Angland Beckwith
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REORGANIZATION SALE
:
OF
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AN EXTENSIVE AND VERY VALUABLE GATHERING
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AND
BEAUTIFUL AND DESIRABLE
ANTIQUE AND MODERN FURNITURE
OTHER VALUABLE ARTISTIC PROPERTY
D. S. HESS & COMPANY
NEW YORK CITY:
BELONGING TO THE LONG-ESTABLISHED AND FAVORABLY
KNOWN FIRM OF
MADISON SQUARE SOUTH
NEW YORK CITY
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Beyond Beckwith
ON FREE PUBLIC VIEW
FROM 9 A. M. UNTIL 6 P. M.
AT THE AMERICAN ART
GALLERIES
MADISON SQUARE SOUTH, NEW YORK
BEGINNING SATURDAY, NOVEMBER 26TH, 1921
AND CONTINUING UNTIL THE DAY OF THE SALE
AN EXTENSIVE AND VERY VALUABLE GATHERING
OF
BEAUTIFUL AND DESIRABLE
ANTIQUE AND MODERN FURNITURE
AND
OTHER VALUABLE ARTISTIC PROPERTY
BELONGING TO THE LONG-ESTABLISHED AND FAVORABLY
KNOWN FIRM OF
D. S. HESS & COMPANY
NEW YORK CITY
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
AT THE AMERICAN ART GALLERIES
ON THE AFTERNOONS OF FRIDAY AND SATURDAY
DECEMBER 2ND AND 3RD
BEGINNING EACH AFTERNOON AT 2.15 O'CLOCK

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ADREAS
ILLUSTRATED CATALOGUE
OF
AN EXTENSIVE AND VERY VALUABLE GATHERING
Angmunt Becktonly
OF
BEAUTIFUL AND DESIRABLE
ANTIQUE AND MODERN
MODERN FURNITURE
AND
D. S. HESS & COMPANY
NEW YORK CITY
نانی ماسی
OTHER VALUABLE ARTISTIC PROPERTY:
BELONGING TO THE LONG-ESTABLISHED AND FAVORABLY
KNOWN FIRM OF
SPECIAL NOTICE
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
AT THE AMERICAN ART GALLERIES
MADISON SQUARE SOUTH, NEW YORK
ON THE AFTERNOONS HEREIN STATED
MESSRS. D. S. HESS & COMPANY ANNOUNCE THAT THIS SALE IS MADE
SOLELY IN CONNECTION WITH THE REORGANIZATION OF THEIR
AND WITH NO INTENTION OF DISCONTINUING
THEIR LONG-ESTABLISHED BUSINESS
FIRM
1921
THE SALE TO BE CONDUCTED BY
MR. THOMAS E. KIRBY
AND HIS ASSISTANTS, MR. OTTO BERNET AND MR. H. H. PARKE, OF THE
AMERICAN ART ASSOCIATION, MANAGERS
MADISON SQUARE SOUTH, NEW YORK
Full
THE AMERICAN ART ASSOCIATION
DESIGNS ITS CATALOGUES AND DIRECTS
ALL DETAILS OF ILLUSTRATION
TEXT AND TYPOGRAPHY
OMWL
N
8650
45X
1921
CONDITIONS OF SALE
I. Rejection of bids: Any bid which is not commensurate
with the value of the article offered or which is merely a nominal
or fractional advance may be rejected by the auctioneer if in his
judgment such bid would be likely to affect the sale injuriously.
II. The buyer: The highest bidder shall be the buyer, and
if any dispute arises between two or more bidders, the auctioneer
shall either decide the same or put up for re-sale the lot so in
dispute.
III. Identification and part payment by buyer: The name
of the buyer of each lot shall be given immediately on the sale
thereof, and when so required, each buyer shall sign a card giving
the lot number, amount for which sold, and his or her name and
address.
Payment at the actual time of the sale shall be made of all
or such part of the purchase prices as may be required.
If the two foregoing conditions are not complied with, the lot
or lots so purchased may at the option of the auctioneer be put
up again and re-sold.
IV. Risk after purchase: Title passes upon the fall of the
auctioneer's hammer and thereafter neither the consignor nor the
Association is responsible for the loss or any damage to any
article occasioned by theft, fire, breakage or any other cause.
V. Delivery of purchases: Delivery of any purchases will
be made only upon payment of the total amount due for all
purchases at the sale.
Deliveries will be made at the place of sale or at the storage
warehouse to which purchases may have been removed.
Deliveries at the American Art Galleries will be made only
between the hours of 9 A. M. and 1 P. M. on sales' days and on
other days-except holidays, when no deliveries will be made-
between the hours of 9 A. M. and 5 P. M.
Deliveries at places of sale other than the American Art
Galleries will be made only during the forenoon following the day
of sale unless by special notice or arrangement to the contrary.
Deliveries at the storage warehouse to which goods may have
been sent will be made on any day other than holidays between
the hours of 9 and 5.
Deliveries of any purchases of small articles likely to be lost
or mislaid may be made at the discretion of the auctioneer during
the session of the sale at which they were sold.
VI. Storage in default of prompt payment and calling for
goods: Articles not paid for in full and either not called for by
the purchaser or delivered upon his or her order by noon of the
day following that of the sale will be turned over by the Associa-
tion to some carter to be carried to and stored in some warehouse
until the time of the delivery therefrom to the purchaser, and the
cost of such cartage and storage will be charged against the pur-
chaser and the risk of loss or damage occasioned by such removal
or storage will be upon the purchaser.
NOTE: The Limited space of the Delivery Rooms.
of the Association makes the above requirements
necessary, and it is not alone for the benefit of the
Association, but also for that of its patrons, whose.
goods otherwise would have to be so crowded as to
be subject to damage and loss.
VII. Shipping: Shipping, boxing or wrapping of purchases
is a business in which the Association is in no wise engaged, and
will not be performed by the Association for purchasers. The
Association will, however, afford to purchasers every facility for
employing at current and reasonable rates carriers and packers;
doing so, however, without any assumption of responsibility on
its part for the acts and charges of the parties engaged for such
service.
VIII: Guaranty: The Association exercises great care to
catalogue every lot correctly and endeavors therein and also at
the actual time of sale to point out any error, defect or imperfec-
tion, but guaranty is not made either by the owner or the
Association of the correctness of the description, genuineness,
authenticity or condition of any lot and no sale will be set aside.
on account of any incorrectness, error of cataloguing or imper-
fection not noted or pointed out. Every lot is sold "as is" and
without recourse.
•
Every lot is on public exhibition one or more days prior to its
sale, and the Association will give consideration to the opinion of
any trustworthy expert to the effect that any lot has been incor-
rectly catalogued and in its judgment may thereafter sell the lot
as catalogued or make mention of the opinion of such expert, who
thereby will become responsible for such damage as might result
were his opinion without foundation.
IX. Buying on order: Buying or bidding by the Associa-
tion for responsible parties on orders transmitted to it by mail,
telegraph or telephone will be faithfully attended to without
charge or commission. Any purchases so made will be subject to
the foregoing conditions of sale except that, in the event of a
purchase of a lot of one or more books by or for a purchaser who
has not through himself or his agent been present at the exhibi-
tion or sale, the Association will permit such lot to be returned
within ten days from the date of sale and the purchase money will
be refunded if the lot in any manner differs from its catalogue
description.
Orders for execution by the Association should be written and
given with such plainness as to leave no room for misunderstand-
ing. Not only should the lot number be given, but also the title,
and bids should be stated to be so much for the lot, and when the
lot consists of one or more volumes of books or objects of art, the
bid per volume or piece should also be stated. If the one trans-
mitting the order is unknown to the Association, a deposit should
be sent or reference submitted. Shipping directions should also
be given.
Priced Catalogues: Priced copies of the catalogue or any
session thereof, will be furnished by the Association at charges
commensurate with the duties involved in copying the necessary
information from the records of the Association.
AMERICAN ART ASSOCIATION,
American Art Galleries,
Madison Square South,
New York City.
CATALOGUE
First Afternoon
4-ITALIAN VELVET BANNER
Rectangular shape of crimson velvet, embroidered, in gold
thread, with wreath and pointed leaves. Paneled with gold
galoon and finished with gold fringe.
Length, 4 feet; width, 1 foot 11 inches.
5—EMBROIDERED SILK COVER
Rectangular shape, of cream-colored silk, embroidered, in
green cord, with scrolled acanthus leaves and acanthus-leaf
medallion. Finished with silk fringe.
Length, 4 feet 8 inches; width, 2 feet.
6-VENETIAN SILK AND GOLD BROCADE COVER
Rectangular shape. Woven, in colored silks and gold thread
on a gold ground, with pear-shaped medallions, leaves and
diapers. Finished with gold braid and lace.
Length, 6 feet; width, 4 feet 10 inches.
7-ITALIAN SILK DAMASK LAMBREQUIN Seventeenth Century
Rectangular shape with scalloped edge. Crimson silk
damask, woven in a pattern of floral medallions and leaves.
Finished with silk galoon and silk fringe.
Length, 5 feet 6 inches; width, 1 foot 9 inches.
8-ITALIAN SILK DAMASK LAMBREQUIN Seventeenth Century
Rectangular shape, with scalloped edge, of red silk damask,
woven in a pattern of leaves, flowers and scrolls, and bor-
dered with silk galoon. Finished with silk fringe.
Length, 5 feet; width, 1 foot 9 inches.
9 FRENCH SILK BROCADE STRIP
Rectangular shape. Woven, in colored silks on a pale-
green diapered ground, with floral and leaf medallions.
Length, 3 feet 6 inches; width, 3 feet 4½ inches.
First Afternoon
10-FRENCH SILK BROCADE AND LACE COVER
Rectangular center of silk brocade woven, in colored silks
and gold thread on a light ground, with floral medallions,
scrolled acanthus leaves and floral sprays. Angles filled
with cream-colored silk damask, embroidered in a checkered
pattern with gold and yellow cord and with strip of gold
thread lace at top. Border of crocheted lace embroidered,
in colored silks and gold thread, with flowers. Surrounded
by gold cord.
Length, 3 feet 5 inches; width, 3 feet 5 inches.
11-SICILIAN EMBROIDERED SILK TABLE COVER
Rectangular shape. Appliqué embroidered with squares at
angles and center stripe, on white silk in colored silks with
cords, in a design of scrolls, leaves, quatrefoils and volutes.
Toothed inner border and outer border woven with lozenges
and pointed medallions in blue and red on a white couched
ground.
Length, 5 feet 6 inches; width, 3 feet 4½ inches.
12-ITALIAN SILK DAMASK COVER
Eighteenth Century
Rectangular shape, woven, in white on a blue ground, with
scrolled medallions of flowers and leaves, surrounded by
checkered diapers.
Length, 6 feet 8 inches; width, 6 feet.
13-FRENCH SILK DAMASK COVER
Rectangular shape. Woven, in blue silk on a diapered white
ground, with diamond-shaped floral medallions.
Length, 6 feet 10 inches; width, 6 feet 8 inches.
14-ITALIAN SILK BROCADE COVERLET
Rectangular shape. Woven, in rose-colored silk on a lighter
rose-colored ground, with floral medallions, floral sprays
and leaves.
Length, 7 feet; width, 6 feet 10 inches.
First Afternoon
2
15-FRENCH EMBROIDERED LACE BOrder
Rectangular shape with scalloped edge. Of tape lace em-
broidered, in colored silks and gold thread, with flowers,
scrolled acanthus leaves and twisted ribbons. Band above
of gold lace.
Length, 16 feet 2 inches; width, 9 inches.
16-ITALIAN SILK DAMASK COVER
Rectangular shape. Woven, in white silk on a yellow
ground, with floral medallions and leaves. Finished with
green silk fringe and silk tassels.
Length, 7 feet 2 inches; width, 5 feet.
17-ITALIAN CUT VELVET LAMBREQUIN Seventeenth Century
Rectangular shape. Panels of crimson velvet cut on a yel-
low ground in a pattern of scrolled leaves and flowers,
flanked by panels of crimson velvet cut in a pattern of floral
medallions. Paneled and bordered with gold galoon and
finished with gold fringe.
Length, 6 feet 10 inches; width, 1 foot 5 inches.
18-ITALIAN VELVET AND EMBROIDERED SILK COVER
Seventeenth Century
Rectangular shape. Center of crimson Genoese velvet, sur-
rounded by a border of scrolled flowers and leaves embroid-
ered, in colored silks and silver thread, on a crimson silk
ground and with an outside border of crimson cut velvet.
Finished with silk braid and tasseled fringe.
Length, 4 feet; width, 4 feet 2 inches.
19-ITALIAN SILK BROCADE AND DAMASK CHASUBLE
Double spade shape. Center of silk brocade woven, in raised
colored silk on a yellow ground, with scrolls and diapers.
Sides of crimson silk damask woven in a design of floral
medallions. Paneled and bordered with gold galoon.
Length, 6 feet 2 inches.
First Afternoon
20-FRENCH SILK BROCADE CHASUBLE
Double spade shape. Center woven, in colored silks on a
white ground, with bouquets of flowers and floral sprays in
white. Sides woven, in colored silks on a blue ground, with
floral sprays and vertical stripes in raised white silk and
darker blue. Paneled and bordered with gold galoon.
Length, 6 feet 1 inch.
21-FRENCH SILK BROCADE CHASUBLE
Double spade shape, with center panel woven, in colored
silks and gold thread on a mulberry colored ground, with
floral medallions. Sides woven, in colored silks, with floral
sprays, and with floral sprays in a white silk on a yellow
ground. Paneled and embroidered with gold galoon.
Length, 6 feet.
22-ITALIAN SILK BROCADE CHASUBLE Sixteenth Century
Double spade shape with rectangular shoulder pieces. Silk
brocade, woven, in white, on a crimson ground, with diaper
of floral sprays. Bordered with silk and silver braid.
Length, 7 feet 8 inches; width, 5 feet 3 inches (over all).
23—ITALIAN SILK AND GOLD BROCADED CHASUBLE
Seventeenth Century
Double spade shape. Center panel woven on a gray ground
in dark brown silk and gold thread with a scrolled lozenge-
shaped floral diaper, the side panels woven on a cloth of
silver ground in gold and silver threads with scrolls and
flowers. Bordered with silver braid.
Length, 6 feet 10 inches; width, 2 feet 5 inches.
24-ITALIAN SILK BROCADE AND EMBROIDERED VELVET
CHASUBLE
Sixteenth Century
Double shape shape. Center panel of crimson velvet ap-
pliqué embroidered, in colored silks and gold cord, with
scrolls, flowers and leaves, the front with escutcheons
charged with coat-of-arms. Side panels of silk brocade
woven, in crimson silk, with pomegranates and scrolls on
cloth of gold ground. Finished with silk looped braid.
Length, 7 feet 8 inches; width, 2 feet 3½ inches.
First Afternoon
25-ITALIAN SILK DAMASK AND
CHASUBLE
Double spade shape, with shoulder pieces, of blue silk
damask, woven with oval scrolled medallions and diapers and
with rectangular apparels of crimson satin appliqué em-
broidered with yellow satin, stitched with blue silk and out-
lined with gold cord. Borders to match. Finished with
silk braid and fringe.
Length, 8 feet.
26-ITALIAN VELVET ROBE
Seventeenth Century
Robe-shaped, with exceptionally wide sleeves of crimson
velvet, paneled and bordered with silk braid and with collar
and front of gold galoon.
Length, 4 feet 2 inches.
27-SPANISH EMBROIDERED SILK ROBE AND CLOAK
Eighteenth Century
EMBROIDERED SATIN
Seventeenth Century
Under robe of white silk with large sleeves, quilted and with
circular medallions occupied by initials V and S. Finished
with blue silk and gold thread fringe. Cloak of blue silk
with deep collar and bordered with band embroidered, in
silver thread, with scrolls and escutcheons, occupied by
Spanish Royal armorial bearings of castles, lions and pil-
lars, the body embroidered in silver thread with detached
stars.
Length, 8 feet 6 inches; width, 5 feet 4 inches.
Note: This robe and cloak were made for King Charles III (1716-
1788) of Spain, who joined France in aiding the American Colonies
and secured Florida.
28-ITALIAN Needlework Border
Worked, in cross stitch and colored silks and on a brown
ground on a canvas foundation, with scrolled leaves and
flowers.
Length, 24 feet; width, 3 inches.
29-ITALIAN NEEDLEWORK STRIP
Seventeenth Century
Worked in colored wools and silks and in petit- and gros-
points in squares, surrounded by leaf borders, occupied with
vases of flowers and fruits, scrolled acanthus leaves with
flowers and fruits, and cornucopiæ of fruits.
Length, 24 feet 9 inches; width, 1 foot 1½ inches.
First Afternoon
30-FRENCH NEEDLEWORK LAMBREQUIN Eighteenth Century
Rectangular shape, with triple-scalloped edge. Worked in
colored wools and gilt thread on a light ground with cen-
tral medallion bordered with gold-embroidered acanthus
leaves and containing groups of carnations and clusters of
grapes supported by scrolled acanthus leaves, grapes, flow-
ers and ears of wheat embroidered in gold thread. Bor-
dered with piping of crimson velvet with outer borders em-
broidered in gold thread.
Length, 5 feet; width, 1 foot 3½ inches.
31-FRENCH NEEDLEWORK LAMBREQUIN
Eighteenth Century
Rectangular shape with scalloped edge, worked, on a light
ground in colored wools and gros-point, with scrolled acan-
thus leaves, fruits, flowers and pointed leaves.
Length, 14 feet 4 inches; width, 1 foot 10½ inches.
32-FRENCH NEEDLEWORK LAMBREQUIN Eighteenth Century
Rectangular shape, worked, in colored wools on a light
ground, with scrolled acanthus leaves, flowers, pineapples
and pointed leaves.
Length, 10 feet 10 inches; width, 1 foot 5 inches.
33-SILK DAMASK COVER
Rectangular shape, woven with quatrefoil diaper and
rosettes with border of circular medallions, centered with
quatrefoils with outer and inner border of Greek wave pat-
tern. Finished with red and white cord fringe.
Length, 8 feet 8 inches; width, 1 foot 6 inches.
34 FRENCH SATIN DAMASK PANEL
Early Nineteenth Century
Crimson satin, woven in white silk, in a pattern of scrolls,
volutes, a canopy with birds, a basket of flowers, festoons
of drapery. Below an altar with crossed torches supported
by winged sphinxes. Finished with silk fringe.
Length, 8 feet 10 inches; width, 4 feet 1 inch.
First Afternoon
35-ITALIAN EMBROIDERED VELVET PANEL
Rectangular shape. Crimson velvet, appliqué embroidered,
in cream-colored velvet edged with silk cord, with a round-
arched niche supported by ornamental pilasters and enclos-
ing a vase of flowers, cresting of scrolls and feathers sup-
ported by scrolled masks and panel below of intertwined
scrolls and volutes.
Height, 9 feet 4 inches; width, 4 feet.
36-FRENCH SILK AND SILVER BROCADE SQUARE
Seventeenth Century
Rectangular shape. Woven, on a crimson figured ground,
in colored silks and silver thread, with scrolled acanthus
leaves, flowers, leaves and floral medallions.
Length, 8 feet 4 inches; width, 4 feet 7 inches.
37-FRENCH EMBROIDERED SILK PANEL
Early Nineteenth Century
Green striped silk appliqué embroidered in raised colored
silks and cloth of silver with basket of flowers, on voluted
and scrolled tablet with branches at the side and bead and
floral festoons below. Paneled with strips of salmon-col-
ored silk brocade edged with cloth of silver.
Length, 11 feet 6 inches; width, 4 feet 3 inches.
38 FRENCH SILK BROCADE AND EMBROIDERED PIANO COVER
Rectangular shape with shaped ends. Center of silk bro-
cade woven in colored silks on a mulberry colored ground,
with scrolled flowers and leaves. Ends with shaped panels
of blue velvet appliqué embroidered in yellow cord and sur-
rounded by cloth of gold embroidered with floral meander
and lozenges. Border of mulberry colored velvet. Paneled
with silk galoon and finished with silk fringe.
Length, 8 feet; width, 5 feet 5 inches.
39-FLEMISH TAPESTRY BORDER
Seventeenth Century
Woven, in colored wools on a black ground, with oval
scrolled medallions, vases of flowers and leaves.
Length, 3 feet 7 inches; width, 9½ inches.
First Afternoon
40-FLEMISH TAPESTRY BORDER
Seventeenth Century
Woven, in colored wools on a dark ground, with flowers
and fruits.
Length, 7 feet 5 inches; width, 10 inches.
41-FLEMISH TAPESTRY BORDER
Seventeenth Century
Woven, in colored wools on a dark brown ground, with
acanthus leaves and flowers.
Length, 7 feet 10 inches; width, 7 inches.
42-FLEMISH TAPESTRY Border
Seventeenth Century
Woven, in colored wools on a dark ground, with masks,
lozenges, baskets of flowers, acanthus-leaf scrolls and
leaves.
Length, 8 feet 6 inches; width, 11 inches.
43-FLEMISH TAPESTRY BORDER
Seventeenth Century
Woven, in colored wools on a dark ground, with vases of
fruits, masks, birds and acanthus leaves.
Length, 6 feet; width, 9 inches.
44-TAPESTRY BANNER
Swallow-tail shape. Woven, in colored wools and gold on
a blue ground, with heraldic bends, sown with fleurs-de-lis,
with a banner charged with armorial bearings, and with
sprays of holly. Finished with gold fringe.
Length, 3 feet 11 inches; width, 2 feet 2½ inches.
45-FLEMISH TAPESTRY PANEL
Seventeenth Century
Woven, in colored wools, with figure of Apostle in blue robe
with brown mantle and with outstretched hands. Back-
ground of tree and landscape.
Height, 6 feet 4½ inches; width, 2 feet 4 inches.
46-FLEMISH TAPESTRY PANEL
Sixteenth Century
Woven, in colored wools, with figure of female holding a
spear and label. In the background are two figures dis-
puting, and trees. Plants in foreground.
Height, 6 feet 4 inches; width, 3 feet.
First Afternoon
47-FLEMISH TAPESTRY BORDER
Seventeenth Century
Woven, in colored wools on a black ground, with central
vase of flowers and leaves, birds, scrolled acanthus leaves,
cornucopiæ and flowers.
Length, 6 feet 9 inches; width, 11 inches.
BRONZES, MARBLES AND MAJOLICA
48-BRONZE MEDALLION
Rectangular shape. Head of George Washington in low.
relief and profile, modeled by Calverley in 1877 after the
bust by Houdon. Framed.
Height, 2 feet 2½ inches; width, 1 foot 8½ inches.
49-ITALIAN MARBLE WATER JAR
Sixteenth Century
Pear-shaped body with rim carved with pointed leaves.
Looped handles carved with acanthus leaves. Body carved,
in relief, with groups of "Murder of Cæsar" on one side
and "Cincinnatus and Messenger from Senate" on the other.
Height, 2 feet 7 inches.
50-ITALIAN MAJOLICA OIL JAR
Pear-shaped body, with molded rim and molded looped
handles. Decorated with rosettes and a plain band; in-
vested with a yellow glaze, mottled with dark green.
..
Height, 2 feet 10 inches.
51-ROMAN STYLE MARBLE JARDINIÈRE
Hexagonal shape, with five faces carved with Amorini, hav-
ing above a border of ivy leaves and masks. Sixth side in-
cised with Latin inscription. Molded base and plain plinth.
Height, 2 feet 3 inches; diameter, 1 foot 5 inches.
First Afternoon
52-FRENCH MARBLE BUST
Seventeenth Century
Portrait bust in white marble of the famous architect, Jules
H. Mansart, shown in three-quarter view with curled peri-
wig, lace jabot and cross of the Order of the Holy Ghost
at his breast. On tapering rectangular pedestal, with
molded cornice and straight plinth, of dark green yellow-
veined marble.
Height of bust, 2 feet 7 inches; height of pedestal, 3 feet 7 inches.
Note: Jules Hardouin Mansart (1645-1708), nephew of the inven-
tor of the "Mansard" roof, was the favorite architect of King Louis
XIV, for whom this bust was made and for whom he designed the Palace
of Versailles.
53-ITALIAN BYZANTINE STYLE MARBLE JARDINIÈRE
Rectangular-shaped top, carved with figures of the Evan-
gelists, birds and scrolled leaves. Columnar standard with
capital carved with leaves at the angles and eagles. Shaft
pierced with lozenges filled with crosses and carved with
acanthus leaves and central sun medallions. Sides carved
with meander of berries and pointed leaves, bordered by
beads and roundels. Carved and molded foot and rec-
tangular base.
Height, 4 feet 8 inches; length, 2 feet 4 inches; width, 111½ inches.
OBJECTS IN WROUGHT-IRON, BRONZE AND ORMOLU
54-WROUGHT-IRON HANGING LANTERN
Hexagonal shape, with tapering triple arched, glazed sides
and hinged door, domed top with floral finial, angles with
flowers and hexagonal base, pierced and decorated with
wrought-iron. Suspended with three wrought-iron chains
florally decorated in wrought-iron.
Height, 4 feet 1½ inches.
55-PAIR OF FRENCH ORMOLU ANDIRONS
Standards of gilt bronze with spiral fluted shafts, orna-
mental capitals and feather pendants. Brackets at sides,
supporting voluted acanthus leaves and flower and leaf
festoons. Semicircular bases with acanthus-leaf edges,
pear-shaped acanthus-leaf feet. Gilt bronze ball finials and
iron rods.
Height, 2 feet 2 inches.
First Afternoon
56-PAIR OF ITALIAN BRONZE ANDIRONS
Standards as full-length figures of Jupiter and Juno, sup-
ported on vases with scrolled handles and having dolphins
at angles. Below cherubim and festoons of flowers with
seated Putti supported by dolphins. Molded bases.
Wrought-iron bars with wrought-iron finials.
Height, 2 feet 6 inches.
57-PAIR OF ITALIAN BRONZE ANDIRONS
Standards as figures of nymphs, supporting on their heads
ornamental vases with flames. Triangular bases with
scrolled escutcheons charged with coats-of-arms surmounted
by helmets and supported by couchant lions. Legs as
couchant leopards with paws. Wrought-iron bars.
Height, 4 feet 9 inches.
FURNITURE
58 FRENCH WALNUT AND ORMOLU TRAY
Oval shape, of walnut veneer with gilt bronze gallery pierced
and molded in a design of honeysuckles and scrolls. Gilt
bronze looped handles.
Length, 2 feet; width, 1 foot 2 inches.
59-ITALIAN WALNUT STOOL
Rectangular shape, turned legs and square rails. Top in
crimson silk plush.
Height, 1 foot 4½ inches; length, 1 foot 4 inches; width,
1 inch.
1 foot,
60-MAHOGANY FOOTSTOOL
Oval shape, with square tapering legs. Top covered with
tapestry secured with brass-headed nails.
Height, 8½ inches; length, 1 foot 5½ inches; width, 1 foot 1 inch.
First Afternoon
61-WALNUT FOOTSTOOL
Rectangular shape, with cabriole legs. Top covered with
tapestry finished with fringed braid.
Height, 10 inches; length, 2 feet; width, 1 foot 21½ inches.
62-WALNUT FOOTSTOOL
Rectangular shape, with carved top, spirally turned legs,
and spirally turned longitudinal stretcher. Top with loose
cushion in crimson silk damask, secured by gold thread
woven straps.
Height, 1 foot ½ inch; length, 2 feet; width, 1 foot 2½ inches.
63-ENGLISH WALNUT STOOL
Oval shape, turned legs, cushion feet and flat shaped cross
stretcher with turned finial. Top covered in silk damask
woven on a blue ground and finished with silk tasseled fringe.
Height, 1 foot 6 inches; length, 1 foot 9 inches; width, I foot
4 inches.
64-ENGLISH WALNUT STOOL
Oval shape, with tapering turned legs and shaped flat cross
stretcher. Top in silk brocade finished with tasseled ball
fringe.
Height, 1 foot 6 inches; length, 1 foot 9½ inches; width, 1 foot
4 inches.
65-ITALIAN WALNUT STOOL
Eighteenth Century
Rectangular shape. Square and turned legs, turned front
and side rails. Top covered in Hungarian point, worked in
colored silks and finished with silk fringe.
Height, 1 foot 8 inches; length, 1 foot 9 inches; width, 1 foot
5 inches.
66-CHAIR
Straight square back. Straight seat front. Turned legs.
Front rail carved with voluted scrolls and mask. Square
side rails and stretcher. Back and seat in leather secured
with brass-headed nails.
First Afternoon
67-FRENCH WALNUT CHAIR
Empire Style of the Early Nineteenth Century
Square open back, with carved side supports and head rail
and vertical splat pierced and carved with arrows and vase,
bowed seat front with carved apron, turned, cylindrical and
carved legs. Seat in cut crimson velvet, cut in a rosetted
diaper.
68-FRENCH CHAIR
Back with two panels of woven canework, pierced and
carved with flowers and leaves and with molded sides. Shaped
seat front with apron carved with flowers, cabriole legs,
carved with pointed leaves and flowers. Seat in woven
canework. Carving gilt.
69-ITALIAN WALNUT ARMCHAIR
Sixteenth Century
Straight back with rounded finials, square and turned legs,
square front and side rails. Back and seat in leather, blind
tooled in a design of paneled rosettes and secured with
brass-headed nails.
70-WALNUT CHAIR
Straight square back, turned legs, square front and side
rails. Back and seat covered in leather secured with large
and small brass-headed nails.
71-FOUR SPANISH OAK CHAIRS
Seventeenth Century
Square, open backs; wooden seats; turned legs and front
rails; square side rails and molded stretcher. Upholstered
seat-cushions.
72-OAK CHAIR
Straight square back, with acanthus-leaf carved and whited
finials, square fluted legs, pan feet, shaped front and square
side rails. Back and seat in crimson woolen rep, appliqué
embroidered in Savonnerie.
First Afternoon
73-ITALIAN OAK CHAIR
Straight back carved and pierced with voluted scrolls and
acanthus leaves, turned finials and spirally turned side sup-
ports, wooden seat, spirally turned legs, square side rails
and stretcher.
74-ENGLISH WALNUT ARMCHAIR
Straight high back, with pierced, carved and voluted crest-
ing and with panel of woven canework in center supported
by two turned spindles; columnar fluted side supports.
Curved, molded and voluted arms on curved and voluted
supports. Molded seat front. Scrolled and voluted legs
and front rail and turned side rails and double stretcher.
Seat in woven canework.
75-ENGLISH MAHOGANY TABLE
Rectangular top with rounded angles and molded and carved
edge and with two hinged flaps. Plain paneled apron fitted
with drawer. Square molded and carved legs, square side
rails and stretcher.
Height, 2 feet 4½ inches; length, 3 feet 6 inches (inc. flaps); width,
1 foot 10 inches.
76-ENGLISH INLAID MAHOGANY TABLE
Oval shaped top arranged to tip and inlaid, in satinwood
and ebony, with oval shell medallion and line. Turned
pedestal on tripod stand of three flat cabriole legs.
Height, 2 feet 2 inches; length, 1 foot 11½ inches; width, 1 foot
4 inches.
77-FRENCH INLAID CHAIR
Open back with vase-shaped splat inlaid with leaves and
berries and carved and gilded with flowers and leaves.
Shaped seat with carved top and molded edge. Plain
apron, curved fluted legs, carved above with leaves and
spade-shaped feet. Seat in woven canework.
First Afternoon
78-FRENCH WALNUT CHAIR
Shaped back with molded and carved frame and head rail
carved with acanthus leaves and volutes. Serpentine seat
front with carved apron and cabriole legs carved at the
knees and with tapering cylindrical feet. Back and seat in
woven canework.
79-SET OF SIX ITALIAN INLAID WALNUT CHAIRS
Open backs, curved and rounded head rails inlaid in light
wood with scrolls and with carved fans below. Square
tapering side supports inlaid with scrolls. Horizontal
splats, shaped seats with inlaid aprons, square tapering
inlaid legs; square side rails and stretchers. Seats of
woven canework.
80-FRENCH CARVED AND INLAID WALNUT WALL TABLE
Shaped top with molded edge inlaid with quatrefoil medal-
lion, standard carved with volutes, acanthus-leaf and husk
pendant, on tripod stand of three molded and voluted feet.
Height, 2 feet 9 inches; width, 1 foot 5 inches; depth, 1 foot.
81-ITALIAN WALNUT TABLE
Circular top with three drop leaves. Plain triangular apron.
Turned and carved legs. Square cross stretcher.
Diameter, 2 feet.
82-ENGLISH OAK GATELEG TABLE
Oval top with two hinged flaps and straight edge. Paneled
apron fitted with two drawers, reel-turned legs and gates,
reel-turned stretcher with turned finial and molded feet.
Height, 2 feet 5½ inches; length, 4 feet 6 inches; width, 3 feet
10 inches.
83-PAIR ENGLISH MAHOGANY DROP-LEAF TABLES
Rectangular top with molded edge and two hinged flaps.
Apron fitted with two drawers, and sides pierced with
quatrefoils. Straight square legs with molded and beveled
angles.
Height, 2 feet 3 inches; length, 3 feet 5 inches; width, 2 feet 1 inch.
First Afternoon
84-ENGLISH INLAID WALNUT SEWING TABLE
Mid-Victorian Period
Hinged octagonal lid with inlaid beveled edge, inlaid in cen-
ter with octagonal rosette surrounded by circular scrolled
border. Tapering octagonal standard with baluster-turned
base on tripod stand with three carved cabriole legs. In-
terior fitted with well having silk-covered removable lid.
Height, 2 feet 31½ inches; diameter, 1 foot 5 inches.
85-WALNUT JARDINIÈRE
Rectangular shape, top paneled with cruciform panels filled
with woven canework. Stand with straight, square sunken
paneled legs and square rails. Fitted with zinc lining.
Height, 3 feet 2 inches; length, 3 feet 2 inches; width, 1 foot 1 inch.
86-INLAID WALNUT AND OAK JARDINIÈRE
Rectangular shape, with molded edge. Front inlaid with
band of dark wood, shaped apron, legs carved with acan-
thus leaves, Spanish feet, and flat, pierced, longitudinal
stretcher. Fitted with zinc lining.
Height, 3 feet; length, 3 feet 9 inches; width, 1 foot 2 inches.
87-WALNUT BANQUETTE
Rectangular shape, with plain apron, turned legs, turned
double vails in front and turned side vails. Top in woven
woolen material.
K
88 FRENCH WALNUT BANQUETTE
Height, 1 foot 9 inches; length, 3 feet 4 inches; width, 1 foot
8 inches.
Rectangular top, curved, molded and scrolled legs, curved
and scrolled side rails and stretcher. Top in satin damask
woven with a purple ground and finished with gold thread
braid.
Height, 1 foot 10% inches; length, 3 feet 3½ inches; width, 1 foot
31/2 inches.
First Afternoon
89-WALNUT CHAIR
Straight back with serpentine top, straight seat front,
carved, molded and voluted square legs, with carved rec-
tangular tapering feet, curved and molded cross stretcher
carved with volutes, flowers and berries at the intersection.
Back and seat in gilt embossed leather.
90-DUTCH WALNUT CHAIR
Open back with carved and molded vertical splats and head
rail carved with acanthus leaves, honeysuckle and scrolls.
Serpentine seat front with carved and shaped apron. Cab-
riole legs carved at the knees and with trefoil carved feet.
Flat, carved and molded cross stretchers. Loose seat cov-
ered in leather.
91-GOTHIC OAK CHAIR
Straight square back with head rail carved with Gothic
tracery and carved finials in center and at angles. Oc-
tagonal legs with molded caps and bases; brackets with
sunken trefoils. Flat chamfered side rails and stretcher.
Back and seat in tapestry, woven in colors.
92-ITALIAN WALNUT ARMCHAIR
Straight square back, curved, molded and voluted arms on
turned supports, turned legs and front rail, square side
rails and stretcher, Seat and back in tapestry, woven in a
pattern of birds, fruits and leaves and secured with steel-
headed nails.
S
93-SPANISH WALNUT CHAIR
Straight back with arched top, wooden seat, turned legs
and front rail, molded side rails. Back and loose seat
cushion in crimson velvet with border embroidered, in col-
ored silks, with voluted leaf scrolls.
First Afternoon
94 FRENCH WALNUT CHAIR
Eighteenth Century
Open shield-shaped back, with molded and beaded side sup-
ports and arched, carved head rail. Splats carved as feath-
ers with voluted ends, serpentine seat front with carved
apron and cabriole legs carved at the knees and with taper-
ing turned feet. Seat in cut crimson velvet, cut in a
rosetted diaper.
95-FRENCH WALNUT ARMCHAIR
Straight square back, curved, molded and voluted arms on
turned carved and pierced supports. Turned, carved and
pierced legs with ball feet and flat, curved cross stretcher.
Seat and back in tapestry, woven, in colors on a dark
ground, with vases, birds, leaves and fruits.
96-FRENCH WALNUT ARMCHAIR
Open carved back with fluted side supports, head rail carved
with floral wreath, and pineapple finials, curved round
fluted and carved arms, bowed seat front with beaded apron,
tapering, fluted turned legs. Seat in cut crimson velvet,
cut in a rosetted diaper.
97-CARVED AND PAINTED OAK ARMCHAIR
Back with voluted side supports, two panels of woven cane-
work divided by carved scrolled panel, voluted head rail with
pierced and carved crown in the center, carved vase-shaped
finials and carved side supports. Carved and voluted arms.
Seat with carved scroll border, voluted front rail with
carved and pierced crown, voluted legs, turned side rails
and stretcher. Seat in woven canework.
98—FRENCH GILT CARVED WOOD CHAIR
Louis XIV
Open back with acanthus-leaf carved and voluted head rail
and side supports. Back paneled with woven canework with
pierced, volute and acanthus-leaf carving below. Serpen-
tine seat front, shaped and carved apron, square tapering
legs paneled and carved with acanthus leaves and husk fes-
toons. Spade feet. Seat in woven canework.
First Afternoon
99-ENGLISH INLAID MAHOGANY CHAIR
Straight square back with inlaid frame, flat, curved and
voluted arms with curved fronts, bowed and inlaid seat front,
turned tapering inlaid legs with pear-shaped feet. Back,
arms and seat in woven canework. Loose cushion.
100-ENGLISH MAHOGANY ARMCHAIR
Square sloping back. Flat curved arms with curved and
voluted supports. Straight seat front. Square tapering
Back and sides
legs fluted and paneled and spade feet.
in woven canework. Back and seat fitted with blue silk
satin.
101-ENGLISH MAHOGANY ARMCHAIR
Similar to the preceding.
102-PAIR OF CHIPPENDALE
ARMCHAIRS
Square backs, pierced with Chinese interlacements, serpen-
tine shaped and carved and molded head rails with carved
ears. Square molded arms with curved molded fronts, the
sides filled with Chinese diaper. Straight, square legs
pierced in a Chinese design. Square pierced side rails and
stretcher. Seats in crimson cut velvet secured with brass-
headed nails.
CHINESE
STYLE MAHOGANY
103-PAIR OF CHIPPENDALE CHINESE STYLE MAHOGANY SIDE
CHAIRS
Similar to the preceding.
104-ENGLISH MAHOGANY TEA TABLE
Rectangular tray top, fitted with glass and with beaded
edge. Plain apron, carved with acanthus-leaf scrolls and
panels of husk festoons. Turned tapering legs and spoon.
feet.
Height, 2 feet 2 inch; length, 2 feet 5½ inches; width, I foot
8 inches.
First Afternoon
105 FRENCH MAHOGANY AND ORMOLU TABLE
Oval top, inlaid with radiations of grained wood and with
molded edge of gilt bronze, plain apron with applied band
of scrollings in gilt bronze. Turned, tapering and fluted
legs with pear-shaped feet of gilt bronze.
Height, 2 feet 41/2 inches; length, 2 feet; width, 1 foot 31½ inches.
106-FRENCH INLAID SATINWOOD TABLE
Circular top with mahogany center and border inlaid, in
colored woods, with twisted ribbon and leaves in colored
woods, and edge inlaid with false flutings. Plain apron in-
laid with lined lozenges and rosettes, square tapering legs.
of satinwood with curved feet. Curved rising cross stretcher
with circular stretcher shelf in center.
Height, 2 feet 5 inches; diameter, 1 foot 6 inches.
107-FRENCH INLAID WALNUT ENCOIGNEU:
Top of yellow veined marble with serpentine front and
molded edge. Body with serpentine front arranged as cup-
board with hinged door having front inlaid with bands of
plain wood and vase of flowers in colored woods, flanked by
pilasters with console brackets decorated with festoons and
pendants and with shafts inlaid with false flutings. Shaped
apron with cul-de-lampe in gilt bronze.
Height, 2 feet 10 inches; width, 2 feet; depth, 1 foot 5 inches.
108 FRENCH INLAID MAHOGANY DESK TOP
Rectangular top, with serpentine front and pierced brass
gallery, inlaid with checker pattern in walnut. Bowed
front, fitted with four drawers with fronts inlaid with
checker pattern and on molded base. Gilt bronze looped
handles.
Height, 1 foot 3 inches; width, 2 feet 4 inches; depth, 1 foot
3 inches.
First Afternoon
109-WALNUT FALL-FRONT DESK
Eighteenth Century
Rectangular shape, with molded cornice, bowed frieze and
fall front with inlaid border, lined with material. Interior
fitted with drawers, pigeon-holes and central compartment
with hinged door. Below two drawers with plain fronts,
shaped apron, cabriole legs with carved knees and Dutch
feet. Brass swinging looped handles and keyhole
escutcheons.
Height, 4 feet 7 inches; width, 2 feet 2 inches; depth, 1 foot 5 inches.
110-ENGLISH WALNUT TABLE
Shaped top, inlaid in radiating panels of walnut and with
molded edge, plain apron, carved baluster-shaped pedestal.
On tripod stand of three acanthus-leaf carved legs with
claw and ball feet.
Height, 2 feet 7½ inches; diameter, 3 feet 1½ inches.
Sixteenth Century
Octagonal top with molded and fluted edge, and rectangular
carved apron. Pedestal of five columnar legs with turned
capitals and bases. Plinth with fluted and astragalled sides
and molded base.
Height, 2 feet 8½ inches; diameter, 3 feet.
111-ITALIAN WALNUT TABLE
112-ITALIAN WALNUT TABLE
Octagonal top with straight edge, straight octagonal carved
pedestal, cruciform base with seated lions on arms and
molded and carved terminations. Cushion feet.
Height, 2 feet 2½ inches; diameter, 2 feet 3 inches.
113-ENGLISH ADAM PAINTED WOOD CONSOLE TABLE
Eighteenth Century
Semicircular top of rose-colored marble with straight edge.
Plain apron painted in monochrome with gryphons and
scrolled acanthus leaves, masks and panels of female figures
and children. Carved bead border. Turned, tapering,
fluted legs and gadrooned, pear-shaped feet.
Height, 2 feet 9 inches; width, 4 feet; depth, 1 foot 9½ inches.
First Afternoon
114 ADAM STYLE INLAID SATINWOOD CHAIR
Square back with vertical splat painted with oval portrait
medallion, acanthus-leaf scrolls, flower wreaths and festoons
of pearls, having on either side panels of woven canework,
Square carved arms on turned supports, painted with
acanthus leaves. Bowed seat front, square tapering legs
painted with husk festoons and spade feet. Seat in woven
canework with loose cover in pale green silk.
115 ADAM STYLE PAINTED SATINWOOD SETTEE
Carved straight back with oval center, arms with turned
supports, bowed seat front, turned tapering legs. Painted,
in colors, with acanthus leaves and twisted ribbons, center
of back with figure group. Back, arms and seat in woven
canework.
Length, 4 feet 5 inches.
116 ENGLISH FOURFOLD PAINTED SCREEN
Eighteenth Century
Folds framed in gilt wood with carved and pierced scroll
crestings and turned tapering legs. Paneled with paintings,
on canvas, of bouquets of flowers in vases.
Height, 4 feet 5 inches; width, 5 feet 4 inches.
117-PAINTED MIRROR
Rectangular mirror in tablet-shaped molded frame with
broken angular pediment, and carved and shaped apron.
Carving gilt on painted green ground.
Height, 4 feet; width, 1 foot 9 inches.
118-PAINTED COMMODE
Semicircular shaped marble top with straight edge. Body
fitted with three drawers, the fronts painted en camaïeu on
an olive-green ground with classical figure subjects, flanked
by panels painted with vases. Turned tapering legs and
ball feet.
Height, 3 feet; width, 3 feet 6 inches; depth, 1 foot 8 inches.
First Afternoon
119 CHINESE PAINTED AND GILDED CABINET
Rectangular top with molded edge painted and gilt body
arranged as a double cupboard with two hinged doors, the
fronts with five panels each occupied by figure and floral
sprays and surrounded by bands overlaid with mica, pierced
and carved apron, square legs and plain stretcher shelf.
Height, 3 feet 5 inches; width, 3 feet 21/2 inches; depth, 1 foot
3 inches.
120-WALNUT ARMCHAIR
Straight square back, with carved acanthus-leaf finials, flat
curved, molded and voluted arms, on carved voluted sup-
ports, turned legs, pierced and carved. Deep front rail,
with cushion feet, flat side rails and stretcher. Back and
seat in blue wool savonnerie appliqué embroidered.
121-ENGLISH WALNUT ARMCHAIR
Straight square back, straight arms, turned legs and deep
front rail carved and pierced with scrolls and volutes. Back,
seat and arms in tapestry and yellow plush.
122-FRENCH WALNUT ARMCHAIR
Straight back with round-arched top. Curved, molded and
voluted arms terminating in sheep's heads on turned sup-
ports, turned legs, carved, scrolled and voluted front rails,
and turned side rails. Seat and back in tapestry woven,
in colors on a yellow ground, with flowers.
123-FRENCH WALNUT ARMCHAIR
Straight square back with tapering turned columnar side
supports, carved head rail, curved arms carved with acan-
thus leaves on curved, turned and carved supports, straight
seat front with carved and molded apron; tapering, turned
legs. Back, arms and seat in striped, purple velvet.
124-UPHOLSTERED ARMCHAIR
Straight square back, straight arms and seat front. Back,
arms and seat covered in green velvet, appliqué embroidered,
in yellow silk and cord, with a pattern of scrolls and leaves.
Finished with silk fringe.

First Afternoon
125-SET OF EIGHT ITALIAN GILT ARMCHAIRS
Albartolli Period of the Eighteenth Century
Shield-shaped backs, with carved frames, carved molded
arms ending in lions' heads on turned fluted supports
bowed carved seat fronts, turned tapering fluted legs.
Frames entirely gilt. Backs and seats in old crimson velvet.
From the Marquis Castel Delfino Collection, Rome.
126-ITALIAN WALNUT LOVE SEAT
Shaped back with curved arms and cabriole legs carved at
the knees and with spoon feet. Back and loose seat cushion
in stuff woven in colored wools with floral diaper piped with
blue velvet. Arms in blue velvet.

First Afternoon
H
127-PAIR OF ITALIAN WALNUT CHAIRS Seventeenth Century
Straight square backs with gilt acanthus-leaf carved finials,
square legs, shaped front rails and square side rails. Seats
with deep aprons, and backs, in Hungarian Point needle-
work, worked in a pattern of diapered flowers on a light
ground.
128 OAK ARMCHAIR
Carved back with molded frame and head rail, carved with
scrolls, acanthus leaves and fruits. Scrolled arms with
curved, voluted and carved fronts, serpentine seat front
with carved apron, center and two side cabriole legs carved
at the knees and with voluted feet. Back in leather secured
with brass-headed nails and loose seat cushion in leather.
First Afternoon
129-CARVED AND PAINTED WOOD WING ARMCHAIR
Straight back and shaped wings, voluted arms, cabriole
legs, carved at the knees with shells and birds' heads and
with claw and ball feet. Back, arms and loose seat cushion
in silk brocade woven on a purple ground and finished with
velvet piping.
130-PAIR OF ITALIAN CARVED, PAINTED AND GILT ARMCHAIRS
Straight square back with square pointed finials, curved,
square, voluted and carved arms on square baluster-shaped
supports, square legs, pierced and carved deep front rails,
square side rails. Backs and seats in colored leather with
armorial shields in backs. Frame carved, in low relief, with
trefoil meander and painted and gilt.
131—SET OF FOUR WALNUT AND BRONZE ARMCHAIRS
Straight square backs with brass gadrooned ball finials and
arcaded aprons, straight square, voluted arms mounted
with bronze masks, volutes and rosettes, on turned and
square tapering and turned legs, mounted with bronze oval
medallions, turned side rails and stretchers. Backs, arms
and seats in crimson woolen damask woven in a pattern of
floral medallions in lozenge-shaped scrolled panels.
132-WALNUT AND BRONZ SETTEE
Similar to the preceding.
133-PAIR OF WALNUT AND BRONZE CHAIRS
Similar to the preceding.
Length, 5 feet 4 inches.
134 FRENCH WALNUT SETTEE
Seventeenth Century
Straight back with serpentine top, the frame carved and
molded with shell in center; carved, molded and voluted
arms; straight seat front with serpentine apron; turned and
carved legs; carved side rails and longitudinal stretcher.
Back and seat in red silk damask.
Length, 7 feet 5 inches.
First Afternoon
135-ITALIAN CARVED, PAINTED AND GILT OAK CHEST
Rectangular hinged lid with carved, painted and gilt edge,
front divided into three panels carved, painted and gilt
with Gothic traceries, divided by stiles of carved imbrica-
tions and surrounded by carved, painted and gilt border.
Molded and gilt base.
Height, 1 foot 8 inches; length, 3 feet; depth, 1 foot 6 inches.
136-ITALIAN WALNUT CASSONE
Rectangular hinged lid with milded edge. Front paneled,
carved with pointed escutcheon and acanthus rinceaux,
bordered with band of leaves and flanked by caryatids.
Carved and fluted base and bracket feet.
Height, 2 feet; length, 5 feet 4 inches; width, 1 foot 9 inches.
137-ITALIAN CARVED AND GILT WOOD MIRROR
Seventeenth Century
Rectangular mirror with shaped top in molded frame carved
with twisted ribbon. Cresting carved and pierced with
oval portrait medallion, scrolled and voluted acanthus
leaves, bowed ribbon, flowers and leaves. Sides and angles
carved and pierced with oval portrait medallions, twisted
ribbons and vases of flowers, leaves and berries. Scrolled
apron with tablet in center with molded base. Completely
gilt.
Height, 5 feet 2 inches; width, 3 feet.
138 FRENCH WALNUT SCREEN
Rectangular-shaped frame with cresting carved and pierced
with acanthus leaves, berries and scrolls. Side supports
paneled and carved with linen folds and acanthus leaves.
Double curved molded and voluted legs carved with acan-
thus leaves. Reel-turned longitudinal stretcher. Screen
paneled in petit- and gros-point needlework worked, in
colored wools, in a design of a vase of flowers surrounded
by a border of rosettes, leaves and scrolled acanthus leaves.
Height, 4 feet 1 inch; width, 2 feet 6 inches.
First Afternoon
139-ENGLISH INLAID OAK CABINET
Rectangular top with beveled edge, paneled back. Body
arranged as cupboard with two hinged doors, having round-
arched panels inlaid, in boxwood and ebony, with floral
spray. Shaped apron. Turned and carved legs. Square
front and side rails. Carved wooden knobs.
Height, 3 feet 7 inches; width, 2 feet 10 inches; depth, 1 foot
6 inches.
140-ITALIAN PAINTED OAK CABINET
Rectangular shape, with rectangular painted back and
molded cornice. Body fitted with hinged door, painted with
vase of flowers and lozenged border and flanked by painted
escutcheons, flowers, leaves and quatrefoils. Turned spi-
rally fluted legs with arched brackets at sides.
Height, 4 feet 7 inches; width, 3 feet 8½ inches; depth, 1 foot
31½ inches.
141-ITALIAN INLAID OAK CABINET
Rectangular shape, with molded top. In two portions, up-
per portion with plain frieze having carved lion's-head dies.
Body fitted as cupboard with two hinged and paneled doors,
the fronts inlaid with black wood, divided and flanked by
pilasters inlaid with false flutings and set with raised
spindles. Base fitted with drawer with inlaid front flanked
by mask dies. Lower portion with molded top, inlaid apron,
square and pear-shaped bulbous legs inlaid with bands of
black wood; molded Y-shaped longitudinal stretcher.
Height, 5 feet 6 inches; width, 3 feet; depth, 1 foot 4 inches.
142-ENGLISH WALNUT SETTEE
Sloping voluted ends, turned tapering legs and flat shaped
cross stretcher with turned finial. Seat and arms in light
blue silk damask, woven, in white, with grapes, flowers and
scrolls and finished with silk tassels and fringe.
Length, 5 feet.
First Afternoon
143-ENGLISH MAHOGANY SETTEE
Straight back with molded frame, curved and voluted arms,
carved with acanthus leaves, on curved and pierced sup-
ports. Serpentine seat front. Carved and pierced legs
with voluted feet. Scrolled and pierced front rail. Turned
side rails and stretcher. Back in woven canework. Seat
in purple velvet with loose squab cushion, in modern printed
linen.
Length, 4 feet 8 inches.
OIL PAINTINGS
FLEMISH SCHOOL
FIFTEENTH CENTURY
(Panel)
144—MADONNA AND CHILD
145-STILL LIFE
Height, 1 foot 6 inches; width, 11½ inches
Figure of the Virgin in gold-embroidered blue mantle and red robe
seated on a throne with Gothic buttresses at sides, Gothic pedi-
ment and curved arms with Gothic pinnacled fronts. On her right
knee she holds the figure of the Child draped in a gold-embroid-
ered red robe.
FLEMISH SCHOOL
SEVENTEENTH CENTURY
(Canvas)
Height, 3 feet; width, 2 feet 7 inches
Vase supported by Putti, standing on a stone ledge, and filled
with flowers and leaves. Dark background.
First Afternoon
FLEMISH SCHOOL
SEVENTEENTH CENTURY
146-STILL LIFE
(Canvas)
Height, 2 feet 9 inches; width, 3 feet 5 inches
Blue marble vase mounted with gilt bronze and with oval portrait
medallion filled with flowers, standing on a stone ledge on which
are bunches of grapes and peaches. Dark yellow background.
FRENCH SCHOOL
EIGHTEENTH CENTURY
148-STILL LIFE
(Canvas)
147—BIRD AND FLOWERS
Height, 2 feet 8 inches; width, 3 feet 8 inches
Oriental pheasant with hen in background, in landscape with roses
and lilies at left side and roses and leaves in foreground.
FLEMISH SCHOOL
SEVENTEENTH CENTURY
(Canvas)
Height, 2 feet 8 inches; width, 3 feet 8 inches
Open window on the left with gold vase ornamented with mask,
scrolls and volutes on the right, filled with nasturtiums, tulips
and other flowers. On the left is a pedestal supporting a gold
vase filled with flowers and having at its side a lute with fluted body
looped with a crimson ribbon.
First Afternoon
FLEMISH SCHOOL
SEVENTEENTH CENTURY
(Panel)
149-FOUR EVANGELISTS
Height, 2 feet 2 inches; width, 4 feet 2 inches
Figures of four Evangelists-St. John, St. Matthew, St. Mark
and St. Luke-in robes of various colors and with their symbols
at their sides, holding open books in their left, and pens in their
right hands. Dark backgrounds.
ENGLISH SCHOOL
EARLY NINETEENTH CENTURY
(Canvas)
150-DOGS AND DUCKS
Height, 3 feet 5 inches; width, 4 feet 1 inch
Pool of water with three flying wild ducks pursued by two Eng-
lish setters. Background with rushes and landscape.
SECOND AND LAST AFTERNOON'S
SALE
SATURDAY, DECEMBER 3, 1921
AT THE AMERICAN ART GALLERIES
BEGINNING AT 2.15 O'CLOCK
Catalogue Numbers 151 to 280, inclusive
151-ITALIAN PAINTED, GILT AND GESSO DECORATED WOODEN
COFFER
Hinged pent lid, decorated, in gesso and gold, with pome-
granate scrolls, having in center a painted shield with
armorial bearings. Front painted with combat between St.
George and the Dragon, flanked by shields suspended by
ribbons in gesso. Molded base and paw feet.
Height, 1 foot 4½ inches; length, 2 feet; depth, 1 foot 2½ inches.
152-PAIR OF
OF ITALIAN CARVED AND PAINTED WOOD WALL
BRACKETS
Wall plates as oval scrolled escutcheons charged with Medici
coats-of-arms. Below two curved arms with acanthus-leaf
double light sockets. Fitted for electricity.
Height, 1 foot 8 inches; width, 1 foot 2 inches.
Second and Last Afternoon
:
153-PAIR OF
OF SPANISH CARVED, PAINTED AND GILT WOOD
RELIQUARIES
Seventeenth Century
Vertical glazed fronts with rounded ends, framed with laurel
leaves, surmounted by crowned cherubim and supported by
Amorini standing on scrolled acanthus leaves, scrolled
acanthus-leaf feet and rectangular bases. Painted and gilt.
Height, 2 feet 4 inches; width, 1 foot 1 inch.
154-ENGLISH GILT WOOD CLOCK
Drum-shaped dial case, with rim carved with acanthus
leaves, supported by two standing nude figures of athletes.
Rectangular molded base. White enameled dial.
Height, 1 foot 5 inches; width, 1 foot 9 inches.
Note: This clock is a careful reproduction of one in a famous
London Sports Club.
155-PAIR OF ITALIAN CARVED AND GILT WOOD BANNER
HOLDERS
Seventeenth Century
Triangular paneled standards, with triangular voluted gad-
rooned and carved bases, on tripod supports with scrolled,
carved and voluted sides with scrolled escutcheons between.
Vase-shaped tops with square perpendicular banner holders.
Completely gilt.
Height, 3 feet 5½ inches.
156-ITALIAN PEARWOOD CARVING
Subject of "The Last Supper," after the painting by
Leonardo Da Vinci. On octagonal base with front incised
with Prophecy of Betrayal, from the Vulgate. Under
glass.
Height, 12½ inches; length, 1 foot 8 inches.
Note: This is an exceptional piece of carving. Attention is par-
ticularly called to the faces of the twelve Apostles.
157-ITALIAN WALNUT ARMCHAIR
Straight square back, straight arms on turned supports,
turned legs, square front and side rails. Seat and back in
crimson plush, paneled with gold galoon and finished with
gold fringe.

Second and Last Afternoon
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​LI
158-PAIR OF SPANISH WALNUT ARMCHAIRS
Sixteenth Century
Straight square backs with molded finials, carved, square
and voluted arms on square supports, square legs, pierced
deep front rails and square side rails. Backs and seats in
crimson velvet appliqué embroidered, in white velvet and
gold cord, in a rosetted diaper pattern. Secured with orna-
mental brass-headed nails.
159-ITALIAN WALNUT ARMCHAIR
Seventeenth Century
Straight square back with carved and gilt acanthus-leaf
finials, square molded, carved and voluted arms on turned
supports, square legs, cross bases ending in carved paws.
Back in leather, gold tooled and inlaid with black, in strap
design, seat in leather. Secured with brass-headed nails
and finished with silk fringe.

Second and Last Afternoon
160-ITALIAN WALNUT ARMCHAIR
Seventeenth Century
Straight square back, straight, reel-turned arms ending in
lions' heads on turned supports, reel-turned legs, double
reel-turned front rails and square side rails. Back and
seat in gros-point needlework, worked, in colored wools, on
a dark ground with scrolls and flowers.
1935
161-FRENCH WALNUT ARMCHAIR
Spade-shaped and oval medallioned back pierced and carved
with scrolled acanthus leaves in the angles, carved and
molded head rail and beaded ball finials, straight carved
arms on spirally fluted turned supports, bowed seat front
with carved apron, and fluted and carved turned legs. Back,
arms and seat in striped, purple velvet.

Second and Last Afternoon
DIT
HORALITA
Seventeenth Century
Straight square back, carved, molded and voluted arms on
carved supports, curved and voluted legs. Seat and back
in old Spanish needlework worked, in colored wools on a
light ground, with flowers, leaves and scrolls. Finished with
silk ball fringe.
162-SPANISH WALNUT ARMCHAIR
163-ITALIAN WALNUT ARMCHAIR
Straight square back, curved, molded and voluted arms on
curved and voluted supports, curved, molded and voluted
legs, curved, molded side rails and stretcher. Seat and back
in needlework worked, in colored wools on a brown ground,
with floral scrolls.

Second and Last Afternoon
*****
164-PAIR OF FRENCH AND SPANISH WALNUT ARMCHAIRS
Seventeenth Century
Straight backs with lions' head finials and acanthus-leaf
carved sides, carved horizontal splats, curved and carved
arms with goats' head terminations, on curved and voluted
supports, turned fluted legs and square molded rails. Backs
and seats in seventeenth century Spanish appliqué embroid-
ery worked, in colored silks on a yellow couched ground, in
a pattern of scrolls, flowers, deer, birds and circular medal-
lion with fountain. Finished with silk cord and tassel
fringe..

Second and Last Afternoon
46
165-Two ITALIAN WALNUT ARMCHAIRS
Seventeenth Century
Straight square back, curved rounded and voluted arms,
carved with acanthus leaves; turned legs, front and side
rails and stretcher. Back in old crimson velvet appliqué
embroidered, in gold thread, with vase and scrolled acanthus
leaves and bordered with gold galoon. Seat in crimson vel-
vet, embroidered in gold thread with floral and leaf meander
border. Secured with brass-headed nails.

Second and Last Afternoon
166-FRENCH WALNUT ARMCHAIR
Seventeenth Century
Straight high back, curved, rounded and voluted arms on
curved supports, voluted legs, curved side rails and
stretcher. Back and seat in petit- and gros-point needle-
work worked, in colored wools on a black ground, with
figures, dragons, animals, birds and butterflies, surrounded
by scrolled leaves, flowers and fruits. Secured with brass-
headed nails and finished with silk fringe.
167-UPHOLSTERED ARMCHAIR
Straight square back, straight arms and seat front. Back,
arms and seat in green velvet with panel and borders of
green velvet appliqué embroidered, in cloth of gold and cord,
with scrolls and leaves. Finished with silk fringe.

Second and Last Afternoon
r
5503
168-PAIR OF FRENCH WALNUT NEEDLEWORK CHAIRS
Seventeenth Century
Straight square high backs, straight seat front, turned legs,
flat curved cross stretchers. Seats and backs in gros-point
needlework worked, in colors, on a dark ground with flow-
ers and scrolls.
169-VENETIAN WALNUT ARMCHAIR
Straight back, carved and pierced with vertical panels of
scrolled acanthus leaves, serpentine cresting carved with
voluted scrolls and grotesque mask, side supports of female
caryatids, carved, molded and voluted arms with animal-
head terminations, on scrolled supports, wooden seat with
carved edge, front support pierced and carved with masks,
volutes and female caryatids.

Second and Last Afternoon
Seventeenth Century
Straight high back with gilt acanthus-leaf carved finials,
curved, rounded and voluted arms, carved with mascarons,
turned legs, front and side rails and stretcher. Back and
seat in red silk damask, finished with velvet galoon and silk
fringe.
From the Collection Constantini of Florence.
170-VENETIAN WALNUT ARMCHAIR
171-FRENCH WALNUT ARMCHAIR
Eighteenth Century
Shield-shaped back, with molded and carved frame and
carved head rail, square, carved voluted arms on carved
supports, serpentine seat front with carved apron, and
cabriole legs carved at the knees, and with tapering turned
legs. Back, seat and arms in red silk, embroidered in
brown and yellow filoselle, with scrolls and flowers.

Second and Last Afternoon
172-PAIR OF FRENCH WALNUT ARMCHAIRS
Seventeenth Century
Straight square backs, carved, molded and voluted arms
on turned supports, turned legs, front and side rails and
stretchers. Backs and seats in petit- and gros-point needle-
work worked, in colors on a dark ground, in a design of
figures, scrolls, birds and flowers.
Seventeenth Century
Rectangular-shaped, molded and carved frame with carved
and pierced shell and scroll cresting, carved shaped apron,
molded and voluted legs. Paneled with needlework worked,
in colored wools, in a design of oval medallions with vases
of flowers, scrolled angles and leaf border.
Height, 4 feet 3/2 inches; width, 2 feet 51/2 inches.
173-ENGLISH WALNUT FIRE SCREEN

Second and Last Afternoon
174 FRENCH WALNUT ARMCHAIR
Seventeenth Century
High back, serpentine top, curved voluted arms on curved
voluted supports. Straight and curved legs, curved front
rails, side rails and stretcher. Back and seat in petit- and
gros-point needlework worked, in colored wools on a black
ground, in a pattern of birds, dragons and butterflies, sur-
rounded by scrolled leaves and flowers. Secured with brass-
headed nails.
Second and Last Afternoon
175-FRENCH WALNUT FAUTEUIL
Shaped back, with carved and molded frame and head rail
pierced and carved, with basket of flowers, curved, voluted
and carved arms, serpentine seat front with carved apron,
cabriole legs carved at the knees and with voluted feet.
Back, arms and seat in cut crimson velvet cut with floral
medallions and scrolls.
176-FRENCH CARVED AND GILT WOOD MIRROR
Louis XV Period of the Eighteenth Century
Rectangular shape. Upper portion paneled with oil paint-
ing, on canvas, of shepherdess seated under a tree with
shepherd at her side and flock in distance, in the style of
Watteau. Below, rectangular mirror. Molded and beaded
frame.
Height, 4 feet 5 inches; width, 2 feet 7½ inches.
177-FRENCH GOTHIC STYLE OAK ARMCHAIR
Rectangular back with machicolated head rail, paneled and
carved with wings of Gothic tracery and crowned escutcheon
charged with coat-of-arms in center. Flat carved side sup-
ports, flat arms with octagonal terminations on square sup-
ports with chamfered edges and shafts carved with Gothic
tracery. Wooden hinged seat with wrought-iron strap
hinges. Apron paneled and carved with Gothic tracery
and with escutcheon charged with coats-of-arms. Straight
square legs.

Second and Last Afternoon
Laur
PO
178 PAIR OF SPANISH CARVED AND GILT WOOD MIRRORS
Seventeenth Century
Canopied tops, with molded cornices and friezes pierced and
carved with voluted acanthus leaves. Rectangular mirrors
in frames pierced and carved with scrolled leaves and with
outer borders of acanthus leaves. Serpentine aprons with
pear-shaped projecting brackets supporting scrolled leaves.
Height, 3 feet 5 inches; width, 2 feet 2 inches.
Second and Last Afternoon.
179-ENGLISH WALNUT SETTEE
Back formed of two chair backs with serpentine tops,
voluted arms with carved scroll fronts, shaped carved apron,
cabriole legs, carved at the knees, and spoon feet. Back,
arms and seat in cut crimson velvet, paneled and bordered
with gold galoon and finished with silk fringe.
Length, 5 feet 3 inches.
180-ENGLISH WALNUT SETTEE
Straight back, arms and seat front.
Straight apron.
Carved and pierced deep front rail and turned legs. Back,
arms and loose seat cushion in tapestry woven, in colors
on a dark ground, with figures, birds, insects, flowers and
scrolls.
Length, 4 feet 10 inches.
181-ENGLISH CHIPPENDALE STYLE MAHOGANY DESK
Curved top with rectangular pierced gallery, having in-
curved front. Body with pull-out slab arranged as desk
and cupboards, the desk fitted with pigeon-holes and draw-
ers, the cupboards with sliding doors. Two hinged doors
with paneled fronts and paneled sides, cabriole legs carved
with acanthus leaves at the knees and claw and ball feet.
Height, 3 feet 5 inches; width, 3 feet 3 inches; depth, 1 foot
6 inches.
182-PAIR OF ENGLISH INLAID MAHOGANY CABINETS
Rectangular-shaped, white-veined with black marble tops
with molded edges. Straight bodies with inlaid aprons and
drawers with fronts inlaid, in colored woods and mother-
of-pearl, with looped ribbons and festoons. Straight square
legs and pierced brackets. Brass swinging ring handles.
Height, 2 feet 9 inches; width, 2 feet 11 inches; depth, 1 foot
3 inches.

Second and Last Afternoon
183-VENETIAN CARVED AND GILT WOOD MIRROR
Seventeenth Century
Rectangular mirror in carved and molded frame with crest-
ing pierced and carved in a design of scrolls and shell sur-
mounted by a bird with flowers, flanked by birds with out-
stretched wings, scrolls and flowers. Pierced and carved
scrolls at lower angles. Pierced, carved and voluted
apron.
Height, 6 feet; width, 5 feet 3 inches.
Second and Last Afternoon
184-ENGLISH INLAID, CARVED AND GILT WALNUT WALL TABLE
Rectangular top, inlaid with quatrefoil medallion of scrolls,
and scrolled border in light wood and with carved and gilt
edge. Shaped apron, fitted with three drawers with inlaid
fronts and carved below with volutes and scrolls. Cabriole
legs, carved and gilt with acanthus leaves at the angles.
Carved Dutch feet.
Height, 2 feet 7 inches; width, 4 feet; depth, 1 foot 7 inches.
185-FRENCH INLAID MAHOGANY AND ORMOLU COMMODE
Rectangular top, with rounded corners and molded gilt
bronze edge. Body fitted as cupboard with two hinged
doors with panels of checker inlay surrounded by gilt
bronze borders. Gilt bronze meeting rail, fluted and deco-
rated with acanthus leaves. Pull-out flap above. Apron
mounted with gilt bronze acanthus leaves. Cabriole legs
mounted at the knees with gilt bronze acanthus leaves and
with gilt bronze paws.
Height, 2 feet 9 inches; width, 2 feet 6½ inches; depth, 1 foot
5½ inches.
186-FRENCH ACAJOU AND ORMOLU TEA TABLE
In two tiers. Upper tier, rectangular shape with shaped
sides and molded gilt bronze edges, inlaid in parquetry of
acajou wood. Shaped apron with gilt bronze acanthus-leaf
scrolled mounts, cabriole legs with gilt bronze acanthus
leaves, scrolled and pointed leaves and acanthus leaf at the
knees and pointed leaf and voluted feet of gilt bronze.
Lower tier with similar top, apron and legs.
Height, 3 feet 4 inches; length, 3 feet; width, 2 feet 1 inch.
Second and Last Afternoon
187-ENGLISH CHIPPENDALE CARVED AND GILT WOOD MIRROR
Eighteenth Century
Trefoil-shaped mirror, in eight portions, in scrolled and
voluted frame, carved with variation of "Egg and Dart"
ornament. Finial as basket of grapes and vine leaves sup-
porting husk festoons, flowers at angles and bunches of
grapes and vine leaves at sides. Plinth flanked by vases
of leaves and flowers. Molded base. Completely gilt.
Height, 5 feet 5 inches; width, 5 feet 10 inches.
(Illustrated)
188 ENGLISH ADAM STYLE PAINTED AND INLAID SATINWOOD
KNEEHOLE DESK
Rising shaped back, inlaid with band of kingwood and
painted with basket of flowers, acanthus rinceaux, pointed
leaves and flowers. Shaped top with edge inlaid with band
of kingwood and painted with border of twisted ribbon and
floral meander. Center fitted with drawer with painted
front supported by brackets painted with shells. Pedestals
with two drawers with painted fronts, square tapering legs
painted with husk and floral pendants. Brass castors. Top
with sheet of plate glass.
Height, 2 feet 6 inches; width, 4 feet; depth, 2 feet 2 inches.
(Illustrated)

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​36
18672
1010102ND
THE FAITHA Safilo
No. 187-ENGLISH CHIPPENDALE CARVED AND GILT WOOD MIRROR
(Eighteenth Century)
No. 188-ENGLISH ADAM STYLE PAINTED AND INLAID
SATINWOOD KNEEHOLE DESK
Second and Last Afternoon
189-FRENCH CARVED AND GILT WOOD MIRROR
Louis XV Period of the Eighteenth Century
Rectangular shape, with serpentine top and carved acan-
thus-leaf finial in center. Upper portion as panel with oil
painting on canvas of youth asleep under a tree and maiden
approaching him with garland of flowers with landscape
background, in the style of Watteau. Rectangular mirror
below. Molded frame carved with acanthus leaves.
190-OAK ARMCHAIR
Height, 5 feet 6 inches; width, 2 feet 7 inches.
(Illustrated)
High straight back, with molded frame, carved arched head-
rest and center upholstered panel, straight flat arms on
turned supports, turned legs, carved deep front rail, curved
side rails and straight stretcher back, arms and seat in
woven tapestry.

No. 189-FRENCH CARVED AND GILT WOOD MIRROR
(Louis XV Period of the Eighteenth Century)
Second and Last Afternoon
191-PAIR OF FRENCH WALNUT ARMCHAIRS
Seventeenth Century
Straight square backs, curved, rounded and voluted arms
on curved and voluted supports. Curved and voluted legs,
curved side rails and stretcher. Seat and back embroidered
in petit- and gros-point needlework in colored wools on a
dark brown ground, with figures of Minerva and Europa,
surrounded by birds, dragons, flowers and scrolls.
(Illustrated)
192 FRENCH WALNUT ARMCHAIR
Straight high back, curved molded and voluted arms on
curved supports, straight and voluted legs, curved side
rails and stretcher. Back and seat in gros-point needle-
work worked, in colored wools on a dark brown ground,
with scrolls, flowers and leaves.
193-FRENCH MAHOGANY AND ORMOLU TABLE
Style of the Empire Period of the Early Nineteenth
Century
Circular top with molded and ornamented gilt bronze edge.
Plain apron mounted with circular medallion masks and
scrolled ivy and acanthus leaves in gilt bronze. Turned,
tapering pedestal, mounted with figures of Greek warriors.
in gilt bronze. Triangular base with incurved sides and
voluted ends mounted with gilt bronze honeysuckle volutes.
Height, 2 feet 5 inches; diameter, 2 feet 10 inches.
Note: This table is an exact reproduction of the celebrated Abdi-
cation Table on which Napoleon signed his abdication after the Battle
of Waterloo.

S
No. 191-PAIR OF FRENCH WALNUT ARMCHAIRS (Seventeenth Century)
Second and Last Afternoon
194-PAIR OF ITALIAN CARVED AND GILT WALNUT ARMCHAIRS
Straight backs with crestings pierced and carved with pedi-
mented tablets of drapery and festoons supported by dol-
phins, curved, molded, voluted and carved arms on turned
supports, carved and turned legs with feet as couchant
lions. Backs in crimson velvet embroidered in gold thread,
with oval escutcheons flanked by cornucopiæ, seats in crim-
son velvet paneled with gold galoon and finished with gold
fringe. Carving gilt.
(Illustrated)
195 FRENCH WALNUT ARMCHAIR
Straight square back with fluted side supports, head rail
carved with basket of flowers and carved flame finials, flat
curved voluted and carved arms on carved supports, bowed
seat front with carved apron, tapering cylindrical, fluted
and carved legs. Back, seat and arms in jardinière velvet
cut, on a green ground, in colors with floral oval medallions
and lozenge-shaped band of leaves.
196-FRENCH WALNUT CHAIR
Similar to the preceding.
197--PAIR OF ITALIAN WALNUT ARMCHAIRS
Straight square backs, curved, molded and voluted arms
carved with leaves on turned supports. Turned legs, square
.side rails and stretchers. Backs and seats in tapestry
woven, on a dark blue ground in colors, with central
escutcheon charged with coat-of-arms supported by lions
and surrounded by scrolled leaves and fruits.

No. 194-PAIR OF ITALIAN CARVED AND GILT WALNUT ARMCHAIRS
Second and Last Afternoon
198-PAIR OF ITALIAN CARVED AND GILT WALNUT ARMCHAIRS
Straight backs with crestings pierced and carved with
Pedimented tablets of drapery and festoons supported by
dolphins, curved, molded, voluted and carved arms on
turned supports, carved and turned legs with feet as cou-
chant lions. Backs in crimson velvet embroidered in gold
thread, seats in crimson velvet paneled with gold galoon
and finished with gold fringe. Carving gilt.
(Illustrated)
199-ENGLISH INLAID MAHOGANY KNEEHOLE DESK
Kidney-shaped top with ooze leather center, border inlaid
with satinwood and molded edge, apron fitted with drawer
with front inlaid with satinwood. Pedestals with four draw-
ers, the fronts inlaid in satinwood, flanked by pilasters with
shafts inlaid with satinwood in vases and pendants and
turned tapering legs. Brass knobs.
Height, 2 feet 6½ inches; length, 4 feet 10½ inches; width, 2 feet
6 inches.
200-FRENCH WALNUT ARMCHAIR
Seventeenth Century
Straight square back, straight turned arms with octagonal
terminations on turned supports, turned legs and front rail,
square side rails and stretcher. Back and seat in gros-
point needlework worked, in colored wools on a black
ground, with scrolls and flowers.
201-FRENCH CARVED, GILT AND PAINTED WOOD TABLE
Louis XVI Period of the Eighteenth Century
Rectangular marble top, molded edge carved with bead and
reel. Apron carved in guilloche patterned with rosetted
centers and with twisted ribbon. Turned, tapering and
fluted legs with leaf capitals having rosetted tops. Square
paneled bases and pear-shaped acanthus-leaf carved feet.
Longitudinal stretcher of interlaced strapwork, molded and
carved with bead and reel, having acanthus-leaf carved
finial in center.
Height, 2 feet 6 inches; length, 4 feet 5 inches; width, 2 feet
10 inches.

No. 198-PAIR OF ITALIAN CARVED AND GILT WALNUT ARMCHAIRS
Second and Last Afternoon
202-ENGLISH STUART STYLE INLAID OAK CABINET AND STAND
Cabinet with rectangular top with plain edge. Body fitted
as cupboard with two hinged doors. The fronts paneled
with vases of flowers and floral sprays inlaid, in ivory and
mother-of-pearl, on ebony, flanked and divided by stiles
planted with double spindles. Interior fitted with three.
drawers. Stand with paneled frieze supported on spirally
turned columns and molded base.
Height, 3 feet 2½ inches; width, 2 feet 10 inches; depth, 1 foot
7 inches.
203-ADAM STYLE PAINTED SATINWOOD TABLE
Shaped top, with straight edge and two hinged flaps, plain
apron, tapering square legs and brass castors. Painted,
in colors, with oval medallion of Juno in her car, and bor-
der of twisted ribbon and floral festoons, floral groups and
lines.
Height, 2 feet 4 inches; length, 3 feet; width, 3 feet 5 inches.
(Illustrated)
204-ENGLISH INLAID SATINWOOD COMMODE
Rectangular top of gray-veined white marble with plain
edge. Apron inlaid, with husk festoons and oval medal-
lions, in colored woods and mother-of-pearl. Body fitted
with two drawers with plain fronts inlaid, with knotted rib-
bons and husk festoons, in colored woods and mother-of-
pearl. Square, tapering, inlaid legs.
Height, 3 feet 1 inch; width, 3 feet 7 inches; depth, 1 foot 6 inches.

No. 203-ADAM STYLE PAINTED SATINWOOD TABLE

Second and Last Afternoon
S
205-ADAM STYLE, PAINTED AND INLAID SATINWOOD CABINET
Serpentine top with plain edge. Serpentine front, with four
columnar pilasters in dark wood, fitted with four drawers
and pull-out flap, flanked by two cupboards with hinged
doors. Turned tapering legs. Painted, in colors, with
floral festoons, trophies and looped ribbons. Inlaid with
bands and lines of dark wood. Gilt brass oval, swinging
handles.
Height, 3 feet 4 inches; width, 3 feet 6 inches; depth, 1 foot
8 inches.

Second and Last Afternoon
Le
206-PAIR OF ADAM STYLE, PAINTED AND INLAID SATINWOOD
CABINETS
Semicircular tops with plain edges, bowed fronts divided
into drawer and cupboard with two hinged doors below,
flanked by panels and mock drawers. Painted, in colors,
with floral festoons, husk pendants, hanging trophies and
oval medallions of nymphs. Inlaid with bands and lines of
dark wood. Square tapering legs and spade feet.
brass looped handles.
Gilt
Height, 36 inches; width, 40 inches; depth, 19 inches.
Second and Last Afternoon
Sixteenth Century
Rectangular hinged lid with molded edge. Front divided
into four panels surrounded by inlaid borders and occupied
by carved scrolls and inlaid interlacements. Molded base.
Height, 2 feet 1 inch; width, 6 feet; depth, 1 foot 10½ inches.
(Illustrated)
208 FRENCH CARVED AND GILT WOOD TABLE
207-ITALIAN INLAID WALNUT CASSONE
Rectangular top of variegated marble with straight edge
and apron paneled and carved with circular rosettes and
acanthus leaves, supports of fluted and gadrooned bases in
center, with voluted, square supports at sides, and pointed-
leaf festoons. Molded cross bases carved with egg-and-dart
ornament, and paw feet. Molded longitudinal stretcher
carved with egg-and-dart and with finial of vase of flowers,
leaves and pendant. Completely gilt.
Height, 2 feet 6 inches; length, 4 feet 4 inches; width, 2 feet
10 inches.
209-ITALIAN CARVED, PAINTED AND GILT WOOD TABLE
Rectangular top, with molded and carved edge. End sup-
ports of double voluted brackets, supported by seated
Putti on lion-head seats. Scrolled and voluted longitudinal
stretcher carved with egg-shaped escutcheon charged with
coat-of-arms, scrolled and rectangular cross bases. Top of
walnut, lower portion painted and gilt.
Height, 2 feet 6½ inches; length, 4 feet 11 inches; width, 2 feet
5 inches.
210-ENGLISH CARVED AND GILT WOOD CONSOLE
Eighteenth Century
Rectangular top of dark green white-veined marble with
plain edge. Plain mahogany apron, carved below with
acanthus-leaf scrolls and husk festoons and gilt. Cabriole
legs, carved with masks, volutes and scrolls at the angles,
the lower parts shaped as cattle legs with gilded hocks and
hoofs. Rectangular base molded and carved with leaves.
Partially gilt.
Height, 2 feet 10 inches; width, 3 feet 4 inches; depth, 1 foot
11 inches.

CANBORED
No. 207-ITALIAN INLAID WALNUT CASSONE (Sixteenth Century)

Second and Last Afternoon
211-KINGWOOD AND ORMOLU COMMODE
Regency Period of the Early Eighteenth Century
Rectangular top, of brown, green and white marble, with
molded edge and shaped angles. Bowed front fitted with
two long and two short drawers, the fronts mounted with
gilt bronze scrolls, flowers and leaves and with scrolled
pear-shaped keyhole escutcheons in center. Lions' heads at
angles, shaped apron with lion mask and crossed clubs and
paw feet in gilt bronze.
Height, 2 feet 101½ inches; width, 2 feet 9 inches; depth, 2 feet.
212-ENGLISH MAHOGANY CONSOLE TABLE
Rectangular white-veined green marble top with molded
edge; serpentine apron fitted with three drawers with
molded and carved fronts, supported by four curved
brackets carved with scrolled leaves; scrolled and carved
stretchers; rectangular molded feet.
Height, 3 feet 5½ inches; width, 5 feet 4 inches; depth, 1 foot
9 inches.
Second and Last Afternoon
213-ENGLISH LACQUER ESCRITOIRE
In two portions. Upper portion mirror, having serpentine
top and swinging between two square posts with acorn
finials. Lacquered on a black ground in gold with Chinois-
eries and Chinese borders. Sloping hinged fall front below,
lacquered on black ground with Chinoiseries. Interior of
desk fitted with pigeon-holes and drawers having fronts lac-
quered in gold with sprays of flowers. Inner side of hinged
lid similarly lacquered. Three drawers below, with fronts
lacquered in gold and colors with Chinoiseries. Shaped
apron and cabriole legs lacquered, in gold, on black ground
with Chinoiseries.
Height, 5 feet 10 inches; width, 1 foot 11 inches; depth, 1 foot
6 inches.
214-ENGLISH MAHOGANY TALL CLOCK
Eighteenth Century
Dial case with curved broken pediment and three brass
finials, supported by brass columns with Ionic capitals;
hinged glazed door with silvered dial rim, having raised,
pierced and molded brass ornaments in angles, and phases
of moon at top; engraved, "Addison, Liverpool." Rec-
tangular pendulum case with shaped hinged door and
carved pilasters at angles. Rectangular paneled pedestal
with molded base and claw and ball feet.
Height, 8 feet 3 inches; width, 1 foot 8 inches.
215-FRENCH CARVED AND GILT WALNUT SCREEN
Eighteenth Century
Rectangular frame with cresting carved with scrolls, volutes
and basket of flowers and leaves, supported by pilasters with
paneled shafts carved with pointed-leaf pendants and carved
acanthus-leaf bases. Shaped apron, pierced and carved
with voluted scrolls, leaves and shell. Carved, voluted cross
bases with horizontal fluted fronts and rectangular molded
feet. Paneled with old tapestry woven, in colored silks, with
bouquet of flowers on dark brown ground. Carving gilt.
Height, 4 feet 11 inches; width, 2 feet 5 inches.

Second and Last Afternoon
216-ITALIAN CARVED AND GILT WOOD CONSOLE
Serpentine-shaped top of yellow-veined marble with molded
edge. Molded apron supported by female caryatid with
outstretched wings and with festoons of flowers at sides.
Curved rounded legs and hoof feet. Scrolled side rails.
Scrolled legs at back with female heads. Completely gilt.
Height, 2 feet 11 inches; width, 4 feet 2 inches; depth, 2 feet 1 inch.
217-ENGLISH WALNUT SIDE TABLE
Rectangular ebonized top with straight edge. Apron fitted
with three drawers having fronts carved with voluted
scrolls and leaves and pierced and carved shell and scrolled
acanthus leaves beneath. Square, tapering, voluted legs
carved with acanthus leaves and with paw feet.
Height, 3 feet; width, 7 feet 5 inches; depth, 1 foot 10½ inches.
Second and Last Afternoon
218 FRENCH PAINTED CABINET AND STAND
Rectangular shape. Cabinet with plain top and fall front,
paneled with wax painting of Putti driving a goat, sur-
rounded by molding. Stand with apron having drawer with
paneled front; straight square molded legs, paneled back
and stretcher shelf with molded front. Wrought-iron lock
and hasp, swinging ring handles and keyhole escutcheon.
Height, 5 feet; width, 2 feet 5 inches; depth, 1 foot 7 inches.
219—EMPIRE STYLE MAHOGANY AND ORMOLU TALL CLOCK
Dial case with molded cornice and frieze studded with gilt-
bronze stars; circular white enamel dial; dial case with
looped ribbons and laurel leaves of gilt-bronze in the angles;
pendulum case with tapering glazed opening surmounted
by cul-de-lampe of birds and shell and with mask below in
gilt bronze. Rectangular pedestal paneled and with eagle
supported by olive and palm leaves in center in gilt bronze.
Molded base.
Height, 7 feet; width, 1 foot 10 inches.
220-ITALIAN EBONIZED AND INLAID WOOD CABINET
Rectangular shape, domed top, carved with imbrications,
molded cornice, paneled and carved frieze. Body arranged
as cupboard with paneled hinged door, the front with inlaid
border and center, carved and inlaid in colored woods with
figure of Roman warrior, flanked by fluted columnar pilas-
ters on cylindrical carved pedestals. Stretcher shelf with
molded edge, paneled back, molded base and cushion feet.
Height, 5 feet 2 inches; width, 2 feet 3 inches; depth, 1 foot 7 inches.
221-TUDOR STYLE INLAID OAK COURT CUPBOARD
In two portions. Rectangular top with molded edge and
paneled and inlaid frieze, upper portion as a cupboard with
two hinged doors having paneled and inlaid fronts, flanked
by inlaid panels. At sides are carved bulbous columns.
Lower portion with apron fitted with two drawers having
paneled and inlaid fronts, turned and carved legs at sides
and paneled back. Molded base.
Height, 4 feet; length, 5 feet 6 inches; depth, 1 foot 71½ inches.
Second and Last Afternoon
222-PAIR OF ITALIAN CARVED, PAINTED
COLUMNS
AND GILT WOOD
Seventeenth Century
Spirally turned shafts carved with acanthus leaves and
fruits. Ionic capitals of acanthus leaves and volutes, drums
carved, in relief, with acanthus leaves, shells, scrolls and
volutes, molded bases. Painted and gilt.
(Illustrated)
223-ENGLISH BLACK LACQUER CABINET
Height, 10 feet 4 inches.
In two portions. Upper portion with molded pedimented
cornice, arranged as cupboard with hinged door having
arched top and decorated in gold and colored raised lacquer
with Chinosieries, including figures and dogs; interior fitted
with shelf and drawer with gold lacquered front. Lower
portion fitted with four long drawers and two short drawers
with fronts lacquered in raised gold with Chinoiseries.
Molded base and bracket feet. Brass swinging looped
handles.
Height, 5 feet 6½ inches; width, 2 feet 2 inches; depth, 1 foot
4 inches.

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No. 222-PAIR OF ITALIAN CARVED, PAINTED AND GILT
WOOD COLUMNS (Seventeenth Century)
Second and Last Afternoon
224-ITALIAN CARVED AND GILT SIDE TABLE
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Eighteenth Century
Top of black, white-veined marble with straight edge,
molded apron carved and pierced with scrolls, acanthus
leaves and female head. Square tapering and molded legs,
with shafts having carved panels, scrolled and voluted cross
stretchers with turned and carved finial. Completely gilt.
Height, 2 feet 11½ inches; length, 5 feet 5½ inches; width, 2 feet
7 inches.
225-ENGLISH WALNUT CABINET
(Illustrated)
Rectangular shape in two portions. Upper portion with
pierced and carved broken pediment with vase of flowers in
center. Body arranged as a cupboard with two hinged
doors with glazed fronts and trefoil and double arched lat-
tices. Three drawers below with incurved fronts. Lower
portion arranged as cupboard with two hinged doors with
shaped paneled fronts, molded base and carved bracket feet.
Brass looped handles, keyhole escutcheons and rosettes.
Top cupboard fitted with two glass shelves.
/
Height, 6 feet 7 inches; width, 2 feet 3½ inches; depth, 1 foot
2 inches.
1

No. 224-ITALIAN CARVED AND GILT SIDE TABLE
(Eighteenth Century)
Second and Last Afternoon
226-FRENCH MAHOGANY, MARBLE AND ORMOLU CONSOLE
TABLE
Rectangular top, with incurved sides in yellow-veined
marble. Edge molded and decorated, in gilt bronze, with
beads and acanthus leaves. Shaped apron with oval
scrolled and flower pendented portrait medallion in center
flanked by panels of voluted scrolls bordered by beads.
Legs as female caryatids holding baskets of flowers and
ending in tapering square, fluted terms. Rectangular bases.
decorated with rosettes; fluted, pear-shaped feet. Hori-
zontal open stretcher, enclosing circular rings and with
finial formed as a spirally fluted vase with swan handles
and festoons.
Height, 2 feet 9 inches; width, 4 feel 7 inches; depth, 1 fool 9 inches.
227-DUTCH INLAID ESCRITOIRE
Eighteenth Century
In two portions. Upper portion with molded cornice sup-
porting shaped pediment inlaid with bird and scrolls. Ser-
pentine front fitted with eleven drawers and central cup-
board with hinged door. Fronts of drawers and door inlaid
with scrolls, volutes, female figures, acanthus leaves and
twisted ribbons. Lower portion with sloping fall-down
front inlaid with scrolls, figures of dancers and pipers.
Body with serpentine front fitted with four drawers with
inlaid fronts. Interior of desk fitted with drawers and
pigeon-holes. Brass handles and keyhole escutcheons.
Height, 6 feet 4 inches; width, 3 feet 8 inches; depth, 2 feet 3 inches.
(Illustrated)

20
No 227-DUTCH INLAID ESCRITOIRE
(Eighteenth Century)
Second and Last Afternoon
228-ITALIAN WALNUT CABINET
Rectangular shape. Molded cornice carved with acanthus
leaves, fluted frieze. Interior fitted as cupboard with hinged
door, flanked by pilasters with imbricated and machicolated
capitals, rosette carved shafts and carved bases and paneled
with carving of vase supported by winged gryphons, dol-
phins, scrolls, flowers, leaves and birds. Carved and molded
base and paw feet.
Height, 5 feet 3 inches; width, 3 feet; depth, 1 foot 4 inches.
(Illustrated)

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​No. 228-ITALIAN WALNUT CABINET
Second and Last Afternoon
229-FRENCH PAINTED WOOD CONSOLE AND MIRROR
Early Nineteenth Century
Shaped top of variegated marble with plain edge. Apron
with carved center, fluted and paneled with painting in
colors of group of flowers on black ground and with oval
portrait medallions supporting festoons of flowers in colors
on black ground. Square, tapering, fluted legs with turned,
fluted and carved capitals and gadrooned pear-shaped feet.
Mirror in four portions, the center round-arched and with
finial pierced and carved with festooned vase. Frieze
carved with vine-leaves and grapes. Body flanked and
divided by caryatids ending in terms. Painted black and
gilt.
Console: Height, 2 feet 9 inches; width, 4 feet 11 inches; depth,
2 feet 1 inch.
Mirror: Height, 4 feet 7 inches; width, 4 feet 3 inches.
230-FRENCH OAK CABINET
Rectangular shape with molded cornice. Body fitted as
cupboard with two hinged doors having sunken paneled
fronts carved with scrolled leaves, flowers, volutes, groteschi
and circular portrait medallions. Flanked by fluted pilas-
ters and divided by turned pilaster carved with imbrications,
acanthus leaves and gadroons. Straight square legs. Sides
paneled with linen-fold panels. Pierced metal strap hinges.
Height, 4 feet 11 inches; width, 4 feet; depth, 1 foot 6 inches.
(Illustrated)
231-FRENCH OAK CABINET
Similar to the preceding.
Height, 4 feet 11 inches; width, 4 feet; depth, 1 foot 6 inches.

No. 230-FRENCH OAK CABINET
Second and Last Afternoon
232-VENETIAN WALNUT SILVER CABINET Eighteenth Century
In two portions. Rectangular top with broken and molded
edge, carved frieze, fall-down front divided into three panels,
the center carved with scrolled escutcheon, the side ones
with oval medallions of Neptune and a Nereid, gadrooned
base. Lower portion, paneled and carved back, molded,
fluted and imbricated base and legs as seated lions. Interior
fitted with shelf.
Height, 4 feet 3 inches; width, 5 feet 2 inches; depth, 2 feet 4 inches.
(Illustrated)
Sixteenth Century
Rectangular shape, in two portions. Upper portion with
flat top, molded and dentelled cornice and cresting pierced
and carved with vase of flowers and voluted scrolls, sup-
ported by columns carved with female heads, fruit pendants
and flutings. Notch carved back flanked by columnar
carved pilasters. Apron fitted with drawer having front
carved with alternate brackets and cherubim. Lower por-
tion arranged as cupboard with two hinged doors, the fronts
carved with heads and flanked by caryatid pilasters.
Molded base and paw feet.
233—ITALIAN WALNUT CABINET
Height, 5 feet 8½ inches; width, 2 feet 11 inches; depth, 1 foot
2 inches.

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No. 232-VENETIAN WALNUT SILVER CABINET
Second and Last Afternoon
234-ITALIAN WALNUT TABLE
Seventeenth Century
Rectangular top, with plain edge. Paneled apron fitted
with two drawers, having fronts carved with acanthus rin-
ceaux. End supports pierced and carved with acanthus-
leaf and flower scrolls supported by female figures and
couchant lion-headed gryphons. Broken and carved cross
bases. Molded longitudinal stretcher carved with acanthus
rinceaux and vases of fruits. Top of later date.
Height, 2 feet 9½ inches; length, 5 feet 11 inches; width, 2 feet
1112 inches.
(Illustrated)

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No. 234-ITALIAN WALNUT TABLE (Seventeenth Century)
Second and Last Afternoon
:
235—ITALIAN WALNUT CABINET AND STAND
Cabinet of rectangular shape with molded cornice and pan-
eled frieze, arranged as a cupboard with two hinged doors,
having fronts of seventeenth century Italian carving of
groteschi, scrolled flowers, voluted scrolls, vases and circu-
lar portrait medallions. Stand with drawer, turned legs,
arcaded stretcher with turned columns and feet as couchant
lions.
Height, 5 feet 7 inches; width, 3 feet 2 inches; depth, 1 foot
61/2 inches.
(Illustrated)

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No. 235-ITALIAN WALNUT CABINET AND STAND
Second and Last Afternoon
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Sixteenth Century
Rectangular top, with molded and fluted edge; apron fitted
with two drawers with raised and carved paneled fronts,
flanked and divided by carved grotesque masks. Body ar-
ranged as a cupboard with two hinged doors having raised
tablet paneled fronts with egg-and-dart borders, flanked
and divided by female caryatids supported by cherubim,
fruit festoons and volutes. Broken base carved with egg-
and-dart ornament and molded. Brass knobs.
236-SARDINIAN WALNUT CABINET
Height, 3 feet 7½ inches; width, 5 feet 3 inches; depth, 1 foot
81/2 inches.
(Illustrated)

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No. 236-SARDINIAN WALNUT CABINET (Sixteenth Century)
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Second and Last Afternoon
237—PAIR OF ENGLISH CARVED, PAINTED AND GILT WOOD CON-
SOLES AND MIRRORS
Adam Period of the Eighteenth Century
Rectangular mirrors in molded frames with molded and den-
telled cornices and friezes, carved, in relief, with gilt oval
medallions and pendants, flanked by double columnar pilas-
ters with fluted shafts, pointed-leaf capitals, ringed and
pointed-leaf bands and molded bases with panels of flowers,
leaves and husk pendants in gold on white between.
Marbled bases. Consoles with semicircular tops of white
marble with straight edges. Aprons carved and gilt with
rosettes, rings and trefoil leaves, oval medallions and cen-
tral tablets of leaf festoons. Turned, tapering and fluted
legs with pointed-leaf capitals and bases and pear-shaped
feet. Painted white and gilt.
Height, 10 feet 5 inches; width, 4 feet 5 inches.
(Illustrated)

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No. 237-PAIR OF ENGLISH CARVED, PAINTED AND GILT WOOD
CONSOLES AND MIRRORS (Adam Period of the Eighteenth Century)
Second and Last Afternoon
238-ENGLISH LACQUER CABINET WITH CARVED GILT STAND
Rectangular cabinet arranged as cupboard with two hinged
doors decorated, on a yellow ground, in raised, painted and
gilt lacquer, with Chinoiserie subject. Brass pierced and
engraved strap hinges; engraved brass angle pieces and
pierced and engraved brass keyhole escutcheon. Interior
fitted with four trays. Stand with rectangular top with
molded and carved edge. Apron pierced and carved with
bird, shell, acanthus scrolls and volutes. Cabriole legs
carved with acanthus leaves, shells and fruit festoons.
Voluted and carved feet. Stand completely gilt.
Height, 5 feet 4½ inches; width, 3 feet 9 inches; depth, 1 foot
10 inches.
(Illustrated)
239-ENGLISH LACQUER CABINET WITH CARVED GILT STAND
Similar to the preceding, but with black ground instead of
yellow.
Height, 5 feet 5 inches; width, 3 feet 9 inches; depth, 1 foot
10 inches.

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​No. 238-ENGLISH LACQUER CABINET WITH CARVED GILT STAND

Second and Last Afternoon
1010
240-FRENCH GOTHIC OAK BISHOP'S THRONE
Sixteenth Century
Rectangular shape. Molded cornice with brass winged
animal gargoyles at angles, imbricated pent roof having
cresting carved and pierced with Gothic tracery flanked by
seated winged gryphons. Paneled back with panels carved
with crowned shields charged with coats-of-arms above and
linen-fold panels below. Columnar supports, reverse carved
with imbrications and "dog's tooth" patterning, straight
arms with metal square dragon-headed hinged brackets
above. Hinged seat, base paneled with linen-fold panels and
straight square legs.
Height, 8 feet 5½ inches; width, 4 feet 21/2 inches; depth, 1 foot
1112 inches.
Second and Last Afternoon
241-FRENCH GOTHIC STYLE WALNUT CABINET
In two portions. Rectangular shape. Upper portion with
canopy having molded cornice, cresting carved and pierced
with Gothic tracery, Gothic finials and carved pendants.
Back carved with Gothic tracery and portrait head of monk.
Lower portion with rectangular top with molded edge,
arranged as cupboard with two hinged doors, the fronts
paneled with carved Gothic tracery and divided by stile
carved with Gothic tracery. Flanked by fluted pilasters,
square fluted supports and stretcher shelf with molded edge.
Wrought-iron strap hinges and wrought-iron lock plate and
hasps.
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Height, feet; width, 3 feet 42 inches; depth, 1 foot 7½ inches.
242 FRENCH INLAID WALNUT AND ORMOLU COMMODE
Serpentine fronted top with curved sides and molded edge
in black-veined white marble. Body arranged as cupboard
with hinged fall-down front, inlaid, in dark woods, with
branches of flowers and leaves and mounted with gilt bronze
scrolls, bronze acanthus leaves, volutes, leaves and flowers,
and with scrolled heart-shape escutcheon in center. Sides
mounted with scrolls, volutes and acanthus leaves in gilt
bronze and inlaid, in dark wood, with branches of flowers
and leaves. Square tapering legs with voluted feet of gilt.
bronze.
Height, 2 feet 11 inches; depth, 2 feet; width, 5 feet 5 inches.
243 FRENCH INLAID WALNUT AND ORMOLU WRITING TABLE
Shaped top, paneled with gilt, tooled leather and with
molded gilt bronze edge. Apron fitted with drawer with
gilt bronze scrolled acanthus-leaf mounts. Pedestals fitted
with drawers with removable compartments, mounted with
gilt bronze scrolls and scrolled acanthus leaves. Angles
with scrolled volutes and wings in pendants of gilt bronze
and oval Wedgwood medallions in blue and white jasper.
Square tapering legs with voluted feet in gilt bronze. Sides
with oval medallions inlaid in colored woods with flowers
and mounted with gilt bronze flower and leaf pendants.
Pull-out writing slabs above.
Length, 6 feet; height, 2 feet 6 inches; width, 3 feet 3 inches.
Second and Last Afternoon
244 FRENCH PAINTED FOURFOLD SCREEN Eighteenth Century
Rectangular folds, with frames carved with reeds bound by
crossed ribbons, arched tops, pierced and carved with shells,
volutes and scrolled acanthus leaves. Paneled with oil
painting on canvas painted in browns, cream color, yellows
and blue on gilt grounds with groteschi of scrolls, volutes,
canopies, trophies, birds and animals and with full-length
figures of Venus, Minerva, Muse and Mercury. Back in
silk damask.
Height, 8 feet 7 inches; width, 7 feet 8 inches.
(Illustrated)

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No. 244 FRENCH PAINTED FOURFOLD SCREEN
(Eighteenth Century)
Second and Last Afternoon
Sixteenth Century
Rectangular shape, in two portions. Upper portion with
molded cornice and frieze carved with acanthus rinceaux,
Amorini and cherubim, arranged as a cupboard with two
hinged sunken paneled doors, flanked and divided by pilas-
ters of female caryatids supported by cherubim, the shafts
carved with acanthus leaves and grapes, base with two
drawers with carved fronts, divided and flanked by carved
dies. Lower portion arranged as a cupboard with two
hinged doors divided and flanked by pilasters of female
caryatids, molded base and feet as carved couchant
leopards.
245-TUSCAN WALNUT CABINET
Height, 6 feet 3 inches; width, 4 feet 1½ inches; depth, 2 feet
4 inches.
(Illustrated)

No. 245-TUSCAN WALNUT CABINET (Sixteenth Century)
Second and Last Afternoon
246-ITALIAN WALNUT CHEST OF DRAWERS
Seventeenth Century
Rectangular top, with molded and gadroon and bead
carved edge. Straight front, fitted with three long and two
short drawers with carved paneled fronts, the long drawers
divided by gadrooned stiles, the short drawers by carving
of knight on horseback, flanked by pilasters carved with fig-
ures of Hercules; carved and molded base, feet carved as
grotesque lion heads and paws. Drawer knobs carved as
heads of Orientals.
Height, 3 feet 9 inches; width, 5 feet 5 inches; depth, 2 feet 5 inches.
(Illustrated)

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No. 246-ITALIAN WALNUT CHEST OF DRAWERS
(Seventeenth Century)
Second and Last Afternoon
247-PORTUGUESE EBONY, TORTOISE-SHELL AND ORMOLU CLOCK,
CABINET AND STAND
Seventeenth Century
Semi-hexagonal clock with domed top, figure of Flora in
gilt bronze as finial, and molded cornice supported by
columnar pilasters having spirally turned shafts and Ionic
capitals. Splayed angles with round-arched niches occu-
pied by figures of female warriors in gilt bronze. Gilt dial
ring with gilt apron pierced with scrollings. Cabinet with
broken cornice and broken frieze, paneled with pierced
scrollings of gilt brass and with gilt bronze finials of armed
Putti and vases of flowers. Center with hinged door hav-
ing round-arched recess and pedimented portal with figure
of Hercules and the Nemean Lion. Interior fitted with
nineteen drawers with tortoise-shell fronts and gilt bronze
handles, flanked on either side by four drawers with tor-
toise-shell fronts and gilt bronze pierced keyhole escutch-
eons. Claw and ball feet. Stand with rectangular top,
turned legs and side rails.
Height, 9 feet; width, 4 feet 6 inches; depth, 1 foot 6 inches.
(Illustrated)
248 FRENCH OAK HALL SEAT
Straight square back with molded and dentelled cornice
and frieze carved with armorial escutcheon and scrolls,
divided into six panels, the upper ones carved with portrait
medallions and scrolls, the lower ones with linen-fold panels,
carved, rounded and carved arms, on incurved square and
carved supports, wooden seat with hinged lid, straight
square legs and apron divided into three carved panels.
Height, 5 feet 8½ inches; width, 4 feet 6½ inches; depth, 1 foot
91/2 inches.

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No. 247-PORTUGUESE EBONY, TORTOISE-SHELL AND ORMOLU CLOCK,
CABINET AND STAND (Seventeenth Century)
Second and Last Afternoon
249-FRENCH AUBUSSON TAPESTRY
Rectangular shape, woven, in colored wools, on a light
gound, with the figure of Jupiter in the center with eagle
at his side and holding thunderbolts, under a shell canopy
supported by turned and carved pilasters. Above are an
oval medallion and acanthus-leaf scrolls and flowers. Bor-
der, woven in light colors on an olive-green ground with
voluted scrolls and acanthus leaves.
(Illustrated)
Height, 8 feet; width, 4 feet.

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No. 249-FRENCH AUBUSSON TAPESTRY
Second and Last Afternoon
250-FLEMISH TAPESTRY
Seventeenth Century
Woven, in colored wools, with a verdure subject of trees.
with leaves. Central figure of a hunter with two dogs.
Background with landscape with trees and hills. Fore-
ground with leaves and flowers. Border with vases of
flowers at upper angles, arched medallions containing vases
of flowers in centers of sides, festooned vases at lower angles.
and shaped panel supported by pilasters and containing a
vase of flowers in lower center.
Height, 9 feet 8 inches; width, 6 feet 5 inches.
251-FLEMISH TAPESTRY
(Illustrated)
Seventeenth Century
Woven, in colored wools, with subject of figure of female
in red robe and brown mantle, standing and holding in her
right hand a spear. In front of her kneels another figure
of a female in blue robe and pearl necklace with outstretched
hand. Background a landscape with mountains and trees.
Broad border of scrolled oval medallions enclosing land-
scapes, masks at angles with volutes and acanthus leaves
and fruit and flower and leaf pendants. Inner guard of
bead and reel on blue ground. Outer guard of scrolled
acanthus leaves in monochrome.
Height, 10 feet 3 inches; width, 7 feet 6 inches.

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No. 250-FLEMISH TAPESTRY (Seventeenth Century)
Second and Last Afternoon
252-FRENCH BEAUVAIS TAPESTRY
Eighteenth Century
Woven, in colored wools, with a verdure subject, after car-
toon by Jean Baptiste Oudry, of a landscape. In the cen-
ter a bridge with waterfall and stream with flying swan
seized by spaniel. Above on the right a tree with squirrel,
flying birds in center and on left a tree with berries and
rock with stream and buildings. In the background a
landscape with buildings and in the foreground rocks, plants
and a broken tree trunk. Border, in brown, of crossed
ribbons with shells and acanthus leaves in the centers.
Height, 8 feet 5 inches; width, 10 feet 9 inches.
(Illustrated)

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No. 252-FRENCH BEAUVAIS TAPESTRY (Eighteenth Century)
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Second and Last Afternoon
253-FLEMISH TAPESTRY
Seventeenth Century
Woven, in colored wools, with a verdure subject. In the
center a Triumph, with figures of females in chariot drawn
by horses held by youth. Figure reaching down for vase
and woman on left, and man's figure with uplifted hand on
right. Dog in foreground. Background of landscape with
buildings and figures. Broad border of figures under
canopy and circular medallion with figures of lovers. Fig-
ures of warriors below with vases of flowers, fruits and
leaves, and figures in center flanked by groups of flowers,
fruits and leaves. Inner and outer guards of twisted rib-
bon and quatrefoil rosettes.
Height, 10 feet 10 inches; width, 8 feet.
(Illustrated)
254 FLEMISH TAPESTRY
Seventeenth Century
Woven, in colored wools, with a verdure subject of build-
ings with towers, trees and mountains in center. Trees with
leaves and standing bird. Bridge on right, trees with birds
and buildings on left. Foreground with rocks, leaves and
flowers.
Height, feet; width, 12 feet.

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No. 253-FLEMISH TAPESTRY (Seventeenth Century)
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Second and Last Afternoon
Eighteenth Century
Woven, in colored wools, with a verdure subject, after a
cartoon by Jean Baptiste Oudry, of a landscape. Bridge
in center with stream and waterfall. On right a fox seizing
a hen, and trees with berries and flying bird. On left a tree
with a peacock seated on a branch and buildings. Back-
ground of landscape, mountains and buildings with towers.
Foreground of rocks, plants and flowers and broken trunk
of tree. Border of crossed ribbons, with fans and acanthus
leaves in center.
255-FRENCH BEAUVAIS TAPESTRY
Height, 8 feet 5 inches; width, 15 feet 3 inches.
Note: Oudry (1686-1755) was appointed, in 1734, to the superin-
tendence of the tapestry manufactory at Beauvais.
(Illustrated)

No. 255-FRENCH BEAUVAIS TAPESTRY (Eighteenth Century)
Second and Last Afternoon
Sixteenth Century
Woven, in colored wools, with a subject of "The Surrender
of a City." On a dais stands the King in full Roman armor
with a plumed helmet, and before him kneel three burghers
presenting him with the keys of their city. Border with
figures at the angles, occupying panels at the sides and in
center panels above and below. Between are vases of fruits,
festoons, masks and scrolls.
256-FLEMISH TAPESTRY
Height, 10 feet 6 inches; width, 7 feet 8 inches.
(Illustrated)

眼
​Lon
No. 256-FLEMISH TAPESTRY (Sixteenth Century)
Second and Last Afternoon
257-FLEMISH TAPESTRY
Sixteenth Century
Woven, in colored wools, with figure of a standing warrior
in Roman armor. Seated at one side another warrior hold-
ing a halberd. On right, figure on horseback. Behind,
smaller figures of warriors on horseback. Background,
with building with tower, having female figure at open door,
church with spire and landscape with trees. Border at
sides with figures inscribed "Victoria" and "Pietas," cir-
cular medallion with figure, caryatids and pendants of
fruits and leaves in colors on yellow ground. Above, cir-
cular panel with figure supported by seated females and
with groups of flowers and leaves. Below, circular medal-
lion enclosing figure supported by seated females, with vases
of flowers, fruits and leaves at sides. Inner guard of
twisted ribbon. Outer guard of scrolled fleurs-de-lis.
Height, 11 feet; width, 9 feet.
(Illustrated)

VICTORIA
PICTAS
200800 22.09.
360
HE
44
REPARIN
07
004
No. 257-FLEMISH TAPESTRY (Sixteenth Century)
VICTORIA
PIETAS
Second and Last Afternoon
Seventeenth Century
Woven, in colored wools, with a subject of a Bacchanalian
dance. In center five infant Bacchanals dancing in circle
around altar and terminal figure wreathed with flowers,
with boy Bacchanal below and girl Bacchanal playing
double pipes. On right, tree with fold of red drapery and
musical trophy. On left, tree. In background pool of
water, landscape and hills. In foreground, plants, leaves
and flowers. Border of volutes and acanthus leaves, woven
in light colors on a red ground.
Height, 12 feet; width, 16 feet 9 inches.
258-FLEMISH TAPESTRY
(Illustrated)

Gd
Sayo
10 90 90
9443
No. 258-FLEMISH TAPESTRY (Seventeenth Century)
PREPAR
Sven
Second and Last Afternoon
Eighteenth Century
Worked, in petit- and gros-point, with a copy of a famous
Aubusson tapestry panel of the "Triumph of Alexander."
Alexander in center on horseback with leopard-skin saddle
cover, having on one side attendants carrying a gold vase
and on the other attendants playing musical instruments.
Background of castle with figures. Mounted warriors on
right side and statue as incense-burner on left. Surrounded
by border of twisted and knotted ribbon, fruits and flowers
in colors on an amber-colored ground. With scrolled tablet
below inscribed: ALEXANDER BABILONEM SIBI DEDITAM
TRIUMPHALI CURRU SUBLIMIS INTER CIVIUM ACCLAMATIONES
259-FRENCH NEEDLEWORK PANEL
66
ET CONCENTUS INGREDITUR," and oval escutcheon above,
supported by Amorini and charged with the lilies of France.
Height, 12 feet; width, 15 feet 3 inches.
Note: This is probably the largest and most important example
in America of similar needlework.
(Illustrated)

ALEXANDER BABILONEM
SIRI DEDITAM TRIUMPHALI
CURRUSUBLIMIS INTER CIVILM
ACCLAMATIONES ET CONCENTUS
INGREDITUR
79017
No. 259-FRENCH NEEDLEWORK PANEL (Eighteenth Century)
Second and Last Afternoon
260-FLEMISH GOTHIC TAPESTRY
Fifteenth Century
Woven, in colored wools and silk, with a symbolic subject
of "The Triumph of Peace." Toward the left-hand
side is a full-length figure of the Saviour symbolizing
the Prince of Peace. He stands under a canopy of crimson
drapery and in front of a throne. He wears a blue cape
bordered with gold and fastened across the breast with a
Jewel set in gold, a robe of gold brocaded in a Gothic
patterning with red and a crown, while in His right hand
He holds a golden sceptre. On the skirt of His cape is in-
scribed, in Gothic text, the name "Filius Dei." On His left
are the figures of four maidens coifed and in long robes,
symbolizing the Virtues, one being inscribed "Gubernacio,"
and one carrying a banner on which is the nude figre of
a Child Christ surrounded by rays. On the right side of
Our Saviour stands another female, also symbolizing a
Virtue, in a coif and flowing robes. On the right of the
central figure is seated an old man with long gray beard
and locks of gray and clothed in a blue mantle and a bro-
caded robe. This is King David, who tenders a label, in-
scribed with a legend in Gothic characters, to a seated
scribe, who writes thereon. The latter figure is inscribed
with the name "Andreas." Above and to the left of David
is a group of young men in fifteenth century costumes
holding a caparisoned horse. In the distance is a land-
scape, with hills, trees, windmills and other buildings, while
the foreground is occupied with growing floral sprays and
clumps of grass woven, on a dark ground, in natural colors.
Around the tapestry runs the original rather narrow bor-
der consisting of a floral meander of roses, other flowers
and leaves suspended by bowed and knotted ribbons woven
in bright colors on a dark blue ground.
Height, 9 feet 2 inches; width, 9 feet 10 inches.
Note: This magnificent tapestry, among the finest of its early
period ever shown in this country and especially distinguished owing
to its fine state of preservation, is one of several which were woven to
the direct order of the Emperor Maximilian I. Maximilian was elected
King of the Romans in 1485 and Emperor in 1493, obtaining sovereignty
of the Netherlands, where the tapestry was woven, through his mar-
[Continued

OVBERNACIO
MIEDEN
by
have
GOODD
SIN
FILI DEI
ME
HOOK
No. 260-FLEMISH GOTHIC TAPESTRY (Fifteenth Century)
ADIERS
Second and Last Afternoon
[No. 260—Continued]
riage with Mary of Burgundy. This piece was one of a series woven
for the Emperor to present to Churches and Religious Confraternities.
It has been seen and subjected to expert examination by Professor
Wilhelm Bode, from whom a letter (here reproduced) was received
in the course of which he expresses his warm admiration for the
tapestry.

Berlin.
7. Febbraje 1944
Muster Lys Pangingi
C'arazzo fins, rappresentanter
nen allegorie con Gear Aristo
nel Centro che lei miface
verse C'anno scorso è
è dal
-
parire mio lavoro d'ee ar-
trote fremmings del pris-
Riyein
del Cinquecento, da


1500 a 1175 incirca.

Il disegno per le compool-
стра
Mes
grone pare dalle mens
del famoso artisto il quale
Ma fatto i disegni putanti
arazzi fabricati sopratutto
perl Imperatore Messinition.
è quali" or hovers on axpore_
८
[No. 260-Continued]
tutte a Madrid a a
L'artista è di Brailles
maître Thi
e or chiama maître
come appare d'un
lippe, co
documents dell'anno 1573 pable-
cato del Professor Destrée . _
Pono curioso diverne la
е
fotogr. del quadro de Paulſ.
agrishing
Seal
KOENIGLICHE
MUSEEN
descreia con aga
BERLIN
Dry Bone
Translation of letter written in Italian by Prof. W. Bode of Berlin.
Vienna.

Illustre Sgr. Sangiorgi;-
Berlin, February 9,1914.
The fine tapestry representing an
allegory with Jesus Christ in the center, that you showed me
last year, is, in my opinion, the work of a Flemish artist of
the early XVI Century, from about 1510 to 1515.
The drawing seems to me, for its composition, as
being by the hand of the famous artist who did the drawings
for many tapestries made chiefly for Emperor Maximilian,
the majority of which are now in Madrid and Vienna.
The artist is from Erussel and is called Maitre Philippe
(Master Philippe), as it appears from a document of the year
1513 published by Prof.Destree.
Believe me
Very respectfully yours
(signed)
W.BODE.
Second and Last Afternoon
261-PAIR OF ITALIAN BRONZE TORCHÈRES
Seventeenth Century
Cylindrical upper portions of standards shaped as balusters
and festooned vases, having, below, four full-length figures
of Muses playing musical instruments and standing on fes-
tooned bases; below again are drums, supported on the
backs of horses, and pierced with round-arched niches en-
closing the figuures of nymphs. Bases with four voluted
female caryatids at angles supporting floral festoons.
Voluted feet.
Height, 6 feet 9 inches.
(Illustrated)
262-ITALIAN MARBLE FOUNTAIN
Circular molded basin carved with gadroons. Baluster-
shaped pedestal carved with bands of beads, flutings and
acanthus leaves. Rectangular tapering base with incurved
sides, carved, at the angles, with oval scrolled escutcheons
surmounted by lions' heads and with oval scrolled escutch-
eons between carved with vases of leaves.
Height, 4 feet 6 inches; diameter, 2 feet 5 inches.
263-ITALIAN MARBLE WALL FOUNTAIN
Semicircular bowl, molded and carved with gadroons, shaped
back plate with voluted border carved with shell, mask and
fruit festoon. Bracket-shaped standard, carved with acan-
thus leaf and flutings. Rectangular carved foot and rec-
tangular molded base.
Height, 5 feet 4 inches; width, 1 foot 11 inches.

○
三​川
​No. 261-PAIR OF ITALIAN BRONZE TORCHÈRES
(Seventeenth Century)
Second and Last Afternoon
264-ITALIAN MARBLE CHIMNEY-PIECE
Rectangular shape, molded cornice carved with acanthus
leaves and egg-and-dart ornamentation, frieze carved with
flaming vase supported by sea-horses and rosetted scrolls.
At sides, pilasters with paneled and carved shafts and
voluted and acanthus-leaf capitals. Molded and carved
bases.
Height, 4 feet 9 inches; width, 5 feet 5 inches; depth, 1 foot.
265-FLORENTINE WALNUT CHOIR STALLS Seventeenth Century
Straight broken backs with molded cornice and paneled
frieze. Flat carved and voluted arms, supported by carved
brackets, the fronts carved with overlapping tessera and
with turned pendants, paneled backs, hinged seats with
molded edges, supported by brackets carved with strap-
work and with turned ball finials and molded bases. Mod-
ern sub-base with molded front.
Height, 4 feet 2 inches; length, 7 feet 5 inches.
(Illustrated)
266-FRENCH OAK CABINET
Semi-hexagonal shape, with molded cornice and frieze carved
with interlaced strapwork and acanthus leaves. Body ar-
ranged as a cupboard with two hinged doors with paneled
fronts carved with floral sprays and husk pendants. Sides
paneled and carved with floral festoons, turned tapering
legs with carved capitals, shaped stretcher shelf with molded
edge and cushion feet. Interior fitted with three shelves.
Height, 5 feet 7 inches; width, 4 feet 4½ inches; depth, 1 foot
7 inches.

No. 265-FLORENTINE WALNUT CHOIR STALLS
(Seventeenth Century)
Second and Last Afternoon
267-ITALIAN INLAID MAHOGANY REFECTORY TABLE
Rectangular top, with inlaid border and molded and fluted
edge. End supports pierced and voluted with carved paw
feet. Shaped longitudinal stretcher.
Height, 2 feet 6 inches; length, 7 feet 2 inches; width, 2 feet.
268 OAK SIDEBOARD
P
Rectangular top with molded edge, apron fitted with three
drawers, with paneled fronts, whited apron carved with
rosettes and divided by molded pendants, columnar legs
with chamfered angles and molded capitals and bases,
stretcher shelf with molded front and shaped lower apron.
Height, 3 feet 2 inches; width, 6 feet 6 inches; depth, 2 feet ½ inch.
269 ENGLISH CHIPPENDALE STYLE MAHOGANY SIDEBOARD
Serpentine top, with molded and gadroon carved edge.
Apron fitted with drawer with carved and paneled front.
Rising back molded and dentelled. Pedestals on either side
with domed tops; molded and dentelled cornice; bowed
fronts; aprons fitted with drawers with carved fronts
flanked by ram's-head carved dies, bodies arranged as cup-
boards with hinged doors, having paneled and carved fronts,
centers inlaid in light-colored wood with scrolls, leaves, fes-
toons and oval medallions in the center with carved figures
of Amorini, flanked by pilasters with carved shafts. Square,
tapering and fluted legs with carved paw feet.
Height, 3 feet 6½ inches; width, 7 feet 6 inches; depth, 2 feet
11½ inches.
270-ENGLISH
CHIPPENDALE
STYLE MAHOGANY EXTENSION
TABLE
Circular top, with molded and acanthus-leaf carved edge.
Apron paneled and carved with bead and reel ornament.
Pedestals with two center, and six side, turned and fluted
columns on curved square and tapering legs carved with
acanthus leaves and rectangular molded feet.
Height, 2 feet 4 inches; diameter, 5 feet.
(Extends with 8 leaves to 16 feet.)
Second and Last Afternoon
271-ENGLISH CHIPPENDALE STYLE MAHOGANY SERVING TABLE
Serpentine top with molded and acanthus-leaf carved edge,
paneled rising back with carved serpentine top and carved
finials. Apron fitted with drawer with carved and paneled
front, flanked by ram's-head carved dies; square curved tap-
ering legs, carved with acanthus leaves and oval medallions.
Paw feet. Stretcher shelf with molded serpentine front.
Height, 3 feet 6 inches; width, 4 feet 9 inches; depth, 1 foot
10 inches.
272-ENGLISH MAHOGANY SERVING TABLE
Similar to the preceding.
Height, 3 feet 6 inches; width, 4 feet; depth, 1 foot 11½ inches.
273-ENGLISH CHIPPENDALE STYLE MAHOGANY CORNER CABINET
Bowed front, with domed and carved top. Molded and
carved cornice and carved frieze. Body arranged as cup-
board with two hinged doors with glazed fronts, having
carved, scrolled, oval and festooned wooden lattices. Turned
tapering legs carved with acanthus leaves. Carved cushion
feet. Cupboard fitted with plate-glass shelves.
Height, 4 feet 8 inches; width, 3 feet 5 inches; depth, 2 feet
4 inches.
274-ENGLISH CHIPPENDALE STYLE MAHOGANY CABINET
Similar to the preceding.
Height, 4 feet 8 inches; width, 3 feet 9½ inches; depth, 1 foot
6 inches.
275-PAIR OF ENGLISH CHIPPENDALE STYLE MAHOGANY ARM-
CHAIRS
Open backs with vertical splats, pierced and carved with
interlacing ribbons, acanthus leaves and volutes; serpentine
head rail and carved ears; flat curved arms with curved
molded and voluted fronts, square, tapering and carved
legs with rectangular carved feet. Seats in dark leather
secured with brass-headed nails.
Second and Last Afternoon
276-SET OF TEN ENGLISH CHIPPENDALE STYLE MAHOGANY
CHAIRS
Similar to the preceding.
277-SET OF FOUR ENGLISH CHIPPENDALE STYLE MAHOGANY
ARMCHAIRS
Similar to the preceding.
278-FRENCH OAK ARMOIRE
Rectangular shape, with rounded angles. Broken pediment
carved with shell, acanthus leaves and flowers. Body ar-
ranged as a cupboard and fitted with two hinged doors with
paneled fronts carved with floral pendants and acanthus-
leaf scrolls. Paneled sides carved with floral pendants and
acanthus-leaf scrolls, molded base with shaped apron and
rectangular paneled and molded feet.
279-ITALIAN OAK BOOKCASE
Rectangular shape, with molded and carved cornice and
frieze carved with guilloche and dies with female masks,
divided into four sections with glazed and paneled hinged
doors, flanked and divided by pilasters with carved shafts.
and capitals, molded broken base.
Height, 4 feet 8 inches; length, 11 feet 6 inches; depth, 1 foot
7 inches.
280-ITALIAN OAK BOOKCASE
Similar to the preceding.
Height, 4 feet 8 inches; length, 4 feet 7 inches; depth, 1 foot
6 inches.
AMERICAN ART ASSOCIATION,
THOMAS E. KIRBY,
AUCTIONEER.
MANAGERS.
INTELLIGENT APPRAISALS
FOR
UNITED STATES AND STATE TAX
INSURANCE AND OTHER PURPOSES
THE AMERICAN ART ASSOCIATION
IS EXCEPTIONALLY WELL EQUIPPED
TO FURNISH
APPRAISEMENTS AND INVENTORIES
OF
ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS
AND PERSONAL EFFECTS OF
EVERY DESCRIPTION
AT CHARGES COMMENSURATE
WITH THE DUTIES INVOLVED
THE AMERICAN ART ASSOCIATION
MADISON SQUARE SOUTH
NEW YORK
TELEPHONE, 3346 GRAMERCY
COMPOSITION, PRESSWORK
AND BINDING BY
ENT & GRAFF

KNEW
Co
YORK
'
f
Shankar to portokatzuk
**
***
**
ANTIQUE AND MODERN FURNITURE
AND
OTHER VALUABLE ARTISTIC PROPERTY
BELONGING TO THE LONG-ESTABLISHED AND FAVORABLY
KNOWN FIRM OF
D. S. HESS & COMPANY
NEW YORK CITY
Me
Ne
?
***


TO BE SOLD AT UNRESTRICTED PUBLIC SALE
AT THE AMERICAN ART GALLERIES
MADISON SQUARE SOUTH
NEW YORK CITY
1921
UNDER THE MANAGEMENT OF
THE AMERICAN ART ASSOCIATION
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