A'"r ■'. ,.| PR ins il't);;,,,:,; I. •,;',,,;: ,, , ,, , ii.iifev; .:■ • • : :■ ■ ■' l\l : > ' ' ^ • l*f'>* • M ' ' ' ' ' 1 ■ ' ' !;fc^V;ii/;v;.!!. l::v;■;-•• • '/ : •■ i.Ml' * . ) , . ij ;pi!,;:;:<:>^ )i;|,V)■■T:.^i'^■ '■';;'-''■.'■' -^^ -t., .0 c .^ ^ 4- ^*.. •i-. ' , *^. *0K = ' ^'■^ .^•^^ ff I % ^-^ 1/V A^' ^.s.^ '"^^ o .'^'' c, - ^ '^ . -^ '■/^ v^^ ^.^^ ,x^ N A ■^' -v. t^ -^^ ^ .-"^ ^i- r-sSNv ^^^;»^ \^ ^. ^" ■^- - X o,.^' ,^^^ . „_ '^^.'*. so^ -^^ %. ^^ V % <^^'- <=■ -Vx <^^' <^^: <'-' ^> #■ si^ 9 1^-^ \V Ov ' ^" 1 ^ I) f. .^^> ^ '%V ;^ A .^' > 4> V ' 'f . ' o^ •0- \ o \0 o^ r^^ ■^ r O ■I ^ ^ -jr. C, ^ .^' ^^%. -. -bo' -V^.% "%, .-j^ ^:, 9 ! A -^ \V -o ' -y .^^\sC^' '^^- •>*, .^^" ' «Co. Bo'.tun. I Pholojri.urs d;i V.' liUan »->;■» B.. W.0 \ CONTENTS. Dedication Preface . Book I. . Book II. . Book III. Book IV. Notes . . Index of Writers Index of Pirst Links PAGE. 5 7 II 116 330 345 348 Ets rhv \€ifi(S}va KaBiffmSg aipofievos 'dypev/x avtied&p TO POET LAUREATE. This book in its progress has recalled often to my memory a man with whose friendship we were once honoured, to whom no region of English literature was unfamiliar, and who, whilst rich in all the noble gifts of Nature, was most eminently distinguished by the noblest and the rarest, — just judgment and high-hearted patriotism. It would have been, hence, a peculiar pleasure and pride to dedicate what I have endeavoured to make a true national Anthology of three centuries to Henry Hallam. But he is beyond the reach of any human tokens of love and reverence ; and I desire, therefore, to place before it a name united with his by associations which, whilst Poetry retains her hold on the minds of Englishmen, are not likely to be forgotten. Your encouragement, given while traversing the wild scenery of Treryn Dinas, led me to begin the work ; and it has been completed under your advice and assistance. For the favour now asked I have thus a second reason : and to this I may add, the homage which is your right as Poet, and the gratitude due to a Friend, whose regard I rate at no common value. Permit me then to inscribe to yourself a book which, I hope, may be found by m.any a lifelong fountain of innocent and exalted pleas- ure ; a source of animation to friends when they meet ; and able to sweeten solitude itself with best society, — with the companionship of the wise and the good, with the beauty which the eye cannot see. 6 DEDICA riON, and the music only heard in silence. If this Collection proves a storehouse of delight to Labour and to Poverty, — if it teaches those indifferent to the Poets to love them, and those who love them to love them more, the a*m and the desire entertained in framing it will be fully accomplished. F. T. P. •May, 1861- PREFACE. This little Collection differs, it is believed, from others in the attempt made to include in it all the best original Lyrical pieces and Songs in our language, by writers not living, — and none beside the best. Many familiar verses will hence be met with ; many also which should be familiar : — the Editor will regard as his fittest readers those who love Poetry so well, that he can offer them noth- ing not already known and valued. The Editor is acquainted with no strict and exhaustive definition of Lyrical Poetry ; but he has found the task of practical decision increase in clearness and in facility as he advanced with the work, whilst keeping in view a few simple principles. Lyrical has been here held essentially to imply that each Poem shall turn on some single thought, feeling, or situation. In accordance with this, narrative, descriptive, and didactic poems, — unless accompanied by rapidity of movement, brevity, and the colouring of human passion, — have been excluded. Humourous poetry, except in the very unfrequent instances where a truly poetical tone pervades the whole, with what is strictly personal, occasional, and religious, has been considered foreign to the idea of the book. Blank verse and the ten-syllable couplet, with all pieces markedly dramatic, have been rejected as alien from what is commonly understood by Song, and rarely conforming to Lyrical conditions in treatment. But it is not anticipated, nor is it possible, that all readers shall think the line accurately drawn. Some poems, as Gray's Elegy, the Allegro and Penseroso, Wordsworth's Ruth or Campbell's Lord Ullin, might be claimed with perhaps equal justice for a narrative or descriptive selection : whilst with reference especially to Ballads and Sonnets, the Editor can only state that he has taken his utmost pains to decide without caprice or partiality. 8 PREFACE. This also is all he can plead in regard to a point even more liable to question ; — what degree of merit should give rank among the Best. That a Poem shall be worthy of the writer's genius, — that it shall reach a perfection commensurate with its aim, — that we should require finish in proportion to brevity, — that passion, colour, and originality cannot atone for serious imperfections in clearness, unity, or truth, — that a few good lines do not make a good poem, that popular estimate is serviceable as a guidepost more than as a compass, — above all, that Excellence should be looked for rather in the Whole than in the Parts, — such and other such canons have been always steadily regarded. He may however add that the pieces chosen, and a far larger number rejected, have been carefully and repeatedly considered ; and that he has been aided throughout by two friends of independent and exercised judgment, besides the distinguished person addressed in the Dedication. It is hoped that by this procedure the volume has been freed from that one-sidedness which must beset individual decisions : — but for the final choice the Editor is alone responsible. Chalmers*' vast collection, with the whole works of all accessible poets not contained in it, and the best Anthologies of different periods, have been twice systematically read through : and it is hence improbable that any omissions which may be regretted are due to oversight. The poems are printed entire, except in a very few instances (specified in the notes) where a stanza has been omitted. The omissions have been risked only when the piece could be thus brought to a closer lyrical unity : and, as essentially opposed to this unity, extracts, obviously such, are excluded. In regard to the text, the purpose of the book has appeared to justify the choice of the most poetical version, wherever more than one exists ; and much labour has been given to present each poem, in disposition, spelling, and punctuation, to the greatest advantage. In the arrangement, the most poetically-effective order has been attempted. The English mind has passed through phases of thought and cultivation so various and so opposed during these three centuries of Poetry, that a rapid passage between Old and New, like rapid alteration of the eye's focus in looking at the landscape, will always be wearisome and hurtful to the sense of Beauty. The poems have been therefore distributed into Books corresponding. PREFACE. 9 I to the ninety years closing about 1616, II thence to 1700, III to 1800, IV to the half century just ended. Or, looking at the Poets who more or less give each portion its distinctive character, they might be called the Books of Shakespeare, Milton, Gray, and Wordsworth. The volume, in this respect, so far as the limitations of its range allow, accurately reflects the natural growth and evolu- tion of our Poetry. A rigidly chronological sequence, however, rather fits a collection aiming at instruction than at pleasure, and the Wisdom which comes through Pleasure: — within each book the pieces have therefore been arranged in gradations of feeling or subject. And it is hoped that the contents of this Anthology will thus be found to present a certain unity, ' as episodes,' in the noble language of Shelley, ' to that great Poem which all poets, like the co- operating thoughts of one great mind, have built up since the beginning of the world.' As he closes his long survey, the Editor trusts he may add with- out egotism, that he has found the vague general verdict of popular Fame more just than those have thought, who, with too severe a criticism, would confine judgments on Poetry to ' the selected few of many generations.' Not many appear to have gained reputation without some gift or performance that, in due degree, deserved it : and if no verses by certain writers who show less strength than sweetness, or more thought than mastery in expression, are printed in this volume, it shoul-d not be imagined that they have been ex- cluded without much hesitation and regret, — far less that they have been slighted. Throughout this vast and pathetic array of Singers now silent, few have been honoured with the name Poet, and have not possessed a skill in words, a sympathy with beauty, a tenderness of feeling, or seriousness in reflection, which render their works, although never perhaps attaining that loftier and finer excellence here required, — better worth reading than much of what fills the scanty hours that most men spare for self-improvement, or for pleasure in any of its more elevated and permanent forms. And it this be true of even mediocre poetry, for how much more are we indebted to the best ! Like the fabled fountain of the Azores, but with a more various power, the magic of this Art can confer on each period of life its appropriate blessing : on early years Experience, 10 PREFACE. on maturity Calm, on age Youthfulness. Poetry gives treasures] * more golden than gold/ leading us in higher and healthier ways than those of the world, and interpreting to us the lessons of Na- ture. But she speaks best for herself. Her true accents, it the plan has been executed with success, may be heard throughout the fol- lowing pages : — wherever the Poets of England are honoured wherever the dominant language of the world is spoken, it is hopec that they will find fit audience. During the years since this book was first published, not a few poems have appeared to the Editor, or have been suggested, as fit candidates for insertion. A few of these were then unprinted : somt have owed their claim to reconsideration : most, to the opportunity" of studying our rare early writers, which the excellent reprints of Dr. Hannah, Dr. Grosart, Mr. Arber, and others, have afforded. To have added all these pieces, however, — even if accompanied by a few erasements, — would have given both a cumbrous enlargement and a novel aspect to the selection. Under the advice and assist- ance, therefore, of the distinguished Friend to whom gratitude is due from all readers who have found, or may hereafter find here the pleasure and profit which it is the aim of Poetry to give, the very best only of the poems gathered in this after-harvest have been admitted. And in this gleaning the original limit by which the book was confined to those no longer living has been retained, and noth- ing added from those poets whose loss, — too early even when they were taken in the fulness of their days, — the English-speaking world has had to deplore since i86l. December, i THE GOLDEN TREASURY. I. SPRING. Spring, the sweet Spring, is the 3'ears pleasant king; Then blooms each thing, then maids dance in a ring, Cold doth not sting, the pretty birds do sing. Cuckoo, jug-jug, pu-we, to-witta-woo ! The palm and may make country houses gay, Lambs frisk and play, the shepherds pipe all day, And we hear aye birds tune this merry lay. Cuckoo, jug-jug, pu-we, to-witta-woo. The fields breathe sweet, the daisies kiss our feet^ Young lovers meet, old wives a sunning sit, In every street these tunes our ears do greet, Cuckoo, jug-jug, pu-we, to-witta-woo ! Spring ! the sweet Spring ! T. Nash. II. SUMMONS TO LOVE. Phoebus, arise ! And paint the sable skies With azure, white, and red : Rouse Memnon's mother from her Tithon's bed That she may thy career with roses spread : The nightingales thy coming each where sing : Make an eternal spring ! i2 BOOK FIRST. Give life to this dark world which lieth dead ; Spread forth thy golden hair In larger locks than thou wast wont before, And emperor-like decore With diadem of pearl thy temples fair : Chase hence the ugly night Which serves but to make dear thy glorious light. — This is that happy morn, That day, long-wished day Of all my life so dark, (if cruel stars have not my ruin sworn And fates my hopes betray), Which, purely white, deserves An everlasting diamond should it mark. This is the morn should bring unto this grove My Love, to hear and recompense my love. Fair King, who all preserves, But show thy blushing beams, And thou two sweeter eyes Shalt see than those which by Peneus' streams Did once thy heart surprize. Now, Flora, deck thyself in fairest guise : If that ye winds would hear A voice surpassing far Amphion^s lyre. Your furious chiding stay ; Let Zephyr only breathe, And with her tresses play. — The winds all silent are, And Phoebus in his chair EnsafFroning sea and air Makes vanish every star : Night like a drunkard reels Beyond the hills, tO shun his flaming wheels : The fields with flowers are deck'd in every hue. The clouds with orient gold spangle their blue ; Here is the pleasant place — And nothing wanting is, save She, alas ! W. Drummond of Hawihorna TIME AND LOVE, 13 III. TIME AND LOVE. I. When I have seen by Time's fell hand defaced The rich proud cost of out-worn buried age ; When sometime lofty towers I see down-razed, And brass eternal slave to mortal rage ; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss, and loss with store ; When I have seen such interchange of state. Or state itself confounded to decay, Ruin hath taught me thus to ruminate — That Time will come and take my Love away : — This thought is as a death, which cannot choose But weep to have that which it fears to lose. W. Shakespeare. rv. 2. Since brass, nor stone, nor earth, nor boundless sea.. But sad mortality o'ersways their power, How with this rage shall beauty hold a plea. Whose action is no stronger than a flower? O how shall summer's honey breath hold out Against the wreckful siege of battering days, When rocks impregnable are not so stout Nor gates of steel so strong, but time decays? O fearful meditation ! where, alack ! Shall Time's best jewel from Time's chest lie hid? Or what strong hand can hold his swift foot back, Or who his spoil of beauty can forbid ? O I none, unless this miracle have might, That in black ink my love may still shine bright. W, Shakespeare. 14 BOOK FIRST. V. THE PASSIONATE SHEPHERD TO HIS LOVE. Come live with me and be my Love, And we will all the pleasures prove That hills and valleys, dale and field, And all the craggy mountains yield. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals. There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle. A gown made of the finest wool. Which from our pretty lambs we pull. Fair lined slippers for the cold. With buckles of the purest gold. A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my Love. Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me. The shepherd swains shall dance and sing For thy delight each May-morning : If these delights thy mind may move. Then live with me and be my Love. C. Marlowe. VI. A MADRIGAL. Crabbed Age and Youth Cannot live together : A MADRIGAL. \% Youth is full of pleasance, Age is full of care ; Youth like summer morn, Age like winter weather, Youth like summer brave, Age like winter bare : Youth is full of sport, Age's breath is short, Youth is nimble, Age is lame : Youth is hot and bold, Age is weak and cold, Youth is wild, and Age is tame : — Age, I do abhor thee, Youth, I do adore thee ; O ! my Love, my Love is young \ Age, I do defy thee — O sweet shepherd, hie thee, For methinks thou stay'st too long, • W. Shakespeare. VII. Under the greenwood tree Who loves to lie with me, And tune his merry note Unto the sweet bird's throat — Come hither, come hither, come hither ■ Here shall we see No enemy But winter and rough weather. Who doth ambition shun And loves to live i' the sun, Seeking the food he eats And pleased with what he gets — Come hither, come hither, come hither! Here shall he see No enemy But winter and rough weather. W. Shakespeare^ BOOK FIRST. VIII. It was a lover and his lass With a hey and a ho, and a hey-nonino? That o'er the green cornfield did pass In the spring time, the only pretty ring time, When birds do sing hey ding a ding : Sweet lovers love the Spring. Between the acres of the rye These pretty country folks would lie : This carol they began that hour, How that life was but a flower : And therefore take the present time With a hey and a ho and a hey-nonino ! For love is crowned with the prime In spring time, the only pretty ring time. When birds do sing hey ding a ding : Sweet lovers love the Spring. W. Shakespeare, IX. PRESENT IN ABSENCE. Absence, hear thou my protestation Against thy strength, Distance, and length ; Do what thou canst for alteration : For hearts of truest mettle Absence doth join, and Time doth settle. Who loves a mistress of such quality, He soon hath found Affection's ground Beyond time, place, and all mortality. To hearts that cannot vary Absence is present, Time doth tarry. By absence this good means I gain. That I can catch her, Where none can watch her, ABSENCE. 17 In some close corner of my brain : There I embrace and kiss lier ; And so I both enjoy and miss her. Ation, X. ABSENCE. Being your slave, what should I do but tend Upon the hours and times of your desire? I have no precious time at all to spend Nor services to do, till you require : Nor dare I chide the world-without-end-hour Whilst I, my sovereign, watch the clock for you? Nor think the bitterness of absence sour When you have bid your servant once adieu : Nor dare I question with my jealous thought Where you may be, or your affairs suppose, But like a sad slave, stay and think of nought Save, where you are, how happy you make those ; So true a fool is love, that in your will. Though you do anything, he thinks no ill. W. Shakespeare. XI. How like a winter hath my absence been From Thee, the pleasure of the fleeting year! ' What freezings have I felt, what dark days seeis, What old December's bareness everywhere ! And yet this time removed was summer's time: The teeming autumn, big with rich increase, Bearing the wanton burden of the prime Like widow'd wombs after their lords' decease : Yet this abundant issue seem'd to me But hope of orphans, and unfather'd fruit; For summer and his pleasures wait on thee, And, thou away, the very birds are mute ; i8 BOOK FIRS7. Or if they sing, 'tis with so dull a cheer, That leaves look pale, dreading the winter's near. W. Shakespeare, XII. A CONSOLATION. When in disgrace with fortune and men's eyes I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate ; Wishing me like to one more rich in hope. Featured like him, like him with friends possest, Desiring this man's art, and that man's scope, With what I most enjoy contented least ; Yet in these thoughts myself almost despising. Haply I think on Thee — and then my state. Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate ; For thy sweet love remember'd, such wealth brings That then I scorn to change my state with kings. W. Shakespeare. XIII. THE UNCHANGEABLE. O NEVER say that I was false of heart, Though absence seem'd my flame to qualify : As easy might I from myself depart As from my soul, which in thy breast doth lie ; That is my home of love ; if I have ranged. Like him that travels, I return again, Just to the time, not with the time exchanged, So that myself bring water for my stain. Never believe, though in my nature reign'd All frailties that besiege all kinds of blood. That it could so preposterously be stain'd To leave for nothing all thy sum of good ; DIAPHENIA. 19 For nothing this wide universe I call, Save thou, my rose : in it thou art my all. W. Shakespeare, XIV. To me, fair Friend, you never can be old. For as you were when first your eye I eyed Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride ; Three beauteous springs to yellow autumn turned In process of the season have I seen, Three April perfumes in three hot Junes burn'd, Since first I saw you fresh which yet are green. Ah ! yet doth beauty, like a dial hand, Steal from his figure, and no pace perceived ; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived : For fear of which, hear this, thou age unbred, — Ere you were born, was beauty's summer dead. W. Shakespe^we. XV. DIAPHENIA. DiAPHENiA like the daffadowndilly, White as the sun, fair as the lily, Heigh ho, how I do love thee ! I do love thee as my lambs Are beloved of their dams ; How blest were I if thou would'st prove me Diaphenia like the spreading roses. That in thy sweets all sweets encloses, Fair sweet, how I do love thee ! I do love thee as each flower Loves the sun's life-giving power ; For dead, thy breath to life might move me. Diaphenia like to all things blessed When all thy praises are expressed. 20 BOOK FIRST. Dear joy, how I do love thee ! As the birds do love the spring, Or the bees their careful king : Then in requite, sweet virgin, love me I H. Comtabk, XVI. ROSALINE. Like to the clear in highest sphere Where all imperial glory shines, Of selfsame colour is her hair Whether unfolded, or in twines: Heigh ho, fair Rosaline ! Her eyes are sapphires set in snow, Resembling heaven by every wink ; The Gods do fear whenas they glow. And I do tremble when I think Heigh ho, would she were mine ! Her cheeks are like the blushing cloud That beautifies Aurora's face, Or like the silver crimson shroud That Phcebus' smiling looks doth grace Heigh ho, fair Rosaline ! Her lips are like two budded roses Whom ranks of lilies neighbour nigh. Within which bounds she balm encloses A-pt to entice a deity : Heigh ho, would she were mine ! Her neck is like a stately tower Where Love himself imprisoned lies, To watch for glances every hour From her divine and sacred eyes : Heigh ho, for Rosaline ! Her paps are centres of delight. Her breasts are orbs of heavenly frame, Where Nature moulds the dew of light COLIN. 21 To feed perfection with the same : Heigh ho, would she were mine ! With orient pearl, with ruby red, With marble white, with sapphire blue Her body every way is fed, Yet soft in touch and sweet in view : Heigh ho, fair Rosaline ! Nature herself her shaj^e admires ; The Gods arc wounded in her sight ; And Love forsakes his heavenly fires And at her eyes his brand doth light : Heigh ho, would she were mine ! Then muse not. Nymphs, though I bemoan The absence of fair Rosaline, Since for a fair there's fairer none, Nor for her virtues so divine : Heigh ho, fair Rosaline ; Heigh ho, my heart ! would God that she were mine ' T. Lodge, XVII. COLIN. Beauty sat bathing by a spring Where fairest shades did hide her ; The winds blew calm, the birds did sing. The cool streams ran beside her. My wanton thoughts enticed mine eye To see what was forbidden : But better memory said, fie ! So vain desire was chidden : — Hey nonny nonny O 1 Hey nonny nonny! Into a slumber then I fell, When fond imagination Seemed to see, but could not tell Her feature or her fashion. But ev'n as babes in dreams do smile, 22 BOOK FIRST. And sometimes fall a-weeping, So I awaked, as wise this while As when I fell a-sleeping : — Hey nonny nonny O ! Hey nonny nonny ! The Shepherd Tonic, XVIII. TO HIS LOVE. Shall I compare thee to a summer's day? Thou art more lovely and more temperate : Rough winds do shake the darling buds of May, And summer's lease hath all too short a date : Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd : And every fair from fair sometime declines, By chance, or nature's changing course, untrimm'd. But thy eternal summer shall not fade Nor lose possession of that fair thou owest ; Nor shall death brag thou wanderest in his shade, When in eternal lines to time thou growest. So long as men can breathe, or eyes can see, * So long lives this, and this gives life to thee. W. Shakespeare. XIX. TO HIS LOVE. When in the chronicle of wasted time I see descriptions of the fairest wights. And beauty making beautiful old rhyme In praise of ladies dead, and lovely knights; Then in the blazon of sweet beauty's best Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have exprest Ev'n such a beauty as you master now. So all. their praises are but prophecies Of this our time, all, you prefiguring; LOVE'S PERJURIES. 23 And for they look'd but with divining eyes, They had not skill enough your worth to sing : For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise, W. Shakespeare, XX. LOVE'S PERJURIES. On a day, alack the day ! Love, whose month is ever May, Spied a blossom passing fair Playing in the wanton air : Through the velvet leaves the wind All unseen 'gan passage find ; That the lover, sick to death, Wished himself the heaven's breath. Air, quoth he, thy cheeks may blow ; Air, would I might triumph so ! But, alack, my hand is sworn Ne'er to pluck thee from thy thorn : Vow, alack, for youth unmeet ; Youth so apt to pluck a sweet. Do not call it sin in me That I am forsworn for thee : Thou for whom e'en Jove would swear Juno but an Ethiope were. And deny himself for Jove, Turning mortal for thy love. W. Shakespeare. XXI. A SUPPLICATION. Forget not yet the tried intent Of such a truth as I have meant; My great travail so gladly spent. Forget not yet ! Forget not yet when first began The weary life ye know, since whan 24 BOOK FIRST. The suit, the service none tell can ; Forget not yet! Forget not yet the great assays, The cruel wrong, the scornful ways, The painful patience in delays, Forget not yet ! Forget not ! O, forget not this. How long ago hath been, and is The mind that never meant amiss — Forget not yet ! Forget not then thine own approved The which so long hath thee so loved, Whose steadfast faith yet never moved — Forget not this ! Sir T. Wycd. XXII. TO AURORA. O IF thou knew'st how thou thyself dost harm. And dost prejudge thy bliss, and spoil my rest ; Then thou would'st melt the ice out of thy breast And thy relenting heart would kindly warm. O if thy pride did not our joys controul. What world of loving wonders should'st thou see ! For if I saw thee once transform "'d in me, Then in thy bosom I would pour my soul ; Then all my thoughts should in thy visage shine, And if that aught mischanced thou should'st not moan Nor bear the burthen of thy griefs alone ; No, I would have my share in what were thine : And whilst we thus should make our sorrows one. This happy harmony would make them none. W. Alexander, Earl of Sterlini XXIII. TRUE LOVE. Let me not to the marriage of true minds Admit impediments. Love is not love A DITTY. 25 Which alters when it alteration finds, Or bends with the remover to remove : — no ! it is an ever-fixed mark That looks on tempests, and is never shaken ; It is the star to every wandering bark Whose worth's unknown, although his height be taken Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his brief hours and weeks, But bears it out ev'n to the edge of doom : ^ If this be error, and upon me proved, 1 never writ, nor no man ever loved. W. Shakespeare, XXIV. A DITTY. My true-love hath my heart, and I have his, By just exchange one for another given : I hold his dear, and mine he cannot miss, There never was a better bargain driven : My true-love hath my heart, and I have his. His heart in me keeps him and me in one, My heart in him his thoughts and senses guides: He loves my heart, for once it was his own, I cherish his because in me it bides : My true-love hath my heart, and I have his. Sir p. Sidney. XXV. LOVE'S OMNIPRESENCE. Were I as base as is the lowly plain, And you, my Love, as high as heaven above, Yet should the thoughts of me your humble swair. Ascend to heaven, in honour of my Love. Were I as high as heaven above the plain, And you, my Love, as humble and as low BOOK FIRST. As are the deepest bottoms of the main, Whereso'er you were, v/ith you my love should go. Were you the earth, dear Love, and I the skies, My love should shine on you like to the sun, And look upon you with ten thousand eyes Till heaven wax'd blind, and till the world were done Whereso'er I am, below, or else above you, W*^reso'er you are, my heart shall truly love you. y. Sylvester. XXVI. CARPE DIEM. O Mistress mine, where are you roaming? "O stay and hear ! your true-love's coming That can ^ng both high and low ; Trip no further, pretty sweeting, Journeys end in lovers' meeting — Every wise man's son doth know. What is love ? 'tis not hereafter ; Present mirth hath present laughter; What's to come is still unsure : In delay there lies no plenty, — Then come kiss me, Sweet-and-twenty, Youth's a stuff will not endure. VV. Shakespeare, XXVII. WINTER. When icicles hang by the wall And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail; When blood is nipt, and ways be foul, Then nightly sings the staring owl Tuwhoo ! Tuwhit ! tuwhoo ! A merry note ! While greasy Joan doth keel the pot. REMEMBRANCE. 27 When all around the wind doth blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw ; When roasted crabs hiss in the bowl — Then nightly sings the staring owl Tuwhoo ! Tuwhit ! tuwhoo ! A merry note ! While greasy Joan doth keel the pot. W, Shakespeare, XXVIII. That time of year thou may'st in me behold When yellow leaves, or none, or few do hang Upon those boughs which shake against the cold, Bare iTiin'd choirs, where late the sweet birds sang. In me thou seest the twilight of such day As after sunset fadeth in the w^est. Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou seest the glowing of such fire. That on the ashes of his youth doth lie As the deathbed whereon it must expire, Consumed with that which it was nourished by : — This thou perceiv'st, which makes thy love more strong. To love that well which thou must leave ere lon^. W. Shakespeare. XXIX. REMEMBRANCE. When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste ; Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night. And weep afresh love's long-si nce-cancell'd woe. And moan the expense of many a vanish'd sight. 28 BOOK FIRST. Then can I grieve at grievances foregone. And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before : - — But if the while I think on thee, dear friend, All losses are restored, and sorrows end. W. Shakespeare, XXX. REVOLUTIONS. Like as the waves make towards the pebbled shore, So do our mmutes hasten to their end ; Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity once in tiie main of light Crawls to maturity, wherewith being crown'd, Crooked eclipses 'gainst his glory fight, And Tim.e that gave, doth now his gift confound. Time doth transfix the flourish set on youth, And delves the parallels in beauty's brow ; Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow. And yet, to times in hope, my verse shall stan'^ Praising Thy worth, despite his cruel hand. W. Shakespeare, XXXI. Farewell ! thou art too dear for my possessing And like enough thou know'st thy estimate : The charter of thy worth gives thee releasing, My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving? The cause of this fair gift in me is wanting, And so my patent back again is swerving. Thyself thou gav'st, thy own worth then not knowing. Or me, to whom thou gav'st it, else mistaking; THE LIFE WITHOUT PASSION, 29 So thy great gift, upon misprision growing, Comes home again, on better judgment making. Thus have I had thee as a dream doth flatter ; In sleep, a king ; but waking, no such matter. W. Shakespeare, XXXII. THE LIFE WITHOUT PASSION. They that have power to hurt, and will do none. That do not do the thing they most do show. Who, moving others, are themselves as stone, Unmoved, cold, and to temptation slow, — They rightly do inherit Heaven^s graces. And husband nature's riches from expense ; They are the lords and owners of their faces, Others, but stewards of their excellence. The summer's flower is to the summer sweet, Though to itself it only live and die ; But if that flower with base infection meet, The basest weed outbraves his dignity : For sweetest things turn sourest by their deeds : Lilies that fester smell far worse than weeds. W. Shakespeare. XXXIII. THE LOVER'S APPEAL. And wilt thou leave me thus ? Say nay ! say nay ! for shame, To save thee from the blame Of all my grief and grame. And wilt thou leave me thus? Say nay ! say nay 1 And wilt thou leave me thus, That hath loved thee so long In wealth and woe among : And is thy heart so strong 30 BOCK FIRST, As for to leave me thus? Say nay ! say nay ! And wilt thou leave me thus, That hath given thee my heart Never for to depart Neither for pain nor smart : And wilt thou leave me thus? Say nay ! say nay ! And wilt thou leave me thus, And have no more pity Of him that loveth thee ? Alas ! thy cruelty ! And wilt thou leave me thus? Say nay ! say nay ! Sir T. Wyat XXXIV. THE NIGHTINGALE. As it fell upon a day In the merry month of May, Sitting in a pleasant shade Which a grove of myrtles made, Beasts did leap and birds did sing, Trees did grow and plants did spring, Every thing did banish moan Save the nightingale alone. She, poor bird, as all forlorn, Lean'd her breast against a thorn. And there sung the dolefullest ditty That to hear it was great pity. Fie, fie, fie, now would she cry; Tereu, tereu, by and by : That to hear her so complain Scarce I could from tears refrain ; For her griefs so lively shown Made me think upon mine own. — Ah, thought I, thou mournst in vain. MADRIGAL. None takes pity on thy pain : Senseless trees, they cannot hear thee, Ruthless beasts, they will not cheer the CLXVJ. ON FIRST LOOKING INTO CHAPMAN'S HOMER Much have I travell'd in the reahns of gold And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold : — Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez — when with eagle eyes He stared at the Pacific, and all his men Look'd at each other with a wild surmise — Silent, upon a peak in Darien. 7. Keats, CLXVII. ODE ON THE POETS. Bards of Passion and of Mirth Ye have left your souls on earth ! Have ye souls in heaven too, Double-lived in regions new? — Yes, and those of heaven commune With the spheres of sun and moon ; 176 BOOK FOURTH. With the noise of fountains wonderous And the parle of voices thunderous ; With the whisper of heaven's trees And one another, in soft ease Seated on Elysian lawns Browsed by none but Dian's fawns ; Underneath large blue-bells tented, Where the daisies are rose-scented, And the rose herself has got Perfume which on earth is not ; Where the nightingale doth sing Not a senseless, tranced thing, But divine melodious truth ; Philosophic numbers smooth ; Tales and golden histories Of heaven and its mysteries. Thus ye live on high, and then On the earth ye live again ; And the souls ye left behind you Teach us, here, the way to find you Where your other souls are joying, Never slumber'd, never cloying. Here, your earth-born souls still speak To mortals, of their little week ; Of their sorrows and delights ; Of their passions and their spites ; Of their glory and their shame ; What doth strengthen and what maim : Thus ye teach us, every day. Wisdom, though fled far away. Bards of Passion and of Mirth Ye have left your souls on earth ! Ye have souls in heaven too, Double-lived in regions new ? J. Keats. LOVE, 177 CLXVIII. LOVE. All thoughts, all passions, all delights, Whatever stirs this mortal frame, All are but ministers of Love, And feed his sacred flame. Oft in my waking dreams do I Live o'er again that happy hour, When midway on the mount I lay Beside the ruin'd tower. The moonshine stealing o'er the scene Had blended with the lights of eve ; And she was there, my hope, my joy, My own dear Genevieve ! She leaned against the armed man. The statue of the armed knight; She stood and listen'd to my lay, Amid the lingering light. Few sorrows hath she of her own My hope ! my joy ! my Genevieve ! She loves me best, whene'er I sing The songs that make her grieve. I play'd a soft and doleful air, I sang an old and moving story — An old rude song, that suited well That ruin wild and hoary. She listened with a flitting blush, With downcast eyes and modest grace \ For well she knew, I could not choose But gaze upon her face. I told her of the Knight that wore Upon his shield a burning brand; And that for ten long years he woo'd The Lady of the Land. 178 BOOK FOURTH. I told her how he pined : and ah ! The deep, the low, the pleading tone With which I sang another's love Interpreted my own. She listen^ with a flitting blush, With downcast eyes, and modest grace ; And she forgave me, that I gazed Too fondly on her face. But when I told the cruel scorn That crazed that bold and lovely Knight, And that he crossM the mountain-woods, Nor rested day nor night ; That sometimes from the savage den, And sometimes from the darksome shade And sometimes starting up at once In green and sunny glade There came and looked him in the face An angel beautiful and bright ; And that he knew it was a Fiend, V This miserable Knight I And that unknowing what he did, He leaped amid a murderous band, And saved from outrage worse than death The Lady of the Land ; And how she wept, and claspM his knees; And how she tended him in vain ; And ever strove to expiate The scorn that crazed his brain ; And that she nursed him in a cave, And how his madness went away, When on the yellow forest-leaves A dying man he lay ; — His dying words — but when I reached That tenderest strain of al] the ditty, ALL FOR LOVE. 179 My faltering voice and pausing harp Disturbed her soul with pity 1 All impulses of soul and sense Had thriird my guileless Genevieve ; The music and the doleful tale, The rich and balmy eve ; And hopes, and fears that kindle hope, An undistinguishable throng, And gentle wishes long subdued, Subdued and'cherish'd long! She wept with pity and delight, She blush'd with love, and virgin shame ; And like the murmur of a dream, I heard her breathe my name. Her bosom heaved — she steppM aside, As conscious of my look she stept — Then suddenly, with timorous eye She fled to me and wept. She half enclosed me with her arms, She pressed me with a meek embrace ; And bending back her head, look'd up. And gazed upon my face. 'Twas partly love, and partly fear. And partly 'twas a bashful art That I might rather feel, than see The swelling of her heart. I calm'd her fears, and she was calm, And told her love with virgin pride ; And so I won my Genevieve, My bright and beauteous Bride. S. T. Coleridge. CLXIX. ALL FOR LOVE. O TALK not to me of a name great in story; The days of our youth are the days of our glory ; 180 BOOK FOURTH. And the myrtle and ivy of sweet two-and-twenty Are worth all your laurels, though ever so plenty. What are garlands and crowns to the brow that is wrinkle^i? 'Tis but as a dead flower with May-dew besprinkled : Then away with all such from the head that is hoary — What care I for the wreaths that can only give glory? Fame ! — if I e'er took delight in thy praises, 'Twas less for the sake of thy high-sounding phrases, Than to see the bright eyes of the dear one discover She thought that I was not unworthy to love her. There chiefly I sought thee, there only I found thee ; Her glance was the best of the rays that surround thee ; When it sparkled o'er aught that was bright in my story, 1 knew it was love, and I felt it was glory. Lord Byron, CLXX. THE OUTLAW. O Brignall banks are wild and fair, And Greta woods are green, And you may gather garlands there Would grace a summer-queen. And as I rode by Dalton-Hall Beneath the turrets high, A Maiden on the castle-wall Was singing merrily : *0 Brignall Banks are fresh and fair, And Greta woods are green ; I'd rather rove with Edmund there Than reign our English queen.' • If, Maiden, thou wouldst wend with me. To leave both tower and town, Thou first must guess what life lead we That dwell by dale and down. And if thou canst that riddle read, As read full well you may, THE OUTLAW. 181 Then to the greenwood shalt thou speed As blithe as Queen of May.' Yet sung she ' Brignall banks are fair, And Greta woods are green ; I'd rather rove with Edmund there Than reign our English queen. * I read you by your bugle-horn And by your palfrey good, I read you for a ranger sworn To keep the king's greenwood.' * A Ranger, lady, winds his horn, And 'tis at peep of light ; His blast is heard at merry morn, And mine at dead of night.' Yet sung she ' Brignall banks are fair, And Greta woods are ga}' ; I would I were with Edmund there To reign his Queen of May ! * With burnish'd brand and musketoon So gallantly you come, I read you for a bold Dragoon, That lists the tuck of drum.' *I list no more the tuck of drum, No more the trumpet hear ; But when the beetle sounds his hum My comrades take the spear. And O ! though Brignall banks be fair And Greta woods be gay, Yet mickle must the maiden dare Would reign my Queen of May! * Maiden ! a nameless life I lead, • A nameless death I'll die ! The fiend whose lantern lights the mead Were better mate than I ! And when Fm with my comrades met Beneath the greenwood bough 182 BOOK FOURTH, What once we were we all forget, Nor think what we are now.' Chorus. Yet Brignall banks are fresh and fair, And Greta woods are green, And you may gather garlands there Would grace a summer-queen. Sir W. Scott. CLXXI. There be none of Beauty's daughters With a magic like Thee ; And like music on the waters Is thy sweet voice to me : When, as if its sound were causing The charmed ocean's pausing. The waves lie still and gleaming, And the lull'd winds seem dreaming; And the midnight moon is weaving Her bright chain o'er the deep, Whose breast is gently heaving As an infant's asleep : So the spirit bows before the^ To listen and adore thee , With a full but soft emotion, Like the swell of Summer's ocean. Lord Byron. CLXXII. LINES TO AN INDIAN AIR. I ARISE from dreams of Thee In the jfirst sweet sleep of night, When the winds are breathing low And the stars are shining bright : I arise from dreams of thee. And a spirit in my feet Has led me — who knows how? To thy chamber-window, Sweet! SHE WALKS IN BEAUTY. 183 The wandering airs they faint On the dark, the silent stream — The champak odours fail Like sweet thoughts in a dream; The nightingale's complaint It dies upon her heart, As I must die on thine O beloved as thou art ! O lift me from the grass ! ' Idle, I faint, I fail! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas! My heart beats loud and fast ; O ! press it close to thine again Where it will break at last. P. B. Shelley. CLXXIII. She walks in beauty, like the night Of cloudless climes and starry skies, And all that's best of dark and bright Meets in her aspect and her eyes, Thus mellow'd to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less Had half impaired the nameless grace Which waves in every raven tress Or softly lightens o'er her face, Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek and o'er that brow So soft, so calm, yet eloquent. The smiles that win, the tints that glow But tell of days in goodness spent, — A mind at peace with all below, A heart whose love is innocent. Lord Byron, 184 ' BOOK FOURTH. CLxxrv. She was a phantom of delight When first she gleam'd upon my sight ; A lovely apparition, sent To be a moment's ornament ; Her eyes as stars of twilight fair ; Like Twilight's, too, her dusky hair ; But all things else about her drawn From May-time and the cheerful dawn ; A dancing shape, an image gay, To haunt, to startle, and waylay. I saw her upon nearer view, A spirit, yet a woman too ! Her household motions light and free, And steps of virgin-liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food. For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine ; ^ A being breathing thoughtful breath, A traveller between life and death : The reason firm, the temperate will. Endurance, foresight, strength, and skill ; A perfect woman, nobly plann'd To warn, to comfort, and command ; And yet a Spirit still, and bright Witli something of an angel-light. W. Wordsworth. CLXXV. She is not fair to outward view As many maidens be ; Her loveliness I never knew Until she smiled on me. THE LOST LOVE. . 185 then I saw her eye was bright, A well of love, a spring of light. But now her looks are coy and cold, To mine they ne'er reply, And yet I cease not to behold The love-light in her eve : Her very frowns are fairer far Than smiles of other maidens are. H. Colerid^t, CLXXVI. 1 FEAR thy kisses, gentle maiden ; Thou needest not fear mine ; My spirit is too deeply laden Ever to burthen thine. I fear thy mien, thy tones, thy motion ; Thou needest not fear mine ; Innocent is the heart's devotion With which I worship thine. P. B. Shelley. CLXXVII. THE LOST LOVE. She dwelt among the untrodden ways Beside the springs of Dove ; A maid whom there were none to praise. And very few to love. A violet by a mossy stone Half-hidden from the eye ! — Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be ; But she is in her grave, and O ! The difference to me ! W. Wordsworth. 186 BOOK FOURTH. CLXXVIII. I travell'd among unknown men In lands beyond the sea ; Nor, England ! did I know till then What love I bore to thee. 'Tis past, that melancholy dream ! Nor will I quit thy shore A second time, for still I seem To love thee more and more. Among thy mountains did I feel The joy of my desire ; And she I cherish'd turn'd her wheel Beside an English fire. Thy mornings show'd, thy nights conceal'd The bowers where Lucy play'd ; And thine too is the last green field That Lucy^s eyes survey'd. W. Wordsworth. CLXXIX. THE EDUCATION OF NATURE. Three years she grew in sun and shower ; Then Nature said, 'A lovelier flower On earth was never sown : This child I to myself will take ; She shall be mine, and I will make A lady of my own. • Myself will to my darling be Both law and impulse : and with me The girl, in rock and plain In earth and heaven, in glade and bower Shall feel an overseeing powei To kindle or restrain. ' She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm. THE EDUCATION OF NATURE. 183 And her's the silence and the calm Of mute insensate things. * The floating clouds their state shall lend To her; for her the willow bend; Nor shall she fail to see E'en in the motions of the storm Grace that shall mould the maiden's form By silent sympathy. * The stars of midnight shall be dear To her ; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face. *And vital feelings of delight Shall rear her form to stately height, Her virgin bosom swell ; Such thoughts to Lucy I will give While she and I together live Here in this happy dell.' Thus Nature spake — The work was done -= How soon my Lucy's race was run ! She died, and left to me This heath, this calm and quiet scene ; The memory of what has been, And never more will be. W. Wordsworth. CLXXX. A SLUMBER did my spirit seal ; I had no human fears : She seem'd a thing that could not feel The touch of earthly years. No motion has she now, no force ; She neither hears nor sees ; RoU'd round in earth's diurnal course With rocks, and stones, and trees ! W. Wordsworth, 188 BOOK FOURTH. CLXXXI. LORD ULLIN'S DAUGHTER. A Chieftain to the Highlands bound Cries ' Boatman, do not tarry ! And I'll give thee a silver pound To row us o'er the ferry ! ' * Now who be ye, would cross Lochgyle This dark and stormy water ? ' * O I'm the chief of Ulva's isle, And this, Lord Ullin's daughter. *And fast before her father's men Three days we've fled together, For should he find us in the glen. My blood would stain the heather. * His horsemen hard behind us ride — Should they our steps discover, Then who will cheer my bonny bride When they have slain her lover? ' Out spoke the hardy Highland wight ' I'll go, my chief, I'm ready : It is not for your silver bright. But for your winsome lady : — * And by my word ! the bonny bird In danger shall not tarry ; So though the waves are raging white I'll row you o'er the ferry.' By this the storm grew loud apace, The water-wraith was shrieking; And in the scowl of heaven each face Grew dark as they were speaking. But still as wilder blew the wind And as the night grew drearer, Adown the glen rode armed men, Their trampling sounded nearer. yOCK C HAZELDEAN. 189 * O haste thee, haste ! ' the lady cries, * Though tempests round us gather ; I'll meet the raging of the skies, But not an angry father.' The boat has left a stormy land, A stormy sea before her, — When, O ! too strong for human hand The tempest gather'd o'er her. And still they row'd amidst the roar Of waters fast prevailing : Lord Ullin reach'd that fatal shore, — His wrath was changed to wailing. For, sore dismay'd, through storm and shade His child he did discover : — One lovely hand she stretch'd for aid, And one was round her lover. * Come back ! come back ! ' he cried in grief * Across this stormy water : And ril forgive your Highland chief, My daughter ! — O my daughter ! ' 'Twas vain : the loud waves lash'd the shore, Return or aid preventing : The waters wild went o'er his child, And he was left lamenting. T. Campbell, CLXXXII. JOCK O' HAZELDEAN. * Why weep ye by the tide, ladie? Why weep ye by the tide ? I'll wed ye to my youngest son, And ye sail be his bride : And ye sail be his bride, ladie, Sae comely to be seen' — Burt aye she loot the tears down fa' For Jock of Hazeldean. 190 BOOK FOURTH. * Now let this wilfu' grief be done, And dry that cheek so pale ; Young Frank is chief of Errington And lord of Langley-dale ; His step is first in peaceful ha', His sword in battle keen' — ■ But aye she loot the tears down fa' For Jock of Hazeldean. * A chain of gold ye sail not lack, Nor braid to bind your hair, Nor mettled hound, nor managed hawk, Nor palfrey fresh and fair ; And you the foremost o* them a' Shall ride our forest-queen ' — But aye she loot the tears down fa' For Jock of Hazeldean. The kirk was deck'd at morning-tide. The tapers glimmer'd fair ; The priest and bridegroom wait the bride. And dame and knight are there : They sought her baith by bower and ha' ; The ladie was not seen ! She's o'er the border, and a^va' Wi' Jock of Hazeldean. Sir W. Scott. CLXXXIII. FREEDOM AND LOVE. How delicious is the winning Of a kiss at love's beginning, When two mutual hearts are sighing For the knot there's no untying ! Yet remember, 'midst your wooing, Love has bliss, but Love has ruing; Other smiles may make you fickle, Tears for other charms may tricklCc LOVE'S PHILOSOPHY. 191 Love he comes, and Love he tarries, Just as fate or fancy carries ; Longest stays, when sorest chidden ; Laughs and flies, wheti press'd and bidden. Bind the sea to slumber stilly, Bind its odour to the lily. Bind the aspen ne'er to quiver, Then bind Love to last for ever. Love's a fire that needs renewal Of fresh beauty for its fuel : Love's wing moults when caged and captured. Only free, he soars enraptured. Can you keep the bee from ranging Or the ringdove's neck from changing? No ! nor fetter'd Love from dying In the knot there's no untying. T. Campbell. CLXXXIV. LOVE'S PHILOSOPHY. The fountains mingle with the river And the rivers with the ocean, The winds of heaven mix for ever With a sweet emotion ; Nothing in the world is single, All things by a law divine In one another's being mingle — Why not I with thine ? See the mountains kiss high heaven And the waves clasp one another ; No sister-flower would be forgiven If it disdain'd its brother : And the sunlight clasps the earth, And the moonbeams kiss the sea — What are all these kissings worth, If thou kiss not me ? P. B. Shelley, 192 BOOK FOURTH. CLXXXV. ECHOES. How sweet the answer Echo makes To Music at night When, roused by lute or horn, she wakes, And far away o'er lawns and lakes Goes answering light ! Yet Love hath echoes truer far And far more sweet Than e'er, beneath the moonlight's star, Of horn or lute or soft guitar The songs repeat. 'Tis when the sigh, — in youth sincere And only then, The sigh that's breathed for one to hear — Is by that one, that only Dear Breathed back again. T. Moore. CLXXXVI. A SERENADE. Ah ! County Guy, the hour is nigh, The sun has left the lea, The orange-flower perfumes the bower. The breeze is on the sea. The lark, his lay who trill'd all day, Sits hush'd his partner nigh ; Breeze, bird, and flower confess the hour. But where is County Guy? The village maid steals through the shade Her shepherd's suit to hear 5 To Beauty shy, by lattice high, Sings high-born Cavalier. The star of Love, all stars above, Now reigns o'er earth and sky, TO THE EVENING STAR. 19j And high and low the influence know- But where is County Guy ? Sir W. Scott. CLXXXVII. TO THE EVENING STAR. Gem of the crimson-colour'd Even, Companion of retiring day, Why at the closing gates of heaven Beloved Star, dost thou delay? So fair thy pensile beauty burns When soft the tear of twilight flows ; So Oue thy plighted love returns To c^,ambers brighter than the rose ; To PeacJ^., to Pleasure, and to Love So kind a ^z^ar thou seem'st to be, Sure some en^^mour'd orb above Descends and burns to meet with thee I Thine is the breathing, blushing hout When all unheavenly passions fly. Chased by the soul-subduing power Of Love's delicious witchery. O ! sacred to the fall of day Queen of propitious stars, appear, And early rise, and long delay When Caroline herself is here ! Shine on her chosen green resort Whose trees the sunward summit crowQj And wanton flowers, that well may court An angel's feet to tread them down : — Shine on her sweetly scented road Thou star of evening's purple dome, That lead'st the nightingale abroad. And guid'st the pilgrim to his home. 194 BOOK FOURTH. Shine where my charmer's sweeter breath Embalms the soft exhaling dew, Where dying winds a sigh bequeath To kiss the cheek of rosy hue : — Where, winnowM by the gentle air Her silken tresses darkly flow And fall upon her bror/ so fair, Like shadows on the mountain snow. Thus, ever thus, at day's decline In converse sweet to wander far — O bring with thee my Caroline, And thou shalt be my Ruling Star ! T. Ca77ipbelL CLXXXVIII. TO THE NIGHT. Swiftly walk over the western wave, Spirit of Night ! Out of the misty eastern cave Where all the long and lone daylight Thou wovest dreams of joy and fear Which make thee terrible and dear, — Swift by thy flight ! Wrap thy form in a mantle gray Star-inwrought ! Blind with thine hair the eyes of day, Kiss her until she be wearied out, Then wander o'er city, and sea, and land Touching all with thine opiate wand — Come, long-sought ! When I arose and saw the dawn, I sigh'd for thee ; When light rode high, and the dew was gonCj And noon lay heavy on flower and tree, And the weary Day turn'd to his rest Lingering like an unloved guest, I sigh'd for thee. TO A DISTANT FRIEND. 195 Thy brother Death came, and cried Would'st thou rne? Thy sweet child Sleep, the filmy-eyed, Murmur'd like a noon-tide bee Shall I nestle near thy side? Would'st thou me? — And I replied No, not thee ! Death will come when thou art dead, Soon, too soon — Sleep will come when thou art fled; Of neither would I ask the boon I ask of thee, beloved Night — Swift be thine approaching flight, Come soon, soon ! P. B. Shelley. CLXXXIX. TO A DISTANT FRIEND. Why art thou silent ! Is thy love a plant Of such weak fibre that the treacherous air Of absence withers what was once so fair? Is there no debt to pay, no boon to grant? Yet have my thoughts for thee been vigilant, Bound to thy service with unceasing care — The mind^s least generous wish a mendicant For nought but what thy happiness could spare. Speak ! — though this soft warm heart, once free to hold A thousand tender pleasures, thine and mine, Be left more "desolate, more dreary cold Than a forsaken birds-nest fiird with snow 'Mid its own bush of leafless eglantine — Speak, that my torturing doubts their end may know I W. Wordsworth, 190 BOOK FOURTH, cxc. When we two parted In silence and tears, Half broken-hearted, To sever for years, Pale grew thy cheek and cold* Colder thy kiss ; Truly that hour foretold Sorrow to this ! The dew of the morning Sunk chill on my brow; It felt like the warning Of what I feel now. Thy vows are all broken^ And light is thy fame : I hear thy name spoken And share in its shame. They name thee before mCj, A knell to mine ear ; A shudder cc mes o'er me — Why wert thou so dear? They know not I knew thee Who knew thee too well : Long, long shall I rue thee Too deeply to tell. In secret we met •■ In silence I grieve That thy heart could forget, Thy spirit deceive. If I should meet thee After long years, How should I greet thee? — « With silence and tears. Lord Byrffts, HAPPY INSENSIBILITY. 197 CXCI. HAPPY INSENSIBILITY, In a drear-nighted December Too happy, happy Tree Thy branches ne'er remember Their green felicity : The north cannot undo them With a sleety whistle through them. Nor frozen thawings glue them From budding at the prime. In a drear-nighted December Too happy, happy Brook Thy bubblings ne'er remember Apollo's summer look ; But with a sweet forgetting They stay their crystal fretting. Never, never petting About the frozen time. Ah would 'twere so with many A gentle girl and boy ! But were there ever any Writhed not at passed joy? To know the change and feel it, When there is none to heal it Nor numbed sense to steal it — Was never said in rhyme. J. Keats, CXCII. Where shall the lover rest Whom the fates sever From his true maiden's breast Parted for ever? Where, through groves deep and high Sounds the far billow, 198 BOOK FOURTH. Where early violets die Under the willow. Eleu loro Soft shall be his pillow. There, through the summer day Cool streams are laving : There, while the tempests sway, Scarce are boughs waving; There thy rest shalt thou take, Parted for ever, Never again to wake Never, O never! Eleu loro Never, O never ! Where shall the traitor rest, He, the deceiver, Who could win maiden's breast, Ruin, and leave her? In the lost battle, Borne down by the flying. Where mingles war's rattle With groans of the dying ; Eleu loro There shall he be lying. Her wing shall the eagle flap O'er the falsehearted ; His warm blood the wolf shall lap Ere life be parted : Shame and dishonour sit By his grave ever ; Blessing shall hallow it Never, O never ! Eleu loro Never, O never ! Sir W. Scott, LA BELLE DAME SANS MERCL 199 CXCIII. LA BELLE DAME SANS MERCL * O WHAT can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. *0 what can ail thee, knight-at-arms! So hagorard and so woe-begone ? The squirrel's granary is full, And the harvest's done. ' I see a lily on thy brow With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too.' * I met a lady in the meads, Full beautiful — a fairy's child. Her hair was long, her foot was light, And her eyes were wild. * I made a garland for her head, And bracelets too, and fragrant zone ; She looked at me as she did love, And made sweet moan. * I set her on my pacing steed And nothing else saw all day long, For sidelong would she bend, and sing A fairy's song. * She found me roots of relish sweet, And honey wild and manna-dew. And sure in language strange she said ' I love thee true.' ' She took me to her elfin grot, And there she wept, and sigh'd full sore, And there I shut her wild wild eyes With kisses four. 200 BOOK FOURTH. * And there she lulled me asleep, And there I dream'd — Ah ! woe betide ! The latest dream I ever dream'd On the cold hill's side. * I saw pale kings and princes too, Pale warriors, death-pale were they all ; They cried — ' La belle Dame sans Merci Hath thee in thrall ! ' * I saw their starved lips in the gloam With horrid warning gaped wide, And I awoke and found me here On the cold hill's side. * And this is why I sojourn here Alone and palely loitering, ^ Though the sedge is wither'd from the lak€ And no birds sing.' J. Keats. cxciv. THE ROVER. * A WEARY lot is thine, fair maid, A weary lot is thine ! To pull the thorn thy brow to braid, And press the rue for wine. A lightsome eye, a soldier's mien, A feather of the blue, A doublet of the Lincoln green — No more of me you knew My Love ! No more of me you knew. * The morn is merry June, I trow. The rose is budding fain ; But she shall bloom in winter snow Ere we two meet again.' He turn'd his charger as he spake Upon the river shore. THE FLIGHT OF LOVE. 20i He gave the bridle-reins a shake, Said ' Adieu for evermore My Love ! And adieu for evermore.' Sir W. Scott, CXCV. THE FLIGHT OF LOVE. When the lamp is shattered The light in the dust lies dead — When the cloud is scatter'd, The rainbow's glory is shed. When the lute is broken, Sweet tones are remembered not ; When the lips have spoken, Loved accents are soon forgot. As music and splendour Survive not the lamp and the lute, The hearfs echoes render No song when the spirit is mute — No song but sad dirges, Like the wind through a ruin'd cell, Or the mournful surges That ring the dead seaman's knell. When hearts have once mingled, Love first leaves the well-built nest ; The weak one is singled To endure what it once possesst. O Love ! who bevvailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bitr? Its passions will rock thee As the storms rock the ravens on high ; Bright reason will mock thee Like the sun from a wintry sky. 202 BOOK FOUR TIT. From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter, When leaves fall and cold winds come. P. B. Shelley. CXCVI. THE MAID OF NEIDPATH. O lovers' eyes are sharp to see, And lovers' ears in hearing ; And love, in life's extremity Can lend an hour of cheering. Disease had been in Mary's bower And slow decay from mourning, Though now she sits on Neidpath's tower To watch her Love's returning. All sunk and dim her eyes so bright, Her form decay'd by pining, Till through her wasted hand, at night, You saw the taper shining. By fits a sultry hectic hue Across her cheek was flying ; By fits so ashy pale she grew Her maidens thought her dying. Yet keenest powers to see and hear Seem'd in her frame residing ; Before the watch-dog prick'd his ear She heard her lover's riding ; Ere scarce a distant form was kenn'd She knew and waved to greet him, And o'er the battlement did bend As on the wing to meet him. He came — he pass'd — an heedless gaze As o'er some stranger glancing ; Her welcome, spoke in faltering phrase, Lost in his courser's prancing — THE MAID OF NEW PA TH. 203 The castle-arch, whose hollow tone Returns each whisper spoken, Could scarcely catch the feeble moan Which told her heart was broken. Sir W. Scott, CXCVII. THE MAID OF NEIDPATH. Earl March looked on his dying child, And smit with grief to view her — The youth, he cried, whom I exiled Shall be restored to woo her. She's at the window many an hour His coming to discover : And he look'd up to Ellen's bower And she look'd on her lover — But ah! so pale, he knew her not, Though her smile on him was dwelling — And am I then forgot — forgot ? It broke the heart of Ellen. In vain he weeps, in vain he sighs, Her cheek is cold as ashes ; Nor love's own kiss shall wake those eyes To lift their silken lashes. T. Campbell. CXCVIII. Bright Star ! would I were steadfast as thou art — Not in 'one splendour hung aloft the night, And watching, with eternal lids apart, Like nature's patient sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors : — 204 , BOOK FOURTH. No — yet still steadfast, still unchangeable, PillowM upon my fair Love's ripening breast To feel for ever its soft fall and swell, Awake for ever in a sweet unrest ; Still, still to hear her tender-taken breath, And so live ever, — or else swoon to death. J. Keats, CXCIX. THE TERROR OF DEATH. When I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high-piled books, in charact'ry Hold like rich garners the full-ripen'd grain ; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, " And think that I may never live to trace Their shadows, with the magic hand of chance: And when I feel, fair Creature of an hour! That I shall never look upon thee more. Never have relish in the fairy power Of unreflecting love — then on the shore Of the wide world I stand alone, and think Till Love and Fame to nothingness do sink. J. Keats. cc. DESIDERIA. Surprized by joy — impatient as the wind — I turn'd to share the transport — O with whom But Thee — deep buried in the silent tomb, That spot which no vicissitude can find? Love, faithful love recalPd thee to my mind — But how could I forget thee ? through what power Even for the least division of an hour Have I been so beguiled as to be blind ELEGY OA/ THYRZA. 20S To my most grievous loss? — That thought's return Was the worst pang that sorrow ever bore Save one, one only, when I stood forlorn, Knowing my heart's best treasure was no more ; That neither present time, nor years unborn Could to my sight that heavenly face restore. W. Wordsworth. CCI. At the mid hour of night, when stars are weeping, I fly To the lone vale we loved, when life shone warm in thine eye ; And I think oft, if spirits can steal from the regions of air To revisit past scenes of delight, thou wilt come to me there And tell me our love is remember'd, even in the sky ! Then I sing the wild song it once was rapture to hear When our voices, commingling, breathed like one on the ear; And as Echo far off through the vale my sad orison rolls, I think, O my Love ! 'tis tliy voice, from the Kingdom of Souls Faintly answering still the notes that once were so dear. T. Moore. ecu. ELEGY ON THYRZA. And thou art dead, as young and fair As aught of mortal birth ; And forms so soft and charms so rare Too soon returned to Earth! Though Earth received them in her bed, And o'er the spot the crowd may tread In carelessness or mirth, There is an eye which could not brook A moment on that grave to look. I will not ask where thou liest low Nor gaze upon the spot ; There flowers or weeds at will may grow So I behold them not : 206 BOOK FOURTH. It is enough for me to prove That what I loved and long must love Like common earth can rot ; To me there needs no stone to tell 'Tis Nothing that I loved so well. Yet did I love thee to the last, As fervently as thou Who didst not change through all the past And canst not alter now. The love where Death has set his seal Nor age can chill, nor rival steal, Nor falsehood disavow : And, what were worse, thou canst not see Or wrong, or change, or fault in me. The better days of life were ours ; The worst can be but mine : The sun that cheers, the storm that lours Shall never more be thine. The silence of that dreamless sleep , I envy now too much to weep ; Nor need I to repine That all those charms have passM away I might have watch'd through long decaj The flower in ripen'd bloom unmatch'd Must fall the earliest prey ; Though by no hand untimely snatch'd The leaves must drop away. And yet it were a greater grief To watch it withering, leaf by leaf, Than see it pluck'd to-day ; Since earthly eye but ill can bear To trace the change to foul from fair. I know not if I could have borne To see thy beauties fade ; The night that followed such a morn Had worn a deeper shade : ONE WORD. Z01 « Thy day without a cloud hath past, And thou wert lovely to the last, Extinguished, not decay'd; As stars that shoot along the sky Shine brightest as they fall from high. As once I wept if I could weep, My tears might well be shed To think I was not near, to keep One vigil o'er thy bed : To gaze, how fondly ! on thy face, To fold thee in a faint embrace, Uphold thy drooping head; And show that love, however vain, Nor thou nor I can feel again. Yet how much less it were to gain. Though thou hast left me free, The loveliest things that still remain Than thus remember thee ! The all of thine that cannot die Through dark and dread Eternity Returns again to me, And more thy buried love endears Than aught except its living years. Lord ByroK. CCIII. One word is too often profaned For me to profane it, One feeling too falsely disdain'd For thee to disdain it. One hope is too like despair For prudence to smother, And Pity from thee more dear Than that from another. I can give not what men call love; But wilt thou accept not The worship the heart lifts above 208 BOOK FOURTH. And the Heavens reject not : The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow ? P. B. Shelley. CCIV. GATHERING SONG OF DONALD THE BLACK. Pibroch of Donuil Dhu Pibroch of Donuil Wake thy wild voice anew, Summon Clan Conuil. Come away, come away, Hark to the summons! Come in your war-array, Gentles and commons. Come from deep glen, and From mountains so rocky; The war-pipe and pennon Are at Inverlocky. Come every hill-plaid, and True heart that wears one. Come every steel blade, and Strong hand that bears one. Leave untended the herd, The flock without shelter; Leave the corpse uninterrM, The bride at the altar ; Leave the deer, leave the steer. Leave nets and barges : Come with your fighting gear. Broadswords and targes. Come as the winds come, when Forests are rended, Come as the waves come, when Navies are stranded : A WET SHEET AiVD A FLOWING SEA. 209 Faster come, faster come, Faster and faster, Chief, vassal, page and groom, Tenant and master. Fast they come, fast they come ; See how they gather ! Wide waves the eagle plume Blended with heather. Cast your plaids, draw your blades. Forward each man set ! Pibroch of Donuil Dhu Knell for the onset ! Sir W. ScciC:. CCV. A WET sheet and a flowing sea, A wind that follows fast Anv^. fills the white and rustling sail And bends the gallant mast ; And bends the gallant mast, my boys, While like the eagle free Away the good ship flies, and leaves Old England on the lee. O for a soft and gentle wind ! I hear a fair one cry ; But give to me the snoring breeze And white waves heaving high ; And white waves heaving high, my ladsj The good ship tight and free — The world of waters is our home, And merry men are we. There's tempest in yon horndd moon, And lightning in yon cloud ; But hark the music, mariners ! The wind is piping loud ; The wind is piping loud, my boys. 210 BOOK FOURTH. The lightning flashes free — While the hollow oak our palace is. Our heritage the sea. A, Cunningharti. CCVI. Ye Mariners of England That guard our native seas ! Whose flag has braved, a thousand yearsj The battle and the breeze ! Your glorious standard launch again To match another foe : And sweep through the deep, While the stormy winds do blow ; While the battle rages loud and long And the stormy winds do blow. The spirits of your fathers Shall start from every wave — For the deck it was their field of fame. And Ocean was their grave : Where Blake and mighty Nelson fell Your manly hearts shall glow, As ye sweep through the deep, While the stormy winds do blow ; While the battle rages loud and long And the stormy winds do blow. Britannia needs no bulwarks No towers along the steep ; Her march is o'er the mountain waveSr Her home is on the deep. With thunders from her native oak She quells the floods below — As they roar on the shore, When the stormy winds do blow; When the battle rages loud and long^ And the stormy winds do blow. BATTLE OF THE BALTIC 211 The meteor flag of England Shall yet terrilic burn ; Till danger's troubled night depart And the star of peace return. Then, then, ye ocean-warriors ! Our song and feast shall flow To the fame of your name, When the storm has ceased to blow; When the fiery fight is heard no more. And the storm has ceased to blow. T. Campbell, cc\ni. BATTLE OF THE BALTIC. Of Nelson and the North Sing the glorious day''s renown, When to battle fierce came forth All the miorht of Denmark's crown. And her arms along the deep proudly shone ; By each gun the lighted brand In a bold determined hand, And the Prince of all the land Led them on. Like leviathans afloat Lay their bulwarks on the brine ; While the sign of battle flew On the lofty British line : It was ten of April morn by the chime: As they drifted on their path There was silence deep as death ; And the boldest held his breath For a time. But the might of England flushed To anticipate the scene ; And her van the fleeter rush'd O'er the deadly space between. * Hearts of oak !' our captains cried, when each gun 212 BOOK FOURTH. From its adamantine lips Spread a death-shade round the ships, Like the hurricane eclipse Of the sun. Again again ! again ! And the havoc did not slack, Till a feeble cheer the Dane To our cheering sent us back ; — Their shots along the deep slowly boom \ -^ Then ceased — and all is wail, As they strike the shattered sail ; Or in conflagration pale Light the gloom. Out spoke the* victor then As he haiPd them o'er the wave, ' Ye are brothers ! ye are men ! And we conquer but to save : — So peace instead of death let us bring: But yield, proud foe, thy fleet With the crews, at England's feet. And make submission meet To our King.' Then Denmark blest our chief That he gave her wounds repose ; And the sounds of joy and grief From- her people wildly rose, As death withdrew his shades from the day; While the sun looked smiling bright O'er a wide and woeful sight, Where the fires of funeral light Died away. Now joy, old England, raise! For the tidings of thy might, By the festal cities' blaze. Whilst the wine cup shines in light; And yet amidst that joy and uproar. ODE TO DUTY, 213 Let us think of them that sleep Full many a fathom deep By thy wild and stormy steep, Elsinore ! Brave hearts ! to Britain's pride Once so faithful and so true, On the deck of fame that died With the gallant good Riou : Soft sigh the winds of heaven o'er their grave ! While the billow mournful rolls And the mermaid's song condoles Singing glory to the souls Of the brave ! T. Campbell. CCVIII. ODE TO DUTY. Stern Daughter of the voice of God ! O Duty ! if that name thou love Who art a light to guide, a rod To check the erring, and reprove ; Thou who art victory and law When empty terrors overawe ; From vain temptations dost set free, And calmest the weary strife of frail humanity I There are who ask not if thine eye Be on them ; who, in love and truth Where no misgiving is, rely Upon the genial sense of youth : Glad hearts ! without reproach or blot, Who do thy work, and know it not : O ! if through confidence misplaced They fail, thy saving arms, dread Power ! around them cast. Serene will be our days and bright And happy will our nature be When love is an unerring light, And joy its own security. And they a blissful course may hold 214 BOOK FOURTH. Ev'n now who, not unwisely bold, Live in the spirit of this creed ; Yet find that other strength, according to their need* I, loving freedom, and untried, No sport of every random gust, Yet being to myself a guide, Too blindly have reposed my trust : And oft, when in my heart was heard Thy timely mandate, I deferred The task, in smoother walks to stray; But thee I now would serve more strictly, if I may. Through no disturbance of my soul Or strong compunction in me wrought, I supplicate for thy controul, But in the quietness of thought: Me this unchartered freedom tires ; I feel the weight of chance desires : My hopes no more must change their name ; I long for a repose which ever is the same. Stern lawgiver ! yet thou dost wear The Godhead^s most benignant grace ; Nor know we anything so fair As is the smile upon thy face : Flowers laugh before thee on their beds, And fragrance in thy footing treads ; Thou dost preserve the Stars from wrong; And the most ancient Heavens, through thee, are fresh anc strong. To humbler functions, awful Power ! I call thee : I myself commend Unto thy guidance from this hour ; O let my weakness have an end ! ' Give unto me, made lowly wise, The spirit of self-sacrifice ; The confidence of reason give ; And in the light of Truth thy bondman let me live. W, Wordsworth* ON THE CASTLE OF CHlLLON, 215 CCIX. ON THE CASTLE OF CHILLON. Eternal Spirit of the chainless Mind ! Brightest in dungeons, Liberty, thou art — For there thy habitation is the heart — The heart which love of Thee alone can bind ; And when thy sons to fetters are consigned, To fetters, and the damp vault's dayless gloom, Their country conquers with their martyrdom And Freedom's fame finds wings on every wind. Chillon ! thy prison is a holy place And thy sad floor an altar, for 'twas trod, Until his very steps have left a trace Worn as if thy cold pavement were a sod, By Bonnivard ! May none those marks efface ! For they appeal from tyranny to God. Lord Byron. ccx. ENGLAND AND SWITZERLAND. 1802. Two Voices are there, one is of the Sea, One of the Mountains, each a mighty voice: In both from age to age thou didst rejoice. They were thy chosen music, Liberty ! There came a tyrant, and with holy glee Thou foughf St against him, — but hast vainly striven : Thou from thy Alpine holds at length art driven Where not a torrent murmurs heard by thee. — Of one deep bliss thine ear hath been bereft; Then cleave, O cleave to that which still is left For, high-soul'd Maid, what sorrow would it be That Mountain floods should thunder as before, And Ocean bellow from his rocky shore, And neither awful Voice be heard by Thee ! W. Wordsworth. 216 BOOK FOURTB, CCXI. ON THE EXTINCTION OF THE VENETIAN REPUBLIC. Once did She hold the gorgeous East in fee And was the safeguard of the West ; the worth Of Venice did not fall below her birth, Venice, the eldest child of liberty. She was a maiden city, bright and free ; No guile seduced, no force could violate ; And when she took unto herself a mate, She must espouse the everlasting Sea. And what if she had seen those glories fade, Those titles vanish, and that strength decay, — Yet shall some tribute of regret be paid When her long life hath reachM its final day : Men are we, and must grieve when even the shade Of that which once was great has passM away. W. Wordsworth, CCXII. LONDON, MDCCCII. O Friend ! I know not which way I must look For comfort, being, as I am, opprest To think that now our life is only drest For show; mean handiwork of craftsman, cook, Or groom ! — We must run glittering like a brook In the open sunshine, or we are unblest ; The wealthiest man among us is the best: No grandeur now in Nature or in book Delights us. Rapine, avarice, expense, This is idolatry ; and these we adore : Plain living and high thinking are no more : The homely beauty of the good old cause Is gone ; our peace, our fearful innocence, And pure religion breathing household laws. W, Wordsworth, THE SAME. 217 CCXIII. * THE SAME. Milton ! thou shouldst be living at this hour : England hath need of thee : she is a fen Of stagnant waters : altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness. We are selfish men; ! raise us up, return to us again ; And give us manners, virtue, freedom, power. Thy soul was like a Star, and dwelt apart: Thou hadst a voice whose sound was like the sea, Pure as the naked heavens, majestic, free ; So didst thou travel on life''s common way In cheerful godliness ; and yet thy heart The lowliest duties on herself did lay. W. WordswortA, CCXIV. When I have borne in memory what has tamed Great nations ; how ennobling thoughts depart When men change swords for ledgers, and desert The student's bower for gold, — some fears unnamed 1 had, my Country ! — am I to be blamed ? But when I think of thee, and what thou art, Verily, in the bottom of my heart Of those unfilial fears I am ashamed. For dearly must we prize thee ; we who find In thee a bulwark of the cause of men ; And I by my affection was beguiled : What wonder if a Po^t now and then. Among the many movements of his mind, Felt for thee as a lover or a child ! W. WordsTvoriK 218 BOOK FOURTH. ccxv. HOHENLINDEN. On Linden, when the sun was low, All bloodless lay the untrodden snow; And dark as winter was the flow Of Iser, rolling rapidly. But Linden saw another sight, When the drum beat at dead of night Commanding fires of death to light The darkness of her scenery. By torch and trumpet fast array'd Each horseman drew his battle-blade, And furious every charger neigh'd To join the dreadful revelry. Then shook the hills with thunder riven ; Then rush'd the steed, to battle driven ; And louder than the bolts of Heaven Far flash'd the red artillery. . But redder yet that light shall glow On Linden's hills of staindd snow ; And bloodier yet the torrent flow Of Iser, rolling rapidly. 'Tis morn ; but scarce yon level sun Can pierce the war-clouds, rolling dun, Where furious Frank and fiery Hun Shout in their sulphurous canopy. The combat deepens. On, ye Brave Who rush to glory, or the grave ! Wave, Munich, all thy banners wave, And charge with all thy chivalry ! Few, few shall part, where many meet ! The snow shall be their winding-sheet, And every turf beneath their feet Shall be a soldier's sepulchre. T. Campbell. AFTER BLENHEIM. 219 CCXVI. AFTER BLENHEIM. It was a summer evening, Old Kaspar's work was done, And he before his cottage door Was sitting in the sun ; And by him sported on the green His little grandchild Wilhelmine. She saw her brother Peterkin Roll something large and round Which he beside the rivulet In playing there had found ; He came to ask what he had found That was so large and smooth and round. Old Kaspar took it from the boy Who stood expectant by ; And then the old man shook his head, And with a natural sigh * 'Tis some poor fellow's skull,' said he, ' Who fell in the great victory.' ' I find them in the garden, For there's many here about ; And often when I go to plough The ploughshare turns them out. For many thousand men,' said he, * Were slain in that great victory.' *Now tell us what 'twas all about,' Young Peterkin he cries ; And little Wilhelmine looks up With wonder-waiting eyes ; ' Now tell us all about the war, And what they fought each other for.' *It was the English,' Kaspar cried, ' Who put the French to rout ; 220 BOOK FOURTH, But what they fought each other for I could not well make out. But everybody said/ quoth he, * That Hwas a famous victory. * My father lived at Blenheim then, Yon little stream hard by ; They burnt his dwelling to the ground, And he was forced to fly : So with his wife and child he fled, Nor had he where to rest his head. *With fire and sword the country round Was wasted far and wide, And many a childing mother then And newborn baby died : But things like that, you know, must be At every famous victory. * They say it was a shocking sight After the field was won ; For many thousand bodies here Lay rotting in the sun : But things like that, you know, must be After a famous victory. * Great praise the Duke of Marlbro' won And our good Prince Eugene ; ' * Why 'twas a very wicked thing ! ' Said little Wilhelmine ; *Nay . . nay . . my little girl,' quoth he, * It was a famous victory. * And every body praised the Duke Who this great fight did win.' *But what good came of it at last.-*' Quoth little Peterkin : — *Why that I cannot tell,' said he, * But 'twas a famous victory.' R. Southey, PRO PATRIA MORI. 221 CCXVII. PRO PATRIA MORI. When he who adores thee has left but the name Of his fault and his sorrows behind, O! say wilt thou weep, when they darken the fame Of a life that for thee was resigned ! Yes, weep, and how^ever my foes may condemn. Thy tears shall efface their decree ; For, Heaven can witness, though guilty to them, I have been but too faithful to thee. With thee were the dreams of my earliest love ; Every thought of my reason was thine : In my last humble prayer to the Spirit above Thy name shall be mingled with mine ! O ; blest are the lovers and friends who shall live The days of thy glory to see ; But the next dearest blessing that Heaven can give Is the pride of thus dying for thee. T. Afoore. CCXVIII. THE BURIAL OF SIR JOHN MOORE AT CORUNNA. Not a drum was heard, not a funeral note, As his corpse to the rampart we hurried ; Not a soldier discharged, his farewell shot O'er the grave where our hero we buried. We buried him darkly at dead of night, The sods with our bayonets turning ; By the struggling moonbeam's misty light And the lantern dimly burning. No useless coffin enclosed his breast. Not in sheet nor in shroud we wound him ; But he lay like a warrior taking his rest With his martial cloak around him. 222 BOOK FOURTH. Few and short were the prayers we said And we spoke not a word of sorrow, But we steadfastly gazed on the face that was dead, And we bitterly thought of the morrow. We thought as we hollow'd his narrow bed And smoothed down his lonely pillow, That the foe and the stranger would tread o'er his head And we far away on the billow ! Lightly they'll talk of the spirit that's gone And o'er his cold ashes upbraid him, — But little he'll reck, if they let him sleep on In the grave where a Briton has laid him. But half of our heavy task was done When the clock struck the hour for retiring ; And we heard the distant and random gun That the foe was sullenly firing. Slowly and sadly we laid him down, From the field of his fame fresh and gory; We carved not a line, and we raised not a stone — «= But we left him alone with his glory. C. Wolfe. CCXIX. SIMON LEE THE OLD HUNTSMAN. In the sweet shire of Cardigan, Not far from pleasant Ivor Hall, An old man dwells, a little man, I've heard he once was tall. Full five-and-thirty years he lived A running huntsman merry ; And still the centre of his cheek Is red as a ripe cherry. No man like him the horn could sound, And hill and valley rang with glee, When Echo bandied round and round The halloo of Simon Lee. SIMON LEE. 223 In those proud days he little cared For husbandry or tillage ; To blither tasks did Simon rouse The sleepers of the village. He all the country could outrun, Could leave both man and horse behind ; And often, ere the chase was done, He reel'd and was stone-blind. And still there's something in the world At which his heart rejoices ; For when the chiming hounds are out. He dearly loves their voices. But O the heavy change ! — bereft Of health, strength, friends and kindred, see Old Simon to the world is left In liveried poverty : His master's dead, and no one now Dwells in the Hall of Ivor ; Men, dogs, and horses, all are dead; He is the sole survivor. And he is lean and he is sick, His body dwindled and awry Rests upon ancles swoln and thick; His legs are thin and dry. He has no son, he has no child ; His wife, an aged woman. Lives with him, near the waterfall, Upon the village common. Beside their moss-grown hut of clay. Not twenty paces from the door, A scrap of land they have, but they Are poorest of the poor. This scrap of land he from the heatb Enclosed when he was stronger ; But what avails the land to them Which he can till no longer? 224 BOOK FOURTH. Oft, working by her husband's side, Ruth does what Simon cannot do ; For she, with scanty cause for pride, Is stouter of the two. And, though you with your utmost skill From labour could not wean them, 'Tis little, very little, all That they can do between them. Few months of life has he in store As he to you will tell, For still, the more he works, the more Do his weak ancles swell. My gentle reader, I perceive How patiently you've waited, And now I fear that you expect Some tale will be related. O reader ! had you in your mind Such stores as silent thought can bring, O gentle reader ! you would find A tale in everything. What more I have to say is short. And you must kindly take it: It is no tale ; but, should you think, Perhaps a tale you'll make it. One summer-day I chanced to see This old man doing all he could To unearth the root of an old tree, A stump of rotten wood. The mattock totter'd in his hand ; So vain was his endeavour That at the root of the old tree He might have work'd for ever. * You're overtask'd, good Simon Lee, Give me your tool,' to him I said; And at the word right gladly he Received my proffer'd aid. . THE OLD FAMILIAR FACES. 225 I struck, and with a single blow The tangled root I sever'd. At which the poor old man so long And vainly had endeavoured. The tears into his eyes were brought. And thanks and praises seem'd to run So fast out of his heart, I thought They never would have done. — -Pve heard of hearts unkind, kind deeds With coldness still returning ; Ala » ! the gratitude of men Has oftener left me mourning. W. Wordsworth, ccxx. THE OLD FAMILIAR FACES. I HAVE had playmates, I have had companions In my days of childhood, in my joyful school-days; All, all are gone, the old familiar faces. I have been laughing, I have been carousing, Drinking late, sitting late, with my bosom cronies; All, all are gone, the old familiar faces. I loved a Love once, fairest among women : Closed are her doors on me, I must not see her — All, all are gone, the old familiar faces. I have a friend, a kinder friend has no man: Like an ingrate, I left my friend abruptly ; Left him, to muse on the old familiar faces. Ghost-like I. paced round the haunts of my childhood, Earth seem'd a desert I was bound to traverse, Seeking to find the old familiar faces. Friend of my bosom, thou more than a brother, Why wert not thou born in my father's dwelling? So might we talk of the old familiar faces. 226 BOOK FOURTH. How some they have died, and some they have left me. And some are taken from me ; all are departed ; All, all are gone, the old familiar faces. C Lamb. CCXXI. THE JOURNEY ONWARDS. As slow our ship her foamy track Against the wind was cleaving, Her trembling pennant still look'd back • To that dear isle 'twas leaving. So loth we part from all we love, From all the links that bind us ; So turn our hearts, as on we rove. To those we've left behind us ! When, round the bowl, of vanish'd years We talk with joyous seeming — ' With smiles that might as well be tears, So faint, so sad their beaming ; While memory brings us back again Each early tie that twined us, O, sweet's the cup that circles then To those we've left behind us ! And when in other climes, we meet Some isle or vale enchanting, Where all looks flowery wild and sweet; And nought but love is wanting ; We think how great had been our bliss If Heaven had but assign'd us To live and die in scenes like this, With some we've left behind us I As travellers oft look back at eve When eastward darkly going. To gaze upon that light they leave Still faint behind them glowing, — YOUTH AND AGE. ZZI So, when the close of pleasure's day To gloom, hath near consigned us, We turn to catch one fading ray Of joy that's left behind us. T. Moore. CCXXII. T YOUTH AND AGE. There's not a joy the world can give like that it takes away When the glow of early thought declines in feeling's dull decay ; 'Tis not on youth's smooth cheek the blush alone which fades so fast, But the tender bloom of heart is gone, ere youth itself be past. Then the few whose spirits float above the wreck of happiness Are driven o'er the shoals of guilt or ocean of excess : The magnet of their course is gone, or only points in vain The shore to which their shiver'd sail shall never stretch again. Then the mortal coldness of the soul like death itself comes down ; It cannot feel for others' woes, it dare not dream its own ; That heavy chill has frozen o'er the fountain of our tears, And though the eye may sparkle still, 'tis where the ice appears. Though wit may flash from fluent lips, and mirth distract the breast, Through midnight hours that yield no more their former hope of rest ; 'Tis but as ivy-leaves around the ruin'd turret wreathe,'' All green and wildly fresh without, but worn and gray beneath. O could I feel as I have felt, or be what I have been, Or weep as I could once have wept o'er many a vanish'd scene, — As springs in deserts found seem sweet, all brackish though they be, So midst the wither'd waste of life, those tears would flow to me ! Lord Byron. CCXXIII. A LESSON. There is a flower, the Lesser Celandine, That shrinks like many more from cold and rain. 228 BOOK FOURTH. And the first moment that the sun may shine. Bright as the sun himself, 'tis out again ! When hailstones have been falling, swarm on swarm. Or blasts the green field and the trees distrest, Oft have I seen it muffled up from harm In close self-shelter, like a thing at rest. But lately, one rough day, this flower I past, And recognized it, though an alter'd form. Now standing forth an offering to the blast, And buffeted at will by rain and storm. I stopped and said, with inly-mutter'd voice, ' It doth not love the shower, nor seek the cold ; This neither is its courage nor its choice, But its necessity in being old. ' The sunshine may not cheer it, nor the dew ; It cannot help itself in its decay ; Stiff" in its members, wither'd, changed of hue,' And, in my spleen, I smiled that it was gray. To be a prodigal's favourite — then, worse truth, A miser's pensioner — behold our lot ! O Man ! that from thy fair and shining youth Age might but take the things Youth needed not! W. Wordsworth, CCXXIV. PAST AND PRESENT. I REMEMBER, I remember The house where I was born, The little window where the sun Came peeping in at morn ; He never came a wink too soon Nor brought too long a day ; But now, I often wish the night Had borne my breath away, THE LIGHT OF OTHER DAYS. 229 I remember, I remember The roses, red and white. The violets, and the hly-cups — Those flowers made of hght ! The lilacs where the robin built, And where my brother set ' The laburnum on his birthday, — The tree is living yet ! I remember, I remember, Where I was used to swing. And thought the air must rush as fresh To swallows on the wing ; My spirit flew in feathers then That is so heavy now, And summer pools could hardly cool The fever on my brow. I remember, I remember The fir trees dark and high ; I used to think their slender tops Were close against the sky : It was a childish ignorance. But now 'tis little joy To know I'm farther off from Heaven Than when I was a boy. T. Hood. ccxxv. THE LIGHT OF OTHER DAYS. Oft in the stilly night Ere slumber's chain has bound me, Fond Memory brings the light Of other days around me : The smiles, the tears Of boyhood's years. The words of love then spoken; The eyes that shone, Now dimm'd and gone, 230 BOOK FOURTH. The cheerful hearts now broken ! Thus in the stilly night Ere slumber's chain has bound me^ Sad Memory brings the light Of other days around me. When I remember all The friends so link'd together I've seen around me fall Like leaves in wintry weather, I feel like one Who treads alone Some banquet-hall deserted, Whose lights are fled, Whose garlands dead, And all but he departed ! Thus in the stilly night Ere slumber's chain has bound me; Sad Memory brings the light Of other days around me. T. Moore. CCXXVI. INVOCATION. Rarely, rarely, comest thou, Spirit of Delight ! Wherefore hast thou left me now Many a day and night? Many a weary night and day 'Tis since thou art fled away. How shall ever one like me Win thee back again ? With the joyous and the free Thou wilt scoff at pain. Spirit false ! thou hast forgot All but those who need thee not. As a lizard with the shade Of a trembling leaf, INVOCATION. 231 Thou with sorrow art dismayM ; Even the sighs of grief Reproach thee, that thou art not near, And reproach thou wilt not hear. Let me set my mournful ditty To a merry measure ; — Thou wilt never come for pity, Thou wilt come for pleasure ; — Pity then will cut away Those cruel wings, and thou wilt stay. I love all that thou lovest, Spirit of Delight ! The fresh Earth in new leaves drest ' And the starry night ; Autumn evening, and the morn When the golden mists are born. I love snow and all the forms Of the radiant frost ; I love waves, and winds, and storms, Everything almost Which is Nature's, and may be Untainted by man's misery. I love tranquil solitude, And such society As is quiet, wise, and good ; Between thee and me What diff'rence? but thou dost possess The things I seek, not love them less. I love Love — though he has wings, And like light can flee. But above all other things, Spirit, I love thee — Thou art love and life ! O come ! Make once more my heart thy home \ P. B. Shelley. 232 BOOK FOURTH. CCXXVII. STANZAS WRITTEN IN DEJECTION NEAR NAPLES The sun is warm, the sky is dear. The waves are dancing fast and bright, Blue isles and snowy mountains wear The purple noon's transparent light : The breath of the moist air is light Around its unexpanded buds ; Like many a voice of one delight — The winds', the birds', the ocean-floods' — The City's voice itself is soft like Solitude's. I see the Deep's untrampled floor With green and purple sea-weeds strewn ; I see the waves upon the shore Like light dissolved in star-showers thrown : I sit upon the sands alone ; The lightning of the noon-tide ocean Is flashing round me, and a tone Arises from its measured motion — How sweet ! did any heart now share in my emotion. Alas ! I have nor hope nor health, Nor peace within nor calm around, Nor that Content surpassing wealth The sage in meditation found, And walk'd with inward glory crown'd — Nor fame, nor power, nor love, nor leisure ; Others I see whom these surround — Smiling they live, and call hfe pleasure ; o me that cup has been dealt in another measurCo Yet now despair itself is mild Even as the winds and waters are ; I could lie down like a tired child, And weep away the life of care Which I have borne, and yet must bear. Till death like sleep might steal on me, THE SCHOLAR. 233 And I might feel in the warm air My cheek grow cold, and hear the sea Breathe o'er my dying brain its last monotony. P. B. Shelley, CCXXVIII. THE SCHOLAR. My days among the Dead are past; Around me I behold, Where'er these casual eyes are cast, The mighty minds of old : My never failing friends are they. With whom I conyerse day by day. With them I take delight in weal And seek relief in woe ; And while I understand and feel How much to them I owe, My cheeks have often been bedew'd With tears of thoughtful gratitude. My thoughts are with the Dead ; with them I live in long-past years, Their virtues love, their faults condemn, Partake their hopes and fears. And from their lessons seek and find Instruction with an humble mind. My hopes are with the Dead ; anon My place with them will be, And 1 with them shall travel on Through all Futurity ; Yet leaving here a name, I trust, That will not perish in the dust. E. Southey, CCXXIX. THE MERMAID TAVERN. Souls of Poets dead and gone What Elysium have ye known. 234 BOOK FOURTH. Happy field or mossy cavern. Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host's Canary wine? Or are fruits of Paradise Sweeter than those dainty pies Of Venison? O generous food ! Drest as though bold Robin Hood Would, with his Maid Marian, Sup and bowse from horn and can. I have heard that on a day Mine host's signboard flew away Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story — Said he saw you in your glory Underneath a new-old Sign Sipping beverage divine, And pledging with contented smack The Mermaid in the Zodiac ! Souls of Poets dead and gone What Elysium have ye known — Happy field or mossy cavern — Choicer than the Mermaid Tavern? J, Keats. CCXXX. THE PRIDE OF YOUTH. Proud Maisie is in the wood, Walking so early ; Sweet Robin sits on the bush Singing so rarely. * Tell me, thou bonny bird, When shall I marry me?' — * When six braw gentlemen Kirkward shall carry ye.' THE BRIDGE OF Sicm. 235 *Who makes the bridal bed, Birdie, say truly?' — * Tlie gray-lieaded sexton That delves the grave duly. * The glowworm o'er grave and stone Shall light thee steady ; The owl from the steeple sing Welcome, proud lady.' Sir W. Scott. CCXXXI. THE BRIDGE OF SIGHS. One more Unfortunate Weary of breath Rashly importunate, Chpne to her death ! Take her up tenderly, Lift her with care ; Fashion'd so slenderly, Young, and so fair! Look at her garments Clinging like cerements ; Whilst the wave constantly Drips from her clothing ; Take her up instantly, Loving, not loathing. Touch her not scornfully; Think of her mournfully. Gently and humanly ; Not of the stains of her — All that remains of her Now is pure womanly. Make no deep scrutiny Into her mutiny Rash and undutiful : 236 BOOK FOURTR. Past all dishonour, Death has left on her Only the beautiful. Still, for all slips of hers. One of Eve's family — Wipe those poor lips of herS Oozing so clammily. Loop up her tresses Escaped from the comb, Her fair auburn tresses ; Whilst wonderment guesses Where was her home? Who was her father? Who was her mother? Had she a sister? Had she a brother? Or was there a dearer one Still, and a nearer one Yet, than all other? Alas ! for the rarity Of Christian charity Under the sun ! O! it was pitiful ! Near a whole city full. Home she had none. Sisterly, brotherly, Fatherly, motherly Feelings had changed : Love, by harsh evidence. Thrown from its eminence ^ Even God's providence Seeming estranged. Where the lamps quiver So far in the river, With many a light THE BRIDGE OF Slcm. 231 From window and casement, From garret to basement, She stood, with amazement, Houseless by night. The bleak wind of March Made her tremble and shiver f But not the dark arch, Or the black flowing river : Mad from life's history, Glad to death's mystery Swift to be hurrd — Any where, any where Out of the world ! In she plunged boldly. No matter how coldly The rough river ran, Over the brink of it, — ■ Picture it, think of it, Dissolute Man ! Lave in it, drink of it, Then, if you can ! Take her up tenderly. Lift her with care ; Fashion'd so slenderly, Young, and so fair ! Ere her limbs frigidly Stiffen too rigidly. Decently, kindly, Smooth and compose themj And her eyes, close them, Staring so blindly ! Dreadfully staring Thro' muddy impurity. As when with the daring Last look of despairing Fix'd on futurity. 238 BOOK FOURTH, Perishing gloomily, Spurred by contumely Cold inhumanity Bm"ning insanity Into her rest. — Cross her hands humbly As if praying dumbly, Over her breast ! Owning her weakness. Her evil behaviour, And leaving, with meekness, Her sins to her Saviour! T. Hood, CCXXXII. ELEGY. O SNATCHED away in beauty's bloom ! On thee shall press no ponderous tomb ; But on thy turf shall roses rear Their leaves, the earliest of the year, And the wild cypress wave in tender gloom : And oft by yon blue gushing stream Shall Sorrow lean her drooping head, And feed deep thought with many a dream, And lingering pause and lightly tread ; Fond wretch! as if her step disturbed the dead! Away ! we know that tears are vain, That Death nor heeds nor hears distress : Will this unteach us to complain? Or make one mourner weep the less? And thou, who tell'st me to forget. Thy looks are wan, thine eyes are wet. Lord Byron, HESTER. 23^ ccxxxm. HESTER. When maidens such as Hester die Their place ye may not well supply. Though ye among a thousand try With vain endeavour. A month or more hath she been dead, Yet cannot I by force be led To think upon the wormy bed And her together. A springy motion in her gait, A rising step, did indicate Of pride and joy no common rate That flushed her spirit : I know not by what name beside I shall it call : if 'twas not pride, It was a joy to that allied She did inherit. Her parents held the Quaker rule Which doth the human feeling cool ; But she was trained in Nature's schooJ, Nature had blest her. A waking eye, a prying mind, A heart that stirs, is hard to bind ; A hawk's keen sight ye cannot blind. Ye could not Hester. My sprightly neighbour ! gone before To that unknown and silent shore, Shall we not meet, as heretofore Some summer morning — When from thy cheerful eyes a ray Hath struck a bliss upon the day, A bliss that would not go away, A sweet fore-warning? C. Lamb. 240 BOOK FOURTH. CCXXXIV. CORONACH. He is gone on the mountain He is lost to the forest, Like a summer-dried fountain, When our need was the sorest. The fount reappearing From the raindrops shall borrow, But to us comes no cheering, To Duncan no morrow ! The hand of the reaper Takes the ears that are hoary, But the voice of the weeper Wails manhood in glory. ■ The autumn winds rushing Waft the leaves that are serest, But our flower was in flushing When blighting was nearest. Fleet foot on the correi, Sage counsel in cumber. Red hand in the foray, How sound is thy slumber! Like the dew on the mountain, Like the foam on the river, Like the bubble on the fountain. Thou art gone ; and for ever ! Sir W. Scott, ccxxxv. THE DEATH BED. We watch'd her breathing thro' the nigh^ Her breathing soft and low. As in her breast the wave of life Kept heaving to and fro. So silently we seem'd to speak, So slowly moved about, ROSABELLE. 241 As we had lent her half our powers To eke her living out. Our very hopes belied our fears, Our fears our hopes belied — We thought her dying when she slept. And sleeping when she died. For when the morn came dim and sad And chill with early showers, Her quiet eyelids closed — she had Another morn than ours. T. Hood, CCXXXVI. ROSABELLE. O LISTEN, listen, ladies gay ! No haughty feat of arms I tell ; Soft is the note, and sad the lay, That mourns the lovely Rosabelle. *Moor, moor the barge, ye gallant crew. And, gentle lady, deign to stay 1 Rest thee in Castle Ravensheuch, Nor tempt the stormy firth today. ' The blackening wave is edged with white ; To inch and rock the sea-mews fly ; The fishers have heard the Water-Sprite, Whose screams forebode that wreck is nigh * Last night the gifted Seer did view A wet shroud swathed round lady gay ; Then stay thee. Fair, in Ravensheuch ; Why cross the gloomy firth today?' •'Tis not because Lord Lindesay's heir Tonight at Roslin leads the balli But that my lady-mother there Sits lonely in her castle-hall. 242 BOOK FOURTH. • 'Tis not because the ring they ride, And Lindesay at the ring rides well, But that my sire tlie wine will chide If 'tis not fiird by Rosabelle/ — O'er Roslin all that dreary night A wondrous blaze was seen to gleam ; ■Twas broader than the watch-fire's light, And redder than the bright moonbeam. It glared on Roslin's castled rock, It ruddied all the copse-wood glen ; 'Twas seen from Dryden's groves of oak. And seen from cavern'd Hawthornden. Seem'd all on fire that chapel proud Where Roslin's chiefs uncofiin'd lie, Each Baron, for a sable shroud, Sheath'd in his iron panoply. Seem'd all on fire within, around. Deep sacristy and altar's pale ; Shone every pillar foliage-bound, And glimmer'd all the dead men's mail. Blazed battlement and pinnet high, Blazed every rose-carved buttress fair — So still they blaze, when fate is nigh The lordly line of high Saint Clair. There are twenty of Roslin's barons bold Lie buried within that proud chapelle ; Each one the holy vault doth hold, But the sea holds lovely Rosabelle I And each Saint Clair was buried there With candle, with book, and with knell ; But the sea-caves rung, and the wild winds sung The dirge of lovely Rosabelle. Sir W. Scott. ON AN INFANT DYING, 243 CCXXXVII. ON AN INFANT DYING AS SOON AS BORiN. I SAW where in the shroud did lurk A curious frame of Nature's work ; A flowTet crushed in the bud A nameless piece of Babyhood Was in her cradle-coffin lying ; Extinct, with scarce the sense of dying: So soon to exchange the imprisoning womb For darker closets of the tomb ! She did but ope an eye, and put A clear beam forth, then straight up shut For the long dark : ne'er more to see Through glasses of mortality. Riddle of destiny, who can show What thy short visit meant, or know What thy errand here below? Shall we say, that Nature blind Check'd her hand, and changed her mind Just when she had exactly wrought A finished pattern without fault? Could she flag, or could she tire. Or lack'd she the Promethean fire (With her nine moons' long workings sicken'd) That should thy little limbs have quickened? Limbs so firm, they seem'd to assure Life of health, and days mature : Woman's self in miniature ! Limbs so fair, they might supply (Themselves now but cold imagery) The sculptor to make Beauty by. Or did the stern-eyed Fate descry That babe or mother, one must die ; So in mercy left the stock And cut the branch ; to save the shock Of young years widow'd, and the pain When Single State comes back again 244 BOOK FOURTH. To the lone man who, reft of wife, Thenceforward drags a maimed life? The economy of Heaven is dark, And wisest clerks have missM the mark Why human buds, like this, should fall More brief than fly ephemeral That has his day ; while shrivelPd crones Stiffen with age to stocks and stones ; And crabbed use the conscience sears In sinners of an hundred years. — Mother's prattle, mother's kiss, Baby fond, thou ne'er wilt miss : Rites, which custom does impose, Silver bells, and baby clothes ; Coral redder than those lips Which pale death did late eclipse ; Music framed for infants' glee, Whistle never tuned for thee ; Though thou wanfst not, thou shalt have them, Loving hearts were they which gave them. Let not one be missing ; nurse, See them laid upon the hearse Of infant slain by doom perverse. Why should kings and nobles have Pictured trophies to their grave, And we, churls, to thee deny Thy pretty toys with thee to lie — A more harmless vanity ? C. Lamb, CCXXXVIII. THE AFFLICTION OF MARGARET. Where art thou, my beloved Son, Where art thou, worse to me than dead! O find me, prosperous or undone I Or if the grave be now thy bed. Why am I ignorant of the same THE AFFLICTION OF MARGARET, 245 That Pmay rest; and neither blame Nor sorrow may attend thy name ? Seven years, alas ! to have received No tidings of an only child — To have despaired, have hoped, believed, And be for evermore beguiled Sometimes with thoughts of very bliss! I catch at them., and then I miss ; Was ever darkness like to this ? He was among the prime in worth, An object beauteous to behold ; Well born, well bred ; I sent him forth Ingenuous, innocent, and bold : If things ensued that wanted grace As hath been said, they were not base ; And never blush was on my face. Ah ! little doth the young one dream When full of play and childish cares, What power is in his wildest scream Heard by his mother unawares ! He knows it not, he cannot guess ; Years to a mother bring distress ; But do not make her love the less. Neglect me ! no, I suffer''d long From that ill thought ; and being blind Said ' Pride shall help me in my wrong; Kind mother have I been, as kind As ever breathed : ' and that is true ; I've wet my path with tears like dew. Weeping for him when no one knew. My Son, if thou be humbled, poor, Hopeless of honour and of gain, O ! do not dread thy mother's door, Think not of me with grief and pain : J now can see with better eyes ; 246 BOOK FOURTH. And worldly grandeur I despise And fortune with her gifts and lies. Alas ! the fowls of heaven have wings And blasts of heaven will aid their flight ; They mount — how short a voyage brings The wanderers back to their delight ! Chains tie us down by land and sea; And wishes, vain as mine, may be All that is left to comfort thee. Perhaps some dungeon hears thee groan Maim'd, mangled by inhuman men ; Or thou upon a desert thrown Inheritest the lion's den ; Or hast been summoned to the deep Thou, thou, and all thy mates, to keep An incommunicable sleep. I look for ghosts : but none will force Their way to me ; 'tis falsely said That there was ever intercourse Between the living and the dead ; For surely then I should have sight Of him I wait for day and night With love and longings infinite. My apprehensions come in crowds; I dread the rustling of the grass ; The very shadows of the clouds Have power to shake me as they pass; I question things, and do not find One that will answer to my mind ; And all the world appears unkind. Beyond participation lie My troubles, and beyond relief: If any chance to heave a sigh They pity me, and not my grief. Then come to me, my Son, or send HUNTING SONG. 247 Some tidings that my woes may end ! I have no other earthly friend. W. Wordsworik, CCXXXIX. HUNTING SONG. Waken, lords and ladies gay, On the mountain dawns the day ; All the jolly chase is here With hawk and horse and hunting-spear; Hounds are in their couples yelling, Hawks are whistling, horns are knelling, Merrily merrily mingle they, * Waken, lords and ladies gay.' Waken, lords and ladies gay, The mist has left the mountain gray, Springlets in the dawn are steaming, Diamonds on the brake are gleaming, And foresters have busy been To track the buck in thicket green ; Now we come to chant our lay * Waken, lords and ladies gay.' Waken, lords and ladies gay, To the greenwood haste away ; We can show you where he lies, Fleet of foot and tall of size ; We can show the marks he made When 'gainst the oak his antlers fray'd; You shall see him brought to bay ; Waken, lords and ladies gay. Louder, louder chant the lay Waken, lords and ladies gay ! Tell them youth and mirth and glee Run a course as well as we ; Time, stern huntsman ! who can baulk, Stanch as hound and fleet as hawk ; 248 BOOK FOURTH. Think of this, and rise with day Gentle lords and ladies gay ! Sir W. Scott, CCXL. TO THE SKYLARK. Ethereal minstrel ! pilgrim of the sky ! Dost thou despise the earth where cares abound? Or while the wings aspire, are heart and eye Both with thy nest upon the dewy ground ? Thy nest which thou canst drop into at will, Those quivering wings composed, that music still ! To the last point of vision, and beyond. Mount, daring warbler ! — that love-prompted strain — 'Twixt thee and thine a never-failing bond — Thrills not the less the bosom of the plain : Yet might'st thou seem, proud privilege ! to sing All independent of the leafy Spring. Leave to the nightingale her shady wood ; A privacy of glorious light is thine. Whence thou dost pour upon the world a flood Of harmony, with instinct more divine ; Type of the wise, who soar, but never roam — True to the kindred points of Heaven and Home. W. Wordsworth, CCXLI. TO A SKYLARK. Hail to thee, blithe Spirit 1 Bird thou never wert. That from heaven, or near it Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest ; Like a cloud of fire The blue deep thou wingest. And singing still dost soar, and soaring ever singest TO A SKYLARK. 249 In the golden lightning Of the sunken sun O'er which clouds are brightening, Thou dost float and run, Like an unbodied joy whose race is just begun. The pale purple even Melts around thy flight ; Like a star of heaven In the broad daylight Thou art unseen, but yet I hear thy shrill delight : Keen as are the arrows Of that silver sphere, Whose intense lamp narrows In the white dawn clear Until we hardly see, we feel that it is there. All the earth and air With thy voice is loud, As, when night is bare. From one lonely cloud The moon rains out her beams, and heaven is overflow'd. What thou art we know not ; What is most like thee ? From rainbow clouds there flow not Drops so bright to see As from thy presence showers a rain of melody. Like a poet hidden In the light of thought. Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not: Like a high-born maiden In a palace tower, 250 BOOK FOURTH, Soothing her love-laden Soul in secret hour With music sweet as love, which overflows her bower Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aerial hue Among the flowers and grass, which screen it from the view : Like a rose embower'd In its own green leaves, By warm winds deflowerM, Till the scent it gives Makes faint with too much sweet these heavy-winged thieves Sound of vernal showers On the twinkling grass, Rain-awaken'd flowers. All that ever was Joyous, and clear, and fresh, thy music doth surpass. Teach us, sprite or bird, What sweet thoughts are thine : I have never heard Praise of love or wine That panted forth a flood of rapture so divine. Chorus hymeneal Or triumphal chaunt Match'd with thine, would be all But an empty vaunt — A thing wherein we feel there is some hidden want. What objects are the fountains Of thy happy strain ? What fields, or waves, or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be : THE GREEN LINNET. 251 Shadow of annoyance Never came near thee : Thou lovest ; but ne'er knew love's sad satiety. Waking or asleep Thou of death must deem Things more true and deep Than we mortals dream, Or how could thy notes flow in such a crystal stream? We look before and after And pine for what is not : Our sincerest laughter With some pain is fraught ; Our sweetest songs are those that tell of saddest thought. Yet if we could scorn Hate, and pride, and fear; If we were things born Not to shed a tear, I know not how thy joy we ever should come near. Better than all measures Of delightful sound, Better than all treasures That in books are found, Thy skill to poet were, thou scorner of the ground ! Teach me half the gladness That thy brain must know, Such harmonious madness From my lips would flow The world should listen then, as I am listening now I P. B. Shelley. CCXLII. THE GREEN LINNET. Beneath these fruit-tree boughs that shed Their snow-white blossoms on my head, With brightest sunshine round me spread Of Spring's unclouded weather, 252 BOOK FOURTH, In this sequester^'d nook how sweet To sit upon my orchard-seat ! And flowers and birds once more to greet, My last year's friends together. One have I mark'd, the happiest guest In all this covert of the blest : Hail to Thee, far above the rest In joy of voice and pinion ! Thou, Linnet! in thy green array Presiding Spirit here today Dost lead the revels of the May, And this is thy dominion. While birds, and butterflies, and flowers Make all one band of paramours, Thou, ranging up and down the bowers Art sole in thy employment ; A Life, a Presence like the air. Scattering thy gladness without care, Too blest with any one to pair, Thyself thy own enjoyment. Amid yon tuft of hazel trees That twinkle to the gusty breeze, Behold him perch'd in ecstasies Yet seeming still to hover ; There, where the flutter of his wings Upon his back and body flings Shadows and sunny glimmerings, That cover him all over. My dazzled sight he oft deceives — A brother of the dancing leaves ; Then flits, and from the cottage-eaves Pours forth his song in gushes, As. if by that exulting strain He mock'd and treated with disdain The voiceless Form he chose to fei^n While fluttering in the bushes. W. Wordsworth, TO THE CUCKOO. 253 CCXLIII. TO THE CUCKOO. BLITHE new-comer ! I have heard, 1 hear thee and rejoice : Cuckoo ! shall I call thee bird, Or but a wandering Voice ? While I am lying on the grass Thy twofold shout I hear ; From hill to hill it seems to pass, At once far off and near. Though babbling only to the vale Of sunshine and of flowers, Thou bringest unto me a tale Of visionary hours. Thrice welcome, darling of the Spring ! Even yet thou art to me No bird, but an invisible thing, A voice, a mystery ; The same whom in my school-boy days 1 listened to ; that Cry Which made me look a thousand ways In bush, and tree, and sky. To seek thee did I often rove Through woods and on the green ; And thou wert still a hope, a love; Still long'd for, never seen! And I can listen to thee yet; Can lie upon the plain And listen, till I do beget That golden time again. O blessed bird ! the earth we pace Again appears to be An unsubstantial, fairy place That is fit home for Thee ! W. Words7vorth, 254 BOOK FOUR TIT. CCXLIV. ODE TO A NIGHTINGALE. My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk. Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk : 'Tis not through envy of thy happy lot. But being too happy in thy happiness, — That thou, light-winged Dryad of the trees, , In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a draught of vintage, that hath been Cool'd a long age in the deep-delvdd earth, Tasting of Flora and the country-green, Dance, and ProvenQal song, and sun-burnt mirth ! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim And purple-stained mouth ; That I might drink, and leave the world unseen, And with thee fade away into the forest dim : Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret . Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where Beauty cannot keep her lustrous eyes. Or new Love pine at them beyond tomorrow. Away ! away ! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards : ODE TO A NIGHTINGALE. 255 Already with thee ! tender is the night, And haply the Oueen-Moon is on her throne, Clustered around by all her starry Fays ; But here there is no light Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild ; White hawthorn, and the pastoral eglantine; Fast-fading violets covered up in leaves ; And mid-May's eldest child The coming musk-rose, full of dewy wine. The murmurous haunt of flies on summer eves. Darkling I listen ; and for many a time I have been half in love with easeful Death, Caird him soft names in many a mused rhyme, To take into the air my quiet breath ; Now more than ever seems it rich to die, To cease upon the midnight with no pain. While thou art pouring forth thy soul abroad In such an ecstasy ! Still wouldst thou sing, and I have ears in vain — To thy high requiem become a sod. Thou wast not born for death, immortal Bird ! No hungry generations tread thee down ; The voice I hear this passing night was heard In ancient days by emperor and clown : Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for hcmC; She stood in tears amid the alien corn ; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. 256 BOOK FOURTH. Forlorn ! the very word is like a bell To toll me back from thee to my sole self! Adieu ! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu ! adieu ! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side ; and now His buried deep In the next valley-glades : Was it a vision, or a waking dream? Fled is that music : — do I wake or sleep? J. Keats, CCXLV. UPON WESTMINSTER BRIDGE, Sept. 3, 1802. Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty : This City now doth like a garment wear The beauty of the morning : silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky, All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour valley, rock, or hill ; Ne'er saw I, never felt, a calm so deep ! The river glideth at his own sweet will : Dear God ! the very houses seem asleep; And all that mighty heart is lying still ! W. Wordsworth. CCXLVI. OZYMANDIAS OF EGYPT. I MET a traveller from an antique land Who said : Two vast and trunkless legs of stone Stand in the desert. Near them on the sancl NEIDPA Th. 257 Half sunk, a shattered visage lies, whose frown A.nd wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mock'd them and the heart that fed ; And on the pedestal these words appear : * My name is Ozymandias, king of kings : Look on my works, ye Mighty, and despair!' Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away. P. B. Shelley. CCXLVII. OMPOSED AT NEIDPATH CASTLE, THE PROPERTY OF LORD QUEENSBERRY, 1803. Degenerate Douglas ! O the unworthy lord ! Whom mens despite of heart could so far please And love of havoc (for with such disease Fame taxes him) that he could send forth word To level with the dust a noble horde, A brotherhood of venerable trees. Leaving an ancient dome, and towers like these Beg^ar'd and outraged ! — Many hearts deplored The fate of those old trees ; and oft with pain The traveller at this day will stop and gaze On wrongs, which Nature scarcely seems to heed ; For sheltered places, bosoms, nooks, and bays. And the pure mountains, and the gentle Tweed, And the green silent pastures, yet remain. . W. Wordsworth. CCXLVIII. ADMONITION TO A TRAVELLER. Yes, there is holy pleasure in thine eye ! — The lovely cottage in the guardian nook 258 BOOK FOURTH. Hath stirr'd thee deeply ; with its own dear brook, Its own small pasture, almost its own sky ! But covet not the abode — O do not sigh As many do, repining while they look ; Intruders who would tear from Nature's book This precious leaf with harsh impiety : — Think what the home would be if it were thine, Even thine, though few thy wants ! — Roof, window, doo . The very flowers are sacred to the Poor, The roses to the porch which they entwine : Yea, all that now enchants thee, from the day On which it should be. touch'd would melt away ! W. Wordsworth. CCXLIX. TO THE HIGHLAND GIRL OF INVERSNAID. Sweet Highland Girl, a very shower Of beauty is thy earthly dower ! . Twice seven consenting years have shed Their utmost bounty on thy head : And these gray rocks, this household lawn, These trees — a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode ; In truth together ye do seem Like something fashion'd in a dream ; Such forms as from their covert peep When earthly cares are laid asleep ! But O fair Creature ! in the light Of common day, so heavenly bright, I bless Thee, Vision as thou art, I bless thee with a human heart : God shield thee to thy latest years ! I neither know thee nor thy peers : And yet my eyes are fill'd with tearSo TO THE HIGHLAND GIRL, 2S9 With earnest feeling I shall pray For thee when I am far away ; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatterM like a random seed, Remote from men, Thou dost not need The embarrassed look of shy distress. And maidenly shamefacedness : Thou wear'st upon thy forehead clear The freedom of a mountaineer : A face with gladness overspread, Soft smiles, by human kindness bred ; And seemliness complete, that sways Thy courtesies, about thee plays ; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech : A bondage sweetly brookM, a strife That gives thy gestures grace and life I So have I, not unmoved in mind. Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful ? O happy pleasure ! here to dwell Beside thee in some heathy dell ; Adopt your homely ways and dress, A shepherd, thou a shepherdess ! But I could frame a wish for thee More like a grave reality : Thou art to me but as a wave ' Of the wild sea : and I would have Some claim upon thee, if I could. Though but of common neighbourhood. 260 BOOK FOURTH. What joy to hear thee, and to see \ Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven ! that of its grace Hath led me to this lonely place ; Joy have 1 had ; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes : Then why should I be loth to stir ? I feel this place was made for her ; To give new pleasure like the past. Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl ! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall ; And Thee, the spirit of them all ! W. Wordsworth^ CCL. THE EEAPER Behold her, single in the field, Yon solitary Highland Lass ! Reaping and singing by herself; Stop here, or gently pass ! Alone she cuts and binds the grain. And sings a melancholy strain ; O listen ! for the vale profound Is overflowing with the sound. No nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt, Among Arabian sands : THE REVERIE OE POOR SUSAN. 261 No sweeter voice was eveV .leard In spring-time from the cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago : Or is it some more humble lay, Familiar matter of today? Some natural sorrow, loss, or pain, TRat has been, and may be again ! Whatever the theme, the maiden sang As if her song could have no ending ; I saw her singing at her work. And o'er the sickle bending ; I listenM till I had my fill : And as I mounted up the hill The music in my heart I bore Long after it was heard no more. W. Wordsworth, CCLI. THE REVERIE OF POOR SUSAN. At the corner of Wood Street, when daylight appears, Hangs a Thrush that sings loud, it has sung for three years Poor Susan has pass'd by the spot, and has heard In the silence of morning the song of the bird. 'Tis a note of enchantment ; what ails her? She sees A mountain ascending, a vision of trees ; Bright volumes of vapour through Lothbury glide, And a river flows on through the vale of Cheapside. Green pastures she views in the midst of the dale Down which she so often has tripp'd with her pail ; And a single small cottage, a nest like a dove's, The one only dwelling on earth that she loves. 262 BOOK FOURTH, She looks, and her heart is in heaven : but they fade The mist and tlie river, the hill and the shade ; The stream will not flow, and the hill will not rise, And the colours have all passed away from her eyes \ W. Wordsworth, CCLII. TO A LADY, WITH A GUITAR. Ariel to Miranda : — Take This slave of music, for the sake Of him, who is the slave of thee ; And teach it all the harmony •• In which thou canst, and only thou. Make the delighted spirit glow. Till joy denies itself again And, too intense, is turn'd to pain. For by permission and command Of thine own Prince Ferdinand, Poor Ariel sends this silent token Of more than ever can be spoken ; Your guardian spirit, Ariel, who From life to life must still pursue Your happiness, for thus alone Can Ariel ever find his own ; From Prosperous enchanted cell, As the mighty verses tell. To the throne of Naples he Lit you o'er the trackless sea, Flitting on, your prow before. Like a living meteor. When you die, the silent Moon In her interlunar swoon Is not sadder in her cell Than deserted Ariel ; When you live again on earth, Like an unseen Star of birth Ariel guides you o'er the sea Of life from your nativity : TO A LADY, WITH A GUITAR. 263 Many changes have been rung Since Ferdinand and you begun Your course of love, and Ariel still Has track'd your steps and served your will. Now in humbler, happier lot, This is all rememberM not ; And now, Alas ! the poor sprite is Imprison 'd for some fault of his In a body like a grave — From you he only dares to crave For his service and his sorrow A smile today, a song tomorrow. The artist who this idol wrought To echo all harmonious thought, Fell'd a tree, while on the steep The woods were in their winter sleep, Rocked in that repose divine On the wind-swept Apennine ; And dreaming, some of autumn past. And some of spring aiDproaching fast. And some of April buds and showers. And some of songs in July bowers, And all of love ; and so this tree, — O that such our death may be ! — Died in sleep, and felt no pain, To live in happier form again : From which, beneath Heaven's fairest star, The artist wrought this loved Guitar ; And taught it justly to reply To all who question skilfully In language gentle as thine own; Whispering in enamour'd tone Sweet oracles of woods and dells. And summer winds in sylvan cells ; — For it had learnt all harmonies Of the plains and of the skies, Of the forests and the mountains, 264 BOOK FOURTH. And the many-voiced fountains ; The clearest echoes of the hills, The softest notes of falling rills, The melodies of birds and bees, The murmuring of summer seas, And pattering rain, and breathing dew And airs of evening ; and it knew That seldom-heard mysterious sound Which, driven on its diurnal round. As it floats through boundless day. Our world enkindles on its way : — All this it knows, but will not tell To those who cannot question well The spirit that inhabits it; It talks according to the wit Of its companions ; and no more Is heard than has been felt before By those who tempt it to betray These secrets of an elder day. But, sweetly as its answers will Flatter hands of perfect skill, It keeps its highest holiest tone For our beloved Friend alone. P. B. Shelley, CCLIII. THE DAFFODILS. I wander'd lonely as a cloud That floats on high o'er vales and hills. When all at once I saw a crowd, A host of golden daifodils, Beside the lake, beneath the trees Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretch'd in never-ending line Along the margin of a bay : TO THE DAISY. 26.'? Ten thousand saw I at a glance Tossing their heads in sprightly dance. The waves beside them danced, but they Out-did the sparkling waves in glee : — A Poet could not but be gay In such a jocund company ! I gazed — and gazed — but little thought What wealth the show to me had brought; For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude ; And then my heart with pleasure fills, And dances with the daffodils. W. Wordsworth. CCLIV. TO THE DAISY. With little here to do or see Of things that in the great world be. Sweet Daisy ! oft I talk to thee For thou art worthy, Thou unassuming commonplace Of Nature, with that homely face, And yet with something of a grace Which love makes for thee I Oft on the dappled turf at ease I sit and play with similes, Loose types of things through all degrees, Thoughts of thy raising ; And many a fond and idle name I give to thee, for praise or blame As is the humour of the game, While I am gazing. A nun demure, of lowly port ; Or sprightly maiden, of Love's court 266 BOOK FOURTH. In thy simplicity the sport Of all temptations ; A queen in crown of rubies drest ; A starveling in a scanty vest ; Are all, as seems to suit thee best, Thy appellations. A little Cyclops, with one eye Staring to threaten and defy, That thought comes next — and instantly The freak is over, The shape will vanish, and behold! A silver shield with boss of gold That spreads itself, some fairy bold In fight to cover. I see thee glittering from afar — And then thou art a pretty star, Not quite so fair as many are In heaven above thee ! Yet like a star, with glittering crest, Self-poised in air thou seem'st to rest; — May peace come never to his nest Who shall reprove thee ! Sweet Flower ! for by that name at last When all my reveries are past I call thee, and to that cleave fast, Sweet silent Creature ! That breath'st with me in sun and air, Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature ! W. Wordsworth, CCLV. ODE TO AUTUMN. Season of mists and mellow fruitfulness ! Close bosom-friend of the maturing sun ; Conspiring with him how to load and bless ODE TO WINTER. 267 With fruit the vines that round the thatch-eaves run ; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more And still more, later flowers for the bees. Until they think warm days will never cease ; For Summer has o'erbrimm'd their clammy cells. Who hath not seen Thee oft amid thy store ? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind ; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers ; And sometime like a gleaner thou dost keep Steady thy laden head across a brook ; Or by a cider-press, with patient look. Thou watchest the last oozings, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, — thou hast thy music too, While barred clouds bloom the soft-dying day And touch the stubble-plains with rosy hue ; Then in a wailful choir the small gnats mourn Among the river-sallows borne aloft Or sinking as the light wind lives or dies ; And full-grown lambs loud bleat from hilly boura ; Hedge-crickets sing, and now with treble soft The redbreast whistles from a garden-croft, And gathering swallows twitter in the skies. J. Keats. CCLVI. ODE TO WINTER. Get'inany^ Dece77iber, 1800. When first the fiery-mantled Sun His heavenly race began to run, 268 ' BOOK FOURTH. Round the earth and ocean blue His children four the Seasons flew : — First, in green apparel dancing, The young Spring smiled with angel-grace ; Rosy Summer, next advancing, RushVl into her sire's embrace — Her bright-hair'd sire, who bade her keep For ever nearest to his smiles, On Calpe's olive-shaded steep Or India's citron-cover'd isles. More remote, and buxom-brown, The Queen of vintage bow'd before his throne, A rich pomegranate gemm'd her crown, A ripe sheaf bound her zone. But howling Winter fled afar To hills that prop the polar star ; And loves on deer-borne car to ride With barren darkness at his side Round the shore where loud Lofoden Whirls to death the roaring whale. Round the hall where Runic Odin Howls his war-song to the gale — Save when adown the ravaged globe He travels on his native storm. Deflowering Nature's grassy robe And trampling on her faded form ; Till light's returning Lord assume The shaft that drives him to his northern field. Of power to pierce his raven plume And crystal-cover'd shield. O sire of storms ! whose savage ear The Lapland drum delights to hear, When Frenzy with her bloodshot eye Implores thy dreadful deity — Archangel ! Power of desolation ! Fast descending as thou art, Say, hath mortal invocation YARROiV UN VISITED. 269 Spells to touch thy stony heart : Then, sullen Winter! hear my prayer, And gently rule the ruin'd year ; Nor chill the wanderer's bosom bare Nor freeze the wretch's falling tear : To shuddering Want's unmantled bed Thy horror-breathing agues cease to lend, And gently on the orphan head Of Innocence descend. But chiefly spare, O king of clouds, The sailor on his airy shrouds, When wrecks and beacons strew the steep And spectres walk along the deep. Milder yet thy snowy breezes Pour on yonder tented shores, Where the Rhine's broad billow freezes, Or the dark-brown Danube roars. O winds of Winter ! list ye there To many a deep and dying groan ? Or start, ye demons of the midnight air. At shrieks and thunders louder than your own? Alas ! e'en your unhallow'd breath May spare the victim fallen low ; But Man will ask no truce to death, No bounds to human woe. T. Campbell, CCLVII. YARROW UNVISITED. 1803. From Stirling Castle we had seen The mazy Forth unravelPd, Had trod the banks of Clyde and Tay, And with the Tweed had travelPd ; And when we came by Clovenford, Then said my ' winsome Marrow,' 270 BOOK FOURTH. *Whate'er betide, we'll turn aside, And see the Braes of Yarrow.' ' Let Yarrow folk, frae Selkirk town, Who have been buying, selling, Go back to Yarrow, 'tis their own, Each maiden to her dwelling ! On Yarrow's banks let herons feed, Hares couch, and rabbits burrow, But we will downward with the Tweed, Nor turn aside to Yarrow. * There's Galla Water, Leader Haughs, Both lying right before us ; And Dryburgh, where with chiming Tweed The lintwhites sing in chorus ; There's pleasant Tiviotdale, a land Made blythe with plough and harrow : Why throw away a needful day To go in search of Yarrow ? * What's Yarrow but a river bare That glides the dark hills under ? There are a thousand such elsewhere As worthy of your wonder.' — Strange words they seem'd of slight and scorn My true-love sigh'd for sorrow. And look'd me in the face, to think I thus could speak of Yarrow ! * O green,' said I, ' are Yarrow's holms. And sweet is Yarrow flowing ! Fair hangs the apple frae the rock. But we will leave it growing. O'er hilly path and open strath We'll wander Scotland thorough ; But, though so near, we will not turn Into the dale of Yarrow. * Let beeves and home-bred kine partake^ The sweets of Burn-mill meadow ; YARROW VISITED. 271 The swan on still Saint Mary's Lake Float double, swan and shadow ! We will not see them ; will not go Today, nor yet tomorrow ; Enough if in our hearts we know There's such a place as Yarrow. ' Be Yarrow stream unseen, unknown ; It must, or we shall rue it : We have a vision of our own, Ah ! why should we undo it ? The treasured dreams of times long past. We'll keep them, winsome Marrow ! For when we're there, although 'tis fair, 'Twill be another Yarrow ! ' If care with freezing years should come And wandering seem but folly, — Should we be loth to stir from home, ♦ And yet be melancholy ; Should life be dull, and spirits low, 'Twill soothe us in our sorrow That earth has something yet to show, The bonny Holms of Yarrow ! ' W. Wordsworth. CCLVIII. YARROW VISITED. September, 1814. And is this — Yarrow? — This the Stream Of which my fancy cherish'd So faithfully, a waking dream, An image that hath perish'd? O that some minstrel's harp were near To utter notes of gladness And chase this silence from the air, That fills my heart with sadness ! 272 BOOK FOURTH. Yet why? — a silvery current flows With uncontrolled meanderings ; Nor have these eyes by greener hills Been soothed, in all my wanderings. And, through her depths, Saint Mary^s Lake Is visibly delighted ; For not a feature of those hills Is in the mirror slighted. A blue sky bends o'er Yarrow Vale, Save where that pearly whiteness Is round the rising sun diffused, A tender hazy brightness ; Mild dawn of promise ! that excludes All profitless dejection ; Though not unwilling here to admit A pensive recollection. Where was it that the famous Flower Of Yarrow Vale lay bleeding? His bed perchance was yon smooth mound On which the herd is feeding : And haply from this crystal pool Now peaceful as the morning, The water-Wraith ascended thrice, And gave his doleful warning. Delicious is the Lay that sings The haunts of happy lovers. The path that leads them to the grove, The leafy grove that covers : And pity sanctifies the verse That paints, by strength of sorrow, The unconquerable strength of love? Bare witness, rueful Yarrow ! But thou that didst appear so fair To fond imagination Dost rival in the light of day Her delicate creation : I VARROIV VISITED. 275 Meek loveliness is round thee spread, A softness still and holy : The grace of forest charms decayed, And pastoral melancholy. That region left, the vale unfolds Rich groves of lofty stature, With Yarrow winding through the pomp Of cultivated nature ; And rising from those lofty groves Behold a ruin hoary, The shatter"d front of Newark's Towers, Renown'd in Border story. Fair scenes for childhood's opening bloom. For sportive youth to stray in, For manhood to enjoy his strength, And age to wear away in ! Yon cottage seems a bower of bliss, A covert for protection Of studious ease and generous cares, And every chaste affection ! How sweet on this autumnal day The wild-wood fruits to gather, And on my true-love's forehead plant A crest of blooming heather ! And what if I enwreathed my own? ^Twere no offence to reason ; The sober hills thus deck their brows To meet the wintry season. I see — but not by sight alone Loved Yarrow, have I won thee ; A ray of Fancy still survives — Her sunshine plays upon thee ! Thy ever-youthful waters keep A course of lively pleasure : And gladsome notes my lips can breathe Accordant to the measure. 274 BOOK FOURTH. The vapours linger round the heights, They melt, and soon must vanish ; One hour is theirs, nor more is mine — Sad thought ! which I would banish, But that I know, where'er I go, Thy genuine image, Yarrow ! Will dwell with me, to heighten joy And cheer my mind in sorrow. W. Wordsworth,, CCLIX. THE INVITATION. Best and Brightest, come away, Fairer far than this fair day. Which, like thee, to those in sorrow Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring Through the winter wandering, Found, it seems, the halcyon morn To hoar February born ; Bending from Heaven, in- azure mirth, It kiss'd the forehead of the earth, And smiled upon the silent sea, And bade the frozen streams be free. And waked to music all their fountains, And breathed upon the frozen mountainSc And like a prophetess of May Strew'd flowers upon the barren way, Making the wintry world appear Like one on whom thou smilest, Dear. Away, away, from men and towns, To the wild wood and the downs — To the silent wilderness Where the soul need not repress Its music, lest it should not find THE RECOLLECTION. 275 An echo in another's mind, While the touch of Nature's art Harmonizes heart to heart. Radiant Sister of the Day Awake ! arise .' and come away ! To the wild woods and the plains, To the pools where winter rains Image all their roof of leaves, Where the pine its garland weaves Of sapless green, and ivy dun, Round stems that never kiss the sun. Where the lawns and pastures be And the sandhills of the sea, Where the melting hoar-frost wets The daisy-star that never sets, And wind-flowers and violets Which yet join not scent to hue Crown the pale year weak and new ; When the night is left behind In the deep east, dim and blind, And the blue noon is over us, And the multitudinous Billows murmur at our feet, Where the earth and ocean meet, And all things seem only one In the universal Sun. p. B. Shelley CCLX. THE RECOLLECTION. Now the last day of many days All beautiful and bright as thou, The loveliest and the last, is dead. Rise, Memory, and write its praise ! Up, do thy wonted work ! come, trace The epitaph of glory fled. 276 BOOK FOURTH. For now the Earth has changed its face, A frown is on the Heaven's brow. We wandered to the Pine Forest That skirts the Ocean's foam ; The lightest wind was in its nest, Tlie tempest in its home. The whispering waves were half asleep- The clouds were gone to play, And on the bosom of the deep The smile of Heaven lay ; It seem'd as if the hour were one Sent from beyond the skies Which scattered from above the sun A light of Paradise ! We paused amid the pines that stood The giants of the ^Yaste, Tortured by storms to shapes as rude As serpents interlaced, — And soothed by every azure breath That under heaven is blown To harmonies and hues beneath, As tender as its own : Now all the tree-tops lay asleep Like green waves on the sea, As still as in the silent deep The ocean-woods may be. How calm it was ! — the silence there By such a chain was bound, That even the busy woodpecker Made stiller by her sound The inviolable quietness ; The breath of peace we drew With its soft motion made not less The calm that round us grew. There seem'd from the remotest seat • Of the wide mountain waste , THE RECOLLECTION-. ZT, To the soft flower beneath our feet A magic circle traced, A spirit interfused around, A thrilling silent life ; To momentary peace it bound Our mortal nature's strife ; — And still I felt the centre of The magic circle there Was one fair Form that fiird with love The lifeless atmosphere. We paused beside the pools that lie Under the forest bough ; Each seem'd as 'twere a little sky Gulf 'd in a world below ; A firmament of purple light Which in the dark earth lay, More boundless than the depth of night And purer than the day — In which the lovely forests grew As in the upper air, More perfect both in shape and hue Than any spreading there. There lay the glade and neighbouring lawn, And through the dark green wood The white sun twinkling like the dawn Out of a speckled cloud. Sweet views which in our world above Can never well be seen Were imaged by the water's love Of that fair forest green : And all was interfused beneath With an Elysian glow. An atmosphere without a breath, A softer day below. Like one beloved, the scene had lent To the dark water's breast Its every leaf and lineament 278 BOOK FOURTH. With more than truth exprest; Until an envious wind crept by, Like an unwelcome thought Which from the mind's too faithful eye Blots one dear image out. — Though Thou art ever fair and kind, The forests ever green, Less oft is peace in Shelley's mind Than calm in waters seen ! P. B. Shelley. CCLXI. BY THE SEA. It is a beauteous evening, calm and free ; The holy time is quiet as a nun Breathless with adoration ; the broad sun Is sinking down in its tranquillity; The gentleness of heaven is on the Sea : Listen ! the mighty being is awake, And doth with his eternal motion make A sound like thunder — everlastingly. Dear child ! dear girl ! that walkest with me here. If thou appear untouch'd by solemn thought Thy nature is not therefore less divine : Thou liest in Abraham's bosom all the year, And worship'st at the Temple's inner shrine, God being with thee when we know it not. W. Wordsworth. CCLXII. TO THE EVENING STAR. Star that bringest home the bee, And sett'st the weary labourer free ! If any star shed peace, 'tis Thou That send'st it from above, Appearing when Heaven's breath and brow Are sweet as hers we love, DATVR HORA QUIETI. 279 Come to the luxuriant skies, Whilst the landscape's odours rise, Whilst far-off lowing herds are heard And songs when toil is done, From cottages whose smoke unstirr'd Curls yellow in the sun. Star of love's soft interviews, Parted lovers on thee muse ; Their remembrancer in Heaven Of thrilling vows thou art, Too delicious to be riven By absence from the heart. T. Campbell, CCLXIII. DATUR HORA QUIETI. The sun upon the lake is low. The wild birds hush their song. The hills have evening's deepest glow, Yet Leonard tarries long. Now all whom varied toil and care From home and love divide, In the calm sunset may repair Each to the loved one's side. The noble dame on turret high, Who waits her gallant knight. Looks to the western beam to spy The flash of armour bright. The village maid, with hand on brow The level ray to shade. Upon the footpath watches now For Colin's darkening plaid. Now to their mates the wild swans row By day they swam apart, And to the thicket wanders slow The hind beside the hart. 280 BOOK FOURTH. , The woodlark at his partner's side Twitters his closing song — All meet whom day and care divide, But Leonard tarries long ! Sir W. Scott, CCLXIV. TO THE MOON. Art thou pale for weariness Of climbing heaven, and gazing on the earth. Wandering companionless Among the stars that have a different birth, — And ever-changing, like a joyless eye That finds no object worth its constancy? P. B. Shelley. CCLXV. A WIDOW bird sate mourning for her Love Upon a wintry bough ; The frozen wind crept on above, The freezing stream below. There was no leaf upon the forest bare. No flower upon the ground, And little motion in the air Except the mill-wheel's sound. P. B. Shelley. CCLXVI. TO SLEEP. A FLOCK of sheep that leisurely pass by One after one ; the sound of rain, and bees Murmuring ; the fall of rivers, winds, and seas. Smooth fields, white sheets of water, and pure sky; I've thought of all by turns, and still I lie Sleepless ; and soon the small birds' melodies Must hear, first utter'd from my orchard trees, And the first cuckoo's melancholy cr}'. THE SOLDIER'S DREAM. 281 Even thus last night, and two nights more I lay, And could not win thee, Sleep ! by any stealth : So do not let me wear to-night away : Without Thee what is all the morning's wealth? Come, blessed barrier between day and day, Dear mother of fresh thoughts and joyous health ! W. Wordsworth. CCLXVII. THE SOLDIER'S DREAM. Our bugles sang truce, for the night-cloud had lower'd, And the sentinel stars set their watch in the sky ; And thousands had sunk on the ground overpowered, The weary to sleep, and the wounded to die. When reposing that night on my pallet of straw By the wolf-scaring faggot that guarded the slain, At the dead of the night a sweet Vision I saw ; And thrice ere the morning I dreamt it again. Methought from the battle-field's dreadful array Far, far, I had roam'd on a desolate track: 'Twas Autumn, — and sunshine arose on the way To the home of my fathers, that welcomed me back. I flew to the pleasant fields traversed so oft In life's morning march, when my bosom was young; I heard my own mountain-goats bleating aloft, And knew the sweet strain that the corn-reapers sung. Then pledged we the wine-cup, and fondly I swore From my home and my weeping friends never to part ; My little ones kiss'd me a thousand times o'er. And my wife sobb'd aloud in her fulness of heart. * Stay — stay with us ! — rest ! — thou art weary and worn ! ' — And fain was their war-broken soldier to stay ; — But sorrow return'd with the dawning of morn, And the voice in my dreaming ear melted away. T. Campbell. 282 BOOK FOURTH. CCLXVIII. A DREAM OF THE UNKNOWN. I DREAMED that as I wander'd by the way Bare Winter suddenly was changed to Spring, And gentle odours led my steps astray, Mix'd with a sound of waters murmuring Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling , Its green arms round the bosom of the stream, But kiss'd it and then fled, as Thou mightest in dream. There grew pied wind-flowers and violets, Daisies, those pearPd Arcturi of the earth, The constellated flower that never sets ; Faint oxlips ; tender blue-bells, at whose birth The sod scarce heaved ; and that tall flower that wets Its mother's face with heaven-collected tears, When the low. wind, its playmate's voice, it hears. And in the warm hedge grew lush eglantine. Green cow-bind and the moonlight-colour'd'May, And cherry-blossoms, and white cups, whose wine Was the bright dew yet drained not by the day ; And wild roses, and ivy serpentine With its dark buds and leaves, wandering astray ; And flowers azure, black, and streaked with gold, Fairer than any waken'd eyes behold. And nearer to the river's trembling edge There grew broad flag-flowers, purple prankt with white, And starry river-buds among the sedge. And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonlight beams of their own watery light ; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen. r Methought that of these visionary flowers I made a nosegay, bound in such a way THE INNER VISION 283 That the same hues, which in their natural bowers Were mingled or opposed, the like array Kept these imprisoned children of the Hours Within my hand, — and then, elate and gay, I hasten^ to the spot whence I had come That I might there present it — O! to whom ? P. B. Shelley. CCLXIX. THE INNER VISION. Most sweet it is with unuplifted eyes To pace the ground, if path be there or none, While a fair region round the Traveller lies Which he forbears again to look upon ; Pleased rather with some soft ideal scene The work of Fancy, or some happy tone Of meditation, slipping in between The beauty coming and the beauty gone. — If Thought and Love desert us, from that day Let us break off all commerce with the Muse : With Thought and Love companions of our way — Whatever the senses take or may refuse, — The Mind's internal heaven shall shed her dews Of inspiration on the humblest lay. W. Wordsworth. CCLXX. THE REALM OF FANCY. Ever let the Fancy roam ! Pleasure never is at home : At a touch sweet Pleasure melteth. Like to bubbles when rain pelteth ; Then let winged Fancy wander Through the thought still spread beyond her; Open wide the mind's cage-door, She'll dart forth, and cloudward soar. 284 BOOK FOURTH. O sweet Fancy ! let her loose ; Summer's joys are spoilt by use, And the enjoying of the Spring Fades as does its blossoming : Autumn's red-lipp'd fruitage too Blushing through the mist and dew Cloys with tasting : What do then? Sit thee by the ingle, when The sear faggot blazes bright, Spirit of a winter's night ; When the soundless earth is muffled, And the caked snow is shuffled From the ploughboy's heavy shoon ; When the Night doth meet the Noon In a dark conspiracy To banish Even from her sky. — Sit thee there, and send abroad With a mind self-overawed Fancy, high-commission'd : — send her! She has vassals to attend her ; She will bring, in spite of frost, Beauties that the earth hath lost ; She will bring thee, all together, All delights of summer weather ; All the buds and bells of May From dewy sward or thorny spray ; All the heaped Autumn's wealth. With a still, mysterious stealth ; She will mix these pleasures up Like three fit wines in a cup, And thou shalt quaff it ; — thou shalt hear Distant harvest-carols clear ; Rustle of the reaped corn ; Sweet birds antheming the morn : And in the same moment — hark ! 'Tis the early April lark, Or the rooks, with busy caw, Foraging for sticks and straw. THE REALM OF FANCY. 285 Thou shalt, at one glance, behold The daisy and the marigold ; White-plumed lilies, and the first Hedge-grown primrose that hath burst ; Shaded hyacinth, alway Sapphire queen of the mid-May ; And every leaf, and every flower Pearled with the self-same shower. Thou shalt see the field-mouse peep Meagre from its celled sleep ; And the snake all winter-thin Cast on sunny bank its skin ; Freckled nest eggs thou shalt see Hatching in the hawthorn-tree, When the hen-bird's wing doth rest Quiet on her mossy nest ; Then the hurry and alarm When the bee-hive casts its swarm; Acorns ripe down-pattering While the autumn breezes sing. O sweet Fancy ! let her loose ; Everything is spoilt by use : Where's the cheek that doth not fade, Too much gazed at? Where's the maid Whose lip mature is ever new? Where's the eye, however blue. Doth not weary? Where's the face One would meet in every place? Where's the voice, however soft, One would hear so very oft? At a touch sweet Pleasure melteth Like to bubbles when rain pelteth. Let then winged Fancy find Thee a mistress to thy mind : Dulcet-eyed as Ceres' daughter, Ere the God of Torment taught her How to frown and how to chide ; 286 BOOK FOURTH. With a waist and with a side White as Hebe's, when her zone Slipt its golden clasp, and down Fell her kirtle to her feet While she held the goblet sweet, And Jove grew languid. — Break the mesh Of the Fancy's silken leash ; Quickly break her prison-string. And such joys as these she'll bring : — Let the winged Fancy roam ! Pleasure never is at home. J. Keats. CCLXXI. HYMN TO THE SPIRIT OF NATURE. Life of Life ! Thy lips enkindle With their love the breath between them ; And thy smiles before they dwindle Make the cold air fire ; then screen them In those looks, where whoso gazes Faints, entangled in their mazes'. Child of Light ! Thy limbs are burning Through the veil which seems to hide them, As the radiant lines of morning Through thin clouds, ere they divide them ; And this atmosphere divinest Shrouds thee wheresoe'er thou shinest. Fair are others : none beholds Thee ; But thy voice sounds low and tender Like the fairest, for it folds thee From the sight, that liquid splendour; And all feel, yet see thee never, — As I feel now, lost for ever ! Lamp of Earth ! where'er thou movest ' Its dim shapes are clad with brightness^ WRITTEN IN EARLY SPRING. 287 And the souls of whom thou lovest Walk upon the winds with lightness Till they fail, as I am failing, Dizzy, lost, yet unbewailing ! P. B. Shelley. CCLXXII. WRITTEN IN EARLY SPRING. I HEARD a thousand blended notes While in a grove I sat reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran ; And much it grieved my heart to think What Man has made of Man. Through primrose tufts, in that sweet bowPT The periwinkle traiPd its wreaths ; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopp'd and play'd, Their thoughts I cannot measure — But the least motion which they made It seem'd a thrill of pleasure. The budding twigs spread out their fan To catch the breezy air ; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What Man has made of Man ? W. Wordsworth 288 BOOK FOURTH. CCLXXIII. RUTH: OR THE INFLUENCES OF NATURE. When Ruth was left half desolate Her father took another mate ; And Ruth, not seven years old, A slighted child, at her own will Went wandering over dale and hill, In thoughtless freedom bold. And she had made a pipe of straw, And music from that pipe could draw Like sounds of winds and floods ; Had built a bower upon the green, As if she from her birth had been An infant of the woods. Beneath her father's roof, alone She seem'd to live ; her thoughts her own ; Herself her own delight : Pleased with herself, nor sad nor gay, She pass'd her time ; and in this way Grew up to woman's height. There came a youth from Georgia's shore — A military casque he wore With splendid feathers drest ; He brought them from the Cherokees ; The feathers nodded in the breeze And made a gallant crest. From Indian blood you deem him sprung % But no ! he spake the English tongue And bore a soldier's name ; And, when America was free From battle and from jeopardy, He 'cross the ocean came. With hues of genius on his cheek. In finest tones the youth could speak: — While he was yet a boy RUTH. 289 The moon, the glory of the sun, And streams that murmur as they run Had been his dearest joy. He was a lovely youth ! I guess The panther in the wilderness Was not so fair as he ; And when he chose to sport and play, No dolphin ever was so gay Upon the tropic sea. Among the Indians he had fought ; And with him many tales he brought Of pleasure and of fear ; Such tales as, told to any maid By such a youth, in the green shade, Were perilous to hear. He told of girls, a happy rout ! Who quit their fold with dance and shout, Their pleasant Indian town, To gather strawberries all day long ; Returning with a choral song When daylight is gone down. He spake of plants that hourly change Their blossoms, through a boundless range Of intermingling hues ; With budding, fading, faded flowers, ' They stand the wonder of the bowers Erom morn to evening dews. He told of the Magnolia, spread High as a cloud, high over head ! The cypress and her spire ; — Of flowers that with one scarlet gleam Cover a hundred leagues, and seem To set the hills on fire. The youth of green savannahs spake, And many an endless, endless lake 290 BOOK FOURTH. With all its fairy crowds Of islands, that together lie As quietly as spots of sky Among the evening clouds. And then he said, ' How sweet it were A fisher or a hunter there, In sunshine or in shade To wander with an easy mind, And build a household fire, and find A home in every glade ! What days and what bright years ! Ah mfe Our life were life indeed, with Thee So passM in quiet bliss ; And all the while,' said he, ' to know That we were in a world of woe, On such an earth as this ! ' And then he sometimes interwove Fond thoughts about a father's love, ' For there,' said he, ' are spun Around the heart such tender ties, That our own children to our eyes Are dearer than the sun. Sweet Ruth ! and could you go with m€ My helpmate in the woods to be. Our shed at night to rear ; Or run, my own adopted bride, A sylvan huntress at my side, And drive the flying deer ! Beloved Ruth ! ' — No more he said. The wakeful Ruth at midnight shed A solitary tear : She thought again — and did agree With him to sail across the sea, And drive the flying deer. *And now, as fitting is and right. We in the church our faith will plight* RUTIf. 29] A husband and a wife.' Even so they did ; and I may say That to sweet Ruth that happy day Was more than human life. Through dream and vision did she sink, DeHghted all the while to think That, on those lonesome floods And green savannahs, she should share His board with lawful joy, and bear His name in the wild woods. But, as you have before been told, This Stripling, sportive, gay, and bold, And with his dancing crest So beautiful, through savage lands Had roam'd about, with vagrant bands Of Indians in the West. The wind, the tempest roaring high. The tumult of a tropic sky Might well be dangerous food For him, a youth to whom was given So much of earth — so much of heaven, And such impetuous blood. Whatever in those climes he found Irregular in sight or sound Did to his mind impart A kindred impulse, seem'd allied To his own powers, and justified The workings of his heart. Nor less, to feed voluptuous thought, The beauteous forms of Nature wrought. Fair trees and gorgeous flowers ; The breezes their own languor lent ; The stars had feelings, which they sent Into those favoured bowers. Yet, in his worst pursuits, I ween That sometimes there did intervene 292 BOOK FOURTH. Pure hopes of high intent : For passions link'd to forms so fair And stately, needs must have their share Of noble sentiment. But ill he lived, much evil saw With men to whom no better law Nor better life was known ; Deliberately and undeceived Those wild men\s vices he received. And gave them back his own. His genius and his moral frame Were thus impair'd, and he became The slave of low desires : A man who without self-control Would seek what the degraded soul Unworthily admires. And yet he with no feign'd delight Had woo'd the maiden, day and night, Had loved her, night and morn : What could he less than love a maid Whose heart with so much nature play'd- So kind and so forlorn ? Sometimes most earnestly he said, ' O Ruth ! I have been worse than dead ; False thoughts, thoughts bold and vain Encompass'd me on every side When I, in confidence and pride, Had cross'd the Atlantic main. Before me shone a glorious world Fresh as a banner bright, unfurPd To music suddenly : I lookM upon those hills and plains, And seem'd as if let loose from chains To live at liberty ! No more of this — for now, by thee. Dear Ruth ! more happily set free, RUTH. 293 With nobler zeal I burn ; My soul from darkness is released Like the whole sky when to the east The morning doth return.' Full soon that better mind was gone ; No hope, no wish remained, not one, ^ They stirrM him now no more ; New objects did new pleasure give, And once again he wish'd to live As lawless as before. Meanwhile, as thus with him it fared. They for the voyage were prepared, And went to the sea-shore : But, when they thither came, the youth Deserted his poor bride, and Ruth Could never find him more. God help thee, Ruth ! — Such pains she had That she in half a year was mad And in a prison housed ; And there exulting in her wrongs, Among the music of her songs She fearfully caroused. Yet sometimes milder hours she knew, Nor wanted sun, nor rain, nor dew. Nor pastimes of the May, — They all were with her in her cell ; And a clear brook with cheerful knell Did o'er the pebbles play. When Ruth tliree seasons thus had lain, There came a respite to her pain ; She from her prison fled ; But of the vagrant none took thought ; And where it liked her best she sought Her shelter and her bread. Among the fields she breathed again: The master-current of her brain 294 BOOK FOURTH. Ran permahent and free ; And, coming to the banks of Tone, There did she rest; and dwell alone Under the greenwood tree. The engines of her pain, the tools That shaped her sorrow, rocks and pools, And airs that gently stir The vernal leaves — she loved them still, Nor ever tax'd them with the ill Which had been done to her. A barn her Winter bed supplies ; But, till the warmth of Summer skies And Summer days is gone, (And all do in this tale agree) She sleeps beneath the greenwood tree, • And other home hath none. An innocent life, yet far astray ! And Ruth will, long before her day, Be broken down and old. Sore aches she needs must have ! but less Of mind, than body's wretchedness, From damp, and rain, and cold. If she is prest by want of food She from her dwelling in the wood Repairs to a road-side ; And there she begs at one steep place, Where up and down with easy pace The horsemen-travellers ride. That oaten pipe of hers is mute Or thrown away : but with a flute Her loneliness she cheers ; This flute, made of a hemlock stock; At evening in his homeward walk The Ouantock woodman hears. I, too, have passM her on the hills Setting her little water-mills THE EUGANEAN HILLS. 29b By spouts and fountains wild — Such small machinery as she turnM Ere she had wept, ere she had mourn'd, A young and happy child ! Farewell ! and when thy days are told, Ill-fated Ruth ! in hallow'd mould Thy corpse shall buried be ; For thee a funeral bell shall ring, And all the congregation sing A Christian psalm for thee. W. Wordsworth. CCLXXIV. ^VRITTEN in the EUGANEAN HILLS, NORTH ITALY. Many a green isle needs must be In the deep wide sea of misery, Or the mariner, worn and wan, Never thus could voyage on Day and night, and night and day. Drifting on his dreary way, With the solid darkness black Closing round his vessel's track ; Whilst above, the sunless sky Big with clouds, hangs heavily, And behind the tempest fleet Hurries on with lightning feet. Riving sail, and cord, and plank, Till the ship has almost drank Death from the o'er-brimming deep ; And sinks down, down, like that sleep When the dreamer seems to be Weltering through eternity ; And the dim low line before Of a dark and distant shore Still recedes, as ever still Longing with divided will. 296 BOOK FOURTH. But no power to seek or shun, He is ever drifted on O'er the unreposing wave, To the haven of the grave. Ay, many flowering islands lie In the waters of wide agony ; To such a one this morn was led My bark, by soft winds piloted. — 'Mid the mountains Euganean I stood listening to the paean With which the legion'd rooks did hail The Sun's uprise majestical : Gathering round with wings all hoar, Through the dewy mist they soar Like gray shades, till the eastern heaven Bursts, and then, — as clouds of even Fleck'd with fire and azure, lie In the unfathomable sky, — So their plumes of purple grain Starr'd with drops of golden rain Gleam above the sunlight woods, As in silent multitudes On the morning's fitful gale Through the broken mist they sail ; And the vapours cloven and gleaming Follow down the dark steep streaming, Till all is bright, and clear, and still Round the solitary hill. Beneath is spread like a green sea The waveless plain of Lombardy, Bounded by the vaporous air, Islanded by cities fair ; Underneath day's azure eyes, Ocean's nursling, Venice lies, — A peopled labyrinth of walls, Amphitrite's destined halls, Which her hoary sire now paves THE EU GAME AN HILLS. 297 With his bhie and beaming waves. Lo ! the sun upsprings behind, Broad, red, radiant, half-reclined On the level quivering line Of the waters crystalline ; And before that chasm of light, As within a furnace bright, Column, tower, and dome, and spire. Shine like obelisks of fire. Pointing with inconstant motion From the altar of dark ocean To the sapphire-tinted skies ; As the flames of sacrifice From the marble shrines did rise As to pierce the dome of gold Where Apollo spoke of old. Sun-girt City ! thou hast been Ocean's child, and then his queen; Now is come a darker day, And thou soon must be his prey. If the power that raised thee here Hallow so thy watery bier. A less drear ruin then than now With thy conquest-branded brow Stooping to the slave of slaves From thy throne among the waves, Wilt thou be, — when the sea-mew Flies, as once before it flew. O'er thine isles depopulate. And all is in its ancient state. Save where many a palace-gate With green sea-flowers overgrown Like a rock of ocean's own, Topples o'er the abandon'd sea As the tides change sullenly. The fisher on his watery way Wandering at the close of day, Will spread his sail and seize his oar 298 BOOK FOURTH. Till he pass the gloomy shore, Lest thy dead should, from their sleep Bursting o'er the starlight deep. Lead a rapid masque of death O'er the waters of his path. Noon descends around me now: 'Tis the noon of autumn's glow, When a soft and purple mist Like a vaporous amethyst, Or an air-dissolved star Mingling light and fragrance, far From the curved horizon's bound To the point of heaven's profound. Fills the overflowing sky ; And the plains that silent lie Underneath ; the leaves unsodden Where the infant frost has trodden With his morning-winged feet Whose bright print is gleaming yet ; And the red and golden vines Piercing with their trellised lines The rough, dark-skirted wilderness; The dun and bladed grass no less, Pointing from this hoary tower In the windless air ; the flower Glimmering at ray feet ; the line Of the olive-sandall'd Apennine In the south dimly islanded ; And the Alps, whose snows are spread High between the clouds and sun ; And of living things each one ; And my spirit, which so long Darken'd this swift stream of song, — Interpenetrated lie By the glory of the sky ; Be it love, light, harmony. Odour, or the soul of all The euganean hills. %% Which from heaven like dew doth fall. Or the mind which feeds this verse Peopling the lone universe. Noon descends, and after noon Autumn's evening meets me soon, Leading the infantine moon And that one star, which to her Almost seems to minister Half the crimson light she brings From the sunset's radiant springs : And the soft dreams of the morn (Which like winged winds had borne To that silent isle, which lies 'Mid rememberd agonies, The frail bark of this lone being), Pass, to other sufferers fleeing, And its ancient pilot. Pain, Sits beside the helm again. Other flowering isles must be In the sea of life and agony : Other spirits float and flee O'er that gulf: even now, perhaps. On some rock the wild wave wraps, With folding wings they waiting sit For my bark, to pilot it To some calm and blooming cove, Where for me, and those I love. May a windless bower be built. Far from passion, pain, and guilt, In a dell 'mid lawny hills Which the wild sea-murmur fills, And soft sunshine, and the sound Of old forests echoing round. And the light and smell divine Of all flowers that breathe and shinCo — We may live so happy there, That the spirits of the air 300 BOOK FOURTH. Envying us, may even entice To our healing paradise The polluting multitude ; But their rage would be subdued By that clime divine and calm, And the winds whose wings rain balm On the uplifted soul, and leaves Under which the bright sea heaves ; While each breathless interval In their whisperings musical The inspired soul supplies With its own deep melodies ; And the Love which heals all strife Circling, like the breath of life, All things in that sweet abode With its own mild brotherhood. They, not it, would change ; and soon Every sprite beneath the moon Would repent its envy vain, And the Earth grow young ag".in ! P. B. Shelley. CCLXXV. ODE TO THE WEST WIND. O WILD West Wind, thou breath of Autumn's being. Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes : O thou Who chariotest to their dark wintry bed The winded seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the spring shall blow Her clarion o'er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill : Wild Spirit, which art moving everywhere ; Destroyer and Preserver ; Hear, O hear ! ODE TO THE WEST WIND. 301 Thou on whose stream, 'mid the steep sky's commotion, Loose clouds like earth's decaying leaves are shed Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning ; there are spread On the blue surface of thine airy surge, Like the bright hair uplifted from the head Of some fierce Maenad, ev'n from the dim verge Of the horizon to the zenith's height — The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail, will burst: O hear! Thou who didst waken from his summer-dreams The blue Mediterranean, where he lay Lull'd by the coil of his crystalline streams Beside a pumice isle in Baiae's bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them ! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear And tremble and despoil themselves : O hear ! If I were a dead leaf thou mightest bear ; If I were a swift cloud to fly with thee ; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than Thou, O uncontrollable ! If even I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As then, when to outstrip the skyey speed Scarce seem'd a vision, I would ne'er have striven ^02 BOOK I^OURTH. As thus with thee in prayer in m^ sore need. Hft me as a wave, a leaf, a cloud ! 1 fall upon the thorns of life ! I bleed ! A heavy weight of hours has chained and bow'd One too like thee : tameless, and swift, and proud. Make me thy lyre, ev'n as the forest is : What if my leaves are falling like its own ! The tumult of thy mighty harmonies Will take from both a deep autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! be thou me, impetuous one! Drive my dead thoughts over the universe Like withered leaves to quicken a new birth ; And, by the incantation of this verse, Scatter, as from an unextinguishM hearth Ashes and sparks, my words among mankind ! Be through my lips to unawaken'd earth The trumpet of a prophecy ! O Wind, If Winter comes, can Spring be far behind? P. B. Shelley. CCLXXVI. NATURE AND THE POET. Suggested by a Picture of Peele Castle in a Storm, painted by Sir George Beaimiont. I WAS thy neighbour once, thou rugged Pile ! Four summer weeks I dwelt in sight of thee : I saw thee every day ; and all the while Thy form was sleeping on a glassy sea. So pure the sky, so quiet was the air ! So like, so very like, was day to day ! Whene'er I look'd, thy image still was there ; It trembled, but it never passed away. How perfect was the calm ! It seem'd no sleep. No mood, which season takes away, or brings : I could have fancied that the mighty Deep Was even the gentlest of all gentle things. NATURE AND THE POET. 303 Ah ! then if mine had been the painter^s hand To express what then I saw ; and add the gleam, The light that never was on sea or land, The consecration, and the Poet's dream, — I would have planted thee, thou hoary pile, Amid a world how different from this ! Beside a sea that could not cease to smile ; On tranquil land, beneath a sky of bliss. A picture had it been of lasting ease, Elysian quiet, without toil or strife ; No motion but the moving tide, a breeze, Or merely silent Nature's breathing life. Such, in the fond illusion of my heart, Such picture would I at that time have made ; And seen the soul of truth in every part, A steadfast peace that might not be betrayed. So once it would have been, — 'tis so no more; I have submitted to a new control : A power is gone, which nothing can restore ; A deep distress hath humanized my soul. Not for a moment could I now behold A smiling sea, and be what I have been : The feeling of my loss will ne'er be old ; This, which I know, I speak with mind serene. Then, Beaumont, Friend ! who would have been the friend If he had lived, of him whom I deplore. This work of thine I blame not, but commend ; This sea in anger, and that dismal shore. 'tis a passionate work! — yet wise and well, Well chosen is the spirit that is here ; That hulk which labours in the deadly swell. This rueful sky, this pageantry of fear ! And this huge Castle, standing here sublime, 1 love to see the look with which it braves, 304 BOOK FOURTH. — Cased in the unfeeling armour of old time — The lightning, the fierce wind, and trampling waves Farewell, farewell the heart that lives alone, Housed in a dream, at distance from the Kind! Such happiness, wherever it be known, Is to be pitied ; for 'tis surely blind. But welcome fortitude, and patient cheer, And frequent sights of what is to be borne ! Such sights, or worse, as are before me here : — Not without hope we suffer and we mourn. W. Wot'dsworth, CCLXXVII. THE POET'S DREAM. On a Poet's lips I slept Dreaming like a love-adept In the sound his breathing kept ; Nor seeks nor finds he mortal blisses, But feeds on the aerial kisses Of shapes that haunt Thought's wildernesses- He will watch from dawn to gloom The lake-reflected sun illume The yellow bees in the ivy-bloom. Nor heed nor see what things tliey be — But from these create he can Forms more real than living Man, Nurslings of Immortality ! P. B. Shelley. CCLXXVIII. The World is too much with us ; late and soon, Getting and spending, we lay waste our powers; Little we see in Nature that is ours ; We have given our hearts away, a sordid boon ! This Sea that bares her bosom to the moon, The winds that will be howling at all hours R'ING'S COLLEGE CHAPEL. 305 And are up-gather'd now like sleeping flowers, For this, for everything, we are out of tune ; It moves us not. — Great God ! Td rather be A Pagan suckled in a creed outworn, — So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea ; Or hear old Triton l^low his wreathed horn. W. Wordsworth. CCLXXIX. WITHIN KING'S COLLEGE CHAPEL, CAMBRIDGE, Tax not the royal Saint with vain expense, With ill-match'd aims the Architect who plann'd (Albeit labouring for a scanty band Of white-robed Scholars only) this immense And glorious work of fine intelligence ! — Give all thou canst ; high Heaven rejects the lore Of nicely-calculated less or more : — So doem'd the man who fashionVl for the sense These ufty pillars, spread that branching roof "Self-poised, and scoop'd into ten thousand cells Where light and shade repose, where music dwells Linsfering and wandering on as loth to die — Uke thoughts whose very sweetness yieldeth proof "That they were born for immortality. W. Wordsworth. CCLXXX. YOUTH AND AGE. Verse, a breeze 'mid blossoms straying, Where Hope clung feeding, like a bee — Beth were mine ! Life went a-maying With Nature, Hope, and Poesy, When I was young ! IVhen I was young? — Ah, woful when ! Ah ! for the change 'twixt Now and Then! 306 BOOK FObRTH. This breathing house not built with hands. This body that does me grievous wrong, O'er aery cliffs and glittering sands How lightly then it flashM along : Like those trim skiffs, unknown of yore, On winding lakes and rivers wide, That ask no aid of sail or oar, That fear no spite of wind or tide ! Nought cared this body for wind or weatheL When Youth and I lived in't together. Flowers are lovely ; Love is fiovver-like ; Friendship is a sheltering tree ; O ! the joys, that came down shower-like, Of Friendship, Love, and Liberty, Ere I was old ! Ere I was old? Ah woful Ere, Which tells me, Youth^s no longer here \ Youth ! for years so many and sweet 'Tis known that Thou and I were one, I'll think it but a fond conceit — It cannot be, that Thou art gone ! Thy vesper-bell hath not yet tolPd : — And thou wert aye a masker bold ! What strange disguise hast now put on To make believe that thou art gone ? 1 see these locks in silvery slips, This drooping gait, this altered size : But Springtide blossoms on thy lips, And tears take sunshine from thine eyes!" Life is but Thought : so think I will That Youth and I are housemates still. Dew-Drops are the gems of morning, But the tears of mournful eve ! Where no hope is, life's a warning That only serves to make us grieve When we are old : — That only serves to make us grieve THE TWO APRIL MORNINGS, 307 With oft and tedious taking-leave, Like some poor nigh-related guest That may not rudely be dismist, Yet hath out-stay'd his welcome while, And tells the jest without the smile. 6". T. Coleridge, CCLXXXI, THE TWO APRIL MORNINGS. We walk'd along, while bright and red Ll^prose the morning sun ; And Matthew stopp'd, he looked, and said ' The will of God be done ! ' A village schoolmaster was he. With hair of glittering gray ; As blithe a man as you could see On a spring holiday. And on that morning, through the grass And by the steaming rills We travelled merrily, to pass A day among the hills. ' Our work,' said I, ' was well begun ; Then, from thy breast what thought. Beneath so beautiful a sun, So sad a sigh has brought ? ' A second time did Matthew stop ; And fixing still his eye Upon the eastern mountain-top, To me he made reply : * Yon cloud with that long purple cleft Brings fresh into my mind A day like this, which I have left Full thirty years behind. • And just above yon slope of corn Such colours, and no other, Were in the sky that April morn Of this the very brother. i 508 'BOOK FOURTH. * With rod and line I sued the sport Which that sweet season gave, And coming to the church, stopp'd short Beside my daughter's grave. * Nine summers had she scarcely seen, The pride of all the vale ; And then she sang : — she would have beer. A very nightingale. . * Six feet in earth my Emma lay ; And yet I loved her more — For so it seem'd, — than till that day I e'er had loved before. * And turning from her grave, I met Beside the churchyard yew A blooming Girl, whose hair was wet With points of morning dew. * A basket on her head she bare ; Her brow was smooth and white : To see a child so very fair, It was a pure delight ! * No fountain from its rocky cave E'er tripp'd with foot so free ; She seem'd as happy as a wave That dances on the sea. * There came from me a sigh of pain Which I could ill confine ; I look'd at her, and look'd again : And did not wish her mine ! ' — Matthew is in his grave, yet now Methinks I see him stand As at that moment, with a bough Of wilding in his hand. W. Wordsworth, THE FOUNTAIN. 309 CCLXXXII. THE FOUNTAIN. A Conversation. We talkM with open heart, and tongue Affectionate and true, A pair of friends, though I was young, And Matthew seventy-two. We lay beneath a spreading oak, Beside a mossy seat ; And from the turf a fountain broke And gurgled at our feet. ' Now, Matthew ! ' said I, ' let us matclr This water's pleasant tune With some old border song, or catch That suits a summer's noon. * Or of the church-clock and the chimo Sing here beneath the shade That half-mad thing of witty rhymes Which you last April made ! ' In silence Matthew lay, and eyed The spring beneath the tree ; And thus the dear old man replied, The gray-hair'd man of glee : ' No check, no stay, this Streamlet tears, How merrily it goes ! 'Twill murmur on a thousand years And flow as now it flows. ' And here, on this delightful day I cannot choose but think How oft, a vigorous man, I lay Beside this fountain's brink. ' My eyes are dim with childish tears, My heart is idly stirr'd, 31C BOOK FOURTH. For the same sound is in my ears Which in those days 1 heard. * Thus fares it still in our decay : And yet the wiser mind Mourns less for what Age takes away. Than what it leaves behind^ ' The blackbird amid leafy trees — The lark above the hill Let loose their carols when they please. Are quiet when they will. * With Nature never do they wage A foolish strife ; they see A happy youth, and their old age Is beautiful and free : * But we are press'd by heavy laws ; And often, glad no more, We wear a face of joy, because We have been glad of yore. ' If there be one who need bemoan Tlis kindred laid in earth, The household hearts that were his own, It is the man of mirth. ' My days, my friend, are almost gone, My life has been approved. And many love me ; but by none Am I enough beloved.' ' Now both himself and me he wrongSj The man who thus complains ! I live and sing my idle songs Upon these happy plains : ' And Matthew, for thy children dead ril be a son to thee ! " At this he grasped my hand and said^ * Alas ! that cannot bQ,' THE RIVER OF LIFE. 311 We rose up from the fountain-side ; And down the smooth descent Of the green sheep-track did we glide ; And through the wood we went ; And ere we came to Leonard's Rock He sang those witty rhymes About the crazy old church-clock, And the bewilderd chimes. W. Wordsworth. CCLXXXIII. THE RIVER OF LIFE. The more we live, more brief appear Our life's succeeding stages : A day to childhood seems a year, And years like passing ages. The gladsome current of our youth Ere passion yet disorders, Steals lingering like a river smooth Along its grassy borders. But as the careworn cheek grows wan, And sorrow's shafts fly thicker, Ye Stars, that measure life to man, Why seem your courses quicker ? When joys have lost their bloom and breath And life itself is vapid. Why, as we reach the Falls of Death, Feel we its tide more rapid.? It may be strange — yet who would change Time's course to slower speeding. When one by one our friends have gone And left our bosoms bleeding? Heaven gives our years of fading strength Indemnifying fleetness ; And those of youth, a seeming length, Proportion'd to their sweetness. T. Campbell. 312 BOOK FOURTH. CCLXXXIV. THE HUMAN SEASONS. Four Seasons fill the measure of the year ; There are four seasons in the mind of Man : He has his lusty Spring, when fancy clear Takes in all beauty with an easy span : He has his Summer, when luxuriously Spring's honey'd cud of youthful thought he love? To ruminate, and by such dreaming high Is nearest unto heaven : quiet coves His soul has in its Autumn, when his wings He furleth close ; contented so to look On mists in idleness — to let fair things Pass by unheeded as a threshold brook : — He has his Winter too of pale misfeature, Or else he would forego his mortal nature. J. Keats. CCLXXXV. A LAMENT. O World ! O Life ! O Time ! On whose last steps I climb, Trembling at that where I had stood before ; When will return the glory of your prime ? No more — O never more ! Out of the day and night A joy has taken flight : Fresh spring, and summer, and winter hoar Move my faint heart with grief, but with delight No more — O never more ! P. B. Shelley. CCLXXXVI. My heart leaps up when I behold A rainbow in the sky : So was it when my life began. INTIMATIONS OF IMMORTALITY. 313 So is it now I am a man, So be it when I shall grow old Or let me die ! The Child is father of the Man : And I could wish my days to be Bound each to each by natural piety. W. Wordsworth. CCLXXXVII. )DE ON INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD. There was a time when meadow, grove, and stream, The earth, and every common sight To me did seem Appareird in celestial light, The glory and the freshness of a dream. It is not now as it has been of yore ; — Turn wheresoever I may. By night or day, The things which I have seen I now can see no more! The rainbow comes and goes, And lovely is the rose ; The moon doth with delight Look round her when the heavens are bare ; Waters on a starry night Are beautiful and fair ; ' ' " The sunshine is a glorious birth ; But yet I know, where'er I go. That there hath pass'd away a glory from the earth. Now, while the birds thus sing a joyous song. And while the young lambs bound As to the tabor''s sound, To me alone there came a thought of grief: A timely utterance gave that thought relief, And I again am strong. The cataracts blow their trumpets from the steep, - No more shall grief of mine the season wrong : 314 BOOK FOURTH. I hear the echoes through the mountains throng. The winds come to me from the fields of sleep, And all the earth is gay ; Land and sea Give themselves up to jollity, And with the heart of May Doth every beast keep holiday ; — Thou child of joy Shout round me, let me hear thy shouts, thou happy Shepherd boy ! Ye blessed creatures, I have heard the call Ye to each other make ; I see The heavens laugh with you in your jubilee ; My heart is at your festival, My head hath its coronal, The fulness of your bliss, I feel — I feel it all. evil day ! if I were sullen While Earth herself is adorning This sweet May morning ; And the children are pulling On every side In a thousand valleys far and wide Fresh flowers ; while the sun shines warm And the babe leaps up on his mother's arm : — 1 hear, I hear, with joy I hear ! — But there's a tree, of many, one, A single field which I have look'd upon, Both of them speak of something that is gone ; The pansy at my feet Doth the same tale repeat : Whither is fled the visionary gleam ? Where is it now, the glory and the dream? Our birth is but a sleep and a forgetting ; The Soul that rises with us, our life's Star,, Hath had elsewhere its setting And Cometh from afar ; INTIMATIONS OF IMMORTALITY. 315 Not in entire forgetfulness And not in utter nakedness But trailing clouds of glory do we come From God, who is our home : Heaven lies about us in our infancy ! Shades of the prison-house begin to close Upon the growing boy, But he beholds the light, and whence it flows, He sees it in his joy ; The youth, who daily farther from the east Must travel, still is Nature's priest, And by the vision splendid Is on his way attended ; At length the man perceives it die away, And fade into the light of common day. Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his new-born blisses, A six years' darling of a pigmy size ! See, where 'mid work of his own hand he lies, Fretted by sallies of his mother's kisses. With light upon him from his father's eyes ! See, at his feet, some little plan or chart. Some fragment from his dream of human life, Shaped by himself with newly-learned art; A wedding or a festival, A mourning or a funeral ; And this hath now his heart. And unto this he frames his song: Then will he fit his tongue To dialogues of business, love, or strife ; 316 BOOK FOURTH, But it will not be long Ere this be thrown aside, And with new joy and pride The little actor cons another part ; Filling from time to time his ' humorous stage' With all the Persons, down to palsied Age, That life brings with her in her equipage ; As if his whole vocation Were endless imitation. Thou, whose exterior semblance doth belie Thy souPs immensity ; Thou best philosopher, who yet dost keep Thy heritage, thou eye among the blind, That, deaf and silent, read'st the eternal deep, Haunted for ever by the eternal Mind, — Mighty Prophet ! Seer blest ! On whom those truths do rest Which we are toiling all our lives to find ; Thou, over whom thy immortality Broods like the day, a master o'er a slave, A presence which is not to be put by ; Thou little child, yet glorious in the might Of heaven-born freedom on thy being's height. Why with such earnest pains dost thou provoke The years to bring the inevitable yoke, Thus blindly with thy blessedness at strife ? Full soon thy soul shall have her earthly freight, And custom lie upon thee with a weight Heavy as frost, and deep almost as life ! O joy ! that in our embers Is something that doth live, That Nature yet remembers What was so fugitive ! The thought of our past years in me doth breed Perpetual benediction : not indeed For that which is most worthj^ to be blest, INTIMATIONS OF IMMORTAIJTY. 317 Delight and liberty, the simple creed Of childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast: — Not for these I raise The song of thanks and praise ; But for those obstinate questionings Of sense and outward things Fallings from us, vanishings, Blank misgivings of a creature Moving about in worlds not realized. High instincts, before which our mortal nature Did tremble like a guilty thing surprized : But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing ; Uphold us — cherish — and have power to make Our noisy years seem moments in the being Of the eternal silence : truths that wake To perish never ; Which neither listlessness, nor mad endeavour Nor man nor boy Nor all that is at enmity with joy, Can utterly abolish or destroy ! Hence, in a season of calm weather Though inland far we be. Our souls have sight of that immortal sea Which brought us hither ; Can in a moment travel thither — And see the children sport upon the shore, And hear the mighty waters rolling evermore, Then, sing ye birds, sing, sing a joyous song ! And let the young lambs bound As to the tabor's sound ! We, in thought, will join your throng Ye that pipe and ye that play. Ye that through your hearts today 318 BOOK FOURTH. "- Feel the gladness of the May \ What though the radiance which was once so bright Be now for ever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind, In the primal sympathy Which having been must ever be, In the soothing thoughts that spring Out of human suffering, In the faith that looks through death, In years that bring the philosophic mind. And O, ye Fountains, Meadows, Hills, and Groves, Forbode not any severing of our loves ! Yet in my heart of hearts I feel your might ; I only have relinquished one delight To live beneath your more habitual sway ; I love the brooks which down their channels fret Even more than when I tripp'd lightly as they ; The innocent brightness of a new-born day Is lovely yet ; The clouds that gather round the setting sun Do take a sober colouring from an eye That hath kept watch o'er man's mortality ; Another race hath been, and other palms are won, Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears. To me the meanest flower that blows can give Thoughts that do often lie too deep for tears. W. Wordsworth. CCLXXXVIII. Music, when soft voices die. Vibrates in the memory — Odours, when sweet violets sicken. Live within the sense they quicken* THE FAIRY LIFE. 319 Rose leaves, when the rose is dead, Are heapM for the beloved's bed ; And so thy thoughts, when Thou art gone, Love itself shall slumber on. P. B. Shelley, CCLXXXIX. THE FAIRY LIFE. I. Where the bee sucks, there suck I : In a cowslip's bell I lie ; There I couch, when owls do cry: On the bat's back I do fly After summer merrily. Merrily, merrily, shall I live now, Under the blossom that hangs on the bough ! 2. Come unto these yellow sands, And then take hands : Courtsied when you have, and kiss'd The wild waves whist, Foot it featly here and there ; And, sweet Sprites, the burthen bear. Hark, hark ! Bow-wow. The watch-dogs bark : Bow-wow. Hark, hark ! I hear The strain of strutting chanticleer Cry, Cock-a-diddle-dow ! W. Shakespeare, CCXC. SLEEP. Come, Sleep : O Sleep ! the certain knot of peacCj The baiting-place of wit, the balm of woe. The poor man's wealth, the prisoner's release, Th' indifferent judge between the high and low ; 320 BOOK FOURTH. With shield of proof shield me from out the prease Of those fierce darts Despair at' me doth throw: make in me those civil wars to cease ; 1 will good tribute pay, if thou do so. Take thou of me smooth pillows, sweetest bed, A chamber deaf of noise and blind of light, A rosy garland and a weary head : And if these things, as being thine in right, Move not thy heavy grace, thou shalt in me. Livelier than elsewhere, Stella's image see. Sir P. Sidney. CCXCI. A SONG FOR MUSIC. Weep you no more, sad fountains : — What need you flow so fast? Look how the snowy mountains Heaven's sun doth gently waste ! But my Sun's heavenly eyes View not your weeping, That now lies sleeping Softly, now softly lies, Sleeping. Sleep is a reconciling, A rest that peace begets : — Doth not the sun rise smiling, When fair at evii he sets? — Rest you, then, rest, sad eyes! Melt not in weeping ! While She lies sleeping Softly, now softly lies, Sleeping ! Anon. CCXCII. LOVE TRIUMPHANT. E'en like two little bank-dividing brooks, That wash the pebbles with their wanton streams, CORINNA'S MAYING. 32! And having ranged and searched a thousand nooks, Meet both at length in silver-breasted Thames, Where in a greater current they conjoin : So I my Best-Beloved's am; so He is mine. E'en so we met ; and after long pursuit, E'en so we join'd ; we both became entire ; No need for either to renew a suit, For I was flax and he was flames of fire : Our firm-united souls did more than twine : So I my Best-Beloved's am ; so He is mine. If all those glittering Monarchs that command The servile quarters of this earthly ball, Shoulv^ tender, in exchange, their shares of land, I w luld not change my fortunes for them all i Theiv" wealth is but a counter to my coin : The world's but theirs ; but my Beloved's mine. F. Quarles. CCXCIII. CORINNA'S MAYING. Get up, get up for shame ! The blooming morn Upon her wings presents the god unshorn. See how Aurora throws her fair Fresh-quilted colours through the air : Get up, sweet Slug-a-bed, and see The dew bespangling herb and tree. Each flower has wept, and bow'd toward the east. Above an hour since ; yet you not drest, Nay ! not so much as out of bed? When all the birds have matins said, And sung their thankful hymns : 'tis sin, Nay, profanation, to keep in, — Whenas a thousand virgins on this day, Spring, sooner than the lark, to fetch in May. Rise ; and put on your foliage, and be seen To come forth, like the Spring-time, fresh and green 322 BOOK FOURTH. And sweet as Flora. Take no care For jewels for your gown, or hair : Fear not ; the leaves will strew Gems in abundance upon you : Besides, the childhood of the day has kept, Against you come, some orient pearls unwept : Come, and receive them while the light Hangs on the dew-locks of the night: And Titan on the eastern hill Retires himself, or else stands still Till you come forth. Wash, dress, be brief in praying Few beads are best, when once we go a Maying. Come, my Corinna, come ; and coming, mark How each field turns a street ; each street a park Made green, and trimm'd with trees : see how Devotion gives each house a bough Or branch : each porch, each door, ere this, An ark, a tabernacle is, Made up of white-thorn neatly interwove ; As if here were those cooler shades of love. Can such delights be in the street, And open fields, and we not see't? Come, we'll abroad : and let's obey The proclamation made for May : And sin no more, as we have done, by staying; But, my Corinna, come, let's go a Maying. There's not a budding boy, or girl, this day, But is got up, and gone to bring in May. A deal of youth, ere this, is come Back, and with white-thorn laden home. Some have dispatch'd their cakes and cream, Before that we have left to dream : And some have wept, and woo'd, and plighted troth. And chose their priest, ere we can cast off sloth : Many a green-gown has been given ; Many a kiss, both odd and even : Many a glance, too, has been sent A VISION. 323 From out the eye, love's firmament : Many a jest told of the keys betraying This night, and locks pick'd : — Yet we^-e not a Maying. — Come, let us go, while we are in our prime ; And take the harmless folly of the time ! We shall grow old apace, and die Before we know our liberty. Our life is short ; and our days run As fast away as does the sun : — - And as a vapour, or a drop of rain Once lost, can ne'er be found again : So when or you or I are made A fabje, song, or fleeting shade ; All love, all liking, all delight Lies drown'd with us in endless night. Then while time serves, and we are but decaying, ComC; my Corinna! come, let's go a Maying. R. Herrick, CCXCIV. A VISION. I SAW Eternity the other night. Like a great ring of pure and endless light, All calm, as it was bright : — And round beneath it. Time, in hours, days, years, Driven by the spheres. Like a vast shadow moved ; in which the World And all her train were hurl'd. X H. Vaughan. ccxcv. THE SONG OF DAVID. He sang of God, the mighty source Of all things, the stupendous force On which all strength depends : From Whose right arm, beneath Whose ?yesc All period, power, and enterprize Commences, reigns, and endso 324 BOOK FOURTH. The world, the clustering spheres He made The glorious light, the soothing shade, Dale, champaign, grove and hill : The multitudinous abyss, Where secresy remains in bliss, And wisdom hides her skill. Tell them, I AM, Jehovah said To Moses : while Earth heard in dread, And, smitten to the heart. At once, above, beneath, around, All Nature, without voice or sound, Replied, ' O Lord, THOU ART.' C. Smart. CCXCVI. ABSENCE. When I think on the happy days I spent wi' you, my dearie : And now what lands between us lie^ How can I be but eerie ! How slow ye move, ye heavy hours^ As ye were wae and weary ! It was na sae ye glinted by When I was wi' my dearie. Anon. CCXCVII. THE SHRUBBERY. O HAPPY shades ! to me unblest 1 Friendly to peace, but not to me I How ill the scene that offers rest, And heart that cannot rest, agree \ This glassy stream, that spreading pine. Those alders quivering to the breeze. Might soothe a soul less hurt than minCj, And please, if anything could please. THE CASTAWAY. 325 But fixM unalterable Care Foregoes not what she feels within, Shows the same sadness everywhere, And slights the season and the scene. For all that pleased in wood or law While Peace possess'd these silent bowers, Her animating smile withdrawn, Has lost its beauties and its powers. The saint or moralist should tread This moss-grown alley, musing, slow ; They seek like me the secret shade, But not, like me, to nourish woe ! Me, fruitful scenes and prospects waste Alike admonish not to roam ; These tell me of enjoyments past. And those of sorrows yet to come. W. Cowper, CCXCVIII. THE CASTAWAY. Obscurest night involved the sky, The Atlantic billows roard, When such a destined wretch as I, Wash'd headlong from on board. Of friends, of hope, of all bereft, His floating home for ever left. No braver chief could Albion boast Than he with whom he went, Nor ever ship left Albion's coast With warmer wishes sent. He loved them both, but both in vain, Nor him beheld, nor her again. Not long beneath the whelming brine, Expert to swim, he lay ; Nor soon he felt his strength decline. Or courage die away ; 326 BOOK FOURTH. But waged with death a lasting strife, Supported by despair of life. He shouted : nor his friends had faiPd To check the vessel's course, But so the furious blast prevailed, That, pitiless perforce, They left their outcast mate behind, And scudded still before the wind. Some succour yet they could afford ; And such as storms allow, The cask, the coop, the floated cord. Delayed not to bestow. But he (they knew) nor ship nor shorOj Whate'er they gave, should visit more. Nor, cruel as it seem'd, could he Their haste himself condemn. Aware that flight, in such a sea, Alone could rescue them ; Yet bitter felt it still to die Deserted, and his friends so nigh. He long survives, who lives an hour In ocean, self-upheld ; And so long he, with unspent power, His destiny repelPd; And ever, as the minutes flew, Entreated help, or cried ' Adieu ! ' At length, his transient respite past. His comrades, who before Had heard his voice in every blast, Could catch the sound no more ; For then, by toil subdued, he drank The stifling wave, and then he sank. No poet wept him ; but the page Of narrative sincere. That tells his name, his worth, his agCj Is wet with Anson's tear : INFANT JOY. 327 And tears by bards or heroes shed Alike immortalize the dead. I therefore purpose not, or dream, Descanting on his fate, To give the melancholy theme A more enduring date : But misery still delights to trace Its semblance in another's case. No voice divine the storm allay'd, No light propitious shone, When, snatch'd from all effectual aid. We perishM, each alone : But I beneath a rougher sea, And whelm'd in deeper gulfs than he. W. Cowper. CCXCIX. INFANT JOY. ' I HAVE no name ; I am but two days old.' — What shall I call thee ? * I happy am ; Joy is my name.' — Sweet joy befall thee ! Pretty joy ! Sweet joy, but two days old ; Sweet joy I call thee : Thou dost smile : I sing the while, Sweet joy befall thee ! W. Blake. ccc. TO MARY. If I had thought thou couldst have died, I might not weep for thee ; But I forgot, when by thy side, That thou couldst mortal be : 328 BOOK FOURTH. It never through my mind had past The time would e'er be o'er, And I on thee should look my last, And thou shouldst smile no more ! And still upon that face I look, And think 'twill smile again ; And still the thought I will not brook That I must look in vain ! But when I speak — thou dost not say. What thou ne'er left'st unsaid ; And now I feel, as well I may, Sweet Mary ! thou art dead ! If thou wouldst stay, e'en as thou art. All cold and all serene — I still might press thy silent heart, And where thy smiles have been ! While e'en thy chill, bleak corse I have Thou seemest still mine own ; But there I lay thee in thy grave — And I am now alone ! I do not think, where'er thou art, Thou hast forgotten me ; And I, perhaps, may soothe this heart, In thinking too of thee : Yet there was round thee such a dawn Of light ne'er seen before. As fancy never could have drawn. And never can restore ! C. Wolfg. ccci. THE TROSACHS. There's not a nook within this solemn Pass, But were an apt confessional for One Taught by his summer spent, his autumn gone. That Life is but a tale of morning grass THE TROSACHS. 329 Withered at eve. From scenes of art which chase That thought away, turn, and with watchful eyes Feed it 'mid Nature's old felicities, Rocks, rivers, and smooth lakes more clear than glass Untouched, unbreathed-upon : — Thrice happy quest, If from a golden perch of aspen spray (October's workmanship to rival May), The pensive warbler of the ruddy breast That moral sweeten by a heaven-taught lay, Lulling the year, with all its cares, to rest! W. Wordsworth, NOTES. (1861-1884.) Summary of Book First. The Elizabethan Poetry, as it is rather vaguely termed, forms the substance of this Book, which contains pieces from Wyat under Henry VIII. to Shake- speare midway through the reign of James I., and Drummond who carried on the early manner to a still later period. There is here a wide range of style; — from simplicity expressed in a language hardly yet broken-in to verse, — through the pastoral fancies and Italian conceits of the strictly Elizabethan time, — to the passionate reality of Shakespeare : yet a general uniformity of tone prevails. Few readers can fail to observe the natural sweetness of the verse, the single- hearted straightforwardness of the thoughts : — nor less, the limitation of subject to the many phases of one passion, which then characterized our lyrical poetry, — unless when, as in especial with Shakespeare, the 'purple light of Love' is tempered by a spirit of sterner reflection. It should be observed that this and the following Summaries apply in the main to the Collection here presented, in which (besides its restriction to Lyri- cal Poetry) a strictly representative or historical Anthology has not been aimed at. Great Excellence, in human art as in human character, has from the be- ginning of things been even more uniform than Mediocrity, by virtue of the closeness of its approach to Nature : — and so far as the standard of Excellence kept in view has been attained in this volume, a comparative absence of extreme or temporary phases in style, a similarity of tone and manner, w^ll be found throughout : — something neither modern nor ancient, but true in all ages, and like the works of Creation, perfect as on the first day. Page II, No. II. Rouse Memno?is mother : Awaken the Dawn from the dark Earth and the clouds where she is resting. This is one of that limited class of early mythes w'hich may be reasonably interpreted as representations of natural phenomena. Aurora in the old mythology is mother of Memnon (the East), and wife of Tithonus (the appearances of Earth and Sky during the last hours of Night). She leaves him every morning in renewed youth, to prepare the way for Phoebus (the Sun), whilst Tithonus remains in perpetual old age and grayness. Page 12, No. II,, line 20. by Peneiis' stream : Phoebus loved the Nymph Daphne whom he met by the river Peneus in the vale of Tempe. Page 12, No. II., line 24. Amphion's lyre : He was said to have built the walls of Thebes to the sound of his music. Page 12, No. II., line 32. Night like a drunkard reels : Compare Romeo and Juliet, Act II., Scene 3: ' The grey-eyed morn smiles' Sec. — It should be added that three lines, which appeared hopelessly misprinted, have been omitted in this Poem. K^OTES, 33 J Page 13, No. IV. Times chest: in which he is figuratively supposed to lay up past treasures. So in Troilus, Act III., Scene 3. ' Time hath a wallet at his back ' &c. In the Arcadia, chest is used to signify tomb. Page 14, No. V. A fine example of the highwrought and conventional Eliza- bethan Pastoralism, which it would be unreasonable to criticize on the ground of the unshephei-dlike or unreal character of some images suggested. Stanza 6 was perhaps inserted by Izaak Walton. Page 16, No. IX. This Poem, with XXV. and XCIV., is taken from Davison's '' Rhapsody,' first published in 1602. One stanza has been here omitted, in ac- cordance with the principle noticed in the Preface. Similar omissions occur in XL\'., LXXXVII., C, CXXVIII., CLX., CLXV., CCXXVII., CCXCII., CCXCIV., ccxcv. The more serious abbreviation by which it has been attempted to bring Cra- shaw's ' Wishes ' and Shelley's ' Euganean Hills ' within the limits of stricter lyrical unity, is commended with much diffidence to the judgment of readers acquainted with the original pieces. Page 19, No. XV. This charming little poem, truly ' old and plain, and dally- ing with the innocence of love ' like that spoken of in Twelfth Night, is taken, with v., XVII., XX., XXXIV., and XL., from the most characteristic collection of Elizabeth's reign, ' England's Helicon,' first published in 1600. Page 20, No. XVI. Readers who have visited Italy will be reminded of more than one picture by this gorgeous Vision of Beauty, equally sublime and pure in its Paradisaical naturalness. Lodge wrote it on a voyage to ' the Islands of Terceras and the Canaries ; ' and he seems to have caught, in those southern seas, no small portion of the qualities which marked the almost contemporary Art of Venice, — the glory and the glow of Veronese, or Titian, or Tintoret, when he most resembles Titian, and all but surpasses him. The clear (line i) is the crystaUine or outermost heaven of the old cosmogra- phy. For a fair there's fairer none : If you desire a Beauty, there is none more beautiful than Rosaline. Page 22, No. XVIII. that fair thou owest : that beauty thou ownest. Page 25, XXIII. the star Whose worth's unknowti, although his height betaken : apparently. Whose stellar influence is uncalculated, although his angular altitude from the plane of the astrolabe or artificial horizon used by astrologers has been determ.ined. Page 25, XXIV. This lovely song appears, as here given, in Puttenham's ' Arte of English Poesie,' 1589. A longer and inferior form was published in the ' Arcadia ' of 1590 : but Puttenham's prefatory words clearly assign his version to Sidney's own authorship. Page 27, No. XXVII. keel : skim. Page 28, No. XXIX. expense : loss. , Page 28, No. XXX. Nativity once in the main of light : when a star has risen ' and entered on the full stream of light ; — another of the astrological phrases no , longer familiar. Crooked eclipses : as coming athwart the Sun's apparent I course. Wordsworth, thinking probably of the 'Venus' and the ' Lucrece,' said finely I of Shakespeare : ' Shakespeare could not have written an Epic ; he would have died of plethora of thought.' This prodigality of nature is exemplified equally in his Sonnets. The copious selection here given (which from the wealth of the i material, required greater consideration than any other portion of the Editor's 332 NOTES. task), — contains many that will not be fully felt and understood without some earnestness of thought on the reader's part. But he is not likely to regret the labour. Page 29, No. xxxr. tcpon misprisicn growing : either, granted in error, or, on the growth of contempt. Page 29, No. XXXII. With the tone of this Sonnet compare Hamlet's ' Give me that man That is not passion's slave ' &c. Shakespeare's writings show the deepest sensitiveness to passion : — hence the attraction he felt in the contrasting effects of apathy. Page 29, No. XXXIII. grame : sorrow. Renaissance influences long impeded the return of English poets to the charming realism of this and a few other poems by Wyat. Page 31, No. XXXIV. Pandion in the ancient fable was father to Philomela, Page 32, No. XXXVIII. ramage : confused noise. Page 33, No. XXXIX. censures : judges. Page 33, No. XL. Judging by its style, this beautiful example of old simplicity and feehng may, perhaps, be referred to the earlier years of Elizabeth. Late for- got : lately. Page 34, No. XLI. haggards : the least tameable hawks. Page 36, No. XLIV. cypres or Cyprus, — used by the old writers for crape; whether from the French crespe or from the Island. Its accidental similarity in spelling to cypress has, here and in Milton's Penseroso, probably confused read- ers. Page 37, Nos. XLVI., XLVII. ' I never saw anything like this funeral dirge,* says Charles Lamb, ' except the ditty which reminds Ferdinand of his drowned father in the Tempest. As that is of the water, watery; so this is of the earth, earthy. Both have that intenseness of feeling, which seems to resolve itself into the element which it contemplates.' Page 39, No. LI. crystal : fairness. Page 40, No. LIII. This ' Sppusal Verse 'was written in honour of the Ladies Elizabeth and Katherine Somerset, Nowhere has Spenser more emphatically displayed himself as the very Poet of Beauty: The Renaissance impulse in Eng- land is here seen at its highest and purest. The genius of Spenser, like Chaucer's, does itself justice only in poems of some length. Hence it is impossible to represent it in this volume by other pieces of equal merit, but of impracticable dimensions. And the same applies to such poems as The Ancient Mari7ier and Adonais. Page 41, No. LIII., line 9. feateonsly : elegantly. Page 43, No. LIII., line 29. shend : put out. Page 44, No. LIII., line 16. a noble peer : Robert Devereux, second Lord Essex, then at the height of his brief triumph after taking Cadiz : hence the allusion following to the Pillars of Hercules, placed near Gades by ancient legend. Line 28. Eliza : Elizabeth. Page 45, No. LIII., line 7. twins of Jove : the stars Castor and Pollux. Line 8. baldric, belt; the zodiac. Page 46, No. LVII. A fine example of a peculiar class of Poetry ; — that written by thoughtful men who practised this Art but little. Wotton's, LXXll., is another, Jeremy Taylor, Bishop Berkeley, Dr. Johnson, Lord Macaulay, have left similar specimens. NOTES. 333 Summary of Book Second. This^ division, embracing the latter eighty years of the Seventeenth Century, contains the close of our Early poetical style and the commencement of the Modern. In Dryden we see the first master of the new : in Milton, whose genius dominates here as Shakespeare's in the former book, — the crown and consummation of the early period. Their splendid Odes are far in advance of any prior attempts, Spenser's excepted: they exhibit that wider and grander range which years and experience and the struggles of the time conferred on Poetry. Our Muses now give expression to political feeling, to religious thought, to a high philosophic statesmanship in writers such as Marvell, Herbert, and Wotton : whilst in Marvell and Milton, again, we find noble attempts, hitherto rare in our literature, at pure description of nature, destined in our own age to be continued and equalled. Meanwhile the poetry of simple passion, although before 1660 often deformed by verbal fancies and conceits of thought, and after- wards by levity and an artificial tone, — produced in Herrick and Waller some charming pieces of more finished art than the Elizabethan : until in the courtly compliments of Sedley it seems to exhaust itself, and lie almost dormant for the hundred years between the days of Wither and Suckling and the days of Burns and Cowper. — That the change from our early style to the modern brought with it at first a loss of nature and simplicity is undeniable : yet the far bolder and wider scope which Poetry took between 1620 and 1700, and the successful efforts then made to gain greater clearness in expression, in their results have been no slight compensation. Page 52, No. LXII,, line 4. whist: hushed. Line 28. than: obsolete for then. Line 29. Pan : used here for the Lord of all. Page 55, No. LXII., line 23. Lars and Leviures : household gods and spirits of relations dead. Flamens (line 26) Roman priests. That ttaice-batter d god (line 31) Dagon. Page 56, No. LXII., line 9. Osiris, the Egyptian god of Agriculture (here, per- haps by confusion with Apis, figured as a bull), was torn to pieces by Typho and embalmed after death in a sacred chest. This mythe, reproduced in Syria and Greece in the legends of Thammuz, Adonis, and perhaps Absyrtus, may have originally signified the annual death of the Sun or the Year under the influences of the winter darkness. Horns, the son of Osiris, as the New Year, in his turn overcomes Typho. Line 11. nnshower' d gra.ss: as watered by the Nile only. Line 36. youngest-teemed : last-born. Page 57, No. LXII., line 4. Bright-harness d : armoured. Page 59, No. LXIV. The Late Massacre : the Vaudois persecution, carried on in 1655 by the Duke of Savoy. This ' collect in verse,' as it has been justly named, is the most mighty Sonnet in any language known to the Editor. Readers should observe that it is constructed on the original Italian or Pro- vencal model. This form, in a language such as ours, not affluent in rhyme, presents great difficulties ; the rhymes are apt to be forced, or the substance commonplace. But, when successfully handled, it has a unity and a beauty of effect which place the strict Sonnet above the less compact and less lyrical sys- tems adopted by Shakespeare, Sidney, Spenser, and other Elizabethan poets. Page 59, No. LXV. Cromwell returned from Ireland in 1650, and Marvell 334 NOTES. probably wrote his lines soon after, whilst living at Nunappleton in the Fairfax household. It is hence not surprising that (stanzas 21-24) he should have been deceived by Cromwell's professed submissiveness to the Parliament which, when it declined to register his decrees, he expelled by armed violence : — one despotism, by natural law, replacing another. The poet's insight has, however, truly prophesied that result in his last two lines. This Ode, beyond doubt one of the finest in our language, and more in Mil- ton's style than has been reached by any other poet, is occasionally obscure from imitation of the condensed Latin syntax. The meaning of stanza 5 is • rivalry or hostihty are the same to a lofty spirit, and limitation more hateful than opposition.' The allusion in stanza 11 is to the old physical doctrines of the nonexistence of a vacuum and the impenetrability of matter: — in stanza 17 to the omen traditionally connected with the fourvdafion of the Capitol at Rome. The ancient belief that certain years in life complete natural periods and are hence peculiarly exposed to death, is introduced in stanza 26 by the word climacteric. Lycidas. The person lamented is Milton's college contemporary Edward King, drowned in 1637 whilst crossing from Chester to Ireland. Strict Pastoral Poetry was first written or perfected by the Dorian Greeks settled in Sicily : but the conventional use of it, exhibited more magnificently in Lycidas than in any other pastoral, is apparently of Roman origin. Milton, employing the noble freedom of a great artist, has here united ancient my- thology, with what may be called the modern mythology of Camus and Saint Peter, — to direct Christian images. Yet the poem, if it gains in historical interest, suffers in poetry by the harsh intrusion of the writer's narrow and vio- lent theological politics. — The metrical structure of this glorious elegy is partly derived from Italian models. Page 63, No. LXVI., line 19. Sisters of the sacred well : the Muses, said to frequent the Pierian Spring at the foot of Mount Olympus. Page 64, No. LXVI., line 26. Mona : Anglesea, called by the Welsh poets Ynys Dywell, or the Dark Island, from its dense forests. Deva (line 27) the Dee: a river which may have derived its magical character from Celtic tradi- tions : it was long the boundary of Briton and English. — These places are introduced, as being near the scene of the shipwreck. Orpheus (line 30) was torn to pieces by Thracian women. Page 65, No. LXVI. Amaryllis and Neaera (lines 3, 4) names used here for the love-idols of poets: as Damoetas previously for a shepherd. Line 10. the blind Fwy : Atropos, fabled to cut the thread of life. Arethuse (line 20) and Miucius : Sicilian and Italian waters here alluded to as synonymous with the pastoral poetry of Theocritus and Vergil. Line 23. oat: pipe, used here \Sks. (ZoWvci^' oaten stop,X\WQ. i. No. CXLVI,, for Song. Line 31. Hippotades : Aeolus, god of the winds. Panope (line 34) a Nereid. Certain names of local deities in the Hellenic mythology render some feature in the natural landscape, which the Greeks studied and analysed with their usual unequalled insight and feeling. Paiiope seems to express the boundlessness of the ocean-horizon when seen from a height, as compared with the limited horizon of the land in hilly countries such as Greece or Asia Minor. Page 66, No LXVI., line i. Camus: the Cam; put for King's University, The sanguine fiower (line 4) the Hyacinth of the ancients; probably our Iris, NOTES. 335 The pilot (line 7) Saint Peter, figuratively introduced as the head of the Church on earth, to foretell 'the ruin of our corrupted clergy,' as Milton regarded them, 'then in their height' under Laud's primacy. Line 22. scrannel: screeching; apparently Milton's coinage (Masson). Line 26. the wolf: the Puritans of the time were excited to alarm and persecution by a few conver- sions to Roman Catholicism which had recently occurred. Alpheus (line 30) a stream in Southern Greece, supposed to flow under seas to join the Arethuse. Siaart star (line 36) : the Dogstar, called swarthy because its heliacal rising in ancient times occurred soon after midsummer. Page 67, No. LXVI., line 2. rathe : early. Line 19. 7?ioist vows : either tearful prayers, or prayers for one at sea. Bellerus (line 20) a giant, apparently created here by Milton to personify Belerium, the ancient title of the Land's End. The great Visioji : — the story was that the Archangel Michael had appeared on the rock by Marazion in Mount's Bay which bears his name. Milton calls on him to turn his eyes from the south homeward, and to pity Lycidas, if his body has drifted into the troubled waters off the Land's End. Finisterre being the land due south of Marazion, two places in that district (then through our trade with Corunna probably less unfamiliar to English ears), are named, — Najnancos now Mujio in Galicia, Bayona north of the Minho, or perhaps a fortified rock (one of the Cies islands) not unlike Saint Michael's Mount, at the entrance of Vigo Bay. Line 30. ore : rays of golden light. Page 68, No. LXVI., line 11. Doric lay : Sicilian, pastoral. Page 70, No. LXX. The assault was an attack on London expected in 1642, when the troops of Charles I. reached Brentford. ' Written on his door ' was in the original title of this sonnet. Milton was then living in Aldersgate Street. Line 20. The Emathian Conqueror : When Thebes was destroyed (B.C. 335) and the citizens massacred by thousands, Alexander ordered the house of Pin- dar to be spared. Line 23. the repeated air Of sad Electra s poet : Plutarch has a tale that when the Spartan confederacy in 404 B.C. took Athens, a proposal to demolish it was rejected through the effect produced on the comm.anders by hearing part of a chorus from the Electra of Euripides sung at a feast. There is however no apparent congruity between the lines quoted (167, 168 Ed. Din- dorf) and the result ascribed to them. Page 72, No. I.XXIII. This high-toned and lovely Madrigal is quite in the style, and worthy of, the 'pure Simonides.' Page 73, No. LXXV. These beautiful verses should be compared with Wordsworth's great Ode, No. CCLXXXVll. — In imaginative intensity, Vaughan stands beside his contemporary Marvell : — See Nos. CXI. and CCXCIV. Page 74, No. LXXVI. Favonius : the spring wind. Page 74, No. LXXVII. Themis : the goddess of justice. Skinner was grand- son by his mother to Sir E. Coke; — hence, as pointed out by Mr. Keightley, Miltoti's allusion to the bench. Line 26. Sweden was then at war with Poland, and France with the Spanish Netherlands. Page 76, No. LXXIX., line 22. Sydenian showers : either in allusion to the . conversations in the 'Arcadia,' or to Sidney himself as a model of 'gentleness ' in spirit and demeanour. Page 80, No. LXXXIV. Elizabeth of Boheinia : Daughter to James L, and ancestor to Sophia of Hanover. These lines are a fine specimen of gallant And courtly compUment. 336 NOTES. Page 8i, No. LXXXV. Lady M. Ley was daughter to Sir J. Ley, afterwards Earl of Marlborough, who died March, 1629, coincidently with the dissolution of the third Pariiament of Charles' reign. Hence Milton poetically compares his dea*h to that of the Orator Isocrates of Athens, after Philip's victory in 328 B.C. Page 81, No. LXXXVI. Archbishop Trench has kindly informed the Editor that this graceful poem is an imitation of early style by G. Darley: published cir. 1847. Page 88, No. XCIX. From Prison : to which his active support of Charles L twice brought the high-spirited writer. Page 89, No. XCIX., line i. Gods: thus in the original; Lovelace, in his fanciful way, making here a mythological allusion. Birds, commonly substi- tuted, is without authority. Page 93, No. cv. Inserted in Book IL as written in the character of a Sol- dier of Fortune in the Seventeenth Century. Page 94, No. cvi. Walywaly : an exclamation of sorrow, the root and the pronunciation of which are preserved in the word caterwaul. Brae, hillside : biu-n, brook : busk, adorn. Saint Anton's Well : at the foot of Arthur's Seat by Edinburgh. Cramasie, crimson. Page 95, No. CVII. burd, maiden. Page 96, No. CVIII. corbies, crows: fail, turf: hause, neck: theek, thatch. — If not in their origin, in their present form this and the two preceding poems appear due to the Seventeenth Century, and have therefore been placed- in Book II. Page 98, No. CXI. The remark quoted in the note to No. XLVII. applies equally to these truly wonderful verses, which, like ' Lycidas,' may be regarded as a test of any reader's insight into the most poetical aspects of Poetry. The general differences between them are vast : but in imaginative intensity Mar- veil and Shelley are closely related. — This poem is printed as a translation in Marvell's works: but the original Latin is obviously his own. The most sti ik- ing verses in it, here quoted as the book is rare, answer more or less to stanzas £ and 6 : — Alma Quies. teneo te! et te, germana Quietis, Simplicitas ! vos ergo diu per templa, per urbes Quaesivi, regum perque alta palatia, frustra: Sed vos hortorum per opaca silentia, longe Celarunt plantae virides, et concolor umbra. ' L Allegro and // Penseroso. It is a striking proof of Milton's astonishing power, that these, the earliest pure Descriptive Lyrics in our language, should still remain the best in a style which so many great poets have since at- tempted. The Bright and the Thoughtful aspects of Nature and of Life are their subjects : but each is preceded by a mythological introduction in a mixed Classical and Italian manner. — With that of L' Allegro may be compared a similar mythe in the first Section of the first Book of S. Marmion's graceful Cupid and Psyche, 1637. Page loi. No. cxii., line 32. the mountain nymph; compare Wordsworth's Sonnet, No. ccx. Line 20 (page 102) is in apposition to the preceding, by a syntactical license not uncommon with Milton. Page 102, No. cxil., line 38. Cynosure : the Pole Star. NOTES. 337 Page 103, No. CXII., line 3. Corydon, Thyrsis, etc. : Shepherd names from the old Idylls. Rebeck (line 14) an elementary form of violin. Page 104, No. CXII., line 14. Jonson's learned sock : His somewhat pedantic comedies exhibit one of the less fortunate results of the Renaissance movement. Line 28. Lydian ai?s : used here to express a light and festive style of ancient music. The ' Lydian Mode,' one of the seven original Greek Scales, is nearly i ientical with our ' Major.' Page 105, No. CXIII., l^ne 3. bestead : avail. Line 19. starr'd Ethiop queen : C\ ssiopeia, the legendary Queen of Ethiopia, and thence translated amongst the constellations. Page 106, No. CXIII., line 24. Cynthia: the Moon: Milton seems here to have transferred to her chariot the dragons anciently assigned to Demeter and to Media. Page 107, No. CXIII., line 15. Herines, called Trismegistus, a mystical writer of the Nv^o-Platonist school. Line 26. Tliebes, etc.: subjects of Athenian Trag- edy. Buskin' d (line 29) tragic, in opposition to sock above. Lins 31. AIu- saeus : a pcet in mythology. Line 36. him that left half-told : Chaucer, in his incomplete ' .Squire's Tale.' Page 108, No. CXIII., line 5. great bards: Ariosto, Tasso, and Spenser, are here intended. Line 12. frounced : curled. The Attic Boy (line 13) Cephalus. Page 109, No. v'XiV. Emigrants supposed to be driven towards America by the government of Charles L Page no, No. CXIV., lines 17, 18. But apples, etc. A fine example of Mar- veil's imaginative hyberbole. Page III, No. CXV., line 6. concent : harmony. Summary of Book Third. It is more difficult to characterize the English Poetry of the Eighteenth Cen- tury than that of any other. For it was an age not only of spontaneous transi- tion, but of bold experiment: it includes not only such divergences of thought as distinguish the ' Rape of the Lock ' from the ' Parish Register,' but such vast contemporaneous differences as lie between Pope and Collins, Burns and Cowper. Yet we may clearly trace three leading moods or tendencies : — the aspects of courtly or educated life represented by Pope and carried to exhaus- tion by his followers ; the poetry of Nature and of Man, viewed through a culti- vated, and at the same time an impassioned frame of mind by Collins and Gray: — lastly, the study of vivid and simple narrative, including natural description, begun by Gay and Thomson, pursued by Burns and others in the north, and established in England by Goldsmith, Percy, Crabbe, and Cowper. Great varieties in style accompanied these diversities in aim : poets could not always distinguish the manner suitable for subjects so far apart ; and the union of conventional and of common language, exhibited most conspicuously by Burns, has given- a tone to the poetry of that century which is better explained by reference to its historical origin than by naming it artificial. There is, again, a nobleness of thought, a courageous aim at high and, in a strict sense manly, excellence in many of the writers : — nor can that period be justly termed tame and wanting in originalitv, which produced poems such as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey, tlie songs of Burns and Cowper 338 NOTES. In truth Poetry at this, as at all times, was a more or less unconscious mirror of the genius of the age : and the reasoned and scientific spirit of Enquiry which made the Eighteenth Century the turning-time in European civihzation is reflected faithfully in its verse. An intelligent reader will find the influence of Newton as markedly in the poems of Pope, as of Elizabeth in the plays of Shakespeare. On this great subject, however, these indications must here be sufficient. The Bard. In 1757, when this splendid ode was completed, so very little had been printed, whether in Wales or in England, in regard to Welsh poetry, that it is hard to discover whence Gray drew his Cymric allusions. The fabled massacre of the Bards (shown to be wholly groundless in Stephens' Literature of the Kymry) appears first in the family history of Sir John Wynn of Gwydir (cir. 1600), not published till 1773 ; but the story seems to have passed in MS. to Carte's History, whence it may have been taken by Gray. The references to high-born Hoel and jo/^ Llewellyn (line 28) ; to Cadwallo and Urien (lines 29, 30), may, similarly, have been derived from the 'Specimens' of early Welsh poetry, by the Rev. E. Evans : — as, although not published till 1764, the MS., we learn from a letter to Dr. Wharton, was in Gray's hands by July 1760, and may have reached him by 1757, the date when he first received Macpherson's earliest specimens of Gaelic poetry, which he criticizes, with Evans' extracts in the above-noticed letter. Yet even then it is doubtful whether Gray (of whose acquaintance with Welsh we have no evidence), must not have been aided by some Welsh scholar. He is one of the poets least likely to scatter epithets at random : ' soft ' or gentle is the epithet emphatically and specially given to Llewelyn in contemporary Welsh poetry, and is hence here used with particular propriety. Yet, without such assistance as we have suggested, Gray could hardly have selected the epithet, although applied to the King (page 141-3) among a crowd of others, in Llygad Gwr's Ode, printed by Evans. — After lamenting his ::omrades (stanzas 2, 3) the Bard prophesies the fate of Edward H. and tL3 conquests of Edward HI. (4) : his death and that of the Black Prince (5) : of Richard II., with the Wars of York and Lancaster, the murder of Henry VI., {the meek usurper^ and of Edward V. and his brother (6). He turns to the glory and prosperity following the accession of the Tudors (7), through Elizabeth's reign (8) : and concludes with a vision of the poetry of Shakespeare and Milton. Page 122, No. CXXIII., line 16. Glo'ster: Gilbert de Clare, son-in-law to Edward. Mortimer, one of the Lords Marchers of Wales. High-borti Hoel, soft Lleivellyn (line 31) ; the Dissertatio de Bardis of Evans names the first as son to the King Owain Gwynedd : — Llewelyn, last King of Noith Wales, was murdered 1282. Line 32, Cadwallo : Cadwallon (died 631) and Urien Reged (early kings of Gwynedd and Cumbria respectively) are mentioned by Evans (page 78) as bards none of whose poetry is extant. Page 123, No. CXXIII., line 3. Modred : Evans supplies no data for this name, which Gray (it has been supposed) uses for Merlin (Myrddin Wyllt), held prophet as well as poet, to whom is reasonably ascribed the beautiful Afallenau Ode, as given in the ' Black Book of Caermarthen ' (Skene). Line 5. Arvon : the shores of Carnarvonshire ooposite Anglesey. Whether intentionally or through ignorance of the real dates, Gray here represents the Bard as speaking NOTES. 339 of these poets, all of earlier days, Llewelyn excepted, as his own contemporaries iit the close of the Thirteenth Century. Gray, whose penetrating and powerful genius rendered him in many ways an initiator in advance of his age, is probably the first of our poets who made some acquaintance with the rich and admirable poetry in which Wales ft-om the Sixth Century has been fertile, — before and since his time so barbarously neglected, not in England only. Hence it has been thought worth while here to enter into a little detail upon his Cymric allusions. Line 27. She-wolf: Isabel of France, adulterous Queen of Edward IL Page 124, No. CXXIIL, line 20. Towers fif yidius : the Tower of London, built in part, accoi'ding to tradition, by Julius Caesar. Line 26. bristled boar : the badge of Richard IIL Line 32. Half of thy heart : Queen Eleanor died soon after the conquest of Wales. Page 125, No. CXXIII., line 5. Arthur : Henry VH. named his eldest son thus, in deference to British feeling and legend. Page 126, No. CXXV. The Highlanders called the battle of Culloden, Drumossie. Page 127, No. CXXVI. lilting, singing blithely : loaiiing, broad lane: bughts, pens : scorning, rallying: dowie, dreary : daffin' and gabbin , joking and chatting: Icglin, milkpail : shearing, reaping: (5fl;?i/5/i?7'i-, sheaf-binders : lyart, grizzled: rimkled, wrinkled: fleeching, cozxin^: gloaming, twilight: bogle, ghost: dool, sorrow. Page 129, No. CXXVlll. The Editor has found no authoritative text of this poem, in his judgment superior to any other of its class in melody and pathos. Part is probably not later than the Seventeeth Century : in other stanzas a more modern hand, much resembling Scott's, is traceable. Logan s poem (cxxvil.) exhibits a knowledge rather of the old legend than of the old verses. — Hecht, promised: the obsolete /z/^/^^*.- mavis, \}axw%\\\ ilka, every: lav' rock, \ax\i'. haughs, valley-meadows: /w/«^^, parted from : marrow, xmXe: sy7ie,\\\ev\. Page 130, No. CXXIX. The Royal George, of 108 guns, whilst undergoing a partial careening in Portsmouth Harbour, was overset about 10 A.M. Aug. 29, 1782. The total loss was believed to be nearly 1000 souls. — This, again, might be called one of our trial-pieces, in regard to taste. The reader who feels the vigour of description and the force of pathos underlying Cowper's bare and truly Greek simplicity of phrase, may assure himself j-^ valde profecisse in poetry. Page 133, No. CXXXI. A little masterpiece in a very difficult style : Catullus himself could hardly have bettered it. In grace, tenderness, simplicity and humour it is worthy of the Ancients; and even more so, from the completeness and unity of the picture presented. Page 137, CXXXVI. Perhaps no writer who has given such strong proofs of the poetic nature has left less satisfactory poetry than Thomson. Yet he touched little which he did not beautify ; and this song, with ' Rule Britannia ' and a few others, must make us regret that he did not more seriously apply himself to lyrical writing. Page 139, No. CXL., line i. Aeolian lyre : the Greeks ascribed the origin of their Lyrical Poetry to the Colonies of Aeolis in Asia Minor. Thracias hills (line 17) supposed a favourite resort of Mars. Feather d ki??g (line 21) the Eagle of Jupiter, admirably described by Pindar in a passage here imitated by Gray. Idalia (line 27) in Cyprus, where Cytherea (Venus) was especially worshipped. 340 NOTES. Page 140, CXL., line 20. Hyperioti : the Sun. Stanzas 6-8 allude to Poets ol the Islands and Mainland of Greece, to those of Rome and of England. Page 142, No. CXL., line 9. Theban Eagle : Pindar. Page 144, No. CXLI., line 23. chaste-eyed Queen : Diana. Page 146, No. CXLII. Attic warbler : the nightingale. Page 148, No. CXLIV. sleekit, sleek: bickering brattle, flittering flight: laitfi, loth : pattle, ploughstaff : whyles, at times: a daime?t icker, a corn-ear now and then : thrave, shock : lave, rest: foggage, aftergrass : snell, biting: bi^t hald, with- out dwelling-place : thole, bear: cranreuch, hoarfrost: thy lane, alone: a-gley, off the right line, awry. Page 151, No. CXLVII. Perhaps the noblest stanzas in our language. Page 155, No. CXLVm. stoure, dust-storm : braw, smart. Page 156, No. CXLIX. scaith, hurt: tetif, guard: steer, molest. Page 157, No. CLI. drunilie, muddy : birk, birch. Page 159, No. CLII. greet, cry: daurna, dare not. — There can hardly exist a poem more truly tragic in the highest sense than this : nor, except Sappho, has any Poetess known to the Editor equalled it in excellence. Page 159, No. CLIII. foil, merry with drink: coost, carried: unco skeigh, very proud: gart, forced: abeigh, aside: Ailsa craig, a rock in the Firth of Clyde: grat his ee7i bleert, cried till his eyes were bleared: lowpin, leaping: linn, water- fall: sair, sore: smoor'd, smothered: crouse and cajity, blythe and gay. Page 160, No. CLIV. Burns justly named this 'one of the most beautiful songs in the Scots or any other language.' One verse, interpolated by Beattie, is here omitted : — it contains two good lines, but is quite out of harmony with the original poem. Bigonet, little cap ; probably altered from beguinette : thraw, twist : caller, fresh. Page 162, No. CLV. airts, quarters : row, roll: shaw, small wood in a hollow, spinney : knowes, knolls. Page 163, No. CLVI. jo, sweetheart: brent, smooth ; pow, head. Page 163, No. CLVII. leal, faithful: fain, happy. Page 164, No. CLVlll. Henry VI. founded Eton. Page 170, No. CLXI. The Editor knows no Sonnet more remarkable than this, which, with CLXII., records Cowper's gratitude to the Lady whose affec- tionate care for many years gave what sweetness he could enjoy to a life radi- cally wretched. Petrarch's sonnets have a more ethereal grace and a more perfect finish ; Shakespeare's more passion ; Milton's stand supreme in stateli- ness ; Wordsworth's in depth and delicac}''. But Cowper's unites with an exquisiteness in the turn of thought which the ancients would have called Irony, an intensity of pathetic tenderness peculiar to his loving and ingenuous nature. — There is much mannerism, much that is unimportant or of now exhausted interest in his poems : but where he is great, it is with that elemen- tary greatness which rests on the most universal human feelings. Cowper is our highest master in simple pathos. Page 172, No. CLXIII. fancied greeti : cherished garden. Page 172, No. CLXIV. Very little except his surname appears recoverable with regard to the author of this truly noble poem, which appeared in the * Scripscrapologia, or Collins' Doggerel Dish of All Sorts,' with three or fourj other pieces of merit. Birmingham, 1804. It should be noted as exhibiting aj rare excellence, — the climax of simple sublimity. ' I NOTES. 341 It is a lesson of great instructiveness to examine the essential qualities which give high poetical rank to lyrics such as ' To-morrow ' or ' Sally in our Alley,' when compared with poems written (if the phrase may be allowed) in keys so different as the. subtle sweetness of Shelley, the grandeur of Gray and Milton, or the delightful Pastoralism of the Elizabethan verse. Intelligent readers \\\\] gain lience a clear understanding of the vast imaginative range of Poetry; — through what wide oscillations the mind and the taste of a nation may pass ; — how many are the roads which Truth and Nature open to Excellence. Summary of Book Fourth. It proves sufficiently the lavish wealth of our own age in Poetry, that the pieces which, without conscious departure from the standard of Excellence, ren- der this Book by far the longest, were with very few exceptions composed during the first thirty years of the nineteenth century. Exhaustive reasons can hardly be given for the strangely sudden appearance of individual genius : that, how- ever, which assigns the splendid national achievements of our recent poetry to an impulse from the France of the first Republic and Empire appears to the Editor inadequate. The first French Revolution was rather, in his opinion, one result, and in itself far from the most important, of that wider and more potent spirit which through enquiry and attempt, through strength and weakness, sweeps mankind round the circles (not, as some fondly dream, of Advance, but) of gradual Transformation: and it is to this that we must tracgi the litera- ture of modern Europe. But, without more detailed discussion on the motive causes of Scott, Wordsworth, Campbell, Keats, and Shelley, we may observe that these Poets, with others, carried to further perfection the later tendencies of the Century preceding, in simplicity of narrative, reverence for human Pas- sion and Character in every sphere, and impassioned love of Nature: — that, whilst maintaining on the whole the advances in art made since the Restora- tion, they renewed the half-forgotten melody and depth of tone which marked the best Elizabethan writers: — that, lastly, to what was thus inherited they added a richness in language and a variety in metre, a force and fire in narra- tive, a tenderness and bloom in feeling, an insight into the finer passages of the Soul and the inner meanings of the landscape, a larger and wiser Humanity, — hitherto hardly attained, and perhaps unattainable even by predecessors of not inferior individual genius. In a word, the Nation which, after the Greeks in their glory, has been the most gifted of all nations for Poetry, expressed in licse men the highest strength and prodigality of its nature. They interpreted ^ " age to itself — hence the many phases of thought and style they present: — ympathize with each, fervently and impartially, without fear and without . iincifulness, is no doubtful step in the higher education of the Soul. For, as jvith the Affections and the Conscience, Purity in Taste is absolutely propor- ionate to Strength: — and when once the mind has raised itself to grasp and o delight in Excellence, those who love most will be found to love most wisely. Page 175, No. CLXVI. stout Cortez : History requires here Balboa : (A. T.) t may be noticed, that to find in Chapman's Homer the 'pure serene' of the riginal, the reader must bring with him the imagination of the youthful poet; -he must be ' a Greek himself,' as Shelley finely said of Keats, 342; NOTES. Page 179, No. CLXIX. The most tender and true of Byron's smaller poems. Page 180, No. CLXX. This poem, with CCXXXVI., exemplifies the peculiar skill with which Scott employs proper names: — nor is there a surer sign of high poetical genius. Page 197, No. cxcr. The Editor in this and in other instances has risked the addition (or the change) of a Title, that the aim of the verses following may be grasped more clearly and immediately. Page 203, No. CXCVIII. nature's Eremite : like a solitary thing in Nature. — This beautiful Sonnet was the last word of a poet deserving the title ' marvellous boy' in a much higher sense than Chatterton. If the fulfilment may ever safely be prophesied from the promise, England appears to have lost in Keats one whose gifts in Poetry have rarely been surpassed. Shakespeare, Milton, and Wordsworth, had their lives been closed at twenty-five, would (so far as we know) have left poems of less excellence and hope than the youth who, from the petty school and the London surgery, passed at once to a place with them of 'high collateral glory.' Page 205, No. CCI. It is impossible not to regret that Moore has written so little in this sweet and genuinely national style. Page 205, No. ecu. A masterly example of Piyron's command of strong thought and close reasoning in verse : —as the next is equally characteristic of Shelley's wayward intensity, and CCIV. of the dramatic power, the vital identification oi the poet with other times and characters, in which Scott is second only to Shake- speare. Page 215, No. CCIX. Bonnivard, a Genevese, was imprisoned by the Duke of Savoy in Chillon on the lake of Geneva for his courageous defence of hiji country against the tyranny with which Piedmont threatened it during the first half of the Seventeenth Century, — This noble Sonnet is worthy to stand neai Milton's on the Vaudois massacre. Page 215, No. CCX. Switzerland was usurped by the French under Napoleon in 1800: Venice in 1797 (CCXI.). Page 218, No. CCXV. This battle was fought Dec. 2, 1800, between the Aus' trians under Archduke John and the French under Moreau, in a forest neat Munich. Hohen Emdcn means High Limetrees. Page 221, No. CCXVIII. After the capture of Madrid by Napoleon, Sir J, Moore retreated before Soult and Ney to Corunna, and was killed whilst cover- ing the embarcation of his troops. His tomb, built by Ney, bears this inscrip- tion — -'John Moore, leader of the English armies, slain in battle, 1809.' Page 233, No. CCXXIX. The Mermaid was the club-house of Shakespeare Ben Jonson, and other choice spirits of that age. Page 234, No. CCXXX, Maisie : Mary. — Scott has given us nothing more complete and lovely than this little song, which unites simplicity and dramati< power to a wild-wood music of the rarest quality. No moral is drawn, far less any conscious analysis of feeling attempted : — the pathetic meaning is left to b« suggested by the mere presentment of the situation. A narrow criticism has often named this, which may be called the Homeric manner, superficial, fronc its apparent simple facility; but first rate excellence in it (as shown here, irr CXCVI., CLVI., and CXXIX.) is in truth one of the least common triumphs of Poetry. — This stvle should be compared with what is not less perfect in its way, the searching out of inner feeling, the expression of hidden meanings, the reve* NOTES. 343 lation of the heart of Nature and of the Soul within the Soul, — the analytical method, in short, — most completely represented by Wordsworth and by Shel- ley. Page 240, No. CCXXXIV. correi : covert on a hillside. Cumber : trouble. Page 253, CCXLIII. This poem has an exaltation and a glory, joined with an exquisiteness of expression, which place it in the highest rank amongst the many masterpieces of its illustrious Author. Page 262, No. CCLII. interlunar swoon : interval of the Moon's invisibility. Page 268, No. CCLVI. Calpe : Gibraltar. Lofode^i : the Maelsti-om whirlpool off the N.W. coast of Norway. Page 269, No. CCLVII. This lovely poem refers here and there to a ballad by Hamilton on the subject better treated in CXXVII. and CXXVIII. Page 282, No CCLXVIII. Arcturi : seemingly used for northern stars. — And wild roses, &>€. Our language has no line modulated with more subtle^sweet- ness. Page 285, No. CCLXX. Ceres' daughter : Proserpine. God of Torment : Pluto. Page 286, No. CCLXXI. This impassioned address expresses Shelley's most rapt imaginations, and is the direct modern representative of the feeling which led the Greeks to the worship of Nature. Page 295, No. CCLXXIV. The leading idea of this beautiful description of a day's landscape in Italy appears to be, — On the voyage of life are many mo- ments of pleasure, given by the sight of Nature, who has power to heal even the worldliness and the uncharity of man. Page 296, No. CCLXXIV., line 36. Amphitrite was daughter to Ocean. Page 301, No. CCLXXV., line 7. Maenad : a frenzied Nymph, attendant on Dionysos in the Greek mythology. Line 25. Plants under water sympathize with the seasons of the land, and hence with the winds which affect them. Page 302, No. CCLXXVI. Written soon after the death, by shipwreck, of Wordsworth's brother John. This poem should be compared with Shelley's following it. Each is the most complete expression of the innermost spirit oi his art given by these great Poets : — of that Idea which, as in the case of the true Painter, (to quote the words of Reynolds,) ' subsists only in the mind : The sight never beheld it, nor has the hand expressed it : it is an idea residing in the breast of the artist, which he is always labouring to impart, and which he dies at last without imparting.' Page 304, No. CCLXXVI. the Kind : the human race. Page 305, No. CCLXXVIII. Proteus represented the everlasting changes, united with ever- recurrent sameness, of the Sea. Page 305, No. CCLXXIX., the royal Saint : Henry VI. Page 313, No. CCLXXXVII. The single absolutely first-rate Ode (among Odes on the great scale) known to the Editor (for Shelley's Adonais is an Elegy), pro- duced in this century: — and, like Adonais, the poet's greatest achievement. Page 320, No. CCXC, line i. prease : press. Sidney's poetry is singularly unequal; his short life, his frequent absorption in public employment, hindered doubtless the development of his genius. His great contemporary fame, second only, it appears, to Spenser's, has been hence obscured. At times he is heavy and even prosaic; his simplicity is rude and bare; his verse unmelodious. These, however, are the 'defects of his merits.' In a certain depth and chiv- alry of feeling, — in the rare and noble quality of disinterestedness (to put it in 344 NOTES. one word), — he has no superior, hardly perhaps an equal, amongst our Poets; and after or beside Shakespeare's Sonnets, his Astrophel and Stella, in the Editor's judgment, offers the most intense and powerful picture of the passion of love in the whole range of our poetry. Page 320, No. CCXCI. From W.J. Linton's 'Rare Poems' (1883): a selec- tion containing many pieces which deserve the epithet for their beauty not less than for their unfamiliarity. This gracious lyric appeared in one of the Eliza- bethan song-books. Page 320, No. CCXCII. With better taste, and less diffuseness, Quarles might (one would think) have retained more of that high place which he held in popular estimate among his contemporaries. • Page 321, No. CCXCIII. A masterpiece of humour, grace, and gentle feeling, all, with Herrick's unfailing art, kept precisely within the peculiar key which he chose, — or Nature for him, — in his Pastorals. Line 18. the god unshorn: Im- berbis Apollo. Page 322, No. CCXCIII., line 12. heads : prayers. Page 323, No. CCXCIV. : see note on LXXV. Page 322, No. CCXCV. This magnificent song occurs in the long poem which Smart is reported to have written whilst confined as a madman. Page 324, No. CCXCVI. Burns himself, despite two attempts, failed to improve this little absolute masterpiece of music, tenderness, and simplicity: — this 'Ro- mance of a life ' in eight lines. It has a rival in quality in CCXCIX. Page 324, No. CCXCVII. Written in 1773, towards the beginning of Cowper's second attack of melancholy madness — a time when he altogether gave up prayer, saying, ' For him to implore mercy would only anger God the more.' Yet, had he given it up when sane, it would have been ' major insania. ' Page 325, No. CCXCVIII. Cowper's last original poem, founded upon a story told in Anson's ' Voyages.' It was written March, 1799; he died April, 1800. INDEX OF WRITERS, WITH DATES OF BIRTH AND DEATH. Alexander, William (1580 — 1640) xxii. Anon: — IX, xvii, xl, lxxx, lxxxvi, xci, xciv, xcvii, cvi, cvh, cviii CXXVIII, ccxci, ccxcvi. Bacon, Francis (1561 — 1626) lvii. Barbauld, Anna Laetitia (1743 — 1825) CLXV. Barnefield, Richard (i6th Century) XXXIV. Beaumont, Francis (1586 — 1616) lxvii. Blake, William (1757 — 1827) ccxcix. Burns, Robert (1759— 1796) cxxv, cxxxii, cxxxix, cxliv, cxlviii, cxlix CL, CLI, CLIII, CLV, CLVI. Byron, George Gordon Noel (1788 — 1824) CLXix, CLXXI, CLXXiii, cxc, ecu, CCIX, CCXXII, CCXXXII. Campbell, Thomas (1777 — 1844) clxxxi, clxxxiii, clxxxvh, cxcvii, ccvi. CCVII, CCXV, CCLVI, CCLXII, CCLXVII, CCLXXXIII. Carew, Thomas (1589 — 1639) Lxxxvil. Carey, Henry ( 1743) cxxxi. Gibber, Colley (1671 — 1757) cxix, Coleridge, Hartley (1796 — 1849) clxxv. Coleridge, Samuel Taylor (1772 — 1834) CLXViii, CCLXXX. Collins, WiUiam (1720 — 1756) cxxiv, cxli, cxlvl Collins, (i8th Century) CLXiv. Constable, Henry (156- ? — 1604 ?) xv. Cowley, Abraham (1618— 1667) cii. COWPER, William (173I— 1800) CXXIX, CXXXIV, CXLIII, CLX, CLXI, CLXII ccxcvii, ccxcvni. Crashaw, Richard (1615 ? — 1652) LXXIX. Cunningham, Allan (1784— 1842) ccv. Daniel, Samuel (1562 — 1619) xxxv. Dekker, Thomas ( 1638 ?) LIV. Drayton, Michael (1563— 1631) xxxvii. Drummond, William (1585 — 1649) ii> XXXVIII, XLIII, LV, LVIII, LIX, LXI. Dryden, John (1631 — 1700) Lxiii, cxvi. Elliott, Jane (i8th Century) cxxvi. Fletcher, John (1576— 1625) civ. 346 INDEX OF WRITERS. Gay, John (1688 — 1732) cxxx. Goldsmith, Oliver (1728 — 1774) cxxxviii. Graham, (1735 — 1797) cxxxiii. Gray, Thomas (1716 — 1771) cxvn, cxx, cxxni, cxl, cxlii, cxlvii, clviii, CLIX. Herbert, George (1593 — 1632) lxxiv. HERRICK, Robert (159I — 1674?) LXXXn, LXXXVIII, XCII, XCIII, xcvi, cix, ex, ccxcni, Heywood, Thomas ( 1649?) LH. Hood, Thomas (1798 — 1845) CCXXIV, CCXXXI, CCXXXV. JoNSON, Ben (1574— 1637) Lxxni, Lxxvin, xc. Keats, John (1795 — 1821) clxvi, clxvh, cxci, cxciii, cxcvki, cxcix, CCXXIX, CCXLIV, CCLV, CCLXX, CCLXXXIV. Lamb, Charles (1775—1835) ccxx, ccxxxiii, ccxxxvil. Lindsay, Anne (1750 — 1825) clii. Lodge, Thomas (1556 — 1625) xvi. Logan, John (1748 — 1788) cxxvii. Lovelace, Richard (1618 — 1658) Lxxxiii, xcix, C. Lylye, John (1554 — 1600) LI. Marlowe, Christopher (1562 — 1593) v. Marvell, Andrew (1620 — 1678) LXV, CXI, CXIV. MrcKLE, William Juhus (1734 — 1788) CLiv. Milton, John (1608 — 1674) lxii, lxiv, lxvi, lxx, lxxi, lxxvi, lxxvii, LXXXV, CXII, CXIII, cxv. Moore, Thomas (1780— 1852) clxxxv, cci, ccxvii, ccxxi, ccxxv. Nairn, Carolina (1766 — 1845) clvii. Nash, Thomas (1567 — 1601 ?) i. Philips, Ambrose (1671 — 1749) cxxi. Pope, Alexander (1688 — 1744) cxviii. Prior, Matthew (1664— 1721) cxxxvii. Quarles, Francis (1592 — 1644) CCXCIV. Rogers, Samuel (1762— 1&55) cxxxv, CXLV. Scott, Walter (1771 — 1832) cv, clxx, clxxxit, clxxxvi, cxcii, cxciv, CXCVI, CCIV, CCXXX, CCXXXIV, CCXXXVI, ccxxxix, cclxiii. Sedley, Charles (1639 — 1701) Lxxxi, xcviii. Sewell, George ( 1726) CLXiii. Shakespeare, William (1564 — 1616) iii, iv, vi, vii, viii, x, xi, xii, xiii, xiv, XVIII, XIX, XX, XXIII, XXVI, XXVII, XXVIII, XXIX, XXX, XXXI, XXXII, XXXVI XXXIX, XLII, XLIV, XLV, XLVI, XLVIII, XLIX, L, LVI, LX, CCLXXXIX. INDEX OF WRITERS. 347 Shelley, Percy Bysshe (1792— 1822) CLXxn, clxxvi, clxxxiv, clxxxviii, CXCV, CCIII, CCXXVI, CCXXVII, CCXLI, CCXLVI, CCLII, CCLIX, CCLX, CCLXIV, CCLXV, CCLXVIII, CCLXXI, CCLXXIV, CCLXXV, CCLXXVII, CCLXXXV, ccLxxxvin. Shirley, James (1596 — 1666) Lxvni, LXix. Sidney, Philip (1554 — 1586) xxiv, ccxc. Smart, Christopher (1722— 1770) CCXCV. SOUTHEY, Robert (1774— 1843) CCXVI, CCXXVIII. Spenser, Edmund (1553 — 1598-9) liii. Suckling, John (1608-9 — 1641) ci, Sylvester, Joshua (1563— 1618) xxv. Thomson, James (1700— 1748) cxxii, cxxxv. Vaughan, Henry (1621 — 1695) Lxxv, ccxciv, Vere, Edward (1534— 1604) XLI. Waller, Edmund (1605 — 1687) Lxxxix, xcv. Webster, John ( 1638 ?) XLVii. Wither, George (1588 — 1667) cin. Wolfe, Charles (1791 — 1823) ccxviii, ccc. Wordsworth, William (1770 — 1850) clxxiv, clxxvii, clxxviii, clxxix, CLXXX, CLXXXIX, CC, CCVIII, CCX, CCXI, CCXII, CCXIII, CCXIV, CCXIX, CCXXIil, CCXXXVIII, CCXL, CCXLII, CCXLIII, CCXLV, CCXLVII, CCXLVIII, CCXLIX, CCL, CCLI, CCLIII, CCLIV, CCLVII, CCLVIII, CCLXI, CCLXVI, CCLXIX, CCLXXII, CCLXXIII, CCLXXVI, CCLXXVIII, CCLXXIX, CCLXXXI, CCLXXXII, CCLXXXVI, CCLXXXVII, CCCI. WOTTON, Henry (1563 — 1639) LXXII, LXXXIV. Wyat, Thomas (1503 — 1542) xxi, xxxill. INDEX OF FIRST LINES. PA6B Abserice, hear thou my protestation i6 A Chieftain to the Highlands bound i88 A flock of sheep that leisurely pass by 280 Ah, Chloris ! could I now but sit 78 Ah ! County Guy, the hour is nigh 192 All in the Downs the fleet was moor'd 131 All thoughts, all passions, all delights 177 And are ye sure the news is true 160 And is this — Yarrow? — This the Stream 271 And thou art dead, as young and fair 205 And wilt thou leave me thus 29 Ariel to Miranda : — Take 262 Art thou pale for weariness 280 Art thou poor, yet hast thou golden slumbers 45 As it fell upon a day 30 As I was walking all alane 96 A slumber did my spirit seal 187 As slow our ship her foamy track 226 A sweet disorder in the dress 85 At the corner of Wood Street, when daylight appears 261 At the mid hour of night, when stars are weeping, I fly 205 Avenge, O Lord ! thy slaughter'd Saints, whose bones 59 Awake, Aeolian lyre, awake 139 Awake, awake, my Lyre 90 A weary lot is thine, fair maid 200 A wet sheet and a flowing sea 209 A widow bird sate mourning for her Love 280 Bards of Passion and of Mirth 175 Beauty sat bathing by a spring 2I Behold her, single in the field 260 Being your slave, what should I do but tend 17 Beneath these fruit-tree boughs that shed 251 Best and Brightest, come away 274 ' Bid me to live, and I will live 87 Blest pair of Sirens, pledges of Heaven's joy iii Blow, blow, thou winter wind 35 Bright Star ! would I were steadfast as thou art 203 INDEX OF FIRST FINES. 349 PAGE Call for the robin red-breast and the wren 37 Calm was the day, and through the trembling air 40 Captain, or Colonel, or Kniglit in arms 70 Care-charmer Sleep, son of the sable Night 31 Come away, come away, Death 36 Come live with me and be my Love 14 ComeSLeep: O Sleep ! the certain knot of peace 319 Come unto these yellow sands 319 Crabbed Age and Youth 14 Cupid and my Campaspe play'd 39 Cyriack, whose grandsire, on the royal bench 74 Daughter of Jove, relentless power 167 Daughter to that good earl, once President , . 81 Degenerate Douglas ! O the unworthy lord 257 Diaphenia like the daffadowndilly 19 Doth then the world go thus, doth all thus move 48 Down in yon garden sweet and gay 129 Drink to me only with thine eyes 84 Duncan Gray cam here to woo 159 Earl March look'd on his dying child 203 Earth has not anything to show more fair 256 E'en like two little bank-dividing brooks 320 Eternal Spirit of the chainless Mind 215 Ethereal minstrel ! pilgrim of the sky 248 Ever let the Fancy roam 2B3 Fair Daffodils, we weep to see 98 Fair pledges of a fruitful tree ' . 97 Farewell ! thou art too dear for my possessing 28 Fear no more the heat o' the sun 36 For ever, Fortune, wilt thou prove 137 Forget not yet the tried intent 23 Four Seasons fill the measure of the year 312 From Harmony, from heavenly Harmony 57 From Stirling Castle we had seen 269 Full fathom five thy father lies 37 Gather ye rose-buds while ye may 79 Gem of the crimson-colour'd Even 193 Get up, get up for shame ! The blooming morn 321 Go fetch to me a pint o' wine 134 Go, lovely Rose ■ . . . 83 Hail to thee, blithe Spirit 248 Happy the man, whose wish and care . . . •. 117 Happy those early days, when I 73 He that loves a rosy cheek o . . 85 350 INDEX OF FiRST LINES. PAGB He is gone on the mountain 240 He sang of God, the mighty source 323 Hence, all you vain delights . 92 Hence, loathed Melancholy 100 Hence, vain deluding Joys 105 How delicious is the winning igo How happy is he born and taught 71 How like a winter hath my absence been 17 How sleep the Brave who sink to rest . , 126 How sweet the answer Echo makes . . . 192 How vainly men themselves amaze 98 I am monarch of all I survey 168 I arise from dreams of Thee 182 I dream'd that as I wander'd by the way 282 I fear thy kisses, gentle maiden 185 I have had playmates, I have had companions 225 I have no name 327 I heard a thousand blended notes 287 I met a traveller from an antique land 256 I remember, I remember . 228 I saw Eternity the other nighty 323 I saw where in the shroud did lurk 243 I travell'd among unknown men 186 I wander'd lonely as a cloud 264 I was thy neighbour once, thou rugged Pile 302 I wish I were where Helen lies , 95 If aught of oaten stop or pastoral song 150 If doughty deeds my lady please .... 135 If I had thought thou couldst have died .... 327 If Thou survive my well-contented day .... 38 If to be absent were to be 89 If women could be fair, and yet not fond 34 I'm wearing awa', Jean 163 In a drear-nighted December 197 In the downhill of life, when I find I'm declining 17: In the sweet shire of Cardigan 22a It is a beauteous evening, calm and free 278 It is not Beauty I demand 81 It is not growing like a tree 72 It was a lover and his lass 16 It was a summer evening 219 I've heard them lilting at our ewe-milking 127 John Anderson my jo, John , 163 Lawrence, of virtuous father virtuous son 74 Let me not to the marriage of true minds 24 Life ! I know not what thou art 17, INDEX OF FIRST IINES. 351 PAGE Life of Life f Thy lips enkindle 286 Like as the waves make towards the pebbled shore 28 Like to the clear in highest sphere 20 Love not me for comely grace 87 Lo ! where the rosy-bosom'd Hours 145 Many a green isle needs must be 295 Mary ! I want a lyre with other strings 17c Milton! thou shouldst be living at this hour 217 Mine be a cot beside tlie hill 149 Mortality, behold and fear 68 Most sweet it is with unuplifted eyes 283 Much have I travell'd in tlie realms of gold 175 Music, when soft voices die 318 My heart aclies, and a drowsy numbness pains 25 My days among the Dead are past , 233 My heart leaps up when I behold 312 My love in her attire doth shew lier wit 86 My lute, be as thou wert when thou didst grow 32 My thoughts hold mortal strife 35 My true-love hatli my heart, and I have his 25 No longer mourn for me when I am dead 38 Not a drum was heard, not a funeral note 221 Not, Celia, that I juster am 88 Now the golden Morn aloft 116 Now the last day of many days 275 O blithe new-comer ! I have heard 253 O Brignall banks are wild and fair 180 O Friend ! I know not which way I must look 216 O happy shades 1 to me unblest ! 324 O if thou knew'st how thou thyself dost harm 24 O listen, listen, ladies gay 240 O lovers' eyes are sharp to see 202 O Mary, at thy window be . . _. = 155 O me ! what eyes hath love put in my head 33 O Mistress mine, where are you roaming » . . . . 26 O my Luve's like a red, red rose 157 O never say that I was false of heart 18 O saw ye bonnie Lesley 156 O say what is that thing call'd Light 118 O snatch'd away in beauty's bloom 238 O talk not to me of a name great in story 179 O waly waly up the bank 94 O what can ail thee, knight-at-arms 199 O wild West Wind, thou breath of Autumn's being 300 O World ! O Life ! O Time 312 Obscurest night involved the sky . , , 323 352 INDEX OF FIRST LINES. PAGE Of all the girls that are so smart 133 Of a' the airts the wind can blaw 162 Of Nelson and the North 211 Of this fair volume which we World do name 47 Oft in the stilly night 229 On a day, alack the day 23 On a Poet's lips I slept 304 On Linden, when the sun was low 218 Once did She hold the gorgeous East in fee 216 One more Unfortunate „ 235 One word is too often profaned 207 Our bugles sang truce, for the night-cloud had lower'd 281 Over the mountains -j-j Pack, clouds, away, and welcome day 39 Phoebus, arise 11 Pibroch of Donuil Dhu 208 Poor Soul, the centre of my sinful earth 46 Proud Maisie is in the wood 234 Queen and Huntress, chaste and fair 75 Rarely, rarely, comest thou 230 Ruin seize thee, ruthless King 122 Season of mist and mellow fruitfulness . » 266 Shall I compare thee to a summer's day 22 Shall I, wasting in despair ^ 91 She dwelt among the untrodden ways .... 185 She is not fair to outward view 184 She walks in beauty, like the night 183 She was a phantom of delight 184 Since brass, nor stone, nor earth, nor boundless sea 13 Since there's no help, come let us kiss and part 32 Sleep on, and dream of Heaven awhile 136 Souls of Poets dead and gone 233 Spring, the sweet Spring, is the year's pleasant king 11 Star that bringest home the bee , 278 Stern Daughter of the voice of God 213 Surprized by joy — impatient as the wind , . <. 204 Sweet, be not proud of those two eyes 83 Sweet Highland Girl, a very shower . . . <, 258 Sweet stream, that winds through yonder glade 136 Swiftly walk over the western wave 194 Take O take those lips away ..,. 7 .-.■.... = .. . 31 Tax not the royal Saint with vain expense ..„.., 305 Tell me not, Sweet, I am unkind .,.-,.... 80 Tell me where is Fancy bred . i ,....,,...,.. . 39 INDEX OF FIRST FINES. 353 PAGE That time of year thou may'st in me behold 27 That which her slender waist confined 86 The curfew tolls the knell of parting day 151 The forward youth that would appear 59 The fountains mingle with the river 191 The glories of our blood and state 69 Tlie last and greatest Herald of Heaven's King 49 The lovely lass o' Inverness 126 The merchant, to secure his treasure 137 The more we live, more brief appear 311 The poplars are fell'd, farewell to the shade 147 The sun is warm, the sky is clear ; 232 The sun upon the lake is low 279 The twentieth year is well nigh past 170 The World is too much with us ; late and soon , . . . . 304 The World's a bubble, and the Life of Man 46 There be none of Beauty's daughters 182 There is a flower, the Lesser Celandine 227 There is a garden in her face 85 There's not a joy the world can give like that it takes away 227 There's not a nook within this solemn Pass 328 There was a time when meadow, grove, and stream ........ 313 They that have power to hurt, and will do none .... 29 This is the month, and this the happy morn 50 This Life, which seems so fair 46 Three years she grew in sun and shower 186 Thy braes were bonny, Yarrow stream 127 Thy hue, dear pledge, is pure and bright 93 Timely blossom, Infant fair 120 Tired with all these, for restful death I cry 48 Toll for the Brave . . . 130 To me, fair Friend, you never can be old 19 'Twas at the royal feast for Persia won iii 'Twas on a lofty vase's side 119 Two Voices are there, one is of the Sea 215 Under the greenwood tree 15 Verse, a breeze 'mid blossoms straying , 305 Victorious men of earth, no more c . 69 Waken, lords and ladies gay . 247 Wee, sleekit, cow'rin', tim'rous beastie 148 Were I as base as is the lowly plain 25 We talk'd with open heart, and tongue 309 We walk'd along, while bright and red 307 We watch'd her breathing thro' the night 240 Weep you no more, sad fountains 320 Whenas in silks my Julia goes c ,.,..... . 86 354 INDEX OF FIRST II NFS. PAGE When Britain first at Heaven's command 121 When first the fiery-mantled Sun 267 When God at first made Man 72 When he who adores thee has left but the name 221 When icicles hang by the wall 26 When I consider how my light is spent ' 70 When I have borne in memory what has tamed 217 When I have fears that I may cease to be 204 When I have seen by Time's fell hand defaced 13 When I think on the happy days 324 When in disgrace with fortune and men's eyes . 18 When in the chronicle of wasted time 22 When lovely woman stoops to foKy 138 When Love with unconfined wings 88 When maidens such as Hester die 239 When Music, heavenly maid, was young 142 When Ruth was left half desolate , 288 When the lamp is shatter'd 201 When the sheep are in the fauld, and the kye at hame 158 When to the sessions of sweet silent thought 27 When we two parted > . 196 Where art thou, my beloved Son , , 244 Where shall the lover rest 197 Where the bee sucks, there suck I , . . 319 Where the remote Bermudas ride 109 While that the sun with his beams hot 33 Whoe'er she be 75 Why art thou silent ! Is thy love a plant ', . . 195 Why, Damon, with the forward day 172 Why so pale and wan, fond lover 90 Why weep ye by the tide, ladie 189 With little here to do or see 265 Ye banks and braes and streams around 138 Ye banks and braes o' bonnie Doon I57 Ye distant spires, ye antique towers 164 Ye Mariners of England 21G Yes, there is holy pleasure in thine eye . 257 Yet once more, O ye laurels, and once more 63 Vou meaner beauties of the night c • • 80 741 ff C' ^'^'%, / '<^ ,-iV- ^^ a^/fr/^' C^' .^ ^. , V-. .Ss' A ^ ■-^^ c^ ■V ■^^ ^V^'' ^V •J) (C X. ,#^^ ^ I- '"^ ' r ^/ C>^ ^-^ •«•> - ^^ . ^^<^v^ ,.^ ;^ ><^. ^ ^ <:.^ ' H 6 ^ \\ '^ ,-0^ c A V, o .# > *' t5'""'y'^~'-i •0' .«: ij v. V-. ^^ A^- ^/->. '^^> .^v y"-^. fl * -/■' ^^s p^ y-' ^'>. oV' - - '^' aV '^r. p^ y .^^ '^ V-, <:a >^" v^^ ''t. ^^ ^ .0^ LIBRARY OF CONGRESS 013 999 654 9 ^mi fi.!:v