iEx IGtbrts SEYMOUR DURST -f 'Tort ntewv ^ImAerdam. oji He Manhatarus mm When you leave, please leave this book Because it has been said "Ever'tbing comes t' bim wbo waits Except a loaned book." \\ I RY Al<( HIM (II RA1 WD FINE ARTS LIBRARY (in i 01 Seymoi r h. l)i km Old York Library Digitized by the Internet Archive in 2013 http://archive.org/details/accountofterrifiOOhmra f astoG. PURCt R»o*M ACCOUNT OF THE TERRIFIC MO FATAL RIOT AT THE Kero-fjork Ulster place ©pera §oii0e, On the night of May 10th, 1849 ; WITH THE QUARRELS OF FORREST AND MACREADY, INCLUDING ALL THE CAUSES WHICH LED TO THAT AWFUL TRAGEDY! Wherein an infuriated mob was quelled by the Public Authorities and Military, ■with its mournful termination in the Sudden Death or Mutilation of more than Fifty Citizens, WITH FULL AND AUTHENTIC PARTICULARS. " LET JUSTICE BE DONE THOUGH THE HEAVENS FALL !' NEW-YORK: PUBLISHED BY H. M.' RANNEY. 1849. ,.!<* »**.> Of 2.4* L 69 ACCOUNT OF THE TERRIFIC ANO FATAL RIOT AT THE 3Jeu)~|)ork -istor place (Dpcra j^ousc, On the night of May 10th, 1849 ; WITH THE QUARRELS OF FORREST AND MACREADY. INCLUDING ALL THE CAUSES WHICH LED TO THAT AWFUL TRAGEDY! Wherein an infuriated mob \vas quelled by the Public Authorities and Military, •^vith its mournful termination in the Sudden Death or Mutilation of more than Fifty Citizens, WITH FULL AXD AUTHENTIC PARTICULARS. LET JUSTICE BE DONE THOUGH THE HEAVENS FALL !' NEW- YORK: PUBLISHED BY H. M. RANNEY. 1849. Entered, according to Act of Congress, in the year 1S49, BY H. M. RANNEY, In the Clerk's office of the District Court of the United States, in and for the Southern District of New York. THE RIOT. CHAPTER FIRST. THE NIGHT OF THE lOTH OF MAY. On the night of the 10th of May, 1849, the Empire City, the great metropolis of the Union, was the scene of one of those horrors of civilization, which for a time make the great heart of humanity stop in its beatings. In the darkness of night, thousands of citizens were gathered in a central square of the most aristocratic quarter of New York — gathered around one of its most conspicuous and magnificent edifices, the Astor Place Opera House. This Opera House was built expressly for the performance of the Italian Opera, but has been used at intervals for the legitimate drama, for vaudevilles, and for balls and concerts. It is fitted up and decorated with taste and magnificence, and in the opera seasons has been attended by the most wealthy and fashionable people, who have made extravagant displays of luxurious adornment. While the private boxes were taken by the season, by those who wished to en- joy the music, liked the display, and could afford the expenditure, the other seats were let at a dollar admission, and the upper tier or amphitheatre was reserved for people of humbler means or more mo- dest pretensions, at twenty-five cents a ticket. Around this edifice, we say, a vast crowd was gathered. On the stage the English actor Macready was trying to play the part of Macbeth, in which he was interrupted by hisses and hootings, and encouraged by the cheers of a large audience, who had crowded the house to sustain him. On the outside a mob was gathering, trying to force an entrance into the house, and throwing volleys of stones at the barricaded windows. In the house the police were arresting those who made the disturbance — outside they were driven back by volleys of paving stones. In the midst of this scene of clamor and outrage, was heard the clatter of a troop of horse approaching the scene. " The military — the military are coming !" was the exclamation of the crowd. Fur- ther on was heard the quick tramp of companies of infantry, and there was seen the gleam of bayonets. A cry of rage burst from the mob. The appearance of an armed force seemed to inspire them with a sudden fury. They ceased storming the Opera House, and 6 turned their volleys against the horsemen. Amid piercing yells and execrations, men were knocked from their horses, the untrained ani- mals were frightened, and the force was speedily routed, and could not afterwards be rallied to perform any efficient service. Now came the turn of the infantry. They marched down the sidewalk in a solid column ; but had no sooner taken up a position for the protection of the house, than they were assailed with volleys of missals. Soldiers were knocked down and carried off wounded. Officers were disabled. An attempt to charge with the bayonet was frustrated by the dense crowd seizing the muskets, and attempting to wrest them from the hands of the soldiers. At last the awful word was given to fire — there was a gleam of sulphurous light, a sharp quick rattle, and here and there in the crowd a man sank upon the pavement with a deep groan or a death rattle. Then caaie a more furious attack, and a wild yell of vengeance ! Then the rattle of another death-dealing volley, far more fatal than the first. The ground was covered with killed and wounded — the pavement was stained with blood. A panic seized the multitude, which broke and scattered in every direction. In the darkness of the night yells of rage, screams of agony, and dying groans were mingled together. Groups of men took up the wounded and the dead, and conveyed them to the neighboring apothecary shops, station-houses, and the hospital. The horrors of that night can never be described. We looked over the scene that misty midnight. The military, resting from their work of death, in siern silence were grimly guarding the Opera House. Its interior was a rendezvous and a hospital for the wound- ed military and police. Here and there around the building, and at the corners of the streets were crowds of men talking in deep and earnest tones of indignation. There were little processions moving off with the dead or mutilated bodies of their friends and relations. A husband, uttering frenzied curses, followed his mortally wounded wife to the hospital. An aged mother found her only son, the sole support of her declining years, in the agonies of death. Many a wife sat watching at home, in terror and alarm for her absent hus- band. It was an evening of dread — and it became anight of horror, which on the morrow, when the awful tragedy became more widely known, settled down upon the city like a funeral pall. The result of that night's work was the death of twenty-two vic- tims, either shot dead upon the spot or mortally wounded, so that they died within a few days; and the wounding of some thirty more, many of whom will be maimed for life. Into the causes which led to a result so fatal, and all the circumstances attending it, it will now be our duty to inquire. I CHAPTER SECOND. FORRKST AND MACREADY. Mr. Edwin Forrest, the American Tragedian, was born, some fortv-five years ago, in the city of Philadelphia. He was born in humble life, and worked his way up from poverty and obscurity to wealth and fame, by the power of genius. When a boy, he made his first histrionic, efforts in an amateur company; afterwards, lie made a professional tour at the west. After various adventures, young Forrest found himself in the city of New-York, in the year 1826, when Gilfert was about to open the Bowery Theatre. He wanted a star of powerful attraction, and his experienced eye fell on Forrest. He was engaged — puffed in all the papers as the Native Tragedian — the patriotism of New- Yorkers was appealed to — Forrest used his mental gifts and great personal advantages with discretion and effect, and became a star of the first magnitude ; so that, in a short time, he demanded and received two hundred dollars a night for his performances; and, with energy and temperate habits, has been able to accumulate an ample fortune. After his first successes — determined to shine alone as a star of the first magnitude — he offered a prize of five hundred dollars for the best tragedy — suiting his powers as the hero; and the result was, Mr. Stone's " Metamora," Soon after, he secured the " Gladi- ator," written by Dr. Bird. These have been his most successful performances, and in them he has had no competitor, nor is it likely that he would find an equal. Mr. William C. Macready is an English actor of great eminence. He was born in the city of Cork, (Ireland,) and must now be nearly seventy years old. In the early part of his theatrical career, he was most distinguished in such parts as " Virginius," " William Tell," " Pierre," " Car win," &c. ; but of late, he has given his chief atten- tion to the plays of Shakspeare — in which he has shown himself a thorough artist. In 1827 — one year after the successful commencement of Mr. Forrest's career as a star of the first magnitude — Mr. Macready visited the United States. In a fit of petulance, in which such act- ors are too apt to indulge, Mr. Macready came near fomenting a dis- turbance in Baltimore, which, but for his adroit management, might have caused him then to have been driven from the American stage. In playing "William Tell," the property-man had forgotten to fur- nish the arrow to be broken ; and Macready was obliged to break one of his shooting arrows. In his anger at the offending party, he said — "I can't get such an arrow in your country, sir!" or, as it was reported — " I can't get wood to make such an arrow in your country !" This was construed into an insult to the country. Ano- 8 nyrnous letters were sent to the newspapers ; but, as these were sent to Mr. M., he had an opportunity to make an explanation, and avoid a row. Macready and Forrest were starring through the country, playing alternate engagements — but not, so far as we know, developing any very decided feelings of rivalry. Their roles of characters, and spheres of action, were quite apart ; and when they met each other, their intercourse — as it was many years afterward — was of the most gentlemanly character. About the year 1835, Mr. Forrest went to Europe, and spent some time in travelling on the continent ; after which, he returned to America for a short time ; and then went back to England, to fulfil professional engagements — in which he was so highly success- ful, that on his return, he was honored with a public dinner in Phila- delphia ; and about this time, he was tendered a nomination to Congress by the Democracy of New- York — before whom he deliver- ed a Fourth of July oration. In 1844, Mr. Macready visited the United States. He and Mr. Forrest had become intimate in England ; and here, Mr. F. tendered him the courtesies due to so distinguished a professional brother ; but it so happened, that in most of the cities where Macready was engaged, there were more theatres than one — and, of consequence, rival managers. Where one of these had secured Mr. Macready, the other was anxious to get the best talent to be found to run against him ; and there was no one so available as Mr. Forrest — who is not the man to refuse a profitable engagement, nor did any rule of courtesy require that he should do so. The result was, that the constant rivalry of Forrest, though carried on in the most friendly manner, could not fail to injure the success of Macready. A certain degree of partizanship was everywhere excited — for Forrest was everywhere placarded as the " American Tragedian," — and the tour of Mr. Macready was comparatively a failure. A sensitive man could not but feel this ; and whether he made any complaint or not, his friends saw what the difficulty was, and felt not a little chagrined about it; and when Mr. Forrest made his next and last professional visit to England, this feeling among the friends of Macready, in the theatrical press and the play-going public, found its vent. The opposition to him was, from the first, marked and fatal ; and, so far as the metropolis was concerned, his tour was a failure. It was only in the provinces — away from Lon- don influence — that he met with any degree of success. There was no need of Mr. Macready taking any active part in this matter ; and there is no proof that he did so, but much to the con- trary ; but Mr. Forrest hastily and indignantly, and, we doubt not, sincerely, charged it upon Mr. Mac-ready ; and one night, when the latter was playing in "Hamlet," at the Theatre in Edinburgh, Mr. Forrest, who was seated in a private box, had the bad taste, as well as bad feeling, to hiss a portion of his performance in the most marked and offensive manner. The following letter from Mr. Forrest gives his own account of this affair, which differs somewhat from the statements of Mr. Ma- cready's friends, as will be seen hereafter. To the Editor of the London Times, — Sir, — Having seen in your jonrnal of the 12th instant, an article headed " Professional Jealousy," a part of which ori- ginally appeared in The Scotsman published in Edinburgh, 1 beg Leave, through the medium of your, columns, to state, that at the time of its publication, 1 ad- dressed a letter* to the Editor of The Scotsman upon the subject, which, as I then was in Dumfries, I sent to a friend in Edinburgh, requesting him to obtain its insertion; but as I was informed, The Scotsman refused to receive any com- munication upon the subject. I need say nothing of the injustice of this refusal Here then I was disposed to let the matter rest, as upon more mature reflection, I did not deem it worth further attention ; but now, as the matter has assumed " a questionable shape" by the appearance of the article in your journal, I feel called upon, although reluctantly, to answer it. There are two legitimate modes of evincing approbation and disapprobation in the theatre — one expressive of approbation, by the clapping of hands, and the other by hisses to mark dissent; and as well-timed and hearty applause, is the just meed of the actor who deserves well, so also is hissing, a salutary and wholesome corrective of the abuses of the stage; and it was against one of these abuses that my dissent was expressed, and not, as was stated, " with a view of expressing his (my) disapproval of the manner in which Mr. Macready gave effect to a particular passage." The truth is, Mr. Macready thought fit to in- troduce a fancy dance into his performance of " Hamlet," winch I thought, and still think, a desecration of the scene, and at which I evinced that disapprobation, for which the pseudo-critic is pleased to term me an " offender," and this w T as the only time during the performanoe that I did so, although the writer evident- ly seeks, in the article alluded to, to convey a different impression. It must be observed also, that I was by no means " solitary" in this expression of opinion. That a man may manifest his pleasure or displeasure after the recognised mode, according to the best of his judgment, actuated by proper motives, and for justifiable ends, is a right, which, until now, I have never once heard ques- tioned, and I contend, that right extends equally to an actor, in his capacity as a spectator, as to any other man ; besides, from the nature of his studies, he is much more competent to judge of a theatrical performance than any soidisant critic, who has never himself been an actor. The writer of the article in The Scotsman, who has most unwarrantably singled me out for public animadversion, has carefully omitted to notice the fact, that I warmly applauded several points of Mr. Macready's performance ; and more than once I regretted -(hat the au- dience did not second me in so doing. As to the pitiful charge of professional jealousy preferred against me, I dismiss it with the contempt it merits, confi- dently relying upon all those of the profession with whom I have been associ- ated, for a refutation of tins slander. Yours, respectfully, i Edwix Forrest. Mi*rch, 1846. . —Times, 4th of April. CHAPTER THIRD. THE QUARREL RECOMMENCED IN AMERICA. Mr. Forrest, chagrined by his failure in England, and madden- ed at what he imagined to be the malign influence of Macready, re- turned to the United States after a vain attempt to secure an en- gagement in Paris, in which he supposed the same influence had 10 defeated him. He had publicly hissed Macready in Edinburgh, had avowed the act, and given his reasons. His friends here felt much as the friends of Mr. Macready hud felt in England ; and when the latter last year came on another professional visit to the United States, he found that a bitter feeling had been raised against him, which found its first expression, so far as we know, in the follow- ing article, that appeared in the Boston Mail on the morning of Mr. Macreadv's appearance at the Howard Athemeum, Boston, Mon- day, Oct. 30th, 1848. [Boston Mail, Oct. 30th, 1848.] Jlore about Macready — His abuse of Forrest in Europe — Endeavors to put him down in Paris, London and Edinburgh — His Intrigue with Bulwer to prevent Forrest pi aying m Buhner's l ) ieccs — His Abuse of Americans. Mr. Macready has at length arrived, and next to the grand water celebration, will create such excitement, as will emphatically mark the present epoch in time's calendar. He plays this evening at the Howard Athenaauin, and refuses to show himself for less than one dollar a ticket. Ibis was his price in New York, and with ihe exception of the first night, resulted in a " beggarly account of empty boxes." A -Ve repeat -what Ave said in a former article, thai the enterprising manager of the National Theatre, deserves immortal honors for not acceding to the dictatorial terms of this actor autocrat. Although Macready saw fit on his opening night in New York, on being called out by 'Some friends, to slur a " certain penny paper," that had " dared" to express an opinion regard- ing his talents and conduct, we shall jiot by any means give him the retort churlish ; we only pity his ignorance of the institutions of this country, and hope for his own credit's sake that he will not, when he gets home, write a black book- about American manners, Are, a la Trollope and others, but if he does, that he will spare us in the production of his brain. The reader will no doul what fault we find with Mr. Macready. Has lie not the same right ns other men have, to do as he pleases \ We answer yes. lie has a right to come to this country in the exercise of his profession ; he has a right to demand a dollar from every person who witnesses his acting, and if managers of Theatn willing to accede to his arbitrary proposals, he has certainly a right to make them. We complain not of any of these. Our charges against Macready are based upon more important grounds, It is his conduct in his own country in relation to Mr. Forrest, that we are about investigating; his inhospitality, his crushing influence, his vindictive opposition, MAOREADI DRIVEN FROM THE STAGE. It must not be supposed that this was the first manifestation of patriotic indignation on the part of the friends of Mr. Forre! . account of his treatment in England. It was a deep and v feeling, and was ready to burst out on any fitting occasion. It threatened Mr. Anderson, and in Philadelphia an effort was made to drive him from the stage ; but a better feeling prevailed. Anderson was not charged witli any ill-will to Mr. Forrest, and the opposition to him was abandoned : yet there were not wanting persons who contended that every English actor ought to be driven from the American stage, in revenge for the insult offered by England to this country, in the person of Edwin Forrest. But when Macready, who was charged by Forrest himself with being the head and front of this offending, came to the United States, the flame of hatred was ready to burst forth, and the only wonder is, that it remained pent up so long. On his return from the South, Messrs. Niblo and Hackett, who had taken the Opera House for that purpose, announced that Mr. Macready would open an engagement on Monday night, May 7th. Mr. Forrest was playing at the Broad way Theatre. Previous to the commencement of this engagement, Mr. Macready gave a reading of a play of Shakspeare before the teachers of the public schools of New York and Brooklyn. The announcement of this engagement was the signal for an out- break of long-smothered indignation. It was determined that Mr. Forrest should be avenged, and that Macready should not be permitted to play before a New York audience. There was a combination of exciting causes — the feeling against England and Englishmen, handed down to us from the Revolution, and kept fresh by the insults and abuse of British writers on American manners — the injury committed against Forrest, with Macready as its presumed cause, and this was increased by the fact of Macready playing at the aristocratic, kid- glove Opera House. Far be it from us to justify these feelings — it is our duty simply to state the fact of their existence. The public and magistrates have been accustomed to look upon theatrical disturbances, rows, and riots, as different in their character from all others. The stage is presumed to be a correction of the manners and morals of the public, and on the other hand the public has been left to correct, in its own energetic way, the manners and morals of the stage ; and magistrates, looking upon it as a matter betw r een the actors and the audience, have generally refused to interfere, unless there was a prospect of a violent breach of the peace, when they have usually ordered the house to be closed. In these theatrical disturbances, performances have been hissed, plays damned, and actors and actresses driven from the stage, with J6 whatever degree of force has been necessary for their rejection. This, has been the practice in the United States, as well as in Europe, and no actor, in any free country, has thought of acting with a posse of police at his back ; much less, a file of soldiers, or a piece of artillery, to defend his rights. On the announcement of Mr. Macready's engagement at the Opera House, it was determined that there should be a pretty forcible expression of opinion on the part of those who were indignant at the treatment of Mr. Forrest in England, and were willing, for any reason, to revenge it on Mr. Macready. There was, doubtless, some organi- zation of forces, to bring about this result, and one person, the well- known Capt. Rvnders, admits that he purchased and distributed among his friends fifty tickets, with the understanding that those Avho used them were to assist in hissing Macready from the stage. Other sums of money were given, and when the night arrived, it was esti- mated, by the Chief of Police, that not less than five hundred persons were engaged in the disturbance. The night came — the house was crowded, and there was an ominous looking gallery. The curtain rose, and some of the actors, who were popular favorites, were received with obstreperous applause ; but when Macready appeared upon the stage, in the character of Macbeth, he was assailed by a storm of hisses, yells, and a clamor that defies description. He stood his ground firmly, and the play went on, but not a word could be heard by the audience. It was in dumb show. The clamor rose higher and higher, and as hisses and threats, cat-calls and yells, were not enough to drive the obnoxious actor from the stage, less legitimate means were resorted to. Rotten eggs were thrown, pennies, and other missues ; and soon, still more outrageous demonstrations were made, and chairs were thrown from the upper part of the house, so as to peril life. The Chief of Police was present, with a number of policemen ; but the rioters boldly defied the authorities, and no arrests were attempted. It is said, in excuse, that the rioters were in overpow- ering numbers, that they were prepared to resist and rescue, and that they had even prepared papers of gunpowder to throw into the magnificent chandelier. A large portion of the audience consisted of ladies, whose lives might have been endangered, and there was nothing to do but to stop the performance. The curtain went down ; cheers were given for Forrest, and groans for Macready, and the crowd dispersed. Mr. Macready supposed that his engagement was terminated. He had no idea of ever making a second appearance; but his friends and the enemies of Forrest insisted upon a different course. 1 1 « - was assured that the public would sustain him, and the managers did not wish to lose the profits of his engagement. Mr. Hacketl is a personal enemy of Forrest, and he was determined to play Macready against him at all hazards. Finally, a number of influential citizens, men of wealth and standing, with Washington Irving at their head, wrote a forma] request to Mr, Macready that he should play out his engage- ment! and pledging themselves that the public should sustain him; 17 and it was determined and announced that he should appear on Thursday evening, May 10th. This announcement, as may be supposed, excited the indignation of those who had driven him from the stage. It was a combination of the aristocracy against the people, and in support of English arrogance, and it was determined that Macready should not play, and that he and his supporters should be put down at all hazards. The lessees of the Theatre were informed that the re-opening of the Theatre with Mr. Macready, would be the signal for riot ; the magis- trates of the city were informed of it, and were implored to avert the calamity by refusing to allow the house to be opened — for as the city authorities have the right to regulate Theatres, and to make them pay five hundred dollars a year for a license, it was presumed that they had also the right to close them. So thought the Mayor, and so he wished to act ; but the lessees insisted upon their legal rights, and demanded the protection of the authorities, and the fatal decision was made which made New York, a few hours afterward, one wide scene of horror. CHAPTER FIFTH. THE COMBAT DEEPENS. The announcement that Mr. Macready would appear at the Opera House in Macbeth on Thursday evening produced a varied excitement throughout the community. Those who thought the city disgraced by the scenes of Monday night were anxious to have that disgrace atoned for by his successful re-appearance, while those who sympa- thized with the mob that drove him from the stage, looked upon his re-appearance as a new insult, and the manner in which it was brought about was as irritating to them as the act itself. A riot was anticipated by all who were acquainted with the cir- cumstances, except, perhaps the object of popular indignation. Mr. Macready was assured that there would be no difficulty, and he seems to have believed it — but those who so assured him well un- derstood that those who had triumphantly driven him from the stage on Monday were not likely to submit quietly to his re-appearance. Thursday morning, the leaders on both sides were active. The friends of Forrest Avere gathering their forces, and distributing tick- ets for the night's performance, while the lessees of the Opera House applied to the mayor and other authorities of New York for protection. Inflammatory handbills had been posted upon the walls of the city, calculated to increase the excitement. In the may- or's office, the recorder, the chief of police, the sheriff, major-gene- ral Sandford, and brigadier-general Hall, were assembled to consult 18 on the means of protecting the Opera House, and enabling Mr. Macready to play Macbeth. The mayor, Mr. Woodhull, advised Niblo and Hackett to close the house, and to avoid a riot, and the probable destruction of property and life ; but these gentlemen were determined to stand upon their rights, and the city authorities decided, after consulting together, to sustain them,, if necessary, with all the force at their disposal. Mr. Matsell, the chief of police, was asked if the civil force at his dis- posal would be sufficient for the preservation of the peace, and though he had nine hundred salaried policemen at his disposal, and the power of calling in specials at discretion, he gave it as his opinion that this force was not sufficient. It was thought necessary to call out the military. It has been boldly questioned whether all these extraordinary preparations would have been made to protect the legal rights of humble citizens. Rich and influential men had invited Mr. Mac- ready to play at the aristocratic Opera House. Suppose it had been some third-rate actor at the Chatham ; suppose the request for him to play had come from the patrons of that establishment. The abstract question of right would have been the same ; but.there are many who would doubt whether the city authorities would have taken the extraordinary measure of calling out the military — and this was probably the first time such a thing was ever done under any but the most despotic governments. The fact of the chief of police declaring that his force was not sufficient to preserve the peace — the fact that general Sandford was ordered to call out a military force sufficient for the emergency, proves that the nature and extent of the approaching riot was well understood by the authorities, and still no means were used to pre- vent it. It seems to have been their policy to let it gather, and come to a head, when, one would suppose, it might easily have been scat- tered. Had the police arrested a few of the leaders, and kept a close watch on the rioters — had they taken possession of the vicinity of the Opera House in force, and prevented the gathering of a crowd around it, it seems probable that the peace of the city, and the rights of Mr. Macready might have been maintained at a tri- fling sacrifice. But a different course was decided upon, and the preparations of the military and police were made accordingly. The chief detached two hundred policemen, to be stationed inside the Opera House. He also placed a detachment in the stable of Mr. Langdon, on the opposite side of Astor Place, and another body in a yard near by. General Sandford ordered out companies from se- veral regiments, as will be more particularly stated hereafter. And now the news spread all over the city that there was to be a riot. The warning out of large bodies of military, was alone suffi- cient to excite curiosity ; and yet, in all this excitement and antici- pation of outrage, the mayor issued no warning proclamation. There was no one to toil hot-headed and misguided men, that it would be at the peril of their lives, it' they disturbed the peace. It is evident that they thought they had a right to prevent Macready from playing. 19 They were doing no more by him than the English had done by Forrest, and they looked upon it as a piece of retributive justice. It must not be forgotten, that New York, for many years, has been a very quiet city. For ten years, there had not been one serious riot. The principles of law and order are habitually acknowledged, and have seldom been violated. While Philadelphia has been, for years, the scene of the most disgraceful outrages, New York has not known a more serious disturbance than could be controlled by a few policemen. But in this case, every body rushed into a fatal riot, witli a mad precipitation. The calling out of the military sent thousands to the scene of conflict, who would not otherwise have gone, swelled the crowd, encouraged the rioters, and contributed to the fatal result. It is easy to say, people had no business there ; they ought to have kept away. It would be hard to show that those who were outside the house had not as good a right to gratify their curiosity as those within. But, right or wrong, we know very well what people will do in such a case. Let it be given out that there is to be a disturbance at any place, and that the military have been called out to put it down, and the consequence will be a gathering crowd, and, if there is the slightest seeming cause, a formidable riot. It seems that all the means used on the tenth of May, to preserve the peace, only helped to bring about the terrible catastrophe. Mr. Forrest has been charged with actively fomenting these dis- turbances. Such a charge was made in the Courier & Enquirer, but it was promptly retracted, under threat of prosecution for libel, from Mr. Sedgwick, Forrest's legal counsel. It does not appear that he moved at all in the matter. He stood passive, and let the affair shape itself as it might, as there is reason to suppose Mr. Macready had done, in England. On the night of the riot, Forrest played to a full house at the Broadway Theatre. It would seem, after the publication of the card, signed by Wash- ington Irving, Charles King, and about fifty others, denouncing the outrages of Monday night, and pledging themselves to sustain Macready, that the contest took on a new character. Macready was a subordinate personage, and he was to be put down less on his own account, than to spite his aristocratic supporters. The question became not only a national, but a social one. It was the rich against the poor — the aristocracy against the people ; and this hatred of wealth and privilege is increasing over the world, and ready to burst out whenever there is the slightest occasion. The rich and well-bred are too apt to despise the poor and ignorant, and they must not think it strange if they are hated in return. 20 CHAPTER SIXTH. THE SCENES OF THE FATAL NIG-HT. As the- hour for the opening of the Opera House approached, ex- cited crowds began to gather from all parts of the city. Hundreds of men were seen walking rapidly up Broadway. There was a great rush for tickets, and at an early hour the house was declared full, and the sale of tickets suspended. Among the audience in the house were seven ladies. The police were at their stations, and the doors and windows were strongly barricaded. It should here be stated that the Opera House is situated midway between Broadway and the Bowery, one side fronting on Eighth Street, the other on Astor Place. The end toward Broadway is covered by buildings, but there is an open space to the Bowerv. While the crowd was Catherine; outside, and endeavoring to force an entrance, in which they were prevented by the police, the curtain rose, and the mock tragedy commenced. Mr. Clark, an American actor, was vociferously applauded in the part of Macduff. The en- trance of Mr. Macready in the third scene was the signal for a storm of cheers, groans, hisses, and yells: The whole audience rose, and the greatest part, who were friendly to Macready, cheered and waved their hats and handkerchiefs ; but when these cheers were spent, the noise had not subsided. A large body in the parquette, and another in the amphitheatre hissed and groaned, and the con- test was kept up until a placard was displayed on the stage, on which was written — " The friends of order will remain quiet." The friends of disorder, however, kept up their noise through the first act, when the recorder and chief of police decided to quell the tu- mult ; and in a few moments the noisiest of the rioters were arrested, and conveyed to a room in the basement, and the play went on in comparative quietness. But by the time the tumult was suppressed in the house, it had gained its height on the outside. A vast crowd numbering ten or fifteen thousand, had gathered around the building, chiefly in Astor Place, and by the time the arrests were made in the house, and pro- bably in consequence of some communication between the rioters in the theatre and their friends outside, the house began to be assailed with largq paving stones, of which, owing to the digging of a sewer near by, there was a large supply. The stones crashed against the windows, and in Borne instances broke through the barricades. After the tragedy was over, the farce commenced, but it was brought to an end by the firing of the military : and the alarmed and excited audience left the theatre by the entrance in Eighth Street, under the cover ,pf the military, while Mr. Macready got away in the disguise of an officer; and mounting a horse, escorted i»y a party of his friends, he left the city, and the aexl day took the cars for Boston, whence a fe v days afterward he sailed to Europe. Before leaving 21 he expressed the deepest regret that he had not refused to appear again, in accordance with his first intention. From the testimony of the actors and spectators of the terrible scenes which occurred that night, we have selected four accounts — that of Sidney H. Stewart, Esq. Clerk of the Police, a man of observation and experience in that department ; that of Major Gexeral Sandford, the Commander-in-Chief of the military ; that of Stephen W. Gaines, Esq. and Thomas J. Belvin, Esq. disinter- ested spectators. From the sworn testimony of these four witnesses, may be gathered a pretty correct idea of the action of the public authorities, the police, the military, the rioters, and the spectators. TESTIMONY OF SIDNEY H. STEWART. Sidxey H. Stewart, Clerk of the Police, states -what he saw and heard before the arrival of the military : " I left the Tombs that evening in company with Justice McGrath, and arrived at the Astor Theatre about 7 o'clock ; soon after the doors were opened, the audience were assembling ; on entering the house, I found the theatre rilled with people and a large body of the police ; most of the police magistrates were there ; Judge Edmonds was there also ; the under- standing with the magistrates, Judge Edmonds, and the Chief of Police, and Recorder, was that no arrests should be made in the house, unless some overt act was committed, tending absolutely to a breach of the peace ; the usual indul- gence was to be allowed as to the hissing and applauding ; that rule was observed. In the course of the evening, demonstrations were made by several in the par- quette, by shaking their fists at Macready, threatening him with violence, by twelve or fifteen persons, certainly not to exceed twenty ; an application was made at this time to the Chief of Police to arrest them, and remove them from the house ; he delayed the order for some time, and finally sent for the Recorder to consult with him on the propriety of making arrests ; after a consultation, it was concluded to make the arrests, which was done; in less than five minutes they were taken into custody, and order comparatively restored ; about this time a great deal of hissing was heard in the amphitheatre, and loud applauding ; the plav was still going on ; several arrests were made in the amphitheatre, by order of the Chief of Police and Recorder ; about this time, the first breach of peace on the house was a large paving stone which came through the window into the house ; the house continued to be assailed from those without ; an alarm was given that a fire was below under the dress circle ; it was soon extinguished ; large stones were thrown at the doors on Eighth street, smashing in the panels, and doing other damage ; the police were ordered into Eighth street, say fifteen men ; on my going into the street, I saw a large concourse of people, but those near the door of the theatre were mostly boys, who were apparently throwing stones ; several of them were arrested by the police and brought in; I cannot say how many were aiding in the disturbance, but certainly a very small propor- tion to the crowd collected ; the policemen arrested some six or ten of them, and the attack on the door in Eighth street ceased ; the attack then, after these arrests, was made with more violence on the front of the theatre in Astor-place ; a very large crowd was collected, yet I could pass in and out with ease, comparatively ; this crowd did not appear to be very turbulent ; a very large number appeared to be citizens looking on, and not aiding in the disturbance ; the majority of those throwing stones were boys from the ages of 1 2 to 18 years ; several of the policemen at this time complained of being struck with stones and badly hurt ; the policemen kept making arrests, and bringing them in ; I cannot say how many ; the crowd appeared to be increasing and more dense ; the mob appeared to be determined to accomplish some particular act ; there seemed to be a strong determination, although they only threw stones ; the force of policemen on Astor-place amounted to from fifty to seventy-five ; the mob then continued to throw stones ; the militarv then came." 22 TESTIMONY OF MAJOR-GENERAL SANDFORD. 1 am Major General commanding the military forces of this county. On Thursday last, I received a message from the Mayor, requesting me to come to his office. I went there, and found the magistrates named by the Mayor assem- bled. The Mayor informed me of the object of my being sent for. The Mayor has stated correctly my reply, when I was asked in relation to the expediency of issuing an order to call out the Military. After it was decided to issue the order, it was understood by the Magistrates present, that the effort should be lust made by the civil authority to preserve the peace, and that the Military should not be called out until that effort failed. I left the Mayor's office after this mid er standing, and then received this order : Mayor's Office, City Hall, May 10, 1849. Having reason to apprehend a serious riot this evening, which will require more force to preserve the peace than is possessed by the police, Major General Sandford is requested to hold a sufficient military force in readiness to meet the apprehended emergency. C. S. WOODHULL, Mayor. After receiving this order, I ordered one Regiment — the 7th — of Infantry to assemble at the Artillery drill rooms, and one troop of Light Artillery with two 6 pound field pieces, to muster at the Arsenal. I directed a small detachment of Infantry to protect the pieces. The regiment, when assembled, on account of the shortness of the notice, consisted of but little over two hundred men. The regiment is known to the citizens by the title of the National Guard. I went myself, in the evening, to the Artillery drill rooms, and informed the Magistrate that I would remain there to await orders. I understood there was to be a large Police force at the Theatre. Many of the Magistrates thought this force would be sufficient without the military. The regiment was under the command of Col. Duryea. There are eight Captains in the regiment. I cannot say they were all present. Capts. Shumway, Underlull, Pond and Price, were present. We remained there until a verbal message came to me from the sheriff the purport of which was, that a mob had attacked the house and driven in the Police force, and were assailing the building ; this was between Sand 9 o'clock, as well as I can remember. On receiving this notice, I immediately ordered the Regiment to get ready for marching, and to distribute their ammunition, which consisted of one thousand rounds of ball cartridges , I sent at the same time an order to the Arsenal yard for the horse belonging to the Regiment to come up immediately to the drill rooms, and march with us to the grounds. The horsemen carried only their sabres ; the troops were put on the march, and moved rapidly up Broadway to Astor-place; the field pieces were Left at the Arsenal ; no order was given to the artillery. I Was not aware, until L got to the ground, of the extent of the mob; 1 thought the force 1 had with me, in connection with the Police force, would be sufficient to preserve the peace. Before getting on the ground, I mounted my horse, and took charge of the cavalry, directing the tnfantry to follow close after us. The horsemen, on entering Astor-place. were formed ten ahead, and advanced in that order until wegol nearly opposite the corner of the Opera Souse; at this place, we were assailed with a shower of stones and bride bats, by which almost every man was hurt, and the hoises rendered almost unmanageable ; the men pushed rapidly through Aster place, ami through the whole distance were assailed with a shower oi stones; the infantry followed them. The mob extended from Astor-place to the Bowery; the mounted men, being COnspicUOUfl mark-, received inOSl of the stone-, and were driven off the ground. I dismounted, returned through the mob, and took charge of the Infantry. 'I: • ere halted in Line across the open space beyond the theatre, with a dense mob on both Bides of then, who were assailing them with all of opprobrious epithets, and trequenl volleys of .-tone-. 1 ordered CoL Duryea to form a column of division for the purpose of clearing the ground in the rear of the theatre, intending after* aid (<• go to the front. The columns were formed promptly, and moved forward through die mob, until stopped hv an excavation m the ground, which 1 had not previously seen, on aoooun rknes of the 2S night. We filed around tins broken ground, and cleared tin* rear of the thcatte the mob retreating before us as we advanced Two bodies of troops were stationed at each end of the theatre, extending across the street I then Kent in for the Sheriff and One!' of Police. Mr. Matsell furnished sufficient of the police to take the place of the two lines of military, and the whole were then put under march ; passed through Eighth-st to Broadway, and around into Astor- place, the Sheriff at my request accompanied us. We moved down Astor-place until we got a little past the centre! of the theatre. The mob partially retreated to the middle and opposite side of the street ; they commenced an attack on the military by throwing paving stones. The paving in this vicinity had been taken up for the purpose, as I was informed, of laying down water pipes and building a sewer. I ordered the regiment to be divided and to form in two lines across the street ; the right wing advanced toward the Bowery, and the left toward Broadway, with the view of driving the mob each way from the front of the theatre ; during this period, the men were constantly assailed with showers of stones and brickbats, and many were seriously hurt ; a number of men near by and Gen. Hall were struck with stones, and dangerously injured. After giving this order, I advanced toward the middle of the street to Captain Shumway, who led the first company, with Col. Duryea by his side, being outside myself next the mob ; the Sheriff was behind me ; at this time, we were assailed by a volley of stones, by which about eight out of eleven of the first platoon were more or less injured. Myself, Col. Dur*a, and Capt. Shumway were injured. At this time, a pistol was fired by some man in the mob, by which Capt. Shumway was wounded in the leg, and, as I believe, Gen. Hall in the face. Previous to this, the crowd had been repeatedly notified by Gen. Hall and myself, and by other persons whose voices I did not recognise, that they must disperse or they would be fired upon. I was at this time partly knocked down, and When I arose, I found three or four of the front rank partly down, and the head of the column forced back tow r ard the Opera House, the shower of stones at this time being incessant ; orders were then given by myself and repeated by Col. Duryea, to charge bayonet ; the attempt was made, but the crowd was so close upon the troops that there was no room for the troops to charge, and some of the men had their muskets seized by the crow T d ; the troops by this time were forced back to the sidewalk; I stated to the Sheriff that it was impossible to maintain our position without firing. I several times called out to the crowd that they must fall back or we would fire ; after this the Sheriff gave the order to fire. Gen. Hall, who was a short distance from me, made an exclamation to fire over their heads ; the order to fire was repeated by myself and Col. Duryea, and the men fired once over the heads of the crowd, against Mrs. Langdon's house. A shout then came from the mob, " They have only blank eartridges, give it to them again," and another volley of stones came instantly ; the, troops were then ordered to fire again; I think the order was given by myself and Gen. Hall ; Gen. Hall said, " fire low ;" then, for the first time, the mob began to give way ; the troops then moved forward, crossing the street, and chiving the crowd before them until the troops got near the corner of Lafayette-place. The mob here rallied at the corner of Lafayette-place, on one side, and at the corner of the theatre and the broken ground, on the other side, and advanced, throwing volleys of stones ; several of the troops were hurt severely, and orders were given for the troops to fire — one half obliquely to the right, the other half to the left upon these two bodies of men ; this was done, and the crowd fell back into Lafayette-place, and the broken ground behind the theatre. There was no firing after tliis ; the mob kept a constant attack upoii the troops for some time with stones and brickbat s. The whole number of military engaged in the conflict was 210, one-half of the line toward Broadway, and the other toward Bowery ; the mob has been variously estimated from ten to twenty thousand. Previously to leaving Eighth-st. to go around to the front of the theatre with the troops, I sent up the Light Artillery and the portions of the Sixth Regiment that was to support it They arrived after the firing had ceased One gun was placed toward the Bowery, and the other toward Broadway. The Infantry w T ere stationed, and the mob were again told that unless they left, they would be fired upon, and the Artillery used, if necessary. The mob dispersed, and the firing ceased. Upwards of 50 men of this small detachment of 2 10 men, 24 were injured, chiefly before the firing commenced. I do not believe tnat the troops could have withdrawn in safety when the order was given to fire, and that they could not liave maintained their position without firing. During a period of thirty-five years of military service, 1 have never seen a mob so violent as the one on that evening. I never before had occasion to give the order to fire. TESTIMONY OF STEPHEN W. GAINES. Stephens "W. Gaines, sworn, says : — I am a counsellor at law, residing at No. 180 East Broadway ; on Thursday evening last, I was at the corner of Astor- place and Lafayette-place ; I stood upon a pile of boards ; I stood there from half-past eight o'clock until after the last discharge of musketry ; from the place where I stood, I had a fair view of the Opera House ; when I first got there, the space between us and the theatre was filled with people, but not densely crowded at that time ; I saw persons throwing stones at the principal entrance, and at the windows of the Opera House ; they were nearly in front of the Opera House ; sometimes a single stone, and at other times a volley ; about fifty feet in front of the house was the principal scene of action ; the street toward the Bowery was filled with people; there were no stones tin-own from the quarter where I stood, and there were so few actually stoning the house, that it was a surprise to those witnessing it why the police did not stop it ; the first I saw of the military was the horse, and then followed the infantry ; they came from Broadway, passed the Opera House in Astor-place, and took their stand near the 4th avenue ; I saw no opposition ; in about half an hour I saw the horse troops pass up Astor-place, towards Broadway ; I should have left upon the arrival of the military,. but so many coming upon the sidewalk, I could not get out; within a short time after, the infantry passed up in front of the house ; I saw the fire from the discharge of the muskets as it left the barrels, as the lamps were out ; some of them were fired perpendicular, some on an inclined plane towards the house of Mrs. Langdon, and others horizontally; this was the first discharge ; we had no intimation of firing where I stood, until I saw the flash ; several other volleys were discharged immediately ; previous to firing the last volley, the street was nearly cleared ; most of the people had left the enclosure where I was ; there were, perhaps, half a dozen on the sidewalk in front of where I was ; I was still standing on the board, when the last discharge took place up Astor- place towards the Bowery ; between me and the soldiers the space was clear ; there was a small number of persons on the corner opposite Mrs. Langdon's house ; they were out of the range of the fire ; tins fire was nearly in the range of where 1 was standing ; I stepped back a pace or two, to bring myself out of the direct line ; immediately another discharge took place, that being part of the previous discharge; upon the discharge, a man fell upon the sidewalk in front of us ; there were but a few persons near him at the ume ; after he fell, he remained on the ground half a minute, some supposed he was nhawnyifag being shot ; on picking him up, a wound was discovered in his back, by the blood running ; we took the wounded man down to the drug store corner Fourth and Wooster street ; on examining the body, we found a wound in the lower part of fail stomach; his name was Henry otten, residing at the corner of Hester and Orchard streets ; lie was standing on the sidewalk at the time he was shot, takiug no part in the disturbance ; alter leaving him, I learned tluit others had been shot ; 1 have been informed that he has since died. TESTIMONY OF THOMAS J. BELY1.W Thomas J. Bi Lvnr, residing at No. LS8 King street, boatman : — On Thursday evening last, 1 was at the disturbance at the Aster place Opera House; 1 stood on the corner of Laiayette-place, by Mrs. Langdon's house; when L got there, about half-past dx o'clock, I an» I ioi of half-grown boys throwing stones at the \ "i Opera House; 1 passed on the opposite corner, and was talking to two Philadelphians ; they were saying how trifling this was to some of their riots; L stayed there until the hone soldiers came, and then the infantry ; then there 25 was a rush with the boys, and we started buck, and then returned again to see how the military operated; I was standing on tin- corner of Mrs. Langdbn's house when the first firing took place; when the military left, the boys went back and commenced throwing stones again; I stood there when the first discharge took place ; a man fell ; I laughed, and so did others, as we thought that it. was only blank cartridges to scare them; I heard a man say, "mj God, look at this; he's shot ;" this was at the first discharge of musketry; \ heard no notice given to disperse; they might have done so; alter this I started and ran down to the church on the corner of 4th street, and there I stood ; I don't know how long I stood there, I was so frightened ; I stood there until I heard another banging of muskets, and then I started and ran home as quick as I could ; I should not have gone there, if I had known they were going to use lead ; I went to see what was going on, like many others; I don't know how long I stood at the church before I heard the second firing; I was glad to get there ; I jumped over several people in making my way to the church. It is to be observed that the above accounts vary according to the position of the witnesses. Mr. Stewart confines his attention chiefly to the operations of the police ; Gen. Sandford to those of the mili- tary ; while others may be supposed to represent the views and feelings of the mere spectators. On the examination of Mr. Stewart, he was asked, if, in his opinion, the riot could have been prevented or suppressed by the action of the police, without calling on the military. Though loth to give an opinion, which might be construed into a censure of the authorities, he stated his belief that the whole affair might have been differently managed. The scene which followed the firing of the military, beggars all description. The wounded, the dying, and the dead, were scattered in every direction. There were groans of agony, cries for help, and oaths of vengeance. The dead and the wounded were borne to the drug stores at the corners of Eighth street and Broadway, and Third Avenue, and others in the vicinity, and surgeons were summoned to attend them. Some were conveyed by the police to the Fifteenth Ward Station House, and a few carried to the City Hospital. Some of the dead and wounded were laid out upon the billiard tables of Vauxhall Saloon, a large crowd gathered around, and speeches were made by excited orators. Had none but those actively engaged in the riot been shot by the military, these details would have been sufficiently melancholy. But even then, we are to consider that the men who composed the mob, may have acted, under ordinary circumstances, like honest and respectable citizens. A mob is composed of the same men in a state of temporary insanity, and they should be treated accordingly. Sober and quiet citizens, acting under such a temporary excitement, have committed the greatest outrages. They should be restrained, but not sacrificed, unless under the most imperative necessity. But in this case, very few of the active rioters were injured — the greater part of the killed and wounded being either spectators, or persons passing by the scene. Thus, Bridget Fagan was walking with her husband along; the Bowery, shot through the leo*. and died at the Hospitals Mr. Stuart, an old retired merchant, was severely 26 wounded in the neck, while standing in the Bowery ; and Mr. Collins was shot dead while getting out of a car of the Harlem Rail Road-. Wm. C. Russell, a lawyer, had his arm shattered while passing around the corner of the Bowery. Mr. Livingston, standing in S*. Mark's place, two blocks off, was severely wounded. There were many more such cases. Of those who were shot down in the immediate vicinity of the Opera House, the greater portion were taking no part in the affair. Mr. George W. Gedney, a broker in Wall street, who had a wife, to whom he had been married but little more than a year, and one child, was shot instantly dead, as he was standing inside the railing by the Langdon mansion. At the first volley, a ball pierced his brain. His wife knew he had gone to see the riot, and she had had a presen- timent of some disaster. She sat watching and waiting for her husband, for it was the first time he had been out at night, without her, since their marriage. She waited until four o'clock in the morning in an agony of terror, when, unable to endure the suspense any longer, she rushed into the street, went to the house of one of her husband's friends, roused him from his slumber, and begged him to go and seek for her husband. The man went, and found poor Gedney a cold corpse. Mrs. Gedney was sitting at the window when he returned, and motioned for him to come to her, but he shook his head mournfully, and passed by in silence. She knew that her beloved husband was no more. Her neighbor, who had not the courage to tell her the awful tidings, sent his wife to comfort her. This is but one of many such cases of domestic affliction, produced by the events of that night of terror. CHAPTER SEVENTH. THE DAY AFTER THE RIOT POPULAR EXCITEMENT CORONER'S IN- QUEST LIST OF THE KILLED AND WOUNDED. The morning of the eleventh of May was one of sad excitement in the city of New York. The extent of the calamity, the number of the dead and wounded, made a deep and solemn impression. Public opinion was \vent into the right shoulder, coming out behind the right arm. Died of ns wounds at the hospital. BRIDGET FAGAN, Irish ; 30 years old ; shot in the leg, just below the knee. She was two blocks off, walking with her husband on their way home, and fell into his arms. Died after amputation. Thus TWENTY-THREE PERSONS were either killed on the spot, or died of their wounds shortly after. LIST 0E THE WOUNDED. The following list is probably incomplete, as many who were not seriously wounded have not been publicly reported : Edward McCormtck, 135 First Avenue ; 19 years old ; worked at 200 Mulber- ry-street. Shot through the side. Conrad Becker, 27 Hudson-street ; worked for Mahoney and Thompson, Up- holsterers, Chatham-street. Ball went through the right thigh. George N. Kay, 28 years of age ; merchant ; boarded at 107 Chambers-street Ball in the right breast, going entirely through. Frederick Gillespie, a boy ; shot through the foot. A Son of J. Irwin, 243 Tenth-street ; ball through his leg. B. M. Seixas, jr., Matthew Carhart, residence First Av., corner of Twelfth-st. ; shot through the breast and neck. Mr. Stewart, of the late firm of Coley, Stewart, and Co., Mobile, retired mer- chant ; while standing in the Bowery was 6hot in the neck. Mr. Philip Livingston, a young man, who was standing in St. Mark's Place, was badly wounded, he shot entering the fore arm, and coming out near the thumb. 30 Lieut. J. Bnow>- ; son of Prof. Brown ; residence 42 Crosby -street ; was shot as he came out of the Amphitheatre door. Deacon A. M. Collins ; of the Allen-street Church ; was also shot. "William Selleck ; 23 years of age; residence 227 Seventh-street; dangerously ■svounded by a shot ; a spectator. A young Philadelphia ; name not ascertained ; badly shot through the thigh. Mr. Braisted ; of the firm of Secor & Co. ; spectator ; shot through the knees. \Vm. C. 1!u.-sj:i.l, Esq.; a lawyer of Wall-street; left his residence in Fourth- avenue, about half-past 10, and while passing the corner of Lafayette-place, had his left arm shattered by a ball. Mr. Marshall Lefferts ; of the firm of Messrs. Geo. B. Moorewood