Digitized by tine Internet Arciiive in 2010 witii funding from Open Knowledge Commons (for the Medical Heritage Library project) http://www.archive.org/details/heartrhythmsOOIams To A. D. I i THE Heart Rhythms PAUL DUDLEY LAMSON, M.D. Associate Professor of Pharmacology Johns Hopkins University BALTIMORE WILLIAMS AND WILKINS COMPANY 1921 dT- S- I -y —! O f ^ Copyright 1921 WILLIAMS & WILKINS COMPANY Made in United States of America All rights reserved, including that of translation into foreign langtiages, including the Scandinavian. COMPOSED AND PRINTED AT THE WAVERLY PRESS By THE Williams & Wilkins Company Baltimore, Md., U. S. A. CONTENTS Introduction 7 PART I Chapter I THE DEVELOPMENT OF OUR KXOWT-EDGE OF THE HEART RHYTHMS The pulse I3 The sphygmograph 14 The polygraph 16 The electrocardiograph I9 Ch.^ter II FIVE DIPORTAXT ELEMENTS OF THE HEART BEAT 1. The simultaneous contraction of both auricles and both ventricles 24 2. The rhythroicity of beat of cardiac muscle 26 3. The impulse for contraction occurs at the point of greatest irritability. . . 26 4. The refractory period of the ventricles 27 5. The conduction of impulses from auricle to ventricle 27 Summary 29 Chapter III THE DIVISION OF THE HEART INTO FUNCTIONAL AREAS BY MEANS OF THE ELECTROCARDIOGRAPH 1. The sino-auricular node 32 2. The auricular- ventricular node and bundle 33 3. The auricular musculature 33 4. The ventricular musculature 33 Chapter IV THE CLASSIFICATION OF THE HEART RHYTHMS ON THE BASIS OF POINT OF ORIGIN OF lilPULSES I. Sino-auricular rhythms 35 1. The normal heart beat 36 a. Simple tachycardia 36 b. Simple bradycardia 36 c. Sinus arrhythmia 37 2. Ectopic beats interrupting the normal heart beat 37 a. Ectopic auricular beats 3/ b. Ectopic auricular ventricular nodal beats 39 c. Ectopic ventricular beats 40 II. Ectopic auricular rhythms 41 1. Paroxysmal tachycardia 42 2. Auricular flutter 43 3. Auricular fibrillation 45 5 6 CONTENTS in. Auricular ventricular nodal rhythms 48 rV. Ectopic ventricular rhythms 49 Summary of ectopic rhythms 51 Chapter V ABNORMALITIES OF CONDUCTION FROM AURICLE TO VENTRICLE 1. Increased conduction time 52 2. Dropped beats or partial block 52 3. Complete block or idio-ventricular rhythm 52 PART II Chapter I INTERPRETATION OF THE ELECTROCARDIOGRAM Chapter II THE POLYGRAPH, SPHYGMOGRAPH, AND PULSE Instruments 64 The radial pulse 69 The venous pulse 72 Chapter III POLYGRAPHIC CURVES I. Sino-auricular rhythms 83 a. The normal heart beat 83 b. Simple tachycardia 83 c. Simple bradycardia 83 d. Sinus arrhythmia 83 II. Ectopic beats interrupting normal rhythms 85 a. Ectopic auricular beats 85 b. Ectopic auricular- ventricular nodal beats 85 c. Ectopic ventricular beats 86 m. Ectopic auricular rhythms 87 a. Paroxysmal tachycardia 87 b. Auricular flutter 87 c. Auricular fibrillation 89 IV. Auricular-ventricular nodal rhythms 89 V. Ectopic ventricular rhythms 91 VI. Abnormalities of conduction from auricle to ventricle 91 a. Prolonged conduction time 91 b. Dropped beats or partial block 91 c. Complete block or idio-ventricular rhythm 93 Summary of polygraphic tracings 93 Summary of sphygmographic tracings 95 Construction of diagrammatic curves 96 INTRODUCTION The object of this book is not to present anything new in regard to the cardiac rhythms, but to separate them from the intricate mass of information concerning instruments, curves, cardiac physiolog>% etc., in which they are often buried, and to consider the rhythms themselves as a whole, and in relation to each other, but apart from all other func- tions of the heart. In doing so they stand out as a very simple and definite mechanism, which when once understood can never be forgotten. The general plan of this book was developed in 1912 after studying in London, was used in the next year in teaching at the Peter Bent Brigham Hospital, Boston, and since then in connection with lectures in pharmacology at Johns Hopkins University. On account of various re- quests during the past ten years to publish this plan of the heart rhythms the book has finally been completed. The lack of a clear understanding of the rhythms of the heart among well informed clinicians and students is quite surprising but easily accounted for. The subject is of fairly recent development, only a \-ery meager knowledge being had before the advent of the electrocardiograph in about 1910. Up to this time the polygraph was used by a few people and it was possible for even the most experienced to interpret only a part of their curves, and the whole sub- ject was entirely out of reach of the busy practitioner. The electrocardiograph cleared up the heart rhythms at once. It is this fact which has been generally overlooked, and which makes such a book as this possible. The subject of heart physiology is of course in its infancy, as is the cause of the 7 8 INTRODUCTION heart beat, etc., but the rhythms of the heart as such are simply the time relations of contractions of auricles and ventricles and these have been satisfactorily worked out. It is now possible to present a diagrammatic scheme of the heart divided into four areas from which impulses for con- traction can arise. As these areas comprise the entire heart, no other points of origin of impulses can exist. A scheme of heart rhythms on the basis of point of origin of impulses can then be worked out which must include all rhythms. Given a few (five) functions of cardiac muscle, rhythms may be calculated by a mathematician with no other knowledge of the heart. There will be a limited number of rhythms, and each of them has been found to occur chnically. With such a scheme it is impossible to forget the rhythms as they can always be worked out. Any curve or tracing obtained from a patient can be referred to this process of analysis, and can be classified at once. Finally one has a clear mental picture of the limits of cardiac rhythms and will not waste time over each new curve imagining that he has some totally new rhythm. The clinical value of a knowledge of these rhythms is of far greater importance than those not understanding the rhythms reahze. The actual diagnosis cannot be made with- out the use of an instrument, in many cases by the electro- cardiograph only, which is a cumbersome, expensive and complicated instrument quite out of reach from a financial point of view of the general practitioner, but which should be part of the equipment of every hospital. The polygraph, a small portable instrument, can however be used by anyone, and should come into more general use. It is of absolutely no value -without a complete knowledge of the cardiac rhythms. The reason for this is that the polygraph gives no characteristic curves for the auricle and an interpreta- INTRODUCTION 9 tion can be made only by careful plotting of time relations, while in the electrocardiogram the auricular and ventricular impulses are shown by complexes of characteristic shape and can be recognized at once. Besides this in many cases only incomplete information can be obtained by a poly- graphic tracing and a diagnosis made by exclusion only, which is impossible when the limit of rhythms is not defi- nitely known. The instrument is much harder to use in- telhgently than the larger electrocardiograph and the cup- boards of many a practitioner probably hold one of these discarded machines. An intelUgent understanding of the rhythms themselves apart from other heart functions, instruments, and curves, gives one a basis on which to reason out a case, and will allow every practitioner to treat his patients more intelligently whether the diagnosis is made from feehng the pulse, taking a sphygmographic or poly- graphic tracing, or an electrocardiogram. The book is divided into two parts. It is hoped that the first will be found readable, and from it one can obtain an intelligent understanding of the heart rhythms. In the second part a very brief outline of the electrocardiograph and the taking of electrocardiograms is given. It is assumed that anyone using such an instrument would require a much more detailed knowledge than the scope of this book allows. The polygraph however is taken up at length. With a clear understanding of the heart rhythms, this instrument is of great clinical importance, and is well worth a careful study. Its use requires care, and as ma,ny curves can be diagnosed by exclusion only it is essential to have a knowledge of all the rhythms before a diagnosis can be made. Although this requires considerable careful study it is hoped that the pointing out of the few essential 10 INTRODUCTION factors necessary for the taking of a curve, here given, will simplify this apparently complex subject. References, names of authors and investigators, have been left out to avoid confusion. The book is written with the purpose of arranging the great mass of informa- tion which has grown out of years of work by many in- vestigators; and presenting it in as concise a form as possible in order that it may be more widely used in the study and treatment of those suffering from disorders of the heart. The student or reader who wishes to go further will find each phase discussed in detail in many excellent books on the subject. I wish here to express my thanks to the Arthur H. Thomas Co. and The Cambridge and Paul Instrument Company, Limited, for their courtesy in allowing me to use cuts of their instruments. P. D. L. Baltimore, August 1, 1921. PART I CHAPTER I The De\^lopment of Our Knowledge of the Heart Rhythms the pulse Probably the first interest in heart rhythms came from "taking the pulse." This usually meant feeling the pulse wave in the radial artery at the wrist, and we find very early records of fast, slow, and irregular pulses, but these were taken as signs of the patient's condition and little atten- tion was paid to the reason for and the mechanism of their production. The pulse was easily felt and gave the physi- cian perhaps as much information as any single examination does. B}' it he was able to tell whether the heart were beating regularly or irregularly, fast or slowly, whether each beat were large and forcible, or small and weak, and whether beating against the normal, high or low pressure. It was an import ant examination, b ut did not explain the cause of these different rhvthms . If we represent the circulation as in figure 1 it will be seen that the radial pulse, or any other arterial pulse, is a direct index of left ven- tricular contraction only, as this is the one heart chamber pumping blood into the aorta, the right auricle emptying into the right ventricle, the right ventricle into the lungs, and the left auricle into the left ventricle. A study of the pulse alone gives then no idea of what the auricles are doing, but, as we shall see later, when the relationship between ventricular and auricular contraction is once understood, it is possible to infer by feeling the pulse what is going on in the auricles, so that a knowledge of the i:)ulse is at present even more valuable than before. 13 14 THE HEART RHYTHMS THE SPHYGMOGRAPH The first careful study of the pulse was made by using an instrument called the " sphygmograph, " with which the pulse waves could be recorded (see fig. 2). This was done by placing a tambour with a rubber membrane, in the center of which was a button, on the wrist in such a manner that the button pressed on the radial artery. This tambour /\oria and Adenal Pukes, Fig. 1. Diagrammatic representation of the heart showing that the arterial pulse is an index of left ventricular contraction only. was connected by a rubber tube with a second tambour, to which a lever recording on a smoked drum was attached. Each pulse wave compressed the air in the tambour, and transmitted this wave to the lever, which recorded the pulse in a continuous curve. The time was also recorded, usually in one-fifth second intervals. Such a sphygmographic curve is shown diagrammatically in figure 3. With this instrument the time of left ventricular contraction could DEVELOPMENT OF KNOWLEDGE OF HEART RHYTHMS 15 be recorded very accurately. The shape of the curve had Httle significance as it depended on the instrument used, and its adjustment to the UTist, but two points in the curve Fig. 2. Showing the principle of the sphygmograph. The tambour placed over the radial artery transmits an air wave to the tambour and recording lever which records the pulse wave on the revolving drum. A time marker is shown which is essential for the interpretation of these curves. were found to be of great importance: the first of these (1) the beginning of the upstroke, being an index of the beginning of left ventricular contraction, and the "dicrotic notch" (J)|(a!^discussion of which will be found on page 16 THE HEART RHYTHMS (69) marking the end of contraction. The end of the upstroke {2) has no significance, as it depends upon the inertia of the lever. If a hght dehcate instrument is used, the lever will follow approximately the true pulse curve, while if it is heavy it will fly up, making a sharp peak which is very different from the true curve. The sphygmograph was an advance over simply feeling the pulse but it gave us an index of left ventricular contrac- tion only. Fig. 3. A diagrammatic representation of various forms of sphygmographic tracings. The beginning of systole (1), and tlie dicrotic notch {3), the end of systole are the only points of importance. The points {2) and {4) are variables depending on the instrument used, conditions of blood pressure, etc., and may be entirely disregarded. THE POLYGRAPH A great advance over the sphygmograph was made by simultaneously recording the radial pulse, the venous pulse in the neck, and the time, with an instrument called the "polygraph. " This apparatus recorded the pulse in exactly the same manner as the sphygmograph, while a second similar recording device, placed over the right jugular vein, recorded the pulse waves in this vessel. In a normal case under good conditions, curves similar to those in figure 4 were obtained. The beginning of left ventricular systole is shown in the radial pulse curve, and by a correspond- ing wave c in the venous curve, the end of systole by the DEVELOPMENT OF KNOWLEDGE OF HEART RHYTHMS 17 dicrotic notch in the radial curve, and the downstroke V in the venous cur\-e. One other wave (a) is seen in the venous tracing, which occurs one-fifth of a second before each ventricular systole. This was found to be due to contraction of the auricles, so that with this instrument Fig. 4. The upper curve is an actual polygraphic tracing. The lower one a diagrammatic representation of one. It is seen that while the sphygmographic tracing shows ventricular beats only, the venous tracing shows auricular as well as ventricular beats. The points (a) showing auricular contraction, and the points (c) and (v) showing the beginning and end of ventricular systole. it is possible to record auricular as well as ventricular beats. But difficulties were encountered which made this apparatus less simple than it appeared to be. In some cases where the patient moved or coughed, other waves appeared in the venous curve as shown in figure 5 and in still other 18 THE HEART RHYTHMS cases as in figure 6 no auricular waves appeared at all. It soon became evident that the venous pulse gave a very uncertain curve. Taken by itself the curve has no charac- teristic waves as the radial curve has. It is then of no value alone but only when taken in relation to a curve in which definite points are known, as the radial curve. It is possible to plot the beginning and end of systole, definitely Time /t " Fig. 5. This curve is given to show that the interpretation of polygraphic curves is not simple. Besides the auricular and ventricular waves other waves may occur from movements of the patient or the instrument, and these can be told from the auricular and ventricular waves only by careful plotting of known points in the curve. Fig. 6. In this polygraphic curve no auricular waves appear at all, in which case one is not certain whether the auricle is beating or whether the curve is simply badly taken. shown in the radial curve, onto the venous curve, marking where the beginning and end of systole come in this curve. In this manner the waves which are of ventricular origin are found, and we can look about for other waves which might be caused by contraction of the auricles. In some cases these waves are very clear, in others absent or obscure, and though by careful study a great advance was made in DEVELOPMENT OF KNOWLEDGE OF HEART RHYTHMS 19 our knowledge of pathological rhythms by the use of this instrument the whole subject was uncertain, and too difficult for anyone but an expert. THE ELECTROCARDIOGRAPH The instruments of which we have thus far spoken re- corded mechanically the pulse waves which follow heart beats. In the electrocardiograph we have an instrument of an entirely different character, which has nothing to do with the actual contraction of the heart, but records the impulses for these contractions. The principle is a simple one although the instrument is of formidable appearance. It is based on the fact that for a muscle to contract a stimu- lus is necessary, and when this stimulus arises, whether it be of nervous, mechanical, or chemical nature, an electrical difiference of potential is set up in the muscle just before its contraction. It is unnecessary here to go into the theory of this electrical disturbance, the important point being that it takes place a fraction of a second before, rather than as the result of contraction, and we speak of it as an "im- pulse" for contraction. Such a distrubance occurs when any muscle contracts, and as the heart is a large muscle it causes a relatively large disturbance. These changes of potential can easily be recorded by placing the patient's hands in jars of salt solution connected by wires to the elec- trocardiograph. This is simply a very sensitive galvan- ometer, or instrument for measuring small electrical changes and an apparatus for recording them photographically. The simplest form of galvanometer is one in which a coil of wire is placed about a small compass. When there is a flow of electricity through the coil, the needle of the com- pass moves out of its normal position, and when the current 20 THE HEART RHYTHMS ceases the needle swings back again. All these simple instruments need a relatively large current to affect them, and the chief trouble comes from the inertia of the recording device, for example the needle of the compass, which takes some time to swing back to its original position, and so is capable of recording only currents which occur at fairly slow intervals. In the electrocardiograph an Einthoven galvanometer is used, which is made on a different prin- ciple from the compass galvanometer. Here the movable part is a microscopic thread of quartz called a "string," which is suspended vertically in a strong magnetic field. When a minute current is passed through it, the "string" is deflected, or really bent laterally. As the string is sup- ported at both ends, has a very small mass, and moves only a fraction of a millimeter, it has very little inertia, and can record impulses up to many hundred times per min- ute. These records are obtained by making the string opaque with a coating of silver, placing it in a beam of light which throws a vertical shadow, magnified by a microscope, onto a metal plate in which there is a horizontal slot. This slot allows only a point of shadow to pass through to a mov- ing photographic plate or film, on which the point of shadow writes in a continuous curve. The apparatus is shown diagrammatically in figure 7. When curves are taken of a normal individual with this apparatus they are found to be of the following character (fig. 8.) Two distinct curves, or as we call them, "complexes" are seen to occur at regular intervals. The first complex, P, is a small upright curve. The second complex, QRST, consists of a high vertical curve QRS, followed by a shght depression, and then another lower and broader curve T. Careful analysis shows that the first complex P is caused DE\'ELOP]VIENT OF KNOWLEDGE OF HEART RHYTHMS 21 by auricular contraction, and the second complicated curve or ORST is of ventricular origin. The advantage of the curves obtained with this instrument over those of the poly- graph will be seen at once. In the polygraphic curves, the radial tracing gives ventricular beats only, and the venous cur\-e gives nothing characteristic, nothing which Point of Shaaow. Stnn, '9- .-Slot L 3 Line of Shadow Microscope C 3 Lan Conaenser. 'a Bath Na^nQt. '■■Film Fig. 7. Diagrammatic representation of the electrocardiograph. -Aj .- of the condition is the ectopic origin of all auricular impulses. There are several points of interest here. In the first place it will be noticed that the rate is much above the normal, roughly 180 to 220 per minute. A possible reason for this is that if impulses arose from this ectopic focus at a slower rate than that of the normal heart, the sino-auricular node would break in and reestabhsh itself. Very often cases are found in which this occurs. There mil be a run of three or four ectopic beats and then a few normal ones, then a short run of ectopic beats and finally the ectopic rhythm will be estab- hshed with all the impulses of ectopic origin. There is howe^•er no gradual variation in rate. An ectopic rhythm assumes a rate of its oa\ti, and beats with great constancy, perhaps because it is not under any nervous control. The actual rate at which these impulses arise has a marked clinical significance. The ventricle is able to follow the auricle up to rates of about 220 per minute, and these cases in which each auricular beat is followed by a ventricular one are classified as paroxysmal tachycardia, the name, paroxysms of rapid heart beat, being well suited to the condition. With such a rapid ventricular rate there is necessarily a considerable circulatory disturbance of which the patient is aware. \\Tien however the auricular rate goes above 220 or thereabouts, the ventricle is unable to follow the auricle and we have an entirely different clinical picture, which has been given the name of 2. Auricular flutter The patholog>' of this condition is exactly similar to that of paroxysmal tachycardia, namely, an ectopic auricular rhythm, but when the auricle is beating at a rate of 220 to 44 THE HEART RHYTHMS 450 per minute the ventricle can no longer follow it, and we have two or three auricular beats to one of the ven- tricle. In such a case although the auricular rate is very great, the ventricular rate may be about normal, one hundred or so, and if the ventricle happens to follow an even number of auricular beats, the pulse may be perfectly regular. As the ventricle is pumping about the normal amount of blood through the body, there is none of the circulatory disturbance which is seen in paroxysmal tachy- cardia, and the patient complains only of a curious sensa- Timi'/s Fig. 20. Curve of auricular flatter in which the ventricular rhythm is irregular on account of the ventricle following an irregular number of auricular beats. Fig. 21. Another curve of auricular flutter in which the ventricle follows every fourth beat of the auricle and gives a regular ventricular rhythm. tion of "fluttering" about the heart, and a sense of weak- ness. These cases are often missed on account of the slow and regular pulse. When however an electrocardiogram is taken, the condition is seen at once. Figure 20 gives a diagrammatic curve of such a case. Here we have ectopic auricular complexes occurring at a very rapid and regular rate, and sometimes two, three, or four auricular beats followed by a beat of the ventricle. In figure 21 we have the same condition, in which however the ventricle follows every fourth auricular beat and gives a slow and regular pulse. CLASSIFICATION OF CARDIAC RHYTHMS 45 3. Auricular fibrillation If the auricular rate goes above 450 or thereabouts, it is impossible for the auricle to contract coordinately, and it goes into a state of so called "fibrillation." This con- dition is often seen in laboratory work when one tries to perfuse a heart through the coronary arteries. The auricle may beat a few times and then it fills passively with blood and twitches in many minute contractions in different parts of its surface at once, but there is no coordinate wv^ .-J \/y^\^iy^\.,'-.-J\^^ r.a,^/, Fig. 22. Three curves of auricular fibrillation. It will be seen that in all of them the ventricle beats absolutely irregularly. There are no distinct auricular complexes seen, but in curve 1 rapid nearly regular oscillations of the curve can be made out. In curve 2 fewer and more irregular oscillations are seen while in curve 3 the curve is practically a straight line between ventricular beats. contraction of the whole auricle. If one looks at it care- fully it will be seen that innumerable contractions are taking place in small groups of muscle fibers. When an electro- cardiogram is taken of such a case it is found that the impulses are arising from ectopic foci in the auricle at a very great rate, 500 per minute and faster. These may occur regularly as minute auricular complexes, or irregularly, and in old cases which have fibrillated for some time no definite auricular impulses can be made out. Curves of all three such conditions are shown in figure 22. It seems best 46 THE HEART KEIYTHMS not to be too certain in trying to decide just which is a case of flutter, and which is fibrillation. If auricular complexes occur at regular intervals, and polygraphic tracings show regular auricular waves, it is probable that the auricle is really beating, and we are dealing with a case of flutter. If however, we happen to find regular complexes at a rate of 600 per minute, and no well marked auricular waves in the polygraphic tracings it is probable that the auricle is not contracting coordinately. In all cases of fibrillation the auricular impulses are arising at such a very rapid rate that it is impossible for the ventricle to follow and it beats in an absolutely irregular manner. The irregularity is so marked and so persistent that these cases have been recognized for many years before any means of taking tracings were found. Our knowledge of impulse formation still is very incomplete but more is being rapidly found out. The normal auricular impulse apparendy arises at the sino auricular node and spreads in a wave over the auricle in all directions reaching the auricular ventricular node and starting there another impulse for ventricular contraction. When an ectopic auricular impulse arises the impulse spreads from this point in waves to all parts of the auricle, and again reaches the auricular-ventricular node and sets up a ventricular impulse. If however we have an ectopic auricular rhythm as for instance paroxys- mal tachycardia once established it is interesting that the sino- auricular node which may be supposed to be quite normal, does not break in on the ectopic auricular rhythm and interrupt it. In seeking for some explanation for this one might imagine, with no proof of it, that the ectopic impulse wave travelling over the auricle reaches the sino-auricular node and discharges the impulse which is building up there before it has become of sufficient magni- tude to discharge of its own accord and break in on the ectopic rhythm. When for any reason the ectopic rhythm fails for a beat, the sino-auricular node is then ready to discharge and again assumes command of the rhythm. CLASSIFICATION OF C.ARDLA.C RHYTHMS 47 In auricular flutter, it is now believed that the cause of the very- rapid (roughly 450 per minute) rate of auricular contractions is not due to impulses arising at some one ectopic focus in the auricle but that there are so called "circus contractions" taking place in the auricle. It was found some years ago in certain types of medusa, or contracting "jelly fish" that strips cut from them would show a wave of contraction starting at one end and passing off at the other. That after the passage of a contraction wave this point would become refractive and refuse to respond to stimuli for some little time. By cutting out a circular piece or ring strip of tissue it was possible to start a wave travelling around the ring. If the ring were of suffi- cient length when the wave of contraction had made a complete circle and reached the starting point again the refractory stage had passed off and the strip w^as ready to contract once more. In this way it was possible to keep up a wave of contraction travelling around the ring for days. This same phenomenon has been observed in strips cut from the hearts of the dog fish, the turtle, and the dog, and lately it has been experimentally shown in flutter produced in dogs that there is such a wave of contraction travelling around a ring at the junction of the great veins with the auricle. Such a wave in its rapid circular movement sends off waves of impulses over the auricle which cause it to beat, and stimulate in turn the auricular ventricular node. As long as this vicious circle of impulse around the veins occurs the flutter continues, but if a change in the conduction of this strip of tissue can be brought about which will break up the ring wave of contraction the sino-auricular node will then have a chance to send out its impulses to the auricle, and the normal rhythm will be again established. Such treatment has already been successful in certain cases but does not lie within the scope of this book. In auricular fibrillation it is still undetermined whether the enor- mous number of impulses which are shown in the electrocardiogram arise from muhiple foci of stimulation or whether they are complicated irregular "circus movements" similar to those of auricular flutter. For our purpose of studying the heart rhythms however this may be disregarded, and three types of auricular ectopic rhythms considered, simply from the different clinical pictures which they present. In the first, paroxysmal tachycardia, the ventricle follows each beat of the auricle, and gives a picture of a rapid circulation, in flutter the 48 THE HEART RHYTHMS ventricle cannot follow the fast auricular rate and the pulse may be of about normal rate and the circulation apparently normal, while in fibrillation the auricular rate is too great for coordinated auricular contractions. Although all types are simply due to ectopic auricular impulses they cause quite different clinical pictures, whichjustifi.es this classification. m. AURICULAR VENTRICULAR NODAL RHYTHMS In exactly the same way that a point in the auricle may become irritated and give rise to an ectopic auricular ■J u/'>«i^ L/>iii»J l../^.iii.iJ L/NmmJ Fig. 23. Curve of an auricular-ventricular nodal rhythm. In this condition, which is very rare, the impulse for contraction arises in the auricular-ventricular node, and the auricles and ventricles contract simultaneously. No auricular complexes are visible. Fig. 24. Curve of a rare case of ectopic- ventricular rhythm in which the ventric- ular beats are of ectopic origin, and a fairly normal rate, and the ventricle is beating entirely independently of the auricle. rhythm, the auricular-ventricular node may become the point of greatest irritability, and a rhythm may be set up in which all impulses originate from this node. As shown in figure 23, the rhythm will be regular, on account of the tendency of cardiac muscle to beat regularly, and the rate will be very limited. In fact it is a very rare condition and the reason for this will be seen if we think of just what the rhythm means. When an impulse arises at the auricu- lar ventricular node, the auricle and ventricle both beat at once. If the rate is fast the ventricle must follow each CLASSIFICATION OF CARDIAC RHYTHMS 49 impulse, it vdW not have time to fill properly with blood, and the circulation wdll not be properly maintained. If the rate is very slow, the sino-auricular node will break in and start the normal rhythm again. Thus there is a comparatively narrow range of rates in which it would be possible for such a rhythm to be established. As has been said, the condition is extremely rare. IV. ECTOPIC-VENTRICULAR RHYTHMS In the same way that a point in the auricle may become irritated and give rise to an ectopic auricular rhythm, it is conceivable that a point in the ventricle might also be- come irritated and give rise to an ectopic ventricular rhythm. But such a rhythm would have to be rapid or else the sino- auricular node would break in and upset the rhythm. We see many instances of this in which there are runs of ectopic ventricular beats, and then a return of the normal rhythm. If the runs are of fairly long duration they are very upset- ting to the patient, as the rapidly beating ventricle cannot pump sufficient blood to maintain the circulation. Certain very rare cases of temporary ventricular paroxysmal tachy- cardia, flutter and fibrillation have been reported, which are of theoretical interest as it shows us that all the possible rhythms which we can calculate from our classification of rhythms do occur, but for all practical purposes we may say that ectopic-ventricular rhythms are incompatible with life. The one case of ventricular fibrillation which I have seen reported was one in which an electrocardiogram was being taken from a patient with a very bad heart. Suddenly the patient became pulseless, stopped breathing and was considered dead. The electrodes were removed, when suddenly the patient began to breathe, recovered and lived for twenty hours longer. On development of the film it 50 THE HEART RHYTHMS was found that during the time of unconsciousness the ventricle went into a state of fibrillation, but was unable to maintain the circulation and the patient became uncon- scious and pulseless. It is probable that the establishment of an ectopic-ventricular rhythm is often the cause of sudden death. It has been shown that we have rhythms arising from each of the four heart areas. We have shown that each of these rhythms could be broken in on by impulse^ from any of the other areas. We have pointed out that there is a hmit to the rate at which the ventricle can contract and still main- tain an efficient circulation, and that even the auricle can not contract coordinately above a certain rate. We have considered all rhythms arising from the four areas into which we have divided the heart, and seen that their number is Hmited by certain functions of cardiac muscle. Theoretically it is possible for impulses to arise from all four areas at once, from points near the auricular ven- tricular bundle giving curves slightly differing from nodal rhythms, etc. These are of interest theoretically, but are so extremely rare that they can be disregarded here. It is however important to remember that one may sometime take an electrocardiogram of such a case, and then it is simply necessary to plot out diagrammatically the time relations of auricles to ventricles, the origin of the beats, and see where this rhythm falls in the above classification in which it must find its place. There is a condition in which an independent ventricular rhythm may occur however, and that is in complete heart block which will be taken up directly. If for some reason the auricular ventricular bundle is functionally destroyed so that no impulses pass from auricle to ventricle, the ventricle is left to take on a rhythm of its own, quite independent of, and uninterrupted by the auricle. In an CLASSIFICATION OF CARDIAC RHYTHMS 51 uncomplicated case of heart block, these ventricular impulses are of the normal type, but in old diseased hearts cases have been reported in which there is a regular ectopic ventricular rhythm, of a fairly normal rate, about one hundred per minute, which is absolutely in- dependent of the auricle, which beats at its own rate. Such a con- dition is shown in figure 24. SUMMARY OF ECTOPIC RHYTHMS We see from this review of the different rhythms that they are fundamentally the same, although giving very different clinical results. That an ect opic rhvthm, appar - ently mu st occur at a faster rate th a n normal t o prevent the sino- auricular node breaking in and reesta blishing the normal rhythm. That wheiLlh£jdaythmJs^once set up it is of constant rate,- perhaps as it is not under nervous controh_ That in the ectopic auricular rhythms we have first a group, paroxysmaljackyca rdia, in which t he ventricle follows JJTP nnririp Then a group in which the ventricle is no linger f^l^lp tn k<^pp pnre wi th the auricle, aiirictd ar flutter y^ and finally-ar-greup in which t he rate of impuls e formation is; c;r> gr pat that thp ann Vle itself rnnno lxontract coordinatfily^—anjcL-goes i nto a state of fibrillation . In all of these auricular rhythms, these great variations of rate are not extremely dangerous, as the ventricle can continue to beat at such a rate that it can deliver enough blood to keep up the circulation. WTien however the rhythm is one in which the new rate controls the ventricle as well as the auricle, the rate at which the rhythm can occur must be such that the ventricle is able to maintain the circulation, that is, a fairly slow rate, and this rate ap- parently cannot occur without the sino-auricular node breaking in, except in rare conditions, as for instance auricular-ventricular nodal rhythm, and of complete heart block in cases of ectopic ventricular rhythm. CHAPTER V Abnormalities of Conduction prom Auricle to Ventricle We have seen that normally the auricular impulse is transmitted from the auricle to the ventricle by the auric- ular-ventricular bundle in about one-fifth of a second. In cases of poisoning with chemicals, toxic conditions as pneumonia, t3^hoid, etc., this bundle may be functionally, partially or wholly destroyed. And in other conditions of pressure or destruction by new growths, syphilitic lesions, etc., it may be physically injured or destroyed. Such impairment of conduction delays the conduction of impulses and gives rise to three conditions all of which are different degrees of the condition known as "heart block." 1. Increased conduction time. In the first of these the conduction time is simply increased; instead of being the normal one-fifth of a second it may be increased to two- or three-fifths of a second, but the ventricle follows each auricular beat. 2. Dropped heats or partial block. If however the injury to the bundle is greater, the delay in conduction will be so great that the auricle will beat once or several times to one beat of the ventricle. 3. Complete block, idio-ventricular rhythm. And finally if the bundle is completely destroyed the auricle will beat at its own rate and the ventricle will take on an independent rhythm of its own. The first two of these conditions are self-explanatory. If the conduction time is simply increased the pulse will be of the same rate as the auricle and regular, 52 ABNORMALITY OF CONDUCTION 53 and the abnormality will be sllo^\Tl by the use of some in- strument only. If the ventricle follows each second or third beat of the auricle, the pulse vdW be slow and regular, while if it follows an irregular number of auricular beats it will be irregular. When however we have complete block a very distinct clinical picture is found. During the estabhshment of the independent \'entricular rhythm the patient goes through a very trying transition period. He will pass through the first two stages of heart block with no great difficulty, but will then come to a condition in which the ventricle must w^ait for a very long time before an auricular impulse will pass through the bundle and set it off. At first this may be for six or eight beats of the auricle. The ventricle will become greatly distended with blood and the patient will become conscious of the pause and the forcible beat which will follow'. As the block to the passage of impulses becomes more complete, there will be a still longer pause and sometimes it will be as much as ten or fifteen seconds before the ventricle will beat again. During this time the patient will become unconscious but will regain conscious- ness as soon as the heart begins to beat once more. Such attacks may go on for a very long time before complete block is established, and the ventricle takes up a rhythm of its own. When this does happen the ventricle suddenly begins to beat with great regularity, and at a very slow and characteristic rate, about twenty-four to thirty times per minute. The patient is at once relieved and usually returns to very good health and may go about for many years with often little disturbance. This independent ventricular rhythm, usually called " idio-ventricular rhythm, " gives normal ventricular complexes in the electrocardiogram, which means that impulses arise somewhere in the bundle 54 THE HEART RHYTHMS above its bifurcation. Electrocardiograms of these differ- ent rhythms are given below. We have now considered rhythms arising from each of the only areas into which the heart can be divided at present. We have considered the factors which limit their numbers, and it is hoped that from this description the reader will have a true understanding of the rhythms of the heart. This is the main object of this book. The rhythms are Time.'/s R R R R R — A/U-^ .i.tiiii.i/V*wJU«^i.-M«A»>»JU*'''X*i»^.« ii/VlU^'S.i.» Ai«rlU , a , , , , ^e an arm cuff is used, which is placed about the arm over the radial artery. This cuff is attached Fig. 29. Diagrammatic scheme of arm cuff method of recording the arterial pulse curve. The letter a represents the arm cuff; b the bulb to fill it with air; c the manometer with which to take the arterial pressure; d a rubber ball to take up this heavy pressure; e a glass container in which the pulse waves reaching d are transmitted to the air at low pressure to the tambour /, which records them by means of the lever g on the revolving drum. by a rubber tube, to a recording tambour. On account of the high arterial pressure a bulb is interposed between the cuff and the tambour to take this pressure off the recording tambour as shown in figure 29. In this figure a is the arm cuff, h the bulb to fill it with air, c, the manometer to re- cord the pressure, and d, the bulb to take up this pressure. WTien the cuff is blown up to the proper pressure (some- where between the diastolic and systolic pressures), each 66 THE HEART KEYTHMS pulse wave causes d to expand, compresses the air in e, a closed glass chamber connected with the tambour / and the writing lever g, which records each pulse wave. A mercury manometer is also attached to the instrument, which is useful in taking the blood pressure, but also is of help because the cuff may be blown up until the best arterial pulse is obtained, the pressure recorded, and then the venous tambour arranged. When the time comes to 19 No. 43076 Fig. 30. The Mackenzie polygraph, with horizontal pens. make the arterial tracing it is only necessary to blow up the cuff to the pressure noted before, turn on the tambour, and one is sure of obtaining a good radial curve. The first of these methods requires more time and trouble in adjusting the spring to the pulse. This is often annoying when trying to take a tracing quickly after exercise, etc. The latter method requires no skill in adjustment as the cuff is merely shpped over the arm and blown up. It can be attached at once and gives beautiful records. POLYGRAPH AND SPHYGMOGRAPH 67 c &- 3 C tn TO C a E W in 3 C s ° IS OJ ■'-> C ^ « in " .S •J 10 S to !5 I "^ (I) 4> S o .§ e N ■" 68 THE HEART RHYTHMS The venous pulse is recorded by placing a small glass funnel or other cup receiver, over the veins of the neck. The air is transmitted to a tambour, and writing lever similar to that used with the radial pulse, and described on page 65. The tambours are all of the same general type, but some use a horizontal, others a vertical pen. The horizontal No, 43104 Fig. 32. The Jaquet polygraph, a very beautiful instrument, which is attached to the wrist. pen is good when one is accustomed to it, but with the be- ginner it is constantly coming off the paper. With the vertical levers the pens hang on the paper and cannot come off, and when in good condition give excellent curves. The two types of instrument most often used are the Mackenzie with horizontal pens, which is a beautiful machine and compact, and a newer type the Zimmermann (fig. 31), with arm cuff attachment, vertical pens, and blood POLYGILA.PH AND SPHYGMOGRAPH 69 pressure attachment. This is by all means the simplest machine as no difficulty is found in obtaining a good radial tracing. The pens cannot come off the paper, and the instrument is so constructed that tracings may be made on rolls of smoked paper, or on plain paper with ink. Another very beautiful instrument is the Jaquet (fig. 32) which is a deHcate httle affair which is attached to the wrist. One has to use small strips of smoked paper, and although it is as beautifully built as a watch it is not as convenient for ordinary use. THE RADIAL PULSE Let us return once more to our original diagram of the heart (fig. 33). We see that the left ventricle is the only heart chamber which sends blood into the aorta, and consequently all arterial pulses are indices of left ventricular contraction only. Any arterial pulse curve (that is radial, brachial, temporal, etc.) will show the following points (fig. 34). An upstroke (1), a sharp apex (2), a plateau broken by a notch (3), a downstroke reaching normal at (4), Let us now see to what causes these various parts of the curve are due. The upstroke (i) is due to ventricular systole, sending a wave of blood down the artery. The end of this upstroke is seen in a sharp point (2), which will vary in shape and size with the weight of the lever, the sensitiveness of the tambour used etc. It is not then a constant, and is of no importance. The notch (J) is the so called dicrotic notch. It occurs at the end of systole at the time when the ventricle relaxes. Various explanations have been given for its origin but we may think of it unscientifically 70 THE HEART RHYTHMS Mackenzie Ink Polygraph, New American Model Jaquet Portable Polygraph POLYGRAPH AKD SPHYGMOGRAPH 71 as a back kick of the blood when the ventricle stops forcing it into the aorta, and relaxes, the arterial pressure becomes then relatively higher than in the ventricle, and slaps back fiorta and Arte rial PJses. Fig. a. Same as figure 1. Diagrammatic representation of the origin of the arterial pulse. Fig. 34. Same as figure 3. Three types of arterial pulse curves showing the different forms of the curve which are unimportant as long as the beginning of sys- tole (/) and the dicrotic notch (J), the end of systole, are to be seen. on the aortic valves. In any case it occurs at the end of systole. The point (4) where the curve returns to normal, is a variable, it depends upon how full the arteries are when 72 THE HEART EHYTHMS the pulse wave comes down it, etc. It is of no use to us and should be entirely disregarded. In the radial pulse curve we have then two points of importance only, everything else may be disregarded. These two points are: 1^ The upstroke marking the beginning of ventricular systole. 2. The dicrotic notch, marking the end of ventricular ■systole. Curves should be so taken that these two points come out clearly. If they do not the curve is of no use. Whether the rest of the curve is large or small is merely a matter of beauty, but is of no consequence. THE VENOUS PULSE In taking a venous curve the patient should lie flat (if possible), with a small pillow under the head in such a position that the sterno-cleido mastoid muscle is relaxed. The receiver is best placed over the lower end of this muscle on the right side, just above and at the inner end of the clavicle. One is tempted to place the receiver higher up where the veins are more prominent, but in most cases this will not give as good a curve. No fixed rule can how- ever be given for this, and the best position will have to be found for each patient. Having obtained a venous tracing we find a curve in the normal individual, similar to that shown diagrammatically in figure 35. An actual polygraphic tracing is shown in figure 4. The shape of the curve is of no importance, and it varies in each case, and in the same case depending entirely upon the adjustment of the instruments. It is however necessary to know what to look for in these curves, POLYGRAPH AND SPHYGMOGRAPH 75 and to take them with the object of bringing out the es- sential points instead of making a beautiful appearing tracing which may lack the few points necessary for a diagnosis. Nothing very definite can be made out of such a curve. The waves are not of characteristic shape or size, we cannot, therefore, identify any one of them as being due to some particular portion of the cardiac cycle. It is then evident that the venous curve alone is of Httle Fig. 35. Same as figure 4. A normal polygraphic tracing showing that the venous curve gives no waves of characteristic shape by which the auricular beats could be distinguished from those of the auricle. value to us, and before taking up the analysis of such curves let us represent diagrammatically (fig. 36) a cardiac cycle, the heart being shown as ha\dng but one auricle and one ventricle, and the great veins as a tube entering the auricle from above. If one uses the imagination a trifle it may be possible to make out from this series of figures the sequence of events taking place in the auricle and ventricle, and the cause of the different venous and radial pulses. 74 THE HEART RHYTHMS At (i) both auricle and ventricle are partially filled with blood. At (2) the auricle contracts, as indicated by the heavy outline, and forces its blood into the ventricle, distending the latter. This contraction of the auricle is accompanied by a back wave up the vein, and a rise in the Fig. 36. Diagrammatic scheme showing the cause of the venous and arterial pulse waves. At (1) both auricle and ventricle are partially filled with blood. At (2) the auricle contracts as shown by its heavy outline, and forces blood into the ventricle, distending it. At the same time it sends a wave up the veins to the neck and causes a rise in the venous curve, the a wave. At (J) the auricle relaxes as shown by the irregular outline and the ventricle contracts and drives the blood out into the aorta. This contraction causes a wave in the venous curve, the c wave at the beinning of systole. The ventricular pulse wave does not reach the wrist until one-tenth of a second after the corresponding wave in the neck, due to the time taken to travel there. At (4) the ventricle is still contracting and the auricle filling with blood. This causes backing up of blood in the veins and a rise in the venous curve. At (5) the ventricle relaxes, end of systole, and the blood falls from the auricle into the ventricle causing a sharp drop in the venous curve, the V wave (really a drop in the curve). At the same time the dicrotic notch occurs in the arterial pulse. At (6) both the auricle and ventricle are passively filling with blood, and at (1) the cycle is begun again by contraction of the auricle. POLYGR.\PH AND SPHYGMOGILA.PH 75 venous curve at (a). The letter {a) is used in these curves to denote auricular waves. It is placed at the upstroke of the waves as are all polygraphic measurements, as the end of the upswing depends, as before stated upon the sen- sitiveness of the writing lever, etc., and is not constant. The auricle immediate^ relaxes as indicated by the irregular outline in (J), and blood runs into it from the great veins causing a fall in the venous curve. At (3) the ventricle contracts and forces blood out into the aorta as indicated by. the arrow. Simultaneously with this contraction there is an upstroke in the venous curve (c). The letter c was first used to denote carotid pulse. It was formerly thought that the curve c was due to the receiver being held over the carotid artery, but experiments in dogs with no carotid artery give this same wave, so that it may be due to a back wave up through the auricle to the vein. One-tenth of a second later the upstroke at 5 occurs in the radial tracing, this delay being due to the time taken by the pulse wave to travel from the heart to the radial artery. The reference (4) shows another stage in the middle of ventricular systole. It will be noticed here that during systole no blood can pass from auricle to ventricle, there- fore the auricle fills up, and as it fills blood gradually backs up in the veins above it depending upon conditions in the general circulation. On this account the venous curve after the quick up and down wave due to systole of the ventricle, will gradually rise to the point v. This rise may be small or if the veins are very full it may be a sharped peaked curve. It is important to remember this as one is othenvise often puzzled by the variations in this wave. At (5) the ventricle relaxes (end of ventricular systole) as shown by the irregular line. As it does so the pressure 76 THE HEART RHYTHMS within it falls, and the accumulated blood in the auricle rushes down into the empty ventricle, not from a contrac- tion of the auricle, but merely on account of the blood there being at a higher pressure than in the empty ventricle. This is accompanied by a sudden drop in the venous curve denoted by v (ventricular wave). One often speaks of the a, c, and v waves. At v we really have a drop in the venous curve, not an up wave. On account of the filhng of the veins during ventricular contraction the venous curve may rise giving a sharp peak just before v, but at this point the curve should show a sudden fall. At the same time (not one-tenth of a second later) the dicrotic notch occurs in the radial tracing. The ventricle and auricle then both gradually fill, and the cycle is repeated. One should practice drawing a complete set of diagrams for oneself until he is familiar with the course of events in a cardiac cycle as there is no use in attempting to interpret polygraphic curves without understanding this completely. From a study of the above curves it will be seen that we can fix four points with certainty. These are, 1. Beginning of ventricular systole in the radial curve (upstroke S). 2. End of systole in the radial curve (dicrotic notch d). 3. The beginning of systole may be plotted onto the ven- ous curve by marking a point one tenth of a second earher in the venous curve (upstroke c). 4. The end of systole may be plotted on the venous curve by measuring up directly from the dicrotic notch. This gives (y) at the beginning of the downstroke of the wave. POLYGR.\PH AND SPHYGMOGR.\PH 77 In this figure the pens for both cun^s are writing directly over each other, as shown by the ordinates x and y, Hnes made by moving each pen on the paper to record their relative positions. In all curves these ordinates are necessary and all measurements are made from them. For example in this curve with the pens directly over each other, the point v is over d. If however the pen for the venous curve were not directly over the arterial pen, v would not come over d. In order to plot d onto the venous curve, its distance from y would be measured, this distance would then be laid off from x along the venous curve and v fixed. These ordinates must be given with each tracing or it is of no use. No other points can be fixed. With polygraphic tracings we axe then able to fix the beginning and end of systole in the radial curve, and have an exact method for determin- ing the rate and rhythm of the left ventricle if all the beats are transmitted to the wrist. In many cases however of weak and irregular hearts the small premature beats send too small a pulse wave to be felt or recorded at the wrist, and one of the first things which must be done in polygraphic tracings is to compare the radial pulse with the cardiac impulse or heart sounds to determine if any beats fail to reach the wrist. In the normal venous pulse curve there are three waves in each cycle, and we are able to fix two of these from plot- ting them from the radial curve, namely the beginning and end of systole. The third wave in the cycle should be due to contraction of the auricle, but we have no way of fixing it. From our knowledge of heart physiology however we have two points which help us to decide about these auricu- lar waves, one is that: 1. Auricular waves occur at regular intervals. The two exceptions being a gradual variation in rate due to sinus arrhythmia, or to a sudden break in the rhythm due to pre- mature ectopic beats. 78 THE HEART RHYTHMS 2. Auricular waves occur normally about one-fifth of a second before the carotid waves. If then we are given a polygraphic curve to interpret we first fix the beginning and end of systole on the radial curve, plot these points onto the venous curve with exact- ness marking each of them regardless of where they fall, mark them c, and v, and then plot points one fifth of a second before the c points and mark these with a ? mark. These are the only possible points which one can fix, and the in- terpretation must be made from them. Next one should see if waves occur at the points where the a waves are to be expected. If they do, mark them with a if no other waves are left unaccounted for one is then in possession of sufficient data to make a diagnosis. If how- ever other waves occur in the venous pulse which cannot be accounted for by the fixing of the above points, the only things which other waves can be are auricular waves or artefacts, or if the a waves occur slightly out of place, or some or all of them are absent the only way to make a diagnosis is to plot out just what we really have, and then see with which one of our known cardiac rhythms this best agrees. It is self evident that without a complete knowledge of all cardiac rhythms it is useless to try and make a diagno- sis by exclusion. Let us take one or two curves as examples. Before taking a tracing each pen should be swung back and forth to give the ordinates x and y, their relative posi- tions on the paper, as described above. If they are so arranged that they are just over each other, then the points on the radial curve can be plotted vertically onto the venous curve, if however they are not over each other as is usually the case, the points on the radial curve may be transferred to the venous curve by taking a strip of paper laying it POLYGRAPH .\ND SPHYGMOGRAPH 79 along the radial curve, marking the ordinate x and the points 5 and d of each pulse curve. Then by laying this paper on the venous curve mth the ordinate x on the ordmate y the points 5 and d may be marked off onto the venous curve and given their proper lettering c and v. The c points will however all be moved back {towards the ordinate) one-tenth of a second to allow for the time taken for the pulse wave to reach the wrist as already described. One should then measure the time intervals as recorded by the time marker and notice if they are all equidistant, Tirm /; s s s s s s Fig. 37. A normal polygraphia curve, showing the plotting of the beginning and end of systole onto the venous curve, the c and v points, and the probable location of the auricular waves at points one fifth of a second before the c waves. These are the only points which we can fix in the polygraphia curves. in order to tell if the paper is running evenly. Slight varia- tions in the rate of movement of the paper often give very confusing curves if this is not checked up. Next we mark off points one-fifth of a second before the c points, which is easily done as the time intervals in most polygraphs is one-fifth of a second. These points are marked with a ? mark. We have now fixed all the points which we can and we are ready to interpret the curve. At the points c we should have an up wave in the curve, due to the carotid beat, and at the points v, there should be a decided fall in the curve, for the reasons described above. 80 THE HEART RHYTHMS At the points marked with the ? we should expect to find upward curves which are the auricular beats. In the curve under examination we find that all these factors occur as we expect and that there are no other waves which are un- accounted for, the a-c interval or conduction time is normal and we may then feel quite certain that we are dealing with a normally beating heart. Time 'Is s s Fig. 38. Another illustrative curve showing the location of the c and v waves and the marking of the points where the a waves should normally come, one-fifth of a second before the c waves. It is found that waves occur in the venous tracing near the normal points for the a waves but not exactly at these points. These waves are however equidistant from one another, and all but one are followed by a ventricular beat. The curve would show a gradual increase of conduction time with a dropped ventricular beat after the fourth auricular beat if it were not for the two waves at r. It has already been found that all ventricular beats are transmitted to the wrist, so that these cannot be ventricular beats, they are out of time for auricular beats and they are not followed in the radial curve by ven- tricular beats, so that they are neither auricular or ventricular beats and must be due to some mechanical movement of either the patient or the instrument. If however we have a curve as shown in figure ?>^, com- plications will arise. Here again we examine the time marker, measure off the points 5 and d on the radial curve, plot these from the ordinates onto the venous curve, remembering that the point c will come one tenth of a second before s. Mark points one fifth of a second before the c points on the ven- ous curve with ? marks, and then examine the curve. POLYGRAPH AND SPHYGMOGRAPH 81 In the first place we find that the ventricular radial beats are not regular. We know that there are several causes of ventricular irregularity but the one which it is important to think of at once is whether there is absolute irregularity, that is auricular fibrillation. If this condition is present there ^\dll be no auricular waves. Examining the curve for auricular waves which should fall in a normal heart at the points marked wth a ?, we find that there is a wave at the first mark, and a small wave near each of the others except next to the last one where the curve is very irregular. If one now starts with the first of these waves which are thought to be auricular waves and tests their regularity by measuring the distance between them it will be found that they are all equidistant and that there is one wave falling in the right interval which is not followed by a ventricular wave. If one measures the distance from the beginning of each of these waves to the point c (the a-c distance) representing conduction time from auricle to ventricle, it will be found that it gradually increases up to the one which is not followed by a ventricular beat, and that the next auricular wave which is followed by a ventricular beat is of the original a-c distance. We have then a gradually increasing a-c distance, or a lengthened time of conduction, and in one instance a dropped ventricular beat, in other words we are dealing with a case of partial heart block. We now examine the curve and see if anything remains unaccounted for, and we find a double curve in the venous tracing at r, which we have not yet accounted for. This must be either an auricular or ventricular beat or an arte- fact. The wave at r, is not followed or accompanied by a ventricular beat, each apex beat is transmitted to the wrist, it does not come at the regular auricular time; it is therefore neither a ventricular or auricular beat but must 82 THE HEART RHYTHMS be due to some mechanical disturbance of the levers, as coughing, moving, etc. Each curve must be worked out in some such systematic way as this. The important points to remember are to first see that the time marker is running evenly, then fix the beginning and end of systole in both the radial and venous curve, and lay off the points where the auricular beats should arise; having done this next look for auricular waves which should be equidistant except where there is a gradual variation in their rate due to sinus arrhythmia, or a decided and abrupt change due to premature beats. A review of these different methods of recording the heart rhythms shows us that the electrocardiograph gives us complete information. It is merely necessary to take a curve, plot out the auricular and ventricular beats, their time relations to each other, and the points of origin of the impulses and one will be able to locate the rhythm in its proper place in our classification. With the polygraph our information is always incomplete. We may be able to tell the time relations of the auricular and ventricular beats, but we cannot tell the point of origin of impulses directly. For instance it is impossible by the tracing alone to distinguish between the ectopic-auricular beats of paroxys- mal tachycardia, and the normal auricular beats of a rapidly beating heart. It is on this account that it is essential to have a complete knowledge of the heart rhythms to interpret a polygraphic or sphygmographic curve. In order to aid one in getting a clear picture of all these different rhythms the following diagrammatic curves of each type of heart rhythm are given. The polygraphic curve is given and below it the auricular and ventricular beats plotted out in a diagrammatic scheme. As such curves give also the sphygmographic tracings one can use the same curves in discussing this instrument, and the arterial pulse. CIL\PTER III POLYGRAPHIC CURVES I. SINO-AXIRICULAR RHYTHMS a. Normal heart heat. This has been taken up so often before that it is unnecessary to repeat the curve, it is im- portant to remember however that the auricular beats occur at regular intervals, that they are followed in one- fifth of a second by the ventricular beats, and that in plot- ting the beginning of ventricular systole onto the venous curve the point c will come one-tenth of a second earlier in the venous curve, while the point v is plotted up directly from the dicrotic notch, finally to remember to plot all points from the ordinates x and y. b. Simple tachycardia. Here there is an increased auric- ular rate, the conduction time will remain normal, the increase in rate will be found to be due to shortening of the diastoHc interval. The rhythm will be regular. c. Simple bradycardia. The slow heart rate is here ar- rived at by a lengthened diastoUc period, but the conduction time will be found to be normal. The rhythm is regular. d. Sinus-arrhythmia. Here the rate of auricular beats undergoes a gradual variation due to direct chemical or nervous stimulation of the sino-auricular node. The change in rate will always be found to occur gradually, no sudden break ever occurring. Such a rhythm is shown in figure 39 and it is seen that the gradual variation in rate is due to changes in rate of the auricular beats. The conduction time is normal and the pulse curve shows a gradual change in rate. 83 84 THE HEART RHYTHMS Timz'/s. \ \ \ \ \ \ a o Fig. 39. Sinus arrhythmia. c V ^ c V c^ V C_ V a Time'/s Fig. 40. Ectopic-auricular beat. This occurs prematurely and is followed by a normal auricular beat which occurs also in a shorter interval than normal. The normal rhythm is then interrupted by two beats. Tima'/s'- ^ ^ ^ ^ ^ "^ Fig. 41. This is another curve of a premature ectopic-auricular beat which is followed by the normal auricular beat in such a time that the regular rhythm is broken only by the one premature beat. Time,'/^'. \ \ SIS s^ Fig. 42. Curve of an ectopic auricular- ventricular nodal beat, which occurs prematurely and is followed in such time by the normal auricular beat that the normal rhythm is interrupted by two beats. POLYGR.\PHIC CUR\^ES 85 n. ECTOPIC BEATS INTERRUPTING NORMAL RHYTHMS a. Ectopic-aiiricidar beats. In all of these ectopic beats we have a normal regular rhythm interrupted by single or multiple beats of ectopic origin. It will be noticed that there are never any extra beats but that a beat occurs prematurely. Such a beat is shown in figure 40 and 42. The normal point of origin of impulses is the sino-auricular node the auricle beating first and the ventricle following it, we therefore always look at the auricular heat first, and work out the rhythm from it. Here we see that we have a regu- larly beating auricle interrupted at L by an auricular beat coming prematurely, this is followed in a shorter time than the regular auricular rhythm by another auricular beat and then the regular auricular rhythm is again established at the original rate. Each auricular beat is followed in the normal time by a ventricular beat so that the radial curve shows the same irregularity as the auricular rhythm. Two heats are out of time. This is due to the premature beat and to the normal auricular beat following, occurring also prematurely. All of this is easily seen in the polygraphic curve but it is im- portant to compare the two radial beats which are out of time with the one beat which we will find out of time in the radial tracing, when we have an ectopic beat of other origin. In figure 41, however a curve is given in which we have an ectopic-auricular beat the same as in the above curve, in which the auricular beat following the premature one comes in the normal auricular interval. In this case only one auricular and one ventricular beat is out of time and it cannot be distinguished from the ectopic beats of other origin. b. Ectopic auricular-ventricular nodal heats. An ectopic beat of auricular-ventricular nodal origin is shown in 86 THE HEART EHYTHMS figure 42. Here the regular rhythm is interrupted by a premature beat arising from the auricular-ventricular node. Both the auricle and ventricle beat at once. This is shown by the abnormally large venous wave occurring at the time of ventricular contraction while the radial pulse wave is if anything smaller than normal. The next auricular beat from the sino-auricular node may occur as in the case of the ectopic-auricular beat, either slightly earlier than normal or in the normal time, in which case there may be either one or two beats out of time in the radial curve. Tirm'/s \ \ \ .' \ \ Fig. 43. Ectopic-ventricular beat. Here the rhythm is interrupted by the premature ectopic-ventricular beat only. The next auricular beat falls in the refractory period of the ventricle and this fails to respond but does so to the next auricular beat. c. Ectopic-ventricular heats. In this condition there is no abnormality of the sino-auricular node therefore we will find a regularly beating auricle. Each auricular beat will be followed by a ventricular beat in the normal time until we have one ventricular beat occurring prematurely as shown in figure 43. When the next auricular impulse comes to the ventricle it finds it in the refractory state and it cannot contract, so that this auricular beat will not be followed by a ventricular beat, but the next auricular impulse finds the ventricle again ready for contraction, and it is followed by a ventricular beat. We have then POLYGRAPHIC CURVES 87 only one interruption to the normal rhythm, and that is the single premature ventricular beat. This rather lengthy description is given to enable one to differentiate by means of the sphygmograph alone an ectopic-auricular from an ectopic-ventricular beat. It will however be seen that the auricular and auricular-ventricular nodal beats may both give a single interruption to the regular rhythm which is exactly similar to the interruption caused by a premature ventricular beat. The only diagnos- tic point of any value is then, that if the regular rhythm is interrupted by two beats in succession the ectopic beat is not of ventricular origin but of either ectopic-auricular or auricular-ventricular nodal origin. The origin of any ectopic beat may however be determined by the use of the electrocardiograph . III. ECTOPIC-AURICULAR RHYTHMS a. Paroxysmal tachycardia. Here we have a very fast regular rhythm of ectopic origin, all of the auricular beats arising from an ectopic focus in the auricle. They are followed in the normal or slightly reduced conduction time by normal ventricular beats. The polygraphic curves can in no way be distinguished from a fast beating normal heart, as the auricular beats arise at regular intervals, and each is followed by a ventricular beat. Such a curve is shown in figure 44. h. Auricular flutter. In this condition the auricle is contracting at regular intervals and at such a fast rate that it is impossible for the ventricle to follow it. Two conditions may then result as shown in figures 45 and 46. In the first the ventricle may follow a regular number of auricular beats giving a regular pulse which may be of fairly normal THE HEAUT RHYTHMS vOl'c Ov at c ^•' r "a '^/N''/V<^/\'k 'j Timers'. Fig. 44. Curve of paroxysmal tachycardia which will be seen to be indis- tinguishable from a rapid normal rhythm. Timz'/s" V V ' S" S" V V'V " Fig. 45. Curve of auricular flutter. The ventricle follows a regular number of auricular beats and gives a regular slow ventricular pulse. Tone. 'Is Fig. 46. Auricular flutter in which the ventricle follows an irregular number of auricular beats and is very irregular. Tiim'js III \ % I Fig. 47. Curve of auricular fibrillation in which no auricular waves are seen, and the ventricle beats absolutely irregularly. POLYGRAPHIC CURVES 89 rate. In the second condition the ventricle follows an irregular number of auricular beats and will then show all manners of irregularity. Sometimes pulses can be made out in which the ventricular beats occur in groups following first three, then four auricular beats. If such regular groupings occur in the radial pulse one feels that there must be a controlling factor; that there must be a beating auricle, and that the ventricular rhythm must be due either to a condition of auricular flutter, or to heart block, which will be taken up later, the principle being the same however, the ventricle following first one number and then another of auricular beats. In flutter this irregular beat of the ventricle is due to its being unable to maintain the auricular rate, while in the case of heart block the conduction is so poor that all auricular impulses do not reach the ventricle. c. Auricular fibrillation. In this condition there is no coordinate contraction of the auricle, no auricular waves can therefore be made out. The venous curve will show simply c and v waves due to the beginning and end of ventric- ular systole. As there is no regular auricular rhythm but a very irregular auricular impulse formation the ventricle will respond to only those irregular impulses which reach it and its rhythm will be one of absolute irregularity. Such a curve is shown in figure 47. IV. AimiCULAR-VENTRICULAR NODAL RHYTHM This is an exceedingly rare condition. The impulse for contraction arises at the auricular-ventricular node and is transmitted to the auricle and ventricle in the same length of time so that the auricle and ventricle beat simultaneously. In such a case the a and c waves would occur at the same time and make one wave, no separate a waves would appear, and the venous curve 90 THE HEART RHYTHMS would consist only of the combined a and c wave and the V wave. The rhythm would be regular as all un- interrupted rhythms are, and therefore we would have a regular arterial pulse. The simultaneous beat of the auricle and ventricle give an abnormally high and sharp wave occurring at the beginning of ventricular systole, while the arterial pulse wave is of the normal size as shown in figure 48. The diagnosis of this condition has to be made with caution, if the polygraph alone is used. It is based on having a regular rhythm, no auricular com- Tiim'/s ! ! 1 I : I Fig. 48. Curve of auricular- ventricular nodal rhythm, in which the ventricle bdats regularly and gives an abnormally high c wave in the venous curve. No auricular waves are visible. Car<^ should be taken in making a diagnosis of auric- ular-ventricular nodal rhythm from such a curve alone, as a very similar curve may be obtained by placing the venous receiver over the carotid ar^^ery and missing the venous curve altogether in a normally beating heart. plexes, and an unusually high c wave. But one can see that it is perfectly possible to place the venous receiver on the neck in such a way that one will be able to record carotid beats and not record the venous pulse at all, in which case of course no auricular beats could be seen. The condition is so rare that one mil hardly ever see it, and most all cases in which a regular ventricular venous pulse is found with no signs of auricular waves, will be found, if an electrocardio- gram is taken, to be due to the manner in which the venous curve was taken. In fact in the hands of the beginner POLYGRAPHIC CURVES 91 more than half of the tracings taken will be found to con- sist of nothing but the carotid pulse instead of the venous curve. V. ECTOPIC-VENTRICULAR RHYTHMS We haA'e seen that if runs of ectopic beats arise in the ventricle they must be rapid or the auricle breaks in and the normal rhythm is set up again. On the other hand if the run of ectopic beats is rapid and prolonged the circula- tion fails and the patient becomes unconscious and dies. There is then a very narrow limit of rates within which it is possible to have ventricular rhythms compatible mth life, and we may from a practical point of view consider that they do not occur. They are theoretically possible however. VI. ABNORMALITIES OF CONDUCTION FROM AURICLE TO VENTRICLE a. Prolonged conduction time. In certain conditions of toxic poisoning, or pressure, the conduction from auricle to ventricle is impaired and it takes the impulse more than the customary one-fifth of a second to pass from auricle to ventricle. If this lengthened conduction time is not too great the ventricle will still follow each auricular beat, and the curve will show no changes from the normal except an increased a-c interval. Such a curve is given in figure 49. The arterial pulse will be perfectly regular and no abnormahty can be made out without the ^•enous tracing being taken. b. Dropped heats or partial block. If the impairment of conduction increases so that all auricular impulses are not transmitted to the ventricle it will be found that every once in awhile one ventricular impulse will be dropped, as shown in figure 50. 92 THE HEART RHYTHMS Polygraphic tracings give us complete information in such cases as the auricular and ventricular waves are both shown, and the conduction time may be measured. The arterial pulse may however be very deceptive. The gradual in- crease in conduction time makes a slight lengthening of time between the arterial beats, and an interval where the beat is dropped. Single beats are easily recognized by Time'/s ■^ ^ ^ -^ ■-. ^ Fig. 49. This shows a simple prolongation of the conduction time but each auricular beat being followed by a ventricular beat. Timers' Fig. 50. In this curve the conduction time is prolonged after each of the first three beats until the fourth, where the auricular impulse does not reach the ventricle and one ventricular beat is dropped. The next auricular beat passes to the ventricle and the cycle is repeated. these factors. Where beats are dropped at regular or recurrent intervals the condition may be made out from the radial pulse alone. For instance if each fourth beat is dropped, one will find a gradual lengthening of the in- terval between beats, and then a dropped beat, the sequence of events being repeated regularly. Or one may find a gradual increasing distance between the radial beats, and then a dropped beat occurring after first three and then four POLYGR.\PHIC CUE.\TS 93 auricular beats alternately. But when the ventricle follows no regular number of auricular beats, the pulse curve loses all signs of regularity and the condition cannot be told by the arterial pulse alone from the absolute irregularit\' of auricular fibrillation or of multiple ectopic beats. c. Complete block. Finally we have a condition of com- plete block, which has been described above in which no auricular beat can reach the ventricle and the ventricle takes on a rhythm of its own, known as an idio-ventricular rhythm. This rhythm is characteristic, as no other con- dition (except in cases of poisoning) gives such a slow ven- FiG. 51. This curve shows a condition of complete block in which the auricle and ventricle beat absolutely independently of each other. The ventricular rate is characteristic of this condition being a little over twenty per minute. tricular rate. It is usually between twenty-four and thirty beats per minute, but may be higher. A curve of such a condition is shown in figure 51. Auricular waves are shown occurring at regular intervals, and bearing no relation to the ventricular beats which occur at long and perfectly regular intervals. SUMMARY OF POLYGRAPHIC RHYTHMS If we summarize this review of the polygraphic tracings we find that it is possible to make the following diagnoses with this instrument. Sino-auricular rhythms. Complete information can be obtained of all these rhythms but a simple tachycardia 94 THE HEART EHYTHIIS cannot be distinguislied from parox}'smal tachycardia by the tracing alone. Ectopic beats. These may all be recognized, and the origin of the ectopic beat located, that is whether it is auricular, auricular-ventricular nodal, or ventricular. Auricular-veniricuJar nodal rhythms. These cannot be proven to occur as the diagnosis is based on the absence of auricular waves, and abnormally large c waves, both of which factors may be obtained in a poorly taken normal rhythm in which the venous receiver is placed over the carotid arter}* and no v'enous pulse is recorded. The con- dition is extremely rare. ECTOPIC-AI"MCrL-\R RHYTHMS Paroxysmal tachycardia. This caimot be differentiated from simple tachycardia by this instnmient alone. Auricular flutter. This may give ver\- beautiful auricular waves, and an even better picture than the electrocardio- gram. Sometimes however the waves are ver}- hard to obtain. Auricular fhrilhtion. In this condition no auricular waves occur and the ventricle beats with absolute irregular- itv'. One is never certain that the absence of auricular waA'es in the curve is not due to the technique of taking the tracing. The other two possibilities are multiple ectopic beats, and irregular heart block. These of course would be shown m the venous curv'e if one were sure that the venous curve were being taken, but it is surprising in how many cases the begumer is unable to obtain anvthing but a carotid tracing instead of the venous curve. HEART BLOCK -\11 Stages of heart block may be shown perfectly by poly- graphic tracings. POLYGRAPHIC CURVES 95 SUMMARY OF SPHYG MO GRAPHIC TRACINGS Sphygmographic tracings give us graphically the same information which we can obtain by feeling the pulse. Our information is very limited, and unless it is combined with other clinical signs and s>Tnptoms is of limited use, but with a good knowledge of the heart rhythms, and a clear picture of the clinical conditions associated with each, which one can obtain by experience only, the pulse will be found to be of great diagnostic aid. It gives of course only ventricular beats. All regular rhythms cannot be differentiated except by their rate. Such rhythms are the normal beat, simple tachycardia, simple bradycardia, paroxysmal tachycardia, auricular flutter, in which the ventricle follows a regular number of auricular beats, auricular-ventricular nodal rhythm, and heart block in which the ventricle follows a regular number of auricular beats. Sinus arrhythmia may be easily recognized by the gradual variation in distance between the individual beats. Ectopic heats if occurring singly may be recognized as such. The normal rhythm is interrupted by one beat oc- curring prematurely, and sometimes a second one, the only break in the regular rhythm any of the three t>T)cs of ectopic beats, namely ectopic-auricular, auricular-ventricu- lar nodal, or ectopic-ventricular, may give the same picture. If howe\^er the premature beat is followed by a second beat at an interval shorter than the normal period, and the regular rhythm then restored, we know that the ectopic beat is not of ventricular origin. It may be an ectopic- auricular or an auricular-ventricular nodal beat, but the two cannot be differentiated. 96 THE HEART RHYTHMS Absolute arrhythmia is always associated with fibrilla- tion but it may occur in multiple ectopic beats, or irregular heart block. Periods of regular beats may occur in partial heart block, but also in runs of ectopic beats. CONSTRUCTION OF DIAGRAMMATIC CURVES In conclusion a method of construction of these dia- grammatic curves is given as a help to those who wish to plot out the rhythms for themselves. Such a scheme is given in figure 52. Fig. 52. Diagrammatic method of constructing polygraphic curves which will be found described in the text. One saves a great deal of time by using a drawing board and T-square. First the nine parallel construction lines are ruled off in pencil. The first one for the plotting of the venous curve, the second for the top of the arterial pulse curve, the third for the dicrotic notch in this curve, the fourth as a base line for the same curve, the fifth for the time marker, the sixth and seventh for the top and bottom of the auricular diagram, and the eighth and ninth for the top and bottom for the ventricular diagram. Time intervals are laid off along the time marker fine at regular intervals. One-half inch for each fifth of a second POLYGRAPHIC CURVES 97 will give a convenient working scale. One can calculate quickly the intervals at which to put the auricular beats for any given rate by deciding how many to put in a three second interval, this number multiplied by twenty wall give the rate per minute. For instance three, a rate of sixty, four, one of eighty, etc. Having decided on the rate, let us suppose the auricular beats will fall at two-inch in- tervals. The ruler is then laid along the venous line (1), and marks made at two-inch intervals and marked (a). One-fifth of a second after each of these will come the ventricular waves which should be marked by points, in this case one-half inch after the (a) points. The duration of ventricular systole is a little more than the conduction time or the a-c interval, and so points are made, let us say three-quarters of an inch after the c points and lettered v marking the end of systole. We now have all the beats plotted out. Construction lines are now drawn down from each of these points across all the horizontal lines. Points one-tenth of a second after each c line are marked on the base line of the radial pulse curve. The ventricular beats are now drawn in, starting each upstroke at these points, and putting in the dicrotic notch at the proper place, shown by the construction line from "?;. " The venous curve can then be drawn making upstrokes at the a, and c points, and down strokes at the v points. Finally the diagrammatic lines for the auricular and ventricular beats may be drawn in. From such a construction it will be seen that the venous curve gives us the true relation of the beats to each other. That all our rhythms are based on the auricular beats, the normal controlling pacemaker of the heart, and the time relations of ventricular beats to these auricular beats plotted. The method which we must adopt in reading a tracing is 98 THE HEART KEIYTHMS however the reverse, on account of the absence of charac- teristic venous curves. In a tracing we must first start with the ventricular beat as shown in the arterial curve, because it gives us our only two fixed points, the beginning and end of systole, and from these plot backwards so to speak onto the venous curve in order to distinguish there, auricular from ventricular waves. INDEX Arrythmia, sinus, 37. Auricular beats : premature, 37, 85. ectopic, 85, 94. Auricular: complex, 30. fibriUation, 45, 89, 94. flutter, 43, 87, 94. "a" waves, 17, 74. Auricular ventricular. bundle, 29, node 33. nodal beats, 39, 85. nodal rhythm, 48, 89, 94. Beats: dropped, 52, 91. ectopic auricular, 37. ectopic auricular ventricular 39, 85. ectopic ventricular, 40. premature, 38. Block: partial, 52, 91, 94. complete, 52, 93. Bradycardia, simple, 36. Bundle: auricular ventricular, 29. of His, 29. "c" wave, 16, 74. Carotid wave, 16, 74. "Circus" movements, 47. Complex, 20. auricular, 30. ventricular, 30. Conduction, 27, 52. time, 28, 52. Curves: construction of, 62, 96. examination of, 61. polygraphic, 16, 64, 83. sphygmographic, 14, 95. nodal. Dropped beats, 52, 91. Dicrotic notch, 69. Ectopic beats: auricular, 37, 40, 85. auricular ventricular nodal, 39, 85. ventricular, 40, 86. Ectopic rhythms: auricular, 41, 87, 94. auricular ventricular nodal, 48, 89, 94. ventricular, 49, 91. Electrocardiogram, normal, 20, 31. interpretation of, 59. Electrocardiograph, 19. "Extra Systole," 38. Fibrillation. auricular, 45, 89, 94. ventricular, 49. Flutter, auricular, 43, 87, 94. Heart beat: normal, 36. polygraphic curve of, 17, 74. Heart block: complete, 52. partial, 52. His, bundle of, 29. Idio-ventricular rhythm, 52. Leads, 60. Node: ■ auricular ventricular, 33. sino-auricular, 32. Nodal beats, auricular ventricular, 39. Normal : electrocardiogram, 20. heart beat, 36. rhythm, 36. 99 100 INDEX Orclinates, 77. Paroxysmal tachycardia, 42, 87, 94. Period, refractory, 27. Premature: auricular beats, 37, 85. auricular ventricular nodal beats, 39, 85. beats, 38, 94. ventricular beats, 40, 86. Polygraph, 16, 65. Polygraphia curves, 83. inteipretation of, 78. Pulse, the, 13. radial, 13, 16, 69. venous, 17, 73, 74. "P" wave, 20. "QRS"wave, 20. Radial pulse, 13, 14, 69. Refractory period, 27. Rhythms : auricular ventricular nodal, 48, 89, 94. ectopic auricular, 41, 87, 94. ectopic ventricular, 49, 87, 91. normal, 35. sino-auricular, 35, 93. Simple bradycardia, 36. Simple tachycardia, 36. Sinus arrhythmia, 37, 83. Sino-auricular node, 32. Sino-auricular rhythm, 35, 93. Sphygmograph, 14. Sphygmographic curves, 95. String, 20. Systole, "extra" 38. "T" wave, 20. Tachycardia: simple, 36. polygraphia curve of, 83. paroxysmal, 42, 87, 94. "V" wave, 17, 74. Venous pulse, 17, 73. Ventricular beats: premature or ectopic, 40, 86. Ventricular: beats, premature or ectopic, 40, complex, 30. fibrillation, 49. rhythm, ectopic, 49. idio-ventricular, 52. wave, 74. Waves : auricular, 17, 74. carotid, 16, 74. "P,"20. "QRS,"20. "T,"20. "v," 17, 74. DUE DATE 201-6503 Printed in USA J. COLUMBIA UNIVERSITY LIBRARIES 0037552147