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OFFICIAL PROGRAM
FOR THE EVENTS OF
CENTENNIAL WEEK




,~;.Y;. >4v A  /t J.Y1 Xt. 7/  c:-&
L   ^J /?        g; (  /  v —/,~ A,^, f /. <, tMz, e  --  /  '.
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~y I- ec  ^     y ^e  ^ 4    /Z  4C - I
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The fir st lage from  thIe Missio, o JoItul1, with w as kept ot the  ha( ileus anti
later sett bt-} k to Boston as the oflicial treort.
2. 2  ^/i t. C itL e o   _
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7- -/:W
FOREWORD,
To celebrate worthily the great event of 1820 in Hawaii's history
is in itself a stimulus to profound thought and instant action. Foreign
discoverers and settlers there were previous to that time, it is true, yet
not one who came to offer himself a living sacrifice for the spiritual
and moral welfare of this little nation. Hawaii had already begun to
be the prey of those who roved the seas; and already intercourse with
foreigners had sown the seeds of unrest and discontent with long-established Hawaiian custom. To the undying glory of John Young, British
seaman, be it said that he advised the young king, Liholiho, to grant the
American missionaries on the brig Thaddeus the desired permission to
land and take up their proposed work. Thus were laid the foundations of Christian civilization in Hawaii.
We look back this week across the growth of one hundred years
upon that foundation. Varied it is in its development; unequal in its
values; here, dully disheartening; there, strongly encouraging in its
promise of achievement.
Above all, this backward look brings a challenge to concerted action.
The stretch of imagination which carries us back a century, does also
project us forward a like distance to the year 2020, when, peering
eagerly, and perchance a bit wistfully, down through the floor of heaven,
we shall hope to discover our descendants, as they pass through to the
contemplation of 1820, pausing respectfully at the door of 1920. The
continuation of the work of our forefathers rests in our hands. Upon
their cornerstone must be builded a stronger and more beautiful structure than even they have dreamed. To that end, therefore, w e, the
citizens of Hawaii, regardless of color, creed and parentage, do now
devote ourselves to the sacred duties of this Centennial \Veek, not with
sounding brass and tinkling cymbal, but with the avowed purpose of
laying upon the altar of 1820 a tribute worthy to strengthen and enlarge
its hallowed foundation.


0)
0




Preliminaries
Social Events
TUESDAY, APRIL 6
W\OMAN'S DAY AT CENTRAL UNION CHURCH
\Women's Society at 11:00 A. M.       Luncheon at High Noon
Womnan's Board at 1:30 P. M.
SPEAKERS
Mr. Joseph Addison Richards of New York
Rev. William E. Clarke of Samoa
8:00 1'. M. "Arcadia," home of Hon. and Mrs. WXalter F. Frear
1434 Punahou Street
College Club Reception to President Aurelia H. Reinhardt, LL.D.
Mills College, California
ADDRESS:
"The Outlook of the College Girl and What the College Plans to Give Her"
Athletics
W EDNESI)AY, APRIL 7, TO SATURDAY, APRIL 17
Iaily 1 Except Sunday, at 3:00 P. M.
Under the Auspices and at the Courts of the Beretania Tennis Club
Corner Kap)iolani adl YouIng Streets
CENTENNIAL TE NNIS TOURNAMENT
Authorized by the National Tennis Association
CONTESTANTS
Bowie Dietrich and William Parker, California State Doubles Champions
Players from the Army, Centennial Fleet, and Maui
Players from the Army, Centennial Fleet, Maui, Leading Local Players
CONTESTS: Men's Singles; Men's Ioubles; Mixed D)oubles
THIURSI)AY, APRIL 8
6:30 P. M., Central Union Churcl
MEN'S IEA(GUE I)INNER
SPEAKERS
-Ion. David Percy Jones, (overnor Charles 1. McCarthy
Mayor John H. Wilson, Dr. Henry Van Dyke, Mr. F. W. Lyman
Dean W. I. Cross, Dr. LEdward D. Eaton




FRIDAY, APRIL 9
12 Noon, Young W\omen's Christian Association
BUSINESS GIRLS' LUNCH
SOLOIST: Mrs. Eleanor Hazard Peacock
SPEAKER: President Aurelia Henry Reinhardt, LL.D., Mills College,
California
TOPIC: Womian's Suffrage Responsibilities
8:00 P.. M   ission Memorial Auditorium
CENTENNIAL HAWAIIAN CONCERT
Mrs. Charles L. Hall, Director
Featuring
"THE SPIRIT OF HAWAII"
11illlllllglllllllllllllllllllllllllllllflllllllllllll
SATURDAY, APRIL 10
1:00 P. M., at "Niniko"
Luncheon in I-Honor of the President of Mills College, by the Alumnae
1:30 P. M.
CENTENNIAL TRACK          AND   FIELD MEIET
Under the Auspices of the Amateur Athletic Union (Hawaiian Division)


Alexander Field, Punahou Campus
EVENTS
1.  60 Yards Dash               9. 220 Yards Low Hurdles
2. 100 Yards Dash              10. 120 Yards High Hurdles
3. 220 Yards Dash              11. One-half Mile Relay Race
4. 440 Yards Run               12. Running Broad Jump
5. 880 Yards Run               13. Running High Jump
6. 1 Mile Ran                  14. Pole Vault
7. 5 Miles Run                 15. Putting 16 Pounds Shot
8. 1 Mile Walk                 16. Throwing Discus
4:00 P. M., Mission Homes, Civic Center
RECEPTION TO SPEAKERS, DELEGATES AND
SPECIAL GUESTS
Tendered by the Mission Children's Society


5




Ce^4t, D 4^t^C^Z &  O Z  ~  0 
gnsu zi G- r            e. ^%
7     ',.  ^.C  -.  -,/-.t L/ -' /. _. [   ",^ y^ ^  ^l-r-C v,  rc-  /. -t,  ^
/2.   X; df 49   A> 
7    ]andlig from  the Thaddeus on April 12th.
ex7/1-8U-~ <?y i ~ 6^fr ll<^ l  Ol frolll tll Th l(l s 01^:' Al)QU  1 L.
^^!^ /^^~7w  d 6L~e^f^^^ ^<^-  < ^->^^^ ^ '^w.
'^^^  ^^V<^%         /^^*%)-~I
C^Ct       o t ^ ^ ^ /~^ e^^'^ ^^^u^
landli ing  from~ the Thaddelus on Ap.ril 12th.




SIJNIDA Y, APRIiL 11
Motif
T   EIi 1 HERITAGE OFt TH E PAST
Morning Services at 11 o'Clock
KAWA1L\IAO        CI UR'CH
Organized il Park Street (Cjllreh, Boston, Mass., 18I1
Transplalted to Honolulu 1820.EV. WILLIAM ELLIS
itssiorIearvy of the Lonrdon MiTssionary Societv ill the our Settil:sr. Ie visted
the Sandwia h Island Missiont: la tBEI0, makiag valuable contribations to it, and at
its argrten a request returh  e in t  a jt n il thre work.  1er remainedii abIou two
years. It is itaerest ing to coamparer this phtotograph with Mr. i t1lis' earlirr pietures, whih harteve be t upa tho tis ime, tth only  aras known al itawaii, This
one has just arrived from Englandl sent out ars a Centennial gift by the L tondon
Miisselaarro irscety, to be haln  ia Mtissioen Memoreiatl Hall.
I   *reetintgs fro   the ltldon Missionary Society
tev. Win, E. Clarke
of,11 3,1                        1




G*reetings froml thle Atertean Board Of
Olminionll ers for Foreigl N 0siosss
Rl:ev. 1Edt \ar:d 1), lEaton)l  D.I., 1I.1D.
Telegate from tihe trlyena: CoI lmlittee
1to.. Edwarld I). Eaton
CENTRAL UNt)NIO        CHiBURCIH
-rgaa   oatliel (ieit ihur h Odd33  Brani orgiarzed a0 Fort Street, ("litiarcth 152
tRiouitet eel atit reorgania  as Ctentral U010ion Chrll, 189)5
(ireetings, fronm
The Anieriati BItoartd of tiotqiriosiotiert for
Foreigt Missiolls
I     DI o  Idatto tltacs J jomts, mitntteapoli s0
tice-'rrdident of the itoant aml Delegate
_eo. DIoS t11ret Jon0s
Avtalont, P 'rinMeton, Newn jersec
KAUMAKA PIl (1 UR1I
Orfasiomed 1838
SERMtN:    Rev. Oliver P. Elmersoii Brooklinie, Massiachtsetts




ST. ANDREI   'S C ATHEDRAl
Organized 1862
SEa ON:
Rev. D. R. )ttmllallt
FORT ST1REET C     INESE CHURCI
Organized 1892
SERmON:  Rev. Edward 1. Thwing, Chiina
lPORTUG*UESE CHI URCI [
Organized 1892
SER:I rON: 7The Pastor
NUUANU STR.ET     JAPAN ESE CItU RC 
Organized 1892
SEi.RON:  President Tasukou arada
MIETIIODIST EIISCOPAL CHURCHI
Organized 1894
SERMON:   I resident Aurelia H enry Reinhardt, I.D.I., Mills College,
Cialifornia
CLII S''AN ClItiRCLII
(Org anized 1894.SERMO()N N
Rev. A. Wesle MWlI, Sai Frincisco, Catl.
Rev. A..Wesh M..ell
MAKIr I JAPXIANESE1i CItllRC111
Organllzed 11104
SERMi4: Rev. Seitnatsu Kimnra




BISHOP MEMORIAL CHURCH
Organized 1908
SERMON: Rev. John Q. Adams, Auburn, New York
KALIHI UNION CHURCH
SERMON: The Pastor
SECOND CHINESE CHURCH
Organized 1.915
SERMON: The Pastor
2:30 P. M., Kawaiahao Church
SUNDAY SCHO()L ANI) CHRISTIAN ENDEAV()R RALLY
4:30 P. M., Capitol Square
SERVIICE FOR MEN IN UNIFORM
SPIEAKER: Dr. Edward D. Eaton
EVENIN( SERVICES AT 7:30 ()'CI(CLCK
The Story of the Pioneers
KAWAIAHAO CHURCH
Kaumakapili Church Uniting
SPEAKER: Rev. (liver P. Emerson, Brookline, Massachusetts
CENTRAL UNION CHURCH
SPEA.KEIR: Rt. Rev. H-enry B. Restarick, Bishop of Honolulu
ST. ANDR- EW'S CATHEII)RAI
SPEAKERI: Rev. Albert \V. Palmer, Pastor Central Union Church
FO)RT STREET CHINESE CHURCH
SPEI.KER: Mrs. Frank W. Damon
IP'(RTtrUGUES E CHURC E
SERMON: Mr. Joseph A. Richards, New York City
Organized 1915
NUUANU STR1 EET JAPANESE1 CHURCH
Mass Meeting in Aala Park. Speaker: Rev. Seimatsu Kimura
METI(I)DIST EP)ISCOPAL CHURCISPEAKE!tRS Rev. John I. -Hopwood, President Mid-Pacific Institute
CHRISTIAN CHURCH
SPEAKER: Vaughan MacCIughey, Superintendent of Public Instruction
MAKIKI JAPANE1SE CHURCH
SPEAKER: President Tasuku Harada
BISH()OP MEMORIAL CHURCII
SERMi(ON: Rev. Henry Van Dyke, D.D., LL.I).
SECOND CHINESE CHURCH
SPEAKER: Rev. Edward N\. Thwing
10




The old NMission otn King Street, including the finst firame ouse an(d the
first, prilnting hIop in Hawaii.
tIltli llllllii l l tl BI~it li tl illiltlltll
MONDAYr APRIL t2
])AY oF REOF  NI)NS
Anniversary of tile LXanding of the Missionaries at Kailtua, Island of
}IIawaii, a nd Inauglural of the Sandwich Island Missioll,
Al)ril 12, 1820
10 A M. to 5 P. M. Daily
EXHItBITIO)N OF OLD-TIME RELICS IN TillE MISSION 1O)MES, CiVIC CENTER
Open throughonlt the week, inclulding- Maonlday, April 19
12 M., hil the Armory
CHfAMBER O)F C)MME1RCE LUNCHIEON
Music by Kalmehamneha Glee C(lub, unler Direction of Earle 3. Bartlett
Speakers:
Hon. James Rolpllh, Jr., Mayor of San Francisco.  California
\V'iltbur L Cross, Dean of (Gradtua te School, Yale t Universiy
11




3:00 P. M., Mission Memorial Audlitorium
ANNUAL MIIETlN(; OF TEIIE MISSION            CHILDRI)tN'S
SOCITFLY:00 P. M., Mission Memorial   ioriauditium
PLAY, "THE ROMANCE OF Ri ALITY"
By Ethel IMoseley Damoni
CURTAIN-RAISE.IF FOR TOLE PLAY:
A Fashion Show of Parisian Models Trom 1820 to 1920
Directed by Mrs. Philip E. Spa1ding, Mrs. Theodore A. Cooke
and MrsW. (errit P. Wilder
Itenry Opukaliaia (Olboklah), whose  arnest, almost wstf  geress
inspired the Salwie I    sliad Mission. He is ote of the lerding spirits of this
little Mtisi!o Play.
12     l_      _




K.  O j,   H,OPIT              TTsu',.  I ", ' '  
T'ie f' ur 1'awaiiam  7outh  bo! aor  oS7l 76 brig  Tadeus.  Profit  from*
e...:.:.&. *;e,  _,* 'v.
the  slo  of this print  r to   to th it o  the  rui3ili Islao
'2H   z  4  0 '  gi   '''  '  2j''<'  jj  '':.I g 0. ' " "r '. rS''
I <s  i ~  0  j0 fg   X*.  j 
The  oura~a~al  Wruth  G~O e:X~  OI th  ti  WIilaI~elsiProts  ro$
he~~~~~~~~~~~~~~~; sal  <)15~ lhspi2 e   1aseu  ~ leieletost~eS~~~h  sa
dsiouf         ".~-  E~."                 i~'F




iTUEISDA Y, APRIL 13
DAY OF TIlE PAGEANT
Missiori MeneJial Auditorittns
bcationAL Co IFERENCE
"The School a Coinniunity Center"
Ajabwss
Aurelia ITeory IReinlait, II)_
President Mills College, California
President
Aur lia,I Reinhardt
LL.D.
One Hundred Years of Christian Ciilizatin in Hawaii
A Historical Pageant
Commemorating the Arrival of the First Missionaries
on Hawaiian Shores
Text by Ethel Moseley Damon
Music by Jane Lathrop Winne
Tuesday Afternoon, April 13, at half-past two
Rocky Hill, Manoa Valley
Ionolu lul,  awaii




f~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~lf
A-L-i~ ~ ~ ~ ~  ~~~~2
- - --   ---- - ------   ----




ACKNOWLEDGMENTS


Grateful mention of indebtedness is due not only to such researches
as those of the historians, Fornander, Dibble, Jarves, Ellis, Alexander,
Mr. and Mrs. 0. H. Gulick, and Mr. H. H. Gowen, to the inspiration of the literature of the Bible as well as that of the ancient Hawaiian mele, Haui Ka Lani, and to numerous journals, letters and periodicals; but also very directly to the following persons:  to Mr. and
Mrs. Robert W. Andrews, the wise and venerable curators of those
journals and letters; to Judge Sanford B. Dole and Mr. Joseph S.
Emerson, whose sound learning and phenomenal memories have been
inexhaustible sources on which to draw; to Miss Jane L. Winne, without whose very great musical contribution the entire plan must have
been entirely altered; to Mrs. Albert P. Taylor for invaluable assistance
in the Hawaiian pictures; to Mrs. Isaac M. Cox for the most skilled
direction of the plan for costumes and color effect; to Mr. Twigg Smith
as stage director; to Mr. Charles W. Bartlett for constructive criticism
of both text and detail of plan; to Miss Katherine M. Graydon and Mr.
Gerrit P. W\ilder for infinite patience and accuracy in connection with
the final procession; to Miss Mary P. Winne and Miss Mabel I. Wilcox for unflagging confidence and enthusiasm; and to the thousands of
ready workers, on all the islands, both in and out of the cast, who have
helped the writer of the pageant to carry out the liberal policy of the
Centennial Committee.
The design for the cover is the work of
Mr s. Jessie Shaw  Fisher, a great-granddaughter of Rev. and Mrs. Artenas Bishop of
the second company of missionaries who
landed at Honolulu on April 27th, 1823. Mrs.
Fisher has conceived of the poetry of ancient
Hawaii, embodied in the person of an old
mele-singer, as telling the story of the century
just gone. Behind the haku-mele, shadowy in
the distance, rise the great figures of the past
whose tale he sings, the powerful Hawaiian
chief and the brave, devoted missionary, both
under the spell of the child of whom, as of
the Divine Child, it might be said, "And a
little child shall lead themn.


16




ALIKE TO THE HAWAIIANS HERE
WHOSE COURTESY BADE THE STRANGERS WELCOME
AND WHOSE QUICK COOPERATION
MADE POSSIBLE THE STRUGGLE FOR THE LARGER LIFE
AND
TO THAT NOBLE BAND
WHICH CAME ONE HUNDRED YEARS AGO
"WITH PLAIN HEROIC MAGNITUDE OF MIND
AND CELESTIAL VIGOR ARMED"
THESE H ISTORIC PICTURES
AND THE LABOR OF LOVE WHICH THEY REPRESENT
ARE
REVERENTLY DEDICATED


17




EXPLANATORY NOTES


This Centennial Pageant is planned to present vividly to the eye
and ear the salient features of one hundred years of progress toward
civilization. In both general plan and minute detail, reverent adherence
is given to historic fact, than which no fiction could be more rich or
fascinating. These facts are grouped into a sequence of nine pictures.
Picture I shows the absolutism of pagan times, the restrictions laid
on women, and the intellectual greatness of a king far beyond his time.
Picture II shows the destruction of idols and the breaking of tabus
which immediately preceded the advent of the missionaries.
Picture III, the arrival of the first group of missionaries.
Picture IV, a scene from the daily life of a mission family.
Picture V, the breaking away from tradition and superstition as a
result of the new teaching.
Picture VI, in contrast to Picture I, a constitutional king and the
evolution of the body politic.
Picture VII, problems in the rapid economic development brought
about by intercourse with the outside world.
Picture VIII, the political annexation of Hawaii to the United
States of America.
Picture IX, in contrast to Picture I, the elements of the first one
hundred years, and therefore also the beginning of the second century
of civilization in 1lawaii.
In the stage directions the word makai signifies from or toward!he sea, and the word maluka, from or tozard the imounttains.
To obviate the use of dialogue, which is so often lost in an out-ofdoor production, the action of the pageant is told, somewhat in the manner of the ancient Greek drama, by a chorus of seven hundred voices,
which chant the story plresente(l by eaclh picture. The musical form
is that of a free recitative with band accompaniment, the entire composition being the work of Miss Jane Lathrop Winne, a great-granddaughter of Rev. and Mrs. Asa Thurston, members of the missionary
group which arrived in 1820. Owing to the masterly execution of this
music, to its vigor and depth of sympathy in interpretation, a mere
reading of the pageant text affords, unfortunately, only a very maimed
conception of the stately whole.
The chorus is the contribution of the Kamehameha Girls and Boys
Schools, Kawaiahao Seminary, Mills Insitute, Normal Sclool, Punahou
School and the Ulu-ilima Club of the Y. NV. C. A.
These pictures group themselves on the western slope of Rocky
Hill in MaTioa Valley. Ball(l and chorus, directedl 1) MAiss \Vinne, are
seated makai of the stage. Trees aind shrubbery conceal the participants.
\\ell-worn cattle-trails serve for entrance and exit. No scenery is used
save the b)are rocks and the grassy slope Awhich leads, with a strong
suggestion of aspiration, to the rough sky-line above.




"A pageant is acted in a spirit of simplicity and reverence.
"The audience must bring the same spirit in watching its progress.
"It is not a stage play.
"It is a lofty and dignified panorama of local history.
"It is an act of local patriotism.
"And out of local patriotism grows that wider patriotislm which
binds the people of a country together."-L. N. PARKEIR.
H-onolulu, 1854.
"I-e that soweth bountifully, shall reap also bountifully.
"This was recently a land of darkness, but into the midst thereof
the school-master pushed his way, holding up the lamp of learning,
lighted at the altar of Christianity. Darkness made visible is now
passnig awvay, wVlile civilizationl, com(llierce al(l Chlristianllit are struggling and combining their forces to gather upon Hawaiian shores the
elements of true natiollal 1)ro)Sl)lerity. rThere are opplosing influlences,
but it needs no prophet's ken to foresee which shall tritumph.-S. C.
DAIMON.


19




PRELUDE


3HYMN TO CREATION -                                        Beethoven
Directed by Captain Henri Berger of the Hawaiian Band
Rendered by the Hawaiian Band
PICTURE I
1819, Kamehameha, the Absolute Monarch
THE CHORUS
Notes on the musical composition:
The prelude to this first chorus suggests the warfare, the turmoil and confusion of barbaric times in ancient Hawaiian history. Into this strikes the bold
octave theme of Ihe bass instruments, suggestive of the great Kamehalneha,
who was not only the physical, but also the intellectual leader of a warlike,
primitive race. The feeling of the whole selection is minor, indicating the
change already foreshadowed by the arrival of white discoverers and settlers
and an undertone of unrest which had made itself felt even before the death
of the great conqueror. The theme for the rigid tabu system of ancient times is
quite appropriately a modification of the one for Kamnehameha, and represents,
by means of the sustained note for the voices with a continuation of the theme
in the bass, the overawing power of the chief. At the end of the chorus, a
change of key gives coloring to the suggestion of religious questioning.
The text of the chorus:
On   every   island    there  was strife, there was fear.
No one knew       his own.     On every island, Hawaii, Maui,
Oahn,-all were divided.
Soon came a stalwart chief, the great Kamehameha.
Small indeed is IHaw.     aii-lei, grasped in the hollow        of his
hand.     The divisions of the land         are lost in     the great
chief.   I-e, "the lonely one," made safe the highways; the
tabul of the great chief reigned over all.
Kamehameha, "the lonely            one," asked     of the white
man's God      from    his sooth-sayer, ancient Keaulumoku.
No answer came.         Fronm two white men, his servants, he
likewise asked tidings of the strangers' God.             No answer
camle.




THE PICTURE


Historical note:
To grasp the significance of what followed the eventful year 1820, it is
essential to have some knowledge of the ancient customs, laws and habits of
mind which met the missionaries upon their arrival in Hawaii, or as they called
it, the Sandwich Islands. This picture presents a court scene under the great
Kamehameha, whose name signifies "the lonely one" or "the only one," and
who, to his last day, exercised the power of life and death over his subjects.
Many of the words in the chorus are taken from Judge Andrews' excellent
translation of the Haul Ka Lani, a Hawaiian mele which prophesied the coming
of Kamehameha.
The cast:
Kamnehamieha the Great, first conqueror of all the islands.
Kaahumanu, his favorite queen.
Kaheiheimalie, called also Kalakua, another queen.
Keopuolani, his queen of highest rank, mothler of the two princes,
Liholiho and Kauikeaouli.
Peleuli, another queen.
Kanekapolei, another queen.
Liholiho, the heir-apparent, about twenty years old.
Kamamalu, wife of Liholiho.
Kinau, wife of Liholiho.
Kauikeaouli, five years old, later Kamehaimeha III.
Kalanimoku, one of the ablest warriors and councillors, often called
the William Pitt of Iawaii.
Kekauluohi, a high chiefess.
Kaoleioku, a son of Kameliameha and a defeated chief of HIawaii.
Hoapili, dear friend and councillor of Kamiehiamleha.
Hoolulu, half-brother of Hioapili, genitlcemii:-iii-wNaiting to the king.
Keeaumoku, Governor Cox, brother of Kaalhumanu.
Hewahewa, the high priest.
John Young, an English sailor, who had been made viceroy of all the
chiefs.
Isaac Davis, an English sailor, who had also become a high chief.
Don Francisco le Paula Marin, calledl Manini, a Spanish settler.
Capt. George Bcckley, an Englishman, a close friend( to the king, who
made him a high chief.
Keaulumoku, the aged sooth-sayer of the king's court.
Chiefs and chiefesses in attendance on the king, his queens and the
young princes.
Chiefs of Oahu, Kauai and Niihau, who bend their spears and kahilis
before the great conqueror.
Kalahhana, defeated princess of Oahu.
Four defeated chiefesses (Amazons) of Oahu, who, dressed and armed
as men, had continued the battle of Oahu after the death of their
husbands.
Retainers in both parties, young priests attendant on IIewallewa,
hula-girls, (Idrm-beater, singers, soldiers, kalihs or attendlants,
tapa-beaters, and children.


'21




The story:
At the end of the chorus, two aged women enter from mauka with
strips of tapa, which they lay on a log and proceed to beat rhythmically,
a little boy l)riging themi water ill a calabash anld plouring it oll their
drying tapa. The sound of a sol(lier's (lrum is heard from mnakai; the
tal)a-beaters change their rhythm to announce the approach of the
king; presently they retire, on perceiving the kahus of the king bringing
on provisions for a feast. The kahus come from makai and spread the
feast in the center of the stage. They are followed by the king's
soldiery and the priests carrying a number of idols, prominent and
indlee(l first amontg them being the frightful red war-god, Kukailimollu,
of which Kamehameha is the special guardian.
At the approach of the great king, chiefs alppear from mauka and
bend their spears and kahilis before his, falling prostrate until the king
bids them rise. Commoners crawl into his presence; one, who ventures
to walk upIright, is seized by the king's kahus and dragge(l off to execution; they all bring their choicest produce to add to the king's feast,
suchl as bananas, cocoanults, chickens, fish in green ti-leaves. ()Oe
chief, according to established custom, even offers his (laughters, wlio
are forthwith added to the king's household.
The king sits down to the feast with a few chiefs. All the women,
even the highest chiefesses, being forbidden participation in the men's
meals, retire to a distance. Four of the dancing-girls perform the graceful hula of the bamboo sticks, seated on the ground in front of the kinlg,
while the old bard chants.
The aged kilng seellms preoccutle(l. Manlini 1)rel)ares a bo\wl of strollg
drink to beguile him, but the king, after suspiciously smelling the mixture, dashes it indignantly in the bearer's face, angrily prohibiting all
similar drinks for the entire nation, saying in Ilawaiian, "Alcohol is
poison for my people."
He remains seated, gazing at the hideous red war-god, Kukailimoku, in thoughtful preoccupation. Suddenl l e rises, points to thle
sky, and asks the sooth-sayer about another god, the god of the white
man. T'lhe old man, ll eaulumoku, shakes his head ill ignorance. The
king then turns to the wvhite men in his train with the same grave question. John Younig takes from his pocket an English prayer-book which
lie shows to the king. Kamehameha seems to be only further mystified
by this strange object. The chiefs appear greatly surprised and puzzled at the king's persistent questions. He finally walks slowly off makai,
followed by his retinue. The Oahu, Kauai and Niihau deputations
depart mauka.
o)




PICTURE II


1819, Kaahumanu, the Destroyer of Idols and the Tabu
THE CHORUS
Notes on the musical composition:
Reminisccnt of the great conqueror, his theme reappears at the opening of
the second chorus, but here in the nminor, to suggest his having "passed on with
death."  This changes at once to a new theme in the more positive major,
indicating the establishment of the new reign under his young son, Liholiho,
whose theme, in sharp contrast to that of his father, hints at the lightness of
untried youth and again also at the uncertainty of religious belief current at
the time, a mistrust of the ancient system not yet met by definite knowledge of
that of the strange white men from over the sea. Now comes the very bright,
positive major theme of Kaahumanu, the Queen Regent, sylmbolic of her heroic
nobility of conviction, her sense of leadership and command.  In irregular
rhythm, the theme of the primitive tabu reappears, accompanied by a certain
barbaric harmony and rhythm for the red god of war, Kukailimokul, all donminated, however, in the imperious command of the Regent for theitr destruction,
by the return of Kaahumanu's melodic theme.
The text of the chorus:
Kamehameha, the Great, the Lonely One, passed on
with death.      Liholiho, his son, reigned in his stead.          Nor
knew   he yet of the white man's God.
Kaahnmanul, Queen     of all Hawaii, bade the young
cinug:   "No power have         our gods of      wood     and    stone.
Trample under foot the old tabu!              Break down the red
god of war, Kukailimoku! Let men and women live and
eat together in peace!"
TIlE PICTUREI,
Historical note:
On the death of Kamehameha in May, 1819, young Liholiho succeeded to
the throne, but Kaahumanu, whom Kamehameha had left as Queen Regent of
all the islands, wielded the real power. Among other chiefs, both she and Queen
Keopuolani had become convinced that the stone and wooden images to which
the nation prayed had no power whatsoever, and that the irksome tabus such as
those which prevented women from eating in the presence of their husbands,
using the same fire, and profiting from such foods as bananas, cocoanuts and
pork, were futile. The rigidity and severity of these laws is evinced by the fact
that their slightest infringement was punished by death.
The cast:
Lilholilio, king in his fatller's stea  d an  called also Kamnehamela II.
Kamamalu, his queen.
Kinau, his queen.
Kaahumanu, queen regent.
Keopuolani, motler of the king and the young prince.
Kaheiheimalie, widow of the late king.
23




Kauikeaouli, the young prince, later Karnehameha III.
IIoapili, councillor of the king.
Kalanimoku, the great statesman.
Kekauluohi, a high chiefess.
Hewahewa, the high priest.
Chiefs and chiefesses in attendance on the king, his queens, the queen
regent, and the young prince.
Priests bearing many idols, especially Kukailimoku.
Retainers with many of the fruits and fish forbidden to women.
The story:
The young king, Liholiho, enters from   makai with his suite as
in(licated above. As the king nears the center of the stage, his mother,
Keopuolani, comes to him and begs him to cast down the idols and
abolish the tabu; although the king gives no sign of assent, his mother
goes aside with the young prilnce, Kauikeaouli, and shares with him a
banana, an unheard-of proceeding which the retainers regard with undisguised terror.
Kaahumanu now goes to the king with the same request, which
she insistently repeats, indicating the action of Keopuolani and the
prince. Liholilh  at last nods his head in assent. Hewahewa and his
)ouIng priests then cast down and trample upon the idols, setting fire
to some of them. Kukailimoku is snatched away by a chief and hidden
under his cloak. The people at first look on aghast, but soon join in the
work of destructioni, shoutilg joyfully, "Ua noa ka kapu!" The women,
cliefesses and commoners, snatch at the bananas, cocoanuts and fish,
and eat them with great gusto. All go off mauka shouting and eating
together, although some still mutter, "Auwe, auwc!" in tones of great
surprise.
I'ICTURE III
1820, the First Missionaries
THlE CHORUS
Notes on the musical composition:
Surprise and excitement open the third (chorus as its keynote, with a
rhythmic theme in bold recitative by the men's voices, suggestive of cries of
astonishment and the hurrying feet of crowds. A simple narrative, after the
manner of a hymn, announces the arrival of the brig Thaddeus. The women's
voices in harmony then follow in chorale form, introducing the symbolic figures
of the three virtues, Faith, Hope and Charity, and the group of humble disciples
whom they are leading to these isles of the sea. At the end, the chorale merges
into the exultant recitative: "Arise, shine, for your light is come!"
The text of the chorus:
Came a messenger, crying, from           the sea:    "What is
that great thing with branches?         A forest come down into
the sea, an island moving on the waters!"
24




And from     the ship came seven men, with each man his
wife, strangely      white; and with them          were    five   little
(children.
(Here enter the three symbolic figures of Faith, Hope, and Charity, clad in the synmbolic colors, blue, light greei and rose; they occupy
the center of the stage until the close of the chorus, when they retire to
a high rock at the makai end of the stage, where they remain apart and
yet seem to be the guardian angels of the picture which follows.)
Leading them       all came the three daughters of their
God, that is, Faith, Hope, and Charity, which is called also
Love.
For these men and women had heard the call of their
God, saying, "Go ye to the ends of the Earth, even to the
isles of the sea that wait for Mvy Law. (Go ye, prepare the
way of the Lord. Arise, shine, for your light is come and
the glory of the Lord is risen upon you.            Arise, shine, for
your light is come!"
THtE PICTURE
Historical note:
The words of the messenger in the chorus were uttered by the Hlawaiians
on the arrival of Captain Cook's vessels in 1778, but are here used to heighten
the dramatic effect.
In April, 1820, a group of fourteen missionaries, seven men with their
wives, who were the first white women ever seen in these islands, reached
Kailua, Hawaii, or as they then spelled it, Kirooah, Owhyhee. They had been
inspired by the preaching of a young Hawaiian, Opukahaia (Obookiah), who
went to New England on a whaling vessel in the hope of learning about the
white man's God in order to return and teach his people; Opukahaia diedl before
the mission could be made ready, but three other Hawaiian youths accompanied
the mission as interpreters and helpers; with them came also George Kaumualii,
heir-apparent to the throne of Kauai, sent as a child to New England to learn
the white man's ways.
Five important members of the mission were the children of the farmer,
Daniel Chamberlain; the entire family returned to the United States in 1823,
but they were all very influential members of the mission as long as they stayed.
Dexter, Nathan and Mary, the three oldest, became indispensable as teachers on
different islands, not only because the natives were strongly attracted to them,
but also because they acquired the Hawaiian language much more rapidly than
their elders. Daniel, about five years old, became the favorite teacher of the
grim old warrior, Kalanimoku, who would learn of no one else. And Nancy, the
baby, whom the natives adored, was not only instrumental in obtaining permission
for the whole company to land and take up its work, but also became an important source of supply, for the natives brought her daily hookupus, very substantial presents of food, varying from two hogs to a hand of bananas.




The hymn used is the one sung by Rev. Hiram Bingham and Rev. Asa
Thurston at their ordination in Connecticut in 1819 and again from the mast of
the Thaddeus as she neared the shores of Hawaii.
The cast:
All the IHawaiians as in Pictures I and li, except Kamehameha the
Great.
Brother and Sister Bingham.
Brother and Sister Chamberlain with their five children.
Brother and Sister HIolman.
Brother and Sister Loomis.
Brother and Sister Ruggles.
Brother and Sister Thurston.
Brother and Sister Whitney.
Thomas HIopu, Hawaiian helper from the mission school in Connecticut.
William Kenui, H-awaiian helper from the mission school in Connecticut.
John Honolii, Hawaiian helper from the mission school in Connecticut.
George Kaumualii, son of the king of Kauai, returning home.
A Hawaii an messenger.
A group of commoners who help the missionaries carry their lugg'age.
The story:
At the close of the chorus, the Inessenger runs across the stage
from makai, pointing to the sea and shouting. Crowds of natives run
from mauka. The chiefs approach in a more stately manner, attended(
by their kahili-bearers.
The group of fourteen missionaries with the five children appears
makai with the three I-awaiian youths and the Kauai prince, all attended by a few half-clad natives who are helping them     with boxes
and bundles.
The natives press forward, caressing the strange white children
and peering under the ladies' poke-bonnets.   Nancy is especially the
object of curiosity. Even the chiefs come forward a little and one of
the chiefesses begs Mrs. Chamberlain to lend Nancy to hier, after the
easy-going Hawaiian fashion. The mother, much distressed, hesitates
at first, but finally gives her baby up, to the intense delight of all the
natives.
The missionaries begin to step forward. At this, Kaahumanu
raises a warning hand, as if to b)idl them wait for permission.  The natives retreat in a body so that they form a separate group in which the
chiefs, one still holding the white baby, deliberate seriously with many
gestures, Iointing repeatedly to the baby with them and to her (listant
mother. The missionaries gather in a close group, the anxious mother
in an attitude of prayer; two or three of them commence to'sing the
H-ead of the Church Triumiphant. During the singing a large CROSS,
previously concealed by trees, appears on the hill against the sky where
it remains until the close of the pageant.
The natives have listened to the hylnn in great wonder. When it
comes to an end, the chiefs return with the baby, and Kaahumanu for

26




rally gives the permission to land; the demeanor of the queen regent
is haughty and proud as she offers the missionaries two fingers, instead
of her whole hand, to shake. Mrs. Chamberlain, as indeed the whole
company, is overjoyed. The natives begin to bring Nancy a great
hookupu, and lead the white strangers all off mauka. Kaahumanu alone
goes out makai with her immediate following.
THE QUEEN AT WAIMEA, OAIIU, RECOMMENDING CHERISTIANITY
From page 295 of the History of the Sandwich Islands by HIiriam Binghamn.
The occasion was that of a religious tour of Oahu undertaken by Queen Kaahumanu in 1826 with a company of native and foreign teachers. The engraving on
wood was taken from a sketch made by Mr. Bingham at the time of the expedition.
PICTURE IV
1822, One of the First Public Schools in Hawaii
THE CHORUS
Notes on the musical composition:
Indicative of the darkness of the untaught mind in a life of barbarism, the
chorus of the fourth picture begins with an octave minor theme in the bass
and alto, by the men's voices. An abrupt change to a bright major theme
suggests the purpose and endeavor of the little mission band.
The text of the chorus:
"Darkness covered the Earth, and gross darkness the
people."
"And the Lord said unto his disciples: 'Go, therefore,
and teach this people whom         I shall call to hearken unto


27




your teaching.' 'For lo, I am with you alway, I will never
leave you, nor forsake you.'"
THE PICTURE
The cast:
Two missionary fathers.
Two IIawaiians with conch shells.
Kaahumanu in her blue handcart.
Kaahumanu's "four little hapa-haoles. "
Chiefs and chiefesses in attendance on the queen regent.
Boki, governor of Oahu.
Liliha, his wife.
Numerous chiefs and commoners of both sexes.
A number of Hawaiian children.
Two missionary mothers.
The five Chamberlain children.
A Hawaiian with a live chicken.
The story:
Two missionary fathers enter from mauka, carrying Bibles, primers,
slates and pencils. The Hawaiians who accompany them carry large
conch shells which they blow loudly. Natives begin to gather from all
points. Kaahumanu, regally disposed in her chariot, appears much
more gracious and interestedl than formerly in what the missionaries
are doing. Boki and Liliha, in the attitude of the famous picture,
seem rather supercilious; Boki demands that only the chiefs shall receive the new learning, but the democratic missionary teachers insist
that it is for commoner and chief alike. Kaahumanu, with a wave
of her lhalid, dismisses Boki's interruption, an(d beckons all the IIlawaiians
to partake of the intellectual feast.
Two missionary mothers with the five children, approach from
mauka. Natives run to join them, begging each a child, until the white
ladies enter the school quite alone.
The pupils are grouped on the ground. The missionary fathers
instruct the men with primers an(l Bibles. The women are grouIped
around the two ladies who have set their children to work by themselves on their spelling-books. Several IHtawaiian women are sent back
to the house for a spinninig- wheel; others struggle with needle and
thread, work over which they sing in steady rhythm as thev are accustomed to do over their own primitive household tasks. One group tries
again and again to sing do-re-mi (pa-ko-li) from a large hymn book.
A native comes in with a live chicken which he excitedly barters
for a Bible. All the scholars groan and scratch their heads over the uniaccustomed work; some glance enviously across to the white children
who seem to be learning so easily; one native finally steals over and
persuades one of the children to teach him; gradually each child be28




comes the center of a group of interested and eager natives who laboriously repeat the alphabet after their young teacher.
The conch shells sound again.    The school breaks up with much
coughing, stretching and throat-clearing.   All pass out whence they
came, principally mauka.
PICTURE V
1824, Kapiolani, a Defender of the New Faith
THE CHORUS
Notes on the musical composition:
The spirited, fearless determination and absolute faith of Kapiolani are
here symbolized by a clear, defiant major theme expressed in hymn form, the
men's voices giving the narrative portion, the women's voices calling out the
very words of the daring princess. The chorus ends with a song of faith and
praise to Jehovah. In the closing orchestration, a modification of the theme
gives expression to the divine covenant or promise of reward for sincere belief.
The text of the chorus:
There were many daughters of the land, noble daughters of Hawaii, who learned to love the God of the new
faith.   One among them, Kapiolani, said:              "I will defy
even Pele, the great Goddess of Fire!              I fear iot even
Pele! For it is the Lord Jehovah who kindled the fire in
the Volcano, the Lord Jehovah and none other."
And    when    she had done so, all cried         aloud:     "Let
every thing that hath breath praise the Lord."
THE PICTURE
Historical note:
The Princess Kapiolani, one of the first converts to Clristianity and so
familiar a figure in the history of modern Iawaii, is easily entitled to the distinction of being one of the bravest women in the history of the entire world.
The cast':
Kapiolani, a very high chiefess.
Naihe, a high chief, her husband.
Pole, goddess of the volcano.
Keainii, high priestess of Pole.
Two priestesses with Keanini.
Retinue of chiefesses with Kapiolani.
Kahus carrying provisions for the journey of 100 miles on foot across
the mountains.
Mr. Goodrich, a missionary from Hilo.
A Hawaiian attendant with Mr. Goodrich.
The story:
Smoke is seen to be issuing from   a rocky ledge which represents
the volcano of Kilauea.
The Princess Kapiolani enters from mauka, preceded by her kahus
29




with food in ti-leaves and calabashes. She stops about center stage
and indicating to her followers the distant volcano, cries out, "I fear
not Pele, the Lord Jehovah is my God."
At this, the smoke pours from the volcano in dense clouds and
through it emerges the figure of the legendary goddess Pele. (She was
traditionally a foreigner with red hair, as evinced by the fine-spun
volcanic substance of the color of burnished bronze and popularly
known as "Pele's hair.")  Pele carries in one hand a long roll of tapa,
which she flings down the mountainside toward Kapiolani with an
angry, disdainful gesture; she then calls to her priestesses, who appear
from near the side of the volcano. As they approach, Pele is again
swallowed up by the smoke from which she has only partly emerged
like a tongue of flame. Kapiolani, undaunted, is meanwhile climbing
the mountain with her retinue. At her approach, Keanini picks up the
roll of tapa, the pretended word (pala-pala) of Pele, and with it she
attempts to dissuade Kapiolani from her rash resolve. Kapiolani, in
turn, produces her Bible, carried for her by an attendant, and refuses
to be convinced by the threats of the prophetess. Keanini at length
begins to cower before the firmness of the princess.
Mr. Goodrich approaches with his attendant from upper stage,
coming to the support of Kapiolani, who then goes to the brink of the
crater, where she picks and eats ohelo berries, sacred to Pele. Her
followers look on dismayed. She, undaunted, breaks the second great
tabu of Pele by throwing stones into the crater. She cries out: "Jehovah
is my God."
All wait in tense suspense, but nothing untoward happens. Kapiolani bids them kneel in prayer for an instant. Then all rise and sing
the Doxology in Hawaiian. All disperse whence they came, Naihe,
Kapiolani's husband, approaching to meet her as she nears her home.
PICTURE VI
1839-1848
The Freedom of Law Under a Constitutional King
THE CHORUS
Notes on the musical composition:
A dignified processional for Justice and Democracy ushers in, with more
than a touch of regal majesty, the rule of law and order under the wise constitutional king. Accompanying it is a reminiscence of past barbarism in the minor,
suggesting the passing of both the red war-god and the absolute power of the
primitive chief. A second processional brings on commoner and chief, "taking
each his lawful title to his land."  And the freedom of religious belief is expressed in a hymn form which, ruling out all discord, watches the rising of the
"Sun of Righteousness with healing in his wings.'
30




The text of the chorus:
Then followed justice and democracy that made the
law  to be the same for every man.            The wise kiig, lKanikeaouli, said:     "The power is not from        the king, but from
God and the people."
No longer now       the unjust seizing of        land;    dead    is
the red God of War, Kukailimoku; gone forever the cruel
power of the chief.        Commoner and chief came alike before the law in the Great Mahele, taking each his title to
his land, the land of Ilawaii-nei.
Other faiths, too, brought of their good to               Hawaii,
all religions arose like the Sun of Righteousness with healing in his wings, and all were as one before the law.
THE PICTURE
Historical note:
Following the good advice of his councillors, Kauikeaouli, or Kamehameha
III, issued in 1839 a Declaration of Rights, "the Magna Charta of Hawaiian
Freedom, " which granted among other wise provisions, absolute freedom of
religious belief and observance. The first Constitution followed in 1840, establishing a representative government. In 1848 came the great Mahele, the division of the land and the giving to commoner and chief alike a written title to
the land on which he lived. In this connection, the significance of the name of
the war-god, Kukailimoku, "the unjust seizing of land," is of particular interest. Of the original document of the Constitution nothing is now known. The
original Mahele book, however, with interesting seals and signatures, is still
used for constant reference in the territorial Land Office in the Capitol.
The cast:
Kauikeaouli, the king, called also Kamehameha III.
Haalilio, private secretary to the king.
Major Maikai, the king's aide.
Keoni-ana-opio, premier, a son of John Young.
Judge John Ii, Associate Justice of the Supreme Court and member
of the Land Commission.
Dr. Gerrit P. Judd, Minister of Finance and confidential adviser to
the king.
Rev. William Richards, Minister of Public Instruction.
lton. Robert C. Wyllie, Secretary of State.
Judge William L. Lee, Chief Justice.
Rev. Richard Armstrong, adviser to the king.
A Catholic priest.
An Episcopal bishop.
Five law-makers with Judge Ii.
Chiefs and commoners bringing petitions to the king.
The story:
The king, in uniform and decorated with his numerous medals of
honor, enters from makai with his aide and advisers. Judge Ii, followed by the law-makers who carry a large parchment and a number
31




of smaller ones, comes in after the king. Kauikeaouli seems troubled
and anxious; the chiefs and commoners, as well as the two clerical
gentlemen, press about the king, seeking redress for wrongs; the king,
with a wave of his hand, deprecates his own power and indicates
again the group of law-makers.
The legislators approach the king with the completed document.
'There is a certain deference in all the supplicants about the king, but
no one now thinks of crawling into his presence, and there is a conspicuous absence of servility and fear. The king reads the (locument
of the constitution and signs it solemnly.
The group of law-makers then present smaller parchments, or
land titles, to the Hawaiian petitioners, and other similar documents to
the two gentlemen in clerical garb.
Judge Ii, holding the large document, then proclaims in a loud
voice the principles of the constitution: "Hawaii is governed by all
its people. The land is free. Religion is free. The law is free to all."
All exeunt mauka.
PICTURE VII
1831-1920, The Evolution of Industry
T-IE CHORUS
Notes on the musical composition:
In the seventh chorus, a clanging, hammtering octave theme in the )bass
introduces the problems aInd development of ancient andl modern inllustry in
Hawaii. Tliis is sung by men's voices only, and closes with the call of the
imnmigrant laborers from distant lands.
The text of the chorus:
To H1awaii, wise already in the arts of huslladry,
(cam    te t ie vast eniginles of modelr  idlistrvy  to, w  witil her
haIdlmaidiel, scienlce, del-ved deep ill fieldl alnl I llalooratory,
her emissaries speeding far over land and sea.
Anl when young Hawaii could no longer compass the
great toil, so fruitful and abuidalnt thests, there
arose quickly the sons and daughters of maln             distant
lands, callillg to Ha-wa ii, "Let us (lo our lpat!"p
TIE PICTURE
The cast:
Hawaii, a  symll)oli   figllre, clad  in  fine  -white tapla.
A group of Hnawaiian liaborers in the malo anld womlen in figuired
tapa, representing thc handltwork of ancient Htawaii:
A farmer with his o-o and taro roots.
A fisherlman with hooks and net.
A wood-cutter witl his stone adz.




A poi-pounder with his stone mallet.
A tapa-beater with her bamboo beater.
A bird-eatcher holdling birds in his hands.
A mat-weaver with strips of lauhala.
A calabash-maker scraping an unfinished calabash.
A man selling bundles of pili grass suspended on a long pole
which he carries over his shoulders.
A man selling poi in large callabashes swung from his shoulders.
A group of white men representing the modern machinies of industry
and its related sciences:
A teacher of 1820 with spectacles and a large book as well as a
spade.
A printer of 1830 with his printing press.
A surveyor of 1840 with his tripod.
A planter of 1850 with the rollers of a primitive sugar mill.
A botanist of 1860 studying flowers and caine-stalks.
A forester of 1870 with young trees.
An entomologist of 1880 with his microscope.
A railway engineer of 1890 in the greasy cap and suit of his
calling.
A chemist of 1900 with jars and tubes.
The president of the University of Iliwaii in his robes.
Agrricultural laborers ani( mueciainics of tolIay.
A Piper, the Spirit of Cool)eration, in short bI:owil tunic.
A group of 150 kindergarten children, with their leadr(ls, of tlle six
immigrant nationalities: Chinese, Portuguese, Japlanese, FIilillino,
I'orto Ricani (or Spanish), and Korean, all in tlheir national costuimes. They calrry leaves( ald stalks of lHawii's leading pro(lucts: sugar, taro, ric  pinee, pi bal, iania andll coffee.
The story:
Iawaii enters from mauka, attended by the Hawaiian industries.
ToNward them from makai come the modern industries and sciences with
their offerings.  As the second group nears the center of the stage, the
Piper, calling on his flute, dances down over the hill, sumlllloning the
foreign children, who run on from all directions, calling, ",Let us (lo our
part!" They gather in a group in the foreground. Iawaii is at)ove them
all, the two adult groups below her, oln oth sides. The childrenl accollIlanied hy the piper's flute, sing the Song of the Taro and the SoTn   of
the Rice, by \Mrs. Anna 1B. Tlucker; the Song of the Sugat-Cale, 1)y
Miss ( 'race Rohertson; and the Sonlg of T'Flailksgivilng, lCed rs(1) NI-i. MaIr
D. Frear.   At the close of the songs, tle child(ren, led iv tilc l'iper,
troop off mauka, followed ly both grou)ps of indust;ries.     Ilawaii remains in the center, alone, on a sliglht eminlence.
PICTURE VIII
1898, Iawaii and America
THEl CHORIUS
Notes on the musical conlposition:
Tle filial chorus is rendered )y menl's anld wolmen 's voices. Ii it there is
embodied the stately digniity of Hawaii, who in taking the hand of her older




sister, America, with all the protection that it implies, does yet in a very real
sense relinquish her independent royalty. In it there is likewise embodied the
stirring pride of true patriotism, that glow and atl(or to which tile noblest
aspirations of every heart instinctively respond, but which only music can fitly
express.
The text of the chorus:
And lastly came the older sister nation, America, to
join fair Hawaii, the green and fruitful Isles of the Pacific, fair Hawaii, to be sheltered by the continental
States, to become one at last with the great nations of
the Earth.
THE PICTURE
During the singinlg of the chorus, the figure of America enters
from makai. She is clad in white with broad bands of red at the
sides, wearing a bright star on her forehead from which streams out
a long, filmy veil of deep blue set with smaller silver stars. She
extends her hand to Hawaii, who descends a few steps and takes the
hand of America, which she continues to hold.
At the close of the chorus, the entire audience rises and sings
with the chorus and the band the Hawaiian national anthem, "Hawaii
Ponoi," and the first stanza of "America."  This latter is peculiarly
appropriate in that it celebrates at once the ter-centenary of our
national Pilgrims of Plymouth and the centenary of our local Pilgrims of Kailua.
HAWAII PONOI.                        AMERICA.
Words by King Kalakaua         My country! 'tis of thee,
Mnsi( by Ca+ jpt. 1r(111i Begi  SSweet land of liberty,
Hawaii ponoi,ofiet
N-awai pkon oi,                        Of thee I sing!
Nana i kou Mnoi,
na  i Alii      Land where my fathers died,
Ka Lani Alii,-Kc Alii!*
Mau La- Aii.,-K Ai m  a IT     Land of the pilgrims' pride,
Makua Lani E, Kamehamelha E,..
From everv mountain side
Na kaua e pale,.
Na1 kau ie plLet freedom ring!
Me ka ihe.
All are re-seated. IIawaii and America step back and up to a
commanding position on a high rock makai of the stage, where they
remain throughout the final picture.
PICTURE IX
1820-1920, The Progression of a Century
The final procession is led by the three symbolic figures of Faith,.34




Hope and Charity. In addition to her costume of blue and lavender,
Faith carries on a long staff the torch of absolute belief and devotion,
symbol of the glow and purifying nature of faith. Hope, clad in the
bright green of perennial spring, carries a branch of tender green
leaves and buds, signifying anticipation and promise of fulfillment.
Charity, or Love, in soft rose, carries as her symbol a long-stemmed
rose, that fairest of flowers, which, unstinted, opens its heart of
beauty and fragrance to all the world. The participants, numbering
between 1500 and 2000, represent the efforts of the civilization of
today: the churches, the schools, and constructive societies. All
carry long banners, those for the churches in blue, bearing a cross,
the symbol of the church, and below it the date of the foundation of
the individual church; those for the schools in light green, bearing
a lighted lamp, the symbol of learning, and below it the date of the
foundation of the individual school; those for the constructive societies in rose, bearing, above the appropriate date, a circle, the universal syml)ol of all-embracing love, the great ideal, of which Whittier says: Deep 1elow as hiqgh above, Sweeps the circle of God's love.
The list of these constructive organizations of our modern civilization cannot, owing to their great number, be comprehensive, but
it does aim to include a broad representation of the constructive
effort which is striving for the welfare and best interests of
Hawaii-nei.
Under the direction of Capt. Baker, the Hawaiian Band begins the
processional, an orchestration of the old hymn, "The Head of the
Church Triumphant." Faith appears from makai, comes to center stage,
and proceeds directly to the front. With their banners, representatives
of the churches on all the islands approach in two columns, one from
mauka, the other from makai back, and converge toward Faith. As
the first pair reaches her, Faith turns and proceeds slowly up the hill
toward the CROSS, the churches following in groups of four. Far
above the stage all separate to form an open triangle with Faith as the
apex toward the CROSS.
As the churches pass, Hope appears and proceeds as did Faith.
The music changes to "The Lord Is Great," by Mendelssohn. Representatives of public and private schools on all the islands follow
the symbolic figure of Hope. She takes her place at the base of the
mauka side of the triangle, her followers passing inside the blue banners to form a green triangle inside the blue.
Charity proceeds as did the others, taking her place at the base
of the makai side of the triangle. Her followers, representatives of
the different constructive organizations on all the islands, pass




inside both the blue and the green banners to form a third triangle, the
rose, within the blue and the green.
Meanwhile the cast of the preceding eight pictures has taken
its place at the mauka end of the stage, the Hawaiians with their
spears and bright cloaks at the back, the missionary figures with
them, below them the industries, and in front of them all the little
foreign immigrants led by the brown Piper.
All banners are held high and all participants face half-way
toward Faith and the CROSS, while the band plays the
POSTLUDE
THE HEAVENS ARE TELLING THE GLORY OF GOD            -  Haydn
Directed by Capt. Baker of the Hawaiian Band
Rather than the end, this is but the beginning. For
thus, on the threshold of the second century, the first era of
moe hundred years flings out its challenge.
Dwelliungs built for tllhe   issim by 1B 'k)i in  18 20


36




CAST OF CHARACTERS
PICTURE I.
Kamehameha the Great................................. George Kealohapauole
Queen Kaahumanu      M................................. Kamaokalani Maoe
Queen Kalakua (Kaheiheimalie) l.............................. ola Kinney
Queen  Keopuolani.......................................... Keopuolani   Kali
Queen  Peleuli..........................................E ilia  King
Queen  Kanekapolei.................l....................I...  elina   ishaw
Prince   Liholih o............................................... 11ugo   K almel
Princess  Kamamalu..........................................Cecelia  Kaeo
Princess  Kinau.................................................R..ose  olt
Prince Kauikeaouli, five years old..........................Kekliapoiwa Kali
Kalanimoku...........................Rev. S                 uel Kamiopili
Kekauluohi.................................  IfR.ielenl Kainaiopili
Kaoleioku........................................Arhie Ioapili
Itoapili...............................                       Fredl A. Beckley
Ifoolulu...............................Fre(d Beekle, J1r..eeaumoku...................................................Isaac Kaopua
Keeaumoku.s                              aac K loopu
Hewahewa............................................       K.  lMokum. ia
John Young.........................................Twigg Smith
Isaac Davis...............................................Lester Iull
Capt. George Beckley................................. Leander B3ckley
Don  Francisco  M arin.......................................... Boki  Rcis
K eaulul moku..........................  L..............  iliianlla
Kahili-l)earer to Kaehamelia................................         il....Kamoa
Chiefess Court Ladies to:
Kaahumanu....................................   allilalii Webb
KI{ahumanu......e..........K..........................Kamae Ka aoul
Kaahumanu.............                  \.....................a   W oolsev
Keoputol2ani................................................     ai li
K eopuolani........................................M  alel  I  llieknahuula
Kalleileilmalie................................. Kameoli ILewis
Kaheiheilmalie..l.S.......................1...l i  i Siemllsen.Pe'leulli.......................................... ary T  igan
Klnelaolei...............................................    Ke:;lilu:il'ine
K ina  u.                                                    i................................................ lizal( tl   TH olt
K1aml  ialu................................................ Kemelia  Irolt
Koahahana, defeated Princess of OOae11hu..............   l li.....l  ITutchlinlson
Defeated Chiefs of Oahu............. Williail Ma1likawao nld Dani)dirl AMacGregor
Defeatedl Chiefesses (Amazons) of Oahu.................................................. Elsie Gay, Mary Jane Brown, May Gay, Anina MAertlns
Ilamollu..........i.................................................  io
Two Tapa-beaters.N............ha anul Maluilhiiikeoil;ilaiikapljl Kala:okalllui
TlIeir Attendanta..l.a..a................................................. ia
Assisted by six students from the Normal School
Chiesfs, lhiefesses and commnoners in attendanle oni tlhe royallty, played byv ten
girls front Kaiulani Home, twenty Kamnelamella School cadets, and 11;irty
men andl wonme from Kiaumakapili Church
Four Ilull-girls and tlleir drum-beater
PICTURE II.
Thle cast is the same as for the preceding pictutre, except for the abselnce of
Kamelhameha the Great.
PICTURE III.
Faith, Tope, Charity....... Tulie Giffard, Gertrude Blake, Grctcllen Waterhouse
The TIawaiians as in Pictures I and IT
A TTawaiian MessengZer.R....................oan 
Brother an(d Sister Bingham............... Charles Sutherland, May EdJgecomb
Brother and1 Sister Chamberlain............Will Chamberlain, hMarion Erdnman:7




Brother and Sister Holman..............Frederick Forbes, Gretchen Bierbach
Brother and Sister Loomis.................Andrew Westervelt, Gussie Mann
Brother and Sister Ruggles........................John Erdman, Roselle Wall
Brother and Sister Thurston................ Lorrin Andrews, Jr., Anna Cooke
Brother and Sister Whitney...................... Philip Weaver, Edna Scott
Thomnas Hopu.Samuel Fuller
Thromas Hopu...............................................Samuel Fuller
W illiam  K enui.............................................. illiam   Isaacs
John  Honolii.................................................Henry  Copp
Prince  George  Kaunualii......................................James  Aylett
Dexter  Chamberlain.......................................Jack  W aterhouse
Nathan  Chamberlain.........................................W alter  Giffard
M ary   Chamberlain............................................Dorothy   Judd
Mary Chamllberlain.                                            Dorothy Judd
Daniel  Chamberlain..........a                                        Pe...........................  Peck
Nancy    Chamberlain........................................... Jean  Erdman
A group of Hawaiians who help carry the luggage
The chorus which sings the hymn behind the scenes includes: Messrs.
Baseler, Birnie, Brown, Christie, Dillingham, Hall, Keeff, Chester Livingston,
Stanley Livingston, Mott-Smith, Noble, Reed and Wall.
PICTURE IV.
Two Missionary Fathers........................ Philip Weaver, John Erdman
Two Hawaiiis with conch shells................... Car'los Stone, Roland Gay
Kaahunmanu, Queen Regent.............................Kamaeokalani Mahoe
Her "four little hapa-haoles'............................................................ Elsie Gay, May Gay, Mary Jane Brown, Anna Maertens
Chiefs and Chiefesses in attendance on the Queen Regent
Boki, Governor of Oahu................................ Rev. Akaiko Akana
Liliha............................................ Lani Hutchinson
Numerous chiefs and chiefesses, also commoners
A number of Hawaiian children
Two Missionary Mothers.........................  Marion Erdman, Edna Scott
The five Chamberlain children as in Picture III
A  Iawaiian with a live chicken................................ John Naiwi
PICT'URE V.
Princess Kapiolani...........................................Irene Dickson
Pele.........................................................Frances  Jones
Naihe............................................. Hugo Kanae
Keanini..............................Ululani Robertson
Priestesses  with  Keanini.............................................................. Kekulani Burgess, Harriet Beamer, Louisiana Devauchelle
Chiefs and Chiefesses in Kapiolani's retinue
Kahus with provisions for the journey
Mr. Goodrich................................... John Erdman
His kahu.................................................. Akaiko  Akana
PICTURE VI.
King Kauikeaouli....................................... David     oapili, Jr.
IHaalliio.................................................  John   Naiwi
Major Maikai........................................ Boki Reis
Keoni Ana Opio............................................ George Beckley
Judge  John  Ii....................................................   HIolstei n
Five Hawaiiail Legislators with Judge Ii
Dr. Gerrit P. Judd...............................H.....enry Judd
Rev. Williaml Richar(ds...C....................Charles Judd
Hon. Robert C. Wyllie....................................      John Fleming
Judge Williaml L. Lee.....................................Walter Frear
Rev. Richard  Armstrong......................................Philip  W eaver
A   Catholic  Priest.......................................Fred  G. W.  Cooper
An  Episcopal Bishop......................................Robbins  Anderson
Chiefs and Commoners bringing petitions to the king
38




PICTURE VII.


Hawaii............................................... ercedes  IIutchinson
Hawaiian Industries:
A  farm er..................................................  D ude  M iller
A  fisherman.........................................Duke  Kahanailoku
A wood-cutter..................................... Lukela Kaupiko
A poi-pounder............................................Isaac Kaopua
A tapa-beater...................... Maluihiikeaoihilanikapu Kalauokalani
A bird-catcher...................................... William Makawao
A mat-weaver........................................Eilia King
A  calabash-maker..........................................John  Naiwi
A  man  selling  grass.................................David  Kahanamoku
A  man  selling  poi.....................................................
A Group for Modern Industry, including:
Science and Learning
Agriculture
Mechanics
A Piper.......................................... Rosamond M[organ
One hundred and fifty kindergarten children from the following centers:
Chinese, Beretania Street,......................... led by Dorothy Wood
Portuguese, Miller Street........................... led  by  Mrs. Pilueger
Japanese, Castle Kindergarten....................led by Mrs. Daingerfield
Korean, Korean Primary School...........................led by Mr. Lee
Filipino, from various schools..........................letd bly Mrs. Barza
Spanish, Kalihi-kai Kindergarten....................led by Dorothy Guild
PICTURES VIII and IX.
Itawaii............................................... M erce es  Ilutchinson
America............................................. 1 rances Lyman
Faith, Hope and Charity as in Picture III
Fifty captains from the women's faculty of Kawaiahao Seminalry, Mills Institute
and Punahou School
Two thousand representatives from Hawaii's churches, schools an(l other constructive agencies:
CHURCHESEvangelical and allied churches and missions of all nationalities on
all the islands.
SCHOOLSPublic Schools
Mission Schools
Private Schools, except those exclusively for foreign languages
OTHER CONSTRUCTIVE AGENCIESHospitals                 Federal Offices
Commercial Clubs          Territorial Offices
Chinese Societies         Representatives of Foreign Countries
Portuguese Societies      United States Army
Japanese Societies        United States Navy
Korean Societies          Social Welfare Agencies
Filipino Societies        Religious Welfare Agencies
Fraternal Organizations   Miscellaneous Clubs for Health, RecreaLibraries                    tion, Study and Patriotic Purposes
Newspapers                All similar organizations on IHawaii,
Public Utilites              Maui, Molokai, Kauai
NOTE:-The Pageant Commnittee regrets to state that only a very incomplete
list of the names of these representatives is at hand at the time of sending the
program to press. It is impossible, therefore, to acknowledge tile courtesy of
their acceptance by printing the full list of names.
39




TUESDAY, APRIL 13
8:00 P. M., Wilcox Hall, Mills School
PLAY, "A TlHOUSAND YEARS AGO"
By Percy Mackaye
Given by the Oriental Students of the Mid-Pacific Institute
CAST OF CHIARACTERS:
Tourandot, Princess of Peking...........................  Juiehi Wakuya
AltouLr, her father, Emperor of Clhina........................Takeo Murakami
Zelitla, her slave...............................           Kenso Nushida
Calaf, Prince of Astrakhan............................. Moriso Matsuno
Barak, his servitor.......................................... Shigeru Hirotsu
Chang, chief eunuch.............................Shizuo Omura
Scaramou*che                                                 g e............ Shigeichi Shiraki
l'unchinello.............    Vagabond   layers........Albert H. Wong
Pantaloon...........            from Italy........ Toworu Kunikiyo
Harlequin (mute)........J.........Moy Hee Chong
Capoconmico, their leader...............................  Yasuo Goto
Lords of the Royal Divan-Leong Wah IHal, Yasuo Kitagawa, Yoshio Taketa,
Yoshio Matsuki
Soldiers of Peking-Ah Loy Mau, Mitsuo Nishiliara, Kenji Nishihara, Au Tai
Chun, Archie Ho, Look Tai Chan, Seichi Takeguchi, Bunji Kashiwagi
Archie Io, Look Tai Chall, Seichi Takeguchi, Bunji Kashiwagi
Tea-bearers......................................Lo  Ah  Fong,  Shunmla  Hino
Court Attendants.................................Jack  Ohashi, Tsuno  Koike
Slave Girls of the Royal Harein-Julius Yap, Doo Sai Chow, Akui Gonsalves,
Lo So May
Eunuch..................................................... Takeshi  Tsuda
H-eadsmlan.......................................ee Hung Chow
Priests...........................................Kum Lin, Look Tai Chong
Idol  of  the  Royal  Divan........................................  Allen  Farm




WVEDNIES3DAY, A.PRIL 14
NNFEEN/cEa tN N ASI NZA
\\iltmr  1,  (r~ ean   Of  the   Gir;uadme
S\dr, /J.   aw. c L Ir:sv.i _ _ i  1:ii: ilo1~1~ ll~l}/}/ A1}a  ~I Ollt Smll/lii A itra o t:i  SdlS
i1i.1..,u.uF:..... iN. fflu...i dh NO.  ibiiu..-1,,el ll,icl:  1Be1ir e Cl t rliey.  ia for lia.
0            I  '  ' = =l~~~~~  Z
Misca    Flx im   =_lde   =A   lg   agr   lolau   6
Dil      o   Of  mie  plti   seos   liml~
clin       fonteH plliNral lan   Timii   Se,
TI~itil yit~rl~ll }i~e~e~i )Ni4iSSM~lltlre  A1)Xtatle  4 41




THURSDAi,   Y, API:I1 ]15
(C VIc A1) I1NUSTRIAL ID)A
\i illur.- ClIros, Dn of the       iadiN FORlte
Scho:4ol, Yar fUliriverty
I*. 18,. Mrilsol, Stiperihteldelrt of PTublic
Schdool)s, Berlelev, C (ifobrtfrl
W ilbur L.  io.  g V1N              I.  o t
3:00 1. M.
CIVIC AND INI)DUSTRIALI PAI RAD)I)
LINE O( lI MARCI
Frol  Aalat  ort 01  J(ilg oS   o tree   tt t tl o ioria  Street, o00  Vitoria to 13f'retai
Sirtltet, onl ielretali:t   to  River Sttreet,  lispersilg  thlre.,
(GIRAND) MARSl,AL
(George II. Angus
AI\)ES
Captainl lPerry M. Srloot.. S. i l Ilnfantr 
lieutenant Mofrton T. Selig lman, U.S. Navy
Ieuteinant  trNomaln Cam'n,. S. Ilnfanltr
MIITARk[Y SECTION
Coast Artillre y Binc
Cast Artilery, 1 Battalion —4 (Companljes
Conlllnd lel  Vt. IColonel Malorloo ~ollnog
Air Service, 1 Battalioi-4 C(o1m)allies
iorxololla et t i   Vi ioteoll it 1. t. Yo1 ig




17th Cavalry Band
17 Cavalry, 1 Squadron-4 Troops
(Coi,)nimmade   by Lt. C(olonel A. IH. Nilton:
Naval Band(
Iandll g ILorce of Sailors from   I'leet
(Co()llll;ledlll  1  (0i omnl(der I. C..Johnson 
Royal Hawaiiwan Blandl
The National ((uard
Kanlehameha School Ca(lets
P'uallhou Scllool Cadets.
I ()o(olulu Milittarv \ cade(lc ii
I lonlllulu C'ouncllil, 1(Bo  Scouts (of Am\lilcrica;
(Serv iing todayx; lnot parnl(lilln)
ClIVI SECTION
\ssistant Aide:    Sgt. I. (;. Craver. L. S. A.
Naval Banll(, Pearl I 1arbor
No. 1.   A, B, C.    Fire —fightilng  'rogress.
Chief Thurl'stoo   of Ilae' Fire lDe'partlllment tells  ill thlre1e e(n:listic (c) apters h1ow
the art of plutting olt fires bls lbeen evolved so far as ftig llill)g,ulines  re
concerned. 10 oolulu nl:s few (on tligrations, a 'id( a (depals rtlellut of wlihic( slhe is
prou(l.
Pa-u Ridlers.
No. 2. XAcceptance of Ch ristianity vby 1Kaalm     ianu.
This float is contribluted(l by thl(e I.awaiiN:)l (Cii( vi Club ua1s thle Ilos.t Il)I)roliriate
with which to to opel tle ( ltfeu(enial p(arade. ]Kalnehuallnehl a's favorite Qu(een
Kaahnnmanu, first bly ier det(ermilnailtion to en(1 tilet tbul)s ad (estroy the old
religioiu, anl second b1y her cearly a(( ceptanl(e of Christianiity, proved to 1be by far
t]le most powerful silgle force il dete(rmi iining tle trend of tile past ole h1un1lred
ear'.s in H[awaii. The Qneeii, waited upon bly bher pipe ianl spittoon-bearers tuld
b1v the hunilhbab(k kahbili-wa.ver, wblo wwas her consta nlt altend(lant, is pi(.turel
as receiving tlhe Scriptures from )one If t'lie early hnissoi)nari's.
Kaahlmantu Society.
Kawaiahao Church.
No. 3. Vancouver's Visit to 1 lawaii.
The greatest name inc the pre (-liissiolary story of Hlawaii's oita(t with the
outside world is George Vanclliouver. This British capltain, a falr higher type of
43:




manhood than the discover Cook, was animated with Ithe aim of doing all
the good he could. Refusing consistently to sell any munitions of war, he
blessed the Islands with gifts of orange trees, grape vines and other useful
plants, to which he added later cattle, sheep and goats. With him began the
custom of bringing here the finest fruits of all lands as well as the highest
culture. He was the first to tell the Hawaiians about God, and thus helped prepare the way for the American mission.
It is peculiarly appropriate that the Metropolitan Meat Market should
nmemorialize the man who made meat possible here.
Adult Detachment from      Island Sunday Schools.
No. 4. Defiance of Pele.
Not only science, but commerce as well has been the foe of superstition
because it manufacturers the wares which applied science has taught it to make
and then carries these products to the ends of the world. It thus leads the untutored mind from the commodity to the scientific data which it illustrates, and
teaches the scientific method, the greatest foe of superstition. The missionaries
believed that education was the handmaiden of Christianity, hence they taught
the truths of science. The most telling illustration of the power of such teaching to annihilate superstition was given by Kapiolani when she defied Pele.
Davies & Co. here suggest the common ground which business dominated by
Christian principles and Christian missionary work occupy.
1-Iui Oiwi.
Daughters and Sons of Hawaiian W\arriors.
No. 5. The \Velcome of the Ihaddeus.
An enterprise with such varied lines of service as the von Hleam-Young
Company and its associated corporations has well chosen the story of that vessel
of blessing, the Thaddeus, to express its own interest in that ideal vehicle of
transportation, the Automobile of 1920, and to represent in the welcome given
by Hawaii to the New Comers of a century ago its own large contribution to
the comfort of Modern Travelers.
I-ale o na Alii.
No. 6. The Pioneer.
In April, 1817, under Captain Blanchard of the Bordeaux Packet, James
Hunnewell of Boston visited these Islands on business. Again in April, 1820,
as mate of the Thaddeus, with the same captain, he came, bringing the American
missionaries. Thus early he laid the foundations of trade between Hawaii and
America. The business house which he founded became in time Brewer & Co.
Hunnewell believed that "merchandise promotes humanity, diffusing love from
pole to pole." He was the first commercial Christian missionary here, and begat
a long and honorable line of successors. Brewer & Co. in this float idealizes




the story of this sturdy pioneer, his vessel, and the globe he circumnavigated,
the two living figures typifying Boston and Honolulu, the cities which he
helped bind together.
Ahahui Hoopakele o na Poola.
No. 7. The Flag-raising on Thomas Square.
On February 25, 1843, a British naval officer, Lord George Paulet, real from
the ramparts of the old Fort an act of cession of Hawaii to Great Britain,
forced by him from King Kamehalmeha IIT. Tle flag of the Island Kingdoml
was then lowered and the British flag raised. Kamehameha appealed for justice to Queen Victoria.
On July 26 Rear Admiral Thomas, commanrder-in-chief of the British naval
forces in the Pacific, sailed into Honolulu ITarbor and dec(lared that he had come
to restore the sovereignty of Hawaii. Five ldays later, on the ground known as
Thomas Square, the ceremony of restoration was comlrleted,l the Royal Standard
of Kamehameha was raised, and the King gave to his nation the motto, 'ITA
MAU KE EA O KA AINA I KA PONO" ("The life of the land is perpetuated
in righteousness").
The float portraying this historic flag-raisilng is contributed by the British
Club.
Order of Kalmehameha, liawaii Clhapter No. 1.
No. 8.   l[awaii's Plact of Prosperity.
'The Treaty of R]eciprocity between Hlawaii and the Urnitedl States was ratified in June, 1875, aind the necessary laws to carry it into effect were passed in
September, 1876. This ended a struggle on Hlawaii's ')part which b)egan in 1855
and was, according to Prof. Alexander, 'l)erhalps the most imllortant event in
Hawaiian history since 1843. "  This treaty )put tawaii 0on the mapn conlmercially. The Chamber of Commerce in this float seizes the lmomenlt whel Kiing
Kalakaua, attended by his chamberlains and in the presence of Messrs. SB.
Dole, II. A. P. Carter, C. R. Bishop and E. 1:I. Allen, is affixilng the seal royal
to the document.
Longshoremen's Mutual Aid Association.
No. 9. Old-time Htawaiian Animals.
The dog and a small pig with long head and tiny erect ears were the only
live stock bigger than a rat, which Captain Cook found on the Islands. The goat
and deer brought here before the missionaries landed developed traits and looks
of their own.
The Honolulu Iron Works, pioneer iron founders of Iawaii, whose sugar
mill machinery is famed the world over, while devoted to the science and art of
mechanism, today goes afield, as all true kamaainas in this Paradise are wont to
do, and introduces us to these strange types of Island fauna which only lovers
of remote and unfrequented spots are privileged to see.


45




No. 10. HIow the Century's Work Was Done.


ITere Father Binghamn is shown in consultation with Hawaiian friends.
Many of the largest results of missionary work grew out of the intimacy of
personal association.
Exhibited by Allen & Robinson, a firm which for seventy-five years has told
the story of the close association of Hawaiian and American.
Fraternal Order of Eagles.
No. 11. A, B. The Comiing of the Koreans.
In their flowing robes and airy hats, the Korean people floated to Hawaii
as soon as the door of their nation opened. Japan shut it tight after her
seizure of the Iermit Kingdom. The Koreans are making great progress
here, and their influence is reacting for larger liberty in their home peninsula.
Workers, students and merchants of the olden time and today, together with 
(Christian ministers-for this peol,le have welcomed the new  religiont with
ardor-aIre depicted in tlese floats. rThe colors are the flag of Korea.
Korean Christians.
No. 12.   The Making of Tapa.
The Hawaiian Woman of the olden time toilfully beat her clothing out of
the tree fiber into textures of beauty adorned with simple artistic patterns.
This one of the lost arts of the past is revived for us of today by the
Society of the T)aughters of Iawaii, one of whose functions it is to preserve
all that was best in the spirit of the Hawaiian race and transmit its grace to
succeeding generations.
No. 13.   The First Japanese Arrival.
Manjiro Nagalianta was his IlnIane. Legally lie came by act of (God, blown
across the oce lan in a. fishinug boat. Fatler 1)aiu on h)ooked hinl and sent himn to
the mainland, where lie studied navigation and then drifted back to i)ai Nippon.
There he translated a work on navigation into his native language. As mate
of the Kanriu Manru he revisited Honolulu in 1860, when the first embassy to the
United States was sent by the Shogun. HTe was a main of probity, an honorable
pioneer of a great people, whose Ionolulu Cllamber of Con-mmerce introduces himn
to us today.
Trail and Mountain Clul.
No. 14.   The Golden Isles of Sport.
Life, so exuberant and vibrant with energy that sport was as natural as
breathing, was the story of Old HTawaii. When the missionaries landed they
found a people who had developed a world of outdoor pastinmes that demandedl
sllendid muscles, rare skill, agility, daring and presence of mind. The Htawaiian antiquarian, David Malo, mentions no less than ten major sports. It is impossible to live healthily in this climate and neglect God's Out-of-doors.
46




Love's Biscuit and Bread Company, dealing in the Staff of that vigorous
life which functions in sport,as well as in worth-while work, very fittingly cointributes this picture.
No. 15.   The Two Flags.
Enveloped il the protecting folds of Old Glory, the bailier ieldet  by a
ciild, the symbol of the sincerity, opennmliinilcdness aniid frielndliness of tllh
H-awaiian nature, will always be cherislhel in these Islandlls with peculiar feelings of reverence and joy.
Alexander & Baldlwin emphasize in this Iloat two of tile princilles whiic l
dominate the conduct of their business —Faithfulnless to the H:awaii;an Land
Loyalty to Americanism. The broadening out of Ifawaii into        ilion with
America has been the keynote of the political story of the past oiie hnllr1 e.
years.
No. 16.   Costumes Change, But Not lHearts.
The Daughters of the American Revolution live to ellphalsize the ties w'liichl
bind us to a glorious past as an undyini g mlotive in thle Cllmg days to be true
to our sacred heritage.
In these six vehicles the Revolutionary Dlameis of 1 82(, whose immedialte
sires had given to the world( a new type of democracy dest iiedl to (lchange t.le
form of government for the entire lhuman famlily, together with their greatgranddaughters of this century of dazzling social progress, pass before us trobed
in the fashion of their respective times.
No. 17.   The B. P. 0. E.
Charity, Justice, Brotherly Lov e andl Fidelity, the (Guildi, i  Spirits of the
Benevolent andl Protective Order of Elks, tlie Altar of IReligioln dralped with tlic
Flag of Loyalty aindl crowndll  with the Book of Rlevelatimo, labove which t I e
antlers of lProtection extenlll, the sea beach which spe:aks tlhe motto: "The Fa llts
of Our Brothers We Write on the Sands,'' aid the toweriing form of the Order's
symbol, all tell the story of Elkldom portrayed in this scele.
The Elks.
No. 18.   Old I-awaii a(nd Education.
The story of tle ulnqueichl ablle ptssio(:i for knowiledlge, which shook the
H[awaiian race, boiled alnit overflowe l  throughout  t(le entire Island1 groupl like
a volcanice eruption as soon as the missiolaries began their work here is one
of tlie roiiimances of tile history of humian elducation.
Wall & Dougherty, a firm dedicated to art in precious imetals andl gems,
have seized upon one of the drariatic incidents in this story when the hirlgh
chief Boki and his chiefess wife Liliha gave to lIiram Bingham, one of tile
ntissionaries of the Thaddleus group, the land of Punahou, dledicated subsequently to the cause of Education.




No. 19.   A, B, C, D.    Hawaii Red Triangle.
The first section of IHonolulu's Young Men's Christian Association parade
entry spells Loyalty to Country. The American Flag and Y Banner, borne by
members of the Boys' Division, tell forth this sentiment.
Tlie automobile section next features the local inception of the Y.M.C.A.
in this city, represented by the surviving charter members in the first motor,
and its progress through the admninistration of past presidents in the next
two machines. This section is flanked by Boys of the Boys' Division acting
as Escort.
The third section unfolds in. its float the ministry of the Y.M.C.A. At one
end stands the Spirit of Hawaii; at the other a Globe surmounted by the Red
Triangle supported by Corinthian columns, typifying the world-wide reach of
Y activity. On either side of the Globe is the Bible, source of the Association's inspiration. In front is the Rock of Ages upholding a Cross, beside
which a tiny lad in the attitude of prayer suggests the animating Life of the
Spirit in the organization. To the rear a student in scholastic robe and
mortar-board represents Mind, with the Lamp of Truth by his side, while the
Athlete typifies the fully-developed Body.
The procession which follows the float represents the many-sidedness of
the Y's departments-Boys', Physical, Educational, Religious, anl Nuuanu with
its inter-racial outreach.
No. 20.   Self-determination.
The world studded with smaller nations has suddenly become conscious of
the light of Liberty which illuminates them all and stirs in the breasts of their
peoples the passion for self-determination. The Spirit of the Filipinos here lifts
the petition of her people for larger Self-Government, while the Goddess smiles
her assent. The Filipino National Association in Hawaii shows by this exhibit
th!at its countrymen, while loyal to Uncle Sam, yearn for the fuller life of
c mplete independence.
No. 21.   Odd-fellow-ship.
Honolulu boasts the oldest lodge of the Independent Order of Odd Fellows
west of the Rockies. Both of the lodges in our city unite in this symbolic
representation of the Spirit of their Order. The Odd-Fellowship carries its
freightage of ileals, Friendshilp, Love and Truth, wherever men go in quest of
fortune or on errands of service.
No. 22. Truth in Advertising.
Communn ity welfare, promotion of hapl)ier living and better nmeans of transportation, all to be secured through truth telling in advertising, are the more
important aims of Ad Club service. In clubdom the most democratic, the least
conventional and direct in its straightforward methods, the Ad Club is
of the very essence of Americanism in serving the entire comnmunity.




Ad Club.


Salvation Army Girls' Band.
No. 23.   A, B.   Two-sided Work.
General Booth of the Salvation Army was the first great Christian evangelist who, beginning his work with the sole aim of saving individuals, found
that he would fail unless his message was made social. The Salvation Army
then became a social force. In this community this side of its activity has
almost overshadowedl all others. In this float the Army tells the story of its
spiritual and social departments.
No. 24.   Hawaiian Board Autos.
These carry the past and present mmnebers of the Hlawaiian Board, successor to the American Board which sent out the Pioneers. Two of these, Rev.
11. H. Parker and Mr. P. C. Jones, have been members of the Hawaiian Board
for iore than fifty years.
No. 25.   The Union of the East and \est.
Throughout its seventy-seven years of activity, The Friend-oldest newspaper west of the Rockies —has unswervingly championed the cause of a Common
Human Family. Its mission is to help bind the Men of the Orient and( the Men
of the Occident into one great mutual endeavor to realize the ideals of the
Cross of Christ.
No. 26.   A, B.    The (;reat Social Advance.
Nothing in the past one hundred years is more impressive than the movement toward brotherhood. The world is today in the very throes of the process.
Hawaii quickly responded to this human trend, and years ago began to add
social features to its missionary endeavor. The most outstanding factor in this
work for community betterment has been Palama, Settlement, which illustrates
in these two floats its Medical and Social departments.
No. 27.   The Coming of the Hibiscus.
Hawaii's life today is a wonderful exhibit of colmposites. Not only is its
population representative of man y an(l very diverse races, but its flora andl
fauna are a kaleidoscope of contributions from all the world over. Brought to
our shores by men of every nationality-in itself a triumpnh of transportation
-these gifts of other lands have been built into the structure which we call
Hawaii Nei.
Because transportation and upbuilding are of the very essence of tile
business of the Ilonolulu Construction and Draying Company, it presents tlie
story of the coming to thQ Islands of the first ltibiscus flower, brougllt, so
tradition says, by the Spaniard Don Francisco de Paula Maril, the trustel
friend of the great Kamehameha.
Girl Scouts.
No. 28.   The Out-reaching Influence of the Y. W. C. A.
The central figure is the Spirit of the Young Women's Christian Associa49




iion. The ribbons typify the invisible chords of physical, intellectual, social
and spiritual influence which l)i(nd into a unity of Christian sisterhood women
anyd mlai(lens of all the race s ill ontr polyglot populationl.
No. 29.   A  Step in Americallization.
Girls working with fine entlhusiasi for the Red Cross, and school boys
siouldeilring the hoe to labor in sugatr and l)iiieaale fields and inl homie gar(lenls,
all with the ambition to do their bit to win the Great War, is the tale told in
this float by the Japanese Chamiber of Commlerce, as well as registered all over
the Territory froml 19.17 to 1919.
No. 30.   The Spirit of the Y.
Soldier, marine tandl sailor ministered unto by uniformed secretaries, men1
and women, through tile instrumenll talities of Religion as typified by Cross anii
Anlchor, E(lducation eiiibo(lie(l in works of learning, and Athletics foreshadowed
by tle emblems of out niational game, all have a part in unfolding the spirit of
the Army andl Navy Youig Men 's (hristian Association, faithfully serving,
lonoreI l;I n( I love ( where ver Oh1 (G lory waves.
No. 31.   The Rotary \Wheel.
This Wheel, the embleim of tle Rotary Club, is in horizontal position, with
the Golddess of Service in tle center and supported by Rotariansi  The motto is,
"'E Itookauwa, Aole no ka Uku.'' "lie who serves best profits most."'  "Service not self."
The Rotary Club is an organization of business and professional melC  fom
the fostering of ethics aidll tlie prilciple of the (Golden Rule in business andl professional relations aloung lines of serv ice to others, anlt nlot of persolnal attainmllent.
Rotary Club.
No. 32.   ThIe JFlower of a Myria(l Blooms.
This choice suggestion of tle variety an-d beauty of life in the open in
Hawaii has been chosen by tlie Womien of 1lonolulu's Out(loor Circle to symbolize their i(leal, the beautification of physical environment, both as a means
for ennobling in(lividual character aund as the expression of social personality.
There have been d(eveloped in these Islands no less than 2000 varieties of
hibiscus.
No. 33.   A, B.   Superstition and Christendom's Science.
The Dragon of Superstition with its agelong folds dominated the minds of
the men of Cathay a hundred years ago, for then there were very few Christian
converts in the Celestial Kingdom.
Today China, a Republic, standing under the Arch of God's Love andl supported by her stalwart Sons, the Toiler and the Thinker, welcomes the Christian
Church with her cross of unselfish service and light of truth, Music with


50




her harp of harmonic melody, Scieire with her mortar and pestle of experimentation, and Art with her colorful palette. In this glad comradeship the Land of
Everlasting Peace and Good Will goes forth to meet the coming centuries.
This contrast of Darkness and Light is appropriately presented by the Chinese Christian Churches of Honolulu.
Chinese Christians.
INDUSTRIAL SECTION
Assistant Aide, Sgt. William F. Egan, U. S. A.
Industrial School Band.
No. 34. Ever On to Larger Achievements.
An idealized picture of Commerce with the Spirit of Discovery at the prow
and the Genius of Manufacture at the helm.
Contributed by the American Factors, a corporation born amid the throes
of the Great War to inherit the Teutonic interests in Hawaii.
No. 35. A Century of Banking in Hawaii.
At one end of this float the simplest form of excxhange, barter, as practised
here a hundred years ago, is depicted. The other endl pictures the system in
vogue when Bishop and Company, symbol of financial stability and progress,
full 62 years ago, established its bank, the first which Hawaii ever knew.
In the center a glimpse is given of present-day business methods, wherein
those triumphs of inventive genius, machines for calculating with scientific
accuracy, simplify many of the problems of modern banking.
No. 36.   Burden-bearing Then and Now.
The Oahu Railway & Land Co. presents a freight carrier of 100 years ago
and that of today. Its reproduction is the story of a moment, but its evolution
cost years of toil that tried men's souls and marked the courage of pioneers.
Modern Order of Phoenix, Honolulu Lod(ge No. 1.
No. 37.   The Old and the New Navigation.
For years, Castle & Cooke, Ltd., has concerned itself with the shipping
between the Islands and the mainland. They have seen commerce outgrow the
usefulness of the famous clipper sailing ships of Boston and be replaced by the
faster modern steamers of today, with San Francisco as the ]home port.
No. 38.   "The Mills of the Gods Grind Slowly."
So did the early Rice Mill of Hawaii, which the Chinese set up loong before
the Thaddeus hove in sight of these shores. The Napoleon of the ]Pacific, the
Great Unifier of the Islands, backed his Chinese friend in this enterprise, which
might well have borne the title of "Kamehamecha and Company, Ltd.'"  This
mill was presumably running ir 1820.
The City Mill Company, Ltd., one of the sturdiest Chinese corporations of
51




Hawaii, shows here a likeness of the rice grinder of 100 years ago side by side
with the machinery which does the business in 1920.
No. 39. Real Fishing.
The Pacific Fisheries Company here presents the romance of reality which it
enacts daily anywhere from a league to forty miles off the shores of our Islands.
Four million pounds of these splendid 20 to 30-pound aku were taken last year
exactly as these intrepid Japanese fishers are illustrating. Their padded uniforms save them from injury at the impact of the big fish. Two million pounds
of last year's capture were canned, the demand from the mainland for Hawaiian
canned tuna exceeding the supply. One million pounds were used as bait for
other fish, and the remaining million were sold for consumption here. From the
aku, Island Japanese make their policemen 's billy-like edible called Katsuobushi.
Knights of Colunibus.
No. 40.   Atlas, the World-bearer.
In the old Greek mythology, Atlas, the strongest of the giants, was fabled
to hold the world on his muscle-studded back. This is the allegory which the
Bank of Hawaii, Ltd., the first of any of the Island banks to incorporate, has
chosen to typify its character in this community-strength to bear any financial
burden which the world of business may shoulder upon it.
No. 41.   Evolution in Business.
The changes which sixty-five years have wrought in the development of
Lewers & Cooke, one of our foremost commercial concerns both in its housing
and in goods delivery, are graphically told in this float.
Mr. Robert Lewers, who on April 1st celebrated the sixtieth anniversary of
his connection with the business, and Mr. J. M. Koahou, who will round out his
half century of service in June, as fellow workers in industrial upbuilding, together, grace our parade.
No. 42.   Fire-making in Hawaii.
The Honoluliu Gas Company here features the primitive Imu, which, notwithstanding time and labor cost, did good service in the leisurelv (lays of
old, as all who have sampled the delicacies of a Hawaiian luau can testify.
The hukui-nut lamp of 1820, however, (lid hardly more than emphasize the
gloom. But in this strenuous era the Modern Scientific Kitchen makes work easy
and house-keeping a joy in many a Hlawaiian home, while the radiant mantled
gas jet fulfils the Bible prophecy, "There shall be no night there."
Ancient Order Foresters, Court Camoes No. 8110.
Ancient Order Foresters, Court Lunalilo No. 6600.
No. 43.   A, B.   Where Industry Triumphs.
Among one of the races of men, the Chinese, and that the oldest and
largest, Industry is king. Ilawaii 's debt to this patient, toilful, peace-loving,
frugal, thrifty and companionable people can never be told.


52




True to the genius of the race, the United Chinese Society lhas chosen in
these two floats to set forth the basic inldustry of Asia-rice production. This
was the gift of China to Hawaii, and the patient plodder of the paddy field,
the Water-Buffalo, who helps his master turn nature's fertility into man's
grea4t staple, is given full credit for his share in the final product.
No. 44.   A, B, C.    Evolution in Public Transportation.
The Honolulu Rapid Transit and Landi Company exhi)bits first the style
of vehicle available to tile public in this city previous to 1880. The htack is
driven by Mr. Henry Nilson, who served the Tramway Colmpanl     y for nearly
eleven years and has been in the emplloy of the Rapid Trransit for twenty
years.
Next follows the doinkev-drawn Tranecar with its motley crew of passengers-both a joke and a convenience, for the double decade 1880 to 1900.
The pride of Honolulu's municipal transit system, the airiest, cleaniest,
most capably alnd courteously-mannaed trolley car in all of America's cities,
comlpletes the story of this industry.
Industrial School Band.
No. 45.    The News-bearer.
Mercury, the Messenger of the Gods, speedling from land to land of the
globe, is the patron deity of the Press. Even this inible-footedl )ivinity  halnges
with the ages, for at oiie end of this float the Old Mission l'ress broughlt hither
in the Thaddeus in 1820, and fabled as now reposing in the museum of tlie Oregon
Historical Society, is accurately figured, while at the other the typesetting
machine of today, the wonder of tile ages in its human-like work, p)erforms its
miracles with lightning rapidity. The Adlvertiser, Star-Bulletin, Mercantlile
Printing, Paradise of the Pacific alnd New Freedom publishinrg comlpalices and the
Print Shop unite in this presentation.
No. 46.    The Wilderness and tle City Bceautifull.
This note, so prominelt in the service which the Trenit Trust Complany with
its department of Real Estate andl lonie Building renders our community, dominates this picture of making the wilderness of rocky mountaf.in-siles bloom into
tasteful bungalows and fragrant gardens.
No. 47.   A, B.    "As Delicious as a I lawaiial I'ie."
In thie first of these two floats tle hlawaiillan Pinea:l)ple Paickers' Association,
which replresents all the packers of the slands anll las prolduced thle "''reiier
Pineapple of the World," carries us to 1Kona, on Ilawaii island, where a comnpany of the folk of 1820, having discovered a tough, sour, fiblrous fruit, begin
to dream  of something better.
In the second float their dream after a hunidred years comles true in the
final developmlent of the luscious pin:eapple of Wahlliawa.


Industrial School Cadets.




No. 48. The Tie That Binds.


The universal means of inter-island communication when the Thaddeus
came was the canoe. The early missionaries traveled many miles in this slender
craft, not only from one island to another, but also from valley to valley on the
same island, for sea going was better very often than over the rugged trails
with rushing torrents to ford. Next in evolution came the schooner and finally
the Mauna Kea, which the Inter-Island Steam Navigation Company, the contributor of this float, maintains as the flagship of the excellent fleet which
helps bind together our Island communities.
No. 49.   Friend of Widow and Orphan.
One of the most beneficent institutions born into the world since 1820, represented in this float and well named "Friend of Widow and Orphan," is exhibitel by the Bishop, Guardian, Hawaiian and Henry Waterhouse Trust Companies. Home Owning, Home Building, Home Safeguarding through Will Making and Home Preservation, through care of property of minors and those unfamiliar with business, are among the larger services foreshadowed here.
No. 50. The Wizard of Our Age.
That the age of steam is fast merging into the era of electricity is the
testimony both of theoretical and applied science today.
In this realistic presentation the Reliable Auto Shop, Ltd., emphasizes
the power and wide domain of this Giant Force in the realm of industry.
No. 51. No Coffee Like the Kona Brand.
Kona on Hawaii is preeminently the home of the small farmer, and thither
the Japanese have drifted for years. Coffee is king with them, and the mountain-sides blossom with the results of their labor. The float exhibited by the
Japanese Chamber of Commerce shows how the picking of the coffee berry is
done.
No. 52. A, B, C.     The Story of Sugar.
This floating trilogy dramatically testifies that, true to their history of
initiative as inventors of the mariner's compass and spinners of silk, Chinese
were the pioneer sugar makers of Hawaii. The first sugar factor began with
his animal-driven mill the extraction of cane juice on the Island of Lanai
in 1802.
As years went on, high-power machinery, the resources of scientific discovery and the engineering triumphs of thrilling ditch trail, daring tunneling,
accurate field plotting for irrigation, and artesian pumping, all of which are
idealistically suggested in the second of these floats, followed in due succession.
In the third the ITawaiian Sugar Planters' Association pictures enthroned
I-awaii, supported by her group of Sugar Plantations, which form one of the
most scientifically conductedl agricultural industries on the globe.


54




No. 53. The Cherry and the Palm.
These symbols of Japan and Hawaii, bound together by ribbons bearing
the colors of the two flags emblematic of the tie of friendship and brotherhood,
shelter the children of the two races, who, growing up together, will bring their
peoples into closer intimacy and fulfil the promise, "A little child shall lead
them."' Naturally, we should expect this float to be the expression of the Japanese Christian Churches of Honolulu.
No. 54. The \World and the Book.
This globe features Japan and America, and bears as its supreme message
the Bible declaration that God is Creator andl Redeemer and the Great Spiritual
Force sure to bind these two nations and all others into brotherly living. The
Young Men's "Love-Friendship Society"' (Aiyukwai) of Makiki Japanese
Church sets forth this as the attitude of the American-trained aind Amlericanborn Christian Japanese of this Territory towards our country.
No. 55. Float of United Spanish \War Veterans.
THURSDAY, APRIL 15
MASS MEETING IN KAWAIAHA() CH URCH
8:00 P. M.
Music under the direction of Mrs. Charles L. HIall
KAAIIUMANU     -     -    -    -    -     -       Helen Dcsha Beamlcr
Kawaiahao, Kamehameha, Alumnae and Alumni Choruses
ANTIEM WITH SOPRANO OBLIGATO
Mrs. Charles L. Hall and Kamehameha Chorus
INTRODUCTORY ADDRESS
Hon. Charles J. McCarthy, Governor of Ilawaii
HAWAIIAN CIANT-"Waipio"            - -    -    -      Charles E. King
United Choruses
ADDRESS-"Tomorrow's Message to Today In Civic Life"
Hon. Henry Van Dyke, D.D., LL.D., Avalon, Princeton, New Jersey
CIANT —"Pele"       -                               i —  Uldrick Thompson
Mrs. Charles I.. 1-all
PAU.\HI    KALANI     -    -    -    -    -     -   Qu      Lilituokalani


v


United Choruses




THE FIFTH KA WAlIAAO CUI3Ul.RCH, DEDICATED IN 1842
FRIDAY,     APRIL 16
HAWAI IAN D)AY
10:00 A. M., Board Rlooms, Mission Menorial Building
EXTRAtORDINARY MEETIN(; OF T'I:' HAWAIIAN             OA RD
with Delegates and Special Guests
12:00 Noon, War Memorial Park, Waikiki
LUAU
3:00 E'. M., Waikiki Beach
WATER SPO RTS
Under ASfusices of tie Outrigger Canoe Club
7:30 P.L M.. Kawalalao (Church
INER-IS.ILAND SONG CONTEST
Between Hjawa iti anl Cloruses representing Kautai, Oal, Motokai,
Maul, IHiawaii
P: P. M.. at the Armory 
DAtNCE IN H1ONO:R O)F TiJaE 01 FICERS OF THEK;ieNTILZ.NNIAL FL:L/ET.\uspice of the Honolulu Chmlier of Commerce




SATURDAY, APRIL 17
RECREATION DAY
9:00 A. M.
HOIKE IN KAWAIAHAO CHURCH
Dramatic and Musical Scripture Representations by Hawaiian
Sunday Schools
2:00 P. M., Kawaiahao Church
MEETING OF ISLAND ASSOCIATIONS
2:00 P. M., Honolulu Harbor
CENTENNIAL REGATTA
PROGRAM


1. Six-oar Sliding-seat Barge, No. 1
Myrtle
Healani
2. Pair-oar Sliding Seat, No. 1
Myrtle
HIealani
3. Naval Cutter Race
4. Scull Race, No. 1
Myrtle
H-Ieaalani


5. Six-oar Sliding-scat Barge, No. 2
Myrtle
Ilealan i
(. Pair-oar Sliding Seat, No. 2
Myrtle
HIealani
7. Scull Race, No. 2
Myrtle
itealani
8. Six-oar Slidling-scat Barge, No. 3
Myrtle
HIealani


NOTE:Race No. 1 starts from the foot of Fort Street Wharf to a lile between
Buoys No. 3 and No. 4 and back to the end of Pier 8 (Alakea Wharf).
Races No. 2, No. 4, No. 6 and No. 7 start from a buoy off the Lighthouse to
the end of Pier 8 (Alakea Wharf).
Race No. 3 starts from the foot of Fort Street Wharf to Spar 3uoy and
return to the end of Pier 8 (Alakea Wharf).
Races No. 5 and No. 8 start from Pier 8 to a line between Buoys No. 3 and
No. 4 and return to the end of Pier 8 (Alakca Wharf).
3:00 P. M., Mills School Campus, Mid-Pacific Institute
CENTENNIAL ORIENTAL KITE-FLYING CONTEST
EVENTS
1.  Distance................................................. All  students
2.  Class  Quantity.............................................All  classes


57




3. Most Unique Kite..................................Small boys
4. Most Beautiful Kite...................................   Larger boys
5.  Sm allest  kite.............................................  A ll  students
6. Mechanical Device....................................All students
7. Most Beautiful Kite...................................       all boys
8.  Most  Comical  Kite.................................All  students
9. Most Unique Kite....................................Larger boys
10. Kite-Fighting Contests................................All students
11. Most Beautiful Class Kite....................................All classes
12. Most Unique Class Kite.................................... All classes
7:30 P). M., Kawaiahao Church
CHRISTIAN ENDEAVOR RALLY
7:30 P. M., Piers 5 and 6
CENTENNIAL SWIMMING MEET
MAINLAND CONTESTANTS
Ethelda Bleibtrey and Charlotte Boyle, champions in all distances and styles of
swimming
Harold Kruger, champion back-stroke swimmer of the world
Clarence Lane, a champion sprint swimmer
HONOLULU STARS
Duke Kahanamoku, champion sprint swimmer of the world
Ludy Langer, champion 440 yards, holds world's record
Warren Kealoha, shares with Kruger world's record, 100 yards back-stroke
EVENTS


1. 100 Yards-Service
2. 50 Yards-Men's Novice
3. 880 Yards-Men's Open
3. 100 Yards-Ladies' Hawaiian
Championship
5. 50 Yards-Men's Open
6. Spring-board Diving-Open
7. 400 Yards-Junior Club Relay
(four boys; 100 yards each)
8. 100 Yards —Girls' Novice
9. 20 Yards —Girls Under 11


10. 100 Yarls-Men's National Junior
Championship
11. 50 Yards-Ladies' Back Stroke
12. 100 Yards-Men's Breast Stroke
Open
13. 440 Yards-Ladies' Open
14. 50 Yards-Girls Under 15
15. 220 Yards-Men's Open
16. 50 Yards-Boys Under 15
17. 50 Yards-Men's Novice Back
Stroke
18. 400 Yards-Ladies' Club Relay
(four girls; 100 yards each)


58




SUNDAY, APRIL 18
Motif:
"Religion's Summons to l-iglh Adventure"
MORNING SIERVICIESS, 11:00 (O)'CLOCK
KAWAIA H AO( CH-URCI -[
SERMION: Rev. Francis J. Van Horn, D.I)., ()aklan(, California
CENTRAL. UNI(O)N C}l-IURCH}
ADDRESS: President Aurelia H. Reinhardt, L.I).
ST. ANDRE\V'S CATH lED)RAI.
SERMNON: Rev. Henry Van Dyke, ).)., I..D.
FORT STRIEEI:T C —11INESEI   CI URCHI
ADI)DRESSES: Other-Island I'astors
PORTU(GU I:SEI CI U RC I
SERMO)N: The Pastor
NUUANU STREET JAP\ANIES          C-ItURCHI I
SERMON: P'resident Tasuku H-arada
MEITHIODIST EPIISCOPAL) CILURCHII
SERMON: Rev. Edward D. Eaton, D).D., L,.I).
Boston, Massachusetts




CHRISTIAN CHURCH
ADDRESS: Rev. William E. Clarke, Samoa
MAKIKI JAPANESE CHURCH
ADDRESSES: Other-Island Pastors
BISHOP MEMORIAL CHURCH
ADDRESS: Mr. Joseph A. Richards, New York City
KAIIHI UNION       CHURCH
SERMON: Rev. A. Wesley Mell
SECOND CHINESE CHURCH
ADDRESSES: Other-Island Pastors
3:00 P. M., Kawaiahao Church
THE LORD'S SUPPER 
7:30 o'Clock, il the Armory
UNION    SERVICE OF ALL CHURCIHEIS AND RACES
Chairman, Mr. Frederick J. Iowrey
lPresidelnt of the Hawaiiant Boarl
Music by the Combined Choruses of the Five Larger Islands, by the Honolulu
Church Choirs and the Hawaiian Band, unader the direction of
Stanley Livingston
ADDRESSES
Dr. Tasuku I-arada, former President Doshisha University, Kyoto,
Japan
Rev. Francis J. Van iHorn, D.D., Oakland, California




MONDAY, APRIL 19
NEW ENGLAND DAY
One Hundred and Forty-fifth Anniversary of the Battle of Lexington
Centenary of the Lan(ling of the Missionaries at Honolulu
9:00 A. M. to 12:00 M., Mission Memorial Hall
MEETING OF THE HAWAIIAN EVANGEILICAL.
ASSOCIATION
4:00 P. M., Mission H omes, Civic Center
PRISCILLA TEA
Served by the Young \omen's Club of Central Union Church to
Speakers, Delegates, Special Guests and All Members of Centennial
Committees and Sub-committees
7:30 P. M., Mission Memorial Hall
INSPIRATIONAL SERVICEI, HAWAIIAN              EVA\N(;IELICAL
ASS(CIATION
7:30 P'. M., Piers 5 and 6
CENTENNIAL SWIMMIN(G M.EETl
EVENTS


1. 220 Yards-Service
2. 50 Yards-Boys UInder 18
3. 50 Yards-Girls' Novice
4. 100 Yards-Men's Backstroke
Open
5. 50 Yards-Ladies' Open
6. 440 Yards-Men's Open
7. 20 Yards-Boys Under 11
S. 40 Yards-Girls Under 13
9. 50 Yards-Service


10. 100 Ya rd-s-Ladies' National (hanipioilshl ip Senior
11. High Diving
12. 220 Yards-Me l's Novice
1. 100 Yards-Men's Open
14. 50 Yards-La(lies' Breast Stroke
15. 400 Yarls-Servcie Relay
16. 40 Yar(ls-Boys Unlder 13
17. 220 Yards-Ladies' Open
18. 600 Yards- Men's Club Relay


61




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I'.ie  36 in thie Journal  of the Sandlw ichi Islalld  Missio
The Arrival of the First Missionaries i;  1Ionolulu.62




TUESDAY, APRIIL 20
9:00 A. M. to 12:00 M., Mission Mlemorial Hall
ANNUAL MEETIN(I -           TI I 1AIIAN I-I,\\IIAN  EVANGELICA
ASSO()CIATI)N
6:00 1P. M.
Y. M. C. A. STUI) ENTS HII(I1 "-Y" I)INNIER
Address bly H1-enry Van il)vke, 1).)., L.II).
7:30 1'. M., Kawaiahao Church
FINAL, INSPIRATI( )NAI. SI R4VICE
HAWAI IAN EVA \   NGELICAL ASS( )CI AT ()N
8:00 1'. M., Mission MemoNrial I lall
SECOND P)ERFORMANCE OF TIlE
MISSION PLAY ANI) FASIOI()N Sl()\\W
Stag'e(t for tlhe first tilme, Mo1llany  aliglt, April 12




CENTENNIAL COMMITTEES


THE EXECUTIVE COMMITTEE
WILLIAM    R. CASTLE, Chairman
GEORGE P. COOKE, Vice-Chairman
HENRY P. JUDD, Recording Secretary
GEORGE S. WATERHOUSE, Treasurer
DOREMUS SCUDDER, Executive Secretary
COMMISSION APPOINTED BY THE GOVERNOR OF HAWAII-Alfred L.
Castle, Clarence I. Cooke, Lorrin A. Thurston.
COOPERATIVE COMMITTEE OF THE MISSION CHILDREN'S SOCIETYGeorge R. Carter, Joseph S. Emerson, Kate W. Forbes, Irene Ii Holloway,
Mary A. Richards, Philip E. Spalding.
SUB-COMMITTEE CHAIRMEN-John H. Drew, William H. Heen, Albert F.
Judd, Arthur E. Larimer, Stanley Livingston, Albert W. Palmer, Gerrit P.
Wilder.
CENTENNIAL COMMITTEE         OF THE HAWAIIAN        BOARD-Harriet A.
Baker, William R. Castle, George P. Cooke, Ethel M. Damon, Sanford B.
Dole, Mary D. Frear, Millie B. Hair, D. Howard Ilitchcock, Margaret S.
Hughes, IHenry P. Judd, Frederick D. Lowrey, Charles A. Rice, George S.
Waterhouse, Mary P. Winne.
HONORARY-Princess Kawananakoa, Irene Ii Holloway, Prince and Princess
Kalanianaole.
SUB-COMMITTEES
CHAMBER OF COMMERCE COMMITTEE-A. Lewis, Jr., President; Gerrit
P. Wilder, Chairman; George II. Angus, George P. Cooke, J. S. McCandless,
R. B. MeGrew, J. P. Morgan, H. B. Weller.
CIVIC COMMITTEE-A. L. Castle, Clarence IH. Cooke, Lorrin A. Thurston.
EDUCATION     COMMITTEE-Mary P. Winne, Chairman; Arthur L. Dean,
Arthur F. Griffiths, Vaughan MacCaughey.
E]NTERTAINMENT COMMITTEE-George P. Cooke, Chairman; George R.
Carter, Walter F. Dillinghanm.
FASIION SHIOW    COMMITTEE-Mrs. Philip Spalding, Mrs. Theodore Cooke,
Mrs. Gerrit Wilder, Mrs. Frank Putman, Mrs. Richard Cooke.
FINANCE COMMITTEE-George S. Waterhouse, Chairman; Harold G. Dillingham, Frederick D. Lowrey.
HAWAIIAN-IAY      COMMITEE —Henry P. Judd, Chairman; Akaiko Akana,
Henry K. Poepoe, Joseph S. Emerson, Irene Ii Holloway, William K. Poai,
William HI. Rice.
HISTORICAL COMMITTEE-Albert F. Judd, Chairman.
MISSION   PLAY    COMMITTEE-Miss Dora Kirwin, Director; Mrs. Doyle,
Mrs. Edgecomb, Costumes; Miss Graydon, Miss Sturgeon, Stage Setting;
Mr. Silverman, Properties; Mr. Crossman, Carpentry; Mr. Marcelle, Scene
Painting; Mrs. Forbes, Tickets.
MUSIC COMMITTEE-Stanley Livingston, Chairman; Annie B. Hall, Margaret F. Cooke, Charles E. King, Ethel M. )amon, Jane L. Winne.


64




PARADE COMMITTEE-Judge William H. Ileen, Chairman; Akaiko Akana,
Charles F. Chillingworth, George B. Curtis, G. Stanley McKenzie.
PROJECTS COMMITTEE-Gerrit P. Wilder, Laurence M. Judd, Maud B.
Cooke, Gaylord P. Wilcox, John P. Erdman.
PUBLICITY COMMITTEE-Arthur E. Larimer, Chairman; Chester B. Gage,
William  D. Westervelt, John  lodges, Emily Warinner.
SUNDAY     SERVICES    COMMITTEE-Albert W. Palmer, Akaiko          Akana.
TRANSPORTATION COMMITTEE-John 1-. Drew, Chairman; L. E. Bemiss,
Stanley W. Goode, Harry M. Whitney.
COMMITTEES FOR THE PAGEANT
EXECUTIVE COMMITTEE:
Ethel M. Damon................................              Chairman
Frank Barwick................................... Large  roperties
Catherine  Cox................................ Costumes  and  Color  Effect
Sanford  B. Dole.....................E...........istory
Emma L. Doyle.......................Cooperation with the Mission Play
Katharine M. Graydon..................... Correspondence and Publicity
Princess Kawananakoa, Prince and Princess Kalanianaole...................Hawaiian Cooperation and special arrangements for the
entertainment of H. R. H. the Prince of Wales
Twigg   Smith.............................................Stage  Director
Emmna D. Taylor...........................Diector Hawaiian Personnel
Ge.rrit P. Wilder............................  Marshal  of  Field
Jane  L. W inne............................D........ irector  of  Music
Mary P. Winne................................ Director of Personnel
Doremus Scudder............................................Ex-officio
Alfred R. Gurrey, Jr.,............................. Official Photographer
COSTUMES-Catherine Cox, Chairman; Julie D. Giffard, Ehlora M. Sturgeon.
SUB-DIVISIONS FOR SEPARATE PICTURES-Pictures I and II: Margaret
T. Smith, Twigg Smith. Pictures III and IV: Emmia L. Doyle. Pictures
V and VI: Sophie J. Cooke, Marguerite Ashforl. Picture VII: Harry
Macfarlane, Louise A. Dillingham, Walter F. Dillingham, Rosamond S.
Morgan, Frances Lawrence.
COLOR   AND    DESIGN   FOR   SYMBOLIC FIGURES-Charles W. Bartlett,
Minnie L. Chipman, Jessie S. Fisher, Juliette M. Fraser, Alfred R. Gurrey,
Rosamond S. Morgan.
FINAL PROCESSION-Mary P. Winne, Chairman; Fifty Captains from the
Faculty of Kawaiahao Seminary, Mills Institute, Punahou School; Other
Individual Volunteers.
STAGE SETTING-Twigg Smith, Chairman; Lester P. -Hull, Small Properties;
Margaret S. Hughes, Banners; Mabel B. Scudder, Alice C. Smith, Mary P.
Scudder.


65




ARRANGEMENTS FOR THE FIELD-Gerrit P. Wilder, Chairman; Ernest
T. Chase, Tickets; Charles F. Chillingworth, Automobile Section; John B.
Guard, Bleachers; Pop Hutton, Boy Scouts; Stuart Johnson, Rapid Transit;
J. P. Morgan, Chairs and Transportation; G. P. Wilder, Boxes for Special
Guests.
IAWAIIAN PERSONNEL AND PROPERTIES-Emma D. Taylor, Chairman;
Mary Jane Kulani Montano, Harriet Burgess, Frances E. Jones, Mary
Jane Brown, Keahiluahine, Maker of Kahilis; Lahilahi Webb, Capt. W. E.
Miles, Edgar Henriques, Kalani Henriques, Lucy Peabody, Kaahumanu
Society, Societies of Hawaiian Warriors, Ernest Parker, Sarah Wright,
Paalua Adams.
MUSIC-Jane Lathrop Winne, Chairman; Nina Bicknell, Accompanist; Edwin
Ideler, Twigg Smith.
BANDMASTERS-Capt. Baker, Capt. Berger.
BAND ARRANGEMENTS FOR THE SCORE-Mr. Havranak, Mr. Kamaunu,
Mr. Miltner.
ASSISTING   MUSICAL    -)IRECTORS-Lenora Clarke, Mid-Pacific Institute;
Margaret Cooke, Honolulu Normal and Training School; Virginia Richards,
Kamehaleha Girls' School; Frances Tipton, Punahou Academy.
SEATING ARRANGEMENTS FOR THE CHORUS-Ernest T. Chase, Chairman; Anne F. Johnson, William Meinecke, John F. Nelson, Ruth C. Shaw.


66




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FOREIGN MJSSION SCHOOL.


At Cornwall, Conlnecticut, wlhere Henry (O)lukaixlaia and six
other Htawaiian lads were educated.




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