JOO BUNGALOWS
of irchitectural Distinction
BARUEAUUeHTENEE
EUAN UALS
i.
oo a Ain lianas Aas
SMALL HOMES
OF ARCHITECTURAL DISTINCTION
Plans and Service
By
THe ARCHITECTS SMALL Houssz SERVICE BUREAU
THE HOME BUILDER’S LIBRARY
le [ HE houses shown in this book have been designed
by The Architects’ Small House Service Bureau.
Although we have called it a collection of bunga-
lows there is included a number of houses not exactly of
this class, for they have rooms in the second story. Every
design though has at least one bedroom in the first story
and most of them are complete without the second story
rooms.
Some of the homes as shown differ in minor detail from
the original drawings. For example, in certain of the de-
signs porches have been added, the materials have been
varied, the size and location of the windows. slightly
changed, and so on. In the main, however, the essential
features of the original designs have been maintained.
In preparing these designs the architects have had con-
stantly before them the three essential elements which
combined make good architecture. These are: first, good
plans, well arranged, commodious, free from extrava-
gances; second, sound methods of construction, which if
followed by the contractor will insure minimum depre-
ciation; and third, fine appearances. With these principles
always in mind the houses have been designed to be built
at reasonable building costs. They represent the power of
a great national association of architects, which has been
devoted to the service of the small home builder.
It is possible that you may not find your ideal home
plan in the pages of this book. A home builder seldom
finds his exact requirements in a design found in any
plan book. However, The Architects’ Small House Serv-
ice Bureau is ready to help you. In all it has prepared
and made available to the small home builder more than
three hundred plans of houses from three to six rooms
in size. The designs shown on the pages of this book are
merely representative of this large library. They have
been selected as illustrations of fine small homes and for
your inspiration and pleasure.
If you are planning to build a small home and do not
find in this book the design you have in mind, and if you
will state your requirements to the publisher whose name
appears on the front cover of this book, you will be told
how at small cost you may obtain illustrations of other
designs selected for you in view of your special require-
ments by the technical staff of The Architects’ Small House
Service Bureau. This service will save you time, trouble,
and money.
The Architects’ Small House Service Bureau is an or-
ganization of leading architects from cities all over the
United States, who have associated for the single purpose
of aiding the builders of small homes to obtain at moder-
ate cost many of the architectural advantages which build-
ers of larger homes enjoy. Its’ purpose is to help the
small home builder who for any reason is unable to
employ an individual practicing architect.
The Architects’ Small House Service Bureau of the
United States and its nine regional Bureaus is the only
public service body of its kind in the United States operat-
ing under the control of The American Institute of Archi-
tects and with the endorsement of the United States De-
partment of Commerce.
The Bureau is a professional organization set up to
protect your interests. It is waiting to serve and help you,
as it has helped thousands of other home builders, to build
a home of better design, better construction, and more per-
manent values.
NOTICE
THE PLANS AND EDITORIAL MATTER APPEARING IN
THIS BOOK ARE FULLY PROTECTED UNDER THE
COPYRIGHT LAW AND CANNOT BE REPUBLISHED
Wit OuUn
THE PERMISSION
OFF iE EA WiliLORS,
COPYRIGHTED 10927
THE ARCHITECTS’
BUREAU
CONTROLLED BY
THE AMERICAN INSTITUTE OF ARCHITECTS
SMALL HOUSE SERVICE
BUREAU ING:
BY
SMALL HOUSE
OF THE UNITED STATES,
SERVICE
INC.
ENDORSED BY
THE UNITED STATES DEPARTMENT OF COMMERCE
Trade Mark Registered
1OO-BUNGALOWS
SECTION 1.
FRAME CONSTRUCTION
EXTERIORS OF SIDING, SHINGLES AND STUCCO
Of Frame and Masonry Construction
ARCHITECTS’ SMALL HOUSE
ORIGIN OF THE MODERN
HE bungalow got its name from India,
but it got its style and its plan and
everything about it that makes it liveable
from our own American architects. In
India it is a lightly built structure for resi-
dence with verandas on all four sides and
a widely projecting roof. Many will recall
bungalows with these characteristics that
were so common in this country some years
ago.
But the idea of a one story house is by
no means restricted to India. One story
houses have been built in European coun-
tries for centuries. In France and England
they were called cottages. In fact, we called
our own small houses by this name until
very recent years. The cottages of the
Europeans have influenced our small house
design strongly. Our own architects have
made much of the intimacy and charm, the
qualities of home, which the cottagers of
the Old World put into their homes.
Our architects have not failed to realize
how different is our scheme of living, how
essential that the arrangement of the house
architectural
In the second story is an extra
Distinguished for its
beauty.
bedroom and large storage space.
conform to the way the housewife does her
work. The forms of walls and roofs, doors
and windows, have been adapted to our
use. The plan of the house is as Ameri-
can as the Star Spangled Banner.
The plan is an adaptation of most of the
SERVICE BUREAU DESIGN 3-A-2
BUNGALOW
accommodations found in two story dwell-
ings to an arrangement in which most of
the rooms are in one story. In well planned
bungalows, there must be a distinct separa-
tion between living and sleeping quarters.
A bungalow in which one goes into bath
room or bed rooms directly from living
room or dining room is illy conceived. To
achieve this necessary separation between
the two parts and still to maintain economy
of construction and saving in space requires
skill. That is the architect’s work.
The bungalow may and often does rep-
resent the least expensive form of house,
but in certain types of bungalows rooms
are made to ramble out pleasantly, enclos-
ing court yards or patios, and then costs
mount up, as they must. Bungalows with
extended foundations and much roof area
necessarily are more costly. In this book we
have shown both types—one for the man
whose funds are limited and one for the
man who can afford to spend more. Here
are shown basementless houses and others
with basements, a wide variety for choice.
OnE HunprRED BUNGALOWS
Ot emretenrns 2 lame
ssrecnoam eS wy TLR ARO
A LITTLE KINGDOM OF YOUR OWN
A Group of Small Detached Homes Providing
Apartment Equipment
DESIGN 3-A-3
——-——_——————-23)- 6° ——$______--—_»
Shae eT
mwa Ki
LIVING ROOM
16-6" x 1176"
DESIGN 3-A-1
KITCHENS
1W6"« ioe J
LIVING
ROOM
PL Rott LOO Re 5
CFILING HEIGHT oa
DESIGN 3-A-7
LIVING ROOM
21-0" « 11-6"
t
0
7
+
= ERS oh ees Re
CEILING HEIGHT 844"
The walls, openings, and roof have
been skilfully modeled to get fine
balance. Additional decoration is
unnecessary. Living room of gen-
erous proportions, beautifuily light-
ed with large windows.
ierene vOut bees UpltAD) EpRees lo 1B RAR VY
DESIGN 3-B-1
es
twrey Foo
LIVING LOOM
ra'-o'« 13 -2*
fire-
bed,
storage closets—the conven-
A plan replete with luxuries;
place, dining alcove, closet
many
iences of an
house.
apartment in a small
LIVING
ROOM
1I3°6" = 15°67
Shutters would greatly improve
the appearance of this house
The drawings call for them.
REY ST!
BED LOOM
10'0'k 10-6"
ra Hatt
rE EE A NT TT hes ea
Bu 8 6
LIVING LOOM
m+ ok 13'=0%
Four main rooms, dining alcove, bath, and
closets, all on one floor. An arched beam
opening makes living room and dining alcove
practically one room.
DESIGN 4-A-2
OWE SHU ND RED BiG GA hows
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 4-A-9
SIX BUNGALOWS WITH PLANS ESSENTIALLY ALIKE
The plan below belongs to this bungalow
and the one at the right.
es ia 280° —+
Oo OK ITCHEN
pace) 13-O'#)/-O"
BED ROOM
13-O%
=| KITCHEN Ta
AIG 0"
LIVING
ROOM
11°6"x 17-0"
34-0
Wi rrothe Pitter
rhea OMMere sOrUni Ds RaiSe le eB ReArR TY 5
The Bungalows In This Book Represent a Selected
Group From The Designs of The Architects’
Small House Service Bureau
DESIGN 4-A-14
LIVING
ROOM
The owner increased the size of the dining alcove, making it a full size dining room.
There is space and ventilation in the attic for a third bedroom.
DESIGN 4-A-13
rape 266! s t a
: ;
9
LIVING ,
ROOM
ie" 2"x 3-4"
—t
FIRST FLOOR %
CEILING HEICHT 8-6" 4
=
Reminiscent of Pennsylvania Dutch architecture. To decrease costs the porch may be
built open. An extra room in the attic. Shutters are necessary for its fine appearance.
DESIGN 4-A-8
Zs
: aay
WER
Se
Prag
retin
=.
ame
WaMu vanias ili nih ay sRemoaase hl we Fu
ne Cinna
Ra FIRST FLOOR
CEILING HEIGHT 8-o*
san
BYU CUT CER eee
The main roof and cornice have been extended to embrace the porch, thus giving an appearance
of greater breadth. A plan of few rooms but much useful space.
6 One Hunvpred BUNGALOWS
Orher Designs With These Basic Floor
Plans Appear Throughout
This Book.
LIVING ROOM
yarn 169
Reaal a
TI a
DESIGN 4-E-1
This home has a plan similar to those on pages 4 and 5. Notice the clever arrangement of
kitchen with built-in dining alcove in well lighted corner. An excellent example of the theory
that a small home may he as comfortable and attractive as many a more expensive dwelling.
DESIGN 4-A-15
ze ee
KITCHEN |43
paul
IK
HT
ALON
iv
:
i
DINING
ROOM LIVING ROOM
10°6" = I1'0" Tee :
i tel ed
eh
This home and the one below have similar plans with dining room and living room across the
front. Each may have one or two additional bedrooms in the second story.
DESIGN 4-A-26
r | ZO-\\ ;
25°8"_
DINING RGM LIVING ROOM
Ho"x 1-4" Il-4°X 17-6"
ee
o
~
VON2C YH
{= SS sg —} _
In order to keep construction costs at a
minimum the fireplace has been omitted.
It may be added if the owner desires.
ree o nts bau. Due Re S lomeB RACREY
How To FIGURE THE Cost OF OWNING A HOME
How Much Can the Home Builder Afford to Pay for the Privilege
VERY prospective home builder should
analyze his home financing from the
same unsentimental viewpoint that a banker
would assume. He should know exactly
how much his house and lot will cost, how
much money of his own he will have,
exactly how much it will be necessary to
borrow, and the cost of securing these
necessary funds.
There are other items that also should
be given due weight. Perhaps the most
important of these is how much the home
builder can afford to pay for his home.
He must not overestimate his present finan-
cial strength or the stability of his income.
He must neither be too optimistic about
probable increases in salary, or fail to take
into account possible misfortunes of one
kind or another. Finally he must meas-
ure his home building expenditures in terms
of what he can reasonably expect to save
over a term of years.
After all these questions have been an-
swered on a purely practical basis, from
studying all the facts and without bias, it
is a relatively easy matter to determine
how much one is justified in putting into his
home and therefore how much it will cost
from month to month and year to year, in
the form of rent, to take care of all the
expenses that go with home building and
home owning. For every householder pays
rent. Even though one owns his home
without owing a dollar on it, he pays rent
to himself and to others, just as surely as
though he had paid it to a landlord. From
knowing what one is justified in paying as
rent, it is possible to determine how much
one may reasonably invest in his own home.
We can work backward from this basis—
we can find out the total value of the house
and lot that would be represented by the
rent which the home builder is justified in
paying, and then work out a financing
scheme from that knowledge.
Let us start then with the rent problem.
Rent is made up of all the items that con-
tribute to the whole cost of maintaining a
home. Under this head may be listed the
following :
ExtTrRA ACCOMMODATIONS
IRST, interest on the home builder’s
own funds invested in his home. If this
money were out on interest it would yield a
definite sum, depending on how it was in-
vested. If it were in a savings bank, it
would yield 31%4% or 4%, and if it were in
first mortgage bonds the return might be
5% or 6%. Whatever the basis of interest,
this is an income which the home builder
will not receive directly once his money is
invested in his home. Theoretically this may
be charged as one of the items of rent, but
many people believe that this loss of income
on their own equity is more than balanced
by the extra accommodations they receive
in living in their own homes. But let us
of Living in His Own Home?
charge it all to rent and then if any part of
this sum should be credited out and charged
to “extra accommodations” we can do so at
the end.
The second item of rent is that of interest
on the borrowed money. This is a charge
that the home builder is obliged to meet at
regular intervals, depending on the provi-
sions of the mortgage or contract papers.
The borrowed money is a commodity for
the use of which the home builder pays a
service or rental charge in the form of in-
terest. Obviously it is wise not to pay too
much for the privilege of using this money
or to engage to repay it more rapidly than
will be reasonably possible within expected
income.
How Taxes ARE FIGURED
HE third item in rent is taxes. The
basis on which real properties are taxed
varies with the locality. One may learn the
tax rate in his community, and the method
used in applying this against properties
there. Perhaps the type of house which it
is planned to build in a certain district may
be represented on nearby properties, and
by learning the taxes on these, a fairly ac-
curate estimate may be made of what the
charges will be on a new home. The tax
rate is usually applied against an “as-
sessed valuation,’ which is usually a sum
considerably less than the actual cost of the
house and lot. In one large city the as-
sessor looks over a property and approxi-
mates its real value. He then turns in an
appraised valuation equal to about 75%
of his estimated real valuation. The tax
rate, which in that city is about $70.00 per
$1,000 of assessed valuation, is applied
against 40% of the appraised value. In
other cities the method differs.
The home builder should make sure also
of any special assessments that may have
been laid against his property for munici-
pal improvements such as sidewalks, sewer,
lighting, street paving. These last are not
really items of rent. They are more prop-
erly classed as a part of the capital outlay
involved in building a home.
The fourth and fifth items are water
rent, and insurance. These are met by the
landlord and are presumably included with-
in his rental charge. The home owner will
have to pay them in turn. He will also be
obliged to carry sufficient insurance to re-
imburse the agencies who have loaned
money in case of loss of the house by fire
or tornado. He may decide to carry addi-
tional protection to cover his own equity,
and if he is wise he will do so. The total
charge for insurance to cover the property
can be learned from any insurance agent
by giving him the location of the property,
the type of construction that will be em-
ployed, and the amount of coverage de-
sired.
The sixth item is the cost of maintenance.
When the house is rented from a landlord,
the standard provision is that the landlord
shall maintain the house in good repair and
shall do all necessary painting and decorat-
ing, keep the plumbing in working order,
and meet other incidental expenses of the
kind. These expenses are, of course, ab-
sorbed by the landlord out of the rent
money he receives. The home owner pays
them on his own property. However, when
one owns his own home, expenses of this
kind tend to be lower than they are in
rented properties, as greater care is exer-
cised. The home owner may make many
of the repairs himself. The amount to be
charged on this account varies with the
age of the house. In a well built house one
per cent may be sufficient for each of the
first five years. After that the cost of
maintenance will mount to a higher rate—
3% would be about the maximum.
Finally, there is the item of depreciation
and obsolescence to be accounted for in
terms of rent. This is somewhat of a
theoretical matter. It is based on the as-
sumption that one should lay aside annually
a sum equal to the presumed amount of
depreciation and obsolescence of the house.
Unlike an automobile, the depreciation is
low at first and high in later years. The
yearly sum written off as depreciation
should be large enough so that when the
house has served its usefulness and has
become worn out through wear and tear,
or is rendered undesirable by being out of
style, there will have been built up a sum
equal to that of the original investment.
An average allowance of about 2% a year
for a well built house is a fairly accurate
basis on which to compute obsolescence and
depreciation.
Sounb But Not USEFUL
NE can see in old neighborhoods
houses of nondescript character and un-
certain age that are in so bad a state of re-
pair that it would be unwise to spend any
considerable sum on them to make them
livable. They do not yield enough income
in rent to pay taxes on the land they occupy
and cannot be made to do so without heavy
expense. Their age is about forty years.
Their sale value is not more than the cost
of demolishing. Therefore they represent a
depreciation at the average rate of 244% a
year.
Another house nearby of better char-
acter structurally, having been built of
good materials and, as it happens, rather
ornately finished with expensive woods
and with rooms of such generous size
that one is struck with the difference
between the modern home and those of
sixty years past, is also practically a total
loss. .No one will live in it—the cost of
heating is too great, the plumbing anti-
quated, the expense of furnishing and dec-
8
orating beyond ordinary means. It is not
the servantless, self-operating house of to-
day. It would yield nothing on being de-
molished. The loss represented is 14%
a year.of the cost of the house alone. The
ground area remains, and in the case of
these particular properties has greatly ap-
preciated in value.
Depreciation and maintenance are some-
times confused, but they are really distinct
items. Often there is an item of apprecia-
tion. This applies only to the value of the
lot itself. The wise home builder will not
fail to give it proper weight in purchasing
his property. Some house financing experts
have said that the lot should be selected
with the definite end in view of an appre-
ciation in land values, such that, when the
mortgages are paid off at the end of ten or
twelve years, there will be represented a net
worth of the house and lot equal to the sum
originally invested in it.
Let us assume then that you feel it pos-
sible to own a $6,000 home including a
OnE HuNnbDRED BUNGALOWS
been said by competent persons that city
residential property tends to increase in
value as a normal experience by 10% a
year. If this is true and the depreciation and
obsolescence is set at 2%, then the ratio of
the cost of the land and cost of the house
should not be more than one to five. In this
way the depreciation on a house always
would be equalized by appreciation in the
value of the land.
Rent Cost REDUCED
F, in the case of the $1,000 lot we have
been considering, there were an appre-
ciation of 10% per year, there would be an
actual balance between the two items of
depreciation and appreciation. There is no
really accurate way of adjusting apprecia-
tion, but, if it can be assumed that this
item would offset the depreciation charge,
then the net cost of rent as figured hereto-
fore would be reduced by $100 per year.
It is probably thoroughly understood by
everybody that not one householder in ten
Tue Cost PrRoGRAM
1—Interest:
Interest on equity
Total interest
@ 5% —5% of $2,000.........
de Cesasu Sue are capt ecepeee tate gaaee ree ee eee $ 100.00
Interest on borrowed money @ 6%—6% of $4,000__...-...-..----.0---ceceseeeceeesceeeeeeeeeeeee
240.00
$ 340.00
2—Taxes (This varies with the city and ward, but in this instance we are applying
the method of one city as outlined previously herein.)
75% of $6,000 (appraised value)................-..----.
40% of $4,500 (assessed valuation)..
S7Omperssls000NOTE S180 0s eames mene
Total taxes
3—Insurance:
4,500.00
- 1,800.00
126.00
126.00
Fire—80% of $5,000 for 3 years @ $7.50 per $1,000...............---cee--ceecceeee $30.00
Porsd vy Carne ce nce oecec teat app core eee
Tornado—60% of $5,000 for 3 years @ $4.00 per $1,000
For x yearicncc eet. ceec tte oreoeae cteag no eaves
Total msurances yearly sec seectes ceases ee
4—Water rent (average yearly) .....1.--.-...-scccsssceeeccceneees
5—Maintenance—1%4% average yearly (on both house and lot)—1%% of $6,000.
6—Depreciation and obsolescence (on house only) —2% of $5,000......0....22.2---1-1e-2eececeeeceeeeeeeceeeeeeeeeeee
Total) yedrlys expensen sce eee eee
Total monthly expense (rent)...--............-..-...-
56.17
garage. Of this $6,000, $1,000 is represent-
ed by the value of the lot, which you own,
and you have in addition $1,000 in cash, so
that your total equity is $2,000. You will
find it necessary to borrow $4,000. Assum-
ing that you may borrow this on a first
mortgage your computations will follow ap-
proximately the cost program outlined
above.
INCREASED VALUES
HUS the total cost of rent comes to
$674 a year or about $56 a month, which
on the face of it is not such an extraordi-
narily large sum for the privilege of owning
a $6,000 home. And remember this does not
take into account at all the extra value you
get in a home designed and built as you
want it, on a lot located where you prefer to
live. Furthermore, this does not necessari-
ly represent the amount of money one
would have to pay on account of owning
his own home.
For example, the charge for deprecia-
tion and obsolescence on the value of the
house may be offset completely by appre-
ciation on the value of the land. It has
thousand actually builds up a fund to meet
depreciation and obsolescence.
From this reasoning the average net
cost per month for rent would be $47.83.
It is understood, of course, that this does
not represent the actual “pay-out” per month.
Interest on the home builder’s equity would,
for example, not be paid out. However, if
this interest were deducted from rent it
would also have to be deducted from in-
come so that the net experience would be
the same. Furthermore, there might be a
saving on “maintenance,” but it would be
conservative to figure this item in about
as stated.
On the other hand “pay-out” may be sub-
stantially increased through savings which
the home builder may make and apply on
his property, thus increasing his equity
therein. He may find it necessary to accu-
mulate funds for the purpose of reducing
the mortgage so that at the end of ten or
twelve years he will own the property out-
right.
For example, in this home we have been
considering, the home builder may do his
financing through a Building and Loan As-
sociation, under the rules of which he will
agree to pay into that Association $12.50
per month per thousand borrowed. In this
case he will have borrowed $4,000. There-
fore, the dues to the Building and Loan As-
sociation will be $50.00 a month. This
money represents not only amortization and
pay-off on the principal sum borrowed, but
also the interest thereon.
Therefore, to determine how much money
would have to be paid out on a scheme of
financing of this sort, we would take all of
the items in the above list with the excep-
tion of the interest on the borrowed money,
for this would be accounted for in the
money paid to the Building and Loan As-
sociation. We would also eliminate the de-
preciation and obsolescence allowance un-
der circumstances where it seemed logical
to assume that there would be appreciation
to balance depreciation.
Under such circumstances, and applying
this process of financing in the case we are
considering, the home owner’s monthly pay-
out on all accounts would amount to $77.83
per month. It must be remembered, how-
ever, that this sum not only represents the
cost of housing one’s family, but also in-
cludes savings which at the end of ten or
twelve years will wipe out the sum origi-
nally borrowed.
Goop PLaNns NECESSARY
HIS is simply a typical case and prob-
ably will not fit accurately anyone’s par-
ticular problem. It is cited to show the
process by which one may arrive at the cost
of home owning so that he may go about
determining the proper extent of his in-
vestment.
It has been argued, and wisely so we
think, that the cost of rent as above de-
duced should have credited against it also
a sum which would approximate the extra
value that the home owner gets. The pro-
posal is that the home builder estimate as
well as he can in money the actual worth
of the extra pleasure and accommodation
he derives in owning his own home. Some
have said that this is easily equal to the
interest on the home builder’s equity and
that it should be charged to pleasure and
not to “rent” no matter how wisely it may
have been spent. If this is true, the cost of
home ownership is reduced still further.
In any event, the home builder must work
out for himself a financial statement includ-
ing the items we have listed and properly
adjusted to the circumstances and thus
finally arrive at the net cost of owning his
own home.
If this net cost seems too large in propor-
tion to the home builder’s income on the
basis of the size and quality of house which
he has assumed he could build, the only way
by which he can own his own home would
be for him to reduce the cost of home build-
ing either by buying a less expensive lot or
by building a less expensive home, or by
both.
Having found the approximate sum
which it is wise to invest, the next step is
to get a good set of plans and specifications.
Let us emphasize the fact that these must
be chosen wisely on the basis of what the
home builder has deduced from the fore-
going analysis would be the maximum he
should allow in his budget for “rent.”
rH Pee LWOU ba Skteiet DIB yRee Gt leieB oR ACR. Y.
HOUGHTFUL mothers know many tricks to let clothes out so they may fit
growing girls and boys who shoot outward and upward. This house is designed
for such extensions. As the family increases in size it may grow with them. Not
all houses can be thus enlarged without involving great expense in rearranging
stairs, hallways, doors, and windows, the plumbing and heating systems.
Frequently a room or two tacked on after the house is built looks like an after-
thought, spoils the appearance. But in this home the architects provided in both
the plan and exterior of the original design for future enlargement.
sion can be made without interference with the original lay-out of the rooms and
the construction of the house, and the appearance instead of being injured: will,
if anything, be improved.
Construction: wood frame, exterior finish stucco or shingles, roof of shingles.
Compact SMALL Housg
DESIGN 3-A-15
T IS possible to obtain any number of
plans for three room houses that pro-
vide the bare bones of living. But here is
much more than that. The house is small
but it provides many luxuries.
There is a fireplace in the living room
more than eight feet wide, with a broad
brick hearth. To increase the sleeping ac-
commodations without adding to space or
expense, a closet bed has been devised to
open into the living room.
Construction: wood frame, exterior finish
stucco, roof of shingles.
-Bed RooM-
15'O" X10°4"
BORREER
ed Hearth
-LiviNG Room: |l
Wwe" x 1e6'2"
im
NE) -KiteHEeN-
j UN
WE"'XI6 4%
The exten-
A Home TuHat Can Grow
To Be Built as the Cathedrals
Were—Little by Little as
the Money Comes In
BED ROOM
Us 189 it 3349-4
it
Hevos fund
BED ROOM FUT
URE DINING ROOM
DEN OR'LIBRARY
S-BAU-@
PUTURE STAIR
|
FIRST UNIT eile 2
LIVING ROOM
1@°@" K13-O
29’-11”
DESIGN 3-A-12
The black lines show how this house can
be built at first, without the two bedrooms
at the rear. Even then it will be a com-
plete house. The dotted lines show future
extensions and how the rooms may be
used.
ie. e*
Weg?
on the front of the house. But why
should it not be placed in this position?
It is the workshop where many hours
are spent during the day and deserves
adequate light, ventilation and sun-
shine. There is plenty of space be-
neath the broad window for a kitchen
table and seats—the informal dining
nook. Notice the similarity of this
plan with that of the one above.
Another house with a similar plan is
design 5-C-5, on page 19.
1 be: few homes is the kitchen located
10
OnE HUNDRED
BUNGALOWS
HE living room is open on three sides and has a ceiling
with exposed rafters, which with the rough stone fire-
place, are in keeping with the rustic exterior. The shel-
tered porch, screened in, offers additional sleeping quarters.
The enclosed porch may be used for dining. Its many
windows and easy access to the bathroom make it also an
ideal sleeping porch.
Construction: wood frame, exterior finish of rough
sawed boards or shingles. Instead of plaster inside some
form of wallboard could be used. The foundations may be
of local stone. No basement excavation is required.
a
DED
ROOM
LIVING ROOM_|_
19OX 13:0"
| cabin itself.
=| room,
ARCHITECT
-)
n
LIVING ROOM
(7'-6"x 13-0"
PORGH
—~a-—., -
1-0" x 12'-6
MALL HOUSE SERVICE BUREAU DESIGN 4-B-7
HE plans call for foundation walls of stone and upper walls of wood studs
faced with square edged boards and wooden battens. The owner substi-
tuted log siding for exterior treatment, both for the foundation and for the
The photograph shows how the logs were used to form an inter-
esting pattern.
The high foundation gives adequate space for a garage and huge* storage
THE Homer BurtpeER’s LIBRARY
1]
EORGE WASHINGTON and Thomas Jefferson
built their homes in the same Colonial tradition as
was followed in the design of this house, only theirs
were stately mansions while this is a small, compact,
modern cottage. As the perspective shows, the designer
intended the porch cornice to be higher and continuous
with the cornice of the main roof. There is also a
slight variation in the design of the lattice and arrange-
ment of windows.
Construction: wood frame, exterior finish siding.
WHAT IS ARCHITECTURE?
MONG many definitions of architecture is this one: ‘‘Archi-
tecture is putting into building certain qualities—namely,
logic, strength and beauty.” Do these seem too high sound-
ing words when applied to small homes? Not when translated into
familiar terms.
Logic means making the house convenient, liveable, adaptable to
both the family and the site. It means straightforwardness of plan
that results in economy.
Strength, of course, means building with good materials. It
means honest construction, durability, long life, low depreciation.
Beauty results from naturalness, from simplicity and from good
proportions. It depends upon careful attention to the small details
as well as to the larger ones. It is the quality that makes the house
a pleasure to see and to know, and to live in through the years.
These three combined make good architecture. Without any one
of these a house is a mere building. It is not architecture.
The charm of this
style is unmistak-
able. In keeping
with it ts the hos-
pitable porch
across the front in
the Southern man-
ner.
LIVING ROOM
96 © 120°
STORAGE
OnE HuNDRED BUNGALOWS
DESIGN 4-A-38
— 42-6" —
FIRST FLOOR PLAN
CEILING HEIGHT VARIES.
This has proven an exceedingly popular design. The
unique exterior is, of course, one reason, and the
plan is another. Construction: wood frame, stucco
finish, roof should be of tile if possible.
An Unusuat Livinc Room
HE feature of this bungalow is the
studio type living room, having a vault-
ed ceiling, with exposed beams. Across
the front of the room a triple arched win-
dow floods the room with light, produces
a most impressive effect. Extending from
the living room is the dining alcove. To
give this a more intimate air, the ceiling
has been dropped to eight feet and a low
beam separates it from the living room.
These two rooms complete the front or liv-
ing half of the house. Between them and
the sleeping portion the division is almost as
distinct as in a two-story house.
The owner of the house illustrated above
used spiral columns between the windows
and wing walls at the sides. These are
added features, not shown on the original
drawings. See the perspective drawing
above.
THE Home BUurEeDeR s
DESIGN 4-A-11
LIVING ROOM
a 2 8 4 nF
aaa Fa ay ae i a
i eS a eT Ey say moo a ae
LIBRARY 13
SBOE. _—
6 TAF 5 toe 27 YA
Se ST a mn Sat A
nee eee
AT LL iB
os om
ee
21t6" K 13-0"
The columned porch across the front of the
entire house is suggestive of the fine old
plantation homes of the South. Construc-
tion: wood frame, exterior finish wide sid-
ng. Prom
4 its
vy
pea
DESIGN 4-A-7
At the right is a house that is much larger than
the floor plan discloses, for there is space in
the attic for two extra bedrooms. Construc-
tion: wood frame, exterior finish stucco, siding
in the gable ends, roof of slate or shingles.
LIVING
ROOM
EPC ea fe
a) Lapel exit: Sac L
POUR My NUNN RM eH menGR nant si mtandanernciinin. ona
DESIGN 4-A-3
KITCHEN
He<7 ni 17a"
frame[|PORCH
TOASTS
A bungalow after the manner of
the English cottage. To carry out
the English spirit the windows have
casement sash. Construction: wood
frame, exterior finish stucco, half
timber work in the gable ends.
eran be TRE koe
a TI
14 OnE HuNnpDRED BUNGALOWS
The One-Hundred Bungalows In This Book
Were Selected From Designs By The
Architects’ Small House
Service Bureau
HE design at the left does not have an
unusual plan excepting in the conven-
ience it affords. Long test of time by
many home builders has proved its useful-
ness. See how living quarters are separated
from the bedrooms and bath. It is an old
and tried plan given a new exterior, to
which the laws of architecture have been
applied. Many adaptations of this plan ap-
pear throughout this book.
on
DESIGN 5-A-6:
DROOM
10}10°X 10-10"
LIVING ROOM
2-4x 13-2"
DESIGN 35-1)-39
HE five room bungalow shown below is of a
type that will meet the needs of many a
young housewife obliged to perform all the opera-
tions in the management of her home. It will not O the right is an unusual plan
overtax her strength, nor be too cumbersome to
finance for the man whose means are limited.
BED
Room If
worxis37 TI
DINING
Room:
Issx 106"
for a five room house. The ex-
terior walls of shingles may be
stained a silver gray, the rough board
shutters brown. The roof may be of
variegated colors ranging from rich
brown to light green. The rustic
character is accentuated by the forms
given the door and shutters.
DESIGN 5-E-4
t | DINING ROOM
N-@ «12-0
LIVING ROON
(3-0 x 20-0
BED ROOM
12-6 X13-0°
AP ae)
HomMeE
BurEepmer S LreBRARY
15
THIRTY THINGS To Buy BESIDE FRONTAGE
There ave Titles Bounderies, Taxes, Transportation, Neighbors
ing project “on solid ground,” literally
as well as figuratively, you should “look
beneath the surface” of the real estate deal
—figuratively as well as literally!
[I YOU want to base your home-build-
A home is more than just a house. By
the same token, a proper home-site is more
than just so much dirt. It may or may
not have the qualities that make it desir-
able as a permanent location for a dwell-
ing, and profitable as an investment in real
property.
So here is a list of thirty items by which
to judge whether the lot you are thinking
of buying is mere real estate or a good
home-site :
1. Buy the knowledge of a dependable
real estate expert; that is, patronize a deal-
er of high standing in the community.
2. Buy an appraisal. Consult a second
disinterested real estate man or a profes-
sional appraiser and pay him his relatively
small fee for making an analysis of the
value of the property before you purchase
White,
3. Buy an absolutely clear title. You
may require the seller to establish his title
to the property before you buy it, or you
may employ a lawyer or a title guarantee
company to search the title for you. This
is vitally important and is worth the ex-
pense.
SUNLIGHT AND EXPOSURE
4. Buy exact boundaries. Don’t take
the seller's word as to property lines, but
see that they are accurately established at
the time when the title is searched.
5. Buy sunlight, not smoke and dust.
If you are going to the trouble of acquir-
ing your own permanent home, you might
just as well have it in a location that is
sure to be healthy for your children.
6,. Buy exposure to the winds that pre-
vail in summer. When looking over the
lot, keep in mind the house you intend to
place on it and try to see whether or not
it will be comfortable.
7. Buy enough land. The minimum
should be from 40 to 60 feet of frontage.
Old-style 25 and 28 and 30-foot lots in
crowded districts are poor investments.
The wider your lot, the greater your
chances for a price-increase.
8. Buy solid earth. In filled-in tracts,
or “made” land, there always is a danger
of poor drainage or a chance that the house
will settle. Either settling or bad drainage
will damage the structure.
9. Buy high land. This is necessary if
drainage is to be satisfactory. A low ly-
ing lot may mean a waterproofing problem.
10. Buy level land. Filling a lot to bring
it up to the desired level is almost as costly
as excavating. :
11. Buy land of good shape. A lot of
irregular outline may prove difficult to sell.
Set your ideal high—you probably
will have to modify it, but it's safer
to modify a high ideal than a low one.
12. Buy good soil. Remember that ex-
cavating in rock may prove more expen-
sive than you wish to undertake, that
quicksand or other defects of the soil may
result in damage to your house, but that
under-surface sand or gravel may be an
advantage if it is of such quality that it
can be used for the mortar, plaster or
SULeEGO.
13. Buy land fully developed or already
under development. It is safer, though
more expensive, than acreage which may
be developed in the distant future.
14. Buy water and gas mains, graded
and paved streets, sewers, walks and curbs
already installed, or else add the estimated
cost of taxes for these improvements to
the price of your lot. Property with all
these utilities in and fully paid for should
not cost you more than 30 per cent of the
total investment you plan to make, though
20 per cent would be a much safer figure.
Land without these improvements should
not cost more than 10 per cent of the total.
15. Buy moderate taxation. If you have
any choice as to the state, county or city
in which you intend to build your home,
acquaint yourself fully with the taxing
policy of the authorities and estimate what
the taxes will add to the cost of maintain-
ing your dwelling.
16. Buy good transportation to vour
work, church, schools and shopping cen-
ters. Measure the distance, not in miles,
but in time it takes to get there. The ideal
home-lot is three or four blocks from
transportation lines and stations.
17. Buy good collateral on a building-
loan; that is, choose a lot on which a bank
or building and loan association will ad-
vance you at least 50 or 60 per cent of its
value. If they won’t lend you more than
40 per cent you may question whether or
not you are paying too much.
18. Buy fire and police protection. See
that your neighborhood is well served by
these city departments.
Wuo Is Your NEIGHBOR
19. Buy partnership in the community.
“Restricted residential districts” may serve
as protection against persons with whom
your family won't care to associate, pro-
vided the restrictions are enforced and are
not merely temporary.
20. Buy the right to build according to
your own standard of living. The build-
ing restrictions may call for a more ex-
pensive house than you can afford to build
and maintain.
21. Buy a_ well-balanced investment.
That is, don’t put much more or much
less than one-fifth or one-fourth of your
total funds into the lot. The construction
should cost you three or four times the
purchase price of the land.
22. Buy a sound investment, so far as
you and your appraiser can judge future
values. Population and transportation are
the two chief elements in increasing home-
site values. Be sure your property is in
the line of residential, not industrial or
commercial, growth of the city.
23. Buy freedom from easements; in-
vestigate thoroughly to find out whether or
not any one has any right to lay pipes or
erect poles or make a right-of-way on your
lot.
24. Buy good location within the block.
Remember that a corner lot may be double-
assessed for streets and sidewalks and that
it will require longer fences. See that
your lot is such that your neighbor’s kitch-
en or garage won’t be a nuisance.
25. Buy a real share of parks, play-
grounds and schools. An ideal location is
about half a mile from these.
26. Buy freedom from traffic dangers
and noises. A through street may prove
a menace to your children and to the daily
comfort and the nightly slumber of the
whole family.
27. Buy a chance at future favorable
development. Examine the chances of pub-
lic utilities, parks or boulevards being
brought closer to your property in the fu-
ture—and then be sure that such develop-
ments would be to the advantage and not
to the detriment of the property.
28. Buy “a sure thing.” If at all pos-
sible, it would be well for you to rent and
live in a neighborhood for a year before
undertaking to buy and build there.
ALL You See Is Yours
29.. Buy beauty. Too many trees are
better than too few; natural objects of
beauty will save you the cost of develop-
ment and will help you dispose of the
property advantageously when the time
comes.
30. Buy a home, not a speculation. You
would accept many things in buying just
to make money which you wouldn’t con-
sider if you were buying for permanence.
Set your ideal high—you probably will have
to modify it, but it’s safer to modify a high
ideal than a low one.
Of course, a home-lot possessing all these
thirty advantages may be more than an
ideal—it may be a physical as well as a
financial impossibility in your town. But
these are the things you should have in
mind before you buy. Don’t let any one
“talk you out of them.”
ONE HuNDRED BUNGALOWS
BASEMENTLESS!--A MAJOR SAVING IN FIRST COSTS
HE house at the right and the
one below have similar plans,
but the exteriors are different.
One is influenced by Spanish
forms and the other is in the
Colonial style.
These designs, as well as 5-D-17,
illustrated below, should be of
especial interest to home builders
seeking ways of cutting building
costs for the heating plant is in
the first story.
Construction : 30th wood
frame, 5-D-42 with exterior of
stucco, roof preferably of tile;
5-D-43 with exterior finish shingles
or wide siding, roof of shingles.
Nez, ty ss
ale Fy i tes
ABOVE: DESIGN 5-lD-42
5 a ReIGN 45-D-43
BELOW: DESIGN 5-D-4 Gee
! 9-6 + 12'0
0
BLD 200M
10°0"'*12' 0
PORCH
6°6°3 140"
LIVING ROOM
14-0 2 18'O°
ROOM
100"% 1124"
¥ DINING ROOM
© 80" X 1124"
ro)
é Ze? DESIGN 5-D-17
Sa, ioe
dh
SIMPLE straightforward comfortable home all on one floor and with no base-
ment. The heater is located in the hallway and all the rooms have been arranged
so that air will circulate freely among them. The heater may be either hot water or
warm air. The home builder may wisely consider how this type of house meets his
problem. Construction: wood frame, exterior finish wide siding or shingles.
er pe EOMM be bette Din Re Sele TB ReAGRY 17
DESIGN 5-D-40
SLD Loc
10.0112.0°
KITCRUN
4-0 1100,
FORC!
A DIVING 200
. WO" x 120°
4
;
shesort a
|
SED LOOM LIVING = 2OON
20x 12-0" 13-4" x 16-0"
|
an ees
DOLL
6-07 1 19-0"
———
F you are planning to build a home of
the most inexpensive type, costing, let
us say, not to exceed $4,500, you may be in-
terested to learn that one of the most cer-
tain ways to reduce costs is to omit those
things which you do not absolutely require.
Among other things of this kind is the
basement. Through omitting the basement
you may be able to save as much as 15
per cent of your total building cost.
On the first thought a cellarless home
seems to be a radical departure from the
accepted principles of home construction,
but this idea is by no means a new one. In
fact, the complete basement, which we have
installed in most of our modern small
homes is a rather recent development. The
cellarless house for present day use has
been approved by many architects, includ-
ing Ernest Flagg—the architect who
planned the Singer building—and also by
the Architects’ Small House Service
Bureau.
It will not do at all to build a cellarless
house without taking into consideration
matters of ventilating the space under-
neath and removing the top soil and fol-
lowing out other principles of sound build-
ing. When a cellarless house is built as
it should be, the results are satisfactory.
fig eN a.
4)
say
PEE IY ear : ‘
Rae pf oa &, , : 2
wu wey, Gs Ban 3 whe en Se whom ic oy en
HE close clipped gables, the severity of line
and mass, the tile roofs and heavy porch posts
give these two houses the Spanish mission char-
acter which is so much in vogue in Southern
lands.
The omission of the basement and the provision
for laundry trays, fuel bins, and storage space
on the back porch make these bungalows partic-
ularly suitable for southern lands, but they need
not be restricted to warm climates alone.
is provision in the hall for a heating plant of
adequate size to heat the whole house in coldest
weather.
There
Construction: wood frame, stucco exterior, roof
preferably of tile.
as both houses have practically the same room
arrangement.
Only one floor plan is shown
Sid ey %
, a a \% < 5
seat h - 4 ra
eh Tk as aN Nai ¥ %
Ne ee 4 Pe 4s
Wiig AL
DESIGN 5-D-41
OMITTING THE BASEMENT TO LOWER COSTS
Often home builders think that a home
must have a cellar to be comfortable in
every way, but a home built properly with-
out a cellar is dry and warm. Insurance
men have shown us also that since many a
fire starts in the basement, where it gains
great headway before it is found, a cellar-
less house is less in danger from fire than
a house with a basement.
A cellarless house also may be very
beautiful, for being built close to the earth,
it hugs the ground and gives an air of
shelter and protection. A house that is
built close to the ground has an appear-
ance of always having belonged there. It
has a more homelike atmosphere. But
certainly to the prospective home builder
who must build inexpensively, cellarless
houses will appeal chiefly for their
economy.
As to the necessity of providing the cel-
lar as a place to locate the house heater,
there are various forms of ground floor
heaters on the market which heat five or
six rooms very comfortably. It may be
said for the house you are planning to
build that one of these ground floor heat-
ers will not only save you part of the cost
of the basement, but will heat your house
adequately. In any case, it is certainly ad-
visable for anyone who is planning to build
to investigate the cellarless plan.
It is not intended that these statements
shall be of a sweepingly general nature.
The idea of the cellarless house is simply
presented for careful thought to the one
who must build at the least expense. The
answer as to whether or not the basement
will be used depends very much on the
particular case. Certainly it will not be
satisfactory to everyone, but before you pay
out money for a cellar, prove to yourself
first that the cellar is worth what it costs.
The three bungalows opposite and the
two on this page are designed for mild
climates. They do not have basements and
the plans do not provide for them. The
heating plants are located on the first floor.
However, basements could be arranged to
accommodate central heating plants. In
any case, if the walls, floors and ceilings
were thoroughly insulated, as they should
be in every home, these houses may be kept
warm in cold climates and cool where it is
sultry. There is no reason why these
bungalows could not be constructed in any
section of the country. As designed they
are suitable for warm climates, and they
can be made comfortable for the severest
climates.
18
OnE HUNDRED
BUNGALOWS
SE SSS ——TATTATUUT WTA
Wale LINC
TANS 1A
reel TUNER
TAY Kons SPM a ui Ae
VAM
SE:
———
7, TEOUTTTR iia i NA
we UN gare alle Yate bid A wit ' Ea
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-C-2
HoMES ARE THE BACKBONE OF OUR NATION
T IS frequently said that our
American cities are being over- 1
built. It is certain that in some cases
there has been too much building of
apartments but an expert on housing
betterment recently stated that he
knew of no growing city in which
there is a surplus of private dwell-
ings for families of modest means.
Yet this group of our population is
the “back-bone” of our nation. If
their children are condemned to
grow up in tenements or in ugly, un-
sanitary, ill-kept rented houses, our
national progress is definitely retard-
ed. Residence in apartment houses
may do no harm to bachelors and to
childless families, but the growing
child needs for its best development
a true home with plenty of sunshine
and fresh air, privacy, and plenty of
room indoors and out for wholesome
play.
The tenement or apartment child
must live in the noise, dust, and con-
fusion of crowded buildings and
crowded streets. If it plays in the
home the neighbors are annoyed; if
it plays in the street it is in danger
and the mother has no opportunity to
choose the child’s associates or supervise
its play. But in the private dwelling the
conditions of life can be controlled. There
may be light and air on all four sides so
that any room may be a healthy playroom.
The child can work with a hammer and
saw without disturbing neighbors and the
mother can choose the child’s playmates
are not many.
DED ROD
HG lo-e
For a Forty Foor Lot
Possible plans for the most economical types of small homes
The plan of the design shown above is one of
the most useful and hence is shown frequently in this book,
with minor variations.
and direct or supervise its play until it is
old enough to go safely to the community
playground.
There is more opportunity also for par-
ents and children to engage in common
activities and get to know each other better,
so that the child may have the advantage
of intimacy with its parents and share with
them the memory of many common inter-
ests and of common undertakings.
=> The better home, therefore, should be
| attractive in its architecture, a home
| of which the family may well be proud.
This home should be well-built or
otherwise it will be a source of con-
tinuous irritation and care. There
should be attractive planting ground
around it, for the charm of the home
lies largely in .its surroundings. It
should be designed for convenience
of household operations, for other-
wise the energy of the home-maker
will be drained through needless and
irritating drudgery. It should have
the equipment which makes for effi-
ciency in household operations. It
should be furnished for comfort, for
otherwise its members will spend
their leisure elsewhere. It should
provide for privacy because the de-
velopment of family intellectual and
spiritual life is dependent upon op-
portunity for undisturbed study and
meditation.
Equally important is the possibility
of home-ownership. The tenement
or apartment dweller is a nomad, a
wanderer. All too frequently he
fails to put down roots in the neighborhood
in which he dwells, does not take interest
in the church or the lodge or citizens’ asso-
ciation, or in the affairs of government.
The home-owner on the other hand has a
stake in the community. He is interested
in the affairs of his district. Widespread
home-ownership is necessary if there is to
he soundness in our public affairs.
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DESIGN 5-C-9
HE home builder who insists on having a dining room may as well pass this pretty
home by, for this plan has no such room. It has, however, a large living room in one
end of which may be set the dining table. A dining alcove may be arranged in the
kitchen, or the space marked “Fernery” may be so used. The first story of this house as
is practically complete in itself. There is space under the roof for two bedrooms, toilet,
and two storage rooms. Exterior finish wide siding or shingles.
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(AINE en y sae te naa aaeaew Ye my)! |||/
onion mxiees in mays alle eb Ny Y, a Oars! Fu
ae ee Ne cid oe FUL vN ne if pH Deiat tare ae i]
am gehes TATTN ( Maw M nN TTR. fis See
we niles ‘nual! | Wl | /h W\\\ Hy) Attia {/) H}S=C- 54
DESIGN 5-C-5
HIS home design, like the one above, is complete as a one story house and
has additional space in the second story. The home builder may wait until a
later date to finish these rooms. When these are added, the owner may convert
the first story bedroom into a dining room. A convenient little breakfast room
remains for informal service. Exterior finish wide siding, roof of shingles. Houses
with plans similar as to first floor arrangement will be found on page 9.
OnE HuNDRED BUNGALOWS
hoe 26 ot ea. 4
Ae
FATS Nee |
P| <0 it yA "
MIM qR it ey
Ahh =
eI aes =a
am tt eee
iingth wht, aaah (i Uy ic,
Se
DESIGN 5-D-4
[LIVING
Se 9-0
H+ oe hee io k 2046"
AR i <
DESIGN 5-D-35 This house has a studio living room. The
ceiling follows the line of the rafters. The
section below shows how. A sense of spa-
ciousness and distinction is secured at mod-
erate expense. Construction: wood frame,
HIS design is reminiscent of the : ;
stucco finish, roof of shingles.
small country homes of France and
England. You will find throughout this
booklet a number of designs with floor
plans essentially the same—that is, with
this basic arrangement of living and
sleeping quarters—but this home is given
a completely new quality through the
management of the living room. Here
it is an extremely important part of the
design, as it should be. Imagination
does not have to go far to visualize the
pleasantness of this room with its great
windows, its massive fireplace flanked by
tiers of books, and opening onto a gar-
den at the rear.
24 OnE HuNDRED BUNGALOWS
The
ESIGNS for small houses come and go. Most of them go.
tricky, novel effects are interesting often only for the time being.
After a little one tires of them. Certain styles remain in good taste as long
as the house endures. Here is a home of that quality. The exterior finish
is weathered gray shingles.
ARCHITECTS’ DRAWING OF ENTRANCE DOORWAY
PopuLAR AND PRACTICAL
Room ARRANGEMENT
town hood.”
HITE clapboards, sage green shut-
ters, green roof, white trim, make
this a delightful small home, far removed
from the average commonplace bungalow.
The front porch has a lacy lattice orna-
mentation that adds greatly to the effective-
ness of the exterior, a distinctive yet inex-
pensive form of decoration. The entrance
and the main body of the house are tied to-
gether in design by the so-called “German-
This bungalow has a popular and prac-
tical arrangement of rooms with an exterior
that will reward careful following of the
25-8" ] plans. The plan makes of the living room
SAG
bedroom.
DIMIHG BOOM
Ws" . aten
37-9"!
erator.
BEDROOM
FBNio' x10'~4"
up easily.
and dining room really one large room,
since they are separated only by a cased
opening. The fine fireplace adds the spirit
which only a fireplace can bring to a home.
There is space under the roof for an attic
The conveniences that mean so much to
the housekeeper have been generously pro-
vided, including a coat closet, a linen closet,
and in the rear entry a place for the refrig-
In these days it is essential that houses
of this size be compact in plan, with com-
fortable, spacious living rooms, small but
adequate dining rooms; compact, well-
planned kitchens; bath amd porches where
they are essential; and closet room to en-
able the housewife to keep the house picked
gt
hate de SRB ORE
DEORE
SUELGEEP RD
THE Home BurintpER’ Ss LIBRARY 25
SHINGLES ON SIDE WALLS AND ROOFS
O you know what a “shake” is? We
mean an architectural shake. Our
forefathers knew. They took a log and
split it into the center, and from the sec-
tions thus formed split thin plates of wood
that radiated to the center of the tree.
These were called shakes. They were used
for all manner of roof and wall coverings.
The other day a group of architects were
given a very exact demonstration of the
durability of shakes. Some pieces were
shown that had been on a roof for over
a hundred years. Their long life came from
two qualities—one was the kind of wood
used, and the other the way in which the
sections were cut. The shingles we use
today displace the shakes of olden times and
if they are well made do not differ from
the original excepting that they are pro-
duced by machinery, are not quite so long
nor rough.
But there are two ways to cut a shingle.
One is flatwise of the log, just as an ordi-
nary board is cut. With the other the sur-
faces radiate toward the center of the tree.
The latter is durable, will lie flat on the
roof. The former is a cheaper grade. It
will not last so long. Over a long term
of years the “edge grained” or radial cut
shingle costs the least. They are really
quarter sawed like finest oak floors. The
annual rings make parallel lines along the
face of such shingles. When nailed on
they are there to stay.
To the naturally fine texture which good
shingles bring to walls and roofs may be
added the extra virtue of color, for wood
shingles can be stained most interestingly.
Most of the paint used with shingles is
_TL_DINING RM
! es
Ws
SHINGLED HousE
A living room of unusual quali-
ties with a great ingle nook and
graceful bay window. Three
bedrooms. Construction: wood
frame, exterior finish shingles.
transparent so that the texture of the wood
shows through. Even though all the shin-
gles are stained alike their varying degrees
of hardness give different intensities of
color so that life and vivacity are obtained.
Oxidizing oils like linseed oil are sometimes
applied with finest effects. Some paints
used to cover shingles are more or less
opaque. The paint manufacturers have de-
veloped their art so that the stains they use
quickly penetrate through the entire thick-
ness of the shingle. They are wood pre-
servatives; they increase the life of the
wood and add beauty.
While it is not possible to exaggerate the
importance of having shingles cut “edge
grain,” there are other requirements that
must be met for durable construction. One
of these is to have thick shingles. They
should not be less than two-fifths of an
inch in thickness at the thick end. They
should not be more than eight inches wide.
They should be laid a slight distance apart,
and the nails must be of the proper quality.
It is futile to use high grade edge grain
shingles, and to comply with all the other
rules that make a good shingle job, unless
the fastenings also are of corresponding
high grade, for a well made shingle will
outlast many times over an ordinary wire
shingle nail. Good shingles must be laid
with nails that are absolutely rust resisting.
The ordinary wire nail will last ten or
twelve years, whereas a rust resisting nail
such as one made from galvanized cut iron
or wire zinc coated, will last three or four
times as long, will parallel the life of the
good shingle.
Stained shingles are particularly adapta-
ble to the side walls of homes. Perhaps
one of the most effective ways of using
shingles for this purpose is to employ the
large size unit, which is twenty-four inches
in length. When shingles are used for
exterior walls their exposed width should
be as great as the owner can afford.
26
DIsTINCTION DUE To FINE
HANDLING oF DETAILS
FTEN a single feature will lift a
small home above the commonplace
and give it charm and distinction. This is
true of the bungalow shown here. The
triple arch Palladian motif entrance to the
porch is that feature. It is this graceful,
beautiful entrance, with its slender columns
supporting the central arch, and fine mold-
ings that give it its marked individuality.
Looking through this book you will find
many designs with plans similar to this,
with the living room, dining room, and
kitchen in line on one side and two bed-
rooms and bath on the opposite side. This
arrangement is based on common _ sense
principles. The construction is direct. The
household management is simplified.
Tame oni
si KITCHEN
q
\ i
\
= 384.44 ,
BED ROOM -#—|
10-T'y ID'-10"
+ :
Jomnine ROOM—
IP6°x 14-4
BED ROOM 4
1Z-O"*X 1S 10
LIVING ROOM
15-8" 17-10 f
“rs t \
PORCH |
:
.
;
.
-
*
| BEDROOM
12-6" X WE
OnE HuNnbDRED BUNGALOWS
CLosfcios,
DESIGN 5-A-59
ROOF
ROOF
DESIGN 5-E-3
ERE is distinction due to excellent proportions and skilful handling of
details. Attention to the minor things, which often get little thought, give
this small home character and reveal the skill of the architect.
vides excellent accommodations. It includes the comforts, conveniences, and
equipment of a modern home. At the same time it is inexpensive to build.
Exterior finish can be shingles, stucco, or siding.
poet ey
BED ROOM
\2'6"x 13410
This house pro-
The beauty of the porch is no less impressive from this
view. Architecture of this classic severity is particularly
responsive to fine building. All the moldings, cornice pro-
jections, and the placement of windows and doors are
essential in determining the fine character of the house.
Make sure your contractor follows the drawings accurately.
Information Regarding Bureau Service W hich
Is Supplied With Each Plan Will Be
Found on the Inside Front .and
Back Covers of This Book.
KITCHEN
Atta [5S err
(0 ig i ISL Oyen aps 18} ePneit wy insR OS, ID ei Na
iid
uN
ii
27
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DFSIGN 5-D-28
SOUND STUCCO W ALLS— BEAUTIFUL TEXTURES
TUCCO is one of the substantial ways
of finishing walls. Architects have
known about it and used it for years, but
like other materials used for wall finish it
must be employed wisely. Wood rots, paint
peels, shingles curl, bricks settle, and stuc-
co cracks. These are all the consequence
of faulty construction of one kind or an-
other—not at all necessary if proper work-
men and materials are employed.
Ask any good plasterer what makes stuc-
co crack and he will tell you to employ him
and it won’t crack. To a very large extent
he is right, but pin him down to an abso-
lute answer and he will tell you that he
cannot guarantee satisfaction unless the
framework of the wall and the lath on
which he applies his stucco are correct. He
will tell you also that the plaster materials
themselves have to be of a sound order,
wisely compounded, and that they have to
be put on under circumstances which make
the most of tricks of the plasterer’s trade.
Every good plasterer does his level best
to turn out a piece of work that will be a
credit to himself and his fraternity, but he
must have something to put his good work
on that will bear reasonable relationship to
the high quality of his own effort. He asks
first for good footings, sound foundation
walls, and securely built superstructure or
upper wall. Then if the wall is of wood
he asks that the lath shall be applied in such
a way as to recognize its function of hold-
ing the plaster in place. If metal lath is
used it should be of the self-furred type,
no strips employed, galvanized or painted,
well secured to the backing, and set so that
when the plaster is in place it will be thor-
oughly embedded.
Now, if this good. plasterer of ours is
asked to state specifically why the other
fellow’s plaster cracks, he will list a good
mill
t m ne 2
13@X 10° oO"
DINING
Roon
ISO" NV 6"
A Stucco HousE
Imagine this house with the
gable twice as wide or with
low pitched roof. Such a
house would not have any-
thing like the fine appear-
ance possessed by this one.
Its qualities are not gained
by chance.
Construction:
stuccoed.
wood frame,
many items beside the frame work and lath,
such as poor cement, faulty mixtures ‘of the
mortar. He will show that the poor plas-
terer often puts on stucco in coats too thin,
hurries the work too much, that he does
not keep his work wet down during the
hottest days of summer. He may point out
that many a conscientious but misguided
plasterer has gone wrong by trying to do
too well, used too much portland cement
in the mortar mixture—too little sand. The
proper mixture for this sort of mortar is
no longer to be guessed at by any plasterer.
For the preparation of the stucco itself
methods have been worked out by scientific
analysis, elements of guessing or chance
have been eliminated. The plasterer who
guesses at the mixture he should use of
cement and sand, and chemical if chemical
is used, is a “before the war” plasterer,
antiquated, and he ought to be suppressed.
It requires an expert hand—this plaster
job, and we must depend upon the plasterer
for the result we want. The finish of the
plaster requires something more than sim-
ply the ability to smear “mud.” MHap-
pily manufacturers of exterior stucco, and
interior plaster for that matter, have de-
vised textures which conform rather close-
ly to period design, for which they have
provided directions for the guidance of
plasterers so that the home builder may
know in advance what he should get.
There are no more “ifs” about success-
ful exterior stucco than there are about
other exterior finishes for walls. We may
anticipate thoroughly satisfactory results
from this type of wall finish if the work is
properly done. Locality has nothing to do
with its failure, nor humidity of the atmo-
sphere, nor temperature. It is not a mat-
ter for the soothsayers to determine.
There is no old wives’ formula by which
one may be governed to get successful
plastering. It is, as has been stated, a thor-
oughly worked out and standard program
of wall finishing based on scientific analysis
and formulae. Every first class plasterer
has these formulae available. There are
plenty of good plasterers. You may be
sure of success if your plasterer follows
these rules.
28 OnE HunpRED BUNGALOWS
ERE are two bungalows with floor plans so
nearly identical that only one is shown for
both. Design 5-A-75, illustrated below, is distinctly
of the California mission type. The roof of varie-
gated red tile offers sharp contrast to white stuccoed
walls. The iron work of the porches and steps may
be either black or light green. The exterior of the
design at the right is typical of the middle west.
The architect’s drawings of the exteriors show the
broad side toward the street, but notice on the plan
how the narrow end may be turned toward the street
with entrance through the end of the living room.
Construction: both wood frame, exterior finish
5-A-75 stucco, preferably tile roof; exterior finish
5-A-76 wide siding, roof of shingles, shutters are
essential.
'
| ALTERNATE
| LOCATION FOR
FIRST FLOOR PLAN
= ire (Foe MARLOW Lor)
DESIGN 5-A-75 CEILING HEIGHT Stor
(sa (Jer vy) at
i eags '
| Kel?’ fr, Ro 3 2
ONIN G*ROON : |
(i
Fxid ri
fevst |
BED ROOM t
| | 0k x 1 I,
HE designer has made skilful use of architectural refinements to increase the
apparent size of this house, but as a matter of fact the cubic content is
Descending two steps from the front entry unusually small. In the proportions and massing of walls and openings lie the
Sap at of te living room, the visitor secret of much of its originality. The large windows lighting the fine living room
will find himself in an impressive, beauti- also help to insure individual character and to set this house in a class by itself.
ful room, of generous proportions, with a
high vaulted ceiling. Construction: wood frame, exterior finish stucco, roof of shingles.
UHteOM bab UMetADSE Rs Sl leBeReA R’Y.
THE HOUSE THAT RESTED ON A SHINGLE
HOME builder asked an architect to
inspect his house when it was half
finished. Only the framing was done.
Joists, studs and roofing were in place so
that all the bare bones of the building
could be seen. Something made the owner
suspicious, and he wanted an expert to give
his judgment on the way the parts had been
put together. This is what the architect
found.
Midway across the depth of the house
spanning from wall to wall there was a
wooden girder supported midway by a
wooden post. This girder was the sole sup-
port of one end of every joist that crossed
the floor. It supported also all partitions
above it and the joists of the second story.
The girder span from wall to post was
eleven feet—three feet more than is allowed
by many a city ordinance—three feet more
than is ordinarily safe. The architect told
the owner that in time the girder would sag,
floors would be uneven.
Why did the contractor make the girder
span so far? Why did he not follow the
drawings? Probably he was ignorant, did
not know about this ordinary rule of fram-
ing. Maybe he was trying to save a little
money, having agreed, as the owner told
the architect, to build the house for far
less than anyone else had figured it.
But the framing of the post was even
more interesting. The post rested on a
boulder, not very large, that the contractor
had found in excavating the basement. In
setting the post he discovered that it had
been cut a trifle too short, due to the un-
even thickness of the boulder, so he had
wedged the post up from the boulder with
a bit of shingle. Now visualize the fram-
ing above—ceiling joists resting on studs,
studs resting on joists, joists in turn sup-
ported by the girder, and the girder by the
post. And at the bottom, that shingle. A
house supported by a shingle. Yes, the
WoopbD USED
AKE wood. Perhaps there is nothing
much more common. Everybody knows
wood. We see it used for every conceiv-
able household object. We know it is used
to build walls and floors, we walk upon it,
dance upon it, are buried in it. And yet
what do we know about it after all—espe-
cially as a building material?
We put units of this material on end,
fastened together at the top and bottom
with nails, lay slabs along one side and
slats on the other, apply plaster and paint,
and call it a wall. Is that all there is to it?
It is not by any manner of means. There
are some engineering principles involved.
There is necessary some recognition of the
character of this material. It may be twist-
ed, warped, distorted. It may be straight
as an arrow. It may be full of knots, splits,
checks and cracks. It may be absolutely
without blemish. Perhaps none of the
A House Can Not Be Stronger Than
Its Weakest Bearing Post. Let
Yours Be Framed By Science.
boulder was below that, a rickity, teetery
boulder, found by chance in the excavation.
The owner said when he raised a ques-
tion about this that the builder had told
him all would be well, for when the con-
crete floor of the basement had been poured
the base of the post would rest in the con-
crete and the shingle would be protected
thereby and there would be adequate sup-
port for all the superstructure. But the
architect knew that a post completely sur-
rounded by concrete would rot at the base.
He knew he could guarantee the post would
rot, for long experience has taught that this
is the inevitable end of wood completely
embedded in masonry. The shingle was
wrong. The embedding of the post was
wrong, and the footing below the shingle
was a masterpiece of error.
If there is reason for outside foundation
walls of a house to be of masonry—and
who will deny it—there is almost as much
reason that the inside basement walls sup-
porting floor joists be of the same ma-
terial. But if this cannot be managed then
certainly the inside support for the joists
should have a security that will match to
some extent at least that supplied by the
outside foundation walls. If for purposes
of economy a wooden beam is used, it ought
to go without saying that the beam should
be of adequate size, frequently supported,
so that a minimum amount of sagging will
take place, and that the post below should
be strong, framed so it will not rot. Below
that post should be a footing, extensive,
well constructed, soundly designed, in keep-
ing with all the loads that it is to support.
But the architect found a number of other
things to excite his interest. For one he
was interested to see how the first floor
joists were supported by the outside founda-
tion wall. These joists were intended to
rest directly on the wall, but to the archi-
tect’s surprise he found that only about
every fifth joist had this support. The oth-
ers were hung from nails driven through
the stringer—a heavy plank that is run
along the ends of the joists, parallel with
the wall, and resting directly on it. Now,
as it happens, floor joists do not have the
same uniform depth. There is a variation
between them due to the fact that they
shrink unevenly. These uneven joists must
be framed so that their tops come to a
common plane so that the floor will be level.
This means that the bearing must be raised
or lowered for each joist to accommodate
its particular depth. The bearing should
be of masonry.
Occasionally this hasty builder had driven
wooden wedges under joists that were too
shallow, a practice of faulty construction
called “shimming.” It would only be a
question of time until those shims would
dry out, shrink, leave the joists in the air
as they were in the beginning. In a few
months the joists with bearings directly on
the wall would have to support all the load
of the joists in between. Think of the
squeaking, sagging, uneven floor. Think of
the vibration. Think of the inevitable de-
preciation of a house built like this. Every
joist should have had mortar slushed un-
der it to give it a sound and unquestionable
bearing.
The owner had good drawings. He had
a good set of specifications, but he did not
have a good contractor. He entrusted his
home building to a man who was known
to him only by hearsay, and because he put
in a low bid. There are plenty of good
contractors. Why take a chance?
WISELY BUILDS FINE BUILDINGS
wood we use in building, excepting that for
the very finest finish, is wholly without
blemish. It is not straight and true and
does not remain so unless we take steps
to keep it true to line and to the trust we
impose in it. But this is easy to do.
Furthermore, wood is, in a remote way,
like a sponge. Get it wet and it swells.
Dry it and it contracts. This makes an-
other problem that has to be managed in
building, for that contraction and expansion
has cracked many a wall.
There are thousands of wooden walls re-
cently built by “Jerry” builders and others
who know nothing about this material save
that it can be cut by a saw and that nails
can be driven into it with vast rapidity.
These walls will be out-of line, warp, crack
their plastered surfaces, and become gen-
erally dilapidated 10 years from now.
All”
because these “Terry” builders do not know
what every builder should know about
wood—that it must be trussed, it must be
well nailed, it must be bridged and blocked
and fastened securely. And every builder
must know about the necessity of preserv-
ing wood, of having it well seasoned.
If there should be the slightest doubt in
any’ one’s mind about the soundness of
wood construction for small houses, when
that wood is used properly, it is only neces-
sary to remind him of the old Colonial
houses built of wood that are still stand-
ing—houses that are almost as good as
new—almost as sound now as the day when
they were put together.
Wood is a sound and durable material.
“Its plenty and cheapness and its workability
-make it the logical material for the building
of many small homes.
30 One HuNDRED BUNGALOWS
purpose pra
DESIGN 6-A-9]. SEE INSERT BELOW FOR PORCH AS SHOWN ON THE ORIGINAL DRAWINGS
SOME SOUTHERN TYPES FOR WIDE LOTS
} ALTERNATE
LOCATION
a!
ry
0,
esto
48-0" Soe ee
HE architect's drawing below of tha et ane
6-A-92 shows an exterior of Spanish Pew Ersion/aceaworsten| font deme
. . | LOWER THAN CEMAIN' i
character with practically the same floor | or orwouse. Kitgneniifoiine Room
plan as that of the Colonial design. Only
in the Spanish design are the floor levels
changed as shown in the floor plan.
Construction: both wood frame, the |
Colonial design with an exterior finish |
of wide siding r shingles. Observe |
how effective are the shutters in the de- ‘2
sign. The Spanish home has an exte- gee ll
rior finish of stucco, roof of tile. —
| LIVING
ROOM
13‘O"# 19-6"
| | STEPS In spanisn 4
[7 Veesion onty
(2a aa
Ge
nq
| AS THNEL IEE LOH CETT PW
'
ero Omine Db suil tl Dib Ste TaReRSATREY, 31
DESIGN 6-A-5
BEDROOM
isthe _
DINING
LIVING ROOM ROOM
20" «= {so
True DutcH CoLoNIAL
HIS charming little home design solves a
problem—one that has puzzled architects
for years. This has been to provide really
modern living accommodations in the second
story of a true Dutch Colonial home. The
beautiful roof lines in this—the original Amer-
ican bungalow—have incited the admiration
and despair of architects, for it has not been
considered desirable in true Dutch Colonial
architecture to pierce the sweep of the roof for
dormer windows. To do this would destroy
one of the most important elements in its
beauty.
However, after long study this plan has been
evolved as a real solution. The key to the
solution is in the location of the stairs. You
will see that by this means two bedrooms and a
commodious bath are included under the roof,
each with adequate light and cross circulation.
As a result of this arrangement, the house is
not a modern hybrid horror—a “Dutch Colo-
nial” so-called—but an authentic Dutch Colo-
nial house of the type built by the old Dutch
farmers in the district near what is now New
York City.
Construction: wood frame, finish of wide
shingles, excepting on front wall, where stucco
is used; roof of shingles.
LONG, Low LINES AND PLEASANT PORCHES
HE generous, hospitable porches, the long, low lines of the roof, the delicate
Colonial details are suggestive of the fine old mansions of the South. The
architect has achieved variation in the roof line by elevating the ridge of the
central portion and bringing it down over the front porch. He has produced a
central mass with less important wings on each side. The cornice line of all the
parts is kept at the same level, tying the parts of the design together. The house
rambles with ease and informality and clings closely to the ground. The illus-
tration shows how the owner added a porch at the side. This is not included
in the working drawings.
A suggested color scheme is that the siding, cornice, and columns be painted
white, blinds blue green, roof stained variegated greens and browns.
wheter”
Danas. \NMF SES cael
One EH GaN DRED bite NeGeANto wes
DETAIL OF ENTRANCE—COVER DESIGN
COLORFUL SHINGLES AND FLOWERS IN ABUNDANCE
HE exterior walls are laid with
twenty-four inch tan dipped
shingles. The roof is covered with a
plain shingle of brown color. The
chimney is dark red, also the chimney
pots. The trim is a twilight blue
while the awnings are tan and brown.
The terraces are red tile brick; a
curved sidewalk leads to the front
door. The door is brown like the
roof. Lengthwise boards with big
strap hinges and a thumb latch of
dull bronze were used. A small nine
paned window, rounded at the top,
forms the upper part of the door.
This is advantageous. The owners
can see from within who may be on
the outside before opening the door.
A long window box matching the
walls with a blue moulding around
the top and four wooden brackets is
filled with pink geraniums and _ bal-
cony petunias. The house is land-
scaped with blue hardy larkspur and
pink flowered shrubbery. On the op-
posite page a side view of this house
shows it set among its flowers and
shrubs with vines on the lattice work.
Such a setting adds value to a house,
and greatly increases its charm.
AD astas: Nal @yiieis 18) tear idan ie Ss, 1G irae Se
33
THE PICTURESQUE BUNGALOW ON THE COVER
Excellent Plan, Easy to Build
and of An Essentially
Economical Type
ORMAL houses such as those in the
Colonial style are comparatively easy
to design. Their orderliness is such that
a good many problems about the massing
of walls and roofs solve themselves. Of
course, even in this type of building archi-
tecture does not result unless the parts bear
proper relation to each other. It is not a
job for an amateur.
But picturesque houses such as the one
illustrated here, Design 6-B-30, are more
difficult to design. The organization of
these houses follows no definite form. Here
the massing of the plan elements greatly in-
fluences external appearances. The sizes
and shapes of rooms must have an inter-
relation such that the general exterior effect
is fine. Architects call this composition.
It is a process of modeling by which forms
are arranged so as to achieve the best re-
sults both in plan and exterior.
Now if no limitations are placed on the
architect as to the way in which he may
model the plan, no restrictions as to cost or
size, he finds the problem of composition or
: ave Si
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BED ROM \F
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FLOOR PLAN DESIGN 6-B-30
modeling somewhat easier. But for the
small house such as the one shown above
this liberty does not exist. The plan must
be organized so that after all the work is
done economy still remains. The house
must be of a type such that its construction
is not an elaborate matter.
View this house then from this point of
view. The plan is straightforward, easy to
build, essentially of an economical type.
The framing follows a definite procedure.
It would necessarily be,a little more expen-
sive to construct than a house that had an
absolutely rectangular form, yet the differ-
SIDE VIEW OF THE HOUSE ON THE COVER—DESIGN 6-B-30
Tue Cost to BuILp
UILDING costs depend upon local
market conditions and what you
demand in the way of equipment.
Simple equipment costs less. Luxurious
equipment costs more. There is only
one satisfactory way to find out build-
ing costs in advance of construction.
The Bureaus have provided a direct
and inexpensive way to ascertain local
costs. Plans may be obtained for a 15-
day inspection and estimating privilege.
See inside back cover for further ex-
planation of this service.
ence in cost is not great. How different
though are appearances! Certainly the
home builder is interested in this matter
for it has a definite bearing on the amount
of accommodation he can get for his
money.
Here, too, the home builder will find a
plan in which accommodations are finely
worked out. The division made between
living quarters and private quarters will
commend itself.
The communications between rooms are
direct. The designer has visualized the
purpose of each room and has arranged
them so they will fit well into the home
keeping scheme.
To this six room house, design 6-B-30, the
sixth room being in the second story, a
single one, over the dining room—have
been added vestibule, breakfast room, pan-
try, terrace and a generous fireplace. Going
over the plan one finds countless details of
interest. There is abundant closet space, a
kitchen lighted on three sides, a breakfast
room, which in the morning should be
bathed in sunlight.
This breakfast nook can be seen plainly
in the illustration above, which is a side
view of the house that is illustrated on the
cover. The awning is over the terrace.
Doors from dining room and living room
open onto this terrace. It can be screened
in for a summer porch.
An alternate plan, design 5-B-36, has
been prepared without change of the front.
The floor plan for this, and for design
6-B-30, the house on the cover, are both
shown on this page. If the second story
room of the six room design is omitted this
becomes a true five room house to be com-
pared with 5-B-36 as such. The latter is
Ez-) I
Susie
DINING Root}
10-0x 126"
BED ROOM
120°% 12°68"
LIVING ROOM ro
190% 20'6 34ccos ice im
. ROOM
106 KIS
——
FLOOR PLAN DESIGN J-B-36
more compact, less expensive to build, not
so luxurious, nor with so many conveni-
ences. Pocketbook must dictate the choice.
The home builder gets a good house either
way.
Construction for either design is wood
frame, with a finish of wide shingles.
34 ONE HuNDRED BUNGALOWS
a
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=
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-A-48
THESE HOUSES ARE MUCH ALIKE IN ROOM ARRANGEMENT
ERHAPS you have in mind a certain plan but the exte-
riors you have found for it do not suit your fancy. The
Small House Service Bureau has tried to answer this difficulty
by making a number of exteriors for most desired plans. If
your requirements are met by this general arrangement, here
KITCHE
B:0%130"
LIVING ROOM
17!6"x13'0"
ROOM
iS O's10'e™
are four exteriors to choose from developed on practically this
identical floor plan. On page 60 you will find two more.
The two houses shown on this page were built from exactly
the same working drawings, but the wall finishes are different.
The one above is of siding and the one below of shingles.
un
liste HOt En beet DID RY Sela TBI R-ACRTY 3
ERE are two designs with different wall finishes but with
first floor plans exactly like that of 6-A-48 opposite. The
second floors vary depending on the shape of the roof.
The moment you step in the doorway you experience a
feeling of spaciousness. The whole front of the house, an
extent of forty feet, if the sun room is used, has been thrown
open into practically one room.
DESIGN 6-A-83
DINING
ROOM
4713-2"
Construction 6-A-83—wood frame, ex-
terior finish shingles, roof of shingles;
6-A-81 and 6-A-55—wood frame, exte-
rior finish stucco, roof of shingles.
DESIGN 6-A-55
Sun Room Piacep AT FRONT
HIS house like the others on this page is designed
particularly for future enlargement. The second
story can be left entirely unfinished for the time being
because a bedroom and bath have been provided on the
first floor. Undoubtedly it would be less expensive in
the long run, all things considered, to finish the house
completely in the first place, but the home builder may
not have the money or the need for the extra space at
first.
: DIKIKG Room LIVING ROOM
36
@ streets and countrysides would
indeed be monotonous if everyone
elected to build a square or rectangular
house. It is fortunate that there are
many who prefer homes of pleasantly
irregular outline, houses that ramble pic-
turesquely over the lot and are charm-
ingly unconventional in their room ar-
rangements. In the old country the
houses which have inspired much of the
recent small home building in America
have gained their picturesque qualities
often from having been built bit by bit
as the years went along, a wing added
here, a bay projected there.
High roofs are characteristic of the
English and French types, but it would
not do from the point of view of fine
architecture for the architect to borrow
this quality unless it has some purpose
in his design. The large space gained
under the roof must serve a use. In
the houses on this page the high roof
has been turned to advantage so that it
includes two excellent bedrooms with
space for a bath should the owner desire
to add this additional feature to the sec-
ond story.
we
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OnE HuNDRED BUNGALOWS
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DESIGN 6-F-12
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STREETS WouLD BE
MoNnoTONoUS
Ir Att Buirtt ALIKE
S much at home in some of our
beautiful American country-
sides as on English and French soil,
are the two designs on this page,
which are adapted from old world
cottages. The construction is wood
frame, exterior finish stucco. 6-F-11
has brickwork in the front wall part
way up the first story, and siding in
the gable ends. The casement win-
dows in these designs may be of
metal or wood, as desired.
Storage &
Future Bale
THE HoME-BiuUIlL DER’ Ss LIBRARY
ee
oR eB re
DINING
ROOM
wo" joo"
LIVING ROOM
igo" * We
HE program of rooms in this de-
sign—the general scheme of ar-
rangement—is similar to 6-F-12 shown
on the opposite page. The second
stories though, vary because of the dif-
ferent types of roofs.
It is customary to assign architectural
types to many of our small houses, es-
pecially those that have details character-
istic of the homes of foreign lands, but
the style of these houses is really Ameri-
can, as this one is, though here the in-
fluence of the French mansard roof
may be seen.
About the first floor there is an agree-
able air of spaciousness rather remark-
able for a house of this size. There are
six main rooms; living room, dining
room, kitchen and bedroom on the first
floor, and two bedrooms on the second
floor. In addition to these, however, the
plan provides a porch, a breakfast room
about seven feet square, first floor lava-
tory with shower, a second bathroom
and a large storage room upstairs.
Construction: wood frame, exterior
finish siding or shingles, but stucco may
be used.
32-8
hecnphanticensccy
~ SR AR
ee Silent
37
SpacEk UNpER Roor
For BEDROOMS
HE house at the left does not quite
keep pace with the others on this
double page as to irregularity of plan,
but it has a beauty of its own gained
from the trim severity of its Colonial
forms. Like many other plans in this
book, it will be found that the first floor
is complete in itself and the second story
bedrooms may be finished later on.
There is probably no more popular or
satisfactory arrangement of living and
dining room than the one offered by this
plan. The wide cased opening between
the two rooms is a decorative feature.
At the same time it increases the appar-
ent size of both rooms. The finely pro-
portioned living room has double win-
dows on front and a side window to
offer still another outlook. Wall space
is provided for large pieces of furniture.
Construction: wood frame, exterior
finish wide siding or shingles, roof of
shingles.
Rice
| I-O'x 13:
ROOM
(a)
| ROOM |
em
KITCHEN
FOWZ-2
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BED ROOM |
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BED, ROOM
LEAK ATF.
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0-3 12-4" |
| STORAGE
= 7
38
OnE HunpbRED BUNGALOWS
HOME FINANCING FOR SMALL HOME BUILDERS
Few Can Pay for a Home Outright at the Start
ROBABLY the best and _ cheapest
method of financing is through a first
mortgage, but the first mortgage pre-
sumes that there is an equity behind the
mortgage of at least 125% of the value of
the mortgage. Many financing organiza-
tions will not lend on a first mortgage any-
thing like as much as this. They require
a ratio of 140% or more. Thus the home
builder would secure only 60%, or perhaps
as little as 40%, of the whole cost of the
building plus the value of his lot, but when
the security is so substantial the risk to the
mortgagee is less and the price of his serv-
ice in the form of interest should be less.
The person or agency that lends money
on a first mortgage looks for his basis of
security in more than the cost of building
the house. He wants to know what kind of
a house is to be built with the money. If he
sees from the plans and specifications that
sound construction is not contemplated, he
will be extremely wary. He probably will
not lend as much money, if he will lend any
at all, or he may charge a higher rate of
interest. He knows that a good set of
plans, produced by a reputable architect,
is the first requisite to the fine type of
building in which he wishes to invest his
money or that of his client. He will also
want to know about the contractor, whether
or not the building is to be constructed un-
der the superintendence of an architect,
where it is to be located, if it is of a de-
sign that will not go out of style, as cer-
tainly, unless the house can be resold at
least for the price represented by the face
value of the mortgage, there will not be suf-
ficient security for him in it.
Financinc Costs Must BE CouNnTED
ONEY on first mortgages may be se-
cured from savings banks, from in-
surance companies, and from mortgage
brokers who commonly handle funds that
have been left with them by their clients for
investment. First mortgage money may also
be obtained through building and loan
associations.
In arranging for the loan, the drafting
of the mortgage papers, and so on, a charge
is usually made by the mortgagee. This is
called a commission. It ranges from 1%
to 4%, depending upon the amount of the
loan, its relation to the total value of the
property, and the length of time for which
the mortgage is to run. The interest
charges, which are entirely beside the com-
mission, will also vary with the conditions
mentioned above and will range from 5%
to 7%. The first mortgage may be written
to run any number of years, but commonly
it does not run for more than five years,
at the end of which time it will be neces-
sary for the home owner either to pay off
the mortgage or to re-finance it. If he re-
finances it, new commissions will be charged
for the new paper.
There will also be charges to include the
cost of filing and recording the transaction
as required by law. There will be the at-
torney’s fees and those of the abstract of-
fice, all of which should be charged to the
item known as financing.
When first mortgages run for more than
three years they commonly carry a so-called
“pay-off” clause, by which the home owner
contracts to reduce the face of the mort-
gage after the lapse of three years and at
six month intervals thereafter so that pre-
sumably the proportion of protection for
the loan will remain at the end of the mort-
gage term about as it was at the beginning.
In other words, the mortgage is reduced to
take care of depreciation during the mort-
gage period. The building and loan scheme
automatically takes care of this matter as
the principal of the borrowed sum is re-
duced month by month.
BewaAareE OF Hicu “Discounts”
HEN so great a proportion of the
whole value of the property must be
borrowed that, after the maximum amount
to be obtained under a first mortgage has
been secured, there may still remain the
necessity of borrowing additional money,
then additional money may be secured on a
second mortgage. This type of loan is some-
times called “junior paper.” The security
behind it, of course, is inferior to that of
the first mortgage. If for any reason the
home builder should default on the first
mortgage, the person holding the second
mortgage would have to be in a position
to pay off the first mortgage in order to
protect his interests. Otherwise, the second
mortgage is in danger of being wiped out
under foreclosure proceedings. Under the
circumstances, the second mortgage usually
carries a higher rate of interest than the
first and in addition is made attractive to
the money lender through the payment of a
substantial commission or bonus. This
commission often runs extremely high. It
is rarely less than 10%, and may run much
higher, the actual amount depending on
how much money is borrowed and the
length of time necessary to repay it, and
also on the relation of the first mortgage to
the value of the propery. If less money is
borrowed on the first mortgage the com-
mission on the second mortgage would
naturally be less.
First mortgages are sometimes succeeded
by contracts for deed. As a matter of
fact, there have been a great many houses
financed exclusively by the contract for
deed method. This scheme of financing goes
by a variety of names, but it is essentially
one by which the home owner makes a first
installment of some size on the purchase of
his home and then contracts to pay off the
balance through equal monthly installments.
The money paid down as first payment is
often very low. Some people who finance
houses on this score require that the home
builder have at least the value of the lot
in cash or the ownership of the lot itself.
If the home builder owns the lot, then he
assigns his deed to the money lender as the
first payment of the contract. When the
contract is all paid up, the money lender
supplies the deed to the property. Under
some circumstances the money lender sup-
plies the deed when a sufficient amount of
money has been paid on the contract to
make it possible to float a first mortgage.
As with all types of loans behind which
the security is low, this type of financing
is an expensive one to the home builder on
account of the discounts or commissions
that go with it. These discounts rarely ap-
pear as such in the transaction. They are
simply added to the amount of the con-
tract. It is quite common for these dis-
counts to amount to as much as 20% of the
value of the property. In this way, a house
and lot costing $5,000 would be sold to the
home wanter on a contract for $6,000. The
20% discount represents no real value
whatever. It is simply the money lender’s
profit.
The contract for deed usually provides
that in case the buyer fails to meet the
obligation imposed upon him by the monthly
payments or any other provisions included
in the contract, the whole sum which may
have been paid in at that time is taken by
the money lender as “liquidated damages.”
Of course the contract may be written so as
to provide for a resale of the contract so
that in case the buyer should not have the
means to go forward with his agreement
he would be enabled to save some part of
his equity.
This type of financing, it will be seen, is
an extremely expensive one, and involves
certain hazards which should be considered
carefully before they are assumed. It is
often made enticing to the home builder
by being described as paying for a house
“like rent.” There are a great many people
who will lend money for home financing on
this. basis. Building contractors usually
know how to secure money in this way for
the financing of homes for their more im-
pecunious clients. If anyone goes into this
scheme of financing he should do so with
his eyes open. ;
MEASURED JUDGMENT
T must be said in fairness that many of
those agencies that supply money on sec-
ond mortgages or contracts for deed are
entirely dependable and honorable in their
dealings with the people to whom they lend,
but on the other hand, unfortunately, there
are many who lend money in this way who
have earned and deserved the term of
“sharks.” It is their desire and to their
advantage to have the home builder default
on his contract and they show no mercy if
he does so. One may well beware of bor-
rowing money from these people.
In almost every community there are
agencies that recognize intelligent home
financing as one of the most secure of all
investment enterprises. The wise home
builder will search these agencies out.
{Page Jab@ visas Eye 1ae ipod AS Ab ANI
SECTION LI.
39
BuNGALOwsS OF Masonry CONSTRUCTION
W ALLs oF Sotip Brick—Brick VENEER—HoLLOW TILE
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 4-B-6
BURNED CLAY FOR BEAUTY AND STRENGTH
ASONRY walls carry their own rec-
ommendation, for they have had the
confidence of man through long ages.
Their durability and strength is well
known. Many a bit of ancient history is
wriften into the walls of the buildings of
antiquity. The great walls that the Chinese
built stretching across the hills of northern
China to keep the hordes of Tartars back
bear mute evidence of how men have relied
on the protection they afforded. Similar
walls were built in England by the Romans
as a protection against the barbarians of
the north. Many ancient cities were pro-
tected by this sort of wall.
And many of these walls were of brick.
Relics of ancient civilization in existence
long before the Christian era, now being
uncovered in Asia Minor, disclose walls
built of brick which now are still in good
condition. One of the most interesting of
the objects excavated has been the library
of Nebuchadnezzar, preserved now to us
after a lapse of thousands of years. It con-
sisted of hieroglyphics described on blocks
of tile. The Romans built walls that were
faced with triangular units of burned clay
and filled in between with other masonry.
They called the work opus triangularum—
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Stucco ON Brick or TILE
A pleasant plan, unusual in its arrange-
ment, with a conveniently located alcove
for dining. Terrace at front and porch at
rear bring the outdoors in. To be built of
hollow tile or brick with exterior finish of
stucco,
triangular work. Many of these walls stand
today showing clearly the skill and wisdom
of their builders.
All of the virtues possessed by this old
burned clay material are found in the pres-
ent day product of our kilns, plus undoubt-
edly far greater durability that comes about
from our having learned scientifically how
to burn clay, and plus also color and tex-
ture characteristics of a superior order.
So we use these units for all sorts of
wall building. There are walls of solid
brick with facings of a more ornamental
brick laid in interesting patterns with color,
or we may finish such walls with stucco.
Then we may have hollow walls of tile
finished with a surfacing of stucco or made
interesting in themselves by process of
manufacture and therefore needing no ad-
ditional surfacing. There is the wall made
by applying brick to frame work of wood,
called brick veneer construction.
There is really no essential difference
between tile and brick as to the material
itself. Both are burned clay. Building tile
is hollow, that is practically the whole dis-
tinction, so far as units for ordinary wall
building are concerned.
We may employ any of these materials
for all sorts of wall building above and be-
low ground—sometimes in the humble but
honorable role of doing the work of the
building, carrying loads, fighting off the
elements, sometimes in the role of decora-
tion, adding beauty, giving pleasure.
40 OW EEN piRie De beanie HeOnwsS
DESIGN 4-B-8
es
ESIGN 4-B-8, illustrated at the left,
has tile walls with an exterior finish
of stucco, while 4-B-18 below, is designed
for solid brick. The home builder has a
choice of two floor plans for either exterior.
One of them has a formal dining room, the
other a dining alcove. Otherwise the plans
are much the same. The living room, din-
ing room, and kitchen occupy a major por-
tion of the house, the bedrooms, with bath
between them, the other side, insuring pri-
vacy for the sleeping quarters. The absence
of a porch provides a finely lighted living
room. The dining alcove is in a secluded
corner, close to the kitchen, and may over-
look a garden. It has a window, built-in
table and side seats, with china cupboards
above.
STUCCO ON TILE OR WALLS OF SOLID BRICK
HE exterior of these designs are not elab-
orate. Simplicity is the key note. So highly
refined are they and so well proportioned that
their architectural merit is apparent to everyone.
The arched entranceways, the main point of in-
terest in the exterior, are embellished by butt-
resses and wrought iron lamps.
The stucco finish of the house above may be
lightly tinted, perhaps in pink. In this case the
tile roof may be of variegated colors in reds,
browns and grays, and the exterior woodwork
painted to produce the effect of weathered pine.
The shutters may be light blue.
If the finish is of brick, as in the house at the
right, it is suggested that they be of the red
flashed type, laid in white mortar. If then the
roof tile are moss green in color, and there is
white woodwork with gray-green shutters, the
color effect would be very fine.
The Home Builder Has a Choice of These Two
Floor Plans for Either Exterior.
33-10-
| DINING RIM
1oto*x10+ 6" |
BED ROOM
10-4 13+0*
25-#
LIVING ROOM
j3*0"% 19% 0”
BEDROOM
10*2°4 1H O*
LIVING LOOM
19-0". 1IS-O”
BEDROOM
isto’e1o-6"
2618”
besos
DESIGN 4-B-18
HE modern American bungalow is a model
of efficiency. It shares many of the charac-
teristics of the quarters ot apartment houses,
but with this notable distinction—it is light, bright,
and airy, the rooms are generous in area and in
windows. There are conveniences such as fire-
places, terraces, porches, attic and basement stor-
age space such as apartments rarely have.
The apartment house dweller moving into a
modern American bungalow finds his pleasures
not only tremendously increased by the better
plan, but by the setting of the house—lawns,
gardens, all the joys of the home lot.
Ae aepis, Jaloatery Tia inte, ass” G AL seipan ANT Ne 41
“Br It Ever So HUMBLE”
Ro most people the home is the beginning
and the end of life. All their activities
proceed from it and return to it. Therefore,
of all the arts those which find their applica-
tion in the home, making us intelligent about
the home and its needs, are the most signifi-
cant.
Yet there are thousands of families well
able to finance a home, who are denying them-
selves this joy of living in a home of their
own, who are missing year after year this
feeling of security, of possession and inde-
pendence that comes through ownership of a
home.
There are many who do their building the
same way that many of us travel, or grow
rich and famous. We do it beside the fire in
an easy chair. We dream dreams that never
materialize because we never make a start.
A Spur To AMBITION
Sede AY. The average man with a small or moder-
ate income does not usually begin to save
HERE are two floor plans for this design; one providing a dining alcove, the until he has a definite object in view. What
other a dining room. Construction: brick walls with face brick finish. Stucco could be a greater goal than a home, a place
may be applied over the brick as illustrated above. to call your own, a place to develop and im-
prove as you wish, a hospitable place in which
to entertain your friends, a home that will
bequeath associations and fragrant memories
to your children?
The home is the most important of all in-
stitutions. From it are the issues of life. In
the little world of the home children are born
and reared. In it they grow to manhood and
womanhood. From it they go forth into the
larger world of society and state, to establish
in turn their own little world of the home
in which they grow old and die. Their mem-
einacloon ories linger around the homes of their child-
LIVING ROOM 1T-OX15-O° hood; the memories of them held by later gen-
TO £1550. erations are associated with the homes of their
manhood and womanhood.
DINING ROO
FOxX12 0°
sd ene A 1 Sl
og
As You Look Over the Plans in This
Book, Remember That Any House
Can Be Built Reversed.
DESIGN 4-B-1
HE overhanging cornice at the entrance with graceful bracket treatment, the old-
fashioned blinds, and the finely proportioned chimney with its colorful inserts, give
an irresistible charm to the exterior. The owner added the wing at the right. It is not
in the working drawings.
BED RCOM
12-28 « 10'-0"
; Construction: walls of hollow tile, stucco finish, roof of tile. Working drawings
yi have also been prepared for solid brick walls, design 4-B-13. The hollow tile version,
fh with a full size dining room, may be had in design 5-B-18.
42 ONE HuNDRED BUNGALOWS
DESIGN 4-B-17
HE exterior of this home has been made i Teereaioed
interesting through a happy use of ma-
terials. The combination of tile roof, stucco
walls, wrought iron railing about the porch,
and the brick work in the steps lend a cheer-
ful note of color. Greater vivacity may be ob-
tained through the use of rough textured
stucco. Heavy wooden shutters complete the
note of informality.
12+5°x135-0"
BED ROOM
Construction: hollow tile with stucco fin- aD Satay
ish, roof of tile. The drawings also provide
for solid brick walls with a roof of shingles.
DESIGN 4-B-16
HE amount of space there is in a house is more important than the number
of rooms. This fact is particularly evident in the home pictured above. It is
classified as a four room house, but it contains practically all the accommodations
that can be found in a house of five rooms. There are two bed rooms of excellent
size, The living room and dining alcove are combined and so arranged that the
living portion of the house is really one large room nearly twenty-seven feet in
length. Finally there is a kitchen with a built-in breakfast nook.
ARE SHUTTERS WorTH THE
ADDED EXPENSE?
RE you interested in the matter of
shutters for your new home?
People often ask about the advisability
of this device. Certainly if they are omitted
there is a direct saving which may well
amount to as much as $100 for a small
house. Like every other thing that goes
into or onto a house, it is well to inquire
whether shutters are worth what they cost.
How much service do shutters give? To
tell the honest truth, shutters often give no
service at all in any material sense, for
sometimes they are nailed permanently to
the walls. Even so they have a value as a
means of enlivening the walls. Imagine any
of the fine Colonial houses with which you
are familiar without their shutters. Some
of the distinctive qualities would be lacking.
Colonial architecture is necessarily severe.
It is made interesting by carefully spaced
walls and openings and by accurate details
of simple woodwork. The shutter carries
out the principle of simplicity, but lends life
to the wall through its form or color. From
this point of view alone it may be well
worth what it costs.
But shutters may be something more than
an ornament. They may be useful equip-
ment. If you live in a region where the
summers are hot (and where in America
does not this apply?) a hinged shutter
tightly closed in the summer time will keep
out the direct rays of the sun and thus
help to keep your house cool. Shutters are
an architectural decoration plus a useful
form of heat insulation. Perhaps this may
help you to decide whether you will have
them on your house.
BED ROOM
10-1GX 11-7"
LIVING BED ROOM
ROOM 11 7X1226°
11-7 X15=0°
FIRST FLOOR PLAN :
This bungalow is to be built of
stucco on hollow tile or common
brick walls. Basement walls are
concrete. Roof of tiles.
THE Home BuiILDER’S LIBERTY
43
NE of the peculiarities of this plan
is that the house can be faced as
you desire it. The front may be the porch,
or it may be the side with the entrance.
Certainly the facing will be determined
very much by the lot, but certainly also
it would be fine if the house could have
a generous setting.
There is an entirely practical porch
with a roof over it, thus making
acknowledgment of the fact that even
if it does not rain in California during
the summer time, it does elsewhere.
Rough logs are used for the ceiling
beams of this porch. Construction:
hollow tile, exterior finish of stucco.
CHAnBLe
100" 120"
CuamBer
_ Wes toe"
living Room
190" V 14'8"
Dearmed Carling
CHAMBER TH
100% \I-0"
LiviKG ROOM
WES IT=@"
DINING ROOM
IE EO"
CHAM DER.
96x 12:0"
CHAMBER
IG 12-0"
RAMBLING RANCH HOUSE AND COMPACT CITY BUNGALOW
DESIGN 4-A-33
ERE is an example of a distinct step in the architecture of small homes in
America. While the majority of us have been struggling with the diffi-
culties of Colonial and English architecture and others have perhaps more frank-
ly expressed their thought about the proper character of a home by using the
so-called “Western” style, out in the Southwest, especially in California, home
builders have taken the architecture of the Spanish and have contrived an
entirely new expression of a home, This has found so much favor in the minds
of the small home builders all over the nation that the California bungalow
has come very definitely into its own. To be sure, out in California, they would
probably dispense with the porch and put in place of it a patio, and in the patio
would be a little pool and fountain with aquatic plants and perhaps a cement frog.
DESIGN 4-A-32
HE picturesque character of this house is heightened by
the heavy beams used at the porch openings. This is one of
a number of designs, illustrated throughout the book, which can
grow. The second story may be finished later. Construction:
hollow tile walls with exterior finish of stucco.
OWES LUN DRED) Db Uwe ALO wis
Ht
4 HHT
ah
DESIGN 5-B-26
N unusually liveable home of a type that has proved
a favorite with many home builders is shown here.
The exterior is quaint and the plan far superior to that
of the average bungalow. Five rooms are included besides
a breakfast nook and sunroom. A closet bed may be in-
stalled in the closet off the sun room.
The sleeping quarters are large and well lighted. Ob-
serve the large amount of closet space in the living room,
closet for linen off the hall, closet for brooms also off
the hall, closets for clothes in the bedrooms.
Construction: 5-B-26, illustrated above, solid brick walls,
roof of shingles or tile. 5-B-21, illustrated at the right,
hollow tile walls with stucco finish above the brick base
course. Roof of tile or shingles. Both exteriors have the
same floor plan.
SE fe,
Zve 2
HE exterior of this home is like that of design 4-B-16, illustrated on page
42, but the plans are different. The particular distinction is in the dining
accommodations. There are other minor variations.
- In the basement of this home there is a den reached by a flight of stairs
from the living room. If the owner prefers to omit the den, the working draw-
ings give details for alternate placement of the front porch, and for window seat
and closet in the living room in place of the stairs leading to the basement.
Construction: hollow tile or solid brick, stucco finish, roof of tile or shingles.
BED ROOM
12-O% 1340"
|DINING ROOM
11-O'A110"
L1Y1NG ROOM
13+O"K 22*0*
BED ROOM
1°3"4 11+9”
al
I
|
)
LIVING ROOM
1146" x 208"
Ie PROM ne Duthil ID Rast lees REAGREY;
HE large living room is given
a more spacious effect by the
wide opening onto the terrace and
into the dining room. The fireplace
with its generous hearth is set back
in a wide niche, a feature which
also increases greatly the apparent
size of the room.
Both plan and exterior express ef-
ficiency, orderliness, and love of
beautiful surroundings. The floor
plan is compact, convenient, com fort-
able.
Construction: solid brick or hol-
low tile finished with stucco, roof
may be of shingles, tile, or slate.
at Sere es cla i ic else eta he
BUNGALOW IN PICTURESQUE ENGLISH STYLE
|BED ROOM
10*10°, 11" 7*
| DINING ROOM
4
HH
ay
HH
HI
Bai
rr
DESIGN 5-B-35
HE brick chimney with its lead-
ed glass window and quaintly
. modelled flues, the arched entrance
Peemene ae ta aeons F > “en tie and door with wrought iron hinges
Sa and ornamental grill, the brick row-
lock trim under the eaves of the
front gable, the brick quoins at the
corners, all show how common ma-
terials may be combined in an un-
usual manner.
2
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he
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5
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an
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The wide expanse of casement
windows on both sides of the liv-
ing room, in the dining room, and
in both bedrooms contribute greatly
to the effectiveness of the exterior
and the comfort of the plan.
OnE HunpDRED BUNGALOWS
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 5-B-28
FIVE SUNNY ROOMS OF GOOD SIZE
HE three bungalows shown on
this page and the opposite are
so nearly similar as to room arrange-
ment that only one floor plan is
shown for them all. The one shown
above is different from the other two
in that it provides a terrace and en-
trance to the vestibule is from this
terrace. This is an excellent plan
for the home builder interested in
the California type of bungalow.
This same general plan will be
found throughout the book with dif-
ferent exteriors and types of exterior
wall construction. Note particularly
design 5-E-1 on page 22. Although
there are details about the plans
which are quite different, the scheme
of room arrangement is the same.
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 5-B-27
The owner of the home built from
design 5-B-28, illustrated above, in-
troduced a variation not called for by
the working drawings by substituting
an outside door from the dining room
in place of the front window.
A suggested color scheme for de-
sign 5-B-28 is cream colored stucco in
floated finish or dashed and rodded,
sash and doors gray, sills of light
brown brick, roof of variegated tile.
The iron rail and awnings for the
terrace add to the decorative effect.
Construction: 5-B-28 solid brick
walls, stucco finish, roof of tile or
shingles; 5-B-27 hollow tile walls,
stucco finish, brick trimmings, roof
of shingles or tile; 5-B-22 solid brick
walls, roof of tile or shingles.
2’-10"
BED ROOM
Ai oxi2 11"
LIVING ROOM
1241fX18-41
BED ROOM
Ay ittezi2cit
ipa comE BULLE DER] Ss LtB RAR
47
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 5-B-22
LEAKS IN WALLS, PIPES AND PURSES
How to Stop Them Before They Begin
; é OU cannot easily withstand an un-
controlled leak in your pocketbook.
Neither can you long endure a leak-
ing house. If your house leaks, your
pocketbook may be drained. That is the
reason for this story.
Much of our home building effort is di-
rected toward the prevention of leaks. Our
walls must not leak heat, cold, wind or
rain. Neither must our roofs—else male-
dictions on the roofer. The pipes that the
plumber puts in should be so well installed
that we shall never again be reminded of
him. When the plumbing leaks, it violates
our confidence, besides ruining the plaster.
Then there are smoke leaks, spark leaks,
leaky flues. What a hazardous place is our
home after all!
Grow Up LIke Topsy
These wires strung around our walls may
spill electricity, and if they do, how long
before we call the fire department? What
if aur basement leaks? Then we may have
to convert the wash tub into a sea-going
tug and pole ourselves about the flood to
get the dinner’s supply of potatoes. The
more one thinks of this the more tremen-
dous these leak problems become. Let us
stop them all with a little horse sense.
Perhaps not everyone can tell what
causes a leak. But certainly anyone can
find one after it starts. Sometimes they
exist from the first—born when the house
is built. Sometimes they grow up as the
house wears down, a _ vicious brood,
mothered by the slattern, Illegitimate Mate-
rials, or else by Dowdy Workmanship.
The first bulwark of the home is the wall.
We can build it many ways. When we
build walls we want openings in them for
light and air, but we must be inconsiderate
enough to require the carpenter and the
mason to restrict the location of these to
the more formal doors and windows. But
even these openings will also let in the win-
try blasts if they are not tight. The coal
man, if he cares to do it, can name every
home in town that has poor walls and win-
dows by the number of trips he has made
to deliver coal. Wooden walls without in-
sulation or masonry walls without air
spaces of some kind lJeak tons of coal just
as surely as though in liquid form we had
poured them into the sewer.
The basement walls may not lose much
heat, but they are often responsible for
great loss of temper, especially so when
cracks develop, water seeps in, and the
basement looks as though it were time to
call all hands to man the pumps. The wall
cracked and leaked because the footings
were not wide enough or the builder did
not start them on sound and undisturbed
soil; or perhaps we tried to save a few .
sacks of cement in a moment of misguided
economy. Probably the best waterproofing
compound is more cement. Certainly it is
better to throw a few extra sacks of it into
the wall than to suffer the consequences of
a flood. When there is a real waterproof-
ing problem, how much wiser it is to have
this solved before we build than after-
wards!
Midway in the construction of the home,
the plumber, heater and gas fitter come
along. They string pipes through the walls
and floors, and afterwards the plasterer
seals them in. We trust this piping will
be faithful and silent, but do we know?
What makes plumbing leak? Poor pip-
ing will do it—poor jointing between these
pipes. A quality job of piping means
money. Every home builder is faced with
the problem of whether he will pay ten per
cent more for a good job when he builds
his house or run the risk of a fifty per
cent replacement and damage charge later
on.
Test BeroreE Too LATE
It takes a skilful man to make a steam-
tight joint in piping. A joint in water pipes
is easier to make, but no matter what kind
of a piping system it is, have it inspected
thoroughly, have the joints tested by put-
ting pressure on them, before it is plastered
in. Then you can seal them up. Don’t
forget them and then seal them up.
And these leaks that come from heating
plants and ducts are unnecessary. The
cheap furnace will soon leak, belch forth
smoke and gas. The initial saving will be
quickly dispatched in extra laundry bills,
extra doctor bills, extra coal bills.
The flue is a prolific source of leaks.
There should be exactly two holes in a flue
and no more. The flue should be lined with
tile from bottom to top. Think what hap-
pens when soot accumulates and takes fire.
If there is an opening somewhere along the
stack, where mortar has fallen out between
bricks, what is to prevent the blazing soot
from going through this opening rather
than out the top of the chimney? Perhaps
this casual opening is in the attic where
there is the usual accumulation of mate-
rials that we do not quite have the courage
to throw away. Fire starts and the home
is ruined. Flue linings cost so little that
they can hardly be found in the masonry
bill.
ScIENCE VERSUS GUESSING
Leaking roofs? We cover the rafters
with boards and over them lay almost every
conceivable material, from paper to metal.
There is rubber, asphalt, tar, felt, stone,
steel, tin, copper, zinc, tile, wood, cement,
asbestos and combinations of these. Obvi-
ously, they do not all have the same value
first or last, but we can have a tight roof
with almost any one of them if it is put on
properly.
Let us stop our roof leaks before they
happen by not taking a chance with ques-
tionable materials or poor workmanship.
Buy roofing on the basis of reputation for
service. The best way to prevent leaks is
the common sense way—use good mate-
rials and good workmanship !
Ohvn El UND RED) 8b UNG Onwas
BUNGALOWS IN SPANISH STYLE
Built Around a Patio or Inner Court
wc
HE plan below centers around Wh
ill!
Hf
the walled patio with its flagged
walk and pool—a pleasant out of door
sitting room amid flowers and shrubs
—a delightful place for small chil-
dren to play. The loggia, wide and
cheery, may serve as a sunroom dur-
ing the cooler months, as a_ break-
fast room throughout the entire year.
Construction: hollow tile, exterior
finish stucco, roof of shingles. An
alternate detail showing stucco over
frame construction may be secured
tf
i{ {
NW
WiNst
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if desired. Cece Soc Vande, ‘
Vay) Yel Vin 1 fh { | DINING ROOM | ST eiee B
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DESIGN 5-B-30 a
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LIVING ROOM AK:
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BED ROOM
PATI 114k
18:0°X2 220°
SA TES
HE garage is an essential part
of the design. Heavy wrought
iron hinges ornament the doors,
make them interesting and attrac-
tive. Construction: same as that
of 5-B-34. There is also an alter-
nate detail for stucco over wood
DESIGN 5-B-34
frame.
|
Bep Room IP
| Wo"® 145107
|
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|
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') Dining Room tes! ssi ipa giré's 2
) 0" 1220" ~ AREER SVS 9 id ¢-€
First Floor PLAN
NSIDE and out, even to the small
patio leading out from the living
room, is felt the atmosphere of old
Spain in design 6-F-16 at the right.
Pebbled walks, bright flower pots, tiles
are appropriate, while a linoleum floor
of a tile design in the living room and
a few pieces of Spanish furniture will
add to the effectiveness of the design.
Construction: hollow tile, exterior finish
stucco, roof of tile.
Se eee he eS oe ee ek
TEs Howe Burm peR.:s lore Re AR y
49
ARCHITECTS’ SMALL
HOUSE SERVICE
BUREAU DESIGN 5-
B-20
DIFFERENT— INTERESTING— W ELL BALANCED
5-B-20
L BREAGT
a KITC fs leje)
CLOSET J “OX10!
10 ASE]
BED ROOM 5
11*6°X14-0" || DINING ROOM
; 114% 13-8" 9
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4 a |
Ay oH
g |
LIVING ROOM
BED ROO 13'4"X 2 20" 7
168X140
CLOS
38° 1
x Ta
As It Looxs In Stucco
HE original working drawings call for
solid brick walls with stucco finish, roof
of tile. The owner of the house illustrated
above faced the wall with interesting brick-
work.
An extra sheet has been added to the
working drawings giving a typical wall sec-
tion for stucco over frame construction.
The perspective at the side illustrates this
house as it was originally designed for
stucco. Whether the walls are of masonry
or of wood, the effect would be about the
same, though with the former deeper re-
cesses could be obtained at the windows.
A shingle roof might ‘be substituted if nec-
essary to reduce costs.
Can be Built in Stucco or Brick
ERE is proof that a picturesque ex-
terior and a splendidly effective plan
are quite compatible. The design has the
old world character, so much desired in re-
cent years.
Seeing the informal massing and appar-
ent irregularity of the exterior of this house
one would hardly expect a plan of such a
directness and order. Yet here is the ut-
most in simplicity, the effects of which will
appear in economies in construction, and
in household management.
AI hy,
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Ziegg GY IEE, Z AN es Mes 2 Ms
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y
The living quarters of the house are sep-
arated from the bedroom and bath quarters
by a hallway, thus conforming to good
practise in the designing of bungalows.
The porch, opening as it does off both
living room and dining room, affords a
splendid opportunity for extensive use. It
will serve as a very pleasant dining place in
summer. Glazed in it may be used as a
sunporch. In the kitchen there is a con-
venient breakfast nook.
LI A\ \ th
Wy, wl ) / ) |
50
ARCHITECTS’
One HuNDRED
BUNGALOWS
Ay”
. aN aN
SMALL HOUSE SERVICE BUREAU DESIGN 5-B-6
WHAT YOU DONT GET WITH A CHEAP HOUSE
More Ways to Save On Spending and Lose On Building
ET us suppose you get four contractors
to bid on the plans and specifications
for your home. Three of them are high
grade workmen with established reputations
for honest building. The fourth is unknown
save for having built quite recently a num-
ber of houses at surprisingly low cost. You
open the bids. Three run close together.
The fourth is off by itself—perhaps a thou-
sand dollars below the others. What does
it mean? Do the higher bids indicate that
the profits of the contractors they represent
will be a thousand dollars greater than
the lowest bid, or do they indicate that
these bidders are less efficient, less capable
of getting the most for the money spent?
Or is this thousand dollars difference to
be taken out of the qualities named in your
plans and specifications ?
If this last is true you do not get what
you should have, even though you pay
$1,000 less for it. The house you get at
the lower sum is not worth its price. If
the plans and specifications were drawn in
the first place so as to eliminate guesswork
about what was to be furnished then the
thousand dollars subtracted means just so
much taken out of durability, out of low
cost of upkeep, out of real value. Here
are some of the things you do not get at the
cheap price.
First, you do not get good foundations.
The sand or gravel is not clean or not
enough cement is used. The footings are
thin and rickety. Separate footings are not
prepared for columns. Concrete bases are
not devised for setting of wooden posts.
What happens? The walls crack or
crumble. The base of the wooden posts rot.
= 45°37
LIVING ROOM
23°=1" x 13-0"
Tite Roorep
this house enclosed the
open porch. He placed two windows in
the front wall of the front bedroom in-
stead of one, and used double hung win-
dows instead of casements. Otherwise the
drawings were followed quite accurately.
The owner of
The building settles. Everything above
ground comes down.
Second, you do not get good walls. If
they are of wood, the braces and bridging
are omitted—if of masonry, the mortar 1s
weak, brick courses are crooked, bricks not
fully bedded. Siding used to finish the walls
is thin—inferior wood is used. Adequate
insulation is omitted or if used is not tight-
ly sealed. Sheathing paper is not flashed
around the openings. Joints between
courses of paper are not made wind and
rain proof. Two nails are used where four
should go.
Then the walls get out of plumb—plaster
cracks, mortar washes out. The brick work
looks “drunk and disorderly.” The siding
cracks. Walls collect moisture and heat is
lost. You fire the furnace more often. Your
house gets old and cold before its time.
Third, you do not get good beams or
joists. Bracing and bridging is omitted.
Inferior grades of lumber are used—sizes
are reduced. The subfloors are not run
diagonally. Doubled joists are not run
around chimney stacks and stair wells or
under partitions.
Without good supports the floors must sag
and creak. Plaster will crack. If your con-
tractor uses 2x8’s in place of 2x10’s for the
second story floor joists you cannot find the
difference in the lumber bill, but you can
find it in the cracked ceilings. Light pieces
to support heavy loads cannot be seen when
nicely painted over. But they show up later
on.
Fourth, you do not get good plaster. The
lath are not spaced properly for plaster
keys. Lower grades of lath are employed.
There are no metal reinforcements at an-
gles and in corners. Then the plaster is
too thin. It is not pressed into the lath
spaces. It is not finished straight and true.
Tool marks show. The edges of the plaster
show around the casings.
Common plastering is not a fine art, but
fine plastering is not common. If you get
a cheap job it will crack, bulge, come loose,
fall off. Poor lath stain plaster. Where the
reinforcement is omitted there will be a
rere EGOmiEne OsUslea Die RewSm lott BR wAsRY Ws 51
ARCHITECTS’ SMALL HOUSE SERVICE
crack. Rough places in the plaster will al-
ways show.
Fifth, you do not get good roofing. Thin
flat sawed wood shingles are substituted for
the thick edge grain quality specified, or
lightweight felt and asphalt composition
shingles displace the heavier weights of this
type of roofing. Metal flashings are not
turned under the siding or into brick work.
Drain troughs are of lighter metal not
pitched to drain.
Then the shingles curl, let water down, or
catch fire brands and your house burns up,
or the metal rusts out, the roof leaks.
Sixth, you do not get good painting, or
paint is put on too quickly or in coats that
are too thick. Substitutes are employed.
The paint film itself is of poor quality, not
brushed into the wood. Nail holes are not
puttied up. Sanding between coats -is
omitted. You can tell a cheap job every
time. The paint film crazes, chips, and
falls off, collects soot and dust too quickly;
knot holes show through.
Seventh, you do not get good millwork.
The wood finish is rough and splintery.
Pieces that should be locked together are
only nailed. Hammer marks show. Doors
and drawers do not fit. Stairways are put
together with nails instead of wedges and
glue. Floor boards are not driven up close
together. The floor is not sanded smooth.
Woodwork is not thoroughly kiln dried.
Pieces to be stained are not selected for
grain and color.
There is as much difference between
grades of millwork as there is between au-
tomobiles. Your cheap contractor buys his
where it costs the least. Of course it is
splintery, drawers do not pull readily, the
stair squeaks, cracks appear between the
LIVING ROOM
19-0" x 13°07
Tite Usep FREELY
Tile is used freely throughout this
house. The roof is covered with tiles
in variegated reds and tans, window
sills are of red shingle tile. Large red
quarry tile ornament the vestibule floor.
Tile in dull red tones form the hearth
of the fireplace.
“cabi-
Doors
flooring strips. The wood in the
net work” shrinks and falls apart.
peel off.
Eighth, you do not get good plumbing.
Joints are not caulked tightly. The pip-
ing itself is too thin. Pipes are not prop-
erly pitched to drain. The enamel finish
on the fixtures is rough and uneven. The
frame work of the house is cut for pipes
without regard for consequences.
BUREAU DESIGN 5-B-31
Then look for leaks and ruined decora-
tions. Be prepared to call in the plumber
to rod out stopped piping, to worry over fix-
tures you thought were to be the best. The
hacked out joints may fail.
Ninth, you do not get good heating. The
furnace is not set properly. Joints are not
made gas tight. The pipes are not insu-
lated. Pipes are not pitched to drain, are
too small. Light weight metal is used.
It may look like the finest job, but it
leaks gas and smoke, ruins your draperies,
takes more coal to heat. Or the radiators
knock—do not heat quickly.
These are only a few of the things you do
not get. As you read them over no doubt
you will see that they are principally mat-
ters of workmanship, though in some cases
inferior materials are substituted. Unless
you are a technically trained man and know
materials and workmanship, or have some-
one on the job to represent you who does
know these things, the cheap contractor can
do his worst without your being aware of
it. The lowest bidder may be the most ex-
pensive one.
Checking back then on the bids re-
ceived, it can be seen that the man who
offered to build your house for a _ thou-
sand dollars less than the others was not
more efficient, had no better opportunity
to buy his materials at lower costs, and
had probably not figured to take any less
profit on the building of your home. He
got the job by undercutting the price with
the intention of getting out by beating
the game a little everywhere.
There are thousands of such houses in
every city. Their upkeep is enormous.
You spend your home building money but
once in your life. Do not waste it.
OnE HuNDRED BUNGALOWS
DISTINCTION FROM A FEW WELL DESIGNED FEATURES
Rough Texture Stucco Widely Used—Should Be in Quiet, Good
Taste, Not “Arty”
DESIGN J-B=2)
EXTURE in stuccoed surfaces has attained great favor in recent years. By the use of it a
play of light and shade is given stucco planes rendering them far more interesting than the
older smooth surfaces. These textures should be attuned with the architecture—not overdone.
Most of the “arty” effects grow tiresome. The use of color with roughened surfaces has also
helped to bring a life and vivacity to our smal] house architecture.
The arched recess in the dining room may
be used for book shelves or serving table.
Livine Room
1S*O" X1 FO
The exterior of this design gains
distinction from a few unusual
features—the doorway, flagged
walks, terrace floor, wrought
iron grills, rough textured stuc-
co, and variegated shingle roof.
HE living reom fireplace built of brick and stone is pleas-
ing because of its very simplicity. Living and dining room
walls plastered with sand finish; bed rooms and hall painted
a stippled effect. All rooms excepting bath and kitchen
painted light sand color with woodwork dull finish enamel,
which produces a deeper color note than walls.
The kitchen is well lighted by four casement windows. The
hooded recess for the stove connects with ventilator in the
roof. There is generous kitchen cupboard space. Construc-
tion of this house is as follows: tile walls, stucco finish, roof
of shingles. Basement is partially excavated—may be more if
desired.
Ab avis
Eo Ee Biter Dp ER Se laiiB ROANR EY
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 5-B-23
WHy SPECIFICATIONS PROTECT THE HOME BUILDER
PECIFICATIONS are a written agree-
ment between you and your contractor.
They state in specific terms how the con-
tractor is to build your house, the kinds of
materials he is to use, and the quality of
workmanship he is to supply. They tell
him just what he is to do, and therefore
make clear to him what his expense will
be. In brief, specifications take the guess-
work out of home building.
Specifications, are used in home building
to supplement working drawings, to take
up the building operation where the plans
leave off. It is impossible to describe in
detail every operation of home building
upon a set of working drawings. The plans
give dimensions, sizes, the arrangement of
all the parts, but they cannot describe the
quality and grades of materials, the
methods of installation, all the types, kinds,
and sizes of equipment.
The specifications are in two parts gen-
erally. One is called “The General Condi-
tions.’ The other might be called “The
Specific Conditions,” though it has not been
given this name. The first part includes
such items as the foreman, supervision of
the work, the protection of the work and
property, various forms of insurance, etc.
Imagine building a house without an un-
derstanding with the contractor on these
many scores. Who is responsible if some-
one is hurt? How will matters be adjusted
if the house burns down while in process
of building? Suppose the neighbor’s ter-
race caves in. What will be done if the
sidewalk or curb is damaged ?
How will mechanic’s liens be handled?
_ DINING ROOM
14'0" x 12'0°
LIVING ROOM
20'0" x 15'0"
Low, RAMBLING EFFECT
The low rambling effect of this house
gives a feeling of largeness, yet it is not
large. Observe the kitchen with windows
on three sides and the breakfast alcove.
There is a fireplace in the living room and
spacious wardrobe closets in the bedrooms.
Construction: Walls of solid brick or hol-
low tile, stucco exterior, brick trim, roof
of shingles, slate or tile.
Suppose there is a fundamental disagree-
ment between you and your contractor.
Who will settle your differences? There is
a standard form which deals with this
particular group of subjects, which, as
stated before, is known as “The General
Conditions of the Contract.” It has been
prepared. by The American Institute of
Architects and may be obtained from any
stationer.
After “The General Conditions of the
Contract’ come the subjects which deal
with the way in which materials and work-
manship should be applied. They state what
the mixture of concrete shall be, how much
shall be paid for brick, the grade of the
lumber, the quality of the flooring, the
number of coats in the plaster. Suppose
you have only a verbal understanding with
your contractor that he is to supply oak
floors. Do you know what you would get?
Oak flooring is made in five different
erades—more if you count the quarter-
sawed varieties. All are sound, but one of
them is suitable for a factory and another
for a palace. Which would be supplied?
These things cannot be left to guess or
accident, and it is not fair to leave them to
the faithfulness of the contractor. No mat-
ter how good a man he may be, it is not
just to expect him to supply a fine grade of
all materials unless a corresponding price
is paid for them. When these grades are
fixed by specifications, he knows what he
must supply and therefore how to estimate
costs, and you have a right to require deliv-
ery of what you agreed to pay for. It is
clear, clean, orderly, businesslike.
OnE HuNnvDRED BUNGALOWS
Low, RAMBLING, BUT WELL ORGANIZED
OT every house that aspires to an English character reaches its
aspirations, but this house does have an English quality of a most
distinctive sort. It is a type of architecture which has remained in style for
centuries. It is not the product of passing fancies. The low rambling effect
of this bungalow exaggerates its real size. In reality it is a small house.
There are six rooms, although one of the bedrooms is called a sleeping
porch. By special treatment of window openings in this room a real out-of-
door sleeping apartment may be obtained. A large fireplace in the living
room adds qualities that make home enjoyable. Observe also plans on pages
33 and 53.
Construction: Solid brick finished in stucco with brick trimmings, or full
brick walls if preferred. Roof can be treated with shingles, slate or tile.
LIVING ROOM
15-O°% 22to”*
BED ROOM
r2soOr 3b
DESIGN 6-B-26
The English house is a growing house—
that is, it extends into bays and angles as
the years pass to meet the requirements of
families who live in it. The effect of these
extensions taken as a whole has a rather
picturesque and informal quality. That is
one of the outstanding differences in ap-
pearances between the English cottage and
our own Colonial architecture. A side
view shows the terrace with awning and
screened porch for summer use.
leh Ec eLeo mM be BiG mht bDip RR Se elB R AUR SC
55
ARCHITECTS SMALL HOUSE SERVICE BUREAU DESIGN 6-A-62
How To BUILD YOUR HOME For LESS
OMETIMES our home builders find
that the bids offered for the building of
their hoped for new homes run too high.
By investigating these cases we learn that
there are two principal causes. The first
is the difficulty of picking out the right
contractor. The second is the difficulty of
making suitable changes in the plans and
specifications to reduce costs.
The answer to both these questions is the
sanie. Study your problem. It takes time,
but this time is worth money to you, and
you are justified in putting a lot of it in
your home—the only home that you will
probably ever build.
Investigate contractors. Find one who
has a reputation for honest building and
whose prices through efficient management
are low. It may take a little time to find
this man, but there is almost certainly such
a person in your community. Look for
him. Do not sign up with the first man
you deal with. Get others to figure. Give
them all consideration and then use your
best judgment. But choose on the basis of
quality every time.
As to reducing the cost of the house
itself, we can only repeat, “Study.” Study
the plans and specifications. If you were
contracting to buy a washing machine or a
phonograph or an automobile, you would
read the contract form from first to last.
. You would know every word in it and
probably know it by heart by the time you
Study, More Study, Stell More Study
BED ROOM
10-OX12-6 .
BED ROOM
O-3X13-0
BED ROOM |||
0-0 XIFO
UPPER PART
LIVING ROOM
CALIFORNIAN MANNER
This home has a high living room with
lofty beamed ceiling and exposed raft-
ers. It is two steps lower than the
other rooms of the first story. Above
the fireplace is a wrought iron balcony.
Construction: Exterior walls of hollow
tile, finished with stucco, tile roof.
had signed it. The contract documents
that you sign when you build your home are
the plans and specifications. Read them.
Know everything that goes into them.
Our plans and specifications have been
prepared to suit the largest number of peo-
ple under average circumstances. Study
them over carefully to see that they contain
everything that you want to have. See
what they call for that you do not desire.
If there is an excess of millwork, too elab-
orate heating or plumbing systems, omit or
substitute for these features. You can re-
duce the cost of almost any five or six
room house at least 20% by eliminating
extra items. Study them with your mill-
man, with your plumber, with your heating
contractor.
Sit down with your general contractor, or
far better with your architect, and see what
he can offer in the way of sound substitu-
tions that will not change the architecture
or substantial quality of the building.
There is no justification for the millman
to figure your plans for “special millwork”
just because he does not happen to stock
what is commonly carried and called for.
Through agreement with you he should
make substitutions of the stock he does
carry. Here is a way for you to keep costs
down. But in order to do so you must be
entirely familiar with the plans. Read
them. Mark them. Be sure you under-
stand them from first to last.
56
OnE HuNnpbRED BUNGALOWS
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-B-27
Woop, BRICK, STONE CHANGED INTO BEAUTY
HAT sort of result issues from the architect’s alchemy? He mixes to-
gether walls, roofs, windows, chimney stacks on his paper crucible. From
it must come order, direction, beauty. Anyone can mix up these elements, but
only an architect can make the proportions such that lasting beauty remains.
The more skillful he is the more beauty he gets.
In the home illustrated above is an expression of the alchemy of architecture
by which gross materials of wood, brick and stone have been transmuted into
pure beauty—in a word, into architecture. See how well the plan elements are
disposed, how direct the communication, how clearly the architect has visualized
the special uses of each of the rooms.
Construction: Hollow tile walls, exterior finish stucco, brick trim, roof of
tile. The casement window frames may be of frame or metal.
|T | LIVING ROOM
130" X 20°0°
SOL
ie tepaEh Omen Deu ER Gms TB REA REY
on
NX
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-A-93
WHAT AN ARCHITECT THINKS OF BRICK
“How happy could I be with either,
Were t’other dear Charmer away.”
particular possiblities belong pe-
culiarly to brick; no other material
HESE lines from an old '
song exactly express the
case of the architect when asked |
to tell why he likes any certain |
kind of building material. En- 3 1
thusiasm expressed for one does
not necessarily mean a lack of
enthusiasm for another. He can |
We Ae Oe
=
DEDRDOW~ DRoom
offers anything quite like them;
and few materials offer anywhere
near the variety of effect possible
with such simple means.
Analyzed, these possiblities re-
sult chiefly from color and tex-
ture, qualities inherent in the ma-
terial itself. To them should be
LIVING ROOM
14407 ADO
easily content himself with which-
ever of the several “charmers”
fate may wish on him, knowing
that the resources of each, though
different, are sufficient unto them-
selves.
Supposing the “charmer” of the
moment to be brick, what then are
his reactions?
has the comfortable feeling in
using brick that he is not being
extravagant. Even the more ex-
Aikoht FLOOR
CEILING HEIGHT
BuNGALOW Facts
A six-room bungalow with sunporch and sleeping porch,
showing some English influences in the roof lines, case-
ment windows, half timber work. Construction: common
brick walls laid “rolok’’ and painted. Shingle or slate
In the first place, the architect roof. Basement under major portion of house. This
design also may be secured in frame construction with
stucco finish in home plan 6-A-6.
added the imposed quality of pat-
tern. Those imposed qualities of
form and proportion so essential
to stone and wood are of relatively
small importance in brick. There
cannot be got with brick the same
kind of beauty that can be got with
stone or wood: there must be
sought only that kind it is capable
of giving. But inside its capacities
what a wealth of beauty lies!
Different clays, burned in differ-
ent ways, give an infinite variety
7K
TERRACE
= ee
pensive bricks are relatively cheap
in the end, considering their dura-
bility. And there is the further consideration that some of the
cheaper varieties are very effective. Witness, for instance, the
dramatic picturesqueness of “skintled brickwork” as lately devised
by Chicago architects.
There is further satisfaction in the indubitably proven fact
that brick is practically indestructible. For actual resistance to
weather and fire nothing has yet been devised to surpass it. Cen-
turies of exposure serve only to enhance its beauty. Brick is
now being dug out of cities that existed more than 5,000 years
ago, and the brick is still good.
But undoubtedly the greatest appeal of brick to the architect
lies in the possibilities it offers for decorative effect. These
of colors. Different surface treat-
ments, different joint sections, give
the flecks of light and shade that make texture. The uniformly
sized blocks, laid in different geometrical combinations, give
almost any kind of pattern that ingenuity can devise.
Designing with brick is like playing with hundreds of little
islands of glowing color, set in rivers of contrasting mortar,
woven into subtly sensed patterns, and all textured with little
points of light and shadow.
And if visible justification is needed for the architect to en-
thuse over this sort of play, there exist, among countless other
examples, the patterned walls of Italian churches centuries old,
the plum-colored facades of English colleges, and the mellow-
walled houses of our own Colonial days.
58 OnE HUNDRED BUNGALOWS
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-B-16
A COMMON PLAN, BUT AN UNCOMMON DESIGN
RICKS are here laid without gauge lines. The roofing
of shakes is in keeping with the brickwork. There is
an uneven yet harmonious texture and quite unusual ap
pearance due to this treatment.
The house on the opposite page was built from the same
drawings but finished in stucco. Homes built from this
strictly rectangular type of plan are frequently common-
place. These homes, however, because of the high pitched
roof, good proportion, careful working out of small details
are distinctive, and will hold their own.
Construction: The original drawings call for hollow
tile, stucco exterior, brick veneer to first floor window sills,
roof of tile. Solid brick walls may be used as shown above.
SLELDING
PORCH .
IFG@X 10-0
KATCHLN
SOKW-0 + The illustration at the
: right shows how success-
ful this house can be
when built with common
brick in solid walls and
laid in staggered pattern.
DINING ROOW | Srp. ROON If you think of brick of
ISG kG f oRSe \ even size laid in straight
courses with mortar
joints all alike, you may
see here what fine effects
may be obtained by disre-
garding tradition. Re-
member that it takes a
master to break the rules
successfully.
Die Home Birt pb R*s 1B RA RY
Bo
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-B-16
DON’T CHANGE THE DRAWINGS
ESIGN a state capitol, and if a few
little things are off—not as fine as
they should be—not much damage is done.
The building as a whole is on such an
immense scale that if the architecture in
general is good we can forgive an occa-
sional error in minor things. But this is
not true in small houses. The architecture
of a small house is so intimate, so close to
the eye, and for that reason grasped so
completely in all its detail, that what would
be a small error in a state capitol, almost
impossible to find, becomes of major con-
sequence in a home. Certainly each one
of the five or six windows in the front wall
of a small home is more important to the
design than one of a hundred in a state
capitol. So it is with the moldings and
cornice, the overhang of the roof, the door-
way, the way the porch comes on. Unless
the architect can control these things, es-
pecially in a small house, architecture is
likely to go flying away.
RovuGH SKETCHES UNSAFE
Yet it is truly remarkable how often the
architect’s carefully drawn designs are
changed or thoughtlessly set aside by home
builders, who, if they realized how disas-
trous these changes might be to their homes,
would no doubt be as vigorous in seeing
that they were not perpetrated as the most
conscientious architect.
Too often we see houses which have just
missed being beautiful because of a mis-
guided enthusiasm on the part of the owner
to have on his home something that he has
seen and admired on someone else’s home.
Changes in design not carefully studied in
relation to the house as a whole, are rarely
successful, even from the home builder’s
point of view. The rough sketches made
by contractors for changes of this kind are
necessarily only approximate, do not have
the balance and proportions, the breadth of
good taste of drawings made by the men
who designed the home in the first place
and who have devoted their lives to an at-
tainment of competence in creating archi-
tectural forms.
Beauty THAT SATISFIES
After studying the houses in this book
do you not agree that the architect is an
extremely important influence in their suc-
cess? All the refinements of plan and ex-
terior have come about through careful
study. The forms of the different parts
are determined by their relationship to each
other. Not every house can have a wide
projecting cornice or bay window or cov-
ered stoop at the doorway because other
things about the design simply may not
carry these forms. Balance might be lost if
they were added. All depends on the par-
ticular design.
An architect invariably strives for per-
fection. He thinks of his profession as one
of the fine arts and not as mere building.
If beauty is not achieved—a beauty that
completely satisfies the eye and mind,—if
the forms, masses, and details are not man-
aged to accomplish this end, then archi-
tecture is missing. The edifice is a build-
ing, not architecture. It is not the little
things that make architecture, but architec-
ture may be lost on account of little things.
Remember that fine small house architec-
ture does not come by guess or by accident.
We are trying to show home builders
how, by attention to those many details
which seem so minor, their homes may
have beauty, permanence, and comfort,
which is well worth the slight increased
expense involved, if any, and the time and
energy necessary to carry them out. No
doubt the most direct way to achieve this
result is for the home builder to insist that
the architect’s drawings be followed with
absolute faithfulness. The architect is best
equipped by training and experience to de-
termine the forms the parts should have.
The contractor or builder has eminent tal-
ents for the management of building. The
functions of the architect and contracter
should not interfere.
Ask Your ARCHITECT
We by no means wish to give the impres-
sion that the entrances, or cornices, or win-
dows shown on the plans illustrated in this
book are the only ones possible for these
designs. That would be far from the truth.
If the owner does not care for certain fea-
tures he is perfectly justified in saying so
and asking his architect to design some-
thing different. What we wish to stress is
that the architect is the man to rely on for
revisions in drawings, just as he is relied on
for the original drawings, the general con-
struction, and all the other details that
make a house beautiful and give it distinc-
tion. Ask your architect. He knows.
°
60
ORE | EGeN DIRE Dib UNG AL Onwes
DESIGN 6-A-82
le many families it is necessary to have a first floor bedroom
and lavatory, but it is not always possible for these rooms to
be so advantageously placed as in this house. Like most mod-
ern kitchens, this one is well lined with built-in cupboards, and
one sunny corner is arranged for a breakfast nook.
The wide cased opening separating living and dining rooms
is always a popular arrangement. It increases the sunny,
spacious effect of the first floor.
The construction of this house, like the one below, is brick
veneer on wood frame with roof of shingles.
Two SIX-ROOM HOMES OF BRICK VENEER
DESIGN 6-A-11
279
LIVING ROOM
We sue
HE home shown above is designed upon straightforward economical lines, yet
it has an agreeable atmosphere of dignity and substance. The entrance door-
way is particularly pleasing. The handsome small paned glass door is recessed a
little as in a frame, and the arch contrasts with the sharp pointed gable above.
The wrought iron door lamps and the old-fashioned solid white shutters are small
but important details that increase the charm of the exterior.
Other houses with practically the same plans but with different exteriors are
illustrated on pages 34 and 35. Design 6-A-82 shown above has a similar plan.
THE Homer BuitpEer’ s LIBRARY 61
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-B-20
HOousES LIKE THIS NoT ACHIEVED BY GUESSWORK
Plan, Walls, Openings and Roof In Tune
}{||Steerpinc Poecr |
9-8 *12°0
KitcHen
I3-O%*%9'S" |
A) CHAmMaece
12°e 2:0"
Dining Room
12-0 * 13 6°
Laying Room
1S-O* (3G
CHAMBte
IO" 1230"
CONSTRUCTION FaAcTs
This plan provides six rooms and _ bath.
One of the rooms is in reality a sleeping
porch. In the kitchen there is a dining
alcove. The door between the kitchen and
rear entry slides into a pocket. The base-
ment is planned for excavation below the
kitchen. A full basement can be provided
if desired.
Construction: hollow tile, stucco finish,
brick base course. A 45 foot lot required.
HERE are two ways to build a bungalow that is different. One of these is
to “jazz it up’—to build it full of trick balecnies, overhanging cornices and
arches. The other way is to put some architecture into it. The little house
illustrated here is different because it has architecture.
The plan, walls, openings, and roof all belong to each other. There is a fine,
workable plan with the conveniences that modern American home life demand.
Foetal
DESIGN 6-B-19
Here is the same plan with solid brick walls. The house retains the same pleasing propor-
tions and charm but with a different exterior finish. Designed to face West or North. Can
be reversed for other facings.
OnE HUNDRED
BUNGALOWS
ARCHITECTS’ SMALL HOUSE SERVICE BUREAU DESIGN 6-B-13
STEEP GABLES AND CASEMENT WINDOWS
HE steep gables and casement win-
dows of the exterior suggest the Eng-
lish cottage and make an unusual and inter-
esting treatment for this bungalow. The
house is most efficiently planned. It has
the privacy of a two story house and the
compactness of a bungalow. The living
facilities are commodious. The design pro-
vides for three bedrooms, a large well light-
ed living room, a delightful dining room as
well as a dining alcove, and a complete
kitchen. The basement has an extra fin-
ished room, as well as a large den with a
fireplace.
The living room fireplace is well located
at the end of the living room where it is
out of the main line of traffic. The well
lighted entry way, the coat closet off the
living room and the extra closet space in
bedrooms and hall add additional values.
One advantage belonging exclusive-
ly to the bungalow is the elimina-
tion of stair climbing. It is amaz-
ing how many trips one makes up
and down the stairway in the
course of a day. To many people
this is not the least objectionable,
but some housewives believe it not
only tiring, but inconvenient. They
prefer having the bedrooms and
bath available without the interven-
tion of a stairway.
sed cent Os
BED ROOM|
i} 11-OX11°6" |
BED ROOM |—
10°6°K 13+0'
| KITCHEN
8-6'X 11-6"
BEDROOM
1O‘EX12-°6
LIVING ROOM
13*O X 20-0!
SS Or 4
There are certain advantages that are
possessed by bungalows which are not held
in common with other types of small
houses. One of the most important of
these is gained from its low lying character.
This gives it an air of hominess. It re-
lieves the design of pretentiousness. Two
story houses are often Jess expensive to
build, but when they are of small size, the
shallow depth often makes them seem un-
reasonably high. This, of course, is diffi-
cult to overcome since ceiling heights must
be maintained. A bungalow such as this
one lies close to the ground and, properly
relieved with planting, may seem to be a
part of the site itself. When you select a
plan visualize the completed house in its
setting. Get the picture ot trees, terrace
and garden and the views trom the win-
dows. Then make your choice a wise one.
The construction provides for ex-
terior walls of brick. Tile may be
substituted for that part of the wall
for which the exterior finish is stuc-
co. The suggested color scheme is
red flash brick for base course and
quoins with white stucco in floated
finish and with woodwork painted
blue green. The cornice is painted
white and shingles in variegated
tones of gray green and _ reddish
brown.
4b igeae > Ashe) Wi ab ABS oracie toys ine Sh amare
63
QUESTIONS AND ANSWERS
Twenty-Seven Questions from Prospective Home Builders with Brief Answers.
These Questions Ave Among Those Most Often Raised.
Get Goop PLASTERERS
O.—What is the best way to avoid
cracks in plaster?
A.—Most important factors are good
foundations and good framing. After this
the method of lathing is important. Lath
should not be placed too close together.
They should be wet. They should be rein-
forced at all interior angles with metal lath.
The plaster itself must be high grade, put
on in sufficient thickness. Good plastering
requires good plasterers.
Wet WALLS Sroit FINISH
O—Time taken for the plaster to dry
before other work is done seems to be
lost. How long a period is required?
A—No woodwork should be installed in
a house while the plaster is drying out, no
matter how long this takes. Woodwork
will be ruined if it is put on damp plaster.
A delay of two or three weeks or even
twice as long is of little consequence in
comparison to the benefits obtained by wait-
ing. :
For RESALE VALUE
O.—What are the features that help
to scll a small. home?
A.— Desirable location is of the greatest
importance. The plan should be of a type
such as is commonly desired, providing a
large living room with a fireplace, dining
room, kitchen, dining alcove, and two or
three bedrooms. The house should have
sound construction so as to preserve the
permanency of the building. You cannot
sell a house to an observing person no mat-
ter how beautiful it may be if it is not well
constructed. If you do not build the house
extravagantly you can afford to sell it at a
price which will interest the largest num-
ber of people.
. FRAME JOISTS FoR PIPES
O—The plumber cut several joists
near the middle to put in a pipe. Is
this not dangerous? What can be done
to fix it?
A.—In a properly planned building it is
not necessary to cut joists. Excessive cut-
ting of these members is dangerous. There
should be no cut more than two feet from
the bearing of a joist. No cuts should be
allowed that materially affect the strength
of the beam. Your contractor should not
have permitted the plumber to cut the joists.
It is his responsibility. Make him put in
additional members. Call your building in-
spector’s attention to the detail.
Prepare Woop For PAINT
O—How many coats of paint are
necessary for interior woodwork and
for exterior walls of houses? Are there
certain rules to be followed in prepar-
ing new wood for painting?
A.—All outside woodwork should have
at least three coats of paint. Inside wood-
work may have three or more, depending
upon what finish is desired. New wood for
painting should be cleaned, and free from
stains that may afterward show through
the paint. All the knot holes should be
sealed up with shellac so that the pitch will
not afterward exude through the paint. It
should be sandpapered down and made per-
fectly smooth and clean. Above all it must
be dry.
KNOCKING RADIATORS
O—Can you tell
knock?
A.—The most common fault is lack of
definite drainage in the piping system. If
the pipes are pitched so that the water of
condensation cannot drain from the radia-
tors, it will stand in pools through which
steam will be driven with explosive force.
Radiators sometimes knock because the
valves are not in working order or are not
fully open.
why radiators
Wuicu Heatinc PLANT
O.—Various heating concerns offer
heating plants that differ so much in
price and quality that it is difficult to
know how to make a choice. IVhat is
the answer?
A.—Make a choice of heating plant type
based on your own preference. They will
all work. Some are more flexible than
others, some more uniform, some take more
coal, etc., but buy the product of a reput-
able manufacturer. The cheap heating de-
vices and the poor methods of installation
are not worth what they cost. Talk it over
with an architect.
CostLy INSULATION
O.—IVhat is the best type of insula-
tion for a house that has to be sold
cheap?
A.—Insulation might just as well be
omitted if it is not of good quality and
put on right. The poor man who buys a
house that has not been properly insulated
on the representation that some insulation
has been used, pays a double price for his
poverty.
INSULATING EFFICIENCY
O—Please give information about
the different types of insulating mate-
rials. How do they compare with each
other with regard to efficiency?
A.—Insulating materials may be classified
under three headings. One is a mattress,
a loosely bound pack of insulating material
usually backed on both sides with heavy
paper. Another type is a semi-rigid form
that does not require paper backing. Either
of these two types is placed between the
studs and ceiling joists. The third type is
a wall board unit of rigid form nailed over
studs and joists. As to efficiency, tests
have been made by laboratories of Univer-
sities and by the Department of Standards,
United States Government. Reports of
these tests may be obtained from these
sources.
Deep Joists FAR BETTER
O.—Plans call for 2%10 floor joists
for the second story. The span is 12
feet. The wood is to be pine. Could
2x8's be substituted with safety?
A.—2x8 joists for a 12 foot span are
barely sufficient to avoid cracking of the
plaster. If the floor is unduly loaded, or if
there are partitions to support, this size is
too small. You spend hardly enough addi-
tional money for 2x10 joists to find it in
your lumber bill. Why take a chance?
Stucco on TILE WALLS
O.—What is the best way to build a
tile wall with stucco finish?
A. Get well burned tile, three cells in
thickness and either strip them on the in-
side before plastering, or else use tile in
which the mortar joint is interrupted. Set
them in good mortar, use high grade stucco
for the finish put on strictly in accordance
with the manufacturer’s directions.
Mopern BrAcepD FRAME
O—A house in New England built
150 years ago is still in good condition.
Many of the wooden houses built much
more recently are not in as good condi-
tion as this old home. Why?
A. This old home may have been built
of better materials, but more especially it
was cross braced. The walls and floors
were bridged so that they could not get
out of alinement. Modern construction of
small houses has again appropriated to its
use the braced frame principle of the old
Colonial building whereby diagonal pieces
are run across the studs at the corners of
the building. The floor joists are adequate-
ly bridged to hold them in alinement.
Wooden houses built in this way have their
usefulness greatly extended. Depreciation
is reduced. The extra cost is negligible.
Instruct your contractor to put diagonal
picces in all exterior wooden walls.
Don’t BuiLp on a Fitri
O.—Neighbors have filled up with
ashes where was once a swamp. Will
it be all right to build on this?
A.—Not unless foundations go down to
solid ground. We advise you to build else-
where.
64
Damp BASEMENT WALLS
O.—How can dampness be kept from
seeping through cellar walls?
A.—See that the ground is pitched away
from the building at the grade. Be sure
that the rain conductors are properly con-
nected to the sewer or else that water is
discharged away from the building. Apply
waterproofing compound to the outside sur-
face of your walls. Set tile footing drains.
Keep Woop Posts Dry
O—Should wooden bearing posts in
the basement be set directly on the foot-
ings and with the cement basement
floor worked up around them, or should
the posts be on the floor?
A.—WNeither of these methods is correct.
Bearing posts should be set on foundations
raised at least four inches above the finished
basement floor. Otherwise they will rot
and let the framing down, thus seriously
damaging the building.
Footincs For ALL WALLS
O—It is claimed that footings are
not necessary under foundation walls
that are a foot or more in thickness.
How about it?
A.—Footings should be used. They are
an insurance of a stable wall. They should
be at least eight inches thick and project
from each side of the wall five or
inches.
six
SouND SPECIFICATIONS
O—In a set of specifications there
are blank spaces to be filled out. How
can a home builder, knowing little about
building, complete these specifications
and select the right material?
A.—Employ an architect to advise you,
or consult with an experienced contractor,
who has a reputation for high grade work.
Use only those materials made by manu-
facturers who guarantee satisfaction. If
you employ an architect have him also in-
spect the building during the process of con-
struction. This will undoubtedly save you
time and money and be an assurance to
you of getting your money’s worth.
Forms oF AGREEMENT
O.—Where can standard contract
forms to be used in building a house
be obtained?
A.—These can be obtained from almost
any first class stationer. If your stationer
does not carry them, write to The Ameri-
can Institute of Architects, Octagon House,
Washington, D. C. Send 15c for each copy
ordered.
Drawincs Not ENoucH
Q.—Are_ specifications necessary if
one has a complete set of working
drawings?
A.—The drawings tell what kind of build-
ing is to be built, but they do not tell how
it is to be done. They carry only part of
the information needed by the contractor.
On the other hand, the specifications tell
OnE HuNvDRED BUNGALOWS
how all the construction is to be followed
out. They tell what quality of materials
is to be used. They also include general
agreements which you must have with your
contractor, such as liability for damage, in-
surance, cleaning up the premises, methods
of payment, and so on. You invite trouble
by building without a complete specification.
Employ an architect to help you draw them
up.
PLAN BEFORE BUILDING
O—IVhat is the best kind of plan
for a foundation already set 38x26?
Where can I get it?
A.—You have the cart before the horse,
as you probably already know. The foun-
dation is supposed to fit the house, not the
reverse. Employ an architect. He may be
able to work out a plan since the dimen-
sions you give for your foundation are not
unusual. Do no more work on the walls
until the plans are finished.
WHat Is PRACTICAL?
O—A_ speculative builder said the
other day that a “practical house” costs
less than an “architectural house.” Is
this true? If so, why cannot an archi-
tectural house be practical?
A.—There is a misuse of terms here.
True architecture is essentially practical. A
real architectural house is one that has a
commodious plan, substantial construction,
and beauty of proportion. It would be
more correct to distinguish between houses
as “architectural” or “impractical.” Adding
ornamentation will of course increase ex-
pense, but the absence or presence of orna-
mentation is not essential to true architec-
ture. The so-called “practical” houses are
often poorly designed as to plan and section
and poorly built. The construction may be
cheap at the beginning but the final cost is
high.
How Mucs For a Lor?
O—How much should you spend for
a lot?
A.—The answer depends largely on the
extent to which the lot is improved. If all
the improvements are in, such as sidewalks,
water, electricity, gas, sewage, and so on,
the cost of the lot may reasonably run up to
20 per cent of the total cost of the house
and lot. It should not exceed 25 per cent.
If these improvements are not in, the lot
may sometimes be obtained for a price not
in excess of 10 per cent of the total cost.
The principle is not to put an expensive
house on a cheap lot or a cheap house on an
expensive lot. A well constructed house on
a cheap lot is more desirable than a poorly
built house on an expensive property. Do
not neglect the character of the neighbor-
hood in choosing a lot.
Lot FRONTAGE VALUES
O.—In selecting a home lot, how can
one be sure that it is worth the money
asked and that it will not decrease in
value later on?
A.—See what the restrictions are. Find
out whether anybody can build a shack
nearby or a store or anything else that
would depreciate properties generally about
the location. Note the trend of the demand
for lots such as you are thinking of buying.
Make sure of the proper present valuation
of the proposed lot by finding out what the
adjoining properties are held for. Get a
lot that is high and dry, preferably with
trees on it. Future improvements such as
sewer, water, paving, and so on will have
to be added to the value of the lot. How
much of this do you get now?
First MorrcaceE Money
O—What is the usual amount of a
frst mortgage?
A.—The maximum sum to be borrowed
in this way depends upon the kind of prop-
erty and the character of the borrower.
Some types of financing companies lend
more than others. The amount varies be-
tween 50 and 75 per cent.
BUILDING AND LOAN
O.—Please give information concern-
ing the purpose and operation of build-
ing and loan associations.
A.—This is a company particularly de-
signed to help home builders finance their
homes. It is built on the principle of mu-
tual interest. Persons with money to in-
vest pay into the common treasury monthly
sums as installments on the purchase price
of stock in the company. Other persons
building homes borrow from this general
fund on first mortgages and pay back both
principal and interest in monthly install-
ments. This is considered by investment
experts one of the best ways of financing
a home, of saving money.
Home Buitpine Risk
O.—How much risk is there in build-
ing a home?
A.—There is a story of a man who years
ago came to Broadway at Times Square,
and who decided to wait until he believed it
safe before crossing the crowded street.
Twenty years have passed and it is said
that he is still waiting there for the psy-
chological moment. Building a house is a
safe proposition if you do not allow your-
self to be carried away by fads and fancies.
Follow the middle of the road and you can-
not be pushed into a bad bargain. Do not
overstep your limits to pay. If you observe
the rules of common sense there is not
much hazard in building a home.
Be SurE OF THE Cost
O.—Please advise the way to pay off the
contractor as the building is erected when
the owner is supplying the money. What
reduction is made for cash?
A. Houses are customarily built for
cash. Even though the money is borrowed
by the owner, he pays the builder at
definite intervals as the building progresses.
The general arrangement is to pay 85 per
cent of the cost of materials and labor
supplied to the job during the previous 30
days. The final 15 per cent is paid 30 days
after the house has been finished.
tatkeecOsd LO BUILD THE HOUSES
APPEARING IN THIS BOOK
ENDORSEMENTS
HAVE looked into the work of
The Architects’ Small House Serv-
ice Bureau of The United States.
with its divisions and branches, and
have examined its organization and
incorporation papers. The complete
plans, specifications, documents and
bills of materials, with the design;
worked out for local conditions and
to use stock materials and eliminate
waste, materially simplify home
building problems. The form of con-
trol by The American Institute of
Architects should guarantee a high
standard of service. It gives me
pleasure to endorse this work and to
assure you that the Department of
Commerce will do all it can to co-
operate with the Institute and the
Bureau.
HERBERT HOOVER,
Secretary, Dept. of Commerce,
United States Government.
HE Architects’ Small House
Service Bureau idea originated
in and is approved by the American
Institute of Architects, and in order
that the development of the idea
may retain the character of a pro-
fessional service and be prevented
from assuming the character of a
purely commercial undertaking, the
organization of the Bureau involves
a certain control of its policies by
the Institute.
“This control exists solely through
the right of the Institute to appoint
a majority of the Directors of the
Bureau, such appointees being able
thereby to impose policies consis-
tent with the expressed wishes of
the Institute.
“The approval of such _ policies
does not carry with it any interest
in or approval of any specific acts
of the Bureau in the development of
its operation, nor any financial in-
terest or control whatever.
“The approval of the Bureau by
the Institute means:
“(a) That it approves the idea
only.
“(b) That it assumes no respon-
sibility for the designs, plans, speci-
fications or other service of the
Bureau any more than it assumes
responsibility for the service of in-
dividual members of the Institute.
“(c) That it assumes no respon-
sibility for nor does it in any way
presume to endorse any organiza-
tion with which the Bureau may do
business, nor any type or types of
building construction or materials
involved in houses designed by the
Bureau.
“The Board looks upon an archi-
tect’s work in a Bureau as primari-
ly a contribution to the improve-
ment of the small house architec-
ture of this country, involving
houses of not more than six primary
rooms.”
THE AMERICAN INSTITUTE
OF ARCHITECTS
Board of Directors
Please Read Carefully
Sa prospective home builder you are concerned with costs.
You want to know exactly how much your home is going
to cost before you build, even before you spend money
for plans.
Building costs depend upon local markets, the quality of the
materials selected, the finish and equipment that go into the house,
and the contractor who builds it. Variations of as much as 30
per cent in the cost of houses built from the same plans in the
same city frequently occur.
Broad general estimates of cost can be given you by the
Bureau for the houses appearing in this book, but it is impossible
to give accurate figures. No amount of guessing by the most ex-
pert guesser will give you the information you must have. The
only way to find out is to have contractors submit proposals to
build, based on the actual working drawings and specifications of
the house.
The Architects’ Small House Service Bureau is prepared to
help you obtain these building costs.. Any Bureau plan may be
obtained for inspection and estimating for a period of 15 days,
with the privilege of returning the plans if you decide that you
cannot afford to build. A fee of $5.50 is charged for this inspec-
tion and estimating privilege. If documents are worn or soiled,
a small replacement charge is required in addition to the $5.50 fee.
The method of obtaining Bureau plans for inspection and
approval is as follows: You are asked to deposit the original cost
of the documents based upon the service charge of $6.00 per prin-
cipal room. Add 50c more for packing and postage. Thus, the
charge in connection with a five-room house is $30.50. Your check
or money order for the full amount is deposited and held during
the 15-day inspection and estimating period. If the drawings are
returned in good condition, $5.50 is deducted to cover the inspec-
tion and estimating fee and the balance returned to you. Thus,
for a very small fee you are able to inspect the plans, obtain build-
ing costs and decide whether you wish to build or not. If the
drawings are retained the transaction is complete and the original
deposit covers the cost of plans.
A complete statement covering Bureau service has been pub-
lished under the title of “Our Answers to Questions Home Build-
ers Ask.” It will be forwarded upon request. Please direct your
communication to the publisher whose name appears upon the
front cover of this book.
TITLE ORGANIZATION RESPONSIBLE FOR THE PLANS APPEARING IN THIS
BOOK: NAMELY, THE ARCHITECTS’ SMALL HOUSE SERVICE BUREAU,
IS THE ONLY AGENCY OF THE KIND IN THE UNITED STATES CON-
TROLLED BY THE AMERICAN INSTITUTE OF ARCHITECTS AND
ENDORSED BY THE UNITED STATES DEPARTMENT OF COMMERCE.
The Architects’ Small House Service Bureau
Trade Mark Registered of the United States, Inc.