■3 H H Efl HI (wflnffflM '>V XM ■9 I ) ' E v ■' /' Pi - P lilflll * w v ■ gjg Sga S*=iv_. :-vi,-<„.jt.. .-.v- . - LI B RAHY OF THL U N 1VERSITY Of ILLINOIS 6Z3 L6S8s V.I SOWING THE WIND. SOWING THE WIND A NOVEL. BY E. LYNN LINTON, AUTHOR OF ' LIZZIE LORTON OF GRETRIGG,' ETC. IN THREE VOLUMES. VOL. I. LONDON: TINSLEY BROTHERS, 18 CATHERINE STREET, STRAND. 1867. [The right of translation and reproduction is reserved.] PKINTKD UT J. K. TAYLOK AND CO., LITTLE QUKKN 8TKKET, LINCOLN 'S INN HBLDS. INSCRIBED TO MY BELOVED BROTHER AND LIFE-LONG FRIEND ARTHUR T. LYNN. S CONTENTS OF VOL. I. CHAP. PAGE I. Smothered in Kose-Leayes .... 1 II. The Thin End of the Wedge . . . .21 III. The Widow of Charles Osborn, m.e.c.s. 46 IV. Honor Wilson's Legacy 74 V. Cousin Jane 95 VI. The Invalid Lodger 127 VII. Massinger's Residuary Legatee . . 157 VIII. At the Hermitage 196 IX. Are You a Royer, Mr. Wyndham ? . 227 X. Contrasts 244 XI. Shadows 270 SOWING THE WIND. CHAPTER I. SMOTHERED IN ROSE-LEAVES. In a richly-furnished room in Hyde Park Square sat two young people, gravely playing at back- gammon. The board was of ebony and silver; the stakes were dainty bonbons piled up in a filagree gold basket; the young people them- selves were in full evening costume; and the room was white and gold and crimson, with costly ornaments crowding marqueterie tables and gilded etageres, marble slabs and buhl sup- ports, carved brackets and enamelled pedestals, wherever there was the possibility of placing VOL. I. B 2 SOWING THE WIND. them. It was quite a wilderness of costliness and ornament ; but it was kept from the appear- ance of frippery, or even of scattered effect, by the background of the deep red velvet curtains, and the pure white of the panelled walls. The two who sat in the midst of all this luxury were in keeping with their surroundings — young and beautiful as was befitting ; wedded, loving, and happy. The one was a man of the type which some call -elegant, and others distinguished — tall, and slightly built, but with shoulders too narrow and drooping for the firmer kind of manly beauty, and with a habit of carrying his head turned over the left shoulder shyly, which gave him a boyish and retreating expression, as of one afraid to expose himself — a man who never stood square, face to face and chest broadside, but always a little turned edgewise, with one foot in advance of the other; and the habit was as expressive as it w