A 52277 4 PHILO 123 0950 DO I 3 What a *** J *.*.*. PROGRAMIRA PELANCAR, CASSETTE Me 828 38850 18 A Ole J ¿ BROWNING AS A PHILOSOPHICAL AND RELIGIOUS TEACHER UNIFORM WITH THIS COLUME. ADSTON THE GR COLLESON LIFE OF REMINISCENCES, LIFE OF ARDRUSSELL OF KILLOWEIN. & AzQ'Brin. FROM HE CAFE TO CAIRO, M. S. Grapuño A BOOK ABOUT THE GARDEN. LIFE OF FRANK BUC BULONTANTI A MODE DROPLA & INVAZJERON J Ghores C. Bastpas. 7. G. W: W STRESSALA Sabuund Cam! Sir A. Legal A. E. Fro K. WITH KI TRNA THE UNSILANG LIFE OF S LIFE OF I ROUND TI WORLD ON A WHEEL. Jehu Moster framdr. LIFE OF C FUN AINGEN ECHRA STREL, LITERATU AND DOGMA Mitrovano d'inmate. SPURGEON Sie W. Raberipera Mirati, LL. D. MY CONF Frederich Locker L, 21yr08. SIR FRAM THE MAiNG OF A FRONTIEEL. LIFE OFENKKAL GORDON POT-POLE! FROM SV THE RIS AND TEE BOOK. THE ALFROM IND TO AND, THE ENGASH CONSTITUTION, IN INDIA. Int Augurine Bierall, NC., Me Colonez Danzante. ་ ་་་ Densuntries C. Basuper- GARDEN. Wire BarIAL Robert BrecuRENTAL JUTA SP. Biarrtha Commasag. 0: Jugut, teramat. Lord Mories. LIFE OF ་་་་ ་་་་་ LIFE OF PELI.. HAVELOCK MARCH. UP FROM WHERE BIABLES HISTORICAN Y THE STREN MEMORIES A. Barry D'Uärdas. 7. 29. Shun Budva BanhTATE. Casket P21. A maioru Laat. Puradano: Rewarded. Dr. Jolt Ker H:ias Heller. G. B. A. Kuntali ་སས་ LIFE OF DAIGN. A POCKET THE ROMA 151 2 78 **AANSI Jantar Midieut. Aigneplus Mein Charnes Bragde fimus. Thomas Holmes, Rohani legante. Sur Squire Basicrey Lady Bill Mrs. Air Trantie. A BOOK £ RANDOM THE LON HON HOLDAP Con BOLIO THE AM. NEUR POACHER. THE BALOFTS. AT WORKK MEXICO I SAW IT EIGHTEENTH CENTURY VIONETTES Âuxin Daten. GREAT OF THE EQUATOR, ÄÄruzrit Wasanpher. THE EAXI HISTORY OF C.1 YUX, Sir G1 0 Tracing THROU HEART OF PATAGON i THE a Litere M 1 ܕܼܵ (6 16.788 ER IS 77 Tr SUNR 11 đuna AREA OF 10. n F... à dì hôd to dis aut teh ( Wi.. 1.7. A INDU 137 1. ™” 21. ---in 1 L Đ ----- • . 20 NEPANELE STANLEY 19 T LEA LE LAGJEL deiane Cosan Doyle. OLLECTIONS. G. WA. Austel 129 129, 1 I d'u HUNZ KAVIJI JU 1 - PL 1.5 175 1223.NI ERIES BURT MUUN. PIT Ja ta GAY. OF SIXPENCES, A PRO-CONSUM M ----- 1. 2 19. Bad Harden W. Paul, Sir Meny Haşkım Em, etc. Others to follow. *** DIS VI UNI+B • F Li Min di .1.3. 1.1 vent ROBERT BROWNING. BROWNING AS A PHILOSOPHICAL AND RELIGIOUS TEACHER BY HENRY JONES PROFESSOR OF PHILOSOPHY IN THE UNIVERSITY OF GLASGOW Фо } THOMAS NELSON & SONS LONDON, EDINBURGH, DUBLIN AND NEW YORK THIS BOOK IS DEDICATED TO MY DEAR FRIENDS MISS HARRIET MACARTHUR AND MISS JANE MACARTHUR. 373857 PREFACE. THE purpose of this book is to deal with Browning, not simply as a poet, but rather as the exponent of a system of ideas on moral and religious subjects, which may fairly be called a philosophy. I am conscious that it is a wrong to a poet to neglect, or even to subordinate, the artistic aspect of his work. At least, it would be a wrong, if our final judgment on his poetry were to be determined on such a method. But there is a place for every- thing; and, even in the case of a great poet, there is sometimes an advantage in attempting to estimate the' value of what he has said, apart from the form in which he has said it. And of all modern poets, Browning is the one who most obviously invites and justifies such a method of treatment. For, in the first place, he is clearly one of that class of poets who are also prophets. He was never merely "the idle singer of an empty day," but one for whom poetic enthusiasm was intimately bound up viii PREFACE. with religious faith, and who spoke "in numbers," not merely " because the numbers came," but because they were for him the necessary vehicle of an inspir- ing thought. If it is the business of philosophy to analyze and interpret all the great intellectual forces that mould the thought of an age, it can- not neglect the works of one who has exercised, and is exercising so powerful an influence on the moral and religious life of the present genera- tion. Aga In the second place, as will be seen in the sequel, Browning has himself led the way towards such a philosophical interpretation of his work. For, even in his earlier poems, he not seldom crossed the line that divides the poet from the philosopher, and all but broke through the strict limits of art in the effort to express-and we might even say to preach -his own idealistic faith. In his later works he did this almost without any disguise, raising philo- sophical problems, and discussing all the pros and cons of their solution, with no little subtlety and dialectical skill. In some of these poems we might even seem to be receiving a philosophical lesson, in place of a poetic inspiration, if it were not for those powerful imaginative utterances, those winged words, which Browning has always in reserve, to close the ranks of his argument. If the question is stated in a prosaic form, the final answer, as in PREFACE. ix the ancient oracle, is in the poetic language of the gods. From this point of view I have endeavoured to give a connected account of Browning's ideas, especi- ally of his ideas on religion and morality, and to estimate their value. In order to do so, it was necessary to discuss the philosophical validity of the principles on which his doctrine is more or less consciously based. The more immediately philo- sophical chapters are the second, seventh, and ninth; but they will not be found unintelligible by those who have reflected on the difficulties of the moral and religious life, even although they may be un- acquainted with the methods and language of the schools. I have received much valuable help in preparing this work for the press from my colleague, Professor G. B. Mathews, and still more from Professor Edward Caird. I owe them both a deep debt of gratitude. HENRY JONES. 1891. CONTENTS. INTRODUCTION CHAPTER II. ON THE NEED OF A PHILOSOPHY OF LIFE CHAPTER I. CHAPTER III. BROWNING'S PLACE IN ENGLISH POETRY BROWNING'S OPTIMISM DICTION CHAPTER IV. • • CHAPTER V. OPTIMISM AND ETHICS: THEIR CONTRA- • · CHAPTER VI. BROWNING'S TREATMENT OF THE PRIN- CIPLE OF LOVE PAGE 13 28 58 82 IIO 155 CONTENTS-Continued. CHAPTER VII. BROWNING'S IDEALISM, AND ITS PHILO- SOPHICAL JUSTIFICATION . CHAPTER VIII. BROWNING'S SOLUTION OF THE PROBLEM OF EVIL CHAPTER IX. A CRITICISM OF BROWNING'S VIEW OF THE FAILURE OF KNOWLEDGE CHAPTER X. THE HEART AND THE HEAD.-LOVE AND REASON. CONCLUSION. CHAPTER XI. PAGE 185 229 274 311 343 ROBERT BROWNING. 66 CHAPTER I. INTRODUCTION. Grau, theurer Freund, ist alle Theorie, Und grün des Lebens goldner Baum.' (Faust.) "" THE (C HERE is a saying of Hegel's, frequently quoted, that a great man condemns the world to the task of explaining him." The con- demnation is a double one, and it generally falls heaviest on the great man himself, who has to submit to explanation; and, probably, the last refinement of this species of cruelty is to expound a poet. I therefore begin with an apology in both senses of the term. I acknowledge that no com- mentator on art has a right to be heard, if he is not aware of the subordinate and temporary nature of his office. At the very best he is only a guide to the beautiful object, and he must fall back in silence so soon as he has led his company into its presence. He may perhaps suggest "the line of vision," or fix the point of view, from which we can best hope to do justice to the artist's work, by appropriating his intention and comprehending his idea; but if 72 14 ROBERT BROWNING. he seeks to serve the ends of art, he will not attempt to do anything more. In order to do even this successfully, it is essential that every judgment passed should be exclusively ruled by the principles which govern art. "Fine art is not real art till it is free"; that is, till its value is recognized as lying wholly within itself. And it is not, unfortunately, altogether unnecessary to insist that, so far from enhancing the value of an artist's work, we only degrade it into mere means, subordinate it to uses alien, and therefore antagonistic to its perfection, if we try to show that it gives pleasure, or refinement, or moral culture. There is no doubt that great poetry has all these uses, but the reader can enjoy them only on condition of for- getting them; for they are effects that follow the sense of its beauty. Art, morality, religion, is each supreme in its own sphere; the beautiful is not more beautiful because it is also moral, nor is a painting great because its subject is religious. It is true that their spheres overlap, and art is never at its best except when it is a beautiful representa- tion of the good; nevertheless the points of view of the artist and of the ethical teacher are quite different, and consequently also the elements within which they work and the truth they reveal. In attempting, therefore, to discover Robert Browning's philosophy of life, I do not pretend that my treatment of him is adequate. Browning is, first of all, a poet; it is only as a poet that he can be finally judged; and the greatness of a poet is to INTRODUCTION. 15 be measured by the extent to which his writings are a revelation of what is beautiful. I undertake a different and a humbler task, con- scious of its limitations, and aware that I can hardly avoid doing some violence to the artist. What I shall seek in the poet's writings is not beauty, but truth; and although truth is beautiful, and beauty is truth, still the poetic and philosophic interpretation of life are not to be confused. Phi- losophy must separate the matter from the form. Its synthesis comes through analysis, and analysis is destructive of beauty, as it is of all life. Art, therefore, resists the violence of the critical methods of philosophy, and the feud between them, of which Plato speaks, will last through all time. The beauty of form and the music of speech which criticism destroys, and to which philosophy is, at the best, indifferent, are essential to poetry. When we leave them out of account we miss the ultimate secret of poetry, for they cling to the meaning and penetrate it with their charm. Thought and its expression are inseparable in poetry, as they never are in philosophy; hence, in the former, the loss of the expression is the loss of truth. The pure idea that dwells in a poem is suffused in the poetic utterance, as sunshine breaks into beauty in the mist, as life beats and blushes in the flesh, or as an impassioned thought breathes in a thinker's face. 1 But, although art and philosophy are supreme, each in its own realm, and neither can be subordin- ated to the uses of the other, they may help each 16 ROBERT BROWNING. other. They are independent, but not rival powers of the world of mind. Not only is the interchange of truth possible between them; but each may show and give to the other all its treasures, and be none the poorer itself. "It is in works of art that some nations have deposited the profoundest intui- tions and ideas of their hearts." Job and Isaiah, Æschylus and Sophocles, Shakespeare and Goethe, were first of all poets. Mankind is indebted to them in the first place for revealing beauty; but it also owes to them much insight into the facts and principles of the moral world. It would be an unutterable loss to the ethical thinker and the philosopher, if this region were closed against them, so that they could no longer seek in the poets the inspiration and light that lead to goodness and truth. In our own day, almost above all others, we need the poets for these ethical and religious purposes. For the utterances of the dogmatic teacher of re- fligion have been divested of much of their ancient authority; and the moral philosopher is often re- garded either as a vendor of commonplaces or as the votary of a discredited science, whose primary principles are matter of doubt and debate. There are not a few educated Englishmen who find in the poets, and in the poets alone, the expression of their deepest convictions concerning the pro- foundest interests of life. They read the poets for fresh inspiration, partly, no doubt, because the passion and rapture of poetry lull criticism and soothe the questioning spirit into acquiescence. INTRODUCTION. 17 But there are further reasons; for the poets of England are greater than its moral philosophers; and it is of the nature of the poetic art that, while eschewing system, it presents the strife between right and wrong in concrete character, and there- fore with a fulness and truth impossible to the abstract thought of science. "C A poet never dreams : We prose folk do we miss the proper duct For thoughts on things unseen. *** It is true that philosophy endeavours to correct this fragmentariness by starting from the unity of the whole. But it can never quite get rid of an element of abstraction and reach down to the concrete individual. The making of character is so complex a process that the poetic representation of it, with its subtle suggestiveness, is always more complete and realistic than any possible philosophic analysis. Science can deal only with aspects and abstractions, and its method becomes more and more inadequate as its matter grows more concrete, unless it proceeds from the unity in which all the aspects are held to- gether. In the case of life, and still more so in that of human conduct, the whole must precede the part, and the moral science must, therefore, more than any other, partake of the nature of poetry; for it must start from living spirit, go from the heart outwards, in order to detect the meaning of the actions of man. * Fifine at the Fair, lxxxviii. 18 ROBERT BROWNING. On this account, poetry is peculiarly helpful to the ethical investigator, because it always treats the particular thing as a microcosm. It is the great corrective of the onesidedness of science with its harsh method of analysis and distinction. It is a witness to the unity of man and the world. Every object which art touches into beauty, becomes in the very act a whole. The thing that is beautiful is always complete, the embodiment of something absolutely valuable, the product and the source of love; and the beloved object is all the world for the lover-beyond all praise, because it is above all comparison. "Then why not witness, calmly gazing, If earth holds aught-speak truth above her ? Above this tress, and this, I touch But cannot praise, I love so much!" * This characteristic of the work of art brings with it an important practical consequence, because being complete, it appeals to the whole man. "Poetry," it has been well said, is "the idealized and monumental utterance of the deepest feelings." And poetic feelings, it must not be forgotten, are deepest; that is, they are the afterglow of the fullest activity of a complete soul, and not shallow titilla- tions, or surface pleasures, such as the palate knows. Led by poetry, the intellect so sees truth that it glows with it, and the will is stirred to deeds of heroism. For there is hardly any fact so mean, but that when intensified by emotion, it grows poetic; as * Song (Dramatic Lyrics). INTRODUCTION. 19 there is hardly any man so unimaginative, but that when struck with a great sorrow, or moved by a great passion, he is endowed for a moment with the poet's speech. A poetic fact, one may almost say, is just any fact at its best. Art, it is true, looks at its object through a medium, but it always seems its inmost meaning. In Lear, Othello, Hamlet, in Falstaff and Touchstone, there is a revelation of the inner truth of human life beyond the power of moral science to bestow. We do well to seek philosophy in the poets, for though they teach only by hints and parables, they nevertheless reflect the concrete truth of life, as it is half revealed and half concealed in facts. On the other hand, the reflective process of philos- ophy may help poetry; for, as we shall show, there is a near kinship between them. Even the critical analyst, while severing element from element, may help art and serve the poet's ends, provided he does not in his analysis of parts forget the whole. His function, though humble and merely preliminary to full poetic enjoyment, is not unimportant. To appreciate the grandeur of the unity of the work of art, there must be knowledge of the parts combined. It is quite true that the guide in the gallery is prone to be too talkative, and there are many who can afford to turn the commentator out of doors, especi- ally if he moralizes. But, after all, man is not pure sensibility, any more than he is pure reason. And the aesthete will not lose if he occasionally allows those whom he may think less sensitive than him- self to the charm of rhythmic phrase, to direct sober G 20 ROBERT BROWNING. attention to the principles which lie embedded in all great poetry. At the worst, to seek for truth in poetry is a protest against the constant tendency to read it for the sake of the emotions which it stirs, the tendency to make it a refined amusement and nothing more. That is a deeper wrong to art than any which the theoretical moralist can inflict. Of the two, it is better to read poetry for ethical doctrines than for fine sensations; for poetry purifies the passions only when it lifts the reader into the sphere of truths that are universal. • The task of interpreting a poet may be under- taken in different ways. One of these, with which we have been made familiar by critics of Shake- speare and of Browning himself, is to analyze each poem by itself and regard it as the artistic em- bodiment of some central idea; the other is to attempt, without dealing separately with each poem, to reach the poet's own point of view, and to reveal the sovereign truths which rule his mind. It is this latter way that I shall try to follow. Such dominant or even despotic thoughts it is possible to discover in all our great poets, except perhaps Shakespeare, whose universality baffles every classifier. As a rule, the English poets have been caught up, and inspired, by the exceeding grandeur of some single idea, in whose service they spend themselves with that prodigal thrift which finds life in giving it. Such an idea gives them a fresh way of looking at the world, so that the world grows young again with their new interpretation. INTRODUCTION. 21 In the highest instances, poets may become makers of epochs; they reform as well as reveal; for ideas are never dead things, "but grow in the hand that grasps them." In them lies the energy of a nation's life, and we comprehend that life only when we make clear to ourselves the thoughts which inspire it. It is thus true, in the deepest sense, that those who make the songs of a people make its history. In all true poets there are hints for a larger philosophy of life. But, in order to discover it, we must know the truths which dominate them, and break into music in their poems. Whether it is always possible, and whether it is at any time fair to a poet to define the idea which inspires him, I shall not inquire at present. No doubt, the interpretation of a poet from first prin- ciples carries us beyond the limits of art; and by insisting on the unity of his work, more may be attributed to him, or demanded from him, than he properly owns. To make such a demand is to re- quire that poetry should be philosophy as well, which, owing to its method of intuition, it can never be. Nevertheless, among English poets there is no one who lends himself so easily, or so justly, to this way of treatment as Browning. Much of his poetry trem bles on the verge of the abyss which is supposed to separate art from philosophy; and, as I shall try to show, there was in the poet a growing tendency to turn the power of dialectic on the pre-suppositions of his art. Yet, even Browning puts great difficulties in the way of a critic, who seeks to draw a philosophy + 22 ROBERT BROWNING. of life from his poems. It is not by any means an easy task to lift the truths he utters under the stress of poetic emotion into the region of placid contem- plation, or to connect them into a system, by means of the principle from which he makes his departure. The first of these difficulties arises from the extent and variety of his work. He was prodigal of poetic ideas, and wrote for fifty years on nature, art, and man, like a magnificent spendthrift of spiritual treasures. So great a store of knowledge lay at his hand, so real and informed with sympathy, that we can scarcely find any great literature which he has not ransacked, any phase of life which is not represented in his poems. All kinds of men and women, in every station in life, and at every stage of evil and goodness, crowd his pages. There are few forms of human character he has not studied, and each individual he has so caught at the supreme moment of his life, and in the hardest stress of cir- cumstance, that the inmost working of his nature is revealed. The wealth is bewildering, and it is hard to follow the central thought, "the imperial chord, which steadily underlies the accidental mists of music springing thence.” * A second and still graver difficulty lies in the fact that his poetry, as he repeatedly insisted, is "always dramatic in principle, and so many utterances of so many imaginary persons, not mine."† In his earlier works, especially, Browning is creative rather than reflective, a Maker rather than a Seer; and his Fifine at the Fair. † Pref. to Pauline, 1888. INTRODUCTION. 23 creations stand aloof from him, working out their fate in an outer world. We often lose the poet in the imaginative characters, into whom he penetrates with his keen artistic intuition, and within whom he lies as a necessity revealing itself in their actions and words. It is not easy anywhere to separate the elements, so that we can say with certainty, “ Here I catch the poet, there lies his material." The identification of the work and worker is too intimate, and the realization of the imaginary personage is too complete. In regard to the dramatic interpretation of his poetry, Browning has manifested a peculiar sensitive- ness. In his Preface to Pauline and in several of his poems-notably The Mermaid, the House, and the Shop-he explicitly cuts himself free from his work. He knew that direct self-revealment on the part of the poet violates the spirit of the drama. With this same key Shakespeare unlocked his heart," said Wordsworth; "Did Shakespeare?" characteristic- ally answers Browning, " If so, the less Shakespeare he!" And of himself he asks: "" "Which of you did I enable Once to slip inside my breast, There to catalogue and label What I like least, what love best, Hope and fear, believe and doubt of, Seek and shun, respect-deride? Who has right to make a rout of Rarities he found inside? " * He repudiates all kinship with Byron and his sub- *At the Mermaid. 24 ROBERT BROWNING. jective ways, and refuses to be made king by the hands which anointed him. "He will not give his woes an airing, and has no plague that claims respect." Both as man and poet, in virtue of the native, sunny, outer-air healthiness of his character, every kind of subjectivity is repulsive to him. He hands to his readers "his work, his scroll, theirs to take or leave his soul he proffers not." For him shop was shop only"; and though he dealt in gems, and throws С. ! You choice of jewels, every one, Good, better, best, star, moon, and sun," * 66 he still lived elsewhere, and had "stray thoughts and fancies fugitive" not meant for the open market. The poems in which Browning has spoken without the disguise of another character are very few. There are hardly more than two or three of much importance which can be considered as directly re- flecting his own ideas, namely, Christmas Eve and Easter Day, La Saisiaz, and One Word More-unless, spite of the poet's warning, we add Pauline. But, although the dramatic element in Browning's poetry renders it difficult to construct his character from his works, while this is comparatively easy in the case of Wordsworth or Byron; and although it throws a shade of uncertainty on every conclusion we might draw as to any specific doctrine held by him, still Browning lives in a certain atmosphere, and looks at his characters through a medium, whose subtle influence makes all his work indisputably his. * Shop. INTRODUCTION. 25 The light he throws on his men and women is not the unobtrusive light of day, which reveals objects, but not itself. Though a true dramatist, he is not objective like Shakespeare and Scott, whose char- acters seem never to have had an author. The reader feels, rather, that Browning himself attends him through all the sights and wonders of the world of man; he never escapes the sense of the presence of the poet's powerful personality, or of the great con- victions on which he has based his life. Browning has, at bottom, only one way of looking at the world, and one way of treating his objects; one point of view, and one artistic method. Nay, further, he has one supreme interest, which he pursues everywhere with a constancy shown by hardly any other poet; and, in consequence, his works have a unity and a certain originality, which make them in many ways. a unique contribution to English literature. This characteristic, which no critic has missed, and which generally goes by the name of the meta- physical element" in his poetry, makes it the more imperative to form a clear view of his ruling con- ceptions. No poet, least of all a dramatic poet, goes about seeking concrete vehicles for ready-made ideas, or attempts to dress a philosophy in meta- phors; and Browning, as an artist, is interested first of all in the object which he renders beautiful for its own sole sake, and not in any abstract idea it illus- trates. Still, it is true in a peculiar sense in his case, that the eye of the poet brings with it what it sees. He is, as a rule, conscious of no theory, and does not << 26 ROBERT BROWNING. construct a poem for its explication; he rather strikes his ideas out of his material, as the sculptor reveals the breathing life in the stone. Neverthe- less, it may be shown that a theory rules him from behind, and that profound convictions arise in the heart and rush along the blood at the moment of creation, using his soul as an instrument of expression to his age and people. Of no English poet, except Shakespeare, can we say with approximate truth that he is the poet of all times. The subjective breath of their own epoch dims the mirror which they hold up to nature. Missing by their limitation the highest universality, they can only be understood in their setting. It adds but little to our knowledge of Shakespeare's work to regard him as the great Elizabethan; there is nothing temporary in his dramas, except petty incidents and external trap- pings-so truly did he dwell amidst the elements constituting man in every age and clime. But this cannot be said of any other poet, not even of Chaucer or Spenser, far less of Milton, or Pope or Wordsworth. In their case, the artistic form and the material, the idea and its expression, the beauty and the truth, are to some extent separable. We can distinguish in Milton between the Puritanic the- ology which is perishable, and the art whose beauty can never pass away. The former fixes his kinship with his own age, gives him a definite place in the evolution of English life; the latter is independent of time, a thing which has supreme worth in itself. INTRODUCTION. 27 Nor can it be doubted that the same holds good of Browning. He also is ruled by the ideas of his own age. It may not be altogether possible for us, "who are partners of his motion and mixed up with his career," to allow for the influence of these ideas, and to distinguish between that which is evanescent and that which is permanent in his work; still I must try to do so; for it is the con- dition of comprehending him, and of appropriating the truth and beauty he came to reveal. And if his nearness to ourselves makes this more difficult, it also makes it more imperative. For there is no doubt that, with Carlyle, he is the interpreter of ourl time, reflecting its confused strength and chaotic/ wealth. He is the high priest of our age, standing at the altar for us, and giving utterance to our needs and aspirations, our fears and faith. By understanding him, we shall, to some degree, under- stand ourselves and the power which is silently moulding us to its purposes. It is because I thus regard Browning as not merely a poet but a prophet, that I think I am entitled to seek in him, as in Isaiah or Aeschylus, a solution, or a help to the solution, of the problems that press upon us when we reflect upon man, his place in the world and his destiny. He has given us indirectly, and as a poet gives, a philosophy of life; he has interpreted the world anew in the light of a dominant idea; and it will be no little gain if we can make clear to ourselves those constitutive principles on which his view of the world rests. • 66 CHAPTER II. ON THE NEED OF A PHILOSOPHY OF LIFE. Art,—which I may style the love of loving, rage Of knowing, seeing, feeling the absolute truth of things For truth's sake, whole and sole, not any good, truth brings The knower, seer, feeler, beside,—instinctive Art Must fumble for the whole, once fixing on a part However poor, surpass the fragment, and aspire To reconstruct thereby the ultimate entire.” * N° O English poet has spoken more impressively than Browning on the weightier matters of morality and religion, or sought with more earnest- ness to meet the difficulties which arise when we try to penetrate to their ultimate principles. His way of poetry is, I think, fundamentally different from that of any other of our great writers. He often seems to be roused into speech, rather by the intensity of his spiritual convictions than by the subtle incitements of poetic sensibility. His con- victions caught fire, and truth became beauty for him; not beauty, truth, as with Keats or Shelley. He is swayed by ideas, rather than by sublime moods. Beneath the endless variety of his poems, there are permanent principles, or * Fifine at the Fair, xliv. NEED OF A PHILOSOPHY OF LIFE. 29 "colligating conceptions," as science calls them; and although these are expressed by the way of emotion, they are held by him with all the resources of his reason. His work, though intuitive and perceptive as to form, "gaining God by first leap" as all true art must do, leaves the impression, when regarded as a whole, of an articulated system. It is a view of man's life and destiny that can be maintained, not only during the impassioned moods of poetry, but in the very presence of criticism and doubt. His faith, like Pompilia's, is held fast "despite the plucking fiend." He has given to us something more than intuitive glimpses into the mysteries of man's character. Throughout his life he held up the steady light of an optimistic conception of the world, and by its means injected new vigour into English ethical thought. In his case, therefore, it is not an immaterial question, but one almost forced upon us, whether we are to take his ethical doc- trine and inspiring optimism as valid truths, or to regard them merely as subjective opinions held by a religious poet. Are they creations of a powerful imagination, and nothing more? Do they give to the hopes and aspirations that rise so irrepressibly in the heart of man anything better than an appear- ance of validity, which will prove illusory the moment the cold light of critical inquiry is turned upon them? It is to this unity of his work that I would attribute, in the main, the impressiveness of his 30. ROBERT BROWNING. L deliverances on morality and religion. And this unity justifies us, I think, in applying to Brown- ing's view of life methods of criticism that would be out of place with any other English poet. It is one of his unique characteristics, as already hinted, that he has endeavoured to give us a complete and reasoned view of the ethical nature of man, and of his relation to the world-has sought, in fact, to establish a philosophy of life. In his case, not without injustice, it is true, but with less in- justice than in the case of any other poet, we may disregard, for our purposes, the artistic method of his thought, and lay stress on its content only. He has a right to a place amongst philosophers, as Plato has to a place amongst poets. There is such deliberate earnestness and systematic consistency in his teaching, that Hegel can scarcely be said to have maintained that "The Rational is the Real " with greater intellectual tenacity, than Browning held to his view of life. He sought, in fact, to establish an Idealism; and that Idealism, like Kant's and Fichte's, has its last basis in the moral consciousness. - 14, 14, But, even if it be considered that it is not alto- gether just to apply these critical tests to the poet's teaching, and to make him pay the penalty for assuming a place amongst philosophers, it is certain that what he says of man's spiritual life cannot be rightly valued, till it is regarded in the light of his guiding principles. We shall miss much of what is best in him, even as a poet, if, for instance, we NEED OF A PHILOSOPHY OF LIFE. 31 regard his treatment of love merely as the expression of elevated passion, or his optimism as based upon mere hope. Love was to him rather an indwelling element in the world, present, like power, in every- thing. "From the first, Power was-I knew. Life has made clear to me That, strive but for closer view, Love were as plain to see. "" Love yielded to him, as Reason did to Hegel, a fundamental exposition of the nature of things. Or, to express the same thing in another way, it was a deliberate hypothesis, which he sought to apply to facts and to test by their means, almost in the same manner as that in which natural science applies and tests its principles. That Browning's ethical and religious ideas were for him something different from, and perhaps more than, mere poetic sentiments, will, I believe, be scarcely denied. That he held a deliberate theory, and held it with greater and greater difficulty as he became older, and as his dialectical tendencies grew and threatened to wreck his artistic freedom, is evident to any one who regards his work as a whole. But it will not be admitted so readily that anything. other than harm can issue from an attempt to deal with him as if he were a philosopher. Even if it be allowed that he held and expressed a definite theory, will it retain any value if we take it out of the region of poetry and impassioned religious faith, into the * Reverie-Asolando. 32 ROBERT BROWNING. frigid zone of philosophical inquiry? Could any one maintain, apart from the intoxication of religious and poetic sentiment, that the essence of existence is love? As long as we remain within the realm of imagina- tion, it may be argued, we may find in our poet's great sayings both solacement and strength, both rest and an impulse towards higher moral endeavour; but if we seek to treat them as theories of facts, and turn upon them the light of the understanding, will they not inevitably prove to be hallucinations? Poetry, we think, has its own proper place and function. It is an invaluable anodyne to the cark and care of reflective thought; an opiate which, by steeping the critical intellect in slumber, sets the soul free to rise on the wings of religious faith. But reason breaks the spell; and the world of poetry, and re- ligion-a world which to them is always beautiful and good with God's presence-becomes a system of inexorable laws, dead, mechanical, explicable in strict truth, as an equipoise of constantly changing forms of energy. • There is, at the present time, a widespread belief that we had better keep poetry and religion beyond the reach of critical investigation, if we set any store by them. Faith and reason are thought to be finally divorced. It is an article of the common creed that every attempt which the world has made to bring them together has resulted in denial, or at the best in doubt, regarding all supersensuous facts. The one condition of leading a full life, of maintaining a living relation between ourselves and both the 1 NEED OF A PHILOSOPHY OF LIFE. 33 T spiritual and material elements of our existence, is to make our lives an alternating rhythm of the head and heart, to distinguish with absolute clearness between the realm of reason and that of faith. Now, such an assumption would be fatal to any attempt like the present, to find truth in poetry; and I must, therefore, try to meet it before entering upon a statement and criticism of Browning's view of life. I cannot admit that the difficulties of placing the facts of man's spiritual life on a rational basis are so great as to justify the assertion that there is no such basis, or that it is not discoverable by man. Surely, it is unreasonable to make intellectual death the condition of spiritual life. If such a condition were imposed on man, it must inevitably defeat its own purpose; for man cannot possibly continue to live a divided life, and persist in believing that for which his reason knows no defence. We must, in the long run, either rationalize our faith in morality *and religion, or abandon them as illusions. And we should at least hesitate to deny that reason-in spite of its apparent failure in the past to justify our faith in the principles of spiritual life—may yet, as it be- comes aware of its own nature and the might which dwells in it, find beauty and goodness, nay, God him- self, in the world. We should at least hesitate to condemn man to choose between irreflective igno- rance and irreligion, or to lock the intellect and the highest emotions of our nature and principles of our life, in a mortal struggle. Poetry and religion may, after all, be truer then prose, and have something to 2 34 ROBERT BROWNING. tell the world that science, which is often ignorant of its own limits, cannot teach. The failure of philosophy in the past, even if it were as complete as is believed by persons ignorant of its history, is no argument against its success in the future. Such persons have never known that the world of thought like that of action makes a stepping stone of its dead self. He who presumes to decide what passes the power of man's thought, or to prescribe absolute limits to human knowledge, is rash, to say the least; and he has neither caught the most important of the lessons of modern science, nor been lifted to the level of its inspiration. For science has done one thing greater than to unlock the secrets of nature. It has revealed something of the might of reason, and given new grounds for the faith, which in all ages has inspired the effort to know, the faith that the world is an intelligible structure, meant to be penetrated by the thought of man. Can it be that nature is an "open secret," buť that man, and he alone, must remain an enigma ? Or does he not rather bear within himself the key to every problem which he solves, and is it not his thought which penetrates the secrets of nature? The success of science, in reducing to law the most varied and apparently unconnected facts, should dis- pel any suspicion which attaches to the attempt to gather these laws under still wider ones, and to interpret the world in the light of the highest prin- ciples. And this is precisely what poetry and religion and philosophy do, each in its own way. They carry Lothi NEED OF A PHILOSOPHY OF LIFE. 35 the work of the sciences into wider regions, and that, as I shall try to show, by methods which, in spite of many external differences, are fundamentally at one with those which the sciences employ. There is only one way of giving the quietus to the metaphysics of poets and philosophers, and of show- ing the futility of a philosophy of life, or of any scientific explanation of religion and morals. It is to show that there is some radical absurdity in the very attempt. Till this is done, the human mind will not give up problems of weighty import, however hard it may be to solve them. The world refused to believe Socrates when he pronounced a science of nature impossible, and centuries of failure did not break man's courage. Science, it is true, has given up some problems as insoluble; it will not now try to construct a perpetually moving machine, or to square the circle. But it has given them up, not because they are difficult, but because they are unreasonable tasks. The problems have a surd or irrational element in them; and to solve them would be to bring reason into collision with itself. Now, whatever may be the difficulties of establish- ing a theory of life, or a philosophy, it has never been shown to be an unreasonable task to attempt it. One might, on the contrary, expect, prima facie, that in a world progressively proved to be intelligible to man, man himself would be no exception. It is impossible that the "light in him should be dark- ness," or that the thought which reveals the order of the world should be itself chaotic. 36 ROBERT BROWNING. ● 10 The need for philosophy is just the ultimate form of the need for knowledge; and the truths which philosophy brings to light are implied in every rational explanation of things. The only choice we can have is between a conscious metaphysics and an unconscious one, between hypotheses which we have examined and whose limitations we know, and hypo- theses which rule us from behind, as pure prejudices do. It is because of this that the empiric is so dog- matic, and the ignorant man so certain of the truth of his opinion. They do not know their postulates, nor are they aware that there is no interpretation of an object which does not finally point to a theory of being. We understand no joint or ligament, except in relation to the whole organism, and no fact, or event, except by finding a place for it in the context of our experience. The history of the pebble can be given, only in the light of the story of the earth, as it is told by the whole of geology. We must begin very far back, and bring our widest principles to bear upon the particular thing, if we wish really to know what it is. It is a law that explains, and laws are always universal. All our knowledge, even the most broken and inconsistent, streams from some funda- mental conception, in virtue of which all the variety of objects constitute one world, one orderly kosmos, even to the meanest mind. It is true that the central thought, be it rich or poor, must, like the sun's light, be broken against particular facts. But there is no need of forgetting the real source of knowledge, or of deeming that its progress is a D NEED OF A PHILOSOPHY OF LIFE. 37 synthesis without law, or an addition of fact to fact without any guiding principles. Now, it is the characteristic of poetry and phi- losophy that they keep alive our consciousness of these primary, uniting principles. They always dwell in the presence of the idea which makes their object one. To them the world is always, and neces- sarily, a harmonious whole, as it is also to the religious spirit. It is because of this that the uni- verse is a thing of beauty for the poet, a revelation of God's goodness to the devout soul, and a mani- festation of absolute reason to the philosopher. Art, religion, and philosophy fail or flourish to- gether. The age of prose and scepticism appears when the sense of the presence of the whole in the particular facts of the world and of life has been dulled. And there is a necessity in this; for if the conception of the world as a whole is held to be impossible, if philosophy is a futility, then poetry will be a vain sentiment and religion a delusion. Nor will the failure of thought, when once demon- strated in these upper regions, be confined to them. On the contrary, it will spread downwards to science and ordinary knowledge, as mountain mists blot out the valleys. For every synthesis of fact to fact, every attempt to know, however humble and limited, is inspired by a secret faith in the unity of the world. Each of the sciences works within its own region, and colligates its details in the light of its own hypothesis; and all the sciences taken together presuppose the presence in the world of a principle 38 ROBERT BROWNING. that binds it into an orderly totality. Scientific explorers know that they are all working towards the same centre. And, ever and anon, as the isolated thinker presses home his own hypothesis, he finds his thought beating on the limits of his science, and suggesting some wider hypothesis. The walls that separate the sciences are wearing thin, and at times light penetrates from one to the other. So that to their votaries, at least, the faith is progressively justified, that there is a meeting point for the sciences, a central truth in which the dispersed rays. will again be gathered together. In fact, all the sciences are working together under the guidance of a principle common to them all, although it may not be consciously known and no attempt is made to define it. In science, as in philosophy and art and religion, there is a principle of unity, which, though latent, is really prior to all explanation of particular matters of fact. In truth, man has only one way of knowing. There is no fundamental difference between scien- tific and philosophic procedure. We always light up facts by means of general laws. The fall of the stone was a perfect enigma, a universally un- intelligible bit of experience, till the majestic imag- ination of Newton conceived the idea of universal gravitation. Wherever mind successfully invades the realm of chaos, poetry, the sense of the whole, comes first. There is the intuitive flash, the pene- trative glimpse, got no one knows exactly whence --though we do know that it comes neither from 1 NEED OF A PHILOSOPHY OF LIFE. 39 the dead facts nor from the vacant region of a priori thought, but somehow from the interaction of both these elements of knowledge. After the intuitive flash comes the slow labour of proof, the application of the principle to details. And that application transforms both the principle and the details, so that the former is enriched with content and the latter are made intelligible-a veritable conquest and valid possession for mankind. And in this labour of proof, science and philosophy alike take their share. Philosophy may be said to come midway between poetry and science, and to partake of the nature of both. On the one side it deals, like poetry, with ideals of knowledge, and announces truths which it does not completely verify; on the other, it leaves to science the task of articulating its prin- ciples in facts, though it begins the articulation itself. It reveals subsidiary principles, and is, at the same time, a witness for the unity of the categories of science. We may say, if we wish, that its principles are mere hypotheses. But so are the ideas which underlie the most practical of the sciences; so is every forecast of genius by virtue of which knowledge is extended; so is every principle of knowledge not completely worked out. To say that philosophy is hypothetical im- plies no charge, other than that which can be levelled, in the same sense, against the most solid body of scientific knowledge in the world. The fruitful question in each case alike is, how far, if 40 ROBERT BROWNING. at all, does the hypothesis enable us to understand particular facts. The more careful of our scientific thinkers are well aware of the limits under which they work and of the hypothetical character of their results. "I take Euclidean space, and the existence of material particles and elemental energy for granted," says the physicist ; "deny them, and I am helpless; grant them, and I shall establish quantitative relations between the different forms of this ele- mental energy, and make it tractable and tame to man's uses. All I teach depends upon my hypothesis. In it is the secret of all the power I wield. I do not pretend to say what this elemental energy is. I make no declaration regarding the actual nature of things; and all questions as to the ultimate origin or final destination of the world are beyond the scope of my inquiry. I am ruled by my hypothesis; I regard phenomena from my point of view; and my right to do so I substantiate by the practical and theoretical results which follow." The language of geology, chemistry, zoology, and even mathema- tics is the same. They all start from a hypothesis; they are all based on an imaginative conception, and in this sense their votaries are poets, who see the unity of being throb in the particular fact. Now, so far as the particular sciences are con- cerned, I presume that no one will deny the supreme power of these colligating ideas. The sciences do not grow by a process of empiricism, which rambles tentatively and blindly from fact to fact, unguided of NEED OF A PHILOSOPHY OF LIFE. 41 any hypothesis. But if they do not, if, on the con- trary, each science is ruled by its own hypothesis, and uses that hypothesis to bind its facts together, then the question arises, are there no wider colli- gating principles amongst these hypotheses them- selves? Are the sciences independent of each other, or is their independence only surface appearance? This is the question which philosophy asks, and the sciences themselves by their progress suggest a posi- tive answer to it. The knowledge of the world which the sciences are building is not a chaotic structure. By their apparently independent efforts, the outer kosmos is gradually reproduced in the mind of man, and the temple of truth is silently rising. We may not as yet be able to connect wing with wing, or to declare definitely the law of the whole. The logical order of the hypotheses of the various sciences, the true con- nection of these categories of constructive thought, may yet be uncertain. But, still, there is such an order and connection: the whole building has its plan, which becomes more and more intelligible as it approaches to its completion. Beneath all the differences, there are fundamental principles which give to human thought a definite unity of movement and direction. There are architectonic conceptions which are guiding, not only the different sciences, but all the modes of thought of an age. There are intellectual media, "working hypotheses," by means of which successive centuries observe all that they see; and these far-reaching constructive principles 42 ROBERT BROWNING. divide the history of mankind into distinct stages. In a word, there are dynasties of great ideas, such as the idea of development in our own day; and these successively ascend the throne of mind, and hold a sway over human thought which is well-nigh absolute. Now, if this is so, is it certain that all knowledge of these ruling conceptions is impossible? In other words, is the attempt to construct a philosophy absurd? To say that it is, to deny the possibility of catching any glimpse of those regulative ideas, which determine the main tendencies of human thought, is to place the supreme directorate of the human intelligence in the hands of a necessity which, for us, is blind. For, an order that is hidden is equivalent to chance, so far as knowledge is con- cerned; and if we believe it to exist, we do so in the face of the fact that all we see, and all we can see, is the opposite of order, namely lawlessness. Human knowledge, on this view, would be subjected to law in its details and compartments, but to disorder as a whole. Thinking men would be organized into regiments; but the regiments would not constitute an army, nor would there be any unity of movement in the attack on the realm of ignorance. But, such is not the conclusion to which the study of human history leads, especially when we observe its movements on a large scale. On the contrary, it is found that history falls into great epochs, each of which has its own peculiar characteristics. Ages, NEED OF A PHILOSOPHY OF LIFE. 43 as well as nations and individuals, have features of their own, special and definite modes of thinking and acting. The movement of thought in each age has its own direction, which is determined by some characteristic and fundamental idea, that fulfils for it the part of a working hypothesis in a particular science. It is the prerogative of the greatest leaders of thought in an age to catch a glimpse of this ruling idea when it first makes its appearance; and it is their function, not only to discover it, but also to reveal it to others. And, in this way, they are at once the exponents of their time, and its prophets. They reveal that which is already a latent but active power-" a tendency"; but they reveal it to a gen- eration which will see the truth for itself, only after the potency which lies in it has manifested itself in national institutions and habits of thought and action. After the prophets have left us, we believe what they have said; as long as they are with us, they are voices crying in the wilderness. Now, these great ideas, these harmonies of the world of mind, first strike upon the ear of the poet. They seem to break into the consciousness of man by the way of emotion. They possess the seer; he is divinely mad, and he utters words whose meaning passes his own calmer comprehension. What we find in Goethe, we find also in a manner in Brown- ing an insight which is also foresight, a dim and partial consciousness of the truth about to be, sending its light before it, and anticipating all systematic reflection. It is an insight which appears 44 ROBERT BROWNING. to be independent of all method; but it is in nature, though not in sweep and expanse, akin to the in- tuitive leap by which the scientific explorer lights upon his new hypothesis. We can find no other law for it, than that sensitiveness to the beauty and truth hidden in facts, which much reflection on them generates for genius. For these great minds the muddy vesture" is worn thin by thought, and they hear the immortal music. << The poet soon passes his glowing torch into the hands of the philosopher. After Aeschylus and Sophocles, come Plato and Aristotle. The intuitive flash grows into a fixed light, which rules the day. The great idea, when reflected upon, becomes a system. When the light of such an idea is steadily held on human affairs, it breaks into endless forms of beauty and truth. The content of the idea is gradually evolved; hypotheses spring out of it, which are accepted as principles, rule the mind of an age, and give it its work and its character. In this way, Hobbes and Locke laid down, or at least defined, the boundaries within which moved the thought of the eighteenth century; and no one acquainted with the poetic and philosophic thought of Germany, from Lessing to Goethe and from Kant to Hegel, can fail to find therein the source and spring of the constitutive principles of our own intellectual, social, political, and religious life. The virtues and the vices of the aristocracy of the world of mind penetrate downwards. The works of the poets and philosophers, so far from being filled with NEED OF A PHILOSOPHY OF LIFE. 45 impracticable dreams, are repositories of great suggestions which the world adopts for its guidance. The poets and philosophers lay no railroads and invent no telephones; but they, nevertheless, bring about that attitude towards nature, man and God, and generate those moods of the general mind, from which issue, not only the scientific, but also the social, political and religious forces of the age. It is mainly on this account that I cannot treat the supreme utterances of Browning lightly, or think it an idle task to try to connect them into a philosophy of life. In his optimism of love, in his supreme confidence in man's destiny and sense of the infinite height of the moral horizon of humanity, in his courageous faith in the good, and his profound conviction of the evanescence of evil, there lies a vital energy whose inspiring power we are yet destined to feel. Until a spirit kindred to his own arises, able to push the battle further into the same region, much of the practical task of the age that is coming will consist in living out in detail the ideas to which he has given expression. 1 I contend, then, not merely for a larger charity, but for a truer view of the facts of history than is evinced by those who set aside the poets and philos- ophers as mere dreamers, and conceive that the sciences alone occupy the region of valid thought in all its extent. There is a universal brotherhood of which all who think are members. Not only do they all contribute to man's victory over his environ- ment and himself, but they contribute in a manner 46 ROBERT BROWNING. which is substantially the same. There are many points of superficial distinction between the pro- cesses of philosophy and science, and between both and the method of poetry; but the inner movement, if one may so express it, is identical in all. It is time to have done with the notion that philosophers occupy a transcendent region beyond experience, or spin spiritual cocoons by a priori methods, and with the view that scientific men are mere empirics, building their structures from below by an a pos- teriori way of thought, without the help of any ruling conceptions. All alike endeavour to interpret experience, but none of them get their principles from it. "" But, friends, Truth is within ourselves; it takes no rise From outward things, whate'er you may believe." There is room and need for the higher synthesis of philosophy and poetry, as well as for the more palpable and, at the same time, more narrow colli- gating conceptions of the systematic sciences. The quantitative relations between material objects, which are investigated by mathematics and physics, do not exhaust the realm of the knowable, so as to leave no place for the poet's, or the philosopher's view of the world. The scientific investigator who, like Mr. Tyndall, so far forgets the limitations of his province as to use his natural data as premises for religious or irreligious_conclusions, is as illogical as the popular preacher, who attacks scientific conclusions because they are not consistent with his NEED OF A PHILOSOPHY OF LIFE. 47 theological presuppositions. Looking only at their primary aspects, we cannot say that religious presuppositions and the scientific interpretation of facts are either consistent or inconsistent: they are simply different. Their harmony or discord can come only when the higher principles of philosophy have been fully developed, and when the depart- mental ideas of the various sciences are organized into a view of the world as a whole. And this is a task which has not as yet been accomplished. The forces from above and below have not met. When they do meet, they will assuredly find that they are friends, and not foes. For philosophy can articulate its supreme conception only by interaction with the sciences; and, on the other hand, the progress of science, and the effectiveness of its division of labour, are ultimately conditioned by its sensitiveness to the hints, given by poets and philosophers, of those wider principles in virtue of which the world is conceived as a unity. There are many, indeed, who cannot see the wood for the trees, as there are others who cannot see the trees for the wood. Carlyle cared nothing though science were able to turn a sunbeam on its axis; Ruskin sees little in the advance of invention except more slag-hills. And scientific men have not been slow to return with interest the scorn of the moralists. But a more comprehensive view of the movement of human knowledge will show that none labour in vain. For its movement is that of a thing which grows and in growth there is always movement 48 ROBERT BROWNING. towards both unity and difference. Science, in pursuing truth into greater and greater detail, is constrained by its growing consciousness of the unlimited wealth of its material, to divide and isolate its interests more and more; and thus, at the same time, the need for the poets and philosophers is growing deeper, their task is becoming more difficult of achievement, and a greater triumph in so far as it is achieved. Both science and philos- ophy are working towards a more concrete view of the world as an articulated whole. If we cannot quite say with Browning that "poets never dream," we may yet admit with gratitude that their dreams are an inspiration. 66 Sorrow is hard to bear, and doubt is slow to clear. Each sufferer says his say, his scheme of the weal and woe : But God has a few of us whom he whispers in the ear; The rest may reason and welcome: 'tis we musicians know." * And side by side with the poetry that grasps the truth in immediate intuition, there is also the uniting activity of philosophy, which, catching up its hints, carries “back our scattered knowledge of the facts and laws of nature to the principle upon which they rest; and, on the other hand, develops that prin- ciple so as to fill all the details of knowledge with a significance which they cannot have in themselves, but only as seen sub specie aeternitatis.” † So far we have spoken of the function of philosophy * Abt Vogler. † The Problem of Philosophy at the Present Time, by Professor Caird. NEED OF A PHILOSOPHY OF LIFE. 49 in the interpretation of the phenomena of the outer world. It bears witness to the unity of knowledge, and strives by the constructive criticism of the categories of science to render that unity explicit. Its function is, no doubt, valid and important, for it is evident that man cannot rest content with fragmentary knowledge. But still, it might be objected that it is premature at present to endeavour to formulate that unity. Physics, chemistry, biol- ogy, and the other sciences, while they necessarily presuppose the unity of knowledge, and attempt in their own way and in their own sphere to discover it, are making very satisfactory headway without raising any of the desperate questions of meta- physics as to its ultimate nature. For them it is not likely to matter for a long time to come whether Optimism or Pessimism, Materialism or Idealism, or none of them, be true. In any case the principles they establish are valid. Physical relations always remain true; ginger will be hot i' the mouth, and there will be more cakes and ale." It is only when the sciences break down beneath the weight of knowledge and prove themselves inadequate, that it becomes necessary or advantageous to seek for more comprehensive principles. At present is it not better to persevere in the way of science, than to be seduced from it by the desire to solve ultimate problems, which, however reasonable and pressing, seem to be beyond our power to answer? (C Such reasonings are not convincing; still, so far as natural science is concerned, they seem to 50 ROBERT BROWNING. indicate that there might be no great harm in ignoring, for a time, its dependence on the wider aspects of human thought. There is no department of nature so limited, but that it may more than satisfy the largest ambition of the individual for knowledge. But this attitude of indifference to ultimate questions is liable at any moment to be disturbed. "Just when we are safest, there's a sunset-touch, A fancy from a flower-bell, some one's death, A chorus-ending from Euripides,- And that's enough for fifty hopes and fears As old and new at once as nature's self, To rap and knock and enter in our soul, Take hands and dance there, a fantastic ring, Round the ancient idol, on his base again,- The grand Perhaps ! We look on helplessly. There the old misgivings, crooked questions are. "" * Amongst the facts of our experience which cry most loudly for some kind of solution, are those of our own inner life. We are in pressing need of a "working hypothesis" wherewith to understand our- selves, as well as of a theory which will explain the revolution of the planets, or the structure of an oyster. And this self of ours intrudes every- where. It is only by resolutely shutting our eyes, that we can forget the part it plays even in the outer world of natural science. So active is it in the constitution of things, so dependent is their nature on the nature of our knowing faculties, that scientific men themselves admit that their surest * Bishop Blougram's Apology. NEED OF A PHILOSOPHY OF LIFE. 51 results are only hypothetical. Their truth depends on laws of thought which natural science does not investigate. But quite apart from this doctrine of the relativity of knowledge, which is generally first acknowledged and then ignored, every man, the worst and the best alike, is constrained to take some practical attitude towards his fellows. Man is never alone with nature, and the connections with his fellows which sustain his intelligent life, are liable to bring him into trouble, if they are not to some degree understood. "There's power in me," said Bishop Blougram, "and will to dominate Which I must exercise, they hurt me else." The impulse to know is only a phase of the more general impulse to act and to be. The specialist's devotion to his science is his answer to a demand, springing from his practical need, that he realize himself through action. He does not construct his edifice of knowledge, as the bird is supposed to build its nest, without any consciousness of an end to be attained thereby. Even if, like Lessing, he values the pursuit of truth for its own sake, still what stings him into effort is the sense that in truth only can he find the means of satisfying and realizing himself. Beneath all man's activities, as their very spring and source, there lies some dim conception of an end to be attained. This is his moral con- sciousness, which no neglect will utterly suppress. 52 ROBERT BROWNING. All human effort, the effort to know like every other, conceals within it a reference to some good, conceived at the time as supreme and complete ; and this, in turn, contains a theory both of man's self and of the universe on which he must impress his image. Every man must have his philosophy of life, simply because he must act; though, in many cases, that philosophy may be latent and unconscious, or, at least, not a definite object of re- flection. The most elementary question directed at his moral consciousness will at once elicit the universal element. We cannot ask whether an action be right or wrong without awakening all the echoes of metaphysics. As there is no object on the earth's surface whose equilibrium is not fixed by its relation to the earth's centre, so the most elemen- tary moral judgment, the simplest choice, the most irrational vagaries of a will calling itself free and revelling in its supposed lawlessness, are dominated by the conception of a universal good. Everything that a man does is an attempt to articulate his view of this good, with a particular content. Hence, man as a moral agent is always the centre of his own horizon, and stands right beneath the zenith. Little as he may be aware of it, his relation between himself and his supreme good is direct. And he orders his whole world from his point of view, just as he regards East and West as meeting at the spot on which he stands. Whether he will or not, he cannot but regard the universe of men and objects as the instrument of his purposes. He extracts NEED OF A PHILOSOPHY OF LIFE. 53 all its interest and meaning from himself. His own shadow falls upon it all. If he is selfish, that is, if he interprets the self that is in him as vulturous, then the whole outer world and his fellow-men fall for him into the category of carrion, or not-carrion. If he knows himself as spirit, as the energy of love or reason, if the prime necessity he recognizes within himself is the necessity to be good, then the universe becomes for him an instrument wherewith moral character is evolved. In all cases alike, his life-work is an effort to rob the world of its alien character, and to translate it into terms of himself. We are in the habit of fixing a chasm between a man's deeds and his metaphysical, moral, and re- ligious creed; and even of thinking that he can get on "in a sufficiently prosperous manner," without any such creed. Can we not digest without a theory of peptics, or do justice without constructing an ideal state? The truest answer, though it is an answer easily misunderstood, is that we cannot. In the sphere of morality, at least, action depends on knowledge : Socrates was right in saying that virtuous conduct ignorant of its end is accidental. Man's action, so far as it is good or evil, is shot through and through with his intelligence. And once we clearly distinguish between belief and profession, between the motives which really impel our actions and the psychological account of them with which we may deceive ourselves and others, we shall be obliged to confess that we always act our creed. A man's conduct, just because he is man, is generated by his view of himself and 54 ROBERT BROWNING. his world. He who cheats his neighbour believes in tortuosity, and, as Carlyle says, has the Supreme Quack for his God. No one ever acted without some dim, though perhaps foolish enough, half-belief that the world was at his back; whether he plots good or evil he always has God as an accomplice. And this is why character cannot be really bettered by any peddling process. Moralists and preachers are right in insisting on the need of a new life, that is, of a new principle, as the basis of any real improve- ment; and such a principle necessarily carries in it a new attitude towards men, and a new interpreta- tion of the moral agent himself and of his world. Thus, wherever we touch the practical life of man, we are at once referred to a metaphysic. His creed is the heart of his character, and it beats as a pulse in every action. Hence, when we deal with moral life, we must start from the centre. In our intellec- tual life, it is not obviously unreasonable to suppose that there is no need of endeavouring to reach upward to a constructive idea, which makes the universe one, but when we act, such self-deception is not pos- sible. As a moral agent, and a moral agent man always is, he not only may, but must have his work- ing hypothesis, and that hypothesis must be all- inclusive. As there are natural laws which connect man's physical movements with the whole system of nature, so there are spiritual relations which connect him with the whole spiritual universe; and spiritual relations are always direct. Now it follows from this, that, whenever we con- NEED OF A PHILOSOPHY OF LIFE. 55 sider man as a moral agent, that is, as an agent who converts ideas into actual things, the need of a philosophy becomes evident. Instead of condemning ideal interpretations of the universe as useless dreams, the foolish products of an ambition of thought which refuses to respect the limits of the human intellect, we shall understand that philosophers and poets are really striving with greater clearness of vision, and in a more sustained manner, to perform the task which all men are obliged to perform in some way or other. Man subsists as a natural being only on condition of comprehending, to some degree, the conditions of his natural life, and the laws of his natural environment. From earliest youth upwards, he is learning that fire will burn and water drown, and that he can play with the elements with safety only within the sphere lit up by his intelligence. Nature will not pardon the blunders of ignorance, nor tamely submit to every hasty construction. And this truth is still more obvious in relation to man's moral life. Here, too, and in a pre-eminent degree, conduct waits on intelligence. Deep will only answer unto deep; and great characters only come with much meditation on the things that are highest. And, on the other hand, the misconstruc- tion of life's meaning flings man back upon himself, and makes his action nugatory. Byronism was driven "howling home again," says the poet. The universe will not be interpreted in terms of sense, nor be treated as carrion, as Carlyle said. There is no rest in the "Everlasting No," because it is a 56 BROWNING. ROBERT wrong view of man and of the world. Or rather, the negative is not everlasting; and man is driven onwards by despair, through the "Centre of In- difference," till he finds a "Universal Yea❞—a true view of his relation to the universe. There is given to men the largest choice to do or to let alone, at every step in life. But there is one necessity which they cannot escape, because they carry it within them. They absolutely must try to make the world their home, find some kind of reconciling idea between themselves and the forces. amidst which they move, have some kind of working hypothesis of life. Nor is it possible to admit that they will find rest till they discover a true hypothesis. If they do not seek it by reflection-if, in their ardour to penetrate into the secrets of nature, they forget themselves; if they allow the supreme facts of their moral life to remain in the confusion of tradition, and seek to compromise the demands of their spirit by sacrificing to the idols of their childhood's faith; if they fortify themselves in the indifference of agnosticism, they must reap the harvest of their irreflection. Ignorance is not harmless in matters of character any more than in the concerns of our outer life. There are in national and in individual history seasons of despair, and that despair, when it is deepest, is ever found to be the shadow of moral failure the result of going out into action with a false view of the purpose of human life, and a wrong conception of man's destiny. At such times, the people have not understood themselves NEED OF A PHILOSOPHY OF LIFE. 57 or their environment, and, in consequence, they come into collision with their own welfare. There is no experiment so dangerous to an age or people, as that of relegating to the common ignorance of unreasoning faith the deep concerns of moral con- duct; and there is no attitude more pitiable than that which leads it to turn a deaf ear and the lip of contempt towards those philosophers who carry the spirit of scientific inquiry into these higher regions, and endeavour to establish for mankind, by the irrefragable processes of reason, those prin- ciples on which rest all the great elements of man's destiny. We cannot act without a theory of life ; and to whom shall we look for such a theory, except to those who, undaunted by the difficulties of the task, ask once more, and strive to answer, those problems which man cannot entirely escape, as long as he continues to think and act ? CHAPTER III. BROWNING'S PLACE IN ENGLISH POETRY. He seems "But there's a great contrast between him and me. vety content with life, and takes much satisfaction in the world. It's a very strange and curious spectacle to behold a man in these days so confidently cheerful." (Carlyle.) IT T has been said of Carlyle, who may for many reasons be considered as our poet's twin figure, that he laid the foundations of his world of thought in Sartor Resartus, and never enlarged them. His Orientirung was over before he was forty years old -as is, indeed, the case with most men. After that period there was no fundamental change in his view of the world; nothing which can be called a new idea disturbed his outline sketch of the universe. He lived afterwards only to fill it in, showing with ever greater detail the relations of man to man in history, and emphasizing with greater grimness the war of good and evil in human action. There is evidence, it is true, that the formulae from which he more or less consciously set forth, ultimately proved too narrow for him, and we find him beating himself in vain against their limitations; still, on the whole, Carlyle speculated within the range and influence of " HIS PLACE IN ENGLISH POETRY. 59 + principles adopted early in life, and never abandoned for higher or richer ideas, or substantially changed. In these respects, there is considerable resemblance between Carlyle and Browning. Browning, indeed, fixed his point of view and chose his battleground still earlier; and he held it resolutely to his life's close. In his Pauline and in his Epilogue to Asolando we catch the triumphant tone of a single idea, which, during all the long interval, had never sunk into silence. Like "The wise thrush, he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture!" * Moreover, these two poets, if I may be permitted to call Carlyle a poet, taught the same truth. They were both witnesses to the presence of God in the spirit of man, and looked at this life in the light of another and a higher; or rather, they penetrated through the husk of time and saw that eternity is even here, a tranquil element underlying the noisy antagonisms of man's earthly life. Both of them, like Plato's philosopher, made their home in the sun- light of ideal truth: they were not denizens of the cave taking the things of sense for those of thought, shadows for realities, echoes for the voices of men. But, while Carlyle fought his way into this region, Browning found himself in it from the first; while Carlyle bought his freedom with a great sum, the poet "was free born." Carlyle saw the old world * Home Thoughts from Abroad. 60 ROBERT BROWNING. faith break up around him, and its fragments never ceased to embarrass his path. He was at the point of transition, present at the collision of the old and new, and in the midst of the confusion. He, more than any other English writer, was the instrument of the change from the Deism of the eighteenth century and the despair which followed it, into the larger faith of our own. But, for Browning, there was a new heaven and a new earth, and old things had passed away. This notable contrast between the two men, arising at once from their disposition and their moral environment, had far-reaching effects on their lives and their writings. But their affinity was deeper than the difference, for they are essenti- ally heirs and exponents of the same movement in English thought. The main characteristic of that movement is that it is both moral and religious, a devotion to God and the active service of man, a recognition at once of the rights of nature and of spirit. It does not, on the one hand, raise the individual as a natural being to the throne of the universe, and make all forces social, political, and spiritual stoop to his rights; nor does it, on the other hand, deny these ights, or make the individual a mere instrument f society. It at least attempts to reconcile the undamental facts of human nature, without com- promising any of them. It cannot be called either ndividualistic or socialistic; but it strives to be 1. th at once, so that both man and society mean re to this age than they ever did before. The HIS PLACE IN ENGLISH POETRY. 61 ! narrow formulae that cramped the thought of the period which preceded ours have been broken through. No one can pass from the hedonists and individualists to Carlyle and Browning without feel- ing that these two men are representatives of new forces in politics, in religion, and in literature,-forces which will undoubtedly effect momentous changes before they are caught again and fixed in creeds. That a new epoch in English thought was veritably opened by them is indicated by the surprise and bewilderment they occasioned at their first appear- ance. Carlyle had Emerson to break his loneliness and Browning had Rossetti; but, to most other men at that day, Sartor and Pauline were all but unin- telligible. The general English reader could make little of the strange figures that had broken into. the realm of literature; and the value and signifi- cance of their work, as well as its originality, will be recognized better by ourselves if we take a hurried glance at the times which lay behind them. Its main worth will be found to lie in the fact that they strove to bring together again certain fundamental elements, on which the moral life of man must always rest, and which had fallen asunder in the ages which preceded their own. GRAN The whole-hearted, instinctive life of the Eliza- bethan age was narrowed and deepened into the severe one-sidedness of Puritanism, which cast on the bright earth the sombre shadow of a life to come. England was given up for a time to a magnificent half-truth. It did not 62 ROBERT BROWNING. but "Wait The slow and sober uprise all around O' the building," "Ran up right to roof A sudden marvel, piece of perfectness." After Puritanism came Charles the Second and the rights of the flesh, which rights were gradually clarified, till they contradicted themselves in the benevolent self-seeking of altí istic hedonism. David Hume led the world out of the shadow of eternity, and showed that it was only an object of the five senses; or of six, if we add that of "hunger." The divine element was explained away, and the proper study of mankind was, not man, as that age thought, but man reduced to his beggarly elements-a being animated solely by the sensuous springs of pleasure and pain, which should properly, as Carlyle thought, go on all fours, and not lay claim to the dignity of being moral. All things were reduced to what they seemed, robbed of their suggestiveness, changed into definite, sharp-edged, mutually exclusive particulars. The world was an aggregate.of isolated facts, or, at he best, a mechanism into which particulars were itted by force; and society was a gathering of mere individuals, repelling each other by their needs and greed, with a ring of natural necessity to bind them together. It was a fit time for political economy to supplant ethics. There was nowhere an ideal which could lift man above his natural self, and teach him, by losing it, to find a higher life. And, as a necessary * Prince Hohenstiel-Schwangau. ▸ HIS PLACE IN ENGLISH POETRY. 63 consequence, religion gaye way to naturalism and poetry to prose. MAGAN. 11-** After this age of prose came our own day. The new light first flushed the modern world in the writings of the philosopher-poets of Germany: Kant and Lessing, Fichte and Schiller, Goethe and Hegel. They brought about the Copernican change. For them this world of the five senses, of space and time and natural cause, instead of being the fixed centre around which all things revolved, was explicable only in its relation to a system which was spiritual ; and man found his meaning in his connection with society, the life of which stretched endlessly far back into the past and forward into the future. Psychology gave way to metaphysics. The uni- versal element in the thought of man was revealed. Instead of mechanism there was life. A new spirit of poetry and philosophy brought God back into the world, revealed his incarnation in the mind of man, and changed nature into a pellucid garment within which throbbed the love divine. The antagonism of hard alternatives was at an end; the universe was spirit-woven and every smallest object was "filled full of magical music, as they freight a star with light." There were no longer two worlds, but one for "the other" world penetrated this, and was re- vealed in it thought and sense, spirit and nature were reconciled. These thinkers made room for man, as against the Puritans, and for God, as against their successors. Instead of the hopeless struggle of ascetic morality, which divides man against himself, 64 ROBERT BROWNING. they awakened him to that sense of his reconcilia- tion with his ideal which religion gives: "Psyche drinks its stream and forgets her sorrows. Now, this is just the soil where art blooms. For what is beauty but the harmony of thought and sense, a universal meaning caught and tamed in the par- ticular? To the poet each little flower that blooms. has endless worth, and is regarded as perfect and complete; for he sees that the spirit of the whole dwells in it. It whispers to him the mystery of the infinite; it is a pulse in which beats the universal heart. The true poet finds God everywhere; for the ideal is actual wherever beauty dwells. And there is the closest affinity between art and religion, as its history proves, from Job and Isaiah, Homer and Aeschylus, to our own poet; for both art and religion lift us, each in its own way, above one-sided- ness and limitation, to the region of the universal. The one draws God to man, brings perfection here, and reaches its highest form in the joyous life of Greece, where the natural world was clothed with almost supernatural beauty; the other lifts man to God, and finds this life good because it reflects and suggests the greater life that is to be. Both poetry and re- ligion are a reconciliation and a satisfaction; both lift man above the contradictions of limited exist- ence, and place him in the region of peace—where, " "with an eye made quiet by the power Of harmony, and the deep power of joy, He sees into the life of things." * * Tintern Abbey. HIS PLACE IN ENGLISH POETRY. 65 In this sense, it will be always true of the poet, as it is of the religious man, that The beauty and the wonder and the power, The shapes of things, their colours, lights and shades, Changes, surprises,' "the world, "5 lead him back to God, who made it all. He is essentially a witness to the divine element in the world. It is the rediscovery of this divine element, after :- its expulsion by the age of Deism and doubt, that has given to this century its poetic grandeur. Unless we regard Burke as the herald of the new era, we may say that England first felt the breath of the returning spirit in the poems of Shelley and Wordsworth. "The One remains, the many change and pass; Heaven's light for ever shines, earth's shadows fly; Life, like a dome of many-coloured glass, Stains the white radiance of eternity, Until death tramples it to fragments." + "And I have felt," says Wordsworth, r "A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man : A motion and a spirit, that impels * Fra Lippo Lippi. All thinking things, all objects of all thought, And rolls through all things." ‡ † Adonais. Tintern Abbey. 3 66 ROBERT BROWNING. Such notes as these could not be struck by Pope, nor be understood by the age of prose. Still they are only the prelude of the fuller song of Browning. Whether he be a greater poet than these or not,- a question whose answer can benefit nothing, for each poet has his own worth, and reflects by his own facet the universal truth-his poetry contains in it larger elements, and the promise of a deeper harmony from the harsher discords of his more stubborn material. Even where their spheres touch, Browning held by the artistic truth in a different manner. To Shelley, perhaps the most intensely spiritual of all our poets, "That light whose smile kindles the universe, That beauty in which all things work and move,” "" was an impassioned sentiment, a glorious intoxica- tion; to Browning it was a conviction, reasoned and willed, possessing the whole man, and held in the sober moments when the heart is silent. "The heavy and the weary weight of all this unintelligible world" was lightened for Wordsworth, only when he was far from the haunts of men, and free from the dreary intercourse of daily life"; but Browning weaved his song of hope right amidst the wail and woe of man's sin and wretchedness. For Words- worth "sensations sweet, felt in the blood and felt along the heart, passed into his purer mind with tranquil restoration," and issued "in a serene and blessed mood"; but Browning's poetry is not merely the poetry of the emotions however subli- HIS PLACE IN ENGLISH POETRY. 67 5 mated. He starts with the hard repellent fact, crushes by sheer force of thought its stubborn rind, presses into it, and brings forth the truth at its heart. The greatness of Browning's poetry is in its perceptive grip: and in nothing is he more original than in the manner in which he takes up his task, and assumes his artistic function. In his postponement of feeling to thought we recognize a new poetic method, the significance of which we cannot estimate as yet. But, although we may fail to apprehend the meaning of the new method he employs, we cannot fail to perceive the fact, which is not less striking, that the region from which he quarries his material is new. And yet he does not break away abruptly from his predecessors. His kinship with them, in that he recognizes the presence of God in nature, is everywhere evident. We quote one passage, scarcely to be surpassed by any of our poets, as indicative of his power of dealing with the super- naturalism of nature. . "The centre-fire heaves underneath the earth, And the earth changes like a human face; The molten ore burst up among the rocks, Winds into the stone's heart, outbranches bright In hidden mines, spots barren river-beds, Crumbles into fine sand where sunbeams bask- God joys therein. The wroth sea's waves are edged With foam, white as the bitter lip of hate, When, in the solitary waste, strange groups Of young volcanos come up, cyclops-like, Staring together with their eyes on flame- God tastes a pleasure in their uncouth pride. Then all is still; earth is a wintry clod: 68 ROBERT BROWNING. But spring-wind, like a dancing psaltress, passes Over its breast to waken it, rare verdure Buds tenderly upon rough banks, between The withered tree-roots and the cracks of frost, Like a smile striving with a wrinkled face. Above, birds fly in merry flocks, the lark Soars up and up, shivering for very joy; Afar the ocean sleeps; white fishing gulls Flit where the strand is purple with its tribe Of nested limpets; savage creatures seek Their loves in wood and plain-and God renews His ancient rapture. Thus He dwells in all, From life's minute beginnings, up at last To man-the consummation of this scheme Of being, the completion of this sphere of life.” * Such passages as these contain neither the rapt, reflective calm of Wordsworth's solemn tones, nor the ethereal intoxication of Shelley's spirit-music; but there is in them the same consciousness of the infinite meaning of natural facts. And beyond this, there is also, in the closing lines, a hint of a new region for art. Shelley and Wordsworth were the poets of Nature, as all truly say; Browning was the poet of the human soul. For Shelley, the beauty in which all things work and move was well-nigh "quenched by the eclipsing curse of the birth of man"; and Wordsworth lived beneath the habitual sway of fountains, meadows, hills and groves, while he kept grave watch o'er man's mortality, and saw the shades of the prison-house gather round him. From the life of man they garnered nought but mad indignation, or mellowed sadness. It was a foolish and furious strife with *Paracelsus. ་ HIS PLACE IN ENGLISH POETRY. 69 LA PR Tangan pe İl unknown powers fought in the dark, from which the poet kept aloof, for he could not see that God dwelt amidst the chaos. But Browning found harmony in immortal souls, spite of the muddy vesture of decay." He found nature crowned in man, though man was mean and miserable. At the heart of the most wretched abortion of wicked- ness there was the mark of the loving touch of God. Shelley turned away from man; Wordsworth paid him rare visits, like those of a being from a strange world, made wise and sad with looking at him from afar; Browning dwelt with him. He was a com- rade in the fight, and ever in the van of man's endeavour bidding him be of good cheer. He was a witness for God in the midmost dark, where meet in deathless struggle the elemental powers of right and wrong. For God is present for him, not only in the order and beauty of nature, but in the world of will and thought. Beneath the caprice and wilful lawlessness of individual action, he saw a beneficent purpose which cannot fail, but ' has its way with man, not he with it.” "C CC Now this was a new world for poetry to enter into; a new depth to penetrate with hope; and Browning was the first of modern poets to "Stoop Into the vast and unexplored abyss, Strenuously beating The silent boundless regions of the sky." It is also a new world for religion and morality ; * ROBERT BROWNING. 70 and to understand it demands a deeper insight into the fundamental elements of human life. I To show this in a proximately adequate manner, we should be obliged, as already hinted, to connect the poet's work, not merely with that of his English predecessors, but with the deeper and more compre- hensive movement of the thought of Germany since the time of Kant. It would be necessary to indicate how, by breaking a way through the narrow creeds and equally narrow scepticism of the previous age, the new spirit extended the horizon of man's active and contemplative life, and made him free of the universe, and the repository of the past conquests of his race. It proposed to man the great task of solving the problem of humanity, but it strengthened him with its past achievement, and inspired him with the conviction of its boundless progress. It is not that the significance of the individual or the meaning of his endeavour is lost. Under this new view, man has still to fight for his own hand, and it is still recognized that spirit is always burdened with its own fate and cannot share its responsibility. Morality does not give way to religion or pass into it, and there is a sense in which the individual is always alone in the sphere of duty. But from this new point of view the individual is re-explained for us, and we begin to understand that he is the focus of a light which is universal, one more incarnation of the mind of God." His moral task is no longer to seek his own in the old sense, but to elevate humanity; for it is only by CC HIS PLACE IN ENGLISH POETRY. 71 taking this circuit that he can come to his own. Such a task as this is a sufficiently great one to occupy all time; but it is to humanity in him that the task belongs, and it will therefore be achieved. This is no new one-sidedness. It does not mean, to those who comprehend it, the supplanting of the individual thought by the collective thought, or the substitution of humanity for man. The uni- versal is in the particular, the fact is the law. There is no collision between the whole and the part, for the whole lives in the part. As each individual plant has its own life and beauty and worth, although the universe has conspired to bring it into being; so also, and in a far higher degree, man has his own duty and his own dignity, although he is but the embodiment of forces, natural and spiritual, which have come from the endless past. Like a letter in a word, or a word in a sentence, he gets his meaning from his context; but the sen- tence is meaningless without him. "Rays from all round converge in him," and he has no power ex- cept that which has been lent to him; but all the same, nay, all the more, he must "Think as if man never thought before! Act as if all creation hung attent On the acting of such faculty as his." * His responsibility, his individuality, is not less, but greater, in that he can, in his thought and moral action, command the forces that the race has stored for him. The great man speaks the thought of his * Prince Hohenstiel-Schwangau. 72 ROBERT BROWNING. people, and his invocations as their priest are just the expression of their dumb yearnings. And even the mean and insignificant man is what he is, in virtue of the humanity which is blurred and dis- torted within him; and he can shed his insignificance and meanness, only by becoming a truer vehicle for that humanity. Thus, when spirit is spiritually discerned, it is seen that man is bound to man in a union closer than any physical organism can show; while "the indi- vidual," in the old sense of a being opposed to society and opposed to the world, is found to be a fiction of abstract thought, not discoverable anywhere, be- cause not real. And, on the other hand, society is no longer "collective," but so organic that the whole is potentially in every part—an organism of organisms. The influence of this organic idea in every depart- ment of thought which concerns itself with man is not to be measured. It is already fast changing all the practical sciences of man-economics, politics, ethics and religion. The material, being newly in- terpreted, is wrought into a new purpose, and revelation is once more bringing about a reforma- tion. But human action in its ethical aspect is, above all, charged with a new significance. The idea of duty has received an expansion almost illimitable, and man himself has thereby attained new worth and dignity-for what is duty except a dignity and opportunity, man's chance of being good? When we contrast this view of the life of man as the life of humanity in him, with the old HIS PLACE IN ENGLISH POETRY. 73 } individualism,, we may say that morality also has at last, in Bacon's phrase, passed from the narrow seas into the open ocean. And after all, the greatest, achievement of our age may be not that it has established the sciences of nature, but that it has made possible the science of man. We have, at length, reached a point of view from which we may hope to understand ourselves. Law, order, continuity, in human action-the essential pre- conditions of a moral science-were beyond the reach of an individualistic theory. It left to ethical writers no choice but that of either sacrificing man to law, or law to man; of denying either the particular or the universal element in his nature. Naturalism did the first. Intuitionism, the second. The former made human action the reaction of a natural agent on the incitement of natural forces. It made man a mere object, a thing capable of being affected by other things through his faculty of being pained or pleased; an object acting in obedience to motives that had an external origin, just like any other object. The latter theory cut man free from the world and his fellows, endowed him with a will that had no law, and a conscience that was dogmatic; and thereby succeeded in stultifying both law and morality. Į • But this new consciousness of the relation of man to mankind and the world takes him out of his isola- tion and still leaves him free. It relates men to one another in a humanity, which is incarnated anew in each of them. It elevates the individual above the 74 ROBERT BROWNING. distinctions of time; it treasures up the past in him as the active energy of his knowledge and morality in the present, and also as the potency of the ideal life of the future. On this view, the individual and the race are possible only through each other. This fundamental change in our way of looking at the life of man is bound to abolish the ancient landmarks and bring confusion for a time. Out of the new conception, i.e., out of the idea of evolution, has sprung the tumult as well as the strength of our time. The present age is moved with thoughts beyond the reach of its powers: great aspirations for the well-being of the people and high ideals of social welfare flash across its mind, to be followed again by thicker darkness. There is hardly any limit to its despair or hope. It has a far larger faith in the destiny of man than any of its prede- cessors, and yet it is sure of hardly anything- except that the ancient rules of human life are false. Individualism is now detected as scepticism and moral chaos in disguise. We know that the old methods are no longer of use. We cannot now cut ourselves free of the fate of others. The confused cries for help that are heard on every hand are recognized as the voices of our brethren; and we now know that our fate is involved in theirs, and that the problem of their welfare is also ours. We grapple with social questions at last, and recognize that the issues of life and death lie in the solution of these enigmas. Legislators and economists, teachers of religion and socia'ists, are all alike social reformers. W HIS PLACE IN ENGLISH POETRY. 75 Philanthropy has taken a deeper meaning; and all sects bear its banner. But their forces are beaten back by the social wretchedness, for they have not found the sovereign remedy of a great idea; and the result is in many ways sad enough. Our social remedies often work mischief; for we degrade those whom we would elevate, and in our charity forget justice. We insist on the rights of the people and the duties of the privileged classes, and thereby tend to teach greed to those for whom we labour, and goodness to those whom we condemn. The task that lies before us is plain: we want the welfare of the people as a whole. But we fail to grasp the complex social elements together, and our very remedies tend to sunder them. We know that the public good will not be obtained by separating man. from man, securing each unit in a charmed circle of personal rights, and protecting it from others by isolation. We must find a place for the indivi- dual within the social organism, and we know now that this organism has not, as our fathers seemed to think, the simple constitution of a wooden doll. Society is not put together mechanically, and the individual cannot be outwardly attached to it, if he is to be helped, He must rather share its life, be the heir of the wealth it has garnered for him in the past, and participate in its onward movement. Between this new social ideal and our attainment, between the magnitude of our social duties and the resources of intellect and will at our command, there lies a chasm which we despair of bridging over. 76 ROBERT BROWNING. Jeg V San Ca ***** $21. The characteristics of this epoch faithfully reflect themselves in the pages of Carlyle, with whose thoughts those of Browning are immediately con- nected. It was Carlyle who first effectively revealed to England the continuity of human life, and the magnitude of the issues of individual action. Seeing the infinite in the finite, living under a continued sense of the mystery that surrounds man, he flung explosive negations amidst the narrow formulae of the social and religious orthodoxy of his day, blew down the blinding walls of ethical individualism, and, amidst much smoke and din, showed his English readers something of the greatness of the moral world. He gave us a philosophy of clothes, penetrated through symbols to the immortal ideas, condemned all shibboleths, and revealed the soul of humanity behind the external modes of man's activity. He showed us, in a word, that the world is spiritual, that loyalty to duty is the foundation of all human good, and that national welfare rests. on character. After reading him, it is impossible for any one who reflects on the nature of duty to ask, “Am I my brother's keeper?" He not only imagined, but knew, how "all things the minutest that man does, minutely influence all men, and the very look of his face blesses or curses whom-so it lights on, and so generates ever new blessing or new cursing. I say, there is not a Red Indian, hunting by Lake Winnipeg, can quarrel with his squaw, but the whole world must smart for it: will not the price of beaver rise? It is a mathematical fact HIS PLACE IN ENGLISH POETRY. 77 that the casting of this pebble from my hand alters the centre of gravity of the universe." Carlyle dealt the deathblow to the "laissez-faire" theory rampant in his day, and made each individual responsible for the race. He has demonstrated that the sphere of duty does not terminate with ourselves and our next-door neighbours. There will be no pure air for the correctest Levite to breathe, till the laws of sanitation have been applied to the moral slums. Ye are my brethren," said he, and he adds, as if conscious of his too denunciatory way of dealing with them, "hence my rage and sorrow." But his consciousness of brotherhood with all men brought only despair for him. He saw clearly the responsibility of man, but not the dignity which that implies; he felt the weight of the burden of humanity upon his own soul, and it crushed him, for he forgot that all the good of the world was there to help him bear it, and that " One with God is a majority." He taught only the half-truth, that all men are united on the side of duty, and that the spiritual life of each is conditional on striving to save all. But he neglected the complement of this truth, and forgot the greatness of the beings on whom so great a duty could be laid. He therefore dignifies humanity only to degrade it again. The "twenty millions" each must try to save are mostly fools. But how fools, when they can have such a task? Is it not true, on the contrary, that no man ever saw a duty beyond his strength, and that "man can because he " 78 ROBERT BROWNING. "" "" (C ought" and ought only because he can? The evils an individual cannot overcome are the moral opportunities of his fellows. The good are not lone workers of God's purposes, and there is no need of despair. Carlyle, like the ancient prophet, was too conscious of his own mission, and too forgetful of that of others. I have been very jealous for the Lord God of hosts; because the children of Israel have forgotten Thy covenant, thrown down Thine alters, and slain Thy prophets, and I, even I only, am left; and they seek my life, to take it away. He needed, beside the consciousness of his prophetic function, a consciousness of brotherhood with humbler workers. Yet I have left Me seven thousand in Israel, all the knees which have not bowed unto Baal, and every mouth which hath not kissed him." It would have helped him had he remembered, that there were on all sides other workers engaged on the temple not made with hands, although he could not hear the sound of their hammers for the din he made himself. It would have changed his despair into joy, and his pity into a higher moral quality, had he been able to believe that, amidst all the millions against whom he hurled his anathemas, there is no one who, let him do what he will, is not constrained to illustrate either the folly and wretchedness of sin, or the glory of goodness. It is not given to any one, least of all to the wicked, to hold back the onward move- ment of the race, or to destroy the impulse for good which is planted within it. 3 HIS PLACE IN ENGLISH POETRY. 79 But Carlyle saw only one side of the truth about man's moral nature and destiny. He knew, as the ancient prophets did, that evil is potential wreck; and he taxed the power of metaphor to the utmost to indicate, how wrong gradually takes root, and ripens into putrescence and self-combustion, in obedience to a necessity which is absolute. That morality is the essence of things, that wrong must prove its weakness, that right is the only might, is reiterated and illustrated on all his pages; they are now commonplaces of speculation on matters of history, if not conscious practical principles which guide its makers. But Carlyle never inquired into the character of this moral necessity, and he overlooked the beneficence which places death at the heart of sin. He never saw wrong except on its way to execution, or in the death throes; but he did not look in the face of the gentle power that led it on to death. He saw the necessity which rules history, but not the beneficent character of that necessity. The same limitations marred his view of duty, which was his greatest revelation to his age. He felt its categorical authority and its binding force. But the power which imposed the duty was an alien power, awful in majesty, infinite in might, a "great task-master"; and the duty itself was an outer law, written in letters of flame across the high heavens, in comparison with which man's action at its best sank into failure. His only virtue is obedi- ence, and his last rendering even of himself is 80 ROBERT BROWNING. "unprofitable servant." In this he has much of the combined strength and weakness of the old Scottish Calvinism. "He stands between the individual and the Infinite without hope or guide. He has a constant disposition to crush the human being by comparing him with God," said Mazzini, with marvel- lous penetration. "From his lips, at times so daring, we seem to hear every instant the cry of the Breton Mariner' My God protect me! My bark is so small, and Thy ocean so vast.' His reconciliation of God and man was incomplete: God seemed to him to have manifested Himself to man but not in man. He did not see that "the Eternity which is before and behind us is also within us.” """ But the moral law which commands is just the reflection of the aspirations of progressive man, who always creates his own horizon. The extension of duty is the objective counterpart of man's growth; a proof of victory and not of failure, a sign that man is mounting upwards. And, if so, it is irrational to infer the impossibility of success from the magnitude of the demands of a moral law, which is itself the promise of a better future. The hard problems set for us by our social environment are recognized as set by ourselves; for, in matters of morality, the eye sees only what the heart prompts. The very state- ment of the difficulty contains the potency of its solution; for evil, when understood, is on the way towards being overcome, and the good, when seen, contains the promise of its own fulfilment. It is ignorance which is ruinous, as when the cries of HIS PLACE IN ENGLISH POETRY. 81 humanity beat against a deaf ear; and we can take a comfort, denied to Carlyle, from the fact that he has made us awake to our social duties. He has let loose the confusion upon us, and it is only natural that we should at first be overcome by a sense of be- wildered helplessness. But this very sense contains the germ of hope, and England is struggling to its feet to wrestle with its wrongs. Carlyle has brought us within sight of our future, and we are now taking a step into it. He has been our guide in the wilder- ness; but he died there, and was denied the view from Pisgah. Now, this view was given to Robert Browning, and he broke out into a song of victory, whose strains will give strength and comfort to many in the coming time. That his solution of the evils of life is not final, may at once be admitted. There are elements in the problem of which he has taken no account, and which will force those who seek light on the deeper mysteries of man's moral nature, to go beyond anything that the poet has to say. Even the poet himself grows, at least in some directions, less con- fident of the completeness of his triumph as he grows older. His faith in the good does not fail, but it is the faith of one who confesses to ignorance, and links himself to his finitude. Still, so thorough is his conviction of the moral purpose of life, of the certainty of the good towards which man is moving, and of the beneficence of the power which is at work everywhere in the world, that many of his poems ring like the triumphant songs of Luther. • I CHAPTER IV. BROWNING'S OPTIMISM. "Gladness be with thee, Helper of the World! I think this is the authentic sign and seal Of Godship, that it ever waxes glad, And more glad, until gladness blossoms, bursts Into a rage to suffer for mankind, And recommence at sorrow." * I HAVE tried to show that one of the distinctive features of the present era is the stress it lays on the worth of the moral life of man, and the new significance it has given to that life by its view of the continuity of history. This view finds expres- sion, on its social and ethical side, in the pages of Carlyle and Browning: both of whom are interested exclusively, one may almost say, in the evolution of human character; and both of whom, too, regard that evolution as the realization by man of the purposes, greater than man's, which rule in the world. And, although neither of them developed the organic view of humanity, which is implied in their doctrines, into an explicit philosophy, still the moral life of the individual is for each of them the infinite life in the finite. The meaning of the universe is * Balaustion's Adventure. BROWNING'S OPTIMISM. 83 moral, its last might is rightness; and the task of man is to catch up that meaning, convert it into his own motive, and thereby make it the source of his actions, the inmost principle of his life. This, fully grasped, will bring the finite and the infinite, morality and religion, together, and reconcile them. But the reconciliation which Carlyle sought to effect was incomplete on every side-even within the sphere of duty, with which alone, as moralist, he specially concerned himself. The moral law was imposed upon man by a higher power, in the pres- ence of whom man was awed and crushed; for that power had stinted man's endowment, and set him to fight a hopeless battle against endless evil. God was everywhere around man, and the universe was just the expression of His will-a will inexorably bent on the good, so that evil could not prevail; but God was not within man, except as a voice of conscience issuing imperatives and threats. An infinite duty was laid upon a finite being, and its weight made him break out into a cry of despair. Browning, however, not only sought to bring about the reconciliation, but succeeded, in so far as that is possible in terms of mere feeling. His poetry contains suggestions that the moral will without is also a force within man; that the power which makes for righteousness in the world has penetrated into, or rather manifests itself as, man. Intelligence and will, the reason which apprehends the nature of things, and the original impulse of self-conscious life which issues in action, are God's power in man; V 84 ROBERT BROWNING. so that God is realizing Himself in the deeds of man, and human history is just His return to Himself. Outer law and inner motive are, for the poet, mani- festations of the same beneficent purpose; and instead of duty in the sense of an autocratic imperative, or beneficent tyranny, he finds, deep beneath man's foolishness and sin, a constant tendency towards the good which is bound up with the very nature of man's reason and will. If man could only under- stand himself he would find without him no limiting necessity, but the manifestation of a law which is one with his own essential being. A beneficent power has loaded the dice, according to the epigram, so that the chances of failure and victory are not even ; for man's nature is itself a divine endowment, one with the power that rules his life, and man must finally reach through error to truth, and through sin to holiness. In the language of theology, it may be said that the moral process is the spiritual incarna- tion of God; it is God's goodness as love, effecting itself in human action. Hence Carlyle's cry of des- pair is turned by Browning into a song of victory. While the former regards the struggle between good and evil as a fixed battle, in which the forces are immovably interlocked, the latter has the conscious- ness of battling against a retreating foe; and the conviction of coming triumph gives joyous vigour to every stroke. Browning lifted morality into an optimism, and translated its battle into song. This was the distinctive mark and mission which give to him such power of moral inspiration. BROWNING'S OPTIMISM. 85 In order, however, to estimate the value of this feature of the poet's work, it is necessary to look more closely into the character of his faith in the good. Merely to attribute to him an optimistic creed is to say very little; for the worth, or worthlessness, of such a creed depends upon its content upon its fidelity to the facts of human life, the clearness of its consciousness of the evils it confronts, and the intensity of its realism. There is a sense, and that a true one, in which it may be said that all men are optimists; for such a faith is implied in every conscious and delib- erate action of man. There is no deed which is not an attempt to realize an ideal; whenever man acts he seeks a good, however ruinously he may misunderstand its nature. Final and absolute dis- belief in an ultimate good in the sphere of morals, like absolute scepticism in the sphere of knowledge, is a disguised self-contradiction, and therefore an impossibility in fact. The one stultifies action, and asserts an effect without any cause, or even contrary to the cause; the other stultifies intellectual activity and both views imply that the critic has so escaped the conditions of human life, as to be able to pass a condemnatory judgment upon them. The belief that a harmonious relation between the self- conscious agent and the supreme good is possible, underlies the practical activity of man; just as the belief in the unity of thought and being underlies his intellectual activity. A moral order—that is, an order of rational ends—is postulated in all human 86 ROBERT BROWNING. actions, and we act at all only in virtue of it,—just as truly as we move and work only in virtue of the forces which make the spheres revolve, or think by help of the meaning which presses upon us from the thought-woven world, through all the pores of sense. A true ethics, like a true psy- chology, or a true science of nature, must lean upon metaphysics, and it cannot pretend to start ab initio. We live in the Copernican age, which puts the individual in a system, in obedience to whose laws he finds his welfare. And this is simply the assertion of an optimistic creed, for it implies a harmonious world. But, though this is true, it must be remembered that this faith is a prophetic anticipation, rather than acquired knowledge. We are only on the way towards reconstructing in thought the fact which we are, or towards bringing into clear know- ledge the elemental power which manifests itself within us as thought, desire, and deed. And, until this is achieved, we have no full right to an op- timistic creed. The revelation of the unity which pervades all things, even in the natural world, will be the last attainment of science; and the recon- ciliation of nature and man and God is still further in the future, and will be the last triumph of philosophy. During all the interval the world will be a scene of warring elements; and poetry, religion, and philosophy can only hold forth a promise, and give to man a foretaste of ultimate victory. And in this state of things even their assurance often BROWNING'S OPTIMISM. 87 falters. Faith lapses into doubt, poetry becomes a wail for a lost god, and its votary exhibits, "through Europe to the Ætolian shore, the pageant of his bleeding heart." The optimistic faith is, as a rule, only a hope and a desire, a "Grand Perhaps," which knows no defence against the critical under- standing, and sinks dumb when questioned. If, in the form of a religious conviction, its assurance is more confident, then, too often, it rests upon the treacherous foundations of authoritative ignorance, which crumble into dust beneath the blows of awakened and liberated reason. Nay, if by the aid of philosophy we turn our optimism into a faith held by reason, a fact before which the in- tellect, as well as the heart, worships and grows glad, it still is for most of us only a general hypo- thesis, a mere leap to God which spurns the inter- mediate steps, a universal without content, a bare form that lacks reality. Such an optimism, such a plunge into the pure blue and away from facts, was Emerson's. Caroline Fox tells a story of him and Carlyle which reveals this very pointedly. It seems that Carlyle once led the serene philosopher through the abomina- tions of the streets of London at midnight, asking him with grim humour at every few steps, "Do you believe in the devil now?" Emerson replied that the more he saw of the English people the greater and better he thought them. This little incident lays bare the limits of both these great men. Where the one saw, the other was blind. To the 88 ROBERT BROWNING. * one there was the misery and the universal mirk; to the other, the pure white beam was scarcely broken. Carlyle believed in the good, beyond all doubt he fought his great battle in its strength and won, but "he was sorely wounded." Emerson was Sir Galahad, blind to all but the Holy Grail, his armour spotless-white, his virtue cloistered and unbreathed, his race won without the dust and heat. But his optimism was too easy to be satis- factory. His victory was not won in the enemy's citadel, where sin sits throned amidst the chaos, but in the placid upper air of poetic imagination. And, in consequence, Emerson can only convince the converted; and his song is not heard in the dark, nor does it cheer the wayfarer on the muddy high- NEA VES CIDER LAVA in AZU VRKSKabu +3→ play pausing tat *!u 4*, tel. way, along which burthened humanity meanly toils. But Browning's optimism is more earnest and real than any pious hope, or dogmatic belief, or benevolent theory held by a placid philosopher, protected against contact with the sins and sorrows of man as by an invisible garment of contemplative holiness. It is a conviction which has sustained shocks of criticism and the test of facts; and it therefore, both for the poet and his readers, fulfils a mission beyond the reach of any easy trust、 in a mystic good. Its power will be felt and its value recognized by those who have themselves confronted the contradictions of human life and known their depths. No lover of Browning's poetry can miss the vigorous manliness of the poet's own bearing, or fail - سا BROWNING'S OPTIMISM. 89 to recognize the strength that flows from his joy- ous, fearless personality, and the might of his intellect and heart. "When British literature," said Carlyle of Scott and Cobbett, "lay all puking and sprawling in Wertherism, Byronism and other Senti- mentalisms, nature was kind enough to send us two healthy men.” And he breaks out into a eulogy of mere health, of "the just balance of faculties that radiates a glad light outwards, en- lightening and embellishing all things." But he finds it easy to account for the health of these men: they had never faced the mystery of exist- ence. Such healthiness we find in Browning, al- though he wrote with Carlyle at his side, and within earshot of the infinite wail of this moral fatalist. And yet, the word health is inadequate to convey the depth of the joyous meaning which the poet found in the world. His optimism was not a constitutional and irreflective hopefulness, to be accounted for on the ground that "the great mystery of existence was not great to him: did not drive him into rocky solitudes to wrestle with it for an answer, to be answered or to perish." There are, indeed, certain rash and foolish persons who pretend to trace Browning's optimism to his mixed descent; but there is a "pause in the leading and the light" of those wiseacres, who pretend to trace moral and mental characteristics to physiological antecedents. They cannot quite catch a great man in the making, nor, even by the help of evolution, say anything wiser about genius than that "the - 90 ROBERT BROWNING. wind bloweth where it listeth." No doubt the poet's optimism indicates a native sturdiness of head and heart. He had the invaluable endow- ment of a pre-disposition to see the sunny side of life, and a native tendency to revolt against that subjectivity, which is the root of our misery in all its forms. He had little respect for the Welt-schmerz, and can scarcely be civil to the hero of the bleeding heart. CC (6 Sinning, sorrowing, despairing, Body-ruined, spirit-wrecked- Should I give my woes an airing,— Where's one plague that claims respect ? G Have you found your life distasteful? My life did, and does, smack sweet. Was your youth of pleasure wasteful? Mine I saved and hold complete. Do your joys with age diminish ? When mine fail me I'll complain. Must in death your daylight finish? My sun sets to rise again. "I find earth not grey but rosy, Heaven not grim but fair of hue. Do I stoop? I pluck a posy. Do I stand and stare? All's blue." * Browning was no doubt least of all men inclined to pout at his "plain bun"; on the contrary, he was awake to the grandeur of his inheritance, and valued most highly" his life-rent of God's universe with the tasks it offered and the tools to do them with." But his optimism sent its roots deeper than any "disposi- tion"; it penetrated beyond mere health of body and * At the Mermaid, BROWNING'S OPTIMISM. 91 mind, as it did beyond a mere sentiment of God's goodness. Optimisms resting on these bases are always weak; for the former leaves man naked and sensitive to the evils that crowd round him when the powers of body and mind decay, and the latter is, at best, useful only for the individual who possesses it, and it breaks down under the stress of criticism and doubt. Browning's optimism is a great element in English literature, because it opposes with such strength the shocks that come from both these quarters. His joyousness is the reflection in feeling of a conviction as to the nature of things, which he had verified in the darkest details of human life, and established for himself in the face of the gravest objections that his intellect was able to call forth. In fact, its value lies, above all, in this, that it comes after criticism, after the condemnation which Byron and Carlyle had passed, each from his own point of view, on the world and on man. The need of an optimism is one of the penalties which reflection brings. Natural life takes the goodness of things for granted; but reflection dis- turbs the placid contentment and sets man at variance with his world. The fruit of the tree of knowledge always reveals his nakedness to man; he is turned out of the paradise of unconsciousness and doomed to force Nature, now conceived as a step- dame, to satisfy needs which are now first felt. Optimism is the expression of man's new recon- ciliation with his world; as the opposite doctrine of pessimism is the consciousness of an unresolved con- 92 ROBERT BROWNING. * tradiction. Both are a judgment passed upon the world, from the point of view of its adequacy or inadequacy to meet demands, arising from needs which the individual has discovered in himself. *** KAT *644 (C Now, as I have tried to show, one of the main characteristics of the opening years of the present era was its deeper intuition of the significance of human life, and, therefore, by implication, of its wants and claims. The spiritual nature of man, lost sight of during the preceding age, was re-dis- covered; and the first and immediate consequence was that man, as man, attained infinite worth. Man was born free," cried Rousseau, with a con- viction which swept all before it ; "he has original, inalienable, and supreme rights against all things which can set themselves against him." And Rousseau's countrymen believed him. There was not a Sans-culotte amongst them all but held his head high, being creation's lord; and history can scarcely show a parallel to their great burst of joy and hope, as they ran riot in their new-found inheritance, from which they had so long been excluded. They flung themselves upon the world, as if they would "glut their sense upon it. >> 66 .. Expend Eternity upon its shows, Flung them as freely as one rose Out of a summer's opulence." * But the very discovery that man is spirit, which is the source of all his rights, is also an implicit *Easter Day. BROWNING'S OPTIMISM. 93 discovery that he has outgrown the resources of the natural world. The infinite hunger of a soul cannot be satisfied with the things of sense. The natural world is too limited even for Carlyle's shoe-black; nor is it surprising that Byron should find it a waste, and dolefully proclaim his disappointment to much- admiring mankind. Now, both Carlyle and Brown- ing apprehended the cause of the discontent, and both endured the Byronic utterance of it with considerable impatience. "Art thou nothing other than a vulture, then," asks the former, "that fliest through the universe seeking after somewhat to eat, and shrieking dolefully because carrion enough is not given thee? Close thy Byron, open thy Goethe.' "} .، Huntsman Common Sense Came to the rescue, bade prompt thwack of thong dispense Quiet i' the kennel: taught that ocean might be blue, And rolling and much more, and yet the soul have, too, Its touch of God's own flame, which He may so expand 'Who measurèd the waters i' the hollow of His hand That ocean's self shall dry, turn dew-drop in respect Of all-triumphant fire, matter with intellect Once fairly matched.” * But Carlyle was always more able to detect the disease than to suggest the remedy. He had, indeed, “a glimpse of it.” There is in man a Higher than love of Happiness: he can do without Happiness, and instead thereof find Blessedness." But the glimpse was misleading, for it penetrated no further than the first negative step. The "Everlasting Yea" was, after all, only a deeper "No!" only *Fifine at the Fair, lxvii. Cc. — * 94 ROBERT BROWNING. • Entsagung, renunciation: "the fraction of life can be increased in value not so much by increasing your numerator as by lessening your denominator." Blessed alone is he that expecteth nothing. The holy of holies, where man hears whispered the mystery of life, is "the sanctuary of sorrow." "What Act of Legislature was there that thou shouldst be Happy? A little while ago thou hadst no right to be at all. What if thou wert born and predestined not to be Happy, but to be Unhappy? Nay, is not 'life itself a disease, knowledge the symptom of derangement'? Have not the poets sung Hymns to the Night' as if Night were nobler than Day; as if Day were but a small motley- coloured veil spread transiently over the infinite bosom of Night, and did but deform and hide from us its pure transparent eternal deeps." "We, the whole species of Mankind, and our whole exist- ence and history, are but a floating speck in the illimitable ocean of the All borne this way and that way by its deep-swelling tides, and grand ocean currents, of which what faintest chance is there that we should ever exhaust the significance, ascertain the goings and comings? A region of Doubt, therefore, hovers for ever in the back- ground. Only on a canvas of Darkness, such is man's way of being, could the many-coloured picture of our Life paint itself and shine." In such passages as these, there is far deeper pessimism than in anything which Byron could experience or express. Scepticism is directed by • - BROWNING'S OPTIMISM. 95 Carlyle, not against the natural elements of life- ' AS A LA LAE TE * **** pr math to of th Ayt» kl the mere sensuous outworks, but against the citadel of thought itself. Self-consciousness, or the reflect- ing interpretation by man of himself and his world, the very activity that lifts him above animal exist- ence and makes him man, instead of being a divine endowment, is declared to be a disease, a poisonous subjectivity destructive of all good. The discovery that man is spirit and no vulture, which was due to Carlyle himself more than to any other English writer of his age, seemed, after all, to be a great calamity; for it led to the renunciation of happiness, and filled man with yearnings after a better than happiness, but left him nothing wherewith they might be satisfied, except "the duty next to hand." And the duty next to hand, as interpreted by Carlyle, is a means of suppressing by action, not idle speech only, but thought itself. But, if this be true, the highest in man is set against itself. And what kind of action remains possible to a "speck on the illimit- able ocean, borne this way and that way by its deep- swelling tides"? Here on earth we are soldiers, fighting in a foreign land; that understand not the plan of the campaign, and have no need to under- stand it, seeing what is at our hand to be done." But there is one element of still deeper gloom in this blind fighting; it is fought for a foreign cause. It is God's cause and not ours, or ours only in so far as it has been despotically imposed upon us; and it is hard to discover from Carlyle what interest we can have in the victory. Duty is to him a 66 S 96 ROBERT BROWNING. こ ​ľ menace-like the duty of a slave, were that possible. It lacks the element which alone can make it im- perative to a free being, namely, that it be recog- nized as his good, and that the outer law become his inner motive. The moral law is rarely looked at by Carlyle as a beneficent revelation, and still more rarely as the condition which, if fulfilled, will recon- cile man with nature and with God. And conse- quently, he can draw little strength from religion; for it is only love that can cast out fear. TANK bala này nhưng vô tâm để có thêm chong anh phục v при мали р ---- Vi Lamle To sum up all in a word, Carlyle regarded evil as having penetrated into the inmost recesses of man's being. Thought was disease; morality was blind obedience to a foreign authority; religion was awe of an Unknowable, with whom man can claim no kinship. Man's nature was discovered to be spiritual, only on the side of its Wants. It was an endowment of a hunger which nothing could satisfy -not the infinite, because it is too great, not the finite, because it is too little; not God, because He is too far above man, not nature, because it is too far beneath him. We are unable to satisfy ourselves with the things of sense, and are also shut out of the heaven of spirit." What have been called, “the three great terms of thought "-the World, Self, and God-have fallen asunder in his teaching. It is the difficulty of reconciling these which brings despair, while optimism is evidently the conscious- ness of their harmony. Ir (C Đ Now, these evils which reflection has revealed, and which are so much deeper than those of mere sen- BROWNING'S OPTIMISM. 97 suous disappointment, can only be removed by deeper reflection. The harmony of the world of man's experience, which has been broken by "the. comprehensive curse of sceptical despair," can, as Goethe teaches us, be restored only by thought— "In thine own soul, build it up again." The complete refutation of Carlyle's pessimistic view can only come, by reinterpreting each of the contradicting terms in the light of a higher con- ception. We must have a deeper grasp and a new view of the Self, the World, and God. And such a 2? view can be given adequately only by philosophy. Reason alone can justify the faith that has been disturbed by reflection, and re-establish its authority. How, then, it may be asked, can a poet be ex- pected to turn back the forces of a scepticism, which have been thus armed with the weapons of dialectic? Can anything avail in this region except explicit demonstration? A poet never demon- strates, but perceives; art is not a process, but a result; truth for it is immediate, and it neither admits nor demands any logical connection of ideas. The standard-bearers and the trumpeters may be necessary to kindle the courage of the army and to lead it on to victory, but the fight must be won by the thrust of sword and pike. Man needs more than the intuitions of the great poets, if he is to maintain solid possession of the truth. Now, I am prepared to admit the force of this objection, and I shall endeavour in the sequel to 4 98 ROBERT BROWNING. A prove that, in order to establish optimism, more is needed than Browning can give, even when inter- preted in the most sympathetic way. His doctrine is offered in terms of art, and it cannot have any demonstrative force without violating the limits. of art. In some of his poems, however,-for in- stance, in La Saisiaz, Ferishtah's Fancies and the Parleyings, Browning sought to advance definite proofs of the theories which he held. He appears before us at times armed cap-à-pie, like a philosopher. Still, it is not when he argues that Browning proves it is when he sees, as a poet sees. It is not by means of logical demonstrations that he helps us to meet the despair of Carlyle, or contributes to the establishment of a better faith. Browning's proofs are least convinc- ing when he was most aware of his philosophical presuppositions; and a philosophical critic could well afford to agree with the critic of art, in relegat- ing the demonstrating portions of his poems to the chaotic limbo lying between philosophy and poetry. | le matikkat SPOZIMIERZYNAPRO »e, · LUAR BARNEK 16. Takže Ardaasik, elu Krye bye Mdl vl om van 21©ə 1 əmli ve Dan *** 1 to 1 1-47 x^ 19 a MAALIWA Amendment 1 sta 1 ་ ་་འ When, however, he forgets his philosophy, and speaks as poet and religious man, when he is domin- ated by that sovereign thought which gave unity to his life-work, and which, therefore, seemed to lie deeper in him than the necessities of his art and to determine his poetic function, his utterances have a far higher significance. For he so lifts the artistic object into the region of pure thought, and makes sense and reason so to interpenetrate, that the old metaphors of " the noble lie " and " the truth beneath the veil" seem no longer to help. He بوده و بلی. TU VAJ BROWNING'S OPTIMISM. 99 seems to show us the truth so vividly and simply, that we are less willing to make art and philosophy mutually exclusive, although their methods differ. Like some of the greatest philosophers, and notably Plato and Hegel, he constrains us to doubt, whether the distinction penetrates low beneath the surface; for philosophy, too, when at its best, is a thinking of things together. In their light we begin to ask, whether it is not possible that the interpretation of the world in terms of spirit, which is the common feature of both Hegel's philosophy and Browning's poetry, does not necessarily bring with it a settlement of the ancient feud between these two modes of thought. But, in any case, Browning's utterances, especi- ally those which he makes when he is most poet and least philosopher, have something of the con- vincing impressiveness of a reasoned system of optimism. And this comes, as already suggested, ** Je M are AN KAZAN * Var 24, ENT Can a di from his loyalty to a single idea, which gives unity to all his work. That idea we may, in the end, be obliged to treat not only as a hypothesis-for all principles of reconciliation, even those of the sciences, as long as knowledge is incomplete, must be regarded as hypotheses-but also as a hypothesis which he had no right to assume. It may be that in the end we shall be obliged to say of him, as of so many others- ALAM K DAN "See the sage, with the hunger for the truth, And see his system that's all true, except The one weak place, that's stanchioned by a lie! * Prince Hohenstiel-Schwangau. 55 * 100 ROBERT BROWNING. và các thiết It may be that the religious form, through which he generally reaches his convictions, is not freed from a dogmatic element, which so penetrates his thought as to vitiate it as a philosophy. Never- theless, it answered for the poet all the uses of a philosophy, and it may do the same for many who are distrustful of the systems of the schools, and who are "neither able to find a faith nor to do without one." It contains far-reaching hints of a reconcilia- tion of the elements of discord in our lives, and a suggestion of a way in which it may be demon- strated, that an optimistic theory is truer to facts than any scepticism or agnosticism, with the despair that they necessarily bring. 2 For Browning not only advanced a principle, whereby, as he conceived, man might again be reconciled to the world and God, and all things be viewed as the manifestation of a power that is benevolent; he also sought to apply his principle to the facts of life. He illustrates his fundamental hypothesis by means of these facts; and he tests its validity with the persistence and impressive can- dour of a scientific investigator. His optimism is not that of an eclectic, who can ignore inconvenient difficulties. It is not an attempt to justify the whole by neglecting details, or to make wrong seem right by reference to a far-off result, in which the steps of the process are forgotten. He stakes the value of his view of life on its power to meet all facts; one fact, ultimately irreconcilable with his hypothesis, will, he knows, destroy it. BROWNING'S OPTIMISM. ΙΟΙ "C All the same, Of absolute and irretrievable black,-black's soul of black Beyond white's power to disintensify,- Of that I saw no sample: such may wreck My life and ruin my philosophy To-morrow, doubtless." * He knew that, to justify God, he had to justify all His ways to man; that if the good rules at all, it rules absolutely; and that a single exception would confute his optimism. ઃઃ 'So, gazing up, in my youth, at love As seen through power, ever above All modes which make it manifest, My soul brought all to a single test— That He, the Eternal First and Last, Who, in His power, had so surpassed All man conceives of what is might,- Whose wisdom, too, showed infinite, -Would prove as infinitely good; Would never, (my soul understood,) With power to work all love desires, Bestow e'en less than man requires." † * No: love which, on earth, amid all the shows of it, Has ever been seen the sole good of life in it, The love, ever growing there, spite of the strife in it, Shall arise, made perfect, from death's repose of it. And I shall behold Thee, face to face, O God, and in Thy light retrace How in all I loved here, still wast Thou!"‡ We can scarcely miss the emphasis of the poet's own conviction in these passages, or in the assertion that,- "The acknowledgment of God in Christ Accepted by thy reason, solves for thee * A Bean Stripe-Ferishtah's Fancies. + Christmas Eve. ‡ Ibid. 102 ROBERT BROWNING. ***** ****** ở nên hoàn người ta t „Tą * du Consequently, there is a defiant and aggressive element in his attitude. Strengthened with an unfaltering faith in the supreme Good, this knight of the Holy Spirit goes forth over all the world seeking out wrongs. "He has," said Dr. Westcott, dared to look on the darkest and meanest forms of action and passion, from which we commonly and rightly turn our eyes, and he has brought back for us from this universal survey a conviction of hope." I believe, further, that it was in order to justify this conviction that he set out on his quest. His interest in vice-in malice, cruelty, ignorance, brutishness, meanness, the irrational perversity of a corrupt disposition, and the subtleties of philo- sophic and aesthetic falsehood-was no morbid curiosity. Browning was no "painter of dirt"; no artist can portray filth for filth's sake, and remain an artist. He crowds his pages with crimi- nals, because he sees deeper than their crimes. He describes evil without "palliation or reserve," and allows it to put forth all its might, in order that he may, in the end, show it to be subjected to God's purposes. He confronts evil in order to force it to give up the good, which is all the reality that is in it. He conceives it as his mission to prove that evil is stuff for transmuting," and that there is at ng mg • 6-q=M?? $0 • gyfnám ter o - jk+jmë paku bankytojat e Planet operat MANA LIVREDAN - ..[hd] sigo ver, is for "I Papa, un man ih 25 STAAAAY PETE TEMA nought in the world. Por me +MCH SAME. Y All questions in the earth and out of it, And has so far advanced thee to be wise." * Adam for m ८. , AN A MUTA HELICAL 2`rque MAKE * A Death in the Desert. .. Wi BROWNING'S OPTIMISM. 103 "But, touched aright, prompt yields each particle its tongue Of elemental flame-no matter whence flame sprung, From gums and spice, or else from straw and rottenness.* All we want is— "The power to make them burn, express What lights and warms henceforth, leaves only ash behind, Howe'er the chance."* He had Pompilia's faith. "And still, as the day wore, the trouble grew, Whereby I guessed there would be born a star." He goes forth in the might of his faith in the power of good, as if he wished once for all to try the re- sources of evil at their uttermost, and pass upon it a complete and final condemnation. With this view, he seeks evil in its own haunts. He creates Guido, the subtlest and most powerful compound of vice in our literature-except Iago, perhaps merely in order that we may see evil at its worst ; and he places him in an environment suited to his nature, as if he was carrying out an experimentum crucis. The ،، 66 Midmost blotch of black Discernible in the group of clustered crimes Huddling together in the cave they call Their palace."† Beside him are his brothers, each with his own tint of hell"; his mistress, on whose face even Pompilia saw the glow of the nether pit "flash and fade"; and his mother- * Fifine at the Fair. † The Ring and the Book-The Pope, 869-872. 104 ROBERT BROWNING. "The gaunt grey nightmare in the furthest smoke, The hag that gave these three abortions birth, Unmotherly mother and unwomanly Woman, that near turns motherhood to shame, Womanliness to loathing "C Such denizens o' the cave now cluster round Pompilia and heat the furnace sevenfold." While she ** "C Sent prayer like incense up To God the strong, God the beneficent, God ever mindful in all strife and strait, Who, for our own good, makes the need extreme, Till at the last He puts forth might and saves."† In these lines we feel the poet's purpose, constant throughout the whole poem. We know all the while that with him at our side we can travel safely through the depths of the Inferno-for the flames bend back from him; and it is only what we expect as the result of it all, that there should come tr "A bolt from heaven to cleave roof and clear place, then flood And purify the scene with outside day- Which yet, in the absolutest drench of dark, Ne'er wants its witness, some stray beauty-beam To the despair of hell."‡ The superabundant strength of Browning's con- viction in the supremacy of the good, which led him in The Ring and the Book to depict criminals at their worst, forced him later on in his life to exhibit evil in another form. The real meaning * The Ring and the Book-The Pope, 911-915. † The Ring and the Book-Pompilia, 1384–1388. ‡ The Ring and the Book-The Pope, 996-1003. BROWNING'S OPTIMISM. 105 X VRAT and value of such poems as Fifine at the Fair, Prince Hohenstiel-Schwangau, Red Cotton Nightcap Country, Ferishtah's Francies, and others, can only be determined by a careful and complete analysis of each of them. But they have one characteristic so prominent, and so new in poetry, that the most careless reader cannot fail to detect it. Action and dramatic treatment give place to a discussion which is metaphysical; instead of the conflict of motives. within a character, the stress and strain of passion and will in collision with circumstances, there is reflection on action after it has passed, and the conflict of subtle arguments on the ethical value of motives and ways of conduct, which the ordinary moral consciousness condemns without hesitation. All agree that these poems represent a new de- parture in poetry, and some consider that in them the poet, in thus dealing with metaphysical abstrac- tions, has overleapt the boundaries of the poetic art. To such critics, this later period seems the period of his decadence, in which the casuistical tendencies, which had already appeared in Bishop Blougram's Apology, Mr. Sludge the Medium, and other poems, have overwhelmed his art, and his intellect, in its pride of strength, has grown wanton. Fifine at the Fair is said to be "a defence of inconstancy, or of the right of experiment in love." Its hero, who is "a modern gentleman, a refined, cultured, musical, artistic and philosophic person, of high attainments, lofty aspirations, strong emotions, and capricious will," produces arguments "wide in range, of pro- S rajá, migh¸3-% тоб ROBERT BROWNING. "6 found significance and infinite ingenuity," to defend and justify immoral intercourse with a gipsy trull. The poem consists of the speculations of a libertine, who coerces into his service truth and sophistry, and a superabounding wealth of thought and imagery," and with no further purpose on the poet's part than the dramatic delineation of character. Prince Hohenstiel-Schwangau is spoken of in a similar manner as the justification, by reference to the deepest principles of morality, of compromise, hypocrisy, lying, and a selfishness that betrays every cause to the individual's meanest welfare. The object of the poet is by no means to prove black white, or white black, or to make the worse appear the better reason, but to bring a seeming monster and perplexing anomaly under the common laws of nature, by showing how it has grown to be what it is, and how it can with more or less self- delusion reconcile itself to itself." << KANA VAMALONJATA Kumbe katika mag sattudom my. STAANYAGİNE OF DAY entot el weath ARUN UMA TAGG BEPAALISA E+KA. I am not able to accept this as a complete explana- tion of the intention of the poet, except with refer- ence to Prince Hohenstiel-Schwangau. The Prince is a psychological study, like Mr. Sludge the Medium, and Bishop Blougram. No doubt he had the interest of a dramatist in the hero of Fifine at the Fair and in the hero of Red Cotton Nightcap Country ; but, in these poems, his dramatic interest is itself determined by an ethical purpose, which is equally profound. His meeting with the gipsy at Pornic, and the spectacle of her unscrupulous audacity in vice, not only "sent his fancy roaming," but opened BROWNING'S OPTIMISM. 107 out before him the fundamental problems of life. What I would find, therefore, in Fifine at the Fair is not the casuistic defence of an artistic and specu- lative libertine, but an earnest attempt on the part of the poet to prove, << That, through the outward sign, the inward grace allures, And sparks from heaven transpierce earth's coarsest cover- tures,- All by demonstrating the value of Fifine.” * "C Within his scheme of the universal good he seeks to find a place even for this gipsy creature, who traffics in just what we most pique us that we keep." Having, in the Ring and the Book, challenged evil at its worst as it manifests itself practically in concrete characters and external action, and having wrung from it the victory of the good, in Fifine and in his other later poems he meets it again in the region of dialectic. In this sphere of meta- physical ethics, evil has assumed a more dangerous form, especially for an artist. His optimistic faith has driven the poet into a realm into which poetry never ventured before. His battle is now, not with flesh and blood, but with the subtler powers of dark- ness grown vocal and argumentative, and threaten- ing to turn the poet's faith in good into a defence of immorality, and to justify the worst evil by what is highest of all. Having indicated in outward fact "the need,” as well as the "transiency of sin and death," he seeks here to prove that need, and seems, * Fifine at the Fair, xxviii. ܼܼܼܿܿܵܿ ***** 108 ROBERT BROWNING. 1 thereby, to degrade the highest truth of religion into a defence of the worst wickedness. No doubt the result is sufficiently repulsive to the abstract moralist, who is apt to find in Fifine nothing but a casuistical and shameless justification of evil, which is blasphemy against goodness itself. We are made to " discover," for instance, that "There was just Enough and not too much of hate, love, greed and lust, Could one discerningly but hold the balance, shift The weight from scale to scale, do justice to the drift Of nature, and explain the glories by the shames Mixed up in man, one stuff miscalled by different names. We are told that- CC Force, guile were arms which earned My praise, not blame at all." Confronted with such utterances as these, it is only natural that, rather than entangle the poet in them, we should regard them as the sophistries 第一 ​kafta of a philosophical Don Juan, powerful enough, under the stress of self-defence, to confuse the dis- tinctions of right and wrong. But, as we shall try to show in the next chapter, such an apparent justification of evil cannot be avoided by a re- flective optimist; and it is implicitly contained even in those religious utterances of Rabbi Ben Ezra, Christmas Eve, and A Death in the Desert, with which we not only identify the poet but ourselves, in so far as we share his faith that * Fifine at the Fair, cviii. BROWNING'S OPTIMISM. 109 "God's in His heaven,- All's right with the world.' J Ad "" karmak dan me The poet had far too much speculative acumen to be ignorant of this, and too much boldness and strength of conviction in the might of the good, to refuse to confront the issues that sprang from it. In his later poems, as in his earlier ones, he is endeavouring to justify the ways of God to man; and the difficulties which surround him are not those of a casuist, but the stubborn questionings of a spirit, whose religious faith is thoroughly earnest and fearless. To a spirit so loyal to the truth, and so bold to follow its leading, the sup- pression of such problems is impossible; and, consequently, it was inevitable that he should use the whole strength of his dialectic to try those fundamental principles, on which the moral life of man is based. And it is this, I believe, which we find in Fifine, as in Ferishtah's Fancies and the Parleyings not an exhibition of the argumenta- tive subtlety of a mind whose strength has become lawless, and which spends itself in intellectual gymnastics, that have no place within the realm of either the beautiful or the true. i OPTIMISM AND ETHICS: THEIR CONTRADICTION. CHAPTER V. "Our remedies oft in ourselves do lie, Which we ascribe to heaven. The fated sky Gives us free scope; only doth backward pull Our slow designs, when we ourselves are dull. But most it is presumption in us, when The help of heaven we count the act of men.”* HAVE tried to show that one of the ruling conceptions of Browning's view of life is that the Good is absolute, and that it reveals itself in all I *ATES) Ta thi sĩ Th PRONOST the events of human life. By means of this con- ception, he endeavoured to bring together the elements which had fallen asunder in the sensational and moral pessimism of Byron and Carlyle. In other words, through the re-interpreting power which lies in this fundamental thought when it is soberly held and fearlessly applied, he sought to reconcile man with the world and with God, and thereby with himself. And the governing motive, whether the conscious motive or not, of Browning's poetry, the secret impulse which led him to dramatise the conflicts and antagonisms of human life, was the necessity of finding in them evidence of the presence of this absolute Good. (PLATE VAN VL = Posey 9 mph! ve L IIRKO WYTRACK PERMAN Majr surg SRIRAMİN TUNNI ** ** TRA KA .. * All's Well that Ends Well. ANDR .. > * But if so, if Helen, Fifine, Guido, find themselves within the plan, fulfilling, after all, the task allotted to them in the universal scheme, how can we con- demn them? Must we not plainly either modify our optimism and keep our faith in God within bounds, or, on the other hand, make every failure apparent " only, sin a phantom, and the distinction between right and wrong a helpful illusion that stings man to effort-but an illusion all the same? "What but the weakness in a Faith supplies The incentive to humanity, no strength Absolute, irresistible comforts. How can man love but what he yearns to help? † Where is the need, nay, the possibility, of self-sacri- fice, except where there is misery? How can good, the good which is highest, find itself, and give utter- ance and actuality to the power that slumbers within it, except as resisting evil? Are not good and evil relative? Is not every criminal, when really known, working out in his own way the salvation of himself and the world? Why cannot he, then, take his stand on his right to move towards the good by any path that best pleases himself: since move he must. It F an nội thang là athe • • • PAK LAT • <--¿ qever * Fifine at the Fair, xxix. † The Ring and the Book-The Pope, 1649–1652. Un 128 ROBERT BROWNING. is easy for the religious conscience to admit with Pippa that But, if so, why do we admire her sweet pre-eminence in moral beauty, and in what is she really better than Ottima? The doctrine that "All service ranks the same with God- With God, whose puppets, best and worst, Are we there is no last or first." * las ~/1 tobia AWEZA KU Joy to *** Bet back for it gerbyn t whales and of any "it and the perunatumiwiteit **** "Min sé ve ** finds its echo in every devout spirit from the beginning of the world: it is of the very essence of religion. But what of its moral consequences? Religion, when thoroughly consistent, is the trium- phant reconciliation of all contradictions. It is optimism, the justification of things as the process of evolving the good; and its peace and joy are just the outcome of the conviction, won by faith, that the ideal is actual, and that every detail of life is, in its own place, illumined with divine goodness. But morality is the condemnation of things as they are, by reference to a conception of a good which ought to be. The absolute identification of the actual and ideal extinguishes morality, either in something lower or something higher. But the moral ideal, when reached, turns at once into a stepping-stone, a dead self; and the good formulates itself anew as an ideal in the future. So that morality is the sphere of discrepancy, and the moral life a progressive realiza- * Pippa Passes. 224 EN ntelyng a Trong nhà t "67" Ibid. "God's in His heaven- All's right with the world!"† · IS w .. +4 ރ OPTIMISM AND ETHICS. 129 tion of a good that can never be complete. It would thus seem to be irreconcilably different from religion, which must, in some way or other, find the good to be present, actual, absolute, without shadow of change, or hint of limit or imperfection. Sed in May How, then, does the poet deal with the apparently fundamental discrepancy between religion, which postulates the absolute and universal supremacy of God, and morality, which postulates the absolute supremacy of man within the sphere of his own action, in so far as it is called right or wrong? LEP TOWAR This difficulty, in one or other of its forms, is, perhaps, the most pressing in modern philosophy. It is the problem of the possibility of rising above the "Either, Or" of discrepant conceptions, to a position which grasps the alternatives together in a higher idea. It is at bottom the question, whether we can have a philosophy at all; or whether we must fall back once more into com- promise, and the scepticism and despair which it always brings with it. It is just because Browning does not compromise between the contending truths that he is instructive. The value of his solution of the problem corre- sponds accurately to the degree in which he holds. both the absoluteness of God's presence in history, and the complete independence of the moral consciousness. He refused to degrade either God or man. In the name of religion, he refuses to say that "a purpose of reason is visible in the social and legal structures of mankind "—only “on רץ-- Сл mandator 130 ROBERT BROWNING. the whole "; and in the name of morality, he refuses to "assert the perfection of the actual world" it is, and by implication to stultify all human en- deavour. He knew the vice of compromising, and strove to hold both the truths in their fulness. That he did not compromise God's love or power, and make it dominant merely "on the whole," leaving within His realm, which is universal, a limbo for the "lost," is evident to the most casual reader. Feed "This doctrine, which one healthy view of things, One sane sight of the general ordinance— Nature, and its particular object,―man,— Which one mere eyecast at the character " Of Who made these and gave man sense to boot, Had dissipated once and evermore,- This doctrine I have dosed our flock withal. Why? Because none believed it." * O'er-punished wrong grows right," Browning says. Hell is, for him, the consciousness of oppor- tunities neglected, arrested growth and even that, Kyykingarap 10 % (BSORBAN 1 k LA in turn, is the beginning of a better life. "However near I stand in His regard, So much the nearer had I stood by steps Offered the feet which rashly spurned their help. That I call Hell; why further punishment? "† Another ordinary view, according to which evil is self-destructive, and ends with the annihilation of its servant, he does not so decisively reject. At least, in a passage of wonderful poetic and philosophic power, which he puts into the mouth of Caponsacchi, he describes Guido as gradually lapsing towards † A Camel-Driver. * The Inn Album. ! OPTIMISM AND ETHICS. 131 the chaos, which is lower then created existence. He observes him '' Not to die so much as slide out of life, Pushed by the general horror and common hate Low, lower,-left o' the very ledge of things, I seem to see him catch convulsively, One by one at all honest forms of life, At reason, order, decency and use, To cramp him and get foothold by at least ; And still they disengage them from his clutch. Complete An And thus I see him slowly and surely edged Off all the table-land whence life upsprings Aspiring to be immortality." There he loses him in the loneliness, silence and dusk- "At the horizontal line, creation's verge, From what just is to absolute nothingness." * But the matchless moral insight of the Pope leads to a different conclusion, and the poet again retrieves. his faith. The Pope puts his first trust "in the suddenness of Guido's fate," and hopes that the truth may "be flashed out by the blow of death, and Guido see one instant and be saved." Nor is his trust vain. The end comes," said Dr. Westcott. The minis- ters of death claim him. In his agony he summons every helper whom he has known or heard of- "C 66 66 6 Abate,-Cardinal,-Christ,—Maria,—God—' and then the light breaks through the blackest gloom : Pompilia ! will you let them murder me?' * The Ring and the Book-Giuseppe Caponsacchi, 1911-1931. પ 132 ROBERT BROWNING. In this supreme moment he has known what love is, and, knowing it, has begun to feel it. The cry, like the intercession of the rich man in Hades, is a promise of a far-off deliverance." But even beyond this hope, which is the last for most men, the Pope had still another. "Else I avert my face, nor follow him Into that sad obscure sequestered state Where God unmakes but to remake the soul He else made first in vain: which must not be. 19 This phrase," which must not be," seems to me to carry in it the irrefragable conviction of the poet himself. The same faith in the future appears in the words in which Pompilia addresses her priest. "O lover of my life, O soldier-saint, No work begun shall ever pause for death ! Love will be helpful to me more and more I' the coming course, the new path I must tread, "" My weak hand in thy strong hand, strong for that! † For the poet, the death of man brings no change in the purpose of God; nor does it, or aught else, fix a limit to His power, or stultify by failure the end implied in all God's work, nature no less than man himself—to wit, that every soul shall learn the lesson of goodness, and reflect the divine life in desire, intelligence, and will. Equally emphatic, on some sides at least, is Brown- ing's rejection of those compromises, with which the one-sided religious consciousness threatens the exist- * The Ring and the Book-The Pope, 2129-2132. † The Ring and the Book-Pompilia, 1786–1790. OPTIMISM AND ETHICS. 133 ence of the moral life. At times, indeed, he seems to teach, as man's best and highest, a passive acquies- cence in the divine benevolence; and he uses the dangerous metaphor of the clay and potter's wheel. Rabbi Ben Ezra bids us feel "Why time spins fast, why passive lies our clay "; and his prayer is, "So, take and use Thy work : Amend what flaws may lurk, What strain o' the stuff, what warpings past the aim ! My times be in Thy hand! Perfect the cup as planned! "" Let age approve of youth, and death complete the same ! "C (c But this attitude of quiescent trust, which is so characteristic of religion, is known by the poet to be only a phase of man's best life. It is a temporary resting-place for the pilgrim : the country of Beulah, whose air is very sweet and pleasant, where he may solace himself for a season.” But, the way lies directly through it," and the pilgrim," being a little strengthened and better able to bear his sick- ness," has to go forward on his journey. Brown- ing's characteristic doctrine on this matter is not acquiescence and resignation. "Leave God the way" has, in his view, its counterpart and con- dition" Have you the will! ” "For a worm must turn If it would have its wrong observed by God.” † * Rabbi Ben Ezra. † The Ring and the Book-Pompilia, 1592-1593. 134 ROBERT BROWNING. The root of Browning's joy is in the need of progress towards an infinitely high goal. He rejoices "that man is hurled From change to change unceasingly, His soul's wings never furled." The bliss of endeavour, the infinite worth of the con- sciousness of failure, with its evidence of coming triumph," the spark which disturbs our clod," these are the essence of his optimistic interpretation of human life, and also of his robust ethical doctrine. Then, welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand but go! Be our joys three-parts pain ! Strive, and hold cheap the strain ; Learn, nor account the pang; dare, never grudge the throe! ** ** And he prolongs the battle beyond time, for the battle is the moral life and man's best, and therefore God's best in man. The struggle upward from the brute, may, indeed end with death. But this only means that man " has learned the uses of the flesh, and there are in him other potencies to evolve: " "Other heights in other lives, God willing." Death is the summing up of this life's meaning, stored strength for new adventure. ८८ The future I may face now I have proved the past; " and, in view of it, Browning is "Fearless and unperplexed When I wage battle next, What weapons to select, what armour to indue." * Rabbi Ben Ezra. OPTIMISM AND ETHICS. 135 He is sure that it will be a battle, and a winning one. There is no limiting here of man's possibility, or confining of man's endeavour after goodness. "Strive and Thrive! cry 'Speed,' fight on, fare ever There as here," are the last words which came from his pen. Now, it may fairly be argued that these allu- sions to what death may mean, and what may lie beyond death, valuable as they may be as poetry, cannot help in philosophy. They do not solve the problem of the relation between morality and religion, but merely continue the antagonism be- tween them into a life beyond, of which we have no experience. If the problem is to be solved, it must be solved as it is stated for us in the present world. ? This objection is valid, so far as it goes. But Browning's treatment is valuable all the same, in so far as it indicates his unwillingness to limit or compromise the conflicting truths. He, by implica- tion, rejects the view, ordinarily held without being examined, that the moral life is preliminary to the joy and rest of religion; a brief struggle, to be gh! Минало подр #SKI SUI 1 một cán bộ nào cho 779 +1, the "car" -- CUMA BE** ** རྟག༌ ་** MA KUTA NAČ followed by a sudden lift out of it into some serene sphere, where man will lead an angel's life, which knows no imperfection and therefore no growth. He refuses to make morality an accident in man's history and "to put man in the place of God," by identifying the process with the ideal; he also refuses to make man's struggle, and God's achieve- ***** 17 Try to TERRIER Folkbers mange «TAIP: - 217 136 ROBERT BROWNING. súčtiž, 4* na ment within man, mutually exclusive alternatives. As I shall show in the sequel, movement towards an ideal, actualizing but never actualized, is for the poet the very nature of man. And to speak about either God or man (or even the absolute philosopher) as "the last term of a development ” has no meaning to him. We are not first moral and then religious, first struggling with evil and then conscious of overcoming it. God is with us in the battle, and the victory is in every blow. But there lies a deeper difficulty than this in the way of reconciling morality and religion, or the presence of both God and man in human action. Morality, in so far as it is achievement, might conceivably be immediately identified with the process of an absolute good; but morality is always - 4 da 29 10 £2 Mon May hot at AN UN A11 4694 tak kata ka kladk MC DOPPEN 21) ► *** Join ●作 ​nên gia ông mà bạn nên sao cho anh ******* ********** 71, "A And was when with As MC, A +34 Sout a consciousness of failure as well. Its very essence and verve is the conviction that the ideal is not actual. And the higher a man's spiritual attain- ment, the more impressive is his view of the evil of the world, and of the greatness of the work pressing to be done. "Say not ye, there are yet four months, and then cometh harvest? Behold I say unto you, 'Lift up your eyes and look on the fields; for they are white already to harvest.'" It looks like blasphemy against morality to say "that God lives in eternity and has, therefore, plenty of time." Morality destroys one's content- ment with the world; and its language seems to be, “God is not here, but there; the kingdom is still to come." PROARMA" "get. 14 "BASHI N OPTIMISM AND ETHICS. 137 Nor does it rest with condemning the world. It also finds flaws in its own highest achievement ; so that we seem ever To mock ourselves in all that's best of us." The beginning of the spiritual life seems just to consist in a consciousness of complete X failure, and that consciousness ever grows deeper. 単品​の ​This is well illustrated in Browning's account of Caponsacchi; from the time when Pompilia's smile first "glowed" upon him, and set him- 1 CC Thinking how my life Had shaken under me-broken short indeed And showed the gap 'twixt what is, what should be— And into what abysm the soul may slip "" up to the time when his pure love for her revealed to him something of the grandeur of goodness, and led him to define his ideal and also to express his despair. "To have to do with nothing but the true, The good, the eternal—and these, not alone In the main current of the general life, But small experiences of every day, Concerns of the particular hearth and home : To learn not only by a comet's rush But a rose's birth-not by the grandeur, God, But the comfort, Christ. All this how far away! Mere delectation, meet for a minute's dream!" † So illimitably beyond his strength is such a life, that he finds himself like the drudging student who "Trims his lamp, Opens his Plutarch, puts him in the place * The Ring and the Book-Giuseppe Caponsacchi, 485–488. † Ibid. 2089-2097. 138 ROBERT BROWNING. Of Roman, Grecian; draws the patched gown close, Dreams, 'Thus should I fight, save or rule the world !'— Then smilingly, contentedly, awakes To the old solitary nothingness.” * The moral world with its illimitable horizon had opened out around him, the voice of the new com- mandment bidding him "be perfect as his Father in heaven is perfect " had destroyed his peace, and made imperative a well nigh hopeless struggle; and, as he compares himself at his best with the new ideal, he breaks out into the cry, "O great, just, good God! Miserable Me!" This humility and contrition, this discontent verging on hopelessness, constituted, as we have seen, the characteristic attitude of Carlyle; and it represents a true and, in fact, an indispensable element of man's moral life. But this self-condemnation in the face of the KÊNH I one KAAN. NSENTA ***. * Sa mga #*» 2 ST. T .... *****, ** *** * OSAL moral law is nothing more than an element, and must not be taken either for the whole truth or for the most fundamental one. It is because it is taken as fundamental and final that the discrepancy between morality and religion is held to be absolute, and the consciousness of evil is turned against faith in the Good. It is an abstract way of thinking that makes us deduce, from the transcendent height of the moral ideal, the impossibility of attaining goodness, and the failure of God's purpose in man. And this is what Carlyle did. He stopped short * 1 da ******* 1 * The Ring and the Book-Giuseppe Caponsacchi, 2098-2103. ZIMM ܡܐ Total = * ... mgmg 12 *** *** OPTIMISM AND ETHICS. 139 at the consciousness of imperfection, and he made no attempt to account for it. He took it as a complete fact, and therefore drew a sharp line of distinction between the human and the divine. And, so far, he was right; for, if we look no further than this negative side, it is emphatically absurd to identify man, be he "philosopher" or not, with the Absolute. "Why callest thou Me good? there is none good save One, that is God." The "ought " must stand above all human attainment, and declare that whatever is, is wrong." But whence comes the ought itself, the ideal which condemns us? Is it not also immanent in the fact it condemns? << "" Who is not acute enough," asks Hegel, "to see a great deal in his surroundings which is really far from being what it ought to be?" And who also, we may add, has not enough of the generalizing faculty, often mistaken for a philosophical one, to extend this condemnation over the whole of this best of all possible worlds"? But what is this "ought-to-be," which has such potency in it that all things confronted with it lose their worth? "" The first answer is, that it is an idea which men, and particularly good men, carry with them. But a little consideration will show that it cannot be a mere idea. It must be something more valid than a capricious product of the individual imagina- tion. For we cannot wisely condemn things because they do not happen to answer to any casual con- ception which we may choose to elevate into a criterion. A criterion must have objective validity. • A P ** કર્મ ન Madjar again E mjek .. ܐ . 140 ROBERT BROWNING. UNIN It must be an idea of something and not an empty notion; and that something must, at the worst, be possible. Nay, when we consider all that is in- volved in it, it becomes obvious that a true ideal- an ideal which is a valid criterion-must be not only possible but real, and, indeed, more real than that which is condemned by reference to it. Abso- lute pessimism has in it the same contradiction as absolute scepticism has,-in fact, it is only its practical counterpart; for both scepticism and pessi- mism involve the assumption that it is possible to reach a position outside the realm of being, from which it may be condemned as a whole. But the rift between actual and ideal must fall within the real or intelligible world, do what the pessimists will; and a condemnation of man which is not based on a principle realized by humanity, is a fiction of abstract thought, which lays stress on the actuality of the imperfect and treats the perfect as if it were as good as nothing, which it cannot be. In other words, this way of regarding human life isolates the passing phenomenon, and does not look to that which reveals itself in it and causes it to pass away. Com a car but det, måles em' 5116 XLA GUNS T t ## Confining ourselves, however, for the present, to the ideal in morality, we can easily see that, in that sphere at least, the actual and ideal change places; and that the latter contrasts with the former as the real with the phenomenal. For, in the first place, the moral ideal is something more than a mere idea not yet realized. It is more even than a true idea; for no mere knowledge, however true, OPTIMISM AND ETHICS. 141 has such intimate relation to the self-consciousness of man as his moral ideal. A mathematical axiom, and the statement of a physical law, express what is true; but they do not occupy the same place in our mind as a moral principle. Such a principle is an ideal, as well as an idea. It is an idea which has causative potency in it. It supplies motives, it is an incentive to action, and, though in one sense a thing of the future, it is also the actual spring and source of present activity. In so far as the agent acts, as Kant put it, not according to laws, but according to an idea of law (and a responsible agent always acts in this manner), the ideal is as truly actualized in him as the physical law is actualized in the physical fact, or the vegetable life in the plant. In fact, the ideal of a moral being is his life. All his actions are its manifestations. And, just as the physical fact is not seen as it really is, nor its reality proved, till science has penetrated through the husk of the sensuous phenomenon, and grasped it in thought as an instance of a law; so an in- dividual's actions are not understood, and can have no moral meaning whatsoever, except in the light of the purpose which gave them being. We know the man only when we know his creed. His reality is what he believes in; that is, it is his ideal. Castle pho It is the consciousness that the ideal is the real which explains the fact of contrition. To become morally awakened is to become conscious of the ¨vanity and nothingness of the past life, as confronted `with the new ideal implied in it. The past life is -1 → کے Punt d' مدل * Canadian an or 142 ROBERT BROWNING. something to be cast aside as false show, just because the self that experienced it was not realized in it. It is for this reason that the moral agent sets himself against it, and desires to annihilate all its claims upon him by undergoing its punishment, and drinking to the dregs its cup of bitterness. Thus his true life lies in the realization of his ideal, and his advance towards it is his coming to himself. Only in attaining to it does he attain reality, and the only realization possible for him in the present is just the consciousness of the potency of the ideal. To him to live is to realize his ideal. It is a power that irks, till it finds expression in moral habits that accord with its nature, i.e., till the spirit has, out of its environment, created a body adequate to itself. The condemnation of self which characterizes all moral life and is the condition of moral progress, must not, therefore, be regarded as a complete truth. For the very condemnation implies the actual presence of something better. Both of the terms-both the criterion and the fact which is condemned by it-fall within the same individual life. Man cannot, therefore, without injustice, con- demn himself in all that he is; for the condemna- tion is itself a witness to the activity of that good of which he despairs. Hence, the threatening majesty of the moral imperative is nothing but the shadow of man's own dignity; and moral contrition, and even the complete despair of the pessimistic theory, when rightly understood, are recognized as OPTIMISM AND ETHICS. 143 unwilling witnesses to the authority and the actuality of the highest good. And, on the other hand, the highest good cannot be regarded as a mere phantom, without nullifying all our condemnation of the self and the world. The legitimate deduction from the height of man's moral ideal is thus found to be, not, as Carlyle thought, the weakness and worthlessness of human nature, but its promise and native dignity and in a healthy moral consciousness it produces, not despair, but faith and joy. For, as has been already suggested in a previous chapter, the authority of the moral law over man is rooted in man's endow- ment. Its imperative is nothing but the voice of the future self, bidding the present self aspire, while its reproof is only the expression of a moral aspira- tion which has misunderstood itself. Contrition is not a bad moral state which should bring despair, but a good state, full of promise of one that is still better. It is, in fact, just the first step which the ideal takes in its process of self-realization: the sting that bids nor sit, nor stand, but go!" The moral ideal thus, like every other ideal, even that which we regard as present in natural life, contains a certain guarantee of its own fulfilment. It is essentially an active thing, an energy, a move- ment upwards. It may, indeed, be urged that the guarantee is imperfect. Ideals tend to self-realiza- tion, but the tendency may remain unfulfilled. Men have some ideals which they never reach, and others which, at first sight at least, it were better 144 ROBERT BROWNING. "" for them not to reach. The goal may never be attained, or it may prove a ruin like the rest." And, as long as man is moral, the ideal is not, and Morality necessarily. im- ***, K. VIN, I KN cannot be, fully reached, C 2. Wajah islam. I Trở một cá thu #y the hell on a b plies a rift within human nature, a contradiction between what is and what ought to be; although neither the rift nor the contradiction is absolute. There might seem for this reason to be no way of bringing optimism and ethics together, of recon- ciling what is and what ought to be. ****** My answer to these difficulties must at this stage be very brief and incomplete. That the moral good, if attained, should itself prove vain is a plain self- contradiction. For moral good has no meaning ex- cept in so far as it is conceived as the highest good. The question, "Why should I be moral," has no answer, because it is self-contradictory. The moral ideal contains its justification in itself, and requires to lean on nothing else. * al But it is not easy to prove that it is attainable. In one sense it is not attainable, at least under the conditions of human life which fall within our experience, from which alone we have a right to speak. For, as I shall strive to show in a succeed- ing chapter, the essence of man's life as spiritual, that is as intelligent and moral, is its self-realizing activity. Intellectual and moral life is progress, although it is the progress of an ideal which is real and complete, the return of the infinite to itself through the finite. The cessation of the progress of the ideal in man, whereby man interprets the OPTIMISM AND ETHICS. 145 world in terms of himself and makes it the instru- ment of his purposes, is intellectual and moral death. From. one point of view, therefore, this spiritual life, or moral and intellectual activity, is inspired at every step by the consciousness of a beyond" not possessed, of an unsolved contradic- tion between the self and the not-self, of a good that ought to be and is not. The last word, or rather the last word but one, regarding man is “failure." "" ' J But failure is the last word but one, as the poet well knew. "What's come to perfection perishes,' he tells us. From this point of view the fact that perfection is not reached, merely means that the process is not ended. It seethes with the morrow for us and more." The recognition of failure im- plies more effort and higher progress, and contains a suggestion of an absolute good, and even a proof of its active presence. "The beyond," for know- Tedge and morality, is the Land of Promise. And the promise is not a false one; for the "land" is possessed. The recognition of the fact to be known, the statement of the problem, is the first step in its solution; and the consciousness of the moral ideal not attained is the first step in its self-actualizing progress. Had man not come so far, he would not have known the further difficulty, or recognized the higher good. To say that the moral ideal is never attained, is thus only a half-truth. We must add to it the fact that it is always being attained; nay, that it is always present as an active reality, attaining itself, evolving its own content. Or, to ANNA * Jate the wastes ago "" → 13 146 ROBERT BROWNING. nhac van CAUSED A PRENESE MOLE **** Pho # 7 pla ***** verklig v 1 15% be but put MAF return to the previous metaphor, the land of promise is possessed, although the possession always reveals a still better beyond, which is again a land of promise. While, therefore, it must always remain true that knowledge does not reach absolute reality, nor morality absolute goodness, this cannot be used as an argument against optimism, except on the pre- supposition that mental and moral activity are a disease. And this is a contradiction in terms. If the ideal is in itself good, the process whereby it is attained is good; if the process in itself is evil, the ideal it seeks is evil, and therefore the condemnation of the actual by reference to it is absurd. And, on the other hand, to postulate as best the identity of ideal and actual, so that no process is necessary, is to assume a point of view where both optimism and pessimism are meaningless, for there is no criterion. As Aristotle teaches us, we have no right either to praise or to blame the highest. A process, such as morality is, which is not the self- manifestation of an actual idea, and an ideal which does not reveal its potencies in its passing forms, are both fictions of one-sided thought. The process is not the ideal, but its manifestation; and the ideal is not the process, but the principle which is its source and guide. 114. - JOIESTI LM " But if the process cannot be thus immediately identified with the ideal, or man take the place of God," or "human self-consciousness be confused with the absolute self-consciousness," far less can they be separated. The infinitely high ideal of W Twee Da Da merk S Ma READ MO • guy wi E OPTIMISM AND ETHICS. 147 perfect knowledge and perfect goodness, implied in the Christian command, "Be ye perfect as your Father in heaven is perfect," is an ideal, just because the unity of what is and what ought to be is deeper than their difference. The recognition of the limit of our knowledge, or the imperfection of our moral character, is a direct witness to the fact that there. is more to be known and a better to be achieved. The negative implies the affirmative, and is its effect. Man's confession of the limitation of his knowledge is made on the supposition that the universe of facts, in all its infinitely rich complexity, is meant to be known; and his confession of moral imperfection is made by reference to a good which is absolute, and which yet may be and ought to be his. The good in morality is necessarily supreme and perfect. A good that is merely human," "relative to man's nature," in the sense of not being true goodness, is a phantom of confused thinking. Morality demands "the good," and not a simulacrum or make-shift. The distinction between right and wrong, and with it all moral aspiration, contrition, and repentance, would otherwise become meaning- less. What can a seeming good avail to a moral agent? There is no better or worse among merely apparent excellencies, and of phantoms it matters not which is chosen. And, in a similar way, the distinction between true and false in knowledge, and the common condemnation of human knowledge as merely of phenomena, implies the absolute unity of thought and being, and the knowledge of that SHI KWA - TIL Ja "C د اولادهم 轟 ​148 BROWNING. ROBERT unity as a fact. There is no true or false amongst merely apparent facts. ›› - Bả kad Ž T a molding quı But, if the ideal of man as a spiritual being is conceived as perfect, then it follows not only that its attainment is possible, but that it is necessary. The guarantee of its own fulfilment which an ideal carries with it as an ideal, that is, as a potency in process of fulfilment, becomes complete when that ideal is absolute. "If God be for us, who can be against us?" The absolute good, in the language of Emer- son, is "too good not to be true.' If such an ideal be latent in the nature of man, it brings the order of the universe over to his side. For it im- plies a kinship between him, as a spiritual being, and the whole of existence. The stars in their courses fight for him. In other words, the moral ideal means nothing, if it does not imply a law which is universal. It is a law which exists already, whether man recognizes it or not; it is the might in things, a law of which "no jot or tittle can in any wise pass away." The individual does not institute the moral law; he finds it to be written both within His part is to recognize, not to create it; to make it valid in his own life and so to identify himself with it, that his service of it may be perfect freedom. Ja can yar. 2. gadu ung am your copyrig Tháng Ì ng t t T đang Spa P and without him. जाने में 14- 5-016 DZONKEY 寺​也 ​*** Na Page Sa We thus conclude that morality, and even the self-condemnation, contrition, and consciousness of failure which it brings with it as phases of its growth, are witnesses of the presence, and the actual product of an absolute good in man. OPTIMISM AND ETHICS. 149 KË Morality, in other words, rests upon, and is the self-evolution of the religious principle in man. B we can get a great, g A similar line of proof would show that religion implies morality. An absolute good is not con- ceivable, except in relation to the process whereby it manifests itself. In the language of theology, we may say that God must create and redeem the world in order to be God; or that creation and redemption, the outflow of the universe from God as its source, and its return to Him through the sal- vation of mankind,—reveal to us the nature of God. Apart from this outgoing of the infinite to the finite and its return to itself through it, the name God would be an empty word, signifying a something un- intelligible dwelling in the void beyond the realm. of being. But religion, as we have seen, is the recognition not of an unknown but of the absolute good as real; the joyous consciousness of the presence of God in all things. And morality, in that it is the realization of an ideal which is perfect, is the process whereby the absolute good actualizes itself in man. It is true that the ideal cannot be identified with the process; for it is the principle of the process, and therefore more than it. Man does not reach "the last term of development," for there is no last term to a being whose essence is progressive activity. He does not therefore take the place of God, and his self-consciousness is never the absolute self-consciousness. But still, in so far as his life is a progress towards the true and good, it is the process of truth and goodness within dig 150 ROBERT BROWNING. him. It is the activity of the ideal. It is God lifting man up to Himself, or, in the language of philosophy, "returning to Himself in history." And yet it is at the same time man's effort after goodness. Man is not a mere vessel of divine grace," or a passive recipient of the highest bounty. All man's goodness is necessarily man's achieve- ment. And the realization by the ideal of itself is man's achievement of it. For it is his ideal. The law without is also the law within. It is the law within because it is recognized as the law with- out. Thus, the moral consciousness passes into the religious consciousness. The performance of duty is the willing service of the absolute good; and, as such, it involves also the recognition of a purpose that cannot fail. It is both activity and faith, both a struggle and a consciousness of victory, both morality and religion. We cannot, therefore, treat these as alternative phases of man's life. There is not first the pain of the moral struggle, and then the joy and rest of religion. The meat and drink is to do the will of Him that sent Me, to finish His work." Heaven is the service of the good. There is nothing in the world or out of it that can be called unconditionally good, except the good will." The process of willing-the moral activity-is its own reward; "the only jewel that shines in its own light." "" 66 P "C It may seem to some to be presumptuous thus to identify the divine and the human; but to separate them makes both morality and religion OPTIMISM AND ETHICS. 151 impossible. It robs morality of its ideal, and makes God a mere name for the "unknown." Those who think that this identification degrades the divine, misapprehend the nature of spirit; and forget that it is of its essence to communicate itself. And goodness and truth do not become less when shared; they grow greater. Spiritual possessions imply community wherein there is no exclusion; and to the Christian the glory of God is His communication of Himself. Hence the so- called religious humility, which makes God different in nature from His work, really degrades the object of its worship. It puts mere power above the gifts of spirit, and it indicates that the worshipper has not been emancipated from the slavishness, which makes a fetish of its God. Such a religion is not free, and the development of man destroys it. "I never realized God's birth before- How He grew likest God in being born." * The intense love of the young mother drew the divine and the human together, and set at nought the contrast which prose ever draws between them. This thought of the unity of God and man is one which has frequent utterance from the poet when his religious spirit is most deeply moved; for it is the characteristic of religious feeling that it abol- ishes all sense of separation. It removes all the limitations of finitude and lifts man into rapturous unity with the God he adores; and it gives such * The Ring and the Book-Pompilia, 1690-1691. 152 ROBERT BROWNING. completeness to his life that it seems to him to be a joyous pulse of the life that is absolute. The feeling of unity may be an illusion. This we cannot discuss here; but, in any case, it is a feeling essential to religion. And the philosophy which seeks to lift this feeling into clear consciousness and to account for its existence, cannot but recognize that it implies and presupposes the essential' affinity of the divine nature with the nature of man. **** Thus, both from the side of morality and from that of religion, we are brought to recognize the unity of God with man as a spiritual being. The moral ideal is man's idea of perfection, that is, his idea of God. While theology and philosophy are often occupied with the vain task of bridging a chasm between the finite and the infinite, which they assume to be separated, 'the supreme facts of the life of man as a spirit spring from their unity. In other words, morality and religion are but dif- ferent manifestations of the same principle. The good that man effects is, at the same time, the working of God within him. The activity that man is, "tending up, Holds, is upheld by, God, and ends the man Upward in that dread point of intercourse Nor needs a place, for it returns to Him. "" "God, perchance, Grants each new man, by some as new a mode, Inter-communication with Himself Wreaking on finiteness infinitude.” † * A Death in the Desert. † Prince Hohenstiel-Schwangau. OPTIMISM AND ETHICS. 153 And while man's moral endeavour is thus recog- nized as the activity of God within him, it is also implied that the divine being can be known only as revealed, and incarnated, if one may so say, in a perfect human character. It was a permanent conviction of Browning, that "the acknowledgment of God in Christ Accepted by thy reason, solves for thee All questions in the earth and out of it." So far from regarding the Power in the world which makes for righteousness, as not-ourselves," as Matthew Arnold did in his haste, that Power is known to be the man's true self and more, and morality is the gradual process whereby its content is evolved. And man's state of perfection, which is symbolized for the intelligent by the term Heaven, is, for Browning, (c "The equalizing, ever and anon, In momentary rapture, great with small, Omniscience with intelligency, God With man-the thunder glow from pole to pole Abolishing blissful moment-space, Great clo As S ¨nd small cloud, in one fire- as sure again to flow WI e new receptivity deserves TE ew completion." * Thus, therefore, does the poet wed the divine strength with human weakness; and the principle of unity, thus conceived, gives him at once his * Prince Hohenstiel-Schwangau. 154 ROBERT BROWNING. moral strenuousness and that ever present fore- taste of victory, which we may call his religious optimism, Whether this principle receives adequate ex- pression from the poet, we shall inquire in the next chapter. For on this depends its worth as a solution of the enigma of man's moral life. · CHAPTER VI. BROWNING'S TREATMENT OF THE PRINCIPLE OF LOVE. “God! Thou art Love! I build my faith on that!” * T may be well before going further to gather together the results so far reached. Browning was aware of the conflict of the re- ligious and moral consciousness, but he did not hesitate to give to each of them its most uncom- promising utterance. And it is on this account that he is instructive; for, whatever may be the value of compromise in practical affairs, there is no doubt that it has never done anything to advance human thought. His religion is an optimistic faith, a peaceful consciousness of the presence of the highest in man, and therefore in all other things. Yet he does not hesitate to represent the moral life as a struggle with evil, and a movement through error towards a highest good which is never finally realized. He sees that the contradiction is not an absolute one, but that a good man is always * Paracelsus. 156 ROBERT BROWNING. both moral and religious, and, in every good act he does, transcends their difference. He knew that the ideal apart from the process is nothing, and that "a God beyond the stars" is simply the unknowable. But he knew, too, that the ideal is not merely the process, but also that which starts the process, guides it, and comes to itself through it. God, emptied of human elements, is a mere name; but, at the same time, the process of human evolution does not exhaust the idea of God. The process by itself, i.e., mere morality, is a conception of a fragment, a fiction of abstract thought; it is a movement which has no beginning or end; and in it neither the head nor the heart of man could find contentment. He is driven by ethics into philos- ophy, and by morality into religion. It was in this way that Browning found himself compelled to trace back the moral process to its origin, and to identify the moral law with the nature of God. It is this that gives value to his view of moral progress, as reaching beyond death to a higher stage of being, for which man's attainments in this life are only preliminary. "What's time? Leave Now for dogs and apes, Man has Forever." * There are other "adventures brave and new for man, "more lives yet," other ways of warfare, other depths of goodness and heights of love. The poet lifts the moral ideal into infinitude, and removes * Grammarian's Funeral. " THE PRINCIPLE OF LOVE. 157 all limits to the possibility and necessity of being good. Nay, the process itself is good. Moral activity is its own bountiful reward; for moral progress, which means struggle, is the best thing in the world or out of it. To end such a process, to stop that activity, were therefore evil. But it cannot end, for it is the self-manifestation of the divine life. There is plenty of way to make, for the ideal is absolute goodness. The process cannot exhaust the absolute, and it is impossible that man should be God. And yet this process is the process of the absolute, the working of the ideal, the presence of the highest in man as a living power realizing itself in his acts and in his thoughts. And the absolute cannot fail; not in man, for the process is the evolution of his essential nature; and not in the world, for that is but the necessary instrument of the evolution. By lifting the moral ideal of man to infinitude, the poet has identified it with the nature of God, and made it the abso- lute law of things. Now, this idea of the identity of the human and the divine is a perfectly familiar Christian idea. "Thence shall I, approved A man, for aye removed From the developed brute; a God though in the germ.” * This idea is involved in the ordinary expres- sions of religious thought. But, nevertheless, both theology and philosophy shrink from giving to * Rabbi Ben Ezra. 158 ROBERT BROWNING. it a clear and unembarrassed utterance. Instead of rising to the sublime boldness of the Nazarene Teacher, they set up prudential differences between God and man-differences not of degree only but of nature; and, in consequence, God is reduced into an unknowable absolute, and man is made incapable not only of moral, but also of intellectual life. The poet himself has proved craven-hearted in this, as we shall see. He, too, sets up insur- mountable barriers between the divine and the human, and thereby weakens both his religious and his moral convictions. His moral inspiration is greatest just where his religious enthusiasm is most intense. In Rabbi Ben Ezra, The Death in the Desert, and The Ring and the Book, there prevails a constant sense of the community of God and man within the realm of goodness; and the world itself, "with its dread machinery of sin and sorrow," is made to join the great conspiracy, whose purpose is at once the evolution of man's character, and the realization of the will of God. "So, the All-Great, were the All-Loving too- So, through the thunder comes a human voice Saying, 'O heart I made, a heart beats here! 'Face, my hands fashioned, see it in myself! 'Thou hast no power nor may'st conceive of mine, 'But love I gave thee, with myself to love, 'And thou must love Me who have died for thee.'"* But, if we follow Browning's thoughts in his later and more reflective poems, such as Ferishtah's * An Epistle from Karshish. THE PRINCIPLE OF LOVE. 159 € Fancies for instance, it will not be possible to hold that the poet altogether realized the importance for both morality and religion alike, of the idea of the actual immanence of God in man. In these poems he seems to have abandoned it in favour of the hypotheses of a more timid philosophy. But, if his religious faith had not been embarrassed by certain dogmatic presuppositions of which he could not free himself, he might have met more successfully some of the difficulties which later reflection revealed to him, and might have been able to set a true value on that "philosophy," which betrayed his faith while appearing to support it. But, before trying to criticize the principle by means of which Browning sought to reconcile the moral and religious elements of human life, it may be well to give it a more explicit and careful state- ment. What, then, is that principle of unity between the divine and the human? How can we interpret the life of man as God's life in man, so that man, in attaining the moral ideal proper to his own nature, is at the same time fulfilling ends which may justly be called divine? J The poet, in early life and in late life alike, has one answer to this question—an answer given with the confidence of complete conviction. The meeting- point of God and man is love. Love, in other words, is, for the poet, the supreme principle both of morality and religion. Love, once for all, solves that contradiction between them which, both in тбо ROBERT BROWNING. * theory and in practice, has embarrassed the world' for so many ages. Love is the sublimest concep- tion attainable by man; a life inspired by it is the most perfect form of goodness he can conceive; therefore, love is, at the same moment, man's moral ideal, and the very essence of Godhood. A life actuated by love is divine, whatever other limitations it may have. Such is the perfection and glory of this emotion, when it has been trans- lated into a self-conscious motive, and become the energy of an intelligent will, that it lifts him who owns it to the sublimest height of being. * "For the loving worm within its clod, Were diviner than a loveless God Amid his worlds, I will dare to say. "" So excellent is this emotion that, if man, who has this power to love, did not find the same power in God, then man would excel Him, and the creature and Creator change parts. "Do I find love so full in my nature, God's ultimate gift, That I doubt His own love can compete with it? Here, the parts shift ? Here, the creature surpass the Creator,—the end what Began?” † Not so, says David, and with him no doubt the poet himself. God is Himself the source and ful- ness of love. "'Tis Thou, God, that givest, 'tis I who receive : In the first is the last, in Thy will is my power to believe.' All's one gift." * Christmas Eve. † Saul. THE PRINCIPLE OF LOVE. 161 "Would I suffer for him that I love? So would'st Thou,-so wilt Thou! So shall crown Thee, the topmost, ineffablest, uttermost crown- And Thy love fill infinitude wholly, nor leave up nor down One spot for the creature to stand in !"* And this same love not only constitutes the nature of God and the moral ideal of man, but it is also the purpose and essence of all created being, both animate and inanimate. This world's no blot for us, Nor blank; it means intensely and means good." † "( (C 'O world, as God has made it ! All is beauty: And knowing this is love, and love is duty, What further may be sought for or declared?" (( In this world then all's love, yet all's law." God permits nothing to break through its universal sway, even the very wickedness and misery of life are brought into the scheme of good, and, when rightly understood, reveal themselves as its means. "I can believe this dread machinery Of sin and sorrow, would confound me else, Devised-all pain, at most expenditure Of pain by Who devised pain-to evolve, By new machinery in counterpart, The moral qualities of man-how else ?— To make him love in turn and be beloved, Creative and self-sacrificing too, And thus eventually Godlike.” ‡ The poet thus brings the natural world, the his- tory of man, and the nature of God, within the limits of the same conception. The idea of love † Fra Lippo Lippi + The Ring and the Book-The Pope, 1375-1383. * Saul. 6 162 BROWNING. ROBERT solves for Browning all the enigmas of human life and thought. "The thing that seems Mere misery, under human schemes, Becomes, regarded by the light Of love, as very near, or quite As good a gift as joy before.” * Taking Browning's work as a whole, it is scarcely possible to deny that this is at once the supreme motive of his art, and the principle on which his moral and religious doctrine rests. He is always strong and convincing when he is dealing with this theme. It was evidently his own deepest conviction, and it gave him the courage to face the evils of the world, and the power as an artist to "contrive his music from its moans." It plays, in his philosophy of life, the part that Reason fills for Hegel, or the Blind Will for Schopenhauer; and he is as fearless as they are in reducing all phenom- ena into forms of the activity of his first principle. Love not only gave him firm footing amid the wash and welter of the present world, where time spins fast, life fleets, and all is change, but it made him look forward with joy to "the immortal course for, to him, all the universe is love-woven. All life is but treading the "love-way," and no wanderer can finally lose it. "The way-faring men, though fools, shall not err therein.' "" Since love has such an important place in Brown- ing's theory of life, it is necessary to see what he means by it. For love has had for different * Easter Day. THE PRINCIPLE OF LOVE. 163 individuals, ages and nations, a very different significance; and almost every great poet has given it a different interpretation. And this is not un- natural. For love is a passion which, beginning with youth and the hey-day of the blood, expands with the expanding life, and takes new forms of beauty and goodness at every stage. And this is equally true, whether we speak of the individual or of the human race. Love is no accident in man's history, nor a pass- ing emotion. It is rather a constitutive element of man's nature, fundamental and necessary as his intelligence. And, like everything native and con- stitutive, it is obedient to the law of evolution, which is the law of man's being; and it passes, therefore, through ever varying forms. To it-if we may for the moment make a distinction between the theoretical and practical life, or between ideas and their causative potency-must be attributed the constructive power which has built the world of morality, with its intangible but most real rela- tions which bind man to man and age to age. It is the author of the organic institutions which, standing between the individual and the rudeness of nature, awaken in him the need, and give him the desire and the faculty, of attaining higher things than physical satisfaction. Man is meant to act as well as to think, to be virtuous as well as to have knowledge. It is possible that reverence for the intellect may have led men, at times, to attri- bute the evolution of the race too exclusively to 164 ROBERT BROWNING. the theoretic consciousness, forgetting that, along with reason, there co-operates a twin power in all that is wisest and best in us, and that a heart which can love, is as essential a pre-condition of all worthy attainment, as an intellect which can see. Love and reason* are equally primal powers in man, and they reflect might into each other: for love increases knowledge, and knowledge love. It is their combined power that gives interest and meaning to the facts of life, and transmutes them into a moral and intellectual order. They, together, are lifting man out of the isolation and chaos of subjectivity into membership in a spiritual kingdom, where col- lision and exclusion are impossible, and all are at once kings and subjects. And, just as reason is present as a transmuting power in the sensational life of the infancy of the individual and race, so is love present amidst the confused and chaotic activity of the life that knows no law other than its own changing emotions. Both make for order, and both grow with it. Both love and reason have travelled a long way in the history of man. The patriot's passion for his country, the enthusiasm of pity and helpfulness towards all suffering which marks the man of God, are as far removed from the physical attraction of sex for sex, and the mere liking of the eye and ear, as is the intellectual power of the sage from the vulpine - * It would be more correct to say the reason that is loving or the love that is rational; for, though there is distinction, there is no dualism. THE PRINCIPLE OF LOVE. 165 cunning of the savage. "For," as Emerson well said, "it is a fire that, kindling its first embers in the narrow nook of a private bosom, caught from a wandering spark out of another heart, glows and enlarges until it warms and beams upon multitudes of men and women, upon the universal heart of all, and so lights up the world and all nature with its generous flames." Both love and reason alike pass through stage after stage, always away from the particularity of selfishness and ignorance, into larger and larger cycles of common truth and goodness, towards the full realization of knowledge and be- nevolence, which is the inheritance of emancipated man. In this transition, the sensuous play of feeling within man, and the sensitive responses to external stimuli, are made more and more organic to ends which are universal, that is, to spiritual ends. Love, which in its earliest form, seems to be the natural yearning of brute for brute, appearing and dis- appearing at the suggestion of physical needs, passes into an idealized sentiment, into an emotion of the soul, into a principle of moral activity which manifests itself in a permanent outflow of helpful deeds for man. It represents, when thus sub- limated, one side at least of the expansion of the self, which culminates when the world beats in the pulse of the individual, and the joys and sorrows, the defeats and victories of mankind are felt by him as his own. It is no longer dependent merely on the incitement of youth, grace, beauty, whether of body or character; it transcends all limitations of 166 ROBERT BROWNING. sex and age, and finds objects on which it can spend itself in all that God has made, even in that which has violated its own law of life and become mean and pitiful. It becomes a love of fallen humanity, and an ardour to save it by be- coming the conscious and permanent motive of all men. The history of this evolution of love has been written by the poets. Every phase through which this ever-deepening emotion has passed, every form which this primary power has taken in its growth, has received from them its own proper expression. They have made even the grosser instincts lyric with beauty; and, ascending with their theme, they have sung the pure passion of soul for soul, its charm and its strength, its idealism and heroism, up to the point at which, in Browning, it transcends the limits of finite existence, sheds all its earthly vesture, and becomes a spiritual principle of religious aspiration and self-surrender to God. Browning nowhere shows his native strength more clearly than in his treatment of love. He has touched this world-old theme-which almost every poet has handled, and handled in his highest manner-with that freshness and insight, which is possible only to the inborn originality of genius. Other poets have, in some ways, given to love a more exquisite utterance, and rendered its sweetness, and tenderness, and charm with a lighter grace. It may even be admitted that there are poets whose verses have echoed more faithfully the fer- vour and intoxication of passion, and who have THE PRINCIPLE OF LOVE. 167 shown greater power of interpreting it in the light of a mystic idealism. But, in one thing, Browning stands alone. He has given to love a moral signifi- cance, a place and power amongst those substantial elements on which rest the dignity of man's being and the greatness of his destiny, in a way which is, I believe, without example in any other poet. And he has done this by means of that moral and religious earnestness, which pervades all his poetry. The one object of supreme interest to him is the de- velopment of the soul, and his penetrative insight revealed to him the power to love as the paramount fact in that development. To love, he repeatedly tells us, is the sole and supreme object of man's life; it is the one lesson which he has to learn on earth; and, love once learnt, in what way matters little, "it leaves completion in the soul. Love we dare not, and, indeed, cannot absolutely miss. No man can be absolutely selfish and be man. +4-161 ور "Beneath the veriest ash, there hides a spark of soul Which, quickened by love's breath, may yet pervade the whole O' the grey, and, free again, be fire; of worth the same, Howe'er produced, for, great or little, flame is flame. "> * Love, once evoked, once admitted into the soul, "adds worth to worth, As wine enriches blood, and straightway sends it forth, Conquering and to conquer, through all eternity, That's battle without end." † This view of the significance of love grew on Brown- * Fifine at the Fair, xliii. † Ibid. liv. 168 ROBERT BROWNING. ing as his knowledge of man's nature and destiny became fuller and deeper, while, at the same time, his trust in the intellect became less. Even in Paracelsus he reveals love, not as a sentiment or intoxicating passion, as one might expect from a youthful poet, but as one of the great fundamental faculties" of man. Love," blind, oft-failing, half- enlightened, often-chequered trust," though it be, still makes man "The heir of hopes too fair to turn out false.” In that poem, love is definitely lifted by the poet to the level of knowledge. Intellectual gain, apart from love, is folly and futility, worthless for the individual and worthless to the race. Mind is nothing but disease," Paracelsus cries in the bitter- ness of his disappointment," and natural health is ignorance"; and he asks of the mad poet who "loved too rashly,' "" "C "" "Are we not halves of one dissevered world, Whom this strange chance unites once more? Part? Never! Till thou the lover, know; and I, the knower, Love-until both are saved.” * And, at the end of the poem, Paracelsus, coming to an understanding with himself as to the gain and loss of life, proclaims with his last strength the truth he had missed throughout his great career, namely, the supreme worth of love. * Paracelsus. 17 THE PRINCIPLE OF LOVE. 169 “I saw Aprile-my Aprile there ! And as the poor melodious wretch disburthened His heart, and moaned his weakness in my ear, I learned my own deep error; love's undoing Taught me the worth of love in man's estate, And what proportion love should hold with power In his right constitution; love preceding Power, and with much power, always much more love; Love still too straitened in his present means, And earnest for new power to set love free." As long as he hated men, or, in his passionate pursuit of truth, was indifferent to their concerns, it was not strange that he saw no good in men and failed to help them. Knowledge without love is not true knowledge, but folly and weakness. But, great as is the place given to love in Para- celsus, it is far less than that given to it in the poet's later works. In Ferishtah's Fancies and La Saisiaz it is no longer rivalled by knowledge; nor even in Easter Day, where the voice beside the poet proclaiming that "Life is done, Time ends, Eternity's begun," gives a final pronouncement upon the purposes of the life of man. The world of sense of beauty and art, of knowledge and truth, are given to man, but none of them satisfy his spirit; they merely sting with hunger for something better. Deficiency gapes every side," till love is known as the essence and worth of all things. "" "Is this thy final choice? Love is the best? 'Tis somewhat late! And all thou dost enumerate 170 ROBERT BROWNING. Of power and beauty in the world, The righteousness of love was curled Inextricably round about. Love lay within it and without, To clasp thee,—but in vain! Thy soul Still shrunk from Him who made the whole, Still set deliberate aside His love!-Now take love! Well betide Thy tardy conscience ! " * In his later reflective poems, in which he deals with the problems of life. in the spirit of a metaphy- sician, seeking a definite answer to the questions of the intelligence, he declares the reason for his preference of love to knowledge. In La Saisiaz he states that man's love is God's too, a spark from His central fire; but man's knowledge is man's only. Knowledge is finite, limited and tinged with sense. The truth we reach at best is only truth for us, relative, distorted. We are for ever kept from the fact which is supposed to be given; our intellects play about it; sense and even intellect itself are interposing media, which we must use, and yet, in using them, we only fool ourselves with sem- blances. The poet has now grown so cautious that he will not declare his own knowledge to be valid for any other man. David Hume could scarcely be more suspicious of the human intellect; nor Berke- ley more surely persuaded of the purely subjective nature of its attainments. In fact, the latter relied on human knowledge in a way impossible to Browning, for he regarded it as the language of *Easter Day. THE PRINCIPLE OF LOVE. 171 spirit speaking to spirit. Out of his experience, Browning says, : "There crowds conjecture manifold, But, as knowledge, this comes only,-things may be as I behold Or may not be, but, without me and above me, things there are; I myself am what I know not-ignorance which proves no bar To the knowledge that I am, and, since I am, can recognize What to me is pain and pleasure: this is sure, the rest-sur- mise." * "" Thought itself, for aught he knows, may be afflicted with a kind of colour-blindness; and he knows no appeal when one affirms "green as grass," and another contradicts him with red as grass. Under such circumstances, it is not strange that Browning should decline to speak except for him- self, and that he will LE "Nowise dare to play the spokesman for my brothers strong or weak," 66 or that he will far less presume to pronounce for God, and pretend that the truth finds utterance from lips of clay- .. Pass off human lisp as echo of the sphere-song out of reach.” Have I knowledge? Confounded it shrivels at Wisdom laid bare ! Have I forethought? how purblind, how blank, to the Infinite Care! And thus looking within and around me, I ever renew (With that stoop of the soul, which in bending upraises it too) The submission of man's nothing-perfect to God's all-complete, As by each new obeisance in spirit, I climb to His feet.”† *La Saisiaz. † Saul, III. 172 ROBERT BROWNING. But David finds in himself one faculty so supreme in worth that he keeps it in abeyance- 66 Lest, insisting to claim and parade in it, wot ye, I worst E'en the Giver in one gift.-Behold, I could love if I durst ! But I sink the pretension as fearing a man may o'ertake God's own speed in the one way of love: I abstain for love's sake." * This faculty of love, so far from being tainted with finitude, like knowledge; so far from being mere man's, or a temporary and deceptive power given to man for temporary uses, by a Creator who has another ineffably higher way of loving, as He has of truth, is itself divine. In contrast with the activity of love, Omnipotence itself dwindles into insignificance, and creation sinks into a puny exer- cise of power. Love, in a word, is the highest good; and, as such, it has all its worth in itself, and gives to all other things what worth they have. God Himself gains the "ineffable crown" by showing love and saving the weak. It is the power divine, the central energy of God's being. Browning never forgets this moral or religious quality of love. So pure is this emotion to the poet, " so perfect in whiteness, that it will not take pollution; but, ermine-like, is armed from dishonour by its own soft snow." In the corruptest hearts, amidst the worst sensuality, love is still a power divine, making for all goodness. Even when it is kindled into flame by an illicit touch, and wars * Saul, III. THE PRINCIPLE OF LOVE. 173 against the life of the family, which is its own product, its worth is supreme. He who has learned to love in any way, has" caught God's secret." How he has caught it, whom he loves, whether or not he is loved in return, all these things matter little. The paramount question on which hangs man's fate is, has he learned to love another, any other, Fifine or Elvire. She has lost me, said the unloved lover; "I have gained her. Her soul's mine." "} The supreme worth of love, the mere emotion itself, however called into activity, secures it against all taint. No one who understands Browning in the least, can accuse him of touching with a rash hand the sanctity of the family; rather he places it on the basis of its own principle, and thereby makes for it the strongest defence. Such love as he speaks of, however irregular its manifestation or sensuous its setting, can never be confounded with lust-"hell's own blue tint." It is further removed from lust even than asceticism. It has not even a negative attitude towards the flesh; but finds the flesh to be "stuff for transmuting," and reduces it to the uses of the spirit. The love which is sung by Browning is more pure and free, and is set in a higher altitude than anything that can be reached by the way of negation. It is a consecration of the undivided self, so that "soul helps not flesh more, than flesh helps soul." It is not only a spiritual and divine emotion, but it also" shows a heart within blood-tinctured with a veined humanity." 174 ROBERT BROWNING. .. 'Be a God and hold me With a charm! Be a man and hold me With thine arm ! "Teach me, only teach, Love! As I ought I will speak thy speech, Love! Think thy thought- 66 Meet, if thou require it, Both demands, Laying flesh and spirit In thy hands.” * True love is always an infinite giving, which holds nothing back. It is a spendthrift, magnificent in its recklessness, squandering the very essence of the self upon its object, and by doing so, in the end enriching the self beyond all counting. For in loving, the individual becomes re-impersonated in another; the distinction of Me and Thee is swept away, and there pulses in two individuals one warm life. "If two lives join, there is oft a scar They are one and one with a shadowy third; One near one is too far. "A moment after, and hands unseen Were hanging the night around us fast ; But we knew that a bar was broken between Life and life: we were mixed at last In spite of the mortal screen." † The throwing down of the limits that wall a man within himself, the mingling of his own deepest interests with those of others, always marks love; † By the Fireside. * A Woman's Last Word. THE PRINCIPLE OF LOVE. 175 be it love of man for maid, parent for child, or patriot for his country. It opens an outlet into the pure air of the world of objects, and enables man to escape from the stuffed and poisonous atmos- phere of his narrow self. It is a streaming outwards of the inmost treasures of the spirit, a consecra- tion of its best activities to the welfare of others. And when this is known to be the native quality and quintessence of love, no one can regard it anywhere, or at any time, as out of place. "Prize- lawful or prize-lawless" it is ever a flower, even though it grow, like the love of the hero of Turf and Towers, in slime. Lust, fleshly desire, which has been too often miscalled love, is its worst perversion. Love spends itself for another, and seeks satisfaction only in another's good. But last uses up others for its own worst purposes, wastes its object, and turns the current of life back inwards, into the slush and filth of selfish pleasure. The distinction between love and its perversion, which is impossible in the naïve life of an animal, ought to be clear enough to all, and probably is. Nor should the sexual impulse in human beings be confused with fleshly desire, and treated as if it were merely natural, the mere lust of life common to all living things,-" that strive," as Spinoza put it, "to persevere in existing." For there is no purely natural impulse in man; all that he is, is transfused with spirit, whether he will or no. He cannot act as a mere animal, because he cannot leave his rational nature behind him. "" (C 176 ROBERT BROWNING. He cannot desire as an innocent brute desires: his desire is always love or lust. We have as little right to say that the wisdom of the sage is nothing but the purblind savagery of a Terra del Fuegian, as we have to assert that love is nothing but a sexual impulse. That impulse rather, when its potency is set free, will show itself, at first con- fusedly, but with more and more clearness as it expands, to be the yearning of soul for soul. It puts us "in training for a love which knows not sex, nor person, nor partiality; but which seeks virtue and wisdom everywhere, to the end of in- creasing virtue and wisdom." The height to which this passion lifts man, is just what makes possible the fall into a sensuality and excess of brutishness, in comparison with which animal life. is a paradise of innocence. If this is clearly recognized, many of the idle questions of casuistry that are sometimes raised regarding sexual love and marriage will cease to trouble. For these questions generally presup- pose the lowest possible view of this passion. Browning shows us how to follow with serene security the pure light of the emotion of love, amidst all the confused lawlessness of lustful passion, and through all the intricacies of human character. Love, he thinks, is never illicit, never unwise, except when it is disloyal to itself; it never ruins, but always strives to enrich its object. Bacon quotes with approval a saying “That it is impossible to love, and to be wise.' Browning "" THE PRINCIPLE OF LOVE. 177 asserts that it is impossible to love and not be wise. It is a power that, according to the Chris- tian idea which the poet adopts, has infinite good- ness for its source, and that, even in its meanest expression, is always feeling its way back to its origin, flowing again into the ocean whence it came. So sparklingly pure is this passion that it could exorcise the evil and turn old to new, even in the case of Léonce Miranda. At least Browning, in this poem, strives to show that, being true love, though the love of an unclean man for an unclean woman, it was a power at war with the sordid elements of that sordid life. Love has always the same potency, flame is always flame, "no matter whence flame sprung, From gums and spice, or else from straw and rottenness. "Let her but love you, All else you disregard! what else can be? You know how love is incompatible With falsehood-purifies, assimilates All other passions to itself." † " "Ne'er wrong yourself so far as quote the world And say, love can go unrequited here! You will have blessed him to his whole life's end- Low passions hindered, baser cares kept back, All goodness cherished where you dwelt-and dwell.” ‡ But, while love is always a power lifting a man upwards to the level of its own origin from what- ever depths of degradation, its greatest potency can reveal itself only in characters intrinsically pure, ‡ Ibid. * Fifine at the Fair, lv. † Colombe's Birthday. I 178 ROBERT BROWNING. such as Pompilia and Caponsacchi. Like mercy and every other spiritual gift, it is mightiest in the mighty. In the good and great of the earth love is veritably seen to be God's own energy; "Who never is dishonoured in the spark He gave us from His fire of fires, and bade Remember whence it sprang, nor be afraid While that burns on, though all the rest grow dark.´* * It were almost an endless task to recount the ways in which Browning exhibits the moralizing power of love how it is for him the quintessence of all goodness; the motive, and inspiring cause, of every act in the world that is completely right; and how, on that account, it is the actual working in the man of the ideal of all perfection. This doctrine of love is, in my opinion, the richest vein of pure ore in Browning's poetry. 1 But it remains to follow briefly our poet's treat- ment of love in another direction-as a principle present, not only in God as creative and redeeming Power, and in man as the highest motive and energy of the moral life, but also in the outer world, in the "material" universe. In the view of the poet, the whole creation is nothing but love incarnate, a pulsation from the divine heart. Love is the source of all law and of all beauty. "Day unto day uttereth speech, and night unto night speaketh knowledge. There is no speech or language where their voice is not heard." And our poet speaks 41 at 19 qamah dem * Any Wife to Any Husband, III. THE PRINCIPLE OF LOVE. 179 as if he had caught the meaning of the language, and believes that all things speak of love-the love of God. "I think," says the heroine of the Inn Album, "Womanliness means only motherhood; All love begins and ends there,-roams enough, But, having run the circle, rests at home.” * And Browning detects something of this motherhood everywhere. He finds it as "C Some cause Such as is put into a tree, which turns Away from the north wind with what nest it holds." † The Pope-who, if any one, speaks for Browning- declares that 'Brute and bird, reptile and the fly, Ay and, I nothing doubt, even tree, shrub, plant And flower o' the field, are all in a common pact To worthily defend the trust of trusts, Life from the Ever Living." ‡ 66 "Because of motherhood," said the minor pope in Ivan Ivanovitch, "each male Yields to his partner place, sinks proudly in the scale : His strength owned weakness, wit-folly, and courage-fear, Beside the female proved males's mistress-only here The fox-dam, hunger-pined, will slay the felon sire Who dares assault her whelp." The betrayal of the mother's trust is the * The Inn Album. † The Ring and the Book-Canon Caponsacchi, 1374-1376. The Ring and the Book-The Pope, 1076-1081. "C un- 180 ROBERT BROWNING. exampled sin," which scares the world and shames God. "I hold that, failing human sense, The very earth had oped, sky fallen, to efface Humanity's new wrong, motherhood's first disgrace.' > * This instinct of love, which binds brute-parent to brute-offspring, is a kind of spiritual law in the natural world: it, like all law, guarantees the con- tinuity and unity of the world, and it is scarcely akin to merely physical attraction. No doubt its basis is physical; it has an organism of flesh and blood for its vehicle and instrument: but mathe- matical physics cannot explain it, nor can it be detected by chemical tests. Rather, with the poet, we are to regard brute affection as a kind of rude outline of human love; as a law in nature, which, when understood by man and adopted as his rule of conduct, becomes the essence and potency of his moral life. Thus Browning regards love as an omnipresent good. There is nothing, he tells us in Fifine, which cannot reflect it; even moral putridity becomes phosphorescent, and sparks from heaven trans- pierce earth's coarsest covertures." << "There is no good of life but love-but love! What else looks good, is some shade flung from love, Love gilds it, gives it worth." † t There is no fact which, if seen to the heart, will * Ivàn Ivànovitch. † In a balcony. THE PRINCIPLE OF LOVE. 181 not prove itself to have love for its purpose, and, therefore, for its substance. And it is on this account that everything finds its place in a kosmos and that there is 66 'No detail but, in place allotted it, was prime And perfect." * Every event in the history of the world and of man is explicable, as the bursting into new form of this elemental, all-pervading power. The per- manence in change of nature, the unity in variety, the strength which clothes itself in beauty, are all manifestations of love. Nature is not merely natural; matter and life's minute beginnings, are more than they seem. Paracelsus said that he knew and felt What God is, what we are, What life is—how God tastes an infinite joy In finite ways—one everlasting bliss, From whom all being emanates, all power Proceeds in whom is life for evermore, Yet whom existence in its lowest form Includes." † << The scheme of love does not begin with man, he is rather its consummation. << Whose attributes had here and there Been scattered o'er the visible world before, Asking to be combined, dim fragments meant To be united in some wondrous whole, Imperfect qualities throughout creation, Suggesting some one creature yet to make, Some point where all those scattered rays should meet Convergent in the faculties of man. * Fifine at the Fair. xxxi. † Paracelsus. 182 ROBERT BROWNING. Hints and previsions of which faculties, Are strewn confusedly everywhere about The inferior natures, and all lead up higher, All shape out divinely the superior race, The heir of hopes too fair to turn out false, And man appears at last."* Power, knowledge, love, all these are found in the world, in which "All tended to mankind, And, man produced, all has its end thus far : But, in completed man begins anew A tendency to God." † For man, being intelligent, flings back his light on all that went before, "Illustrates all the inferior grades, explains Each back step in the circle." ‡ He gives voice to the mute significance of Nature, and lets in the light on its blind groping. (6 Man, once descried, imprints for ever His presence on all lifeless things.' "" And how is this interpretation achieved? By penetrating behind force, power, mechanism, and even intelligence, thinks the poet, to a purpose which is benevolent, a reason which is all embracing and rooted in love. The magnificent failure of Paracelsus came from missing this last step. His transcendent hunger for knowledge was not satisfied, not because human knowledge is essentially an illusion or mind disease, but because his knowledge † Ibid. Ibid. 189. * Paracelsus. THE PRINCIPLE OF LOVE. 183 did not reach the final truth of things, which is love. For love alone makes the heart wise, to know the secret of all being. This is the ultimate hypothesis in the light of which alone man can catch a glimpse of the general direction and intent of the universal movement in the world and man. Dying, Paracelsus, taught by Aprile, caught a glimpse of this elemental "love-force," in which alone lies the clue to every problem, and the promise of the final satisfaction of the human spirit. Failing in this knowledge, man may know many things, but nothing truly; for all such knowledge stays with outward shows. It is love alone that puts man in the right relation to his fellows and to the world, and removes the distortion which fills life with sorrow, and makes it Only a scene Of degradation, ugliness and tears, The record of disgraces best forgotten, A sullen page in human chronicles Fit to erase. *** tr But in the light of love, man sees a good in evil, and a hope in ill success," and recognizes that man- kind are " "All with a touch of nobleness, despite Their error, upward tending all though weak; Like plants in mines which never saw the sun, But dream of him, and guess where he may be, And do their best to climb and get to him.”† "All this I knew not," adds Paracelsus, † Ibid. * Paracelsus. << ' and I 184 ROBERT BROWNING. failed. Let men take the lesson and press this lamp of love, 'God's lamp, close to their breasts'; its splendour, soon or late, will pierce the gloom," and show that the universe is a transparent manifestation of His beneficence. 5 CHAPTER VII. BROWNING'S IDEALISM, AND ITS PHILOSOPHICAL JUSTIFICATION. 66 Master, explain this incongruity! When I dared question, 'It is beautiful, But is it true?' thy answer was, 'In truth Lives Beauty.'"* E have now seen how Browning sought to WE explain all things as manifestations of the principle of love; how he endeavoured to bring all the variety of finite existence, and even the deep discrepancies of good and evil, under the sway of one idea. I have already tried to show that all human thought is occupied with the same task: science, art, philosophy, and even the most ordinary common-sense, are all, in their different ways, seek- ing for constant laws amongst changing facts. Nay, we may even go so far as to say that all the activity of man, the practical as well as the theo- retical, is an attempt to establish a modus vivendi between his environment and himself. And such an attempt rests on the assumption that there is some ground common to both of the struggling * Shah Abbas. 186 ROBERT BROWNING. powers within and without, some principle that manifests itself both in man and in nature. So that all men are philosophers to the extent of postulating a unity, which is deeper than all differ- ences; and all are alike trying to discover, in how- ever limited or ignorant a way, what that unity is. If this fact were more constantly kept in view, the effort of philosophers to bring the ulti- mate colligating principles of thought into clear consciousness would not, at the outset at least, be regarded with so much suspicion. For the philos- opher differs from the practical man of the world, not so much in the nature of the task which he is trying to accomplish, as in the distinct and conscious pur- pose with which he enters upon it. Now, I think that those, who, like Browning, offer an explicitly optimistic idea of the relation between man and the world, have a special right to a respect- ful hearing; for it can scarcely be denied that their optimistic explanation is invaluable, if it is true- "So might we safely mock at what unnerves Faith now, be spared the sapping fear's increase That haply evil's strife with good shall cease Never on earth." * Despair is a great clog to good work for the world, and pessimists, as a rule, have shown much more readiness than optimists to let evil have its unim- peded way. Having found, like Schopenhauer, that "Life is an awkward business," they "determine to * Bernard de Mandeville. JUSTIFICATION OF HIS IDEALISM. 187 spend life in reflecting on it," or at least in moaning about it. The world's helpers have been men of another mould; and the contrast between Fichte and Schopenhauer is suggestive of a general truth :- "Fichte, in the bright triumphant flight of his idealism, supported by faith in a moral order of the world which works for righteousness, turning his back on the darker ethics of self-torture and mortification, and rushing into the political and social fray, proclaiming the duties of patriotism, idealizing the soldier, calling to and exercising an active philanthrophy, living with his nation, and continually urging it upwards to higher levels of self-realization-Schopenhauer recurring to the idea of asceticism, preaching the blessedness of the quiescence of all will, disparaging efforts to save the nation or elevate the masses, and holding that each has enough to do in raising his own self from its dull engrossment in lower things to an absorption in that pure, passionless being which lies far beyond all, even the so-called highest, pursuits of practical life.' " * A pessimism, which is nothing more than flippant fault-finding, frequently gains a cheap reputation for wisdom; and, on the other hand, an optimism, which is really the result of much reflection and experience, may be regarded as the product of a superficial spirit that has never known the deeper evils of life. But, if pessimism be true, it differs from other truths by its uselessness; for, even if it * Schopenhauer, by Prof. Wallace. 188 ROBERT BROWNING. saves man from the bitterness of petty disappoint- ments, it does so only by making the misery uni- versal. There is no need to specify, when “All is vanity." The drowning man does not feel the dis- comfort of being wet. But yet, if we reflect on the problem of evil, we shall find that there is no neutral ground, and shall ultimately be driven to choose between pessimism and its opposite. Nor, on the other hand, is the suppression of the problem of evil possible, except at a great cost. It presents itself anew in the mind of every thinking man; and some kind of solution of it, or at least some definite way of meeting its difficulty, is involved in the attitude which every man assumes towards life and its tasks. It is not impossible that there may be as much to be said for Browning's joy in life and his love of it, as there is for his predecessor's rage and sorrow. Browning certainly thought that there was; and he held his view consistently to the end. We cannot, therefore, do justice to the poet without dealing critically with the principle on which he has based his faith, and observing how far it is appli- cable to the facts of human life. As I have previously said, he strives hard to come into fair contact with the misery of man in all its sadness; and, after doing so, he claims, not as a matter of poetic sentiment, but as a matter of strict truth, that good is the heart and reality of it all. It is true that he cannot demonstrate the truth of his principle by reference to all the facts, any more than the scientific man can JUSTIFICATION OF HIS IDEALISM. 189 justify his hypothesis in every detail; but he holds it as a faith which reason can justify and experience establish, although not in every isolated phenome- non. The good may, he holds, be seen actually at work in the world, and its process will be more fully known, as human life advances towards its goal. Though Master keep aloof, Signs of His presence multiply from roof To basement of the building." * ઃઃ Thus Browning bases his view upon experience, and finds firm footing for his faith in the present; although he acknowledges that the "profound of ignorance surges round his rockspit of self-know- ledge." Enough that now, Here where I stand, this moment's me and mine, Shows me what is, permits me to divine What shall be." † "" "Since we know love we know enough"; for in love, he confidently thinks we have the key to all the mystery of being. Now, what is to be made of an optimism of this kind, which is based upon love and which professes to start from experience, or to be legitimately and rationally derived from it ? If such a view be taken seriously, as I propose doing, we must be prepared to meet at the outset with some very grave difficulties. The first of these is that it is an interpretation of facts by a human *Francis Furini. † Ibid. 190 ROBERT BROWNING. emotion. To say that love blushes in the rose, or breaks into beauty in the clouds, that it shows its strength in the storm, and sets the stars in the sky, and that it is in all things the source of order and law, may imply a principle of supreme worth both to poetry and religion; but when we are asked to take it as a metaphysical explanation of facts, we are prone, like the judges of Caponsacchi, not to levity, or to anything indecorous "_ (C (C Only-I think I apprehend the mood : There was the blameless shrug, permissible smirk, The pen's pretence at play with the pursed mouth, The titter stifled in the hollow palm Which rubbed the eye-brow and caressed the nose, When I first told my tale; they meant, you know- 'The sly one, all this we are bound believe ! Well, he can say no other than what he says.'"* We are sufficiently willing to let the doctrine be held as a pious opinion. The faith that "all's love yet all's law," like many another illusion, if not hugged too closely, may comfort man's naked- ness. But if we are asked to substitute this view for that which the sciences suggest,—if we are asked to put "Love" in the place of physical energy, and, by assuming it as a principle, to regard as unreal all the infinite misery of humanity and the degradation of intellect and character from which it arises, common-sense seems at once to take the side of the doleful sage of Chelsea. When the optimist postulates that the state of the world, * The Ring and the Book-Canon Caponsacchi, 14–20. JUSTIFICATION OF HIS IDEALISM. 191 were it rightly understood, is completely satisfactory, reason seems to be brought to a stand; and if poetry and religion involve such a postulate, they are taken to be ministering to the emotions at the expense of the intellect. Browning, however, was not a mere sentimentalist who could satisfy his heart without answering the questions of his intellect. Nor is his view without support-at least, as regards the substance of it. The presence of an idealistic element in things is recognized even by ordinary thought; and no man's world is so poor that it would not be poorer still for him, if it were reduced by the abstract sciences of nature into a mere manifestation of physical force. Such a world Richter compares to an empty eye- socket. The great result of speculation since the time of Kant is to teach us to recognize that objects are essentially related to mind, and that the principles which rule our thought enter, so to speak, into the constitution of the things we know. A very slight acquaintance with the history even of psychology, especially in modern times, shows that facts are more and more retracted into thought. This science, which began with a sufficiently common-sense view, not only of the reality and solidity of the things of the outer world, but of their opposition to, or inde- pendence of thought, is now thinning that world down into a mere shadow-a something which ex- cites sensation. It shows that external things as we know them, and we are not concerned in any others, 192 ROBERT BROWNING. "C are, to a very great extent, the product of our think- ing activities. No one will now subscribe to the Lockian or Humean view, of images impressed by objects on mind: the object which "impresses" has first to be made by mind, out of the results of nervous excitation. In a word, modern psychology as well as modern metaphysics, is demonstrating more and more fully the dependence of the world, as it is known, on the nature and activity of man's mind. Every explanation of the world is found to be, in this sense, idealistic; and in this respect, there is no difference whatsoever between the inter- pretation given by science and that of poetry, or religion, or philosophy. If we say that a thing is a substance," or has "a cause"; if, with the physicist, we assert the principle of the transmuta- tion of energy, or make use of the idea of evolution with the biologist or geologist; nay, if we speak of time and space with the mathematician, we use principles of unity derived from self-consciousness, and interpret nature in terms of ourselves, just as truly as the poet or philosopher, who makes love, or reason, the constitutive element in things. If the practical man of the world charges the poet and philosopher with living amidst phantoms, he can be answered with a "Tu quoque.' How easy," said Emerson, "it is to show the materialist that he also is a phantom walking and working amid phan- toms, and that he need only ask a question or two beyond his daily questions to find his solid universe proving dim and impalpable before his sense.' "" }} - "} JUSTIFICATION OF HIS IDEALISM. 193 Sense," which seems to show directly that the world is a solid reality, not dependent in any way on thought, is found not to be reliable. All science is nothing but an appeal to thought from ordinary sensuous opinion. It is an attempt to find the reality of things by thinking about them; and this reality, when it is found, turns out to be a law. But laws are ideas; though, if they are true ideas, they represent not merely thoughts in the mind, but also real principles, which manifest themselves in the objects of the outer world, as well as in the thinker's mind. "" It is not possible in such a work as this, to give a carefully reasoned proof of this view of the relation of thought and things, or to repeat the argument of Kant. I must be content with merely referring to it, as showing that the principles in virtue of which we think, are the principles in virtue of which objects as we know them exist; and we cannot be concerned with any other objects. The laws which scientific investigation discovers are not only ideas that can be written in books, but also principles which explain the nature of things. In other words, the hypotheses of the natural sciences, or their categories, are points of view in the light of which the external world can be regarded as governed by uniform laws. And these constructive principles, which lift the other- wise disconnected world into an intelligible system, are revelations of the nature of intelligence, and only on that account principles for explaining the world. 7 194 ROBERT BROWNING. "To know, Rather consists in opening out a way Whence the imprisoned splendour may escape, Than in effecting entry for a light Supposed to be without." * In this sense, it may be said that all knowledge is anthropomorphic; and in this respect there is no difference between the physics, which speaks of energy as the essence of things, and the poetry, which speaks of love as the ultimate principle of reality. Between such scientific and idealistic ex- planations there is not even the difference that the one begins without and the other within, or that the one is objective and the other subjective. The true distinction is that the principles upon which the latter proceed are less abstract than those of science. "Reason" and "love" are higher principles for the explanation of the nature of things than "substance or "cause"; but both are forms of the unity of thought. And if the latter seem to have nothing to do with the self, it is only because they are inad- equate to express its full character. On the other hand, the higher categories, or ideas of reason, seem to be merely anthropomorphic, and, therefore, ill- suited to explain nature, because the relation of nature to intelligence is habitually neglected by ordinary thought, which has not pressed its prob- lems far enough to know that such higher cate- gories can alone satisfy the demand for truth. "" But natural science is gradually driven from the lower to the higher categories, or, in other * Paracelsus. JUSTIFICATION OF HIS IDEALISM. 195 words, it is learning to take a more and more idealistic view of nature. It is moving very slowly, because it is a long labour to exhaust the uses of an instrument of thought; and it is only at great intervals in the history of the human intellect, that we find the need of a change of categories. But, as already hinted, there is no doubt that science is becoming increasingly aware of the conditions, under which alone its results may be held as valid. At first, it drove "mind" out of the realm of nature, and offered to explain both it and man in physical and mathe- matical terms. But, in our day, the man of science has become too cautious to make such rash exten- sions of the principles he uses. He is more inclined to limit himself to his special field, and he refuses to make any declaration as to the ultimate nature of things. He holds himself apart from materialism, as he does from idealism. I think I may even go further, and say that the fatal flaw of materialism has been finally detected, and that the essential relativity of all objects to thought is all but universally acknowledged. The common notion that science gives a com- plete view of truth, to which we may appeal as re- futing idealism, is untenable. Science itself will not support the appeal, but will direct the appel- lant to another court. Perhaps, rather, it would be truer to say that its attitude is one of doubt whether or not any court, philosophical or other, can give any valid decision on the matter. Con- 196 ROBERT BROWNING. fining themselves to the region of material pheno- mena, scientific men generally leave to common ignorance, or to moral and theological tradition, all the interests and activities of man, other than those which are physical or physiological. And some of them are even aware, that if they could find the physical equation of man, or, through their knowledge of physiology, actually produce in man the sensations, thoughts, and notions now as- cribed to the intelligent life within him, the ques- tion of the spiritual or material nature of man and the world, would remain precisely where it was. The explanation would still begin with mind and end there. The principles of the materialistic ex- planation of the world would still be derived from intelligence; mind would still underlie all it ex- plained, and completed science would still be, in this sense, anthropomorphic. The charge of an- thropomorphism thus falls to the ground, because it would prove too much. It is a weapon which cuts the hand that wields it. And, as directed against idealism, it only shows that he who uses it has inadequate notions both of the nature of the self and of the world, and is not aware that each gets meaning, only as an exponent of the other. On the whole, we may say that it is not men of science who now assail philosophy, because it gives an idealistic explanation of the world, so much as unsystematic dabblers in matters of thought. The best men of science, rather, show a tendency to acquiesce in a kind of dualism of JUSTIFICATION OF HIS IDEALISM. 197 matter and spirit, and to leave morality and re- ligion, art and philosophy to pursue their own ends undisturbed. Mr. Huxley, for instance, and some others, offer two philosophical solutions, one proceeding from the material world and the other from the sensations and other facts of conscious- ness." They say that we may either explain man as a natural phenomenon, or the world as a mental one. (C But it is a little difficult not to ask which of these explanations is true. Both of them cannot well be, seeing that they are different. And neither of them can be adopted without very serious con- sequences. It would require considerable hardihood to suggest that natural science should be swept away in favour of psychology, which would be done if the one view held by Mr. Huxley were true. And, in my opinion, it requires quite as much hardihood to suggest the adoption of a theory that makes morality and religion illusory, which would be done were the other view valid. As a matter of fact, however, such an attitude can scarcely be held by any one who is interested both in the success of natural science and in the spiritual development of mankind. We are con- strained rather to say that, if these rival lines of thought lead us to deny either the outer world of things, or the world of thought and morality, then they must both be wrong. They are not "explana- tions" but false theories, if they lead to such con- clusions as these. And, instead of holding them up 198 ROBERT BROWNING. to the world as the final triumph of human thought, we should sweep them into the dust-bin, and seek for some better explanation from a new point of view. And, indeed, a better explanation is sought, and sought not only by idealists, but by scientific men themselves,-did they only comprehend their own main tendency and method. The impulse towards unity, which is the very essence of thought, if it is baulked in one direction by a hopeless dualism, just breaks out in another. Subjective idealism, that is, the theory that things are nothing but phenomena of the individual's consciousness, that the world is really all inside the philosopher, is now known by most people to end in self-contradiction; and mate- rialism is also known to begin with it. And there are not many people sanguine enough to believe with Mr. Huxley and Mr. Herbert Spencer, that, if we add two self-contradictory theories together, or hold them alternately, we shall find the truth. Modern science, that is, the science which does not philosophize, and modern philosophy are with toler- able unanimity denying this absolute dualism. They do not know of any thought that is not of things, or of any things that are not for thought. It is necessarily assumed that, in some way or other, the gap between things and thought is got over by knowledge. How the connection is brought about may not be known; but, that there is the connec- tion between real things and true thoughts, no one can well deny. It is an ill-starred perversity which JUSTIFICATION OF HIS IDEALISM. 199 leads men to deny such a connection, merely because they have not found out how it is established. A new category of thought has taken possession of the thought of our time-a category which is fatal to dualism. The idea of development is breaking down the division between mind and matter, as it is breaking down all other absolute divisions. Geology, astronomy, and physics at one extreme, biology, psychology, and philosophy at the other, combine in asserting the idea of the universe as a unity which is always evolving its content, and bringing its secret potencies to the light. It is true that these sciences have not linked hands as yet. We cannot get from chemistry to biology without a leap, or from physi- ology to psychology without another. But no one will postulate a rift right through being. The whole tendency of modern science implies the opposite of such a conception. History is striving to trace continuity between the civilized man and the savage. Psychology is making towards a junction with physiology and general biology, biology with chem- istry, and chemistry with physics. That there is an unbroken continuity in existence is becoming a postulate of modern science, almost as truly as the "universality of law "or" the uniformity of nature." Nor is the postulate held less firmly because the evidence for the continuity of nature is not yet complete. Chemistry has not yet quite lapsed into physics; biology at present shows no sign of giving up its characteristic conception of life, and the former science is as yet quite unable to deal with that 200 ROBERT BROWNING. peculiar phenomenon. The facts of consciousness have not been resolved into nervous action, and, so far, mind has not been shown to be a secretion of brain. Nevertheless, all these sciences are beating against the limits which separate them, and new suggestions of connection between natural life and its inorganic environment are continually discovered. The sciences are boring towards each other, and the dividing strata are wearing thin; so that it seems reasonable to expect that, with the growth of knowledge, an unbroken way upwards may be discovered, from the lowest and simplest stages of existence to the highest and most complex forms. of self-conscious life. Now, to those persons who are primarily interested in the ethical and religious phenomena of man's life, the idea of abolishing the chasm between spirit and nature is viewed with no little apprehension. It is supposed that if evolution were established as a universal law, and the unity of being were proved, the mental and moral life of man would be degraded into a complex manifestation of mere physical force. And we even find religious men rejoicing at the failure of science to bridge the gap between the inorganic and the organic, and between natural and self-conscious life; as if the validity of religion de- pended upon the maintenance of their separating boundaries. But no religion that is free from super- stitious elements has anything to gain from the failure of knowledge to relate things to each other. It is difficult to see how breaks in the continuity of being JUSTIFICATION OF HIS IDEALISM. 201 can be established, when every living plant con- futes the absolute difference between the organic and inorganic, and, by the very fact of living, turns the latter into the former; and it is difficult to deny the continuity of "mind and matter," when every human being is relating himself to the outer world in all his thoughts and actions. And religion is the very last form of thought which could profit from such a proof of absolute distinctions, were it possible. In fact, as we have seen, religion, in so far as it demands a perfect and absolute being as the object of worship, is vitally concerned in maintaining the unity of the world. It must assume that matter, in its degree, reveals the same principle which, in a higher form, manifests itself in spirit. But closer investigation will show that the real ground for such apprehension does not lie in the continuity of existence, which evolution implies; for religion itself postulates the same thing. The appre- hension springs, rather, from the idea that the con- tinuity asserted by evolution, is obtained by resolving the higher forms of existence into the lower. It is believed that, if the application of development to facts were successfully carried out, the organic would be shown to be nothing but complex inorganic forces, mental life nothing but a physiological process, and religion, morality, and art, nothing but products of the highly complex motion of highly complex aggregates of physical atoms. It seems to me quite natural that science should be regarded as tending towards such a materialistic 202 ROBERT BROWNING. ! conclusion. This is the view which many scientific investigators have themselves taken of their work; and some of their philosophical exponents, notably Mr. Herbert Spencer, have, with more or less in- consistency, interpreted the idea of evolution in this manner. But, it may be well to bear in mind that science is generally far more successful in employing its constructive ideas, than it is in rendering an account of them. In fact, it is not its business to examine its categories: that task properly belongs to philosophy, and it is not a superfluous one. But, so long as the employment of the categories in the special province of a particular science yields valid results, scientific explorers and those who attach, and rightly attach, so much value to their discoveries, are very unwilling to believe that these categories are not valid universally. The warning voice of philosophy is not heeded, when it charges natural science with applying its conceptions to materials to which they are inadequate; and its examination of the categories of thought is regarded as an innocent, but also a useless, activity. For, it is argued, what good can arise from the analysis of our working ideas? The world looked for causes, and found them, when it was very young; but, up to the time of David Hume, no one had shown what causality meant, and the explanation which he offered is now rejected by modern science, as definitely as it is rejected by philosophy. Meantime, while philosophy is still engaged in exposing the fallacies of the theory of association as held by JUSTIFICATION OF HIS IDEALISM. 203 Hume, science has gone beyond this category alto- gether; it is now establishing a theory of the conservation of energy, which supplants the law of causality by tracing it into a deeper law of nature. There is some force in this argument, but it cuts both ways. For, even if it be admitted that the category was successfully applied in the past, it is also admitted that it was applied without being understood; and it cannot now be questioned that the philosophers were right in rejecting it as the final explanation of the relation of objects to each other, and in pointing to other and higher connecting ideas. And this consideration should go some way towards convincing evolutionists that, though they may be able successfully to apply the idea of de- velopment to particular facts, this does not guarantee the soundness of their view of it as an instrument of thought, or of the nature of the final results which it is destined to achieve. Hence, without any dis- paragement to the new extension which science has received by the use of this new idea, it may be maintained that the ordinary view of its tendency and mission is erroneous. (C < "The prevailing method of explaining the world," says Professor Caird, may be described as an attempt to level downwards.' The doctrine of development, interpreted as that idea usually is in- terpreted, supports this view, as making it necessary to trace back higher and more complex to lower or simpler forms of being; for the most obvious way of accomplishing this task is to show analytically 204 ROBERT BROWNING. "" that there is really nothing more in the former than in the latter."* Divorced from matter," asks Professor Tyndall, "where is life to be found? Whatever our faith may say our knowledge shows them to be indissolubly joined. Every meal we eat, and every cup we drink, illustrates the mysterious control of Mind by Matter. Trace the line of life backwards and see it approaching more and more to what we call the purely physical condition.” * And then, rising to the height of his subject, or even above it, he proclaims, " By an intellectual necessity I cross the boundary of the experimental evidence, and discern in that Matter which we, in our ignor- ance of its latent powers, and notwithstanding our professed reverence for its Creator, have hitherto covered with opprobrium, the promise and potency of all terrestrial life."* A little further on, speaking in the name of science, and on behalf of his scientific fellow-workers (with what right is a little doubtful), he adds" We claim, and we shall wrest, from theology, the entire domain of cosmological theory. All schemes and systems which thus infringe upon the domain of science, must, in so far as they do this, submit to its control, and relinquish all thought of controlling it." But if science is to control the knowable world, he generously leaves the remainder for religion. He will not deprive it of a faith in "a Power absolutely inscrutable to the intellect * The Critical Philosophy of Kant, Vol. I. p. 34 + Address to the British Association, 1874, P. 54. ‡ Belfast Address, 1874. JUSTIFICATION OF HIS IDEALISM. 205 of man. As little in our days as in the days of Job can a man by searching find this Power out." And, now that he has left this empty sphere of the unknown to religion, he feels justified in add- ing, There is, you will observe, no very rank materialism here." (( "Yet they did not abolish the gods, but they sent them well out of the way, With the rarest of nectar to drink, and blue fields of nothing to sway.” * Now these declarations of Mr. Tyndall are, to say the least, somewhat ambiguous and shadowy. Yet, when he informs us that eating and drinking illustrate the control of mind by matter," and "that the line of life traced backwards leads towards a purely physical condition," it is a little difficult to avoid the conclusion that he regards science as destined. << "To tread the world Into a paste, and thereof make a smooth Uniform mound, whereon to plant its flag.”† For the conclusion of the whole argument seems to be, that all we know as facts are mere forms of matter; although the stubborn refusal of conscious- ness to be resolved into natural force, and its power of constructing for itself a world of symbols, gives science no little trouble, and forces it to acknowledge complete ignorance of the nature of the power from which all comes. * Clerk Maxwell : "Notes of the President's Address,” British Association, 1874. † Prince Hohenstiel-Schwangau. 206 ROBERT BROWNING. > I have now arrived at the conclusion that was sought. I have tried to show, not only that the attempt to interpret nature in terms of man is not a superstitious anthropomorphism, but that such an interpretation is implied in all rational thought. In other words, self-consciousness is the key to all the problems of nature. Science, in its progress, is gradually substituting one category for the other, and every one of these categories is at once a law of thought and a law of things as known. Each category, successively adopted, lifts nature more to the level of man; and the last category of modern thought, namely, development, constrains us so to modify our views of nature, as to regard it as finally explicable only in the terms of spirit. Thus, the movement of science is towards idealism. Instead of lowering man, it elevates nature into a potency of that which is highest and best in man. It rep- resents the life of man, in the language of philos- ophy, as the return of the highest to itself; or in the language of our poet, and of religion, as a manifestation of infinite love. The explanation of nature from the principle of love, if it errs, errs • 218 ROBERT BROWNING. "because it is not anthropomorphic enough," not because it is too anthropomorphic; it is not too high and concrete a principle, but too low and abstract. It now remains to show that the poet, in employ- ing the idea of evolution, was aware of its upward direction. I have already quoted a few passages which indicate that he had detected the false use of it. I shall now quote a few others in which he shows a consciousness of its true meaning: “Will you have why and wherefore, and the fact Made plain as pike-staff?' modern Science asks. 'That mass man sprung from was a jelly-lump Once on a time; he kept an after course Through fish and insect, reptile, bird and beast, Till he attained to be an ape at last, Or last but one. And if this doctrine shock In aught the natural pride.'"* "Not at all," the poet interrupts the man of science: "Friend, banish fear!" "I like the thought He should have lodged me once I' the hole, the cave, the hut, the tenement, The mansion and the palace; made me learn The feel o' the first, before I found myself Loftier i' the last." t This way upward from the lowest stage through every other to the highest, that is, the way of development, so far from lowering us to the brute level, is the only way for us to attain to the true highest, namely, the all-complete. *Prince Hohenstiel-Schwangau. † Ibid. JUSTIFICATION OF HIS IDEALISM. 219 But grant me time, give me the management And manufacture of a model me, Me fifty-fold, a prince without a flaw,- Why, there's no social grade, the sordidest, My embryo potentate should brink and scape. King, all the better he was cobbler once, He should know, sitting on the throne, how tastes Life to who sweeps the doorway." * "C But then, unfortunately, we have no time to make our kings in this way. 'You cut probation short, And, being half-instructed, on the stage You shuffle through your part as best you can. 66 God, however, "takes time." He makes man pass his apprenticeship in all the forms of being. Nor does the poet "" "Refuse to follow farther yet I' the backwardness, repine if tree and flower, Mountain or streamlet were my dwelling-place Before I gained enlargement, grew mollusc."‡ It is, indeed, only on the supposition of having been thus evolved from inanimate being that he is able to account "For many a thrill Of kinship, I confess to, with the powers Called Nature: animate, inanimate, In parts or in the whole, there's something there Man-like that somehow meets the man in me."§ These passages make it clear that the poet recog- nized that the idea of development "levels up," and that he makes an intelligent, and not a per- * Prince Hohenstiel-Schwangau. Ibid. † Ibid. § Ibid. 220 ROBERT BROWNING. verted and abstract use of this instrument of thought. He sees each higher stage carrying within it the lower, the present storing up the past; he recognizes that the process is a self-enriching one. He knows it to be no degradation of the higher that it has been in the lower; for he distinguishes between that life, which is continuous amidst the fleeting forms, and the temporary tenements, which it makes use of during the process of ascending. 'From first to last of lodging, I was I, And not at all the place that harboured me. << ✩. "" " 'He dwells in all, From life's minute beginnings, up at last To man-the consummation of this scheme * Prince Hohenstiel-Schwangau. When nature is thus looked upon from the point of view of its final attainment, in the light of the self-consciousness into which it ultimately breaks, a new dignity is added to every preceding phase. The lowest ceases to be lowest, except in the sense that its promise is not fulfilled and its potency not actualized; for, throughout the whole process, the activity streams from the highest. It is that which is about to be which guides the growing thing and gives it unity. The final cause is the efficient cause; the distant purpose is the ever-present energy; the last is always first. Nor does the poet shrink from calling this highest, this last which is also first, by its highest name, -God. JUSTIFICATION OF HIS IDEALISM. 221 Of being, the completion of this sphere Of life." * "All tended to mankind," he said, after review- ing the whole process of nature in Paracelsus, 66 And, man produced, all has its end thus far : But in completed man begins anew A tendency to God." † There is nowhere a break in the continuity. God is at the beginning, His rapturous presence is seen in all the processes of nature, His power and know- ledge and love work in the mind of man, and all history is His revelation of Himself. The gap which yawns for ordinary thought be- tween animate and inanimate, between nature and spirit, between man and God, does not baffle the poet. At the stage of human life, which is "the grand result" of nature's blind process, "C A supplementary reflux of light, Illustrates all the inferior grades, explains "" Each back step in the circle. Nature is retracted into thought, built again in mind. Man, once descried, imprints for ever His presence on all lifeless things."§ 66 The self-consciousness of man is the point where "all the scattered rays meet”; and and "the dim fragments," the otherwise meaningless manifold, the dispersed activities of nature, are lifted into a * Paracelsus. † Ibid. ‡ Ibid. § Ibid. : 222 ROBERT BROWNING. kosmos by the activity of intelligence. In its light, the forces of nature are found to be, not blind nor purposeless, but "hints and previsions "" "Strewn confusedly everywhere about The inferior natures, and all lead up higher, All shape out dimly the superior race, The heir of hopes too fair to turn out false, And man appears at last." * In this way, and in strict accordance with the principle of evolution, the poet turns back at each higher stage to re-illumine in a broader light what went before,-just as we know the seedling after it is grown; just as, with every advance in life, we interpret the past anew, and turn the mixed ore of action into pure metal by the reflection which draws the false from the true. "Youth ended, I shall try My gain or loss thereby; Leave the fire ashes, what survives is gold: And I shall weigh the same, Give life its praise or blame : Young, all lay in dispute; I shall know, being old.” † As youth attains its meaning in age, so does the unconscious process of nature come to its meaning And old age, in man is able to "Still within this life Though lifted o'er its strife,' "1 "Discern, compare, pronounce at last, This rage was right i' the main, That acquiescence vain "; ‡ † Rabbi Ben Ezra. * Paracelsus. ‡ Ibid. JUSTIFICATION OF HIS IDEALISM. 223 so man is able to penetrate beneath the apparently chaotic play of phenomena, and find in them law, and beauty, and goodness. The laws which he finds by thought are not his inventions, but his dis- coveries. The harmonies are in the organ, if the artist only knows how to elicit them. Nay, the connection is still more intimate. It is in the thought of man that silent nature finds its voice; it blooms into "meaning," significance, thought, in him, as the plant shows its beauty in the flower. Nature is making towards humanity, and in human- ity it finds itself. "Striving to be man, the worm Mounts through all the spires of form." * The geologist, physicist, chemist, by discovering the laws of nature, do not bind unconnected phe- nomena; but they refute the hasty conclusion of sensuous thought, that the phenomena ever were unconnected. Men of science do not introduce order into chance and chaos, but show that there never was chance or chaos. The poet does not make the world beautiful, but finds the beauty that is dwelling there. Without him, indeed, the beauty would not be, any more than the life of the tree is beautiful until it has evolved its potencies into the outward form. Nevertheless, he is the expression of what was before, and the beauty was there in potency, awaiting its expression. Only let his thoughts be of equal scope, and the frame will suit the picture," said Emerson. (C * Emerson. 224 ROBERT BROWNING. "The winds Are henceforth voices, wailing or a shout, A querulous mutter, or a quick gay laugh, Never a senseless gust now man is born. The herded pines commune and have deep thoughts, A secret they assemble to discuss When the sun drops behind their trunks. The morn has enterprise, deep quiet droops With evening, triumph takes the sunset hour, Voluptuous transport ripens with the corn Beneath a warm moon like a happy face." * Such is the transmuting power of imagination, that there is "nothing but doth suffer change into something rich and strange"; and yet the imagina- tion, when loyal to itself, only sees more deeply into the truth of things, and gets a closer and fuller hold of facts. But, although the human mind thus heals the breach between nature and spirit, and discovers the latter in the former, still it is not in this way that Browning finally establishes his idealism. For him, the principle working in all things is not reason, but love. It is from love that all being first flowed; into it all returns through man; and in all “the wide compass which is fetched," through the infinite variety of forms of being, love is the permanent element and the true essence. Nature is on its way back to God, gathering treasure as it goes. The static view is not true to facts; it is development that for the poet explains the nature of things; and development is the evolution of love. Love is for * Paracelsus. JUSTIFICATION OF HIS IDEALISM. 225 Browning the highest, richest conception man can form. It is our idea of that which is perfect; we cannot even imagine anything better. And the idea of evolution necessarily explains the world as the return of the highest to itself. The universe is homeward bound. Now, whether love is the highest principle or not, I shall not inquire at present. My task in this chapter has been to try to show that the idea of evolution drives us onward towards some highest conception, and then uses that conception as a prin- ciple to explain all things. If man is veritably higher as a physical organism than the bird or reptile, then biology, if it proceeds according to the principles of evolution, must seek the meaning of the latter in the former, and make the whole kingdom of life a process towards man. Man is no upstart in the creation. His limbs are only a more exquisite organization-say rather the finish -of the rudimental forms that have already been sweeping the sea and creeping in the mud." And the same way of thought applies to man as a spiritual agent. If spirit be higher than matter, and if love be spirit at its best, then the principle of evolution leaves no option to the scientific thinker, but to regard all things as potentially spirit, and all the phenomena of the world as manifestations of love. Evolution necessarily com- bines all the objects to which it is applied into a unity. It knits all the infinite forms of natural life into an organism of organisms, so that it is ( 8 226 ROBERT BROWNING. IM. a universal life which really lives in all animate beings. “Each animal or vegetable form remem- bers the next inferior and predicts the next higher. There is one animal, one plant, one matter, and one force." In its still wider application by poetry and philosophy, the idea of evolution gathers all being into one self-centred totality, and makes all finite existence a movement within, and a move- ment of, that final perfection which, although last in order of time, is first in order of potency,-the prius of all things, the active energy in all things, and the reality of all things. It is the doctrine of the immanence of God; and it reveals the effort of God, of the supreme intellect, in the ex- treme frontier of His universe.' "" In pronouncing, as Browning frequently does, that after last comes first " and what God once blessed cannot prove accursed"; in the boldness of the faith whereby he makes all the inferior grades. of being into embodiments of the supreme good; in resolving the evils of human life, the sorrow, strife, and sin of man into means of man's pro- motion, he is only applying, in a thorough manner, the principle on which all modern speculation rests. His conclusions may shock common-sense; and they may seem to stultify not only our observation of facts, but the testimony of our moral conscious- ness. But I do not know of any principle of specu- lation which, when elevated into a universal prin- ciple of thought, will not do the same; and this is why the greatest poets and philosophers seem "" "" JUSTIFICATION OF HIS IDEALISM. 227 to be touched with a divine madness. Still, if this be madness, there is a method in it. We cannot escape from its logic, except by denying the idea of evolution-the hypothesis by means of which modern thought aims, and in the main successfully aims, at reducing the variety of existence, and the chaos of ordinary experience, into an order-ruled world and a kosmos of articulated knowledge. The new idea of evolution differs from that of universal causation, to which even the ignorance of our own day has learnt to submit, in this mainly -it does not leave things on the level on which it finds them. Both cause and evolution assert the unity of being, which, indeed, every one must assume—even sceptics and pessimists; but develop- ment represents that unity as self-enriching; so that its true nature is revealed, only in the highest form of existence which man can conceive. The attempt of poets and philosophers to establish a universal synthesis by means of evolution, differs from the work which is done by men of science, only in the extent of its range and the breadth of its results. It is not "idealism," but the scepti- cism which, in our day, conceals its real nature under the name of dualism or agnosticism, that is at war with the inner spirit of science. Not only," we may say of Browning as it was said of Emerson by Professor Tyndall, "is his religious sense entirely undaunted by the discoveries of science; but all such discoveries he comprehends and assimilates. By him scientific conceptions ( 228 ROBERT BROWNING. are continually transmuted into the finer forms and warmer hues of an ideal world." And this he does without any distortion of the truth. For natural science, to one who understands its main tendency, does not militate against philosophy, art, and religion; nor threaten to overturn a metaphysic whose principle is truth, or beauty, or goodness. Rather, it is gradually eliminating the discord of fragmentary existence, and making the harmony of the world more and more audible to mankind. It is progressively proving that the unity, of which we are all obscurely conscious from the first, actually holds in the whole region of its survey. The idea of evolution is reconciling science with art and re- ligion, in an idealistic conception of the universe. CHAPTER VIII. BROWNING'S SOLUTION OF THE PROBLEM OF EVIL. "Let him, therefore, who would arrive at knowledge of nature, train his moral sense, let him act and conceive in accordance with the noble essence of his soul; and, as if of herself, nature will become open to him. Moral action is that great and only ex- periment, in which all riddles of the most manifold appearances explain themselves." * Q IN N the last chapter, I tried to set forth some con- siderations that justify the attempt to interpret the world by a spiritual principle. The conception of development, which modern science and philos- ophy assume as a starting-point for their investi- gation, was shown to imply that the lowest forms of existence can be explained, only as stages in the self-realization of that which is highest. This idea "levels upwards," and points to self-consciousness as the ultimate truth of all things. In other words, it involves that all interpretation of the world is anthropomorphic, in the sense that what constitutes thought constitutes things, and, therefore, that the key to nature is man. In propounding this theory of love, and establish- * Novalis. 230 ROBERT BROWNING. ing an idealism, Browning is in agreement with the latest achievement of modern thought. For, if the principle of evolution be granted, love is a far more adequate hypothesis for the explanation of the nature of things, than any purely physical principle. Nay, science itself, in so far as it presupposes evolu- tion, tends towards an idealism of this type. Whether love be the best expression for that highest principle, which is conceived as the truth of being, and whether Browning's treatment of it is consistent and valid, I do not as yet inquire. Before attempting that task, it must be seen to what extent, and in what way, he applies the hypothesis of universal love to the particular facts of life. For the present, I take it as admitted that the hypothesis is legitimate, as an hypothesis; it remains to ask, with what suc- cess, if any, we may hope, by its means, to solve the contradictions of life, and to gather its con- flicting phenomena into the unity of an intelligible system. This task cannot be accomplished within our limits, except in a very partial manner. I can attempt to meet only a few of the more evident and pressing difficulties that present themselves, and I can do that only in a very general way. The first of these difficulties, or, rather, the main difficulty from which all others spring, is that the hypothesis of universal love is incompatible with the existence of any kind of evil, whether natural or moral. Of this, Browning was well aware. He knew that he had brought upon himself the hard task of showing that pain, weakness, ignorance, failure, THE PROBLEM OF EVIL. 231 doubt, death, misery, and vice, in all their complex forms, can find their legitimate place in a scheme of love. And there is nothing more admirable in his attitude, or more inspiring in his teaching, than the manly frankness with which he endeavours to confront the manifold miseries of human life, and to constrain them to yield, as their ultimate mean- ing and reality, some spark of good. But, as we have seen, there is a portion of this task in the discharge of which Browning is drawn beyond the strict limits of art. Neither the magni- ficent boldness of his religious faith, nor the pene- tration of his artistic insight, although they enabled him to deal successfully with the worst samples of human evil, as in The Ring and the Book, could dissipate the gloom which reflection gathers around the general problem. Art cannot Art cannot answer the questions of philosophy. The difficulties that critical reason raises reason alone can lay. Never- theless, the poet was forced by his reflective im- pulse, to meet that problem in the form in which it presents itself in the region of metaphysics. He was conscious of the presuppositions within which his art worked, and he sought to justify them. Into this region we must now follow him, so as to examine his theory of life, not merely as it is implied in the concrete creations of his art, but as it is expressed in those later poems, in which he attempts to deal directly with the speculative difficulties that crowd around the conception of evil. To the critic of a philosophy, there is hardly more 232 ROBERT BROWNING. رویال than one task of supreme importance. It is that of determining the precise point from which the theory he examines takes its departure; for, when the central conception is clearly grasped, it will be generally found that it rules all the rest. The super- structure of philosophic edifices is usually put together in a sufficiently solid manner-it is the foundation that gives way. Hence Hegel, who, whatever may be thought of his own theory, was certainly the most profound critic of philosophy since Aristotle, generally concentrates his attack on the preliminary hypothesis. He brings down the erroneous system by removing its foundation-stone. His criticism of Spinoza, Kant, Fichte, and Schelling may almost be said to be gathered into a single sentence. "" Browning has made no secret of his central conception. It is the idea of an immanent or immundate love. And that love, we have shown, is conceived by him as the supreme moral motive, the ultimate essence and end of all self- conscious activity, the veritable nature of both man and God. << ' "Denn das Leben ist die Liebe, Und des Lebens Leben Geist.' "" His philosophy of human life rests on the idea that it is the realization of a moral purpose, which is a loving purpose. To him there is no supreme good, except good character; and the foundation of that character by man and in man is the ultimate pur- THE PROBLEM OF EVIL. 233 pose, and, therefore, the true meaning of all exist- ence. "I search but cannot see What purpose serves the soul that strives, or world it tries Conclusions with, unless the fruit of victories Stay, one and all, stored up and guaranteed its own For ever, by some mode whereby shall be made known The gain of every life. Death reads the title clear- What each soul for itself conquered from out things here: Since, in the seeing soul, all worth lies, I assert." * In this passage, Browning gives expression to an idea which continually reappears in his pages— that human life, in its essence, is movement to moral goodness through opposition. His funda- mental conception of the human spirit is that it is a process, and not a fixed fact. 'Man," he says, was made to grow not stop." "" (c