A> ♦ V' f *>c? ^ /■o* r J> §3 1 kP<, **.<£ < >. 5 s ^/y^n^vXV — C..0 ONC ^tf v^ n ORIGINAL HANDBOOK FOR RIDERS A Complete Guide to Modern Horsemanship BY M. C. GRIMSGAARD, KJW.O., G.M.E.H.S. Captain of Horse, Royal Norwegian Cavalry Translated by the Author Revised and Corrected by The Berlitz School of Languages WITH ILLUSTRATIONS Privately Printed New York 1911 All Rights Reserved Copyright, 1911 By M. C. GRIMSGAARD The Winthrop Press Nqw York. N. Y., U. S. A. ©CU289551 *» H. R. H.THE DUKE OF CONNAUGHT. To Field-Marshal His Royal Highness ARTHUR WILLIAM PATRICK ALBERT, Duke of Connaught and Strathearn, K.G., K.T., K.P., G.C.B., G.C.S.I., G.C.M.G., G.C.I.E., G.C.V.O. This HANDBOOK FOR RIDERS is most humbly dedicated in grateful remembrance of the honour bestowed upon the author in having been granted the privilege of inspecting the Alder shot Division of the English Army, then under command of His Royal Highness. Preface. Having been frequently asked by my pupils for some simple work on horsemanship, which they might study in connection with their practical riding lessons, I have undertaken to supply that apparent want by writing this book. It contains nothing new to the fully experienced rider; those less experienced will, it is hoped, find in it the necessary assistance. If so, my purpose will be achieved, and still more so, if it may lead to a more rational and humane treatment of our most noble domestic animal, the Horse. CONTENTS. First Part. Page The Rider's Dress i The Riding Horse 5 The Stable and its Management 16 Feeding and Watering 25 Shoeing 30 Saddlery and its Care 38 Saddling and Bridling 46 Unsaddling and Unbridling 52 Packing the Saddle . 53 Grooming and Care of Horses 58 The Riding-School 67 Second Part. Riding Instruction 73 Leading the Horse, Dismounted or Mounted ... 77 I. Riding with Snaffle 80 Mounting and Dismounting 81 The Rider's Position when Mounted 90 Handling the Reins 95 Saluting on Horseback 100 The Aids in Horsemanship 103 How, when and where to Punish Horses .... 109 The Various Paces 114 Carriage of the Horse when Mounted 122 Riding in Classes 128 To Put the Horse into a Walk 132 To Pass from the Walk to the Trot 133 To Pass from the Trot to the Walk 135 To Halt from the Walk 135 Turning Corners 136 Turning Diagonally Across the School 138 The Medium Trot 139 Turning on Forehand with Horse's Head to the Front 140 Bending the Horse's Neck at the Stand and while in Motion 141 Page Bending the Horse's Head at the Stand and while in Motion 143 Backing 150 The Extended Trot 152 Collecting the Horse 154 Halts 158 Bending the Horse 160 Turning on Forehand with Horse's Head Bent Sideways 162 The Great Circle 163 Turning while in Motion 165 Change in Crossing the Great Circle 168 Yielding Sideways to the Rider's Leg 169 Side-Gaits . 171 Turning on Haunches 184 Diminishing and Resuming the Great Circle . . . 186 Small Circles 188 The Gallop 191 < Obstacle Riding 201 Rising to the Trot 214 II. Riding with Curb 219 Mounting and Dismounting 220 Handling the Reins 224 The Lessons 230 III. Measures Adapted to Special Cases 231 Supplement. Outdoor Riding 243 The Full Gallop (The Carriere) 249 Method of Swimming a Horse 251 Long Distance Rides 252 Exercising and Longeing 256 Transportation of Horses 263 Treatment of Sick Horses 268 Quadrille Riding 278 Ladies' Riding 294 Schooling the Horse (Breaking) 304 Horse-Gymnastics (The Modern Equine High School) 314 leu de Barre 339 Memorandum 343 First Part. The Rider's Dress. "Dress properly and you may learn to ride properly." The rider's costume has much to do with his firmness and comfort in the saddle; it should be plain and well cut; trimming of every kind and conspicuous colours should be carefully avoided. A hat or cap, which, when riding, feels as if it were falling off every moment, is troublesome; it is not unusual to see inexperienced riders lose their balance in efforts to hold their hats; nor should the headwear be too tight, a condition which may easily cause headache when riding. A small cap of cloth or silk is recommended during lessons and on long distance rides, but it is not considered comme il faut for promenade riding, when a silk hat or a Derby is preferable. The riding-coat for summer wear or in the school should be single breasted and fitted to the figure; the skirts cut off in front and so short as not to touch the back of the horse (Fig. i). The overcoat for riding should also be single breasted, of the "fly front" shape shown in Fig. 2, and should have several pockets. 1 — Handbook for Riders. Riding-breeches should fit well up in the crotch and be low in the waist, especially in front. Trousers with straps may also be worn; they should not be made of too elastic material nor fit too closely. The mate- rial of riding-breeches should be elastic; they may be baggy or close-fitting, according to taste, but should always be close-fit- ting around and below the knee (Fig. j). When riding-trousers or breeches are double seated the material should be of the same softness as that of the garment; therefore chamois skin or leather may not always be suitable. It is advisable to — 3 — provide a sufficient quantity of the material for use in repairing the seat, when worn out. If the rider should feel uncomfortable from the double thickness of cloth, the inner material may be re- moved. The front seam should be on the inside of the leg, just clearing but not*coming over the knee. For trousers, the so-called whipcord is recom- mended; and for breeches the same or softer materials may be used. With trousers, low boots are used with elastics at the sides, and the spurs should be fastened in the heels. Riding-boots, of whatever shape they may be, should be sufficiently wide and soft at the ankle as not to inter- \ fere with the play of the ankle and instep — •& most important considera- tion in preserving a supple seat. The soles should not be thick nor should they break off under the middle of the foot. When drawn on, the tops of the boots must not catch in the Fl &- 3- skirts of the saddle, as that would prevent the rider from freely using his legs — a most annoying thing, though easily remedied by having leather straps on the inside of the boot-legs, fastened by buttons on the breeches, thus keeping the boot-leg always in place. With riding-boots, it is preferable to wear loose spurs with straps buckled on the out- side. To prevent the spurs from sliding down, a small leather knob is usually placed on the boot-heel. Riding-gloves should be of soft dogskin or wash-leather (deerskin) and should be very loose. — 4 — A tight-fitting glove must inevitably cause rigidity of the wrist, as the effort of closing the fingers reacts on the wrist, depriving the hand of its most important attribute, pliancy. The short English crop is excellent for road and country riding, but the ordinary long riding- whip is preferable during lessons, particularly for schooling a horse. Everyone, who has ridden in very cold weather;, knows that, as a rule, the feet suffer most from cold. Even the best protection, applied inside the boots, will in time fail to keep the feet warm. Fig. 4. Fur riding-socks (Fig. 4) worn outside the boots have proved to be the best protection. Over- shoes of this kind are usually made of strong sheepskin with short black wool turned inside, thus forming a sort of hood for the foot, the inner side being so formed as to permit drawing around the heel and buckling on the outside of the foot. They are trimmed with thin skin, blackened and soled with thin leather. When worn, the back of the overshoe rests on the spur. With trousers a pair of gaiters should be worn; with riding- boots, long^ stockings; the rider will then be prepared for the severest cold. Another and not less important advantage of the overshoes is that by their use one may - it- wear the same kind of boots in winter and summer.* The Riding Horse. "My kingdom for a horse." It goes without saying that a rider should at least know the name of the more impor- tant external parts of the horse. These are {Fig. 5, A): I. Fore part, that is: head, neck, withers, chest, shoulders and fore legs. i. Poll. 2. Forelock. 3. Forehead. 4. Eyebrows. 5. Nostril. *The reader will find in the back of this book the addresses of some reliable places of interest to horsemen. 6. Chin groove. 7. Cheek bone. 8. Edge of jaw (gan- ache) . 9. Parotid gland. — 6 Fig. 5, B. IO. Jowl. 23- Fetlock (pastern II. Throat groove or joint). throttle. 24. Pastern. 12. Mouth (the tooth- 25- Fetlock (tuft). less part of the lower 26. Coronet. jaw is called the 27. Hoof or foot (Fig. interdental space or 5, B) consisting of bar). (a) plantar surface of 13- Crest. wall; (b) sole; (c) i4- Withers. frog; (d) bar; (e) IS- Chest (breast). bulb of heel; (/) 16. Shoulder point. toe; (fg) wall; (gh) 17- Shoulder 1 blade. \ , , e . 1 shoulder. quarter, and (i) the white line. 18. Arm. 1 19. Elbow. II. Middle part. 20. Forearm. 28. Back. 21. Knee. 29. Belly. 22. Shank (canon bone 30. Sides. and back tendons). 3 1 - Flanks. — 7 32. Loin. III. Hind part. S3. Croup. 34. Point of the hip. 35. Thigh. 36. Stifle. 37. Hock. 36 to 37. Lower thigh or gaskin. Fig. 6 shows a fore hoof, Fig. 7 a hind hoof. Riding, to be of any service or pleasure, must, of course, depend in great part on the horse. A faultless looking animal may, on account of its disposition and behaviour, become a plague to the rider. Inasmuch as tastes differ so widely, I would advise every rider, who has the opportunity, Fig. 6. Fig. 7. to try his proposed mount himself, before he decides thereon. If obliged to use the judgment of another, it is preferable that the person making the choice should have ridden a horse, meeting the approval of his principal. The animal should always be tried by actual riding; for, even during mounting, it may display tendencies which would not please its prospective rider. — 8 — The paces of a riding horse should be sure and progressive, but of a slow tempo; short stepping horses are a great nuisance. The riding horse should have a lively but gentle temper and be free from nervousness. The eyes and ears are good indications of its disposition. One must not forget to study the horse when in its stall and at different times and under different conditions; for example, when it is groomed, fed and saddled. The height of the horse should be in some proportion to that of his rider, to avoid too great lack of harmony in appearance. The measurement of a horse should be taken from the ground to the highest point of the withers and is reckoned by hands and inches or by centimeters — one hand (4 inches) being equal to 10.2 cm. In appearance the riding horse should con- form substantially to the following rules: The head should be light but not too short, as it is the lever on which the reins act. The eyes should be large, clear, and have a lively but steady and kindly look. Eyes in which much of the white shows indicate bad temper. Wall-eyes are those in which the iris is dull white. The ears should be lean, narrow and upright; hanging ears are, as a rule, a sign of sluggishness. Vicious horses turn their ears backward. Those which shy show a nervous twitching of the ears. The space between the branches of the lower jaws should be wide, the jowl not too broad and — 9 — the parotid glands short, narrow and standing out plainly. The poll, that is the joint between the first vertebra of the neck and the head, must not be too thick or broad, and the upper line formed by it and the neck, i.e., the crest, should be a con- tinuous one, of which the top of the head, i.e., the poll, should be the highest point. The neck should be broadest at the shoulder, decrease gradually towards the poll and have a sharp edge. Long and thin, as well as short and thick, necks are undesirable. A neck is said to be lopping over when the crest, on account of the weight of the neck, hangs over to one side. The withers should be prominent and rather inclined to slant evenly off towards the back than to be short and high. The shoulder should be long and sloping, the chest deep but not too broad. The fore legs should stand straight up and down with muscular forearm, dry and clean cannon bone and back tendons. The pasterns should slant at an angle of about 45 degrees and should not be too long. The joints should be strong and broad. The back should be short and straight, the loin broad and from the back pass imperceptibly to the croup, which, in turn, should be broad, long and, when viewed from behind, rounded. It should not be pointed and sloping. The tail should be placed high and hang freely down, not pinched in between the hind legs, nor be in a continual nervous motion. The hind legs must — IO — neither be behind the horse nor too far under him. The hocks should be strong and broad and neither bent outward nor inward. A horse with hocks bent inward is called cowhocked. The same distance between fore feet as between hind feet is most desirable. In a well shaped hoof the line from the coronet down to the toe should form an angle of 45 degrees with the ground on which it stands; at the quarters it should be wide, and the colour of the horn dark; light coloured horn is, as a rule, brittle and shelly. The age of a horse may be judged in part from its appearance; as years pass the grooves over the eyes become deeper, grey hairs show themselves on the head, the underlip hangs, and the formerly rounded parts of the body become sharp. The lifetime of a healthy, strong, and in every respect well treated horse of good breed, may be divided into three periods: i. The development, which lasts until and including the 6th year. 2. The powerful age from the 7th through the 14th year. 3. The age in which it gradually, declines, beginning with the 15th year. The surest signs of the age of the horse are the teeth. These are of two kinds: temporary or milk-teeth, and those which are permanent and are called horse-teeth. The difference lies in their size, shape and colour; the permanent teeth being — II — larger, the crown nearly of the same breadth as the bottom and with grooves alongside, and of a darker colour than the milk-teeth. The fully developed horse has 12 incisors (nippers), 24 molars (grinders) and 4 tusks (bridle teeth). The last are, as a rule, only found in the male animal; they are placed between the nippers and the grinders and are not changed. (Fig. 8). The age of a horse is judged by the growth, appear- ance and position of the nip- pers. The foal within a few days of its birth gets its first pair of nippers (the centrals), about five weeks later the next pair (the laterals) appear and after the fifth month the last pair (the corner teeth) . At the age of one year the foal has all its nippers, but the number of molars is as yet only 12. After that time and until the age of 4% years it is the changing of teeth in combination with their wear, which indicates the age of the animal. In'glancing at the table surface of the crown of a nipper, we find in its middle a dark groove, called the "mark"; it is the presence of this on the different teeth and in a different degree which is the surest sign of the age of the horse. As the tooth grows and its surface wears off, the mark becomes smaller and at last disappears, leaving but a white ring. The mark disappears first from 12 the oldest teeth; it has on the top the same shape as the tooth, and it is this last named point, to- gether with the want of the ring of enamel, that surrounds the mark, which makes it possible to easily dis- * cover frauds ( bishoping ) through ar- Sometimes a < ^_. •"» Fig. 48. Horses that are apt to draw behind the reins during collection at the stand are pressed a few short steps forward in order to attain a belter support on the bit. Horses that, on the contrary, - 158- rest heavily on the reins are collected by backing a few steps. Collection at the stand should precede all advancing and backing, as through this the horse obeys the rider's influences more readily. All collection is in vain as long as the fore part is not brought into correct bearing. If the collection is to cease and the horse be restored to his position with all legs straight up and down, it is accomplished by advancing the fore legs, while the rider's legs, during easing the reins, keep the hind legs still. Halts. By halts are meant reining in the horse in motion, with or without the aid of the rider's legs. One distinguishes between the half-halt and the halt thus: the former consists in a taking on the reins, without altering the pace, or in going over from a faster to a slower pace; the latter in a complete halt from any pace. I. The half -halt consists in a short and evenly increasing tension upon the reins, which is re- peated until the object is achieved, but which must never degenerate into jerks on the reins. Half-halts are applied when the horse is avoiding collection, hanging upon the reins, increasing the pace and when his attention to the aids has to be aroused. If the horse avoids collection, then reins, weight and legs are applied and adjusted pro- portionately to each other and to the temperament — 159 — and structure of the animal. With horses that hang upon the reins, raising tensions on the reins, together with the rider's weight brought backward, are applied, until the fore part goes into correct bearing, when the legs also are applied in order to bring the haunches under. With spirited horses that are inclined to increase the pace and "collect themselves," so to speak, reins and weight are applied, but .not legs, for the last mentioned would only make such animals rush still more. In the above mentioned ways, half-halts may be applied in order to arouse the attention of the horse, when the cautionary words of command for the prescribed practices during lessons are pro- nounced. With lazy and restive horses and with those inclined to go behind the bit, half-halts must be used cautiously and with a predominant aid of legs. The rider must try to acquire the sensation of knowing when the half-halts have availed, for if continued after the attainment of the object, schooling that has been with great difficulty imparted to the animal, may easily be upset. The following practice may serve as illustra- tion to half-halts, when the rider, at the words, "Halt! Back! Forward!" lets these movements pass almost imperceptibly one into the other. II. The complete halt cannot be performed with certainty until the rider, by means of half- halts has learned to bring the haunches under the horse. Complete halts should be performed with — 160 — predominant aid of legs anjfr weight, in order to enable the horse to stop the speed with his hind quarters and not come to a stand-still on the forehand, which is injurious to the animal and very disagree- able to the rider. At first the halt is performed by degrees and with evenly decreasing speed, while during this the rider keeps the horse gathered and collected, but as the rider gains in skill, the halt is accomplished more speedily, although adjusted always to the rider's ability and to the schooling and strength of the animal. After the halt, the horse must not be kept in the collected position (see "To Halt from the Walk"). Halts may be used with spirited horses when half -halts do not avail (otherwise see "Backing"). Passing over from faster to slower paces and to halt can, by means of preparatory half -halts, be accomplished more abruptly, although they must never be executed with violence, especially when the difference is considerable. Bending the Horse. This means curving the whole body of the horse by which one side of the animal, as it were, is shortened and the other one correspondingly lengthened, i.e., the muscles on the one side are contracted, while those on the opposite side are expanded; the concave side is always called the inward side, the convex one the outward. During riding with horse bent, his legs act much the same as at the gallop, i.e., the outward — 161 — hind leg shoves off strongly, the inward hind leg is bent considerably and placed far under him, the outward fore leg is advanced and, with the inward hind leg, supports the weight of the body, and the inward fore leg is raised. When the rider has learned to balance the horse, to place his neck in correct bearing, to bend his head and to collect him, bending the horse is practised preparatory to side-gaits, riding on curved lines, and the gallop. When on the sides of the school bending the horse is practised, the word is given: "Bend the horse to the right (or left)!" The rider bends the horse's head to the right (or left), while both hands are brought so much outward that the inward hand is placed above the middle line of the horse; the inward leg, just behind the girth, presses the middle part of the horse outward, at the same time as the outward leg, placed further back, supports the hind quarters and prevents them from flying out; fore and hind feet should follow in the same track; the rider's weight equally on the horse's back or rather some- what to the inward side. The use of the different reins and the rider's legs has already been mentioned under ''Handling the Reins" and "The Aids in Horsemanship." On curved lines, during side-gaits and gallop, the horse is bent to the inward side and without any special command or at the cautionary word of command, provided the word, contra-bending, i.e., bending to the opposite side of the hand to which ii — Handbook for Riders. l62 the horse is moving, hasj not previously been given. Changing the bend of the horse is also per- formed without any special command when passing over from one hand to the other; the change is done gradually and without any dis- turbance of the pace. In riding on curved lines, the bend of the horse should always be adjusted to the curve, and the rider must bear in mind not to make the bend too strong. When on straight lines, bending the horse should be discontinued, the word is given — "Un- bend the horse!" The unbending should be gradual, while the hands, legs and weight of the rider resume their original position by degrees. Turning on Forehand with Horse's Head Bent Sideways. This turning is accomplished by the same rules, the same command and the same aids as "Turning on Forehand with Horse's Head to the Front" (see page 140); but at the cautionary word of command, the horse's head is bent to the side, to which the turn is made (the inward). In turning the horse on his forehand with his head bent sideways — and especially if the head be bent much sideways — the forehand is more apt to move outward than it is when the turn is per- formed with head to the front; increased use of — 1 63 — the outward leg and rein is then required. If the horse should, notwithstanding this, press the forehand outward, his head may (at the command, 11 With contra-bend on forehand right (or left) about- March!") be bent to the opposite side of the one to which the turn is made. L:? During turns on the forehand, the rider's hands should be kept as passive as possible, for the reins have only to keep the inner fore leg in place and not to prevent the outer one from advancing. When the turn is completed, the horse's head is placed to the front, and, if he be apt to draw backward, he is made to advance a few short steps. The Great Circle. The circumference of the great circle should be so described as to reach out on the track at the middle of one short side of the school and at the two long sides or only at the (two) latter ones — the diameter being always the breadth of the school. By placing the great circle at one of the ends of the school, the rider will have three marks (points of contact) to go by, and, in keeping his attention directed to them, he may be able to describe a regular circle with his horse. The half of the circle that touches the short side at the middle and also the two long sides is named the closed part, the other half the open one. At an early stage of the riding lessons, and — v 164 — before "Bending the Horse" has been taught, riding on the great circle should be practised in order to develop the rider's balance; the same aids are then applied as in "Turning Corners" at first. |- However, the great circle can only be ridden correctly when the rider has been taught to bend the horse, the knowledge of which is easiest acquired by riding on the great circle, because the horse's body should then constantly and evenly remain curved to the inward side. With fiery and nervous horses, riding on the great circle sets them at ease. The horse, going round by the side of the school, is put on the great circle at the command, "Great circle — March!" At the cautionary word of command, the horse is bent to the inward side, and at the word "March," the rider describes a circle according to the breadth of the manege, by bringing his weight inward, by increased pressure of the outward leg and feeling the inward rein. In order to form a perfect circle, too frequent influences must be avoided, as these easily disturb the pace and cause riding in a zigzag line instead of a circle. If the rider keep a steady seat, reins and legs in their proper position and his weight slightly inward and backward (the rider should, according to the speed, assume the same inward angle as the horse), a trained horse will most frequently keep on the circle of his own accord. The commonest faults, while riding on the great circle, are that the horse does not get sufficiently out on the track at the "marks," or the "marks" - i6 5 — may be displaced in the manner shown by the dotted line on Fig. 49 (page 166), representing a great circle ridden to the right hand. How to prevent and correct these faults is explained under "The Aids in Horsemanship." When the horse is to follow the side of the school from the great circle, it should be done from one of the "marks" and at the command " Straight on — March!" "In placing his weight evenly on the horse and unbending him, the rider guides his horse on to the track by the inward leg and the outward rein. When riding in class on the great circle, the leading rider acts as here described; the others follow in his track, keeping their distances and the same rules. Turning while in Motion. This is always performed on circular lines, which are at first made wide, but, as the rider makes progress, the turns should gradually be made shorter, still always with proper considera- tion for the pace, the strength of the horse, and the education of horse and rider. At the walk, the short trot and the short gallop, the turns are correctly executed when they form a part of a circle with the diameter of 2 horses' length (i.e., a small circle) ; at the extended trot and the extended gallop, the turns should be made as if riding on great circles. In riding with horse's head to the front, at the cautionary word of com- \ _ j66 — mand, all turns are prepared for by gathering the horse and bending him to the inner side ; otherwise the same rules are observed as in turning in on the great circle, though the different aids should be adjusted according to the arc to be described and without disturbance of the pace. In practising the turns, they are made in the easiest way from one side of the school over to the opposite one and in such a manner that the horse, after having completed the turn, forms an angle of 45 (Fig. 49, ab) or 90 (Fig. 49, cd) to his original direction. By the former turn (J), the rider will, after crossing the manege, be moving to the other hand, like in "Turning Diagonally Across the School," whereas the latter (\) is executed the same as "Turning Corners." Fig. 49. The rider being upon one of the long sides, the \ turn is made at the command, "Right (or Left) half turn — March!''' When the turn is com- pleted, the rider moves obliquely to the opposite side and, before turning out on the track, changes the bend of the horse, — 167 — The J turn is made at the command, "Right (or Left) turn — March!" When the turn is com- pleted* the rider moves at a right angle to the opposite side, where the horse is turned to the same hand as before and without any special command. If, on the contrary, at the J turn, the hand should be changed, the word "Change!" will then be given when half way across the manege, in order to give the rider sufficient time to change the bend of the horse before arriving at the other side of the school. When riding in class, these turns are made by all at the same time. If, when riding in class, the turns should be made successively, the command is: "Leading rider right (or left) half turn {or right [or left] turn) — March!" The leading rider executes J or J turn; the others follow his movements and turn succes- sively on the same place as the leading rider; on arriving at the opposite side of the school, the same rules are observed by each rider in succession, as previously explained for simultaneous turns. The commonest faults that arise during a turn are that the horse, when turned in from the side, turns too sharply, and, before turning out on the opposite side, presses out; the former of these faults is remedied by the inward leg and the out- ward rein, and the hands brought slightly outward, the latter by the outward leg and rein and. the hands somewhat inward, but without drawing the horse's head outward. If the turn is to be made with "contra-bend," ' _ ^8 — it should be announced before commencing it; the position of legs and reins is then changed ; thus what has been explained previously about the use of the inward (or outward) aids refers in that case to the outward (or inward). Change in Crossing the Great Circle. To change hands while moving on the great circle, the command is, "Change across the circle — March!" The rider turns his horse towards the centre of the circle and moves on a line which should divide the circle into two equal parts. At first, and always at more rapid paces, this line should be given the shape of the letter S, the two semi-circles should be equal and meet in the centre. In slower paces and as the rider makes progress, the middle part of the S-shaped line is straightened out by degrees until it becomes a straight line, only leaving an arc at each end. On the centre the bend of the horse is changed. The turn is easiest made from the "mark" by the long side after passing the closed part of the great circle. When riding in class, the leading rider turns as prescribed; the others follow exactly in his track and do the same. The most common faults are that the turning in from the track of the circle is made too wide, by which the centre is frequently not passed through ; and that the turning out on the track is made too short. The former fault may be prevented by the outward leg and rein, and by bringing the hands — 169 — slightly inward, and the latter one should be corrected by the inward leg and the outward rein and by moving the hands slightly outward. Yielding Sideways to the Rider's Leg. In this exercise the rider is taught how to make the hind quarters of the horse, while ad- vancing, yield to the pressure of one leg. The rider will already have learned from "turning corners" and from "turning on forehand" how the horse or only his hind quarters can be made to yield to a predominant pressure of the inner leg. As an introduction to the regular stepping sideways the horse may, on the long side of the school, be brought, by degrees, a few steps sideways in from the track,— continuing forward at the same time, — by a stronger pressure of the outward leg and the rider's weight brought inward; by reversing the aids, the horse should, in a similar manner, be moved back to the track. In these movements the horse should all the time remain unbent and his haunches must not precede the shoulders, but rather the reverse. In the regular stepping side- ways (upon two tracks), used as a preliminary practice to side-gaits, the horse should, while advancing on the great circle, move his fore and hind feet in two different paths, the inner (or outer) hind foot to step in the print from the outer (or inner) fore foot, and the fore feet remain- ing on the track of the great circle. It is at first — 170 — practised at the walk and later on at the short trot. The rider, being on the great circle and having passed its closed part and its "mark" at the long side, the word is given, il Hind quarters out!" By a stronger pressure of the inward leg, the horse's haunches are brought outside the track of the circle, on which the fore feet should remain; the pressure of the leg ceases and is repeated when required; the rider's weight being slightly out- ward. If needed, an increased use of the inner rein is applied, but without noticeable bending of the horse's neck. The pace should remain un- changed all the time. Having, in this manner, passed the open part of the great circle, on arriving near the other long side, the rider brings his weight inward, while his outward leg, assisted by the outward rein, moves the hind quarters in on the track of the circle; the word is then given 11 Hind quarters in!" By a stronger use of the outward leg and rein — without bending the horse's head outward — the horse's haunches are moved within the track of the circle, on which the forehand should remain. Thus, the yielding to the rider's inward or outward leg may be continued until ease and correctness in the movements are attained. To change hands during this practice, the turning on forehand to the side, where the horse's hind feet are stepping sideways, is most suitable to the purpose. When riding in class, the yielding sideways to the rider's leg is commenced by the leading — 171 — rider, followed by each rider in succession and executed at the same points and in the same manner as above explained. Side-Gaits. • Side-gaits, also called the lateral gaits, are the motions of the horse in which he should be bent (see pages 1 60 and 161) and collected, and his fore and hind feet move on two separate paths, advancing sideways, with one shoulder preceding the other, and in such a manner that the horse's legs, to the side where the rider's "sideways-moving" leg is, step in front of and in a line with the two other legs.* The tracks of the fore and hind feet must be parallel or concentric, according to whether the side-gaits are executed upon straight or cir- cular lines. Side-gaits for the horse are the same as gymnastics for human beings, being the means of rendering the body and the limbs supple, by which the horse is made more fit to obey the rider's influences rapidly and accurately. They also fit the animal for the more vigorous efforts which are frequently required of the riding horse; by the practice of side-gaits he also acquires the knack of moving his legs with safety and correctness in all paces. When the rider has learned to collect his horse while in motion, to bend his horse, and to * The so-called closing travers, being an exception to this rule, will be separately explained later on. — 172 — make him yield sideways to the rider's leg cor- rectly, the side-gaits may be practised first at the walk, later on at the short trot, and partly at the short gallop; they may be executed on the track of the square or on that of the great circle and, when proper skill has been attained, also in turnings and upon small circles ; they should always be performed at the collected paces. In the streets and on roads, side-gaits should not be practised. As a preliminary practice in order to facilitate the work of the horse, the side-gaits should com- mence without any bending of the horse's head sideways, thereby preventing such bending from being made too great, i.e., the bend not being in the very poll of the neck, but partly in some lower parts of the neck,* in which case the horse would avoid the exercise, because the wrong bend of the neck would cause his shoulders to swerve outward and not to lead off, which they should do. How- ever, as the carrying out of the side-gaits with horse's head to the front can be understood from what will be explained about those with horse's head bent sideways, the latter only will be fully treated in this chapter. In side-gaits with horse's head bent sideways, he should be well gathered, bent and collected, and the rider must always bear in mind that the horse should be thus prepared before being led off on two paths, i.e., into the oblique position. There exists two distinct kinds of side-gaits, — the ver sings and the tr aver sings. * A very common occurrence with unaccomplished riders. — 173 — In versing, the horse should move by the pres- sure of the rider's inward leg towards the opposite side to which he is bent, and in such a manner, that the inward legs step in advance of the outward. According to whether the horse is bent to the same hand or to the opposite of the one to which the Fig. 50. rider is moving, two kinds of versing may be pro- duced: the versing and the contra-versing. Versings are practised at the walk and at the short trot. The command being : ' ' Versez — March! ' ' At the word Versez, collect the horse and bend him to the inner side; at the word March, bring the horse's forehand gradually in towards the interior / — 174 — of the school and not more than the distance of a short step from the track, on which the hind feet should remain. When the horse has got into correct oblique position, i.e., the inner hind foot in a line with the outer hind foot and the inner fore foot, then the rider brings his weight outward, and by the aid of the inward leg and outward rein the horse is led off in the side-gait (Fig. 50) ; the rider should, without turning his head, look in the direction the horse advances. The outward leg prevents the hind legs from stepping too much to the side, while the inward presses the inner hind leg well forward; both legs keep the horse up to the hand. If the horse should come to a stand- still when the forehand is brought in from the track, this may be because the movement has been executed too abruptly, or the horse may have been rigid on the inner rein. In the former case, it should be remedied by the inward leg and the outward rein, while in the latter the inward leg and rein should be applied. If, in versing, the horse steps too far in from the track, i.e., the hind feet be moving within the track, it should be corrected gradually by increased use of the inward leg and the outward rein until the hind feet are replaced on the track, all the time securing the oblique position of the horse. In versing on curved lines, the effect of the outward leg and rein should be increased. At the corners, the oblique position of the horse and the pace should be retained; but as the croup is then following the wider arc, the outward rein is — i75 — applied in order to shorten the steps of the fore legs, while at the same time the rider's inward leg keeps the hind legs moving at the same length of step as before; by acting thus, the fore and hind legs will take an equal number of steps; when the corner is turned so far that the horse is in oblique position to the adjacent side of the school, a stronger pressure of the outward leg will bring him forward and inward, thereby preventing the haunches from coming in contact with the wall or from flying outside the track. In versing it may be useful now and then — especially with horses inclined to cross their legs over too much (swerve sideways) — to make the horse advance a few steps on one trace straight ahead in the direction indicated by his oblique position, this being effected by equally strong pressure of both legs, slight easing of the reins and the rider's weight evenly placed; then again, by applying the versing aids, the horse is gradually moved out until his hind feet are on the track, and the versing is continued as before. The versing influences are applied with horses that are inclined to press their shoulders outward just before a turning, as, for instance, in ''turning corners"; versing is also the means of preparing the horse for the gallop. When the versing is to cease and the horse resume his pace on one path, the word is given, " Forward — March!" The outward rein, assisted by the rider's inward leg, leads the horse's fore- hand gradually outward until fore and hind feet 176 ; — are on the same track, observing that the horse's head is not drawn outward and that the inward leg of the rider keeps the horse's hind feet on the original track; the horse should then be unbent and, by the pressure of both legs, he should be made to advance at the same pace as previous to the versing. At the command, " Contraversez — March!" the horse is prepared in the same manner as in versing, only he is contra-bent* and his forehand is kept on the original track by the reins, while the rider's inward leg presses the hind quarters a short step in from the track, the rider's weight being outward. At the corners, in turns and on circles, the steps of the hind legs are slightly shortened, while those of the fore legs should be kept at their original length. When the horse is to resume his pace on one path, the word is given, " Forward — March! 1 '' The outward leg presses the hind quarters gradu- ally into the trace of the fore feet, otherwise the same as "Forward — March" in versing. In traversing, the horse moves towards the same side to which he is bent by the pressure of the rider's outward leg, and in such a manner that the outward legs step in advance of the inward and the outward hind foot steps on a line with the outward fore and inward hind foot {Fig. 51). According to whether the horse is bent to the same hand or to the opposite of the one to which * The reader must bear in mind that the concave side of the horse is always named the inward or inner and the convex the outward or outer. — 177 — the rider is moving, two kinds of traversing may be produced: traversing and renversing (i.e., contra-traversing) . Traversings are at first practised at the walk, later on at the short trot and the short gallop. As a preliminary practice in traversing, the rider should guide his horse on to the great circle and collect him; by an increased feeling of the outward rein and a stronger pressure of the outward leg, the hind feet are brought a trifle in from the track of the circle, .on which the fore feet should remain. It should be practised only a few steps at a time. On a straight line the traversing should at first be practised in turning diagonally across the school and at the command, " In tr avers, turn across the school — March!" The rider turns his horse in from the side as explained for "Turning diagonally across the school," but the bend of the horse should be retained after the turn is com- pleted; by an increased use of the outward leg and rein, the hind quarters are then brought into a slight travers position (the horse being at most parallel to the long side) and, at the same time, by collecting the horse the pace is reduced. The inward leg keeps the horse up to the hand and, together with the outward rein, prevents him from stepping sideways too much. The inward rein secures the bend of the head and leads the horse in the oblique direction. The rider's weight should be carried inward, and his eye directed at the point on the opposite long side, to which 12 — Handbook for Riders. - i78- the horse is guided; in approaching this point at a distance of one horse's length, the rider's inward leg presses the hind quarters out on the track of the fore feet, the bend of the horse is then changed and he is led off — in the same manner as described Turning diagonally across the school" — in on one path out on the track by the wall, where the original pace is resumed. Riding in class, each separate rider acts as above explained, but at the word, March! every horse should be collected, consequently the pace is reduced and thus retained until all the riders have entered on the track to the other hand and are — 179 — moving at the side of the school, when the word is given, "Full pace!" All riders resume the original pace. Traversing at the sides of the school or on the great circle is performed at the command, "Traversez — March!''' At the word Traversez, the rider acts as directed for versing at the word Versez; at the word March, the outward rein is tightened, at the same time as the outward leg carefully presses the hind quarters a short step in from the track (Fig. 51), otherwise the same as "In travers turn across the school." During traversing at the sides of the school, the corners should first be turned like the arcs of a great circle, but as the rider makes progress, the horse should gradually be taken more into the corners until at last the horse's fore feet should be moving on the circumference of a small circle (see "Small Circles") , this being executed by shortening the steps of the hind legs by a stronger pressure of the inward leg, while the reins keep the fore legs moving at the same length of step as before and with the same number of steps as the hind legs, i.e., slight influence as if "turning on haunches." When the corner is turned, both legs press the horse's fore feet well out on the track, the outward leg keeping his haunches within. When the traversing is to cease, the word is given, "Forward — March!" The outward rein keeps the forehand on the track, the inward leg presses the hind quarters gradually out on the — 180 — track; the horse is unbent and the same pace is resumed as before traversing. The so-called long- pas sade may be mentioned as a very useful practise in traversing. The rider being on one of the long sides of the school and approaching the corner, the word is given, " Long- passade!" When the corner is turned, the horse is moved over a quarter of a small circle towards the interior of the manege and is then put in travers- position to the same hand and parallel to the long side; thus he is led off to the middle point of the long side which was last passed; on arriving at this point of the track, the horse is unbent and moved on to the other hand where the same movements should be executed on approaching the next corner. At the command, " Renversez — March!" the horse is contra-bent* and his forehand is brought in from the track by the reins, at the same time keep- ing the hind quarters on the track by applying the outward leg. When the forehand has been moved a short step in from the track, the rider brings his weight inward, and by the outward leg and the in- ward rein the horse is led off in the side-gait ; the outward rein keeps the forehand inside the track; the inward leg keeps the horse up to the hand, and, supported by the outward rein, prevents the horse's outward legs from stepping sideways too much (i.e., from crossing over the inward). * The reader must bear in mind that the concave side of the horse is always named the inward or inner and the convex the outward or outer. — 181 — When the renvers is to cease and the horse to resume his pace on one path, the word is given, "Forward — March!" The horse's forehand is brought by the reins out on the same track as that on which the hind feet are moving, the out- ward leg keeping the hind quarters on the orig- inal track, otherwise like "Forward — March" from traversing. The following should be observed as funda- mental rules for the above described side-gaits : i. Well-marked curving of the horse's body and close collection. 2. Slight but correct bending of the head, i.e., the bend principally from the poll of the neck. 3. Correct oblique position of the horse, i.e., as a rule not more than to make the inner (or outer) hind foot step in the print of the outer (or inner) fore foot, the fore or the hind feet remaining on the original track. 4. The rider's weight carried to the same side as that on which one of the horse's shoulders is in advance. In order to illustrate the above mentioned side-gaits, the following form may prove useful: Ver sings. The horse is bent to the opposite side to the shoulder which is carried in advance. Versing {Shoulder in) . Contra-versing. Horse bent and shoul- Horse contra-bent and ders in.* hind quarters in.* * From the original track. 1 82 T raver sings. The horse is bent to the same side as that on which the shoulder is carried in advance. Traversing Renversing. {Shoulder out). Horse contra-bent and Horse bent and hind shoulders in.* quarters in * In passing from one side-gait to another, the collected pace should be retained and the change may be executed, either by forehand and hind quarters changing track, or by only changing the bend of the horse, or even by both ways together, as for instance: From versing to traversing. The horse's fore- hand is first brought out on the track by the outward rein and the inward leg, then the hind quarters are brought into travers-position. From traversing to versing. The horse is pressed forward, and inward, by the inward leg on a wide arc until his hind feet are on the original track, when the forehand is brought into versing- position. From versing to renversing. The bend of the horse is changed. From traversing to renversing. The hind feet are first brought out on the same track on which the fore feet are moving, the bend of the horse is then changed, and the forehand is brought into renvers-position . *From the original track. - i8 3 - Similar combinations might be mentioned, but they may be all easily understood from what has been previously explained. The greatest advantages are attained from "the side-gaits at the trot,'" and the rider who can execute them correctly is, with regard to the management of his horse, all right. \..'A Closing travers, sometimes miscalled the pas- sage, is a side-gait, in which the horse, without being collected, but bent as to travers, moves sideways parallel to his original position and in a manner that his outward legs step across and past his inward. Closing travers should only be prac- tised at the walk* and a few steps at a time. This side-gait is used when the rider wants to move his horse from the stand a few steps to one side (see page 128). Closing travers is practised in such a way that the rider, during traversing, by stronger outward rein and leg makes the horse move his haunches more sideways, i.e., he is brought into an accentuated travers-position; at first the shoulders should slightly precede the haunches; the rider's inward leg should be kept close to the horse's side, in order to prevent him from stepping too quickly to the side and thereby also preventing the haunches from preceding the shoulders. The rider must not move his seat too much inward, as that easily causes his body to lean outward. When the closing travers is to cease, the out- ward rein and the inward leg are used, while the rider's weight is brought even on the horse's back. * In High-School, also at the gallop. — 184 — Turning on Haunches. Turning the horse on his haunches may be executed at the stand as well as in motion, the horse, with one hind leg as centre of rotation, circling the three other legs around. These turns are first practised at the stand and, as turnings on the forehand, only one step at a time with halt between each step. Turning on haunches must never commence with backing, but rather with an inclination to advance. While in motion, the turns should at first be made at the same pace in which the horse is moving; later on more quickly; when finally the horse — as it is called — is whirled about. The object of the turn decides its circum- ference. Turning on haunches should be prac- tised about the same time as "Turning on Fore- hand with Horse's Head Bent Sideways" is com- menced, although it can not be accomplished satisfactorily until after the practising of travers has been carried out. During practical riding* and as means of making narrow turnings, the turns on haunches should be mostly used, because they are as easily performed at the stand as in motion; they may be done slowly or quickly, and — what is of no less importance — they transfer the work of the horse and the weight of horse and rider to the hind quarters of the horse by the extreme collection which they require. Only with horses that have very weak *We may say that riding consists of school-riding and practical riding; the latter being the application of the experience acquired in school. - i8s- hind quarters, and where the circumstances do not justify turning on haunches — for instance when there is an obstacle just in the rear of the horse — then turning on forehand should be used. At the stand* As useful practice in turning on haunches a turn about (J circle) should be made in 6 steps on the command, li On haunches, right (or left) about — March!" At the words On haunches right (or left) about, the horse is collected and bent to the right (or left). At the word March, the horse is pressed as if to advance, then the forehand is circled round by the inward rein and by the rider's weight carried well inward and backward; the outward leg and rein preventing the haunches from flying out. The outward leg and rein should be applied chiefly at the last part of the turn, as the haunches are then most liable to fly out; the inward leg prevents the haunches from pressing inward and the horse from backing; the outward rein regulates the quickness of the turn and halts it. It is advisable, at first, to let the hind quarters participate slightly in the turn, i.e., the hind feet should be moving on a narrower circle than that on which the fore feet are moving, and this is what is called a tr avers -circle. In motion. When the horse is well collected and bent to the side to which he should turn, a momentary halt is made on his inner hind leg by a short taking on the outward rein; while keeping the inner hind leg in place, the other three legs * Should at first be practised on the track (by the wall). — 1 86 — are circling round at the original pace (or at an increased pace) ; the same aids and rules are used as "at the stand." When the turn is completed, the pace should be continued in the new direction and without interruption. Turning on haunches while in motion may be practised at the walk, the collected trot, and the collected gallop. Diminishing and Resuming the Great Circle. In diminishing the great circle, the horse is caused to leave the circumference and move inward on a spiral towards the centre. In resuming the great circle, the horse is caused to move in a similar manner outward from the centre until resuming the track of the great circle. As a rule, the great circle should not be diminished further than to bring the horse in on a circle, concentrical with the great circle and of the diameter of two horse's length; the paces to be ridden on such a small circle being only the walk, the short trot and the short gallop. These practices, which can only be executed correctly after the teaching of side-gaits, will make clear to the rider how he should act in preventing his horse from pressing outward or inward during turnings. At the command, "Dim- inish the circle — March!" the horse is gradually brought in on the smaller circle by increased use of the outward leg and inward rein and by the rider's weight carried more inward. The inward leg keeps up the pace and prevents the hind - i8 7 - quarters from getting in travers-position, the same leg keeps the horse's body curved to the inner side and makes him light on the inner rein; the outward rein prevents the shoulders from preceding the haunches or in other words — prevents the horse from taking versing-position. When riding in class with 4 steps' distance between the riders, the great circle should be diminished by all riders at the same time and until each following rider is 1 step's distance from the one in front. When the class is riding with 1 step's distance between the riders, the same distance should be retained in such a way that each following rider commences to diminish the circle at the same place as did the leading rider, who commences at the word March. When the horse is to resume his place on the track of the great circle, the word is given, "En- large the circle — March!" Continually keeping the horse bent to the inner side, he is gradually brought outward until he resumes the track of the great circle, this being effected by a stronger use of the inward leg and outward rein, the rider's weight carried outward. When riding in class, and the great circle having been diminished while riding at a distance of 4 steps, the same distance should gradually be resumed by all the riders moving their horses outward at the same time; but if the great circle has been diminished while riding at a distance of 1 step, this distance should be retained during the enlargement of the circle, by the leading rider — 188 — commencing the movement, and the others follow- ing precisely in his track. In order to teach the horse and the rider to observe the influences of legs, reins and weight more accurately, diminishing and enlarging the circle may be executed with the horse at one or another of the side-gaits; for instance, the great circle may be diminished at the travers until the hind feet have reached the centre, where a turn about on haunches maybe executed, the bend of the horse changed and, without interruption, he may be moved outward in travers-position to the other hand. In versing- position the great circle may be diminished until the horse's fore feet are on the centre, where a turn about on forehand may be executed, the bend changed and the horse moved outward in versing-position to the other hand. Small Circles. A small circle of the diameter of 2 horse's length is made from the side of the school at the command, "Circle — March!" and is ridden towards the interior of the manege; the circle is discon- tinued, when the horse has reached the place where the circling began. When the side-gaits and diminishing and resuming of the great circle have been taught, the small circles are practised; they are executed by the same means as the great circle, but, naturally, with more marked bending of the horse and increased aids in circling; when the circle is completed, i.e., when the horse — 189 — returns to the spot at which the movement began, he should then be unbent and led off at an un- changed pace and in the same direction as before the circling began. Small circles may also be made from the track of the great circle and from the middle line of the school; they should only be ridden at the walk, the short trot and the short gallop. When riding in class, it should be strictly observed that all riders make circles of equal size, which may be ensured by each individual rider observing the dressing, which should be taken up to the side to which the rider can see without turning his head, i.e., when moving on the first quarter of the circle to the leading rider, when on the next two quarters to the rear rider, and finally again to the leading rider when on the last quarter. On the first quarter of the circle the horse is inclined to turn too abruptly, which should be prevented by the outward rein and inward leg. At the next two quarters he will generally not turn sufficiently, which may be remedied by the inward rein and outward leg. At the last quarter of the circle, the horse is inclined to press inward and take the shortest cut towards the point where the circling began, and even go past it; this should be prevented by a stronger use of the inward leg, which also keeps up the pace, which then generally becomes sluggish. When, in riding on a small circle, the horse is to be changed to the other hand, the word, "Change!" is given. After completing a semi- — 190 — circle and arriving at an oblique position (see page 166, Fig. 49) to the original track, the horse is led off on a straight line by the outward rein, the inward leg, and the rider's weight carried evenly ; the bend of the horse is then changed, and he is turned to the other hand out on the original track, unbent and moved on at an unchanged pace in the other direction. While small circles are of little or no use in practical riding, the semi-circle may frequently be made use of. In the school, the semi-circle is practised at the command, " Semi-circle — March!''' and is performed by the rules for small circles, but when the semi-circle is completed, the horse should be led off on a straight line, parallel to the side of the school from where the semi- circle began and, when arriving at the side in front of him, the rider turns his horse to the same hand to which the semi-circle had been made and continues along the track by the wall. If a semi-circle be made on the track of the great circle, the horse should, after finishing the semi-circle, be changed and led off to the other hand on a circle concentrical with the great circle and at a distance of two horses' length from its circumference, i.e., on a diminished great circle to the other hand, from where he may again be brought out on the track of the great circle to the original hand at the command, "Right (or Left) semi-circle — March!" the same command being used when a semi-circle is made from the middle- line of the school (see page 128). — 191 — The Gallop. The practical use of the gallop (see pages 115, 120 and 121) is to improve the rider's seat, to collect the horse, to make him advance more rapidly, and to prepare him for obstacle-riding. When the rider can work his horse fairly well in the side-gaits at a trot, the gallop may be commenced. In galloping, the rider must not allow himself to be thrown up and down, but his seat should be gliding imperceptibly with the motions of the animal, without causing his body to sway to and fro. In order to preserve a steady seat at the gallop, a straight but unrestrained position of the body and a correct position of hips and thighs (see pages 91 and 92) are essential. In order that the rider may know, without looking down at the horse's fore legs, whether his horse is galloping on the right foot or on the left, he should pay special attention to the different motions he feels, and which are caused by the two kinds of gallop. When the horse strikes off correctly, i.e., in the gallop, for which he has been prepared, the rider's outward seatbone chiefly is rubbed against the saddle, his seat is apt to slide outward and his inner leg to move upward and forward at each new gallop-stride. In order to prevent any such faults in the rider's position, he should bring his weight well inward and back- ward, while pressing his inward shoulder, hip, knee and heel downward and backward. — 192 — Cross-gallop (see page 121) causes a singular wriggling sensation in the rider's seat, which, when once experienced, is not easily mistaken. At first the gallop should be executed on the great circle and from a short and collected trot, when a firm feeling of both reins, especially the outward (without drawing the horse's head out- ward),^ the direction of the rider's outward hip, will cause the horse's outward shoulder to be somewhat kept back, while at the same time a collecting influence of both legs, especially the outward, will make the horse bring his weight over on his haunches (outward hind leg) ; then a stronger and short pressure of the inward leg will seldom fail to make the horse lead with his inward leg; the rider's weight being then mostly on the inward hind leg. In this manner, the horse being collected by degrees until he can no longer trot, he is forced to raise his forehand as if to a leap, i.e., to strike off in a gallop; the reins are then eased sufficiently to enable the horse to complete the leap by the spring of his haunches, when a con- tinued light feeling of the reins and pressure of the legs should keep up an even succession of leaps, which means a cadenced pace. The outward leg and rein prevent the horse's haunches from being thrown out, as otherwise his outward shoulder might get in advance, and he would strike off in a wrong gallop ; the inward leg prevents the haunches from being thrown more in than to allow the outward hind foot to follow the prints of the inward fore foot. When the horse is confirmed — 193 — in the short collected gallop, the hind feet should follow the track of the fore, thereby causing the animal least strain. If a horse strikes off in a wrong gallop, he should be pulled up and again brought to the trot (see pages 134 and 135), when the aids for the correct gallop should be repeated. If the horse goes into a cross-gallop, he should be brought to the trot, if he gallop false on the hind feet; but if he gallop false on the fore feet, he may be pressed well forward at the gallop (by pressures of the inward leg), when, as a rule, the fore legs will change. If a horse, in galloping, breaks into a trot, the rider must not be in too great a hurry to try and resume the gallop, as it will generally result in the animal being chased into a hurried and, most frequently, wrong gallop. By keeping up a quiet trot and gradually collecting the horse, as if it did not concern the rider whether the animal trotted or galloped, the fault will be soon remedied, and replaced by a quiet and correct gallop. If a horse, in galloping, dashes along too fiercely, avoids being collected, stretches his neck and head forward, leans on the rider's hand and is inclined to rush into a hurried trot, then half- halts with raising tensions upon the reins and a moderate pressure of the legs are applied; this being of no use, a complete halt is made and, if needed, the horse should be backed until he yields to the hand, when his balance is re-estab- lished by bending and collecting at the stand. 13 — Handbook for Riders. — 194 — This being completed, he is made to advance and once more prepared for the gallop. Horses that are apt to move at the "half- gallop" (see page 121) are put into a trot, and by- strong aid of the legs the haunches are brought more under, while slight takings on the reins are applied in order to prevent the fore legs from galloping before the balance of the horse is re- established. The gallop should not be practised at too slow a pace in the early lessons. An easy gallop without" any tendency to rushing will prove to be of greatest advantage to the beginner in riding, and also in the breaking of horses. To pass from the gallop to the trot, apply a short feeling of the outward rein, while, at the same time, discontinuing the aid of the legs for galloping. As soon as the horse trots, he is forced to the bit by the pressure of both legs, especially the inward. Having gone through the above described lessons, frequent varying of trot and gallop should be practised on the great circle and to both hands and, when sufficient skill has been attained, the horse should be led off at the gallop from the great circle on to a straight line at the command, "Straight on — March!" In order that the gallop may not be deranged or come to a trot, care should be taken in using the reins at the moment the horse is led off on the track by the side of the school, the rider's weight and inward leg being the principal aids. In turning diagonally across the school at the gallop, when within 3 or — 195 — 4 horse's length of the opposite side of the school, the horse should be brought to the trot, the bend changed, and, when his fore feet arrive on the track by the long side, the gallop should be resumed to the other hand. The gallop is then gradually collected and shortened, this practice being at first executed on the great circle and by simultaneous use of reins and legs at the moment the inner fore foot is planted; as soon as the horse's forehand is raised to the next gallop-stride, the reins are eased a little, when a repeated use of reins and legs will bring the haunches under and raise the forehand to the succeeding shortened gallop-stride, and so forth. When, through the previous lessons on the great circle, the rider has been taught with ease and certainty to pass from the short collected trot to the short collected gallop, the same is practised on straight lines by bending the horse according to the gallop that should be performed; for instance, the horse being on the long side of the school and moving to the right hand at the trot, he should be made to gallop on the right foot, but, before arriving at the next corner, he is brought to the trot (which should be short and collected) ; when arrived on the other long side, the bend of the horse is changed and he is made to gallop on the left foot, and so forth, always bringing the horse to the trot upon approaching the corners. When the rider has been sufficiently prepared by this practice, the gallop may be changed more — 196 — frequently by shorter intervals of trot, but still always on the long sides. To pass from the collected gallop to the walk, the word is given : ' ' Walk — March! ' ' By applying half -halts, the horse is brought to a closer form of collection, and, the moment his weight is carried mostly on his hind quarters, i.e., when the forehand is raised, the rider may bring him to a momentary halt by leaning back and by using a light and short tension upon the reins, but at the very moment the horse's fore feet are brought to the ground, he must be made to advance at the walk by the pressure of both legs. To pass from the walk to the collected gallop, the word is given, "Short gallop — March!" This practice should be executed first on the great circle, when at the command Short gallop, the horse is collected. At the command March, he should be pressed into the gallop by a somewhat stronger aid of the legs than in passing from the trot to the gallop. Being on the side of the school and receiving the word Short gallop, the horse should, besides being collected, be bent to the inward side. To take the collected gallop at the stand, the horse is bent for the gallop that he is intended to take, and is so closely collected that the forehand is raised a trifle from the ground, when a slight easing of the reins and increased pressure of the legs will make him throw his forehand forward into the gallop-stride. As a rule, the horse should — 197 — first be led off one step at the walk, before striking off into the gallop. To halt from the collected gallop is executed in a similar manner to passing from the collected gallop to the walk; but at the moment the horse's fore feet are brought to the ground, instead of making him advance, the rider's legs should only be applied sufficiently to prevent the hind legs from stepping back, while the tension upon the reins should not be released more than to make the horse take the position of balance at the stand. To pass from one gallop to another, i.e., changing the lead should, as previously described, first be executed by an interval of trotting steps* during which the horse should be kept closely collected and his bend changed for the new gallop. As the rider makes progress, these trotting steps are gradually reduced until one such step proves sufficient — thus preparing the horse for the imme- diate change, i.e., changing a tempo, when the change is completed in a gallop-stride without breaking the cadence. In the last gallop-strides, before changing a tempo, the horse must be closely collected, but gradually; the bend of the horse should be diminished by degrees in order to facili- tate the changing of the bend, and as the horse raises the forehand to the last stride before the change (brings his inner hind leg under him) the rider applies a light half-halt, and, when the horse's inner fore foot is planted, his bend is changed and * May also be done at the walk. — 198 — the rider's weight brought quickly over on the new inner hind leg, the aids for the new gallop being then applied and the gallop-change will ensue as the next stride begins. While changing the bend of the horse, the outward rein (which will be the new inward) works with a short tension, the inward rein (which will be the new outward) works with a more passive tension ; the new inward leg works with a short, easy pressure, the new outward should not be thrust into the side of the animal but slide' with even pressure to its new place. To pass from the collected to the extended gallop, the pace is gradually increased by stronger pressure of the legs, especially the inward, and by releasing the tension upon the reins, thereby giving more freedom to neck and head but still keeping the horse up to the bit. The bend of the horse should be diminished, and he should not be so closely collected as in the short gallop. Unless the ground be in very good condition, the extended gallop cannot be practised safely with extreme rapidity in the riding-school. To pass from the extended gallop to the walk should not be done abruptly, as it would cause too much strain on the legs of the horse, and for this reason the gallop should be shortened by degrees, then changed into the trot before passing into the walk. When the previously described practices in the gallop can be accomplished with certainty, the rider may be exercised at the gallop in dimin- — i 9 9 — ishing and resuming the great circle, change in crossing the great circle, turnings across the school and in riding on small circles; finally precision in turning the corners should be demanded. * An increased use of the outward rein and the inward leg, at the same time securing the bend, are the means of taking the horse into the corners. Supposing a horse, in moving to the right (or left) around the school, be ridden in the gallop left (or right) , it is called contra- gallop. As, in galloping on straight lines, it is immaterial whether the horse be in gallop right or in gallop left, the term, contra-gallop, can, in practical riding, only be used when galloping on curved lines. In practising the contra-gallop, the balance of the horse will be improved and it will teach him to turn to the right (or left) when in gallop left (or right) , and to do it with ease and safety, i.e., without losing his bearing and without any disturbance of his pace; it teaches the rider, furthermore, to accommodate himself to the motions of the horse, and to apply the aids in harmony with the actions of the horse. Contra-gallop demands a closer form of collection than the ordinary gallop, and it requires also a great deal of suppleness on the part of the horse, especially in short turns, as he is turned to the opposite side to that to which he is bent. In the turns, the inward leg and the outward rein should be active and well timed; the horse should * In the earlier lessons, while practising the gallop, the corners should be well rounded, otherwise the pace is apt to become hurried. — 200 — be prevented from throwing his haunches to the gallop-side by applying the aids as if bringing the horse forward and outward on the curve. At first the contra-gallop should be taught in the following manner: the horse being in gallop right, and moving to the right on the long side of the school, a half turn is made from the side; on arriving at the opposite long side the same gallop should be continued in moving to the left, the forehand being kept slightly within the track by the inward leg and outward rein.* Before turning the corner, the horse should be brought to the trot or the gallop may be changed ; but with some practice in preserving the gallop unchanged in passing over to the other hand, the horse should also be ridden in the contra-gallop at the corners. Turning on haunches at the gallop is practised in the easiest manner by executing the previously explained long-passade (see page 180), the horse being then kept in a marked travers-position during the turning in from the corner. By gradually diminishing the circle, the horse may finally, with his inner hind leg remaining on the spot, be wheeled round in the gallop at the moment his forehand is raised from the ground; but it is necessary that the gallop be ridden very short, and that the horse be closely collected. When the turn is completed, the lead of the gallop may either be changed or the horse may be made to advance in the same gallop as before the turn (i.e., in renvers- gallop), in the latter case the turn should cease as *The concave side of the horse being the inward. — 201 — the horse comes into renvers-position to the other hand; but in either case the gallop should be continued without any interruption. The passade is a half turn on haunches at the gallop (so-called half pirouette) and with an immediate change of lead (a tempo) when the turn is completed. This practice should be pre- pared for by first riding a small circle with the horse in tr avers- position at the gallop, and Change! Obstacle Riding. The means and the manner in which to pass any obstacle presenting itself to the rider, when practising outdoor riding, should in some measure be known to every rider and be taught to all kinds of riding horses, thereby preventing a pleasant ride from coming to an abrupt ending; it is not neces- sary, however, to be able .to jump an obstacle 7 feet high. Besides teaching the rider how to keep going with his horse wherever there is a chance, obstacle riding is also the means of still further securing the rider's seat and balance at unexpected plunges and movements of the horse, as for instance, bucking, uncontrollable lancades, rearing, kicking, etc. Obstacle riding should commence at an early stage of the riding lessons, but not until the rider has got a safe and fairly correct seat at the trot. In the riding-school it must be restricted to high and broad jumps, but later, during outdoor riding, it should be made to include obstacles of every kind. 202 The first condition, necessary for passing an obstacle, is that the rider will get over, i.e., he must not in the least doubt that he will succeed, as his doubt will invariably be transmitted to the animal, and the outcome may then be easily guessed. Naturally , the horse must not be put to anything that neither he nor his rider can manage ; rashness is in most cases as objectionable as want of pluck. Obstacle riding may be practised at every pace, which, however, should be adapted to the nature of the obstacle; at the gallop at full speed, the horse should be taken in and collected before he is made to jump. To leap at the stand (the standing jump) should not be made unless existing circumstances demand it, as it is disagreeable to the rider and injurious to the horse, that is, if the obstacle be of any con- siderable size. If the obstacle is taken at a leap, the horse moves his legs much the same as at the carriere, the leap being commenced by a simultaneous rais- ing of both fore legs and jointly taking off with both hind legs; as the horse is grounding, he throws himself forward on the far extended fore legs and brings the well -bent hind legs far forward, by which all four legs may be planted almost at the same time, which is most agreeable to the rider and causes the least strain to the animal's legs. The rider should, as a rule, not influence the horse too much when just in front of an obstacle, leaving the choice of manner in which to take it — 203 — almost entirely to the animal ; but in most cases the horse should be somewhat collected when at a few horse's lengths from the obstacle. In passing the obstacle, the rider should be as passive as possible, keeping the upper part of his body, his shoulders and head well back, his arms to his sides and his legs close to the sides of the horse. Tugging on the reins, standing in the stirrups and raising the seat ~"7T1 Fig. 52. THE VERTICAL SEAT.- may prove fatal to the horse as well as to the rider, as in acting thus the horse is easily prevented from clearing the obstacle, or his forehand is too much loaded and the rider unable to sustain the horse with reins and legs as he grounds ; the consequence being that the horse either falls with the rider or — 204 — that the latter gets injured in some other way. In grounding the rider must, therefore, keep his body erect and support the horse with legs and reins without checking him violently. As a matter of fact, there are permissible variations of the jumping seat, according to the nature of the obstacle and the ground, the rider's Fig. 53. THE LIGHT SEAT. Also Illustrating One of the Three Phases oj the Vertical Seat. \ skill, or the structure of the horse and also the speed. Any devil-may-care sort of a rider can dash at an obstacle, regardless of his own and the animal's balance, leaving the outcome to good luck; but this is not correct horsemanship, for, if — 205 — the horse should happen to make a mistake in the jump, the rider must be prepared and know how to correct it in the best possible way, and keep a cool head. **^!!!!Waffi89b Fig. 54. AN EXTREMELY LIGHT SEAT. The Obstacle Being Very High {the Boards, Five Feet, with Brush), and the Horse Taking Off Far from the Fence. During the leap the vertical, the light or the deep seat may be used. The vertical seat is mostly used and it is the safest on unknown ground (Fig. 52). The light seat (Fig. 53) differs from the vertical — 206 — one by being raised just sufficiently to clear the saddle; the seat should be moved well forward under the rider, the body slightly forward; the weight of the rider distributed on thighs, knees and stirrups. This seat is used with horses that have weak back and hind quarters, with horses during Fig. 55. THE DEEP SEAT. Also Illustrating One of the Three Phases of the Vertical Seat. the first breaking and in very high jumping in order that the hind legs in the downward leap may not be caught, but be set free to place themselves forward and under the horse. When the horse takes off too far from the obstacle (Fig. 54), jumps from the spot or leaps upward, this seat is also practicable. — 207 — The deep seat {Fig. 55) is used with horses that need to be urged towards the obstacle, or that, in the downward leap, hold their hind quarters very high or that are apt to stumble. For leaping in the depth this seat should also be used, besides that, it should, as a rule, be applied by ladies when riding in side saddle (Fig. 61, page 294). The vertical seat must by thorough-going practice be confirmed before the rider is taught to adopt the light seat. When passing obstacles, the reins should, as a rule, he beld in both hands. The rider should not look down on the obstacle, but straight ahead past it. ■ If a fall be unavoidable and the rider has done all he can (in a correct way) to avoid it, and there comes a moment (but mind, there is only this one moment at his disposal) when he feels that all further attempts are unavailing and that he has to look out for his own safety — then he must be quick in making every joint in his body pliant, in releas- ing his feet from the stirrups and his legs from the sides of the animal; furthermore, he should lower his head, curve his back and draw his knees up towards his chin, not warding off the fall with out- stretched arms — a somersault or two may then be the only consequence. The rider should try to keep the reins. I have experienced this myself, as once in an Officers' steeplechase my horse, after passing over a fence, slid in a pool of water (it had been raining) — 208 — and — all my efforts to keep him on his legs being in vain — finally fell, sending me in a somersault over his neck, landing on my feet just in front of the fallen horse and facing the same way I had been riding. I was none the worse but for a broken spur. The horse got a yawning wound in the fleshy part of his chest from the immense pressure of this part scraping against the ground, as I was trying to raise the drooping forehand or to prevent the animal from turning a somersault. On the other hand, in "losing the right mo- ment" or "not feeling the approach of it" (for there is very little time for thought) and thus trying to mend what an able rider should feel to be irre- parable, the consequence is more likely to become fatal, as the rider, in his efforts to restore the lost balance to the animal, keeps his body and limbs too long in their supporting position and in apply- ing the aids. When thus the erect rider receives the sudden concussion from the animal's fall on the ground, he will generally be sent forward, landing with his face downwards; then, if the speed of the animal has been considerable, the rider's body may continue the somersault-like movement and, if unlucky, he may injure his spine or even break his neck "in the reverse way." If the horse rushes heedlessly at the obstacle, without the rider being able to prevent it, he should be given the reins in order that he may look before him and his attention to the obstacle not be diverted by the rider's influences, otherwise a wrong leap may easily ensue. — 209 — When the horse jumps in proper style with elastic action of the back, he strains himself and the rider least; on the contrary, if the horse jumps with sunken back, high neck and the nose upward, the jump will become uncertain, his legs and back will be strained and an unpleasant and hard thump will be inflicted upon the rider at the grounding. In a correctly executed leap, the horse "floats" over the obstacle, the back of the horse is percep- tibly arched up into the rider's crotch, and after the downward leap the horse will continue the gallop without delay. A properly ridden horse, trying to turn aside in front of the obstacle or refusing "to take it," should always be turned back towards the obstacle from that side to which he tries to turn; if merely refusing, he should be placed at a right angle to the obstacle and backed, then again urged forward. A well broken and well ridden horse should invariably clear the obstacle without any mistake in front. The horse will soon learn to estimate the size of the obstacle and not to take a longer run than needed before leaping, and when he has attained these abilities he may be considered safe and certain in clearing obstacles; but, in order that he may acquire such accomplishments, he should at first be led and ridden at the various paces over a bar lying on the ground, till he goes willingly. By degrees the bar should be raised and the same method repeated, until the horse can no longer walk and trot over it, but must take 14 — Handbook for Riders. 2IO it with a leap, after which he is only ridden to obstacles. Fig. 56. It is advisable to give the early lessons on the longe. The best results are attained by going slowly to work, until the rider has gained confidence. Beginners, being apt to sustain themselves by the reins, should be allowed to take hold by the mane or, where no mane is, by the head of the 211 saddle without leaning forward (Fig. 56) , the reins to be placed on the horse's neck; gradually the rider loosens his grip and, finally, he lets his arms hang straight down, or places his hands on his hips. This mode of proceeding will prove the surest way to impart a safe seat and a correct position, and also in preventing the horse from making any misstep. For this purpose, a steady and quiet school-horse is required, and at first he should be led up to the obstacle or held on the longe. are: The commonest faults during obstacle riding 1. In facing the obstacle, the horse does not go straight at it, 2. taking the obstacle too violently or insuffi- ciently, 3. the grounding does not occur with fore and hind feet about at the same time, and 4. after the grounding the pace and the direc- tion are not kept the same as they were in facing the obstacle; for these reasons : 1. The horse should be kept at an unchanged pace (adapted to the size of the obstacle) and straight for the obstacle, 2. be collected in front of it, 3. be given his head sufficiently to enable him to estimate the size of the obstacle, and in order not to prevent him from raising the forehand, — 212 — 4. be sustained by the leaning back of the rider's body and by reins and legs in securing a correct landing, and finally, 5. be given the reins and aided by the legs sufficiently to continue at the same pace and in the same direction as before leaping. In order that the rider may learn to take such measures, the placing of the obstacle should at first be chosen in a way that the practice may be executed on a straight and not too short line. To leap the bar, some round poles,' about 5 yards long, are used, and one or two of them should be wound around with a straw-rope or covered with canvas stuffed with some soft material in order to prevent injuries to the horse's legs, should he knock against them. At first a bar is placed on the ground, across the track at the middle of one of the long sides of the school, and passed over, as previously explained. The most practical method of raising the bars is to provide them with an iron peg at one end, having iron-clad holes at certain intervals in the wall for putting in the pegs; the other end of the bar should then be placed on removable slots that are put into the holes of a removable upright, placed on the ground at a distance answering to the length of the bars, the covered bars always being placed at the top and level. For high jumps, a contrivance, made of two boards nailed together so as to leave a narrow space between them for the placing of twigs, may also be used, the ends of the boards — 213 — being put on two uprights like the one previously described. In the riding-school, broad jumps are not easily arranged, ditches being most suitable for the purpose. A broad piece of canvas, painted the colour of water, and at each end fastened to a tick roller, may, in some way, replace the want of ditches; so may also a hurdle laid flat on the ground. At broad jumps, the horse is generally allowed to take a freer run than in high jump, and for that reason he is not collected so closely as in the latter. A double obstacle means two obstacles placed so close to each other that there is no more space between them than for the first downward leap and for taking off to the next leap. Compound obstacles are broad and high obstacles combined, where the latter may either be placed in front of or behind the former. In England, where such obstacles in the shape of a bank with a ditch on either side are frequently met with, the horses show wonderful cleverness in jumping upward over the first ditch and by "topping" the bank with their hind feet, in order to bring themselves forward over the next ditch. Obstacles of obedience are those that yield abso- lute obedience to the rider; they are made short, of no considerable height and of an appearance that makes the horse suspicious; for instance, benches, wooden boxes, tables, chairs, etc., which, in addi- — 214 — tion, may be made more obvious by covering them with rugs of conspicuous colours, newspapers, or anything of the kind that might arouse the animal's suspicion. To such obstacles the horse should be ridden at the collected walk, trot or gallop, and he should not be let out before at the last moment when he tends to take off. Naturally the gallop, being the most advan- tageous gait for jumping, should always be used at obstacles of any considerable size. In the riding-school jumping should invariably be practised to both hands and in gallop right and left; thus, for example, it may be executed on straight lines by the leaps being taken alternately in gallop right and left, or, having finished once around to one hand, the same being executed to the other hand, the gallop to be changed from what it was at the first round. ■ It has been said elsewhere in this chapter that the pace should be the same before as after the leap has been accomplished; if, for example, the horse takes off from gallop right he should normally land first with his left fore foot, quickly followed by the right fore, the latter generally being placed some- what in advance of the former, the rider thus secur- ing the gallop right to be continued (Fig. 55). Rising to the Trot, This manner of trotting tends to spare both the horse and the rider, as the latter only alights on the — 215 — saddle at every other step. This method of trotting should be used in outdoor riding, but in the riding- school only during the practising of it; and with horses that have a weak back. Even persons in delicate health may benefit by riding when using this mode of trotting. In rising to the trot the rider remains, as it were, floating over the horse's back, as at every other step he rises and during the intermediate step keeps himself aloft, and, at the planting of the same pair of diagonal legs on which he first rose, he alights pliantly in the saddle, just touching it and immediately again rising from it. When the practises previously explained are gone through, and the pupil has acquired the accom- plishment of lithely and pliantly yielding to the motions of the horse at the trot and the gallop, rising to the trot may be practised. It is advisable first to execute the raising movement at the walk, as the rider at the planting of one fore leg* rises slowly by slightly closing his thighs and knees and by a trifling support of the stirrups; by a springy resistance of knees and ankles the rider remains aloft during the following step and then descends lithely upon the saddle and rising again at the next planting of the mentioned fore leg. At the trot the raising movement of the rider commences simul- taneously with the stepping forward of two diagonal legs and always on the same pair of legs. The rising itself is executed by moving the hips upward and forward, thereby causing the seat-bones to be * i.e., at the moment when its diagonal hind leg shoves off. 2l6 — mostly raised, though not more than needed. The rider should, as much as possible, refrain from leaning forward and curving his back, moving his seat upward and backward, raising his shoulders or napping his arms; neither should he with rigid knees and ankles exert himself to rise from the saddle. During the early lessons, and if the teacher be mounted, he may, with the palm of his hand placed at the back of the pupil's waist, assist as well in the raising as in the alighting movement, or the pupil may sustain himself by taking hold of the mane. The hands are held low and steady, the horse well up to the bit ; the reins must not be used as a lifting-gear. When the rider applies his legs, it should be done with a short pressure and at the moment his seat touches the saddle. When the manner of rising has been sufficiently practised at the walk, both to the right hand and to the left, one proceeds to the trot, which should be somewhat easy (the natural trot) . In order not to strain one pair of diagonal legs more than the other ' ' the diagonal should be changed;" if a certain leg needs to be spared, the rider alights on the diagonal to which this leg does not belong. If rising and alighting when the left fore and the right hind are brought forward and planted, the rider rides "on the left diagonal" and vice versa. As he rides on the left (or right) diagonal, he will descend into the saddle simultaneously with the left (or right) shoulder's retrograde motion and — 2i; — rise simultaneously with the left (or right) shoul- der's advancing motion. As it is difficult for the beginner to know when a hind leg shoves off, he can easily determine this by glancing at the shoulder-point, thus watching the moment when a diagonal is planted. Rising to the trot on one or another foot should, for this reason, be referred to a fore foot. At first the teacher calls out " Up!" or "One!" every time the pupil should rise ; later on the pupil does so himself, and finally he receives the word — "Trot on the right (or left) foot!" In the riding- school and in turnings one should ride on the out- ward diagonal. The changing of diagonal is executed at the word, "Change diagonal!" By stronger closing of thighs and knees and increased support in the stirrups, the rider either keeps himself aloft or sits down in the saddle during two consecutive steps. After alighting in the saddle, the beginner is generally inclined to remain sitting down too long, thereby often rising on the same diagonal on which he rode previously. When resuming the sitting-down trot, the word is given: "Sit down!" Consequent to the move- ments of the horse at the trot, the rider is raised up from the saddle and drops again into it at each step. In order not to be raised too much and not to pound the horse too hard at the downfall, the rider should keep his whole body limber and elastic, slightly close his thighs and knees against the saddle without any pressure, and keep his — 2l8 — ankle and instep limber. The "sitting-down trot is mostly used in the schooling of the horse and in giving lessons. During long rides, it should be observed that rising to the trot is executed almost equally on each foot or that a possibly weak leg may be spared. As the speed of the trot increases, the rising of the rider diminishes; with so-called "Trotters," rising to the trot is almost impossible. Horses that cover the ground well and have naturally high action are the most pleasing ones when rising to the trot. The principal faults, to be avoided in rising to the trot, are : Rising entirely by means of the stirrups, rising too much and too suddenly, falling down rigidly and suddenly in alighting, rising by means of the reins, curving the back, leaning the body too much forward, raising the shoulders, letting the head drop down on the chest, and napping with the arms, letting the legs move to and fro incessantly and drawing up the heels, and moving one hip more upward and forward than the other.* There is no doubt that rising to the trot strains the horse's forehand more than the sitting-down trot does, therefore many enthusiastic riders object to the former, saying, it is not riding but merely "conveyance on horseback." One thing * Frequently seen when riding in side-saddle. — 219 — is certain, it does not convey to the rider's whole body that healthy all-pervading exercise, for which riding, as a sport, is one of the best adapted. II. Riding with Curb. The curb (Figs. 27 and 28, page 41) works in the same manner as two one-armed levers, their fulcrums being the eyes (d, Fig. 2 8, page 41) of the curb-bit, which are secured by the curb- chain; the power (the rider) works through the reins, fixed in the rings (e), upon the weight (the horse) through the animal's mouth (the interdental space). If the effect of the curb-chain be greater than that of the mouth piece, i.e., if the former causes the horse to suffer any pain, it is evident that the curb will produce the reverse effect to that which is intended, because the pain, naturally, makes the horse throw his nose upward and forward and does not make him yield to the less severe effect of the mouth piece. In such case, the curb would prove of less use to the rider than the snafne. When the reins work at a right angle to the arms of the curb-bit, the effect is then most favourable; if the curb-chain is made too short or, if it presses* the horse's nose forward and upward, this angle becomes acute; if the curb-chain is made too loose, it causes the reins to work at an obtuse angle to the arms of the curb- * Narrow curb-chains with thin links cause the horse's chin to become sore easily, and especially so if the edge of the jaw- bones be very sharp (otherwise see page 50.) — 220 — bit. Using no curb-chain at all, the arms of the curb-bit would almost come in the prolongation of the reins, i.e., the curb would then work almost the same as a snaffle-bit without joint. The curb-bit should be adjusted to the sensitiveness of the horse's mouth (see pages 42 and 81) and the rider's hand, just the same as the snaffle-bit. Mounting and Dismounting, In riding with curb the stirrups should gener- ally be used. Before mounting, the curb-reins should be placed over the horse's neck just in front of the withers and hanging down equally on either side, the snaffle (bridoon) -reins in the same manner, and a handbreadth in front of the former (otherwise, see pages 81-83); the reins should not be twisted or mingled together. After dismounting, the reins should be placed in the same manner as described before mounting or, in leading the horse away, the curb-reins may be taken over the horse's head and held in the left hand (otherwise see page 78). Mounting. In riding with curb the mounting is executed in the same manner as when using the snaffle alone (see page 83, a, I.), though with the following modi- fications : 221 — With the back of the hand turned downward the rider slides his left hand, with the four fingers gathered, along the crest of the horse's neck in front of and under the middle of the snaffle-reins, thereby placing them in the thumb-grasp ; at the same time the thumb and the first finger of the right hand seize the end of the curb-reins from above and lift them up sufficiently to let the third finger of the left hand pass in between them, slightly closing this hand with its thumb resting on the reins, which, being passed over the first finger, are shortened so as to feel the horse's mouth lightly,* and then the end of the reins is thrown over on the off side of the horse's neck; the right hand grasps a lock of the mane and places it in the left hand — the Other movements of hands, body and legs being the same as previously explained in mounting "with snaffle" alone. In taking the reins, the hands should not be brought higher above the crest of the horse's neck than necessary, in order to avoid the hairs of the mane getting in between fingers and reins. When mounted and after releasing the lock of the mane, the riding- whip having been taken in the right hand, the rider passes the thumb of his right hand from behind and at the end of the curb- reins in between them and, in raising his closed right hand with the little finger turned upward and straight in front of his face, the reins are shortened to a suitable length, with proper allow- ance for the right rein being made a trifle (about * The curb-reins must not be made too short. — 222 yi inch) shorter than the left,* which may easily be arranged by a twist of the thumb and the first finger of the right hand when adjusting the length of the reins as above described. It should be Fig. 57- observed that, in adjusting the length of the curb- reins with the thumb of the right hand, the left * The cause of the right rein being made comparatively- shorter than the left is that the former, in passing through the left hand and being placed upppermost on the third finger and undermost on the first finger, has got the shorter distance (of the two) to pass through the whole hand. In having an extra buckle-hole punched in the strap of the right rein, where it is buckled to the rein-ring of the curb-bit, the conditions may be adjusted. — 223 — hand, with its thumb pointing straight upward, should remain a handbreadth from the rider's waist. The curb-reins being thus adjusted, the end of the reins is then dropped to the off side, and the snaffle-reins arranged so as to hang down evenly on the outside of the curb-reins (Fig. 57). In riding with the curb-reins held in one hand, the right hand should either hold the whip with point downward and arm and whip straight down by the right side, or the whip may be held in the thumb- grasp of the left hand (within the reins) and with point downward to the right side, the right arm hanging straight down as shown in Fig. 70, page 3 21. Dismounting. In dismounting, when riding with curb, the same rules should be observed as in riding with snaffle alone (see page 87 a, I.), but with the fol- lowing modifications : The right hand grasps the curb-reins near and above the left, which slides forward upon the reins towards the withers, feeling the horse's mouth lightly ; then the right hand lets go the reins to the off side, takes a lock of the mane and places it into the left hand ; otherwise the same as in dismounting "with snafflle" alone. If riding with all four reins held in both hands (see pages 225-226, "Handling the Reins"), the snaffle-reins may, in dismounting, be lengthened to their full length and held with their middle part in the full of the left hand and apart from — 224 — the curb-reins, the same as in mounting (Fig. 57), or the right snaffle-rein, held in the right hand, may be brought between the thumb and forefinger of the left hand, all four reins equally shortened. If all four reins are held in the left hand (see pages 226-227), the easiest way of holding the reins, when dismounting, is to shorten all four reins at the same time and in the same manner as in dismounting with the curb-reins only (see above) . When riding with curb and practising mount- ing and dismounting "during motion," only the snaffle-reins should be used (otherwise see pages 86, b and 89, b). Handling the Reins. Owing to the considerably severer effect that the curb has, compared with the snaffle, a steady and pliable hand is absolutely necessary for a proper management of the reins when riding with curb; for the same reason, less movement is also required of the hand in riding with curb than when using only snaffle. With the curb, the management of the reins is accomplished principally or entirely by the left hand, as the right hand, when holding the right snaffle-rein, is only used to assist in the move- ments of the left, which, for this reason, is called the bridle-hand. When the movements of the hand are mentioned in this chapter, it is only those of the left hand that will be explained, as the right hand, holding the right snaffle-rein, — 225 — handles it according to what has been previously said about "Riding with Snaffle." The fundamental position. Holding the reins the same as in mounting described, the position of the hand is the same as that with snaffle (see page 96), only that the left hand is brought so much over to the right as to stand straight above the middle line of the horse (ab, Fig. 47, page 147)- Fig. 58. The four reins are generally used; they act then in concert and may be held in both hands or in one only: If the four reins are held in both hands, it should be done in the following manner: When 15 — Handbook for Riders. 226 — holding the reins as in mounting (Fig. 57), the right hand takes hold of the snaffle-rein close to the right side of the left hand and draws the left snaffle-rein through the left hand, shortening it to the same length as the left curb-rein and placing it over the latter with the left thumb closed up- on the three reins; then the right hand shortens the right snaffle-rein so as to feel the horse's mouth lightly, and in so doing, assisted by the forefinger of the left hand;* the end of the snaffle-reins hanging down between the right curb — and Fig. 59 snaffle-rein and the right hand holding the right snaffle-rein in the same manner as in riding with snaffle alone (Fig. 58). If the four reins are held in one hand, it should be done in the following manner: When holding the reins in both hands, as above de- scribed, the right snaine-rein is placed under the * The left thumb should remain on the three reins. — 227 — forefinger of the left hand and drawn forward over the same finger, thus placing it underneath the three other reins, then the left thumb closed upon the four reins; thus the four reins are placed over the middle part of the left forefinger and in the following order {Fig. 59) : uppermost the left snaffle-rein (1), then the left curb-rein (2) next the right curb-rein (3) and undermost the light snaffle-rein (4). When riding with the four reins in both hands, the rider may need his right hand for some- thing or other and only for a short time, the right snaffle-rein should be placed into the left thumb- grasp above the three other reins. The four reins being held in the bridle-hand, the whip may be placed in the left thumb-grasp (within the reins) and with its point downwards on the right side. When the four reins and the whip are held in the bridle-hand and the reins are to be taken in both hands, the whip should first be taken in the right hand. What has been said on page 96 about giving and taking of the reins, when using the snaffle alone, may, in all essentials, also be applied to the curb; though it should be still more particularly observed that the alternate taking and giving, by which the horse is made light and agreeable on the rein, is of still more importance in riding with curb than in using the snaffle alone. Giving. By turning the hand at the wrist, the little finger is brought forward, the thumb pointing more or less towards the waist. — 22% — Taking. By turning the hand at the wrist, the little finger is brought straight back towards the breast, the thumb pointing more or less forward. In bending the horse's head sideways, the same rules should be observed as explained for the snaffle, on pages 147-150. a. To the left. The hand is turned in such a way that the little finger points towards the rider's right hip, and the knuckle of the forefinger is straight above the middle line (ab, Fig. 47) of the horse. This motion of the hand not only causes the left rein to be shortened but gives a pressure of the right rein against the horse's neck, thus preventing it from false bending sideways. The right hand, when holding the right snafne-rein, should be carried to the right sufficiently to give place for the motion of the bridle hand. b. To the right. By more outward rounding of the wrist (see page 92) and by turning the knuckle of the forefinger over to the left, the little finger still remaining above the middle line of the horse, the right rein will be shortened, and the left pressed against the horse's neck. Turning. With the hand in one of the above described positions, the horse should, when the rider's legs and weight are added, as a rule, turn; but, should it not prove sufficient, the hand, while still remaining in one of the described positions (to the left or to the right), may be turned so as to raise the little finger towards the rider's inward shoulder, thus causing a stronger — 229 — pressure of the outward rein against the horse's neck without any easing of the inward. When riding with horse's head bent sideways and either in order to prevent any turning or to make the horse turn with contra-bending (see pages 161 and 162) the little finger, while re- maining in its turned position, should be moved towards the rider's outward hip, thus causing a tension upon the outward rein and a stronger pressure of the inward rein against the horse's neck, though without influencing the bending effect of the latter. In the turning of the little finger of the bridle hand towards the rider's left shoulder or hip, his lower arm may also, if necessary, be moved a little backward along his waist. In practical riding with curb, the effect of the rider's legs and weight should be first tried, before resorting to the use of the reins. In the shortening and lengthening of the reins, the thumb and forefinger of the right hand take hold of the rein in question either behind or in front of the bridle hand and draw it through the hand to the desired length. On account of the management of the reins being accomplished principally or entirely with the bridle hand, the rider's left shoulder is apt to be drawn forward and downward; for this reason, the reins should occasionally be changed to the right hand. Whether riding only with the curb- reins or with the four reins in one hand, the transfer of the reins is done by the forefinger of the right — 230 — hand being placed between both curb-reins just in front of the bridle hand and the other fingers closed around the reins, the back of the right hand turned upward, and the reins released from the bridle hand. In turning the horse with the right hand held in this position, the hand may, if necessary, by bending of the wrist and slight motions of the hand, cause the animal to turn to one side or another. The Lessons. The increased effect of the curb, compared with that of the snaffle, and also the rider's want of practice in handling four reins, makes it advisable at first to ride with the curb-reins a trifle more eased than the snaffle-reins. In order to attain proper skill in holding the reins, a halt is often made, and the reins thrown over the horse's neck and retaken; dismounting and mounting should frequently be practised; also shortening and lengthening of the reins, their handling in other respects and that of the whip, as well as saluting on horseback. The reins should then be made the same length, and the proper giving and taking be prac- tised. When the rider has acquired a fairly correct feeling of the effect produced by the curb, "bending the horse" should be exercised on the great circle as being most advantageous for such purpose. At this period wide % turns (see pages 1 66 and 167) across the school are also — 231 — made in order to establish the fact that the use of the reins will gradually be eclipsed by that of the rider's legs and weight. Otherwise the same lessons should be practised when riding with curb as with snaffle alone; they should be executed in the same order and by the same aids as in riding with snaffle, though proper allowance must be made for the increased effect of the reins; the gallop may, nevertheless, be commenced at an earlier time than has been set for lessons "with snaffle"; besides this, the bendings of the horse's neck and yielding sideways to the rider's leg should be unnecessary practices in riding with curb, as the correctly broken horse should readily submit to bending of the head and to the influences for side-gaits, without the^pre- liminary practices being introduced. The lessons should at first be practised with the four reins held in two hands, later on in one hand and, finally, the easier lessons may be exer- cised with the curb-reins alone, though, in prac- tising the side-gaits and in jumping, the four reins should, as a rule, be used in two hands. III. Measures Adapted to Special Cases. To discuss all the various critical incidents that may arise when on horseback would be interminable; and for this reason I shall only treat those of the most ordinary occurrence and at the same time advise the rider — should the horse become his master — to turn the animal over to an able trainer, and the sooner the better. — 232 — Any bad habit of the horse should be stopped at its outset, if possible, or, if not, be limited so far that the animal does not get beyond one's control; in such cases the equanimity of the rider is as much required as is the balance of his body, for the one depends on the other. When a horse stumbles, which may occur from sluggishness, fatigue or some physical defects, he must not be punished; because the sluggishness and fatigue may either have their origin from the rider's want of skill in sustaining the animal when most needed, or from the horse's ignorance and want of practice with regard to the immediate cir- cumstances, and to punish the animal in such cases, or for its physical defects, would not only be cruel and unjust, but it would lay bare the rider's unfitness and want of self-control. Moreover, the punishment at stumbling would generally cause the already unbalanced animal to rush forward, adding more strain to the drooping forehand, and a fall may ensue, i.e., what might have been pre- vented has happened. A horse treated in this manner will inevitably expect punishment when even making but a misstep, and consequently, trying to escape it in a horse-like manner, he rushes forward and, maybe, stumbles or even falls, i.e., he is being trained to stumble. To prevent or remedy stumbling the rider's influences should be instructive and sustaining to the horse, i.e., he should be kept between legs and reins (see page 108), and when he does stumble, the rider should throw his upper body back and with a steady hand sup- — 233 — port the horse with the reins, but not punish him with spurs and whip. When the horse jails in spite of the rider's efforts to keep the animal on its legs, he should not directly give up, especially so if it only goes down on its knees, when but the hind legs remain stand- ing; for an immediate and resolute throwing back of the rider's upper body, together with an ener- getic raising tension upon the snaffle-reins and proper aid of his legs, will generally make the animal recover its legs. Even if the horse should fall with all four legs under him, but without fall- ing over to the side, an active and strong horse and able rider should "stand and fall together," as even in such case a light and lithe seat in the saddle, and so balanced that the least weight is imparted to the rising legs, may enable the horse to recover his legs; the forehand should be raised first, if the horse does not by his own efforts try to raise himself by all four legs at the same time. The raising of the forehand is done with the reins, the hind quarters by the rider's legs. Meanwhile, if in such case the horse does not directly recover his legs, he will most frequently fall over to the side; it is then of importance to the rider, as soon as possible, to set himself free from the horse and rid himself of the stirrups, but an able rider should never let go the reins unless his life is at stake and might be saved by so doing. If the horse runs away — which is most fre- quently caused by fright or pain, for instance, a too hard hand and a too severe bit, or by some dis- — 234 — ease of the brain — the rider, by acting judiciously, should, in the case of fright, be able to check the animal when the cause of its fright is out of hearing or sight. If the occurrence is caused by pain, the cause must, if possible, be removed. In any case it is of the greatest importance for the rider not to lose his head, nor by shouting for help and an unsteady seat provoke the already excited animal still more. The lost respect for the bit is easiest restored by quiet words, while alternately taking and giving forcibly with the reins; a constant pulling on the reins only deadens the horse's mouth. As for the use of the spurs see page in. According to whether the horse carries his nose high or his chin against his breast, the hands are kept low or high. In riding with curb the curb- reins and snaffle-reins should be taken two in each hand, the same as in riding with double snaffle (see page ioo). In order to slacken the speed of a runaway- horse, the reins on one side should be drawn very short and the leg or the spur applied to the same side; if the horse is made to turn even slightly, the pace will generally slacken a little ; then, if possible, the horse should be guided towards some sub- stantial obstacle as, for instance, the wall of a house ; otherwise such objects should be avoided. If luckily there should be any large open space, to which the rider could direct his horse and there let him run in wide circles until he is tired out, gradually diminishing the circles according to the speed, the rider's control of the animal would soon be — 235 — re-established. Meanwhile, he must not be contented with this, but he should then force the horse to run a little more than he wants, which will often dis- courage the animal from further attempts in the way of bolting, at all events for the time being. If no remedy seems to avail and all control over the animal is gone, and it aims straight at some dangerous obstacle, where certain death seems to face the rider, he should look out for the safest place to get off his horse and then grasp the mane with his right hand, release the stirrups and the reins, push off from the saddle with his left hand and, in flying off to the left and forward, should try to land on his feet and on soft ground, if such be found. Should the horse be moving on a curved line, the rider must so arrange the use of his hands that he may land on the inner side. It is a risky experiment, but I have tried it myself once, when the joint of the snaffle-bit, with which I was riding, broke in the horse's mouth, and, after a few somersaults, I found myself none the worse but for the loss of the heel of a boot. When riding a horse that is inclined to rush on his way home, strict care should be taken that the stable doors or the gate be kept closed while the animal is out. Horses that shy must be handled cautiously and, at the same time, with firmness; cautiously, because the fault is generally caused by the animal's ignorance of the dreaded object or sound, and with firmness, because the rider's determined course of action will make the animal — 236^— pay more attention to his influences than to the cause of its fear; any uncertainty on the part of the rider will only confirm the animal in its fear. The horse's fear is easiest allayed by the rider behaving as if nothing unusual were going on, keeping the horse well "between legs and reins" and in an unchanged direction towards or past the dreaded object; soothing words and caresses are, under such circumstances, the rider's surest helpmates; if possible, the horse should be brought so close to the object that excites his fear that he may smell it. When the animal has obeyed the rider, it should be rewarded with approving address, caresses and — if such are at hand — with some oats, carrots, apples, etc., but not with sugar. Punishment is sure to increase the animal's fear. If the horse tries to whirl himself round, he should be brought into " versing-position " in a way that his head is bent away from the object of his fear; at any rate, the rider must, with might and main, try to prevent the animal from twisting himself round; punishment with spurs and whip (see pages 111-113) is, in such a case, fully justified. If, nevertheless, the horse should succeed in turning aside, he must always be turned back from that side to which he turns. If he cannot be made to turn back, but rears or sweeps off sideways from what has caused his fear, he should be made to stand for a short while and meantime be calmed down; then he — 237 — should be backed towards the place where he turned, then left alone for a while, talked to in a soothing way and again backed close to the place where the trouble began, when a sudden turn on forehand, by the strong use of leg and rein on the same side to which he is turned, will unexpectedly bring the animal face to face with the object of its fear. This behavior on the part of the rider will scarcely fail to confuse the horse to such degree that he will stand as if paralyzed on the spot, and the reward should then instantly follow. To turn back, to dismount, or to go a long way about, will generally result in a shy horse becoming restive. A common fault with inexperienced riders is to suggest beforehand where the battle should take place, and then arrange oneself in the saddle, tighten the reins with convulsively clenched hands and hold on by the legs, as if notifying the animal: "Now we will see!" Challenging the horse in this manner will scarcely fail to be met with acceptation. Restive and stubborn horses should be handled much the same as shy ones. The cause of the restiveness should, as soon as possible, be found out and, if possible, be removed — the horse may, for instance, be wrongly bridled or saddled, through which something or other pains him. If viciousness be the cause, the rider must, if gentleness be of no use, act energetically; in such a case, forcible use of spurs and whip may be made, also backing in the same direction in which the animal will not advance, or repeatedly turning round on the spot. If it be a deeply rooted fault of the animal, most frequently arising from rough handling in its youth, a thorough breaking by an experienced trainer is required in order to re-establish the lost confidence in men, and the remedy is longeing, which, however, lies beyond the limits of this book. Restive horses frequently try, in different ways, to dispose of their tormentor, "the rider;" if not sufficiently firm in the saddle, one should then dismount as soon as possible and leave the cure to a professional trainer; for if the horse once gets into the habit of ridding himself of the rider, it is almost past belief what the animal may take into its head to do in that respect, and what difficulties this may give even the ablest rider to overcome. A common trick of the horse is to lean up against an object, such as a wall, a tree, etc., and there to try rubbing the rider off; the horse's head and neck should then be bent much to the side where the object is, and at the same time the spur applied on the same side. If the horse tries to lie down with the rider, and punishment with spurs and whip be fruitless, one must immediately free oneself from the animal and inflict a regular drubbing on it with the whip, at the same time trying to hold it down on the ground. If a horse rears, the upper part of the rider's body should be inclined forward, the reins in- — 2 39 — stantly slackened, and, if the fault be not from fright, punishment with spurs and whip should directly follow (see pages 111-113). If the animal goes up very high, the rider may grasp its neck with both arms (besides see Fig. 60) ; but if it Fig. 60. At well equipped Cavalry Schools of Equitation one or two horses are schooled to rear at a sign from the Instructor in order to teach the pupils how to act in such a case. is felt that the horse is tottering backwards, the stirrups should be released, and, shoving off from the saddle with both hands, the rider should throw himself off, out to the side. — 240 To strike the horse with the whip on the head should not be done, as it may often have the reverse effect of that desired; besides, using the whip in front of the horse's shoulder is not considered civilized, and it is cruel. The most incorrigible rearers may often be cured in the following manner: The rider provides himself with a bottle, or glass-balloon, made of very thin glass and with a long neck (the same as for chemical use) ; it is filled with water and corked; the rider holds it by the neck in his right hand. When the horse rears, the bottle is smashed by a quick blow between the horse's ears; the water, pouring down over his head, makes him immediately lower the forehand. If the blow be applied quickly and suddenly, the splinters of glass will rarely or never injure the horse; and even if they do, the injury is so slight that it is of no consequence. By applying this treatment once, maybe twice, the horse will, as a rule, forever be cured of rearing; at all events, any such further attempts may be prevented by the rider merely placing his hand on the horse's neck, near to the ears, and he will remember the breaking of the object from which, the water poured. If the horse kicks, the rider should throw his upper body back, according to how high the horse's croup is raised, and observing the general rule of keeping the upper body perpendicular to the horizontal ground. Raising the horse's neck and head, and making him advance by pressure — 241 — of the legs may diminish or, if applied at the right moment, even prevent any raising of the croup. Side-leaps may be prevented by forcible use of leg, spur and whip (see pages 111-113) on the same side to which the horse throws himself; the horse's head should also be bent much to this side, while the rider's hands are brought over to the opposite side (besides see pages 83 and 108). With regard to the rider's "sticking on," bucking is almost the worst fault a horse can have, especially if he be not saddled with a "cow- boy" saddle, from which it is almost impossible to be thrown. The rider should not make the situation worse by clinging with his calves and heels; but, on the contrary, he should try to keep his balance by supporting himself forward in the stirrups. In bucking, the horse shoves off from the ground with all four legs almost at the same time, his back being curved upward and his head down between his fore-knees and, when grounding, his fore legs are stiff and stretched forth. In violent bucking, the saddle-girths may often break. If one does not succeed in getting the horse's nose quickly enough pulled up, even the best rider may then be thrown, especially as in such cases, the horse does not generally content himself with that one plunge. If the horse does not stand quietly when being mounted, and soothing address and caresses prove useless, or if then he strikes at the rider with the fore legs, he should be punished by backing 16 — Handbook for Riders. \ — 242 — until he leaves off; in the latter case cuts of the whip on the fore legs may also be applied. If the horse kicks forward with a hind leg (so-called cow-kick), for instance, after the rider's foot, when mounting, the horse should be punished by backing. When, in riding, the horse kicks after the rider's leg or spur, it should be punished by a sharp cut of the spur. If the horse puts his tongue over the bit and lets the tongue hang out of the mouth, he must not be hit with the whip on the tongue. The fault may occasionally be prevented by placing the bit higher in the mouth; but, after all, the surest remedy is a kind of curb-bit with a stop-plate fixed on to the mouth piece. In putting this bit into the mouth of the horse, it should be strictly observed that the tongue gets under the bit. ' Supplement. Outdoor Riding. The first ride out-of-doors should be taken in a large open space and under the instruction of the 'teacher; if there is opportunity, riding over various obstacles should be practised at the same time. The pupil should take his first road lesson on a steady, quiet horse and in company with the teacher or with another experienced rider, and then all unusual occurrences should be avoided, for instance, riding on very crowded promenades or roads, equipping oneself with new saddlery or riding garments, tight fitting gloves, cigar in the mouth, etc. Proceeding in this manner, and by gradually increasing the difficulties, the rider will soon acquire the self-reliance which every sportsman needs. The rider should always observe the road on which he rides, and in such a manner that, by looking forward over the horse's head, he may know what lays between his horse and the spot where his line of vision meets the ground; for, in — 244 — looking down just in front of the horse's fore legs, he will not be able to get out of the way of obstacles in time, or be able to leap over them. On beaten roads, the rider generally keeps to the right side, if the rider's safety or the care of the horse's legs should not demand otherwise; and only then, if space be at one's disposal, the softest and least stony part of the road should be chosen. In meeting anybody, one keeps to the right side,* whereas in passing by, it is done to the left of the one in front, and it should be observed that nobody is inconvenienced by it, either by being soiled, hustled, or by causing their horses to shy, which last mentioned may often occur when riding at a too rapid pace while passing. When riding in company, the pace should be kept so that everybody can keep up with it, and should one or more of the horses become unman- ageable, or in trotting break into a gallop, the others should be pulled up until quiet is again restored. It should also be strictly observed that roads, public promenades and streets are not the right places for horse-racing.** When riding in company with others to whom respectful consideration should be shown or who may need protection or assistance, such persons should have the privilege of riding to the opposite side of any one they meet. * In England, Sweden and a few other countries, in meeting, one keeps to the left side. ** About the pace, generally used in outdoor riding, see the chapter about "The various paces." — 245 — When riding in company, two or more abreast, if the breadth of the road does not offer sufficient room for meeting anybody, then the one or those nearest to the meeting side should pull the horse up and let the rider on the outside pass in front, the others following one by one, exactly behind the leader. If, under such circumstances, anybody has to be passed from behind, one acts in like manner, inasmuch as the one on the inside passes in front. When a rider is accompanied by a mounted servant, the latter should ride about 20 yards behind his master. When on a long ride the horse needs a rest, the rider should dismount and loosen the girths a little. If, in such case, the horse be put up in a strange stable, it should be ascertained beforehand as to whether there be or have been sick horses in it, if the floor is safe, if there be outstanding nails or anything on which the horse is likely to injure himself, if manger and drinking- vessel be clean, if there be proper contrivances for tying the horse up, etc. When riding in company, no one should start before all are mounted. In riding on stony, uneven and swampy ground, in deep snow or when it is dark or foggy, the horse should be kept well "between legs and reins," though in the last two mentioned cases it may be advisable to let the horse choose the way himself, for, as a rule, he can see or perceive better than the rider. When in swampy land or in snow, the — 246 — animal sinks deeply and becomes nervous, the rider should try to calm it down by dismounting and leading it. On ice, on narrow roads (mountain-paths) and in passing over frail bridges, and altogether on such places where the horse may be liable to slip or fall, the rider must sit lithely and steadily in the saddle, supporting himself lightly in the stirrups and not influencing the horse too much, unless he should slip or stumble, and then sus- taining him in a quiet and controlled manner but not abruptly. If, nevertheless, the horse should fall, the stirrups are released, the rider grasps the mane and, providing the animal does not fall over to the side, it should be encouraged in recov- ering its legs (see page 233), observing that the reins do not prevent it from stretching forth its neck and head. If the animal should fall over to the side, the rider tries to bring his leg so far out to the side to where the animal is falling, that he may reach the ground with his foot and, in endeavouring to keep his body erect, throw his other leg quickly over to the same side. In riding up or down hill (see pages 107-108), the rider's legs may be brought backward or for- ward (i.e., slight support in the stirrups), the reins should be slightly eased or tightened, and the rider's body kept perpendicular to the horizontal ground. In riding up very steep hills, the rider may grasp the mane or he may dismount and lead the horse. Ground with steep acclivities, not being slippery, may be ridden zig-zag. With- — 247 — out any special reason, hills should not be ridden over at any other pace than the walk. Fences and ditches, the latter not being broader than the horse can walk or jump over, are taken according to the rules for high and broad jumping (see "Obstacle-Riding"). Over broad stone walls and banks, the horse is made to climb or to leap upon the top and down again on the other side. If a ditch be so broad that the horse cannot clear it by jumping, one may, if the slopes are not too steep, ride a bit down the side of the ditch and from thence make the horse jump across to the opposite slope and then climb up to the edge. One may also ride slowly and slantways down into the ditch and in the same manner up again on the other side. If the bottom of the ditch be broad and firm, the sides steep and the ditch not too deep, one simply jumps down on the bottom and up again. In jumping obstacles, slippery or soft ground should be carefully avoided. Not being sure that the horse can clear the obstacle (with his rider), it is better not to try, but to dismount at once and lead the horse over; for, when rid of the rider's weight, the thing becomes considerably easier. In crossing water by fording, the horse is kept well "between legs and reins" and is ridden, without hesitation, into the water at a place where the bottom is even and firm, in order to prevent the animal from stumbling, falling or sinking down, which might give it a permanent fear of — 248 — passing through water. Being so unfortunate as to hit upon a place where the horse sinks, he will become nervous and start to work fiercely with his legs; the rider should then dismount at once and lead the horse over or turn back, ac- cording to circumstances. Passing through flowing water, it should be done obliquely against the current, the rider looking towards the other bank and not down at the water, lest he turn dizzy. If the horse begins to paw in the water with his fore legs, it is generally a sign that he intends to lie down; he must then be forced forward with legs or spurs. Many horses have such a great dislike of passing through water that one may have to temporize with them for hours; everything then depends on having patience and not giving in. Under such circumstances it is advisable to leave the horse by the edge of the water alone for a while or to ride him up and down along the water side. The reins should be eased sufficiently now and then to allow the animal to smell the water and, if he likes, to take a drink. With soothing words and caresses, one may at last succeed in getting the horse at least a few steps into the water, after which he should be rewarded by again being ridden slowly back to terra firma. By repeating this method with calmness and per- severance, the animal's fear of the water may vanish forever. If the water be very shallow, backing the horse may also be tried. Railroad tracks should be crossed with care and — 249 — always at a walk and at a right angle to the rails, otherwise the horse may slip, stumble or fasten his foot in the rails, thus tearing off the shoe and even the outside wall of the hoof. In riding under low superstructures or trees the body should be bent down towards the right shoulder of the horse without displacing the seat ; the right hand may take a lock of the mane, the reins are eased sufficiently to allow the horse to stretch out neck and head, and he is urged forward by the aid of voice and legs. If, during such pas- sage, the horse gets frightened, stops, tries to turn round or possibly attempts to rear, then the rider throws himself quickly off to the right (or to the left, according to the rule of the road for meeting) . The Full Gallop. {The Carrier e.) This pace (see pages 115-116 and 121) is prac- tised only on straight lines, and when the rider has acquired a sure and correct seat at the other paces and in jumping. There are no paces at which the horse requires such intense support on the reins as in carriere, though the rider's hand and elbow must be pliant so as to follow the greater movements of the horse's neck and head, and not to interfere with the speed by unintentional nudges of the bit. The immense bending and stretching of the horse's back require a supple and quiet seat, i.e., the body of the rider "goes with" the motions of the horse — 250 — so as not to interfere with the movements of the muscles of his back. During the carriere the body is held slightly- forward without raising the seat too much from the saddle. With firm support in the stirrups and with thighs and knees fitting closely to the sides of the horse, he is urged forward with legs or spurs — according to the animal's temper — and kept well on the reins, which are given sufficiently not to prevent the extended position of the horse's neck and head. In practising the carriere, the horse is put from the walk into the short trot, which is increased to the middle trot from which the horse is put on a quiet gallop right or left, which by degrees is increased to the carriere, observing that the horse does not break into a cross gallop (see pages 121 and 192) and does not "slip out of one's hand," i.e., the obedience to the tensions upon the reins must not be lost. The cross-gallop is easiest mended by changing the fore legs (see page 193). If the rider perceives that the obedience to the tensions on the reins is lost, the horse is either not let out into the carriere or he is directly pulled up and — if necessary — he should be backed (see page 152). Sometimes the lost respect for the bit may be re-established by alternate takings on the snaffle-reins, i.e., by pulling the bit from one side of the mouth to the other. When at this pace it is necessary to ride on a curve, it should be taken very wide, and even then the horse should be pulled in a little. — 251 — When the carriere is to be stopped, it is done by degrees in passing first over into the extended gallop, then into a trot and walk. Immediately after a carriere, the horse should be made to walk for a good while, but not be allowed to rest at the stand. Method of Swimming a Horse. The horse being used to pass deep water by fording and taught to swim without rider, the swimming with rider may be practised if the latter can swim. In teaching the horse to swim alone, he is pro- vided with a halter to which a longe is fastened, the longe being held by a person who — according to the breadth of the water — stands on the opposite shore or accompanies the animal in a boat. The horse is then led by another person as far as pos- sible out into the water; the one, who holds the longe, tries to guide the horse and prevent him from turning back. When swimming a horse with the rider on, the rider should press his legs firmly to the sides of the animal and grasp a lock of the mane in his right hand; without looking down at the water, the rider guides the horse to a place on the opposite shore, where the landing can be made. If the horse is saddled, the girths should be loosened, the curb- chain taken off and the stirrups drawn up, before he is ridden into the water. If the water is flowing, the horse is guided a — 252 — trifle obliquely with the current. When the horse has landed, he is put into a trot for awhile in order to get him dry and warm. When feeling that the horse is sinking, the rider loosens his legs and holds on to the mane with both hands, and in this way swims with the horse on his downstream side. Long Distance Rides. Making a long ride, according to a previously made out scheme, either in a fixed time or in the shortest possible one, is what is termed a long dis- tance ride. Such rides must not be mistaken for racing. Besides the qualities of the rider, for instance, his endurance, weight, horsemanship and knowl- edge of horseflesh, it is particularly the qualities of the horse together with the previous training and feeding, which are decisive as to the length and the speed of the ride. What otherwise may influence the ride are the condition of the roads and those of the weather and — in case of the ride lasting a whole day or more — the accommodation and fodder, which may be procured for the horse while on the way. The endurance of the horse depends upon the activity of the muscles and that of the lungs, and it is always the lungs which give out first at all paces except at the walk. It is of great importance for a rider, who intends making a strenuous ride, to possess some knowledge of the respiration of the animal, this — 253 — being the only means of utilizing the horse's strength to the utmost without breaking him down. The following observations have been made with regard to the respiration of a horse with the rider on and at the different paces: At rest the respirations are 8 to 12 in a minute. " the ordinary walk " 16 to 24 " the road walk about 44 * " the trot " for about y 2 mile 42, 1 " 46, 2 " 51 in a minute, and at the stretched trot the respirations may in- crease to 65 and even more. At the gallop the respirations are for $/% mile 55 in a minute. " 2 " 72 to 84 " At the carriere the respirations are for 1^ furlong 58 " $4 mile 60 to 72 " In the carriere at a long stretch (racing), the respirations may increase to 130 in a minute, but then the pace must be diminished, unless the animal is to be suffocated. Over-exertion of the lungs becomes apparent first by rapid and short respiration; later on the horse stretches out his neck and throws his head forward and finally respiration becomes deep and groaning and the rider feels that his legs no longer touch the sides of * This proves how important the fast walk must be for developing the functions of the horse's lungs. — 254 — the horse on account of the spasms of the chest; then the speed must be stopped, as another furlong would cause congestion. It has been stated that 2 miles at a fast walk make the horse as much out of breath as about yi mile at a trot ; 2 miles at a trot as l / 2 mile at a gal- lop ; about y 2 mile at a gallop as one furlong at the carriere. Training the horse for long distance rides is principally accomplished at the walk and the trot, and it takes from 4 to 6 weeks. It is preferable to do the training in the open if the ground be soft and level. The first week the horse is ridden from 2 to 3 hours a day and at the road walk; between each hour 10 minutes' rest at the ordinary walk. A period of trot for 5 minutes each half hour would not hurt, the pace to be the short trot. The second week the horse is ridden 3 hours a day and in the same manner as the first week, only the periods of trot are increased to 10 minutes; henceforth the pace being middle trot. The third week the horse is ridden 4 hours a day and in the same manner as the two previous weeks, only the periods of trot are increased to 15 minutes. The fourth week the periods of trot are in- creased to 20 minutes. The fifth and sixth weeks the horse is ridden 5 hours daily and then the periods of trot may be increased even up to 30 minutes. During this time — 255 — one may make a trial-ride of 30 to 40 miles with y^ hour's rest mid-way. It must be particularly observed that the last 10 to 15 minutes, before the horse is placed in a stable, are ridden at a walk. As to feeding and watering, see pages 27 and 30. To bring the horse "in condition" by sweat- ing* him should only be done, if the animal be very fat and if the time be short for the training. As a first practice at a long distance ride a trip of about 60 miles is made in one day, using about one hour to every 6 miles and a rest of two hours mid-way. A favourable alternation between trot and walk is 6 minutes at the trot and 5 minutes at the walk, and after a ride of 55 minutes, dismounting and resting for 5 minutes. At such a rate one rides 6 miles and 520 yards an hour. Up and down steep hills one should not trot. At long distance rides the most frequently used alternation between trot and walk is 1 mile at the trot and ]/ 2 mile at the walk;** by changing too frequently from the trot to the walk and vice versa, the horse as well as the rider becomes fatigued. The trot should be the middle trot. If very long distances are travelled, the walk should be kept at a rate of about ]/ 2 mile in 9 minutes ; at such a walk the respirations are about 20 in a minute. * The horse, while ridden, being covered with several blankets and then ridden until he gets into a good sweat. ** With regard to the calculation of time see "The Various Paces." — 256 — At a gallop, if not too fast, one may, on a well- trained horse, do periods of about 2 miles, for the length of the road fatigues less than the speed — "it is the pace that kills." On long rides, of which the point is to utilize the strength of the horse to the utmost without wearing the animal out, the rider must pay atten- tion to his own position; he should sit quiet and supple, and not dangle hither and thither, espe- cially so at the end of his ride when he begins to get tired. It is a poor achievement for a strong rider to make a long ride in an incredibly short time, when, in so doing, he rides his horse to pieces; but the science of it consists in being able to judge, what he may demand of the animal, and in not going beyond the limits of possibility. Riding during the night should be avoided; during rest the horse should be provided with all attainable comforts. A long rest is preferable to several short ones. When, after a long ride, the horse is put up, he should be well groomed and cared for in every respect (see pages 58-67). Exercising and Longeing. "Stand-still and fat are the ivorst enemies of the horse " says an Arabian proverb. By examining the legs of a well-cared-for work-horse, they will, as a rule, — even in animals of rather advanced age, — appear to be normal, which is principally due to daily and regular exercise, taken most frequently in the open. — 257 — By this the muscles and sinews are kept elastic; the fat, which weighs upon the legs of the horse, is kept away and the whole of his inner organism is put into full activity. It is different with the well- fed private riding horse; he often stands still for days at a time, and when he is occasionally taken out of the stable, he is then to have "a thorough, good exercise." Great knowledge of horses is not required to be able to understand what such methods lead to; the limbs, which are loaded with the weight of the fat body and have become stif- fened from want of exercise, are easily overstrained, causing inflammation and subsequently chronic ulcers in the leg; for instance, wind-gall, spavin, splint, etc., may arise; but one does not always get off so easily, for the animal may by such unreasonable treatment often sustain serious internal injuries, from which it never recovers; in other words the strength of the horse and — what in this animal is so highly appreciated — his staying- power are broken forever. • The health and the working capacity of the horse depend on judicious and sufficient exercise together with strengthening, but not too fattening food; for this reason one should not listen to the advice of "ignorant" friends of the horse, by whom it is often considered as cruelty to animals to take the horse out from the suffocating air of the stable and from the well-provided manger more than once a day, even if it be no more than an hour, and when the horse does not look like a fattened pig ready for butchering. 17 — Handbook for Riders. — 2 5 8 — If a sound and well-fed riding horse is to be kept "in good condition," he ought not to be with- out exercise any day, and never less than two hours per day, preferably the hours divided be- tween morning and afternoon and — if the condition of the roads and the weather are favourable — spent in the open. Not having time to exercise the horse oneself, it should, if possible, be done by an experienced rider. Having a groom, who is sufficiently conver- sant with riding and also conscientious enough to be trusted with the horse by himself, one is well off; but, even then, it may be of benefit to take some precautions, for instance, to have the groom ride on blanket and with snaffle and to provide the horse with boots; as a rule, a groom should not be al- lowed to exercise at any other paces than at a walk and trot. If the groom be not sufficiently experi- enced in riding, he should lead the horse when dis- mounted and at a walk (see pages 77-79); while so doing, care should be taken that the horse is led an equally long time to the right as to the left side ; in the riding-school the one leading the horse should always walk to the inner side. In case the horse feels good on account of standing still a long time, he should be ridden, as one is then more master of the animal than in leading it on foot, and is consequently more able to prevent it from making violent jumps and plunges which may injure its legs. If, under such circumstances, for one reason or another, the horse cannot be ridden, but has to be led by hand, it — 259 — should be done in a riding-school or in an enclosed place and at a time when things are quiet. As soon as the horse enters the place, he should be led towards one of the walls and be kept there during the whole time of exercising. If, during this, the horse is to be changed from one hand to the other, the person leading him places himself in front of the animal and tries cautiously to turn it on the forehand by directing its head towards the wall, while moving himself between the horse's head and the wall, thus getting over to the other side of the animal. Horses that rear or strike with their forelegs should not be turned in this manner, but by being led on a small circle in from the wall. Longeing means leading the horse on a long rein (longe) and with the aid of whip and voice. Ordinarily the horse is longed on a circle, while the person holding the longe remains in the centre or moves on a smaller circle, which is concentric to the one on which the horse is moving. Longeing, applied as a means of breaking, requires great skill in horsemanship and long practice, but as a means of exercising horses one may, if possessing com- posure, patience and a little handiness, easily attain the necessary accomplishment. Longeing should never be put in charge of persons who are utterly ignorant of it; for in such hands the longe becomes a dangerous implement, with which the horse is easily ruined. Horses that are wanton from long rest should not be exercised in longe; as the freedom of move- — 260 ment, which the leading in longe allows, makes the animal more disposed to cut capers, which may- result in serious injuries to the legs. If, in such a case, longeing is used, it should be done with the horse well reined in, but then the longeing must be in the hands of a skilled trainer. As longeing, applied as means of breaking, would require a book to itself, I shall in the follow- ing only discuss it as a means of exercising. For the longeing of a quiet horse, there are only needed a halter with a ring at the back of the noseband in which to fasten the longe, a longe and a so-called longeing- whip. The longe should be made of the same kind of flat woollen web that is generally used for driving-reins; it should be about an inch broad and about nine yards long and provided with a buckle and leather strap in one end, or with a snap-hook; the other end should be made into a loop for holding; moreover, it is a good plan to have a few knots stitched on part of the longe, beginning from the loop, at distances of about 14 inches, to provide a better grip in shortening the longe. The longeing-whip should have a light and flexible handle about 2 yards long and a cord with lash about 5 yards in length. For horses that are very spirited or of which the neck and head are to be held in correct car- riage during the longeing, the halter is replaced by a snaffle-bridle with two pairs of divided reins; there should also be two bearing-rings with straps, 26l which are provided with holes for the purpose of buckling one to each side of the throatlatch. The longeing-girth should have a pad with a ring fastened on the middle and one on each side, the latter, each about 4 inches from the former. An ordinary surcingle may easily be thus arranged. After passing the upper pair of reins (bearing- reins) through the bearing-rings, one of them is passed through the middle ring of the girth and buckled to the other one, which is made somewhat shorter and provided with a buckle for this pur- pose. The lower pair of reins are fastened to the lower rings of the girth. By shortening and length- ening the reins, the raising of the neck and the bending of the head may be regulated. The longe, which should be fastened to the inner ring of the bit and underneath the reins , is first made quite short and is held, coiled up, together with the whip (the point of which is turned back- ward with its cord dragging along) in the inner hand, the arm hanging straight down, while the horse is led out on the circle by the outward hand holding the inner rein ; the horse being thus brought out upon the circle, the outward hand takes hold of the whip from behind the back and holds it with the point toward the inner side of the horse; then, moving himself little by little toward the centre of the • circle, the trainer lets out the longe, coil by coil, at the same time trying to urge the horse forward and keeping him on the circle by continually pointing the whip towards the middle of the horse. The person in charge of — 262 — the longe should, when in the centre, keep his inner foot on this spot and move the outward one forward, as the horse moves round on the circle. If the person is moving on a circle, he should always be on the same diameter as the horse. The point of the whip, held in the direction of the horse's inner hock-joint, urges the horse forward; by directing the point of the whip towards the horse's shoulder, he is urged outward. A more forcible use of the whip is produced by flinging the cord forward in one of these directions. The cord is flung forward by a movement of the wrist. The handle of the whip, with the point turned somewhat backward and downward, is held firmly by the thumb and the first finger, the hand slightly closed, the nails turned half upward, and the arm somewhat bent at the elbow; then, in throwing the point of the whip forward by bending the wrist, the other fingers are tightened, by which the forward movement of the point is checked and the cord runs straight out in the intended direction, generally with a slight crack. To bring the handle of the whip first forward and then backward, as is done by cabmen, is wrong. The longe is held in the inner hand by the thumb and the first finger, the position of the arm and the hand as in riding. Tensions upon the longe are made by imparting a wavy motion with the wrist, the wrist to be limber. The eyes of the person in charge of the longe should always be directed towards the animal's — 263 — eyes and ears, keeping his shoulders turned half way towards the horse or at a right angle to the length of the horse, in the former case by moving his inner shoulder back and the outer one forward. If the horse is to be started or the pace to be increased, the words, "March" "Trot" "Gal- lop" or "Fort" (faster) are spoken in a sharp and peremptory tone. If the movement is to cease, 'or the pace is to be slackened or is to be changed from a gallop into a trot, the words — "Halt" "Walk" "Slow" or " Trot" — are spoken in a slow and drawling tone. To quiet a fiery horse that rushes about wildly, the words, "Foal Foal or Hoi Hoi" are spoken soothingly ; if this has no effect, "Fy!" is shouted out sharply and threateningly while moving a little forward and towards the horse, at the same time throwing the inner hand suddenly up in the air (during which movement the longe is taken in the outer hand) . During the first longeings the voice should be assisted with signs from longe or whip. Transportation of Horses. In transporting horses, it is of the greatest importance to secure an experienced and reliable person to take charge of the animal and one who will carry out the orders given him. Moreover, it must be seen to that the horse is provided with everything necessary to ensure a successful journey. — 264 — During transportation of any kind, the horse should be provided with boots (see page 43) and knee-caps on the fore legs, a strong halter with a chain or rope (see Fig. 19, page 19), a horse-cloth (see page 57) and a surcingle. A separate bridle is unnecessary, as a snaffle-bit may be buckled to the rings on the sides of the halter by means of two loose straps. If the horse is to be ridden or led along the road, the shoeing and saddling should be strictly looked into; if necessary, interfering boots (see page 44) are put on. If the person in charge be unacquainted with the route, he should, if possible, try to obtain some information about the best places for rest at noon and at night beforehand; instruction should also be given for feeding on the way. In hot weather one should rest during the warmest part of the day; travelling at night should be avoided. Feeding is restricted to three times a day — in the morning before depart- ure, at noon, and in the evening after the arrival at night-quarters. Before the horse is put up, the stable should be examined. If the animal is ridden, the saddling should be examined frequently while on the road. In travelling by rail, injuries to the horse's tail, back of the thighs, and the points of the hocks may be prevented by supplying an ordinary four-bushel sack which is sewn together length- ways by three seams at equal distances, thus forming four separate bags, which are stuffed with straw and then fastened on the wall of the — 265 — car behind the horse. Plaiting straw into the tail is often done. The wagon-floor and the ramp should be covered with sand and straw. It is also necessary, during long journeys, to take along a pail for watering and feeding. Before entraining the horse, the car should be carefully examined to see if the bar, to which the animals are tied, is in order, and that the ventilating shutters may not knock to and fro while en route. The ramp must be examined to see if it is properly fastened and lies steady. If possible, a person should be placed on each side of the ramp to prevent the hind part of the horse from stepping aside. The man leading the horse into the car should go in front (see page 77). If the horse does not follow willingly, one may sometimes succeed in making him back into the car; but the surest way is to place a thick rope, held by two persons, behind the horse just above the hocks; when the horse stops or balks, a pressure from the rope forces him forward. When the horse is in the car, he is placed with his head in the direction in which the train is moving and in the middle of the space set apart for horses; then the bar is fastened and the horse tied with the rope quite short; the bridle (or the bit) is not taken off before the train has started and the animal proves to be quiet; during this the person in charge remains standing in front of the animal, holding it by the reins, and quieting it by caresses and soothing words, giving fodder from the hand. If the horse be very nervous, a strong rope should be placed — 266 — over his neck and fastened to the bar on each side, preventing him from raising his forehand, and placing the fore legs over the bar, or from knocking his head against the roof. If more than one horse is to be put in the same car, the first one should be placed along the wall opposite to the entrance, the other ones, in succession, by the side of the first. In this way both spaces of the car are filled; the heads of the horses are turned towards the middle of the car, and the most nervous animals with their heads in the direction in which the train is moving. The best cars for horses are those with parti- tions, i.e., a stall for each animal. A single horse should be placed in the middle stall. Usually the partition-walls are arranged to move on hinges placed on the short walls of the car. Before entraining, one or more of the partition-walls are thrown back towards the entrance, according to the breadth of the car and the number of animals to be shipped. When the horse is in his place, the partition-wall is bolted. In detraining, the same precautions are observed with regard to the ramp, etc., as in entraining. The horse being bridled, he is "loosed from the bar which is brought out of the car. With more than one horse, the one furthest from the entrance should be taken out first. In cars with partitions, these are opened and thrown back as the horses are taken out. While on the way, the horse is fed principally with hay from the hand. Oats and water are — 267 — given only when the journey is longer than one day and then during the longest stops which the train makes. The risk involved in transporting horses by water is far greater than it is by rail, because, in addition to the external injuries which the rolling of the ship may cause, the animal is subject to the risk of taking cold and to stoppage of the bowels — to say nothing of sea-sickness, which often kills a horse. On long sea voyages and when a heavy sea is to be feared, the horse should be placed in a strong and well padded stall, which may be constructed for the occasion, or be a shipping-box of separate parts put together, and in which the horse may be hoisted on board. As the padding of such boxes is usually too hard and scant, they should be provided at the front and back with a sack, stuffed and arranged as before mentioned. A strong rope, padded in the middle, is stretched just in front of the horse's withers from the one wall of the stall to the other, and a sling is put under his belly. The best position for a horse aboard ship is amidships, and so situated that the smell from the engine-room and galley is mini- mized and there is as little draught as possible. On sea voyages in particular, the horse should be well covered up; a tarpaulin placed over the stall will shelter him from draughts and sea-spray. If the horse is led on board, the same pre- cautions are taken as in entering a train. When hoisted on board in a sling, the sling must not be — 268 — detached as soon as the horse's feet touch the deck, but be kept under him for a while, until he stands firmly on his legs. In order to prevent stoppage of the bowels 4% lbs. of bran should be given daily, otherwise hay is the principal fodder; 4 qts. of oats a day are sufficient, but the horse needs more water than when travelling by land. During long sea passages, the legs of the horse need rubbing at least two hours a day. Treatment of Sick Horses. As veterinary assistance cannot be obtained everywhere and at all times, all riders should know a little about the most ordinary ailments of the horse, their symptoms and the precautions to be taken against them. Diseases are called external or internal, ac- cording to their nature; as a.m. of c, the former are easier to understand as regards symptoms and treatment, I shall confine myself principally to them. Lameness is known by the horse not supporting himself evenly on all four legs, by which the pace becomes irregular. The first thing to do is to find out in which leg the horse is lame, next the cause of the lameness. In order to decide on which leg the animal limps, it is moved along at a walk and a slow trot. The leg upon which the horse leans most lightly and for shortest time is the lame one. If the horse — 269 — be lame on a fore leg, he throws his head upward when he treads upon the sore foot; in limping on a hind leg, he lowers his head when the lame foot is planted. If the lameness be considerable, it often shows itself when the horse is standing, as he will lean lightly or not at all on the affected leg. If the horse goes lame suddenly during riding, the lameness will often pass away after riding for a short time at a walk or by letting the horse stand still for a short while. If the lameness does not cease, or if it grows worse, one dismounts and examines the lame limb closely. Such examination should start with the under surface of the hoof and, if necessary, be continued upward all along the leg. If it be only a stone or the like which has stuck fast in the hoof, the lameness will, as a rule, cease when the object is removed. If some pointed object, such as a nail, has penetrated into the sensitive part of the hoof and the lameness does not cease when the object is drawn out, the shoe should be taken off, the hole made in the hoof cleansed and filled up with tow or cotton saturated with aloetic tincture, and the hoof placed in a bag filled with pieces of ice or sawdust wetted with cold water. When the shoe is replaced, no nail must be put near the sore place. When bruising of the sole of the foot happens, the sore place becomes apparent as a dark spot which arises from extravasation of blood or matter. By having the farrier pare the horn over — 270 — the diseased place and make an opening in the sole, the blood and matter will flow out, after which the same treatment is applied as in the case of pricking by a nail. Horses suffering from bruising or pricking of the foot will show pain when the sore spot is tapped with a hammer or pressed with pincers; such animals may, as a rule, be used after being treated as mentioned, when the shoe is so arranged as not to press the diseased place. Thrush means that the frog of the hoof decays, becomes soft and shreddy and secretes a gray mal- odorous humour. The disease is generally caused by dirt coupled with want of exercise. By washing with a solution of carbolic acid, and afterward filling the furrows of the frog with oakum or tow, the latter being saturated with carbolic alcohol (1 part of carbolic acid with 10 parts of alcohol), the disease may be cured. Among other diseases most frequently found in the hoof may' be mentioned hoof -fissure , that is, a crack in the wall from the edge upward or from the coronet downward; and cavity under the walls, that is, a hollowness underneath the external crust. By proper shoeing the evil may be partly remedied and the animal made fit for use. Founder is an inflammation in the quick of the foot which becomes very warm and sore. The animal stretches its legs forward and rests on the quarters. Very frequently the cause is overfeeding or drinking too much cold water when — 271 — the horse is exerted and warm. The patient should be placed on soft, cold and moist ground, be fed only with hay, and be given water with the chill off. The shoes must not be taken off immediately. Ring-bone is a bony enlargement in front of and at the sides of the coronet ; it is due to inflam- mation in the coronary-joint, from which exos- tosis form around the coronet. The treatment should be the same as in the case of spavin. Grease appears at the back of the pastern and fetlock and shows itself in the shape of vesicles, cracks or ulcers from which a malodorous humour flows and which forms scabs. It is most frequently caused by uncleanliness, dampness and cold, or by having the fetlock clipped, thus exposing the back of the pastern to slush from sloppy roads. To prevent the disease, the pastern is kept clean and dry, the use of peat moss for bedding has also proved effective. The treatment of grease consists in washing the diseased place with lukewarm soap- suds, then rinsing and wiping it well off and rubbing with oil or cerate, added to a little carbolic acid. Iodine ointment is also frequently used. To prevent the recurrence of the disease, the same treatment should be given every time the horse is taken out on dirty and wet roads. Wind-gall, which is an inflammation in the fetlock joint or in the sheath of the tendon at the lowest part of the shank, shows itself as soft swellings full of humour and which in time may turn hard as bone. If wind-gall does not appear to a great extent, the animal rarely goes lame — 272 — from it. Massage (see page 64) or bandaging (seepages 65 and 66) is the best way to prevent and remove the disorder. If the horse is not lame, wind-gall will increase rather than diminish by too much rest. Inflammation of the tendinous tissues appears as swelling, soreness and heat in the back tendons; it is easily discovered by passing the finger tips lightly along the tendons. The disease is due to overwork, strains or blows. By complete rest with massage and cooling fomentations, the evil may be removed. A compound of % alcohol and % vinegar with J of water may be used as a fomentation having a discutient effect. Splint is the name of a bony enlargement of the canon bones; it arises from inflammation in the periosteum (periostitis), caused by blows or kicks. On the inside of the shank it is, as a rule, due to the fact that the horse knocks one leg against the other while in motion. By the imme- diate use of cooling fomentations and massage, the formation of splint may be prevented. If, on the other hand, the splint is fully developed but not too old, an acrid ointment (1 part of biniodide of mercury with 10 parts of purified fat) may be applied. After the hair has been clipped off, the splint is rubbed for about 10 min- utes with the ointment. In case the horse does not walk lame, he may be used if the following treat- ment is carried out: The splint is rubbed once a day on two consecutive days; during the next six days no rubbing is applied, after which the — 273 — treatment is repeated on two consecutive days, and it is thus continued, until the splint is com- pletely removed. In order to prevent the acrid ointment from flowing down on the leg, it is oiled below the diseased place. When the horse is in use, "shin-boots" should be used. Malanders is situated at the back of the knee and in front of the hock. The signs, the cause, and the treatment of the disease are the same as for grease. Spavin (bone-spavin) is an exostosis caused by inflammation in the hock joint, sometimes called spavin-protuberance. If the inflammation cannot be checked, it will most frequently result in a symphysis of the small bones of the hock. Bone-spavin is situated on the inside of the hock joint and is felt as unevenness, when passing the fingers along the inside of the hock joint. The lower down on the joint the spavin is situated, the less serious it is. In most cases the cause of the disease is over-exertion, but it may also be due to heredity. Not being sure whether the horse be spavined or not, he is put to the so-called spavin-test, which is carried out by taking hold of the shank and lifting it forward in a way that the hock joint is bent forcibly; in this position the leg is kept 2 or 3 minutes and is then dropped, after which the horse is immediately put into a trot. If it be spavin, the animal will, during the first few steps, show considerably more lameness than before. The inflammation being discovered at its very beginning, it may be removed by 18 — Handbook for Riders. — 274 — cooling fomentations and rest. Recently formed spavin-protuberances may be removed by rubbing with acrid ointments. Old spavin is incurable. Bog-spavin is a soft tumour on the front and inner part of the hock joint; as a rule, it does not prevent the use of the horse. Curb is a hard protuberance at the back of the hock about 2>^ inches below the point of the hock. On aged horses, curb is generally of no consequence. Jardes are exostosises on the outside of the hock; they do not interfere with the horse's useful ness, but are unsightly. Capped hock is a swelling on the point of the hock, generally caused by blows or knocks, which the horse may either have inflicted upon himself or may have contracted during transportation by rail or by ship. As long as the inflammation lasts, cooling fomentations are applied. The swelling not being warm, discutient salve is applied. Capped hock rarely causes lameness. Capped elbow is a swelling on the point of the elbow, generally caused by pressure of the shoe or of the hoof when the animal lies down with its knee much bent. This tumour being soft and warm, cooling remedies are applied, but if it is cold and hard, it should be fomented with spirit of soap or rubbed with green soap. If the swelling breaks, it should be kept open by stuffing the hole with tow or the like until the substance of the tumour is evacuated. In order to prevent capped elbow from re-forming, a thick padded leather ring — 275 — should be placed about the pastern, by which the hoof (or the shoe) is prevented from touching the elbow when the animal lies down. Instead of such a ring about the pastern, a pad well stuffed with straw may be placed underneath the animal's chest and fastened with a broad strap across its back; in adding a breast-plate, the pad is kept close to the elbow. Capped hock and capped elbow may, at their very beginning, be removed by rubbing with clay- silt (clay mixed with vinegar or Goulard's extract), which is left on until it drys. A condition, found not infrequently in riding horses, is the so-called knuckling over; that is a sprain or wrong bending of the fetlock-joint, caused by the horse making a false step or by being pulled up too suddenly and, perhaps, in a wrong manner. Slight knuckling over does not, as a rule, cause any lameness, at any rate not of longer continuance than will pass away by riding at a walk or by making a stop for a while. If the horse, after knuckling over, does not lower the fetlock properly and if it be warm and sore, a bandage is put tightly around the joint and constantly soaked with cold water. If the horse has swellings or bruises caused by any part of the saddlery, he is said to be galled. Swellings are treated with cooling remedies, for instance, fresh cut green turf, which is placed with the grassy side on the swelling and constantly soaked with cold water. Bruises are cleansed with a solution of carbolic acid and smeared with — 276 — zinc-salve or cerate prepared with carbolic acid (or carbolic oil). The gall being caused by wrong saddling or by defects in the saddlery, the defect should be adjusted and, if the horse must be used, a strip of linen soaked in melted tallow is placed on the injured place. Galls on the withers are among the most serious and are slow in healing. In wounds that are only bleeding slightly, the bleeding may be staunched with cold water, snow or vinegar. The wound should be cleansed and disinfected by syringing with solution of carbolic acid (or of sublimate) and be smeared with carbolic oil (or iodic powder), after which the edges of the wound are pressed well together and a dressing is put on. If a wound is bleeding profusely and is deep a wad of clean tow, immersed in cold water and vinegar, may be pressed firmly into the wound; the bleeding not decreasing, more tow is put on, while constantly fomenting with cold water until the bleeding is stopped, after which, if possible, a bandage is put on. Being sure that the bleeding is arrested, the bandage may be taken off, the wound cleansed, disinfected and stitched up. Deep wounds in the joints must be im- mediately stopped up and bandaged, as it is very dangerous to expose such wounds to the influence of the atmosphere for any length of time. Internal diseases disclose themselves most frequently by certain external symptoms, as, for instance, drooping of the head, of the ears and of the under lip, dim and half-closed eyes, pinched together nostrils and roughness of the coat. — *77 — Amongst other symptoms of internal diseases may be mentioned: want of appetite, much thirst, short and rapid breathing, discharge from the nostrils with their mucous membrane yellowish or very dark red, profuse sweating, abnormal droppings, obstruction, frequent passing of water, etc. In such cases and until veterinary aid can be obtained, the following measures of precaution are taken: the quantity of fodder is lessened, especially oats, the drinking water is given with the chill off, plenty of straw for bedding, rubbing with wisps of straw and covering the horse well. Colic is a sickness that every rider should know about; it arises suddenly, progresses quickly, and must be attended to speedily, otherwise it may prove fatal. The most ordinary causes of the ailment are bad food, overfeeding, especially when the animal is much exerted, change of food, and sudden exposure; cold drink, when the horse is warm, may also cause colic. Horses may have more or less tendency to this trouble on account of the digestive organs being out of order; horses that are windsuckers are particularly disposed to this ailment. The external symptoms of the sickness become apparent in the animal getting suddenly restless, wanting to lie down and imme- diately springing to its feet again or rolling over on its back, in placing all four legs in under itself, pawing with the fore feet, kicking itself under the belly with the hind feet, whipping the tail, looking back towards the belly and biting itself at the skin of the belly. Besides treating the animal as — 278 — prescribed for internal diseases in general, it should be well rubbed with wisps of straw under the belly and be moved at a walk and at a slow trot without making it warm. As a remedy, give 0.28 ounce of chlorat bar y cum dissolved in 3 qts. of water with the chill off. If there is no relief within a short time, an injection of oil and warm water should be given. For some time after recovering from colic, measures of precaution should be taken in the feeding of the horse. The pulse of the horse may be felt in the easiest way at the inside of the lower jaw, near the jowl, by placing the first and middle finger on the inside of the jaw, the thumb on the outside. If the glands at the throttle be swollen, the pulse should be felt at the temple or at the elbow. In a healthy and full-grown horse, the average pulsation is from 32 to 40 per minute; in stallions from 28 to 30. The temperature of the horse is taken by a thermometer, which is put into the rectum and left there for 3 minutes. The normal temperature is about ioo° F. The normal respiration of the horse is from 10 to 12 per minute. Quadrille Riding. When the various figures and exercises, which have been taught in school-riding, are performed by several riders in pairs and in a class, they are called quadrille riding. Such riding should be — 279 — performed at the collected paces but so that march- ing up, forming line and changing of places are done at a faster pace. An even pace with precision in the performance of figures and exercises gives elegance to this kind of riding, which is still further enhanced by ladies taking part in it and when ridden to music. Quadrille riding may be performed at the sides of the school as well as on the great circle or on both. The distance between the horses should be arranged according to the number of riders and the size of the school. The following very easy figures are examples: 1. An equal number of pairs of riders are arranged in line at one of the short sides of the school, facing the other short side, the ladies to the left and the gentlemen to the right of the middle-line (see page 128), and with a distance of 1 step between the horses. Words of command: [3~i. "Salute!" ' ' All salute. Ladies with the tops of their whips to their hats; gentlemen taking their hats off down to their right sides, their right arms perpendicular. ( 3 ; i 2. "Advance by Twos, from the middle (and the pace) — March! ' ' \ ' The middle pair moves straight forward; the others move, one by one, simultaneously from both sides of the leading pair and half turn to the right and left towards the middle-line, where they continue at a horse's length from the pair in front and straight behind the one leading. — 28o — 3. "Leading Pair, Right and Left Turn — March!" Performed when the leading pair has advanced to the short side of the school, and by parting in turning right and left and continuing, one by one, along the sides of the school; thus pair by pair follpw. 4. "In T ravers, Right and Left, Half Turn — March!" The riders in the rear having passed the first corners, all move their horses by a half turn and in travers parallel to the long side of the school until meeting each other at the middle-line, whereupon they ride by pairs straight ahead. 5. "Leading Pair, Right and Left Turn — March!" Performed the same as no. 3. 6. "Long — Passade!" (See page 180.) Performed when both the leading riders have passed the long sides of the school. 7 . " Long — Passade! ' ' Performed when both the leading riders — after the first passade, and after having advanced at the long side of the school — have reached the corners. 8 . " Great circle— March! ' ' Performed when both the leading riders — immediately after the passade — have reached the "marks" of the great circle situated opposite to each other (the great circle touching the short side) . The riders to the left hand keeping a little inside the track of the great circle, thus passing — 28l — with the right side towards the riders moving to the right hand. 9. "Chain!" Performed while on the great circle by alter- nately turning the right and the left side towards each other, the leading riders beginning with the right side towards each other. 10. " The Chain Ceases!" Riding on the great circle is resumed in the manner described in no. 8. 11. "Straight on, Turn Across the School — March!" Performed when both front riders are by the "marks" of the great circle at the long sides. The central point of the school is first passed by the rider in front coming from the left hand and then alternately by one from the right and one from the left hand. 12. "Leading Riders, Right and Left Turn — March!" Performed when both front riders, after having passed across the school, have advanced to the middle of the short side, whereupon they ride by pairs along the middle line of the school. 13. " Circle Right and Left — March! ' ' Performed when all the pairs are on the middle-line; those on the right side making a small circle to the right and those on the left side to the left. 14. "Change!" Performed when, in accomplishing the small circle, all are oblique to the right or to the left of — 282 — the middle-line; when, meeting each other, they ride by pairs straight along the middle-line. 15. "Circle Right and Left — March!" Performed before the front pair has reached the short side and otherwise the same as no. 13. 16. "Change!" Same as no. 14. 17. "By Pairs, Alternately Right and Left Turn — March!" Performed when the leading pair has advanced to the short side of the school, the front pair turn- ing to the right, the next one to the left, etc., then moving along the sides of the school, the front pairs keeping abreast of each other. 18. "Leading Pairs, Right and Left Turn — March!" Performed when, after the foregoing exercise, both front pairs have passed the long sides and have advanced to the middle of the short side. In this manner, two pairs ride side by side along the middle-line, thus forming lines of four. 19. "By Pairs, Right and Left Turn — March!" Performed when the front pairs have advanced to the short side. Pairs on the right side turn to the right and those on the left side to the left, all moving along the sides of the school. 20. "Even Pairs, Left Half Turn — March!" Performed when the pairs are at the long sides. Second, fourth, etc., pair turn half to the left, thus moving obliquely across the school — 283 — towards the opposite long side, where they resume their places behind first, third, etc., pair. 21. " Leading Pair, Right Turn — March! ' ' Performed when the front pair has advanced to the middle of the short side. 22. "Right and Left Form Line — March!" Performed when, after having accomplished no. 21, all the pairs are on the middle-line. The front pair continues moving at a walk or goes into a walk, if the pace be a faster one; riders on the right side ride at the extended gallop and, in half turning to the right, form in line with the front pair, and pass into a walk. Those on the left side do the same to the left. 23. "Halt!" When the line is formed. 24. "Salute!" Same as no. 1. II. Christmas tree quadrille. In the centre of each great circle (the circles touching the short sides) a high fir tree is placed with a solid foundation, trimmed like a Christmas tree and hung round with small presents at a suitable distance from the ground, and without candles on the lower limbs. An equal number of pairs of riders are arranged in the same manner as described in I. Pairs of riders, moving along the middle-line, part in passing the trees in a half small circle, each on their side of the tree. In meeting, the riders pass each other with the right side towards each other. When single riders pass the trees along the middle- — 284 — line, it is performed in a half small circle with the right side towards the trees. The ladies wear bows of silk ribbon on their right shoulders, and the gentlemen on their left shoulders, each pair wearing a different colour. The riders may also carry on their right hip a bag with bandoleer over the left shoulder, both being of the same colour as the bow. The bags are intended to hold the presents that may be snatched from the trees. Words of command: i. "Salute!" Performed the same as I, no. i. 2. "Advance by Single Riders from Right and Left, Short Trot — March!" The riders trot, one by one, simultaneously from both flanks and half turn to the right or left, with a horse's length between each other on each long side of the school. 3. "Leading Riders, Left and Right Turn — March!" Performed when the front riders meet at the middle of the next short side, whereupon they ride by pairs along the middle-line and pass the trees. 4. "Leading Pair, Right and Left Turn — March!" Performed when the front pair, having passed "the middle-line, is by the short side of the school, where the pairs part, then moving, one by one, along the sides. 5. " Turn Across the School — March!" Performed when, after the foregoing turn, — 285 — the riders have passed the first corner of the school. The central point of the school is passed same as I, no. n. 6. "Leading Riders, Left and Right Turn — March!" Performed same as no. 3. 7. "Leading Pair, Right and Left Turn — March!" Performed same as no. 4. 8. "Ladies, Great Circle — March!" Performed when, after the foregoing turn, the leading lady is by the "mark" of the first great circle at the long side. The gentlemen continue riding along the other long side of the school. 9. "Gentlemen, Great Circle — March!" Performed when the leading gentleman has reached the "mark" of the other great circle by the other long side. 10. "Diminish the Circle — March!" All the riders move their horses towards the trees and try to snatch the presents from them, keeping distance and pace. 11. " Half Circle—March! ' ' All ride a half circle out to the track of the great circle, by which they all come over to the other hand, when the former front rider will be in the rear. 12. "Diminish the Circle — March!" Like no. 10. 13. " Half Circle— March! ' ' Same as no. 11. — 286 — 14- "Straight on, Leading Riders, Right and Left Turn — March!" Performed by both front riders at the same time and from the middle of the short sides. All ride along the middle-line with the right side towards the trees and towards each other. 15. ''Leading Riders, Diminished Circle — March!" Performed by the front riders, after having passed one of the trees, riding a "diminished" circle to the right around the other tree. The other riders follow the front rider, and the presents are again snatched from the trees. 16. "Half Circle— March!" Same as no. 11. 17. "Straight on, Leading Riders, Left Turn — March!" Like no. 14, only the turn is made to the same (left) side by both parties. 18. "Leading Riders, Diminished Circle — March!" Like no. 15 but not round the same tree. 19. " Half Circle— March! ' * Same as no. 11. 20. "Gallop— March!" (Middle speed.) 21. "Straight on, Turn Across the School — March!" Is performed at the same time by both front riders and from the "marks" of the great circles on the opposite long sides. Riders pass with the right side towards each other. 22. " Jeu de Barre!" — 287 — The gentlemen ride in a faster gallop up to the inner side of their ladies and try to take the bows off their shoulders; when they succeed in doing this, they keep by the side of their ladies. 23. "Leading Pair, Right Turn — March!" Performed when the front pair is at the middle of the short side. 24. "Right and Left, Form Line — March!" Performed when the front pair has passed the first tree and then falls into a walk. Riders on the right side (gentlemen) ride in a faster gallop the shortest way up in the line. Those on the left (ladies) do the same. Then all take the same pace as the front riders. 25. "Halt!" In the middle of the ring. 26. "Salute!" Same as no. 1. There may be introduced in this quadrille still another figure, by having ladies and gentlemen ride a "half circle," each from their track of the great circles, towards the trees, thereby all moving on the diminished great circle, from whence the track of the great circle may be resumed at the command, " Enlarge the Circle — March!" (seepage 187). The same is repeated to the other hand. At a collected gallop with changing a tempo, this figure looks well, but it requires accomplished riders and well schooled horses. This quadrille may be performed without the Christmas trees, if the centres of the great — 288 — circles be marked, for instance, by poles with flags attached to them. III. Quadrille on the great circle is performed either by 4 pairs or by 4 single riders. With 4 single riders, 2 being ladies and 2 gentlemen, they should be placed on the middle line in file at a distance of 1 step, the rider in the rear having the hind feet of his horse on the track by the short side of the school. The riders are numbered from the front, No. 1 being a lady, No. 2 a gentleman, etc. Those figures which are not performed singly or by all four at the same time, but by each pair vis-a-vis separately, should always be commenced by the odd numbered pair (1 and 3). Words of command: 1 . " Short Trot— March! ' ' 2. " Leading Rider, Right Turn, Great Circle — March!" Performed when the leading rider has reached the short side of the school. 3 . " Take your Places! ' ' Performed when rider No. 1 has ridden once round on the great circle. Rider No. 4 halts with the horse's hind feet on the "mark" of the great circle by the short side of the school, No. 3 in the same manner on the next "mark," No. 2 on the next, etc. 4. "Face!" All turn their horses on the haunches until vis-a-vis partners are facing each other. 5. "Vis-a-Vis, Salute!" — 289 — All ride at a walk straight forward towards the centre, halt and salute when at a horse's length distance between the heads of the horses. Having performed the salute, all back their horses simultaneously to their places. 6. "Vis-a-Vis Change Places!'' Riders No. 1 and 3 put their horses simul- taneously on the short gallop left and ride with their left side turned towards each other across the circle, each halting on the other one's place, and turning the horse on his haunches to the left, again facing each other, when the same is per- formed by Nos. 2 and 4. In the same order and manner, the figure is then repeated at the gallop i right with the right side towards each other and by i turning to the right, thus every one resuming his • (or her) original place. 7. "On the Circle to the Right, Short Trot — March!" All make yi turn on the haunches to the left I and pass into a short trot. 8 . ' ' Diminish the Circle — March! ' ' (See page 186.) On the diminished circle I the distance between the horses should be a horse's length. 9. "Right about— March!" All make y 2 right turn on the haunches, j change the bend of the horse and continue at a I short trot on the diminished circle to the other ! hand. 10. "Left about — March!" Same as no. 9. 19 — Handbook for Riders. — 290 — ii. ' ' Enlarge the Circle — March! ' ' (See page 187.) In reaching the track of the great circle, the distance between the riders will be the same as before the diminishing of the circle. 12. " Resume your Places! ' ' All halt at their "marks" (see no. 3). 13. "Face!" Same as no. 4. 14. "Vis-a-Vis Half Circle about Centre, Short Gallop— March!" 3 1 Riders No. 1 and 3 make 34 turn on the haunches to the right — from this position putting their horses on the gallop left — ride with their left side turned towards each other a half small circle about the centre, and return to their original places, where "Halt" and "Face" are made (see no. 6). Then the same is performed by Nos. 2 and 4. In the same order and manner, the figure is then repeated at the gallop right. 15. "On the Circle to the Right, Short Trot — March!" Same as no. 7. 16. "Circle— March!" Performed when all are at their "marks" (otherwise see pages 188 and 189). 17. " Circle — March! Change! ' ' Performed when all are at their "marks" (otherwise see pages 189 and 190). 18. "Circle— March!" Same as no. 16. 19. " Circle — March! Change! ' ' Same as no. 17. — 291 — In changing from small circles made from the track of the great circle, the horses are directed towards the corners of a square, in which the great circle might have been inscribed, the sides of the school partly forming the square. 20. " Resume your Places." Same as no. 12. 91. "Face!" Same as no. 4. 22. " Serpentine! ' ' Performed at the short gallop. Rider No. 1 makes }/% turn on the haunches to the right, and rides at the gallop left in front of and past No. 2, then changes the gallop and rides at the back of No. 3, who has advanced half a horse's length from the track of the great circle while No. 1 passes. When No. 1 has passed behind her vis-a-vis, the gallop is again changed and, after passing in front of No. 4, "Resume your Place" and "Face" are performed. Then the same figure is performed in numerical order and in the same manner by the others. 23. "On the Circle to the Right, Short Gallop — March!" Performed the same as no. 7, but at the gallop. 24. ' ' Vis-a-Vis Change Places! ' ' Riders No. 1 and 3 ride the shortest way across the great circle at a faster pace, with the right side turned towards each other and towards the centre, each taking the other one's place, where — 292 — the original pace is resumed; the same is then performed by Nos. 2 and 4. 25. " Right about — March! ' ' All halt, make }4 right turn on the haunches and change the gallop. 26. ''Vis-a-vis Change Places!" Performed same as no. 24, but to the other hand. 27. " Resume your Places! ' ' Same as no. 12. 28. "Face!" Same as no. 4. 29. " V is- a- Vis Salute! ' ' Same as no. 5. 30. "On the Circle to the Left, Short Gallop — March!" Performed the same as no. 23, but the turn on the haunches is made to the right. 31. "Double!" The ladies (Nos. 1 and 3) ride at a faster pace up to the inner side of the gentlemen (Nos. 2 and 4). 32. "Double!" Riders No. 1 and 2 ride at a faster pace up to the inner side of Nos. 3 and 4. During the doubling, the pace is increased sufficiently at the outer flank to allow the inner one to maintain the original pace (short gallop). 33. "Advance by Single Riders from Right, Extended Gallop — March! ' ' Rider No. 4 advances at the extended gallop on the track of the great circle; when No. 4 has — 2 93 — passed the others by % circle (in the meanwhile the latter moving with their outer flank towards the track of the great circle) No. 3 and the other riders in succession go into the extended gallop, until all are on the track with intervals of % circle. 34. " Short Gallop— March! ' ' 35. " Left about— March! ' ' All halt, make yi left turn on the haunches, and change the gallop. 36. "Double!" The gentlemen (Nos. 2 and 4) ride at a faster pace up to the inner side of the ladies (Nos. 1 and 3). 37. "Double!" Riders Nos. 3 and 4 ride at a faster pace up to the inner side of Nos. 1 and 2. 38. "Advance by Single Riders from Left, Extended Gallop — March!" Performed same as no. 33, but beginning with Rider No. 1. 39. " Short Gallop— March! " 40. "Left Form Line, Leading Rider Right Turn — March! ' ' The line is formed as described on page 131, but facing the short side of the school, the centre of the great circle being between Riders Nos. 2 and 3, and with 1 step distance between the horses. 41. "Halt!" When Rider No. 1 is abreast of the centre. 42. "Salute!" All salute, making their horses perform a pesade (see page 157). — 294 — Fig. 6 1. ELIZABETH, THE LATE EMPRESS OF AUSTRIA. A Model Horsewoman. Ladies' Riding. As riding in a side-saddle may be understood from what has been written here about riding astride, I shall, with regard to the former, discuss only what every rider should know in order to be able to lend assistance and a little guidance to ladies, when riding in their company — taking it for granted that the lady is conversant with riding, and mounted on a horse broken to side-saddle. — 295 — A lady's dress for riding requires much care and attention. There is scarcely anything that contributes so much in spoiling a riding lesson, or the pleasure of a ride with ladies, as derange- ments of dress. Riding apparel should be simple and com- fortable without any trimming of feathers, bows, braids, ornaments,* etc. The habit should be made of a suitable dark cloth. The bodice, with a low upright collar, may be buttoned all the way up to the neck, or with a lay-down collar, it may be buttoned so as to leave an opening for a shirt- front. The sleeves should be without puffs at the shoulders, regardless of fashion. In case shirt- collar and cuffs are used, they should be white. The length of the skirt should be so as just to cover the left foot of the rider when on horseback, the skirt itself being of the safety type. Two elastic loops are fastened on the inside of the skirt and in a manner that they may each be slipped on a foot, but not at the heel, in order to prevent the skirt from working up during riding. The bodice is fastened to the skirt by hooks and eyes or, better still, by a strap with button-holes at the back of the bodice, and corresponding buttons on the skirt. No other skirts should be worn while riding. Stiff stays should not be used, an ordinary slip-body, the so-called sanitary stays or the rubber corset are preferable. At any rate, this * A small veil on the hat and at the neck a small brooch in the shape of a horseshoe or the like should be the only ones. — 296 — article of dress must not reach too far below the hips, or it may cause much discomfort. The riding pants should be made of dark elastic material and tight-fitting. Riding boots, their tops reaching midway up the calf and with or without a spur buckled on the outside of the left heel, are preferable to ordinary walking boots, which must, at all events, for riding be without buttons. Black silk hat, a Derby or jockey-cap of the same colour as the habit are the most practical and most becoming head coverings; as a rule, they are fastened with a narrow elastic band under the hair at the back of the neck. The hair should be well fastened, for which purpose bands of the same colour as the hair are used instead of hair pins. If the hair cannot be fastened properly, it is better to leave it loose, particularly so during the first lessons, when appearance must give way to what is most prac- tical. The gloves must not be tight, and should be made of buckskin or dogskin. The riding-whip (the lady's right leg) should be sufficiently long, and neither too thin nor too pliable, because it would then not be able to pro- duce a pressure like that of the leg, and if no influence can be exerted on the horse by the whip, unless by striking him, the animal will become nervous and afraid of the whip, which a lady's riding horse must not be. Besides, a constant use of the whip in this manner does not look well. Consequently, those lady's light riding whips, — 297 — which are usually sold, are not at all fit for lady's riding. Pins and long hat-pins, on which, while mounting and dismounting, the person in attend- ance may tear his hands or get his eyes put out, should not be found in a lady's riding apparel. A lady's riding horse should in every respect be as nearly faultless as possible (see pages 8-10). The lady's position on horseback, with the considerable length of the side saddle, require that the horse should have a well-marked portage for the saddle, a not too short back, sure and not too low movements of the fore legs, and easy gaits. The horse should also have no bad habits (see page 231, III), but a lively temper and be well schooled; his mouth should not be too sensi- tive, that is, a lady's horse must never be behind the bit (see page 99), and must readily obey every influence of the rider's leg, whip and weight. The side-saddle would neither put horse owners in such fear, nor be so often a hindrance to ladies' riding, if more attention were paid to the con- venience of the horse and — pardon me, ladies — a little less to the convenience of the rider ; because the galls, unfortunately too often caused by side saddles, would then virtually be avoided. It does not follow, however, that a lady may be placed in any saddle, simply because it fits the horse ; on the contrary, side saddles should be adapted to the individual to a much higher degree than cross- saddles. On the other hand, the side saddle should — 298 — fit the horse still more precisely than the cross- saddle. Thus, on horses with sharp and prominent withers and backbone, saddles with broad and low gullet should not be used; for even if the under Fig. 62. part of the pommel does not touch those parts of the animal, the saddle may, nevertheless, during riding, easily cause galls by sliding from one side to the other. The saddle panel (see page 39) — 299 — should be made somewhat thicker on the right side of the pommel than on the left, which may either be done while the saddle is new or with more stuffing after it has been pressed together by use, because the weight of the lady's right leg makes the burden heavier on the left side of the pommel, by which the panel at the right side is pressed against the right side of the withers, causing the stuffing on this side to be pressed together and to become thinner. At the cantle under the seat, the panel should be made thicker on the left side on account of the lady's tendency to lean over to this side. In paying proper atten- tion to these details during the use of a new saddle and as long as the stuffing has not yet settled, saddle galls, otherwise easily caused, may often be avoided; it also enables the rider to keep an equally balanced seat in the saddle more easily. The best and safest lady's Park saddle is the one with improved level seat, all-over hogskin, with buckskin eave in seat and heads, on French cut back tree, and two hole socket {Fig. 62). The seat of the saddle should be spacious and its length in proportion to the height of the rider.* The stirrup-leather being so arranged as to enable the lady to assist herself in shortening or length- ening it at the right side of the saddle, it must be observed that the leather, which, thus arranged, * The length from the fore-side of the upper head to the cantle of the seat should be about % inch more than the distance from the lady's back line to the genuflection of her right leg, when the back is kept vertical and the'right thigh horizontal. — 300 — has to pass under the belly of the horse, does not gall the animal at the back of the fore legs (elbow) , which* very often happens. To the lady's saddle belongs the safety stirrup and cord girth, the latter having a buckle on its right side for the fastening of the strap on that same side of the saddle seat, thus preventing the saddle from sliding too much over to the left. The saddle-cloth, being of felt, should be so shaped that the horse may feel the influences of leg and whip. The reins should be limber and not too broad. Saddling and bridling a lady's horse must be done with exactness, and is carried out in all essentials as described for a gentleman's horse (see pages 46-52) ; but the girthing is done on the right side. The high position of the hands, which, naturally, must be assumed when riding in a side- saddle, often necessitates the use of a martingale, and in such case it should either be put to the noseband or its running rings should be brought outside of the curb-reins and placed on the snaffle- reins (see pages 42-43 and Fig. 26). The girthing and the stirrup-leather are adjusted after the lady is mounted. If, during mounting, the lady's horse is held by an attendant, it is done with the right hand in the same manner as in holding a gentleman's horse (see pages 81-82), while the left hand, placed against the right side of the horse, prevents the hind part from swerving to this side. Without a whip in her hand, the lady — 301 — approaches the horse in the same manner as described for gentlemen (see page 83), bridling and saddling* are examined, and she places herself with her right side so close to the left side of the horse that she may take hold of the upper head with her right hand. With the left hand, the lady then lifts the skirt a little and raises the left foot sufficiently to permit the attendant to place his right hand under the middle of her foot and the left one under the sole of the foot, after which she leans her left hand upon his right shoulder. At a sign, agreed upon before- hand— i.e., "One, Two, Three" or "Up"— the lady shoves off with her right foot, stretches her left knee, and raises herself by her right arm; at the same time, the attendant arises from his bent attitude, by which she is lifted into the saddle. Then the rider turns herself to the right and passes her right leg over the upper head, against which it rests in an unconstrained position along the safe of the saddle. Then, if the stirrup-leather be "stationary," its length is adjusted and the foot is put into the stirrup. The skirt is now arranged by the attendant, who, in taking hold with both hands at its lower edge — while the rider, with her right hand on the front of the saddle and the left one at the cantle, rises from the saddle — draws it quickly to and fro a few times, after which the elastic loops on the inside of the skirt are placed at her right knee and on her * In order to ascertain that the saddle does not rest on the withers, the left hand is passed under the safe of the saddle. — 30 2 — feet. After having given the whip to the rider and, if necessary, assisted her in taking up the reins, the attendant examines the girthing and buckles the surcingle or, on a saddle thus arranged, the stirrup-leather at the right side of the saddle. If the one, who assists the lady in mounting, has also to hold the horse, he does well to place the animal with its right side towards a wall; the horse is then held by the left snaffle-rein with the left hand, while the lady is lifted into the saddle by means of the right hand alone. The lady being so short that, when standing on the ground, she is unable to reach the upper head with her right hand, she places herself with her back to the horse and, while shoving off with both feet, is lifted into the saddle by the at- tendant placing his hands about her waist. If a lady has to aid herself in mounting, the horse is placed close to a staircase or another ele- vated object; reins, whip and the upper head are seized with the left hand, the can tie with the right one, and, with the left foot in the stirrup, she vaults into the saddle. If, in this manner, the rider cannot reach with the foot into the stirrup, the stirrup-leather is lengthened and re-adjusted when she is mounted. In dismounting, the whip is thrown to the ground, the hold of the reins is released, the foot is taken out of the stirrup and the loops on the skirt set free; the right leg is brought over the upper head and down along the left side of the horse and, in turning herself to the left in the saddle, — 303 — the rider sets the skirt free of the head. Support- ing herself with the right hand on the lower head and with the left one in the right hand of the attendant, she jumps down with knees bent. The horse being very high or disposed to kicking forward with the hind legs (see page 242), it is advisable to lift the lady down by seizing her with both hands about the waist — while sup- porting herself with her hands on the attendants shoulders — she is held on straight arms and brought to the ground in such a manner as to face the side of the horse. During mounting and dismounting, the whip being held by the rider, it should be taken at the middle and by the right hand. On horseback, the whip is held in the right hand with point downward. In riding with the reins in one hand, the whip is held between the second and third finger, the back of the right hand being turned so much to the rear as to make arm and whip form a perpendicular line. In riding, the whip is used principally by movements of the wrist. The use of weight, legs, spur and reins is in all essentials the same as in riding astride — the whip replacing the right leg, although gallop right is frequently performed by touching the horse's shoulder with the whip. Sometimes it may be necessary to assist the left leg with the whip by the rider bringing it behind her back and down along the left side of the horse. The weak point of the rider's position in a side saddle appears mostly in the attitude of the — 3°4 — shoulders, although it is owing to that of the hip bones which should be kept square to the length of the horse and with a perpendicular but strain- less position of the body from the waist up (the spine), that the shoulders will apparently seem motionless. Let me warn the fair rider against the forward and backward swaying movement of the body, so generally seen, at the gallop and also in leaping— somewhat like the top of a tree in a wind. Remember that it is the horse which is to gallop and leap, not the rider. "The hardest thing for a rider to learn to do on horseback is to do nothing." When escorting a lady riding in side-saddle, one should keep to the side where protection and assistance are mostly needed; consequently, on roads in countries where the rules for passing (in meeting) establish such to be effected to the right, one should ride to the left of the lady and vice versa. In narrow and difficult passages, and when the lady's horse shows signs of restiveness, one acts well in taking the lead. Schooling the Horse. (Breaking.) "Haste makes waste." A broken horse is a horse without any will of his own — whether he be a truck horse or a high school horse. The common sense, strength and willingness — 305 — of the horse have, from ancient times and in different ways, been taken advantage of by man in applying a training suitable to various pur- poses. In order to utilize the animal's strength in the most advantageous manner, the right proportion between strength and labor should be observed, and in the schooling of a riding horse this must be strictly followed. For the rider to be on good terms with the horse contributes a great deal in advancing the work of schooling, because when once the animal has gained confidence in its teacher, its desire for work will be aroused and it will learn to understand quicker, and also obey him more willingly. This can only be attained by a rational and skilled manner of proceeding. In the schooling of a riding horse, there is required great skill in horsemanship, a great deal of judgment, a thorough knowledge of the treat- ment of horses, their structure and natural dis- position in other respects, much patience, presence of mind, perseverence, fearlessness and firmness. For this reason, the breaking of a horse may seem an insuperable task to an ordinary rider; but he must not be discouraged, but hopefully set to work, when, in order to get his horse broken, he has no better alternative than to do it himself; even if the result be not so good, it adds to his experience, which is surely the best teacher. In order not to bring too many disappointments upon himself, the rider must not make his 20 — Handbook for Riders. — 306 — m plans higher than those he himself and the horse are able to manage. The time required for the training of a riding horse can hardly be fixed beforehand; the best results are attained by acting cautiously and by letting the schooling lessons follow in succession and in a regular order by which the horse is taught to accomplish the different movements in balance, which should be the principal object of the training. An ordinary riding horse should, through the training, be taught: A. quietly to submit to saddling, bridling and unsaddling ; B. to stand still during mounting and dis- mounting ; C. willingly to obey reins, legs and weight, at the stand and while in motion, and con- sequently : a. to stand still and to turn on the spot; b. to be able to move in all gaits and paces while retaining balance and keeping time — and c. in so doing, to suffer himself to be turned and stopped; d. easily to back and also e. safely and willingly to leap over obstacles. To this end the schooling lessons are applied in the way they are prescribed in the foregoing riding instruction and in the following order: — 307 — I. Preparatory Practices. i. Accustom the horse to saddle and bridle by letting him look at them and smell them; the girths must not be drawn too tightly and the bit should not be struck against the horse's teeth and lips. 2. Accustom the horse to the manege by leading him round on the track; right and left (at the sides). 3. In order to accustom the horse to carry the rider, one mounts cautiously and slowly (frequently stopping and beginning again) and remains for a while resting on the arms with left foot in the stirrup, then descends again, thus con- tinuing the same operation until the animal quietly submits to it, after which the right leg is brought several times across the horse's croup and again down to his left side. If the horse also stands still during this, the rider may then seat himself gently and must, with might and main, try to stick on. If he be thrown, he must mount again at once. At first, during mounting and dismounting, an assistant should be employed. II. With Snaffle. 1 . To put the horse into a walk. The legs used as urging aid is taught by means of voice and whip. 2. Turning by feeling one rein, the rider's weight to co-operate. — 3 o8 — 3. The natural trot — in order to attain natural bearing under rider. With a steady and pliant hand support on the bit is attained. The rider keeps as passive as possible; the seat — steady and pliant. 4. To pass from the natural trot to the walk and from the latter to halt. Gradual passings by reins and weight but without the use of legs. 5. Turning corners. Easing the outward rein; whip and leg on the inward side. 6. Turning diagonally across the school at the walk. 7. Leading the horse over a bar. The reins so long as not to exert any influence on the horse's mouth during the leap. ' The rider either jumps over the bar or lets go the reins just in front of the bar. Leaping, dismounted or mounted, according to progress, should henceforth be practised at the end of each following lesson. 8. Voltige on horseback, by which the horse is taught further to submit to the movements of the rider. 9. Bending the horse's neck at the stand and while in motion, when the horse takes support on the bit. Short periods; chewing on the bit. 10. The medium trot, when the purpose of the natural trot is attained. Whip and legs urge the horse on against a passive and pliant hand; firmer seat in the saddle. By developing the medium trot, the horse is brought into better balance. 11. Turning on forehand with horse's head — 309 — to the front. At first the inward leg is assisted by the whip and the inward rein. 12. To pass from the medium trot to the natural trot and vice versa. In passing from the medium trot to the natural one, the legs are closed quietly; the reins are felt by degrees. &The horse should yield to the bit and press his neck together. In passing from the natural trot to the medium one, the reins are not relaxed, whip and legs urge the horse forward, by which he learns to push off better with his hind legs and at the same time retaining his bearing. 13. Bending the horse's head at the stand and while in motion, when the horse yields to the bit and pays attention to the legs, and also has attained steadiness and bearing of the neck. 14. The extended trot, when the object of the medium trot has been achieved and the pace has become steady. The reins must not be relaxed more than necessary in order to retain support on the bit. With horses that have a weak back and hind quarters, the rider should sit lightly in the saddle. 15. To pass from the extended trot to the medium trot, and vice versa. Same as no. 12. By passing from the extended trot to the medium, the horse is taught to bring his haunches under. Gradual passing over with cautious influence of legs should be observed. 16. To gather the horse while in motion. The head is placed perpendicular and the neck is raised, by which the bearing and the gaits of the — 3 J o — horse are improved. The horse must not go behind the reins. At first practised at the medium trot, then at the walk. If the pace slackens, the gathering has then been too forcible. 17. To gather the horse at the stand. The horse should pay such precise attention to the rider's legs, weight, and to the reins that he — with his neck raised and his head as near to the perpendicular position as his structure allows — stands still with light support on the bit. 18. To regulate the walk should not be practised until after the gathering has been accomplished. 19. Backing can only be executed correctly, following a previous gathering of the horse. 20. Collection. After gathering, the horse is made to bring his haunches under him, i.e., further improvement of the balance. 21. The halts have already previously been applied (see nos. 4, 12 and 15), but they cannot be accomplished correctly until the necessary carriage and the removal of the weight to the hind quarters have been conveyed to the horse through gathering and collection. 22. Bending the horse. For the attainment of correct turnings, side-gaits and gallop. 23. Turning on forehand with horse's head bent sideways. Preparatory practice for versing (shoulder in). 24. The great circle. As a practice in bending the horse and as the introduction to correct turning while in motion. — 3ii — 25. Turning while in motion. Introduction to change in crossing the great circle. 26. Change in crossing the great circle is performed on a serpentine line. 27. To pass from the great circle to "straight on," and vice versa. 28. Yielding sideways to the rider's leg, when the horse can keep on the great circle. 29. Side-gaits with horse's head to the front (see page 171, etc.). 30. Side-gaits with horse's head bent sideways (see pages 171-182). 31. Turning on haunches (see page 184). 32. Change in crossing the great circle is performed by sharper turnings than are described in no. 26. 33. Diminishing and resuming the great circle. Introduction to small circles. 34. Precise turning of corners (see page 137) 35. To turn diagonally across the school at the extended trot (see pages 138 and 153). 36. Small circles (see pages 188-190). 37. Small circles on one track from versing. A stronger pressure of the rider's outward leg, easing the outward rein and the rider's weight inwards. 38. To change during turnings while in motion (see page 167). 39. To pass from one side-gait to another one (see page 182) and turning on haunches while in side -gaits. 40. Bringing the haunches more under is — 312 — practised at the stand and consists in a higher degree of collection by which a raising of the fore- hand may be effected (see page 157). It is ap- plied in quick turnings on haunches and in tak- ing the gallop from the stand. 41. The gallop. From trot on the great circle (see page 192) with even and easy gallop strides. It depends on the horse and on the preceding work of schooling, if the gallop should be taken from the short or the medium trot. 42. To pass from the gallop to the trot, and vice versa. On the great circle. 43. At the gallop on the great circle to pass "straight on," when the horse has learned to maintain an even and quiet tempo at the gallop on the great circle. 44. Collected gallop. On the great circle, when the horse at the medium gallop has com- menced to lower his croup and to bring the hind legs under the mass. ! 1 45. To pass from the gallop to the walk, when the horse in bearing takes gallop from the trot. At first practised on the great circle. 46. The extended gallop, when the horse goes closely collected in the short gallop (see page 198). 47. To pass from the extended to the short gallop, and vice versa. 48. To change from gallop right {or left) to gallop left {or right) by an interval of a few trotting steps (see page 197). 49. Turnings and small circles at the gallop. 50. To halt from the gallop (see page 197). 1 — 3i3 — 51. The gallop from the stand (see page 196). 52. Changing the gallop "k tempo" (see pages 197-198). III. With Curb. The double or curb bridle is taken into use when, during the preceding lessons with snaffle, the horse has been taught to "carry himself." At first the horse should be accustomed to having two bits placed in his mouth — the snaffle-reins only to be used. Later on the four reins are to be held in both hands, the same as in riding with double snaffle-reins ; then, by gradually feeling the curb-bit, the horse is also made to yield to gentle pressures on his mouth, when the reins are taken and held as explained in "Riding with Curb," and the schooling lessons repeated in the same consecutive order as "With Snaffle." 1. Yielding to the bit (champing the bit.) 2. Unbent lessons. 3. After attaining to a quiet, light and steady support on the bit, bending of the horse's head, turnings, side-gaits, etc., are practised. 4. With the four reins held in one hand. 5. With the curb-reins alone. 6. Carriere (see page 249). Concluding remarks: As the training ad- vances, the early and easier exercises must not cease, but be repeated daily. The schooling lessons are always commenced and finished with the least fatiguing exercises, — 3H — and the exercises should not be continuous, but be alternated with long periods of easy walking when horse and rider should be doing nothing. It is a good policy not to attempt to do any school- ing when you are out of sorts, and also to scrutinize yourself when your work does not seem to prosper with you; for it is a poor trainer who is always ready to lay the blame on the animal. Horse Gymnastics. (The Modern Equine High School.) Although this branch of horsemanship may be considered as being beyond the limits of this work, the book would be incomplete without some mention of it, as there are comparatively very few riders who have any idea of the real scientific "Haute Ecole" of to-day, and by confounding it with circus trick riding, they consequently despise it, which is a matter for extreme regret, as the knowledge of its practical use can but add to their accomplishments. i The "Old School" — quite suitable for circus horses which are to be trained in great haste for "high school" — is represented by the so-called "Baucher System," and is, taking our modern ideas into consideration, restricted too much to work "at the stand." Of this system the Duke of Nemour said: " Je ne V2ux pas d'un sysfeme, qui prend sur V impulsion des chevaux" (I do not approve of a system which tends to diminish the — 3i5 — £\* Fig. 63. THE COURBETTE. -forward moving power of the horse) , and no more need be said. Having alluded to the Old School, I shall not omit mentioning the famous school-jumps on the spot — so-called because the horse lands on the same spot from which he takes off. They are the Courbette (Fig. 63, with hind hoofs just raised from the ground) ; the Croup ade (Fig. 64, with hind hoofs raised more and with their under- surface towards the ground) ; the Ballotade (Fig. 65, with hind hoofs raised with their under-surface turned backwards), and the Capriole (Fig. 66, 316 — f*r- ■J - ' Sfc-^- s& j Fig. 64. 7\H"jE C ROUP AD E. with hind hoofs raised with their under-surface turned upwards). School-jumps on the spot enter little into modern high school work, as their practical use is small compared with the strain to back and limbs which they entail. The only school-jump occa- sionally practised is the Langade. This is not a jump "on the spot," but one "from the spot," the horse — by shoving himself forward by the spring of the haunches — landing considerably in advance of the spot at which he left the ground, in the same way as in a standing jump. — 3 J 7 t ' -< y ^>sV : A ' ' ^ ' ."' "^ r^w^ W' s - ■ > '[ &, • ■' -J ^ . ,^r ' « '* \ y / L? : ~ ^ r< */£ ^ r^ W^L^.^ /I i, ■ (§ '^4 Fig. 65. TH£ BALLOTADE. The Pesade (Figs. 67, 68 and 6g) is the intro- duction to them all, and in it the back-line of the horse should form an angle of 45 with the ground. The Levade is similar to the pesade only the raising of the forehand is of shorter duration — such as precedes the school-gallop when taken from the stand. - For this reason one may hear mentioned "Levade right" or "Levade left" according to which of the fore legs is in advance; for instance, in "Levade left" the left fore leg should be ad- vanced by the horse being bent to the left. - 3i8 Fig. 66. THE CAPRIOLE. The Terre a Terre is a school-jump executed with all four legs and while in the school-gallop. The Mezair is somewhat the same, only in it the horse raises the forehand higher and raises the croup less and later than in the terre a terre. The school-jumps may be considered as a very severe test of the rider's firmness in the saddle. Even to-day, the school-jumps are taught at the "Spanish Court Riding-School" in Vienna and have no equal, as far as correctness, grace, beauty and elegance are concerned; they are also the specialty of this institution, its horses (Fig. 6g) being especially adapted to this work and, as 3i9 — "^ >^ ~o p "N ^ J % \ JptfT-- P Fig. 67. 7\fiT£ PESADE BETWEEN THE "PILLARS." Fig. 68. rilE PESADE. Performed by a Pupil of the Author. (Central Park, New York, December, 1908). 320 Fig. 69. THE PES AD E. "MUESTOSO-MOSCHINA," A LIPIZZA STALLION, One of the Eight Famous Stallions at the Imperial-Royal Spanish Court Riding-School in Vienna, Austria. compared with other breeds, easily broken to high school. The modern high school work is principally performed from the horse's back, and it lays extreme stress upon the action of the hind part. The practical high school trainer scarcely wastes a thought or a glance on the fore legs, for he knows — 32i Fig. 70. THE GALLOP ADE ON SLOPING GROUND. that action in those parts will come of itself when once the hind part is made to weigh up to the fore. In modern high school work the whip is rarely applied to the forehand, and then only from the horse's back and by slight touches on the shoulders or under the chest close behind the elbows. fi5ifc High school work of the present time is particularly directed towards the further develop- 21 — Handbook for Riders. — 322 — Fig. 71. EC OLE DE CAVALERIE DE SAUMUR.—LE PAS ESPAGNOi The Spanish Step, Performed according to the " Baucher System" at the Cavalry School in Saumur, France. ment of the horse's activity for practical riding, and upon the same principle as gymnastics are used in schools and gymnasiums; therefore it would be better explained by calling it "Horse Gymnastics ." This is why it is not infrequently found, that such schooling, whole or in part, is used for animals the natural bearing and paces of which are deficient. The high-schooling is not commenced before the horse has been trained in longe and ridden; and thereby broken for ordinary school riding. — 3 2 3 Fig. 72. THE "SPANISH STEP 7 ' AT THE TROT. Performed according to the "AutJior's System." (Central Park, New York, May, 19 10.) This is the gait that the French call " Le Passage" — an extremely rhythmical trot and one in which the horse signifies a momentary pause on each diagonal by keeping the lifted legs of the other diagonal in their position in the air for a moment. " Le Passage" is not considered elegant unless the lifted forearm be horizontal and the lower part of the leg vertical. The lifted hind leg should be bent at the hock joint so much that the toe becomes level with the top of the pastern of the other hind leg or is even lifted a little higher; but never so that the "two lifted legs" of a diagonal are level with each other, as this xvould make it look as if the horse were falling on his nose, instead of conveying the impres- sion that the horse is pushing himself forcibly forward, which is what gives elegance to the movement. — 324 — Fig. 73. THE "AMERICAN TRAINED" HIGH STEPPING HORSE. The paces and gaits taught in high school practices were (besides the school-jumps) formerly restricted to side-gaits (see pages 171-183) at a closely collected trot, the school-gallop (gallopade, Fig. 70) with its different evolutions, the Spanish step (Figs. J 1 and 72), and the piaffe (Figs. 74, 325 Fig. 74. THE PIAFFE {Le Piafier). 75, 76 and 77), the last-mentioned being the "Spanish trot on the spot." By comparing Fig. 72, the Spanish Trot (Le Passage), with Fig. 73, the high-stepping horse, the reader may draw his own conclusions with regard to the action of the horse's legs, etc. The Great Napoleon said: "Pour devenir grand capitaine il faut lizer et relizer les vienx capitaines ." '4 This great man could have had no other reason for saying so than by studying — 326 — Hi |K WJr ,. - '' J* '-~ i9^ ii^l ":^4 r Hi ■■• - ft JHfe^ -6 "! ■gfc^ M '-■ M^^m ^B k Fig. 75. THE PIAFFE. Developed Entirely by Work on the Horse's Back. {Central Park, New York, May, 19 10.) the old masters and seeing the results of their ideas, the masters of later periods have been enabled to improve on and even to alter the old systems into — we may say — quite new ones, which satisfy the requirements of later periods. We must 327 Fig. 76. THE PIAFFE BETWEEN THE "PILLARS." also read the written works of the old masters on equitation in the same spirit — thus, the modern school, in some respects, acknowledges and utilizes the fundamental principles of the Old School, and has developed them in a higher degree: 1. By adding new paces, for instance, the extended trot with its greater spring from the hind legs and well extended action of the fore legs, the marching step at the ivalk* (Figs. 78, jg and 80) and the floating trot (Figs. 81, 82 and 8j) (or as it is called in Germany, the "Swim- trot," and in France the "Spanish trot"). In the two last * When in marching the horse is made to execute two beats (the first one being in the air) with the lifted fore leg at each step, it is called Double Marching (Pas espagnol double). 328 - V t * 71 .( V4 k ii Fig. 77. r#£ PIAFFE OF THE " OLD SCHOOL." mentioned gaits the fore legs are stretched for- ward and brought into an almost horizontal position; thus enabling the horse to cover more ground with each step than in the Spanish trot (see Fig. 72). In marching and in the floating trot the stretching forward and the high position of the fore legs should not be produced by striking the horse with the whip on the fore legs, but by using the outward leg more forcibly and farther back (see Fig. 82) than in the Spanish trot, also by conveying the rider's weight more over on the 329 — Fig. 78. THE MARCHING STEP AT THE WALK. According to the "Author's System," accomplished entirely by work on the horse's back. {Central Park, New York, May, 1910.) outward hind leg; the reins should not be needed for this purpose. 2. By requiring a more rapid performance of some of the Old School's evolutions, as for instance, the pirouette and the half pirouette (two methods of turning around and half around on one — 330 Fig. 79. TJZE MARCHING STEP (Central Park, New York, May, 19 10) illustrating the third movement (planting the previously horizon- tally stretched fore leg). The movement comprises three distinct actions: 1st. The lifting of the forearm into horizontal position. 2nd. The stretching forward of the lower part of the leg to be in line with the horizontally placed forearm. 3rd. Bringing the leg obliquely to the ground. This movement tends to develop free shoulder action for practical riding, apart from the benefit obtained from the action of the haunches. hind foot at the school gallop) , which are executed by the Old School in six, or three, slow, but high and beautiful gallop strides. The modern school demands that such turnings be made in less time than it takes to accomplish one gallop stride — 33i Fig. 80. THE HALT FROM MARCHING AT THE WALK, KEEPING FORE LEG IN AIR. (Central Park, New York, May, 19 10) Another feature of the modern style is the "free gallop" with its changings a tempo at every third or second stride. 3. Again, by having introduced more varia- tions in the movements, which means passings over from one school gait to another direct and without intermission; for example, from school gallop right and left into Spanish trot and vice versa, and with a certain number of strides and steps in each gait, say three gallop-strides left; four steps Spanish trot; three gallop-strides right, and so on. Another feature is the direct passing — 332 — Fig. 81. THE FLOATING TROT. Illustrating the First Movement. over from the floating trot into the piaffe and then again into the same trot. 4. Finally, the modern school demands that the high school horse shall be taught to jump as we understand it, and to do it with the highest degree of precision and correctness. The devotees of the modern school insist that a horse shall not only be able to get over an imaginary obstacle gracefully, but that he shall be able just as grace- — 333 — Fig. 82. THE FLOATING TROT. Illustrating the Second Movement. fully- — and with far more usefulness — to get over a real obstacle (see Fig. 61, page 294). For in- stance, an officer, who graduated from the most renowned military riding school in Europe, won the first prize at the final riding competition in two different classes — high school and obstacle ride — and on both occasions used the same horse. The gallop on the spot, backwards and on three legs are features of the high school which show great obedience, power and agility in the horse, but they enter little into modern high school work. Fig. 84 shows the "Halt" from gallop on three legs. In contrasting the new school with the old, I cannot omit relating an incident illustrative of the Old School. 334 — Fig. 83. THE FLOATING TROT. Illustrating the Third Movement. (Central Park, New York, May, 19 10) The equerry of Louis the Fourteenth took three-quarters of an hour at the school gallop to advance one hundred and fifty steps, that being the distance between the riding-school and the dairy at Versailles — which is at the rate of just three and five-seventh steps per minute! This was the gallop record of those days; in ours it goes in another direction. There would be — 335 — Fig. 84. THE HALT ON THREE LEGS FROM SCHOOL- GALLOP RIGHT. (Central Park, New York, May, 1910.) very little risk of such a highly schooled horse running away, unless it were tail first! Apart from what has been already said about the manner in which the different features of the high school are taught and afterwards practised, a minute explanation of the subject would be too 336 Fig. 85. LOWERING OF THE FOREHAND {Au Bas) The exercise of the horse in this position tends to develop free shoulder action. It should not be done with hind legs "back- ward placed" but be commenced by first bringing the haunches under and then stretching the fore legs gradually forward by which latter movement the forehand slowly becomes lower. With a rider mounted it must be especially observed that collection precedes the lowering of the forehand, otherwise the animal's back will be strained. elaborate and of too little interest to the ordinary rider (for whom this work is intended) to be intro- duced here; besides, the detailed study of scientific high school work and its practice takes nearly a man's lifetime and requires special equestrian gifts. Circus tricks, such as kneeling, rearing and walking on the hind legs, etc., have nothing to do with this question, and should be absolutely — 337 — barred from high schooling, as they may prove fatal to the ordinary rider and injurious to the horse, whereas there is no safer animal to ride than the finished high school horse. On account of the greater mobility of the modern high school methods, special emphasis must be laid upon the harmony that should exist between the movements of the rider and those of the horse. The stiffened position — riding with long stirrups and straight legs — is no longer considered correct. "Elasticity" is the best word to describe the attitude of a high school rider. The elasticity of an easy rider, who has a good seat and a natural position, will communicate itself to the movements of the horse; for the horse will always be a mirror of the rider. Besides what has already been stated in favour of the high school training, it has the practical advantages of making the animal more obedient in proportion to the higher training and also making the movements of its legs more nimble i.e., it enables the horse, with safety and without causing injuries to his legs, to perform the quickest movements — a quality that should not be despised but sought for. From an artistic point of view there is the regrettable drawback that the masterpieces of the art vanish with their great masters, and neither "snap-shots," paint, marble nor bronze can replace the poetry, rhythm and music which inspire us when watching the beautiful, graceful and harmonious movements of the living work 22 — Handbook for Riders. - 338 - of art, though in the eyes of a true horseman there is no more pitiful sight than that of a crippled high school performance. The following list of exercises for the per- formance of which the rider was awarded a Gold Medal for Equestrianism, may serve as an illus- tration of modern high school work: All exercises performed on or within the track of a great circle and equally to both hands. i and 2. Pesade and An Bas. 3. The Extended Trot — performed in the fig- ure 8. 4. The Side-Gaits (Versing, Traversing, Con- tra-Versing and Reversing) at the Col- lected Trot with passing direct from one side-gait to another, changing hands by half Pirouettes. 5. The School-Gallop with five changes of lead (a tempo) in crossing the circle; small circles with changes, the same in Contra-Gallop; changes of lead at every third and at every second stride on the track of the great circle — to change hands by half Pirouettes. Diminishing the circle at the Renvers-Gallop until hind feet are in centre, then, by a whole Pirouette and immediate change of lead, resuming the track of the circle at the renvers-gallop to the other hand, etc. Gallop from the Stand at the Closing Travers with halts on three legs, leading fore leg in air — — 339 — alternately gallop right and left. Gallop on the spot with changement a tempo. 6. The Spanish Trot, forward and backward, performed in the figure 8, and alter- nately on the spot, i. e., the high piaffe. 7. Marching forward and changing to back- ward as a fore leg is in the air. 8. Double Marching. 9. The Floating Trot with direct passings over to "Spanish trot on the spot" and again to the floating trot, finally from the former "Halt" on three legs (a fore leg in air). 10. Direct Changing from the School-Gallop to the Spanish Trot and vice versa, by three strides gallop right, four steps Spanish trot, three strides gallop left, etc. 11. The Piaffe with turning on haunches at the "piafle-tempo," finally Halt on three legs with the last lifted fore leg stretched horizontally. Jeu de Barre, This being the game on horseback which, more than any other, requires great skill in riding and agility of body, it should not be unknown to the "educated" rider. The origin of the name "jeu de barre" is jouer anx barres, which means "to play at war." It is hardly possible to give any practical rules and advice for carrying out the movements of — 34o — horse and rider, as the game is entirely individual — some showing their superiority in skilful manage- ment of their mount, others by the agility of their own bodies and limbs, and experts, indeed, by both. Quietly awaiting the movements of the aggressors, no rushing and, when attacks are made on the rosette, trying to escape them by swift and small movements, keeping the aggressor on one's right side, should be the principal policy of the defender of the rosette. He will find that "turn- ing on haunches" at the stand and while in motion (pirouette) will prove the most effective movements on his part. The policy of the aggressors should be more active, trying to confuse and bewilder the defender so as to tempt him into a wrong position, then, by a sudden rush, making a grab at the rosette. The rules of the game — as they have been practised for the last forty years at Officers' riding competitions on the European Continent and as they are still maintained by "The Austrian Kampagnereitergeselsckaft" in Vienna, at its annual public competitions, — are in short as follows : i. A rosette to be pinned on the right shoulder of each of the players in turn. 2. All reins to be held in the left hand; a short aid of the right hand being allowed. 3. In each round both aggressors shall try to take the rosette. No one acts as another's assistant. 4. If the defender gets outside the territory marked out for the game, he loses the rosette, which is then passed over to the next player. — 34i — 5. The game to be played by only three at a time — one being the defender of the rosette and the two others the aggressors — each player to be placed in a corner of an equilateral triangle as starting-point (Fig. 86) ; the arena for the combat is generally a square, which in the riding-school Fig. 86 may be marked out by placing a white tape on the ground across the manege and in such a way that one of the great circles lies within the square. 7. The defender is allowed a certain time in which to defend the rosette — from one to three minutes according to the condition of horse and rider. The combat is finished after the time, set for it, has expired if the rosette has not been taken within that space of time. 8. The one, who takes the rosette, defends it in the next round, though it must only be defended — 342 — once by each of the three players. If nobody takes the rosette, it is given in turn to Nos. i, 2 and 3. 9. The counting up of the result for each game, consisting of three combats (one for each of the three bearers of the rosette), is as follows: Taking the rosette counts 2, Holding " 1, Losing " " o. For instance No. 1 in a game, holding his rosette during the fixed space of time and then taking the rosette from Nos. 2 and 3, gets 1 + 2 + 2 = 5 marks, the highest number he can get. If, at the finish, two players stand even in number of marks, both will have to defend the rosette once more in the fixed space of time. The player who then holds the rosette the longer time, for instance, 1 minute and 5 seconds, wins from the one who loses the rosette after a combat of, say, 30 seconds. In the same manner the time is calculated for taking the rosette; the player who takes the rosette, say, in 1 minute, wins from the one who takes it after a combat of 1 minute and 5 seconds. 343 — Memorandum. Dear Reader: Before laying down my pen, I should like to impress upon you that modesty is the ''hall mark" of the true horseman; for when on a horse "you don't know where you are," or rather "where you may be the next moment." In any case, give your "dumb friend" the credit of having inspired you with the ideas that made you his master, and do not — you the one on whom Providence has bestowed its rarest gift, "intellect" — degrade yourself by misusing your supremacy. Your obedient servant, The Author. Norway, 1904 THE AUTHOR. THE SYSTEM OF HORSEMANSHIP TREATED IN THIS BOOK TO BE PRACTICALLY EXPLAINED IN A COURSE OF TEN RIDING LESSONS GIVEN BY THE AUTHOR FEE FOR THE COURSE, $25.00 The saddles used in lessons are of the Author's model. For very young children u safety astride saddles with safety stirrups" are used. Fcr lessons by appointment, also within a reasonable distance of New York City, please address the Author, care of The Winthrop Press, 419 Lafayette Street, New York, N. 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