LITTLE ODES TO GREAT FOLKS. * * * JLITTILE ODES TO GREAT FOLKS; WITH A DEDICATORY DITHYRAMBIC TO Sir R-ch-rd Ph-ll-ps, Knight. BY PINDAR MINIMUS, WITH NOTES; CRITICAL AND EXPLANATORY, Operoso parvus Carmina fingo. Hon, LONDON: PRINTED BY W. LEWIS, PATERNOSTER-ROW; rOH s. A. AND H. ODDY, 27, OXFORD STREET; AND C. EA ORANGE, NASSAU STREET, DUBLIN. 1808 , . \ 1 ' . . ■ H ; • #t .ho i ' mmi ■ . ■ ,r • > ' a - XfA • H'A ).V- ’f -) ■ S eft^yJL^cL^y^, I ss %t> \ TO THE READERS, GENTLE AND SIMPLE. My great ancestor, Pindar the First, is (as the curious reader may already know) long since deceased 1 . His bastard Peter, they say, is still alive, or rather breathing, for he is known to be dead to all the purposes of poetry, and he was lately proved before the Lord Chief Justice, to be defunct as to any use the better part of man could make of him. A fine opening seems to present itself— -Tentanda via est qua me quoque possim Tollere humo, victorque virftm volitare per ora. 4 - io vi PREFACE. To rival my namesake of Greece, indeed, Horace* * * § despaired, and so do I. His auda¬ cious dithyrambics'f* who shall dare to imitate,-—save Mr. George Dyer His re¬ bellious numbers who,—save Mr. Robert Southey ?§ His sublime unintelligibility * See Carm. lib. 4. Ode 2. Pindarum quisquis studet temulari, Me. Sea per audaces nova dithyrambos , Verba devolvit, numeris quefertur lege solutis — Me. f Of the exact nature of a Dithyramb c, little is known. One principal characteristic, however, seems to have been what Boileau calls “ un beau desordre.” J See “ Odes,” &c. by a gentleman of this name. § See Mr. Southey’s “ Thalaba, the Destroyer”— of Rhyme and Reason. PREFACE. v ii * what modern durst attempt,—save Mr. Thomas Taylor * and Doctor Edwards? f But while, with an ingenious candour, I confess that my poetical talents are inferior to those of the “ deep-mouth’d Theban,” I will not allow that the subjects immor¬ talized by his muse have any superiority over those hereinafter immortalized by mine, or expressed or intended so to be.^: * See this gentleman’s preface to his translation of Maximus Tyrias, in which he says that to be intel¬ ligible, is not his intention. f See divers works by this incomparable Doctor— one called “ The True T£ra of Mankind,” which, when you have read thro’— -You raise your eyes in doubt, And gravely wonder what it’s all about. X Our poet has evidently borrowed these expressions from the gentlemen of the Law, who properly attached a 2 Vlli PREFACE. # Look thro’ the Greek and Roman his-* torians,—nay, if you chuse, turn over our annual volumes of “ Public Characters,”—• and then point me out, if you can, a Per¬ sonage, more illustrious than the Knight to whom I have ventured (without per-* mission) to dedicate this volume. As for the Lords and Commons, who follow, their merits have, some of them, been already said or sung; and it may at first appear presumptuous in me to touch them at all, after the well-merited cele¬ brity conferred on them by their peculiar poet, Polypus. But, let it be remembered that Odes are not Satires , and that the sub- ject is inexhaustible. to “ the glorious uncertainty” of it, never venture to state a fact, without at the same time modestly hinting a doubt of it. But tho’ born a poet, I never set up for a commentator; and tho’ an Ode may be pindaric, in the highest degree, it by no means follows that the maker can himself explain its meaning. Few genuine poets have been able to illustrate their own works. Thus Goldsmith, when he was asked whether slowness of locomotion was meant by the first line of his Traveller— u Remote, unfriended, melancholy, slow ,” ignorantly answered,/^,—’til Doctor John¬ son set him right, and satisfactorily proved to him and the company, that he meant quite a different thing.* Whether the elder Pindar ever understood all he wrote, can now be only matter of conjecture. * Every reader of Boswell will remember this anecdote. X PREFACE. However that be, he certainly has sadly puzzled his commentators;—and this, in- tirely owing to his having had no friend or editor, to revise and illustrate his \yorks, at the time of publication. Warned by the sad effects of his neglect, I am happy to assure my Reader, that I have, at a great expence, engaged an Editor, possessing every qualification to render our union desirable, and with a sagacity sq truly Warburtonian, that he has pledged his credit to find a meaning for whatever I may chuse to write. And now, gentle Readers, -wishing you as much pleasure in the perusal of the following Odes, as I have had in the composition of them, I bid you farewell, PREFACE. XI with a hint, that if you buy up half a dozen editions of these, you may possibly have “ More Odes” at a future time.— Y our*s—“ P. Mo The Notes of my learned Editor, Sextus Scrxblerus, are marked with his initials. N. B. Since the Title-page was printed, off, my Publisher has hinted that he has been told by a learned friend, that some of my Odes are longer than the longest of Pin¬ dar,-—and therefore suggested whether the epithet “ Little” be strictly proper;—but . ■ ) ‘ 5 * . ■ ; iti ^ PREFACE I immediately set him at ease, by pointing out that the Odes were still little, in compa¬ rison with the great merits of the heroes whom they celebrate. A DYTHYRAMBIC ODE,* HUMBLY DEDICATED TO Sir Ri-ch-rd Ph-ll-ps, FORMERLY OF L-C-ST-R, LATE OF ST. P-’S C_H Y-D, NOW OF N-W BR-DGE S-T, lAnigfjt!!! A vxZiQo%[uyyt<; t/^uyo*, Tivoc Ssov, Tty* rifuciy nva <} 'oiv^foc, KsXx^yta’oiMv ; Pindar Olymp. II. En\ EQUITEM— Insult are solo, ct gressus glomer are superbos ! Yirg. Geor. III. 117. H eard+ ye not yon’ rumbling coaches ? Saw ye not yon’ maces bright! What “ Public Character” approaches? ’Tis Sir R-ch-rd Ph-ll-ps, Knight! * The Author affects not to conceal, that in the Ode en¬ suing, he may, occasionally, be tracked in the footsteps of Ilomer, Pindar, Virgil, Milton, and other congenial Poets. A few instances are noted, for the benefit of the unlearned reader. + “ Heard ye not yon’ footsteps dread V'—Chorus in Mason's Caractacus . B Printed by S. A. and II. Oddy, 27, Oxford Street. 2 His love of fame, how nobly great !* * * § How nicely powder’d is his pate ! With bag, and sword, and gown! From gilded chariot he surveysf The rabble’s wonder-stricken gaze, As Fleet Street he rides down! And there, ’mid loud huzzas.J Proudly o’er-topping Tag-Rag-Bob, || The Sheriff-Knight Sits bolt upright, And seems to rule the Mob!§ * Milton calls it (( the last infirmity of noble minds.” Churchill foolishly says — u Common to fools and wits the rage of Fame.” S. S. f e£ Equis curruque superbo fertur.” IIor. + (C lo, magna voce, Triumphe, canent.” Ov. Trist. 4, 19. || ££ Veheris Populi rite per ora.” Ov. Trist. § u And seems to shake the spheres.” Dryden’s Ode to St. Cecilia. 3 CHORUS. Sound your tympans, * pressman all! Beat, each printer’s-dev’l, his ball! Thump-ity, thump— Dump-ity, dump— Quick let it rise—quick let it fall! f * The tympan is a part of a printing-press, made of parch¬ ment. The ball , stuffed with wool, and covered with a pelt, lays the ink on the Types .—Note by Printer's Devil. + Every pressman will recognize the imitative harmony of these lines, evidently formed by our poet on the precept of Pope— u And be the sound an echo of the sense.” See Homer’s Iliad, and for a more modern example, take the following, from Thornton’s Ode to St. Cecilia: -Hom. Iliad . iji Argti'fiv) K'jS;<7Tf, avaf otvSguv, Ay«//,e//.vwy. Ibid, 25 The worthy pair* then fell a stuffing, Each, with his compliments and muffin. An equal glory share the rival Knights, Sir R-ch-rd publishes what Sir John writes! t What can Sir R-ch-rd’s fame excel— Lov’d by the sister arts so well ? Music by Doctor B-sby speaks his praise;—« Poesy greets him in pindaric lays;—- Painting his high deserts shall nobly crown, And give his portrait to th’admiring town. What matchless dignity and grace Beam thro’ the canvas of that face ! J * -animae neque candidiores Terra tulit IIor. Sat. 1. 5. + Alas ! since this was written, another quarto of Sir John’s Travels is advertized to be published—but not by Sir R-ch-rd ! What hath caused a division between such dear friends I know not. S. S. + Every reader must see that this alludes to the portrait of Sir R. P. which appeared in the Exhibition this year.— 26 ce An eye, like Mars, to threaten and command;—. “ His cheeks are as red as a rose;— 66 He looks like a” Knight of high degree, 66 When dress’d in his” Sheriff’s 44 clothes!” CHORUS. Sound your tympans, pressmen all, Beat, each printerVdevil, his ball, Thump-ity, thump— Dump-ity dump— Quick let it rise, quick let it fall! See, see! Tis He, The mighty master of you all! I have heard that it was at first intended to paint Sir R. P. in his state coach and four horses, with his coachman, pos¬ tillion, and footmen in their orange liveries ; but as the Royal Academy allows room for only two square yards of canvas to one picture, Sir R. P. was reluctantly obliged to make the most of himself, and cut as great a figure as he could, without his equipage. S. S. Ye that write books, ye that bind, All creatures of the letter’d kind. Together meet In N-w Br-d-e Street, To sing Sir R-ch-rd’s praise \ Ye Stars proclaim His matchless fame, In Doctor B-sby’s lays 1 Rise, Sir R-ch-rd—Sir R-ch-rd Ph-lhps rise! Be-dubb’d, be-prats’d, be-paragraph’d, arise ! NOTE. As a supplement to the above sublime Ode, I have thought it but justice to the incomparable author, as well as to the character of the Hero, and the convenience of the Reader, to subjoin a few passages from a valuable work, inti tied 4C Mr. Blore's Statement of a Correspondence with R - P -, Esq. Sheriff , Sfc. Sfc. 4’C.” which will tend much to illuminate the pindaric obscurity of some of the allusions. 28 Mr. Blore takes his motto from the book of Genesis — cc This one fellow came in to sojourn, and he will needs be a Judge. Genesis , xix. 9. It seems Mister P-, (for he was as yet no more) was introduced to Mr. Bl-re at Stamford, and the conversation naturally turning to literary subjects, the mention by Mr. Bl-re of an intended periodical publication on the subject of Antiquities, (£ filled Mr. P- with raptures , and he was 66 eager to embrace a connexion with Mr. B— in such an undertaking.” During this visit, Mr. B. says, u Mr. P-had taken i( no other pains to make me sensible of my insignificance caxw?, or,* as our worthy English forefathers expressed it: . ■ - * .will /'iohihMif) L ODE TO THE RIGHT HONOURABLE Lord Gk-y, (LATE LORD H—WI—CK). argument. The Poet asked a question of infinite importance—la¬ mented his Lordship’s late silence-commemorated his singular modesty«=-talked of his mal, and concludeth pathetically* ODE. TO THE RIGHT HON. LORD GR—Y. \Yhere now,, I pray. Is good Lord Gr—y ? Is he alive, or is he dead ? Or to Northumberland far fled ? His voice I now can never hear He has got the pip, I fear. Since he has left the Lower House, He’s been as silent as a mouse. To the alarum of that tongue. Which thro 5 the Senate loudly rung. 90 What could have put a stop ? Where hides he now those sable locks. Whose scanty hair the barber mocks, “ A melancholy crop ? ” * How chang’d the man, since chang’d his name. We scarcely know him for the same;— * This line, at once so poetical, and so appropriate to the noble subject of the present Ode, is evidently borrowed from a beautiful little poem of Mr. William Wordsworth, beginning thus— u There is a thorn—it looks so old, In troth you’d find it hard to say, IIow it could ever have been young, It looks so old and grey.” The Poet proceeds to tell us—that, 66 Like rock or stone, it is o’ergrown With lichens to the very top, And hung with heavy tufts of moss, A melancholy crop.” 91 How alter'd evr’y feature ! Discarded now from pow'r and place. He seems asham'd to shew his face— A modest, bashful, creature ! C-nn-ng's fame and C-nn-ng's praise * Perhaps his Lordship's envy raise,— He hides his head for shame: For, I've been told, he cannot bear. His rival’s hated name to hear. And sickens at his fame. * I need not draw the contrast between the two Secre¬ taries. Their measures have sufficiently done that. The only serious charge I have ever heard made against Mr. C-nn-ng is—that he can write epigrams, and has an infinite deal of wit. Certainly no accusation of this kind was ever brought against Lord H-w-ck. But if nature hath pre¬ served him from the possession of so cc perilous” a gift, let him (as honest Dogberry says) u give God the praise, and u make no boast of it.” S. S. 92 Alack-a-day, For poor Lord Gr-y ! Be this doleful ditty sung— Poor Lord Gr-y has lost his tongue ! ” ELEGIAC ODE TO THE RIGHT HONOURABLE THE M-RQXJ-S OE B-GI>S, ON A late melantfjolg ©tent* IMITATED FROM CATULLUS* <( Quis desiderio sit pudor aut mo diet*. c< Tam chari” Pigtail ? Ji3ote * This Elegy was composed, after the M-s’s dis¬ patches were received, containing a confirmation of the af¬ flicting tidings. But as, amid the rapid succession of im¬ portant events which, during the last year, took place on the Continent, some of our readers may not have a clear recol¬ lection of the circumstance alluded to, I subjoin a short paragraph copied from the Times , which has always been celebrated for the priority of its foreign intelligence, and which, in the present instance, gave to our Ministers at home the first hint; of the deplorable catastrophe. From the Times, April 1, 1807.— 44 It is with unfeigned 44 regret that we this day notice a report which has just 44 reached us thro’ our correspondent at St. Petersburgh, 44 relative to an unpleasant occurrence personally con. 44 cerning the British Ambassador at that Court. We 44 would earnestly desire to avoid spreading ambiguous ru- 44 mours on such an occasion, but the facts come to us, 44 clothed with such an air of authenticity, that we are, 44 however reluctantly, compelled to give them credit. It 44 is confidently whispered in the highest Russian diplomatic 44 circles, that His Excellency the M-s of D- 1~ has 44 lost his T*** ! Neither the time when, nor the place 44 where, are mentioned, but strong hints are thrown out 44 as to the perpetrator of this gross violation of the laws 44 of nature and of nations. As dispatches from his Lord- 44 ship are daily expected, a short time will probably clear 44 up this mysterious affair. In the meantime, our renders 44 will see the propriety of our abstaining from any further 44 comment.” ELEGIAC ODE* O Venus and all ye fair Graces bewail The loss of the M-rq-s of D-gl-s’s T**l! His t**l is cut off, f and is now gone for ever;— Ah ! sure such a p-gt-il before was seen never: So stiff and so strait, and then, oh ! such a size. To the M-s ’twas dearer by far than his eyes. *- Funis Passeris —a Catullo. Lugete o Veneres , Cupidinesque , Et quantum est hominum venustiorum. + Passer mortuus est mece puellce , Passer deliciae meae puellae, Quem plus ilia oculis suis amabat: Nam mellitus crat, suamque norat Ipsa tarn bene quam puella matrem. 96 On his back hung so graceful this long queue of hair,* * * § * As he danc’d how it bobb’d up and down, here and there :—f Such a p-gt-il no Plenipo ever display’d— Nought e’er could withstand it, wife, widow, or maid. Now dissever’d by Russians, so brutish, in twain. This prince of p-gt-ils we shall ne’er ;ee again : J Perhaps destined to stuff some vile carrier’s pack- saddle § On which to Siberia he bumps it a-straddle. * Nec sese a grerrdo illius movebat; i Sed circumsiliens mo do hue modo illuc , Ad solam Dominam usque pipiabat. + Even the saving virtues of u MockrifuschJcy’s Russia u Oil so famed for restoring the tails of horses and asses, have been applied, alas! in vain, to repair the M-rq-s’s irreparable loss. S. S. § Qui nunc it per iter tenebricosum Illuc, unde negant redire quenquam. 97 On the Northern Barbarians* may the French disease fall—f May Napoleon confound them—bears, barbers, and all ! His p-gt-il so noble they’ve ravished away— J The M-s he groans, sighs, and cries, “ lack-a- “ day,” cf Dismal day ! “ O my Ta—1 ! f “ Oh ! ” * At vobis male sit , males tenebree Orci , quae omnia bella devoratis: + This expression is not to be mistaken for the common prosaic curse of 66 pox take ’em,” but poetically alludes to the foul political disorder, which has destroyed the con. stitutions of all the Continental powers, owing to th«ii French connexions. S. S. + Tam helium mihi passerem abstulistis . O factum male, o miselle passer ! II thctyfiL .0 ■ i ■ i u ■) . o I * 70M ” ••• . rS . iflO Hi a— 1 ! ) JJ :i : - . EPITHALAMIUM ON JLOTRB AND LADY P***Y. ' * ■s.o I' EPITHALAMIUM Ae* roij chcl&cri Seoi.* Dict. Antiq. Gr^kc. The Gods to little men give little wives. Haste away— Hymen^ pray,,— * To the general truth of this ancient maxim, there was once an unfortunate exception, in the case of Count B. a Polish dwarf, 3 feet high, who not minding his Greek, mar¬ ried by some mistake a lady 3 feet taller than himself; and tho’ she contrived to have a pretty numerous family, it is said that she did not always treat him on a proper level, sometimes (if he unhappily displeased her) setting him upon the chimney-piece, to the great danger of his neck. I trust that Lord H. P. will be placed in no such distressing di¬ lemma, but that he may find the matrimonial yoke lighter and pleasanter than the ministerial, and never be put to a nonplus to provide 66 the ways and means” of wedlock. May his Lordship go down the dance, withouthe or his fair partner making a false step, and when the music’s over, and the ball at an end, let this be inscribed on their tomb: <£ Here-rest, quite tir’d of worldly state and strife,— * c A little statesman and his little wife.” S. S, 102 To Doctors’ Commons * quickly go,— Registrar see,— Pay the fee,— And thence a licence take, heigh oh ! Out of town. Ride post down To my little Lord Ilch-st-r,«— Sweet Str-ng-w-ys At M-Ib’ry stays. Sighing ’til thy sight hath blest her. Bid the Vicar Leave his liquor. And attend with book of pray’r,— Bid his clerk, drest All in his best. Ready with “ amen” be there. * Hymen and Doctor’s Commons! Doth not our Bard rather confound Pagan with Christian rites and ceremonies? But probably he has got a poetical licence for it. S. S. t 103 Thither bring. Sir, A small ring,—Sir, i Let it closely fit her finger;— Bid the people. From the steeple. Pull a merry peal, each ringer. Lady Betty * * Weds Lord P***y — Who with P***y can compare ? f * Bett-y per metathesin pro Luc-y. + The great sense Lady P-entertains of her Lord’s excellent qualities is prettily shewn in the following tender Sonnet, which she is frequently heard singing, accompanied by her guitar. I hare looked through the 6C Elegant Ex¬ tracts” in vain for the name of the author, and therefore suppose it to be the love-impassioned production of her Ladyship’s own muse. SONNET. “ I have a little husband, no bigger than my thumb, “ I put him in a pint pot, and there I bid him drum; * f I’ve bought him a little handkerchief to wipe his little nose, “ And a pair of little garters to tie his little hose.” 104 So clever he— So pretty she— What a pretty little pair ! After wedding Comes the bedding,* * * A young P***y soon there’ll be;—f * For a poetical description of the bedding, see Catullus’s cpithalamium of Julia and Manlius, from which, as the classical reader must already perceive, many of our poet’s most beautiful passages are imitated. Si S. O cubile, &c. Quae tuo veniunt here, Quanta guadia, quae vaga Nocte, qua media die Gaudeat! * Ludite, ut Iubet, et brevi Liberos date: - Torquatu? volo parvulus , r neary! ” * Sit suo similis patri -, et facile insciis Noscitetur ab omnibus. 107 How he’ll dance, sir. Thro’ finance, sir. In figures outdo Pitt and Neckar— Never yet, sir, I will bet, sir. Such a Chanc’lor of tlT Exchequer ! FINIS, W. Lewis Printer, Paternoster-row. Of h