scattered.
This distribution ceases if you
To one place carry all the words of your cue.
Then you may see the great flood
Or confluence of materials carries along with it
The key of every story for the instruction
Of the decipherer. And as a sentence
Is but a cheveral glove to a good wit,
The wrong side may be quickly turned outward
And transposed to another meaning.
Therefore, let your own discretion be your tutor,
and suit the action to the word, and the word
to the action,
With this special observance, that you match
Conjugates, parallels and relatives by placing
Instances which are related, one to another,
By themselves, and all the concordances
Which have a correspondence and analogy.
WHAT LED HIM TO BACON.
"In "Winter's Tale,' " the doctor says, "I
read, 'Fortune would not allow booties to
drop into my mouth, where, which, when,
who knows how this may turn back to my
advancement.' "Turn back to my advance-
ment' means back to Bacon's "Advancement
of Learning."
"In 'Love's Labors Lost' I have read you
the passage 'throw at Novum,' and have.
shown you the 'vessel under salle,' In the
"Tempest, "to your advancement.' I found
when I placed together the lines containing
'fortune' and 'nature,' that the names of
Sir Francis Bacon's works were easy to
discover.
"It is but translation and composition,
and not nearly as difficult as the translation
of a French novel, for you rarely find the
lines as far apart as you do some of the
words in a French translation some of the
"Can another man work out the same
story?" I asked.
"Yes. Will it be absolutely the same?
No. Victor Hugo's 'Les Miserables' has
been translated many times. The subject
matter is the same, but the translation va-
ries. The 'Iliad' has been translated many
times, but the words and lines are different.
The words even might be transposed, as in
any cipher code, but the meaning would
be the same.'
“Would another man say that Francis
Bacon was not the son of the queen?"
"Absolutely impossible if he followed the
concordances. Why? Because Sir Francis
Bacon repeats the questions and the an-
swers in various ways several times.”
"Is the cipher a hard one to learn?”
"All things are hard or easy by compari-
It requires three years to learn the
signal code of the United States govern-
ment. I have a young gentleman and two
ladies whom I have taught the cipher in
much less time, and who, during my recent
illness, carried on the work without assist-
ance."

son.
THAT WONDERFUL. WHEEL.
"On page 3 of the letter to the decipher-
er, the doctor went on, "you will find
these words:
Take your knife and cut all our books asunder,
And set the leaves on a great firm wheel,
Which rolls and rolls.
"In my study I improvised the 'wheel' by
procuring two reels, setting them at_each
end of a form about eight feet long. I pro-
cured about a thousand feet of light can-
vas, three feet wide. I cut all the books
asunder, trimmed the pages to the reading
matter and pasted these pages in four rows
upon this canvas, winding off one reel as
it was wound on to the other. There is
three thousand square feet of reading mat-
ter on the wheel.
"Then began the serious work of trans-
lation. Where to begin? Well, it was a
great puzzle. I wrote out the questions on
a plece of paper and hunted the books for
an answer. In the prologue of "Troilus and
Cressida' I found 'Beginning in the middle,
starting thence away.' This was a sugges- ·.
tion. but evidently not the beginning.
"The works of Shakespeare are divided
into comedies, histories and tragedies. the
histories being in the center: 'King John'
is the first of them, therefore it is in the
middle.
"I hunted for the word 'begin' in 'King
John,' and I found it:¬
"Thus leaning on mine elbow, I begin.'
"This soliloquy of 'King John' is entirely.
out of place, and without meaning, as bear-
ing upon the story of the play, but I found
in it, to my delight, a perfect mine of
wealth as to how to unfold the cipher.
"This cipher is not one that can be super-
ficially glanced at. You must, as Bacon
says, give time enough to the work, and if
It is not well done it is but a botch and
signifies nothing. You must take time to
find and mark all the repetitions of the
five guides. Then you must take time
enough to sort out all of the connatural
words. Then you are just ready to begin
the writing of the story. The cipher is
easy to read and write, but it is hard to
decipher and is completely without suspi-
cion.
"The reason that it is easy to read and
write is that Bacon has hidden the story
by simple change of place. It makes no
difference how far apart the change may
be, for you can go by the guides from one
end of the wheel to the other, or from one
book to another, and bring them all to one
place and gather them together, as a bee
gathers wax and honey.
"Sir Francis Bacon's method of a change
of place, with a guide to take you to that
place, a word to tell you where to stop
and a line for a pattern, is the most won-
derful cipher, and at the same time the
hardest to decipher, though the easiest to
read, of any cipher invented.
"It is hard to decipher, because you must
at first have a memory that will enable you
to remember the same lines, no matter how
far apart they may be. It is easy to read
and write, for when you bring it all to-
gether the story steps out of the mass al-
most by itself.
THE DOCTOR ARGUES.
"In presenting a matter of so great a
literary interest as this, showing that with-
in the works of such a great mind as that
which created the works of Shakespeare's
and Bacon, there was an inner existence,
another story, or series of stories, a nat-
´ural feeling of incredulity arises. It could
not be expected that belief would readily be
yielded.
"It is, of course, obvious that a series of
analogous sentiments, descriptions of scen-
ery, and even a few historical facts, could
be culled from the works used, and the
semblance of a short, although necessarily
somewhat indefinite, story could be created.
In fact, it has been one of the stumbling
blocks to the general acceptance of the
cipher, and I readily understand, too, that
something more definite than a collection
of literary beauties would have to be pre-
sented.
"You will readily see that an extended
story or a history involving a succession
of historical facts could not be constructed
in that way. The breaks in the chain of
events would be numerous and confusing.
If, however, dates and facts are given-
not only isolated facts, but chains of con-
nected facts, with no links missing-it
is a demonstration."
So far, Dr. Owen has published two vol-
umes of his translation, the last being
just fresh from the press. In these are
included Bacon's "Letter to the Decipher-
er," his
his "Dedication" to him who shall
discover the cipher and win renown in
disclosing Bacon's greater fame, the "De-
scription of Queen Elizabeth, the Curse
and Sir Francis Bacon's Life" and "The
Spanish Armada." The last is about half
completed when the second volume closes.
HOW HE DOES IT.
If you haven't got a "half Nelson" as yet
on the way the cipher works, the Doctor
gives a further inkling in the second vol-
ume. All the works of Shakespeare, Bacon,
Peele, Burton and others are pasted on the
big wheel. By the side of it the Doctor
takes his stand, and with a typewriter
at his elbow begins his work.
He has his "concordant words" and "cue
words," and with these he goes from pas-
sage to passage, picking a sentence or a
part of one here and there, as the cipher
directs.
The following will give an idea as to how
these two wonderful volumes have been
built up. The passages are parts of the de-
scription of the "Storm" in the "History.
of the Armada.”
The storm begins, a savage clamor.-Winter"
Tale.
The sky above was dim'd with hideous clouds of
pitch the restless winds from out the ground all
the air with rattling sounds this clime o'erlowering
with black congealed clouds fraught with infectious
fogs and misty damps.-Peele.
For hell and darkness pitch their pitchy tents
and death with armies of Cimmerian spirits give
battle 'gainst.-Marlow..
The vapours which they collected into clouds.-
Bacon.
·
The thunders which the winds tear from the
clouds with crack of riven air and hideous sound
filling the world' leaps out and throws forth fire.-
Greene.
Since I was man such sheets of fire such bursts
of horrid thunder such groans of roaring wind and
rain I never remember to have heard.-King Lear.
Woe the sallor that in the cold and quaking tides
and whistling winds the bitter broil and beating
blow of billows high doth bide.-Peele.
The town is empty on the brow o' th' sea stand
ranks of people.-Othello.
From higher ground jutting out into the sea.-
Bacon.
One man beckoned to the rest below bowing his
head against the steepy mount.-Timon.
What from the cape can you discern at sea?
Nothing at all it is a high wrought flood I cannot
twixt the heaven and the maine descry a saile.-
Othello.
But hark; a saile! a saile! a salle!-Othello.
To the ordinary man this looks like the
result of a marvelously deft patchwork,
and something that would entail the labor
of years or a memory of phenomenal ac-
tivity. But Dr. Owen says it's easy, as
easy as falling off a log.
His assistants, he says, wrote about half
of the second volume, and while he was
Ill ground out a hundred pages in the
third.
I asked the doctor how many volumes
there will be of the translation, but he does
not know himself. He is just going to keep
at work until Francis says he is through.
For all the doctor knows, Bacon has got
concealed in all those ponderous tomes an
original and the only authentic history of
the creation, as witnessed by Francis him-
self.
Among the surprises which will be sprung
is Bacon's account of his own discovery of
the circulation of the blood.
It seems that history is all wrong. His-
tory has it that Harvey was the discoverer.
It seems, though-and Francis explains it
all in the cipher-that he (Bacon), and not
Harvey, hit on the idea first.
BACON DEFENDS HIMSELF.
Here is the way, according to the trans-
lation, in which Bacon defends his action
in committing his secret story in a cipher
narrative. There is an "unknown interlocu-
tor," who interrupts him from time to
time:
For fear the finder out
Of this secret story in inconsiderate zeal
Might make it known unto our great mother,
Or the King. And then our life and glory,
Like a shooting star, would from the firmament fall
To the base earth.
་
For, my good lord, in this secret way
We unfold a dangerous chronicle, and by starts
Unclasp a secret book to your quick conceiving,
And read you matter deep and dangerous,
As full of peril and adventurous spirit
As to o'erwalk a current roaring loud
On the unsteadfast footing of a spear.
And if we fall in, good night; we could not swim,
And so would sink.
I'll tell you straight, we are questioned
By our fears of what may chance.
found out
For if it be
In our lifetime we would have no other shift
But first to confess and then be hanged upon the
gallows.
Then if you would not be an honorable murderer
5989 L

*
One would think that, having besides his
other cares to write hundreds of plays,
poems and books in order to bury his cl
pher sufficiently, that he would be, as in
his essays, wonderfully concise and to the
point. But he isn't. He's frightfully pro-
lix. This is only a little bit of the way he
eulogizes Queen Elizabeth, his putative
mother:
A queen
In frame of whose so lovely face
Nature hath showed more skill
Than when she gave eternal chaos form,
Drawing from it the shining lamps of heaven,
In whose high looks is much more majesty
Than in Hector and Achilles
(The worthiest knights that ever brandished swords)
A queen that makes the mighty god of arms her
slave
And treadeth fortune underneath her feet,
She paragons description and wild fame
And excels the quirk of blaz'ning pen;
And in the essential virtue of creation
Doth tire the ingeniuer.
She is a characteristical seal
Stamped in the day and hour of Venus,
Such a one that in spite of nature,
Years, country, credit, everything,
Charms with her beauty, wit and fortune,
În state Queen Juno's peer.
For all that Bacon grows very angry at
not being acknowledged as the Queen's son
and rails at her through page after page in
this style:-
She was guilty of perjury and subornation;
Guilty of treason, forgery and shift;
Guilty of incest, that abomination;
Guilty of murder and of theft,
An accessory by inclination
To all sins past and all that are to come,
From the creation to the general doom.
Oh, mother of my life, that brought'st me forth,
Thou nurse infortunate, guilty of all,
Curst may'st thou be for such a cursed son!
SIR FRANCIS BACON'S
CIPHER STORY
DISCOVERED AND DECIPHERED BY
ORVILLE W. OWEN, M. D.
First and Second Vols, now on Sale.
Third Vol. to be Issued in May.
Bound in Paper, 50c. Cloth, 75c. Library Edi-
tion, $1.00.
1st and 2nd Vols. bound together-- Paper, $1.00;
Library, $2.00.
SENT POSTPAID ON RECEIPT OF PRICE.
HOWARD PUBLISHING CO.,
DETROIT, MICH.
LINCOLN BUILDING, UNION SQUARE,
NEW YORK.
AYME HOBSART'S DEATH.
Bacon gives a very vivid account of Amy
Robsart's death. She was not poisoned, he
declares, but tricked to a fatal fall. Being
sent to the castle at the Queen's command-
Then whilst that night she in her chamber lay,
Some one did cry, "Ayme! Ayme!"
"This, by his voice, should be my lord," said she,
And from the great chamber to the landing ran
And thinking the pillars steadfast and firmly stay'd,
Did lean upon the rail and there awhile
As on a pillory looking through she stood;
But it, not capable to sustalu a rush
Or the impressure of her palm, went down,
On the slippery standing
She trembling a moment stood and cried to heaven;
Then from human help exiled, with earnest moan
She on the sudden headlong dropt
Down, down, down to the hard court beneath,
And her neck asunder broke.
There is no end of incidents which have
gotten crooked into history which Bacon in
this manner sets right. The relations of the
Francis
Queen and
were anything but
friendly, and some of their interviews are
given at length.
Here is the style of conversation in which
they indulged. Francis comes into the
Queen's presence and she breaks out:-
I'll teach thee what it is to brave my wrath,
Thou slave, to set a supersedeas to my great com-
mand.
Am 1 a daughter of a Jew, that a boy
With a reed voice and two minclug steps
Should think that he, or one of his,
Hath license to set my power at naught?
If thou rum thy wit against my will,
I'll make thee suffer the deadly pangs of death.
Thou shalt hang.
Instead, however, Bacon was banished,
and his history for the present ends.


BRIEF FOR PLAINTIFF.
BACON vs. SHAKESPEARE
by that student and scholar, Hon. Edwin Reed,
Andover, Mass. This is a most powerful and con-
densed argument; beautifully written, handsomely
bound, an ornament, both literary and artistic, to
any library.
We quote from well known people concerning
this book:
"Gives in a nutshell what most of those who agree
with him have required volumes to set forth."-Henry
Labouchere, Truth, London.
"I have read the argument with keen interest, and
am greatly impressed by its cogency."--(Bishop) H. C
Potter.
"It is ingenious and interesting."-Grover Cleveland. -
"I think its whole effect will be capital as an educa-
tor."-Horace Binney Sargent.
"The 'Brief' seems to me remarkably conclusive."-
Frances E. Willard.
"The most persuasive presentation of the question I
have seen."-Mrs. James T. Fields.
"Some of the points you raise are very hard to
answer."-Francis Parkman.
"In his general position as showing the impossbillity
of the Shakesperian authorship, he is unanswerablę.'
Q. B. Frothingham.
"I have read the able Brief with interest. Whether
Bacon wrote the wonderful Plays or not, I am quite sure
the man Shakespeare neither dfd nor could."-John G.
Whittier.
105 pages handsomely bound, gilt edges, $1.00.
Bound in white leather, a beautiful book, 1.50.
Further matter of great interest on this subject,
is promised from the pen of Mr. Reed, in the near
future.
HOWARD PUBLISHING CO.
DETROIT AND NEW YORK.

823 Shl
DN 49

wils
UNIVERSITY OF MINNESOTA
823Sh1 DN49
New York herald.
Bacon's riddle read at last : Dr. Owen d
WILSON
ANNEX
AISLE 39
3 1951 002 117 505 J
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10 ΡΤ ΑΒΓΔΕΞΘΗΙΚΛΜΝΟΠΦΡΣΤΥΩΧΨΖαβγδεξθηικλμνοπορστνωχ ίΞτ",/St=#°><><=
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MESH HALFTONE WEDGES
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65432
A4 Page 6543210
A4 Page 6543210
©B4MN-C
65432
MEMORIAL DRIVE, ROCHESTER, NEW YORK 14623
RIT ALPHANUMERIC RESOLUTION TEST OBJECT, RT-1-71
0123460
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ROCHESTER INSTITUTE OF TECHNOLOGY, ONE LOMB
PRODUCED BY GRAPHIC ARTS RESEARCH CENTER