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GORHAM 
 MEMORIAL TABLETS 
 Made in Bronze Brass 
 
 Marble Mosaic and 
 Other Materials 
 
 e 
 
 New York 
 GORHAM BUILDING 
 FIFTH AVENUE 
 
 Thirty-sixth Street 
 
Copyrighted by 
 The Gorham Manufacturing Co. 
 1905 
 
 NIC 
 SP 
 
 Arranged and Printed by 
 The Department of Stationery, Gorham Co. 
 New York 
 
CONTENTS 
 
 Pagr 
 Concerning Memorial Bronzes 11 
 Memorials to Individuals 21 
 Military and Historical Tablets 40 
 Hospital Tablets ol 
 Library Tablets 62 
 School Tablets 69 
 Churches and Public Buildings Ha 
 
 Miscellaneous Small Piates 88 
 

 
Concerning Bronzes 
 WITH A WORD AS TO MEMORIAL TABLETS 
 
 HAT the Bronze Foundry of the Gorham Com- 
 pany should for many years past have been 
 one of the most important departments of that 
 
 great organization is a matter of no wonderment to 
 those who realize how closely allied to the silver- 
 smith’s art is the production of sculptural and deco- 
 rative castings in bronze. 
 
 From the very inception of the history of the 
 artistic crafts the worker in gold and silver has re- 
 garded the casting into decorative forms of the 
 golden hued alloy of copper and tin and its subse- 
 quent finishing by the chasing process as properly 
 pertaining to his own art. 
 
 Identical with the Chalkos of the ancient Greeks 
 and the 4s of the Romans, bronze, though not one 
 of the so-called “precious metals,” has yet always 
 ranked at least next to silver in its intrinsic impor- 
 tance. Indeed there have been times when it has 
 been more costly than silver itself, as, for instance, 
 was the case with the golden colored bronze of 
 Corinth, or A4és Corinthiacum, which, so Pliny tells us, 
 was held more precious than silver and little less val- 
 uable than gold. By common report this owed its 
 discovery to the accidental fusion, during the burn- 
 ing of Corinth, of statues of ordinary bronze with 
 ornaments of gold and silver; more probable, if less 
 romantic, however, is the theory that ascribes its 
 beautiful color to the ingenious proportioning of 
 
 II 
 
their metals by the artificers of Corinth who had made 
 this famous alloy long antecedent to the destruction 
 of their city. The quality of bronze indeed has 
 remained even until our own day a subject of con- 
 tinual experiment, of controversy and, to a certain 
 extent, of mystery. Even among the ancients there 
 were many varieties and sedulous pains were taken 
 by the artificers jealously to preserve the secrets of 
 the composition of the alloys chiefly affected by 
 them. Thus of the Corinthian bronze itself there 
 were three varieties, one of them, the white or Can- 
 didum, having undoubtedly a large proportion of sil- 
 ver in its composition. Then there were the dark 
 liver-colored bronze, or hepatixon, and the bronze of 
 Delos as well as that of A#gina. With the revival of 
 sculptural bronze-casting by the craftsmen of the 
 Italian Renaissance the composition of the material 
 varied as in the older days; for the most part, how- 
 ever, it was of good quality, as there was no disposi- 
 tion on the part of the artists, who were their own 
 founders, to cheapen the metal by the admixture of 
 inferior alloys and thereby to rob it of its full effect. 
 Donatello, Ghiberti, Verrocchio, Pollaiuolo, and the 
 others of that noble band of goldsmith-sculptors 
 used the richest metals they could procure, though, 
 as the varying colors of the works which still remain 
 to us show, they confined themselves to no strict 
 formula. At times indeed, as when that gallant and 
 cheerful ruffian Benvenuto Cellini cast his household 
 utensils of pewter into the furnace to save his great 
 “Perseus” from destruction, they made convenient 
 use of any metal that would melt and was of easy 
 ACCESS. 
 
The methods of working bronze into enduring 
 forms and “counterfeit presentments ” have varied 
 very largely in accordance with the shifting value 
 of the alloy itself. Thus in prehistoric times its 
 ereat value forbade that lavish expenditure of it 
 which the process of casting demands. It was in- 
 stead, when used in the arts, beaten into thin plates 
 which were pinned or riveted together and fashioned 
 into the required shapes over a wooden or other 
 core, this work being known as sphrelata. At other 
 times these thin plates were embossed or beaten up 
 in a mould and finished with the punch and chaser, 
 a form of work known as emblemata. It is probable 
 that some of the earliest forms of statuary were pro- 
 duced by casting solid in a mould, but the Egyptians, 
 pioneers in so many of the useful arts, practiced at 
 a very early date the art of hollow casting, by 
 which the solid metal interior of a figure was sup- 
 planted by an earthen core and thus both economy 
 of metal and convenient lightness were secured. It 
 is by this method of casting carried to the ultimate 
 pitch of artistic perfection in the process known as 
 that of the cire perdue or “lost wax,” that we owe 
 the finest bronzes not only of antiquity but of the 
 Italian Renaissance. Robbed of its technicalities 
 the “lost wax” process consists in the fashioning of his 
 design by the sculptor in modelling wax superim- 
 posed on a core of clay. This wax model, elaborated 
 to the utmost, is in its turn overlaid with a clay-like 
 composition. The whole is then subjected to heat, 
 which hardens the clay and allows the wax to melt 
 and run out, leaving an exact hollow mould of the 
 original composition with its centre occupied by a 
 
 13 
 
clay core. Into the vacant space between this core 
 and the mould, formerly occupied by the wax, the 
 molten metal is poured. After it has cooled the 
 outer mould is broken carefully away, the core raked 
 out and the artist’s model is revealed, not in wax as 
 he left it, but in the more enduring bronze. The 
 metal has, to the minutest particular, the lightest 
 touch of the sculptor’s modelling tool, assumed the 
 form of the wax original. This it is that gives to 
 the “lost wax” process its artistic value, though it is 
 an advantage gained, of course, at the complete loss 
 of the model and therefore, it would appear, unsuited 
 to the production of more than one casting from the 
 same model. Comparatively recently, however, mod- 
 ern ingenuity has devised a method of “lost wax” 
 casting which, while preserving the strict integrity 
 of the original process, allows of the production of 
 more than one copy from the same original. 
 
 As will be suggested by this necessarily brief 
 description of the manner of bronze-casting, the 
 process is one which needs not only conscientious 
 and intelligent supervision, but also a high degree of 
 artistic sympathy on the part of all those who are 
 engaged in carrying it out. At its every stage con- 
 stant care, honesty of purpose and a high degree of 
 technical skill must be brought into play or the result 
 is artistic failure. Thus, for instance, after the cast- 
 ing is relieved from the mouid it requires the most 
 judicious handling so that, while it is freed from all 
 fortuitous asperities and irregularities, yet no inter- 
 ference with the ideas and intentions of the artist 
 who modelled the original may be apparent. 
 
 It is only in the case of a foundry of the long 
 
 14 
 
and high standing of the Gorham that reliance can 
 be placed on this needful perfection of every detail. 
 The richness of the alloy with the corresponding 
 beauty of appearance and enduring qualities, the in- 
 evenious construction of the mould so as to ensure 
 the absence of faults and fissures in the casting, the 
 judgment and dexterity displayed in the finishing 
 touches and finally the ripened experience which 
 oversees all these are to be found, in equal degree, in 
 no other establishment of this nature in the country. 
 
 Since the establishment many years ago of its 
 Foundry the Gorham Company has endeavored 
 worthily to carry on the traditions of those Cinque- 
 Cento goldsmiths and silversmiths to whose artistic 
 devotion we owe such masterpieces as the Florentine 
 gates of Ghiberti, the David of Verrocchio and that 
 grandest of all equestrian statues, the monument of 
 Bartolomeo Coleoni at Venice. That these endeav- 
 ors have not been unsuccessful is evidenced by the 
 fact that to the Gorham Foundry have been en- 
 trusted by the leading sculptors of America a suc- 
 cession of highly important commissions. Note- 
 worthy to aremarkable extent among these has been 
 the series of heroically proportioned bronze statues 
 which have attained a world-wide celebrity. From 
 the earliest times bronze has been the favorite mate- 
 rial of the designers of colossal statues. From the 
 most typical of them all, one of the so-called “Seven 
 Wonders of the World,” the Colossus of Rhodes, the 
 Saracens are said to have taken at the sacking o1 
 Rhodes no less than 720,900 pounds of the finest quality 
 of bronze. It must not, however, be imagined that 
 the work of the Foundry has been confined to such 
 
 15 
 
sculptural castings as statues, bas-relief and portrait 
 busts; striking as have been its triumphs in this di- 
 rection. Of architectural works, for instance, and of 
 the smaller ornamental and decorative pieces for the 
 domestic interior the production has been as exten- 
 sive as successful. This is of special interest at the 
 present time when the tendency of the leading archi- 
 tects is so markedly in the direction of replacing 
 much of the ornamental work of the modern house 
 formerly carried out in wrought or cast iron, by 
 bronze. Not only is the latter material recommended 
 by its decorative appearance for such architectural 
 accessories as gates, screens, newel posts, porte- 
 cocheres, and balustradines, but its freedom from 
 rust and ability to withstand all climates and changes 
 of temperature are very highly in its favor. 
 
 There is, however, one department of the 
 Foundry in particular which is deemed worthy of 
 some consideration in detail. It is that which is 
 devoted exclusively to the production of those bronze 
 Memorial Tablets for which of late years there has 
 been so insistent a demand. That this revival of an 
 old-time custom should be increasingly honored in 
 the observance is by no means remarkable if one 
 considers how important a place in the werld’s his- 
 tory the lettered memorial has always held. The 
 hieroglyph-incised “stele” of the Egyptians, the half- 
 worn “brass” of the quiet English country church, 
 and the decorative tablet which adorns the American 
 hospital ward and at the same time records the name 
 of some charitable donor, are all linked together in 
 one common lineage. Inspired by the same spirit 
 of reverence for those who have departed and by 
 
 16 
 
the same desire to permanently record their praise- 
 worthy deeds or their moral excellences these tablets 
 have had for the living the double value of a me- 
 morial and an incentive; so their erection assumes 
 the respect of a duty towards the community at large 
 as well as of an act of loving regard to those com- 
 memorated. No more fitting form of memorial has 
 yet been devised than the simple but decorative 
 tablet of bronze. It is beyond all others permanent, 
 it is artistic, unostentatious and equally appropriate 
 whether placed in Church, Hospital, Library or 
 Public Building, while, unlike the ordinary mortuary 
 monument its erection ts fitting at any time, no mat- 
 ter how many years may have elapsed since the death 
 of the person, or the performance of the deed it is de- 
 signed to commemorate. 
 
 The very nature, however, of the bronze tablet 
 confines within somewhat narrow limits the expres- 
 sion of the artistic idea which should, of course, 
 underlie it. The frank recognition by the Gorham 
 designers of the fact that mainly by the deft ar- 
 rangement and judicious choice of type forms is the 
 decorative value of the tablets to be assured is 
 largely responsible, taken in connection with their 
 long and varied experience, for the surprising success 
 that has attended the production by the Gorham 
 Foundry of a very wide range of Memorial ‘Tablets. 
 It may indeed with confidence be stated that in this 
 particular direction there is no other establishment 
 in the United States which can offer such advantages 
 to those desiring to erect memorials of this character. 
 

 
SOME WORK BY THE 
 GORHAM BRONZE FOUNDRY 
 

 

 
 
 
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 Placed in the County Court House, Chambers Street. 
 
 I5ll yw Hl 
 6 IGE I 5 
 W. F. Beekman, Architect. 
 
 
 
 
 
 
 
 
 
 New York City 
 
 Cast in Bronze by The Gorham Co. 
 
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 : rhe PARISHIONERS" OF ec unce OF 
 OUR LADY OF GOOD COUNSEL 
 
 HAVE PLACED THIS TABLET IN PRAYERFUL REMEMBRANGE 
 OF THE FOUNDER AND FIRST RECTOR OF THE PARISH 
 
 REV. WILLIAM J.OKELLY 
 
 BORN MAY 19.1848 IN GHARLEVILLE. IRELAND 
 _- ~~ ORDAINED PRIEST MAY 25, 1872 
 IN S. JOSEPHS SEMINARY, TROY. N-Y. 
 DIED DEC. 9.1901 IN THE PARISH RECTORY. | 
 
 HIS LABORS WERE GROWNED BY THE DIVINE MASTER 
 EIGHT MONTHS BEFORE HIS DEATH. 
 IN THE GONSECRATION OF THIS BEAUTIFUL TEMPLE 
 TO. THE PERPETUAL SERVICE OF ALMIGHTY €T0) 
 
 “THEIR. WORKS. DO FOLLOW THEM 
 
 ON HIS SOUL GooD JESUS HAVE MERCY 
 - MOTHER OF GOOD GOUNSEL. ALL YE ANGELS 
 AND SAINTS OF GOD 
 PRAY FOR HIM. 
 
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 ERECTED DEC.9.1902. — sie J.N.CONNOLLY. RECTOR. 
 
 
 
 Placed in the Church of Our Lady of Good Counsel, New York City 
 Se x y by Aes 
 Jos. Sibbel, Sc. Cast in bronze by The Gorham Co. 
 

 
 Placed in the County Court House, Chambers St., New York City 
 a x ene o% 
 G. T. Brewster, Sc. Cast in bronze hy The Gorham Co. 
 
4 Ohis Church bas Crected be 
 Big Children 
 
 f, Sea though I watk through the 
 » Vatten of the Shadots of Death 
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 Rot Ghow art with me 
 
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 StSt ies 
 
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 shptetidgdebet ida 
 
 
 
 Tablet placed in the Gould Memorial Church at Roxbury, N. Y. 
 46” x 20" 
 
 Henry J. Hardenbergh, Architect. Cast in bronze by The Gorham Co. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Blessed 
 be the Lame of the Liord 
 Bor the good example 
 and greatly beloved memory of 
 
 WALTER GARDRER. 
 
 WEBSTER. 
 Bachelor of Sacred Theology. 
 
 Curate of this Parish, 
 Scholar, Saint, Priest, 
 Cho, on Duly 4th. AD, 1898, 
 In the wreck of La Bourgogne 
 Gave up hig soul to GOD. 
 
 ae 
 Requiem aeternam dona ei Domine 
 Et Lux perpetua lureat ei, 
 
 
 
 ba eee 
 
 Se I OS OX 
 
 Ente 
 
 
 
 
 
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 es! 
 
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 Placed in St. Stephen’s Church, Providence, R. 1; 
 Brass Plate with Bronze Border 
 
 
 
 4 2" x 2/ 
 
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| | WAS. PRESENTED 1S i MENORIL OF. 
 
 Ae. SUSAN HAT BORK 1832 © CARROLL » BORN 134 
 
 3 AND THER == = 
 LIVING GRAND-CHILDREN — 
 
 SUSAN MATILDA porn 1853 CHARLES FREDERICK born 1856 | | 
 
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 || MARGARET EUPHEMIA sora ++ VLA 
 
 | EUGENE AUGUSTUS worn ses ELEANOR LOUISA some 
 x SAMUBLVERPLANGK sortie aes 
 
 ADS. 
 
 
 
 Placed in General Theological Seminary, New York City 
 54” xX BOF 
 Cast in bronze by The Gorham Co. 
 
TO THE DEAR AND'ME HONORED MEMORY 0 
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 PAMELA MELLEN 2° MBE a) 
 
 i ((UNTIL THE DAY BREAK AND} f 
 {THE SHADOWS FLEE AWAYI] § 
 
 
 
 Engraved Brass Plate, Bronze Frame 
 3214" x fol 
 The Gorham Co. 
 
‘OD WIRYIOH OUT, Aq azuoiq ur ysB 
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THIS TABLET WAS ERECTED 
 BY DIRECTION OF 
 THOMAS BISLAND ROBB 
 ’ ‘TO THE GLORY OF GOD 
 AND IN LOVING MEMORY OF 
 
 HIS WIFE 
 i835 HARRIET STEVEN ts67 
 AND OF THEIR CHILDREN 
 60 ANDREW STEVEN ses 
 1362 MARY ZAVITZ iss 
 is66 FANNIE RANSOM. 1867 
 IT ALSO COMMEMORATES HES AEQUEST 
 OF $3000 To THE ENDOWMENT PUNE 
 
 x” OF THIS PARISH HOUSE, a 
 
 
 
 Engraved brass, 9” x 7”, on oak 
 
 
 
 Metal, 1814” x 25”, on oak back 
 Cast in bronze by The Gorham Co. 
 
 36 
 

 
 16” x 16” 
 Cast in bronze by The Gorham Co. 
 
 
 
 2a x 7a ts 
 
 Cast in bronze by The Gorham Gor 
 
 37 
 
Kor THE: GLORY: (6) 3 GoD 
 AND: IN: MEMORY: OF 
 
 GEORGE: W. SMITH 
 
 1832 = 1901 
 
 : VESTRYMAN 1870 WARDEN: 188 
 : _BY-THE 
 . ( Se ce 
 CHURCH: OF: THE-INCARNATION: 
 
 
 
 Placed in the Church of the Incarnation, New York City 
 320 x 21!’ 
 Cast in bronze by The Gorham Co. 
 
IN MEMORY OF 
 
 REV. HIRAM CARLETON, DD. 
 BORN JULY 18,1811 DIED, AUG.9,1893 
 —— RECTOR OF —— 
 THE CHURCH OF THE MESSIAH 
 _ FROM NOY. 1866 TO OCT. 1881 
 __A FAITHFUL SERVANT OF THE LORD, 
 HE ENDEARED HIMSELF TO ALL WHO || 
 = | KNEW HIM BY THE CONSISTENCY 
 
 
 
 Engraved brass, 30” x 20”, on oak back 
 
 The Gorham Co. 
 
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 Placed in Eighth Regiment Armory, New York City 
 6’ x gt 4” 
 Cast in bronze by The Gorham Co. 
 
 40 
 
ALLIGER, CHARLES: 
 ABEEL RAYMOND 
 ALLWOOD,. WILLIAM 
 BRADLEY, AMBROSE S. 
 BOOTH FREDERICK 
 BOUTON, LEONARD 
 BAZIONILEWIS J. 
 
 © BETTS LEER. 
 
 | BORDEN. CHARLES E. 
 BROWN, FREDERICK P.. 
 BROOKS. LEWIS J. 
 BURHANS,EOWIN ~~ 
 CHARLTON. EDWARD 
 CRISPELL.HOMER H- 
 CONLON, JOSEPH T. 
 COHEM.WILLIAM 
 CLARK.HENRY $. 
 
 > COLES. ROSWELL 
 DEITZ. WARREN 
 
 DEMPSEY,GEORGE 8. - 
 
 DIAMOND,G.FRED 
 
 EHLERS LEWIS Aula. < 
 
 FRITOG.CARL we 
 FRANCIS.ROLLIW J, — 
 GILLIGAN, PETER A, 
 
 © GRIMES. JOSEPH P. 
 
 | GOLDSWORTHY. HENRY 
 HAGAN, JOHN F. 
 HALLORAN,PETER J. 
 HARRIS. JOKN4? 7° = 
 HICKS HARRY C 
 HOLDRIDGE. LEWIS A 
 HYDE TENNEY R. 
 ISRAEL.MILTON J. 
 KEEFE.CHARLES S$. 
 KEEFE AUGUSTUS 5. 
 KING, ALEXANDER 
 KEMPER.EUGENE W. 
 
 _CUFTON MEAD 
 
 “WALTER S.NESTELL 
 
 tee. WILLIAMG, 
 QM. JCHRISTIANE 
 
 _ SERGT.ARTHUR E WINT: 
 
 ‘JAMES A.WOOD- 
 +e SOHN ESMITH 
 a+ WALTER S.FOSTER.- 
 “~, DAVID W.BOYD 
 “CORPORALS 
 
 - CHARLES H. SMITH 
 
 CHARLES W.BECKER 
 
 FRANK B.WILMOT 
 
 IRVING H.WADSWORTH 
 FREDERICK PRULL 
 GEORGE M.BEEKMAN 
 
 EDWARD D.F ITIGERALD- 
 
 ARTHUR C.BAYLOR 
 JOHN A.JERSON 
 
 ~ CHARLES H.MOORE 
 
 WILLIAM G.SELLERS 
 JAMES S-MCENTEE 
 MUSICIANS 
 JAMES S.BARBER 
 RALPH H.SLEZINGER 
 ARTIFICER 
 ASA M.HYATT 
 WAGONER 
 WILLIAM HAINES 
 
 DIED IN SERVICE 
 
 Mc KENZIE EDWARD 4, 
 McMILLAN. CHARLES | 
 NASHOLTS,BURTON F. 
 ODELL.ALBERT GC. 
 
 “ OSTRANDER.FLOYD A. 
 
 “OVERBAUGH.WILLIS D.. 
 
 OVERBAUGH,R.EUGENE 
 
 PARTLAN.ERANK J. 
 PHINNEY,JAMES E.da. 
 PLASS,VAN NESS. 
 RHODES.SOLOMON D. 
 RICHARDSON, EDWARD D. 
 
 » ROMER.C.ARTHUR © 
 
 ROOSA, KARL ¥. 
 
 ~ ROSS, CHARLES 
 
 RIGE.FRANK V. 
 SCHOONMAKER.EGBERT 0. 
 SIPP.CHARLES 
 TERWILLIGER ALBERT 
 THOMPSON, HENRY 
 THOMPSON.FRANK W. 
 TOWNSEND, GEORGE W. 
 VAN DEMARK, LUKE 
 VAN WART, BERT 
 WACHMEYER.GEORGE W 
 WAGER. GEORGE 
 WINTER, GEORGE A. 
 WINTER DAVID H, 
 WOOD,GERARO F. 
 
 SERGT.WALTERE.VANGAASBEEK —PIRIV, GRANDVILLE L-WELLES 
 
 CORP. HERBERT A.CROUCH 
 
 Cast in bronze by The Gorham Co. 
 
 5a ot x a 
 
 41 
 
 +e GEORGE VAN KEUREN 
 
 ie WcANOREW.WILLIAME. 
 
 
 
 Placed in Armory of Company M, Kingston, N. Y. 
 
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 Cone. UY JOHNS AOInEAD : 
 COCHRAN SHLLIAA BUTLER CHARLES: 
 
 ¢ DELAWEY CHARLES. SIRGHAA 2A 
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 PARLEY. A 
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 8/ AY X 4! 6” 
 J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. 
 
 42 
 
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 PRIVATE - EVAN «Li INEAD> — 
 
 PRIVATE: }- LEOHARD: DEROAN- S 1823. 
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 PRIVATE + ony aL oe EO. Wranattes 
 
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 30)6" x72" 
 J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. 
 
 43 
 
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 Qa we 
 
 
 
 Placed in Chapel, West Point, N. Y. 
 
 Ls 3%" 56 2! 11” 
 McKim, Mead & White, Architects. Cast in bronze by The Gorham Co. 
 
 44 
 
TONONGMeoyss 
 
 PMelDORE KONTi se 
 
 THE OGNONDAGCA® CHAPTER® NATIGNAL= 
 SOCIPDY« DAVCHTERS OFTHE AME RI CAN REVOLV TION ~ 
 THE*SYRAGVSE CHAPTER: EMPIRE:STATE*SOCI EM Ys 
 SONS0F THE AME RICAN REVOLVIION & 
 
 1 aman asaiss 
 
 
 
 Placed on the Federal Building, Syracuse, N. Y. 
 SOU x 69” 
 
 TeKoni, oc.” *Castin eee by The Gorham Co. 
 4 
 
og) weysory OYJ, Aq azUOIG UL IseD 
 CV ak es 
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 Ag HLTH 
 
 
 
 47 
 

 
 Conn. 
 
 =) 
 
 in Hartford 
 
 Placed 
 
 "x 2A" 
 in bronze by The Gorham Co. 
 
 43 
 Cast 
 
 soe, 
 
 Massey Rhind 
 
 J 
 
 ( 
 
 48 
 

 
 Placed in St. Peter’s Church, Westchester, N. Y. 
 Engraved brass, 36” x 24” 
 The Gorham Co. 
 
 49 
 
BOs) uleyIOL) ou L &q aZUOIqG UT ISB) 
 
 ‘sloamyory SAUY AA * PRI, “WISI 
 
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 "Sei Wine Rian tte own 
 
 
 
 50 
 
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 NVYWMOVIEMWM «= LLAIOGOTAM F9NOID = ALHONOGASIONVYA Q10ddIT HL TYVD 
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 @ 
 
 tale: 
 
 
 
 51 
 
Me 
 
 <A SS 
 
 cette, ieee 
 
 
 
 Placed in Hospital, Biltmore, N. C. 
 30” x 48” 
 G. T. Brewster, Sc. Cast in bronze by the Gorham Co. 
 

 
 Placed in Philadelphia, Pa. 
 ae x Se 10” 
 J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. 
 
 53 
 
tod) weys0sy ay, Aq FASO SS seq) “paMYyosy ‘iauUNIg “A, “V 
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 SEINE AERTS SIH. 
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 54 
 
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 eee 
 
 taxa you, 
 
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 a 
 
 NWINSLAGS Sid 
 
 
 
 55 
 
‘od) WeYIOL ay} Aq azuoIg UT seg “9G SAapePY NOG eff 
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 DOV ired vad me Ra ats © ANI 
 
 
 
 56 
 
"OD weyloy oy, Aq aZUOIG UT seO 
 *Auvsoyrul uo payunosy 
 
 ORCAS AUAEN EN 
 
 
 
 Sy 
 
met 
 
 HR cnony. oF eee 
 mM = Mrs. SOPHIA UNTERBERG 
 mH © SCAND MRS. ADELE EPSTEIN = 
 B) THIS OPERATING ROOM WAS RE De 
 || AND IMPROVED BY” oe 
 URTEREME ae 
 
 C 
 
 
 
 
 
 } 
 Placed in Lebanon Hospital, New York City 
 PRS D6 ee 
 
 Cast in bronze by The Gornam Co. 
 
 DIESE ABTHEILUNG 
 PS IGteGeoutle ia. 
 ZUM ANDENKEN — 
 3] AN DEN 751EN GEBURTSTAG 
 oe [HRES 
 VATERS UND GROSSVATERS 
 
 | OSWALD OTTENDORFER 
 
 VON 
 
 =| FRAU ANNA WOERISHOFFER | : | 
 4 GRAEFIN ANTOINETTE SEILERN * - 
 ss UND 
 
 = | EMMA CAROLA WOERISHOFFER 
 
 
 
 ZO Xe 2 ea 
 Schickel & Ditmars, Architects. 
 
 Cast in bronze by The Gorham Co, 
 
 55 
 
THEFIRST NINE 
 ao. OF THIS, WYRD 
 We ay GIVEN IN MEMORY O} 
 
 JGENE M.F-RANDOLPH 
 
 AN B= 
 
 MRS: CARMAN F-RANDOLPH 
 ISOS AND WOL 
 
 
 
 Engraved Brass, 12” x g”, on oak 
 
 LF HAVE caused me TABLE 
 || TOBE INSCRIBED IN COMMEMORATIO 
 OF THE ENDOWMENT OF TH 
 
 LOW MATERNI 
 
 
 
 Metal, 24” x 18”, on oak back 
 Cast in bronze by The Gorham Co. 
 
 59 
 

 
 Placed in The Long Island College Hospital, Brooklyn, N. Y 
 1934” x 3014” 
 
 J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. on oak back 
 
 60 
 
a" 
 Se 
 “a 
 
 * 
 ro 
 » 
 os 
 ot 
 o 
 ow 
 = 
 = 
 e 
 wwe! 
 ” 
 vert 
 
 « 
 
 
 
 Placed in The Hospital for Ruptured and Crippled, 42d St., New York City 
 2514" x 18” 
 Cast in bronze by The Gorham Co. 
 
 61 
 
-“A-D-MCMIE + 
 
 sani tons iae” eemewscmemige tun nue 
 
 
 
 a ee fh elk ie a, 
 
 Placed in Benson Memorial Library, Titusville, Pa. 
 4! xX AML Tih 
 Jackson, Rosencrans & Canfield, Architects. Cast in bronze by The Gorham Co. 
 
rrp werner ren tnt Le ce ae a a eee 
 
 i 
 
 PR TEESE A 
 
 ier ie orue 
 
 Ci mesi £e3 Bi 
 
 tiett ei e et 
 
 wees 
 
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 “ANNO DOMINI- 
 — MCMII - 
 
 RAN WE HY 
 
 
 
 Placed in Reid Memorial Library, Passaic, N. J. 
 ae 64" x at 11” 
 Jackson, Rosencrans & Canfield, Architects. Cast in bronze by The Gorham Co, 
 

 
 Placed in Crane Memorial Library, Quincy, Mass. 
 Metal, *21%x 33757 on oak! back 
 Wm. Couper, Sc. Cast in bronze by The Gorham Co. 
 
 64 
 

 
 Mo. 
 
 > 
 
 | 
 J 
 
 R 
 
 aced in Kansas City 
 
 M 
 
 X 24 
 ast in bronze by The Gorham Co. 
 
 Z07 
 
 CG 
 
 Se 
 
 > 
 
 G. T. Brewster 
 
 65 
 

 
 Placed in Library, Windsor, Vt. 
 Za x Ae 
 Geo. T. Brewster, Sc. Cast in bronze by The Gorham Co. 
 
 66 
 
BY HIS MUNIFIGENT GIET™ FF 
 : Sot 000. ie 
 
 cE 
 ah if GALESBURG 
 a it) -ECTING THIS BUILDING. 
 CATED 10 THE PURPOSE: 
 FREE: PUBLIC LIBRARY 
 FOR THE PEOPLES USE. 
 
 s 
 
 
 
 29" x 19" 
 
 Cast in bronze by The Gorham Co. 
 
 67 
 
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 BMOT ‘BMUINIGO Ul pasr[g 
 
 -VMWMNLLO + JO -41d044-4H1-O1-1410-V-SV- 
 
 AIDANAVD- MIYQNY: 
 
 x 
 
 
 
 68 
 
OD weYyior oy], Aq azuoiq ut IseD 
 OVase Ve 
 
 
 
| \ADLEIOH HIGH ‘SCHOOL 
 | 1S SO NAMED IN RECOGNITION OF 
 ap THE eee SERVICES. OF 
 
 
 
 Placed in the Wadleigh High School, New York City 
 
 4’ 4” x 3’ 
 Cast in bronze by The Gorham Co, 
 
 7O 
 
_ RICHARD W.ADAMS. JOSEPH K.KITTEL, 
 JoHn T.eURKE." GEORGE LIVINGSTON. 
 VERNON H.DAVIS. HENRY W.MAXWELL: 
 HORACE E.DRESSER, THADDEUS MORIARTY. J.EDWARD SWANSTR 
 _ EDWARD FL FARRELL, MILES M.OBRIEN, SOHN RTHOHPSON. 
 JOHN GRIFFIN.M.D. CHARLES E.ROBERTSON. GEORGE ¥. 
 
 SCHOOL BOARD 1 BOROUGH o BROOKLYN 
 GHARLES E. ROBERTSON. PRESIDENT. 
 FRANK L.BABBOTT, ... GEORGE H.FISHER. GEORGE E.ROSTRAND. 
 IRA U.BAMBERCER. GEORGE FREIFELD ELWIK S. PIPER. 
 JAMES F.BENDERNAGEL, JOHN GREENE, JOHN K.POWELL. 
 THOMAS CACCIOLA. JOHN GRIFFIN. M.D. GEORGE W.SCHAEDLE. 
 JOHN J.CASHMAN, GEORGE D HAMLIN. M.D. PENRY P.SCHNIDT, - 
 CHARLES N.CRADWICK. JOHN HARRIGAN.M.D. SAMUEL R.SCOTTRON, 
 GEORGE P. CLARK. H.A.D. HOLLMANN. ARTHUR S.SOMERS. 
 JORN J.COLGAN.M.D. FRANKLIN W. HOOPER. ANDREW T.SULLIVAN. 
 GEO.W. DONOHUE. DITHAS JEWELL. _ S.EDWARD SWANSTROM. 
 A.J. DOWER.M, D. ADOLPH KIENDL. JOHN R.THOMPSON.. 
 HORACE E.DRESSER. HENRY WMAXWELL.  JONN J. WILLIAMS. — 
 CARL A.EVERTZ, © “HENRY C.MTLEAN.M.D. CBARLES C.WISE. 
 _ SOHN J.P, FAGAN. JOHN N=NAMEE. -——s—s GEORGE B.WOODWORTH. 
 THOMAS M.FARLEY. “MICHAEL MURPHY. JAMES WRIGHT. 
 THOMAS J. FARRELL. < RICHARD YOUNG. 
 
 COMMITTEE®BUILDINGS. Boar» Epucation. 
 
 RICHARD H. ADAMS, CHAIRMAN. 
 JOHN T. BURKE. MILES M.OBRIEN. F.DE RASS SIMONSON. 
 GEORGE LIVINGSTON, CHARLES E.ROBERTSON. JOHN R.THOMPSON, 
 
 C.B.J.SNYDER. ARCHITECT. SUPT OF SCHOOL BLDGS. 
 
 AW.ROSS. DEP TY SUPT OF SCHOOL BLD GS. BoRo* BKLYN. 
 WaT. LAMB, BUILDERS ERECTED 1899-1900. 
 
 
 
 i 8” x oe 4 Mu 
 C. B. J. Synder, Architect. Cast in bronze by The Gorham Co, 
 
 71 
 
Ponte EDUCATION 
 - HENRY A. ROGERS, PRESIDENT © 
 
 | RICHARD A. [ADAMS CHARLES L. GUY : JACOB W.MACK 
 FRANK L.BABBOTT GEORGE D. HAMLIN 
 NICHOLAS J.BARRETT WILLIAM HARKNESS 
 JOHN J.BARRY ROBERTLHARRISON GEORGE E.PAYNE™ 
 ARNOLD W.BRUNNER ~— LOUIS HAUPT - LOUISA Lonashan 
 M.DWIGHT COLLIER JAMES JHIGGINSON EDWARD V.W.ROSSITER 
 THOMAS B.CONNERY: ~~ GHARLES HLINGALLS GEORGE W.SGHAEDLE 
 FRANGIS PB. CUNNION FREDERIGWJACKSON ABRAHAM STERN” 
 SAMUEL M.DIX «NATHAN S.JONAS _ THEODORE BTHOMSON 
 9 SAMUELB.DONNELLY JOHN C.KELLEY HENRY N.TIEET 
 A.LEO EVERETT JOHN PB RELLY _ GEORGEAVANDENHOFF 
 FRANK HARVEY FIELD MICHAEL J. KENNEDY FELIX M.WARBURG. 
 » JOSEPHN.FRANCOLINI ADOLPHKIENDL JAMES WEIR. JR. 
 ) ALGERNON S.FRISSELL © WILLIAMLUMMIS FRANK D.WILSEY 
 JOHN GREENE ALBERT G.MCDONALD GEORGE W.WINGATE 
 
 LOCAL SCHOOL BOARD DISTRICT XVI 
 ELLA HASTINGS, GHAIRMAN 
 GUSTAV G.EISCHLOWITZ -M.G.MURRAY HYDE 
 JOSEPH M.HART © . SAMUEL STEINFELDER. 
 COMMITTEE ON BUILDINGS 
 RIGHARD H.ADAMS, GHAIRMAN 
 JOHN J. BARRY GEORGE W.SCHAEDLE 
 ARNOLD W. BRUNNER _ ABRAHAM STERN 
 SAMUEL B. DONNELLY THEODORE E.THOMSON 
 MICHAEL d. KENNEDY JAMES WEIR, JR. 
 C.B.J. SNYDER, ARCHITECT | 
 SUPERINTENDENT OF SCHOOL BUILDINGS - 
 J.B. ROBINSON 
 “DEPUTY SUPERINTENDENT OF SCHOOL BUILDINGS 
 BOROUGH OF MANHATTAN. 
 
 GEORGE meDEE HAN punpER _pnscté 7 1903 1904 
 
 con wong rapeusa ts esp nin ocrmonat ‘omegrensg 
 “i nett an iv rh f 
 
 SERENE NICS 
 
 igo pees. anaes 
 
 
 
 583 34 nx 43 ” 
 CB al ssyuder; nee Cast in bronze by The Gorham Co. 
 
 lo 
 
 “I 
 
PATERSON CITY HALL. | 
 
 DESTROYED FEB. 97x, l902Z— 
 RESTORED 1902 & 1903 
 
 SRegngTee ET GT 
 
 MAYOR JOHN Hl NCHCL Lik rE 
 
 ray ‘a ray 
 
 PUBLIC BUILDING COMMITTEES 
 
 1903 : 
 S.M. SCHOONMAKER. 
 G.AFISCHER 
 A.KAMERLING 
 J.MILLER 
 DYOUNG: 
 - DR. ELE ZMAURICE 
 R. BO \GERT J. JOHNSON | 
 
 JTPOLLITT. CLERK 
 
 ET LECT 
 
 acorn 
 
 * 
 
 i, 
 
 RRE : HAS EIN 
 
 NE ae xe ae CITY 
 
 ey mn ray 
 CONT! ee 
 PETER VAND ee 
 
 NE‘ VV ‘ARI KK. [ 
 
 34” x ele 
 Carrere & Hastings, Architects. Cast in bronze by The Gorham Co. 
 
 
 

 
 THIS ROOM IS DEDICATED 
 RO) 985/20) e).b 4.0) 2 1018) D) 
 AND IN MEMORY OF 
 GEORGE W.-: SMITH 
 
 FEBRUARY 22 - 1832 
 
 AUGUST 13-190! 
 
 VESTRYMAN AND WARDEN 
 OF 2 THE= CHURCH.-OF: ‘THE 
 INCARNATION AND FOR 
 MANY YEARS THE DEVOT- 
 ED FRIEND OF THE SUNDAY 
 SCHOOL OF THIS CHAPEL 
 
 
 
 NS AMO? Se Ba ee 
 Brite & Bacon, Architects. Cast in bronze by The Gorham Co, 
 
 74 
 

 
 35” X 49” 
 Cast in bronze by The Gorham Co. 
 
 a 
 
| PRESENTED TOTHE 
 INTERNATIONAL COMMITTEE OF 
 DOU 
 “CHRISTIAN ASSOCIATIONS 
 ASUM SUFFICIENT TO 
 PURCHASE THESE GROUNDS 
 AND ERECT THIS BUILDING. 
 “HAY 15.1902, 
 
 [aN Fi Fe 
 
 
 
 Placed in Y. M. C. A. Building (Naval Branch), Brooklyn, N. Y. 
 Metal, 31% x°19”,.0n oak 
 
 Cast in eine by The Gorham Co. 
 
| 
 
 Hera i ng 
 
 inthis Sane 
 
 
 
 Placed in St. John’s Catholic Church, Orange, N. J. 
 Engraved Brass Plate and Bronze Frame 
 40” x jee 
 
 77 
 
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 uAGIX wre ‘OD WeYION ayy, Aq ezuosq Ut s¥_ 
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 LDPE WR 
 # SOL AMIN NOMMIO. & 
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 ddZ LOY) 
 
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 40 AYOWSW ONIAOT NI 
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 78 
 
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 96R2I AVG YALSVA + 
 + O4d Syl + 
 
 AVHSNAH WYHNHNG GUVAdA ct 
 MAWWNS SIAVYO YNNVIOUORD ake 
 YAWWNS MOLSUYE TARY | 
 
 QVSaAuYW UIAYd O01 
 
 VYIVH WVITHM 6 
 
 WVSSIM ((NVHISON)'f AUYN ONY : 
 WVSSIM GVAHSLIHM TAINYG 
 
 ‘QI aad QYuOANYS WOS9 3LWH Z 
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 it 
 
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 IGRI'SS LE MAY NOSON 
 
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 NGQiTE UWW YAaLSMAUG (STOHOIN) a¥zzri{° 
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 40 KYOWAW ONIAOT NI 
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 129) uIvYIOL) wu L 
 
 yorq yeo uo *,z£ x ,zz ‘ajerd sseiq poarisugq 
 
 IRS H 
 
 “SOVIGHLUIG YAH SVM HOTHM 
 SNITIIMG SIHL NOdi LSaY AVW 
 NOILIIGANAG SHNOIAVS AHL LVHL 
 AVUd (INV AYOWAW YAH HSTYSHO THM 
 NAWHIYAHD JO SNOLLVYANAD 
 
 + 
 TIASS TY NMOU AdOH SUN 
 Ad AONIGISAN SHOHSIA SLI YO 
 C(NVIS] AGOHY JO ASAIOIG INL OL 
 
 MYUVTO HOUVW SVNOHL 
 JO ALVAO0SI49 TUL AO VIA HUA ALO FELL 
 “S681 GUO] U0 JO UVAA FHL NI 
 NIAID AUV 
 
 IVW UITHL YO4 NOISIAOWd V HLIM 
 SCNOU9D CNY ASNOH SIKL 
 
GODS: PROVIDENCE: HOUSE. 
 
 THIS: TABLET: HAS-BEEN- HERE: PLAGED 
 IN-REVERENT-AND: THANKFUL: MEMORY: OF 
 
 ALBERTINA: SHELTON: PYNE 
 
 WHO: BUILT: THIS: HOUSE: AND-IN-MANY 
 OTHER: WAYS: HELPED: FORWARD, WHILE-SHE 
 LIVED, THE-WORK: OF -THE:-SOGIETY: WHICH 
 THUS: RECORDS -ITS-HIGH:SENSE- OF -HER 
 VIRTUES: = 
 "GOD'S -PROVIDENGE:IS:MINE:INHERITANGE. 
 ¥ 
 a id! 
 
 
 
 Engraved brass plate, 18” x 27”, oak back 
 Letters incised and blacked in 
 
 
 
 54” x a6" 
 Cast in bronze by The Gorham Co. 
 
 So 
 
ALVORD MEMORIAL | 
 | CHURCH OF OUR SAVIOUR | 
 IN MEMORY OF 
 
 ALONZO.A.anp SUSAN ALVORD 
 
 OF NEW. YORK CITY 
 Ay D. 1903 
 
 
 
 250 x 1 gh 
 
 Cast in bronze by The Gorham Co. 
 
 
 
 Placed in the Church of the Incarnation, New York City 
 
 337 x 25u 
 H. Vaughn, Architect. Cast in bronze by The Gorham Co. 
 St 
 
‘OXD ueytor) UL Aq 9ZU0IG ul ISBT) 
 wit x yOk 
 
 — NOLEVIDOSSV- 
 SIHL JO WHOWMAO NV ONV 
 
 : YOLOMld ¥ SUVIA ANYWoUOd SVA\ os | 
 
 “Sac INVI S SH Nee 
 HO, 
 
 : XIOWAIN FHL OL 
 
 ~ CALVOIGHG +S}. 
 
 SEIS. YHHLO 4O SNOHOGIYE 
 GediNeiaacane WaGni i aie 
 SAOWANAOD AHL Ad ANAISSO: 
 
 ag NVIESRIEO 
 
 > Sash aHE 10d LOR 
 oe ONIGIADSIHE 
 
 
 
Od) WIRYION SYJ, Aq azu0Iq UI Ise 
 yorq poom uo ,61 x {LE ‘Te1ajy 
 
 dh hd eh ie hd A 
 
 1A9X222aW 
 
 ATVOLAW 4dMOUM VITACY NdTdH 
 _ 41M SIH JO AMOWAW NI 
 
 Od1VOIAW ASSar o 
 Ad 
 
 NOISAd 40 JOOHIS ANVISI 4GOHY 
 4HL Od GALIaNA ONIGIING SIHL ANY 
 ‘GASYHOUNd SYM CNV SIHL 
 
 Chey 
 
 
 
 LEQ CIA PO pot pat 
 
 EEE OTE Ie} 
 

 
 
 
 ST. JOSEPHS SEMINARY 
 DUNWOODIE, NEW YORK. 
 
 THIS TABLET HAS BEEN PLACED TO COMMEMORATE THE NOBLE 
 GENEROSITY OF THE MOST REVEREND ARCHBISHOP AND OF THE CLERGY 
 AND LAITY OF THE DIOCESE WHO CONTRIBUTED TO THE ERECTION 
 OF THE SEMINARY, AND TO. PERPETUATE THE REMEMBRANCE OF THE 
 SUCCESSFUL PLAN OF THE RIGHT REVEREND JOHN M.FARLEY.V.G.1O 
 PRESENT THE SEMINARY ENTIRELY FREE FROM DEBT.TO HIS GRACE 
 THE MOST REVEREND ARCHBISHOP. ON THE DAY OF HIS SILVER 
 
 EPISCOPAL JUBILEE. 
 MAY 47x. 1698. 
 
 IN THE MEMORIAL BOOK OF RECORDS. OF THE SEMINARY ARE 
 INSCRIBED THE NAMES AND OFFERINGS OF ALL.BOTH CLERGY AND 
 LAITY. WHO HAVE CONTRIBUTED TO ITS ERECTION. 
 
 CORNER STONE LAID MAY 171.1891 AND BUILDINGS BLESSED 
 AUGUST 127.1896 BY HIS GRACE ARCHBISHOP CORRIGAN. 
 
 WILLIAM SCHICKEL & CO. ARCHITECTS, 
 
 FA.De MEURON. SUPT. 
 
 
 
 
 
 
 
 
 
 Placed in St. Joseph’s Seminary, Dunwoodie, N. Y. 
 Engraved Brass Plate, Bronze Frame 
 see Xx Age 
 Schickel & Ditmars, Architects. Made by The Gorham Co. 
 
 84 
 
THIS BUILDING 
 WAS 
 REMODELLED AND EQUIPPED. 
 IN LOVING MEMORY. 
 HARRIET DESHON THURSTON METCALF 
 
 UR Wiz Ve Wine TI Te Te Te te ee ik Bi 
 
 "AND. NAMED. 
 Tagen (ls 
 “MEMORIAL HALL 
 
 er 
 a 
 lie 
 - 
 - 
 f - 
 t 
 - 
 & 
 a 
 hail 
 coal 
 lo 
 - 
 = 
 — 
 = 
 = 
 = 
 = 
 — 
 <= 
 = 
 = 
 = 
 
 OTE EE Te TE TICE TUT 
 
 Meee C1 NI DU Si Dd dd Dk tc Dd 
 
 
 
 “Yel a\\i 
 
 BS amet suena Re . 
 
 36” x 24” 
 Cast in bronze by The Gorham Co. 
 
 85 
 
a aayans ara aia ee ava qe Vqyian/@ises 
 
 i, os 
 
 FIFTH STREET GRAMMAR SCHOOL. > 
 
 THIS WAS THE FIRST SCHOOL IN THE COUNTRY TO 
 HE UNITED STATES FLAG AND MAKE THE USE ~ 
 
 E47 A PERMANENT FEATURE OF PUBLIC SCHOOL 
 oo ADMINISTRATION, 
 THE FIRST FLAG WAS UNFURLED MAY 11,1861. 
 MR. SYLVANDER HUTCHINSON, Principat. 
 
 y 
 
 
 
 26” x a 
 Cast in bronze by The Gorham Co. 
 
 THIS BUILDING WAS ERECTED 
 BY HIS PARENTS 
 IN LOVING MEMORY OF 
 
 13 (0) A KON 5 HV O0)0)°4 AN (OTe) 
 
 ; @ BORN JUNE 19. 1885—DIED FEBRUARY 27.1897 | 
 
 
 
 pea x Na! 
 
 Cast in bronze by The Gorham Co. 
 
 86 
 
BAHNESTOGK. FL. 
 IN” MEMORY : 
 
 
 
 ‘180G= 1887 
 
 20" x 1h 
 York & Sawyer, Architects. Cast in bronze by The Gorham Co. 
 
 
 
 THE PEWS 
 IN THIS CHURCH WERE GIVEN 
 IN LOVING MEMORY OF 
 
 HARRIET BABCOCK 
 BY HER HUSBAND © 
 
 _ HORATIO. N. CAMPBELL. ~ | 
 
 
 
 
 
 
 
 Metal, 19” x 10”, on oak back 
 Cast in bronze by The Gorham Co. 
 
 87 
 
His ROOM WAS FURNISHED © 
 iN’ MEMORY OF 
 
 Bf HARRIET E. ae 
 
 -) BY HER DAUGHTER 
 “HELEN A. BELL 
 > DEC1901. 
 
 
 
 1.6% x g” 
 
 i 6CHARLES STONE § 
 Hi SEP ES, coe a 31,1868. ‘ 
 
 : AMY L. STONE ; 
 RINGZAV EL AWD etsy 
 
 
 
 riey” se. Til 
 
 WORSHIP OF-G°D AND 
 OFBE SERVICE OF MAN. 
 
 TO KEEP RHE. MEMORY a 
 AND. PERPETUATE 
 ‘THE EAPEH OF 
 
 MORTON -B-HULL 
 AND OF HIS WIFE 
 EUDORA-E-D-HULL 
 
 THIS CHAPEL 
 IS ERECTED BY THEIR 
 _ h, CHILDREN 1897) 
 
 
 
 7! ag Gs 
 Cast in bronze by The Gorham Co, 
 
 88 
 

 
 Engraved brass, 14” x 9” 
 
 IN MEMORY OF 7 
 ADELBERT STONE HAY | 
 1876-1901 j 
 
 “GOD HELP US T0 BE BRAVE” 
 
 
 
 Engraved brass, 1144” x 61%”, on oak back 
 
 
 
 oa 
 THE CHOIR ROOM 
 WITH 
 
 MEMORIAL WINDOW 
 IS ERECTED TO 
 | THE GLORY OF GOD 
 IN NG ER 
 
 SARAH EGLESTON LANIER 
 WIFE OF 
 
 GHARLES LANIER : 
 aa AD. 1808. aes 
 
 
 
 
 i 
 
 
 
 shan ed brass, me x 934” 
 
 _ The Gorham Co. 
 
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