MR. ni.XRI.RS I'. IIASRi;riNE’S 
 
 ART COLLFXTION. 
 
 Wednesday and Thursday, May 6lh & 7lh, 1874. 
 
 The Messrs. LEAVITT, Auctioneers, 
 
 NOW ON KXlllBlTlON AT THIS ART liOOMS, 
 
 817 Bromlvvay. 
 

 mm 
 
 
 
 MR. CHARLES F. HASELTINE’S 
 
 Comprising Extraordinary Examples by the 
 
 FRENCH, SPANISH, ITALIAN, DANISH, 
 
 GERMAN AND BELGIAN ARTISTS. 
 
 ; 
 
 J 
 
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 One half of this Collection not before offered iti his Catalogue 
 
 this Spring. 
 
 The entire Collection will be offered at Public Sale, 
 
 ON 
 
 ^edpe^day & jhlirptlay tyepipgp, 
 
 MAY 6th and 7th. 
 
 AT THE 
 
 CLINTON HALL SALE ROOMS, 
 
 Jvfow or\ 3j^xl:\ilDitior\, S)ky 
 
 AT THE ART ROOMS, 817 BROADWAY. 
 
 The Messrs. LEAVITT, Auctioneers. 
 

 
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Artists Represented in this Collection. 
 
 Sully. 
 
 Williams. 
 
 J. H. Beard. 
 Saterlee. 
 Whittredge. 
 Samuel Colman. 
 Hubbard. 
 
 Daubigny. 
 
 Landelle. 
 
 B. C. Koekkoek. 
 Van Mareke. 
 Beranger. 
 
 Levy." 
 
 Zamacois. 
 
 Goupil. 
 
 Do Nittis. 
 
 De Jonglie. 
 
 Jiminez. 
 
 Castiglione. 
 
 Bakalowicz. 
 
 Pittara. 
 
 V erboeekhoven. 
 Ferrari. 
 
 Van Hamme. 
 
 Boulanger. 
 
 Lemaire. 
 
 Hamman. 
 
 Neuhuys. 
 
 Richter. 
 
 Otto Weber. 
 
 Schreyer. 
 
 Troyon. 
 
 Vely. 
 
 Escosura. 
 
 Coomans. 
 
 Alboy Rebouet 
 Richet. 
 
 Gonzalez. 
 
 May. 
 
 Marchaux. 
 
 Veron. 
 
 Baith. 
 
 Cuny. 
 
 Guillemin. 
 
 AMERICAN 
 
 •J. D. Smillie. 
 
 Eastman Johnson. 
 Cranch. 
 
 Hamilton. 
 
 Moore. 
 
 Loop. 
 
 Lang. 
 
 FOREIGN. 
 
 Jaeque. 
 
 Carnavalli. 
 
 Lambron. 
 
 Amberg. 
 
 Noterman. 
 
 Seratrice. 
 
 Heuillant. 
 
 Spiridon, 
 
 Innocenti. 
 
 Toeschi. 
 
 Rota. 
 
 Tortez. 
 
 Cipriani. 
 
 Thirion. 
 
 Bacon. 
 
 Leikert. 
 
 Woodwell. 
 
 Roybet. 
 
 Linford. 
 
 Wall. 
 
 Liardo. 
 
 Seibels. 
 
 Raflaelli. 
 
 Maes. 
 
 Knarren. 
 
 Romako. 
 
 Leyendecker. 
 
 Burnier. 
 
 Meyerheim. 
 
 Otto Gebler. 
 
 Linder. 
 
 Schuessele. 
 
 McClurg. 
 
 Picou. 
 
 Tissot. 
 
 Chevillard. 
 
 Sauzay. 
 
 Staigg. 
 
 Teweli. 
 
 Richardson. 
 
 Kensett. 
 
 W. S. Haseltine. 
 Darley. 
 
 Shearer. 
 
 Grosholtz. 
 
 Voltz. 
 
 Reidel. 
 
 Ramsey. 
 
 Simon. 
 
 Jutz. 
 
 De Potter. 
 Schneider. 
 Wahlberg. 
 
 Veron. 
 
 Masse. 
 
 H. Corrodi. 
 
 Schultze. 
 
 Nicholson. 
 
 Forn. 
 
 Hildebrandt. 
 
 Prudhon. 
 
 Moritz Retsch. 
 
 Carl Muller. 
 Farufini. 
 
 De Vos. 
 
 Van Leemputten. 
 Kaehmerer. 
 
 Doyen. 
 
 Tommasi. 
 
 E. Vernier. 
 
 Lassalle. 
 
 Santoro. 
 
 Angus. 
 
 Schlosser. 
 
 J. C. Thom. 
 
 Meyer von Bremen. 
 Frankel. 
 
 Melida. 
 
 Bodin. 
 
 Weber. 
 
 AND OTHERS. 
 
V 
 
 
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 CONDITIONS OF SALE. 
 
 1. The highest Bidder to be the Buyer, and if any dispute arise 
 between two or more Bidders, the Lot so in dispute shall be 
 immediately put up again and re-sold. 
 
 2. The Purchasers to give their names and addresses, and to 
 pay down twenty-five per cent on the dollar in part payment, 
 or the whole of the Purchase-money if requiref in default of 
 which the Lot or Lots so purchased to be immediately put up 
 again and re-sold. 
 
’PP" 
 
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 CATALOGUE. 
 
 UPSET PRICE. 
 
 /JANVIEE (J.) 
 
 1 
 
 Paris. 
 
 1. Winter Twilie’ht. 
 
 LINFORD (Charles). 
 
 
 Pittsbin-ffh. 
 
 2. View in Alleghany County. 
 
 .'»»? f'' 
 
 SHEAEER (C. H.) 
 
 V 
 
 3. In the Forest. 
 
 
 Reading. 
 
 Co 
 
 WALL (A. S.) 
 
 .T Pittsburgli. 
 
 C'/^ -j ^ The Edge of tbe Forest. 
 
 jf J 
 
 0 ’ 
 
6 
 
 rpset Price. 
 
 MARCHAUX (A.) Paris. 
 
 ^125 5. The Beautiful Greek Girl. 
 
 MAY (E. PI.) Paris. 
 
 Medal, 1855. 
 
 200 6. The Masquerade. 
 
 BE XMTTIS (J.) Paris. 
 
 125 7. 'Phe Costumer’s Shop. 
 
 A brilliant example and rich in color. Such a specimen is diffi- 
 cult to obtain, and commands a high price. 
 
 YAN LEEMPlJTTEN (J. L.) Brussels. 
 
 S. The Farm Yard. 
 
 ROYBET (Ferdinand). Paris. 
 
 Medal, 1866. 
 
 9. Still Life. 
 
 A grand still life, full of the finest quality, but perhaps painted in 
 too low a key to be admired by those not up in art matters. 
 
 LEYENBECKER (Mathias). Paris.' 
 
 10. Game. 
 
 LAMBRON (Albert). Paris. 
 
 11. Cup and Balls. 
 
 150 
 
(jpf5et Price. 
 
 LAMBEON (Albert). 
 12. The Yiolin. 
 
 Paris. 
 
 $160 
 
 A most beautiful pair of paintings, and splendid examples of the 
 artist. 
 
 EOMAKO (A.) Eome. 
 
 13. Narcissus. 
 
 300 
 
 FORN (F.) Munich. 
 
 14. The Pet Piteous. 
 
 A beautiful subject executed in a choice style. 
 
 BODIN (A.) Paris. 
 
 15. The New Press. 200 
 
 Finished in the style and with the elegance of Tpulmouche. 
 
 FERRARI (G.) Rome. 
 
 16. The Music Party. 
 
 600 
 
 This is the most important of all the pictures by this artist in the 
 collection. It is a powerful picture. 
 
 CORROPI (H.) Rome, 
 ll. Yiew on the Seine. 
 18. On the Moselle. 
 
 200 
 
 200 
 
 Mr. Haseltinehas never beheld a more beautiful pair of landscapes 
 byH. Corrodi, who is an artist very highly esteemed in Rome. 
 They were selected by his brother. 
 

 8 
 
 Lpset Price. 
 
 SCHULTZE (H.) Dusseldurf. 
 
 $Br>0 19. The Yallej<f Charaounix. 
 
 One of the most beautiful paintings of this delightful spot, ever 
 imported and shown in the country. 
 
 GROSHOLTZ (F.) Munich. 
 
 20. Yiew in Bavaria. 
 
 COOMARS (Joseph). Paris. 
 
 450 21. The Pet Bii'd— A Scene from tiie 
 
 Days of Pompeii. 
 
 Perhaps no artist is better known through his engraved works, 
 which have stood the test of public approbation for years. 
 
 REBOUET (Alboy). Paris. 
 
 250 22. Le Deiemier. 
 
 REBOUET (Alhoy). Paris. 
 
 250 23. The Pet Bird. 
 
 Please look at these pictures with the most critical eye, and judge 
 whether they are not superb in subject and painting. 
 
 LEYY (Emile). Paris. 
 
 Grand Prize of Rome, 1854 ; Medals, 1859, ’64, ’66 ; Cross of the 
 Legion of Honor, 1867; Medal, 1867, E. U. 
 
 24. Love’s Whispers. 
 
 An exquisite picture. 
 
 200 
 

 I 
 
 i 
 
 COEKODI (Arnaldi). 
 
 25. The Eest at Noon. 
 
 This painting, of the very highest class, is probably the finest rep- 
 resentative work by Arnaldi Corrodi ever imported. 
 
 IvAEHMEEEE (E. H.) Paris: 
 
 26. The Fete Day — A Young Egyptian 
 
 Decorating Images. 
 
 GOUPIL (Jnles). 
 27. Eeverie. 
 
 Paris. 
 
 $150 
 
 GOUPIL (Jnles). 
 
 Paris 
 
 28. Waiting. 
 
 150 
 
 A pair of paintings exceedingly attractive, and rendered as only 
 Jules Goupil can do. They are worthy of great praise. 
 
 DAUBIGNY (Cltarles Francois). Paris. 
 
 Medals, 1848, ’53, ’55, ’57, ’59: Cross of the Legion of Honor, 
 1859; Medal, First Class, 1867, E. U. 
 
 29. Landscape in France. 3200 
 
 A perfectly magnificent painting, and one worthy of the highest 
 laudations. Only the master could so truthfully and con- 
 scientiously depict this phase of nature. 
 
 This picture would cost, in Mr. Daubigny’s studio, 20,000 francs. 
 
 WOOD WELL (J. E.) Paris. 
 
 30. Cernay la ViUe. 
 
10 
 
 Upset Price. 
 
 HASELTIN'E (William S.) New York. 
 
 31. Pine Trees at Ostia. 
 
 PICKET (Leon). Paris. 
 
 Medal, 1872. 
 
 $175 32. Beautiful French Landscape. 
 
 A perfectly superb picture. 
 
 DE JONGHE (Gustave). Paris. 
 
 Medals, 1863, ’68, ’70. 
 
 900 33. The Music Lesson. 
 
 During the past year the works of De Jonghe have met with, in 
 his case, an unprecedented demand ; and it is admitted that 
 he will, without doubt, be the successor of Alfred Stevens in 
 the estimation of connoisseurs. 
 
 JIMIISTEZ (Louis). Rome. 
 
 200 34. The Attentive Listener. 
 
 This is the only specimen by this eminent Artist in the collection. 
 
 CASTIGLIONE (G.) Paris. 
 
 300 35. Inspecting her Treasures. 
 
 A choice picture by an artist who is justly obtaining a first place 
 in art estimation. 
 
 FRANKEL (Ingoinar). Paris. 
 
 36. Andrea del Sarto Declaring his Love. 
 
 This was the artist’s salon picture. 
 
11 
 
 Upset Price. 
 
 VELY (A.) Paris. 
 
 87, The Tronbador. ' $500 
 
 Certainly a superb work ; although the subject has been treated 
 often, yet rarely in so artistic and skillful a style. No one 
 could hope or expect to see a more perfect rendering of the 
 subject. 
 
 GONZALEZ (Jiian A.) Paris. 
 
 38. Self-Satisfaction. 
 
 A fine example of the popular school. 
 
 MEYER YON BREMEN (J. G.) Berlin. 
 
 39. The Joy of the Cottage. 
 
 LEYENDECKER (Mathias) . Paris. 
 
 40. The New Love Song. ^00 
 
 LEVY (Emile). Paris. 
 
 Grand Prize of Rome, 1854; Medals, 1859, ’64, ’66; Cross of the 
 Legion of Honor, 1867 ; Medal, 1867, E. U. 
 
 41. Erecting the Statue. 
 
 A most important work by this artist. 
 
 ROTA (Giovanni). Paris. 
 
 42. The Visit to the Gallery — In the 500 
 
 Time of the Directory. 
 
 No one can but pause before this painting ; and to pause is to 
 praise and to admire. Certainly a more attractive picture 
 cannot be presented. 
 
Upset Price. 
 
 12 
 
 TOETEZ (Yictor). Paris. 
 ^50 43. The Kivals. 
 
 A subject interesting, and treated in a peculiarly attractive and 
 forcible manner. The page in grey tights certainly seems 
 determined that the other gentleman shall not pay attention 
 in the direction of his thoughts, if he can help it. 
 
 THOM (J. C.) Paris. 
 
 44. Eetiirning from Labor. 
 
 TOMMASI (E.) Eome. 
 
 45. Laying Down the Law. 
 
 
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 PITTAEA (C.) Eome. 
 46. Scene near Eome. 
 
 MOOEE (H. Humphrey). Tangier. 
 
 47. Gripsy Family, near Granada. 
 
 This picture is the production of one of the most talented o’ 
 American painters abroad. Mr. Moore bids fair to win for 
 himself a high place in the World of Art. 
 
 TOESCHI (G.) Eome. 
 
 ■^^5 48. Teazing Polly. 
 
 A beautiful picture from an artist of the first importance. 
 
 // 
 
 TOESCHI (G.) Rome. 
 49. The Old Beau. 
 
 475 
 

 
 13 
 
 'iNNOCENTI (Aug.) Rome. 
 50. The Connoisseur. 
 
 Upset Price, 
 
 /H 
 
 ^ INNOCEA^TI (Aug.) Rome. 
 
 51. The Secret Letter. 
 
 A pair of gems. 
 
 ■ SPIRIJDOR (J.) Rome. 
 
 Giame of the Dwarfs. $G00 
 
 Since the death of Zamacois, no one has succeeded so well in ren- 
 dering his fayorite subjects as Spiridon. 
 
 /Mr 
 
 >/ 
 
 BAKALOWICZ (Ladislas). Paris. 
 
 53. Curiosity. 
 
 The pictures of this artist require no introduction. 
 
 FERRARI (G.) Rome. ^ 
 
 54. The Ambuscade. 
 
 too 
 
 275 
 
 // 
 
 // 
 
 !/ 
 
 It is only of late years that the paintings of Ferrari have been 
 imported — but they have long commended themselves to 
 European buyers. 
 
 VAN HAMME (Al.) 
 
 55. The Guitar Lesson. 
 
 BARTH (F.) 
 
 56. Feeding Rabbits. 
 
 250 
 
 RAFFAELLI (F.) 
 
 57. Outskirts of Lyons. 
 
 
u 
 
 Uppet Price. 
 
 READ (T. Buchanan, deceased). 
 
 58. The Ladj" of Shalott. 
 
 “Out upon the wliarves tliej' came, 
 
 Kiiiglit and tourglier, lord and dame, 
 
 And round the prow they read- her name,— 
 
 The Lady of Shalott. 
 
 “ Who is this ? and what is here ? 
 
 And in the lighted palace near 
 Died the sound of royal cheer ; 
 
 And they crossed themselves for fear. 
 
 All the knights at Camelot. 
 
 “ But Lancelot mused a little space ; 
 
 He said, ‘ She has a lovely face ; 
 
 God in his mercy lend her grace. 
 
 A low-toned picture, replete with conscientious art. 
 
 The good works of Koekkoek have become, of late years, exceed- 
 ingly rare, and dealers even experience great difficulty in ob- 
 taining a specimen. This unusually good one is presented 
 with the hope, that those interested in the best foreign Art. 
 will not permit it to sell below its value, for it would be ex- 
 ceedingly difficult to replace it with one so excellent. 
 
 The Lady of Shalott.’” — Teiuu/son. 
 
 SCHLOSSER (Carl). Baris. 
 
 // 
 
 59. In the Cathedral. 
 
 KOEKKOEK (B. C., deceased). 
 |500 60. ()n the Zuyder Zee. 
 
 LEIKERT (Cliarles). Antwerp. 
 
 61. River View helow Amsterdam. 
 
 OEBLER (Otto). Muni, 
 
 y 62. Landscape and Cattle. 
 
 Mnnicli. 
 
15 
 
 Upf.ot Price. 
 
 
 \ 
 
 
 BROWN (.T. G.) New York. 
 
 68. Where Are Yon % 
 
 CUNY (Eugene). Paris. 
 
 64. The Anxious Parents. 
 
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 I 
 
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 ZAMACOIS (Edouard, deceased). 
 
 Medals, 1867, ’68 and ’70. 
 
 65. The Cavalier’s Repose. $450 
 
 The works of Zamacois are becoming exceedingly rare, and those 
 collectors who have not already secured one, had better avail 
 themselves of the opportunities as they offer, as there will 
 soon be none upon the market. 
 
 LEMAIRE (M.) Paris. 
 
 66. The New Song. 500 
 
 A splendid picture and a very expensive work. 
 
 IIAMMAR (Edouard J. C.) Paris. 
 
 Medals, 1853, 55, ’59, ’63; Cross of the Legion of Honor, 
 
 1864. 
 
 67. Tender Moments. 350 
 
 The reputation acquired by Hamman is not to be wondered at, 
 while contemplating this work of his genius. 
 
 NEUHUYS (J. A.) Brussels. 
 
 68. The Portrait. 500 
 
 This splendid painter ranks with Florent Willems, and holds high 
 place with him in the world of art. This is a superb woik. 
 
 J 
 
 I 
 
16 
 
 Upset Price. 
 
 E-ICIITEE, (Edouard). Paris. 
 
 ^^00 69. The Temptation of Faust. 
 
 / Anything more magnificent than this picture it is difficult to con- 
 ceive of. Resplendent in color, it is rich in tone ; splendidly 
 drawn and composed, it is crowded with effects the most diffi- 
 cult of treatment and the grandest in conception. 
 
 SIMMONS (F.) New York. 
 
 70. Abraham Lincoln; 
 
 A splendid bronze bas-relief. 
 
 BAKALOWICZ (Ladislas). Paris. 
 
 600 71. Tlie Answer to the Proposal. 
 
 LIAEDO (F.) Pome. 
 
 300 72. Sociably Inclined. 
 
 A picture, that by its humor must interest both old and young, 
 and by its art those who love art. 
 
 YAN MARCKE (Emile). Paris. 
 
 Medals, 1867, ’69, ’70; Cross of the Legion of Honor, 1872. 
 
 450 73. Landscape and Cattle. 
 
 The works of this artist command prices like, and are esteemed 
 equal to, Rosa and Auguste Bonheur, and even Troyon, his 
 master. 
 
 WEBER (Otto). Rome. 
 
 650 74. Treading Out the Wheat. 
 
 Mr. Haseltine considers these the best examples, in quality, of the 
 artist that have ever been exhibited in America to his knowl- 
 edge. Almost all of Weber’s works are splendid. Every 
 collector of the best works of the masters should possess one. 
 
17 
 
 Upset Price 
 
 KAMSEY (Milne). 
 
 75. Objects of Art and Yature. 
 
 he painting's of Ramsey are well-kno'wn among us as being the 
 best of their kind, and better than similar subjects painted by 
 the greater portion of European painters. 
 
 MULLER (Carl). Dusseldorf. 
 
 Gold Medal of Prussia, 1869. 
 
 ' 76. Happiness and Charity. $1000 
 
 Very small pictures by this, the most famous artist of this class of 
 subjects, have been sold for enormous sums. It is probable 
 that no more important work by Carl Muller was ever in the 
 United States. 
 
 McCLURG (Trevor). Pittsburgh. 
 
 After Coutoure. 
 
 77. Page and Hawk. 
 
 This excellent copy of the most famous picture by Coutoure, was 
 pronounced by that great artist himself, as the beat copy ever 
 made of the painting. 
 
 SULLY (Thomas, deceased). 
 
 78. Domesticity. 
 
 This is one of the most important works of Sully. 
 
 TROYON (Constant, deceased). 
 
 Medals, 1838, ’40, ’46, ’48, ’55 ; Cross of the Legion of Honor, 1849. 
 
 79. Landscape and Cattle. 750 
 
 This beautiful study was highly prized by its former owner, the 
 famous Railroad King of Germany, and was bought from 
 amongst the pictures forming his collection by its present 
 possessor. It is an unusually brilliant bit of art. 
 
18 
 
 Upset Price. 
 
 BEYLE (Pierre M.) Paris. 
 80. The Actress’s Pet. 
 
 V 
 
 
 
 MASSE (Jules). Paris. 
 
 81. The Departure for the. Wars — Scene 
 during the First Empire. 
 
 A choice picture. 
 
 PIGOE (Henri Pierre). Paris. 
 
 Medals, 1848 and 1857. 
 
 82. Hunt the Ring. 
 
 83. Guess my JN ame. 
 
 These two pictures are the originals after which the engravings 
 were made. They were disposed of at the Derby-Everard 
 Sale last Spring at $1000 each. 
 
 HEUILLAHT (J. A.) Paris. 
 
 84. The Siesta — Scene in Japan. 
 
 A fine work of art. 
 
 /&uT 
 
 CARN A V ALLI. Rome. 
 
 85. The Pet Dog. 
 
 YERON (A. R.) Paris. 
 
 86. Scene in France. 
 
 VILLA (E.) Paris. 
 
 87. Poor Polly. 
 
 
20 
 
 
 Ef-eMimg’s s 
 
 
 BOUDO (Jean). 
 
 96. Fruit. 
 
 97. Ditto companion. 
 
 These are painted on copper. 
 
 OOP (Pr. A.) Kew York. 
 98. Summer Rambles. 
 
 
 tL- 
 
 SATERLEE (George). 
 99. The Lilv. 
 
 New A^orl 
 
 // 
 
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 6 ^ 
 
 102. Lafenburg anx Rlieiu. 
 
21 
 
 Upset Price 
 
 GRIPS (A.) 
 
 J*AJU4^4a. 
 
 Brussels. 
 
 103. The Tliouglitful Mistress. 
 
 /Oi 
 
 
 IITLDEBRANDT (Ernest). Berlin. 
 
 gf 104. The Watchful Mother. 
 
 $200 
 
 This is a painting of a vei7 high order of merit. The artist ranks 
 as one of the first of German painters. 
 
 it 
 
 READ (T. Buchanan, deceased). 
 105. The Penitent. 
 
 200 
 
 If 
 
 GOIJPTL (Jules). Paris. 
 
 106. Pa_ying Calls. 
 
 An exquisite painting of the highest class. 
 
 n / LASELLE (Louis). Paris. 
 
 lOY. The Pet Chickens. 
 
 KITWASSEG (C., fils). Paris. 
 
 108. Corheil. 
 
 » > KITWASSEG (C., fils). . Paris. 
 
 109. Sauzay. 
 
 125 
 
 
 
 
22 
 
 Upset Price. 
 
 DE HUYSMANS (F.) Paris. 
 
 110. An Egyptian Shop. 
 
 CAKPEI^TIEE (PI.) Paris. 
 Ol") 111. G-athering the Clusters. 
 
 SEELDRAYER. Paris. 
 
 150 112. Raby Don’t Like It. 
 
 
 
 
 JSTOTERAIAN (Zacherie). 
 liy. Waiting. 
 
 Paris. 
 
 
 DE VOS (F.) Brussels, 
 
 1 IP. Circus Performers at Rest. 
 
 ROBIEJSH (Carl). Munich. 
 
 115. Up to Mischief. 
 
 SPIEERBOOM (And.) Brussels. 
 o<cf 116. The Guard Room. 
 
 LAMBROR (Albert). Paris. 
 
 0„/ lip. Cup and Balls. 
 
 
 /2 ^ 
 jz 
 
 
 
 RAMSEY (Milne). 
 
 118. Objects of Art. 
 
 One of this artist’s most important works, 
 
23 
 
 ^ KENSE 
 
 KEN SETT (J. F., deceased). 
 119. In the Catskills. 
 
 / 
 
 
 Ct/ 
 
 KENSETT (fJ. F., deceased). 
 
 120. Echo Lake. 
 
 SMILLIE (J. D.) New York. 
 
 121. Lake Champlain. 
 
 
 RICHARDS (William T.) Philadelphia. /Hr 
 122. Scene near Germantown. 
 
 
 ^ HUBBARD (R. M.) 
 
 ^ake George. 
 
 New York. 
 
 
 
 COLMAN (Samuel). 
 
 CUJM^ 124. Gibraltar. 
 
 New York. 
 
 /-Z ^ . 
 
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 WHITTREDGE (W.) New York. 
 125. Near Stockbridire. 
 
 yn HASELTINE (William S.) 
 
 New York. 
 
 
 126. Fishing Boats at Ischia. 
 
 /(H 
 
 /H- 
 
 
 
JJpset Price. 
 
 24 
 
 STAGG- (E. M.) New York. 
 127. Preparing to Emigrate. 
 
 
 EWELL (G. II.) New York. 
 128. Eirst Love. 
 
 
 
 SONNTAG (YL PL) New 
 129. Landscape. 
 
 VERNIER (Emile). Paris. 
 130. View near Paris. 
 
 RAFEAELLI (E.) Paris. 
 <^ef 131. Street Scene in Pai •is. 
 
 - York. 
 
 c:^ 
 
 SANTORO (J.) Rome. 
 132. Scene near Rome. 
 
 
 
 
 j3i 
 
 
 INICILOLSON (George W.) Philadelphia. 
 
 00 133. Scene on the Delaware. 
 
 This beautiful picture, by one of the best artists in Philadelphia, 
 is worthy of a place in any collection of art. 
 
25 
 
 Upset Price. 
 
 JACQLTE (Charles Emile). Paris. 
 
 dais, i86i, ’63, ’64: Cross of the Legion of Honor, 1867. 
 
 134. The Farm House. $600 
 
 The paintings of Jacque have advanced during the last year per- 
 haps as much as those of any other artist, and they now 
 command prices that are given for works by Diaz, 
 Rousseau, Daubigny, Corot, and the very best painters, 
 
 SEIBELS (Charles). Dusselclorf. 
 
 135. Holland Landscape, with’ Cattle. 600 
 
 CHUKCH (E. E.) Hew York. 
 
 136. Lake in the Catskills. 
 
 BURHIEP (Richard). Berlin. 
 
 137. Landscape and Cattle. 
 
 GEBLER (Otto). Berlin. 
 
 138. Landscape and Cattle. 
 
 MEYERHEIM (W.) Berlin. 
 
 139. Winter at Antwerp. 
 
 350 
 
 500 
 
 500 
 
 WAHLBERG (Alfred). Paris. 
 
 Medals, 1870, ’72 and 1873. 
 
 140. Landscape— Brittany. 
 
 750 
 
 o one 
 
 of the new and rising landscape painters of France is 
 exciting the interest and expectations of amateurs as this 
 artist, who is here represented by his most important 
 and greatest work. 
 
 
26 
 
 ■ '.'i 
 
 Upset Price. 
 
 YEROT^[ (A. R.) Paris. 
 
 141. Clondy Pay in Lorraine. 
 
 This is probably the finest picture by this artist ever shown in the 
 country. 
 
 LEONARDl (Aciiille). Rome. 
 
 . / painting the poi'trait of Beatrice 
 
 ESCOSURA (Leon Y.) Paris 
 
 Decoration of Spain. 
 
 Cenci. 
 
 Painted to order by this artist. 
 
 
 tS- 
 
 
 
 TOO 
 
 
 500 
 
 143. Before the Departure. 
 
 SCHREYER (Adolphe). Paris. 
 
 Medals, 1864, ’65, ’67. 
 
 144. Fleeing from the Eire. 
 
 For quality and beauty, this picture is unsurpassed and unsurpass- 
 able, by Schreyer. It was bought in Berlin, and formed a 
 part of the celebrated collection lately sold there. 
 
 GIDE (Theophile). Paris. 
 
 145. The Rehearsal for the Mass. 
 
 MOORMAJiTS (E.) Paris. 
 
 146. A ITappy Family. 
 
 MOORMANS (F.) Paris. 
 
 14T. The Music Lesson. 
 
Upset Price. 
 
 w 
 
 
 2Y 
 
 BAKALOWICZ (Ladislas). 
 14r8. In the Boudoir. 
 
 Paris. 
 
 rtainly one of the largest pictures ever exhibited in this country 
 by this illustrious painter. 
 
 FEBB.AKI (G.) 
 
 Rome. 
 
 V /■ 
 
 149. Curiosity. 
 
 ,e works of Ferrari are not often seen in this country. His 
 pictures are fine works of art, and are expensive. Mr. 
 Haseltine is satisfied that they will meet with the appro- 
 val of the public. 
 
 TISSOT (James). London. 
 
 Medal, 1866. 
 
 150. The Abduction. 
 
 $1Y50 
 
 Tissot, though often represented in this country, has probably 
 never been so by so splendid a production from his pencil. 
 By art critics and collectors, both abroad and at home, 
 this is considered his most famous picture. It is really 
 fascinating. 
 
 ITH (Russell). Philadelphia. 
 
 151. Beautiful Yiew. 
 
 BERAIIGER (J. B. A. E.) Paris. 
 
 Medals, 1846, ’48. 
 
 52. The Pretty Dressmaker. 
 
 250 
 
 CASTIGLIONE (G.) Paris. 
 153. The Pet Bird. 
 
 350 
 
 
 
28 
 
 Upset Price. 
 
 LITSCIIAUEE (deceased). 
 
 154. The ITiilnckv ITumber. 
 
 (P.) Brussels. 
 
 155. The Pride of the Household. 
 
 CARDON (Ch. Leon). Paris. 
 
 $350 156. The Guard Room. 
 
 
 
 •I 
 
 
 HEILIGERS. Brussels. 
 
 157. Surprised. 
 
 CIPRIANI (N.) Rome. 
 
 158. Watchinar the Balloon. 
 
 THIRION (Y.) Paris. 
 
 159. Gathering Grapes. 
 
 FERRARI (G.) Rome. 
 
 160. Espionage. 
 
 
 
 GUILLEMIN (A.) Paris. 
 
 Medals, 1841, ’45 and 1859; Cross of the Legion of Honor, 1861. 
 
 161. Amusing Baby. 
 
 Nothing in the collection is finer in quality than this important 
 
 work of Guillemin. 
 
29 
 
 Upset Price. 
 
 
 
 
 -lOITNSON (Eastman). IS’ew York. 
 162. The Father’s ISToondav Meal. 
 
 (/ 
 
 ^ EARUFINI (F.) Rome. 
 
 163. Pining for Liberty. 
 
 ^OULAXGER (Gustave). 
 
 C'P 
 
 Paris. 
 
 
 
 ^ize of Rome, 1849; Medals, 1857, ’59 and 1863; Cross of the 
 Legion of Honor, 1865 ; Instructor of the Government 
 School of Art, 1869. 
 
 164. Hercules at the Feet of Oraphale. 
 
 This is the finest and most important work of the Master that has 
 ever been imported, and is not only one of the best that 
 he has painted, but one of the grandest and most beauti- 
 ful of modern pictures. 
 
 LIYDER (P.) Paris. 
 
 165. Garden Scene durino; the French Revolu- 
 tion. 
 
 A beautiful artistic picture, that truthfully represents the period of 
 the Revolution. The art in it is splendid. 
 
 MFLIDA (E.) Rome. 
 
 166. The Arrival Home, 
 
 areful and agreeable rendering of an every-day subject in Spain 
 
 t — r / 
 
 TOESCHI (G., Pere). Rome. 
 
 16Y. The Yisit of the Cardinal. 
 
 A picture of great merit, by an artist of the highest reputation. 
 
 
A fine pair of outline drawings by the great illustrator of Shakes- 
 peare ; well-known through his published works. 
 
 ENGLEHAEDT (G.) Berlin. 
 
 9 
 
 I 
 
 1Y5. Bavarian Torrent. 
 

 31 
 
 
 
 176. Lake Georire. 
 
 177. Lake Cliaraplain. 
 
 
 WILLIAMS (Isaac L.) Plnladelpliia. 
 1Y8. Yiew near Darbj. 
 
 iY (J.) Paris. 
 
 179. Yiew on tlie Seine. 
 
 SHEARER (C. II.) Reading. 
 
 180. Scene in Eastern Pennsylvania. 
 
 p. PRUHIIOH (P. P., deceased). 
 
 IcL Psjclie borne by tlie Zephyrs. 
 
 
 RAMSEY (Milne). 
 182. Still Life. 
 
 Upset Price. 
 
 
 
 
 
 (U> 
 
 REIDEL. Rome. 
 
 183. The Indian Pi •in cess. 
 
 YOLTZ (E.) Munich. 
 
 / 184. Landscape and Cattle. 
 
 500 
 
 
 
 
/ 
 
 Uwet Price. 
 
 'OMU 4^00 
 
 32 
 
 NEXT HU YS (J.) Brussels. 
 185. Interior, with Figures. 
 
 
 ANGUS (W.) Brussels. 
 186. Flemish Interior. 
 
 
 DOYEN (G.) Paris. 
 
 400 1ST. The Yew Aigrette. 
 
 Paris. 
 
 Pome. 
 
 STAIGG (P. M.) 
 190. Winter. 
 
 New York. 
 
 ^ PAMSEY (M. D.) 
 
 m. Fruit. 
 
 ^PANCH (C. P.) 
 
 192. By the Sea. 
 
 1/0 
 
 
 
 
 New York. 
 
 
 
 
mm 
 
 mmsmmm 
 
 f 
 
 7 ^ 
 
 33 
 
 DAELEY (F. O. C.) Claremont. 
 
 193, The Old Inn — Scene in Yirmnia. 
 
 A 
 
 
 WEBEK (A.) Dnspeldorf. 
 
 0 
 
 194. Landscape. 
 
 ^ A BEAED (J. H.) Eew York. 
 
 SAUNIEE (EW). Paris. 
 
 196. Yisitors at the Enined Abbey. 
 
 
 
 YEEBOECKI-IOYEN (Eugene). Brussels. 
 
 Medals, 1824, ’41 and 1855 ; Cross ot the Legion of Honor, 1845. 
 197. Out on Pasture. 
 
 This example, painted the same ear that he was decorated with 
 the Cross of the Legion of Honor, is as fine in quality as 
 anything that the Master has ever produced. 
 
 ^^^AYONE (Ed.) 
 
 Eorae. 
 
 198. The Toilet. 
 
34 
 
 Upset Price. 
 
 DEFAUX (A.) Paris. 
 
 199. Spring-Time. 
 
 
 s ££- 
 
 A beautiful painting. The sheep in this picture are certainly 
 equal to Jacque. 
 
 V ANGUS (W.) Brussels. 
 
 200. Elemisli Interior. 
 
 
 
 DBLOBBE (A.) Paris. 
 
 201. Besting. 
 
 i 
 
 WORMS (Jules). Paris. 
 
 Medals, 1867, ’68 and ’69. 
 
 202. The New Servant. 
 
 This is one of the most remarkable pictures for quality ever 
 imported of this artist. • 
 
 AMADO (R.) Rome. 
 
 203. The Messenger. 
 
 A splendid picture for color. 
 
 CAILLE (Leon). Paris. 
 
 204. The Evening Prayer. ' 
 
 A beautiful specimen by this pupil of Castan. 
 
 
 
DIAZ DE LA PEHA (ETarcisse). I'aris. 
 
 V ^^^(^^lyiedals, 1844, ’46 and 1848; Cross of the Legion of Honor, 1851 
 
 205. Fontainehleaa. 
 
 AXDREOTTI (F.) Eome. 
 
 \l 206. The Tease. 
 
 
 CORTAZZO (O.) Paris. 
 
 207. The Morning Walk. 
 
 A brilliant example of this great artist. 
 
 ALYAREZ (L.) 
 
 Rome. 
 
 // 208. The Dancing Lesson. 
 
 A beautiful picture. The companion was sold for a very large price. 
 
 H 
 
 / 
 
 IlOGUET (Charles^ deceased). 
 
 Medal, 1848. 
 
 209. On the Coast of Rorwaj. 
 
 LOBRICHOhl (Tirnoleon). Paris. 
 
 Medal, 1868. 
 
 210. Life’s Spring-time. 
 
 HUBNER (Prof. Carl) Diisseldorf. 
 
 211. Before Alarriage. 
 
 
 IIUBRER (Prof. Carl) 
 
 Dusseldorf. 
 
 212. After Alarriage.