NEW STAR PAPERS. 9 NEW STAR OR, AND EXPERIENCES RELIGIOUS SUBJECTS. HENRY WARD BEECHER. NEW YORK: DERBY & JACKSON, 119 NASSAU STREET. 1859. Ad4 am x PAPERS. -m 9 VIEWS OF BY En.tered crr tur to t of Cogrss t i~e year, l&'9, by HIENRY WARD BEECHER,P. I. the~,'terks t.)tltce of the Ditotrtct Court of the~Unhted Staten, for th~e Southern t)tntriet of New, York. W. H. T. ~ ( ) N, t t t o. t t u ~ s E L L & C u.,.' O S E O V I L I O' & B i O T ~ IA E I,, Stt~~~~~eot3'E0 pe Croeo..Itdet I II W. B. T!NSO., St,eOI3,pe, PREFACE. THESE papers are, for the most part, taken from the columns of the New York Independent. If unworthy of a book form, the Public has itself to blame, in part, for encouraging a like collection of Star Papers, some years ago. A few things have been added, from other sources. But little revision has been attempted, except in the case of those several articles which were not originally written, but reported or condensed for print, from sermons or lectures. Many persons may be tempted to read a short religious article, who would never attempt a profound book. - = 4 HENRY WARD BEECHER. BROOKLYN, JulIe 1, 1859. I .-7 CON T ENTS. Page 9 17 z4 z8 3z 38 47 54 60 66 7o 76 80 86 103 io$ lo9 II6 I24 13 5 141 i46 IsI Christ Knocking at the Door of the Soul, Church Music.... Trust,... Abide with Us,... Thoughts for the Close of the Year,. God's Pity,... The Mountain and the Closet, The Liberty of Prayer,.. Faults in Prayer,... Aids to Prayer,... Forsaking God,... A Rhapsody of the Pen upon the Tongue, An Aged Pastor's Return,.. Lessons from the Times,.. Christian Consolation,.... Troubles,... Phases of the Times,... Fullness of God,... Christ in you, the Hope of Glory,. Prayer-meetings,... One Cause of Dull Meetings,. Working out Our Own Salvation, CONTENTS. Pant i56 i65 I 74 178 I87 204 209 213 2z I 8 232 236 242 247 260 264 276 278 28i 283 286 29I 298 304 322 341 351I Trust in God,.. We Spend our Years as a Tale that is Told,. Sudden Conversion,... "Total Depravity,"... Working with Errorists,.. Mischievous Self-Examination,.. Where Christians Meet,... The Day and the Desk,... Is Conversion Instantaneous?... Natural Laws and Special Providences,. The Dead Christ,... An Exposition,.... The Episcopal Service,... Congregational Liturgy,.. Churches and Organs,... Patriotism and Liberty,... Purity of Character,... How to bear little Troubles,.. "Sin Revived and I Died,"... Humility before God,... Who shall Help the Unfortunate?.. Plymouth Church,.... Organ Playing,... How to become a Christian,... God's Witness to Christian Fidelity,.. The Progress of Christianity,.. Duties of Religious Publishing Societies, 0 viii i VIEWS AND EXPERIENCES OF RELIGIOUS SUBJECTS. CHIIRIST KNOCKING AT THE DOOR OF THE SOUL. "Behold, I stand at the door, and knock; if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me."-REv. iii. 20. THIS, in the highly figurative language of the Apocalypse, is a representation of the Human Soul and of Christ's endeavor in its behalf. It is a favorite method of Scripture to represent man by the figure of a mansion, or building. Sometimes it is a temple. "Know ye not that ye are the temple of God?" As nothing was more criminal than to desecrate temples by bringing into them evil things, so it is criminal in the sight of God to desecrate that temple which he has made of man, by bringing into the mind thoughts and feelings that are corrupt and depraved. Sometimes the human soul is a tabernacle, or a tent. Man is represented as a tenant, or a dweller in a tabernacle; and death is the striking of the tent-the taking down of the tabernacle that the occupant may go free. Christ employed the same representation when 1* 9 4* CIIRIST KNOCKING AT he said: "If a man love me, he will keep my words, and my father will love him, and we will come unto him, and make our abode with him:" This is as if one were to offer to take rooms in the soul, anid to become a dweller therein, as people take rooms in a house and abide in it. All those passages of Scripture which speak of indwelling, represent the same idea. A modification of it is found in the apostle's figure of building, and of the master-builder. This manner of speaking pervades the Bible, and the figure is appropriate and instructive. The soul is a dwelling of many apartments. Each sense, affection, sentiment, faculty, may be regarded as a separate room. And in one regard all men are alike; they have the same number of rooms. No one has a single room less or more than another. In a material building, one man may have one room, another two, and another a score; but, in the soul-house, all men have just exactly the same number of apartments. Yet there is a great difference between one man and another, in the size and furnishing, or in other words, in the contents, of these apartments. Some men are built like pyramids, exceeding broad at the base-or on the earthy side, and narrow and tapering as they go upor heavenward. Their rooms are very large at the bottom of the house, but very small at the top.- Other men are built substantially alike, from bottom to top, like a tower which is just as broad at its summit as at its foundation. But there is, in general, a great part of the structure of every man that is not used, and remains locked up. And usually the best apartments are 10 THK DOOR OF THE SOUL. the ones neglected. Those that have a glorious outlook, that stand up to sun and air, from whose windows one may look clear across Jordan, and see the fields and hills of the Promised Land-into, these men seldom go. They choose rather to live in that part of the soul-house that looks into the backyard, where nothing but rubbish is gathered and kept. AIany men live in one or two rooms, out of thirty or forty in the soul. If you should take a candle-that is, God's Word, which is as a lighted candle-and go into these soulhouses, and explore them, you would find them, generally, very dark. The halls and passage-ways, the stairs of ascent, the vast and noble ranges of apartments-all are stumbling dark. There, for example, is the apartment, or faculty, called Benevolence. You can tell by the way the door grates, that it is seldom opened. But if you were to thrust in a light, you would see that the room is a most stately place. The ceilings are frescoed with angels. The sides and panels are filled with the most exquisite adornments. The whole saloon is most inviting to every sense. Seats there are, delightful to press; and the niches are filled with things enticing to the eye. But spiders cover over with their webs the angels of the ceiling. Dust blackens the ornaments. The hall is silent, the chambers are neglected. The man of the house does not live in this room! Turn to another; it is called Conscience. It is an apartment wonderfully constructed. It seems to be central. It is connected with every other apartment in the dwelling. On examination, how I I CHRISTr XKNO('KING AT ever, it will be found that, for the most part, the doors are all locked. The floor is thick with dust. The dust is its carpet. The room is very dark. Tl'ie windows are glazed over with webbed dir t. rIle light is shut out, and the whole apartment is (listial. The man who owns the house does nct frequent this room! There is another chamber called Hope-if haply you can see the inscription over the door. It has two sides, and two windows. From one of these you may see the stars, the heaven beyond, the Holy City, the Angels of God, the General Assembly and Church of the First-born. This is shut! The other window looks out into the World's Highway, and sees men, caravans, artificers, miners, artisans, engineers, builders, bankers, brokers, pleasure-rmongers. That window stands wide open, and is much used! The room called Faith is shut, and the lock rusted. It is lifted up above all others, and rests, like a crystal-dome observatory, upon the top of the dwelling. But its telescope is unmounted-its implements all gone to waste! The chaniber of Worship is silent, unused, unvisited, dark and cheerless. Indeed, in those upper and nobler apartments, on which the sun rests all the day long, firom which all sweet and pleasant prospects rise, to which are wafted the sweetest sounds that ever charm the ear, and the sweetest odors that ever fall from celestial gardens, around about which angels are hovering-these are, in most soul-houses, all shut and desolate! 12 TIIE DOOR OF THE SOUL. But if you go into the lower ranges, you shall find occupancy there, yet with various degrees of inconvenience and misery. If you listen, you shall hear in some rioting and wassail. The passions never hold Lent; they always celebrate carnival! Iu others, you shall hear sighs and murmurs. The dwellers therein are disappointed, restless desires, crippled and suffering wishes, bed-ridden ambitions! In others you shall hear weepings and repinings; in others, storms and scoldings; in others, there are sleep and stupidity; in others, toil and trouble; in others, weariness and disgust of life. You would be apt, from these sights and sounds, to think that you were in an ill-kept hospital. The wards are filled with sad eases. Here and there, if you enter unadvisedly, you shall find awful filth. You shall even come upon stark corpses-for there is not a soul that does not number, among its many chambers, at least one for a charnel-house in which Darkness and Death abide! It is a dreadful thing for a man to be enlightened so as to see his feelings, passions, sins, crimes, thoughts and desires, motives and imaginations, as God sees them! It is a dreadful thing to go about from room to room, and see what a place the soul is! Hiow unlighted and gloomy! How waste and unused! IHow shut and locked! And where it is open and used, how desecrated and filthy! Now, it is to the door of such a house-to the human soul with such passages and chambers-that Christ comes! To such a dwelling, he comes and knocks for entrance! We can imagine the steps of 13 CHRIST iNoCK,IN( AT' a good man coming to houses that are nothing but habitations of wretchedness, to places of misery and infamy, to jails and houses of correction. But none of these can convey a lively impression of the grace and condescension of God, in coming to the doors of the soul-houses of men, and knocking to be admitted into their darkness, squalidness and misery! For it is not because they are beautiful that God comes, or because he is mistaken about their condition, or thinks them better than they are. It is because He knows the darkness and the emptiness of some; the abuses and misery in others; the rioting and desecration in others. And to all he comes to bring light for darlness, cleansing for foulness, fuirnitule for emptiness, and order for confusion! He comes to turn the rusted locks, and to open the closed doors of every lchamlber-to let men up into every part of themselves-and to fill the whole dwelling of the soul, from foundation to dome, with light and gladness, with music and singing, with joy and rejoicing! "Behold I staI d at t!e door and knock." Christ comes to the soul-house, and stands there and knocks. On getting no answer, hlie goes away only to come and knock again. ie waits at the door, and listens for a voice within, and goes away. I-e comes again, and waits, and goes away! lie knocks, not at one door, but goes round to every door, and waits for an answer. As one who returns to his dwelling in the night, after a journey, and finding it locked, knocks at the accustomed door of entrance in the front, and getting no answer goes 14 THE DOOR OF THE SOUL. to the door in the rear, then to the side doorif there be one-and then to every other door, in order, if possible, to get into his house; so Christ, who longs to enter into the soul, goes to every door in succession, and knocks, and listens for an invitation to come in, and leaves not one chamber in the soul-house unsought, or one door untried! HIe knocks at the door of Reason; at the door of Fear; at the door of Hiope; at the door of Imagination and Taste, of.Benevolence and Love, of Conscience, of Memory and Gratitude! Hie does not neglect a single one! Beginning at the upper and the noblest, where he ought to come in as a King of Glory, through gates of triumphi, he comes round and down to the last and lowest, and retreats wistfully and reluctantly, returning often-morning, noon, and night-continually seeking entrance, with marvelous patience, accepting no refusal, repulsed by no indifference to his presence, and no neglect of his message! If hlie be admitted, joy unspeakable is in the house, and shall be henceforth. The dreary dwelling is filled with light firom the brightness of his countenance, and every chamber is perfumed from the fragrance of his garments. Peace and hope, love and joy, abide together in the house-for Christ himself takles up his abode therein. But if, after his long knocking at the door and patient waiting for entrance, his solicitation be refused or neglected, by and by there shall come a time when you who have denied him, shall be denied of him. For when you shall 15 16 CHRIST KNOCKING AT THE DOOR OF THE SOUL. knock at the gate of heaven for admittance into the nansions which he has prepared from the foundation of the world, he will say unto you, as you said unto him, Depart! But that dreadful day has not net come, and he still stands at the door his locks w\et witli the dews of the morning-and waits to be invited into the chamber of your soul. Hear his voice once more, and yield to its gentle persuasion: "Behold, I stand at the door and knock; if any man hear my voice, and open the door, I vill come into him, and will suk with him, and he with mne!" CHURCH MUSIC. IT is probable that music, since the world began, has been employed to express religious feeling. It has great power to excite that feeling. It may be questioned whether hymns and music do not divide power with preaching. If the sources of popular religious doctrinal knowledge could be examined, it is suspected that the hymn and psalm would be found to be the real sermon, and singing the most effectual preaching. It is very certain that strong religious feelings incline men to the use of singing. And the apostle prescribes psalms, hymns and spiritual songs as a means both of gaining and of expressing religious feeling. Religious reformations seem always to have developed singling. Under Luther's administration, and Calvin's government, singing became so general and characteristic that psalm-singing and the Protestant heresy were synonymous terms. The great reformation under the Wesleys was marked by the outburst of religious music. In the revivals of New England, not far from the same period, there was as marked a revival in sinliniig as in ieligion. Indeed, so full were the young, es1its of s),i', i-!Itil.t tiloy Av(c1t,, a:i( e HIURCII MUSIC. returned from church with the voice of psalms and hymns; and President Edwards devotes a special chapter, in his account of the religious history of that period, to a justification of this practice, against those who unduly censured it. Whenever revivals of religion visit communities, their presence is attested by new zeal in singing. And it is to be noticed, also, that not only is the spirit of singing revived, but, as with a common instinct, all exhibitory music is dropped as dead or sapless, and the heart feels after hymns of deep emotion, and after tunes which are born of the heart, and not of the head. Revival melodies are but another name for tunes that express strong feeling. It is quite remarkable how a congregation, in times of spiritual coldness and musical propriety, will tolerate only classical music, or those tunes which the reigning musical pedants of the day favor. The choir sings as clocks strike, with mechanical accuracy, and with the warmth and enthusiasm of a clock. But as soon as a congregation are really brought together under the power of a common earnest religious feeling, away go the cold and formal tunes; and wild airs, plaintive melodies, or passionate and imploring tunes, take their place without regret or a thought of musical dignity and propriety. But though music holds so high a place of power, and is susceptible of such beneficent effects, it is doubtful whether it is not the most troublesome thing in the whole administration of public worship. It would seem as if the history of music were but 18 CfHURCH IMUSIC. the history of continual expedients. Churches are undergoing perpetual musical revolutions. There do not seem to be any principles which are known and recognized, and which underlie musical administrations in our churches, and give them unity and efficiency. The Roman and the Episcopal services incorporate music with their service, congruously and harmoniously with the whole system of worship. hle skill or efficiency of musical execution may vary; but this never affects the basis upon which music stands. But with our other churches there does not seem to be any musical stabilitywhatever. There is hardly anywhere a deep and controlling feeling that music is at all a religious act. It is but a religious embellishment at the best. Churches that have choirs wish they had none. They that have none wish they ha 1 a choir-until they get it. A large choir falls into confusion very easily. It is too unwieldy to be kept up without great labor, time, and expense; and thus it is an open magazine, subject to explosion at any moment. If the clumsiness of a large choir is got rid of by substituting a quartette, the church usually rids itself of discord and of religious feeling at the same time. The quartette is professional. Skill is the criterion. Music exhibits itself; but it never exhibits religious truth. Four singers in the gallery forbid anybody to sing in the pew. One might as well talk in sermon-time as to sing in singing-time, when a quLartette is performing. I do not say that four persons could not be deeply religious, and sing so as to edify the Christian congregation. But I do 19 CIURCH MUSIC. say, that four persons who are musically gifted to a degree that fits them to perform the singing, are not easily found, and when found, are seldom under the control of deep religious feeling. Experience showvs that trained singers, worldly, and religiously indifferent, constitute the greatest number of quartette choirs. As music grows less robust, and more and more cold, as it becomes more and more " classical," a revolution takes place. It is determined to have congregational singing. It is not asked whether there is any congregational feeling, or whether the church is only a caravansary of one hundred and fifty separate pews, with separate families, in separate circles of life, anxiously keeping themselves clear of improper social connection with each other. It is not asked whether there is any common religious feeling that demands a common channel of expression. It is not considered whether or not the church has been trained to feel, act, or work together, or whether the members hang like icicles upon the eaves, united only by being frozen together. Congregational singing must either spring from a common religious life in the church, or it must lead to it; or else it will not long live at all. But, in multitudes of cases, congregational music flourishes only while it is a novelty. A leader is appointed. Thle choir is got rid of with unnecessary dispatch, and the best voices, perhaps, in the congregation are mortified and offended. Good tunes are to be sung. Slow tunes are supposed to be very pious. Very slow and very solemn tunes are used. For a few 20 CHURCH MUSIC. Sundays all goes well. But first the young people are dissatisfied. It is very dull and most unmusical to them. But it is the voices of the young that always must give power to congregational singing. As they fall off, the sound grows thin and mleager. A wet day, or the leader sick, leaves the decorous congregation to a mortifying experience of ludicrous failure. In a year, at most, the experiment ends. It was begun without knowledge, and ended as it begun. It was a caprice, an expedient, a reaction of disgust from choir-singing. A new choir is inaugurated, a new leader, a new dispensation of ambitious display, of musical sensitiveness, of quarrelling and disgust, of revolution and quartette, until at length, in some congregations, all that any one hopes or dreams of is, singing that drall not damage all the rest of worship. In other churches, having lost every vestige of sanctity, music is regarded outright as one of those forms of moral amusement in which men may indulge without sin, in the church, and on the Sabbath; and they plunge their hands into their pockets and pay for professional singing. Then King David finds himself in the hands of the Philistines. The unwashed lips that all the week sang the disgustful words of glorious music in operas, now sing the rapture of the old Hebrew bard; or the passion of the suffering Redeemer, with all the inspiration of vanity and brandy. WVhen the exquisite mockery is done, and the opera-glasses are all closed, the audience close their eyes too, and the sermon proceeds. Thus, 21 CHURCH MUSIC. music, apostatizing from piety, is no longer a hleavenly bird, but a peacock, that struts and flares her gaudy plumes for admiration! The loss of positive good is not the whole mischief of this state of things. This false singing desecrates whatever it touches. The hymns which are used are killed. They become suggestive of drawling discords, or of pedantic accuracy and dullness, or of ostentatious trill and shake, or of quarrels and troubles. The divine flavor goes out of them, and they lie sapless and dry. And thus music, that should nurse hymns upon its bosom, ab.uses them, like a cruel step-mother, and thrusts them away. Hundreds of hymns have been served worse than Herod served the innocents-for he killed them outright; but a hymn cursed by musical associations, cannot die, but creeps aside like a crippled bird, to hide its wounds in a songless covert, until time healing them, gives them wing and song again! Meanwhile, only those who are unblessed with musical taste are happy. The most gifted are the greatest sufferers. The pastor sees constantly recurring quarrels in the congregation. One by one good men attempt to do something; but being caught in a passionate musical eddy, and whirled about fo()r a time, disgusted and irritated, they get