SELECTED, EDITED & ARRANGED 
 
 BY 
 
 PRICE 75 CENTS 
 
Schmidt’s Educational Series. 
 
 PIANOFORTE STUDIES. 
 
 Vol. AILBOUT, HANS. 
 
 67. Op. 315. 20 Progressive Velocity Studies 0.75 
 
 BACH, J. S. 
 
 24. 15 Two-Voice Inventions. Edited by Arthur Foote 0.75 
 
 BIEHL, ALBERT. 
 
 66. Op. 139. Preparatory School o! Technic. 12 Etudes 0.75 
 
 91. Op. 140. 10 Octave Studies 0.75 
 
 29. Op. 153. 12 Melodious Studies for the development 
 
 of the left hand . 0.75 
 
 39. Op. 166. 12 Melodious Arpeggio Studies 0.76 
 
 9. 16 Selected Etudes for the development of technic 
 
 and expression. 0.75 
 
 DENNEE, CHARLES. 
 
 37. Progressive Studies in Octave Playing (with special 
 
 preparatory exercises) 1.00 
 
 EGGELING, GEORG. 
 
 75. Op. 90. 18 Melodious Octave Studies of Medium 
 
 Difficulty 1.00 
 
 16a-b. Op. 170. 25 Etudes (without octaves) for technical 
 
 and musical development. 2 Books each 0.75 
 60a-b. Op. 176. Pleasure and Progress. 35 Descriptive 
 
 Etudes for the earlier grades. 2 Books ea. 0.75 
 
 FOOTE, ARTHUR. 
 
 2. Op. 27. 9 Etudes for musical and technical deve- 
 lopment 1.00 
 
 73. Op. 52. 20 Preludes in the form of short technical 
 
 Studies 1.00 
 
 74. Etude Album. A Collection of Etudes, selected 
 
 and arranged in progressive order ... 1.00 
 
 FR1ML, RUDOLF. 
 
 68a-b. Op. 75. Etudes Poetiques. 2 Books each 0.76 
 
 GURLITT, CORNELIUS. 
 
 41. Op. 186. Velocity Studies for Beginners ..... 0.75 
 
 31. Op. 187. 68 Very first Studies 0.75 
 
 51. Op! 198. 16 Studies in Melpdy and Rhythm . . .0.75 
 
 52. Op. 199. 16 Melodious Studies for more advanced 
 
 players (A Sequel to “Studies in Melody 
 and Rhythm” Op. 198) 0.75 
 
 HELLER, STEPHEN. 
 
 78a-b. A Compendium of HELLER’S Pianoforte Studies. 
 
 Revised, Edited and Arranged in Pro- 
 gressive Order hy ARTHUR FOOTE. 
 
 2 Books each 0.75 
 
 Vol. HOFMANN, RICHARD. 
 
 40. 10 Melodious Etudes from Op. 72 0.75 
 
 KAISER, ALFRED. 
 
 25, The Weaker Fingers. Exercises and tuneful pieces 0.75 
 
 KRAUSE, EMIL. 
 
 26. Op. 99. 12 Technical Studies for the equal deve- 
 
 lopment of both hands 0.75 
 
 LYNES, FRANK. 
 
 8. Op. 20. 10 Special Studies 0.75 
 
 92. Op. 21. 8 Studies for the development of the 3rd, 
 
 4*k> and 5 ^ fingers .......... 0.75 
 
 MAC DOWELL, EDWARD. 
 
 4. Op. 39. 12 Studies for the development of technic 
 
 and style 1.50 
 
 MAYLATH, H. 
 
 55. Op. 163. Melodious Etudes. Edited hy Charles 
 
 Denude 0.75 
 
 MEYER, FERDINAND. 
 
 70. The Pupil’s First Etude Album. 53 Easiest Etudes 0.75 
 
 71. The Pupil’s Second Etude Album. 34 Easy Etudes 0.75 
 
 NEUPERT, EDMUND. 
 
 61. 10 Selected Studies for the development of Expression • 
 and technic. Arranged and edited by 
 Charles Denn6e 1.00 
 
 PFITZNER, HEINRICH. 
 
 13. Systematic training for Polyphonic Playing. . . .0.75 
 
 SARTORIO, ARNOLDO. 
 
 21. Op. 214. 14 Melodious Etudes (without octaves) . 0.75 
 
 SCHYTTfc, LUDVIG. 
 
 7. 10 Melodious Etudes from Op. 66 0.75 
 
 TAPPER, THOMAS. 
 
 12. Sight Reading and Memory Lessons 0.75 
 
 TURNER, A. D. 
 
 86. 15 Short Melodious Studies from Op. 30. (Selected 
 
 and Edited by F. Addison Porter) . . .0.75 
 
 87. Special Studies for the Pianoforte. (Selected, Re- 
 
 vised and Edited by F. Addison Porter) . 0.75 
 
 WILM, NICOLAI VON. 
 
 77. Phrasing and Agility. 12 Etudes 0.75 
 
 < 5 — 5> 
 
 ARTHUR P. SCHMIDT 
 
 BOSTON LEIPZIG NEW YORK 
 
 120 Boylston Street 11 West 36 th Street. 
 
PREFACE 
 
 There is nothing more useful for getting independence 
 in both hands and fingers than music written in two or 
 more real voice parts; and in it we also make a begin- 
 ning in polyphonic playing. Unless having a reasonably 
 good training in the latter, a piano player is unable to 
 master the difficulties of most of the music that is best 
 worth while. 
 
 In this collection there have been selected examples 
 in two-voice writing from many different composers; some 
 of the pieces have been shortened, and in a few cases frag- 
 ments only have been taken, this being indicated bya ^ 
 at the beginning. 
 
 A. F. 
 
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 0'S <7 
 
 35 
 
 TWO-PART STUDIES 
 
 for 
 
 INDEPENDENT PART-PLAYING 
 
 Selected, Edited and Arranged 
 
 by ARTHUR FOOTE 
 
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 Cb« Pupil’s first 6tud« Hlbum 
 
 fifty -three etudes. 
 
 1. Same Notes in Two Hands . C. Ourlitt 
 
 2. Different Notes in Two Hands A. Sartorio 
 
 3. The Dot Arthur Dana 
 
 4. Two Melodies at the Same Time ... . Ferd. Meyer 
 
 5. The Tie Arthur Dana 
 
 6. Swinging Rhythm F. N. Shacklfey 
 
 7. Mixed Rhythm F. N. Shacktey 
 
 8. Five-Finger Study Fmil Krause 
 
 9. First Scale Study Frank Lynes 
 
 10. Melodious Study C. Ourlitt 
 
 11. Second Scale Study F. Le Couppey 
 
 12. Arpeggio Study in O Czerny - Faelten 
 
 13. Study in Lightness and Grace A. Sartorio 
 
 14. Melody Playing A. Croisez 
 
 15. Quiet Hand Study A. Sartorio 
 
 16. Etude for keeping the Hand in Proper 
 
 Position Frank Lynes 
 
 17. Study in Arpeggio Connection R. Hofmann 
 
 18. Two-part Study in the Classic Style . . . Bach-Faelten 
 
 19. Velocity Study C. Gurlitt 
 
 20. Playing Two Parts with the Same Hand . A. Croisez 
 
 21. Use of the Triplet J. Concone 
 
 22. Repeated Notes A. Croisez 
 
 23. Trill Study in Right Hand F. Spindler 
 
 24. Trill Study in Left Hand A. Biehl 
 
 25. Arpeggio Study in C Kohler-Faelten 
 
 26. The Turn H. Maylath 
 
 27. Study in Speed and Clearness 
 
 28. Grace Notes 
 
 29. Broken Chords 
 
 30. Scale Study for the Left Hand 
 
 31. Wrist Movement 
 
 32. Syncopation Study 
 
 33. Weak Finger Study 
 
 34. Hand Contraction 
 
 35. Hand Expansion 
 
 36. Wrist Exercise 
 
 37. Cross Hand Study 
 
 38. Melody and Accompaniment in the Same 
 
 Hand 
 
 39. Staccato Chords 
 
 40. Rhythmical Precision 
 
 41. Finger Substitution 
 
 42. Delicate Phrasing 
 
 43. Contrast of Legato and Staccato 
 
 44. Broken Octaves 
 
 45. Staccato Etude 
 
 46. Study in Broken Thirds 
 
 47. Velocity Study 
 
 48. Octave Study 
 
 49. Study in Thirds 
 
 50. Grand Arpeggios 
 
 51. Study in Style 
 
 52. Study in Expression 
 
 C. Gurlitt 
 F. Le Couppey 
 A. Biehl 
 Emil Krause 
 Charles Mayer 
 J. Concone 
 A. Biehl 
 Frank Lynes 
 H. Maylath 
 Chas. P. Scott 
 F. Le Couppey 
 
 Arthur Foote 
 C. Stamaty 
 J. Concone 
 J. Concone 
 Charles Mayer 
 H. Maylath 
 Chas. P. Scott 
 F. Spindler 
 F. Le Couppey 
 C. Gurlitt 
 W. A. Mozart 
 A. Ehmant 
 H. Maylath 
 L. Schytte 
 TempletonStrong 
 
 53. Scales and Chords in all the Major and Minor Keys. 
 
 
 Cbe pupil's Second 6tude Hlbum 
 
 Cbirty-four 6tudes. 
 
 1. Melody and Scales -Georg Eggeling 
 
 2. Broken Chords Stepan Esipoff 
 
 3. Arpeggios Max Franke 
 
 Dotted Rhythm Hans Harthan 
 
 Trills Frank Lynes 
 
 Thirds Max Franke 
 
 Equality in both Hands Bach-Faelten 
 
 Lightness of Touch H. N. Redman 
 
 9. Arpeggios Edmund Parlow 
 
 10. Finger Staccato Frank Lynes 
 
 11. Wrist Staccato A. D. Turner 
 
 12. Sixths Bernhard Wolff 
 
 13. Speed and Clearness Jos. Chwatal 
 
 14. Pedal Study . Heller-Foote 
 
 15. Expression Stepan Esipoff 
 
 16. Facility Chas. Mayer 
 
 17. Two notes against Three Chas. P. Scott 
 
 18. Trills C. Gurlitt 
 
 19. Octaves in both Hands Anton Strelezki 
 
 20. Unusual Rhythms Arthur Foote 
 
 21. Wrist Movement J. H. Hahn 
 
 22. Independence of the Hands A. Chauvet 
 
 23. Pedal Study Czemy-Faelten 
 
 24. Study in Black Keys Hans Harthan 
 
 25. Equality of Tone H. Ravina 
 
 26. Left Hand alone Bernhard Wolff 
 
 27. Right Hand alone Arthur Foote 
 
 28. Arpeggiated Chords Chas. P. Scott 
 
 29. Octave Study Georg Eggeling 
 
 30. Double Notes Edmund Neupert 
 
 31. Arpeggios Fritz Spindler 
 
 32. Sixths C. Gurlitt 
 
 33. Phrasing • . . Ludvig Schytt6 
 
 34. Wrist and Arm F. Kalkbrenner 
 
 Selected and arranged In progressive order by 
 
 ferdinand flleyer 
 
 Price, 75 Cents each* 
 
 
 
 mr . 4 ^ 4 , 4 A Boston, 120 Boylstcn Street. 
 
 Hrtbur p. Schmidt, , 
 
 7 Dew Toi’hj H Meet 36® Street. 
 
 
TECHNIC AND MELODY 
 
 A Fundamental Course for the Pianoforte 
 
 by CORNELIUS GURLITT 
 
 Three Books Op. 228 Each 75 Cents 
 
 Practical simple and essentially musical. 
 
 The grading of the material is so arranged that there is no break in 
 its easy continuity. 
 
 All necessary assistance in the principles of music are given in the text. 
 No single essential feature of the fundamentals of pianoforte playing 
 is Wanting in its pages. 
 
 The compositions for two and for four hands are thoroughly prepared 
 for in the Technical Studies. 
 
 An abundance of text makes the application of the material simple 
 and full of interest. 
 
 Lists of supplementary pieces, carefully graded, are given in each book. 
 This Course is being used with unfailing success by thousands of 
 teachers and students. 
 
 The last and ripest work of the author. 
 
 Sent free: “How to use Technic and Melody” 
 
 An interesting and instructive booklet for all piano teachers, containing 
 the author’s direct intentions for using the three volumes of “TECHNIC 
 AND MELODY” and general useful hints on pianoforte instruction. It is 
 supplemented with lists of graded teaching pieces, especially selected for 
 use with this or any other method. 
 
 : : PIANOFORTE STUDIES 
 
 Key Circle Exercises 
 
 for the Pianoforte 
 
 by 
 
 Frank Lynes 
 
 Three Books :::::: Each 75 Cents 
 
 To the teacher who desires material which is so constructed that it 
 serves more than a single purpose, “KEY CIRCLE EXERCISES,” for the 
 piano, will be found especially valuable. While contributing to the teach- 
 ing repertoire a distinctly useful group of technical studies, this work is 
 also of value in affording indispensable practice in MEMORY TRAINING, 
 SIGHT READING, TRANSPOSITION, PRINCIPLES OF MODULATION, 
 PROGRESSION AND RESOLUTION OF HARMONIC COMBINATIONS. 
 
 The books contain a comprehensive course of study in scale playing, 
 chords, arpeggios and broken chords, double notes, and various touches, 
 trill, hand expansion, part-playing (including the scales in canon form, etc.). 
 
 Send for descriptive Circular 
 
 BY GEORGE EGGELING : : 
 
 Eighteen Melodious Octave Studies 
 
 Of Medium Difficulty Op. 90 :: Price S 1.00 
 
 These studies, of medium grade difficulty, serve admirably as prepa- 
 ration for the more advanced octave studies of KULLAK and others. 
 
 While especially designed for octave practice, the musical character 
 of these studies gives them additional value, particularly to the pupil who 
 needs not only technical training, but opportunity for study in the art 
 of interpretation. 
 
 Hence, expression, pedal, broad phrasing, and the application of the 
 octave equally to right and left hands, gives this collection of studies 
 particular value. 
 
 The eighteen studies are. not cast in one mold, but offer a fine variety 
 of “pieces”. They appeal to the musical sense, and consequently develop 
 it, while the technical training is going forward. 
 
 Fifty Melodious Etudes in all the Major & Minor Keys 
 Two Books :: Op. 122 :: Each 75 Cents 
 
 Several qualities recommend these Etudes. First, they grade naturally 
 from a very simple two-part study in C major to a point where a variety 
 of rhythmic groups and simple arpeggios contribute to produce very ori- 
 ginal and musical pieces which are no longer than two printed pages. 
 
 Each of these Etudes has a distinct purpose. To mention a few in 
 order will show the character of the collection as a whole. They are: 
 MELODY STUDIES, SIMPLE CHORD STUDIES, BROKEN SCALE GROUPS, 
 BROKEN CHORDS ALTERNATING BETWEEN THE HANDS, INNER 
 VOICE MELODY, SPECIFIC RHYTHM, EAST WRIST STUDIES, THE 
 SCALE AS A WHOLE, DOUBLE NOTES AND SYNCOPATIONS, and Type 
 forms like the WALTZ, MAZURKA, and MARCH. 
 
 Every one of these is taken up as a fundamental MUSICAL problem 
 and the treatment is from the MUSICAL side. While chords are freely 
 employed, the octave is very sparingly used. 
 
 These Etudes will be welcomed by teachers who are looking for mu- 
 sical pieces in which an essential problem is so presented that the student 
 will gain the good of the problem while enjoying the attractive melodic 
 and harmonic qualities of the composition in which it is incorporated. 
 
 Book I contains Etudes in not more than three sharps or three flats. 
 
 Book II contains Etudes in all the remaining major and minor keys. 
 
 Twenty- Five Etudes (without octaves) 
 for Technical and Musical Development 
 Two Books :: Op. 170 :: Each 75 Cents. 
 
 (Schmidt’s Educational Series No. 16a-b) 
 
 The studies of this Opus are intended for introducing the pupil to and 
 affording practice in third grade work. They are somewhat more am- 
 bitious in design and difficulty than those of Op. 122. While octaves do 
 not appear, there is a free use of short chords and of varied rhythms 
 that constitute many original short pieces. Each study aims at a specific 
 purpose, some of the problems presented being the following: 
 
 Studies in RHYTHM AND PHRASING, TRILL STUDIES (No. 14 is a 
 fine example), MELODY STUDIES, FOUR NOTES AGAINST THREE, THE 
 TURN, INNER VOICE MELODY, CHORD STUDIES (with application to 
 both hands equally) STUDY OF DOUBLE THIRDS (equally for both hands), 
 WRIST STUDIES, THE APPOGIATURA, STUDY OF PEDAL EFFECT, 
 and VELOCITY PASSAGES. 
 
 Before beginning this Opus, the student should possess some freedom 
 and independence in the simpler problems of the items specified above 
 (which simpler presentation is afforded by Op. 122 ). 
 
 Op. 176. PLEASURE AND PROGRESS 
 35 Descriptive Etudes for the Earlier Grades 
 
 (Schmidt’s Educational Series No. 60a-b) 
 
 Book I :: Book II :: Each 75 Cents 
 
 In the attractive little Etudes comprising this Opus the composer has 
 successfully applied many technical features in the form of short descrip- 
 tive pieces, each bearing a suitable title and skilfully contrasted. Note- 
 worthy features of this collection are the strongly marked rhythms em- 
 ployed and the careful attention throughout to the equal development of 
 both hands. Fingering, phrasing and all details necessary for enhancing 
 the value of this work to teachers have been most carefully added. At- 
 tention has also been given to variety of keys and time signatures. The 
 following description of the various numbers will show the scope and 
 character of these studies. They are progressively arranged and cover the 
 intermediate first and second grades. 
 
 At the Brook (Finger Equality in both hands). The Spinning Wheel 
 (Legato playing-triplets), Dress Parade March (Scale passages for L. H- 
 rhythm), Echoes from Capri, Tarantelle (Velocity), At the Spring (Ac- 
 cent, etc.), Birds in the trees (Trills), Playing Tag (Legato and Staccato), 
 The Shepherd’s Song (Broken Chords), Rippling Waves (Melody), The 
 Chase (Contrast of forte and piano), Folk Song (Melody and detached 
 chords), Berceuse (Sustained Melody), Forest Sounds (Crossing the hands), 
 Elfin Dance (Staccato). 
 
 SEVEN ETUDES 
 
 for 
 
 the Development of the Hands in Extended Positions 
 
 Op. 172 :: Price 75 Cents 
 
 This set of Etudes has a specific purpose; “The Development of the 
 Hands in Extended Positions”. These Studies are applicable only in 
 advanced work — and well repay the study necessary to perform them 
 artistically. 
 
 The following description of each Etude will show the extent of the 
 application of the “Extended Position” principle. 
 
 No. l. MELODY. Long, sustained chords, in both hands as accom- 
 paniment. 
 
 No. 2. INNER VOICE MELODY, with extended chords in the left 
 hand and triplet accompaniment above the melody for the right hand. 
 This Etude is six pages in length and makes an excellent recital number. 
 
 No. 3. BROKEN CHORDS (arpeggiated) in the left hand with 
 brbadly sustained melody in chords in the right band. Secondary, or 
 subsidiary melody in the accompaniment. 
 
 No. 4. MELODY STUDY (Melody in Soprano, and later in an inner 
 voice). Accompanying figures as extended broken chords. 
 
 No. 5. IN MARCH RHYTHM. Strong and well-sustained theme. Oc- 
 taves are freely employed and some measures of echo-like grace notes 
 are used as embellishment. 
 
 No. 6. INNER VOICE MELODY with extended broken chords in 
 the right hand. A most excellent melody study for the left hand. 
 
 No. 7. MELODY DIVIDED BETWEEN THE HANDS The ex- 
 tended positions are confined chiefly to the left hand. An excellent re- 
 cital number. 
 
 Besides the specific purpose to which each of these studies is devoted, 
 all are most excellently adapted to the general study of the pedal. 
 
 Phrasing is clearly indicated and sufficient pedal marks and finger- 
 ings are given to insure an artistic performance. 
 
 BOSTON 120 Boylston Street 
 LEIPZIG :: Lindenstrasse 16 
 
 NEW YORK :: 11 West 36tH Street 
 
 ARTHUR P. SCHMIDT, 
 
FIRST YEAR HARMONY 
 
 (100 FIRST LESSONS) 
 
 By THOMAS TAPPER 
 
 Price $ 1.00 
 
 A simple presentation of the fundamental principles of Harmony. It is especially designed for self study as well 
 as for use in classes. It provides one year’s work and gives distinct training in Tone -perception, Ear training, 
 Harmonizing a bass, Harmonizing a melody and Melodic Composition. 
 
 THE ELEMENTS OF HARMONY 
 
 By STEPHEN A. EMERY 
 
 Price $ 1.00 
 
 Used by leading teachers and conservatories throughout the country. 
 
 A KEY TO “ELEMENTS OF HARMONY” By FRANK LYNES 
 
 Price 60 Cents 
 
 SUPPLEMENTARY EXERCISES TO “ELEMENTS OF HARMONY” 
 
 Price 50 Cents 
 
 Exercises, chants and chorals appropriately figured, which may be used as a sequence to any harmonic treatise. 
 
 MODERN HARMONY 
 
 IN ITS THEORY AND PRACTICE 
 By ARTHUR FOOTE and WALTER R. SPALDING 
 
 Price $ 1.50 
 
 A KEY TO THE 501 EXERCISES IN “MODERN HARMONY” 
 
 Price 75 Cents 
 
 TONAL COUNTERPOINT 
 
 STUDIES IN PART-WRITING 
 By WALTER R. SPALDING 
 
 Professor of Music in Harvard University 
 
 Price | 2.00 
 
 PRIMER OF MUSICAL FORMS 
 
 A Systematic view of the typical forms of modern music. 
 
 By W. S. B. MATTHEWS 
 
 Price 80 Cents 
 
 SOME PRACTICAL THINGS IN PIANO PLAYING 
 
 By ARTHUR FOOTE 
 
 Price 50 Cents 
 
 ARTHUR P. SCHMIDT 
 
 BOSTON LEIPZIG NEW YORK 
 
 120 Boylston Street Lindenstrasse 16 11 West 36th Street 
 
Schmidt’s Educational Series. 
 
 Pianoforte Collections. 
 
 Voi. BOHM, Carl. 
 
 30. Op. 368. Lyric Suite. 6 Compositions 0.75 
 
 49. Musical Echoes. 10 Instructive and melodious Com- 
 
 positions 0.75 
 
 FRIML, RUDOLF. 
 
 3. Op. 35. Suite mignonne. 6 Compositions 0.75 
 
 OURLITT, CORNELIUS. 
 
 93. Op. 172. Miniatures 
 
 50. Op. 197. Fireside Fancies. 12 Little Tone Pictures 
 
 on Five Notes 0.60 
 
 11. Musical Sketch Book. 15 Selected Compositions . 0.75 
 
 hAndel, g. f. 
 
 64. Instructive Pieces. Adapted by Carl Faelten. 
 
 2 Books each 0.75 
 
 HEINS, CARL. 
 
 15. Op. 270. Six Fancies ; 0.75 
 
 HENNING, MAX. 
 
 1. Op. 22. 12 Two-Part Fughettas and Fugues (In- 
 troductory to the works of J. S. Bach) . . .0.75 
 
 KAISER, ALFRED. 
 
 57. Arlequinade. Suite of 8 Compositions 0.75 
 
 KRENTZLIN, R. 
 
 59. Op. 19. Village Scenes. 6 Characteristic Pieces . 0.76 
 
 LACK, THEODORE. 
 
 47. Morceaux po6tiques. 8 Selected Compositions . .1.00 
 
 LYNES, FRANK. 
 
 53. Op. 14. Bagatelles. 10 Melodious Sketches . . . .0.75 
 
 Vol. 
 
 19. 
 
 76. 
 
 89. 
 
 43a-b. 
 
 44a-b. 
 
 45a-b. 
 
 27. 
 
 48. 
 
 7. 
 
 90. 
 
 38a-b. 
 
 63. 
 
 88 . 
 
 LYNES, FRANK. 
 
 Op. 47. A Pleasant Beginning and other tunes for 
 
 little fingers in all the major and minor keys 0.75 
 
 MEYER, FERDINAND. 
 
 Christmas Suite 0.75 
 
 MOSZKOWSKI, M. 
 
 Op. 89. Musical Impressions 1.00 
 
 THE PUPIL’S LIBRARY. 
 
 First Series. 2 Books each 0.60 
 
 Second Series. 2 Books each 0.60 
 
 Third Series. 2 Books each 0.60 
 
 RITTER, G. P. 
 
 First Amusements. 12 Pieces on five Notes 
 
 0.75 
 
 SCHYTTE, LUDVIG. 
 
 Instructive Recreations. 8 Selected Compositions . 0.75 
 10 Study-pieces selected from Op. 66 0.75 
 
 SGAMBATI, G. 
 
 Introduction and Etude brillante (Reveil des Fees) 
 
 by E. Prudent 0.60 
 
 SMITH, WARREN STOREY. 
 
 Effort and Pastime. 24 Melodious Pieces in all 
 
 keys. 2 Books each 0.60 
 
 TORJUSSEN, TRYGVE. 
 
 Op. 3. Norwegian Suite. 6 Compositions . . . .0.75 
 
 WOLF, OSKAR. 
 
 Op. 7. Six Aphorisms for the Pianoforte 0.75 
 
 
 Pianoforte Duets. 
 
 BODENHOFF, HAROLD. 
 
 94. Op. 7. Bagatelles 
 
 DENNEE, CHARLES. 
 
 6. Op. 18. The Children’s Festival. 10 Easy Duets . 0.76 
 
 FOOTE, ARTHUR. 
 
 20. 12 Duets on Five Notes 0.76 
 
 GURLITT, CORNELIUS. 
 
 35a-b. Op. 178. Tender Blossoms. 20 Melodious Duets. 
 
 2 Books each 0.75 
 
 KRONKE, EMIL. 
 
 69. Op. 66. From Far and Near. 5 Duets 0.75 
 
 THE PUPIL’S DUET ALBUM. 
 
 46a-b. First Series. 2 Books each 0.60 
 
 SARTORIO, ARNOLDO. 
 
 58a-b. Op. 400. Pictures from Youth. 12 Melodious Duets. 2 Books each 0.60 
 
 ARTHUR P. SCHMIDT 
 
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