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XL THE SPECIAL SENSES.
A. VISION.
The" Physiology of Vision. The eye is the organ by means of which
certain vibrations of the luminiferous ether are enabled to affect our conscious-
ness, producing the sensation which we call " light." Hence the essential part
of an organ of vision is a substance or an apparatus which, on the one hand,
is of a nature to be stimulated by waves of light, and, on the other, is so con-
nected with a nerve that its activity causes nerve-impulses to be transmitted to
the nerve-centres. Any animal in which a portion of the ectoderm is thus
differentiated and connected may be said to possess an eye i. e. an organ
through which the animal may consciously or unconsciously react to the exist-
ence of light around it. 1 But the human eye, as well as that of all the higher
animals, not only informs us of the existence of light, but enables us to form
correct ideas of the direction from which the light conies and of the form, color,
and distance of the luminous body. To accomplish this result the substance
sensitive to light must form a part of a complicated piece of apparatus capable
of very varied adjustments. The eye is, in other words, an optical instrument,
and its description, like that of all optical instruments, includes a consideration
of its mechanical adjustments and of its refracting media.
Mechanical Movements. The first point to be observed in studying the
movements of the eye is that they are essentially those of a ball-and-socket
joint, the globe of the eye revolving freely in the socket formed by the capsule
of Tenon through a horizontal angle of almost 88 and a vertical angle of about
80. The centre of rotation of the eye (which is not, however, an absolutely
fixed point) does not coincide with the centre of the eyeball, but lies a little
behind it. It is rather farther forward in hypermetropic than in myopic eyes.
The movements of the eye, especially those in a horizontal direction, are sup-
plemented by the movements of the head upon the shoulders. The combined
eye and head movements are in most persons sufficiently extensive to enable
the individual, without any movement of the body, to receive upon the lateral
portion of the retina the image of an object directly behind his back. The
rotation of the eye in the socket is of course easiest and most extensive when
the eyeball has an approximately spherical shape, as in the normal or emme-
tropic eye. When the antero-posterior diameter is very much longer than those
1 In certain of the lower orders of animals no local differentiations seem to have occurred,
and the whole surface of the body appears to be obscurely sensitive to light. See Nagel : Der
Lichtxinn augerdoser Thiere, Jena, 1896.
744
THE SENSE OF VISION. 745
at right angles to it, as in extremely myopic or short-sighted eyes, the rotation
of the eyeball may be considerably limited in its extent. In addition to the
movements of rotation round a centre situated in the axis of vision, the eye-
ball may be moved forward and backward in the socket to the-xtent of about
one millimeter. This movement may be observed whenever the eyelids are
widely opened, and is supposed to be effected by the simultaneous contraction of
both the oblique muscles. A slight lateral movement has also been described.
The movements of the eye will be best understood when considered as
referred to three axes at right angles to each other and passing through the
centre of rotation of the eye. The first of these axes, which may be called
the longitudinal axis, is best described as coinciding with the axis of vision
when, with head erect, we look straight forward to the distant horizon ; the
second, or transverse, axis is defined as a line passing through the centres of
rotation of the two eyes ; and the third, or vertical, axis is a vertical line nec-
essarily perpendicular to the other two and also passing through the centre of
rotation. When the axis of vision coincides with the longitudinal axis, the eye
is said to be in the primary position. When it moves from the primary posi-
tion by revolving around either the transverse or the vertical axis, it is said to
assume seeondary positions. All other positions are called tertiary positions,
and are reached from the primary position by rotation round an axis which
lies in the same plane as the vertical and horizontal axis i. e. in the " equato-
rial plane " of the eye. When the eye passes from a secondary to a tertiary
position, or from one tertiary position to another, the position assumed by the
eye is identical with that which it would have had if it had reached it from
the primary position by rotation round an axis in the equatorial plane. In
other words, every direction of the axis of vision is associated with a fixed
position of the whole eye a condition of the greatest importance for the easy
and correct use of the eyes. A rotation of the eye round its antero-posterior
axis takes place in connection with certain movements, but authorities diifer
with regard to the direction and amount of this rotation.
Muscles of the Eye. The muscles of the eye are six in number viz :
the superior, inferior, internal and external recti, and the superior and inferior
oblique. This apparent superfluity of muscles (for four muscles would suffice
to turn the eye in any desired direction) is probably of advantage in reducing
the amount of muscular exertion required to put the eye into any given posi-
tion, and thus facilitating the recognition of slight differences of direction, for,
according to Fechner's psycho-physic law the smallest perceptible difference in
a sensation is proportionate to the total amount of the sensation. Hence if the
eye can be brought into a given position by a slight muscular effort, a change
from that position will be more easily perceived than if a powerful effort were
necessary.
Each of the eye-muscles, acting singly, tends to rotate the eye round an axis
which may be called the axis of rotation of that muscle. Now, none of the
muscles have axes of rotation lying exactly in the equator of the eye i.e.
in a plane passing through the centre of rotation perpendicular to the axis
746 ^4^ AMERICAN TEXT-BOOK OF PHYSIOLOGY.
of vision. 1 But all movements of the eye from the primary position take place,
as we have seen, round an axis lying in this plane. Hence all such movements
must be produced by more than one muscle, and this circumstance also is prob-
ably of advantage in estimating the extent and direction of the movement. In
this connection it is interesting to note that the eye-muscles have an exception-
ally abundant nerve-supply a fact which it is natural to associate with their
power of extremely delicate adjustment. It has been found by actual count
that in the muscles of the human eye each nerve-fibre supplies only two or three
muscle-fibres, while in the muscles of the limbs the ratio is as high as 1 to
40-1 25. 2
Although each eye has its own supply of muscles and nerves, yet the two
eyes are not independent of each other in their movements. The nature of
their connections with the nerve-centres is such that only those movements are,
as a rule, possible in which both axes of vision remain in the same plane. This
oondition being fulfilled, the eyes may be together directed to any desired point
above, below, or at either side of the observer. The axes may also be con-
verged, as is indeed necessary in looking at near objects, and to facilitate this
convergence the internal recti muscles are inserted nearer to the cornea than the
other muscles of the eye. Though in the ordinary use of the eyes there is never
any occasion ^to diverge the axes of vision, yet most persons are able to effect a
divergence of about four degrees, as shown by their power to overcome the ten-
dency to double vision produced by holding a prism in front of one of the eyes.
The nervous mechanism through which this remarkable co-ordination of the
muscles of the two eyes is effected, and their motions limited to those which
are useful in binocular vision, is not completely understood, but it is supposed
to have its seat in part in the tubercula quadrigemina, in connection with the
nuclei of origin of the third, fourth, and sixth cranial nerves. Its disturbance
by disease, alcoholic intoxication, etc. causes strabismus, confusion, dizziness,
and double vision.
A nerve termination sensitive to light, and so arranged that it can be turned
in different directions, is sufficient to give information of the direction from
which the light comes, for the contraction of the various eye-muscles indicates,
through the nerves of muscular sense, the position into which the eye is nor-
mally brought in order to best receive the luminous rays, or, in other words,
the direction of the luminous body. The eye, however, informs us not only of
the direction, but of the form of the object from which the light proceeds; and
to understand how this is effected it will be necessary to consider the refracting
media of the eye by means of which an optical image of the luminous object
is thrown upon the expanded termination of the optic nerve viz. the retina.
Dioptric Apparatus of the Eye. For the better comprehension of this
portion of the subject a few definitions in elementary optics mny be given. A
1 The axes of rotation of the internal and external recti, however, deviate l>ut slightly from
the equatorial plane.
2 P. Tergast : " Ueber das Verhiiltniss von Nerven und Muskelu," Arclu'r fur mikr. Anal..
ix. 36-46.
THE SENSE OF VISION.
'41
dioptric system in its simplest form consists of two adjacent media which have
different indices of refraction and whose surface of separation is the segment
of a sphere. A line joining the middle of the segment with the centre of the
sphere and prolonged in either direction is called the axis of the system. Let
the line APE in Figure 213 represent in section such a spherical surface the
B
FIG. 213. Diagram of simple optical system (after Foster).
centre of which is at N, the rarer medium being to the left and the denser me-
dium to the right of the line. Any ray of light which, in passing from the
rarer to the denser medium, is normal to the spherical surface will be unchanged
in its direction i. e. will undergo no refraction. Such rays are represented by
the lines P y MD, and M f E. If a pencil of rays having its origin in the rarer
medium at any point in the axis falls upon the spherical surface, there will be
one ray viz. the one which coincides with the axis of the system, which will
pass into the second medium unchanged in its direction. This ray is called
the principal ray (OP), and its point of intersection (P) with the spherical
surface is called the principal point. The centre of the sphere (N) through
which the principal ray necessarily passes is called the nodal point. All the
other rays in the pencil are refracted toward the principal ray by an amount
FIG. 214. Diagram to show method of finding principal foci (Neumann).
which depends, for a given radius of curvature, upon the difference in the
refractive power of the media, or, in other words, upon the retardation of light
in passing from one medium to the other. If the incident rays have their
origin at a point infinitely distant on the axis /. e. if they are parallel to each
other they will all be refracted to a point behind the spherical surface known
748 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
as the principal focus , F. There is another principal focus (F f ) in front of the
spherical surface viz. the point from which diverging incident rays will be
refracted into parallelism on passing the spherical surface, or, in other words,
the point at which parallel rays coming from the opposite direction will be
brought to a focus. The position of these two principal foci may be deter-
mined by the construction shown in Figure 214. Let CA C f represent a sec-
tion of a spherical refracting surface with the axis A N 9 the nodal point N f and
the principal point A. The problem is to find the foci of rays parallel to the
axis. Erect perpendiculars at A and N. Set off on each perpendicular dis-
tances No, Np, A o f , Ap r proportionate to the rapidity of light in the two media
(e. g. 2 : 3). The points where the lines p' o and p o' prolonged will cut the
axis are the two principal foci F and F' i. e. the points at which parallel rays
coming from either direction are brought to a focus after passing the spherical
refracting surface. If the rays are not parallel, but diverging i. e. coming
from an object at a finite distance the point where the rays will be brought to
a focus, or, in other words, the point where the optical image of the luminous
object will be formed, may be determined by a construction which combines
any two of the three rays whose course is given in the manner above described.
Thus in Figure 215 let AN be the axis, and F and F f the principal foci of
\
FIG. 215. Diagram to show method of finding conjugate foci.
the spherical refracting surface CA C f , with a nodal point at N. Let B be
the origin of a pencil of rays the focus of which is to be determined. Draw
the line B C representing the course of an incident ray parallel to the axis.
This ray will necessarily be refracted through the focus F, its course being
represented by the line CF and its prolongation. Similarly, the incident ray
passing through the focus F' and striking the spherical surface at C' will, after
refraction, be parallel to the axis i. e. it will have the direction C f b. The
principal ray of the pencil will of course pass through the spherical surface and
the nodal point N without change of direction. These three rays will come
together at the same point 6, the position of which may be determined by con-
structing the course of any two of the three. The points B and b are called
conjugate foci, and are related to each other in such a way that an optical image
is formed at one point of a luminous object situated at the other. When the
rays of light pass through several refracting surfaces in succession their course
may be determined by separate calculations for each surface, a process which
is much simplified when the surfaces are " centred " i. e. have their centres
of curvature lying in the same axis, as is approximately the case in the eye.
Refracting- Media of the Eye. Rays of light in passing through the eye
penetrate seven different media and are refracted at seven surfaces. The media
THE SENSE OF VISION. 749
are as follows : layer of tears, cornea, aqueous humor, anterior capsule of lens
lens, posterior capsule of lens, vitreous humor. The surfaces are those which
separate the successive media from each other and that which separates the tear
layer from the air. For purposes of practical calculation thejmmber of
faces and media may be reduced to three. In the first place, the layer of tears
which moistens the surface of the cornea has the same index of refraction as
the aqueous humor. Hence the index of refraction of the cornea may be left
out of account, since, having practically parallel surfaces and being bounded
on both sides by substances having the same index of refraction, it does not
influence the direction of rays of light passing through it.
reason objects seen obliquely through a window a PI >ear in their true directi
the refraction of the rays of light on entering the glass being equal in amount
and opposite in direction to that which occurs in leaving it. For purpose
optical calculation we may, therefore, disregard the refraction of the cornea
(which moreover, does not differ materially from that of the aqueous humor),
and imagine the aqueous humor extending forward to the anterior surface of
the layer of tears which bathes the corneal epithelium. Furthermore, the cap-
sule of the lens has the same index of refraction as the outer layer of the lens
itself, and for optical purposes may be regarded as replaced by it.
the optical apparatus of the eye may be regarded as consisting of the :
lowing three refracting media: Aqueous humor, index of refraction 1.35
lens, average index of refraction 1.45; vitreous humor, index of refraction
1 33 The surfaces at which refraction occurs are also three in number : An-
terior surface of cornea, radius of curvature 8 millimeters; anterior surface
of lens radius of curvature 10 millimeters; posterior surface of lens, radius of
curvature 6 millimeters. It will thus be seen that the anterior surface <
lens is less and the posterior surface more convex than the cornea.
To the values of the optical constants of the eye as above given may I
added the following : Distance from the anterior surface of the cornea to the
anterior surface of the lens, 3.6 millimeters; distance from the posterior sur-
face of the lens to the retina, 15. millimeters ; thickness of lens, 3.6 millimeters.
The methods usually employed for determining these constants are the fol-
lowing: The indices of refraction of the aqueous and vitreous humor are
determined by filling the space between a glass lens and a glass plate with the
fresh humor/ The aqueous or vitreous humor thus forms a convex or concave
lens from the form and focal distance of which the index can be calculated.
Another method consists in placing a thin layer of the medium between the
hypothenuse surfaces of two right-angled prisms and determining the angle
which total internal reflection takes place. In the case of the crystalline le
the index is found by determining its focal distance as for an ordinary 1 ns
and solving the equation which expresses the value of the index in terms of
radius of curvature and focal distance, thickness, and focal length,
refractive index of the lens increases from the surface toward the centre, a
peculiarity which tends to correct the disturbances due to spherical aberration,
as well as to increase the refractive power of the lens as a whole.
750 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
The curvature of the refracting surfaces of the eye is determined by an
instrument known as an ophthalmometer, which measures the size of the
reflected image of a known object in the various curved surfaces. The
radius of curvature of the surface is determined by the following formula :
r 2Ab
B :b = A:-; OT r -> i n which B the size of the object, b = the size of
the image, A = distance between the object and the reflecting surface, and
r = the radius of the reflecting surface. The distances between the various
surfaces of the eye are measured on frozen sections of the organ, or can be
determined upon the living eye by optical methods too complicated to be here
described. It should be borne in mind that the above values of the so-called
"optical constants" of the eye are subject to considerable individual variation,
and that the statements of authors concerning them are not always consistent.
The refracting surfaces of the eye may be regarded as still further sim-
plified, and a so-called " reduced eye " constructed which is very useful for
purposes of optical calculation. This reduced eye, which for optical purposes
is the equivalent of the actual eye, is regarded as consisting of a single refract-
ing medium having an index of 1.33, a radius of curvature of 5.017 milli-
meters, its principal point 2.148 millimeters behind the anterior surface of the
cornea, and its nodal point 0.04 millimeter in front of the posterior surface
of the lens. 1 The principal foci of the reduced eye are respectively 12.918
millimeters in front of and 22.231 millimeters behind the anterior surface of
the cornea. Its optical power is equal to 50.8 dioptrics. 2 The position of this
imaginary refracting surface is indicated by the dotted line in figure 216. The
PIG. 216. Diagram of the formation of a retinal image (after Foster).
nodal point, n, in this construction may be regarded as the crossing-point of all
the principal rays which enter the eye, and, as these rays are unchanged in their
direction by refraction, it is evident that the image of the point whence they
proceed will be formed at the point where they strike the retina. Hence to
determine the size and position of the retinal image of any external object
e. g. the arrow in Figure 216 it is only necessary to draw lines from various
1 Strictly speaking, there are in this imaginary refracting apparatus which is regarded as
equivalent to the actual eye two principal and two nodal points, each pair about 0.4 millimeter
apart. The distance is so small that the two points may, for all ordinary constructions, be
regarded as coincident.
2 The optical power of a lens is the reciprocal of its focal length. The dioptry or unit of
optical power is the power of a lens with a focal length of 1 meter.
THE SENSE OF VISION.
751
points of the object through the above-mentioned nodal point and to prolong
them till they strike the retina. It is evident that the size of the retinal image
will be as much smaller than that of the object as the distance of the nodal
point from the retina is smaller than its distance from the object^
According to the figures above given, the nodal point is about 7.2 milli-
meters behind the anterior surface of the cornea and about 15.0 millimeters in
front of the retina. Hence the size of the retinal image of an object of known
size and distance can be readily calculated a problem which has frequently to be
solved in the study of physiological optics. The construction given. in Figure
216 shows that from all external objects inverted images are projected upon the
retina, and such inverted images can actually be seen under favorable condi-
tions. If, for instance, the eye of a white rabbit, which contains no choroidal
pigment, be excised and held with the cornea directed toward a window or
other source of light, an inverted image of the luminous object will be seen
through the transparent sclerotic in the same way that one sees an inverted
image of a landscape on the ground-glass plate of a photographic camera.
The question is often asked, " Why, if the images are inverted in the retina,
do we not see objects upside down ?" The only answer to such a question is
that it is precisely because images are inverted on the retina that we do not see
objects upside down, for the eye has learned through lifelong practice to asso-
ciate an impression made upon any portion of the retina with light coming
from the opposite portion of the field of vision. Thus if an image falls upon
the lower portion of the retina, our experience, gained chiefly through mus-
cular movements and tactile sensations, has taught us that this image must cor-
respond to an object in the upper portion of our field of vision. In whatever
way the retina is stimulated the same effect is produced. If, for instance,
gentle pressure is made with the finger on the lateral portion of the eyeball
through the closed lids a circle of light known as a phosphene immediately
appears on the opposite side of the eye. Another good illustration of the
same general rule is found in the effect of throwing a shadow upon the retina
from an object as close as possible to the eye. For this purpose place a card
B p
FIG. 217. Diagram illustrating the projection of a shadow on the retina.
with a small pin-hole in it in front of a source of light, and three or four
centimeters distant from the eye. Then hold some object smaller than the
pupil e. g. the head of a pin as close as possible to the cornea. Under these
conditions neither the pin-hole nor the pin-head can be really seen i. e. they
752 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
are both too near to have their image focussed upon the retina. The pin-hole
becomes itself a source of light, and appears as a luminous circle bounded by
the shadow thrown by the edge of the iris. Within this circle of light is seen
the shadow of the pin-head, but the pin-head appears inverted, for the obvious
reason that the eye, being accustomed to interpret all retinal impressions as
corresponding to objects in the opposite portion of the field of vision, regards
the upright shadow of the pin-head as the representation of an inverted object.
The course of the rays in this experiment is shown in Figure 217, in which
A R represents the card with a pin-hole in it, P the pin, and P' its upright
shadow thrown on the retina.
Accommodation. From what has been said of conjugate foci and their
relation to each other it is evident that any change in the distance of the object
from the refracting media will involve a corresponding change in the position
of the image, or, in other words, only objects at a given distance can be
focussed upon a plane which has a fixed position with regard to the refracting
surface or surfaces. Hence all optical instruments in which the principle of
conjugate foci finds its application have adjustments for distance. In the
telescope and opera-glass the adjustment is effected by changes in the distance
between the lenses, and in the photographic camera by a change in the posi-
tion of the ground-glass plate representing the focal plane. In the microscope
the adjustment is effected by changing the distance of the object to suit the
lenses, the higher powers having a shorter " working distance."
We must now consider in what way the eye adapts itself to see objects dis-
tinctly at different distances. That this power of adaptation, or " accommo-
dation," really exists we can easily convince ourselves by looking at different
objects through a network of fine wire held near the eyes. When with normal
vision the eyes are directed to the distant objects the network nearly disappears,
and if we attempt to see the network distinctly the outlines of the distant
objects become obscure. In other words, it is impossible to see both the
network and the distant objects distinctly at the same time. It is also evident
that in accommodation for distant objects the eyes are at rest, for when they
are suddenly opened after having been closed for a short time they are found
to be accommodated for distant objects, and we are conscious of a distinct
effort in directing them to any near object. 1
From the optical principles above described it is clear that the accommo-
dation of the eye for near objects may be conceived of as taking place in three
different ways : 1st, By an increase of the distance between the refracting sur-
faces of the eye and the retina ; 2d, By an increase of the index of refraction
of one or more of the media ; 3d, By a diminution of the radius of curvature
of one or more of the surfaces. The first of these methods was formerly sup-
posed to be the one actually in use, a lengthening of the eyeball under a pres-
1 It has been shown by Beer (Archivfur die gesammle Physiologie, Iviii. 523) that in fishes
the eyes when at rest are accommodated for near objects, and that accommodation for distant
objects is effected by the contraction of a muscle for which the name "retractor lentis" is pro-
posed.
THE SENSE OF VISION. 753
sure produced by the eye-muscles being assumed to occur. This lengthening
would, in the case of a normal eye accommodating itself for an object at a
distance of 15 centimeters, amount to not less than 2 millimeters a change
which could hardly be brought about by the action of any muscles connected
with the eye. Moreover, accommodation changes can be observed upon elec-
trical stimulation of the excised eye. Its mechanism must, therefore, lie within
the eye itself. As for the second of these methods, there is no conceivable way
by which a change in the index of refraction of the media can be eifected, and
we are thus forced to the conclusion that accommodation is brought about by
a change in the curvature of the refracting surfaces i. e. by a method quite
different from any which is employed in optical instruments of human con-
struction. Now, by measuring the curvature of the cornea of a person who
looks alternately at near and distant objects it has been shown that the cornea
undergoes no change of form in the act of accommodation. By a process of
exclusion, therefore, the lens is indicated as the essential organ in this function
of the eye, and, in fact, the complicated structure and connections of the lens
at once suggest the thought that it is in the surfaces of this portion of the eye
that the necessary changes take place. Indeed, from a teleological point of
view the lens would seem somewhat superfluous if it were not important to
have a transparent refracting body of variable form in the eye, for the amount
of refraction which takes place in the lens could be produced by a slightly
increased curvature of the cornea. Now, the changes of curvature which occur
in the surfaces of the lens when the eye is directed to distant and near objects
alternately can be actually observed and measured with considerable accuracy.
For this purpose the changes in the form, size, and position of the images of
brilliant objects reflected in these two surfaces are studied. If a candle is held
in a dark room on a level with and about 50 centimeters away from the eye in
which the accommodation is to be studied, an observer, so placed that his own
axis of vision makes about the same angle (15-20) with that of the ob-
served eye that is made by a line joining the observed eye and the candle, will
readily see a small upright image of the candle reflected in the cornea of the
observed eye. Near this and within the outline of the pupil are two other
images of the candle, which, though much less easily seen than the corneal
image, can usually be made out by a proper adjustment of the light. The
first of these is a large faint upright image reflected from the anterior surface
of the lens, and the second is a small inverted image reflected from the pos-
terior surface of the lens. It will be observed that the size of these images
varies with the radius of curvature of the three reflecting surfaces as given on
p. 749. The relative size and position of these images having been recog-
nized while the eye is at rest i. e. is accommodated for distance let the
person who is under observation be now requested to direct his eye to a near
object lying in the same direction. When this is done the corneal image and
that reflected from the posterior surface of the lens will remain unchanged, 1
1 A very slight diminution in size may sometimes be observed in the image reflected from
the posterior surface of the lens.
48
754
AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
while that reflected from the anterior surface of the lens will become smaller
and move toward the corneal image. This change in the size and position of
the reflected image can only mean that the surface from which the reflection
takes place has become more convex and has moved forward. Coincident
with this change a contraction of the pupil will be observed.
An apparatus for making observations of this sort is known as the phako-
scope of Helmholtz (Fig. 218). The eye in which the changes due to accom-
modation are to be observed is placed at an opening
in the back of the instrument at C, and directed al-
ternately to a needle placed in the opening D and
to a distant object lying in the same direction. Two
prisms at B and B' serve to throw the light of a
candle on to the observed eye, and the eye of an
observer at A sees the three reflected images, each
as two small square spots of light. The movement
and the change of size of the image reflected from
the anterior surface of the lens can be thus much
better observed than when a candle-flame is used.
The course of the rays of light in this experi-
ment is shown diagrammatically in Figure 219.
The observed eye is directed to the point A, while
the candle and the eye of the observer are placed
symmetrically on either side. The images of the candle reflected from the various
surfaces of the eye will be seen projected on the dark background of the pupil
FIG. 218. Phakoscope of
Helmholtz.
FIG. 219. Diagram explaining the change in the position of the image reflected from the anterior surface
of the crystalline lens (Williams, after Bonders).
in the directions indicated by the dotted lines ending at a, 6, and c. When the
eye is accommodated for a near object the middle one of the three images moves
nearer the corneal image i. e. it changes in its direction from b to b', showing
that the anterior surface of the lens has bulged forward into the position indi-
THE SENSE OF VISION.
755
cated by the dotted line. The change in the appearance of the images is
represented diagrammatically in Figure 220. On the left is shown the appear-
ance of the images as seen when the eye is at rest, a representing the corneal
image, b that reflected from the anterior, and c that from the posterior surface
of the lens when the observing eye and the candle are in the position repre-
FIG. 220. Reflected images of a candle-flame as seen in the pupil of an eye at rest and accommodated
for near objects (Williams).
sented in Figure 219. The images are represented as they appear in the dark
background of the pupil, though of course the corneal image may, in certain
positions of the light, appear outside of the pupillary region. When the eye
is accommodated for near objects the images appear as shown in the circle on
the right, the image 6 becoming smaller and brighter and moving toward the
corneal image, while the pupil contracts as indicated by the circle drawn round
the images.
The changes produced in the eye by an effort of accommodation are indi-
cated in Figure 221, the left-hand side of the diagram showing the condition
FIG. 221. Showing changes in the eye produced by the act of accommodation (Helmholtz).
of the eye at rest, and the right-hand side that in extreme accommodation for
near objects.
It will be observed that the iris is pushed forward by the bulging lens and
that its free border approaches the median line. In other words, the pupil is
contracted in accommodation for near objects. The following explanation of
the mechanism by which this change in the shape of the lens is effected has
been proposed by Helmholtz, and is still generally accepted. The structure
of the lens is such that by its own elasticity it tends constantly to assume a
more convex form than the pressure of the capsule and the tension of the sus-
pensory ligaments (s, s, Fig. 221) allow. This pressure and tension are dimin-
ished when the eye is accommodated for near vision by the contraction of the
ciliary muscles (c, c, Fig. 221), most of whose fibres, having their origin at the
756 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
point of union of the cornea and sclerotic, extend radially outward in every
direction and are attached to the front part of the choroid. The contrac-
tion of the ciliary muscle, drawing forward the membranes of the eye, will
relax the tension of the suspensory ligament and allow the lens to take
the form determined by its own elastic structure. According to another
theory of accommodation proposed by Tscherning, 1 the suspensory liga-
ment is stretched and not relaxed by the contraction of the ciliary muscle.
In consequence of the pressure thus produced upon the
lens, the soft external portions are moulded upon the
harder nuclear portion in such a way as to give to the
anterior (and to some extent to the posterior) surface a
hyperboloid instead of a spherical form. A similar theory
has been recently brought forward by Schoen, 2 who com-
pares the action of the ciliary muscle upon the lens to that
of the fingers compressing a rubber ball, as shown in Fig-
ure 222. These theories have an advantage over that
offered by Helmholtz, inasmuch as they afford au expla-
nation of the presence in the ciliary muscle of circular
fibres, which, on the theory of Helmholtz, seem to be su-
perfluous. They also make the fact of so-called " astig-
FIG. 222. TO illustrate matic accommodation" comprehensible. This term is
Schoen's theory of ac- ,. , ,, i j. i > j n
commodation. applied to the power said to be sometimes gradually
acquired by persons with astigmatic 3 eyes of correcting
this defect of vision by accommodating the eye more strongly in one meridian
than another. 4
Whatever views may be entertained as to the exact mechanism by which its
change of shape is brought about, there can be no doubt that the lens is the
portion of the eye chiefly or wholly concerned in accommodation, and it is
accordingly found that the removal of the lens in the operation for cataract
destroys the power of accommodation, and the patient is compelled to use
convex lenses for distant and still stronger ones for near objects.
It is interesting to notice that the act of accommodation, though distinctly
voluntary, is performed by the agency of the unstriped fibres of the ciliary
muscles. It is evident, therefore, that the term " involuntary " sometimes
applied to muscular fibres of this sort may be misleading. The voluntary
character of the act of accommodation is not affected by the circumstance that
the will needs, as a rule, to be assisted by visual sensations. The fact that
most persons cannot affect the necessary change in the eye unless they direct
their attention to some near or far object is only an instance of the close rela-
tion between sensory impressions and motor impulses, which is further exem-
1 Archives de Physiologic, 1894, p. 40. 2 Archiv fur die gesammte Phys., lix. 427.
3 See p. 763.
* Recent observations by Hess (Archiv f. Ophthalmologie, xlii. 288) tend to confirm the Helm-
holtz theory by showing that the suspensory ligament is relaxed and not stretched in accommo-
dation for near objects.
THE SENSE OF VISION. 757
plified by such phenomena as the paralysis of the lip of a horse caused by the
division of the trifacial nerve. It is found, moreover, that by practice the
power of accommodating the eye without directing it to near and distant
objects can be acquired. The nerve-channels through which_accommodation
is affected are the anterior part of the nucleus of the third pair of nerves
lying in the extreme hind part of the floor of the third ventricle, the most
anterior bundle of the nerve-root, the third nerve itself, the lenticular ganglion,
and the short ciliary nerves (see diagram p. 769).
The mechanism of accommodation is affected in a remarkable way by drugs,
the most important of which are atropia and physostigmin, the former para-
lyzing and the latter stimulating the ciliary muscle. As these drugs exert a
corresponding effect upon the iris, it will be convenient to discuss their action
in connection with the physiology of that organ.
The changes occurring in the eye during the act of accommodation are
indicated in the following table, which shows, both for the actual and the
reduced eye, the extent to which the refracting media change their form and
position, and the consequent changes in the position of the foci :
Accommodation for
Actual Eye. distant objects. near objects.
Radius of cornea 8 mm. 8 mm.
Radius of anterior surface of lens 10 " 6 "
Radius of posterior surface of lens 6 5.5 "
Distance from cornea to anterior surface of lens . . 3.6 " 3.2 "
Distance from cornea to posterior surface of lens . 7.2 " 7.2 "
Reduced Eye.
Radius of curvature 5.02 " 4.48 "
Distance from cornea to principal point 2.15 " 2.26 "
Distance from cornea to nodal point 7.16 " 6.74 "
Distance from cornea to anterior focus 12.918 " 11.241 "
Distance from cornea to posterior focus 22.231 " 20.248 "
It will be noticed that no change occurs in the curvature of the cornea, and
next to none in the posterior surface of the lens, while the anterior surface of
the lens undergoes material alterations both in its shape and position.
Associated with the accommodative movements above described, two other
changes take place in the eyes to adapt them for near vision. In the first
place, the axes of the eyes are converged upon the near object, so that the
images formed in the two eyes shall fall upon corresponding points of the
retinas, as will be more fully explained in connection with the subject of
binocular vision. In the second place, the pupil becomes contracted, thus
reducing the size of the pencil of rays that enters the eye. The importance
of this movement of the pupil will be better understood after the subject of
spherical aberration of light has been explained. These three adjustments,
focal, axial, and pupillary, are so habitually associated in looking at near objects
that the axial can only by an effort be dissociated from the other two, while
these two are quite inseparable from one another. This may be illustrated
by a simple experiment. On a sheet of paper about 40 centimeters distant
758 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
from the eyes draw two letters or figures precisely alike and about 3 centimeters
apart. (Two letters cut from a newspaper and fastened to the sheet will answer
the same purpose.) Hold a small object like the head of a pin between the
eyes and the paper at the point of intersection of a line joining the right eye
and the left letter with a line joining the left eye and the right letter. If the
axes of vision are converged upon the pin-head, that object will be seen dis-
tinctly, and beyond it will be seen indistinctly three images of the letter, the
central one being formed by the blending of the inner one of each pair of
images formed on the two retinas. If now the attention be directed to the
middle image, it will gradually become perfectly distinct as the eye accommo-
dates itself for that distance. We have thus an axial adjustment for a very
near object and a focal adjustment for a more distant one. If the pupil of the
individual making this observation be watched by another person, it will be
found that at the moment when the middle image of the letter becomes distinct
the pupil, which had been contracted in viewing the pin-head, suddenly dilates.
It is thus seen that when the axial and focal adjustments are dissociated from
each other the pupillary adjustment allies itself with the latter.
The opposite form of dissociation viz. the axial adjustment for distance
and the focal adjustment for near vision is less easy to bring about. It may
perhaps be best accomplished by holding a pair of stereoscopic pictures before
the eyes and endeavoring to direct the right eye to the right and the left eye to
the left picture i. e. to keep the axes of vision parallel while the eyes are
accommodated for near objects. One who is successful in this species of ocular
gymnastics sees the two pictures blend into one having all the appearance of
a solid object. The power of thus studying stereoscopic pictures without a
stereoscope is often a great convenience to the possessor, but individuals differ
very much in their ability to acquire it.
Range of Accommodation. By means of the mechanism above described
it is possible for the eye to produce a distinct image upon the retina of objects
lying at various distances from the cornea. The point farthest from the eye
at which an object can be distinctly seen is called the far-point, and the nearest
point of distinct vision is called the near-point of the eye, and the distance
between the near-point and the far-point is called the range of distinct vision
or the range of accommodation. As the normal emmetropic eye is adapted,
when at rest, to bring parallel rays of light to a focus upon the retina, its far-
point may be regarded as at an infinite distance. Its near-point varies with age,
as will be described under Presbyopia. In early adult life it is from 10 to
13 centimeters from the eye. For every point within this range there will be
theoretically a corresponding condition of the lens adapted to bring rays pro-
ceeding from that point to a focus on the retina, but as rays reaching the eye
from a point 175 to 200 centimeters distant do not, owing to the small size of
the pupil, differ sensibly from parallel rays, there is no appreciable change in
the lens unless the object looked at lies within that distance. It is also evi-
dent that as an object approaches the eye a given change of distance will
cause a constantly increasing amount of divergence of the rays proceeding from
THE SENSE OF VISION.
759
it, and will therefore necessitate a constantly increasing amount of change in
the lens to enable it to focus the rays on the retina. We find, accordingly, that
all objects more than two meters distant from the eye can be seen distinctly at
the same time i. e. without any change in the accommodative mechanism
but for objects within that distance we are conscious of a special effort of
accommodation which becomes more and more distinct the shorter the distance
between the eye aa ,1 .. rrii r Hi. &. uiagrammauc represeuiauou ui MIC
with the fibres of the optic nerve. The structure of the retina (Ca jai): A, layer of rods
bipolar Cells which Serve as Connective and cones; B, external nuclear layer ; C, external
molecular (or plexiform) layer; E, internal nu-
1 i 1 1 i i| . iiiuit-t/LiJLWi \\.n picAm-niii./ Lnyui. , AJ IIILCI iic*x ut
links between the rods and the OptlC clear layer . Ff internal molecular (or plexiform)
nerve-fibres are anatomically distin- la y er ' <*. lft y er of gangiion-ceiis : H, layer of
nerve-fibres.
.guishable (as indicated in the diagram)
1 Die Retina der Wirbeltkiere, Wiesbaden, 1894.
776 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
from those which perform the same function for the cones. Whatever be the
precise mode of connection between the rods and cones and the fibres of the
optic nerve, it is evident that each retinal element cannot be connected with
the nerve-centres by a separate independent nerve-channel, since the retina
contains many millions of rods and cones, while the optic nerve has only
about 438,000 nerve-fibres, 1 though of course such a connection may exist in
the fovea centralis, as Cajal has shown is probably the case in reptiles and birds.
Changes Produced in the Retina by Light. We must now inquire
what changes can be supposed to occur in the rods and cones under the influ-
ence of light by means of which they are able to transform the energy of the
ether vibrations into a stimulus for the fibres of the optic nerve. Though in
the present state of our knowledge no satisfactory answer can be given to this
question, yet certain direct effects of light upon the retina have been observed
which are doubtless associated in some way with the transformation in
question.
The retina of an eye which has been protected from light for a considerable
length of time has a purplish-red color, which upon exposure to light changes
to yellow and then fades away. This bleaching occurs also in monochromatic
light, the most powerful rays being those of the greenish-yellow portion of
the spectrum i. e. those rays which are most completely absorbed by the pur-
plish-red coloring matter. A microscopic examination of the retina shows
that this coloring matter, which has been termed visual purple, is entirely con-
fined to the outer portion of the retinal rods and does not occur at all in the
cones. After being bleached by light it is, during life, restored through the
agency of the pigment epithelium, the cells of which, under the influence of
light, send their prolongations inward to envelop the outer limbs of the rods
and cones with pigment. If an eye, either excised or in its natural position,
is protected from light for a time, and then placed in such a position that the
image of a lamp or a window is thrown upon the retina for a time which may
vary with the amount of light from seven seconds to ten minutes, it will be
found that the retina, if removed and examined under red light, will show the
image of the luminous object impressed upon it by the
bleaching of the visual purple.
If the retina be treated with a 4 per cent, solution of
alum, the restoration of the visual purple will be pre-
vented, and the so-called " optogram " will be, as pho-
tographers say, " fixed." 2
Fi g lll> e 236 shows the appearance of a rabbit's retina
on which the optogram of a window has been impressed.
Although the chemical changes in the visual purple under the influence of
light seem, at first sight, to afford an explanation of the transformation of the
vibrations of the luminiferous ether into a stimulation for the optic nerve, yet
the fact that vision is most distinct in the fovea centralis of the retina, which,,
1 Salzer: Wiener Sitzungsberichte, 1880, Bd. Ixxxi. S. 3.
2 Kiihne: Unlersuchungen a. d. phys. InsL d. Universitdt Heidelberg, i. 1.
THE SENSE OF VISION. 777
as it contains no rods, is destitute of visual purple, makes it impossible to
regard this coloring matter as essential to vision. The most probable theory
of its function is perhaps that which connects it with the adaptation of the
eye to varying amounts of light, as described on p. 772.
In addition to the above-mentioned movements of the pigment epithelium
cells under the influence of light, certain changes in the retinal cones of frogs
and fishes have been observed. 1 The change consists in a shortening and thick-
ening of the inner portion of the cones when illuminated, but the relation of
the phenomenon to vision has not been explained.
Like most of the living tissues of the body, the retina is the seat of electri-
cal currents. In repose the fibres of the optic nerve are said to be positive in
relation to the layer of rods and cones. When light falls upon the retina this
current is at first increased and then diminished in intensity.
Sensation of Light. Whatever view may be adopted with regard to the
mechanism by which light is enabled to become a stimulus for the optic nerve,
the fundamental fact remains that the retina (and in all probability the layer
of rods and cones in the retina) alone supplies the conditions under which this
transformation of energy is possible. But in accordance with the " law of
specific energy " a sensation of light may be produced in whatever way the
optic nerve be stimulated, for a stimulus reaching the visual centres through
the optic nerve is interpreted as a visual sensation, in the same way that
pressure on a nerve caused by the contracting cicatrix of an amputated leg
often causes a painful sensation which is referred to the lost toes to which the
nerve was formerly distributed. Thus local pressure on the eyeball by stimu-
lating the underlying retina causes luminous sensations, already described as
" phosphenes," and electrical stimulation of the eye as a whole or of the stump
of the optic nerve after the removal of the eye is found to give rise to sensa-
tions of light.
Vibrations of the luminiferous ether constitute, however, the normal stim-
ulus of the retina, and we must now endeavor to analyze the sensation thus
produced. In the first place, it must be borne in mind that the so-called ether
waves differ among themselves very widely in regard to their rate of oscilla-
tion. The slowest known vibrations of the ether molecules have a frequency
of about 107,000,000,000,000 in a second, and the fastest a rate of about
40,000,000,000,000,000 in a second a range, expressed in musical terms, of
about eight and one-half octaves. All these ether waves are capable of warm-
ing bodies upon which they strike and of breaking up certain chemical com-
binations, the slowly vibrating waves being especially adapted to produce the
former and the rapidly vibrating ones the latter effect. Certain waves of
intermediate rates of oscillation viz. those ranging between 392,000,000,-
000,000 and 757,000,000,000,000 in a second not only produce thermic and
chemical effects, but have the power, when they strike the retina, of causing
changes in the layer of rods and cones, which, in their turn, act as a stimulus
to the optic nerve. The ether waves which produce these various phenomena
1 Engelmann : Archivfiir die gesammte Physiologic, xxxv. 498.
778 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
are often spoken of as heat rays, light rays, and actinic or chemical rays, but
it must be remembered that the same wave may produce all three classes of
phenomena, the effect depending upon the nature of the substance upon which
it strikes. It will be observed that the range of vibrations capable of affecting
the retina is rather less than one octave, a limitation which obviously tends to
reduce the amount of chromatic aberration.
In this connection it is interesting to notice that the highest audible note is
produced by about 40,000 sonorous impulses in a second. Between the high-
est audible note and the lowest visible color there is a gap of nearly thirty-four
octaves in which neither the vibrations of the air nor those of the luminifer-
ous ether affect our senses. Even if the slowly vibrating heat-rays which
affect our cutaneous nerves are taken into account, there still remain over
thirty-one octaves of vibrations, either of the air or of the luminiferous ether,
which may be, and very likely are, filling the universe around us without in
any way impressing themselves upon our consciousness.
Qualitative Modifications of Light. All the ethereal vibrations which
are capable of affecting the retina are transmitted with very nearly the same
rapidity through air, but when they enter a denser medium the waves having
a rapid vibration are retarded more than those vibrating more slowly. Hence
when a ray of sunlight composed of all the visible ether waves strikes upon a
plane surface of glass, the greater
retardation of the waves of rapid
vibration causes them to be more
refracted than those of slower vibra-
tion, and if the glass has the form
of a prism, as shown in Figure 237,
this so-called " dispersion " of the
rays is still further increased when
the rays leave the glass, so that the
emerging beam, if received upon a
FIG. 237.-Diagram illustra^mgthe dispersion of light wh j te sur f ace> instead of f orming a
spot of white light, produces a band
of color known as the solar spectrum. The colors of the spectrum, though
commonly spoken of as seven in number, really form a continuous series from
the extreme red to the extreme violet, these colors corresponding to ether vibra-
tions have rates of 392,000,000,000,000 and 757,000,000,000,000 in 1 second,
and wave lengths of 0.7667 and 0.3970 micromillimeters * respectively.
Colors, therefore, are sensations caused by the impact upon the retina of
certain ether waves having definite frequencies and wave-lengths, but these
are not the only peculiarities of the ether vibration which influence the retinal
sensation. The energy of the vibration, or the vis viva of the vibrating mole-
cule, determines the " intensity " of the sensation or the brilliancy of the light. 2
^ne micromillimeter = 0.001 millimeter = one //.
2 The energy of vibration capable of producing a given subjective sensation of intensity
varies with the color of the light, as will be later explained (see p. 786).
THE SENSE OF VISION. 779
Furthermore, the sensation produced by the impact of ether waves of a definite
length will vary according as the eye is simultaneously affected by a greater or
less amount of white light. This modification of the sensation is termed its
degree of " saturation/ 7 light being said to be completely saturated when it is
" monochromatic" or produced by ether vibrations of a single wave-length.
The modifications of light which taken together determine completely the
character of the sensation are, then, three in number viz. : 1. Color, depend-
ent upon rate of vibration or length of the ether wave ; 2. Intensity, dependent
upon the energy of the vibration ; 3. Saturation, dependent upon the amount
of white light mingled with the monochromatic light. These three qualitative
modifications of light must now be considered in detail.
Color. In our profound ignorance of the nature of the process by which,
in the rods and cones, the movements of the ether waves are converted into a
stimulus for the optic nerve-fibres, all that can be reasonably demanded of a
color theory is that it shall present a logically consistent hypothesis to account
for the sensations actually produced by the impact of ether waves of varying
rates, either singly or combined, upon different parts of the retina. Some of
the important phenomena of color sensation of which every color theory must
take account may be enumerated as follows :
1. Luminosity is more readily recognized than color. This is shown by
the fact that a colored object appears colorless when it is too feebly illuminated,
and that a spectrum produced by a very feeble light shows variations of inten-
sity with a maximum nearer than normal to the blue end, but no gradations
of color. A similar lack of color is noticed when a colored object is observed
for too short a time or when it is of insufficient size. In all these respects the
various colors present important individual differences which will be considered
later,
2. Colored objects seen with increasing intensity of illumination appear
more and more colorless, and finally present the appearance of pure white.
Yellow passes into white more readily than the other colors.
3. The power of the retina to distinguish colors diminishes from the centre
toward the periphery, the various colors, in this respect also, differing mate-
rially from each other. Sensibility to red is lost at a short distance from the
macula lutea, while the sensation of blue is lost only on the extreme lateral
portions of the retina. The relation of this phenomenon to the distribution
of the rods and cones in the retina will be considered in connection with the
perception of the intensity of light.
Color-mixture. Since the various spectral colors are produced by the dis-
persion of the white light of the sun, it is evident that white light may be
reproduced by the reunion of the rays corresponding to the different colors, and
it is accordingly found that if the colored rays emerging from a prism, as in
Fig. 237, are reunited by suitable refracting surfaces, a spot of white light will be
produced similar to that which would have been caused by the original beam
of sunlight. But white light may be produced not only by the union of all
the spectral colors, but by the union of certain selected colors in twos, threes,
780 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
fours, etc. Any two spectral colors which by their union produce white are
said to be " complementary " colors. The relation of these pairs of comple-
mentary colors to each other may be best understood by reference to Figure 238.
p
FIG. 238. Color diagram.
Here the spectral colors are supposed to be disposed around a curved line,
as indicated by their initial letters, and the two ends of the curve are united
by a straight line, thus enclosing a surface having somewhat the form of a tri-
angle with a rounded apex. If the curved edge of this surface be supposed to
be loaded with weights proportionate to the luminosity of the different colors,
the centre of gravity of the surface will be near the point W. Now, if a
straight line be drawn from any point on the curved line through the point
JFand prolonged till it cuts the curve again, the colors corresponding to the
two ends of this straight line will be complementary colors. Thus in Figure
238 it will be seen that the complementary color of red is bluish-green, and
that of yellow lies near the indigo. It is also evident that the complementary
color of green is purple, which is not a spectral color at all, but a color
obtained by the union of violet and red. The union of a pair of colors
lying nearer together than complementary colors produces an intermediate color
mixed with an amount of white which is proportionate to the nearness of the
colors to the complementary. Thus the union of red and yellow produces
orange, but a less saturated orange than the spectral color. The union of two
colors lying farther apart than complementary colors produces a color which
borders more or less upon purple.
The mixing of colors to demonstrate the above-mentioned effects may be
accomplished in three different ways :
1. By employing two prisms to produce two independent spectra, and then
directing the colored rays which are to be united so that they will illuminate
the same white surface.
2. By looking obliquely through a glass plate at a colored object placed
behind it, while at the same time light from another colored object, placed in
front of the glass, is reflected into the eye of the observer, as shown in Figure
239. Here the transmitted light from the colored object A and the reflected
light from the colored object B enter the eye at C from the same direction,
and are therefore united upon the retina.
3. By rotating before the eye a disk on which the colors to be united are
THE SENSE OF VISION. 781
painted upon different sectors. This is most readily accomplished by using
a number of disks, each painted with one of the colors to be experimented
with, and each divided radially by a cut running from the centre to the circum-
ference. The disks can then be lapped over each other and rotated together, and
in this way two or more colors can be mixed in any desired proportions. This
method of mixing colors depends upon
the property of the retina to retain an
impression after the stimulus causing [V
it has ceased to act a phenomenon of / " \
great importance in physiological optics, /
and one which will be further discussed /
in connection with the subject of " after- / \
images."
_
The physiological mixing of Colors FIG. 239. Diagram to illustrate color mixture by
cannot be accomplished by the mixture
of pigments or by allowing sunlight to pass successively through glasses of
different colors, for in these cases rays corresponding to certain colors are
absorbed by the medium through which the white light passes, and the phe-
nomenon is the result of a process of subtraction and not addition. Light
reaching the eye through red glass, for instance, looks red because all the rays
except the red rays are absorbed, and light coming through green glass appears
green for a similar reason. Now, when light is allowed to pass successively
through red and green glass the only rays which pass through the red glass
will be absorbed by the green. Hence no light will pass through the combi-
nation of red and green glass, and darkness results. But when red and green
rays are mixed by any of the three methods above described the result of this
process of addition is not darkness, but a yellow color, as will be understood
by reference to the color diagram on p. 780. In the case of colored pigments
similar phenomena occur, for here too light reaches the eye after rays of cer-
tain wave-lengths have been absorbed by the medium. This subject will be
further considered in connection with color-theories.
Color-theories. From what has been said of color-mixtures it is evident
that every color sensation may be produced by the mixture of a number of
other color sensations, and that certain color sensations viz. the purples can
be produced only by the mixture of other sensations, since there is no single
wave-length corresponding to them. Hence the hypothesis is a natural one
that all colors are produced by the mixture in varying proportions of a certain
number of fundamental colors, each of which depends for its production upon
the presence in the retina of a certain substance capable of being affected
(probably through some sort of a photo-chemical process) by light of a certain
definite wave-length. A hypothesis of this sort lies at the basis of both the
Young-Helmholtz and the Hering theories of color sensation.
The former theory postulates the existence in the retina of three substances
capable of being affected by red, green, and violet rays, respectively i. e. by
the three colors lying at the three angles of the color diagram given on p. 780
782 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
and regards all other color sensations as produced by the simultaneous affec-
tion of two of these substances in varying proportions. Thus when a ray of
blue light falls on the retina it stimulates the violet- and green-perceiving sub-
stances, and produces a sensation intermediate between the two, while simul-
taneous stimulation of the red- and green-perceiving substances produces the
sensations corresponding to yellow and orange ; and when the violet- and red-
perceiving substances are affected at the same time, the various shades of
purple are produced. Each of these three substances is, however, supposed to
be affected to a slight extent by all the rays of the visible spectrum, a suppo-
sition which is rendered necessary by the fact that even the pure spectral
colors do not appear to be perfectly saturated, as will be explained in connec-
tion with the subject of saturation. Furthermore, the disappearance of color
when objects are very feebly or very brightly illuminated or when they are
seen with the lateral portions of the retina (as described on p. 779) necessitates
the additional hypotheses that these three substances are all equally affected by
all kinds of rays when the light is of either very small or very great intensity
or when it falls on the extreme lateral portions of the retina, and that they
manifest their specific irritability for red, green, and violet rays respectively
only in light of moderate intensity falling not too far from the fovea centralis
of the retina.
The modifications of the Young- Hemholtz theory introduced by these sub-
sidiary hypotheses greatly diminish the simplicity which was its chief claim to
acceptance when originally proposed. Moreover, there will always remain a
psychological difficulty in supposing that three sensations so different from each
other as those of red, green, and violet can by their union produce a fourth
sensation absolutely distinct from any of them viz. white.
The fact that in the Hering theory this difficulty is obviated has contributed
greatly to its acceptance by physiologists. In this theory the retina is supposed
to contain three substances in which chemical changes may be produced by ether
vibrations, but each of these substances is supposed to be affected in two oppo-
site ways by rays of light which correspond to complementary color sensa-
tions. Thus in one substance viz. the white-black visual substance kata-
bolic or destructive changes are supposed to be produced by all the rays of the
visible spectrum, the maximum effect being caused by the yellow rays, while
anabolic or constructive changes occur when no light at all falls upon the
retina. The chemical changes of this substance correspond, therefore, to the
sensation of luminosity as distinguished from color. In a second substance red
rays are supposed to produce katabolic, and green rays anabolic changes, while
a third substance is similarly affected by yellow and blue rays. These two
substances are therefore spoken of as red-green and yellow-blue visual sub-
stances respectively.
It has been sometimes urged as an objection to this theory that the effect of
a stimulus is usually katabolic and not anabolic. This is true with regard to
muscular contraction, from the study of which phenomenon most of our know-
ledge of the effect of stimulation has been obtained, but it should be remem-
THE SENSE OF VISION. 783
bered that observations on the augmentor and inhibitory cardiac nerves have
shown us that nerve-stimulation may produce very contrary effects. There
seems to be, therefore, no serious theoretical difficulty in supposing that light
rays of different wave-lengths may produce opposite metabolic effects upon the
substances in which changes are associated with visual sensations.
A more serious objection lies in the difficulty of distinguishing between the
sensation of blackness, which, on Bering's hypothesis, must correspond to active
anabolism of the white-black substance, and the sensation of darkness (such as
we experience when the eyes have been withdrawn for some time from the
influence of light), which must correspond to a condition of equilibrium of
the white-black substance in which neither anabolism nor katabolism is
occurring.
Another objection to the Hering theory is to be found in the results of
experiments in comparing grays or whites produced by mixing different colored
rays under varying intensities of light. The explanation given by Hering of
the production of white through the mixture of blue and yellow or of red and
green is that when either of these pairs of complementary colors is mixed
the anabolic and the katabolic processes balance each other, leaving the corre-
sponding visual substance in a condition of equilibrium. Hence, the white-
black substance being alone stimulated, the result will be a sensation of white
corresponding to the intensity of the katabolic process caused by the mixed
rays. Now, it is found that when blue and yellow are mixed in certain pro-
portions on a revolving disk a white can be produced which will, with a certain
intensity of illumination, be undistinguishable from a white produced by mix-
ing red and green. If, however, the intensity of the illumination is changed,
it will be found necessary to add a certain amount of white to one of the mix-
tures in order to bring them to equality. On the theory that complementary
colors produce antagonistic processes in the retina it is difficult to understand
why this should be the case.
A color theory which is in some respects more in harmony with recent
observations in the physiology of vision has been proposed by Mrs. C. L.
Franklin. In this theory it is supposed that, in its earlier periods of de-
velopment, the eye is sensitive only to luminosity and not to color i. e. it
possesses only a white-black or (to use a single word) a gray-perceiving sub-
stance which is affected by all visible light rays, but most powerfully by those
lying near the middle of the spectrum. The sensation of gray is supposed to
be dependent upon the chemical stimulation of the optic nerve-terminations by
some product of decomposition of this substance.
In the course of development a portion of this gray visual substance becomes
differentiated into three different substances, each of which is affected by rays
of light corresponding to one of the three fundamental colors of the spectrum
viz. red, green, and blue. When a ray of light intermediate between two
of the fundamental colors falls upon the retina, the visual substances corre-
sponding to these two colors will be affected to a degree proportionate to the
proximity of these two colors to that of the incident ray. Since this effect is
784 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
exactly the same as that which is produced when the retina is acted upon simul-
taneously by light of two fundamental colors, we are incapable of distinguish-
ing in sensation between an intermediate wave-length and a mixture in proper
amounts of two fundamental wave-lengths.
When the retina is affected by two or more rays of such wave-lengths that
all three of the color visual substances are equally affected, the resulting decom-
position will be the same as that produced by the stimulation of the gray visual
substance out of which the color visual substances were differentiated, and the
corresponding sensation will therefore be that of gray or white.
It will be noticed that the important feature of this theory is that it pro-
vides for the independent existence of the gray visual substance, while at the
same time the stimulation of this substance is made a necessary result of the
mixture of certain color sensations.
Color-blindness. The fact that many individuals are incapable of distin-
guishing between certain colors i. e. are more or less " color-blind " is one
of fundamental importance in the discussion of theories of color vision. By
far the most common kind of color-blindness is that in which certain shades
of red and green are not recognized as different colors. The advocates of the
Young-Helmholtz theory explain such cases by supposing that either the red
or the green perceiving elements of the retina are deficient, or, if present, are
irritable, not by rays of a particular wave-length, but by all the rays of the
visible spectrum. In accordance with this view these cases of color-blindness
are divided into two classes viz. the red-blind and the green-blind the basis
for the classification being furnished by more or less characteristic curves repre-
senting the variations in the luminosity of the visible spectrum as it appears
to the different eyes. There are, however, cases which cannot easily be brought
under either of these two classes. Moreover, it has been proved in cases of
monocular color-blindness, and is admitted even by the defenders of the Helm-
holtz theory, that such persons see really only two colors viz. blue and yellow.
To such persons the red end of the spectrum appears a dark yellow, and the
green portion of the spectrum has luminosity without color.
A better explanation of this sort of color-blindness is given in the Hering
theory by simply supposing that in such eyes the red-green visual substance is
deficient or wholly wanting, but the theory of Mrs. Franklin accounts for the
phenomena in a still more satisfactory way ; for, by supposing that the differ-
entiation of the primary gray visual substance has first led to the formation
of a blue and a yellow visual substance, and that the latter has subsequently
been differentiated into a red and a green visual substance, color-blindness is
readily explained by supposing that this second differentiation has either not
occurred at all or has taken place in an imperfect manner. It is, in other
words, an arrest of development.
Cases of absolute color-blindness are said to occasionally occur. To such
persons nature is colorless, all objects presenting simply differences of light
and shade.
In whatever way color-blindness is to be explained, the defect is one of
THE SENSE OF VISION. 785
considerable practical importance, since it renders those affected by it incapable
of distinguishing the red and green lights ordinarily used for signals. Such
persons are, therefore, unsuitable for employment as pilots, railway engineers,
etc., and it is now customary to test the vision of all candidates for employment
in such situations. It has been found that no satisfactory results can be
reached by requiring persons to name colors which are shown them, and the
chromatic sense is now commonly tested by what is known as the " Holmgren
method," which consists in requiring the individual examined to select from a
pile of worsteds of various colors those shades which seem to him to resemble
standard skeins of green and pink. When examined in this way about 4 per \ v 1
cent, of the male and one-quarter of 1 per cent, of the female sex are found to^
be more or less color-blind. The defect may be inherited, and the relatives
of a color-blind person are therefore to be tested with special care. Since
females are less liable to be affected than males, it often happens that the
daughters of a color-blind person, themselves with normal vision, have sons
who inherit their grandfather's infirmity.
Although in all theories of color vision the different sensations are supposed
to depend upon changes produced by the ether vibrations of varying rates
acting upon different substances in the retina, yet it should be borne in mind
that we have at present no proof of the existence of any such substances. The
visual purple or, to adopt Mrs. Franklin's more appropriate term, " the rod
pigment" was at one time thought to be such a substance, but for the reasons
above given cannot be regarded as essential to vision. 1
That a centre for color vision, distinct from the visual centre, exists in the
cerebral cortex is rendered probable by the occurrence of cases of hemianopsia
for colors, and also by the experiments of Heidenhain and Cohn on the influ-
ence of the hypnotic trance upon color-blindness.
Intensity. The second of the above-mentioned qualitative modifications of
light is its intensity, which is dependent upon the energy of vibrations of the
molecules of the luminiferous ether. The sensation of luminosity is not, how-
ever, proportionate to the intensity of the stimulus, but varies in such a way
that a given increment of intensity causes a greater difference in sensation with
feeble than with strong illuminations. This phenomenon is illustrated by the
disappearance of a shadow thrown by a candle in a darkened room on a sheet
of white paper when sunlight is allowed to fall on the paper from the opposite
direction. In this case the absolute difference in luminosity between the
shadowed and unshadowed portions of the paper remains the same, but it
becomes imperceptible in consequence of the increased total illumination.
Although our power of distinguishing absolute differences in luminosity
diminishes as the intensity of the illumination increases, yet with regard to
relative differences no such dependence exists. On the contrary, it is found
within pretty wide limits that, whatever be the intensity of the illumination,
1 In a recently developed theory by Ebbinghaus (Zeitschrtft fur Psychologie und Physiologic
der Sinnesorgane, v. 145) a physiological importance in relation to vision is attached to this
substance in connection with other substances of a hypothetical character.
50
786
AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
it must be increased by a certain constant fraction of its total amount in order
to produce a perceptible difference in sensation. This is only a special case of
a general law of sensation known as Weber's law, which has been formulated
by Foster as follows : " The smallest change in the magnitude of a stimulus
which we can appreciate through a change in our sensation always bears the
same proportion to the whole magnitude of the stimulus."
Luminosity of Different Colors. When two sources of light having the
same color are compared, it is possible to estimate their relative luminosity
with considerable accuracy, a difference of about 1 per cent, of the total
luminosity being appreciated by the eye. When the sources of light have
different colors, much less accuracy is attainable, but there is still a great differ-
ence in the intensity with which rays of light of different wave-lengths affect
the retina. We do not hesitate to say, for instance, that the maximum
intensity of the solar spectrum is found in the yellow portion, but it is import-
ant to observe that the position of this maximum varies with the illumina-
tion. In a very brilliant spectrum the maximum shifts toward the orange,
and in a feeble spectrum (such as may be obtained by narrowing the slit of
the spectroscope) it moves toward the green. The curves in Figure 240 illus-
:;.*-
:',6-
:$.4-
Li-
ft,
2.H.
2.6
2.4
2.2
1.
1.8
!.>
1.4
1.2
1
0.8
0.6
0.4
0.2
Intensity H
G
F
E
D
C
B
A
450
430
O
670 660 625 605 590 575 555 535 520 505
BCD E F
FIG. 240. Diagram showing the distribution of the intensity of the spectrum as dependent upon the
degree of illumination (Konig).
trate this shifting of the maximum of luminosity of the spectrum with vary-
ing intensities of illumination. The abscissas represent wave-lengths in
millionths of a millimeter, and the ordinates the luminosity of the different
colors as expressed by the reciprocal values of the width of the slit necessary
to give to the color under observation a luminosity equal to that of an arbi-
THE SENSE OF VISION. 787
trarily chosen standard. The curves from A to H represent the distribution
of the intensity of light in the spectrum with eight different grades of illumi-
nation. This shifting of the maximum of luminosity in the spectrum
explains the so-called " Purkinje's phenomenon " viz. the changing rela-
tive values of colors in varying illumination. This can be best observed
at nightfall, the attention being directed to a carpet or a wall-paper
the pattern of which is made up of a number of different colors. As
the daylight fades away the red colors, which in full illumination are
the most intense, become gradually darker, and are scarcely to be distin-
guished from black at a time when the blue colors are still very readily
distinguished.
Function of Rods and Cones. The layer of rods and cones has thus far
been spoken of as if all its elements had one and the same function. There
is, however, some reason to suppose that the rods and cones have different
functions. That color sensation and accuracy of definition are most perfect
in the central portion of the retina is shown by the fact that when we desire
to obtain the best possible idea of the form and color of an object we direct
our eyes in such a way that the image falls upon the fovea centralis of the
retina. The luminosity of a faint object, however, seems greatest when we
look not directly at it, but a little to one side of it. This can be readily
observed when we look at a group of stars, as, for example, the Pleiades.
When the eyes are accurately directed to the stars so as to enable us to count
them, the total luminosity of the constellation appears much less than when
the eyes are directed to a point a few degrees to one side of the object. Now,
an examination of the retina shows only cones in the fovea centralis. In the
immediately adjacent parts a small number of rods are found mingled with
the cones. In the lateral portions of the retina the rods are relatively more
numerous than the cones, and in the extreme peripheral portions the rods alone
exist. Hence this phenomenon is readily explained on the supposition that
the rods are a comparatively rudimentary form of visual apparatus taking
cognizance of the existence of light with special reference to its varying
intensity, and that the cones are organs specially modified for the localization
of stimuli and for the perception of differences of wave-lengths. The view
that the rods are specially adapted for the perception of luminosity and the
nes for that of color derives support from the fact that in the retina of cer-
tain nocturnal animals e. g. bats and owls rods alone are present. This
theory has been further developed by Von Kries, 1 who in a recent article
describes the rods as differing from the cones in the following respects : (1)
They are color-blind i. e. they produce a sensation of simple luminosity
whatever be the wave-length of the light-ray falling on them ; (2) they are
more easily stimulated than the cones, and are particularly responsive to light-
waves of short wave-lengths ; (3) they have the power of adapting themselves \
to light of varying intensity.
On this theory it is evident that we must get the sensation of white or
1 Zeiischrift fiir Psychologic und Physiologic der Sinneswgane, ix. 81.
788 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
colorless light in two different ways : (1) In consequence of the stimulation
of the rods by any sort of light-rays, and (2) in consequence of the stimula-
tion of the cones by certain combinations of light-rays i. e. complementary
colors. In this double mode of white perception lies perhaps the explanation
of the effect of varying intensity of illumination upon the results of color-
mixtures which has been above alluded to (see p. 783) as an objection to the
Hering theory. The so-called " Purkinje's phenomenon," described on p. 787,
is readily explained in accordance with this theory, for, owing to the greater
irritability of the rods, the importance of these organs, as compared with the
cones, in the production of the total visual sensation is greater with feeble
than with strong illumination of the field of vision. At the same time, the
power of the rods to respond particularly to light-rays of short wave-length
will cause a greater apparent intensity of the colors at the blue than at the red
end of the spectrum. In this connection it is interesting to note that the phe-
nomenon is said not to occur when the observation is limited to the fovea
centralis, where cones alone are found. 1
Saturation. The degree of saturation of light of a given color depends, as
above stated, upon the amount of white light mixed with it. The quality of
light thus designated is best studied and appreciated by means of experiments
with rotating disks. If, for instance, a disk consisting of a large white and a
small red sector be rapidly rotated, the effect produced is that of a pale pink
color. By gradually increasing the relative size of the red sector the pink
color becomes more and more saturated, and finally when the white sector is
reduced to zero the maximum of saturation is produced. It must be borne
in mind, however, that no pigments represent completely saturated colors.
Even the colors of the spectrum do not produce a sensation of absolute
saturation, for, whatever theory of color vision be adopted, it is evident that
all the color-perceiving elements of the retina are affected more or less by all
the rays of light. Thus when rays of red light fall upon the retina they will
stimulate not only the red-perceiving elements, but to a slight extent also (to
use the language of the Helmholtz theory) the green- and violet-perceiving
elements of the retina. The effect of this will be that of mixing a small
amount of white with a large amount of red light i. e. it will produce the
sensation of incompletely saturated red light. This dilution of the sensation
can be avoided only by previously exhausting the blue- and green-perceiving
elements of the retina in a manner which will be explained in connection with
the phenomena of after-images.
Retinal Stimulation. Whenever by a stimulus applied to an irritable
substance the potential energy there stored up is liberated the following phe-
nomena may be observed : 1. A so-called latent period of variable duration
during which no effects of stimulation are manifest ; 2. A very brief period
during which the effect of the stimulation reaches a maximum ; 3. A period
of continued stimulation during which the effect diminishes in consequence of
the using up of the substance containing the potential energy i. e. a period
1 Von Kries : Centralblatt fur Physiologic, 1896, i.
THE SENSE OF VISION.
789
of fatigue ; 4. A period after the stimulation has ceased in which the effect
slowly passes away.
FIG. 241. Diagram showing the effect of stimulation of an irritable substance.
The curve drawn by a muscle in tetanic contraction, as shown in Figure
241, illustrates this phenomenon. Thus, if A D represents the duration of the
stimulation, A B indicates the latent period, B C the period of contraction,
C D the period of fatigue under stimulation, and D E the after-effect of
stimulation showing itself as a slow relaxation. When light falls upon the
retina corresponding phenomena are to be observed.
Latent Period. That there is a period of latent sensation in the retina
(i. e. an interval between the falling of light on the retina and the beginning
of the sensation) is, judging from the analogy of other parts of the nervous
system, quite probable, though its existence has not been demonstrated.
Rise to Maximum of Sensation. The rapidity with which the sensation of
light reaches its maximum increases with the intensity of the light and varies
with its color, red light producing its maximum sensation sooner than green
and blue. Consequently, when the image of a white object is moved across
the retina it will appear bordered by colored fringes, since the various con-
stituents of white light do not produce their maximum effects at the same
time. This phenomena can be readily observed when a disk on which a
black and a white spiral band alternate with each other (as shown in Figure
242, A) is rotated before the eyes. The white band as its image moves out-
FIG. 242. Disks to illustrate the varying rate at which colors rise to their maximum of sensation.
ward or inward over the retinal surface appears bordered with colors which
vary with the rate of rotation of the disk and with the amount of exhaustion
of the retina. Chromatic effects due to a similar cause are also to be seen
when a disk, such as is shown in Figure 242, B (known as Benham's spectrum
790 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
top), is rotated with moderate rapidity. The concentric bands of color appear
in reverse order when the direction of rotation is reversed. The apparent
movement of colored figures on a background of a different color when the
eye moves rapidly over the object or the object is moved rapidly before the
eye seems to depend upon this same retinal peculiarity. The phenomenon
may be best observed when small pieces of bright-red paper are fastened upon
a bright-blue sheet and the sheet gently shaken before the eyes. The red
figures will appear to move upon the blue background. The effect may be
best observed in a dimly-lighted room.
In this connection should be mentioned the phenomenon of " recurrent
images " or " oscillatory activity of the retina." l This may be best observed
when a black disk containing a white sector is rotated at a rate of about one
revolution in two seconds. If the disk is brightly illuminated, as by sunlight,
and the eye fixed steadily upon the axis of rota-
tion, the moving white sector seems to have a
shadow upon it a short distance behind its ad-
vancing border, and this shadow may be followed
by a second fainter, and even by a third still
fainter shadow, as shown in Figure 243. The
distance of the shadows from each other and
from the edge of the sector increases with the rate
of rotation of the disk and corresponds to a time
FIG. 243,-To illustrate the oscillatory interval of about 0.01 5". It thus appears that
activity of the retina (Charpentier). ,
wnen light is suddenly thrown upon the retina
the sensation does not at once rise to its maximum, but reaches this point by
a sort of vibratory movement. The apparent duplication of a single very
brief retinal stimulation, as that caused by a flash of lightning, may perhaps
be a phenomenon of the same sort.
Fatigue of Retina. When the eye rests steadily upon a uniformly illu-
minated white surface (e. g. a sheet of white paper), we are usually unconscious
of any diminution in the intensity of the sensation, but it can be shown that
the longer we look at the paper the less brilliant it appears, or, in other words,
that the retina really becomes fatigued. To do this it is only necessary to place
a disk of black paper on the white surface and to keep the eyes steadily fixed
for about half a minute upon the centre of the disk. Upon removing the disk
without changing the direction of the eyes a round spot will be seen on the
white paper in the place previously occupied by the disk. On this spot the
whiteness of the paper will appear much more intense than on the neighboring
portion of the sheet, because we are able in this experiment to bring into direct
contrast the sensations produced by a given amount of light upon a fresh and
a fatigued portion of the retina. 2
1 Charpentier: Archives de Physiologic, 1892, pp. 541, 629; and 1896, p. 677.
2 Although the retina is here spoken of as the portion of the visual apparatus subject to
fatigue, it should be borne in mind that we cannot, in the present state of our knowledge, dis-
criminate between retinal fatigue and exhaustion of the visual nerve-centres.
THE SENSE OF VISION. 791
The rapidity with which the retina becomes fatigued varies with the color
of the light. Hence when intense white light falls upon the retina, as when
we look at the setting sun, its disk seems to undergo changes of color as one
or another of the constituents of its light becomes, through fatigue, less and
less conspicuous in the combination of rays which produces the sensation of
white.
The After-effect of Stimulation. The persistence of the sensation after the
stimulus has ceased causes very brief illuminations (e. g. by an electric spark) to
produce distinct effects. On this phenomenon depends also the above-described
method of mixing colors on a revolving disk, since a second color is thrown
upon the retina before the impression produced by the first color has had time
enough to become sensibly diminished. The interval at which successive stim-
ulations must follow each other in order to pro-
duce a uniform sensation (a process analogous
to the tetanic stimulation of a muscle) may be
determined by rotating a disk, such as repre-
sented in Figure 244, and ascertaining at what
speed the various rings produce a uniform sen-
sation of gray. The interval varies with the
intensity of the illumination from 0.1 " to
0.033". The duration of the after-effect de-
pends also upon the length of the stimulation
and upon the color of the light producing it,
the most persistent effect being produced by the FIG. 244,-Disk to illustrate the persistence
of retinal sensation (Helmholtz).
red rays. In this connection it is interesting to
note that while with the rapidly vibrating blue rays a less intense illumination
suffices to stimulate the eye, the slowly vibrating red rays produce the more
permanent impression.
After-images. When the object looked at is very brightly illuminated the
impression upon the retina may be so persistent that the form and color of the
object are distinctly visible for a considerable time after the stimulus has ceased
to act. This appearance is known as a " positive after-image," and can be best
observed when we close the eyes after looking at the sun or other bright source
of light. Under these circumstances we perceive a brilliant spot of light which,
owing to the above-mentioned difference in the persistence of the impressions
produced by the various colored rays, rapidly changes its color, passing gen-
erally through bluish green, blue, violet, purple, and red, and then disappear-
ing. This phenomenon is apt to be associated with or followed by another
effect known as a " negative after-image." This form of after-image is much
more readily observed than the positive variety, and seems to depend upon the
fatigue of the retina. It is distinguished from the positive after-image by the
fact that its color is always complementary to that of the object causing it. In
the experiment to demonstrate the fatigue of the retina, described on p. 790,
the white spot which appears after the black disk is withdrawn is the " nega-
tive after-image " of the disk, white being complementary to black. If a
792 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
colored disk be placed upon a sheet of white paper, looked at attentively for a
few seconds, and then withdrawn, the eye will perceive in its place a spot of
light of a color complementary to that of the disk. If, for example, the disk
be yellow, the yellow-perceiving elements of the retina become fatigued in
looking at it. Therefore when the mixed rays constituting white light are
thrown upon the portion of the retina which is thus fatigued, those rays which
produce the sensation of yellow will produce less effect than the other rays for
which the eye has not been fatigued. Hence white light to an eye fatigued for
yellow will appear blue.
If the experiment be made with a yellow disk resting on a sheet of blue
paper, the negative after-image will be a spot on which the blue color will
appear (1) more intense than on the neighboring portions of the sheet, owing
to the blue-perceiving elements of that portion of the retina not being fatigued ;
(2) more saturated, owing to the yellow-perceiving elements being so far
exhausted that they no longer respond to the slight stimulation which is pro-
duced when light of a complementary color is thrown upon them, as has been
explained in connection with the subject of saturation.
Contrast. As the eye wanders from one part of the field of vision to
another it is evident that the sensation produced by a given portion of the
field will be modified by the amount of fatigue produced by that portion on
which the eye has last rested, or, other words, the sensation will be the result
FIG. 245. To illustrate the phenomenon of contrast.
of the stimulation by the object looked at combined with the negative after-
image of the object previously observed. The effect of this combination is to
produce the phenomenon of successive contrast, the principle of which may be
thus stated : Every part of the field of vision appears lighter near a darker
THE SENSE OF VISION. 793
part and darker near a lighter part, and its color seen near another color
approaches the complementary color of the latter. A contrast phenomenon
similar in its effects to that above described may be produced under conditions
in which negative after-images can play no part. This kind of contrast is
known as simultaneous contrast, and may perhaps be explained on the theory
that a stimulation of a given portion of the retina produces in the neighboring
portions an effect to some extent antagonistic to that caused by direct stimulation.
A good illustration of the phenomenon of contrast is given in Figure 245,
in which black squares are separated by white bands which at their points of
intersection appear darker than where they are bordered on either side by the
black squares.
A black disk on a yellow background seen through white tissue-paper
appears blue, since the white paper makes the black disk look gray and the
yellow background pale yellow. The gray disk in contrast to the pale yellow
around it appears blue.
The phenomenon of colored shadows also illustrates the principle of con-
trast. These may be observed whenever an object of suitable size and shape
is placed upon a sheet of white paper and illuminated from one direction by
daylight and from another by gaslight. Two shadows will be produced, one
of which will appear yellow, since it is illuminated only by the yellowish gas-
light, while the other, though illuminated by the white light of day, will
appear blue in contrast to the yellowish light around it.
Space-perception. Rays of light proceeding from every point in the
field of vision are refracted to and stimulate a definite point on the sur-
face of the retina, thus furnishing us with a local sign by which we can
recognize the position of the point from which the light proceeds.
Hence the size and shape of an optical image upon the retina enable us to
judge of the size of the corresponding object in the same way that the cutane-
ous terminations of the nerves of touch enable us to judge of the size and
shape of an object brought in contact with the skin. This spatial perception
is materially aided by the muscular sense of the muscles moving the eyeball,
for we can obtain a much more accurate idea of the size of an object if
we let the eye rest in succession upon its different parts than if we gaze fixedly
at a given point upon its surface. The conscious effort associated with a given
amount of muscular motion gives, in the case of the eye, a measure of distance
similar to that secured by the hand when we move the fingers over the surface
of an object to obtain an idea of its size and shape.
The perception of space by the retina is limited to space in two dimensions
i. e. in a plane perpendicular to the axis of vision. Of the third dimension
in space i. e. of distance from the eye the retinal image gives us no know-
ledge, as may be proved by the study of after-images. If an after-image of
any bright object e. g. a window be produced upon the retina in the man-
ner above described and the eye be then directed to a sheet of paper held in
the hand, the object will appear outlined in miniature upon the surface of the
paper. If, however, the eye be directed to the ceiling of the room, the object
794 AN AMERICAN 1EXT-BOOK OF PHYSIOLOGY.
will appear enlarged and at a distance corresponding to that of the surface
looked at. Hence one and the same retinal image may, under different cir-
cumstances, give rise to the impression of objects at different distances. We
must therefore regard the perception of distance not as a direct datum of vision,
but, as will be later explained, a matter of visual judgment.
When objects are of such a shape that their images may be thrown suc-
cessively upon the same part of the retina, it is possible to judge of their rela-
tive size with considerable accuracy, the retinal surface serving as a scale to
which the images are successively applied. When this is not the case, the
error of judgment is much greater. We can compare, for instance, the relative
length of two vertical or of two horizontal lines with a good deal of precision,,
but in comparing a vertical with a horizontal line we are liable to make a con-
siderable error. Thus it is difficult to realize that the vertical and the hori-
zontal lines in Figure 246 are of the same length. The error consists in an
over-estimation of the length of the vertical
lines relatively to horizontal ones, and appears to
depend, in part at any rate, upon the small size
of the superior rectus muscle relatively to the
other muscles of tKeTeye. The difference amounts
to 30-45 per cent, in weight and 40-53 per cent,
in area of cross section. It is evident, therefore,
that a given motion of the eye in the upward
direction will require a more powerful contraction
of the weaker muscle concerned in the movement
FIG. 246.-To illustrate the over-esti- than will be demanded of the stronger muscles
mation of vertical lines.
moving the eye laterally to an equal amount.
Hence we judge the upward motion of the eye to be greater because to accom-
plish it we make a greater effort than is required
for a horizontal movement of equal extent.
The position of the vertical line bisecting the
horizontal one (in Fig. 246) aids the illusion, as
may be seen by turning the page through 90, so
as to bring the bisected line into a vertical posi-
tion, or by looking at the lines in Figure 247, in
which the illusion is much less marked than in
Figure 246.
The tendency to over-estimate the length of
vertical lines is also illustrated by the error
commonly made in supposing the height of the
crown of an ordinary silk hat to be greater
,1 ., i 1,1 FIG. 247. To illustrate the over-estima-
than its breadth. tion of vertical lines .
Irradiation. Many other circumstances
affect the accuracy of the spatial perception of the retina. One of the most
important of these is the intensity of the illumination. All brilliantly illumi-
nated objects appear larger than feebly illuminated ones of the same size, as is
THE SENSE OF VISION. 795
well shown by the ordinary incandescent electric lamp, the delicate filament of
which is scarcely visible when cold, but when intensely heated by the electric
current glows as a broad band of light. The phenomenon is known as " irra-
diation/ 7 and seems to depend chiefly upon the above-described imperfections
in the dioptric apparatus of the eye, in consequence of which points of light
produce small circles of dispersion on the retina and bright objects produce
FIG. 248. To illustrate the phenomenon of irradiation.
images with imperfectly defined outlines. The white square surrounded by
black and the black square surrounded by white (Figure 248), being of the
same size, would in an ideally perfect eye produce images of the same size on
the retina, but owing to the imperfections of the eye the images are not sharply
FIG. 249. To illustrate the phenomenon of irradiation.
defined, and the white surfaces consequently appear to encroach upon the darker
portions of the field of vision. Hence the white square looks larger than the
black one, the difference in the apparent size depending upon the intensity of
the illumination and upon the accuracy with which the eye can be accommo-
796
AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
dated for the distance at which the objects are viewed. The effect of irradi-
ation is most manifest when the dark portion of the field of vision over which
the irradiation takes place has a considerable breadth. Thus the circular white
spots in Figure 249, when viewed from a distance of three or four meters,
appear hexagonal, since the irradiation is most marked into the triangular dark
space between three adjacent circles. A familiar example of the effect of irra-
diation is afforded by the appearance of the new moon, whose sun-illuminated
crescent seems to be part of a much larger circle than the remainder of the
disk, which shines only by the light reflected upon it from the surface of the
Subdivided Space. A space subdivided into smaller portions by inter-
mediate objects seems more extensive than a space of the same size not so sub-
divided. Thus the distance from A to B (Fig. 250) seems longer than that from
D E
FIG. 250. To illustrate the illusion of subdivided space.
B to C, though both are of the same length, and for the same reason the square
D seems higher than it is broad, and the square E broader than it is high, the
illusion being more marked in the case of D than in the case of E, because, as
above explained, vertical distances are, as a rule, over-estimated.
The explanation of this illusion seems to be that the eye in passing over a
subdivided line or area recognizes the number and size of the subdivisions,
and thus gets an impression of greater total size than when no subdivisions
are present.
A good example of this phenomenon is afforded by the apparently increased
extent of a meadow when the grass growing on it is cut and arranged in hay-
cocks. 1
The relations of lines to each other gives rise to numerous illusions of
spatial perception, among the most striking of which are those afforded by the
so-called " Zollner's lines," an example of which is given in Figure 251. Here
1 It is interesting to note that a similar illusion has been observed when an interval of time
subdivided by audible signals is compared with an equal interval not so subdivided (Hall and
Jastrow : Mind, xi. 62).
THE SENSE OF VISION. 797
the horizontal lines, though strictly parallel to each other, seem to diverge and
converge alternately, their apparent direction being changed toward greater per-
xxx xx xx xx xx
X X X XX XX X X X X
\\\\\ \\x\\
\\ \ \ \ \ \ \ \ \ \
XXXXXXXXXXX
XX X X X XX XX XX
xwwwwx v
\\N\\N\\\\\
FIG. 251. Zollner's lines.
pendicularity to the short oblique lines crossing them. This illusion is to be ex-
plained in part by the tendency of the eye to over-estimate the size of acute and fo-
under-estimate that of obtuse angles a tendency which
also affords a partial explanation of the illusion in
Figure 252, where the line d is the real and the line/
the apparent continuation of the line a. The illusion
in Zollner's figures is more marked when the figure is
so held that the long parallel lines make an angle of
about 45 with the horizon, since in this position the
eye appreciates their real position less accurately than
when they are vertical or horizontal. It is dimin-
ished, but does not disappear, when the eye, instead
of being allowed to wander over the figure, is fixed
upon any one point of the field of vision. Hence the
J . . ' , , . . FIG. 252,-To illustrate illusion
motions of the eye must be regarded as a factor in, but O f space-perception.
not the sole cause of, the illusion.
Our estimate of the size of given lines, angles, and areas is influenced by
neighboring lines, angles, and areas with which they are compared. This
influence is sometimes exerted in accordance with the principle of contrast,
and tends to make a given extension appear larger in presence of a smaller,
FIG. 253. To illustrate contrast in space-perception (Muller-Lyer).
and smaller in presence of a larger extension. This effect is illustrated in
Figure 253, in which the middle portion of the shorter line appears larger
than the corresponding portion of the longer line, in Figure 254, in which a
similar effect is observed in the case of angles, and in Figure 255, in which
798 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
the space between the two squares seems smaller than that between the two
oblong figures.
In some case, however, an influence of the opposite sort l seems to be
FIG. 254. To illustrate contrast in space-perception (Muller-Lyer).
exerted, as is shown in Figure 256, in which the middle one of three parallel
lines seems longer when the outside lines are longer, and shorter when they
are shorter than it is itself, and in Figure 257, where a circle appears larger
FIG. 255. To illustrate contrast in space-perception (Muller-Lyer).
if surrounded by a circle larger than itself, and smaller if a smaller circle is
shown concentrically within it.
Lines meeting at an angle appear longer when the included angle is large
FIG. 256. To illustrate so-called " confluxion " in space-perception (Muller-Lyer).
than when it is small, as is shown in Figure 258. This influence of the
included angle affords a partial explanation of the illusion shown in Figure
259, where the horizontal line at B seems longer than at A ; but the distance
1 For this influence the name "confluxion" has been proposed by Muller-Lyer, from whose
article in the Archiv fur Physiologic, 1889, Sup. Bd., the above examples are taken.
THE SENSE OF VISION.
799
between the extremities of the oblique lines seems also to affect our estimate
of the horizontal line in the same way as the outside lines in Figure 256
influence our judgment of the length of the line between them.
Perception of Distance. The retinal image gives us, as we have seen,
no direct information as to the distance of the object from the eye. This
FIG. 257. To illustrate so-called " confluxion " in space-perception (Miiller-Lyer).
knowledge is, however, quite as important as that of position in a plane per-
pendicular to the line of vision, and we must now consider in what way it is
obtained. The first fact to be noted is that there is a close connection between
the judgments of distance and of actual size. A retinal image of a given
size may be produced by a small object near the eye or by a large one at a
FIG. 258. To illustrate the influence of angles upon the apparent length of lines (Mviller-Lyer).
distance from it. Hence when we know the actual size of any object (as, for
example, a, human figure) we judge of its distance by the size of its image on
the retina. Conversely, our estimate of the actual size of an object will
depend upon our judgment of its distance. The fact that children constantly
misjudge both the size and distance of objects shows that the knowledge of
FIG. 259. Illusion of space-perception.
this relation is acquired only by experience. If circumstances mislead us
with regard to the distance of an object, we necessarily make a corresponding
error with regard to its size. Thus, objects seen indistinctly, as through a fog,
are judged to be larger, because we suppose them to be farther off, than they
really are. The familiar fact that the moon seems to be larger when near the
horizon than when near the zenith is also an illustration of this form of illu-
800 AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
sion. When the raoon is high above our heads we have no means of esti-
mating its distance from us, since there are no intervening objects with which
we can compare it. Hence we judge it to be nearer than when, seen on the
horizon, it is obviously farther off than all terrestrial objects. Since the size
of the retinal image of the moon is the same in the two cases, we reconcile
the sensation with its apparent greater distance when seen on the horizon by
attributing to the moon in this position a greater actual size.
If the retinal image have the form of a familiar object of regular shape
e. g. a house or a table we interpret its outlines in the light of experience
and distinguish without difficulty between the nearer and more remote parts of
the object. Even the projection of the outlines of such an object on to a plane
surface (i. e. a perspective drawing) suggests the real relations of the different
parts of the picture so strongly that we recognize at once the relative distances
of the various portions of the object represented. How powerfully a familiar
outline can suggest the form and relief usually associated with it is well illus-
trated by the experiment of looking into a mask painted on its interior to
resemble a human face. In this case the familiar outlines of a human face
are brought into unfamiliar association with a receding instead of a projecting
form, but the ordinary association of these outlines is strong enough to force
the eye to see the hollow mask as a projecting face. 1 rThe fact that the pro-
jecting portions of an object are usually more brightly illuminated than the
receding or depressed portions is of great assistance in determining their rela-
tive distance. This use of shadows as an aid to the perception of relief pre-
supposes a knowledge of the direction from which the light falls on an object,
and if we are deceived on the latter we draw erroneous conclusions with
regard to the former point. Thus, if we look at an embossed letter or figure
through a lens which makes it appear inverted the accompanying reversal of
the shadows will cause the letter to appear depressed. The influence of
shadows on our judgment of relief is, however, not so strong as that of the
outline of a familiar object. In a case of conflicting testimony the latter
usually prevails, as, for example, in the above-mentioned experiment with the
mask.
Aided by these peculiarities of the retinal picture, the mind interprets it as
corresponding in its different parts to points at different distances from the eye,
and it is interesting to notice that painters, whose work, being on a plane sur-
face, is necessarily in all its parts at the same distance from the eye, use similar
devices in order to give depth to their pictures. Distant hills are painted with
indistinct outlines to secure what is called " aerial perspective." Figures of
men and animals are introduced in appropriate dimensions to suggest the dis-
tance between the foreground and the background of the picture. Landscapes
are painted preferably by morning and evening light, since at these hours the
marked shadows aid materially in the suggestion of distance.
1 In the experiment the mask should be placed at a distance of about two meters and one
eye closed. Even with both eyes open the illusion often persists if the distance is increased to
five or six meters.
THE SENSE OF VISION. 801
The eye, however, can aid itself in the perception of depth in ways which
the painter has not at his disposal. By the sense of effort associated with the
act of accommodation we are able to estimate roughly the relative distance of
objects before us. This aid to our judgment can, of course, be employed only
in the case of objects comparatively near the eye. Its effectiveness is greater
for objects not far from the near-point of vision, and diminishes rapidly as the
distance is increased, and disappears for distances more than two or three meters
from the eye.
When the head is moved from side to side an apparent change in the rela-
tive position of objects at different distances is produced, and, as the extent of
this change is inversely proportional to the distance of the objects, it serves as
a measure of distance. This method of obtaining the " parallax " of objects
by a motion of the head is often noticeable in persons whose vision in one
eye is absent or defective.
Binocular Vision. The same result which is secured by the comparison
of retinal images seen successively from slightly different points of view is
obtained by the comparison of the images formed simultaneously by any object
in the two eyes. In binocular vision we obtain a much more accurate idea of
the shape and distance of objects around us than is possible with monocular
vision, as may be proved by trying to touch objects in our neighborhood with
a crooked stick, first with both eyes open and then with one eye shut. When-
ever we look at a near solid object with two eyes, the right eye sees farther
round the object on the right side and the left eye farther round on the left.
The mental comparison of these two slightly different images produces the
perception of solidity or depth, since experience has taught us that those objects
only which have depth or solidity can affect the eyes in this way. Conversely,
if two drawings or photographs differing from each other in the same way that
the two retinal images of a solid object differ from each other are presented,
one to the right and the other to the left eye, the two images will become
blended in the mind and the perception of solidity will result. Upon this fact
depends the effect of the instrument known as the ( stereoscope^ the slides of
which are generally pairs of photographs of natural objects taken simultaneous-
FIG. 260. To illustrate stereoscopic vision.
ly with a double camera, of which the lenses are at a distance from each other
equal to or slightly exceeding that between the two axes of vision. The prin-
ciple of the stereoscope can be illustrated in a very simple manner by drawing
circles such as are represented in Figure 260 on thin paper, and fastening each
51
802
AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
pair across the end of a piece of brass tube about one inch or more in diameter
and ton inches long. Let the tubes be held one in front of each eye with the
distant ends nearly in contact with each other, as shown in Figure 261. If
the tubes are in such a position that the small circles are brought as near to
Jeach other as possible, as shown in Figure 260, th retinal images will blend,
the smaller circle will seem to be much
nearer than the larger one, and the eyes will
appear to be looking down upon a truncated
cone, such as is shown in Figure 262, since
a solid body of this form is the only one
Fio. 261. To illustrate stereoscopic vision.
FIG. 262. To illustrate stereoscopic vision.
bounded by circles related to each other as those shown in this experiment.
Stereoscopic slides often serve well to illustrate the superiority of binocular
over monocular vision. If the slide represents an irregular mass of rocks or
ice, it is often very difficult by looking at either of the pictures by itself to
determine the relative distance of the various objects represented, but if the
slide is placed in the stereoscope the true relation of the different parts of the
picture becomes at once apparent.
Since the comparison of two slightly dissimilar images received on the two
retinas is the essential condition of stereoscopic vision, it is evident that if the
two pictures are identical no sensation of relief can be produced. Thus, when
two pages printed from the same type or two engravings printed from the same
plate are united in a stereoscope, the combined picture appears as flat as either
of its components. If, however, one of the pictures is copied from the other,
ven if the copy be carefully executed, there will be slight differences in the
distances between the lines or in the spacing of the letters which will cause
apparent irregularities of level in the different portions of the combined pic-
ture. Thus, a suspected banknote may be proved to be a counterfeit if, when
placed in a stereoscope by the side of a genuine note, the resulting combined
picture shows certain letters lying apparently on different planes from the rest.
Pseudoscopic Vision. If the pictures of an ordinary stereoscopic slide be
reversed^ so that the picture bplong''"g 1>n
the left eye, and
presented to
Drives place to what is called a pseudo-
right
scopic effect /. c. we perceive not a solid but a hallow body. The effect is best
THE SENSE OF VISION. 803
vl
obtained with the outlines of geometrical solids, photographs of corns or medals
or of objects 'which may readily exist ir^ an inyerted fo^m. ..IKfafifff the photo-
graphs represent objects which cannot be thus inverted, such as buildings and
landscapes, the pseudoscopic effect is not readily produced another example
of the power (see p. 800) of the outline of a familiar object to outweigh other
snrfo of
A pseudoscopic effect may be readily obtained without the use of a stereo-
scope by simply converging the visual axes so that the right eye looks at the
left and the left eye at the right picture of- a stereoscopic slide. The eyes may
hfi_aided in. assuming the right degree of convergence, by looking at a small
object like the head of a pin held between the eyes and the slide in the manner
described on p. 758. Figure 260, viewed in this way, will present the appear-
ance of a hollow truncated cone with the base turned toward the observer. A
stereoscopic slide with its pictures reversed will, of course r when viewed in this
way, present not a pseudoscopic, but a true stereoscopic, appearance, as shown
by Figures 226 and 227.
Binocular Combination of Colors. The effect of binocnlarly combin-
ing two different colors varies with the difference in wave-length of the colors.
Colors lying near each other in the spectrum will generally blend together
and produce the sensation of a mixed color, such as would result from the
union of colors by means of the revolving disk or by the method of reflected
and transmitted light, as above described. Thus a red and a yellow disk
placed in a stereoscope may be generally combined to produce the sensation
of orange. If, however, the colors are complementary to each other, as blue
and yellow, no such mixing occurs, but the field of vision seems to be occupied
alternately by a blue and by a yellow color. This so-called " rivalry of the
fields of vision " seems to depend, to a certain extent, upon the fact that in
order to see the different colors with equal distinctness the eyes must be dif-
ferently accommodated, for it is found that if the colors are placed at different
distances from the eyes (the colors with the less refrangible rays being at the
greater distance), the rivalry tends to disappear and the mixed color is more
easily produced.
An interesting effect of the stereoscopic combination of a black and a
white object is the production of the appearance of a metallic lustre or polish.
If, for instance, the two pictures of a stereoscopic slide represent the slightly
different outlines of a geometrical solid, one in black upon white ground and
the other in white upon black ground, their combination in the stereoscope
will produce the effect of a solid body having a smooth lustrous surface.
The explanation of this effect is to be found in the fact that a polished surface
reflects the light differently to the two eyes, a given point appearing bril-
liantly illuminated to one eye and dark to the other. Hence the stereoscopic
combination of black and white is interpreted as indicating a polished surface,
since it is by means of a polished surface that this effect is usually produced.
Corresponding 1 Points. When the visual axes of both eyes are directed
to the same object two distinct images of that object are formed upon widely
804 ^Vr AMERICAN TEXT-BOOK OF PHYSIOLOGY.
separated parts of the nervous system. Yet but a single object is perceived.
The phenomenon is the same as that which occurs when a grain of sand is
held between the thumb and finger. In both cases we have learned (chiefly
through the agency of muscular movements and the nerves of muscular sense)
to interpret the double sensation as produced by a single object.
Any two points, lying one in each retina, the stimulation of which by rays
of light gives rise to the sensation of light proceeding from a single object are
said to be " corresponding points." Now, it is evident that thefovece centrales
of the two eyes must be corresponding points, for an object always appears
single when both eyes are fixed upon it. That double vision results when the
images are formed on points which are not corresponding may be best illus-
trated by looking at three pins stuck in a straight rod at distances of 35, 45,
and 55 centimeters from the end. If the end of the rod is held against the
nose and the eyes directed to each of the three pins in succession, it will be
found that, while the pin looked at appears single, each of the others appears
double, and that the three pins therefore look like five.
The two fovece centrales are not, of course, the only corresponding points.
In fact, it may be said that the two retinas correspond to each other, point for
point, almost as if they were superposed one upon the other with the fovese
together. The exact position of the points in space which are projected on to
corresponding points of the two retinas varies with the position of the eyes.
The line or surface in which such points lie is known as the " horopter." A
full discussion of the horopter would be out of place in this connection, but
one interesting result of its study may be pointed out viz. the demonstration
that when, standing upright, we direct our eyes to the horizon the horopter is
approximately a plane coinciding with the ground on which we stand. It is
of course important for security in walking that all objects on the ground
should appear single, and, as they are known by experience to be single, the
eye has apparently learned to see them so.
Since the vertical meridians of the two eyes represent approximately rows
of corresponding points, it is evident that when two lines are so situated that
their images are formed each upon a vertical meridian of one of the eyes, the
impression of a single vertical line will be produced, for such a line seen bin-
ocularly is the most frequent cause of this sort of retinal stimulation. This
is the explanation commonly given of the singular optical illusion which is
produced when lines drawn as in Figure 263 are looked at with both eyes fixed
upon the point of intersection of the lines and with the plane in which the
visual axes lie forming an angle of about 20 with that of the paper, the dis-
tance of the lines from the eyes being such that each line will lie approximately
in the same vertical plane with one of the visual axes. Under these circum-
stances each line will form its image on a vertical meridian of one of the eyes,
and the combination of these images results in the perception of a third line,
not lying in the plane of the paper, but apparently passing through it more or
less vertically, and swinging round its middle point with every movement of
the head or the paper. In this experiment it will be found that the illusion
THE SENSE OF VISION.
805
of a line placed vertically to the plane of the paper does not entirely dis-
appear when one eye is closed. Hence it is evident that there is, as Mrs.
FIG. 264. Monocular illusion of vertical lines.
C. L. Franklin has pointed out, 1 a strong tendency to regard
lines which form their images approximately on the vertical
meridian of the eye as themselves vertical. This tendency
is well shown when a number of short lines converging
toward a point outside of the paper on which they are
drawn, as in Figure 264, are looked at with one eye held
a short distance above the point of convergence. Even
when the lines are not convergent, but parallel, so that their
images cannot fall upon the vertical meridian of the eye, the
illusion is not entirely lost. It will be found, for instance,
that when the Zollner lines, as given in Figure 251, are
looked at obliquely with one eye from one corner of the
FIG. 263. Binocu- figure, the short lines which lie nearly in a plane with the
ticanine visual axis appear to stand vertically to the plane of the
paper.
In this connection it may be well to allude to the optical illusion in conse-
quence of which certain portraits seem to follow the beholder with the eyes.
This depends upon the fact that the face is painted looking straight out from
the canvas i. e. with the pupil in the middle of the eye. The painting being
upon a flat surface, it is evident that, from whatever direction the picture is
viewed, the pupil will always seem to be in the middle of the eye, and the
eye will consequently appear to be directed upon the observer. The phenom-
enon is still more striking in the case of pictures of which the one repre-
sented in Figure 265 may be taken as an example. Here the soldier's rifle
1 Am. Journal of Psychology, vol. i. p. 99.
806
AN AMERICAN TEXT-BOOK OF PHYSIOLOGY.
FIG. 265. Illusion of lines always pointing
toward observer.
is drawn as it appears to an eye looking straight down the barrel, and, as this
foreshortening is the same in all positions of the observer, it is evident that
when such a picture is hung upon the wall
of a room the soldier will appear to be
aiming directly at the head of every person
present.
In concluding this brief survey of some
of the most important subjects connected
with the physiology of vision it is well to
utter a word of caution with regard to a
danger connected with the study of the sub-
ject. This danger arises in part from the
fact that in the scientific study of vision it
is often necessary to use the eyes in a way
quite different from that in which they are
habitually employed, and more likely, there-
fore, to cause nervous and muscular fatigue.
We have seen that in any given position of
the eye distinct definition is limited to an
area which bears a very small proportion to
the whole field of vision. Hence in order to obtain an accurate idea of the
appearance of any large object our eyes must wander rapidly over its whole
surface, and we use our eyes so instinctively and unconsciously in this way
that, unless our attention is specially directed to the subject, we find it diffi-
cult to believe that the power of distinct vision is limited to such a small
portion of the retina. In most of the experiments in physiological optics,
however, this rapid change of direction of the axis of vision must be carefully
avoided, and the eye-muscles held immovable in tonic contraction.
Our eyes, moreover, like most of our organs, serve us best when we do not
pay too much attention to the mechanism by which their results are brought
about. In the ordinary use of the eyes we are accustomed to neglect after-
images, intraocular images, and all the other imperfections of our visual appa-
ratus, and the usefulness of our eyes depends very much upon our ability thus
to neglect their defects. Now, the habit of observing and examining these
defects that is involved in the scientific study of the eye is found to interfere
with our ability to disregard them. A student of the physiology of vision
who devotes too much attention to the study of after-images, for instance, may
render his eyes so sensitive to these phenomena that they become a decided
obstacle to ordinary vision.