x —— iggy Gold Seal ae (2 INLAID )| a, reating a Charming ONE Ba orn COPYRIGHT 1926 CONGOLEUM-NAIRN INC. Creating a Charming “Home By LAURA HALE SHIPMAN * O those of us who are about to decorate or to replace worn articles of furniture with new, is left the decision as to what type, quality, color and design they shall be. How, if we have not some knowledge of the principles that govern successful house decoration, can we create rooms of beauty and cosy comfort? As you will find, this little booklet does not aim to teach house decoration, but it does offer the simplest principles of the art so that the nov- ice of amateur may use it as a guide in furnishing and beautifying the home. _ To plan the decorations and furnishings of a house successfully, one should go about it sys- tematically, just as a professional decorator does, by first analyzing the room or rooms to be done. The first question to ask one’s self is, ‘‘What exposure has the room?’’ Most of us are familiar with those famous fundamental rules that gov- ern color, namely—apply the warm tones to rooms having a northern or eastern exposure and the cooler tones to the rooms having southern and western exposure. Warm colors ran ge through the scale of yellows and reds, and the cool colors are any of the blues, greens or grays. The next question in the process of analysis is, “Which of the colors suitable to my room shall I use for the floor, and through what medium shall I apply it?’’ In calculating for decorations or furnishings, the floor should be given first con- sideration. From it one should build the entire color scheme of a room, and since the floor is primarily meant to be walked on, nothing deli- cate 1n color or texture is considered serviceable or good for either its decoration or covering. The floor, whether of wood, linoleum or carpet covered, should be at least three shades darker than the walls of a room. Through the floor-cov- ering one should on entering a room encounter a feeling of stability, and a sense of foundation. Too, concerning the selection of floor-covering, one should be cautious about pattern. Figured rugs or linoleum are ideal where plain or an in- definite all over pattern exists on walls, but it is best not to have a figured floor where walls and upholstery are also figured. Large surfaces of con- trast gain restfulness, and give the existing de- sign a chance to be appreciated. The importance of first deciding on the floor- covering, its pattern and color, is thus illustrated, and as there exists such an enormous assortment of delightful patterns and color combinations in linoleum, not to consider this practical color- ful material as the foundation would be to lose the opportunity of creating individuality and charm. After one’s decision has been reached concern- ing the floor, come the walls. Their problem may be solved by leaving them in either rough gray plaster, or papering, painting or tinting them in tones lighter than the predominating color note found in the floor pattern. Woodwork in small rooms if painted like the walls will help to create the idea of space; and in large rooms if stained like the darkest tones in the floors, will help to make large rooms appear smaller and homey. Ceilings should never be done in a glaring white, but tinted or painted a tone or two lighter than the walls, which helps them to become part of the room. After all these structural features have been cared for and the furniture has been placed, comes the joy of selecting curtain materials. The selection of color and design is influenced by the color and design found in floors and walls. With plain soft colored walls, and colorful linoleum floors the amateur has but to reflect in either plain or figured materials the color or combination of colors found in the floor pattern. + THE HALLWAY fe ORTSADNEL/ANL/ ARIS INI A HE hall is the introduction to the home. Nowhere in the entire house is 1t more im- portant to strike the right keynote in furnishing. A dull, badly furnished hall has the same effect as a chilly reception, while one colorfully fur- nished gives a feeling of cordiality. The smaller the hall the greater necessity for treating it as part of the adjoining rooms, espe- cially where wide doors connect living room, din- ing room and hall. The floor then in both pattern and color should be the same as in the adjoining rooms. If a hall is large or nearly square, its decorative treatment may be identical with or neutral enough to serve as a connecting link between rooms seen from the hall. A neutral toned Gop Szat INuarp in a Belflor tiled pattern—for example 7151-4 shown in the illustration on the cover of this booklet—would extend a warm greeting and meet the problem of blending color tones of connecting rooms. In long narrow gloomy halls where small doors disconnect the hall from the other rooms, a more definite decorative scheme may be in- dulged in. For example: a Belflor pattern in a bold black and softly mottled gray comple- mented by walls in soft Spanish pink or sun yellow. The furniture if any, might be of wrought iron. Rugs and strips of carpet are correct over a background of linoleum if placed parallel with the baseboard and if their design does not seriously conflict with the tiles of the pattern. WEN the present generation turned its back on the *‘too-good-to-be-true’’ parlor and contributed the living room, it certainly created a style for the betterment of living. Unfortunately however, we often find ourselves content with a living room that is patchy and incomplete and nowise appropriately furnished. A thoughtfully planned living room should not be dainty—but substantial and comfortable from the floor-covering to the smallest detail. Again we must have the large masses of color near the floor to gain that solid inviting air. Where the expanse of floor, or architecture of the house warrants a large tiled pattern floor- covering, it is easier to decide on a pattern and dominating color note, and to carry it out in f= NISINISNIS NSRP Ai MIPIZIPIS. ae Belflor 444” Inset Tile Belfior Pain No. 7093- 5 Belflor Pattern No. 7093-8 Belflor Pattern No. 7103-2 Household Weight Household W eight Belflor Pattern No. 7104-6 Belflor Pattern No. 7105-7 Belflor Pattern No. 7146-1 > Belflor Pattern No. 7150-8 Household W eight Household Weight Belflor Pattern No. 7151-8 Belflor Patina No T153- 4 Household Weight Household Weight ELFLOR patterns of Gotp Seat Inuarps are invaluable in building up-to-date room schemes because of their distinctive tile effects and rich soft variegated colorings. Much in vogue for the living room, dining room, sun-porch, bedrooms, reception hall—in fact any room! Made in Household and Heavy Weights. Belflor Pattern No. 7153-6 Household Weight Household W eight Belflor Palen No. 71 Household Weight TTousehold W eight OLD SEA a= Ow ae | Ma Universal Pattern No. 52-33 “Universal Universal Pattern, Now 52:40) Household Weight Househo Household Weight Universal Pattern No. 56-93 ogo. eo: ao roe: roe bs Universal Pattern No. 55-90 grr f. > oF 2 7 Universal Pattern No. 51-53 : ae 51-80 ~ Universal Pattern No. Household Weight Household Weight Household Weight Household Weight = Universal Pattern No. 51-151 Universal Pattern No. 51-153 Universal Patiern No. Household Weight Household Weight Household Weight Oy Heschel Wah [ TNIVERSAL patterns of Gop Snau INvarps are especially suitable for kitchen, pantry and bath, because of their cheerful colorings and clean-cut tile patterns. Also popular for breakfast i ] N LA ] D S rooms, sun-porches, halls—wherever a solid-color, trim tile effect 15 = desired. Made in Household and Heavy Weights. 53-153 Mahogany, walnut and maple furniture well afford the larger tiles in the mellow colors. Using linoleum as a floor-covering and foundation of one’s color scheme, it is simple to choose and keep clean the small rugs neces- sary at the bureau and bedside. Hooked, braided or rag rugs, or strips of plain carpet can carry out further the colors of the linoleum. When furnishing, place the head of the bed or beds against the longest wall space and a small bedside table next to, or between them. Then the dressing table or bureau must be placed so that the light will be directed upon the person to be reflected and not upon the mirror. Curtains, draperies, bedspreads and bureau scarfs are the finishing essentials which so often mean the success or failure of the color scheme. These of gay glazed chintz, cretonne, colored cheese cloth, scrim, swiss or the pin printed muslins, can repeat any or all colors found in the carpet or linoleum. For the more formal and elaborate bedrooms, where mellow floor colors warrant more sub- stantial materials, the printed linens and the damasks would be in keeping. ADDITIONAL COLOR SCHEMES Breproom: Floor—Blue-green and buff tiles—Belflor Pattern No. 7151-5. Walls—Pale green paint. Curtains—Buff-rose and green glazed chintz. Furniture—Early American maple. Beproom: Floor—Brown Jaspé. Walls—Pale Georgian green. Curtains—Floral rose glazed chintz. Furniture—Early American maple. Beproom: Floor—Gray Jaspé Linoleum and rag or braided rugs. Walls—rose—blue—yellow Floral pattern paper. Curtains—Rose and blue ruffled organdy. Furniture—Painted gray—stencils of rose—blue—yellow. 14 THE PLAYROOM CNIS IRESINISINIS INES OG AES be successful the playroom must also be a nursery, and to meet the requirements it should be furnished from the point of view of the child who is to occupy it. A room with a south- ern exposure is greatly to be desired, and here the cool colors may be indulged in from floor to ceiling in a variety of combinations. Child study has proven that early impressions havea lasting influence on the mature taste and adult life, so the responsibility of decorating a nursery is naturally a big one. As far as possible the walls should be neutral, such as ae ivory, gray or cream. It not only helps to create a rest- ful atmosphere but permits the color and objects in the room to be changed to conform with the growth of the child. . To ensure cleanliness and quietness, linoleum is the best possible choice of floor-covering. As children love color, and are nearer the floor than any other part of the room, the most natural means of introducing it is through the pleasing tiles of linoleum. The soft blues and grays, the ivory and blue patterns are excellent for sunny rooms, and with them old rose, jonquil yellow and mauve cur- tain materials combine beautifully. Inside of toy closets, tops of built-in seats, cushions and curtains may repeat or contrast with the colors chosen for floors and curtains. The low tables, chairs and chest may then be in a light natural wood or in the same colors as the wall, decorated with the color in the floor pattern. Large downy cushions covered in is ae 5 WI TO WOW AD The doors of the plaything closet and the blue of the dado and Se Gorpd Srat INtAID Belflor Pattern No. 7146-2 sateen invite play and even slumber, and a low desk or table with a small chair or bench, much paper and pencils will make for happy hours. Do not forget a comfortable wicker or over- stuffed chair for the grownups, as it is often necessary for the mother or nurse to spend time in the nursery. If pictures are chosen, the subjects of animals in action, which children 15 borders tone in beautifully with the floor. Plenty of red gives contrast and provides the cheerful coloring so pleasing to children. This beautiful sanitary floor is GoLD SEAL INLAID, Belflor Pattern No. 7108-1. Gotp Srat Intra Belflor Pattern No. 7150-5 so love, are more appropriate than still life. ADDITIONAL COLOR SCHEMES Nursery: Floor—Brown Jaspé linoleum. Walls—Shell pink tint or paint. Curtains—Rose dotted swiss. Furniture— Painted pale gray—stencilled in rose. Nursery: Floor—Universal Pattern No. 52-49. Walls— Light buff all-over design paper. Curtains—Rosebud dimity bound with rose and blue ribbon. Furniture—Painted blue outlined in rose. hee bathroom though undeniably the small- est room in the house is one of the most important. And, no longer does the homemaker consider one bathroom sufficient for her small house. A bath for every two rooms and a down- stairs lavatory are now almost a necessity. The modern method of tiling walls to from four to six feet above the baseboard makes it ezes somewhat difficult to introduce color in the bath- room except through the choice of the flooring. Too, the floor must be of a waterproof kind, easy to wipe up when water is spilled. Linoleum alone offers all this. Small tile atterns—either solid colors or the latest mottled effects—in the more delicate tones are more appropriate than the darker linoleum. Blue-greens, buffs and blues are bright and easy to match in painted bands on the plaster one inch above the wall tile. This touch of color Gop Srat INLAID Universal Pattern No. 55-38 An ordinary tile floor would not be nearly as pleasing as this colorful Gotp Swau Inia, Belflor Pattern No, 7151-5. we Note that the blue of the floor is repeated in the decoration of towels and hamper. 16 Gorp Sraz Ina Universal Pattern No. 52-151 adds warmth and individuality which can be carried further in the marking of towels, selec- tion of bath mats and shower curtains. A low stool and soiled clothes hamper may be enamelled to correspond with the color scheme, while decorated glass bottles and jars placed neatly on a shelf will add to and com- plete a colorful bathroom. Curtains of pale green, rose or yellow rub- berized silk or net should be shirred and stretched tightly from a rod placed midway across the window to one at the bottom. This method of curtaining ensures privacy when the window is raised. The illustration shows an effective bathroom treatment. Another color scheme, for a bright sunny bath- room, would be to use Universal pattern 52-151 on the floor—over it a rag mat of plain blue— walls in ivory white—hand towels embroidered in yellow and mauve with curtains made of yellow dress mull. Stool and wicker clothes hamper painted in mauve with touches of yellow. Shower curtains of plain yellow rubberized silk complete a cheer- ful and artistic ensemble. ADDITIONAL COLOR SCHEMES BatHroom: Floor—Universal Pattern No. 51-153. Walls— Ivory white paint or waterproof wall fabric. Curtains— Printed voile in rose, blue, mauve and green. Fixtures, Stool, Hamper, Rug—In blue, like the tile. BatHroom: Floor—Belflor Pattern No. 7104-6. Walls— Light apple green. Curtains—Pale yellow voile bound in black. Fixtures, Stool, Hamper, Rug—In yellow to correspond with the curtains. 17 * DECORATION BREVITIES * HE following brief paragraphs will help you keep the simple fundamentals of decor- ation in mind when planning the interior of your home, and aid you to avoid some of the common mistakes made by those who have not made a study of interior decoration. GENERAL Remember, your house is your palace. You are justified in satisfying all your needs for it so far as your purse permits. By all means replace worn and shabby articles, but do not, however, buy for the sake of buy- ing. Nothing is a bargain if no real need exists for it. Don’t live in a room or a house which de- presses you, change it. Introduce color, and be cheerful. Before planning an interior, decide what type of room you have, and choose for its fur- nishing a type which will conform with the general architecture. The Georgian period— which includes Adam, Chippendale, Sheraton, and Heppelwhite—offers much in the more or less formal types of furniture which are admir- ably suited to our modern Colonial houses. The more massive furniture, the Early Eng- lish, Italian, or Spanish, is appropriate in houses of this type of architecture or in apart- ments where rough plastered walls and wrought iron fixtures exist. The early Colonial type of interior—which might be papered in reproductions of the charming old wall papers or light colored paints in panels, and so forth—demands the use of the Early American furniture in maple or pine. These are delightfully complemented with glazed chintzes and calico for curtains. COLOR Before planning an interior, decide which of the three types of color scheme you will follow: Monochromatic, built up on different tones of one color such as cream, buff and brown; Analogous or related color scheme, consisting of hues which are close together in the color circle: Jor Complementary color scheme, using colors that are on opposite sides of the color circle. For example, red and green are complements; red- violet and yellow-green; blue and orange. The warm colors are reds, yellows, oranges. The cool colors are the greens, blues, violets and the grays. Red suggests fire. It is an active, aggressive color and should be used sparingly. Yellow suggests sunniness and cheerfulness. Yellow is the best color for a dark room because it reflects light better than any other color. Its relative tints, cream, buff and ivory are also effective for a dark room, if yellow seems too pronounced. Orange combines the effects of red and yellow. Blue suggests coolness and restfulness. Except in its lightest tints, blue used in large areas is likely to carry the feeling of repose to the ex- treme of depression. 18 Green, a combination of yellow and blue, par- takes of both and is cheering and cooling. Violet partakes of both red and blue in its effect. Grays are neutral, and may be combined with any hue. Pure gray is a mixture of black and white, and is likely to appear cold. To give gray warmth, it should be tinted slightly with the hue with which it is to be associated. There are yellow grays, blue grays, green grays, and so forth. The larger the area, the lighter the color; the smaller the area, the brighter it may be. Bright colors should be used sparingly be- cause too much of them tires the eyes and creates confusion. Partial exemptions from this rule are sun porch and breakfast room, which from their nature may be more gayly decorated than the other rooms of the house. The lighter tints of the various colors should be used when it is desired to express delicacy or youth. The darker tints should be selected for dignity, quietness and stability, and to appeal to older people. In rooms having northern or eastern exposure, use watm tones in your color schemes—the cooler tones in rooms having southern and western exposure. A pronounced or a dark color on walls or floor makes a room look smaller. A light color in- creases the apparent size of a room. Ceilings, walls and floors are backgrounds. They should be less intense in color than the objects against them—the hangings, rugs, fur- niture and decorative furnishings. DESIGN AND PATTERN Do not let figured surfaces predominate. Con- trast them with plain surfaces of equal or larger area. Do not use prominently figured upholstery and hangings with a figured floor. When the walls have a pronounced figure or pattern, the floor should be plain or nearly so, Gold Seal Jaspé for example. Plain walls, on the other hand, need the pat- terns and color to be found in Gotp Sra INxaIps. If the floor is figured, the rugs should be plain or nearly so. CEILINGS The lighter the tone of the ceiling, the higher it will appear. A high ceiling should be tinted comparatively dark in order to bring it down where it will appear to tie in with the rest of the interior. Such a ceiling should be tinted very little lighter than the wall color. Conversely, a room with a low ceiling can be given apparent height by tinting it much lighter than the walls. It is seldom advisable to tint a ceiling white unless the walls are also white. A white ceiling has the tendency to give an unroofed appearance to a room. FLOORS Start furnishing from the ground up. The floor should be the foundation on which the rest of the room scheme is built. ey) The floor should be the darkest area in the room, the walls next and the ceilings lightest. The floor should be at least three shades darker than the walls. In large rooms the tendency should be towards the larger tile patterns, and in the small rooms the smaller tiles. In bedrooms and other interiors where a dainty appearance is desired, use patterns of small design in the lighter colors. In such rooms, the larger the design the lighter should its colors be. WALLS AND WOODWORK Light-colored walls make the room appear larger. Light blues and greens particularly in- crease the apparent size of a room because they appear more distant. Dark colors on the walls make the room look smaller. They should be used only in large rooms. If rooms are high, stripes should not be used as they add to the apparent height. To make a low room look high, a striped wall-paper, with- out border, is effective. Where books or pictures are to be used the wall background should be plain or nearly so. In wall-paper for example, the design could be a small indistinct figure or a narrow stripe. Woodwork if stained to match the darkest tones of the floor will help make the room Jook smaller and more homey. Woodwork painted the same color as the walls will give an effect of largeness. FURNITURE AND FURNISHINGS ‘Scale’ is an important consideration in mak- ing up groups of furniture. Do not group very light pte with massive pieces. For example, an end table grouped with an overstuffed couch should be substantial rather than “‘spidery.”’ Furniture for the average home should be simple in design and upholstery. Ornately carved pieces and massive furniture are at home only in rooms that are correspondingly ornate or impressive in size. In other words, the fur- niture should be in scale with the interior. Worn furniture or furniture of unpleasing de- sign can be transformed by means of slip covers. Color and design of such pieces can be made to correspond to hangings, for example, by use of the same or a related color and design in the material used for the slip covers. Balance in the furnishings of a room is very important. For example, do not group all the heavy furniture on one side of the room, or all the pieces of one color or one pattern. Neither should all high pieces be placed on one side of the room, and all low pieces on the other. Combine the high and low in balanced groups on opposite sides of the room. In using furniture of different types, remember that a majority of the pieces should have the same general shape and size—in other words, either the straight line type of furniture or the curved line type should predominate. 20 Don’t mix light and dark furniture—rather group the kinds and detail each group to a dif- ferent room. Stain the light to match the dark if they must be used in the same room. Only in exceptional cases should rugs or the principal pieces of furniture be placed otherwise than parallel to the walls. If, however, it is found advisable to place a davenport, for ex- ample, across a corner, the rug in front of it may be parallel to the davenport instead of the wall. Mirrors are very effective in increasing the apparent size of a room, especially in the recep- tion hall or over the fireplace in the living room. Avoid vases and other objects which are heavily decorated. They are in bad taste for the small American house and apartment. Don’t clutter the mantel or bookcases with photographs and trinkets—guests are not in- terested in intimate possessions. Hang your pictures by means of two wires or silken cords and don’t mix the subjects. Paint- ings, engravings, colored and sepia prints are all good, but should be hung in separate rooms. Don't combine too many different lamp shades and sofa cushions. When choosing, have them pick up the colors most dominant in the room. Don’t forget—vases for flowers and a small table for the unexpected arrival of a package or tea tray. SES ENSESIENSV ES INSVES INS INS PLAIN AND JASPE LINOLEUM PNRESIRDNSS ARNIS IEDR AIRES DS Oy le sometimes happens that the scheme of decoration requires a floor that is in plain color or with a very unobtrusive patterning. For example, a gray Chinese wall-paper of pro- nounced design would clash with a figured floor, resulting in a confusion of design, even if the colorings of the surfaces were harmonious. Whereas a floor of plain gray or a gray Jaspé would harmonize perfectly with such a wall. Nairn Plain Linoleum is made in four colors: brown, green, gray and terra cotta in soft clear shades. With or without rugs, a Nairn Plain Linoleum floor is sure to give a rich dignified appearance to any room. Gold Seal Jaspé Linoleum, as the swatch shows, presents a softly variegated surface, somewhat resembling the graining of wood but richer and Nairn Puan LinoteuM Gray Goup SEAL JASPH LINOLEUM No 3 Tan Dil mellower. Two attractive colorings, in shades of brown or gray are available. Wherever a subdued all-over effect, rather than a figured floor, is desired, Gold Seal Jaspé will make a most decorative floor, as well as a won- derfully satisfying background for rugs and furniture. } LINOLEUM BORDERS eS is an interesting vogue for linoleum floors which have a Belflor or Universal tile ““field,’’ or center, with a solid-color border— a most effective and distinctive combination. To enable you to have smart floors of this type, Nairn Linoleum bordets ate made in taupe and black, and in two thicknesses to match the Heavy and Household Weights of Belflor and Universal patterns. Goup SEAL INLAID Belflor Pattern No. 7153-6 with Black Linoleum Border SNS INS INSU NSN E @ GOLD SEAL INLAIDS ODI ADEE IDE IDRIS ADEE ie the preceding pages, you have read about the decorative possibilities of linoleum and Gold Seal Inlaids. You have seen illustrations of handsome interiors created by decorators and architects with these artistic floors. Now, with- out doubt, you'll want effects like these in your own home. Here, then, are some practical facts about Nairn Gold Seal Inlaids, the floors described and shown in this book. Nairn products have been famous for first class materials and expert workmanship since 1888. The La leadership of Nairn is due to the wonderful line of patterns, many of them exclu- sive; to its resilience and smooth finish; to the fact that the colors retain their fresh appearance for many years—and to the moderate prices. Gold Seal Inlaids can be laid over new or old floors with equal success. Scatter rugs can be used with them, but they are handsome enough not to need any added note of color. In rooms where rich, harmonious beauty is the first consideration—Belflor patterns! From the many swatches shown throughout this book you ll see that this new and charming product of Nairn has misty soft colorings which are inde- scribably rich and mellow. An especially attractive development of this style of floor is Belflor Inset Tiles. See pages 5, 7, and 12. In a delicately mottled background con- trasting tiles, either solid color or Belflor, are inset at regular intervals. The effect is extremely beautiful and distinctive—and can be obtained in no other linoleum at so moderate a price. For kitchen, bathroom or pantry, the solid- colored straight-line patterns of Universal are very popular. Their ease of cleaning and their clear colors appeal to women who not only want their floors clean—but want them to /ook clean! Universal patterns are on pages 8, 13 and 16. LS INSS INS INS TNS NSIS * THE GOLD SEAL GUARANTEE 8 PATS INES IROL AE TOI a VERY Nairn Gold Seal Inlaid is sold under an unqualified guarantee of satisfaction or money back. When buying inlaid linoleum look for the Nairn Gold Seal on the face of the goods or the name on the back. (See opposite.) f} THE CARE OF LINOLEUM § RES ARES ADRES IRIS INES Nh ,s joe as soon as your linoleum has been fas- tened down, clean it thoroughly. You will find it easier if you wipe up a small portion at a time with a damp mop or cloth. Rinse and dry thoroughly before going to the next section. Never flood the floor, use very little water. If the floor is very dirty use a mild soap with warm water. Never use strong soaps, alkali wash- ing powders or gritty scouring preparations. A thorough waxing protects and preserves the surface. It also adds a sheen that is very delight- ful. The floor wax should be thoroughly rubbed in with a weighted brush. After several thorough waxings, an occasional waxing will be sufficient to keep it in excellent condition. Dry mopping once a day will then keep the linoleum clean. Dp » a 4 & a tay D R es = THis GOLD SEAL IDENTIFIES NAIRN GOLD SEAL INLAIDS & PS ENS Pfu te whe whe It is your assurance of floor-covering satisfac- \ tion. When buying inlaid linoleum look for ie the Gold Seal on the face of the goods or the é % Nairn name.on the back. : > “ € ; G CONGOLEUM-NAIRN INC. g Dy) a Philadelphia © New York Boston Chicago e y Kansas City San Francisco Atlanta Minneapolis 4 Cleveland Dallas Pittsburgh | New Orleans sé + : ae 5 A429—63677 Z326 LS TENSES ED SE/ ID SENSE NSU ONS SE INSIE “a Look for the Gold Seal on the face of the goods or the Nairn name on the back. PS EDSESID SVE INST NSS INS INS ENS NIA NTS ADRES IROAES ARES INS INS INES A qe BNESANES ARES ARNIS ARNIS ARNIS INES PANES Se