SEP oven is Digitized by the Internet Archive in 2023 with funding from Columbia University Libraries 4 https://archive.org/details/nomedecorationalOOalir AVERY LIBRARY COLLIMABIA UNIVERSITY Wall Papers N “HOME DECORATION” we submit examples of artistic wall treatments. The many pages of color sketches portray the best ideas from foreign and domestic manufac- turers of note. Months of careful consideration is given to the selection of our line of Wall Papers. Out of each line we gather the designs of merit and dis- card the faulty ones. After the final choice is made a committee of experts and one of artists assemble and sketch the appropriate patterns for the various rooms submitted herein. We feel no hesitancy in stating to our patrons that close observance of the effects as they are shown will invariably result in pleasing decora- tions for every room in the home or apartment. In all it has been our aim to offer “Home Decoration” as a standard authority on appropriate ideas in decoration—in the same sense as Alfred Peats is known everywhere as the leader in Wall Papers. One thing that is foremost in con- nection with wall decorations for the year nineteen hundred and ten is the fact that they have been executed on the lines of Comfort and Luxury, rather than on the point of Necessity. An authority describes it in this manner: In olden times the three- legged stool was the outcome of Necessity. Some one discovered that it would be more useful with a back to it—that meant Comfort. After- ward some one else thought the back would look better if it was ornamentally shaped and carved — that was Luxury. It is not essential to trace the steps of this progress or to attempt to fix any approximate time when Neces- sity began to emerge into Comfort or when Comfort began to crave for the refinements of Luxury. Luxury is the educated expression of woman’s sense of the beautiful in decoration. If, as has been said, taste is the conscience of zsthetic mankind, lux- ury is the visible endeavor of that conscience to give its concepts a tangible form. There may be a luxury with very little taste, but in its higher and best governed expressions it is always regulated by taste. In brief, this is to be a season, under the corrective influence of the artistic conscience, which is bound to produce results both charming and pleasing. There is yet another and a still more important point in connection with this new “artistic tendency.” It is the outward and visible mani- festation of the idea that is conveyed in the “Home.” For “home” as we now understand it is assuming a definable shape. The family asso- ciates itself more and more in its environments. The walls are now papered with wall papers which are selected with a view to cover every member of the family’s temperament — more as a committee of the whole. Handsome oak wall paneling and beamed ceiling effects are recent interesting features of the interior decorations of our homes. The fireplace is another of the focusing points of the family life, where old and young meet after the day’s labors. ALFRED PEATS CoO. New York Boston Chicago Dining Room that conditions under which a meal is eaten sensibly influence digestion. The attractive decoration of the table and selection of substantial furniture is hardly more vital than the dining room itself. Beautiful and attractive color schemes for the dining room are suggested in “Home Decoration.” We are eager to give the best of our knowledge and experience in artistic decoration to the study of your requirements. The Alfred Peats facilities for offering the latest and best in Wall Papers and trained judgment to your individual prob- lem gives our institution an atmosphere which may be truly termed artistic—an art influence of importance to the entire country. Just opposite we present a color sketch showing a modern decoration for the walls of a dining room. The lower wall of Lin-O-Wall represents paneled wood, remarkable as to decora- tive value and better yet—indestructible. The beamed ceiling is an innovation of the season. It thoroughly replaces the expensive wood beams, which has made a ceiling of this kind heretofore a luxury. T’ SEEMS a well established fact Beams in any grain of wood can now be had at a fraction of the former cost by using the one offered here. The pattern numbers and quantities for a room 15x15 with four openings are given below. When a room is larger add one roll, yard of border, or motif for each foot in excess of quantity given, or reduce in the same proportion, if smaller. The illustrations below are for the pur- pose of showing the treatment around the entire room. Although no two rooms are alike, yet among the various illustra- tions on the different pages every obstacle may be overcome. Lower Wall No. 301-F Woody 450300 roll 6rolls Lin-O-Cat Upper Wall No. 3115 Oracle 6040 5 rolls Book 4 Pitney Beams, Weathered Oak Pitney 10 per foot 100 feet Color book Ceiling Filler No. P-13 Ferrule 3624 6 rolls Window Draperies Monk’s Cloth—Tapestry Border Lace Curtains—Ecru Fish Net Door Draperies—Crinkled Tapestry Book 5 AGA NYY, . PNA A VASO E UD ROA BG ene ONCE A ARS IRI) ar a mee awe 4 A ys SKETCH I stensiaeees aia mga UROE eS eR Dining Room Drawing Room drawing room the one fact that should be kept in mind is to prevent the common annoyance known as “flashy,” which is the effect of a design of too great brilliancy. The best method of avoiding this diffi- culty is to choose a pattern that is void of extreme contrasting colors—a self- toned or well balanced tones of color in a design offers a safe guidance in the decoration of the drawing room. “Questions of taste do not admit of argument” is a saying often repeated, but when a wall paper intended for an appropriate decoration for the parlor fulfills its purpose so beautifully and efficiently as the one exemplified on the page opposite, argument is indeed un- necessary to stamp the effect one of the artistic creations of the season. There are now few cases in which badly arranged and misused designs are chosen for the walls—mistakes are not so apparent as heretofore. It is remarkable to note the excellent judgment displayed by the buying public in dealing with their wall paper problems. This is due to the fact that people follow the advice of the foremost mer- chants, who invariably deal in the best merchandise and who offer suggestions daily in their show-windows or by timely I: SELECTING a wall paper for the hints in their illustrative catalogues and colored booklets. In good decoration bear in mind the fact that decoration must not “irritate the mind,” which most often comes by way of the eyes. In general, the remark that a design is “hard on the eyes” simply means that the color effect is too intense to be comfortably or safely looked at directly. The object sought should be to blend the walls, woodwork and draperies to such an extent that direct attention of the eyes shall feel neither shock nor restlessness. Note the long repeat in the Relief Crown. This is done by cutting away the wreath part of every other crown. This opportunity can be handled accord- ing to the fancy of the patron. Wall Hanging No. 3104 Ooze 7550 12 rolls Book 3 Relief Crown No. 3181 Paddle 2416 each 40 crowns Book 6 Ceiling No. 3140 Ossify 5436 8 rolls Book 3 Ceiling Border No. 3083 Obstrude 120080 1 roll Book 5 Window Draperies — Illuminated Silk Lace Curtains—White Filet Net Door Draperies Silk Velour—Gold Galloon aye h STE ICG LG ree CRIES IAL UAV SVM eel @ le /OPaT Ele 18) C/aol a yal ayaa Uae Le 28 [i 18S Va 128 | Bs Pes hee das Tt VAT RY BS Pat POs Ue Wed Uae BS Uae BS Hak 2S UF PDs Tey es Hae 85 | we os | Be as JOA RTE SEO RE EAE CAECUM GEIST GA AHHH SVAUBISIEIGN [STETRIESTAL ATE EIAVEL ERT JAE AMIE ISIE EVElavaleveyeO)SiMUate fal ay ay aya) Bye a1 |G) a) a) mee) alae STH VEVEI Sita) TVSVHVEVST RL SIAL /R)ETa) MV ATE VATE A) EVaT a | Mle Na eae 28 Vi V8 Wa 28 Lk Ot Te Wi BU ag eae Y Se is |e SHO HAE RRL ela] e | G1 | DPR IUIR TRIAGE) VE/ IOI a] Olay alo ld Gla) Oye yO) aia) af ace SOE TAE VETTE ATRESIA EIEIEVELBTATE AIST Ta Lei a a Ones it ac ssh 6 a i VW Ae gE) ot | Res) oe) ee alEAd psd Peal, dea i el a lelale rel Te “alk e] fe 28 | USE T RN a Sal ia ik EI Kal gle Fe 28 iat ig || We | tH) 9 sh asia talel iH Ha He Halse aed Hl RE il AMEE Ole EIB ay ale WARE Bera Wal Hi ili NAHE aera Wal 1} He Hilal Bleed Hel { » | ‘ Vel Oim i) pit 3 lig A qi [hd HE | Nese SKETCH II Drawing Room Living Room HERE is just as much scope for individuality in the treatment of an apartment’s decoration as in that of a home. Size is an important factor. Limitations of space may be largely overcome by a decoration that gives the illusion of a wide perspective. The suggestions and advice offered in “Home Decoration” form a distinctive feature of the Alfred Peats service to our patrons. We are as anxious as you are that the decorative scheme of your apartment will give you lasting pleasure. Through careful consideration of each room’s requirements and by showing the right designs we are able to prevent many mistakes in one’s decorations. In wall decoration there are many problems to contend with. Here are a few of the determining factors—the room itself, its purpose and its size, the fur- nishings and pictures. To take the last factor only, it is obvious that everything depends on whether you are to make the wall a simple background for a large collection of pictures—in which case a self-toned wall paper is called for—or whether the walls are to be decorative in themselves. It is the efficient help we give in the solution of these questions, no less than the variety and beauty of the designs, that has brought to the Alfred Peats organization so much success and public appreciation. Illustrations below show the crown or pilaster effect arranged doubly—in the four corners of the Living Room. Scenic Panels No. 3135 Orphan 4530 6 rolls Book 3 Adams Panels No. 3207 Parasol 9060 4 rolls Book 6 Adams Crown No. 3208 Parcel 2114 each 8 crowns Book 6 Panel Stiling No. 3205 Parapet 9060 4 rolls Book 6 Ceiling No. 3141 Ostrich 5436 8 rolls Book 6 Window Draperies—Shikii Silk Lace Curtains—Ecru Filet Net Door Draperies— Linen Velour SKETCH. II ae ATH ION SEE iving Room L Boudoir HE BOUDOIR should suggest the Send on your window and door measure- essentially feminine in its every fea- ments and we will forward in detail the ture. Its decoration should express cost and plan the most suitable arrange- delicacy and prettiness—should be artistic ment for the rooms intended. rather than luxurious. Panel designs suit- For the information of our readers we able to the general treatment of the room will explain the figures and words that will do wonders in brightening the appear- follow below: First in order running ance, and no branch of decorative art has across the line is the description of the received more careful and fruitful study paper in the sketch, then the number of from designers. it, telegraphic code word, price mark, As you will note, we are showing a quantity sufficient for a room and in what large variety of wall papers and panel book it appears, in the order as named. borders, which gives your problem of The word color book signifies that it is wall decoration an easy solution. .Our shown only in “Home Decoration.” judgment in selecting and assembling Samples may be had of these upon a admits of a wide scope in your selection written request. and will be the means of preventing many costly blunders in home decoration. After the rooms in your home or apartment are all newly decorated, what is wanted then to complete the entire effect is to obtain the proper cretonnes, Floral Panel No. 3106 Opal 6040 8 rolls Book 3 Panel Border No. 3071 Nutmeg 150100 2 rolls Color book Panel Stiling No. 3152 lace curtains and draperies. Our Chicago Oxalan Bit AN oon a Book 6 house deals in the best of materials for ; draperies. Each design of wall paper has Unbend 150100 Y% roll Color book an appropriate color scheme in draperies. Ceiling Border No. 3071 We carry here in stock and execute all Nutmeg 150100 ¥% roll Color book the newest and best effects in fabrics. Window Draperies—Shadow Cretonne Your wants may be safely cared for by Lace Curtains—Fancy Nottingham following closely the suggestions offered. Door Draperies— Shadow Cretonne eS 4) [Soa 2 SSS SSeS SSeS SSS SSeS Sssss i J ne $AGE: ae che ae lege | © 8 PREG PK 8 PE GIT a} | Baal | | a SA PIERO DHE OIE 9 PERO HE EEE —<—<$—< pe DES BD PSE S ~- BANE SSMS Sc t a z [SPS O DKE 8 -SIKR- 8 -- MESS (O SPEED “29RD PRE OHO SRED PRED | 5 = ia | L : if: : 3 i Bai i) 7 Ala: ai balla RG | UEP SNE ayy | | SKETCH IV Sei as Rey aE A in THES ee a ee Boudoir Bedroom principles of the art of harmonizing, choosing and directing the proper application of your wall papers is at least as difficult as it is to seize those of the art of fresco painting. The best knowledge and practical advice can be procured in conference with the actual practitioners of the art. Eighty per cent of the articles written on color schemes are futile and are unworthy of consideration. But we can listen with as much pleasure _as profit when the artists themselves are willing to talk about their art, to discuss their own way of assembling and to reveal the secrets of their craft. A recent authority has declared what the artist “has to say about himself and his art is of the utmost use,” and, in fact, is the only authority. All people inter- ested —that is to say, all real students— must make the effort to learn, whatever it may be, law, science or art, through the wording of the teachers—who are the practitioners of the art. The up-to-date dealer in wall papers always intends his display to attract the public—he plans the color schemes so that his patrons will rely on his judgment. Te GIVE a complete review of the Therefore he is ever taking account of the public, and of their tastes and their preferences; he is always careful to sug- gest only such designs that have merit, and which will meet the actual require-. ments of the home. He must, therefore, utilize to the utmost the special qualifications of the artists who assist him in the formation of his display. A designer cannot design and color a wall paper without considering its prac- ticability, its appropriateness for a certain style of room. It is at his peril as well as the merchant’s that the artist does not take his patrons into account, for it is the latter that finally accepts or disapproves of its suitableness as a decoration. Crown Cut-Out No. 3151 Oxacid 1208 each 40 crowns Book 6 Lower Wall No. 3100 Omelet 4530 8 rolls Book 3 Upper Wall No. 3160 Oxgood 4530 4 rolls Book 6 Ceiling X-1 Feline 3624 8 rolls Book 5 Window Draperies English Taffeta and Border Lace Curtains—German Scrim Door Draperies English Taffeta and Border SKETCH V | he RSA AAG VERSE RO tire enon, Ata ister Pe SABE cee HR GHINE Meee PTR a RUN ERT POR a Ge lt OY BA euswis SRD oA agp an Re Vln te er Bedroom Library HE EVE of the opening of the great display of wall papers for this season would appear to be a particularly opportune moment to dis- cuss the decorative qualities of wall paper as compared with those of paint and calcimine. It may be taken for granted that most people have long since ceased to question the advantages of paper—from a furnish- ing standpoint—over other materials. In weighing the advantages of colored designs in wall hangings with those of paints or tints it must be remembered that in the former you are able to match with preciseness the exact tones in your rugs, draperies and upholstering, while in the latter it is extremely difficult. In the mixing of paint or calcimine it is difficult to determine when it is “wet” just what color it will be when it “dries out.” Again, in oil it is sometimes impossible to obtain the softness, or silky texture, necessary to blend with the furnishings. In wall papers the range of colorings is so varied and complete that no difficulty will be met in finding the most delicate and decided shades in the fabrics. As might be expected of the many sketches shown, the Library is the most inviting and homelike. It is lofty, and this is taken advantage of to run the upper wall into horizontal panels. Is not this effect quaint and simple? We may also mention that the lower wall is quite exceptional in design. It is quiet, but exquisitely arranged, the crown and base as a finish to the art stems over a jasper background suggesting the effect of delicately carved handwork. The fire-grate stands in the wooden framed fireplace, near enough to the easy chair and reading table, and it is to be hinted that in this room the voices and presence of the majority of the family will linger longest. Lower Wall No. 3198 Palster 6040 8 rolls Book 6 Crown and Base No. 3199 Pan 1510 each 30 crowns Book 6 Panel Border No. 3584 Udora 195130 2 rolls Color book Panel Filler No. 986 Farse 6040 4 rolls Book 6 Ceiling No. P-7 Fennel 3624 8 rolls Book 5 Window Draperies Arras Cloth—Stencil Border Lace Curtains— Arabian Net Door Draperies Arras Cloth—Stencil Border SKETCH VI 14444 seiaaecaeteemmine nn i934 444 Library 1 SKETCH VII i SRR Ne NAC: SORME nant ES CHa NDR ODI sesamin ator ey emt fede ate re A Pretty Bedroom Scheme ARREARS PRERENDER HE ABOVE DECORATION offers a pleasing treatment forthe bedroom. The upright stripes on the lower wall with the decorative border cut out on the lower edge gives a freehand effect. The stripe mitered and hung horizontally inside and outside of panel border adds originality to the dec- oration on the upper wall. The panel border cut out on both edges may be hung successfully eighteen inches from the cove on the ceiling. Lower Wall No. 3068 Nugget 4530 8 rolls Book 5 Panel Border No. 3075 Obelisk 120080 4 rolls Book 5 Stile No. 3074 Oath 4530 4 rolls Book 5 Ceiling No. 3012 Narrow 2114 8 rolls Book 5 Window Draperies—Cretonne Lace Curtains— Dotted Swiss Door Draperies—Cretonne A Dainty Idea for the Boudoir ERE is an effective scheme for the boudoir or milady’s room. The unique panel border hung below the card rail and over the wall hanging finishes that part of the wall to perfection. On the upper is shown a soft green chambray as a background and over this at pleasant intervals are placed square panels taken from the border. In each alternate panel the bouquet is taken out. SKETCH VIII Lower Wall No. 3078 Oblate 4530 8 rolls Book 5 Border and Panel No. 3079 Oblige 7550 2 rolls Book 5 Upper Wall No. 3060 Nostril 3624 4 rolls Book 5 Ceiling No. 3012 Narrow 2114 8 rolls Book 5 Window Draperies—Wemyss Cloth and Border Lace Curtains—Scrim Door Draperies—Wemyss Cloth and Border SKETCH IX T IS HARDLY necessary to comment on the effectiveness of the above treatment. The back- ground represents a jasper cloth and hangs more like a fabric. The stencil band has the appearance of an applique effect in leather and needlework. The best effect may be procured by running the band at the angle and above base board continuously around the room, then panel each wall as the sketch indicates, taking the center of the space between the two half panels as the corner of the room. A Jasper Cloth Effect Jasper Cloth Wall No. 3084 Occasion 3624 10 rolls Book 5 Panel Border No. 3085 Occult 120080 4 rolls Book 5 Ceiling No. 3023 Nebula 2114 8 rolls Book 5 Window Draperies—Jasper Cloth, Stencil Border Lace Curtains—Ecru Net Door Draperies—Worsted Rep SKETCH X Arts and Crafts and a Tiffany Background oe) [) [2 [ss oe re oe) 2) ee] ee) a] el al HERE IS QUITE a demand for the blended Tiffany Wall No. 3094 Offence 4530 12 rolls Book 5 background shown here. The beauty is in the A and C Border No. 3585 Uhland 180120 4 rolls various tones seen in different angles of the Color book room—quite unusual in a decoration at so moderate Ceiling No. 3024 Neck 2718 8 rolls Book 5 a cost. Window Draperies—Broche Grenadine The Arts and Crafts decoration shown as a panel Lace Curtains—Colored Madras strip and as a middle and angle cornice introduces Door Draperies—Crinkled Tapestry, Leather Border the finishing touch to the color scheme. SKETCH XI HE ABOVE FRIEZE presents a mural effect after the style of Corot, a celebrated French painter. The sketch itself gives but a faint idea of the real color values introduced in this frieze. It is printed in sections 5 feet in length, 42 inches high and six sections or 30 feet to the roll. The lower wall represents natural wood and is made of Lin-O-Wall—the material that has no equal— better than solid wood, as it does not crack and is indestructible. The Le Soir Frieze and Lin-O-Wall Lower Wall No. 301-E Woody 450300 6 rolls Color book Upper Wall No. 9029 Le Soir 900600 2 rolls Color book Ceiling No. P-13 Ferrule 3624 8 rolls Book 5 Window Draperies—Irish Linen Lace Curtains—Arabian Net Door Draperies—Imperial Velour Autumn Leaves, Band and Tiffany Blend difference in color value over the Le Soir frieze on the opposite page. Both of these friezes have equal decorative possibilities and, therefore, no choice. Owing to the difference in design both borders can be used in the same home. As to preference we would suggest the Autumn Leaves in the Dining Room and the Le Soir in the Library or Living Room. Either frieze is appropriate for any important room, how- ever. Autumn Leaves is 42 inches high and has six 5-foot sections to the roll as in the Le Soir frieze. he THE Autumn Leaves Border there is little SKETCH XII The Tiffany lower and stencil band blend well with this frieze. Lower Wall No. 3096 Ogle 4530 6 rolls Book 5 Panel Band No. 3097 Old 150100 3 rolls Book 5 Upper Wall No. 9017 Autumn 900600 2 rolls Color book Ceiling No. P-13 Ferrule 3624 8 rolls Book 5 Window Draperies—Kyber Silk Lace Curtains— Madras Door Draperies— Montoro Velour, Leather Border SKETCH XIII ITHOUT DOUBT the above sketch will AV re to every one who looks at this page. The artistic effect is in evidence, both in the cut-out crown frieze and in the graceful panel border. It is well to note the effect of the cretonne win- dow draperies and lace scrim curtains. Throughout “Home Decoration” you will find the proper materials suggested for window and door draperies. These hints are offered as a safeguard against mistakes in materials as well as an aid in harmonizing the entire room treatment. Effective Cut-Out Suggestions Wall Hanging No. 3150 Owner 4530 10 rolls Book6 Panel Border No. 3586 Uledi 180120 2 rolls Color book Crown Cut-Out No. 3155 Oxamic 1208 each 40 crowns Book 6 Ceiling No. 3146 Ovate 3624 8 rolls Book 3 Window Draperies—English Taffeta Lace Curtains—Scrim _ Door Draperies—English Taffeta Cut-Out Frieze and Simple Paneling OR a simple and decorative effect sketch XIV deserves considerable attention. The graceful bowknot and ribbon is found arranged so taste- fully that no criticism will be forthcoming. In the panel border the white margin is left on to correspond with the white woodwork. In this treat- ment it is well to carry the panels even with the top of window casings. The beautiful cut-out crown border is one of the successes of the season, designed by one of the noted artists of this country. SKETCH XIV Wall Hanging No. 3072 Oaf 4530 10 rolls Book 5 Panel Border No. 3073 Oaken 9060 2 rolls Book 5 Crown Cut-Out No. 3159 Oxford 1208 each 40 crowns Book 6 Ceiling No. 3142 Ounce 5436 8 rolls Book 6 Window Draperies— Figured Taffeta Lace Curtains—Scrim Door Draperies—Figured Taffeta SKETCH XV HE WALL HANGING shown above is known as printed Holzmehl, commonly called Oatmeal Duplex. In selecting this material, either in plain or figured, insist upon the imported stock, as it is widely imitated by domestic manufacturers. The domestic product lacks the qualities most important. The foreign stock is nonfading and is a double-ply stock, while the domestic is single ply and does not have the weight or strength in the stock and must necessarily fade. The Ivy Leaf Crown Cut-Out is a freehand treat- ment that is bound to bring results that are entirely The Ivy Leaf Crown Cut-Out satisfactory. The decoration as shown resembles closely a scheme that in fresco would cost many and many times the amount. Wall Hanging No. 3192 Palaver 7550 10 rolls Book 6 Crown Cut-Out No. 3189 Palama 1510 each 40 crowns Book 6 Ceiling No. 3144 Outlet 3624 8 rolls Book 3 Window Draperies— Madras with Crown Border Lace Curtains— None required Door Draperies— Georgian Velour The Tudor Rose and Printed Holzmehl N THIS PAGE we duplicate the pattern of Imported Holzmehl for the reason that more self-toned papers are desired this season. For a background there is nothing better. In the wide and narrow stripe effect it is possible to obtain excel- lent depth of color without monotony of design. Tudor Rose Cut-Out Crowns admit of sufficient color to make the wall effect pleasing and confines the color arrangement to a position where it best accomplishes its purpose. Our opportunity to supply friezes of this character is due to the fact that we are large distributers and necessarily large buyers, enabling us to design, cut SKETCH XVI blocks, print and sell at a reasonable price, effects that other dealers are unable to obtain owing to their limited buying power. Wall Hanging No. 3184 Pageant 7550 10 rolls Book 6 Crown Cut-Out No. 3185 Pagoda 1812 40 crowns Book 6 Ceiling No. 3144 Outlet 3624 8 rolls Book 3 Window Draperies—Clynder Cloth Lace Curtains— Nottingham, Ecru Door Draperies—French Velour SKETCH XVII N THE above arrangement it is optional with the decorator to repeat the crown—shown below the plate rail—above the base board. In this, however, reverse the crown—that is, turn the floral part up and let the heavy part rest on the base board. This effect is most appropriate for the Library, espe- cially where bookcases and such heavy furniture is in evidence. The height of the plate rail may depend upon the height of the wall cases. The amount of wall space above the plate rail is imaginary and can be equal to half of the entire wall, although in the sketch the reduction brings it to a minor part. A Library Treatment The Tudor Crown accepts the background in a harmonious degree of individuality. Lower Wall No. 3196 Palmate 7550 6 rolls Book 6 Crown No. 3197 Palola 1812 each 30 crowns Book 6 Upper Wall No. 982 Farm 6040 4 rolls Book 6 Crown Cut-Out No. 3191 Palatine 1812 each 40 crowns Book 6 Window Draperies—Kiota Silk Lace Curtains—Filet Net Door Draperies— Dantzig Velour A Favorite Dining-Room Scheme ELDOM do we find a patron that dislikes a S foliage, verdure or scenic tapestry effect in wall papers. The picture illustrates one of the favorite designs of this season. A tapestry effect is not complete without a decorative border, which in every case adds the texture value to it. Here we panel the lower wall with a very interesting border, and to realize the best effect from this artistic arrange- ment is to panel each wall with a full panel. In the event a door or window intervenes allow the panel to end there; repeat with another beyond this opening, conforming the size according to the amount of wall space at hand. The Fruit Crown Border which comes to you all cut out as shown is the best frieze effect we have SKETCH XVIII S ‘a n r Je OIE ever seen. The artistic part is not confined to the drawing, but associated with it is the excellent color blending. Panel Foliage No. 3115 Oracle 6040 8 rolls Book 3 Panel Border No. 3584 Udora 195130 2 rolls Color book Upper Wall No. 980 Farma 6040 4 rolls Book 6 Crown Cut-Out No. 3193 Palette 1510 each 40 crowns Book 6 Ceiling No. 3026 Negative 2718 8 rolls Book 5 Window Draperies—Figured Irish Linen Lace Curtains—Imported Stripe Scrim Door Draperies—Figured Irish Linen SKETCH XIX epestsbctescccussctcscrtetsartssvenctiet POU G2 SO OL UO | = be Zz 4 om 198 ORA NOVELTY DECORATION sketch XIX meets with the approval of every one who has seen it. The proper scheme to follow is to run the stem, or growing columns, up each side of the corner of the room, leaving a space of six inches from the angle. The cornice and crown is run continuously around the room. The plain wall is the tan Holzmehl which hangs so well as a background. The scenic tapestry may be inlaid in the form of panels, as sug- gested in the larger wall spaces. In introducing the Pitney beam ceiling, or the one suggested, the entire room is transformed into a complete arbor effect. The tendency this season is to go a little out of The Arbor and Forestry Panel the ordinary with the “cutting knife” and it is sur- prising to see the results of such handiwork. Grape Column No. 3202 Panel 5436 4 rolls Book 6 Crown No. 3203 Parable 1208 each 40 crowns Book 6 Plain Wall No. 984 Farrier 6040 4 rolls Book 6 Scenic Paper No. 3135 Orphan 4530 4 rolls Book 3 Panel Border No. 3091 Odd 9060 3 rolls Book 5 Cornice No. 3565 Upright 120080 1 roll Color book Ceiling No. 3204 Parade 5436 8 rolls Book 6 Window Draperies— Golden Brown Shikii Lace Curtains—Square Scrim, Ecru Door Draperies—Verdure Tapestry Panels and French Wainscoting Effect HE NEW MOIRE shown in the center and lower panel is made on very excellent stock, and although many have confined the moire effects to ceiling work, this particular one is intended for a wall hanging. The effect of a moire on the walls is very attractive, and with the relief crown at the top of the panel, and alternate panels in a figured design, the whole color scheme is charming. The dotted stile balances the various panels in a uniform manner and surrounds the French wainscoting with the same preciseness. It is well to break up the walls of one room in SKETCH XX the home like the above effect. It gives a pleasing variety in the decorative scheme. Moire Panels No. 3168 Oxonion 6040 6 rolls Book 6 Figure Panels No. 3103 Onyx 4530 4 rolls Book 3 Stile No. 3140 Ossify 5436 4 rolls Book 6 Panel Border No. 3587 Ulen 120080 2 rolls Color book Empire Crown No. 3182 Paddock 2416 each 16 crowns Book 6 Ceiling No. 3140 Ossify 5436 8 rolls Book 6 Window Draperies— Moire Armure Lace Curtains—lIrish Point Door Draperies—Moire Armure SKETCH XXI ITH A FEW EXCEPTIONS the bedroom AV, (Sree shown above surpasses any in “Home Decoration.” ‘The simple panel effect, without variety of cross coloring, makes it a very dainty wall hanging. The ribbon is cut out, as shown, when this selec- tion is wanted. The effect of the white panels and the stile in a narrow blue stripe, mitered around each ribbon arrangement, presents an artistic appearance. The repeat of the ribbon at the angle and cut out on one side only gives a relief to the detail in the border. Ribbons and Dainty Panels We recommend highly this color scheme for a young lady’s room or a guest chamber. Panel Field No. 3142 Ounce 5436 8 rolls Book 6 Stile No. 3072 Oaf 4530 4 rolls Book 5 Border (cut out) No. 3073 Oaken 0906 yard 80 yards Book 5 Ceiling No. 3142 Ounce 5436 8 rolls Book 6 Window Draperies—Blue Taffeta, Border Lace Curtains—Dotted Muslin Door Draperies—Blue Taffeta, Border New Art and Vogue Designs WING to the increased demand for New Art and Vogue designs we have introduced the above illustration. Imagine the sketch to be a complete wall with the art stems running up each corner of each wall and picture the effect. In another way, imagine one of these art stems over each step ascending the stairs in the hall, allow- ing the ornament to rise eighteen inches on every step. With the latter treatment do not use the base ‘ ornament, but let the stem run into the base band. The square cornice effect is a part of the band above the base board. SKETCH XXII Permit us to forecast a high appreciation of this decoration by our many patrons. Plain Wall No. 986 Farse 6040 10 rolls Book 6 Art Stems No. 3198 Palster 6040 4rolls Book6 Crown and Base No. 3199 Pan 1510 each 8 crowns Book 6 Cornice and Band No. 3588 Ulm 180120 2% rolls Color book Ceiling No. 3026 Negative 2718 8 rolls Book 5 Window Draperies—Kyber Silk Lace Curtains— Arabian Net Door Draperies—Stenciled Jute SKETCH XXIII Sp ee t 1 7 ae) Picturesque it will stand the uses for which it is intended. It must withstand moisture and even forestall the effects of water. In the sketch we have protected our patrons from redecorating as far as the above is concerned. The Sanitile on the lower wall is made on cloth and heavily enameled, making it as durable as a natural tile. The upper wall is treated in the Sea Gull decora- tion, which is made in sections 20 inches wide and 60 inches high. There are two parts to the design, which alternates and gives a repeat of 40 inches. id Ree BATHROOM should be so decorated that and Pleasing for the Bathroom The top part of this decoration is so arranged that it can be cut away to suit the wall spaces without injuring the effect. The foaming surf and flying gulls is indeed a most attractive color scheme for the bathroom. Lower Wall No. 80-AW Sanitile 200 Sanitas book Upper Wall No. 9030 A and B_ Gull 6040 each Color book Ceiling No. 3038 Neutral 4530 Book 5 Sash Curtains— Muslin, Dotted Clean Looking and Decorative for the Kitchen HE KITCHEN must necessarily be pleasingly decorated, as its attractive appearance does much to keep those who are compelled to spend hours in this room in good humor—which makes cooking an easier task. The object in introducing the upper wall here is that, owing to the formation of the design, it is not given justice in the small sample book. As it appears on the wall, you will note the effect is very good. ' The lower and upper wall, as well as the ceiling, are all papered in three popular varnished tile papers. SKE DCH XXTLV The best decoration, however, for the kitchen and butler’s pantry is Sanitas. This material is made on cloth, in enamel and flat colors and may be washed as often as necessary. It is sanitary and fulfills every requirement in the matter of wearing and lasting qualities. Upper Wall No. 3052 Normad 4530 6 rolls Book 5 Lower Wall No. 3043 Nimble 4530 4 rolls Book 5 Ceiling No. 3053 Nonage 4530 8 rolls Book 5 Sash Curtains— Dotted Swiss SKETCH XXV S FAR as commenting on the above decoration, it is needless to go further than giving an explanation of the arrangement and the pat- terns used in the color scheme. The lower wall is executed by taking wall hanging No. 3207, book 6, and hanging upright on the wall surface, each strip 12 inches apart. The top and the base part of the panel is taken from crown No. 3208, book 6. The stile is taken from the wall hanging and hung between the panels. The upper wall consists of a panel border with corners paneled over tan Holz- mehl. The ornaments within the panels are taken from the crown—that part of it which is not used in the formation of the panels on the lower wall. Ornaments and Panels for the Living Room Decoration The effect of the above makes a very pleasing decoration for any important room in the home. Lower Wall No. 3207 Parasol 9060 8 rolls Book 6 Crown and Ornament No. 3208 Parcel 2114 each 30 crowns Book 6 Upper Wall No. 986 Farse 6040 4 rolls Book 6 Panel Border No. 3589 Ulster 120080 2 rolls Color book Ceiling No. 3168 Oxonion 6040 8 rolls Book 6 Window Draperies—Argyle Cloth Lace Curtains—Ecru Net Door Hangings— Parma Velour Splendid for the Hall, Den or Dining Room HE EFFECT of the above scheme illustrates how much individuality one can accomplish with wall papers. To see these designs in another way, or as they are printed, one would not recognize them. It is in the way one handles a decorative problem that gives it character, or loses it. The decoration offered in miniature here is purely an idea of one of our artists and we will vouch for its effec- tiveness and its purpose. The panel border represents a hand-tooled leather and the plain background a gold tinseled and crinkled tapestry weave. The figured panel paper may be used in larger panels, two or three widths of the paper is better — which gives space to the applique effect at the top. SKETCH XXXVI The crowns at the top of the plain panels and the motifs in the wainscoting treatment balances the entire decoration. Crowns No. 3210 Parrot 2114 each 20 crowns Book 6 Plain Panels No. 3098 Olive 105070 6 rolls Book 5 Figured Panels No. 3136 Orthodox 9060 4 rolls Book 3 Panel Border No. 3099 Omega 2114 yard 100 yards Book 5 Ceiling—Pitney Beams and Pulp 13 Window Draperies—Warrington Siik Lace Curtains—Plain Filet Door Draperies—Crinkled Tapestry, Leather Border SKETCH XXVII stamps it as one of the most artistic creations of the season. One of our New York artists is responsible for this beautiful color scheme and every one who saw it photographed expressed the opinion that it deserved much credit to the artist. The excellent panel border which is cut out on both edges is placed over a gray chambray in panels even with the top of the door casings. The column and rose festoon cut-out border at the top is an unusual idea and very decorative in itself. The cretonne door hangings shown are also to be used on the windows, and, with the wall decoration as pee GRACE and simplicity of sketch XXVII For the Guest Chamber suggested, there is no doubt in our mind that it will meet the approval of critical observers. Wall Hanging No. 3062 Notable 3624 10 rolls Book 5 Panel Border (cut out) No. 3590 Ulman 0906 yard 60 yards Color book Panel Border (not cut out) Ulman 120080 Column Border No. 3591 Ulysses 240160 2% rolls Coler book Column Border (not cut out) 150100 Window Draperies— Rep Cretonne Lace Curtains—Fancy Etamines Door Draperies— Rep Cretonne Designed for Daughter’s Room se eeeeeceicniiacoueies tao ammapcime ree cee RN E ILLUSTRATE herewith an English WV var design. The sketch itself presents fully the proper treatment. Of the many imported wall papers shown we consider this design one of the prettiest. The artistic scheme is worthy of much enthusiasm. Note the dainty knotted ribbon, with the bowknot in each corner and the mat-like line inside. When it comes to real art, the flower basket reveals it exquisitely. The basket and beautiful floral bouquet is in hand _ work. No printing press is equal to the occasion. In all it is excellent. The background of blue shows the new chambray in a very charming tone. The ie SKETCH XXVIII ribbon band at the angle and over base board is a part of wall hanging and cut out on the outer edge. Panel Design No. 3816 Warrington 150100 6 rolls Color book Basket Crown No. 3817 Wellington 3725 each 20 crowns Color book Blue Chambray No. 3064 Noun 3624 8 rolls Book 5 Ceiling No. X-1 Pulp Feline 3624 8 rolls Book 5° Window Draperies—Chambray, Ribbon Border Lace Curtains— Fancy Etamines Door Draperies—Chambray, Ribbon Border SKETCH XXIX The Innovation of the Season To obtain proper effect hold over head or at arms length with top of book tilted slightly forward inches) it was necessary to take the picture in perspective, resulting in the lines converging toward one end. The Pitney patent strawboard paper veneer beam ceiling is controlled by the Alfred Peats Co. and is one of the most unique inventions of the year. The beams are perfectly rigid and will not warp, twist or pull loose from the ceiling; in fact are equal in durability and effect to the genuine wood at only a fraction of the cost. Think of a beam ceiling for a room 12x15 all complete for $11.85. The cost of putting up the beams is inexpensive as your decorator does that—no carpenter necessary. A simple idea, that’s all. Where the effect of an entire wood ceiling is [ ORDER to show the depth of the beams (four wanted, cover the plain panels inside the beams with the paper veneer. It is well to use quartered oak in the panels if you use straight oak on the beams. Mahogany and other woods to be used the same throughout. A still more elaborate effect can be obtained by covering the lower wall also with the same veneer, dividing the spaces if desired with panel strips to match the plate rail. The paper veneers are furnished in the following finishes: Antique Oak, Fumed Oak, Swamp Oak, Golden Oak, Fumed Ash, Golden Ash, Natural Bark, Red Mahogany, Light Grain Mahogany, Cherry Egg- shell Finish. The above are all 35c per roll, except the cherry eggshell finish, which is 50c per roll. SKETCH XXX 3560 3574 Paper Moldings ae Panel Borders . 3575 Cornices f 562 Ribbons : 3576 3563 : | 3577 3564 B 3578 3579 ce 3580 3581 3582 3583 3573 —_—_e.?.k »xkx ®? ®}®®®_—a—a—a—————————— ——— — — Pattern Width of| No. of Telegraphic| Price No. Book Band, Yards No. Tachese iniRotl Code Per Roll HE ILLUSTRATIONS of ribbons, bands, 3560 Vs 60 | Unique | 120080 Color moldings, cornices, and tapestry borders are for aoe te a er ee ioocnG aoe the purpose of showing the outline and color of ee : Pe | ees A Naa ae are i) . . . m € each. The various colorings are to be used in decora- 3565 3 30 | Upright 120080 Color . 3566 23 45 | United 120080 Color tive work such as many have been used throughout 3567 Ds 45 | Under 120080 Color “Home Decoration.” The opportunity for unlimited Boe ae Stalls cee ay ee . . ° . 2 display of ideas with most every pattern in our sample 3570 6% 24 | Uranus 9060 Color z : : ; 3571 63 24 Urgent 9060 | Color books in connection with these decorations is at hand. 3572 635 24 Urn 9060 Calor The accompanying form gives the width, number of ante ; - ae oes ee yards in a roll, the telegraphic code word and price 3575 D 45 | Union 105070 Color ’ ll 3576 2 45 Umbrage 105070 Color per roll. ; 6 3577 2 45 Utility 105070 Color 3578 2 45 Usage 105070 Color 3579 2 45 Urban 105070 Color 3580 2 45 | Ubly 105070 Color 3581 Wr 45 Ucum 150100 Color ee 3582 23 45 Unbend 150100 Color 3583 3% 30 Udall 120080 Color SKETCH XXXI T IS OFTEN a decoration is wanted for a public building, store, office, theater, ice cream parlor or lodge hall. Sketch XXXI is offered as a decora- tion suitable for any public room. The relief cornice in plaster or stone color stands out in bold relief, espe- cially where there is a high ceiling. The stencil band may be paneled in the way best suited to the require- ments and purpose of the place it is to be used in. The drab Holzmehl used as a plain background Relief Cornice and Stencil Band Effect resembles a rough plaster effect and harmonizes well with the cornice and panel border. Plain Wall No. 972 Faquir 6040 Book 6 Relief Cornice No. 3593 Unaka 150100 Color book Panel Border No. 3592 Umatilla 120080 Color book Ceiling No. 3027 Neglect 2718 Book 5 Window Draperies—Casement Cloth Door Hangings—Sheridan Velour SKETCH XXXII aa A as i 4 gh? Ss Si ~4 Le Church Church | SIDE from the fact that it is our A duty to contribute toward the beautification of the church we worship within, it is with pride that we feel a certain satisfaction in viewing a harmonious interior, and with gratifica- tion do we compliment the committee or the board authorized to attend to the decorating. To aid the committees and to offer the best ideas in church decoration we sug- gest the color scheme on the preceding page. The terra cotta tones in this wall treatment are pleasing, as they are dec- orative yet unobtrusive. The same design arrangement is also made in gray tones. Our Department D will suggest innumerable color schemes for every style of public building, offer in detail the proper decoration, conforming with the architectural plan of the build- ing, at any time. A request by letter accompanied with prints will result in a careful weighing of the problem and expert service will be given each indi- vidual request. We designate below the various parts of the decoration presented in the sketch of the church. The wainscot may be used in the wood veneer paper where a more moderate cost is wanted. The blue sky effect shown in the pulpit decoration is optional. It may be decorated in a plain material in an olive green cast or in the deep ecru tones. The black and white illustrations suggested in the lower half of this page carry you all around the - interior of the church, showing the win- dows along both sides and the rear full view as well as a clear view of the entire front. Sidewall No. 3594 Uncas 6040 Border No. 3595 Upton 6040 Ceiling Panels No. 3596 Ural 4530 Panel Binder No. 3564 Umbel 9060 Ceiling Border No. 3091 Odd 9060 Panel Stiling No. P-13 Ferrule 3624 Wainscoting No. 301-E 450300 Pulpit Columns No. 3448 3020 yard Caps and Base No. 3450 7550 set Arch No. 3451 300200 each Scroll No. 3452 225150 each Pulpit Filler No. 3028 Negress 3725 - Panel Over Arch No. 3597 Uranis 3624 > nd hvodny so IAAL AIALAN, OA KORN ANN Oe SS es | qe Tala bau SOOO . V fe oon G OUST b AS Bidder Ota 0 Sela = =i) eal lal r= " al 1). w TE » nfs) hash ss SS . mi il RS es ata ar SEERA ASS = re <> ae ES ee ese MANZ ENGRAVING COMPANY ee DAES tle AVERY LIBRARY COLUMBIA UNIVERSITY