tufhtUowtd Grounded Ine®*p®*8tearr*,lTt. - Buffalo, XOC yuuLjKViiJijqajQU.JtJMUUUbuiJijJuMHMMi-i'M^uuiJu uuguuuuUui-ruuLf MEW MC^lTEOTl^L MmW V - ^<2/©/e>^HlS PARENTS SAMUEL P AVERY AND MARY OGDEN AVERY HAVE FOUNDED THIS REFERENCE LIBRARY OF ARCHITECTURE AND DECORATIVE ART.*'©*' EGSP In the sun-disc or winged globe the Prophet found a new meaning: “The Sun of righteousness shall arise with healing in his wings" Memorial to IV. tV. IVinslow, in Crown Hill Cemetery, Indianapolis, Ind. iamws'iis MEMORIALS FROM NEW ENGLAND HILLS TO HALLOWED GROUND Being a monograph illustrating varied forms of personalized memorials designed, made in stone and set up by McDonnell & Sons in the various representative cemeteries of the United States McDonnell & sons INCORPORATED Established 1857 Quarries and Finishing Plant at Barre,Vermont Executive Offices at 858 and 860 Main Street BUFFALO, NEW YORK E. A. McDonnell, President J. P. McDonnell, Vice-President T. F. McDonnell, Vice-President J. S. McDonnell, Sec’y and Treasurer R. Q. McDonnell, Vice-President Copyright, 1922, by McDonnell &. Sons INCORPORATED PRESS OF NORMAN T. A. MUNDER & CO, BALTIMORE INTRODUCTORY ecords of the past are for the most part a revelation of man’s earnest solicitude for his dead. Not for protec¬ tion alone has he raised over their graves such varied forms of mound and tomb, but as enduring tributes and for loving remembrance. Early monument forms were rude, the unworked pillar and the table-stone, always that material which would best serve the essential purpose of endurance. With civilisation came science to build the pyramid, art to adorn the Grecian tomb and religion with its votive forms, such as the altar or the cruciform symbol of the Christian. And so, because it has long been a custom to perpetuate memory, this expression of commemora¬ tion is a veritable printing-press of life, recording most faithfully all phases of human sentiment. Some of the most distinctive forms of monuments have resulted di¬ rectly from methods of burial; hence the sarcophagus, a stone coffin, the recumbent slab, a cover for the grave, or the headstone to mark its location, and the mausoleum for interment above ground. Then there is the urn, used as a receptacle for the ashes resulting from cre¬ mation. These forms are definitely related to sepulture, and there¬ fore are designated as sepulchral monuments. The desire to record inscriptions and epitaphs introduced the stele or tablet form. Besides the cross, shrines and altar forms are distinctly religious in character and come under the classification of votive monuments. It is interesting to note the variety of expression in certain monument forms which have persisted from early times. The pillar of the primi¬ tive becomes the obelisk of Egypt and again the column of Rome. The sarcophagus develops from the mummy-case to the carven stones of Greece and Rome, or to the storied intra-mural structures of the Ital¬ ian Renaissance. The cross, first appearing merely incised on the in¬ scription tablets in the Roman catacombs, outlines the stone in the richness of the distinctive Celtic Art as a votive memorial, or in the elaboration of Gothic tracery introduces the idea of the Churchyard Cemetery. Thus each great period of art has handed down to us the imprint of its particular style, for always the memorial thought has insisted that its expression be invested with beauty. A ncienl Monuments The Form of the Monument The Art of the Monument Memorials from New England Hills to Hallowed Ground M odern ideas of commemoration frequently call for a departure from the conventional monument types—a deliverance from commonplace design and poor workmanship. The appeal is for an unusual interpretation of beauty—a memorial of character in harmony with the gardendike treatment of the cemetery of today. Your idea of the memorial may be well formed in your mind, or per' haps you have just a thought of expressing character—a suggestion of the one you wish to commemorate. And then there is the personal element, your own individual feeling as to how this may be rightly accomplished. Frankly you wish a symbol, to hold the memory in a distinctly intimate way. To properly realize this thought of your memorial, there must be sympathetic understanding by the artist, and too, the difficulty of the matter must be made easy for you. This can only be so treated by those who have adequate knowledge, and a real desire to be helpful. Through the years, McDonnell 6s? Sons have developed a Special Service which includes the interpretation of such personal ideas in beautiful, distinctive and enduring memorials. The initial feature of this Special Service is the art department, in charge of an architect of national reputation who has made a special study of memorials and the realization of their design in stone. Illustrations visualizing your ideas, or suggestive sketches and designs will be gladly submitted to you without obligation. So the purpose of this booklet is to place before those who wish to set up memorials, illustrations of appropriate examples that have been designed and done in stone by McDonnell 6? Sons. As suggestions, they will undoubtedly prove helpful in pointing the way to suitable forms for the expression of your own individual thought. Your query as to any of the memorials illustrated in this booklet will not only receive considerate and immediate attention, but such l seful additional and general information as you will find of real assistance. Information B ecause a ny of the designs maybe developed to smaller or larger d v mensions to conform with varying conditions, and as the location also affects the expense, it is impractical to give either sizes or prices in this booklet, as they would lead to confusion. However, all requests for information will be cheerfully and fully answered, with a desire to be really helpful. Personality in Memorials Unusual Service A ppropriate Suggestions Page 4 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. FOR THREE GENERATIONS pecialization in the art of making memorials has been the work of the McDonnell family for more than six¬ ty'five years. In 1857 the business was established at tabhshed Quincy, Mass., one of the greatest of granite centers, and perhaps because all of the members of McDonnell Sons were born in Quincy, they have been inti¬ mately identified with the industry since childhood. It is true, how¬ ever, that the four junior members of the firm were educated with the definite purpose of assuming certain executive responsibilities in every department of the business, and having attended the leading colleges and technical schools, they are now devoting all of their time and energies to this work. McDonnell & Sons being wholly a family institution, it is but natu¬ ral that during three generations an atmosphere of family pride has associated itself with their art; and as sons and grandsons have sue' ceeded the founder of the house, consistently developing, invariably meeting changing conditions, they have always had in mind the ini¬ tial idea of the founder, that direct personal service is essential to the satisfying reality of true memorial expression. Direct Personal Service At Quincy the business grew and prospered; quarries, polishing mills and finishing plants were developed and operated, until in the * tensive eighties the shipments of finished memorials by McDonnell 6? Sons ^ usmess included many of the largest and most elaborate, and were distribu¬ ted to all sections of this country. In 1892, recognizing the excellence of the granite obtained at Barre, Vt., they purchased a quarry at that point, and have since acquired interests in other valuable quarries. Now the McDonnell finishing plant at Barre is one of the most com¬ plete granite manufacturing plants in the world, equipped with every Unusual modern device for the completion of the finest grade of memorial Facilities work at moderate cost. All work is done under the personal direc¬ tion and supervision of an executive of McDonnell 6? Sons, who makes Barre his personal residence. The business of making memorials in the McDonnell way continues through the years, not altogether because they represent beautiful Uusual designs done in imperishable stone, but because they are indelibly are characterized by the McDonnell capacity for taking infinite pains. Page 5 Memorials from New England Hills to Hallowed Ground Page 6 A PERSONALIZED MEMORIAL IN BEAUTIFUL WOODLAWN CEMETERY, DETROIT, MICHIGAN Here is illustrated the art of the designer as it reflects the art of nature. In the sunlight and the shadow a suggestion of life itself; and the flowers, too, are for remembrance. To Benjamin F. Tobin, late President of the Continental Motors Corporation. Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. CREATING PERSONALIZED MEMORIALS he capacity for taking infinite pains in the making of your memorial is the outstanding feature of McDonnell Service. It begins with the creative art- Beauty in ist, who sketches from your suggestion and partly Design from his own inward vision, investing his design with character, in harmony with the surroundings of your plot, and having that indefinable atmosphere required by educated taste. This differentiates your memorial from the com' monplace—your memorial stone from the tombstone. The design must be realized in substance, only the best material being suitable to perpetuate its beauty and purpose. From the Durability deeper lying strata of the quarry comes the very finest grade of in Material stone, even-textured and even-colored, and possessing that lasting quality of endurance. The selection of such material requiring seasoned knowledge, this important work is done personally by a member of this firm. Now the stone is wrought in the manner of our craft—in the pro¬ priety of its technical processes of workmanship, for a standard of excellence is observed in the McDonnell shops. On the one hand Excellence in there is the assured skill of the worker, a craftsman—on the other, Workmanship intelligent supervision and guidance by a member of McDonnell & Sons, working in conjunction with our architect. This unusual attention is not confined to the larger memorials, for all work is specially made to definite specifications and includes an essential something which you hadn’t thought of, which originated in the McDonnell organization. Finally, there is most exacting care in the setting of the memorial stone on your family plot. This work is done by our erectors, men Care in of experience thoroughly grounded in knowledge of the materials Setting Your and their handling. So McDonnell Service is inclusive, from quar- Memorial rying of the granite until its final placement as your family tribute A Memorial from J\[ew England Hills to Hallowed Ground. Page 7 mmm Memorials from New England Hills to Hallowed Ground —> Page 8 THE CLASSIC TEMPLE, MASTERPIECE OF ARCHITECTURAL BEAUTY On the Athenian Acropolis stands the Parthenon, the finest expression of the keen artistic temperament of the Greeks. Following that Doric style is this mausoleum which we erected at Greensboro, North Carolina, for the Ceasar Cone Estate. Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL TO CHARLES H. McCULLOUGH, JR., LATE PRESIDENT OF THE LACKAWANNA STEEL COMPANY In Forest Lawn Cemetery, Buffalo, New York The Greek realization of commemorative thought oftentimes approached the temple form, which was considered peculiarly fitting as a “home for the dead.” The idea was to suggest that sacred edifice by some important feature of its design, such as the portico. ■r By intention the enshrinement here is that of the living plant — the symbolical vine Page 9 Memorials from New England Hills to Hallowed Ground Page IO DESIGNED FOR MRS. GEORGE H. D. JOHNSON, MILWAUKEE, WISCONSIN. IN FOREST HOME CEMETERY Like the Romans and the Artists of the Italian Renaissance, we turn for inspiration to the masterly achievements of the ancient Greeks, so familiar to us in the many examples which form so valuable a part of our art heritage. Barre, Vermont • McDonnell & Sons, Inc. Buffalo, N.Y. MEMORIAL IN OAK LAWN CEMETERY,WILKES-BARRE, PENNSYLVANIA Still standing at Karnak, an obelisk ninety-seven feet high records the commemorative idea of an Egyptian Queen. This obelisk, typical of its kind, formed the basis for the proportions which are illustrated above. Page n Memorials from New England Hills to Hallowed Ground fwS! pwi' ,i TORIAN ANGLIAN CROSS IN OAK HILL CEMETERY, EVANSVILLE, INDIANA The carved stones of Northern England, that is, the Anglian Crosses, were beautifully decorative after the manner of Celtic art—a reflection in stone of those intricate designs from the illumi¬ nated Manuscripts of the Gospels. Page 12 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. CELTIC CROSS IN MEMORY OF A FAMOUS EDITOR The Celtic crosses of Ireland, unique in the richness and beauty of their ornament, were also sculp¬ tured, illustrating the Gospels, and are indeed “sermons in stone.” This cross of similar character we erected at Rochester, N.Y. Page 13 Memorials from New England Hills to Hallowed Ground Page 14 MEMORIAL TO JAMES H. STACK, WELL KNOWN HOTEL PROPRIETOR OF NEW YORK CITY The effect of the low horizontal stone when of simple tasteful design is always restful, and therefore in harmony with the character of the family plot. We erected this sarcophagus in Woodlawn Cemetery, N. Y. Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL ERECTED FOR MR. EDWARD T. HARMON, MILWAUKEE,WISCONSIN The impressiveness of this memorial is not because of size, although its ground length is upwards of twelve feet, but rather through its spreading base which leads up to a well-studied composition in design. In Forest Home Cemetery, Milwaukee. MEMORIAL ERECTED FOR COL. MYRON M. PARKER Beautifully simple in design and an example of our superior workmanship and that very essential supervision. Erected in Rock Creek Cemetery, Washington, D. C. Page 15 Memorials from New England Hills to Hallowed Ground MEMORIAL IN FOREST LAWN CEMETERY, BUFFALO, NEW YORK Many of the architectural tablets used by the Early Christians of Asia Minor were symbolical, bearing a representation of a door, thus recalling the Biblical text, “I am the door: by me if any man enter in, he shall be saved.” Page 16 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL IN BOXWOOD CEMETERY, MEDINA, NEW YORK Standing “four square” is this classical memorial designed in the manner of Roman Doric architecture. Thorough knowledge of the subject and precision in the cutting of these mouldings are absolutely essential for correct architectural expression. V I - Page 17 Memorials from New England Hills to Hallowed Ground MAUSOLEUM IN ELMWOOD CEMETERY, BIRMINGHAM, ALABAMA I his mausoleum, similar in form to many of the ancient tombs of Asia Minor, was selected by Mr. A. H. Woodward, Mr. R. H. Banister and Senator Oscar W. Underwood, executors of the J. H. Woodward Estate. Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL TO THE LATE SENATOR JOSEPH FORNEY JOHNSTON OF ALABAMA The realization in stone of a satisfactory design is best appreciated by the person whose thought it personifies. Mr. Forney Johnston was much pleased with this memorial to his father, which we placed on his family plot in Elmwood Cemetery, Birmingham. MEMORIAL DESIGNED FOR SENATOR B. B. COMER OF ALABAMA True simplicity is marked by an expression of dignity; this effect is accomplished, not by the elimination of detail, but by subordinating each part to the design as a whole. In Elmwood Cemetery, Birmingham. Page iy Memorials from New England Hills to Hallowed Ground TO GEORGE F. RAND, LATE PRESIDENT OF THE MARINE TRUST CO. Like its ancient prototype, the obelisk of Egypt, this memorial has been proportioned in the traditional manner, thus producing that grace of outline which should always characterize the memorial stone. We erected this memorial in Forest Lawn Cemetery, Buffalo, N.Y. Page 20 ERECTED FOR HON. JOHN P. HOPKINS, FORMER MAYOR OF CHICAGO Quite classic in its simplicity, the Latin cross is well adapted to development in stone and may be modest in size if desired. This cross, however, is of unusual dimensions, being upwards of thirty feet in height, and is probably the largest erected in the United States. 3 1 Page 21 Memorials from New England Hills to Hallowed Ground SEPULCHRAL MONUMENT ERECTED AT INDEPENDENCE, MISSOURI Like the sarcophagi of old, this memorial is a sepulchre. The main stone is hollowed as a crypt and sealed by the moulded cap-stone, the joint being weatherproof. Sepulchre of “Joseph Smith, late President of the Reorganized Church of Jesus Christ of Latter Day Saints.” MODERN TABLET MEMORIAL, ELMWOOD CEMETERY AT BIRMINGHAM, ALABAMA A modern suggestion is that of a simple tablet form bearing the family name and a very modest decorative motif.This very prac¬ tical type of memorial is well suited to its purpose. / Illustrating the refinement and legibility of incised letters m% Page 22 MEMORIAL IN THE JEWISH CEMETERY, WILKES-BARRE, PA. There is much to be said in favor of this modest type of memorial. Its proportions are based on the sarcophagus form, and because they have been intelligently applied, the stone is distinctive and suited to its purpose. SQUARE MONUMENT IN FOREST HILLS CEMETERY AT CHATTANOOGA, TENNESSEE The Colonial “burial-grounds” contain many monuments of this design. Square in plan and ex¬ tremely simple, they are adapt¬ able either to small or large dimensions. ■r i This massive obeliskal stone surely bespeaks permanency Page 23 Memorials from New England Hills to Hallowed Ground Z o n Z O U c n U w u D < Z z Z 1 X w H w z w u w >— z o X C/3 w cc; o to z z o HH C/5 w Q Z < u w to o to O to < to o 2 w S C/3 D O < X to o u to < C/3 C/3 rt > r-* to. c rt to 0 . c to- to—1 O ~d3 to C/3 C/3 £ cu JO •—> Z3 r T~‘ '- 4 — -C 1 O to rt to 'XX c/) 1 ; rt dj Q l to O CJ O dJ CJ % -C -C 4_, CJ u * to (to) * ' 1 ■ (to) to D rt bO rt jn -C to a dj O to¬ CJ rt to to rt U 3 T3 O a. > rt J 3 a 5 o i-H ci CJ £ O C o' 'a ’ u C /5 a -C £ o Oh C o ti) oS a o u u. aS o c/3 3 os £ £ v u i~ a o .£ c o cx £ o as 3 cr aj c U > o £ as C D £ o Jl Uh Page j 8 for Mrs. Charles S. Gordon and Captain W. C. Tyrrell. The material is granite from the famous quarries at Barre, Vt. Barre, Vermont • McDonnell & Sons, Inc. . Buffalo, N.Y. MEMORIAL IN SPRING GROVE CEMETERY, CINCINNATI, OHIO A symbol of rest, that “Perfect Peace.” The seat is solid with the base, the columns are monoliths and the roof, too,is hewn from a single stone.Thus, through unusual constructive means, the beauty of the architectural memorial is perpetuated in the ageless stone. Designed and erected for Mr. Walter J.Wichgar. Recalling monuments of Roman design , as erected on the “Appian Way ” P“g*39 Memorials from New England Hills to Hallowed Ground MAUSOLEUM OF THE BARRETT AND ROTHSCHILD FAMILIES AT WATKINS, N.Y. In beautiful Watkins Glenn. Because some of the stones, particularly of the roof, are of immense size, many persons have commented on the difficulty of building in such an almost inaccessible spot. But we are prepared for just such tasks—our organization includes unusually efficient granite-setters we have special equipment. MAUSOLEUM ERECTED FOR MR. JOHN T. RONAN BUFFALO, N.Y. This mausoleum is distinct¬ ly chapel-like in effect. Al¬ though of marked simplicity, its columned portal adds that architectural touch of digni¬ ty, which is so appropri¬ ate for work of this character. Page 40 B arre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. ROMANESQUE MAUSOLEUM ERECTED FOR MR. HENRY M. NAYLON OF BUFFALO Built to endure, the mausoleum must incorporate in its construction those assured methods which really fulfill the purpose. Our knowledge in this respect is practical, the result of over sixty-five years experience in granite construction. Obviously, only those who are properly qualified should be en¬ trusted with work of such importance. MAUSOLEUM ERECTED FOR MR. LOUIS S. OWSLEY WASHINGTON, D. C. The Greeks dedicated little temples of this character to their heroes, hence the name “heroum” meaning hero- chapel.This chapel-like mau¬ soleum contains eight crypts and stands in Rock Creek Cemetery. Page 41 Memorials from New England Hills to Hallowed Ground DESIGNED FOR MRS.WM.F.SHEEHAN, ROSLYN,L.I.,and MR. C.V. NELLANY OF NEW YORK Another type of shaft follows the proportions used by the designers of early Colonial days, thus producing a sturdiness of expression characteristic of their Puritan life. To relieve the severity we have added a base extension bearing flower vases. Page 42 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL IN OAK HILL CEMETERY, EVANSVILLE, INDIANA An interpretation of the Egyptian stele, pleasantly proportioned, carved in the spirit of the style and scribed in the manner of true craftsmanship. Thus through skill and the artistic instinct comes the realization of a satisfying memorial. Page 43 Memorials from New England Hills to Hallowed Ground A TRIBUTE TO COL. FRANCIS G. WARD IN FOREST LAWN CEMETERY, BUFFALO The monolithic or one-piece memorial is generally compact, and not having a widely projecting base, is particularly suitable for plots of restricted area. And with the single block, permanence is assured. From the River “Maeander” of Grecian Antiquity, this running border comes by its name. Incised in stone, it appeals to the eye because of its simple continuity. Page 44 Barre, Vermont . McDonnell & Sons, Inc. . Buffalo, N.Y. MEMORIAL TO K. A. IVY IN ELMWOOD CEMETERY, BIRMINGHAM, ALABAMA By suggestion, much may be accomplished by the artist. For instance, this paneling is “cusped” in the Gothic manner—just a touch, yet characteristic. So the little things are important — when well done, in the manner of our craft. Of first importance is the outline, for a pleasing form at once commends itself to the eye. And for lettering, it is well to follow the classic Roman style. Page 45 Memorials from New England Hills to Hallowed Ground MEMORIAL TO A FAMOUS SINGER. ERECTED AT AKRON, OHIO In designing this memorial,unusual care was observed in its proportions,and too,in the adjustment of its detail — the diminish of the upper stone, and the size and placement of its well-lettered panel. MEMORIAL IN MT. GREENWOOD CEMETERY, WILKES-BARRE Another consideration which means so much in our making of these simple memorials, is excellence of workmanship—special care in the finish of their surfaces. Page 46 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL IN ELMWOOD CEMETERY, BIRMINGHAM, ALABAMA This memorial is not at all pretentious, yet it has character, that indefinable atmosphere which is required by educated taste. This effect is the result of refinement in design as revealed by true craftsmanship MEMORIAL IN FOREST LAWN CEMETERY, BUFFALO, N. Y. Dark Quincy granite with polished surfaces forms a harmonious setting for the decorative bronze panel. Concealed by the panel is a niche for the cinerary urns. Page 47 ERECTED FOR MR. CRAWFORD FAIRBANKS, TERRE HAUTE, INDIANA This architecture is Corinthian, illustrating the Roman order of that style, which calls for a pedestal base with its complement of entrance steps. Thus the building acquires an imposing appear¬ ance because of its elevation. In Highland Lawn Cemetery. ERECTED FOR MR. W. C. McBRIDE, ST. LOUIS, MISSOURI Ruskin writes of the roof “as the very soul of the dwelling” because therein is shelter, its definite purpose. How pertinently this applies to the mausoleum! And how conscious the builder must be of his obligation! Page 48 Rarre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MAUSOLEUM DESIGNED AND ERECTED FOR MR. GEORGE C. GINTHER, BUFFALO This building reveals the beauty of the Tuscan order of architecture as applied to the memorial mausoleum. Dignified simplicity is emphasized in its design and that very essential durability in its construction. MAUSOLEUM IN MT. ELLIOTT CEMETERY, DETROIT, MICHIGAN In design, this mausoleum is a modern interpretation of Romanesque architecture. The suggestion is somewhat ecclesiastical, having the effect of a memorial chapel. A setting of evergreens adds much to its effectiveness. Page 49 Memorials from New England Hills to Hallowed Ground MEMORIAL CROSS DESIGNED FOR AN ARTIST AND ERECTED IN MT. OLIVET CEMETERY, BUFFALO, N. Y. For centuries artists have expressed their art on the theme of the cross, yet there is ever a new thought to define its significance. Our design illustrates the typical Latin Cross bearing at the intersection of its arms or place of honour, the sacred monogram and the alpha and omega referring to Christ’s eternity. By enrichment, comes the “Cross of Glory,” in this case accomplished by the floral composition of the design. “Until the day break , and the shadows flee away,” Page 50 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. ALICE ELIZABETH wW ■ t*V • rif.“l K '. v ''' 7 ' DECEMBER 28. 19.03 ' Ft.Bs.yARY t, Oil v tBRUARY 3. i$. ’ *^i _CH ! LDREN OF HAMILTON AND GRACE E WARD .WL-W -\/ 7 . MEMORIAL TO THE CHILDREN OF MR. AND MRS. HAMILTON WARD, BUFFALO,N.Y. The art of the sculptor requires marble or bronze for a really satisfying result. However, for a child’s memorial the artist generally shows a preference for marble. In color and texture this material is tnost suitable, and too, it responds freely to the requirements of his art. Memorial designed for Mr. and Mrs. John A. Roebling in mem¬ ory of their son. Bernardsville, N. J. 'A Such exquisite model¬ ing shows well in the purity of white mar¬ ble. And in design the suggestion is Colonial. Pages/ M EMORIALS FROM New ENGLAND HlLLS TO HALLOWED GROUND MEMORIAL IN GREENWOOD CEMETERY, PHOENIX, ARIZONA The archaeology of Scotland is exceptionally rich in sculptured stones, classified as erect cross¬ slabs. Usually the cross of “wheel-head” design covers the entire face of the slab and is paneled and carved with interlaced knots, spirals and key-patterns. A modern suggestion is the Wood memorial, outlined to the Scottish form and adorned with a vine, the symbolical passion flower. Page 52 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. CHARLES ADALBERT CLARK APRIL 7. '83? HE LEW AUGUSTA C0 LEG ROVE M’S W!-E l{?LY 30.1342 — NOVEMBER25.19*0 ] "SLESS'E? 4RE THE FUSE 'M HEA 0 ^ Page 54 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. ARCHITECTURAL TABLET IN WOODLAWN CEMETERY, NEW YORK CITY The Roman stele has a modest architectural character with its moulded base and cornice, the orna¬ mentation being simple and conventional. For a family memorial such a design is adaptable to the varying dimensions as required by either large or small plots and because of its classic dignity the effect is very satisfying. A simple landscape treatment always adds that final note of distinction. Page 55 M EMORIALS FROM New ENGLAND HlLLS TO HALLOWED GROUND CORINTHIAN MEMORIAL ERECTED IN WINSTON-SALEM, N C,FOR MR. P.H. HANES Columnar monuments were much used by the Romans, the most approved being of Corinthian archi¬ tecture. These graceful columns were fluted, carved with richly decorative capitals of acanthus leaves, and supported an elaborately moulded and carved entablature. The Hanes memorial is a realization of this Corinthian art in a fine grained Barre granite. Page 56 Barre, Vermont . McDonnell & Sons, Inc. . Buffalo, N.Y. MEMORIAL TO JAMES SHEYVAN IN WOODLAWN CEMETERY, NEW YORK CITY Tuscan architecture is convincingly rendered in this mausoleum of Barre granite, yet our pride lies chiefly in its construction which includes features of unusual merit. Erom foundation to weather-joint¬ ing of its over-all roof stones, constant and extraordinary care is really an integral part of the structure. So this illustration points to work well done—to the integrity of the builders. THE CRITTENDEN MAUSOLEUMS IN MT. HOPE CEMETERY, ROCHESTER, N. Y. YVe erected these mausoleums for three brothers of the Crittenden family. The unbounded satisfaction resulting from the completion of the T. F. Crittenden building naturally resulted in orders for the others. The material is Barre granite. Page 57 Memorials from New England Hills to Hallowed Ground MEMORIAL OBELISK IN ROCK CREEK CEMETERY, WASHINGTON, D. C. Some of Egypt’s finest obelisks were taken to Rome by the Emperors and set up on classical pedestals similar to those used for memorial columns. Modern design makes much use of the concave pedestal, that sweeping curve being particularly graceful and suited to the purpose. The Reitz memorial is Barre granite, a material that is not only light in color but exceptionally durable. Page 58 Barre, Vermont McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL IN FOREST LAWN CEMETERY, BUFFALO, N.Y. A beautiful thought comes with flowers, especially with those of one’s preference, for a favorite flower beautifully carved in imperishable stone is not merely pleasingly appropriate, but is also intimately suggestive of the one commemorated. IN ELMWOOD CEMETERY, BIRMINGHAM, ALABAMA This form of memorial holds a suggestion of the sarcophagus and is very adaptable to the needs of plots moderate in size. Page sg Memorials from New England Hills to Hallowed Ground c 1 ) tn % l_J 1) < E? Q J2 W u GO 3 O ^ C2 «f 11 11 o o £ u c _1 s < z o o H < 5 o w z 3 _s c n -C -C O s £ O bf) .£ *£ .SP *00 Page 6o The Hill memorial is in perfect harmony with such a “garden of memories. Barre, Vermont • McDonnell cv jui\ ; ENGLISH RENAISSANCE MEMORIAL IN WILDWOOD CEMETERY, WILLIAMSPORT, PA. Those who wish to set up memorials of size would do well to consider the types based on architectural tradition. A variation from the formal classic art is this design of English Renaissance with its tablet arched and bearing a cartouche for the record. Page 6/ Memorials from New England Hills to Hallowed Ground MEMORIAL EXEDRA IN FOREST LAWN CEMETERY, SAGINAW, MICHIGAN One of the more intimate expressions of commemoration is the exedra, a sepulchral bench with architectural centerpiece. It holds a thought of remembrance — of recurring visits to the shrine. And, too, it may symbolize the “Eternal Rest.” Erected for Mr. William B. Mershon. Barre,\ ermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL TO THE DIRECTOR-GENERAL OF THE PAN-AMERICAN EXPOSITION An exceptionally restful effect is that of this long low stone, the traditionary sepulchral form, moulded and paneled in the manner of Byzantine design. In Forest Lawn Cemetery, Buffalo, N. Y. MEMORIAL IN HIGHLAND LAWN CEMETERY, TERRE HAUTE, IND. The effect of this stone is entirely different from that above, yet pleasing. The condition of your plot and its surroundings largely determine the memorial design. Page 63 Memorials from New England Hills to Hallowed Ground IN FOREST LAWN, BUFFALO IN TUSCALOOSA, ALABAMA When the cross is encircled with the nimbus or glory it is known as the “Cross of Glory’’ because it holds promise of a future life. Celtic crosses like the Chapin are topped with a hood suggesting the “Ark of the Covenant.” The Thomas stone is not pierced, but bears the “Crown of Passion.” A MEMORIAL SEAT IN FOREST LAWN CEMETERY Stone seats are quite appropriate in God’s Acre. Oftentimes they serve the memorial purpose, and too, a convenience for those who will visit the family enclosure. Page 64 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo,N.Y. IN RICHMOND, VA. IN BUFFALO, N.Y. For Mr. John Stewart Bryan we erected this Calvary Cross in Emmanuel Cemetery, Richmond. It represents the true cross of the Crucifixion and in its tri-step base recalls the Holy Trinity and the theological virtues of Faith, Hope and Charity. The Metzger memorial is crowned and has a cruciform carving of Madonna lilies. TABLE-TOMB IN RHEIMS CEMETERY, HAMMONDSPORT,N.Y. The Old English Churchyard comes to mind with this grave-memorial, recumbent, after the manner of its prototype, the table-tomb. Designed for Mrs. William Hastings Nichols. Page 65 Memorials from New England H ILLS TO H allowed Ground A CLASSIC MEMORIAL IN BUFFALO, N.Y. This design bears the imprint of Roman architecture. 11 is characteristically moulded and expresses unmistakably the good taste which is intimately associated with the classic art. Thus through the skill of artist and artisan comes a distinctive design in the reality of stone. Page 66 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. ERECTED FOR MR. LOUIS H. GETHOEFER, PITTSBURGH, PA. Of the many and varied manifestations by which memory has sought consolation, the tablet form is undoubtedly one of the most adaptable to the designer’s art. The illustration shows a dark Quincy granite tablet, polished, and bearing in its niche a bronze — from the famous Francois vase. Page 6y Memorials from New England Hills to Hallowed Ground MEMORIAL IN EAST WALNUT HILLS CEMETERY, CINCINNATI, OHIO The Sachs memorial presents a thought that is as practical as it is beautiful. Within the semi-circular extension of its arms there is defined a placement for the graves, and their consequent protection is thus provided by the foundation walls. This is indeed an attractive and satisfactory arrangement for the family plot. MEMORIAL IN MOUNT HOPE CEMETERY, FRANKLIN, TENN. The proprieties in matters of design as well as in the technical processes of workmanship are exemplified in this memorial and account for its definite expression of dignity. Page 68 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL IN CROWN HILL CEMETERY, INDIANAPOLIS, IND. Interesting effects are frequently achieved by a composition in design such as shown in this illus¬ tration, especially when the site will accommodate a memorial of size. In this case the composition includes a high tablet flanked by seats and also includes flower vases, all of which tend to a garden effect. ERECTED FOR MRS. W. F. BARNES, LAMPASAS, TEXAS Amongst Pompeian tombs an interesting type is the “schola,” a semi-circular bench of stone. A tribute to the dead, it also served the convenience of the living. Page 6p Memorials from New England Hills to Hallowed Ground IN MEMORY OF JAMES B. GRANT, FORMER GOVERNOR OF COLORADO This memorial, in Fairmount Cemetery, Denver, suggests a beautiful altar to memory and is in the form of a canopy. The graceful fluted columns simulating the altar reredos, sustain a simply moulded entablature and form a setting for the decorative urn. Having a removable cover, the urn immediately becomes adaptable for the growing plant, as its construction provides for this purpose. And the architectual style in Roman Doric Page yo Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL TO JAMES C. BEECHER IN FOREST LAWN, BUFFALO Ancient races built their tombs and memorial monuments along the highways leading to their city gates. With the Romans, especially at Rome and Pompeii, a favorite type of sarcophagus was similar to the Beecher memorial. A unique feature of this memorial is the finish of its surfaces which are all polished, including mouldings, lettering and carving. MAUSOLEUM AT BLUEFIELD, WEST VIRGINIA An adaptation from Athenian architecture, this modest mausoleum reflects the octagonal effectiveness in design of the “Tower of the Winds.” Erected for the William Leckie Estate. Page 7/ Memorials from New England Hills to Hallowed Ground TO REAR ADMIRAL WINFIELD S. SCHLEY Of the many memorials in the Arlington National Cemetery, none has a more compelling interest than this simple stone, simply adorned as is becoming to the truly great. At the grave of the famous sea-fighter, a line from Stevenson comes to mind—“Home is the sailor, home from the sea.” IN ELMWOOD CEMETERY, BIRMINGHAM, ALA. For a memorial of modest dimensions, this illustration suggests a massive effectiveness which is quite satisfying. Such results are not haphazard—they indicate knowledge of design. Page 72 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. AN ALTAR-TOMB OF THIRTEENTH CENTURY GOTHIC For a churchly effect, one naturally turns to Thirteenth Century art with its wealth of suggestion. What could be more satisfying than this substantial altar-tomb! It is practically reproduced from an English churchyard stone and stands in Elmwood Cemetery at Birmingham,Alabama. The material is Barre granite. A COMMEMORATIVE STONE OF MARKED SIMPLICITY Many of the modern designs are outlined to a simple curving top and for adornment are treated with a simple incised marginal effect. Erected in Tonawanda, N. Y. Page 73 Memorials from New England Hills to Hallowed Ground AT GLOVERSVILLE, N. Y. The effect of a curving outline as emphasized in the Brower memorial is a modern innovation, but the carvings are from an old-time motif—the acanthus. AT WILKES-BARRE, PA. Another suggestion more formal in treatment is that of the Springer memorial, reminiscent of simple classic design. The orna¬ ment is Grecian. ERECTED AT WOODLAWN, N. Y., FOR JUSTICE VERNON M. DAVIS For marking individual graves the simple cross is frequently the most satisfying form of headstone. On the cross itself propriety suggests the monogram of Christ; on the base, the inscription. Page 74 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. AT BUFFALO,N.Y. Churchly significance is in many cases the one satisfying expression of memorial feeling.The cross is in low relief and bears words from the Doxology. AT GLOVERSVILLE, N. Y. For a substantial effect the square memorial com¬ mends itself, especially when its design is architecturally treated. In memory of Samuel H. Shotwell. THE ANGEL AND THE CROSS The sculptor presents his thought, contrasting the rock-hewn cross and the commemorating Angel both carved from a solid granite block. Page 75 Memorials from New England Hills to Hallowed Ground MEMORIAL TO PHILIP BECKER, FORMER MAYOR OF BUFFALO Probably the largest all polished monument in the United States. The shipping weight of the main stone alone is over fifty tons. We erected this work in Forest Lawn Cemetery, Buffalo, N. Y. The granite is extra dark stock from the Quincy, Massachusetts quarries. The portrait medallion of statuary bronze is in pleasant contrast to the dark stone Page 76 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MAUSOLEUM IN CROWN HILL CEMETERY AT INDIANAPOLIS, INDIANA Because of its simplicity and natural dignity, this mausoleum was selected for his family plot by the famous author and playwright, Mr. Booth Tarkington. Like the rock-hewn temples of old, the building has that rugged massiveness so essential for permanence. MAUSOLEUM IN MEMORY OF JAMES HANRAHAN, BUFFALO, N.Y. This mausoleum suggests a chapel with its columned portal and doors of bronze. The natural finish of the granite wall is by intention in pleasant contrast to the richness of the entrance. And the flower vases are for remembrance. Eleven crypts are contained in this building—eight above the floor and three below Page 77 Memorials from New England Hills to Hallowed Ground MEMORIAL TO DEXTER HUNTER IN RURAL CEMETERY, ALBANY, N. Y. Canopied tombs are exceptionally interesting when carried out in the architectural accuracy of the classical style. This one, Ionic in expression, is particularly graceful and pleasing in the 4 composition of its design. ■f Another suggestion comes with four columns and reduced dimensions Page 78 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. ' - - ' ' .. ==== ^ fe MEMORIAL IN ELMWOOD CEMETERY, BIRMINGHAM, ALABAMA I he theme of commemoration is indeed happily expressed when it harmonizes with the park-like aspect of our “lawn” cemeteries. The garden memorial surely suggests beautiful memories and is a pleasing departure from the funereal designs of the past. MEMORIAL IN SPRING GROVE CEMETERY, CINCINNATI, OHIO Beautiful forms are frequently simple and like the Doscher Memorial may too be unusual. This is indeed a memory for lovers of the beautiful. ‘'''The watching faces of garden flowerets, which of old she loved" Page 79 Memorials from New England Hills to Hallowed Ground MEMORIAL MONUMENT IN OAKWOOD CEMETERY AT SHARON, PA. We are constantly designing and erecting many of the finest and largest private memorials in various parts of the United States. This monument, erected for the P. L. Kimberly Estate, is upwards of twenty-seven feet in height. Material, Barre granite. Designed after the manner of an ancier.t “storied tomb ” Page 80 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. IN SLEEPY HOLLOW CEMETERY, TARRYTOWN, N. Y. This memorial to General Howard Carroll of New York is constructed of Barre granite and contains eight crypts. The architecture is from the classic but has a suggestion of the Colonial in-its proportions and refinements. The interior finish is Italian Carrara Marble. MEMORIAL TO E. G. S. MILLER, BUFLALO, N.Y. This mausoleum is Grecian in design and because it has a four column facade, is called “tetrastyle.” The material is Barre granite, the finish being all fine-hammered. Ventilation is an important factor in mausoleum construction and must receive particular attention Page 81 Memorials from New England Hills to Hallowed Ground MEMORIAL IN FOREST PARK CEMETERY, CAMDEN, N.Y. For memorials of this character, very satisfactory results are obtainable in Barre granite, which is fine-grained, of even texture and light color. This material responds properly to the craftsman’s skill and gives permanence to the design. Page 82 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. IN HOLY SEPULCHRE CEMETERY, EAST ORANGE, N. J. To such tombs King Mausolus of Ancient Caria gave his name. In this mausoleum, the crypts occupy the wings, thus allowing a spacious central chamber which has been designed to a chapel effect. Erected for Mr. Christian R. Wolters. MEMORIAL TO AUGUSTUS A. HENNESSEY, LYNN, MASS. The bronze doors open into a memorial chamber, finished in polished white marble and lighted by side windows of cathedral glass. There are twelve crypts in the rear. Page V4 r MEMORIAL IN FOREST LAWN CEMETERY,BUFFALO,N.Y. Illustrating still another treatment of the natural stone. To many, the obviously plain stone seems to be the most fitting form a memorial should assume. MEMORIAL IN FOREST LAWN, BUFFALO, N.Y. A marginal finish is effective and defines the stone to the desired form. MARKER WITH ROUNDED TOP AND RAISED LETTERING Page 87 Memorials from New England Hills to Hallowed Ground c Page 88 THE JOSEPH T. BIRD MEMORIAL MAUSOLEUM, MOUNT WASHINGTON CEMETERY, KANSAS CITY, MO. Probably the most graceful expression of architectural design is the Ionic style as used by the Greeks in the golden age of their art. Harmony in proportions and refinements in detail find their complement of beauty in the remarkable effectiveness of the distinctive columns. Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. VIEW OF THE BIRD MAUSOLEUM UNDER COURSE OF CONSTRUCTION E ven to the casual observer it is apparent that the mausoleum is peculiarly important because it is called upon to serve an unusual purpose—it must endure. Because this quality of permanence is so insistently required, the structural considerations which enter into its building are vital and essentially different from the methods of ordinary building construction. In contemplating a mausoleum, therefore, you must consider material of a suitable nature, the architectural character of its design and the real¬ ization of its structure in a manner that will successfully withstand the constant action of the elements. And then there is the business transacton and the builder to whom you should entrust the work. Because of our long experience and the serious study we are continu¬ ously giving to such work, we take pride in that adequate knowledge which enables us to complete mausoleums that are correct in design and substantially sound in construction. We are proud, too, of our business reputation concerning which we invite your attention. Page 8g Memorials from New England Hills to Hallowed Ground BKUK M JPlfrTSl 7* m j k *. « ■ i T3 w m } * }ii ! - - ' t \ w Jk. J r mm'm (jtov ■ \ J MEMORIAL IN GLENWOOD CEMETERY, HOUSTON,TEXAS This Barre granite memorial to William Thomas Carter was dressed and carved at our Barre,Vermont finishing plant, shipped direct to Houston and set on foundation by our own skilled erectors. A modern presentation of an ancient art Page go Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. MEMORIAL TO THE FOUNDER OF CHEESMAN PARK, DENVER, COL. One of the finest sarcophagi in Fairmount Cemetery,Denver, is this memorial to Walter Scott Cheesman. This is of Roman design, having the beautiful mouldings and carvings which feature that style. The material is fine-hammered Barre granite. MEMORIAL IN ELMWOOD CEMETERY, BIRMINGHAM, ALA. This design follows the idea of the sarcophagus, but is a departure from that definitely low sepulchral treatment which is not always desirable. Page gi Memorials from New England Hills to Hallowed Ground V WAR MEMORIAL IN MASONIC CONCORDIA CEMETERY, EL PASO,TEXAS “Erected to the memory of El Paso Masons who made the Supreme Sacrifice in the World War 1917- 1918,” by El Paso Lodge No. 130,Fraternity Lodge No. mi, and Five Points Lodge No. 1137. The shaft is Barre, Vermont granite and is all fine-hammered. The official “Victory Badge” of bronze heads an inscription of incised letters. Page 92 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. .. - IN LOVING MEMORY OF REV ALBERT LOUIS CREIN 1866 * 1917 OUR BELOVED PASTOR FOR NEARLY TWENTY YEARS THROUGH WHOSE ZEALOUS EFFORTS THIS CHURCH EDIFICE WAS ERECTED A.D.I9II A LOYAL CHRISTIAN MINISTER AND FAITHFUL FRIEND A MURAL TABLET IN PILGRIM CONGREGATIONAL CHURCH, BUFFALO, N. Y. TO ONE WHO MADE THE SUPREME SACRIFICE W i e also design and set up memorial tablets for both exterior and interior use in connection with churches and public buildings. Bronze, brass or marble are the materials most frequently used. Page 93 Memorials from New England Hills to Hallowed Ground MEMORIAL TO COMMODORE OLIVER HAZARD PERRY AT “THE FRONT” OVERLOOKING LAKE ERIE, BUFFALO, N.Y. Charles Henry Niehaus, Sculptor Page 94 Barre, Vermont • McDonnell & Sons, Inc. • Buffalo, N.Y. PUBLIC MEMORIAL WORK W ar memorials and Civic memorials, because of their importance, require informed knowledge as to their planning and treatment in order that they may harmonize with their public surround¬ ings. McDonnell & Sons make a specialty of public memorial work, acting as architects and as general contractors, frequently in co-operation with the leading sculptors. They specialize in work of this character and are always pleased to submit, without obligation, special designs and esti¬ mates to interested parties. Some of the more important public memorials which they have erected are: Gen. George B. McClellan Monument . Carter Harrison Memorial . Soldiers’ and Sailors’ Monument . Hon. Samuel J. Tilden Memorial . Eben Brewer Memorial . Tippecanoe Battle Ground Memorial . Ex-Governor Pingree Memorial . Warren County Soldiers’ Monument . Laconia Soldiers’ Monument . LeRoy Soldiers’ Monument . Soldiers’ Memorial . 28th New York State Volunteers’ Memorial . Spanish War Veterans’ Memorial . 114TH N. Y. V. Infantry Memorial . Soldiers’ Monument. . Rev. Dr. Shaw Monument . Masonic Memorial . Firemen’s Memorial . Soldiers’ and Sailors’ Monument . Historical Memorial ... Soldiers’ Monument . Father Hennepin Memorial . Soldiers’ Monument . Commodore Oliver Hazard Perry Monument . Soldiers’ Monument . Masonic Memorial . War Memorial for the State Normal School . Bishop Heslin Memoriai . Memorial for J. B. McDannell, Grand Commander of the Maccabees for the State of New York. . . Willets-Paul Memorial Fountain . Laura Secord Memorial . Prof. Jared Sparks Memorial . Rev. Dean Colgan Memorial . Trenton, N. J. .Chicago, III. .South Bend, Ind. .New Lebanon, N.Y. .Erie, Pa. Battle Ground, Ind. Detroit, Mich. Warren, Pa. Laconia, N. H. LeRoy, N.Y. Madison, Ind. Culpeper, Va. Indianapolis, Ind. Winchester, Va. Springville, N.Y. Rochester, N.Y. Evansville, Ind. Buffalo, N.Y. Corning, N.Y. Andersonville, Ga. Waukesha, Wis. Niagara Falls, N.Y. Belmont, N.Y. Buffalo, N.Y. Hamburg, N.Y. Washington, D. C. East Stroudsburg, Pa. Natchez, Miss. Buffalo, N.Y. Belmont, N.Y. Queenston, Ont. Boston, Mass. Corning, N.Y. ft* Page 95 Gli ' cDonnell & Sons own and operate a finishing plant at Barre, '..y' 0 C Vermont, the greatest of granite centers. This fine plants one of the largest in the world,is exceptional in its complete equipment. Modern ma¬ chines,powerful and accurate,are of wonderful help in expediting work and thus reducing costs. And then there is the hand work for the finer and final finishes—using for the most part the same tools as others, the McDonnell craftsmen create results that are immeasurably superior. Not by chance are McDonnell Memorials better than other memorials, but for certain defina¬ ble reasons which are readily appreciated by the observer. They are consum¬ mated in material of a selected and superior quality — the design which the material reveals has true merit — the various processes of workmanship ex¬ cel in the manner of true craftsmanship — and care, the care of complete understanding, has been painstakingly given to their handling, setting and final placement in God's acre. 1