@ LIBRARY OF & 
 COLUMBIA UNIVERSITY 
 
 [AVERY A ARCHITECTUR RAL LIBRARY 
 
 eCOoIN MEMORY OF 
 HENRY OGDEN AVERY 
 ARCHITECT +2 OXOD 
 BORN THIRTY- FIRST 
 JANUARY MDCCC LII 
 DIED THIRTIETH APRIL 
 M DCCC LXXXX-@%0 
 
 <e/O/osHIS PARENTS 
 SAMUEL P AVERY AND 
 MARY OGDEN AVERY 
 HAVE FOUNDED THIS 
 REFERENCE LIBRARY 
 OF ARCHITECTURE AND 
 DECORATIVE ART<O” 
 
 eee TAO are Ee OSS ROOTOT TODD 
 
The Old Colleges of Oxford (See page 1 
 
 MAGDALEN COLLEGE Reduced from collotype plates, each 11 ins. by 83 ins. 
 
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DEDICATED BY SPECIAL PERMISSION TO HIS MAJESTY THE KING. 
 
 The Old Colleges of Oxford. 
 
 Their Architectural History illustrated and described by AYMER 
 VALLANCE, M.A., F.S.A. Illustrated by 50 beautiful Collotype 
 Plates, finely reproduced from photographs specially taken by A. E. 
 WALSHAM, and from Paintings, Drawings, and Engravings ; together 
 with 232 ‘further Illustrations in the text, the whole comprising 
 Exterior and Interior Views, Ground Plans, and Decorative Details 
 in Stone, Wood, Metal, Plaster, and other materials, also Illustra- 
 tions of the College Arms and Memorial Brasses. Small folio, 
 
 handsomely bound in buckram, gilt. $35.00 net. 
 
 ‘* This sumptuous volume is a monument of research on the part of the author, and of exquisite 
 production on the part of the publ.:sher. . . . The book cannot fail to become the classic authority on 
 the architecture of the old colleges of Oxford.”—The Architect. 
 
 ‘*We might exhaust the language of eulogy on the illustrations of this magnificent volume. 
 A large number of them are from photographs, taken only as Mr. Batsford can take them, 
 Mr. Vallance and his publisher deserve our warm thanks for a most beautiful book ; worthy of 
 Mr. Batsford and certainly to be bought by all libraries and all lovers of Oxford.” —7he Guardian. 
 
 ** Basing its observations upon much new material, correcting its prejudices with sound and well- 
 established judgment, it presents a scholarly and persuasive study of the stones of Oxford, fuller 
 and more authoritative than any hitherto in existence.” —The Daily Telegraph. 
 
 ‘* A sumptuous and delightful volume—one of the most beautiful books that even Mr. Batsford 
 has published. . . . The pictures will be acontinual delight to every possessor of the book for the 
 rest of his life. The permanent value of such a collection is obvious.”—7he Antiguary. 
 
 The Domestic Architecture of England 
 during the Tudor Period. 
 
 Illustrated in a series of Photographs and Measured Drawings of 
 Country Mansions, Manor Houses, and smaller Buildings, accom- 
 panied by Historical and Descriptive Text. By THomMas GARNER 
 and ARTHUR STRATTON, Architect, F.S.A., F.R.I.B.A. Con- 
 taining 192 folio plates (size 19 inches by 14 inches), of which 
 some 120 are reproduced by the beautiful process of collotype ; 
 the remaining Plates comprising Measured Drawings and Sketches 
 of the most interesting constructive and ornamental details in 
 various materials, while numerous Plans drawn to Scale and other 
 Illustrations are interspersed in the text. 2 volumes in portfolios, 
 $48.00 net, or bound in 2 vols. half morocco, gilt. $60.00 net. 
 
 This important publication is uniform in size and style with the companion 
 volumes dealing with the later phases of English architecture by Mr. J. A. Gotch 
 and Messrs. Belcher & Macartney (described on page 2), and completes a series of 
 records of our National Architecture which for thoroughness of treatment and 
 beauty of illustration is unrivalled in architectural literature. 
 
 oe . It is one of the best and finest illustrative works on architecture of late years, and isa 
 credit both to authors and publisher.” —7he Buzlder. 
 
 “There never has been before, and probably ore never will be again, such a collection of helpful 
 materials placed at the disposal of the architect.” —The American A rchitect. 
 
 “Mr. Batsford has already given us two pairs of sumptuous folios illustrating Renaissance 
 architecture in England, and now he offers an equally fine work dealing with the style which 
 preceded it. . . . It is surprising that an adequate presentment of this “period has been so long 
 delayed. But this makes Mr. Batsford’s venture all the more welcome, and will ensure its complete 
 success.’’—Country Life. 
 
 B 
 
2 
 
 Architecture of the Renaissance in England. 
 
 Illustrated by a Series of Views and Details from Mansions, Manor 
 Houses, and other Buildings erected between the years 1560 and 
 1635, with Historical and Critical Text. By J. ALFRED GOTCH, 
 -F.S.A., F.R.I.B.A. Containing 145 fine Plates (size 19 ins. X 
 14 ins.), 118 being reproduced from Photographs taken expressly 
 for the work and 27 from measured drawings, with 180 further 
 Illustrations of plans, details, etc., in the Text. 2 vols., large folio, 
 half morocco, gilt. $60.00 net ; or in 2 cloth portfolios, $48.00 net. 
 
 The period covered by these volumes was a time of great building activity 
 and was marked by the growth of that general desire for domestic comfort so 
 characteristic of the English race. This desire led to the erection or remodelling 
 of a vast number of houses, ranging from those of the successful tradesman to 
 those of high State officials ; whilst the love of display led great noblemen to 
 vie one with the other in the extent and splendour of the palaces they reared. 
 
 The most important and interesting of these buildings—stately, picturesque, 
 and rich in beautiful detail, both inside and out, find adequate representation in 
 Mr. Gotch’s work, which forms an invaluable record of a great architectural 
 epoch and a source, of inspiration of the first importance to architects and 
 decorators. 
 
 ‘*The volumes are very beautiful in themselves, and a striking proof of the almost unknown 
 wealth of domestic architecture of ancient date in which England stands alone.” —The Times. 
 
 ‘* A work of national importance. Though these halls are with us now, it would be rash to say 
 that we shall have them for ever, but while these volumes remain we shall always have a splendid 
 memorial of the most splendid remains of the England of the past.” —The Daily News. 
 
 ‘*Tt is an endless pleasure to turn over these representations of houses of so fine a period of our 
 National Architecture.” —The Builder. 
 
 “It is impossible to award anything but the highest praise to these noble volumes.”—7e 
 Atheneum. 
 
 Later Renaissance Architecture in England. 
 
 A Series of Examples of the Domestic Buildings erected subsequent 
 to the Elizabethan Period. Edited, with Introductory and 
 Descriptive Text, by JoHNn BrLcHER, R.A., and Mervyn E. 
 Macartney, F.S.A., F.R.I.B.A. Containing 170 magnificent Plates 
 (19 ins. X 14 ins.), 130 of which are reproduced in Collotype from 
 photographs specially taken, and 40 from measured drawings by 
 various accomplished draughtsmen. With 153 further illustrations 
 of plans, details, etc., in the letterpress. 2 vols., large’ folio, half 
 morocco, gilt. $60.00 net; or in 2 cloth portfolios, $48.00 net. 
 
 This work illustrates in a most perfect and thorough manner the principal 
 mansions, country seats, town houses, and collegiate and other civil buildings 
 erected during the Stuart, Queen Anne, and Georgian periods—thus forming a 
 sequel to Mr. Gotch’s work described above. 
 
 ‘‘ A work in two volumes of more than ordinary splendour. . . . The illustrations record the 
 rise and fall of the Italian style, not only in the construction of great mansions and important edifices, 
 but also in the more modest, though not altogether unpretentious dwellings of the middle class. 
 Taken in connection with Mr. Gotch’s book we have here a fairly complete exposition of the change 
 from medizval to modern house-planning, and it has to be recognised that the Renaissance style 
 lent itself conveniently to the altered requirements of the people, the increase of luxury, and the 
 exigencies of street architecture.”—7he Morning Post. 
 
 “ One of the most remarkable and fascinating works in architectural illustration which has 
 appeared in our time.’—The Builder. 5 ' 
 
 ‘A yery sumptuous and beautiful publication, the subjects chosen with considerable dis- 
 crimination, and presented in such a way as to make one exclaim, ‘ This must surely be the zon lus 
 ultra in the way of illustration !’”— The Architectural Review. 
 
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 The Growth of the English House. 
 
 A short History of its Architectural Development from 1100 to 
 1800 A.D. By J. ALFRED Gorcu, F.S.A., F R.I.B.A. Containing 
 300 pages, with 267 Illustrations from photographs and drawings, 
 including not only Exterior Views and Plans, but numerous interest- 
 ing details, such as Doorways, Windows, Fireplaces, Staircases, 
 Ceilings, Panelling, etc. Crown 8vo, cloth, gilt. $3.00 net. 
 
 This handbook embodies the first-hand knowledge of an architect who is 
 known as a life-long student of domestic architecture. The subject is dealt with 
 systematically, yet clearly and simply, and without undue technical phraseology, 
 so that all who are interested in it, whether they be architects, students, 
 craftsmen, antiquaries, or travellers, will here find help in their inquiries. 
 
 ‘* Mr. Gotch has brought within the compass of a handy volume the whole panorama as it were 
 of domestic architecture from the time of the old embattled castles of Norman days to the close of the 
 eighteenth century. By means of many photographs and plans Mr. Gotch shows to the eye much of 
 that which he describes, and his book will be found helpful and interesting to all concerned in a 
 fascinating subject.”’—The Daily Telegraph. 
 
 ‘‘ Putting aside all extravagance of praise, the volume may be recommended to the architect for 
 its accuracy, to the layman for its attractiveness, and to both for the wisdom and catholicity of taste 
 shown throughout by its author.’’—Sfectator. 
 
 Early Renaissance Architecture in England. 
 
 An Historical and Descriptive Account of the Tudor, Elizabethan, 
 and Jacobean Periods, 1500—1625. By J. ALFRED GOTCH, F.S.A. 
 Second Edition, revised. With 16 Collotype and other Plates 
 and over 250 Illustrations in the Text, from Drawings by various 
 accomplished Draughtsmen, and from photographs specially taken. 
 Large 8vo, cloth, gilt. $6.00 net. 
 
 This work is quite independent and distinct, both in plan and illustration, 
 from the author’s larger work, ‘‘ The Architecture of the Renaissance in Eng- 
 land” (described on page 2), and is in no sense a reduced edition of it. The latter 
 work exhibits a splendid series of examples, to a large scale, of Elizabethan 
 and Jacobean buildings, with a brief account of each: whereas the present takes 
 the form of a handbook in which the development of style from the close of the 
 Gothic period to the advent of Inigo Jones is systematically traced. 
 
 ‘© A more delightful book for the architect it would be hard to find. It is quite a storehouse of 
 reference and illustration, and should be quite indispensable to the architect’s library.”—7he 
 British Architect. 
 
 ‘©The most charming book that has yet been issued onthe English Renaissance. The wealth and 
 accuracy of the illustrations, in conjunction with the pleasant diction and scholarly style of the letter- 
 press, make it impossible for anyone of taste to be disappointed with its contents.” —The Antiguary. 
 
 The Palace at Whitehall. 
 
 ‘The Original Drawings for the Palace at Whitehall attributed to 
 Inigo Jones.” By J. ALFRED Gotcu, F.S.A. An analytical study 
 of the Designs and Sketches preserved in Worcester College, 
 Oxford, Chatsworth, and the British Museum, with 32 facsimile 
 reproductions. Imperial 4to, paper covers. $1.00 net. 
 
 Mr. Gotch sums up his paper with the following surprising conclusion: “It 
 seems clear that the preparation of the designs for the palace was not under- 
 taken until late in the reign of Charles I., when he was in the hands of the 
 Parliament ; and that it was John Webb, acting (in the absence of Inigo Jones) 
 as Deputy-Surveyor of the King’s Works, who prepared the whole series.”’ 
 
 B 2 
 
4 
 
 Some Architectural Works of Inigo Jones. 
 
 Illustrated by a Series of Measured Drawings of the Chief 
 Buildings designed by him, together with Descriptive and 
 Biographical Notes, and a complete List of his Authentic Works. 
 By H. Inico Triccs, A.R.I.B.A., and Henry Tanner, F.R.I.B.A. 
 Containing 40 Plates and other Illustrations in the Text. Large 
 folio, cloth. $12.00 net. 
 
 The aim of the work is to illustrate all those buildings now remaining which 
 
 can with any certainty be attributed to the hand of Inigo Jones, and some known 
 to have been designed by him, but which have since been destroyed. 
 
 ‘An admirable and most useful piece of work . . . the volume is one which every architectural 
 library should possess.” —The Builder. 
 
 “The drawings are all good, and some are quite beautifully executed, and they should be of 
 considerable service to architects.’"— The Times. 
 
 English Houses and Gardens in the XVIIth 
 and XVIIIth Centuries. 
 
 A series of Bird’s-eye Views reproduced from the Contemporary 
 Engravings by Kip, KNyFr, BADESLADE, Harris, Loccan and 
 others. With some views of Oxford and Cambridge Colleges. 
 Selected, with an Introductory Essay and Descriptive Notes on 
 the Plates, by MERvyN Macartney, B.A., F.S.A. Containing 61 
 fine Plates, reproduced by a process which preserves much of the 
 spirit of the original engravings. 4to, half vellum. $6.00 net. 
 
 ‘The book is got up in a most artistic style and makes a charming publication.”’— The Builder. 
 
 ‘‘The plates are admirably reproduced, and afford an interesting study in detail and finish 
 besides being an instructive picture of the growth and development of architecture and gardening,.”’— 
 The Pall Mali Gazette. 
 
 ‘ This is a book to delight the architect, the garden architect, the amateur, and the topographer.”’ 
 —The Architectural Review. 
 
 English House Design. 
 
 A Review. Being a selection and brief analysis of some of the best 
 achievements in English Domestic Architecture from the 16th to 
 z2oth Centuries, together with numerous Examples of Contemporary 
 Design. By Ernest Witioortt, F.R.I.B.A., Architect. Con- 
 taining 222 pages, with 155 Illustrations of Exterior and Interior 
 Views, chiefly full-page reproductions of choice Photographs, with 
 numerous Plans. Royal $vo, cloth, gilt. $4.50 net. 
 
 This book is intended for those who are not familiar with, or who do not 
 possess the architect’s library, but whose interest in English Domestic Architecture 
 rouses a desire to be able to appreciate the drift of its modern tendencies and to 
 understand something of the principles upon which all that is best in them is 
 
 based. 
 
 Its letterpress is free from technicalities, and its illustrations include some of 
 the most notable Mansions, Manor-houses, Cottages, and Farmhouses, from 
 Tudor times to the end of the Eighteenth Century, besides specially selected 
 examples of the work of leading modern architects. 
 
Later Renaissance Architecture in England 
 (See page 2) 
 
 BELTON HOUSE, GRANTHAM Reduced from collotype plates, each 14 ins. by to} ins. 
 
he Charny ot the Enolish: Village 
 
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5 
 The Manor Houses of England. 
 
 By P. H. Ditcurieip, M.A., F.S.A. Illustrated by SypNEy R. 
 JONES. Containing 200 Illustrations, chiefly full pages, from the 
 Artist’s Pen-and-Ink Drawings, with a Frontispiece in Coloured 
 Photogravure. Large 8vo, art linen. $3.00 net. 
 
 CONTENTS.—The Origin of the Manor—Evolution and Planning— Materials 
 of Construction: Stone, Timber, Brick, Flint, Plaster—Exterior Details : 
 Chimneys, Porches and Doors, Windows, Roofs and Gables—Interior Details : 
 Mantelpieces and Fireplaces, Staircases, Panelling, Ceilings, Windows—Metal- 
 work : Leadwork, Ironwork—Gardens and Surroundings. 
 
 This volume, which is uniform with ‘‘The Charm of the English Village,” 
 by the same authors, illustrates and describes many of the lesser known 
 examples of Old Country Houses, for the number and beauty of which England 
 is so remarkable. In the text are stories of romance and family history that 
 cluster around the old walls, besides non-technical descriptions of the varied 
 materials of which these houses were built, and their styles of architecture. 
 
 “The scheme of this book has evidently been carefully thought out, as well as excellently 
 achieved. The book is so pleasant, and withal informing, and produced at so modest a price, that it 
 is pee not to use language which might seem exaggerated concerning its merits.’—Zhe 
 Atheneum. 
 
 “We are not in the secrets of publishers any more than of artists and authors, but it is to usa 
 pure how so handsome and charming a volume as this can be produced for 7s. 6a.” —The Church 
 
 7mes. 
 
 ‘“* The Manor Houses of England’ is one of the pleasantest additions to the library of every 
 lover of our native architecture that has appeared in recent times. Mr. Sydney Jones has proved 
 himself one of our ablest present day exponents of the use of pen and ink in the delineation of 
 architecture, and has here given many delightful examples of his skill.” —7he Architect. 
 
 “For all lovers of our unequalled old domestic architecture, for all who can appreciate the 
 beauty, the rich suggestiveness of historic romance and association to be found in the delightful old 
 English houses here illustrated, the volume is one of singular charm and attractiveness.” —7he 
 Antiquary. 
 
 The Charm of the English Village. 
 
 By P. H. Ditcurietp, M.A., F.S.A. Illustrated by SyvpNeEy R. 
 JonEs. With 120 attractive Illustrations, many full-page, repro- 
 duced from the Artist’s Pen-and-Ink Sketches, with a F rontispiece 
 in Coloured Photogravure. Large 8vo, art linen. $3.00 net. 
 
 CONTENTS.—The Church—Manors, Farms and Rectories—Cottages—Detail 
 — Decoration and Interiors—Gardens and Flowers—Inns—Shops and Mills— 
 Alms-houses— Grammar Schools—Crosses—Greens and Old Time Punishments 
 —Barns and Dovecotes—Old Roads and Bridges—Rivers and Streams— 
 Sundials and Weathercocks, etc. 
 
 ‘A DELIGHTFUL VOLUME FOR LOVERS OF RURAL ENGLAND. Mr. Ditchfield discourses of all 
 the characteristic features of the village ; while Mr. Jones adds immensely to the charm of the 
 volume by his copious illustrations, which, both in technique and in conception, take a high rank 
 among specimens of the modern art of landscape in pen-and-ink.’”— The Times. 
 
 ““Mr. Jones is a skilful artist, and Mr. Ditchfield deals with village life as centred in the church, 
 in manor houses and farms, in cottages and inns, and gives much varied information in a series of 
 chapters informed with a proper degree of enthusiasm. IT Is A VOLUME WHICH NO LOVER OF OUR 
 BEAUTIFUL OLD HOMELY COUNTRY PLACES SHOULD FAIL TO SEE AND READ.’ —T he Daily Telegraph. 
 
 ‘“ The book is profusely illustrated by Mr. Jones’s pen drawings, of a charming quality, which 
 those whe really care for English rural life will be glad to possess.’— The Builder. 
 
 “This book is unique ; for we know of no other single volume intended for the general reader 
 which so admirably sums up in text and pictures just what is expressed by the attractive title, Te 
 Charm of the English Village. EVERY LOVER OF RURAL ENGLAND AND OF ALL THAT IS OLD 
 AND BEAUTIFUL SHOULD HAVE THIS BOOK.” —The Antiqguary. 
 
~ 
 
 \e) 
 
 Old English Cottages and Farm Houses. 
 
 A Series of Volumes designed to illustrate the most typical and 
 beautiful remaining examples of Old Cottages, Yeomen’s Houses, 
 Farm Houses, Inns, etc., in the respective counties. Each volume 
 contains 100 Photographic Plates of Exterior and Interior Views, 
 artistically printed in Collotype, accompanied by Descriptive Notes, 
 and in which are interspersed numerous Pen-and-Ink Sketches, 
 Photographs, and Plans; ornamental and _ structural details. 
 Crown 4to, art canvas, gilt. $8.40 each net. 
 
 ‘MR. BATSFORD’S VOLUMES ON ENGLISH COTTAGE ARCHITECTURE ARE ATTRACTIVE IN SYM- 
 PATHETIC LETTERPRESS AND PRINTING AND WHOLLY DELIGHTFUL IN ILLUSTRATIONS. —The Times. 
 
 (1) Kent and Sussex. 
 Photographed by W. GatswortHy Davie and described by 
 E. Guy DawseEr, F.R.I.B.A. 
 
 The rural buildings of Kent and Sussex are typical of native homely English 
 work, and amongst them may be found nearly every style of architecture. 
 
 ‘‘ Every cottage illustrated has interest through its picturesqueness, and the variety of them is 
 remarkable.” —The Architect. ; ; 
 ‘© All lovers of our domestic architecture should buy this book.””—The Antiguary. 
 
 (2) Shropshire, Herefordshire, and Cheshire. 
 Photographed by James Parkinson and described by E. A. OULD, 
 FER Lae. 
 
 This volume illustrates the half-timber buildings characteristic of these 
 three counties. 
 
 “No districts in Great Britain are more richly endowed with specimens of genuine half-timber 
 work than these three beautifully wooded counties, so that Mr. Parkinson has had little difficulty in 
 providing an attractive series of photographs in his well-produced and useful volume.’’—7%e 
 Building News. 
 
 (2); Lhe Cotswold District. 
 
 Comprising parts of Gloucestershire, Oxfordshire, Northants, and 
 Worcestershire. Photographed by W. GatswortHy Davig and 
 described by E. Guy Dawser, F.R.I.B.A. 
 
 The buildings illustrated in this volume are essentially of a stone type, and 
 present a special variety of architecture, very dissimilar to those illustrated 
 in the two previous volumes. 
 
 ‘‘This charming volume contains one hundred photographs of the most beautiful domestic 
 buildings in the country. . . . The illustrations are admirably chosen and beautifully repro- 
 duced.” —The Daily News. 
 
 (4) Surrey. 
 
 Photographed by W. GatswortHy Davi and described by 
 W. Curtis GREEN, F.R.I.B.A. 
 
 The cottages of Surrey are built in a great diversity of material— brick, stone, 
 plaster and half-timber, with tiled or stone roofs; frequently many of these are 
 used on the same building, and they produce in conjunction many varied and 
 picturesque effects. 
 
 ‘© Whilst each of the districts dealt with in former volumes in this series had their own special 
 style and charm, there can be no hesitation in saying that this last work bears the palm for beauty of 
 execution, for variety and grace of the examples selected, and for comprehensive treatment in the 
 letterpress.” —The Reliquary, 
 
Old Cottages of Kent and Sussex (See page 6) 
 
 i il ities ae 
 
 ““QUEEN’S HEAD” INN, SEDLESCOMBE 
 
 Old Cottages, &c., in the Cotswold District 
 
 COTTAGES AT WESTON SUBEDGE Reduced from collotype plates, 
 each 6lins. by 4dins. 
 
Old Houses of East Anglia (See page 7) 
 
 THE VILLAGE STREET, KERSEY, SUFFOLK 
 
 RES 
 
 Reduced from collotype plates, each 
 
 S HALL, WICKHAM BROOK 
 
 ? 
 
 GIFFORD 
 
 6yins. by 4sins, 
 
7 
 
 Old English Cottages and Farm Houses—snia. 
 (5) East Anglia. 
 
 Comprising Norfolk, Suffolk, and rural Essex. By Basix OLIVER, 
 Architect, A.R.I.B.A. Illustrated in a series of 127 examples on 
 85 Collotype Plates, reproduced from photographs specially taken 
 by Horace Dan, SyDNEy Driver, and others. With an Account 
 of the Architecture of the District, illustrated by photographs and 
 drawings by the author and others. 4to, art canvas. $8.50 net. 
 
 The smaller domestic architecture of these Eastern counties possesses many 
 charming characteristics, among which are the use of ornament in external 
 plaster, the variety of the brickwork, work in flint, etc. 
 
 The illustrations comprise typical village views, halls and farmhouses, market 
 houses, inns, cottages, bridges, wind mills, doorways, windows, gable ends, 
 chimney stacks, wrought ironwork, lead glazing, plaster work, measured eleva- 
 tions, sections, and plans, with numerous mouldings, etc. Many plates are 
 devoted to Interior views and details. 
 
 Publications of the Committee for the Survey 
 of the Memorials of Greater London. 
 
 Crosby Place, Bishopsgate. 
 By Puitip Norman, F.S.A., LL.D., and W. D. Caréz, Bo AN, 
 F.R.I.B.A. With 39 full-page and smaller Illustrations, including 
 reproductions of scarce engravings, recent photographs, and a fine 
 series of measured drawings. 4to, paper covers. $10.00 net. 
 
 A complete and authentic record of every aspect of the history of the building 
 —the last remaining example of the city merchant’s mansion of the century. 
 
 The Parish of Chelsea. 
 
 Vol. I. including Paradise Row and the River Front from the 
 Royal Hospital to the old Church. By Water H. Goprrey. 
 Containing a full account of the Ancient Buildings, with 130 
 Illustrations from photographs, measured drawings, and sketches 
 in black-and-white. Royal 4to, stiff paper covers. $10.00 net. 
 A limited number of copies of the following Publications of the Committee 
 are offered for the present, at the Special Prices mentioned. 
 
 The Trinity Hospital in Mile End. ByC. R. Asupezg, 
 M.A. $3.00 net. 
 
 The Parish of Bromley-by-Bow. ByC.R. AsupEx. $3.0onet. 
 The Great House, Leyton. By E.Guny, A.R.LB.A. $3.75 net. 
 Brooke House, Hackney. By E. A. Mann, M.S.A. $2.00net. 
 
 These finely-produced Monographs dealing with the remains of beautiful or historic 
 buildings in Greater London are of the greatest interest to Antiquaries, Architects, 
 and all lovers of Old London. 
 
8 
 
 Gothic Architecture in England. 
 
 An Analysis of the Origin and Development of English Church 
 Architecture, from the Norman Conquest to the Dissolution of the 
 Monasteries. By Francis Bonp, M.A., Hon. A.R.LB.A. Con- 
 taining 750 pages, with 1,254 Illustrations from photographs, 
 measured drawings, and sketches, including 20 full-page Collotypes 
 and 469 of plans, sections, diagrams, and mouldings. Third impres- 
 sion, with corrections. Imperial 8vo, cloth, gilt. $12.00 net. 
 
 _‘' The fullest and most complete illustrated treatise on the subject which has yet appeared... . 
 he book which every student of architecture, professional or amateur, ought to have.”—Te 
 utlder. 
 
 ‘* This is, in every sense of the word, a great book. . . . It is a book that at once steps to the 
 front as authoritative, and it will be long before it is superseded.” — The Atheneum. 
 
 _‘* Perfectly orderly, and most complete and thorough, this great book leaves nothing to be 
 desired.” —7Vhe Butlding News. 
 
 “Tt must stand for many years to come as the book of reference on the subject of Ecclesiastical 
 Gothic in England for all architects and archzologists.”—The Spectator. 
 
 The Cathedrals of England and Wales. 
 
 A Concise Account of their Architectural History. By Francis 
 Bonp, M.A., Author of ‘Gothic Architecture in England,” 
 “Screens,” etc. (Being a Fourth Edition of ‘ English Cathedrals 
 Illustrated.”) Containing 450 pages of Text, remodelled and 
 largely rewritten, with 200 new Illustrations of general views and 
 details from Photographs, and a series of specially drawn Ground 
 Plans reproduced toa uniform scale. Crown 8vo, cloth. $3.00 net. 
 
 A light, handy Edition, for travellers, is printed on thin paper, at the 
 Same price. 
 
 ‘In its new ana remodelled form, this handbook embodies the latest researches and scholarship of 
 its learned author, and may fairly claim a place in the front rank of English Architectural works.”— 
 The Church Times. 
 
 ‘Mr. Bond’s work on our great English Cathedrals, of which we welcome a fresh and much 
 enlarged and improved edition, is already so well known that to praise it is superfluous. Few of the 
 many writers on Gothic architecture have devoted to the subject so much study and so much exact 
 and painstaking discrimination of the various styles blended in each example as Mr. Bond has 
 devoted.”—The Morning Post. 
 
 Norman Architecture in Cornwall. 
 
 A Handbook to old Cornish Ecclesiastical Architecture, with Notes 
 on Ancient Manor Houses. By EpmMuNpD H. SEpprinc, F.R.I.B.A. 
 With a chapter on the old Saints of Cornwall. Illustrated by 160 
 Plates, reproduced in Collotype from photographs or the Author’s 
 drawings. Crown 8vo, cloth boards, gilt. $3.00 net. 
 
 Norman Architecture in Essex. 
 
 By Ernest Gopman, Architect. With 50 Illustrations (photo- 
 graphs and line drawings) by the Author, assisted by Sidney 
 Newcombe, W. H. Godfrey, A. Womersley, J. S. Colling, A. E. 
 Nutter and others, Large dvo, half vellum. $4.75 net, 
 
9 
 
 A History of Architecture in London. 
 
 Arranged to Illustrate the Course of Architecture in England to the 
 Middle of the XVIIIth Century, with a Sketch of the preceding 
 European Styles. By Wattrer H. Goprrey, Architect, Author 
 of ‘The English Staircase,” etc., etc. With a Preface by PHILIP 
 Norman, LL.D., F.S.A. Containing 250 Illustrations, with 
 Collotype frontispiece, and 7 folding Maps, including an Annotated 
 Guide to all the Buildings shown. Crown 8vo, cloth, gilt. $3.0onet. 
 
 ‘‘ Armed with this volume as a guide, the ordinary reader, in a few pleasantly spent afternoons, 
 can gain more intimate and thorough knowledge of London architecture, and the styles of English 
 architecture in general, than by weeks of ordinary study. A better guide to the noteworthy buildings 
 of the Metropolis from the earliest times to the end of the Georgian period could not be found.” —T7%e 
 Connotsseur. 
 
 ““Mr. Godfrey has written the best and most thoughtful architectural guide to the town that 
 exists.’—The Morning Post. 
 
 “‘ With this volume in hand the student, or the visitor with a love of architecture, can follow by 
 visible extant examples, here carefully described in sufficient detail, the development of the building 
 art in London, as a microcosm of England, for goo years. The text is well and clearly written. The 
 illustrations are abundant and excellent.”— 7 %e Antiguary. 
 
 London Houses from 1660 to 1820. 
 
 A Consideration of their Architecture and Detail. By A. E. 
 RICHARDSON and C. L. Grit, A.R.I.B.A., Architects. Con- 
 taining roo Plates reproduced from specially taken photographs, 
 with roo pages of introductory and descriptive text, including 
 plans of typical Town Houses. Large 8vo, cloth, gilt. $6.00 net. 
 
 Few of the visitors or even of the residents of London realise how many old 
 houses of architectural dignity or actual charm are hidden away in quiet squares 
 or out-of-the-way streets. The book will be found of the greatest interest to 
 every visitor to the Metropolis, as well as to Architects, and the large number 
 of Collectors of ‘‘Old Londen.” 
 
 “‘ The authors have produced a book that by its beauty and its interest may, without exaggera- 
 tion, be described as fascinating. Dealing with the developments of the minor town-house and the 
 fashionable square or street, from the Restoration to the Regency, they demonstrate, by means of 
 about a hundred finely produced plates, the exquisite charm of what remains to us of the urban 
 domestic work of Wren, Isaac Ware, Sir Robert Taylor, the brothers Adam, Sir William Chambers, 
 Sit John Soane, Nash, Inwood, Kent, Burton and many others whose names have been in some 
 
 cases lost, while there is much excellent work of which the attribution is uncertain. . . . It is a book 
 that begets love at first sight ; and any architect who has once glanced at it must be exceptionally 
 constituted if he is not immediately seized with an irresistible desire to possess it.”"—7he Archi- 
 
 tectural Review. 
 
 Old English Doorways, 
 
 A Series of Historical Examples from Tudor Times to the end of 
 the XVIIIth Century. Illustrated on 70 Plates, reproduced in 
 Collotype from photographs specially taken by W. GaLtsworTHy 
 Daviz. With Historical and Descriptive Notes on the subjects, 
 including 34 Drawings and Sketches, by HENRY TANNER, 
 F.R.I.B.A. Large 8vo, art canvas, gilt. $6.00 net. 
 
 ‘“‘A most admirable addition to any library of architectural and artistic books. The subjects 
 brought together in this volume comprise many of the best types of doorways to be seen in England,” 
 —The Building News. 
 
Io 
 
 A Short Critical History of Architecture. 
 
 By H. H. Statuam, F.R.I.B.A., late Editor of Zhe Buzlder, Author 
 of “ Modern Architecture,” etc. For the use of General Readers, 
 Students, Architects, and Travellers. Containing 570 pages and 
 700 Illustrations of the chief buildings of all Countries and Periods, 
 reproduced from photographs and drawings, with a comprehensive 
 Glossary of Terms, and a series of Chronological Charts in which 
 are tabulated the Comparative Dates of the Chief Buildings in 
 different Countries in conjunction with the principal Historic 
 Events. Large crown 8vo, cloth, gilt. $4.00 net. 
 
 The author has aimed at presenting the story of architecture in a connected, 
 interesting and readable form, not cut up into disconnected styles, but as a 
 gradual development. The original grouping of periods is according to a 
 constructional basis, and the author is not afraid to criticise the design or detail 
 of ancient buildings in a frank, searching manner. Special attention is given to 
 styles of transition and experiment, which frequently form important connecting 
 links. The illustrations, which are very numerous, represent all the chief 
 buildings of the world, and while chiefly photographic, yet include many plans, 
 sections and examples of detail and ornament. 
 
 ‘Within the limits of its size and price it is the most valuable handbook that has appeared in the 
 English language for those who wish to understand the architecture of the past.” —The Architect. 
 
 “To his task Mr. Statham has brought an immense fund of knowledge and the critical and 
 sympathetic insight which can only come from a lifelong study of the subject ; and we may say that 
 he has produced a book which will prove most useful to the student, and will also be a treasured 
 
 possession to all who are interested in architecture.” —The Builder. 
 
 ‘¢ Mr. Statham’s cultured and critical judgment has enabled him to write a book which gives a 
 complete, clear, and comprehensive account of the whole subject such as will appeal to every educated 
 person.” —The Antiquary. 
 
 ‘The plan of the work is excellent... the illustrations are most liberally furnished and very 
 successful. . . . Plans are rightly emphasised and frequently introduced.” —University Extension 
 Bulletin. 
 
 Essentials in Architecture. 
 
 An Analysis of the Principles and Qualities to be looked for in 
 Buildings. By Joun. Betcuer, R.A., Fellow and Past President 
 of the Royal Institute of British Architects. With about 80 
 Illustrations (mostly full-page) of Old and Modern Buildings. 
 Large crown 8vo, cloth, gilt, $2.00 net, or bound in leather gilt, 
 
 D275. net, 
 
 ConTeNTS.—Introduction. I., Principles: Truth—Beauty. II., Qualities : 
 Strength — Vitality—Restraint— Refinement—Repose—Grace—Breadth—Scale. 
 III., Factors: Proportion—Light and Shade—Colour—Solids and Voids— 
 Balance and Symmetry. 
 
 This book, being intended for all who are interested in art, is designed on 
 popular rather than technical lines. It attempts to formulate the principles and 
 qualities of Architecture in more or less precise terms, and should serve as a true 
 basis for the development of a refined taste, and consequently of a higher public 
 standard of excellence in all that pertains to the Art. 
 
 ‘« This is a book full of sound sense about architecture, and one which we hope may be generally 
 read, as it is perfectly intelligible to non-professional readers. . . . We may add that in its make-up 
 —in the clearness of the type, the simple but agreeable binding, and the graceful script of the title- 
 page lettering—it is in point of taste just what an architectural book ought to be.” — The Builder, 
 
Il 
 
 A History of Architecture on the Compara- 
 tive Method. 
 
 For the Student, Craftsman, and Amateur. By Professor BANISTER 
 FLETCHER, F.R.I.B.A., and BANISTER F, FLETCHER, F.R.I.B.A. 
 Fifth Edition, revised and greatly enlarged by BANISTER F. 
 FLETCHER. With upwards of 2,000 Illustrations, reproduced from 
 Photographs of Buildings of all Ages, and from specially prepared 
 Drawings of Constructive and Ornamental Detail. Thick demy 
 8vo, cloth, gilt. $6.00 net. 
 
 “© Par excellence the Student's Manual of the History of Architecture.”—The Architect. 
 “* A complete, trustworthy, and extremely attractive manual.” —The Builder. 
 
 ‘© No student of architecture should be without this standard work, which is itself a triumph of 
 arew. The illustrations alone are a treasure-house of noble form, and create to the observer a 
 sense of ‘delight and exultation as he passes in review all these magnificent monuments of man’s effort 
 and his aspirations.”— The Daily News. 
 
 “This book ought.to be in the library of every cultivated man.”—The Sphere. 
 
 Architectural Lecture Diagrams. 
 
 Illustrating in a comprehensive and systematic manner the History 
 of Architecture and Decorative Art from the. earliest period to 
 the present time. By BANISTER F. FLETCHER, F.R.I.B.A., Uni- 
 versity Extension Lecturer, Joint Author of “A History of Archi- 
 tecture on the Comparative Method.” Comprising 168 sheets, 
 measuring 4o in. by 27 in., exhibiting about 2,000 illustrations 
 of plans, elevations, views, sketches, constructive and ornamental 
 details. Price $480.00 net per set, also sold in series of not less 
 than ro diagrams, price $3.20 net each diagram. 
 
 This unique series of Lecture Diagrams consists of exact copies of the 
 original line drawings as shown to a reduced scale in the Author’s ‘‘ History 
 of Architecture.” They will be found invaluable for use in colleges and schools. 
 
 The Influence of Material on Architecture. 
 
 Being the Prize Essay of the Royal Institute of British Archi- 
 tects, 1896. By BANISTER F. FLETCHER, F.R.I.B.A. Containing 
 26 pp. oftext, with 8oIllustrations. Fcap. 4to, stiffboards. $2.oonet. 
 
 A History of Architecture in Italy. 
 
 From the Time of Constantine to the Dawn of the Renaissance. 
 By Cuar_tes A. Cummincs, Fellow of the American Institute of 
 Architects, etc. With nearly 500 Illustrations, reproduced from 
 Photographs and Drawings. 2 vols., large 8vo, cloth, giit. $7.50 net, 
 
 ‘SUMMARY OF CONTENTS.—I. Early Christian Architecture. 2. The 
 Lombard Romanesque. 3. The Byzantine Influence. 4. The Central 
 Romanesque. 5. The Southern Romanesque. 6. Sicilian Architecture. 
 7. The Monasteries. 8. The Gothic. 9. Civil Architecture. 
 
 “Too much can scarcely be said in praise of Mr. Cummings’s work. Among numerous archi- 
 tectural histories it is distinguishable by being really readable, and the student who begins it from a 
 
 sense of duty will soon find himself reading with a sense of live interest and real pleasure. It is at the 
 same time scholarly and authentic.”— The Architectural Review (Boston). 
 
I2 
 
 A History of Architecture. 
 
 By. RUSSELL | STURGIS,, M3Ay Ph: Dj,;and_ \ Professor) Avis 
 FROTHINGHAM, M.A., Ph.D. To be completed in Three Volumes, 
 each containing about 400 pages with from 350 to 450 full-page 
 and smaller Illustrations, reproduced in collotype, half-tone, and 
 line, from special photographs and drawings. Large 8vo, cloth, 
 gilt. Price $15.00 per set of 3 volumes. (So/d zn sets only.) 
 
 Volume I.—‘‘ ANTIQUITY.” Treating of Egyptian Architecture, the Baby- 
 lonian and Assyrian and later Western Asiatic styles; Greek art down to the 
 final conquest by Rome, about 100 B.c. ; and Roman imperial architecture from 
 100 B.C. to about 400 A.D. 
 
 Volume II.—ROMANESQUE AND ORIENTAL. Dealing with (1) the Archi- 
 tecture of India and South-Eastern Asia, the Chinese Empire, Japan and Persia. 
 (2) The early Basilicas, the Churches of Radiate Plan, the Byzantine Influence 
 and Byzantine Monuments. (3) Moslem Architecture in Syria, Egypt, Spain, 
 N. Africa, Persia, India and Sicily. (4) THE DEVELOPED OR LATER 
 ROMANESQUE in Europe. 
 
 Volume III. (In preparation.)—The great Gothic school of Central and 
 Northern Europe and the Renaissance of art to the close of the 18th century, 
 
 ‘* A very full and finely-illustrated treatise, very interesting to read, and likely to appeal to a 
 large circle of people outside of the profession of architecture. There is, so far as we remember, no 
 book on architecture on the same scale and in the same sumptuous and attractive form which appeals 
 in the same way to the general public. . . . Itisa brilliant production, the result of very wide 
 and comprehensive study of the subject ; and in print, illustrations and general make-up, it isa credit 
 to the publishers.”—7he Builder. 
 
 Piranest. 
 By ARTHUR SAMUEL. Containing an account of the Life, Work, 
 and Influence of this celebrated Etcher, illustrated by 25 repro- 
 ductions of typical examples of his work, with a complete collation 
 of all the etchings published by the Artist, and a Bibliography. 
 Second Edition, revised. Large 8vo, cloth, gilt. $5.00 net. 
 
 ‘Though a Venetian, always proud of his Venetian birth, Piranesi is for ever associated with 
 Rome. His imagination rebuilt it even more magnificent than it had ever been in history. Who 
 can ever forget his Colosseum or his Appian Way? Piranesi makes of architecture, as no other 
 artist was ever able to do, a symbol and image of humanity. In the ‘ Carceri,’ the prints which are 
 the most personal expression of his genius, there is something of the strength and suffering of 
 Michelangelo ; but the Titanic element, the sense of infinite mind and prisoning body, is thought out, 
 not through nude forms, but through dream-buildings of super-human conception, with crushing 
 masses of stone, colossal arches, and vast stairs that lead majestically up to nothing. A selection 
 from the etchings, typical of the artist’s various kinds of work, is reproduced in Mr. Samuel’s book ; 
 
 and though, of course, they suffer from the great reduction, the best are still very impressive.’”— 7 Ze 
 Times. 
 
 ‘*No etcher since Rembrandt had given to his medium such wonderful variety of light and shade. 
 Above all, Piranesi revived the classic spirit at a period of confused and restless inspiration. . . . Mr. 
 
 Samuel’s measured and sympathetic tribute to Piranesi’s genius should do much to restore credit where 
 it is due, and we congratulate him heartily on a sound and valuable essay in esthetic appreciation.” — 
 The Daily Telegraph. - 
 
 ‘‘The binding, the printing, the spacing of pages, and the reproductions—especially the 
 reproductions—are exceptionally good, even for Mr. Batsford, whose books, in these matters, 
 maintain so high a standard. His collation of the various editions of the etchings—a laborious and 
 difficult task, here attempted for the first time—is one of the most valuable features of the volume.” 
 —The Butlder. 
 
 Roman Imperial Architecture. 
 
 THE ARCHITECTURAL CONTRIBUTION OF IMPERIAL RoMg, being 
 The Architectural Association Prize Essay for 1912. By W. G. 
 Newton, M.A., with Illustrations by the Author. 4to, French 
 grey boards, $1.00 net. 
 
Gothic Architecture in England (See page 8) 
 
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13 
 
 Greek Buildings Represented by Fragments 
 in the British Museum. 
 
 By Professor W. R. LrerHapy. A series of Essays on notable 
 Classic Buildings and Remains, containing 211 pages with 217 
 Illustrations, comprising plans, views, details of sculpture and 
 architectural ornament, mouldings, etc. Large 8vo, in stiff boards, 
 price $4.25 net, or separately in paper covers as follows :— 
 
 I. Diana’s Temple at Ephesus. Price 80c. net.—II. The Tomb 
 of Mausolus at Halicarnassus. Price 8o0c. net.—III. The Parthenon 
 and its Sculptures. Price $1.50 net.—IV. The Erechtheum, The 
 Propylea, The Monument of Lysikrates, The Temple of Niké 
 Apteros, The Temples of Bassze and Priene, etc. Price $1.25 net. 
 
 ‘© To the architect in search for the best in Greek work these booklets are a great gain. They 
 belong to a type which is not very common. One could praise them most adequately perhaps by 
 saying that they show us how little we really know. The printing is well done, and the illustrations 
 are most excellent, particularly those from pencil or chalk drawings. The books strike one as very 
 well got up in every way.”—Zhe Builder. 
 
 ‘These are uncommon pamphlets. Professor Lethaby gives us the real matter of Greek 
 building, not—what we so often get—the dry bones. As to his theories of restoration, it would be 
 impossible to get much beyond them. He feels his way so carefully, and is so sane and reasonable, 
 pes he ete no loophole for escape.”—Mr. Theodore Fyfe in The Architectural Association 
 
 ournal, 
 
 The Architecture of Greece and Rome. 
 
 A Sketch of its Historic Development. By Wituiam J. ANDER- 
 son, Author of ‘The Architecture of the Renaissance in Italy,” 
 and R. Puené Spiers, F.S.A., F.R.I.B.A. Second edition, in 
 part re-written and much enlarged. Containing 356 pages of text 
 and 257 Illustrations from photographs and drawings, including 
 many full-page plates. Large 8vo, cloth, gilt. $7.50 net. 
 
 ‘* As a comprehensive vésumé of the history and characteristics of Greek and Roman architecture 
 this must certainly be considered to be the best one-volume work of its kind that has yet appeared 
 in our language, and one which should be interesting to educated readers generally, as well as to 
 those who are in a special sense students of architecture.” — The Builder. 
 
 ‘* A vivid and scholarly picture of Classic Art.” —The British Architect. 
 
 ‘It is such a work as many students of Architecture and the Classics have vainly yearned for 
 and lost precious years in supplying its place.”—Tkhe Architect. 
 
 The Orders of Architecture. 
 
 A Collection of typical Greek, Roman, and Italian Examples 
 selected from Normand’s “ Parallels” and other Authorities, with 
 Notes on the Origin and Development of the Classic Orders, and 
 descriptions. of the plates, by R. PHENE Spiers, F.S.A., F.R.L.B.A.,, 
 joint author of “ The Architecture of Greece and Rome.” Fourth 
 Edition, revised and enlarged, containing 27 full-page Plates. 
 Imperial 4to, cloth, gilt. $4.25. 
 
 ‘©A most useful work for architectural students, clearly setting forth in comparative form the 
 various orders. Mr. Spiers gives recognised examples of the principal forms of capital and base, and 
 of the finer and bolder profiles of entablatures, with their decorative complements. A good feature 
 of the plates is the scale below each in English feet. Mr. Spiers’s notes are also very appropriate and 
 useful.” —The British Architect. 
 
 ‘¢ An indispensable possession to all students of architecture.” —The Architect. 
 ‘* A thoroughly practical work which cannot fail to be useful.””—The Building News. 
 
14 
 
 Architectural Forms of the Classic Ages. 
 
 Comprising the principal examples of the Orders of Columns and 
 their Entablatures, with Descriptive Text. By Professor Con- 
 STANTIN UHpE. Second Edition, revised by R. PHENE SPIERS, 
 F.S.A., F.R.I.B.A. Containing 76 plates, finely reproduced in 
 colour, collotype, and photo-lithography, with Descriptive Letter- 
 press, Folio (size 183 ins. by 14 ins.) in cloth portfolio, $a4-ee net. RO.0© 
 
 The first edition of this great work was published in 1896 to serve as a 
 standard of reference and study for the numerous technical schools of the 
 German Empire. The selection of the illustrations was made by the late 
 Professor Uhde, who succeeded in bringing together a series of examples which 
 for variety and extent is unrivalled in architectural literature. 
 
 The original volume consisted of seventy plates, comprising the principal 
 examples of the Classic Orders, and included illustrations of the chief Roman 
 Triumphal Arches, Theatres and Amphitheatres, together with details of the 
 same, and four plates in colour representing respectively Egyptian, Assyrian, 
 Greek and Pompeian architecture and decoration. In the present English 
 edition the letterpress has been carefully revised, and six further plates intro- 
 duced to show the application of the Orders in some of the best known Greek 
 and Roman buildings of which the plans, sections and elevations are given. 
 
 In nearly every case the illustrations were specially prepared for the work 
 from the most reliable authorities, and with the exception of those in colour, 
 they are of two kinds, viz. :—(1) SHADED MONOCHROME DRAWINGS, showing 
 the complete Order ; (2) OUTLINE DRAWINGS of Capitals, Cornices, Mould- 
 ings, and other Details. 
 
 The wide range of the examples illustrated, their orderly arrangement, and the 
 large scale to which they are drawn, render the work invaluable to the archi- 
 tectural student, who will find in the volume abundant material to enable 
 him to acquire a thorough knowledge of the Classic Architecture of Greece 
 
 and Rome. 
 
 ‘In the main, this publication is to be regarded as a collection of fine plates of Classic Orders and 
 their details, arranged with an endeavour to render their relative scale. As such, it is a splendid 
 publication, and will take rank as one of the most important of its class.” —The Builder. 
 
 Classic Ornament from Greece and Rome. 
 
 A Series of Examples Drawn from the Originals by Lewis 
 Vutuiamy, Architect, Gold Medallist, and Travelling Student of 
 the Royal Academy (1790—1871). Containing 20 Selected Plates, 
 with Introductory and Descriptive Notes by R. PHENE SPIERs, 
 F.S.A., F.R.LB.A. Folio (194 ins. by 13% ins.), in portfolio, 
 $5.00 ; or bound in cloth boards, $6.00 net. ; 
 
 The plates display in their spirited execution an intimate appreciation of 
 the refnement and vigour which characterise the best work in Athens and 
 Rome, and form an exceptionally fine series of illustrations of the choicest 
 examples. It is believed the series will prove to be of the greatest value to 
 students, not only on account of the large scale to which the drawings are 
 made, but because they include elaborate examples of Greek carving which are 
 net to be found elsewhere. 
 
 ‘‘'The drawings are beyond praise in their cleanness of line and fine execution, and form an 
 admurable collection for the study of the highest class of Greek ornament.”—The Butlder. 
 
A Short Critical History of Architecture 
 
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 VENETIAN RENAISSANCE ORNAMENT 
 
Ub) 
 
 Greek and Pompeian Decorative Work. 
 
 A Series of examples measured and drawn by J. CRoMAR WATT. 
 Containing 60 Collotype Plates (17 ins. x 13 ins.), reproduced 
 from the original Pencil Drawings of the Author, and comprising 
 Architectural Details, Ornament in White Marble, Painted and 
 Modelled Terra-cotta, Mosaic Pavement, and a variety of Orna- 
 mental Bronze Work. Large folio, cloth. $12.00 net. 
 
 ‘©The best drawn and most charming book of illustration of classic ornament which has been 
 published.’’—Tke Buzlder. 
 
 ‘These 60 folio plates illustrate some choice examples of refined classic art by means of very 
 careful pencil drawings, done for the most part in pure outline. . . . Every architect should be 
 grateful for these excellent delineations of such masterpieces of design.” — The British Architect. 
 
 ‘*A delightful volume this, consisting, as it does, of faithful presentments of some of the most 
 refined and gracious decorative design which has ever taken form. To students it cannot fail to prove 
 a revelation of the variety and playful freedom, the certainty of touch, and the perfection of line which 
 characterise all the details of Greek work.” —The Glasgow Herald. 
 
 Classic Architecture. 
 
 A Series of Ten Plates (size 20 ins. X15 ins.), illustrating typical 
 examples of the Greek and Roman Orders, with full details 
 and a selection of Classic Ornament. By CHaries F. MITCHELL 
 and GrorcE A. MITCHELL, A.R.I.B.A., Lecturers on Architecture, 
 Regent Street Polytechnic, W. With descriptive letterpress. Large 
 folio in portfolio, $2.25 net. The Set of ro Plates, without text 
 or portfolio, is supplied at $2.00 net. 
 
 The Examples illustrated are as follows :—I.—Doric Order from the 
 Parthenon, Athens. IJ. —TIonic Order from the Erechtheion, Athens. 
 IlI.—Corinthian Order from the Monument of Lysicrates, Athens. IV.— 
 Tuscan Order, with Portion of Arcade, based upon the design of Barozzi 
 of Vignola. V.—Doric Order from the Theatre of Marcellus, Rome. 
 VI.—lonic Order from the Temple of Fortuna Virilis. VII.—Corinthian 
 Order from the Temple of Castor and Pollux (Jupiter Stator), Rome. 
 VIII.—Composite Order from the Arch of Septimius Severus, Rome. IX. 
 —Examples of Greek Ornament. X.—Typical Roman Ornament from 
 Buildings in Rome. 
 
 Byzantine Architecture. 
 
 THE CHURCH OF THE NATIVITY AT BETHLEHEM. A Monograph 
 Commissioned by the ByzANTINE KESEARCH FuNpD. By W. 
 Harvey, W. R. Letuaspy, O. M. Dauron, H. A. A. Cruso, 
 and A. C. HEADLAM. Illustrated from Drawings and Photographs 
 by W. Harvey and others. Edited by R. WEIR ScHuLTz, Hon- 
 orary Secretary of the Fund. Containing 76 pages, with 12 plates, 
 including four double plates, of which two are finely printed in 
 colour, and some 30 smaller illustrations interspersed in the text. 
 Imperial 4to, bound in linen. $12.00 net. 
 
 CONTENTS.—A Particular Description of the Church, by W. HARvEY—A 
 General Historical and Descriptive Account, by W. R. LETHABY—The 
 Surviving Mosaics, by O. M. DALToN—Accounts by Pilgrims and other Visitors 
 
 to the Church, arranged in Chronological Order, by H. A. A. CRuso—The 
 Cave at Bethlehem, by A. C. HEADLAM. 
 
16 
 
 Medieval Architecture. 
 
 Its Origin and Development. With Lists of Monuments and 
 Bibliographies. By ARTHUR KINGSLEY PorTER, Architect. 
 Containing upwards of 1,000 pages of Text, illustrated by 291 full- 
 page plates reproduced from choice photographs, or from drawings, 
 including many made expressly for the work. 2 Volumes, large 8vo, 
 buckram gilt. $+groenet. 42.00 
 
 This important contribution to the true understanding and appreciation of 
 the great master works of Gothic Architecture is characterised by wide research, 
 sound scholarship, and criticism of the highest order. 
 
 The First VOLUME, which tells the story of the lingering death of classic 
 art in the Early Christian and Byzantine periods, and of the birth of the new 
 Medieval spirit among the Carolingians and Lombards, besides being an 
 exhaustive and critical study of the origins of Gothic and Romanesque, makes 
 familiar to the reader the underlying principles, constructions, and technical 
 peculiarities of the later styles. 
 
 The SECOND VOLUME treats of the evolution of the Gothic style; it traces 
 the influences contributed by Normandy; the obscure beginnings of the 
 Romanesque of the Ile de France; the surprising development during the 
 X1Ith Century ; the culmination of Gothic art; the transformation into Flam- 
 boyant ; and finally, the passing away of Medizeval Architecture in the new 
 era Of the Renaissance. 
 
 Proressor F. M. Simpson, F.R.I.B.A., writing in the R./J.B.A. Journal.—' To summarise 
 these two volumes: they contain an enormous amount of interesting historical matter, much of 
 which, so far as I know, is not contained in any other book written in English ; the architectural 
 descriptions of buildings, so far as one can judge from a hasty reading, are carefully compiled ; 
 ‘development in architecture is well traced over the limited periods with which the author mainly 
 treats. . . . The illustrations are chiefly numerous, well-selected photographs, beautifully repro- 
 duced, and reproductions from books. .... The Bibliographies are very complete. The work 
 
 is hardly one for junior students, but for senior students, especially those who cannot read French 
 and German, it should prove of considerable value.” 
 
 ** An excellent book copiously and well illustrated on a consecutive plan, intended mainly to 
 exemplify for the non-technical reader the origins and development of medizval architecture in its 
 broadest sense. It is not easy, within the limitations of a brief review, to give more than a general 
 notion of an encyclopedic work of such a kind, embracing so vast a series of contributory subjects, 
 not forgetting the ecclesiastical history of the Church, the feudal anarchy and great schism in the 
 Church itself . . . It will hold its own among the best contemporary text books on the subject.””— 
 The Building News. 
 
 The Architecture of the Renaissance in Italy. 
 
 A General View for the use of Students and Others. By WILLIAM 
 J. ANDERSON, A.R.I.B.A. Fourth Edition, revised and enlarged, 
 with 70 full-page Collotype and other Plates, and 110 smaller 
 Illustrations in the text, from photographs and drawings. Large 
 8vo, cloth, gilt. $5.00 net. 
 
 ‘The student will find no sounder or safer guidance in tlie study of the most stupendously 
 important period in the history of architecture. The book is well and copiously illustrated ; and the 
 pictures alone, being chosen with taste and discrimination, and including as they do all that is most 
 profitable for contemplation, are a priceless boon to the earnest student.” —7The Buzlder’s Fournal. 
 
 ““The work has by its outstanding merits gained for itself an averred place in the library of 
 everyone. whether student or amateur, who desires to extend his knowledge of the style of this 
 brilliant epoch. The present revision will greatly enhance the value of a work indispensable to any- 
 one who wishes to familiarise himself with the history of the Renaissance in architecture.”—7he 
 Builder. 
 
 ‘¢ Mr. Anderson’s work must for a long while to come be a classic in the literature of architecture.” 
 
 —The Architect. 
 
 ‘¢ We know of no book which furnishes such information and such illustrations in so compact and 
 attractive a form. For greater excellence with the object in hand there is not one more perspicuous, 
 particularly for the architect.”—The Buzlding News. 
 
Piranesi (See page 12) 
 
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The Architecture of Greece and Rome (See page 13) 
 
 THE ERECHTHEUM AT ATHENS, FROM THE SOUTH-EAST 
 
 Early Renaissance Architecture in England (See page 3) 
 
 i Wie es 
 
 OLD HOUSE, HIGH TOWN, HEREFORD 
 
Italy 
 
 The Architecture of the Renaissance in 
 
 (See page 16) 
 
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 CONFRATERNITA DI SAN ROCCO, 
 
 6 ins. by 44 ins. 
 
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Architecture of the Renaissance in France 
 
 (See page 17) 
 
 LIONS,” PARIS 
 
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 ‘“COLLEGE DES QUATRE 
 
 GREAT OVAL SALOON, ARCHIVES NATIONALES, PARIS 
 
17 
 
 The Architecture of the Renaissance in 
 
 France. 
 
 A History of the Evolution of the Arts of Building, Decoration, 
 and Garden Design under Classical influence from 1495 to 1830. 
 By W. H. Warp, M.A., Architect, A.R.I.B.A., Author of ‘ French 
 Chateaux and Gardens in the XVIth Century.” Containing 
 upwards of 500 pages, with 465 Illustrations, many of which are 
 full page, from Drawings and Photographs, including 14 Collotype 
 Plates. 2 vols., large 8vo, art linen, gilt. $12.00 net. 
 
 “In Mr. Ward’s new book are gathered together the fruits of indefatigable research and wise 
 selection of examples. . . . It forms a clear and comprehensive account of the architecture of the 
 Renaissance in France as a whole, scholarly and complete, admirably and fully illustrated.”—TZhe 
 Architect. 
 
 “The thoroughness of the author’s research and his close acquaintance with every aspect of his 
 subject are apparent on every page. We have, indeed, nothing in English which can dispute its 
 position as the authoritative work on French Renaissance art. . . . The two volumes are admirably 
 Ulustrated.”—The Morning Post. 
 
 ‘The illustrations, though necessarily on a small scale, are numerous enough to form a complete 
 epitome of the progress of the style. In short, it is one of the best books on a special phase of archi- 
 tectural history that have ever been produced on a scale suited for general reading.” — The Architect's 
 and Builder's Journal, 
 
 ““, . . The survey, which is superbly illustrated, is always animated and yet soundly critical .. . 
 All lovers of architecture will find these two volumes a feast of beautiful forms and easily intelligible 
 explanation.”’—The Daily Telegraph. 
 
 French Chateaux and Gardens. 
 
 A Series of Reproductions of XVIth Century Drawings (hitherto 
 unpublished). By Jacgues ANDRouET Du Cerceav. Selected 
 and Described with an Account of the Artist and his Works, by 
 W. H. Warp, M.A., A.R.I.B.A. Containing 27 Plates (among 
 which are four double Plates) executed in the highest style of 
 collotype, together with 30 photographic and other Illustrations in 
 the Text. Small folio, bound in half vellum, $10.00 net. 
 
 This volume illustrates the subjects of most interest in a remarkable but 
 hitherto almost unknown collection of French drawings, made about 1570, 
 which forms one of the treasures of the British Museum. They are beautiful 
 and scholarly in draughtsmanship, as well as of the greatest historical interest. 
 Some of the buildings illustrated are associated with the names of the great 
 French architectural designers. Many have disappeared, and most of those 
 which remain are in a mutilated or fragmentary form. The drawings form a 
 picture full of suggestion for architects and designers of to-day, and the bird’s- 
 eye views of gardens and ideal houses are of special interest. 
 
 “This book will be prized by all architects and welcomed by alllovers of art. It seems impossible 
 to believe that such a remarkable collection of drawings, by one of the most celebrated draughtsmen 
 and artists of the 16th century, could have remained buried in the British Museum, unknown to 
 
 practically all architects in Great Britain, until Mr. Ward determined to publish them.” — The Arehi- 
 tectural Association Journal. 
 
 ‘Du Cerceau’s collection of pictures illustrating Renaissance architecture is perhaps the most 
 remarkable thing of the kind in existence. All interested in Renaissance architecture will admit that 
 Mr. Ward has made a notable ‘ find,’ and will be gratified at being given so important a series of the 
 pictures in these beautiful reproductions.” —The Daily Telegraph. 
 
 ‘* Here within the reach of a moderately furnished purse, is a set of really good reproductions of 
 some forty of Du Cerceau’s drawings, with descriptions, sketch plans and other illustrations, which 
 make the work a treasure house of information . . . Mr. Ward’s account of the life and work of 
 Du Cerceau forms a little masterpiece of close and scholarly writing.’—R.J.B.A. Journal. 
 
 Cc 
 
18 
 
 Ancient Sepulchral Monuments. | 
 
 Containing Illustrations of over 600 examples of Head Stones, 
 Celtic and other Crosses, Slabs, Tombs, Tablets, Wall Monu- 
 ments, etc., from various Countries, and from the Earliest Periods 
 down to the end of the Eighteenth Century, with Descriptive 
 and General Index. By WiLLIaAM BRINDLEY and W. SAMUEL 
 WEATHERLEY, F.R.I.B.A. Containing 212 full-page Plates, drawn 
 to scale, carefully reproduced in lithography from the beautiful 
 drawings of Mr. WEATHERLEY. Folio, buckram, gilt. $25.25 net. 
 
 ‘*A more remarkable collection was never published, and apart from the interest which the subject 
 may have for the archeologist, they form a series to which a designer can always turn for sugges- 
 tions. There isa need for Messrs. Brindley and Weatherley’s book, which is equivalent to a special 
 museum. ’—The Architect. ao 
 
 “The book, as may be seen at a glance, must have been the work of years. The drawings 
 comprise an immense number of examples, which are not only very fine in themselves and historically 
 interesting, but which are also very suggestive as starting-points from which to work out new ideas in 
 monumental design.” —The Builder. 
 
 Architecture among the Poets. | 
 
 By H. Heatucote Statuam, F.R.1.B.A., Author of “A Shor 
 Critical History of Architecture for General Readers,” ‘‘ Modern 
 Architecture,” etc. Square 8vo, fancy boards. $1.50 net. 
 
 The poetical references to architecture are often of great beauty, and are of 
 more interest than might be implied by the scanty attention they have received. 
 This is especially the case with the English poets. 
 
 Mr. Statham’s quotations range from Chaucer to Browning, and_ include 
 probably every aspect in which Architecture is viewed in poetry. They are 
 accompanied by critical commentaries, and a series of clever sketches from the 
 Author’s brush, 
 
 “A fascinating essay full of pleasant suggestion and thoughtful criticism.” —The Studio. 
 ‘‘Mr. Statham has produced a book which is an example of candour as well as of exquisite 
 literary taste.” —The Pall Mall Gazette. ey 
 
 Landscape Gardening in Japan. 
 
 An Exposition of the Rules and Theories of the Art, as followed 
 from ancient to modern times. By Jostan ConpDerR, F.R.I.B.A. 
 With 37 lithographic Plates, and 55 smaller Illustrations, chiefly 
 drawn from native works, including views and details of the best 
 remaining examples. 4to, cloth, richly gilt. $18.00 net. 
 
 Supplement to Landscape Gardening in Japan. 
 
 By JostaH ConpDER, F.R.I.B.A. Containing 60 exquisite Photo- 
 graphic Views (on 4o plates) of existing gardens, delicately printed 
 in collotype after photographs expressly taken by K. Ocawa. 
 With descriptive Text. 4to, cloth, richly gilt. $14.00 net. 
 
 The Floral Art of Japan. 
 
 Being a second and revised edition of the “ Flowers of Japan, 
 and the Art of Floral Arrangement.” By JosiaH CONDER, 
 F.R.I.B.A. With 69 full-page Plates, 14 of which are delicately 
 printed in colours, and 39 smaller text illustrations. 4to, cloth, 
 gilt. $18.00 net. 
 
Formal Gardens in England and Scotland 
 (See page 19) 
 
 1 2 AO 
 
 y 
 x 
 3 
 
 pOrO/€ 
 
 ==s 
 
 CEM EE EB BE 
 
 cotta 
 
 ELTON HOVSE, 
 isxcolashire “is 
 08 formerly Ox s 
 
 Plan of the Garden Reduced from lithographic plate, 114 ins. by 9} ins. 
 BELTON HOUSE, GRANTHAM 
 
GardenOratt in) Burope (scerpages 10 
 
 CANONS ASHBY, Reduced from collotype plates, each 73 ins. by 53_ins. 
 NORTHAMPTONSHIRE 
 
a9 
 
 Garden Grate in Europe. 
 
 By H. Inico Triccs, A.R.I.B.A. Containing 330 pages, with 
 over 200 Illustrations from Photographs, Drawings, and En- 
 gravings, including 13 Collotype Plates. Large Imperial 8vo, art 
 linen, gilt. - $14.00 net. 
 
 Beginning with a short account of the gardens of antiquity, from whence 
 came much of the inspiration of the Renaissance, both in Italy and France, the 
 work proceeds to describe the Medizeval Pleasaunce with its small enclosures ; 
 the Architectural Gardens of Italy ; the stately Gardens of France, culminating 
 in the superb creations of Le Nétre and his school ; the more homely Garden- 
 craft of the Netherlands, Germany, and England; the Water Gardens of 
 Spain ; and finally the Landscape school that for more than a century dominated 
 every country in Europe. 
 
 Although primarily an historical review of garden craft, the volume is also 
 designed to be of practical help to those who have gardens to lay out and 
 maintain. It deals very fully with the development of the Parterre, 
 which in all ages has been the keynote of the garden scheme; the 
 treatment of Water in all its varieties of Cascade, Fountain, and Canal; the art 
 of Topiary, and of Treillage; of Garden Houses, Orangeries, Gazebos, 
 Aviaries ; of Terracing and hillside gardening, and of Statuary, Vases, Sundials, 
 and other decorative features, all of which features are fully illustrated, 
 chiefly from photographs specially taken, or from the author's own drawings. 
 
 Dedicated by special permission to Her Majesty Queen Alexandra. 
 
 Formal Gardens in England and Scotland. 
 
 A Series of Views, Plans, and Details of the finest Old Gardens still 
 existing. With an Introduction and Descriptive Accounts. By 
 H. Inico Triccs, A.R.I.B.A. Containing 125 fine Plates, 72 
 from the Author’s Drawings, and 53 from Photographs specially 
 taken. 3 parts, folio, in portfolios, $2 5.00 net; or handsomely 
 bound in half morocco, gilt. $35.00 net. 
 
 “* A great illustrative work like this was just what was wanted to complete the representation of 
 
 the subject. . . . The photographs and drawings are of admirable quality, and it is easy to gather 
 from them a conception, not only of the picturesqueness of the old gardens, but also of the lines on 
 which they were planned.” — The Morning Post. 
 
 The Art and Craft of Garden Making. 
 
 By Tuomas H. Mawson, Honorary A.R.I.B.A., Lecturer on Land- 
 scape Design at the University of Liverpool, Author of “ Civic Art.” 
 Fourth Edition, revised and much enlarged. Containing 400 pages, 
 illustrated by 435 plans, sketches, and photographs, together with 
 seven full-page plates in colour. Crown folio, art canvas gilt. 
 $20.00 net. 
 
 After dealing very briefly, in the first two chapters, with the history and 
 present position of garden design in this country, the various practical details 
 of garden formation are taken up and described from the choice of the site and 
 its general sub-division down to the finishing touches such as Statuary and 
 garden furniture, 
 
 ““Cannot fail to be of the greatest value to all who have anything to do with garden-making or 
 house-building in the best sense of the word.” The Building News. 
 
 ““A handsome, well equipped, and very complete book, written by a man who understands his 
 art. It is at once learned, and practical, and well written.”—Country Life. 
 
 Caz 
 
20 
 
 Japan and its Art. 
 
 By Marcus B. Huisu, LL.B., Vice-Chairman of the Japan Society, 
 Third Edition, revised and much enlarged. With 232 Illustra- 
 tions reproduced in colour, half-tone, and line. Demy 8vo, cloth. 
 
 $4.50 net. 
 
 This volume gives in as concise and handy a form as possible the information 
 which anyone seeing so many objects in his daily life redolent of Japanese 
 influence if not of actual Japanese manufacture, wishes to know concerning 
 their nature. make, and ornamentation. To this end its sets before the reader 
 the physical aspect of Japan, its history and religions, the people, their mode of 
 living, myths, and legends, as well as the botany and zoology of the country as 
 illustrated in Art: then, as a second part, its Fine Arts—Painting, Engraving, 
 Sculpture—and its Art industries, including Ivories, Lacquer, Metal Work, 
 Cloisonné, Pottery, and Textiles. Much of this information can only be found 
 in bulky and costly volumes. 
 
 Pompeian Decorations. 
 
 Illustrated in a Series of Coloured Drawings reproduced by Three- 
 Colour Process and by many Pencil Drawings, reproduced in half- 
 tone, accompanied by Descriptive Text. By R. A. Briccs, 
 Architect, F.R.I.B.A. Imperial 4to, cloth, gilt top. $10.00 net. 
 
 The aim of the present publication is to illustrate, by the now perfected three- 
 colour process, and at a moderate cost, what the Pompeian Decorations are 
 really like; and it will be a revelation to those who have not studied the 
 Decorations zz sz¢#z. The author has made as careful copies as was possible of 
 some of the principal Decorations, which, in many cases, are drawn to scale; 
 and care has been exercised to reproduce the colouring of the originals with the 
 most scrupulous fidelity. The illustrations consist of 27 drawings, of which 
 there are 16 with the actual colourings and decorations reproduced by the three- 
 colour process, of Friezes, Ceilings, Walls, Shrines, Mosaic work, etc. There 
 are I1 drawings by the half-tone process of other subjects, such as Marble 
 Friezes, Tombs, Tables, etc. ‘ 
 
 The Art of Colour Decoration. 
 
 Being an explanation of the purposes to be kept in view and the 
 means of attaining them, by Joun D. Cracz, F.S.A., Hon. Associate 
 of the Royal Institute of British Architects, and President of the 
 Incorporated Institute of British Decorators. With 15 facsimiles 
 of coloured drawings by the Author, beautifully reproduced in three 
 and four coloum, together with numerous half-tone and line illus- 
 trations in the text. Royal quarto, cloth, gilt. $12.00 net. 
 
 The Author’s object is to show the Decorator how to approach his subject, and 
 what are his proper aims; to call his attention to certain facts, observance of 
 which will save him many difficulties, and to impress on him that the 
 colourist’s first obligation in dealing with architecture is to support or, if need 
 be, make clear the architectural intention: to assist in the recognition at 
 first sight of structural form and stability, whatever other charm of colour or 
 form be provided; and to explain that even good and harmonious colour, 
 if ill distributed, may impair the proportion and beauty of that which it was 
 intended to adorn. 
 
Windows: A Book about Stained and Painted 
 Glass (See page 22) 
 
 SALOME DANCING BEFORE HEROD, 
 ST. VINCENT, ROUEN 
 
Pattern Design (See page 21) 
 
 DIAGRAMS SHOWING EFFECT 
 OF DIFFERENT COLOUR 
 
 TREATMENTS OF IDENTICALLY 
 THE SAME FORMS 
 
21 
 
 Pattern Design. 
 
 A Book for Students, treating in a practical way of the Anatomy, 
 Planning, and Evolution of Repeated Ornament. By Lewis F. 
 Day. Containing 300 pages, with 300 Illustrations from drawings 
 and photographs. Demy 8vo, cloth, gilt. $3.00 net. 
 
 ‘‘ Bvery line and every illustration in. this book should be studied carefully and continually by 
 everyone having any aspiration toward designing.” —7e Decorator. ; ‘ 
 
 ‘‘The book is a serious contribution to the question of pattern designing, and is written 
 expressly for the designer. It may be strongly commended to all who are studying the designing of 
 textiles or wall papers, as the counsel it gives is the result of long years of experience.” —The Fournal 
 of Decorative Art. 
 
 Ornament and its Application. 
 
 A sequel to “ Pattern Design,” and an Introduction to the Study 
 
 of Design in relation to Material, Tools, and ways of Workman- 
 
 ship. By Lewis F. Day. Containing 320 pages, with 300 IIlustra- 
 
 tions of Decorative Objects and Ornament, reproduced from 
 photographs and drawings. Demy 8vo, cloth, gilt. $3.25 net. 
 
 Mr. WALTER CRANE, writing in the Manchester Guardian, says: ‘‘ . . . The work can be con- 
 
 fidently commended as a most workmanlike and accomplished treatise not only to all students of 
 design, but to artists and craftsmen generally. The illustrations are extremely rich and varied.” 
 
 “Tt bears the unmistakable impress of originality and practical utility. . . . It deals with its 
 
 subject far more fully than any previous publication, whilst the numerous excellent illustrations will 
 be an invaluable aid to teacher and student.”— The Studio. 
 
 Lettering in Ornament. 
 
 An Enquiry into the Decorative Use of Lettering, Past, Present, 
 and Possible. By Lewis F. Day. With 200 Illustrations from 
 
 photographs and drawings. Crown 8vo, cloth. $2.00 net. 
 CONTENTS.—The Printed and Written Page—Inscriptions—Scrolls and Labels 
 —Monograms—Cyphers—Combinations—Initial Letters— Decorative Lettering. 
 ‘*The book itself is an admirable one, and the author’s clearness of thought and expression 
 makes it most readable and instructive. . . . The illustrations range over a wide field and are in- 
 
 Mes ong as they show at once what has been done by the artists of many nations.”—7he Builders’ 
 ournal, 
 
 Penmanship of the XVIth, XVIIth, and 
 XVIIIth Centuries. 
 
 A Series of Typical Examples from English and Foreign Writing 
 Books. Selected by Lewis F. Day. With Short Critical Notes on 
 Penmanship and the Examples illustrated by Prercy J. Smiru, 
 Lecturer on Writing and Illuminating at the L.C.C. Camberwell 
 and Putney Schools of Art and Crafts. Containing over 100 
 Examples, chiefly full-pages. Crown 4to, artistically bound. 
 $7.25 net. 
 
 “It is impossible to give any idea by mere description of the beauty and artistic qualities of 
 many of the examples, or the ingenuity and executive skill that make some veritable fours de force 
 of handwriting. ‘The book deserves to be studied, and should prove, in Mr. Day’s words, a very 
 mine of suggestions for the inspiration of writers, illuminators, architects, engravers, and the 
 numerous art workers who have to use lettering.” —7he Westminster Gazette. 
 
 “‘ The result is a collection of examples which cannot fail to excite the admiration of any one 
 who is susceptible to the charm of beautiful penmanship.”— The Studio. 
 
 _‘‘The pages of ‘Penmanship’ give the quintessence of a hundred books. Decorators and 
 designers as well as architects should possess a copy of it. . . . The examples selected are charming 
 to look upon, and form altogether such a collection as it is almost impossible to get together again.” — 
 The Architectural Review. 
 
22 
 
 Alphabets, Old and New. 
 
 Containing over 200 complete Alphabets, 30 Series of Numerals, 
 Numerous Facsimiles of Ancient Dates, etc. Selected and 
 arranged by Lewis F. Day. Preceded by a short account of the 
 Development ofthe Alphabet. Third Edition, revised and enlarged, 
 with many further Examples. Crown 8vo, cloth. $2.00 net. 
 
 The acknowledged work of reference for every architect, draughtsman, 
 designer, and craftsman. 
 
 ‘* Everyone who employs practical lettering will be grateful for ‘Alphabets, Old and New.’ 
 Mr. Day has written a scholarly and pithy introduction, and contributes some beautiful alphabets of 
 his own design.”— The Art Fournal. 
 
 ‘* A book which has, perhaps, proved more helpful than any ever before issued on the subject of 
 alphabets.” —The Decorator. 
 
 ““The book is sufficiently comprehensive. In it an abundance of patterns will be found for 
 copyists, while those who endeavour to be original have much which is inspiring. The collection is 
 at once practical, historical and imaginative.”’—The Architect. 
 
 Art in Needlework. 
 
 A Book about Embroidery. By Lewis F, Day and Mary 
 BucKLE. Second Edition, revised, containing 80 full-page Plates, 
 reproduced from photographs, and 45 Illustrations in the text. 
 Crown 8vo, cloth. $2.00 net. ; 
 
 An invaluable Review of the Art and Practice of Embroidery, 
 
 ‘*4n this volume embroidery is looked at wholly from its practical side; but:we need hardly say 
 that the names of the authors ensure that zsthetic discrimination which when applied to the practice 
 of needle-craft raises it to an art. . . . There can be no doubt that the joint authorship has given us 
 an ideal handbook, such a good one, indeed, that we do not think it is likely to be supplanted.” —Arts 
 and Crafts. 
 
 ‘© |, . In the present work the public have the benefit of prolonged consideration of decorative 
 needlework on the part of this veteran writer, coupled with a mass of practical information con- 
 tributed by Miss Buckle, whose name is familiar as that of one of the most noted embroiderers of the 
 period. It is worth its weight in gold.”—Home Art Work. 
 
 Windows: A Book about Stained and Painted 
 Glass. 
 
 By Lewis F. Day. Third Edition, revised and enlarged. Con- 
 taining 420 Pages of Text and 300 Illustrations, 41 of which are 
 full-page, of the finest Historical Examples of all Countries and 
 Periods. Large 8vo, cloth, gilt. $7.50 net. | 
 
 * * In this edition the plates have been entirely reproduced afresh, and 
 many new ones are tncluded. : 
 
 ‘Contains a more complete popular account—technical and historical—of stained and painted 
 glass than has previously appeared in this country.” —Tke Times. 
 
 ‘©The book is a masterpiece in its way .. . amply illustrated and carefully printed; it will 
 long remain an authority on its subject.”"—T7he Art Fournad. 
 
 ‘“Mr. Day has done a worthy piece of work in more than his usual admirable manner. . « 
 the illustrations are all good, and some the best black-and-white drawings of stained glass yet pro- 
 duced.”— The Studio. 
 
 ‘‘‘ Windows’ is not only an exceedingly beautiful book, but it is one which will be found to 
 be of practical value to the ordinary amateur, who wishes to know a little of the intricacies and 
 technicalities of this great branch of Art. - It is written in an exceedingly easy and unconventional 
 manner, and the illustrations are everything that illustrations ought to be.”—The Church Times. 
 
Penmanship of the XVIth, 
 XVIIth & XVIIIth Centuries (See page 21) 
 
 oh? Be Hin DR uem Moka fs 7) 
 com dees adlus sna applica Le asa) eke 
 
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 A PORTUGUESE Actual size of illustra- SPANISH WRITING Actual size of illustra- 
 EXAMPLE IN 1722 tion, 6 ins. by 4 ins. 1789 tion, 7 ins. by 5 ins. 
 
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 Alphabets, Old and New (See page 22) 
 
 ABCDE A380 
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23 
 
 Nature and Ornament. 
 
 By Lewis F. Day. Two vols., medium 8vo, cloth lettered, prices 
 as below, or complete in one handsome volume, containing 400 
 pages and 950 Illustrations, cloth, gilt. $5.00 net. 
 
 Vol. I.—NATURE THE RAw MATERIAL OF DESIGN. 
 Containing 120 pages and 350 illustrations, comprising 500 
 examples, including a fine series of specially drawn plates of plant 
 
 form, growth, and detail. $2.00 net. 
 
 ‘‘Mr. Day’s book exhibits on every page deep knowledge and practical experience in the possi- 
 bilities of the study of nature in many phases.”— The Manchester Guardian, 
 ‘Tt is the result of mature, practical experience of one ofthe most talented designers of the day.” 
 
 —The Pottery Gazette. 
 Vol. IJ.—ORNAMENT THE FINISHED PRODUCT OF DESIGN. 
 Containing 290 pages and 600 full-page and smaller Illustrations, 
 from specially made drawings and photographs, of the treatment 
 
 of natural form in Design and Decoration. $3.00 net. 
 
 ‘The two volumes are thus complementary, and taken together form a complete treatise on 
 design, which has the advantage of being the work of a skilled and experienced designer. Not the 
 least valuable feature of the book is the series of over three kundred examples drawn from very 
 various sources with which it is illustrated.’”,—7he Scotsman. 
 
 Enamelling. 
 
 A comparative account of the Development and Practice of the Art. 
 For the use of Artists, Craftsmen, Students, etc. By Lewis F. Day. 
 Containing 214 pages of Text, with 115 Illustrations reproduced 
 from Drawings and Photographs. Demy 8vo, cloth. $3.00 net. 
 
 *¢ All the kinds of enamel work that have ever been done are passed under review in brief yet 
 pregnant chapters, so clearly reasoned, so ably arranged that the veriest novice might rise up from 
 its perusal feeling, with a glow of satisfaction, that ‘now he really knew.’ . . . . We heartily 
 commend it to all who are interested in artistic things, for it is a splendid exposition of one of the 
 oldest and most beautiful of artistic methods by one who has studied and practised much in the 
 decorative arts.”"— The Manchester Guardian. 
 
 Decorative Brushwork & Elementary Design. 
 
 A Manual for the Use of Teachers and Students. By HENRY 
 CaDNEss, Second Master of the Municipal School of Art, Man- 
 chester. Third Edition, revised and enlarged, with 470 Examples 
 of Design and Nature Study. Crown 8vo, cloth. $1.50 net. 
 
 ‘*One of the most instructive books we have ever seen on this subject. Design is here treated in 
 a mastérly way, the author going to the best available sources for his illustrations, all of which are 
 admirable.” —The Schoolmaster. 
 
 Composition. 
 
 A Series of Exercises in Art Structure for the Use of Students 
 and Teachers. By ARTHUR WESLEY Dow, Professor of Fine 
 Arts in Teacher’s College, Columbia University, New York. 
 Seventh Edition, revised and enlarged, containing 128 pages, with 
 over 400 Illustrations in line and half-tone, and 8 full-page Plates 
 
 in Colour. 4to, boards. $4.00 net. 
 
 The purpose of this book, which is regarded as a ‘‘classic” on Art educa- 
 tion, is to present authoritatively the synthetic method of teaching Art—the 
 approach through Design, instead of through Drawing (from Nature)—con- 
 sidering Art as something built-up of synthetic line, dark-and-light, and colour, 
 
24 
 
 Modern Practical Design. 
 
 By G. W. RueEap, R.E., Hon. A.R.C.A., Author of “The Prin- 
 ciples of Design,” etc. Containing 240 pages, with 160 photographic 
 and other Illustrations, of modern designs and decorative objects 
 by leading contemporary designers. Large 8vo, cloth. $3.00 net. 
 
 The book endeavours to indicate, so far as is possible within its limits, the 
 technique and practical methods to be followed in designing for all the principal 
 decorative arts under modern processes of manufacture. It differs from Mr. 
 Rhead’s ‘‘ The Principles of Design,” in that it turns from elucidating principles 
 to the discussion of and the practical methods of design and craftsmanship, pd 
 its illustrations represent modern rather than past art. 
 
 CoNTENTS.—Plant Form as the Basis of Ornament—The Ornamental flling 
 of spaces—All-over-Patterns—Textiles and Wall Papers—Book Decoration and 
 Bookbinding—Pottery—Stained Glass—Metal Work and Jewellery—Wood 
 Working and Carving—Dress, Embroidery, Fancy Costume, the Fashion 
 Plate—Fans and Lace—Posters. 
 
 The Principles of Design. 
 
 By G. WooLLiscROFT RHEAD, Hon.A.R.C.A. With16 photographic 
 Plates and over 400 other Illustrations, chiefly line drawings by the 
 Author. Second Edition, revised and enlarged. Containing 
 additional chapters on the Elementary Principles of Light and 
 Shade, the Laws of Colour, Harmony and Contrast, and the 
 Treatment of Drapery, thus covering more fully the ground of the 
 new examinations in Art instituted by the Board of Education. 
 Demy 8vo, art linen, gilt. $3.00 net. 
 
 ‘‘The name of the author of this valuable handbook is a guarantee of accuracy and effective 
 treatment. Each section contains the very pith of the matter dealt with, and the numerous illustra- 
 tions admirably supplement the text.”— Te Studio. 
 
 An. Alphabet of Roman Capitals. 
 
 Together with three sets of lower-case letters, selected and enlarged 
 from the finest examples and periods. By G. WOOLLISCROFT 
 RuHEAD, R.E., Hon. A.R.C.A., Lond. Each letter 7 ins. square, 
 with descriptive text. In stout wrapper-envelope. $1.00 net. 
 
 PRoFESSOR W. R. LETHABY writes :—“ I am very glad that your specimen Alphabets have been 
 published. Some definitive examples to which one could point have been badly wanted. I hope 
 every art school in the country will soon be provided with a copy, and in that case I do not deube 
 we shall shortly see a much-needed improvement in this simple matter of lettering.” 
 
 Lettering and Writing. 
 
 A Series of Alphabets and their Decorative Treatment, with 
 Examples and Notes Illustrative of Construction, Arrangement, 
 Spacing, and Adaptation of Letters to Materials. By PERcy J. SMITH, 
 Instructor in Writing and Illuminating at the L.C.C. Camber- 
 well School of Arts and Crafts. Containing 16 plates in 
 line, reproduced to a large scale. Large quarto, in case, $1.50 net. 
 
 CoONTENTS.—Roman Capitals—Half Uncials and Uncials— Small Letters— 
 Italic Capitals, ‘‘ Swash,” and Small Letters—Many Examples of Illuminating, 
 Ornament, Spacing, Contractions, Borders, Devices, and Photographic Fac- 
 similes of Incised, Painted and Illuminated Inscriptions. 
 
Modern Practical Design (See page 24) 
 
 MANNEQUINS 
 
 DESIGNS FOR DRESSES FOR 
 
 By Marjorie GREY 
 
 DESIGNS FOR FASHION PLATES 
 
 By HE Len S. OLIVER 
 
The Styles of Ornament (See page 25) 
 
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 ANGI CZN OLS GN UK OLS OI OI NEI NGUNG/ NOD WNW 
 
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 SPSOSPS 2425 
 
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 SP. OS OZS OLNOZNG LN OWI NOLO 
 
 SPANISH RENAISSANCE ORNAMENT Actual size of illus’ration, 73 ins. by 4? ins. 
 
25 
 
 The Styles of Ornament, 
 
 From Prehistoric Times to the Middle of the XIXth Century. A 
 Series of 3,500 Examples Arranged in Historical Order with 
 Descriptive Text for the use of Architects, Designers, Craftsmen 
 and Amateurs. By ALEXANDER SPELTZ, Architect. Translated 
 from the Second German Edition. Revised and Edited by 
 R. PHENE Spiers, F.S.A., F.R.I.B.A. Containing 650 pages with 
 400 full-page Plates exhibiting upwards of 3,500 separate [llustra- 
 tions. Large 8vo, cloth, gilt. $é-eenet. 5 oo 
 
 The 400 plates in which the several styles of ornament are illustrated contain 
 a larger and much more varied series than in any work hitherto published. 
 Indeed the volume forms a veritable Encyclopzedia of the Evolution, Develop- 
 ment, and Application of Ornament in Architecture and the Decorative Arts 
 throughout the ages, and it should prove of great value to the architect, crafts- 
 man, designer, and student. 
 
 The Historic Styles of Ornament. 
 
 Containing 1,500 Examples from all Countries and Periods, ex- 
 hibited on 100 Plates (size 124 ins. by 93 ins.), mostly printed in 
 Gold and Colours, together with 120’ Line Drawings in the text. 
 With Historical and Descriptive Text, translated from the German 
 of H. DotmetscH. Second English Edition, revised and edited by 
 R. Puené Spiers, F.S.A., F.R.I.B.A. Small folio, cloth, gilt. 
 
 $eoree net. §/.0 0 
 
 This work forms a well-selected and moderately priced Grammar of Ornament, 
 in which advantage has been taken of the increased knowledge of examples of 
 certain styles of Historic Art, particularly of the Renaissance and later periods. 
 In its compilation special care has been taken to select prominent and charac- 
 teristic types, and many examples hitherto unpublished have been shown. The 
 work illustrates not only surface Ornament but also many Decorative Objects, 
 Materials and Processes, such as Bookbinding, Embroidery, Faience, Tapestry, 
 Metal-work, Illuminations, Intarsia, Jewellery, Mosaic, Plaster-work, Pottery, 
 Sgraffito, Stained Glass, Wall and Ceiling Painting, Wood-work, etc. 
 
 Heraldry as Art. 
 
 An Account of its Development and Practice chiefly in England. 
 By Grorce W. Eve, R.E. Containing 320 pages, with 317 
 Illustrations of typical Heraldic Design, Old and New, from 
 Photographs and Drawings. Demy 8vo, cloth, gilt: $5.00 net. 
 
 The present volume, which sets forth in a practical manner the essential 
 principles of Heraldic Art, is especially intended for the guidance of Designers, 
 Craftsmen and Students, who in varying degrees employ heraldic motives, and 
 is no less addressed to those who being otherwise interested in the subject should 
 therefore know something of the aims and methods of its artistic interpretation, 
 and of the technique of the processes that are involved in the production of 
 various kinds of work. 
 
 ‘Mr. Eve’s book will prove extremely useful to designers who have occasion to introduce 
 heraldic symbols into their work. The author is thoroughly at home in the subject, and his 
 exposition of it is both lucid and exhaustive.” —The Studio. 
 
 ‘The work may be recommended as a thoroughly interesting introduction to and exposition of 
 an art of great historical value. . . . Mr. Eve does not neglect the alphabet of his art, so that his 
 book may be read with advantage by those who have a general interest in the subject, as well as by 
 those who are more directly concerned.’—The Daily Telegraph. 
 
26 
 A Handbook of Ornament. 
 
 With 3,000 Illustrations of the Elements and the Application of 
 Decoration to Objects systematically arranged according to sub- 
 ject and material. By F. S. Merver, Professor at the School 
 of Applied Art, Karlsruhe. Third English Edition, revised by 
 HuGuH STANNUS, F.R.I.B.A. Thick demy 8vo, cloth, gilt. $5-e6; 
 
 ‘A library, a museum, an encyclopedia, and an art school in one. To rival it as a book of 
 reference one must fill a bookcase. The quality of the drawings is unusually high, the choice of 
 examples is singularly good. . . . So good a book needs no praise. If any designer failed to see it, 
 or having done so, failed to put it on his shelves, it would not avail that one wrote columns in its 
 praise here ; but should a designer by force of circumstances be compelled to limit his library to a 
 single book, one is strongly tempted to advise him to choose this, which is practically an epitome of a 
 hundred works on design.” —The Studio. 
 
 ““It is seldom that the designer comes upon so useful a book as this. Not that it answers in the 
 least to its title of ‘handbook.’ It might much more properly be called an Encyclopedia of Orna- 
 mental Forms. . . . It contains in a compact and handy form much that even the experienced work- 
 man will be glad to have thus systematically arranged ; whilst to the student, rightly used, it should 
 be invaluable.”— The Art Fournal. 
 
 A Manual of Historic Ornament. 
 
 Treating upon the Evolution, Tradition, and Development of 
 Architecture and other Applied Arts. Prepared for the use of 
 Students and Craftsmen. By RICHARD GLaziER, A.R.I.B.A., 
 Headmaster of the Manchester School of Art. Second Edition, 
 revised and enlarged. Containing upwards of 500 Illustrations 
 drawn by the author. Royal 8vo, cloth, gilt. $2.00 net. 
 
 *“Not since the publication of Owen Jones’ celebrated ‘Grammar of Ornament’ have we seen 
 any book, brought out on popular lines, that could compare with Mr, Glazier’s ‘Manual.’ In many 
 ways it is the better book of the two... . It simply abounds with beautiful, delicately-drawn 
 illustrations, and forms a perfect treasury of designs.’’—7he Bookseller. 
 
 *“Tt would be difficult, if not well-nigh impossible, to find a more usefui and comprehensive book 
 than this, which contains examples of all’ the leading groups of ornamental design, and many more 
 minor ones, but invariably interesting and valuable.”’—The Atheneum. 
 
 Terms used in Ornamental Design. 
 
 Their Application Defined and Explained. By T. ERat Harrison 
 and W. G. PauLson TowNsEND, Examiners in Design to the 
 Board of Education. Illustrated by 37 Plates, exhibiting many 
 beautiful examples of design, and including specimens of weavings, 
 printed fabrics, carvings in marble, stone, iron, and wood, metal 
 work, leather work, embroidery, etc., both old and new. Large 
 8vo, cloth. $1.50 net. 
 
 ‘* A careful study of this praiseworthy book should open the eyes of the student, particularly to 
 two things, firstly, by enabling him to see the foundation upon which any design, however complex, 
 was built up; secondly, by showing him the great value of a sound ornament basis, without which 
 he can never do great things. . . . The drawings possess great technique combined with 
 appreciation of the relative values of line.’— 7 he Queen. 
 
 Should We Stop Teaching Art? 
 
 By C. R. AsHBrr, Author of “Country Cottages,” ‘‘ Modern 
 Silverwork,” etc. 8vo, boards, buckram back. $1.50 net. 
 
 Mr. Ashbee deals with the question from the point of view of national 
 education as a whole, and is outspoken in his praise or blame of State or 
 municipal departments. He gives an interesting history of modern art education 
 in England. : 
 
 3.60 
 
24 
 A Handbook of Plant Form. 
 
 Especially prepared for Students of Design and Nature Study. By 
 ERNEST E. CLark, Art Master, Derby Technical College. Second 
 edition, revised and enlarged. Containing 104 Plates (size 104 ins. 
 by 74 ins.) illustrating 61 varieties of Plants, comprising 800 
 Illustrations. With an Introductory Chapter on the Elementary 
 Principles of Design, Notes on the Plants, and a Glossary of 
 Botanical Terms. Large 8yo, cloth. $2.00 net. 
 
 Decorative Plant and Flower Studies. 
 
 For the Use of Artists, Designers, Students and others. By 
 J. Foorp. Containing 40 full-page Plates, coloured in facsimile, 
 of the author’s original Water-Colour Drawings, with a Description 
 and Sketch of each plant, and 450 Studies of growth and detail. 
 Imperial 4to, cloth, gilt. $12.00 net. 
 
 The subjects illustrated cover a wide range, comprising shrubs and trees, as 
 well as wild flowers and garden plants. 
 
 ‘* Never before has the essential character of different plants received from the point of view of 
 their adaptability for decorative purposes the careful study and brilliant representation which they 
 receive at Miss Foord’s hands in this exquisitely printed and coloured book.” —Te Daily Telegraph. 
 
 ‘The whole work is teeming with suggestions, and the character of the illustrations being all 
 ‘that is necessary for practical purposes, renders the book one which no designer can afford to 
 ignore.”"—7The Textile Manufacturer. 
 
 The Plant & its Application in Industrial Art. 
 
 “Etude de la Plante, son Application aux Industries d’Art.” By 
 M. P. VERNEUIL. Comprising 120 Drawings of Natural Plants and 
 280 Conventional Designs evolved from the same, the whole 
 coloured in imitation of the original Water-colour Drawings, with 
 descriptive text in French. Royal 4to, cloth. $20.00 net. 
 
 Nature Studies in Colour (British Birds). 
 
 The Jay, Kingfisher, Owl, Puffin, Swallow, Wild Duck. Drawn by 
 G. WooLLISCROFT RHEAD, R.E. Six Auto-lithographs, large folio 
 (214 ins. x 274 ins.), COLOURED BY HAND under the direction of 
 the Artist, in strong paper wrapper, packed in a cardboard tube. 
 $7.25 net. The Plates are'sold separately, $1.75 each, net. 
 
 This series of large examples in colour may be used as outline copies only, as 
 painting studies, or as examples for blackboard drawing ; they are also intended 
 as illustrations to lectures on natural history and nature study. The difficulty 
 of such a series for class teaching has hitherto been in the expense of lithography 
 for limited editions. With the view of obtaining the best results, the present series 
 has been lithographed by the artist, and hand-coloured under his supervision. 
 
 The birds have been selected, firstly as being familiar, and secondly as 
 providing attractive arrangements of colour, On the wrapper, a short description 
 of their habits and characteristics is given. Suitable accessories have been 
 introduced to suggest the environment of the different birds, and a point has 
 been made of showing the birds in characteristic action. 
 
28 
 
 Japanese Textiles, Woven and Embroidered. 
 
 A Series of 80 Coloured Plates, illustrating 200 choice examples 
 from important museums and private collections, selected by 
 M. P. VERNEUIL, with an introduction by G. Micron, Curator 
 of the Musée du Louvre. Four parts (size 15? ins. by r2 ins.), each 
 containing 20 Plates beautifully printed in gold and colours, en- 
 closed in strong portfolios. $64.00 net. 
 
 The Woven Textiles which are to be portrayed in the work include an 
 astonishing variety of specimens of the XVIIth, XVIIIth, and XIXth 
 centuries taken from the Victoria and Albert Museum, the Musée des Arts 
 Decoratifs, of Paris, and the Musée Historique des Tissus at Lyons, as well as 
 the chief private collections of Paris. The plates so faithfully render the colour 
 values and texture of the originals as to deceive the eye. All are reproduced 
 to a sufficiently large scale, many the exact size of the originals, and they form a 
 never-ending source of inspiration for Artists and Designers, besides being of 
 the greatest interest to Connoisseurs, Curators of Museums, and others. 
 
 The Yerkes Collection of Oriental Carpets. 
 
 With Critical and Descriptive Text by JoHN KimMBERLEY MUMFORD. 
 A magnificent album, containing 27 superb Plates, in full colour, 
 of the examples comprised in this important collection, which 
 recently realized at auction the sum of $288,000.00. Folio (14 ins. 
 by 22 ins.) in silk portfolio. $84ree net. 5R.OO 
 
 This unsurpassed collection of carpets has now been dissolved and has passed 
 into divers hands, but in the sumptuous portfolio, it is, to all intents and purposes, 
 presented inits completeness. The colour reproductions retain with extraordinary 
 fidelity the intricate designs and charming colouring of the original fabrics, and 
 surpass anything that has hitherto been attempted. To the Collector and 
 Student the work will be invaluable for reference, and to the Carpet Manufac- 
 turer it will prove a source of inspiration of the first importance. 
 
 Old Lace: A Handbook for Collectors. 
 
 Containing an account of the different styles of Lace, their 
 History, Characteristics, and Manufacture. By M. Jourpain, 
 Editor of Palliser’s ‘‘ History of Lace.” Containing upwards of 
 120 pages, with 150 Historic Examples from Photographs. 
 Large 8vo, cloth, gilt, $4.50 net. 
 
 ‘““This is a scholarly work which will become indispensable to all lovers of lace. . . . The 
 author is a specialist on the subject, and the book bears evidence of wide research which will make it 
 the last word on old lace for some long time to come.’’— The Burlington Magazine. 
 
 Fifteenth-Century Italian Ornament. 
 
 Chiefly taken from Brocades and Stuffs found on pictures in the 
 National Gallery, London. By SrpNey VacuHER, Architect. A 
 Series of 30 fine plates printed in gold and colours of charac- 
 teristic Patterns to a large scale. With descriptive Text. Folio, 
 half vellum, in ornamental cover, $9.60 net. 
 
Historic Ornament (See page 26) 
 
 A PORTION OF THE ARCHITRAVE FROM THE BRONZE GATES OF THE BAPTISTERY FLORENCE 
 
 fi 
 Ml g_p=Z 
 gs 
 
 CORBEL 
 DUCALE PAL: 
 -ACE, URBINO 
 
 L HEN y 
 
 Zs 
 VE 
 
 DRAWING FORA FRIEZE BY GIOLAMO CURTI 16” Cay 
 IN THE UFFIZI GALLERY, FLORENCE Bistar onanioe 
 
 Ret A hts . by 
 iQ Dy {ubeoomne bndice 4 
 pNdeettc. Bn dicno.fOer ti pose 
 Sa cinem matre.conce es 
 Dat nobis peas re 
 m7pace.R.Ama. $3 
 MEANT ccto tha. Ay 
 ke rae 
 
 -- 4 # incnts-- -—=- 
 
 a, 
 358 
 <A 
 
 POSSESSES ESSE SSE PAGE FROM THE BOOK OF HOURS. OF 
 BONA SFORZA, DUCHESS OF MILAN 
 1477-90. BRITISH MUSEUM. 
 
 MARBLE 
 | TABERNACLE 
 ) OR SHRINE . 
 
 BORDER FROM THE 
 IN THE CHURCH OF SANTA MARIA DE'FRARY , GRENVILLE SFORZIADA, 
 
 é VENICE .1540. 490. Tv : 
 FROM THE CHURCH OF 5, Se yy ate 
 
 ORNAMENT FROM THE BERNARDO MONUMENT 
 
 Zee) 
 
 i aa 
 ENAMELLED TERRA-COTTA OR DELLA ROBBIA WARE 
 
 SY LUCA DELLA ROBBIA, 1450 
 IN THE CHURCH OF S.ONOFRIO ROME 
 
 BY GIOVANNI DA UDINE ANDJULIO ROMANO |) 
 
 RENAISSANCE ORNAMENT Actual size of illustration, 7 ins. by743 ins. 
 
Decorative Plant and Flower Studies (See page 27) 
 
 ‘SWEET SULTAN Reduced from the coloured plate, 10 ins. by 7 ins. 
 
29 
 
 NATIVE PRINTED JAPANESE ART BOOKS. 
 
 Japanese Encyclopedia of Design. 
 
 Book I.—Containing over 1,500 engraved curious and most 
 ingenious Geometric Patterns of Circles, Medallions, etc., com- 
 prising Conventional Details of Plants, Flowers, Leaves, Petals, 
 also Birds, Fans, Animals, Key Patterns, etc. Oblong 12mo, fancy 
 covers. 75c. net. 
 
 Book II.—Containing over 600 most original and effective Designs 
 for Diaper Ornament, giving the base lines to the design, also 
 artistic Miniature Sketches. Oblong 12mo, fancy covers. 75c. net. 
 
 These books exhibit the varied charm and originality of conception of Japanese 
 Ornament, and form an inexhaustible field of design. 
 
 A Delightful Series of Studies of Birds, 
 
 In most Characteristic and Life-like Attitudes, surrounded with 
 appropriate Foliage and Flowers. By the celebrated Japanese 
 Artist, Barret Kono. In three Books, each containing 36 pages | 
 of highly artistic and decorative Illustrations, printed in tints. 
 3 vols., large 8vo, fancy covers. $4.00 net. 
 
 ‘‘ For variety of bird and tree form the designs are inimitable.” — The Graphic. 
 ‘Tn attitude and gesture and expression, these birds, whether perching or soaring, swooping or 
 brooding, are admirable.”—The Magazine of Art. 
 
 A New Series of Bird and Flower Studies. 
 
 By WaTANABE SEITEI, the leading living Artist in Japan. In three 
 Books, containing in all 131 pages of exceedingly artistic Sketches, 
 delicately printed in various tints. 3 vols., large 8vo, fancy covers. 
 $4.00 net. 
 
 ‘ Seitei weds realism with conventionalism as only ee his nationality knows how to do. . 
 
 As we pass from one brilliant page to another we scarcely know if we are looking at a detailed study 
 of a bird, beast and fish, or at a design which with but slight modification could be successfully 
 adapted to decorative ends.” —7he Queen. 
 
 Japanese Artists’ Sketch Book. 
 
 A series of five books illustrating (1) Fishes, Shells, etc. ; 
 (2) Birds and Flowers; (3) Landscapes and Water Scenes ; 
 (4) Insects and Foliage ; (5) Scenes from Japanese Life. Each 
 containing 46 pages of Illustrations, drawn in a decorative spirit. 
 8vo, fancy covers. $3.00 net. 
 
 A Book of Chrysanthemums. 
 
 Containing 50 exquisite studies of this extremely decorative 
 flower, printed in the beautiful variety of colours for which it is 
 famous: ranging from snowy white, delicate pinks, bright yellow, 
 and orange, to rich dark reds. 2 vols., large 8vo, fancy covers. 
 
 $5.50 net. 
 
30 
 
 The Collector’s Library. 
 
 (3) 
 
 A Series of Handbooks written by experts providing information 
 of really practical value to Connoisseurs, Collectors, Designers, and 
 Students, finely Illustrated by choice reproductions in monotint 
 and colour from Photographs of existing Specimens in Private and 
 Public Collections. Large 8vo, in cloth, gilt, price $2.25 net each. 
 
 Each volume forms an ideal introduction to the study of its subject, simply 
 told and clearly expressed.. Not the least fascinating quality of this series is the 
 recall of the fashions of a byegone age; many a detail in the daily life of our 
 
 ancestors is suggested in these pages, the furnishing of their rooms, the hangings 
 on the walls, the table vessels, whether of pewter, silver, glass, or china. 
 
 Old English Furniture. 
 
 By FReprrIck Frenn and B. Wy.utz. Containing 90 pages and 
 94 Illustrations. - Large 8vo, cloth, gilt. $2.25 net. 
 
 A book by one who has been for so many years a collector as Mr. Fenn, is 
 of the greatest assistance to the amateur. Mr. Fenn is fortunate in the collabora- 
 tion of Mrs. Wyllie, of whom he says, ‘‘her intuitive knowledge exceeds that 
 of any one I have met.” Besides many excellent illustrations the volume 
 contains a very readable history of English furniture, and some valuable 
 suggestions as to the setting for the different styles of furniture. 
 
 French Furniture. 
 
 By ANDRE Saciio. Containing 193 pages and 59 Illustrations. 
 Large 8vo, cloth, gilt. $2.25 net. 
 
 The author cleverly discriminates amongst the influences at work and shows 
 how the national art was at the root of most of the furniture for which France 
 is famed. The story of the designers and manufacturers is told charmingly, and 
 the various fashions in furniture and decoration, and how they depended upon 
 the events of history, are vividly indicated. 
 
 Sheffield Plate. 
 
 By Bertig Wy.Luikz. Containing 161 pages and 121 Illustrations 
 including a series of the Marks. Large 8vo, cloth, gilt. $2.25 net. 
 This vivaciously written handbook, with its admirable illustrations, is just what 
 is wanted by the would-be collector of Sheffield Plate, giving as it does a 
 history of its subject and a timely and forcible warning to the enthusiastic 
 amateur. , 
 
 “It is with no ordinary pleasure that we welcome this book, written with a complete knowledge 
 of its subject both as regards its technical and artistic aspects, and with the view of reviving an 
 
 industry almost.on the verge of extinction.””— The 4 theneum. : : 
 “Mrs. Wyllie wastes no words in telling her story, and though the book only contains six 
 chapters, it contains all that an amateur need know about Sheffield plate.”— Te Connoisseur. 
 
 (4) 
 
 Old Pewter. 
 
 By MatcoLtm BELL. Containing 186 pages and 106 Illustrations, 
 including a series of the Marks. Large 8vo, cloth, gilt. $2.25 net. 
 
 Mr. Bell deals comprehensively with his subject, the result being a thorough 
 description of the metal, its manufacture, and its origin. Interesting glimpses 
 into the manners and customs of the periods treated are also given. 
 
 “* The excellent series of illustrations surpass both in importance and number those of far more 
 expensive volumes. This book certainly ought to be in the hands of every collector. . . . The author’s 
 various brief chapters show a considerable mastery of and love for his subject.” —The Atheneum. 
 
Old Pewter (See page 30 
 
 RID OTR OM en oe | 
 
 Si SS 
 
 COFFEE-POT, DUTCH. JUG, DUTCH. Mark, a rose within 
 No Marks a circle of illegible lettering 
 
 Sheffield Plate (See page 30 
 
 FLUTED CANDLESTICK SIMPLE COLUMNAR CANDLE. 
 “TRANSITIONAL” SHEET, IBAMRIDAY  COZN DYN IS) 
 PERIOD 
 
French Pottery and Porcelain (See page 31 
 
 VASE, STRASBOURG, ABOUT 1750. Sévres Museum 
 
3U 
 
 The Collector’s Library—contizued. 
 
 (5) 
 
 Dutch Pottery and Porcelain. 
 
 By W. Pitcairn Know es. Containing 122 pagesand 54 Illustra- 
 tions (18 of which are in colour), including a series of the Marks. 
 Large 8vo, cloth, gilt. $2.25 net. 
 
 The work of one so well versed in his subject as Mr. Pitcairn Knowles (who 
 has lived in Holland for many years) is of great value to the collector. With 
 its delightful illustrations and vividly told story of pottery and porcelain in 
 Holland, this book calls for the attention of all those interested in the craft or 
 
 possessed of a love for beautiful works of art. It is as thorough as it is 
 attractive, and thus appeals to the specialist. 
 
 French Pottery and Porcelain. 
 
 By Henri Frantz. Containing 176 pages and 77 Illustrations 
 (7 of which are in colour), including a series of the Marks and 
 Monograms. Large 8vo, cloth, gilt. $2.25 net. 
 
 Thanks to the author’s intimate knowledge of his subject and facility of 
 expression, the distinctive qualities of the various faiences of France are 
 admirably suggested, and the story of their production well told. Of obvious 
 use to the collector—indispensable indeed, with its wealth of information—this 
 book is so written as to be of interest to any who care for pottery or porcelain. 
 
 English Table Glass. 
 
 By Percy Bate. Containing 121 pages and 67 Plates, illustrating 
 2e4 examples. Large 8vo, cloth, gilt. $2.25 net. 
 
 The glass vessels of the Eighteenth Century in England possess in. their 
 variety and their simplicity an interest which is very real and very lasting. 
 And, apart from their intrinsic beauty and merit, they have for collectors of 
 moderate means the advantage of being attainable at a comparatively small cost. 
 
 “‘ The author is very enthusiastic and has much knowledgeof his subject. . . . His tastefully 
 and pleasantly written volume contains indeed a vast amount of information not dreamed of in the 
 philosophy of ordinary collectors of old English glasses.” —The Atheneum. 
 
 (8) 
 
 English Embroidery. 
 
 By A. F. Kenprick, Keeper of the Textile Department of the 
 Victoria and Albert Museum. Containing 125 pages and 64 
 Illustrations (4 of which are in colour). Large 8vo, cloth, gilt. 
 $2.25 net. } 
 
 This volume forms a reliable guide through the main ways of an intricate 
 subject, and appeals alike to those who care for the history of embroidery and 
 to those who ply the craft. The careful letterpress, which shows a knowledge 
 
 at first hand that can only come from the expert, and the beautiful illustrations 
 will be valuable indeed to both student and collector. 
 
 ‘‘ Mr. Kendrick is a master of his subject, and gives here an admirable survey of the whole 
 history of English embroidery from Anglo-Saxon times to the Eighteenth Century. He writes more 
 over from a liberal and genuinely artistic standpoint.” — The Atheneum. 
 
32 
 
 English Interior Woodwork 
 
 Of the XVI., XVII., and XVIII. Centuries. A series of 50 Plates 
 of Drawings to scale and Sketches, chiefly of domestic work, illus- 
 trating a fine series of examples of Chimney-pieces, Panelling, 
 Sides of Rooms, Staircases, Doors, Screens, etc., etc., with full 
 practical details and descriptive text. By Hrnry TANNER, 
 F.R.I.B.A., Joint Author of ‘Some Architectural Works of Inigo 
 Jones.” Folio, cloth, gilt. $erge net. $5.69 
 
 “The book contains fifty well-produced plates from ink and pencil drawings, which are 
 excellently done, and the series gives a fairly consecutive view of some of the best woodwork to be 
 found in England.”—Tkhe British Architect. 
 
 ‘* Mr. Tanner is certainly a skilled draughtsman, and to the illustrations in the book before us 
 no exception could possibly be taken. The minutest details are given with the greatest exactitude, 
 rendering the book of the utmost value to those who desire to study or possess a record of the styles 
 represented.’ — The Cabinet Maker. 
 
 The English Fireplace. 
 
 A History of the Development of the Chimney, Chimney-piece, 
 and Firegrate, with their Accessories, from the Earliest Times to the 
 beginning of the XIXth Century. By L. A. Saurrrey, Architect 
 and Decorator. Illustrated by 130 full-page Plates, reproduced in 
 Collotype from choice photographs, with 200 further Illustrations in 
 the text from Sketches, Measured Drawings, and Photographs. 
 
 Crown 4to, art linen, gilt. $16.80 net. 
 
 The subjects have been chosen rather with a view to illustrate the various 
 types of design, and on account of their intrinsic interest and value for sugges- 
 tion, rather than as belonging to the most famous or historic houses, although 
 many examples from the latter have found a place. Plates are devoted to the 
 illustration of Firegrates, Firebacks, Fenders, and Fire-irons, and where 
 demanded by the interest of the subject, detail photographs, of good size, are 
 given of both Chimney-pieces and Firegrates. 
 
 The work of many famous Architects and Artists is represented, amongst 
 them being Hans Holbein, Huntingdon Smithson, Inigo Jones, Sir Christopher 
 Wren, Grinling Gibbons, Sir John Vanbrugh, James Gibbs, William Kent, 
 Henry Flitcroft, Isaac Ware, Thomas Chippendale, Robert and James Adam, 
 John Flaxman, and Sir John Soane. 
 
 The English Staircase. 
 
 An Historical Account of its Characteristic Types to the end of 
 the XVIIIth Century. By Watter H. Goprrey, Architect, 
 containing 63 Collotype Plates, from photographs specially taken, 
 chiefly by Horace Day, Architect, together with 55 Text Illustrations 
 from Sketches, Measured Drawings and Photographs. Crown 4to, 
 
 art linen, gilt. $7.50 net. | 
 The Staircase is a feature in the development of the English Renaissance to 
 which little attention has been devoted, though it was frequently impressive 
 and charming in its arrangement, and much delicate detail was lavished on its 
 decoration. The present work, the first to deal with its subject, illustrates 
 examples which are mostly fresh and unknown, though not neglecting the more 
 familiar subjects. Special attention has been given to the full and detailed illus- 
 trations of such features as its Newels, Balusters, Brackets, Carved Strings, etc. 
 ‘Tt is with pleasure that we welcome this excellent monograph on the English Staircase, which 
 
 is remarkable not only for the clear explanation that is given by the author of the historical develop- 
 meat of the staircase in England but for the admirable illustrations.”’— The Architect. 
 
> es 
 
 The English Fireplace (See page 32 
 
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English Interior Woodwork (See page 32) 
 
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 PANELLING AT HATFIELD HOUSE Reduced from the lithographic plate, 
 133 ins. by ro ins. 
 
33 
 
 Chippendale’s The Cabinet-Maker’s Director, 
 
 ‘‘ Being a large collection of the most elegant and useful designs 
 of household furniture in the most fashionable taste.” An exact 
 Facsimile of the Third and Rarest Edition of this celebrated 
 work, originally published in 1762. Containing 211 Plates with 
 Gescriptive text. Large folio, boards, cloth back, $30.00 net; 
 or in half calf, antique style, $33.50 net. 
 
 Everyone knows Chippendale Furniture and the characteristics that distinguish 
 it from that designed by Sheraton, Hepplewhite, and others, but comparatively 
 few are acquainted with Chippendale’s important folio, and especially the third 
 and fullest edition of it, which illustrates the most complete series of examples 
 of the furniture designed by this great craftsman. This edition contains 
 200 plates (being 40 more than in the two previous editions issued in 1754-9) on 
 which are displayed nearly 475 pieces, and it is important to note that of this 
 increased number more than 60 of the plates in the previous editions were 
 cancelled and replaced by what Chippendale considered to be more suitable 
 examples. The special copy from which the present reproduction has been 
 made contained I1 extra plates, bringing the total number to 211. 
 
 It is impossible to over-rate the value of the book to all interested in English 
 Furniture of the 18th century, whether as connoisseurs, collectors, furniture 
 manufacturers, or designers; and in view of its rarity and cost (copzes of the 
 third edition, when met with, fetching from $150.00 to $200.00 it is felt that the 
 present excellent and moderately priced facsimile will be warmly welcomed. 
 
 Hepplewhite’s The Cabinet-Maker’s Guide, 
 
 or, Repository of Designs for every article of Household Furniture. 
 A complete facsimile reproduction of this rare work, originally 
 published in 1794. Containing 300 charming Designs (on 128 
 Plates) for Tables, Sideboards, Sofas, Settees, Pedestals and Vases, 
 Bookcases, Chests of Drawers, Tea Caddies, Tea Trays, Pier Glasses, 
 Girandoles, Lamps, Cornices, Fire Screens, Wardrobes, Inlays, etc., 
 besides a rich collection of Chairs, for which Hepplewhite is 
 justly famed. Small folio, cloth, gilt, old style. $20.00 net. 
 Original copies when met with fetch from $86.00 10 $96.00. 
 
 _ “As exact a replica of the original third edition as could, by any means, be procured, and, so far 
 as intrinsic merit is concerned, is in every way as valuable. . . . Hepplewhite’s designs are characterised 
 by admirable taste and perfect workmanship. . . . And not a few of them attain to a standard of 
 refinement beyond which it seems hardly possible to go.”’— The Cabinet Maker. 
 
 Furniture and Decoration in England during 
 the X VIIIth Century. 
 
 Containing 200 folio Plates, being facsimile reproductions of the 
 finest examples from the works of Chippendale, Adam, Richardson, 
 Hepplewhite, Sheraton, Pergolesi, and others, with descriptive notes 
 by J. ALDAM Heaton. 4 vols., royal folio, cloth, gilt. $56.00 net. 
 
 . ‘*‘Mr. Aldam Heaton’s method has been to go through the series of some twenty publica- 
 tions, published between 1740 and 1800, and to select whatever designs appeared to him the most 
 valuable. The rarity of the original volumes, and the very high prices which they realise at sales, 
 put them practically out of the reach of the architect and cabinet-maker of to-day, so that if any use is 
 to be made of them it must be through some of the reproductions which modern process printing makes 
 possible.”— The Times. 
 
 D 
 
34 
 
 English Furniture & Decoration, 1680-1800. 
 
 By G. M. Ellwood, Architect and Designer. Including 187 Plates, 
 comprising upwards of 380 Examples from Photographs (many 
 specially taken), and a concise Historical Introduction. Second 
 edition, enlarged. 4to, bound in art linen. $+ercee net. 8. YO 
 
 **Mr. Ellwood’s book will be welcome to an enormous circle. It gives so excellent a picture of 
 the periods, that one can express nothing but gratitude to the author, and recommend the world to 
 buy his book. . . . The ‘ Introduction’ is one of the most succinct and agreeable monographs on 
 the subject recently produced.’’—7The Connoisseur. 
 
 ‘““Mr. Ellwood seems to have obtained access to every great private collection in this country, 
 and from the great mass of material thus placed at his disposal he has chosen his specimens for illus- 
 tration with infallible taste and judgment. . . . Even to many familiar with the period, this 
 exhibition of exclusively the masterpieces of 18th century craftsmanship will come as a revelation.”— 
 The Morning Post. 
 
 “This volume is, in fact, not so much a book to read as a beautifully illustrated album of some 
 of the finest furniture ever produced in this country. . . . It will be of the greatest assistance to 
 furniture designers, manufacturers, connoisseurs and collectors, for the simple reason that the majority 
 of the pieces have never been accessible before.” — The Cabinet Maker. 
 
 The Decorative Work of R. & J. Adam. 
 
 Being a reproduction of the chief Plates illustrating Decoration 
 and Furniture from their ‘‘Works in Architecture,” published 
 1778—1822. Containing 30 Plates (size 19 inches by 14 inches) 
 of Interior Decoration, including examples of Ceilings, Chimney- 
 pieces, Tables, Chairs, Vases, Lamps, Mirrors, Pier-glasses, Clocks, 
 etc., by these famous Eighteenth-century Designers. Large folio, 
 handsomely bound in old style. $12.00 net. 
 
 This volume reproduces every plate of decorative value from the original 
 
 book, which now fetches $432.00, and therefore forms a complete key to the 
 graceful style for which the Brothers Adam are so universally renowned. 
 
 ‘The range of the examples is very wide, and the book gives an admirable idea of the scope of 
 the work of these two remarkable brothers. . . . It is certain to be welcomed by all designers who 
 have any feeling for charm and beauty.” —7he Magazine of Art. 
 
 ‘ Mr. Batsford’s book is really a complete grammar of Adams’ ornament.”— The Cabinet Maker. 
 
 ‘¢ Those who have to execute work in the Adams’ style will find all they require to know about 
 that style in the splendid illustrations given in this work.” —7he Decorator’s Gazette. 
 
 English Furniture Designers of the XVIIIth 
 
 Century. 
 
 By Constance Simon. Containing an Historical Account of 
 English Furniture and its Makers from the reign of William and 
 Mary to the early years of the nineteenth century. With 80 photo- 
 graphic Illustrations (many of which appear for the first time) 
 presenting choice examples of the Queen Anne School, the work 
 of the brothers Adam, the Chippendales, Sheraton, Shearer, 
 Hepplewhite, etc. 4to, cloth, gilt. $6.00 net. 
 
 “ The illustrations add most appreciably to the value of this well-informed, original, and authori- 
 : : : : Sheets ; ‘The 
 tative piece of work, in which nothing is slurred over, and nothing taken for granted 
 Standard. ‘ ( mh A. ‘ : ; 
 “Miss Simon’s book is decidedly most attractive in form and appearance, and its copious illus- 
 
 trations from choice specimens in private collections are particularly excellent and interesting.” — The 
 Times. ’ 
 ‘‘An informing and most attractive work . . . altogether a delightful reinforcement to the 
 
 library of the old furniture lover.” —7he Queen. 
 
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 18th Century 
 
 A CHIPPENDALE CHAIR 
 
a 
 
 The Decoration of Houses. 
 
 A Study of House Decoration during the Renaissance Period, with 
 suggestions for the decorative treatment, furnishing, and arrange- 
 ment of modern houses. By Epita Wuarron and OGpDEN 
 CopMAN, Architect. With 56 full-page Photographic Plates of 
 Interiors and Interior Details from celebrated Houses and Palaces 
 chiefly in France and Italy, with some examples of Furniture. 
 Large 8vo, cloth, gilt. $2.50 net. 
 
 “‘The book is one which should be in the library of every man and woman of means, for its 
 advice is characterised by so much common sense as well as by the best of taste.’?— The Queen. 
 
 Old Clocks and Watches & their Makers. 
 
 Being an Historical and Descriptive Account of the different 
 Styles of Clocks and Watches of the Past in England and Abroad, 
 to which is added a List of 10,000 Makers. By F. J. Brirren. 
 Second edition, much enlarged, containing 740 pages, with 700 
 Illustrations. Medium 8vo, cloth, gilt. $7.50 net. 
 
 “Tt is a book which may be augmented in the future, but will scarcely be replaced, and which 
 holds, in its way, a unique position in literature. . . . To the collector and amateur it is indis- 
 pensable.”—Wotes and Queries. 
 
 Old Oak English Furniture. 
 
 A Series of Measured Drawings, with some examples of Archi- 
 tectural Woodwork, Plasterwork, Metalwork, Glazing, etc. By 
 J. W. HurreLt, Architect. Containing 110 full-page Plates repro- 
 duced by photo-lithography from the author’s drawings. Folio, 
 cloth, gilt. $15.00 net. 
 
 For ingenuity and quaintness of design, richness of moulding, or profusion 
 of ornament, the old oak furniture of England is probably unsurpassed by the 
 contemporaneous work of any other country. 
 
 In the present volume Mr. Hurrell has striven to represent by accurate 
 measurement and delineation to scale the true spirit of the work in exhaustive 
 detailed analysis of its construction and design. 
 
 The examples illustrated include a great variety of subjects, and are selected 
 from mansions and other buildings chiefly in Lancashire and Cheshire. 
 
 Practical Drapery Cutting. 
 
 A Handbook on cutting and fixing Curtains, Draperies, etc., with 
 descriptions and practical notes. For the use of Upholsterers, 
 Cutters, and Apprentices. By E. Norrz11, formerly Lecturer and 
 Instructor on Upholstery at the Municipal School of Technology, 
 Manchester. With 30 full-page Plates, comprising over 160 
 Illustrations. Demy 4to, cloth, gilt. $5.00 net. 
 
 ‘“‘A book of this description has long been needed, and every practical furnisher should adda 
 copy tohis bookshelf. . . . [t deals with every description of drapery and curtains, and the author’s 
 explanations, always full and lucid, are aided by numerous illustrations. The volume will be in- 
 valuable to all who wish to learn to cut a drapery, or who wish to perfect a partial knowledge of the 
 subject.’"—The Furniture Record. 
 ne » This work has proved of the greatest possible practical value to upholsterers.”—The Cabinet 
 
 arer. 
 
 “‘The great merit of this useful book on drapery and its proper treatment in decoration lies in the 
 thoroughly practical character of the instruction conveyed. It is a book which should be in the 
 possession of every decorator who has aught to do with drapery.’—The Decorator's Magazine. 
 
 De 2 
 
36 
 
 Modern Cabinetwork, Furniture, & Fitments. 
 
 An account of the Theory and Practice in the Production of all 
 kinds of Cabinetwork and Furniture, with chapters on the Growth 
 and Progress of Design and Construction. By Percy A. WELLS, 
 Head of Cabinet Department, L.C.C. Shoreditch Technical 
 Institute, Advisory Instructor L.C.C. Central School of Arts and 
 Crafts; and Joun Hooprr, Honours Silver Medallist, City and 
 Guilds of London Institute. Containing 400 pages, with over 
 1,000 practical workshop drawings, photographs and original 
 designs. 4to, cloth, $5.00 net. 
 
 In this work it has been the aim of the Authors to illustrate and describe step 
 by step the practice of the craft in all its applications, from the making of a 
 joint to the preparation, setting-out, and complete construction of the various 
 types of Furniture and Woodwork which the Cabinet-maker is called upon to 
 
 make. They have also endeavoured to combine essential features in good 
 design and construction with modern processes and materials. 
 
 ‘© We welcome this splendid and indispensable book, firstly, because it is the only one of its kind, 
 and secondly, because it does not handle the subject in an amateurish way, but it is thoroughly 
 comprehensive work, dealing with every problem which the craftsman might be called upon to solve. 
 . .. The pen drawings are of a very high quality, and the diagrams illustrating various methods 
 of construction lack nothing of that lucidity which is so essential when dealing with a technical 
 subject."—The Cabinet Maker. 
 
 “The authors have honoured British craftsmanship by their book, which is nothing less than a 
 veritable vade mecum of that craft in which they are both skilled workmen and wise directors. ... 
 It is truly a magnificent production, and it is hard to avoid a suspicion of puffing in trying to de 
 ' justice to it.’—Manual Training. 
 
 ‘‘ This is the most thorough and systematic exposition of the processes and materials employed 
 in modern cabinet making which has yet appeared.” —7he Studzo, 
 
 Practical Wood-Carving. 
 
 A Book for the Student, Carver, Teacher, Designer, and Architect. 
 By ELzanor Rowe, twenty years Manager of the School of Art 
 Wood-Carving, Kensington, author of ‘‘ Hints on Chip-Carving,” 
 “French Wood-Carvings,” etc. Containing 200 pages of Letter- 
 press, with 114 Illustrations from Photographs, and 55 from Line 
 Drawings, showing the Carver at work, examples of Carving in 
 progressive stages of execution, and numerous Illustrations of Old 
 and Modern Carvings. Demy 8vo, cloth, gilt. $3.00 net. 
 
 “Out of the rich stores of many vente knowledge and experience of her subject, Miss Rowe 
 has given to all lovers of this beautiful handicraft a manual of the greatest value. Miss Rowe’s 
 long experience of teaching has given her the fullest acquaintance with the needs and difficulties 
 of the carver, and thus her training is based upon a practical sympathy which makes it 
 peculiarly helpful.” — 7 he Queen. 
 
 “This book is not only practical, but thorough, and is written by one who obviously knows the 
 art of wood carving, from one end to the other.” —The Spectator. 
 
 Useful Details in Several Styles. 
 
 Containing 1,400 examples (on 144 Plates) of Furniture and 
 Decorative Details in the various Historic Styles. By HERBERT 
 Binsteap, Editor of the Furniture Record. Large 8vo, cloth. 
 $1.50 net. 
 
Sf 
 
 Chip-Carving and Other Surface-Carving. 
 
 A Manual of Practical Instruction. By ELzanor Rowe. With 
 71 Illustrations in line and half-tone. Crown 8vo, paper covers. 
 50c. net, or bound in cloth, lettered, 75c. net. 
 
 This is a new book which replaces the Author’s popular ‘“‘ Hints on Chip- 
 Carving.” It includes self-instruction, and touches on many developments of 
 the craft, such as Strapwork, Norwegian and Maori carving. 
 
 French Wood Carvings from the National 
 
 Museums. 
 
 A series of Examples printed in Collotype from Photographs 
 specially taken from the Carvings direct. Edited by ELEANOR 
 Rowe. Complete in 3 parts, each containing 18 large folio plates, 
 with Descriptive Letterpress. Part I., Late 15th and Early 16th 
 Century Examples; Part II., 16th Century Work ; Part III, 17th 
 and 18th Centuries. 3 parts, folio, in portfolios, $5 net each; 
 or handsomely bound together in one volume. $20.00 net. 
 
 *,° The plates of this work are sold separately at 2%c. each net. 
 
 “This invaluable collection... . should be possessed by every carver, both professional and 
 amateur. . .. The plates are on so large a scale, and are so clearly produced, that they become 
 equivalent, for the purposes of study, to the original works.”— The Architect. 
 
 Old English Wood-Carving Patterns. 
 
 A Collection of Facsimile Rubbings from Oak Furniture of the 
 Jacobean Period. By Marcarer F. Matuim. Comprising 
 30 Examples on 20 Plates (15 ins. by rr ins.), reproduced by 
 photo-tint process. Imperial 4to, in portfolio. $3.50 net. 
 
 These full-size reproductions of the delightful patterns found on old English 
 furniture will be invaluable to wood carvers of all classes; for not only are they 
 exceptionally good from the standpoint of design, but so easy of execution that 
 
 amateurs who have attained to but moderate skill in the craft can successfully 
 reproduce them without difficulty. 
 
 Wood-Carving Designs. 
 
 By Muriet MOoLier, with foreword by WaLrer CRANE. Six 
 imperial sheets (31 ins. by 22 ins.), comprising 31 Working Draw- 
 ings of Panels, Frames, etc., with Photographic Reproductions of 
 the finished work, and 20 designs for Furniture, in which the 
 panels, etc., may be applied. Imperial 8vo, in portfolio, $2. 50 net. 
 
 Mr. WALTER CRANE says :—‘‘ Miss Muriel Moller is an accomplished carver in wood, who has 
 also had extensive experience in teaching the craft. In drawing these sheets of patterns she has had 
 in view the need of a clearly defined outline of design for tracing on to the wood for the carver.” 
 
 Ecclesiastical Woodwork. 
 
 A Series of Examples of Stalls, Screens, Book-Boards, Roofs, 
 Pulpits, etc., illustrated on 21 engraved Plates, from drawings by 
 T. Tatzor Bury. 4to, half-bound. $4.25. 
 
38 
 
 The Arts connected with Building. 
 
 Lectures on Craftsmanship and Design delivered at Carpenters’ 
 Hall, London, for the Worshipful Company of Carpenters. Edited 
 by T. Rarries Davison, Hon. A.R.I.B.A. Containing 224 
 pages, with 98 Illustrations of old and modern work, chiefly from 
 photographs. Crown 8vo, art linen. $2.00 net. 
 
 CONTENTS.—Reason in Building, by R. Weir Schultz—Woodwork, by E. 
 Guy Dawber—Influence of Material on Design in Woodwork, by F. W. Troup, 
 —The Influence of Tools on Design, by A. Romney Green—Ideas in Things, 
 by C. F. A. Voysey—Ideas in Building: False and True, by M. H. Baillie 
 Scott—House and Church Furniture, by Charles Spooner—Decorative Plaster- 
 work, by Laurence A. Turner—External Leadwork, by F. W. Troup— 
 Decorative Ironwork, by J. Starkie Gardner. 
 
 “‘ These lectures are extremely practical, and will appeal to the student, the architect, and the 
 
 man of intelligence who purposes to build himself a house. The volume is full of information and of 
 right guidance.’’—The Church Times. 
 
 ‘The papers teem with thoughts and suggestions of the utmost importance to all concerned in 
 the arts and crafts connected with building.” —Tkhe Studio. 
 
 The Art of the Plasterer. 
 
 An Account of the Decorative Development of the Craft, chiefly 
 in England, from the XVI.—XVIII. Centuries, with Chapters on 
 the Stucco of the Classic Period and of the Italian Renaissance, also 
 on Sgraffito, Pargetting, Scottish, Irish and Modern Plasterwork. 
 By Grorce P. BANKaART, Architect and Craftsman. Containing 
 340 pages with 100 full-page and more than 300 smaller Illustra- 
 tions, from photographs, or of sections and mouldings, comprising 
 in all some 700 examples. Demy 4to, cloth, gilt. $10.00 net. 
 
 A book of exceptional interest and value, not only to Architects and 
 Modellers, but also to Antiquaries and Art-Workers in all branches of the 
 Decorative Arts, as it forms a unique collection of choicest English Renaissance 
 Ornament. 
 
 ‘* This is an able and straightforward survey of the principles and practice of plastering from 
 ancient times down to the present day which should find a place on every architect’s bookshelf, 
 
 accompanied as it is by illustrations of examples of all periods, pregnant with suggestion and 
 inspiration for the modern designer.”—7he Buzlder. 
 
 ‘‘ Mr. Bankart, an architect, a craftsman, a designer, and a reverent student of the past, has 
 brought all his gifts and his knowledge to the writing of a book, which becomes a standard 
 immediately. It would be ungracious and untrue to say less.” —The Architectural Review. 
 
 ‘¢ The illustrations, of which there are several hundred, form a complete pictorial epitome of the 
 plasterers’ craft from its first inception to the present day.”—The Studio. 
 
 Sculptural Works of Nicholas Stone, 
 
 Statuary, 1586-1647. By A. E. Buttock, A.R.I.B.A. With 
 52 Illustrations, from Photos and Drawings. Folio, cloth, gilt. $2.00 
 net. 
 
 Nicholas Stone, one of the earliest English Sculptors of the Renaissance to 
 throw off the trammels of Gothic tradition, was employed by James I., and was 
 Master Mason and Architect at Windsor, 1626. He carried out designs by 
 Inigo Jones, and executed various porches, gates, and tombs at Oxford and 
 London. 
 
Modern Cabinet Work (See page 36) 
 
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 BELTON HOUSE, GRANTHAM 
 DETAIL OF CHAPEL CEILING 
 
39 
 
 Dedicated by special permission to Her Most Gracious Majesty the Quen. 
 
 An Illustrated History of English Plate. 
 
 Ecclesiastical and Secular, in which the Development of Form and 
 Decoration in the Silver and Gold Work of the British Isles from 
 the earliest known examples to the latest of the Georgian Period 
 is delineated and described. By CHARLES JAMES JACKSON, F.S.A., 
 author of ‘‘ English Goldsmiths and their Marks.” With a 
 Coloured Frontispiece, 76 Plates finely executed in Photogravure, 
 and 1,500 other Illustrations chiefly from Photographs, including 
 many of Articles not before illustrated. Two volumes, small folio, 
 bound in half morocco. $67.25 net. 
 
 ‘We must take leave of a fascinating book which deals adequately with a great subject from all 
 points of view—esthetic, archeological, and social. The history of manners no less than of taste and 
 craftsmanship is bound up in the story of the silversmith’s art, and Mr. Jackson had this well in view 
 when he wrote a book that is delightful to the general reader and quite indispensable to the collector.” 
 —The Connoisseur. 
 
 “‘ Mr, Jackson deserves the warmest thanks of all who care for our national arts and crafts for the 
 publication of this handsome and authoritative history.’’—The Times. 
 
 “Both in its contents and the manner of their presentation, the book is a model history of a great 
 branch of English applied art. It is not too much to say that it is destined to become a classic.”’— 
 Country Life. 
 
 Old Silverwork, Chiefly English, 
 
 From the XVth to the XVIIIth Centuries. A series of choice 
 examples selected from the unique loan collection exhibited at 
 St. James’s Court, London, in aid of the funds of the Children’s 
 Hospital, supplemented by some further fine specimens from the 
 collections of the Dukes of Devonshire and Rutland. Edited, 
 with Historical and Descriptive Notes, by J. STARKIE GARDNER, 
 F.S.A. Containing 121 beautiful Collotype Plates reproduced in 
 the most effective manner. Folio, buckram, gilt. $42.00 net. 
 
 . The edition of this work is limited to 500 copies. Only 25 remain for sale. 
 
 Metal Work and Sculpture. 
 
 Tue TREATISES OF BENVENUTO CELLINI made into English from 
 the Italian of the Marcian Codex, with an introductory account of 
 the Origin and Object of the Treatises, and of Cellini’s position as 
 Craftsman and Author. By C. R. AsHper, M.A. With 11 finely 
 engraved Plates of Jewels, Seals, Coins, Medals, Ornamental 
 Figures, etc., and 7 Practical Diagrams. Printed on hand-made 
 paper at the Essex House Press. Small folio, buckram, gilt. $10.00 
 net. 
 
 Old Base Metal Spoons. 
 
 A Handbook for Collectors. By F. G. HitTon Prick, late Director 
 of the Society of Antiquaries. Containing over 100 pages, with 
 16 photographic plates exhibiting 118 examples of Spoons in the 
 Author’s and other private collections. Also including 40 photo- 
 graphic illustrations in the text and upwards of 4oo facsimiles of 
 ancient Marks. Royal 8vo, cloth, $4.00 net. 
 
40 
 
 English Leadwork : Its Art and History. 
 
 A book for Architects, Antiquaries, Craftsmen, and Owners and 
 Lovers of Gardens. By LAwRENCE WEAVER, F.S.A. Containing 
 280 pages, with 441 Illustrations from Photographs and Drawings. 
 Large 4to, art linen, gilt. $10.00 net. 
 
 The growing sense of the decorative value of lead in architecture and the 
 garden has created a demand for an adequate history of the leadworker’s art, 
 which is now for the first time presented in the above volume. The Author 
 illustrates and describes the chief uses of lead which demand the judgment of 
 the artist as well as the capacity of the craftsman, and has gathered together 
 the chief examples of the art which are scattered throughout England. 
 
 CONTENTS. —Introduction — Fonts — Rainwater Heads of the Early and 
 Later Renaissance—Cisterns, Garden Tanks, etc.—Medizval and Renaissance 
 Spires—Leaded Domes, Lanterns, Lights, etc.—Garden Statues, Portrait and 
 General—Vases and Urns—Sepulchral and Miscellaneous Leadwork—Modern 
 Craftsmanship—Bibliography. 
 
 ‘‘ This large and admirably produced quarto gives a wonderfully complete account of ornamental 
 leadwork in England from the days of the Roman occupation to our own. The illustrations are for 
 the most part photographic, and large and clear, so that they are accurate records of the works 
 sympathetically described in the text. The work can never be done again with such thorouganess, and 
 it must remain the standard work on the subject.” —PROFESSOR W. R. LETHABY zx the Architectural 
 Review 
 
 Old Silver Platers & Their Marks. 
 
 Being a copy of the Register of the Sheffield Assay Office of the 
 persons concerned in the manufacture of goods plated with silver, 
 with an Introduction by B. W. Watson, M.A., Assay Master. 
 With reproductions of 134 marks. Large 8vo, cloth, gilt. $2.00 net. 
 
 The Shefheld Assay Office Register. 
 
 A copy of the Register of the persons concerned in the manufac- 
 ture of silver wares, and of the Marks entered by them from 1773 
 to 1907. By B. W. Watson, M.A., Assay Master. With repro- 
 ductions of all the Marks. 4to, cloth, gilt. $7.25 net. 
 
 Modern English Silverwork. 
 
 An Essay by C. R. ASHBEE, together with a series of 160 Designs 
 by the Author drawn upon a hundred separate Lithograph Plates 
 and coloured by hand, with a critical study of the conditions of the 
 modern Silversmith’s trade, and the bearing upon it of the Arts 
 and Crafts movement. 4to, buckram. $16.75 net. 
 
 The illustrations include examples of Goblets, Cups and Covers, Tea and 
 Coffee Pots, Cream Jugs, Sugar Basins, etc., Epergnes, Salt Cellars and Pepper 
 Casters, Knives and Spoons, Plates, Salvers and Dishes, Tureens, Altar Crosses, 
 
 Candlesticks, Chalices and Patens, many of which are studded with jewels, and 
 they show remarkable strength and originality in design. 
 
 ** This Volume has been specially printed on fine paper under the direction o7 
 the Author at the Essex House Press. The Edition is limited to 200 copies, 
 numbered ant sioned by the Author. 
 
4i 
 
 English Ironwork of the XVIth and 
 XVIIIth Centuries. 
 
 An Historical and Analytical Account of the Development of 
 Exterior Smithcraft. By J. StarKrz GARDNER, Author of “ Old 
 Silverwork,” etc. Containing 330 pages, with over 250 Illustrations, 
 including a fine series of 80 Collotype Plates, reproduced from 
 Photographs specially taken by Horace Dan, Architect, and 
 numerous Measured Drawings, Sketches, and Photographs. Crown 
 Ato, art linen, gilt. $16.80 net. 
 
 Besides dealing exhaustively with the subject of Gates by the different smiths 
 and by unknown makers of London and the country, the author also treats of 
 
 such subjects as BALCONIES, BALUSTRADES, RAILINGS, PANELS, FANLIGHTS, 
 LAMPHOLDERS, SIGNS, and VANES, all of which are fully illustrated. 
 
 A number of measured drawings are reproduced, some of which include the 
 sizes and sections of the various bars, and examples are given to show the 
 details of smithing and ornamentation, 
 
 sf! Mr. Starkie Gardner, who has written several books on craftsmanship, and has been interested 
 for years in iron, was probably the best man in England to undertake the task, and we congratulate 
 Mr. Batsford on having secured his services.”’—7he Morning Post. 
 
 ‘One can say, without exaggeration, that no work on any British industry has been produced in 
 recent years which throws more new light upon it than this beautifully illustrated monograph. The 
 book should be acquired by every public library and by every technical art school in the kingdom.”— 
 The Manchester Guardian. 
 
 ‘‘ The book is sure to take its place as an authoritative work of reference for many years to come.” 
 —The Atheneum. 
 
 English and Scottish Wrought Ironwork. 
 
 A Series of Examples of English Ironwork of the best period, with 
 which is included most that now exists in Scotland. By BaILry 
 Scorr Murpuy, Architect. Containing 80 fine Plates (size 
 214 ins. by 144 ins.), 68 reproduced from measured drawings, and 
 12 from photographs specially taken. With Descriptive Text. 
 Imperial folio, buckram, gilt. $25.00 net. 
 
 All classes of work are illustrated in this fine volume, including Entrance 
 Gates, Garden Gates, Railings, Grilles, Exterior and Interior Stair Rails, 
 
 Screens, Hanging Signs, Brackets, Sword Rests, Tomb Rails, etc., the majority 
 being represented to a scale of one inch to a foot. 
 
 _ “This volume stands alone asa unique collection of the best work in wrought iron done in Great 
 Britain. It is replete with exact delineations and precise dimensions technically and thoroughly 
 realised for the student and practical craftsman.”— The Building News. 
 
 ‘‘By far the most important and complete publication dealing with the existing examples of 
 wrought ironwork in England and Scotland that has yet been issued. The book is not only of real 
 interest to all antiquaries and lovers of beautiful work, but must prove of undoubted service to all 
 architects and craftsmen, supplying them with a rich mine of suggestion.” —The Birmingham Post. 
 
 A New Book of Ironwork. 
 
 (Nouveau Livre de Serrurerie.) By Louis Forprin. A facsimile 
 reproduction of this extremely rare book, published in Paris in 
 1723. Containing 30 large folio Plates, with many graceful designs 
 for Railings, Grilles, Balconies, etc., in the French Renaissance 
 style. Folio, in portfolio. $12.75 net. 
 
42 
 
 A History of Design in Painted Glass, 
 
 From the Earliest Times to the End of the Seventeenth Century. 
 By N. H. J. Westiakeg, F.S.A. Containing 467 Illustrations of 
 English and foreign examples. 4 vols., small folio, cloth. $44.00. 
 
 This valuable and exhaustive work is the most complete yet attempted on 
 its subject. Very few copies now remain for sale, and the price of the work 
 is likely to be increased at an early date. 
 
 Medieval Foliage &* Coloured Decoration. 
 
 By Jas. K. Cottinc. A series of Examples taken from English 
 Buildings of the Twelfth to the Fifteenth Century. Containing 76 
 Lithographic Plates, representing 600 examples, with descriptive 
 letterpress. Royal 4to, cloth, gilt. $6.00 net. 
 
 ‘© A book of exceptional and very nearly unique interest. It would not be quite accurate—recol- 
 lecting Pugin’s ‘Gothic Ornaments ’—to say that this work of Mr. Colling is the only collection that 
 exists of well-drawn specimens of old English carved work, both in stone and wood, and ranging over 
 the whole of the Middle Ages, but inseveral points it so far excels the older work—its only rival—in 
 comprehensiveness that for most purposes it may unquestionably be regarded as the book on the 
 subject.” —A. S. Flower, Esq., M.A., FSA. 
 
 The Human Figure. 
 
 An Analysis of its Construction and Pictorial Representation. By 
 J. H. VANDERPOEL, Lecturer on the Drawing and Construction of 
 the Human Figure in the Art Institute of Chicago. With 54 full- 
 page Plates and upwards of 300 smaller Illustrations from the 
 Author’s drawings. Large 8vo, cloth. $2.00 net. 
 
 This volume embodies the results of a prolonged study of the Human Figure 
 in its varied beauty of construction, character, and action. 
 
 The author has been for nearly thirty years one of the most distinguished 
 teachers of drawing in America, and many prominent American artists of to-day 
 have been his pupils. His knowledge of the nude, and the clear, systematic 
 manner in which he gives it expression, is unsurpassed in modern art instruction. 
 The present volume contains a full and concise exposition of his system. The 
 text is a thorough analysis of the human figure feature by feature, and as a 
 whole. It is illustrated with 54 full-page plates, variously reproduced in half- 
 tone and line—all of them masterly drawings of the greatest value to the student. 
 In addition to these it contains 330 marginal sketches, none of which has ever 
 been published before, showing parts of the body in various positions and actions. 
 Altogether, it is the most complete illustrated work on the subject now extant. 
 It is firmly believed that the drawings, by their force, analytical power, and 
 concentration have a value for the student and artist infinitely greater than any 
 photograph can give. 
 
 Pen Drawing: An Illustrated Treatise. 
 
 By CHarLes D. Macinnis. Third Edition, with 72 Reproduc- 
 tions of the work of the principal Artists, practical diagrams, etc. 
 Crown 8vo, cloth. $1.00 net. 
 
 This little treatise teaches whatever can be taught of the Art; namely, how to 
 practise ; what style is and how to attain it ; what pens, inks, and papers have 
 been found most serviceable; how to use line and hatch; how to produce 
 textures and to represent various surfaces, values and colours ; how to depict 
 and treat details; and other matters touching upon the ways, means, and 
 processes that experience has proved useful. 
 
HLYOMILYd LV GVAH-ddId WHLVMNIVA NOLTHGCGAW LV USVA 
 
 oF aSed aay) Kioysipy pue wy SIT : YlompeoT ysipsuy 
 
English Ironwork of the XVIIth & XVIIIth 
 
 Centuries (See page 41) 
 
 EEESIWWN 
 
 Reduced from collotype plate, 
 
 GATE TO ASHBURNHAM HOUSE, SUSSEX 
 
 63 ins. by 4} ins. 
 
43 
 
 WA tchitcccnral Sketching and Drawing in 
 
 Perspective. 
 
 A Progressive Series of 36 Plates, illustrating the Drawing of 
 Architectural Details, and Sketching to Scale; including chapters 
 on the Plan and Measuring Point Methods, the Simplification of 
 Perspective by R’s Method, and on Figures, Foliage, etc. By 
 H. W. Rozerts, Author of “R’s Method.” Large Imperial 8vo, 
 cloth. $3.00 net. 
 
 This book provides a progressive course of perspective drawing, founded to 
 some extent upon the well-known &’s Method, showing its application to 
 various problems of practical work. Its aim is to present perspective drawing 
 
 in a simple form, and to aid the draughtsman by placing at his disposal various 
 practical expedients to simplify the details of his work. 
 
 ‘‘ Those who peruse the pages and illustrations of this work will find the description (of the 
 preparation of an architectural perspective) as simple and straightforward as seems to be possible 
 when writing on the subject.” —7e Budlder. 
 
 ‘©R’s Method of Perspective is a most convenient method for practical work, and saves an 
 enormous amount of time and labour, giving quicker and better results than the old methods. It is 
 easily understood from the first, but there are certain points of difficulty which this book has been 
 written to explain. . . . To anyone desirous of making ready perspectives it will be most useful, if not 
 necessary.”— The Builder’s Journal. 
 
 Applied Perspective for Architects & Painters. 
 
 By W. P. P. Loncrettow, Architect. Fully illustrated by 33 
 full-page Plates and 140 other Diagrams. 4to, cioth, gilt. $3.00 net. 
 In the first part of this very comprehensive work Mr. Longfellow gives what 
 is necessary to qualify the student for ordinary perspective work, and in the 
 second a series of special problems showing what trained draughismen actually 
 do; while such theoretical topics as the perspective of oblique planes, the 
 tangents and axes of circles, tri-conjugate vanishing points, are also discussed. 
 
 The Principles of Architectural Perspective. 
 
 Prepared for the Use of Students, etc., with chapters on Isometric 
 Drawing and the Preparation of Finished Perspectives. By 
 G. A. T. Mippueton, A.R.I.B.A. Second Edition, revised and 
 enlarged. Illustrated with 54 Diagrams and 9 full-page and folding 
 Plates, including a series of Finished Perspective Views of Buildings 
 by various Architects. Demy 8vo, cloth. $1.00 net. 
 
 Architectural Shades and Shadows. 
 
 By H. McGoopwin, Instructor in Architecture at the University 
 of Pennsylvania. With 81 Plates. 4to, cloth, gilt. $3.00 net. 
 
 The purpose of this book is to present to the architectural student a course 
 in the casting of architectural shadows as clearly and simply as may be ; and to 
 furnish examples of the shadows of such architectural forms as occur most 
 frequently in practice. 
 
44 
 
 The Principles of Planning Buildings. 
 
 By Percy L. Marks, Architect. With Notes on the Essential 
 Features and Requirements of Different Classes of Buildings. 
 Illustrated by 150 Plans, mainly of important modern Buildings, 
 by well-known architects. Third Edition, revised and greatly 
 enlarged, with many additional plans. Large 8vo, cloth, gilt. $4.75 
 net; 
 
 ‘¢This is a book which treats of its subject as a whole comprehensively and yet minutely. For a 
 single-handed attempt to grapple with such a widely extending subject, the author has really done 
 very well. _His range of interests is wide; his choice of matter judicious. Labour he has clearly not 
 stinted, and his success in arranging his large amount of material is worthy of much praise. . . . The 
 most valuable quality of this book is its suggestiveness. It makes the reader think.” —The Builder. 
 
 _. “The examples of plans which are given are taken from those by architects who can be con- 
 sidered as specialists, and which have been carried out. Accordingly they have a reality which does 
 not always belong to plans which are solutions, as it were, of abstract problems.” —The Architect. 
 
 Architectural Composition. 
 
 An Attempt to Order and Phrase Ideas which have hitherto been 
 only felt by the Instinctive Taste of Designers. By J. B. Rosinson, 
 Architect. With 173 Illustrations of Ancient and Modern Buildings. 
 Large 8vo, cloth, gilt. $2.50 net. 
 
 ‘* Bach rule or principle that Mr. Robinson lays down seems incontrovertible, and to express well 
 the accepted ideas of the best designers.” —The Architectural Record (N.Y.). 
 
 ‘‘ Altogether this revised edition is most impartial, and as the author holds no brief for any 
 particular phase or style of architecture, the book should form a most useful addition to the library of 
 the designer of architecture be he gothicist or classicist.”— The Architectural Review (London). 
 
 Modern Opera-Houses and Theatres. 
 
 Examples of Playhouses recently erected in Europe. With 
 Descriptive Accounts, a Treatise on Theatre Planning and Con- 
 struction, and Supplements on Stage Machinery, Theatre Fires, 
 and Protective Legislation. By Epwin O. Sacus, Architect, 
 F.R.S. Edin. Complete in Three Grand Folio Volumes, containing 
 over 220 Plates and upwards of 1,000 Diagrams, interspersed in the 
 350 pages of text. 3 vols., large folio, buckram, gilt. $126.00 net. 
 
 ‘The finest publication yet devoted to the illustration of the theatre.”’— The Builder. 
 ‘‘ Mr. Sachs has given us a work which most usefully and adequately fills a gap in architectural 
 literature.” —The British Architect. 
 
 ‘‘ Neither trouble nor expense have been spared to make this great book as complete and thorough 
 as possible. . . . The undertaking surpasses anything of the kind ever attempted in this country 
 before, and the editor has certainly got together a collection of theatres and kindred buildings 
 which is unique.’—The Building News. 
 
 Stage Construction. 
 
 Examples of Modern Stages, selected from Playhouses in Europe, 
 with descriptive Text. By Epwin O. Sacus. Containing 90 pages 
 of Text, with 170 original Diagrams, Sketches, and Photographs, 
 together with six Plates from working drawings to a large scale. 
 Large folio, buckram, gilt. $25.25 net. 
 
 This treatise is included in the author’s monumental work, ‘‘ Modern 
 Opera-Houses and Theatres,” described above. 
 
Public Baths and Wash-houses (See page 46) 
 
 PYBLIC BATHS CHELSEA: 
 
 COMPETITIVE DESIGN: PLACED FIRST BY THE ASSESSOR: 
 
 WIS wo ANDERSUN ARCH 
 
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 ELEVATION ro MANOR STREET. 
 
 A selection from 13 illustrations, occupying 10 pages, which are given of the Public Baths, 
 Chelsea, one of many buildings treated in a similarly comprehensive way. In the book the 
 illustrations are about three times the size of the above. 
 
English Shop-fronts, Old and New (See page 45 
 
 LY REMAIN MEN BENE 
 
 | 
 
 y ) —o. \ — : 
 ES Se Noe | 
 
 No. 10 DOVER STREET, LONDON Reduced from collotype plate, 6 ins. by 4% ins. 
 
45 
 
 English Shop-fronts, Old and New. 
 
 A Series of Examples of the XVIIIth Century and of the work of 
 leading modern Architects. Selected and! specially photographed, 
 together with Descriptive Notes and Illustrations, by HoRAcE 
 Dan, M.S.A.. and E. C. Morcan WiILimotT, A.R.I.B.A. 
 Containing 52 full-page Collotype Plates and 25 smaller Illustra- 
 tions from photographs and drawings. Large 8vo, cloth, gilt. 
 $6.00 net. 
 
 SuMMARY :—The Old Shop-front—The Architecture of the Modern Shop- 
 front: The Recessed Shop-front, The Type Shop-front, The Projecting Shop- 
 front, The Corner Shop, The Double-Storied Shop-front, The Shop-front 
 in Series—The Practical Requirements of the Modern Shop-front : Materials, 
 Construction, Glazing, Stall Boards and Pavement Lights, Lettering, Sun- 
 Blinds and Roller Shutters, Entrances, etc. 
 
 ‘¢ This work contains much valuable information, and is the first attempt, so far as we are aware? 
 to deal with an important subject in a worthy manner, and as such it is a complete success.’’— The 
 
 Builder's Journal. 
 ‘‘The architecture of the modern shop-front forms the subject of an admirably judicious essay, in 
 
 which shrewd common sense and fine artistic perceptionare nicely blended ; and the possibility of 
 combining these qualities satisfactorily is finely exemplified in the examples selected for comment and 
 illustration. The book is not merely handsome; it is also eminently useful. It will delight the 
 artist, while affording enlightenment and guidance to the craftsman and the tradesman. In short, it 
 is as useful as it is beautiful.”"—7e Building World. 
 
 Modern School Buildings, 
 
 Elementary and Secondary. A Treatise on the Planning, Arrange- 
 ment, and Fitting of Day and Boarding Schools, having special 
 regard to School Discipline, Organisation, and Educational 
 Requirements. With special chapters on the Treatment of Class- 
 rooms, Lighting, Warming, Ventilation, and Sanitation, By FELIx 
 Ciay, B.A., Architect. Second Edition, thoroughly revised and 
 much enlarged, consisting of 560 pages, with 450 Illustrations of 
 plans, perspective views, constructive details, and fittings. Large 
 
 imperial 8vo, cloth, gilt. $10.00 net. 
 ‘‘ Mr. Clay has produced a work of real and lasting value. It reflects great credit on his industry, 
 
 ability and judgment.”—7The Builder. ‘ 
 “The book is full of valuable information carefully arranged ; and Mr. Clay is to be congratu- 
 lated on the production of a work which should at once take rank as the standard authority on the 
 
 subject.” —The Architectural Review. i 
 “This masterly volume will prove indispensable to architects and to educational authorities. 
 ... It is a remarkable contribution tu architectural knowledge, and it takes high rank also as 
 
 a contribution to the study of education.” —School. 
 
 Residential Flats of all Classes, including 
 
 Artisans’ Dwellings. 
 A Practical Treatise on their Planning and Arrangement, together 
 with chapters on their History, Financial Matters, etc. By SYDNEY 
 Perks, F.R.I.B.A., P.A.S.I. Containing 300 pages, with 226 Illus- 
 trations, including plans and views of important Examples by 
 English and Foreign architects. Imperial 8vo, cloth, gilt. $8.50 net. 
 
 ‘The great monograph of the year was Mr. Perks’ book on the planning of flats—a standard 
 work of considerable importance.’— The Butlding News. 
 
 *« Altogether it is a book which is not only unique in architectural literature, but is one of which 
 every page has a practical tendency. It can therefore be a source of profit to architects and to 
 builders, as well as to speculators.” — The Architect. 
 
46 
 
 Public Baths and Wash-Houses. 
 
 A Treatise on their Planning, Design, Arrangement, and Fitting, 
 with Chapters on Turkish, Russian, and other Special Baths, 
 Public Laundries, Engineering, Heating, Water Supply, etc. By 
 ALFRED W. S. Cross, M.A., F.R.I.B.A. Containing 284 pages, 
 with 274 Illustrations, comprising the Plans, Elevations, and Con- 
 structive and Engineering Details of numerous modern examples. 
 Imperial 8vo, cloth, gilt. $8.50 net. 
 
 ** An exceedingly valuable yack of reference to all engaged in similar work.” —K./.B.A. fournal. 
 
 ““ An excellent and exceedingly practical treatise on the subject.” —The Builder. 
 
 ‘* Possibly no other architect has so intimate an acquaintance with buildings of this character, and 
 certainly few could have produced a book which not only exemplifies the principal types of planning 
 which have proved suitable for their purpose up to the present, but points out what are the most 
 advantageous arrangements in every detail. . We commend the book highly as a valuable 
 addition to modern architectural literature,’ SAD Architect s Magazine. 
 
 Public Libraries. 
 
 A Treatise on their Design, Construction, and Fittings, with a 
 Chapter on the Principles of Planning, and a Summary of the 
 Law. By Amian L. CHampneys, B.A., Architect. Containing 
 about 200 pages, with over 100 Illustrations of Modern Examples 
 and Fittings. Imperial 8vo, cloth, gilt. $5.00 net. 
 
 ‘Mr. Champneys has shown a thorough knowledge of practical details and the latest achieve- 
 ments, both in England and in the United States. He has boldly reversed the usual order of such 
 text-books as this, and has proceeded from the particular to the general, considering first what are the 
 necessaries of any library, and then the library as a whole. His book will be indispensable to all 
 those in authority who may have to build or rebuild a public library, or to arrange for additions. 
 We have nothing but praise for the attention to details shown by the author, who has evidently studied 
 the matter from the point of view of the public reader and of the librarian with the trained skill of the 
 architect.” — The Atheneum. 
 
 “This work is, we believe, the only comprehensive handbook of library architecture in the 
 English language. It fills the want of a complete and practical aid to the library architect, the 
 librarian, and the library committee.’’— The Surveyor. 
 
 Modern Church Building. 
 
 A reprint of two papers read before the Royal Institute of British 
 Architects by Sir CHARLES A. NicHo.son, Bart., F.R.I.B.A., and 
 H. C. Coruette, F.R.I.B.A. With 57 Illustrations of modern 
 examples by well-known architects. 4to, cloth. $1.75 net. 
 
 Church Building. 
 
 A Study of the Principles of Architecture in their relation to the 
 Church. By R. ApAms Cram, Architect. With 125 Illustrations 
 of Old and New Churches, giving Perspective Views, Plans 
 
 and Details. Large 8vo, cloth, gilt. $4.25 net. 
 
 SUMMARY OF CONTENTS :—The Country Chapel—The Village Church— 
 The City Church—The Chancel and its Fittings—Chapels, Baptisteries, and 
 Sacristies—Decoration and Stained Glass—-The Altar— The Cathedral. 
 
 Notes on the Repair of Ancient Buildings, 
 
 Issued by the Society for the Protection of Ancient Buildings. 
 Containing 80 pages of letterpress, with nine full-page Diagrams. 
 Crown 8vo, paper covers, 50c. net ; or in stiff boards, 75c. net. 
 
"PY ‘awyg uniuttoy *Y GOOM LSIdadHNn 
 
 Lb asvd 92g) usIsaq asnofy yYsI[suy 
 
Civic Art (See page 47) 
 
 CORY Ne xECARDIRE 
 
 MODEL VILLAGE |S) | JOHN CORY|ESQ JF 
 
 As 
 
 7 3. H. MAVSDN 
 j 4 LY in ARCHITECT ION 
 
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 Actual size of illustration, ro} ins. by 7 ins. 
 
47 
 
 Civic Art. 
 
 STUDIES IN Town PLANNING, PARKS, BOULEVARDS, AND TOWN 
 GarpDENS. By THomas H. Mawson, Hon. A.R.I.B.A., author of 
 “The Art and Craft of Garden Making,” and Lecturer on Land- 
 scape Design at the University of Liverpool. Containing 375 pages 
 of text, illustrated by 275 original Drawings and Photographs of 
 English and Foreign examples, finely reproduced in line, half tone, 
 
 and collotype. Crown folio, art canvas, gilt. $20.00 net. 
 
 **€ Civic Art’ is a book which is indispensable to the practical town planner. Full of practical 
 information inspired by a high ideal, copiously illustrated and splendidly produced.” — The Surveyor. 
 
 “Tt is certainly a comprehensive and interesting record of much that is of great value in the best 
 Civic art existing.” —British Architect. 
 
 “This handsome work should be in the hands of everybody interested in the esthetic and 
 practical aspect of our town improvements.”—Dazily Mail. 
 
 ‘* A massive and masterly tome, which is admirably illustrated.”— The Atheneum. 
 
 English House Design. 
 
 A Review. Being a Selection and Brief Analysis of the best 
 achievements in English Domestic Architecture from the X VIth to 
 the XXth centuries, with numerous examples of Contemporary 
 Design. By Ernest WiLimottT, F.R.I.B.A. Containing 240 
 pages, with r50 Illustrations, chiefly full-page, from Photographs ; 
 
 also Plans and Views from Drawings, etc. Large 8vo, art linen, 
 
 glia ass oO net. 
 ‘*English House Design is the finest exposition that I have seen, within small limits, of the 
 theory and practice of building. The qualities of site, proportion, decoration and rhythm are treated 
 admirably. The historicai part is good. The pictures are numerous and excellent, and illustrate the 
 
 work of more than thirty architects. If only the public would assimilate the ideas of this book, a 
 hideous or inconvenient house would be a curiosity rather than a common-place.”—7.P.’s Weekly. 
 
 Homes for the Country. 
 
 A Collection of Designs and Examples of recently executed works. 
 By R. A. Brices, Architect, F.R.I.B.A., Soane Medallist. Second 
 edition, revised and enlarged. Containing 55 full-page Plates of 
 Exterior and Interior Views and Plans, including 12 new plates 
 and a coloured frontispiece. With Descriptive Notes and 
 Estimates of Cost. Demy 4to, cloth, gilt. $4.50 net. 
 
 ‘* Every example given is an illustration of very considerable skill. The plans are all excellent— 
 well devised on economical yet convenient lines, well lit, comfortable, and with every little point 
 thought out ; while the elevations are pleasing without being extravagant. Such a book is admirable 
 in its suggestiveness, and useful to all.” —The Architect’s Magazine. 
 
 ‘‘ The arrangement of the plans generally reveals a masterhand at this class of architecture.’”— 
 The Pall Mall Gazette. 
 
 Bungalows and Country Residences. 
 
 A Series of Designs and Examples of executed Works. By R. A. 
 Briccs, F.R.I.B.A. Fifth and enlarged Edition, containing 
 47 Photo-lithographic Plates, many of which are new to this 
 edition. With descriptive notes and estimates of cost. Demy 4to, 
 cloth, gilt. $4.50. 
 
 ** Economy, convenience, and comfort in small country houses are important elements, and these 
 have been studied with an artistic appreciation of effect and rural charm in Mr. Briggs’s design.” — 
 The Building News. 
 
 “* Those who desire grace and originality in their suburban dwellings might take many a valuable 
 hint from this book.”’—The Times. 
 
48 
 
 The Development of Building Estates. 
 
 A Practical Handbook for Surveyors, Land Agents, Landowners, 
 Architects, and others. By Tom Bricut, Surveyor and Valuer, 
 Fellow of, Honorary Examiner to, the Auctioneers’ Institute. With 
 Plans and Illustrations by T. SpENceR Bricut, P.A.S.I. Contain- 
 ing 338 pages of Text and 26 Practical Illustrations. Large crown 
 8vo, cloth, gilt. $3.00 net. 
 
 This volume treats of such subjects as the Demand for Building Land— 
 Practical Development—Procedure—Road-making and Materials—Sewers— 
 Manholes—Footpaths—Completion of New Streets, including full details of 
 Cost. With text of all relative Acts and Regulations, including the Town 
 Planning Act, 1909, and an Appendix of Road-making Specifications, Tables of 
 Values, etc. 
 
 The Essentials of a Country House. 
 
 By R. A. Brices, F.R.I.B.A., Architect, Author of ‘ Bungalows 
 and Country Residences.” Containing 218 pages, with 71 Illustra- 
 tions from Photographs and Drawings comprising Exterior and 
 Interior Views, Plans, Details, etc. Large 8vo, cloth, gilt. 
 $3.00 net. 
 
 Mr. Briggs has had wide experience in the design of Country Houses, and in 
 this little volume he discusses in a concise and simple way the essential points 
 which should be considered by everyone who contemplates building ‘‘a home 
 of his own.” The subjects dealt with include Situation, Plan, Materials, Styles 
 of Houses, Halls and Staircases, Dining Rooms, Drawing Rooms and Parlours, 
 Libraries and Studies, Billiard Rooms, Kitchens and Offices, Bedrooms, Bath- 
 rooms and Lavatories, Alterations and Additions, Stables, Garages and Lodges, 
 Gardens, Summer Houses, Gates and Fences, etc., etc. 
 
 “‘ Mr. Briggs treats of every kind of arrangement and structural feature in a popular and explana- 
 tory style, and discusses with the reader with the utmost candour the best way of realising legitimate 
 ideals.” —The Morning Post. 
 
 Modern Cottage Architecture. 
 
 Illustrated from Works of well-known Architects. Edited, with an 
 Essay on Cottage Building, and descriptive notes on the subjects, 
 by Maurice B. Apams, F.R.I.B.A. Containing 83 plates of 
 the best types of country cottages from Photographs and Drawings, 
 and 54 Illustrations of Plans, Elevations, etc. Second Edition 
 revised, remodelled and enlarged, with 72 additional figures, illus- 
 trating 52 fresh examples. Royal 4to, cloth, gilt. $4.00 net. 
 
 “It should meet with a large sale. The author has been wise enough to get together a varied 
 
 style of design by various architects who have shown marked ability in this direction.””—The British 
 Architect. 
 ‘This is an artistic and useful book. ... The editor’s notes concerning cottage building 
 
 are full of shrewdness and common sense.” -—-7he Estates Gazette. 
 
 ** The cottages which Mr. Adams has selected would do credit to any estate in England.”—Te 
 Architect, 
 
Modern Cottage Architecture (See page 48) 
 
 » GARPENME -Cormrage- 
 
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 Actual size of illustration, 7 ins. by 5 ins. 
 
Modern Suburban Houses (See page 49 
 
 PAIR OF SEMI-DETACHED HOUSES Reduced from collotype plate, 
 AT HAMPSTEAD to} ins. by 7% ins. 
 
 DINING-ROOM OF ABOVE Reduced from collotype plate, 11} ins. by 8 ins. 
 
49 
 
 Modern Suburban Houses. 
 
 A Series of Examples Erected at Hampstead, Bickley, Purley, and 
 elsewhere from designs by C. H. B. QUENNELL, Architect. Con- 
 taining 44 Plates (13? in. by rod in.) of Exterior and Interior 
 Views, reproduced from special Photographs, and large scale Plans, 
 from the Author’s drawings. 4to, cloth, gilt. $6.50 net. 
 
 The houses illustrated in this volume are of the best type of suburban house, 
 generally semi-detached, and of limited frontage—a type upon which very little 
 information has been published, although it is one of which the better class 
 estates are largely composed. Skilfully planned, of quiet, refined design, and 
 financially successful (al/ the examples having been built for sale, and sold), they 
 clearly demonstrate that architecture in the suburbs, even when controlled by 
 speculative builders, may be as refined and beautiful as in the country. 
 
 Houses for the Working Classes. 
 
 Comprising 52 Typical and Improved Plans, with Elevations, 
 Details, etc., and Descriptive Text, including Notes on the Treat- 
 ment and Planning of Small Houses. By S. W. CRANFIELD 
 and H. I. Porter, AA.R.I.B.A. Second Edition, revised, with 
 many additional Plans. Imperial 4to, cloth, gilt. $8.50 net. 
 
 This book deals with Cottages suitable for the Working Classes in Suburban 
 and Rural Districts. The majority of the examples illustrated consist of two 
 and three-storey dwellings, adapted to be built in pairs, groups or terraces. 
 
 “The book meets a distinct want. The subject is not written round, but thoroughly threshed out ; 
 and what with good illustrations to scale, clear letterpress, and abundant tables of areas, etc., there is 
 no lack of information for those in search of it. We congratulate the authors on their enterprise,’ — 
 The Surveyor. 
 
 Modern Housing in Town and Country. 
 
 Illustrated by examples of municipal and other schemes of Block 
 Dwellings, Tenement Houses, Model Cottages and Villages, 
 together with illustrations of the Cheap Cottages Exhibition, 
 Letchworth. By James Cornes. With many Plans and Views 
 from Drawings and Photographs, and full Descriptive Text, 
 including notes of Cost, etc. Royal 4to, cloth, gilt. § 3.00 net. 
 
 “Its value is great. Its size enables the illustrations to be satisfactory in scale ; its price fora 
 book so copiously illustrated is surprisingly low; it will, doubtless, be accepted for some time to 
 come as a standard book of reference on the subject.” . . .—The Times. 
 
 ‘* Mr. Cornes has compiled a book which cannot fail to prove useful, not only to the members of 
 public bodies, but also to property-owners, architects, and builders, and the publisher has presented 
 the work in an attractive form.”— The Builder. 
 
 “‘It comes nearer than any book which has yet appeared to a guide for those who wish to 
 design cottages and those who wish to erect them from benevolent or commercial motives.” — The 
 Architect. 
 
 The Work of George Devey, 
 
 Architect, 1820-1886. By Watrer H. Goprrey, Archt. Con- 
 taining 32 pages of letterpress, illustrated by numerous exterior 
 
 and interior views and plans. 4to, paper covers. $1.00 net. 
 
 ‘f. . . The chief debt to be paid to Devey’s memory is our recognition of the immense service 
 he rendered to English domestic architecture in introducing a free treatment of Early Renaissance 
 work, and preparing the way for the school with which the names of Norman Shaw, Philip Webb, 
 and W. E. Nesfield have been so closely connected.”—7%e Author. 
 
 E 
 
5° 
 
 Farm Buildings: their Construction and 
 Arrangement. 
 
 By A. DupLEY CLARKE, F.S.I. Third Edition, revised and much 
 enlarged. With chapters on Cottages, Homesteads, Roofs, 
 Sanitary Matters, etc. Containing 52 Plates, and many other 
 Illustrations of Plans, Sections, Elevations, Details of Construction, 
 etc. Square 8vo, cloth, gilt. $2.50 net. 
 
 ‘Mr. Clarke’s handbook is the best of its kind.” —The Surveyor. 
 ‘Both for the construction of new and the modernising of old buildings the book may be 
 consulted with the fullest confidence.’—7he Land Agents’ Record. 
 
 Buildings for Small Holdings: 
 
 Materials, Cost, and Methods of Construction. By THomas 
 PoTTeR, Author of ‘‘Concrete: its Use in Building.” With 
 25 Illustrations, crown 8vo, cloth. $1.25 net. 
 
 The Author has designed and built many cottages and farm buildings, large 
 
 and small, in various parts of the country, and asa result writes from his own 
 experience. 
 
 ‘* This little book will be welcomed by landowners, estate agents, contractors, and small holders. 
 . . . It shows an intimate knowledge of the subject, and will prove a valuable companion in the work 
 of equipping and managing small holdings.” —7%e Field. 
 
 Dry Rot in Timber. 
 
 By W. H. Bipiake, M.A., A.R.I.B.A. With numerous Diagrams. 
 Demy 8vo, cloth, gilt. 75¢c. 
 
 ‘‘ Mr. Bidlake’s contribution to the subject is a thoroughly practical and useful one.” —The British 
 Architect. 
 
 The Construction of a House. 
 
 A Study of Building Construction presented in 40 Plates 123 ins. 
 by 9% ins., containing Plans, Elevations, Sections, and Detail 
 Drawings, with Descriptive Text, of a Country House, together 
 with Motor House and Chauffeur’s Lodge. By CHaRLES GouRLAY, 
 B.Sc., A.R.I.B.A., Professor of Architecture and Building Con- 
 struction in the Glasgow Royal Technical College. Royal 4to, in 
 cloth portfolio, $2.25 net; or bound in cloth, $2.75 net. 
 
 Students can by means of these plates obtain an intimate knowledge of the 
 whole of the drawings necessary for the erection of a complete building, and it 
 is confidently believed that it will not be possible to rise from their study 
 
 without having acquired a clear conception and a wide grasp of the subject of 
 building construction as a whole. 
 
 The work will be found specially helpful by students preparing for Examina- 
 tions which require a knowledge of a complete building, such as the Final 
 Examination of the Royal Institute of British Architects, the Society of 
 Architects’ Examination, the Examinations of the Education Department in 
 Building Construction, and others. 
 
Handcraft in Wood & Metal (See page 51) 
 
 i 
 4 
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 METHOD SS ATB AND C 
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 ENLARGED PIECE OF 
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 EXAMPLES OF SIMPLE Actual size of illustration, 
 RAISED WORK 74 ins. by 4 ins. 
 
itain 
 
 . 
 
 Monumental Architecture in Great Br 
 
 See page 51) 
 
 ( 
 \ 
 
 by 82 ins. 
 
 5 
 8 
 
 THE FITZWILLIAM MUSEUM, CAMBRIDGE Reduced from collotype plate. 10 
 
 Teer 
 
 Reduced from collotype plate, 93 ins. by 8 ins. 
 
 THE CITY HALL, DUBLIN 
 
Si 
 
 The following books are in active preparation, and pro- 
 spectuses will be sent, when ready, on application. 
 
 Monumental Architecture in England, 
 
 As exemplified by the Neo-classic Buildings of the XVIIIth and 
 X1Xth Centuries. Illustrated by 80 Plates, reproduced from 
 specially taken Photographs and from Drawings, in addition to 
 many Illustrations in the text. With an account of the Develop- 
 ment and Characteristics of the Style, and of the Lives and Work 
 of its chief exponents, also Notes on the Buildings illustrated. 
 By A. E. RicHarpson, F.R.I.B.A., Architect, joint Author of 
 ‘London Houses from 1660 to 1820,” etc. Imperial 4to. Cloth. 
 This volume will deal with the work which flourished between 1760 and 1860, 
 and will be the first to adequately illustrate and discuss that academic type of 
 classic design which it is felt in an increasing degree has much that is helpful, 
 and suggestive for the solution of modern problems of architectural design. 
 The book illustrates the work of such masters as Sir William Chambers, Elmes, 
 Samuel Pepys, Cockerell, Barry, Smirke, Playfair, Hamilton of Edinburgh, 
 William Pennethorne, and also buildings by such extremely able but less known 
 men as Goodrich, Mulvaney, Brookes, Repton, etc. Much care has been 
 devoted to the selection of points of view, and the fine series of photographs has 
 been specially taken by Mr. E. Dockree under the supervision of the author. 
 
 Old Halls and Manor Houses of Yorkshire. 
 
 By Louis AmBier, F.R.I.B.A. Illustrated in a series of 120 
 examples on 100 Collotype plates, reproduced from Photographs 
 specially taken, chiefly by Horace Dan, Architect. With analytical 
 and descriptive text, in which are interspersed very numerous IIlus- 
 trations of interesting features and details, from Drawings and Photo- 
 graphs. Crown 4to, cloth gilt. $14.00 net. 
 
 The smaller domestic architecture of Yorkshire, though little known outside a 
 few famous houses, possesses a distinctive character and quiet charm. This 
 
 monograph illustrates a large number of houses hitherto unpublished, which the 
 author’s intimate acquaintance with the district has brought to light. 
 
 Handcraft in Wood & Metal. 
 
 A Handbook of Training in the Practical Working of these 
 Materials. For the use of Teachers, Students, Craftsmen, and 
 others. By Joun Hooper, late Lecturer and Technical Instructor 
 to the L.C.C., joint Author of ‘“‘Modern Cabinet Work,” and 
 ALFRED J. SHIRLEY, Technical Instructor and Lecturer on Metal- 
 work to the L.C.C. With over 300 Illustrations from the Authors’ 
 Drawings and from Photographs. Large 8vo, cloth. $3.00 net. 
 This volume has been prepared with special reference to Courses for Classes 
 in Manual Training. It includes a Progressive Series of Models of Decorative 
 Objects, with practical notes on their preparation, besides Chapters on the 
 
 Historic Development of Tool-Forms, and on Decorative Processes, Drawing, 
 Lettering, Perspective, Materials, Tools, and Equipment. 
 
52 
 Books in preparation—continued. 
 
 Ornamental Treatment of Floral & Foliated 
 Forms. 
 
 Mainly from objects in the Victoria and Albert Museum, but 
 including examples from Designs by Witit1am Morris and 
 C. F, A. VoysEy. Selected and drawn by Linpsay P. BurrTer- 
 FIELD. With Preface and Descriptive Notes by W. G. PauLson 
 TOWNSEND. Containing eighteen Collotype Plates (size 14 in. by 
 rg in.), on which are exhibited 100 specimens. Large 4to. 
 
 The various materials—woven silks, brocades, velvets, printed cottons, em- 
 broidery, pottery, woodwork, etc., of the best periods—from which these 
 beautiful examples have been selected, are scattered about, for the most part in 
 remote places, in the Victoria and Albert Museum. 
 
 Designers in all branches of Industrial Art are realising more and more that 
 the greatest inspiration for the evolution of ornamental floral forms is the study 
 of the masterpieces of the past, as shown in the unrivalled collection of textiles 
 in our Museum. Two modern Masters of Design have appreciated, studied, 
 and made proper use of this collection, namely, William Morris and C. F. A. 
 Voysey. The reason their names are included with the old work is because 
 they, more than any others, have caught the spirit of the past. 
 
 Historic Textiles and their Design. 
 
 A Short History of the Tradition and Development of Pattern in 
 Woven and Printed Fabrics. For the use of Students, Craftsmen, and 
 others. By RiIcHARD GLAZzIER, Head Master of the Manchester 
 Municipal School of Art, and Author of ‘‘ Historic Ornament.” 
 Profusely Illustrated by Drawings and Photographs. Large 8vo. 
 
 Modern Technical Drawing. 
 
 For Students, Foremen, Clerks of Works, Workmen, and others 
 connected with the Building Trades. By Grorcr EL.uis, Author 
 of ‘“‘ Modern Practical Joinery,” ‘‘ Modern Practical Carpentry,” etc. 
 Containing a description of the methods of preparing Detail and 
 Working Drawings, with accounts of Instruments, Lettering, Per- 
 spective, Projection, Setting-out Rods, various Constructional 
 Methods and Details, etc. Large Crown 8vo, cloth. $2.00 net. 
 
53 
 
 Index to Authors’ Names 
 
 and Subjects. 
 
 ADAM, R. & J., Decorative Work, 34. 
 
 Adams, Modern Cottages, 48. 
 
 Alphabets, Doy,p 2122" /thead, 24); 
 Smith, 24. 
 
 Ambler, Old Halls of Yorkshire, 53. 
 
 Anderson, Renaissance in Italy, 16. 
 
 & Spiers, Greece and Rome, 13. 
 
 Antique Furniture, 29, 33-36. 
 
 Architectural Draughtsmanship, 42, 43. 
 
 Architecture, History of, Fletcher, 11; 
 Godfrey, 9; Statham, 10; Sturgis, 
 12, 
 
 — Historical, 1-17. 
 
 Orders of, 13-15. 
 
 Artisans’ Dwellings, Cornes, 49; Cran- 
 
 field, 49; Perks, 45. 
 
 Art Teaching, Ashdee, 26; Dow, 23. 
 
 Ashbee, Cellini’s Treatises, 39. 
 
 Modern English Silverwork, 40. 
 
 Parish of Bromley-by-Bow, 7. 
 
 — Should we stop Teaching Art, 
 26. 
 
 Trinity Hospital, 7. 
 
 BANKART, Art of the Plasterer, 38. 
 
 Bate, English Table Glass, 31. 
 
 Baths and Wash-houses, Cvoss, 46. 
 
 Belcher, Essentials in Architecture, Io. 
 
 & Macartney, Later Renaissance 
 Architecture, 2. 
 
 Bell, Old Pewter, 30. 
 
 Bethlehem, Church of the Nativity at, 15. 
 
 Bidlake, Dry Rot, 50. 
 
 Binstead, Useful Details, 36, 
 
 Bird Studies, head, 27, 
 
 and Flower Studies, Japanese, 29. 
 
 Bond, English Cathedrals, 8. 
 
 Gothic Architecture, 8. 
 
 Boulevards, MZawson, 47. 
 
 Briggs, Bungalows, 47. 
 
 Essentials of a Country House, 48. 
 
 — Homes for the Country, 47. 
 
 Pompeian Decorations, 20. 
 
 Bright, Development of Building Estates, 
 8 
 
 48. 
 
 Brindley & Weatherley, Sepulchral 
 Monuments, 18. 
 
 Britten, Old Clocks and Watches, 35. 
 
 Brocades and Stuffs, 28, 52. 
 
 Brushwork, Cadness, 23. 
 
 Building Estates, Bright, 50. 
 
 Buildings, Planning and Design of, 44- 
 
 50. 
 Bullock, Nicholas Stone, 38. 
 Bungalows, Briggs, 47. 
 Bury, Ecclesiastical Woodwork, 37. 
 Butterfield & Townsend, Ornamental 
 Treatment of Floral Forms, 52. 
 Byzantine Architecture, 16. 
 
 CABINET Making, 33-36. 
 
 Cadness, Brushwork and Design, 23. 
 
 Carpenters’ Company, Lectures on Crafts- 
 manship and Design, 38. 
 
 Cathedrals, English, Bond, 8. 
 
 Cellini, Metalwork and Sculpture, 39. 
 
 Champneys, Public Libraries, 46. 
 
 Chelsea, Parish of, Godfrey, 7. 
 
 Cheshire, Old Cottages of, 6. 
 
Chimney-pieces, Shuffrey, 32. 
 Chip Carving, Rowe, 37. 
 Chippendale, Cabinet Maker’s Director, 
 
 33: 
 Chrysanthemums, Book of, 29. 
 Church Architecture, 8, 15, 16, 46. 
 Civic Art, Mawson, 47. 
 Clark, Plant Form, 27. 
 Clarke, Farm Buildings, 50. 
 Classic Architectureand Ornament, 13-15. 
 Revival in England, Architecture 
 of, 50% 
 Clay, School Buildings, 45. 
 Clocks and Watches, Britten, 35. 
 Codman, Decoration of Houses, 35. 
 Collector’s Library, 30, 31. 
 Colleges of Oxford, Vallance, 1 
 Collings, Medizeval Foliage, 42. 
 Colour Decoration, 20, 25. 
 Composition, Dow, 23. 
 Architectural, Robison, 44. 
 Conder, Floral Art of Japan, 18. 
 Landscape Gardening in Japan, 18. 
 Cornes, Modern Housing, 49. 
 Cornwall, Norman Architecture in, 8. 
 Cotswolds, Old Cottages of, 6. 
 Cottages, Modern, 48-50. 
 Old English, 6, 7. 
 Country Homes, Modern, 47-49. 
 . Crace, Colour Decoration, 20. 
 Craftsmanship, Lectures on, 38. 
 Cram, Church Building, 46. 
 Cranfield & Potter, Houses for Working 
 Classes, 49. 
 Crosby Place, London, Morman, 7. 
 Cross, Public Baths, 46. 
 Cummings, Architecture in Italy, 11. 
 
 DAN & OLIVER, Cottages of East 
 Anglia, 7. 
 
 & Willmott, English Shopfronts, 45. 
 
 Davie, Old English Cottages, 6. 
 
 ——-—— Doorways, 9. 
 
 The English Fireplace, 32. 
 
 Davison, The Arts connected with Build- 
 
 ing, 38. 
 
 Dawber, Old English Cottages, 6. 
 
 Day, Alphabets, 22. 
 
 Art in Needlework, 22. 
 
 —— Enamelling, 23. 
 
 — Lettering in Ornament, 21. 
 
 —— Nature and Ornament, 23. 
 
 —— Ornament and its Application, 21. 
 
 Pattern Design, 21. 
 
 Penmanship, 21, 
 
 Day, Windows, 22. 
 Decoration, Interior, 
 20, 32-38. 
 
 Design and Ornament, 21-29. 
 Development of Building Estates, Bright, 
 
 and Furniture, 
 
 48. 
 Devey, “The Work of, Godfrey, 49. 
 Diagrams, Architectural History, Pletcher, 
 LT. 
 Building Construction, Gourlay, 50. 
 —— Classic te Mitchell, 153 
 Vhde, 14. 
 Ditchfield & Jones, Charm of the English 
 Village, 5. 
 Manor Houses of England, 5. 
 Dolmetsch, Styles of Ornament, 25. 
 Domestic soe Meat ie Medieval, 
 
 I, 3; 4; 5,6 d 7,8 
 Naa Be: English Renaissance, 2, 3, 4, 5; 
 6, 7. 
 
 Modern, 45, 47-4 
 Doorways, Old Enelish, Divi & Tanner, 
 
 Dow, Composition, 23% 
 
 Drainage, 57-59. 
 
 Drapery Cutting, Noetzli, 35. 
 
 Drawing, Architectural, 42, 43. 
 
 Technical, 52. 
 
 Dry Rot in Timber, Bidlake, 50. 
 
 Du Cerceau & Ward, French Chateaux 
 and Gardens, 17. 
 
 Dutch Pottery and Porcelain, 31. 
 
 EAST ANGLIA, Old Cottages of, 7. 
 
 Ecclesiastical Architecture, 8, 15, 16, 46. 
 
 Woodwork, Bury, 37. 
 
 Elizabethan Period, Architecture of, 
 Gotch, 2, 3. 
 
 Ellis, Technical Drawing, 66. 
 
 Ellwood, Furniture and Decoration, 34. 
 
 Embroidery, Day, 22. 
 
 —— Kendrick, 31. 
 
 Enamelling, Day, 23. 
 
 English Cathedrals, Bond, 8. 
 
 Furniture, 30, 33-37. 
 
 Gardens, 77riggs, 19. 
 
 —— House Design, Wz/lmott, 49. 
 
 — House, The Growth of the, Gotch, 3. 
 
 —— Interior Woodwork, 34 
 
 Leadwork, 42. 
 
 — Manor Houses, 1-5, 53- 
 
 —— Medieval Architecture, 1, 3, 6-8. 
 
 —— Plate, 39, 40. 
 
 —— Renaissance Architecture, 1-8. 
 
 —— Villages, Ditchfield, 5. 
 
Essex, Norman Architecture in, 7, 
 Old Cottages of, 7. 
 Eve, Heraldry as Art, 25. 
 
 FARM BUILDINGS, Modern, Clarke, 
 
 50. 
 
 Farmhouses, Old English, 6, 7. 
 
 Fenn & Wyllie, English Furniture, 30. 
 
 Figure Drawing, 42. 
 
 Fireplaces, Shuffrey, 32. 
 
 Flats, Residential, Perks, 45. 
 
 Fletcher, Architectural Lecture 
 grams, II. 
 
 —— History of Architecture, I1. 
 
 Influence of Material, 11. 
 
 Flower Studies, 23, 27, 29, 52. 
 
 Foord, Decorative Plant and Flower 
 Studies, 27. 
 
 Fordrin, Ironwork, 41. 
 
 Formal Gardens, 4, I9. 
 
 Frantz, French Pottery, 31. 
 
 French Chateaux and Gardens, Ward, 
 17. 
 
 —— Furniture, Sag/io, 30. 
 
 Pottery and Porcelain, 31. 
 
 — Renaissance Architecture, Ward,17. 
 
 —— Wood Carvings, Rowe, 37. 
 
 Furniture and Interior Decoration, 30, 
 
 32-38. 
 
 Dia- 
 
 GARDEN CITY, Cottages at, Cornes, 
 
 49. 
 —— Making, Mawson, 19; T7riggs, 19. 
 Villages, Cornes, 49; Mawson, 19. 
 Gardens, European, 772ges, 109. 
 Formal, in England and Scotland, 
 Macartney, 4; Triggs, 19. 
 Japanese, 18. 
 Gardner, English Ironwork, 41. 
 —— Old Silverwork, 39. 
 Garner & Stratton, Domestic Architec- 
 ture of the Tudor Period, 1. 
 Gates, Wrought Iron, 41. 
 Georgian Period, Architecture of, Belcher 
 & Macartney, 2. 
 Glass, Stained and Painted, Day, 22; 
 Westlake, 42. 
 Table, Bate, 31. 
 Glazier, Historic Ornament, 26. 
 Historic Textiles and their Design, 
 
 52. 
 Gloucestershire, Old Cottages of, 6. 
 
 Godfrey, English Staircases, 32. 
 History of Architecture in London, 
 
 9. 
 
 —— Parish of Chelsea, 7. 
 
 —— The Work of George Devey, 49. 
 
 Godman, Norman Architecture, 8. 
 
 Gotch, Architecture of the Renaissance 
 in England, 2 
 
 Early Renaissance Architecture, 3. 
 
 —— Growth of the English House, 3. 
 
 — Whitehall Palace, 3. 
 
 Gothic Architecture, English, 1, 3, 6-8. 
 
 Wood Carving, 37. 
 
 Gourlay, Construction of a House, 50. 
 
 Greece and Rome, Architecture of, 
 
 Anderson & Spiers, 13. 
 
 Greek and Pompeian Decoration, Vzi- 
 hamy, 143; Watt, 15. 
 
 and Roman Orders, Mitchell, 15 ; 
 Spiers, 13; Uhde, 14. 
 
 Buildings, Lethaby, 13. 
 
 Green, Cottages and Farmhouses of 
 
 Surrey, 6. 
 Gunn, Great House, Leyton, 7. 
 
 HANDCRAFT in Wood and Metal, 51. 
 
 Harrison & Townsend, Terms in Orna- 
 mental Design, 26. 
 
 Harvey, Byzantine Architecture, 15. 
 
 Heaton, Furniture and Decoration, 33. 
 
 Hepplewhite, Cabinet Maker’s Guide, 33. 
 
 Heraldry as Art, Ave, 25. 
 
 Herefordshire, Old Cottages of, 6. 
 
 Historic Architecture, I-17, 51. 
 
 Ornament, 25, 26. 
 
 Textiles and their Design, Glazter, 
 
 2 
 
 Hie of Architecture, Fletcher, 113 
 Godfrey, 9; Statham, 10; Sturgis 
 & Frothingham, 12. 
 
 Homes, Country, 47-49. 
 
 Hooper & Shirley, Handcraft in Wood 
 and Metal, 51. 
 
 — & Wells, Modern Cabinet Work, 
 38. 
 
 Houses, Modern Country, 49-51. 
 
 —— Old English, 1-7, 51. 
 
 Housing of the Working Classes, 45, 49. 
 
 Huish, Japan and its Art, 20. 
 
 Human Figure, Vanderpoal, 42. 
 
 Hurrell, Old Oak Furniture, 35. 
 
 INIGO JONES, Works of, Zriges & 
 Tanner, 4. 
 
Interior Decoration and Furniture, 20, 
 32, 32-40. 
 Woodwork, Zanner, 32. 
 Ironwork, Wrought, 41. 
 Italy, Architecture of, Avxderson, 16; 
 Cummings, 11; Porter, 16. 
 
 JACKSON, English Plate, 39. 
 Jacobean Period, Architecture of, Gotch, 
 2,03; 
 
 Japan and its Art, Huzsh, 20. 
 
 Floral Art of, Conder, 18. 
 
 Landscape Gardening in, Conder, 18. 
 
 Japanese Art Books, 29. 
 
 Textiles, Verneuz/, 28. 
 
 Jones & Ditchfield, Charm of the English 
 Village, 5 
 
 Manor Houses of England, 5. 
 
 Jourdain, Old Lace, 28. 
 
 KENDRICK, English Embroidery, 31. 
 
 Kent, Old Cottages of, 6. 
 
 Kip, Views of English Houses and 
 Gardens, 4. 
 
 Knowles, Dutch Pottery, 31. 
 
 LACE, Old, Jourdain, 28. 
 
 Leadwork, English, Weaver, 40. 
 
 Lecture Diagrams, Architectural, II. 
 
 Letchworth, Cottages at, Cores, 49. 
 
 Lethaby, Greek Buildings, 13. 
 
 Lettering & Writing, Day, 21,22; Rhead, 
 24; Smith, 24. 
 
 Libraries, Champneys, 46. 
 
 History of Architecture in, 9. 
 
 —— Houses of the 17th-19th Centuries, 
 
 9. 
 Survey Committee’s Monographs, 
 
 fe 
 Longfellow, Perspective, 43. 
 
 MACARTNEY, English Houses and 
 Gardens, 4. 
 
 —— & Belcher, Later Renaissance Archi- 
 tecture in England, 2. 
 
 Maginnis, Pen Drawing, 40. 
 
 Malim, Wood Carving Patterns, 37. 
 
 Mann, Brooke House, Hackney, 7. 
 
 Manor Houses, English, 1-5, 51. 
 
 Manual Training, //ooper & Sharley, 51. 
 
 56 
 
 Marks, Planning of Buildings, 46. 
 
 Mawson, Civic Art, 47. 
 
 Garden Making, 19. 
 
 McGoodwin, Architectural Shades and 
 Shadows, 43. 
 
 Medizval Architecture in England, 1, 3 
 
 —— Architecture of France and Italy, 
 Cummings, 11; Porter, 16. 
 
 Decoration, Colling, 44. 
 
 Metalwork, 41-43, 51. 
 
 Meyer, Handbook of Ornament, 26. 
 
 Middleton, Perspective, 43. 
 
 Mitchell, Classic Architecture, 15. 
 
 Model Cottages and Villages, Cornes, 
 
 49. 
 Moller, Wood-Carving Designs, 37. 
 Monumental Architecture, Rzchardson, 
 
 53- 
 Morris, Wm., Designs by, 54. 
 Mumford, Orientai Carpets, 28. 
 Murphy, Wrought Ironwork, 41. 
 
 N ATURE Studies, Birds, 27, 29. 
 
 Plants, 27, 29. 
 
 Needlework, Day & Buckle, 22. 
 
 Newton, Roman Architecture, 12. 
 
 Nicholson & Corlette, Modern Church 
 Building, 46. 
 
 Noetzli, Drapery Cutting, 35. 
 
 Norfolk, Old Cottages of, 7. 
 
 Norman & Carée, Crosby Place, 7 
 
 Architecture in Cornwall, Sedding, 8. 
 
 — Architecture in Essex, Godman, 8. 
 
 OAK Furniture, Hurrell, 35. 
 
 Oliver, Old Cottages of East Anglia, 7. 
 
 Opera-Houses, Sachs, 44. 
 
 Orders of Architecture, Mitchell, 15; 
 Spiers, 13; Uhde, 14. 
 
 Oriental Carpets, 28. 
 
 Ornament, Styles of, Dolmetsch, 253 
 Glazier, 26; Speltz & Spiers, 25. 
 
 Ornamental Design, 21-29. 
 
 Ould, Old Cottages of Shropshire, etc., 
 
 6. 
 Oxford, The Colleges of, Vallance, 1. 
 
 PAINTED Glass, Day, 22; Westlake, 
 
 42. 
 Parkinson, Old Cottages of Shropshire, 6. 
 
57 
 
 Parks and Parkways, Mewson, 47, 
 
 Pattern Design, Day, 21. 
 
 Pen Drawing, Maginnis, 42. 
 
 Penmanship, Day, 21. 
 
 Perks, Residential Flats, 45. 
 
 Perspective, 43. 
 
 Pewter Plate, Bel/, 30. 
 
 Piranesi, Samuel, 12. 
 
 Planning of Buildings, 44-50. 
 
 Plant Form and Design, 23, 27. 
 
 Plasterer, Art of the, Bazxkart, 38. 
 
 Plate, English, 39, 4o. 
 
 Pewter, 30. 
 
 Pompeian Decoration, Briggs, 20; Watt, 
 15, 
 
 Porter, Medizeval Architecture, 16. 
 
 Potter, Buildings for Small Holdings, 50. 
 
 & Cranfield, Houses for the Working 
 
 Classes, 49. 
 
 Pottery and Porcelain, 31. 
 
 Price, Old Base Metal Spoons, 309. 
 
 Public Baths and Wash-Houses, Cross, 
 46. 
 
 -—— Libraries, Champneys, 46. 
 
 QUEEN ANNE PERIOD, Archi- 
 tecture of, Belcher & Macartney, 
 
 2 
 Quennell, Modern Suburban Houses, 49. 
 
 RENAISSANCE Architecture, 2-9, 16, 
 17. 
 
 Repair of Ancient Buildings, 46. 
 
 Residential Flats, Perks, 45. 
 
 Rhead, Alphabet, 24. 
 
 Modern Practical Design, 24. | 
 
 Principles of Design, 24. 
 
 Richardson, Monumental Architecture, 
 
 ie 
 
 & Gill, London Houses, 9. 
 Roberts, Architectural Sketching, 43. 
 Robinson, Architectural Composition, 
 
 42. 
 
 Roman Orders, Mitchell, 15 3 Spiers, 13; 
 Ohde, 14. 
 
 Rome, Architecture of, Anderson & 
 Spiers, 13; Newton, 12. 
 
 Rowe, Chip Carving, 37. 
 
 French Wood Carvings, 37. 
 
 —— Practical Wood Carving, 36. 
 
 SACHS, Opera-Houses and Theatres, 
 
 44. 
 —— Stage Construction, 44. 
 
 Samuel, Piranesi, 12. 
 
 School Buildings, Clay, 45. 
 
 Scottish Gardens, 7riggs, 19. 
 
 Sedding, Norman Architecture, 8. 
 
 Sepulchral Monuments, Brindley, 18. 
 
 Shades and Shadows, McGoodwin, 43. 
 
 Sheffield Plate, Watson, 40; Wyllie, 30. 
 
 Shop Fronts, Old and New, Dan & 
 Willmott, 45. 
 
 Shropshire, Old Cottages of, 6. 
 
 Shuffrey, The English Fireplace, 42. 
 
 Silverwork, Modern, Ashédee, 40. 
 
 Old, Gardner, 39 ; Jackson, 39. 
 
 Simon, English Furniture Designers, 
 
 34- 
 Sketching, Architectural, 43. 
 Small Holdings Buildings for, Potter, 
 
 50. 
 Smith, Lettering and Writing, 24. 
 Speltz & Spiers, Styles of Ornament, 
 2 
 
 Spiers, Architecture of Greece and Rome, 
 L3 
 
 Orders of Architecture, 13. 
 
 Spiers & Speltz, Styles of Ornament, 
 
 2h 
 
 —— & Uhde, Architectural Forms, 14. 
 
 —— & Vulliamy, Classic Ornament, 14. 
 
 Spoons, Metal, Price, 39. 
 
 Stage Construction, Sachs, 44. 
 
 Stained Glass, Day, 21; Westlake, 42. 
 
 Staircases, Godfrey, 32. 
 
 Statham, Architecture among the Poets, 
 18. 
 
 —— History of Architecture, Io. 
 
 Stratton, (A.) & Garner, Domestic Archi- 
 tecture of the Tudor Period, I. 
 
 Stuart Period, Architecture of, Belcher 
 & Macartney, 2. 
 
 Sturgis & Frothingham, 
 Architecture, 12. 
 
 Styles of Ornament, Dolmetsch, 25; 
 Glazier, 26; Speltz & Spiers, 25. 
 
 Suburban Houses, Modern, Quennell, 
 
 History of 
 
 49. 
 Suffolk, Old Cottages of, 7. 
 Surrey, Old Cottages of, 6. 
 Sussex, Old Cottages of, 6. 
 
 TABLE Glass, English, Baze, 31. 
 
 Tanner, English Interior Woodwork 
 2. 
 
 —— Old English Doorways, 9. 
 
 — & Triggs, Architectural Works of 
 Inigo Jones, 4. 
 
Terms in Ornamental Design, Harrison 
 é& Townsend, 26. 
 
 Textiles, Japanese, Verneuz/, 28. 
 
 Timber, Bzdlake, 52. 
 
 Town Planning, Mawson, 47. 
 
 Townsend & Harrison, Terms in Orna- 
 mental Design, 26. 
 
 Triggs, Formal Gardens, 19. 
 
 Garden Craft in Europe, 19. 
 
 — & Tanner, Architectural Works of 
 Inigo Jones, 4. 
 
 Tudor Period, Domestic Architecture of, 
 Garner & Stratton, 1. 
 
 UHDE & SPIERS, Architectural 
 
 Forms of Classic Ages, 14. 
 Upholstery and Drapery Cutting, Moedz/2, 
 
 35: 
 Useful Details, Bzmstead, 36. 
 
 VACHER, Italian Ornament, 28. 
 
 Vallance, The Colleges of Oxford, 1. 
 Vanderpoel, The Human Figure, 42. 
 Verneuil, Plant Form and Design, 27. 
 Japanese Textiles, 28. 
 
 Villages, English, Dztchfield, 5. 
 Vulliamy & Spiers, Classic Ornament, 14. 
 
 WARD, French Chateaux and Gardens, 
 17. 
 —— French Renaissance Architecture, 
 
 17. 
 
 Watches and Clocks, Arztten, 35. 
 Watson, Silver Platers, 40. 
 
 Sheffield Assay Office Register, 40. 
 Watt, Greek and Pompeian Decoration, 
 
 TS: 
 
 Weatherley, Sepulchral Monuments, 18. 
 
 Weaver, English Lead Work, 4o. 
 
 Wells & Hooper, Modern Cabinet Work, 
 6 
 
 36. 
 Westlake, Stained Glass, 42. 
 Wharton, Decoration of Houses, 35. 
 Whitehall Palace, Gotch, 3. 
 Willmott, English House Design, 47. 
 Wood and Metal, Handcraft in, 51. 
 Wood Carving, 33, 34. 
 Woodwork, Interior, 7Zaxner, 32. 
 Working Classes, Houses for, 49. 
 Writing and Lettering, Day, 21, 22; 
 Rhead, 24; Smith, 24. 
 Wrought Ironwork, 41. 
 Wyllie, Sheffield Plate, 30. 
 
 YERKES Collection of Oriental Car- 
 pets, 28. 
 
 Yorkshire, Old Halls and Manor Houses 
 of, 51. 
 
 Bradbury, Agnew, & Co. Ld., Printers, London and Tonbridge. 
 
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