'-'^■L. z,'- ^ "^A. /-#' <" ^f I V ."O' % * .0 K ^ ^sV^ ^\,..^-.^' V ^ ■n.. , \ I '^^ >*" ^y2^ -^ . ^^C ■0 ^,. A^' -V^ * '-%- S"^' '"- ''O "' / .^^ ■'^.. % •"oo^ r A' o . ^^ .0^. / AN AUTOBIOGRAPHY BY ANTHONY TEOLLOPE AUTHOR OP "the WARDEN" " BARCHESTER TOWERS " "DOCTOR TIIORNE "fRAMLEY parsonage" "he knew HE WAS RIGHT" " PHINEAS FINN " " THE PRIME MINISTER " ETC. NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE 1883 ANTHONY TROLLOPB'S WORKS. AUTOBIOGRAPHY. 12mo, Cloth,$l 25; 4to, Pa- per, 20 cents. AN EYE FOR AN EYE. 4to, Paper, 10 cents. AYALAS ANGEL. 4to. Paper, 20 cejits. BROWN, JONES, AND ROBINSON. 8vo, Paper, 3.1 cents. CAN YOU FORGIVE HER? Illustrated. 8vo, Paper, 8U cents. CASTLE RICHMOND. 12mo, Cloth, $1 50. COUSIN HENRY. 4to, Paper, 10 cents. DOCTOR THORNE. 12mo, Cloth, $1 50 ; 8vo, Paper, 50 cents. DR. AVORTLES SCHOOL. 4to, Paper, 15 cents. FRAMLEY PARSONAGE. 4to, Paper, 15 cents. HARRY HEATHCOTE OF GANGOIL. Illus- trated. 8vo, Paper, 20 cents. HE KNEW HE WAS RIGHT. 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THE GOLDEN LION OF GRANPERE. Hlus- trated. Svo, Cloth, 90 cents ; Paper, 40 cents. THE LADY OF LAUNAY, 32mo, Paper, £0 cents. THE LAST CHRONICLE OF BARSET. Illns- trated. Svo, Paper, 90 cents, THE LIFE OF CICERO, 2 vols., 12mo, Cloth, $3 00. THE Lli-'E OF THACKERAY. 12mo, Cloth, 75 cents. THE PRI.ME MINISTER. Svo, Paper, 60 cents. THE SMALL HOU.SE AT ALLINGTON. Illus- trated. Svo, Paper, 75 cents. THE THREE CLERKS. 12mo, Cloth, $1 50, THE VICAR OF BULLHAMPTON, Illustrated. Svo, Cloth, $1 30; Paper, 80 cents, THE WARDEN. — BARCHESTER TOWERS. Complete in One Volume. Svo, Paper, 60 cents. THE WAY AVE LIVE NOW, Illustrated. Svo, Paper, 90 cents. THOMPSON HALL. Illustrated. 32mo, Paper, 20 cents. WHY FRAU FROHMANN RAISED HER PRICES, and Other Stories. 4to, Paper, 10 cents. Published by HARPER & BROTHERS, New York. t^ Harper & BroVhkrs ivill send any of the above works hy mail, postage prepaid, to any part of the • ', * United States, on receipt of the price. PEEPACE. It may be well that I should put a short preface to this book. In the summer of 1878 my father told me that he had written a memoir of his own life. He did not speak about it at length, but said that he had writ- ten me a letter, not to be opened until after his death, containing instructions for publication. This letter was dated 30th April, 1876. I will givc( here as much of it as concerns the public : " I wish you to accept, as a gift from me, given you now, the accom- panying pages, wliich contain a memoir of my life. My intention is that they shall be published after my death, and be edited by you. But I leave it altogether to your discretion whether to publish or to suppress the work — and also to your discretion whether any part or what part shall be omitted. But I would not wish that anything should be added to tlie memoir. If you wish to say any word as from yourself, let it be done in the shape of a preface or introductory chapter." At the end there is a postscript: '^The publication, if made vi Preface. at all, should be effected as soon as possible after my death." My father died on the 6th of December, 1882. It will be seen, therefore, that my duty has been merely to pass the book through the press, conformably to the above instructions. The few foot-notes are my father's own additions or corrections. And I have made no alterations. I have suppressed some few pass- ages, but not more than w^ould amount to two printed pages has been omitted. My father has not given any of his own letters, nor was it his wish that any should be published. I see from my father's manuscript, and from his pa- pers, that the first two chapters of this memoir were WTitten in the latter part of 1875, that he began the ^third chapter early in January, 1876, and that he fin- Mfshed the record before the middle of April in that \year. I state this, though there are indications in the book by which it might be seen at what time the me- moir was being written. So much I would say by way of preface. And I think I may also give in a few words the main inci- dents in my father's life after he completed his autobi- ography. He has said that he had given up hunting; but he still kept two horses for such riding as may be had in or about the immediate neighborhood of London. He continued to ride to the end of his life ; he liked the Preface. vii exercise, and I think it would have distressed him not to have had a horse in his stable. But he never spoke willingly on hunting matters. He had at last resolved to give up his favorite amusement, and that, as far as he was concerned, there should be an end of it. In the spring of 1877 he went to South Africa, and returned early in the following year with a book on the colony already written. In the summer of 1878 he was one of a party of ladies and gentlemen who made an expedition to Iceland in the Mastiffs one of Mr. John Burns's steam- ships. The journey lasted altogether sixteen days, and during that time Mr. and Mrs. Burns were the hospita- ble entertainers. When my father returned, he wrote a short account of ''How the Mastiff y^^^wi to Iceland." The book was printed, but was intended only for pri- vate circulation. Every day, until his last illness, my father continued his work. He would not otherwise have been happy. He demanded from himself less than he had done ten years previously, but his daily task was always done. I will mention now the titles of his books that were pub- lished after the last included in the list which he him- self has given at the end of the volume : An Eye for an Eye 1879 Cousin Henry 1879 Thackeray , 1879 The Duke's Children 1880 Life of Cicero 1880 Ayala's Angel 1881 Doctor Wortle's School 1881 viii Preface. Frau Frohmann and other Stories 1882 Lord Palmerston 1882 The Fixed Period 1 882 Kept in the Dark 1882 Marion Fay 1 882 Mr. Scarborough's Family 1883 At the time of his death he had written four fifths of an Irish storj^ called " The Land-Leaguers," shortly about to be pubhshed ; and he left in manuscript a completed novel, called " An Old Man's Love," which will be pub- lished by Messrs. Blackwood & Sons in 1884. In the summer of 1880 my father left London, and went to live at Ilarting, a village in Sussex, but on the confines of Hampshire. I think he chose that spot be- cause he found there a house that suited him, and be- cause of the prettiness of the neighborhood. His last long journey was a trip to Italy in the late winter and spring of 1881 ; but he went to Ireland twice in 1882. He went there in May of that year, and was then absent nearly a month. This journey did him much good, for he found that the softer atmosphere relieved his asthma, from which he had been suffering for nearly eighteen months. In August following he made another trip to Ireland, but from this journey he derived less benefit. He vras much interested in, and was very much dis- tressed by, the unhappy condition of the country. Few men knew Ireland better than he did. He had lived there for sixteen years, and his Post-ofiice work had tak- en him into every part of the island. In the summer of 1882 he began his last novel, " The Land-Leaguers," Preface. ix which, as stated above, was unfinished when he died. This book was a cause of anxiety to him. He could not rid his mind of the fact that he had a story already in the course of publication, but which he had not yet completed. In no other case, except " Framley Par- sonage," did my father publish even the first number of any novel before he had fully completed the whole tale. On the evening of the 3d of November, 1882, he w^as seized with paralysis on the right side, accompanied by loss of speech. His mind also had failed, though at in- tervals his thouo^hts would return to him. After the first three weeks these lucid intervals became rarer, but it was always very diflicult to tell how far his mind was sound or how far astray. He died on the evening of the 6th of December following, nearly five weeks from the night of his attack. I have been led to say these few words, not at all from a desire to supplement my father's biography of himself, but to mention the main incidents in his life after he had finished his own record. In what I have here said I do not think I have exceeded his instruc- tions. Heney M. Teollope. September, 1883. A* CONTENTS. CHAP. PAGH I. MY EDUCATION, 1815-1834 1 II. MY MOTHER 18 HI. THE GENERAL POST-OFFICE, 1834-1841 . . . . 31 IV. IRELAND. MY FIRST TWO NOVELS, 1841-1848 . . 54 V. MY FIRST SUCCESS, 1849-1855 72 VI. "BARCHESTER towers" AND THE "THREE CLERKS," 1855-1858 91 VII. " DOCTOR TIIORNE." " THE BERTRAMS." " THE WEST INDIES AND THE SPANISH MAIN " . . . . 107 VIII. THE "CORNHILL MAGAZINE" AND " FRAMLEY PAR- SONAGE" 120 IX. " CASTLE RICHMOND." " BRO^VN, JONES, AND ROB- INSON. " NORTH AMERICA." "ORLEYFARM" . 140 X. "the small HOUSE AT ALLINGTON." "CAN YOU FORGIVE HER ?" " RACHEL RAY." THE " FORT- NIGHTLY REVIEAV " 156 XI. " THE CLAVERINGS." THE " PALL MALL GAZETTE." " NINA BALATKA." " LINDA TRESSEL " . . .177 XII. ON NOVELS AND THE ART OF WRITING THEM . . .193 XIII. ON ENGLISH NOVELISTS OF THE PRESENT DAY . .219 XIV. ON CRITICIS^f 235 xii Cowt&iits. OHAP. PAGE XV. "the last chronicle of BARSET." LEAVING THE rOST-OFFICE. " ST. PAUL's MAGAZINE ". . 244 XVI. BEVERLEY 261 XVII. THE AMERICAN POSTAL TREATY. THE QUESTION OF COPYRIGHT WITH AMERICA. FOUR MORE NOVELS 274 XVIII. " THE VICAR OF BULLHAMPTON." " SIR HARRY HOTSPUR." "an editor's TALES." " CiESAR " 290 XIX. " RALPH THE HEIR." " THE EUSTACE DIAMONDS." " LADY ANNA." " AUSTRALIA " 305 XX. "the way we live now" and "the PRIME MINISTER." CONCLUSION 312 AUTOBIOGRAPHY OP ANTHONY TROLLOPS. Chaptek I. MY EDUCATION. 1815-1834. In writing these pages, which, for the want of a bet- ter name, I shall be fain to call the autobiography of so insignificant a person as myself, it will not be so much my intention to speak of the little details of my private life as of what I, and perhaps others round me, have done in literature ; of my failures and successes, such as they have been, and their causes ; and of the opening which a literary career offers to men and women for the earning of their bread. And yet the garrulity of old age, and the aptitude of a man's mind to recnr to the passages of his own life, will, I know, tempt me to say something of myself ; nor, without doing so, should I know how to throw my matter into any recognized and intelligible form. That I, or any man, should tell everything of himself I hold to be impossible. Who could endure to own the doing of a mean thing? Who 1 2 Autobiography of Anthony Trollope. is tliere that has done none? But this I protest — that nothing that I saj shall be untrue. I will set down naught in malice ; nor will I give to myself, or others, honor which I do not believe to have been fairly won. My boyhood was, I think, as unhappy as that of a young gentleman could well be, my misfortunes arising from a mixture of poverty and gentle standing on the part of my father, and from an utter want on my own part of that juvenile manhood which enables some boys to hold up their heads even among the distresses which such a position is sure to produce. I was born in 1815, in Keppel Street, Russell Square, and w^hile a baby was carried down to Harrow, where my father had built a house on a large farm which, in an evil hour, he took on a long lease from Lord E"orth- wick. That farm was the grave of all my father's hopes, ambition, and prosperity, the cause of my moth- er's sufferings and of those of her children, and perhaps the director of her destiny and of ours. My father had been a Wykamist and a fellow of New College, and Winchester was the destination of my brothers and my- self ; but, as he had friends among the masters at Har- row, and as the school offered an education almost gra- tuitous to children living in the parish, he, with a certain aptitude to do things differently from others, which ac- companied him throughout his life, determined to use that august seminary as a "t'other school" for Win- chester, and sent three of us there, one after the other, at the age of seven. My father at this time was a Chancery barrister practising in London, occupying dingy, almost suicidal, chambers at No. 23 Old Square, Lincoln's Inn — chambers which, on one melancholy oc- Mij Education. 3 casion, did become absolutely suicidal.* He was, as I have been informed bj those quite competent to know, an excellent and most conscientious lawyer, but plagued with so bad a temper that he drove the attorneys from him. In his early days he was a man of some small fortune and of higher hopes. These stood so high at the time of my birth tliat he was felt to be entitled to a country-house, as well as to that in Keppel Street ; and, in order that he might build such a residence, he took the farm. This place he called Julians, and the land runs up to the foot of the hill on which the school and church stand — on the side towards London. Things there went much against him : the farm was ruinous, and I remember that we all regarded the Lord North- wick of those days as a cormorant who was eating iis up. My father's clients deserted him. He purchased various dark, gloomy chambers in and about Chancery Lane, and his purchases always went wrong. Then, as a final, crushing blow, an old nncle, whose heir he was to have been, married and had a family ! The house in London was let, and also the house he built at Harrow, from which he descended to a farmhouse on the land, which I have endeavored to make known to some read- ers under the name of " Orley Farm." This place, just as it was when we lived there, is to be seen in the frontis- piece to the first edition of that novel, having had the good fortune to be delineated by no less a pencil than that of Jolm Millais. My two elder brothers had been sent as day-boarders to Harrow School from the bigger house, and may prob- * A pupil of his destroyed himself in the rooms. 4 Autobiography of Anthony TroUope. ablj have been received among the aristocratic crowd — not on equal terms, because a day-boarder at Harrow in those days w^as never so received, but, at any rate, as other day-boarders. I do not suppose that they were well treated, but I doubt whetlier they were subjected to the ignominy which I endured. I w^is only seven, and I think that boys at seven are now spared among tlieir more considerate seniors. I was never spared, and was not even allowed to run to and fro between our house and the school without a daily purgatory. No doubt my appearance was against me. I remember well, when I was still the junior boy in the school. Dr. Butler, the head master, stopping me in the street, and asking me, with all the clouds of Jove upon his brow and all the thunder in his voice, whether it was possible that Harrow School was disgraced by so disreputably dirty a little boy as I ? Oh, what I felt at that moment ! But I could not look my feelings. I do not doubt that I was dirty — but I think that he was cruel. He must have known me had he seen me as he was wont to see me, for he was in the habit of flogging me constantly. Perhaps he did not recognize me by my face. At this time I was three years at Harrow ; and, as far as I can remember, I was the junior boy in the school when I left it. Then I was sent to a private school at Sunbury, kept by Arthur Drury. This, I think, must have been done in accordance with the advice of Henry Drury, who was my tutor at Harrow School and my father's friend, and who may probably have expressed an opinion that my juvenile career was not proceeding in a satisfactory manner at Harrow. To Sunbury I went, and during My Education. 5 the two years I was there, though I never had any pocket-money, and seldom had much in the way of clothes, I lived more nearly on terms of equality with other boys than at any other period during my very prolonged school-days. Even here I was always in dis- grace. I remember well how, on one occasion, four boys were selected as having been the perpetrators of some nameless horror. What it was, to this day I can- not even guess ; but I was one of the four, innocent as a babe, but adjudged to have been the guiltiest of the guilty. We each had to write out a sermon, and my sermon was the longest of the four. During the whole of one term-time we wxre helped last at every meal. We w^ere not allowed to visit the playground till the sermon was finished. Mine was only done a day or two before the holidays. Mrs. Drury, when she saw us, shook her head with pitying horror. There w^ere ever so many other punishments accumulated on our heads. It broke my heart, knowing myself to be innocent, and suffering also under the almost equally painful feeling that the other three — no doubt wicked boys — were the curled darlings of the school, who would never have se- lected me to share their wickedness with them. I con- trived to learn, from words that fell from Mr. Drur}^, that he condemned me because I, having come from a public school, might be supposed to be the leader of wickedness ! On the first day of the next term he whis- pered to me half a word that perhaps he had been wrong. AVith all a stupid boy's slowness, I said noth- ing; and he had not the courage to carry reparation further. All that was fifty years ago, and it burns me now as though it w^ere yesterday. What lily-livered 6 Aut6biogra])hy of Anthony Trollope, curs those boys must have been not to have told the truth ! at any rate, as far as I was concerned. I remem- ber their names well, and almost wish to write them here. When I was twelve there came the vacancy at Win- chester College which I was destined to fill. My two elder brothers had gone there, and the younger had been taken away, being already supposed to have lost his cliance of JSTew College. It had been one of the great ambitions of my father's life that his three sons who lived to go to Winchester should all become fellows of New College. But that suffering man was never des- tined to have an ambition gratified. We all lost the prize which he struggled with infinite labor to put within our reach. Mj^ eldest brother all but achieved it, and afterwards went to Oxford, taking three exhibi- tions from the school, though he lost the great glory of a Wykamist. He has since made himself well known to the public as a writer in connection with all Italian subjects. He is still living, as I now write. But my other brother died early. While I was at Winchester my father's affairs went from bad to worse. He gave up his practice at the bar, and, unfortunate that he was, took another farm. It is odd that a man should conceive — and in this case a highly educated and a very clever man— that farming should be a business in which he might make money with- out any special education or apprenticeship. Perhaps of all trades it is the one in which an accurate knowl- edge of what things should be done, and the best man- ner of doing them, is most necessary. And it is one also for success in which a sufficient capital is indispen- My Education, 7 sable. He bad no knowledge, and, wben be took tbis second farm, no capital. Tbis was tbe last step pre- paratory to bis final ruin. Soon after I bad been sent to Wincbester my motber went to America, taking witb ber my brotber Henry and my two sisters, wbo were tben no more tban cbildren. Tbis was, I tbink, in 1827. I bave no clear knowledge of ber object, or of my fatber's; but I believe tbat be bad an idea tbat money migbt be made by sending goods — little goods, sucb as i^incusbions, pepper-boxes, and pocket-knives — out to tbe still unfurnisbed States ; and tbat sbe conceived tbat an opening migbt be made for my brotber Henry by erecting some bazaar or ex- tended sbop in one of tbe Western cities. Wbence tbe money came I do not know^, but tbe pocket-knives and tbe pepper-boxes were bougbt, and tbe bazaar built. I bave seen it since in tbe town of Cincinnati — a sorry building! But I bave been told tbat in tbose days it was an imposing edifice. My motber went first, witb my sisters and second brotber. Tben my fatber fol- lowed tbem, taking my elder brotber before be went to Oxford. But tbere was an interval of some year and a balf during wbicb be and I were at Wincbester to- getber. Over a period of forty years, since I began my man- bood at a desk in tbe Post - ofiice, I and my brotber, Tbomas Adolpbus, bave been fast friends. Tbere bave been bot words between us, for perfect friendsbip bears and allows bot words. Few brotbers bave bad more of brotberbood. But in tbose scbool-days be was, of all my foes, tbe worst. In accordance witb tbe practice of tbe college, wbicb submits, or did tben submit, mucb of 8 Autdbiograjphy of Anthony Trollope. the tuition of the younger boys to the elder, he was my tutor ; and in his capacity of teacher and ruler, he had studied the theories of Draco. I remember well how he used to exact obedience after the manner of that lawgiver. Hang a little boy for stealing apples, he used to say, and other little boys will not steal apples. The doctrine was already exploded elsewhere, but he stuck to it with conservative energy. The re- sult was that, as a part of his daily exercise, he thrashed me with a big stick. That such thrashings should have been possible at a school as a continual part of one's daily life, seems to me to argue a very ill condition of school discipline. At this period I remember to have passed one set of holidays — the midsummer holidays^ in my father's chambers in Lincoln's Inn. There was often a difficulty about the holidays — as to what should be done with me. On this occasion my amusement consisted in wandering about among those old, deserted buildings, and in reading Shakespeare out of a bi-columned edi- tion which is still among my books. It was not that I had chosen Shakespeare, but that there was nothing else to read. After a while my brother left "Winchester and ac- companied my father to America. Tlien another and a different horror fell to my fate. My college bills had not been paid, and the school tradesmen who adminis- tered to the wants of the boys w^ere told not to extend their credit to me. Boots, waistcoats, and pocket-hand- kerchiefs, which, with some slight superveillance, were at the command of other scholars, were closed luxuries to me. My schoolfellows, of course, knew that it was My Education. 9 so, and I became a pariah. It is the nature of boys to be cruel. I have sometimes doubted whether anions: each other they do usually suffer much, one from the other's cruelty ; but I suffered horribly ! I could make no stand against it. I had no friend to whom I could pour out my sorrows. I was big, and awkward, and ugly, and, I have no doubt, skulked about in a most un- attractive manner. Of course, I was ill-dressed and dirty. But, ah ! how well I remember all the agonies of my young heart ; how I considered whether I should always be alone ; whether I could not find my way up to the top of that college tower, and from thence put an end to everything ? And a worse thing came than the stoppage of the supplies from the shopkeepers. Every boy had a shilling a week pocket-money, which we called battels, and which was advanced to us out of the pocket of the second master. On one awful day the second master announced to me that my battels would be stopped. He told me the reason — the battels for the last half-year had not been repaid; and he urged his own unwillingness to advance the money. The loss of a shilling a week would not have been much — even though pocket-money from other sources never reached me — but that the other boys all knew it ! Every now and again, perhaps three or four times in a half-year, these weekly shillings were given to cer- tain servants of the college, in payment, it may be pre- sumed, for some extra services. And now, when it came to the turn of any servant, he received sixty-nine shillings instead of seventy, and the cause of the defal- cation was explained to him. I never saw one of those servants without feeling that I had picked his pocket. 1* 10 Autobiography of Anthony Trollope. When I had been at Winchester something over three years my fatlier returned to England and took me away. Whether this was done because of the ex- pense, or because my chance of New College was sup- posed to have passed away, I do not know. As a fact, I should, I believe, have gained the prize, as there oc- curred in my year an exceptional number of vacancies. But it would have served me nothing, as there would have been no funds for my maintenance at the univer- sity till I should have entered in upon the fruition of the founder's endowment, and my career at Oxford must have been unfortunate. AYhen I left Winchester I had three more years of school before me, having as yet endured nine. My father at this time, having left my mother and sisters, with my younger brother, in America, took himself to live at a wretched tumble-down farmhouse on the sec- ond farm he had hired, and I was taken there with liim. It was nearly three miles from Harrow, at Har- row Weald, but in the parish ; and from this house I was again sent to that school as a day-boarder. Let those who know what is the usual appearance and what the usual appurtenances of a boy at such a school, con- sider what must have been my condition among them, with a daily walk of twelve miles through the lanes, add- ed to the other little troubles and labors of a school life ! Perhaps the eighteen months which I passed in this condition, walking to and fro on those miserably dirty lanes, was the worst period of my life. I was now over fifteen, and had come to an age at which I could ap- preciate at its full the misery of expulsion from all social intercourse. I had not only no friends, but was My Education. li despised by all my companions. The farmhouse was not only no more than a farmhouse, but was one of those farmhouses which seem always to be in danger of falling into the neighboring horse-pond. As it crept downwards from house to stables, from stables to barns, from barns to cowsheds, and from cowsheds to dung-heaps, one could hardly tell where one began and the other ended ! There was a parlor in which my father lived, shut up among big books ; but I passed my most jocund hours in the kitchen, making innocent love to the bailiff's daughter. The farm kitchen might be very well through the evening, when the horrors of the school were over; but it all added to the cruelty of the days. A sizar at a Cambridge college, or a Bible- clerk at Oxford, has not pleasant days, or used not to have them half a century ago ; but his position was recognized, and the misery was measured. I was a sizar at a fashionable school, a condition never pre- meditated. What right had a wretched farmer's boy, reeking from a dung-hill, to sit next to the sons of peers — or, much worse still, next to the sons of big tradesmen who had made their ten thousand a year? The indignities I endured are not to be described. As I look back it seems to me that all hands were turned against me — those of masters as well as boys. I was allowed to join in no plays. Nor did I learn anything, for I was taught nothing. Tlie only expense, except that of books, to which a house-boarder was then sub- ject, was the fee to a tutor, amounting, I think, to ten guineas. My tutor took me without the fee; but when I heard him declare the fact in the pupil-room before the boys, I hardly felt grateful for the charity. I was 12 Autobiography of Anthony TroUojpe. never a coward, and cared for a thrashing as little as any boy, but one cannot make a stand against the acer- bities of three hundred tyrants without a moral courage, of which at that time I possessed none. I know that I skulked, and was odious to the eyes of those I admired and envied. At last I was driven to rebellion, and there came a great fight — at the end of which my op- ponent had to be taken home for a while. If these words be ever printed, I trust that some sclioolfellow of those days may still be left alive who w^ill be able to say that, in claiming this solitary glory of my school- days, I am not making a false boast. I wish I could give some adequate picture of the gloom of that farmhouse. My elder brother — Tom, as I must call him in my narrative, though the world, I think, knows him best as Adolphus — was at Oxford. My father and I lived together, he having no means of living except what came from the farm. My memory tells me that he was always in debt to his landlord and to the tradesmen he employed. Of self-indulgence no one could accuse him. Our table was poorer, I think, than that of the bailiff who still hung on to our shat- tered fortunes. The furniture w^as mean and scanty. There w^as a large, rambling kitchen -garden, but no gardener; and many times verbal incentives were made to me — generall}^, I fear, in vain — to get me to lend a hand at digging and planting. Into the hayfield on holidays I was often compelled to go — not, I fear, with much profit. My father's health was very bad. Dur- ing the last ten years of his life he spent nearly the half of his time in bed, suffering agony from sick-head- aches. But he was never idle unless when suffering. My Education. 13 He had at this time commenced a work — an Encyclo- paedia Ecclesiastica, as lie called it — on which he labored to the moment of his death. It was his am- bition to describe all ecclesiastical terms, including the denominations of every fraternity of monks and every convent of nuns, with all their orders and subdivisions. Under crushing disadvantages, with few or no books of reference, with immediate access to no library, he worked at his most ungrateful task with unflagging in- dustry. When he died, tliree numbers out of eight had been published by subscription ; and are now, I fear, unknown, and buried in the midst of that huge pile of futile literature, the building up of which has broken so many hearts. And my father, though lie w^ould try, as it were by a side wind, to get a useful spurt of work out of me, either in the garden or in the hay-field, had constantly an eye to my scholastic improvement. From my very babyhood, before those first days at Harrow, I had to take my place alongside of him as he shaved, at six o'clock in the morning, and say my early rules from the Latin Grammar, or repeat the Greek alphabet ; and was obliged at these early lessons to hold my head inclined towards him, so that, in the event of guilty fault, he might be able to pull my hair without stopping his razor or dropping his shaving-brush. JSTo father w^as ever more anxious for the education of his children, though I think none ever knew less how to go about the work. Of amusement, as far as I can remember, he never recognized the need. He allowed himself no distraction, and did not seem to think it was necessary to a child. I cannot bethink me of aught that he ever 14 Autobiography of Anthony Trollojpe. did for my gratification ; but for my welfare — for the welfare of us all — he was willing to make any sacrifice. At this time, in the farmhouse at Harrow Weald, he could not give his time to teach me, for every hour that he was not in tlie fields was devoted to liis monks and nuns; but he would require me to sit at a table with Lexicon and Gradus before me. As I look back on my resolute idleness and fixed determination to make no use whatever of the books thus thrust upon me, or of the hours, and as I bear in mind the consciousness of great energy in after-life, I am in doubt whether my nature is wholly altered, or whether his plan was wholly bad. In those days he never punished me, though I think I grieved him much by my idleness ; but in pas- sion he knew not what he did, and he has knocked me down with the great folio Bible which he always used. In the old house were the first two volumes of Coop- er's novel called " The Prairie," a relic — probably a dis- lionest relic — of some subscription to Hookham's library. Other books of the kind there was none. I wonder how many dozen times I read those first two volumes. It was the horror of those dreadful w^alks backwards and forwards which made my life so bad. AVhat so pleasant, what so sweet, as a walk along an English lane, wdien the air is sweet and the weather fine, and when there is a charm in walking ! But here were the same lanes four times a day, in wet and dr^^, in heat and summer, with all the accompanying mud and dust, and with disordered clothes. I might have been known among all the boys at a hundred yards' distance by my boots and trousers — and was conscious at all times that I was so known. I remembered constantly that ad- 3ly Education. 15 dress from Dr. Butler when I was a little boy. Dr. Longley might with equal justice have said the same thing any day, only that Dr. Longley never in his life was able to say an ill-natured word. Dr. Butler only became Dean of Peterborough, but his successor lived to be Archbishop of Canterburj^ I think it was in the autumn of 1831 that my mother, with the rest of the familj^, returned from America. She lived at first at the farmhouse, but it was only for a short time. She came back with a book written about the United States, and the immediate pecuniary success which that work obtained enabled her to take us all back to the house at Harrow — not to the first house, which would still have been beyond her means, but to that which has since been called Orley Farm, and which was an Eden as compared to our abode at Harrow AVeald. Here my schooling went on un- der somewhat improved circumstances. The three miles became half a mile, and probably some salutary changes were made in my wardrobe. My mother and my sisters, too, were there. And a great element of happiness was added to us all in the affectionate and life-enduring friendship of the family of our close neiglibor. Colonel Grant. But I was never able to overcome — or even to attempt to overcome — the abso- lute isolation of my school position. Of the cricket- ground or racket-court I was allowed to know nothing. And yet I longed for these things with an exceeding longing. I coveted popularity with a covetousness tliat was almost mean. It seemed to me that there would be an Elysium in the intimacy of those very boys whom I was bound to hate because they hated me. Some- 16 Autobiography of Anthony Trollope. thing of the disgrace of my school-days has ching to me all through life. jS'ot that I have ever shunned to si:)eak of them as openly as I am writing now, but that, when I have been claimed as schoolfellow by some of those many hundreds who were with me either at Har- row or at Winchester, I have felt that I had no right to talk of things from most of which I was kept in es- trangement. Through all my father's troubles he still desired to send me either to Oxford or Cambridge. My elder brother went to Oxford, and Henry to Cambridge. It all depended on my ability to get some scholarship that would help me to live at the university. I had many chances. There were exhibitions from Harrow — which I never got. Twice I tried for a sizarship at Clare Hall, but in vain. Once I made a futile at- tempt for a scholarship at Trinity, Oxford, but failed again. Then the idea of a university career was aban- doned. And very fortunate it was that I did not suc- ceed, for my career, with such assistance only as a scholarship would have given me, would have ended in debt and ignominy. When I left Harrow I was all but nineteen, and I had at first gone there at seven. During the whole of those twelve 3^ears no attempt had been made to teach me anything but Latin and Greek, and very little attempt to teach me those languages. I do not remember any les- sons either in writing or arithmetic. French and Ger- man I certainly was not taught. The assertion will scarcely be credited, but I do assert that I have no recollection of other tuition except that in the dead languages. At the school at Sunbury there was cer- My Education. 17 tainly a writing master and a French master. The latter was an extra, and I never had extras. I suppose I must have been in the writing master's class, but though I can call to mind the man, I cannot call to mind his ferule. It was by their ferules that I always knew them, and they me. I feel convinced in my mind that I have been flogged oftener than any human being alive. It was just possible to obtain five scourgings in one day at AVinchester, and I have often boasted that I obtained them all. Looking back over half a century, I am not quite sure whether the boast is true ; but if I did not, nobody ever did. And yet, when I think how little I knew of Latin or Greek on leaving Harrow at nineteen, I am astonished at the possibility of such waste of time. I am now a fair Latin scholar — that is to say, I read and enjoy the Latin classics, and could probably make myself under- stood in Latin prose. But the knowledge which I have, I have acquired since I left school — no doubt, aided much by that groundwork of the language which will in the process of years make its way slowly, even through the skin. There were twelve years of tuition in which I do not remember that I ever knew a lesson ! When I left Harrow I was nearly at the top of the school, being a monitor, and, I think, the seventh boy. This position I achieved by gravitation upwards. I bear in mind well with how prodigal a hand prizes used to be showered about — but I never got a prize. From the first to the last there was nothing satisfactory in my school career, except the way in which I licked the boy who had to be taken home to be cured. 18 Autobiography of Anthony Trolloj>e. Chaptee II. MY MOTHER. TnorGH I do not wisli in these pages to go back to the origin of all the Trollopes, I must say a few words of my mother — partly because filial duty will not allow me to be silent as to a parent who made for herself a considerable name in the literature of her day, and j)art- ly because there were circumstances in her career well worthy of notice. She was the daughter of the Eev. William Milton, vicar of Heckfield, who, as well as my father, had been a fellow of New College. She was nearly thirty when, in 1809, she married my father. Six or seven years ago a bundle of love-letters from her to him fell into my hand in a very singular way, having been found in the house of a stranger, who, with much courtes}^, sent them to me. They were then about sixty years old, and had been written some before and some after her marriage, over tlie space of perhaps a year. In no novel of Richardson's or Miss Barney's have I seen a correspondence at the same time so sweet, so graceful, and so well expressed. But the marvel of these letters was in the strange difference they bore to the love-letters of the present day. They are, all of them, on square paper, folded and sealed, and addressed to my father on circuit; but the language in each, tliougli it almost borders on the romantic, is beautifully My Mother. 19 chosen, and fit, without change of a syllable, for the most critical eye. What girl now studies the words with wliich she shall address her lover, or seeks to charm him with grace of diction ? She dearly likes a little slang, and revels in the luxury of entire familiarity with a new and strange being. There is something in that, too, pleasant to our thoughts, but I fear that this phase of life does not conduce to a taste for poetry among our girls. Though my mother was a writer of prose, and revelled in satire, the poetic feeling clung to her to the last. In the first ten years of her married life she became the mother of six children, four of wliom died of con- sumption at different ages. My elder sister married, and had children, of whom one still lives; but she was one of the four who followed each other at intervals during my mother's lifetime. Then my brother Tom and I were left to her, with the destiny before us three of writing more books than were probably ever before produced by a single family.^ M}^ married sister add- ed to the number by one little anonymous Higli-church story, called " Chollerton." From the date of their marriage up to 1827, when my mother went to America, my father's affairs had always been going down in the world. She had loved society, affecting a somewhat liberal role^ and professing an emotional dislike to tyrants, whicli sprung from tlie * The family of Estienne, the great French printers of the fifteenth and sixteenth centuries, of whom there were at least nine or ten, did more, perhaps, for the production of literature than any other family. But they, though they edited, and not unfrequently translated, the works which they published, were not authors in the ordinary sense. \ 20 Autobiography of Anthony Trollojpe. wrongs of would-be regicides and the poverty of patriot exiles. An Italian marquis who had escaped with only a second shirt from the clutches of some archduke whom he had wished to exterminate, or a French proU- taire with distant ideas of sacrificing himself to the cause of liberty^ jye^e always welcome to the modest hospitality of her house. In after -years, when mar- quises of another caste had been gracious to her, she became a strong Tory, and thought that archduchesses were sweet. But with her politics were always an af- fair of the heart, as, indeed, were all her convictions. Of reasoning from causes, I think that she knew noth- ing. Her heart was in every way so perfect, her desire to do good to all around her so thorough, and her power of self-sacrifice so complete, that she generally got her- self right in spite of her want of logic ; but it must be acknowledged that she was emotional. I can remem- ber now her books, and can see her at her pursuits. The poets she loved best were Dante and Spenser. But she raved also of him of whom all such ladies were raving then, and rejoiced in the popularity and wept over the persecution of Lord Byron. She was among those who seized with avidity on the novels, as they came out, of the then unknown Scott, and who could still talk of the triumphs of Miss Edgeworth. With the literature of the day she was familiar, and with the poets of the past. Of other reading I do not think she had mastered much. Her life, I take it, though latterly clouded by many troubles, was easy, luxurious, and idle, till my father's affairs and her own aspirations sent her to America. She had dear friends among literary peo- ple, of whom I remember Mathias, Henry Mil man, and My Mother. 21 Miss Landon ; but till long after middle life she never herself wrote a line for publication. In 1827 she went to America, having been partly in- stigated by the social and communistic ideas of a lady whom I well remember — a certain Miss Wright — who was, I think, the first of the American female lecturers. Her chief desire, how^ever, was to establish my brother Henry ; and perhaps joined with that was the addition- al object of breaking up her English home without pleading broken fortunes to all the world. At Cincin- nati, in the state of Ohio, she built a bazaar, and, I fancy, lost all the money which may have been embarked in that speculation. It could not have been much, and I think that others also must have suffered. But she looked about her, at her American cousins, and resolved to write a book about them. This book she brouojht back with her in 1831, and published it early in 1832. When she did this she was already fifty. When doing it she was aware that unless she could so succeed in making money, there was no money for any of the family. She had never before earned a shilling. • She almost immediately received a considerable sum from the publishers — if I remember rightly, amounting to two suras of £400 each, within a few months ; and from that moment till nearly tlie time of her death, at any rate, for more than twenty years, she was in the receipt of a considerable income from her writings. It was a late age at which to begin such a career. "The Domestic Manners of the Americans" was the first of a series of books of travels, of which it was probably the best, and was certainly the best -known. It will not be too much to say of it that it had a mate- 23 Autobiography of Anthony Trollojpe. rial effect upon the manners of the Americans of the day, and that that eifect has been fully appreciated by them. ]S"o observer was certainly ever less qualified to judge of the prospects or even of the happiness of a young people. No one could have been worse adapted by nature for the task of learning whether a nation was in a way to thrive. Whatever she saw she judged, as most women do, from her own standing -point. If a thing were ugly to her eyes, it ought to be ugly to all eyes — and if ugly, it must be bad. What though peo- ple had plenty to eat and clothes to wear, if they put their feet upon the tables and did not reverence their betters ? The Americans were to her rough, uncouth, and vulgar — and she told them so. Those communistic and social ideas, which had been so pretty in a drawing- room, were scattered to the winds. Her volumes were very bitter ; but they were very clever, and they saved the family from ruin. Book followed book immediately — first, two novels, and then a book on Belgium and Western Germany. She refurnished the house which I have called Orley Farm, and surrounded us again with moderate com- forts. Of the mixture of joviality and industry which formed her character it is almost impossible to speak with exaggeration. The industry was a thing apart, kept to herself. It was not necessary that any one who lived with her should see it. She was at lier table at four in the morning, and had finished her work before the world had begun to be aroused. But the joviality was all for others. She could dance with other peo- ple's legs, eat and drink with other people's palates, be proud with the lustre of other people's finery. Every My Mother. 23 motlier can do that for lier own daughters; but she could do it for any girl whose look, and voice, and man- ners pleased her. Even when she was at work, the laughter of those she loved was a pleasure to her. She had much, very much, to suffer. Work sometimes came hard to her, so much being required — for she was ex- travagant, and liked to have money to spend ; but of all people I have known she was the most joyous, or, at any rate, the most capable of joy. We continued this renewed life at Harrow for nearly two years, during which I was still at the school, and at the end of which I was nearly nineteen. Then there came a great catastrophe. My father, who, when he was well, lived a sad life among his monks and nuns, still kept a horse and gig. One day in March, 1834, just as it had been decided that I should leave the school then, instead of remaining, as had been intend- ed, till midsummer, I was summoned very early in the morning to drive him up to London. He had been ill, and must still have been very ill indeed when he sub- mitted to be driven by any one. It was not till we had started that he told me that I was to put him on board the Ostend boat. This I did. drivino^ him throuo:h the city down to the docks. It was not within his nature to be communicative, and to the last he never told me w^hy he was going to Ostend. Something of a general flitting abroad I had heard before, but why he should have flown the first, and flown so suddenly, I did not in the least know till I returned. When I got back with the gig, the house and furniture were all in charge of the sheriff's officers. The gardener who had been with us in former days 24 Autobiography of Anthony Trollope. stopped me as I drove np the road, and with gestures, signs, and whispered words, gave me to understand tliat the whole affair — horse, gig, and harness — would be made prize of if I went but a few yards farther. Wliy they should not have been made prize of I do not know. The little piece of dishonest business which I at once took in hand and carried through successfully was of no special service to any of us. I drove the gig into the village, and sold the entire equipage to the iron- monger for £17, the exact sum which he claimed as being due to himself. I was much complimented by the gardener, who seemed to think that so much had been rescued out of the fire. I fancy tliat the iron- monger was the only gainer by my smartness. When I got back to the house a scene of devastation was in progress, which still was not without its amuse- ment. My mother, throngh her various troubles, had contrived to keep a certain number of pretty-pretties which were dear to her heart. They were not mucli, for in those days the ornamentation of houses was not lavish, as it is now ; but there was some china, and a little glass, a few books, and a very moderate supply of household silver. These things, and things like them, were being carried down surreptitiously, through a gap between the two gardens, on to the premises of our friend Colonel Grant. My two sisters, then sixteen and seventeen, and the Grant girls, who were just younger, were the chief marauders. To such forces I was hap- py to add myself for any enterprise, and between us we cheated the creditors to tlie extent of our powers, amid the anathemas, but good-humored abstinence from personal violence, of the men in charge of the My Mother. 25 property. I still own a few books that were thus pur- loined. For a few days the whole family bivouacked under the colonel's hospitable roof, cared for and comforted by that dearest of all women, his wife. Then we fol- lowed my father to Belgium, and established ourselves in a large house just outside the walls of Bruges. At this time, and till my father's death, everything was done with money earned by my mother. She now again furnished the house — this being the third that she had put in order since she came back from America two years and a half ago. There were six of us went into this new banishment. My brother Henry had left Cambridge, and was ill. My younger sister was ill. And though as yet we hardly told each other that it was so, we began to feel that that desolating fiend, consumption, was among us. My father was broken-hearted as well as ill, but when- ever he could sit at his table he still worked at his ec- clesiastical records. My elder sister and I were in good health, but I was an idle, desolate hanger-on, that most hopeless of human beings, a hobbledehoy of nineteen, without any idea of a career, or a profession, or a trade. As well as I can remember I was fairly happy, for there were pretty girls at Bruges with whom I could fancy that I was in love; and I had been removed from the real misery of school. But as to my future life I had not even an aspiration. Now and again there would arise a feeling that it was hard upon my mother that she should have to do so much for us, that we should be idle while she was forced to work so con- stantly ; but we should probably have thought more 9. 26 Autobiography of Anthony Trollope, of that had she not taken to work as though it were the recognized condition of life for an old lady of fifty- five. Then, by degrees, an established sorrow was at home among us. My brother was an invalid, and the horrid word, which of all words was for some years after the most dreadful to us, had been pronounced. It was no longer a delicate chest, and some temporary necessity for peculiar care — but consumption ! The Bruges doc- tor had said so, and we knew that he was right. From that time forth my mother's most visible occupation was that of nursino^. There were two sick men in the house, and hers were the hands that tended them. The novels went on, of course. We had already learned to know that they would be forthcoming at stated inter- vals, and they always were forthcoming. The doctor's vials and the ink-bottle held equal places in my mother's rooms. I have written many novels, under many cir- cumstances ; but I doubt much whether I could write one when my whole heart was by the bedside of a dying son. Her power of dividing herself into two parts, and keeping her intellect by itself, clear from the troubles of the world, and fit for the duty it had to do, I never saw equalled. I do not think that the writing of a novel is the most difiicult task which a man may be called upon to do ; but it is a task that may be sup- posed to demand a spirit fairly at ease. The work of doing it with a troubled spirit killed Sir Walter Scott. My mother went through it unscathed in strength, though she performed all the work of day-nurse and night-nurse to a sick household; for there were soon three of them dying. i My Mother. 27 At this time there came from some quarter an offer to me of a commission in an Austrian cavahy regiment ; and so it was apparently my destiny to be a soldier. But I must first learn German and French, of which languages I knew almost nothing. For this a year was allowed me, and in order that it might be accomplished without expense, I undertook the duties of a classical usher to a school then kept by William Drury at Brus- sels. Mr. Drury had been one of the masters at Har- row when I went there at seven years old, and is now, after an interval of fifty-three years, even yet officiating as clergyman at that place.* To Brussels I went, and my heart still sinks within me as I reflect that any one should have intrusted to me the tuition of thirty boys. I can only hope that those boys went there to learn French, and that their parents were not particular as to their classical acquirements. I remember that on two occasions I was sent to take the school out for a walk ; but that after the second attempt Mrs. Drury declared that the boys' clothes would not stand any further ex- periments of that kind. I cannot call to mind any learning by me of other languages ; but as I only re- mained in that position for six weeks, perhaps the re- turn lessons had not been as yet commenced. At the end of the six weeks a letter reached me, offering me a clerkship in the General Post-office, and I accepted it. Among my mother's dearest friends she reckoned Mrs. Freeling, the wife of Clayton Freeling, whose father, Sir Francis Freeling, then ruled the Post-office. She had heard of my desolate position, and had begged *■ He died two years after these words were written. 28 Autobiograjyhy of Anthony Trollope. from her father-in-law the offer of a berth in his own office. I hurried back from Brussels to Bruges on my way to London, and found that the number of invalids had been increased. My younger sister, Emily, who, when I had left the house, was trembling on the balance, who had been pronounced to be delicate, but with that false- tongued hope which knows the truth, but will lie lest the heart should faint, had been called delicate, but only delicate, was now ill. Of course, she was doomed. I knew it of both of them, though I had never heard the word spoken, or had spoken it to any one. And my father was very ill — ill to dying, though I did not know it. And my mother had decreed to send my elder sis- ter away to England, thinking that the vicinity of so much sickness might be injurious to her. All this hap- pened late in the autumn of 1834, in the spring of which year we had come to Bruges ; and then my mother was left alone in a big house outside the town, with two Belgian women-servants, to nurse these dying patients — the patients being her husband and children — and to write novels for the sustenance of the family ! It was about this period of her career that her best novels were written. To my own initiation at the Post-office I will return in the next chapter. Just before Christmas my brother died, and was buried at Bruges. In the following Feb- ruary my father died, and was buried alongside of him, — and with him died that tedious task of his, w^hich I can only hope may have solaced many of his latter hours. I sometimes look back, meditating for hours together, on his adverse fate. lie was a man finely My Mother, 39 educated, of great parts, with immense capacity for work, physically strong very much beyond the average of men, addicted to no vices, carried off by no pleasures, affectionate by nature, most anxious for the welfare of his children, born to fair fortunes, who, when he started in the world, may be said to have had everything at his feet. But everything went wrong with him. The touch of his hand seemed to create failure. He em- barked in one hopeless enterprise after another, spend- ing on each all the money he could at the time com- mand. But the worst curse to him of all was a temper so irritable that even those whom he loved the best could not endure it. We were all estranged from him, and yet I believe that he would have given his heart's blood for any of us. His life, as I knew it, was one long tragedy. After his death my mother moved to England, and took and furnished a small house at Hadley, near Bar- net. I w^as then a clerk in the London Post-office, and I remember well how gay she made the place with lit- tle dinners, little dances, and little picnics, while she herself was at work every morning long before others had left their beds. But she did not stay at Hadley much above a year. She went up to London, where she again took and furnished a house, from which my remaining sister was married and carried away into Cumberland. My mother soon followed her, and on this occasion did more than take a house. She bought a bit of land, a field of three acres near the town, and built a residence for herself. Tliis, I think, was in 1841, and she had thus established and re-established herself six times in ten years. But in Cumberland she 30 Autobiography of Anthony Trollojpe. found the climate too severe, and in 1844 she moved herself to Florence, where she remained till her death in 1863. She continued writing up to 1856, when she was seventy-six years old, and had at that time produced one hundred and fourteen volumes, of which the first was not written till she was fifty. Her career offers great encouragement to those who have not begun early in life, but are still ambitious to do something before they depart hence. She was an unselfish, affectionate, and most industri- ous woman, with great capacity for enjoyment, and high physical gifts. She was endowed, too, with much crea- tive power, with considerable humor, and a genuine feeling for romance. But she was neither clear-sighted nor accurate ; and in her attempts to describe morals, manners, and even facts, was unable to avoid the pit- falls of exaggeration. The General Post-office, 31 Chapter III. THE GENERAL POST-OFFICE. 1834-1841. While I was still learniDg my duty as an usLer at Mr. Drnry's school at Brussels, I was summoned to my clerkship in the London Post-office, and on my way passed through Bruges. I then saw my father and my brother Henry for the last time. A sadder household never was held together. They were all dying — except my mother, who would sit up night after night nursing the dying ones, and writing novels the while, so that there might be a decent roof for them to die under. Had she failed to write the novels, I do not know where the roof would have been found. It is now more than forty years ago, and looking back over so long a lapse of time I can tell the story, though it be the story of my own father and mother, of my own brother and sis- ter, almost as coldly as I have often done some scene of intended pathos in fiction ; but that scene was indeed full of pathos. I was then becoming alive to the blight- ed ambition of my father's life, and becoming alive also to the violence of the strain which my mother was en- during. But I could do nothing but go and leave them. There was something that comforted me in the idea that I need no longer be a burden — a fallacious idea, as it soon proved. My salary was to be £90 a year, and 32 Aut6biograj)hy of Anthony Trollojpe. on that I was to live in London, keep up my character as a gentleman, and be happy. That I should have thought this possible at the age of nineteen, and should have been delighted at being able to make the attempt, does not surprise me now ; but that others should have thought it possible, friends who knew something of the world, does astonish me. A lad might have done so, no doubt, or might do so even in these days, who was properly looked after and kept under control, on whose behalf some law of life had been laid down. Let him pay so much a week for his board and lodging, so much for his clothes, so much for his washing, and then let him understand that he has — shall we say ? — sixpence a day left for pocket-money and omnibuses. Any one making the calculation will find the sixpence far too much. ^0 such calculation was made for me or by me. It was supposed that a sufficient income liad been se- cured to me, and that I should live upon it as other clerks lived. But as yet the £90 a year was not secured to me. On reaching London I went to my friend Clayton Free- ling, who was then secretary at the Stamp-office, and was taken by him to the scene of my future labors in St. Martin's-le-Grand. Sir Francis Freeling was the secre- tary, but he was greatly too high an official to be seen at first by a new junior clerk. I was taken, therefore, to his eldest son, Henry Freeling, who was the assistant secretary, and by him I was examined as to my fitness. The story of that examination is given accurately in one of the opening chapters of a novel written by me, called " The Three Clerks." If any reader of this me- moir would refer to that chapter and see how Charley The General Post-office, 33 Tudor was supposed to have been admitted into the Internal Navigation Office, that reader will learn how Anthony Trollope was actually admitted into the secre- tary's office of the General Post-office in 1834. I was asked to copy some lines from the Times newspaper with an old quill pen, and at once made a series of blots and false spellings. " That won't do, you know," said Henry Freeling to his brother Clayton. Clayton, who was my friend, urged that I was nervous, and asked that I might be allowed to do a bit of writing at home and bring it as a sample on the next day. I was then asked whether I was a proficient in arithmetic. What could I say ? I had never learned the multiplication table, and had no more idea of the rule of three than of conic sections. " I know a little of it," I said humbly, where- upon I was sternly assured that on the morrow, should I succeed in showing that my handwriting was all that it ought to be, I should be examined as to that little of arithmetic. If that little should not be found to com- prise a thorough knowledge of all the ordinary rules, together with practised and quick skill, my career in life could not be made at the Post-office. Going down the main stairs of the building — stairs which have, I be- lieve, been now pulled down to make room for sorters and staimpers, Clayton Freeling told me not to be too down-hearted. I was myself inclined to think that I had better go back to the school in Brussels. But nev- ertheless I went to work, and under the surveillance of my elder brother made a beautiful transcript of four or five pages of Gibbon. With a faltering heart I took these on the next day to the office. With my caligraphy I was contented, but was certain that I should come to 2* 34 Autohiography of Anthony Trollope. the ground among the figures. But when I got to " The Grand," as we used to call our office in those days, from its site in St. Martin's-le-Grand, I was seated at a desk without any further reference to my compe- tency. No one condescended even to look at my beau- tiful penmanship. That was the way in which candidates for the civil service were examined in my young days. It was, at any rate, the way in which I was examined. Since that time there has been a very great change indeed ; and in some respects a great improvement. But in regard to the absolute fitness of the young men selected for the public service, I doubt whether more harm has not been done than good. And I think that good might have been done without the harm. The rule of the present day is, that every place shall be open to public competi- tion, and that it shall be given to the best among the comers. I object to this, that at present there exists no known mode of learning who is best, and that the method employed has no tendency to elicit the best. That method pretends only to decide who among a certain number of lads will best answer a string of questions, for the answering of which they are prepared by tutors, who have sprung up for the purpose since this fashion of election has been adopted. When it is decided in a family that a boy shall "try the civil service," he is made to undergo a certain amount of cramming. But such treatment has, I maintain, no connection whatever with education. The lad is no better fitted after it than he was before for the future work of his life. But his very success fills him with false ideas of his own educa- tional standing, and so far unfits him. And, by the plan The General Post-office. 35 now in vogue, it lias come to pass that no one is in truth responsible either for the conduct, the manners, or even for the character of the youth. The responsibility was, perhaps, slight before ; but existed, and was on the in- crease. There might have been— in some future time of still increased wisdom, there yet may be— a department es- tablished to test the fitness of acolytes without recourse to the dangerous optimism of competitive choice. I will not say but that there should have been some one to re- ject me— though I will have the hardihood to say that, had I been so rejected, the civil service would have lost a valuable public servant. This is a statement that will not, I think, be denied by those who, after I am gone, may remember anything of my work. Lads, no doubt, should not be admitted who have none of the small ac- quirements that are wanted. Our ofiices should not be schools in which writing and early lessons in geography, arithmetic, or French should be learned. But all that could be ascertained without the perils of competitive examination. The desire to insure the efficiency of the young men selected has not been the only object— perhaps not the chief object— of those who have yielded in this matter to the arguments of the reformers. There had arisen in England a system of patronage, under which it had be- come gradually necessary for politicians to use their in- fluence for the purchase of political support. A member of the House of Commons, holding office, who might chance to have five clerkships to give away in a year, found himself compelled to distribute them among those who sent him to the House. In this there was noth- 36 Autdbiograjyhy of Anthony Trollojpe. iiig pleasant to the distributer of patronage. Do away with the system altogether, and he would have as nrmcli chance of support as another. He bartered his patron- age only because another did so also. The beggings, the refusings, the jealousies, the correspondence, were sim- ply troublesome. Gentlemen in office were not, therefore, indisposed to rid themselves of the care of patronage. I have no doubt their hands are the cleaner and their hearts are the lighter ; but I do doubt whether the offices are, on the whole, better manned. As what I now write will certainly never be read till I am dead, I maj^ dare to say what no one now does dare to say in print — though some of us whisper it occasionally into our friends' ears — there are places in life which can hardly be well iilled except by "gentle- men." The word is one the use of which almost subjects one to ignominy. If I say that a judge should be a gentleman, or a bishop, 1 am met with a scornful allu- sion to "nature's gentlemen." Were I to make such an assertion with reference to the House of Commons, nothing that I ever said again would receive the slight- est attention. A man in public life could not do him- self a greater injury than by saying in public that the commissions in the army or navy, or berths in the civil service, should be given exclusively to gentlemen. He would be defied to define the term, and would fail should he attempt to do so. But he would know what he meant, and so, very probably, would they who defied him. It may be that the son of the butcher of the village shall become as well fitted for employments re- quiring gentle culture as the son of the parson. Such is often the case. When such is the case, no one has The General Post-offiee. 37 been more prone to give the butcher's son all the wel- come he has merited than myself; but the chances are greatly in favor of the parson's son. The gates of the one class should be open to the other ; but neither to the one class nor to the other can good be done by de- claring that there are no gates, no barrier, no difference. The system of competitive examination is, I think, based on a supposition that there is no difference. I got into my place without any examining. Look- ing back now, I think I can see with accuracy what was then the condition of my own mind and intelligence. Of things to be learned by lessons I knew almost less than could be supposed possible after the amount of schooling I had received. I could read neither French, Latin, nor Greek. I could speak no foreign language, and I may as well say here as elsewhere that I never acquired the power of really talking French. I have been able to order my dinner and take a railway ticket, but never got much beyond that. Of the merest rudi- ments of the sciences I was completely ignorant. My handwriting was, in truth, wretched. My spelling was imperfect. There was no subject as to which examina- tion would have been possible on which I could have gone through an examination otherwise than disgrace- fully. And yet I think I knew more than the average of young men of the same rank who began life at nine- teen. I could have given a fuller list of the names of the poets of all countries, with their subjects and periods — and probably of historians — than many others ; and had, perhaps, a more accurate idea of the manner in which my own country was governed. I knew the names of all the bishops, all the judges, all the heads 38 Autobiography of Anthony Trollope. of colleges, and all the cabinet ministers — not a very useful knowledge, indeed^ but one that had not been ac- quired without other matter which w^as more useful. I had read Shakespeare and Byron and Scott, and could talk about them. The music of the Miltonic line was familiar to me. I had already made up my mind that "Pride and Prejudice" was the best novel in the English language — a palm which I only partially withdrew after a second reading of "Iva'nhoe,"and did not complete- ly bestow elsewhere till "Esmond" was written. And though I would occasionally break down in my spelling, I could write af letter. If I had a thing to say, I could so say it in written words that the readers should know what I meant — a power w^hich is by no means at the command of all those who come out from these com- petitive examinations wdth triumph. Early in life, at the age of fifteen, I had commenced the dangerous habit of keeping a journal, and this I maintained for ten ^^ears. The volumes remained in my possession unregarded — never looked at — till 1870, when I examined them, and, with many blushes, destroyed them. They convicted me of folly, ignorance, indiscretion, idleness, extrava- gance, and conceit. But they had habituated me to the rapid use of pen and ink, and taught me how to express myself with facility. I w^ill mention here another habit which had grown upon me from still earlier years — which I myself often regarded with dismay when I thought of the hours de- voted to it, but which, I suppose, must have tended to make me what I have been. As a boy, even as a child, I was thrown much upon myself. I have explained, when speaking of my school-days, how it came to pass The General Post-ofUce. 39 that other boys would not play with me. I was there- fore alone, and had to form my plays within myself. Play of some kind was necessary to me then, as it has always been. Study was not my bent, and I could not please myself by being all idle. Thus it came to pass that I was always going about with some castle in the air firmly built within my mind. Nor were these efforts in architecture spasmodic, or subject to constant change from day to day. For weeks, for months, if I remember rightly, from year to year, I would carry on the same tale, binding myself down to certain laws, to certain proportions, and proprieties, and unities. Nothing im- possible was ever introduced, nor even anything which, from outward circumstances, would seem to be violently improbable. I myself was, of course, my own hero. Such is a necessity of castle-building. But I never be- came a king, or a duke — much less, when my height and personal appearance were fixed, could I be an Antinous, or six feet high. I never was a learned man, nor even a philosopher. But I was a very clever person, and beautiful young women used to be fond of me. And I strove to be kind of heart, and open of hand, and noble in thought, despising mean things ; and altogether I was a very much better fellow than I have ever succeeded in being since. This had been the occupation of my life for six or seven years before I went to the Post-ofiice, and was by no means abandoned when I commenced my work. There can, I imagine, hardly be a more dan- gerous mental practice ; but I liave often doubted whether, had it not been my practice, I should ever have written a novel. I learned in this way to maintain an interest in a fictitious story, to dwell on a work created by my own 40 Autdbiogrwphy of Anthony Trollope. iraaginatioD, and to live in a world altogether outside the world of my own material life. In after-years I have done the same, with this difference, that I have discarded the hero of my early dreams, and have been able to lay my own identity aside. I must certainly acknowledge that the first seven years of my ofiicial life were neither creditable to myself nor useful to the public service. These seven years were passed in London, and during this period of my life it was my duty to be present every morning at the office punctually at 10 a. m. I think I commenced my quarrels with the authorities there by having in my possession a watch which was always ten minutes late. I know that I very soon achieved a character for irreg- ularity, and came to be regarded as a black sheep by men around me who were not themselves, I think, very good public servants. From time to time rumors reached me that if I did not take care I should be dismissed ; especially one rumor, in my early days, through my dear- ly beloved friend Mrs. Clayton Freeling — who, as I write this, is still living, and who, with tears in her eyes, besought me to think of my mother. That was during the life of Sir Francis Freeling, who died — still in har- ness — a little more than twelve months after I joined the office. And yet the old man showed me signs of almost affectionate kindness, writing to me with his own hand more than once from his death-bed. Sir Francis Freeling was followed at the Post-office by Colonel Maberly, who certainly was not m}'- friend. I do not know that I deserved to find a friend in my new master, but I think that a man with better judg- ment would not have formed so low an opinion of me The General Post-office, 4^ as he did. Years have gone bj, and I can write now and ahnost feel, without anger; but I can remember well the keenness of my anguish when I was treated as though I were unfit for any useful work. I did struggle —not to do the work, for there was nothing which ''was not easy without any struggling, but to show that I was wilhng to do it. My bad character, nevertheless, stuck to me, and was not to be got rid of by any efforts within my power. I do admit that I was irregular. It was not considered to be much in my favor that I could write letters— which was mainly the work of our office —rapidly, correctly, and to the purpose. The man who came at ten, and who was always still at his desk at half- past four, was preferred before me, though when at his desk he might be less efficient. Such preference was, no doubt, proper; but, with a little encouragement, I also would have been punctual. I got credit for noth- ing, and was reckless. As it was, the conduct of some of us was very bad. There was a comfortable sitting-room up-stairs, devoted to the use of some one of our number who, in turn, was required to remain in the place all night. Hither one or two of us would adjourn after lunch, and play ecarU for an hour or two. I do not know whether such ways are possible now in our public offices. And here we used to have suppers and card-parties at night— great sym- posiums, with much smoking of tobacco ; for in our part of the building there lived a whole bevy of clerks. These were gentlemen whose duty it then was to make up and receive the foreign mails. I do not remember that they worked later or earlier than the other sorting- clerks; but there was supposed to be something special 45 Autobiography of Anthomj Trollojye. in foreign letters, which required that the men who handled them should have minds undistracted by the outer world. Their salaries, too, were higher than those of their more homely brethren ; and they paid nothing for their lodgings. Consequently, there was a somewhat fast set in those apartments, given to cards and to tobacco, who drank spirits-and-water in preference to tea. I was not one of them, but was a good deal with them. I do not know that I should interest my readers by saying much of my Post-office experiences in those days. I was always on the eve of being dismissed, and yet was always striving to show how good a public servant I could become, if only a chance were given me. But the chance went the wrong way. On one occasion, in the performance of my duty, I had to put a private letter containing bank-notes on the secretary's table, which letter I had duly opened, as it was not marked Private. The letter was seen by the colonel, but had not been moved by him when he left the room. On his return it was gone. In the meantime 1 had returned to the room again, in the performance of some duty. When the letter was missed I was sent for, and there I found the colonel much moved about his letter, and a certain chief clerk, who, with a long face, was making sugges- tions as to the probable fate of the money. " The letter has been taken," said the colonel, turning to me angrily, "and, by G — ! there has been nobody in the room but you and T." As he spoke, he thundered his fist down upon the table. '' Then," said I, " by G — ! you have taken it," and I also thundered my fist down — but, accidentally, not upon the table. There was there a standing movable desk, at which, I presume, it was the The General Post-office. 43 colonel's habit to write, and on this movable desk was a large bottlefiil of ink. My fist unfortunately came on the desk, and the ink at once flew up, covering the col- onel's face and shirt-front. Then it was a sight to see that senior clerk, as he seized a quire of blotting-paper, and rushed to the aid of his superior officer, striving to mop up the ink ; and a sight also to see the colonel, in his agony, hit right out through the blotting-paper at that senior clerk's unoffending stomach. At that mo- ment there came in the colonel's private secretary, with the letter and the money, and I was desired to go back to my own room. This was an incident not much in my favor, though I do not know that it did me special harm. I was always in trouble. A young woman down in the country had taken it into her head that she would like to marry me, and a very foolish young woman she must have been to entertain such a wish, I need not tell that part of the story more at length, otherwise than by protesting that no young man in such a position was ever much less to blame than I had been in this. The invitation had come from her, and I had lacked the pluck to give it a decided negative ; but I had left the house within half an hour, going away without my din- ner, and had never returned to it. Then there was a correspondence — if that can be called a correspondence in which all the letters came from one side. At last the mother appeared at the Post-office. My hair almost stands on my head now as I remember the figure of the woman walking into the big room in which I sat with six or seven other clerks, having a large basket on her arm and an immense bonnet on her head. The messen- 44 Autobiography of Anthony Trolloj^e. ger had vainly endeavored to persuade her to remain in the anteroom. She followed tlie man in, and, walking up the centre of the room, addressed me in a loud voice : " Anthony Trollope, when are you going to marry my daughter ?" We have all had our worst moments, and that was one of my w^orst. I lived through it, however, and did not marry the young lady. These little inci- dents were all against me in the office. And then a certain other phase of my private life crept into official view, and did me a damage. As I shall explain just now, I rarely at this time had any money wherewith to pay my bills. In this state of things a certain tailor had taken from me an acceptance for, I think, £12, which found its w\ay into the hands of a money-lender. With that man, who lived in a little street near Mecklenburgh Square, I formed a most heartrending but a most intimate acquaintance. In cash I once received from him £4. For that and for the original amount of the tailor's bill, which grew mon- strously under repeated renewals, I paid ultimately something over £200. That is so common a story as to be hardly worth the telling ; but the peculiarity of this man was that he became so attached to me as to visit me every day at my office. For a long period he found it to be worth his while to walk up those stone steps daily, and come and stand behind my chair, whispering to me always the same words : " Now I wish you would be punctual. If you only would be punctual, I should like you to have anything you want." He was a little, clean old man, who always wore a high, starched, white cravat, inside which he had a habit of twisting his chin as he uttered his caution. When I remember the con- I The General Post-office. 45 stant persistency of his visits, I cannot but feel that he was paid very badly for his time and trouble. Tliose visits were very terrible, and can hardly have been of service to me in the office. Of one other misfortune which liappened to me in those days I must tell the tale. A junior clerk in the secretary's office was always told off to sleep upon the premises, and he was supposed to be the presiding gen- ius of the establishment when the other members of the secretary's department had left the building. On an occasion when I was still little more than a lad, perhaps one-and-twenty years old, I was filling this responsible position. At about seven in the evening word was brought to me that the Queen of, I think, Saxony, but I am sure it was a queen, wanted to see the night mails sent out. At this time, when there were many mail- coaches, this was a show, and august visitors would sometimes come to see it. But preparation was gener- ally made beforehand, and some pundit of the office would be at hand to do the honors. On this occasion we were taken by surprise, and there was no pundit. I therefore gave the orders, and accompanied her majesty around the building, walking backwards, as I conceived to be proper, and often in great peril as I did so, up and down the stairs. I was, however, quite satisfied with my own manner of performing an unaccustomed and most important duty. There were two old gentlemen with her majesty, who, no doubt, were German barons, and an ancient baroness also. They had come and, when they had seen the sights, took their departure in two glass coaches. As they were preparing to go I saw the two barons consulting together in deep whispers, and 46 Aidobiograjphy of Anthony Trollojpe. then as the result of that conversation one of them hand- ed me a half-crown ! That also was a bad moment. I came up to town, as I said before, purporting to live a jolly life upon £90 per annum. I remained seven years in the General Post-office, and when I left it my income was £140. During the whole of this time I was hopelessly in debt. There were two intervals, amounting together to nearly two years, in which I lived with my mother, and therefore lived in comfort — but even then I was overwhelmed with debt. She paid much for me — paid all that I asked her to pay, and all that she could find out that I owed. But who in such a condition ever tells all and makes a clean breast of it ? The debts, of course, were not large, but I cannot think now how I could have lived, and sometimes have en- joyed life, with such a burden of duns as I endured. Sheriff's officers, with uncanny documents, of which I never understood anything, were common attendants on me. And yet I do not remember that I was ever locked up, though I think I was twice a prisoner. In such emergencies some one paid for me. And now, looking back at it, I have to ask myself whether my youth was very wicked. I did no good in it; but was there fair ground for expecting good from me ? When I reached London no mode of life was prepared for me— no ad- vice even given to me. I went into lodgings, and then had to dispose of my time. I belonged to no club, and knew very few friends who would receive me into their houses. In such a condition of life a young man should, no doubt, go home after his work, and spend the long liours of the evenino^ in readins: £:ood books and drink- ing tea. A lad brought up by strict parents, and with- The General Post-office. 47 out having had even a view of gayer things, might per- haps do so. I had passed all my life at public schools, where I had seen gay things, but had never enjoyed them. Towards the o^ood books and tea no trainins: had been given me. There was no house in which I could habitually see a lady's face and hear a lady's voice. No allurement to decent respectability came in my w^ay. It seems to me that in such circumstances the temptations of loose life will almost certainly prevail with a young man. / Of course, if the mind be strong enough, and the/ general stuff knitted together of sufficiently stern ma- / terial, the temptations will not prevail. But such mindsy and such material are, 1 think, uncommon. The temp^ tation, at any rate, prevailed with me. I wonder how many 3^oung men fall utterly to pieces from being turned loose into London after the same fashion. Mine was, I think, of all phases of such life the most dangerous. The lad who is sent to mechani- cal work has longer hours, during which he is kept from danger, and has not generally been taught in his boy- hood to anticipate pleasure. He looks for hard work and grinding circumstances. I certainly had enjoyed but little pleasure, but I had been among those who did enjoy it and were taught to expect it. And I had filled my mind with the ideas of such joys. And now, ex- cept during official hours, I was entirely without con- trol — without the influences of any decent household around me. I have said something of the comedy of such life, but it certainly had its tragic aspect. Turn- ing it all over in my own mind, as I have constantly done in after-years, the tragedy has always been upper- most. And so it was as the time was passing. Could 48 Autobiograjpliy of Anthony Trdlo^e. there be any escape from such dirt? I would ask my- self; and 1 always answered that there was no escape. The mode of life was itself wretched. I hated the office. I hated my work. More then all I hated my idleness. I had often told myself since I left school that the only career in life within my reach was that of an author, and the only mode of authorship open to me tliat of a writer of novels. In the journal which I read and destroyed a few years since, I found the matter argued out before I had been in the Post-office two years. Parliament was out of the question. I had not means to so to the Bar. In official life, such as that to which I had been introduced, there did not seem to be any opening for real success. Pens and paper I could com- mand. Poetry I did not believe to be within my grasp. The drama, too, which I would fain have chosen, I be- lieved to be above me. For history, biography, or essay writing I had not sufficient erudition. But I thought it possible that I might write a novel. I had resolved very early that in that shape must the attempt be made. But the months and years ran on, and no attempt was made. And yet no day was passed without thoughts of attempting, and a mental acknowledgment of the disgrace of postponing it. What reader will not understand the agony of remorse produced by such a condition of mind ? The gentleman from Mecklenburgh Square was always with me in the morning — always angering me by his hateful presence — but when the evening came I could make no struggle towards getting rid of him. In those days I read a little, and did learn to read French and Latin. I made myself familiar with Hor- ace, and became acquainted with the works of our own The General Post-office. 49 greatest poets. I had my strong enthusiasms, and re- member throwing out of the window in Northumber- Land Street, where I lived, a voUime of Johnson's " Lives of the Poets," because he spoke sneeringly of Lycidas. That was Northumberland Street by tlie Marylebone Workhouse, on to the back-door of which establishment my room looked out — a most dreary abode, at which I fancy I must have almost ruined the good-natured lodging-house keeper by my constant inabihty to pay her what I owed. How I got my daily bread I can hardly remember, but I do remember that I was often nnable to get my- self a dinner. Young men generally now have their meals provided for them. I kept house, as it were. Every day I had to find myself with the day's food. For my breakfast I could get some credit at the lodg- ings, though that credit would frequently come to an end. But for all that I had often breakfast to pay day by day ; and at your eating-house credit is not given. I had no friends on whom I could sponge reg- ularly. Out on tlie Fulham Eoad I had an uncle, but his house was four miles from the Post-office, and al- most as far from my own lodgings. Then came bor- rowings of money, sometimes absolute want, and almost constant misery. Before 1 tell how it came about that I left this wretch- ed life, I must say a word or two of the friendships which lessened its misfortunes. My earliest friend in life was John Merivale, with whom I had been at school at Sunbury and Harrow, and who was a nephew of my tutor, Harry Drury. Herman Merivale, who afterwards became my friend, was liis brother, as is also Charles 50 Autobiography of Antho7iy Trollope. Merivale, the historian, and Dean of Ely. I knew John when I was ten years old, and am happy to be able to say that he is going to dine with me one day this week. I hope I may not injure his character by stating that in those days I lived very much with him. He, too, was impecunious, but he had a home in London, and knew but little of the sort of penury which I endured. For more than fifty years he and I have been close friends. And then there was one W A , whose misfor- tunes in life will not permit me to give his full name, but whom I dearly loved. He had been at Winchester and at Oxford, and at both places had fallen into trouble. He then became a schoolmaster — or, perhaps, I had bet- ter say usher — and finally he took orders. But he was unfortunate in all things, and died some years ago in poverty. He was most perverse ; bashful to very fear of a lady's dress ; unable to restrain himself in anything, but yet with a conscience that was always stinging him ; a loving friend, though very quarrelsome ; and, perhaps, of all men I have known, the most humorous. And he was entirely unconscious of his own humor. He did not know that he could so handle all matters as to create infinite amusement out of them. Poor W A ! To him there came no happy turning-point at which life loomed seriously on him, and then became prosperous. "W A , Merivale, and I formed a little club, which we called the Tramp Society, and subjected to certain rules, in obedience to which we wandered on foot about the counties adjacent to London. South- ampton was the farthest point we ever reached ; but Buckino-hamshire and Hertfordshire were more dear to us. These were the happiest hours of my then life — The General Post-office. 51 and perhaps not the least innocent, although we were frequently in peril from the village authorities wiioui w^e outraged. E'ot to pay for any conveyance, never to spend above five shillings a day, to obey all orders from the elected ruler of the hour (this enforced under heavy fines), were among our statutes. I would fain tell here some of our adventures: how A enacted an es- caped madman and we his pursuing keepers, and so got ourselves a lift in a cart, from which we ran away as we approached the lunatic asylum ; how we were turned out of a little town at night, the townsfolk frightened by the loudness of our mirth; and how we once crept into a hayloft and were wakened in the dark morning by a pitchfork — and how the juvenile owner of that pitchfork fled through the window when he heard the complaints of the w^ounded man ! But the fun was the fun of W A , and w^ould cease to be fun as told by me. It was during these years that John Tilley, who has now been for many years the permanent senior officer of the Post-office, married my sister, whom he took with him into Cumberland, where he was stationed as one of our surveyors. He has been my friend for more than forty years ; as has also Peregrine Birch, a clerk in the House of Lords, who married one of those daughters of Colonel Grant w^ho assisted us in the raid we made on the goods which had been seized by the sheriff's officer at Harrow. These have been the oldest and dearest friends of my life ; and I can thank God that three of them are still alive. When I had been nearly seven years in the secretary's office of the Post-office, always hating my position there, 52 A%it6biogro/phy of Anthony Trollope. and yet always fearing that I should be dismissed from it, there came a way of escape. There had latterly been created in the service a new body of officers called sur- veyors' clerks. There were at that time seven survey- ors in England, two in Scotland, and three in Ireland. To each of these officers a clerk had been lately at- tached, whose duty it was to travel about the country nnder the surveyor's orders. There had been much doubt among the young men in the office whether they should or should not apply for these places. The emol- uments were good and the work alluring ; but there was at first supposed to be something derogatory in the position. There was a rumor that the first surveyor who got a clerk sent the clerk out to fetch his beer; and that another had called upon his clerk to send the linen to the wash. There was, however, a conviction that nothing could be worse than the berth of a sur- veyor's clerk in Ireland. The clerks were all appointed, however. To me it had not occurred to ask for any. thing, nor would anything have been given me. But after a while there came a report from the far west of Ireland that the man sent there was absurdly incapable. It was probably thought then that none but a man ab- surdly incapable would go on such a mission to the west of Ireland. AYhen the report reached the London office I was the first to read it. I was at that time in dire trouble, having debts on my head and quarrels with our secretary-colonel, and a full conviction that my life was taking me downwards to the lowest pits. So I went to the colonel boldly, and volunteered for Ireland if he would send me. He was glad to be so rid of me, and I went. This happened in August, 1841, when I The General Post-office. 53 was twenty-six years old. My salary in Ireland was to be but £100 a year; but I was to receive lifteen shil- lings a day for every day that I was away from home, and sixpence for every mile that I travelled. The same allowances were made in England; but at that time travelling in Ireland was done at half the English prices. My income in Ireland, after paying my expen- ses, became at once £400. This was the first good fort- une of my life. 54 Autobiograjphy of Anthony Trollope. Chapter IY. IRELAND.— MY FIRST TWO NOVELS. 1841-1848. In the preceding pages I have given a short record of the first twenty-six years of my life, years of suffer- ing, disgrace, and inward remorse. I fear that my mode of telling will have left an idea simply of their absurdi- ties ; but in truth I was wretched, sometimes almost unto death, and have often cursed the hour in which I was born. There had clung to me a feeling that I had been looked upon always as an evil, an encumbrance, a useless thing, as a creature of wliom those connected with him had to be ashamed. And I feel certain now that in my young days I was so regarded. Even my few friends, who had found with me a certain capacity for enjoyment, were half afraid of me. I acknowledge the weakness of a great desire to be loved, of a strong wish to be popular with my associates, l^o child, no boy, no lad, no young man, had ever been less so. And I had been so poor ; and so little able to bear poverty. But from the day on which I set my foot in Ireland all these evils went away from me. Since that time who has had a happier life than mine ? Looking round upon all those I know, I cannot put my hand upon one. But all is not over yet. And, mindful of that, remem- bering how great is the agony of adversity, how crush- Ireland. 55 ing the despondency of degradation, how susceptible I am myself to the misery coming from contempt, re- membering also how quickly good things may go and evil things come, I am often again tempted to hope, almost to pray, that the end may be near. Things may be going well now : ^vi/ "Sin aliquem infandum casnm, Fortuna, minaris; Nunc, o nunc liceat crudelem abrumpere vitam." There is un happiness so great that the very fear of it is an alloy to happiness. I had then lost my father, and sister, and brother, have since lost another sister and my mother ; but I have never as yet iost a wife or a child. AYhen I told my friends that I was going on this mission to Ireland they shook their heads, but said nothing to dissuade me. I think it must have been evident to all who were my friends that my life in Lon- don was not a success. My mother and elder brother were at this time abroad, and were not consulted ; did not even know my intention in time to protest against it. Indeed, I consulted no one, except a dear old cousin, our family lawyer, from whom I borrowed £200 to help me out of England. He lent me the money, and looked upon me with pitying eyes, shaking his head. " After all, you were right to go," he said to me when I paid him the money a few years afterwards. But nobody then thought I was right to go. To be- come clerk to an Irish surveyor, in Connaught, with a salary of £100 a year, at twenty-six years of age ! I did not think it right even myself, except that anything was right which would take me away from the General Post-office and from London. 56 A^doblography of Anthony Trolloj^e. My ideas of the duties I was to perform were very vague, as were also my ideas of Ireland generally. Hith- erto I had passed my time seated at a desk, either writ- ing letters myself, or copying into books those which others had written. I had never been called upon to do anything I was unable or unfitted to do. I now un- derstood that in Ireland I was to be a deputy-inspector of country post-offices, and that among other things to be inspected would be the postmasters' accounts ! But as no other person asked a question as to my fitness for this work, it seemed unnecessary for me to do so. On the 15th of September, 1841, 1 landed in Dublin, without an acquaintance in the country, and with only two or three letters of introduction from a brother clerk in the Post-office. I had learned to think that Ireland was a land flowing with fun and whiskej^, in which ir- regularity was the rule of life, and where broken heads were looked upon as honorable badges. I was to live at a place called Banagher, on the Shannon, which I had heard of because of its having once been conquered, though it had heretofore conquered everything, includ- ing the devil. And from Banagher my inspecting tours were to be made, chiefly into Con naught, but also over a strip of country eastwards, which would enable me occasionally to run up to Dublin. I went to a hotel, which was very dirty, and after dinner I ordered some whiskey punch. There was an excitement in this, but when the punch was gone I was very dull. It seemed so strange to be in a country in which there was not a single individual whom I had ever spoken to or ever seen. And it was to be my destiny to go down into Connaught and adjust accounts, the destiny of me, who Ireland, 57 had never learned the multiplication table, or done a sum in long division ! On the next morning I called on the secretary of the Irish Post-office, and learned from him that Colonel Maberly had sent a very bad character with me. He could not have sent a very good one ; but I felt a little hurt when I was informed by this new master that he had been informed that I was worthless, and must in all probability be distnissed. " But," said the new mas- ter, " I shall judge you by your own merits." From that time to the day on which I left the service I never heard a word of censure, nor had many months passed before I found that my services were valued. Before a year was over I had acquired the character of a thor- oughly good public servant. The time went very pleasantly. Some adventures I had ; two of which I told in the ^' Tales of All Coun- tries," under the names of " The O'Conors of Castle Conor," and "Father Giles of Ballymoy." I will not swear to every detail in these stories, but the main pur- port of each is true. I could tell many others of the same nature, were this the place for them. I found that the surveyor to whom I had been sent kept a pack of hounds, and therefore I bought a kunter. I do not think he liked it, but he could not well complain. He never rode to hounds himself, but I did ; and then and thus began one of the great joys of my life. I have ever since been constant to the sport, having learned to love it with an affection which I cannot myself fathom or understand. Surely no man has labored at it as I have done, or hunted under such drawbacks as to dis- tances, money, and natural disadvantages. I am very 3* 58 Autdbiograj)hy of Anthony TroUojpe. heavy, very blind, have been — in reference to hunting — a poor man, and am now an old man. I have often had to travel all night outside a mail-coach, in order that I might Juint the next day. Nor have I ever been in truth a good horseman. And I have passed the greater part of my hunting life under the discipline of the civil service. But it has been for more than thiiiy years a duty to me to ride to hounds; and I have per- formed that duty with a persistent energy. Nothing has ever been allowed to stand in the way of hunting, neither the writing of books, nor the w^ork of the Post- office, nor other pleasures. As regarded the Post-office, it soon seemed to be understood that I was to hunt ; and when my services were retransferred to England, no word of difficulty ever reached me about it. I have written on very many subjects, and on most of them with pleasure; but on no subject with such delight as that on hunting. I have dragged it into many novels, into too many, no doubt, but I have always felt myself deprived of a legitimate joy when the nature of the tale has not allowed me a hunting chapter. Perhaps that which gave me the greatest delight was the de- scription of a run on a horse accidentally taken from another sportsman, a circumstance which occurred to my dear friend Charles Buxton, who will be remem- bered as one of the members for Surrey. It was altogether a very jolly life that I led in Ire- land. I was always moving about, and soon found my- self to be in pecuniary circumstances which were opu- lent in comparison with those of my past life. The Irish people did not murder me, nor did they even break my head. I soon found them to be good-humored, Ireland. 59 clever — the working classes very mncli more intelligent than those of England — economical, and hospitable. We hear much of their spendthrift nature ; but extrava- gance is not the nature of an Irishman. He will count the shillings in a pound much more accurately than an Englishman, and will with much more certainty get twelve pennyworth from each. But they are perverse, irrational, and but little bound by the love of truth. I lived for many years among them — not finally leaving the country until 1859, and I had the means of study- ing their character. 1 had not been a fortnight in Ireland before I was sent down to a little town in the far w^est of County Galway, to balance a defaulting postmaster's accounts, find out how much he owed, and report upon his ca- pacity to pay. In these days such accounts are very simple. They adjust themselves from day to day, and a Post-ofiice surveyor has nothing to do with them. At that time, though the sums dealt with were small, the forms of dealing with them were very intricate. I went to work, however, and made that defaulting post- master teach me the use of those forms. I then suc- ceeded in balancing the account, and had no difiiculty whatever in reporting that he was altogether unable to pay his debt. Of course, he was dismissed ; but he had been a very useful man to me. I never had any fur- ther difiiculty in the matter. But my chief work was the investigating of com- plaints made by the public as to postal matters. The practice of the ofiice was and is to send one of its ser- vants to the spot to see the complainant and to inquire into the facts, when the complainant is sufficiently ener- 60 Autobiography of Anthony Trollape, getic or sufficiently big to make himself well heard. A great expense is often incurred for a very small object ; but the system works well on the whole, as confidence is engendered, and a feeling is produced in the country that the department has eyes of its own and does keep them open. This employment was very pleasant, and to me always easy, as it required at its close no more than the writing of a report. There were no accounts in this business, no keeping of books, no necessary ma- nipulation of multitudinous forms. I must tell of one such complaint and inquiry, because in its result I think it was emblematic of many. A gentleman in County Cavan had complained most bitterly of the injury done to him by some arrangement of the Post-office. The nature of his grievance has no present significance; but it was so unendurable that he had written many letters, couched in the strongest lan- guage. He was most irate, and indulged himself in that scorn which is so easy to an angry mind. The place was not in my district, but I was borrowed, being young and strong, that I might remove the edge of his per- sonal wrath. It was mid-winter, and I drove up to his house — a squire's country-seat — in the middle of a snow- storm, just as it was becoming dark. I was on an open jaunting-car, and was on my way from one little town to another, the cause of his complaint having reference to some mail conveyance between the two. I was cer- tainly ver}^ cold, and very wet, and very uncomfortable when I entered his house. I was admitted by a butler, but the gentleman himself hurried into the hall. I at once began to explain my business. " God bless me !" he said, ^' you are wet through. John, get Mr. Trollope Ireland. 61 some brandy-and-water — very hot." I was beginning my story about the post again when he himself took off my greatcoat, and suggested that I should go up to my bedroom before I troubled myself with business. " Bed- room !" I exclaimed. Then he assured me that he w^ould not turn a dog out on such a night as that, and into a bedroom I was shown, having first drank the brandy-and-water standing at the drawing-room fire. When I came down I was introduced to his daughter, and the three of us went in to dinner. I shall never forget his righteous indignation when I again brought up the postal question on the departure of the young lady. Was I such a Goth as to contaminate wine with business? So I drank m^ wine, and then heard the young lady sing, while her father slept in his arm-chair. I spent a very pleasant evening, but my host was too sleepy to hear anything about the Post-ofiice that night. It was absolutely necessary that I should go away the next morning after breakfast, and I explained that the matter must be discussed then. He shook his head and WTung his hands in unmistakable disgust — almost in despair. "But what am I to say in my report?" I asked. "Anything you please," he said. "Don't spare me, if you want an excuse for yourself. Here I sit all the day, with nothing to do ; and I like writing letters." I did report that Mr. was now quite satisfied with the postal arrangement of his district, and I felt a soft regret that I should have robbed my friend of his occu- pation. Perhaps he was able to take up the Poor-law Board, or to attack the Excise. At the Post - ofiice nothing more was heard from him. I went on with the hunting surveyor at Banagherfor 63 Autobiography of Anthony Trollojpe, three years, during which, at Kingstown, the watering- place near Dublin, I met Eose Heseltine, the lady who has since become my wife. The engagement took place when I had been just one year in Ireland, but there was still a delay of two years before w^e could be married. She had no fortune, nor had I any income beyond that which came from the Post-office; and there were still a few debts, which would have been paid off, no doubt, sooner but for that purchase of the horse. When I had been nearly three years in Ireland we were married, on the 11th of June, 1844 ; and perhaps I ought to name that happy day as the commencement of my better life, rather than the day on which I first landed in Ireland. For though during these three years I had been jolly enough, I had not been altogether happy. The hunt- ing, the whiskey punch, the rattling Irish life — of which I could write a volume of stories were this the place to tell them — were continually driving from my mind the still-cherished determination to become a writer of nov- els. AVhen I reached Ireland I had never put pen to paper, nor had I done so when I became engaged. And when I was married, being then twenty-nine, I had only written the first volume of my first work. This con- stant putting off of the day of work was a great sorrow to me. I certainly had not been idle in my new berth. I had learned my work, so that every one concerned knew that it was safe in my hands ; and I held a posi- tion altogether the reverse of that in which I was alwaj^s trembling while I remained in London. But that did not suffice — did not nearly suffice. I still felt that there might be a career before me, if I could only bring my- self to begin the work. I do not think I much doubted My First Two Novels. 63 mj own intellectual sufficiency for the writing of a read- able novel. What I did doubt was my own industry, and the chances of the market. The vigor necessary to prosecute two professions at the same time is not given to every one, and it was only lately that I had found the vigor necessary for one. There must be early hours, and I had not as yet learned to love early hours. I was still, indeed, a young man ; but hardly young enough to trust myself to find the power to alter the habits of my life. And I had heard of the difficulties of publishing — a subject of which I shall have to say much should I ever bring this memoir to a close. I had dealt already with publishers on my mother's behalf, and knew that many a tyro who could fill a manuscript lacked the power to put his matter be- fore the public ; and I knew, too, that when the matter was printed, how little had then been done towards the winning of the battle ! I had already learned that many a book — many a good book — ' ' is born to blush unseen, And waste its sweetness on the desert air." But still the purpose was strong within me, and the first effort was made after the following fashion. I was located at a little town called Drumsna, or, rather, vil- lage, in the County Leitrim, where the postmaster had come to some sorrow about his money ; and my friend John Merivale was staying wdth me for a day or two. As we were taking a walk in that most uninteresting country, w^e turned up through a deserted gateway, along a weedy, grass-grown avenue, till we came to the modern ruins of a country-house. It was one of the most melancholy spots I ever visited. I will not de- 64 Autobiography of Anthony Trollope. scribe it here, because I have done so in the first chapter of my first noveL We wandered about the place, sug- gesting to each other causes for the misery we saw there, and while I was still among the ruined walls and de- cayed beams I fabricated the plot of " The Macdermots of Ballycloran." As to the plot itself, I do not know that I ever made one so good — or, at any rate, one so susceptible of pathos. I am aware that I broke down in the telling, not having yet studied the art. ISTever- theless, " The Macdermots " is a good novel, and worth reading by any one who wishes to understand what Irish life w^as before the potato disease, the famine, and the Encumbered Estates Bill. "When my friend left me, I set to work and wrote? the first chapter or two. Up to this time I had continued that practice of castle-building of which I liave spoken, but now the castle I built was among the ruins of that old house. The book, however, hung with me. It was only now and then that I found either time or energy for a few pages. I commenced the book in September, 1843, and had only written a volume when I was mar- ried, in June, 1844. My marriage was like the marriage of other people, and of no special interest to any one except my wife and me. It took place at Rotherham, in Yorkshire, where her father was the manager of a bank. "We were not very rich, having about £400 a year on which to live. Many people would say that we were two fools to encounter such poverty together. I can only reply that since that day I have never been without money in my pocket, and that I soon acquired the means of paying what I owed. Nevertheless, more than twelve My First Two Novels. 65 years had to pass over onr heads before I received any payment for any literary work which afforded an appre- ciable increase to our income. Immediately after our marriage I left the west of Ireland and the hunting surveyor, and joined another in the south. It was a better district, and I was ena- bled to live at Clonmel, a town of some importance, in- stead of at Banagher, which is little more than a village. I had not felt myself to be comfortable in my old resi- dence, as a married man. On my arrival there as a bachelor I had been received most kindly, but when I brought my English wife I fancied that there was a feeling that I had behaved badly to Ireland generally. When a young man has been received hospitably in an Irish circle, I will not say that it is expected of him that he should marry some young lady in that society — but it certainly is expected of him that he shall not marry any young lady out of it. I had given offence, and I was made to feel it. Tliere has taken place a great change in Ireland since the days in which I lived at Banagher, and a change so much for the better that I have sometimes wondered at the obduracy with which people have spoken of the permanent ill condition of the country. "Wages are now nearly double what they were then. The Post-office, at any rate, is paying almost double for its rural labor — 9^. a week where it used to pay 65., and 12^. a week where it used to pay Is. Banks have sprung up in al- most every village. Rents are paid with more than English punctuality. And the religious enmity between the classes, though it is not yet dead, is dying out. Soon after I reached Banagher in 1841, 1 dined one evening 66 AiUobiography of Anthony Trollope. with a Roman Catholic. I was informed next day, bj a Protestant gentleman who had been very hospitable to me, that I must choose my party. I could not sit both at Protestant and Catholic tables. Such a caution would now be impossible in any part of Ireland. Home-rule, no doubt, is a nuisance; and especially a nuisance be- cause the professors of the doctrine do not at all believe it themselves. There are, probably, no other twenty men in England or Ireland who would be so utterly dum- founded and prostrated were Home-rule to have its way as the twenty Irish members who profess to support it in the House of Commons. But it is not to be expect- ed that nuisances such as these should be abolished at a blow. Home-rule is, at any rate, better and more easily managed than the rebellion at the close of the last cen- tury ; it is better than the treachery of the Union ; less troublesome than O'Connell's monster meetings; less dangerous than Smith O'Brien and the battle of the cabbage-garden at Ballingarry, and very much less bloody than Fenianism. The descent from O'Connell to Mr. Butt has been the natural declension of a political dis- ease, which we had no right to hope would be cured by any one remedy. When I had been married a year my first, novel was finished. In July, 1845, I took it with me to the north of England, and intrusted the manuscript to my mother, to do with it the best she could among the publishers in London. No one had read it but my wife ; nor, as far as I am aware, has any other friend of mine ever read a word of my writing before it was printed. She, I think, has so read almost everything, to my very great advantage in matters of taste. I am My First Two Novels. 67 sure I have never asked a friend to read a line ; nor have I ever read a word of my own writing aloud, even to her. With one exception — which shall be men- tioned as I come to it — I have never consulted a friend as to a plot, or spoken to any one of the work I have been doing. My first manuscript I gave np to my mother, agreeing wdth her that it would be as w^ell that she should not look at it before she gave it to a pub- lisher. I knew that she did not give me credit for the sort of cleverness necessary for sucli w^ork. I could see in the faces and hear in the voices of those of my friends who wxre around me at the house in Cumber- land — my mother, my sister, my brother-in-law, and, I think, my brother — that they had not expected me to come out as one of the family authors. There were three or four in the field before me, and it seemed to be almost absurd that another should wish to add him- self to the number. My father had written much — those long ecclesiastical descriptions — quite unsuccess- fully. My mother had become one of the popular au- thors of the day. My brother had commenced, and had been fairly well paid for his work. My sister, Mrs. Tilley, had also written a novel, which was at the time in manuscript — which was published afterwards without her name, and was called " Chollerton." I could perceive that this attempt of mine was felt to be an unfortunate aggravation of the disease. My mother, however, did the best she could for me, and soon reported that Mr. Newby, of Mortimer Street, was to publish the book. It was to be printed at his expense, and he was to give me half the profits. Half the profits ! Many a young author expects much from 68 Autobiograjphy of Anthony Trollojpe. such an undertaking. I can with truth declare that I expected nothing. And I got nothing. Nor did I ex- pect fame, or even acknowledgment. I was sure that the book would fail, and it did fail most absolutely. I never heard of a person reading it in those days. If there was any notice taken of it by any critic of the day, I did not see it. I never asked any questions about it, or wrote a single letter on the subject to the publisher. I have Mr. ]S"ewby's agreement with me, in duplicate, and one or two preliminary notes ; but be- yond that I did not have a word from Mr. Newby. I am sure that he did not wrong me in that he paid me noth- ing. It is probable that he did not sell fifty copies of the work ; but of what he did sell he gave me no account. I do not remember that I felt in any way disappoint- ed or hurt. I am quite sure that no word of com- plaint passed my lips. I think I may say that after the publication I never said a word about the book, even to my wife. The fact that I had written and pub- lished it, and that I was writing another, did not in the least interfere with my life or with my determination to make the best I could of the Post-office. In Ire- land, I think that no one knew that I had written a novel. But I w^ent on writing. "The Macdermots" was published in 1847, and the ''The Kelly s and the O'Kellys" followed in 1848. I changed my publish- er, but did not change my fortune. This second Irish story was sent into the world by Mr. Colburn, who had long been my mother's publisher, who reigned in Great Marlborough Street, and I believe created the business which is now carried on by Messrs. Hurst & Blackett. He had previously been in partnership with Mr. Bent- My First Two Novels, 69 ley in !N"ew Burlington Street. I made the same agree- ment as before as to half profits, and with precisely the same results. The book was not only not read, but was never heard of — at any rate, in Ireland. And yet it is a good Irish story, much inferior to "The Macder- mots"as to plot, but superior in the mode of telling. Again I held my tongue, and not only said nothing, but felt nothing. Any success would, I think, have carried me off my legs, but I was altogether prepared for failure. Thougli I thoroughly enjoyed tlie writino- of these books, I did not imagine, when the time came for publishing them, that any one would condescend to read them. But in reference to " The O'Kellys " there arose a circumstance which set my mind to work on a subject which has exercised it much ever since. I made my first acquaintance with criticism. A dear friend of mine, to whom the book had been sent — as have all my books — wrote me word to Ireland that he had been dining at some club with a man high in authority among the gods of the Times newspaper, and that this special god had almost promised that " The O'Kellys " should be noticed in that most influential of " or^rans." The information moved me very much; but it set me thinking whether the notice, should it ever appear, would not have been more valuable, at any rate, more honest, if it had been produced by other means; if, for instance, the writer of the notice had been instigated by the merits or demerits of the book instead of by the friendship of a friend. And I made up my mind then that, should I continue this trade of authorship, I would have no dealings with any critic on my own behalf. I 70 Autobiography of Anthony Trollo^e. would neither ask for nor deplore criticism, nor would I ever thank a critic for praise, or quarrel with him, even in nij own heart, for censure. To this rule I have adhered with absolute strictness, and this rule I would recommend to all young authors. What can be got by touting among the critics is never worth the ig- nominy. The same may of course be said of all things acquired by ignominious means. But in this matter it is so easy to fall into the dirt. Facilis descensus Aver- ni. There seems to be but little fault in suggesting to a friend that a few words in this or that journal would be of service. But any praise so obtained must be an injustice to the public, for whose instruction, and not for the sustentation of the author, such notices are in- tended. And from such mild suggestion the descent to crawling at the critic's feet, to the sending of presents, and at last to a mutual understanding between critics and criticised, is only too easy. Other evils follow, for the denouncing of which this is hardly the place ; though I trust I may find such place before my work is finished. I took no notice of my friend's letter, but I was not the less careful in watching the Times. At last the review came — a real- review in the Times. I learned it by heart, and can now give, if not the words, the exact purport. " Of ' The Kellys and the O'Kellys ' we may say what the master said to his f oot- '^'"'^man, when the man complained of the constant supply of legs of mutton on the kitchen table. ' AYell, John, legs of mutton are good substantial food ;' and we may say also what John replied : ' Substantial, sir ; yes, they are substantial, but a little coarse.' " Tliat was the re- view, and even that did not sell the book ! My First Two Novels. 7j From Mr. Colburn I did receive an account, sbowina: that 375 copies of the book had been printed, that 140 had been sold— to those, I presume, who liked substan- '^ tial food though it was coarse — and that he had incur- red a loss of £63 10^. l^d. The truth of the account I never for a moment doubted ; nor did I doubt the wis- dom of the advice given to me in the following letter, though I never thought of obeying it : " Great Marlborough Street, November 11, 1848. *'Mt dear Sir, — I am sorry to say that absence from town and other circumstances have prevented me from earlier inquiring into the resuhs of the sale of ' The Kellys and the O'Kellys,' with which tlie greatest efforts have been used, but in vain. The sale has been, I regret to say, so small that the loss upon the publication is A-ery considerable ; and it appears clear to me that although, in consequence of the great number of novels that are published, the sale of each, with some few exceptions, must be small, yet it is evident that readers do not like novels on Irish subjects as well as on others. Thus you will perceive it is impossible for me to give any encouragement to you to proceed in novel-writing. "As, however, I understand you have nearly finished the novel 'La Vende'e,' perhaps you will favor me with a sight of it when convenient. "I remain, etc., etc., H. Colburn." This, though not strictly logical, was a rational letter, telling a plain truth plainly. I did not like the assur- ance that "the greatest efforts had been used," thinkino- tliat any efforts w^hich might be made for the popular- ity of a book ought to have come from the author; but I took in good part ]\Ir. Colburn's assurance that he could not encourage me in the career I had commenced. I would have bet twenty to one against my own suc- cess. But by continuing I could lose only pen and paper ; and if the one chance in twenty did turn up in my favor, then how much might I win ! 72 Autobiograj}hy of Anthony TTollo;pe. Chapter Y. MY FIRST SUCCESS. 1849-1855. I HAD at once gone to work on a third novel, and had nearly completed it, when I was informed of the absolute failure of the former. I find, however, that the agreement for its publication was not made till 1850, by which time I imagine that Mr. Colburn must have forgotten the disastrous result of " The O'Kellys," as he thereby agrees to give me £20 down for my " new historical novel, to be called ' La Yendee.' " He agreed also to pay me £30 more when he had sold 350 copies, and £50 more should he sell 450 within six months. I got my £20, and then heard no more of " La Yen- dee," not even receiving any account. Perhaps the historical title had appeared more alluring to him than an Irish subject; though it was not long afterwards that I received a warning from the very same house of business against historical novels — as I will tell at length when the proper time comes. I have no doubt that the result of the sale of this story was no better than that of the two that had gone before. I asked no questions, however, and to this day have received no information. The story is certainly inferior to those which had gone before — chiefly be- cause I knew accurately the life of the people in Ire- My First Success. 73 land, and knew, in truth, nothing of life in the Yen- dee country, and also because the facts of the present time came more within the limits of my powers of story-telling than those of past years. But I read the book the other day, and am not ashamed of it. The conception as to the feeling of the people is, I think, true ; the characters are distinct ; and the tale is not dull. As far as I can remember, this morsel of criti- cism is the only one that was ever written on the book. I had, however, received £20. Alas ! alas ! years were to roll by before 1 should earn by my pen another shilling. And, indeed, I was well aware that I had not earned that ; but that the money had been " talked out of" the worthy publisher by the earnestness of my brother, who made the bargain for me. I have known very much of publishers and have been surprised by much in their mode of business — by the apparent lav- ishness and by the apparent hardness to authors, in the same men — but by nothing so much as by the ease with w^iich they can occasionally be persuaded to throw away small sums of money. If you will only make the payment future instead of present, you may generally twist a few pounds in your own or your client's favor. "You might as well promise her £20. This day six months will do very well." The publisher, though he knows that the money will never come back to him, thinks it worth his while to rid himself of your impor- tunity at so cheap a price. But while I was writing "La Yendee" I made a lit- erary attempt in another direction. In 1847 and 1848 there had come upon Ireland the desolation and de- struction, first, of the famine, and then of the pestilence 4 74 Autobiography of Anthony Trollope. which succeeded the famine. It was my duty at that time to be travelling constantly in those parts of Ire- land in which the misery and troubles thence arising were, perhaps, at their worst. The western parts of Cork, Kerry, and Clare were pre-eminently unfortunate. The efforts — I may say the successful eiforts — made by the government to stay the hands of death will still be in the remembrance of many — how Sir Eobert Peel was instigated to repeal the Corn-laws ; and how, sub- sequently, Lord John Russell took measures for em- ploying the people, and supplying the country with In- dian corn. The expediency of these latter measures was questioned by many. The people themselves wished, of course, to be fed without working ; and the gentry, who were mainly responsible for the rates, were disposed to think that the management of affairs was taken too much out of their own hands. My mind at the time was busy with the matter, and, thinking that the gov- ernment was right, I was inclined to defend them as far as my small powers went. S. G. O. (Lord Sydney Godolphin Osborne) was at that time denouncing the Irish scheme of the administration in the Times, using very strong language, as those who remember his style will know. I fancied then — as I still think — that I un- derstood the country much better than he did ; and I was anxious to show that the steps taken for mitigating the terrible evil of the times were the best which the minister of the day could have adopted. In 1848 I was in London, and, full of my purpose, I presented myself to Mr. John Forster — who has since been an intimate and valued friend — but who was at that time the edi- tor of the Examiner. I think that that portion of the My First Success. 75 literary world wliicli understands the fabrication of newspapers will admit that neither before his time, nor since, has there been a more capable editor of a weekly newspaper. As a literary man, he was not without his faults. That which the cabman is reported to have said of him before the magistrate is quite true. He was always " an arbitrary cove." As a critic, he be- longed to the school of Bentley and Gifford — who would always bray in a literary mortar all critics who disa- greed with them, as though such disagreement were a personal offence requiring personal castigation. But that very eagerness made him a good editor. Into . whatever he did he put his very heart and soul. Dur- ing his time t\\Q Examiner w\as almost all that a Liberal weekly paper should be. So to John Forster I went, and was shown into that room in Lincoln's Inn Fields in which, some three or four years earlier, Dickens had given that reading of which there is an illustration, with portraits, in the second volume of his Life. At this time I knew no literary men. A few I had met when living with my mother, but that had been now so long ago that all such acquaintance had died out. I knew who they were, as far as a man could get such knowledge from the papers of the day, and felt myself as in part belonging to the guild, through my mother, and in some degree by my own unsuccessful efforts. But it was not probable that any one w^ould admit my claim; nor on this occasion did I make any claim. I stated my name and official position, and the fact that opportunities had been given me of seeing the poor-houses in Ireland, and of making myself acquaint- ed with the circumstances of the time. Would a series 76 Autobiography of Atithony Trollope. of letters on the subject be accepted by the Examiner ? The great man, who loomed very large to me, was pleased to say that if the letters should recommend themselves by their style and matter, if they were not too long, and if — every reader will know how on such occasions an editor will guard himself — if tliis and if that, they should be favorably entertained. They were favorably entertained, if printing and publication be fa- vorable entertainment. But I heard no more of them. The world in Ireland did not declare that the govern- ment had at last been adequately defended, nor did the treasurer of the Examiner send me a check in return. Whether there ought to have been a check I do not even yet know. A man who writes a single letter to a newspaper of course is not paid for it, nor for any number of letters on some point personal to himself. I have since written sets of letters to newspapers, and have been paid for them ; but then I have bargained for a price. On this occasion I had hopes; but they never ran high, and I was not much disappointed. I have no copy now of those letters, and could not refer to them without much trouble; nor do I remember what I said. But I know that I did my best in writing them. When my historical novel failed, as completely as had its predecessors, the two Irish novels, I began to ask myself whether, after all, that was my proper line. I had never thought of questioning the justice of the verdict expressed against me. The idea that I was the unfortunate owner of unappreciated genius never troub- led me. I did not look at the books after they were published, feeling sure that they had been, as it were, 3ly First Success. 77 damned with good reason. But still I was clear in my mind that I would not lay down my pen. Then and therefore I determined to change my hand, and to at- tempt a play. I did attempt the play, and in 1850 I wrote a comedy, partly in blank verse, and partly in prose, called " The :N"oble Jilt." The plot I afterwards used in a novel called "Can You Forgive Her?'' I believe that I did give the best of my intellect to the play, and I must own that when it was completed it pleased me much. I copied it, and re-copied it, touch- ing it here and touching it there, and then sent it to my very old friend, George Bartley, the actor, who had, when I w^as in London, been stage-manager of one of the great theatres, and who would, I thought, for my own sake and for my mother's, give me the full benefit of his professional experience. I have now before me the letter which he wrote to me — a letter which I have read a score of times. It was altogether condemnatory. " When I commenced," he said, "I had great hopes of your production. I did not think it opened dramatically, but that might have been remedied." I knew then that it was all over. But, as my old friend warmed to the subject, the criti- cism became stronger and stronger, till my ears tingled. At last came the fatal blow. " As to the character of your heroine, I felt at a loss how to describe it, but you have done it for me in the last speech of Madame Brudo." Madame Brudo was the heroine's aunt. " ' Margaret, my child, never play the jilt again ; 'tis a most unbecoming character. Play it with what skill you will, it meets but little sympathy.' And this, be assured, would be its effect upon an audience. So that 78 Autdbiogrwphy of Anthony Trollope. I must reluctantly add that, had I been still a manager, 'The Noble Jilt' is not a play I could have recom- mended for production." This was a blow that I did feel. The neglect of a book is a disagreeable fact which grows upon an author by degrees. There is no special moment of agony — no stunning violence of condemna- tion. But a piece of criticism such as this, from a friend, and from a man undoubtedly capable of form- in o* an opinion, was a blow in the face ! But I accepted the judgment loyally, and said not a word on the sub- ject to any one. I merely showed the letter to my wife, declaring my conviction that it must be taken as gospel. And as critical gospel it has since been accept- ed. In later days I have more than once read the play, and I know that he was right. The dialogue, however, I think to be good, and I doubt whether some of the scenes be not the brightest and best work I ever did. Just at this time another literary project loomed be- fore my eyes, and for six or eight months had consider- able size. I was introduced to Mr. John Murray, and proposed to him to write a Handbook for Ireland. I explained to him that I knew the country better than most other people, perhaps better than any other person, and could do it well. He asked me to make a trial of my skill, and to send him a certain number of pages, undertaking to give me an answer within a fortnight after he should have received my work. I came back to Ireland, and for some weeks I labored very hard. I "did" the city of Dublin, and the county of Kerry, in which lies the lake scenery of Killarney ; and I " did " the route from Dublin to Killarney, altogether complet- ing nearly a quarter of the proposed volume. The roll My First Success. 79 of manuscript was sent to Albermarle Street — but was never opened. At the expiration of nine months from the date on which it reached that time-honored spot it was returned without a word, in answer to a very angry letter from myself. I insisted on having back my prop- erty — and got it. I need hardly say that my property has never been of the slightest use to me. In all honesty I think that, had he been less dilatory, John Murray would have got a very good Irish Guide at a cheap rate. Early in 1851 I was sent upon a job of special official work, which for two years so completely absorbed my time that I was able to write nothing. A plan w^as formed for extending the rural delivery of letters, and for adjusting the work, which up to that time had been done in a very irregular manner. A country letter- carrier would be sent in one direction, in which there were but few letters to be delivered, the arrangement having originated probably at the request of some in- fluential person, while in another direction there was no letter-carrier, because no influential person had exerted himself. It was intended to set this right throughout England, Ireland, and Scotland ; and 1 quickly did the work in the Irish district to which I was attached. I was then invited to do the same in a portion of England, and I spent two of the happiest years of my life at the task. I began in Devonshire, and visited, I think I may say, every nook in that county, in Cornwall, Somerset- shire, the greater part of Dorsetshire, the Channel Islands, part of Oxfordshire, Wiltshire, Gloucestershire, Worces- tershire, Herefordshire, Monmouthshire, and the six southern Welsh counties. In this way I had an oppor- tunity of seeing a considerable portion of Great Britain, 80 Autdhiograjpliy of Anthony Trollope, with a minuteness whicli few have enjoyed. And I did my business after a fashion in which no other official man has worked, at least, for many years. I went al- most everywhere on horseback. I had two hunters of my own, and here and there, where I conld, I hired a third horse. I had an Irish groom with me, an old man, who has now been in my service for thirty-five years ; and in this manner I saw almost every house — I think I may say every house of importance — in this large district. The object was to create a postal network which should catch all recipients of letters. In France it was, and I suppose still is, the practice to deliver every letter. Wherever the man may live to whom a letter is addressed, it is the duty of some letter-carrier to take that letter to his house, sooner or later. But this, of course, must be done slowly. AVith us a delivery much delayed was thought to be worse than none at all. In some places we did establish posts three times a week, and perhaps occasionally twice a week ; but such halting arrangements were considered to be objectionable, and we were bound down by a salutary law as to expense, which came from our masters at the Treasury. "We were not allowed to establish any messenger's walk on which a sufficient number of letters would not be de- livered to pay the man's wages, counted at a halfpenny a letter. But then the counting was in our own hands, and an enterprising official might be sanguine in his figures. I think I was sanguine. I did not prepare false accounts ; but I fear that the postmasters and clerks who absolutely had the country to do became aware that I was anxious for good results. It is amusing to watch how a passion will grow upon a man. During My First Success. 81 those two years it was the ambition of my life to cover the country with rural letter-carriers. I do not remem- ber that in any case a rural post proposed by me was negatived by the authorities ; but I fear that some of them broke down afterwards as being too poor, or because, in my anxiety to include this house and that, I had sent the men too far afield. Our law was that a man should not be required to w^alk more than sixteen miles a day. Plad the work to be done been all on a measured road, there would have been no need for doubt as to the dis- tances. But my letter-carriers went here and there across the fields. It was my special delight to take them by all short-cuts; and as I measured on horseback the short-cuts which they would have to make on foot, per- haps I was sometimes a little unjust to them. All this I did on horseback, riding on an average forty miles a day. I was paid sixpence a mile for the distance travelled, and it was necessary that I should, at any rate, travel enough to pay for my equipage. Tliis I did, and got my hunting out of it also. I have often surprised some small country postmaster, who had never seen or heard of me before, by coming down upon him at nine in the morning, with a red coat and boots and breeches, and interrogating him as to the disposal of every letter which came into his office. And in the same guise I would ride up to farmhouses, or parsonages, or other lone residences about the country, and ask the people how they got their letters, at what liour, and especially whetlier they were delivered free or at a certain charge. For a habit had crept into use, which came to be, in my eyes, at that time, the one sin for which there was no pardon, in accordance with which these rural letter-carriers used 4* 83 Autobiography of Anthony TroUojpe. to charge a penny a letter, alleging that the house was out of their beat, and that they must be paid for their extra work. I think that I did stamp out that evil. In all these visits I was, in truth, a beneficent angel to the public, bringing everywhere with me an earlier, cheaper, and much more regular delivery of letters. But not unfrequently the angelic nature of my mission was imperfectly understood. I was, perhaps, a little in a hurry to get on, and did not allow as much time as was necessary to explain to the wondering mistress of the house, or to an open-mouthed farmer, why it was that a man arrayed for hunting asked so many questions which might be considered impertinent, as applying to his or her private affairs. ^' Good-morning, sir. I have just called to ask a few questions. I am a surveyor of the Post-office. How do you get your letters? As I am a little in a hurry, perhaps you can explain at once." Then I would take out my pencil and note- book, and wait for information. And, in fact, there was no other way in which the truth could be ascertained. Unless I came down suddenly as a summer's storm upon them, the very people who were robbed by our messen- gers would not confess the robbery, fearing the ill-will of the men. It was necessary to startle them into the revelations which I required them to make for their own good. And I did startle them. I became thoroughly Vised to it, and soon lost my native bashfulness — but sometimes my visits astonished the retiring inhabitants of country-houses. I did, however, do my work, and can look back upon what I did with thorough satisfac- tion. I was altogether in earnest; and I believe that many a farmer now has his letters brought daily to his My First Success, 83 house free of charge who but for me would still have had to send to the post-town for them twice a week, or to have paid a man for bringing them irregularly to his door. This work took up my time so completely, and entailed upon me so great an amount of writing, that I was, in fact, unable to do any literary work. From day to day I thought of it, still purporting to make another effort, and often turning over in my head some fragment of a plot which had occurred to me. But the day did not come in which I could sit down with pen and paper and begin another novel. For, after all, what could it be but a novel? The play had failed more absolutely than the novels, for the novels had attained the honor of print. The cause of this pressure of official work lay, not in the demands of the General Post-office, which more than once expressed itself as astonished by my celerity, but in the necessity which was incumbent on me to travel miles enough to pay for my horses, and upon the amount of correspondence, returns, figures, and re- ports which such an amount of daily travelling brought with it, I may boast that the work was done very quickly and very thoroughly — with no fault but an over- eagerness to extend postal arrangements far and wide. In the course of the job I visited Salisbury, and while wandering there one midsummer evening round the purlieus of the cathedral I conceived the story of " The Warden " — from whence came tliat series of novels of which Barchester, with its bishops, deans, and archdea- con, was the central site. I may as well declare at once that no one at their commencement could have had less reason than myself to presume himself to be able to 84 Autobiography of Anthony TroUojpe. write about clergymen. I have been often asked in what period of mj early life I had lived so long in a cathedral city as to have become intimate with the ways of a close. I never lived in any cathedral city, ex- cept London, never knew anything of any close, and at that time had enjoyed no peculiar intimacy with any clergyman. My archdeacon, who has been said to be life-like, and for whom I confess that I have all a par- ent's fond affection, was, I think, the simple result of an effort of my moral consciousness. It was such as that, in my opinion, that an archdeacon should be, or, at any rate, would be, with such advantages as an archdeacon might have ; and lo ! an archdeacon was produced, who has been declared by competent authorities to be a real archdeacon down to the very ground. And yet, as far as I can remember, I had not then even spoken to an archdeacon. I have felt the compliment to l>e very great. The archdeacon came whole from my brain after this fashion; but in writing about clergymen generally, I had to pick up as I went whatever I might know or pretend to know about them. But my first idea had no reference to clergymen in general. I had been struck by two opposite evils, or what seemed to me to be evils, and with an absence of all art-judgment in such matters I thought that I might be able to expose them, or rather, to describe them, both in one and the same tale. The first evil was the possession by the Church of certain funds and endowments which had been intended for charitable purposes, but which had been allowed to become incomes for idle Church dignitaries. There had been more than one such case brought to public notice at the time, in which there seemed to have been an My First Success. 85 egregious malversation of charitable purposes. The second evil was its very opposite. Though 1 had been much struck by the injustice above described, I had also often been angered by the undeserved severity of the newspapers towards the recipients of such incomes, who could hardly be considered to be the chief sinners in the matter. When a man is appointed to a place it is natural that he should accept the income allotted to that place without much inquiry. It is seldom that he will be the first to find out that his services are overpaid. Though he be called upon only to look beautiful and to be dig- nified upon state occasions, he will think £2000 a year little enough for such beauty and dignity as he brings to the task. I felt that there had been some tearing to pieces which might have been spared. Bat I was altogether wrong in supposing that the two things could be combined. Any writer in advocating a cause must do so after the fashion of an advocate, or his writing will be ineffective. He should take up one side and cling to that, and then he may be powerful. There should be no scruples of conscience. Such scruples make a man impotent for sucli work. It was open to me to have described a bloated parson, with a red nose and all other iniquities, openly neglecting every duty required from him, and living riotously on funds purloined from the poor, defying as he did so the moderate remon- strances of a virtuous press. Or I might have painted a man as good, as sweet, and as mild as my w^arden, who should also have been a hard-working, ill-paid minister of God's Word, and might have subjected him to the rancorous venom of some daily Jupiter, who, without a leg to stand on, without any true case, might have been 86 A\d6biogra]pliy of Anthony Trollope. induced, by personal spite, to tear to rags the poor clergyman, with poisonous, anonymous, and ferocious leading articles. But neither of these programmes rec- ommended itself to my honesty. Satire, though it may exaggerate the vice it lashes, is not justified in creating it in order that it may be hashed. Caricature may too easily become a slander, and satire a libel. I believed in the existence neither of the red-nosed cleri- cal cormorant, nor in that of the venomous assassin of the journals. I did believe that through want of care, and the natural tendency of every class to take care of itself, money had slipped into the pockets of certain clergymen which should have gone elsewhere ; and I believed also that through the equally natural propensity of men to be as strong as they know how to be, certain writers of the press had allowed themselves to use lan- guage which was cruel, though it was in a good cause. But the two objects should not have been combined — and I now know myself well enough to be aware that I was not the man to have carried out either of them. ISTevertheless I thought much about it, and on the 29th of Jul}^, 1S53, having been then two years without having made any literary effort, I began " The Warden," at Tenbury, in Worcestershire. It w^as then more than twelve months since I had stood for an hour on the little bridge in Salisbury, and had made out to my own satisfaction the spot on which Hiram's hospital should stand. Certainly, no work that I ever did took up so much of my thoughts. On this occasion I did no more than write the first chapter, even if so much. I had determined that my official work should be moderated, BO as to allow me some time for writing ; but then, just My First Success. 87 at this time, I was sent to take the postal charge of the northern counties in Ireland, of Ulster, and the counties Meath and Louth. Hitherto, in official language, I had been a surveyor's clerk, now I was to be a surveyor. The difference consisted mainly in an increase of income from about £450 to about £800 — for at that time the sum netted still depended on the number of miles travelled. Of course, that English work to which I had become so warmly wedded had to be abandoned. Other parts of England were being done by other men, and I had nearly finished the area which had been intrusted to me. I should have liked to ride over the whole country, and to have sent a rural post letter-carrier to every parish, every village, every hamlet, and every grange in England. We were at this time very much unsettled as regards any residence. While we were living at Clonmel two sons had been born, who certainly were important enough to have been mentioned sooner. At Clonmel we had lived in lodgings, and from there had moved to Mallow, a town in the County Cork, where we had taken a house. Mallow was in the centre of a huntino: coun- try, and had been very pleasant to me. But our house there had been given up when it was known that I should be detained in England ; and then we had wan- dered about in the western counties, moving our head- quarters from one town to another. During this time we had lived at Exeter, at Bristol, at Caermarthen, at Cheltenham, and at Worcester. Now we again moved, and settled ourselves for eighteen months at Belfast. After that we took a house at Donnybrook, the well- known suburb of Dublin. 88 Autobiograjpliy of Anthony Trollope. The work of taking up a new district, which requires not only that the man doing it should know the nature of the postal arrangements, but also the characters and the peculiarities of the postmasters and their clerks, was too heavy to allow of my going on with my book at once. It was not till the end o^ 1852 that I recom- menced it, and it was in the autumn of 1853 that I fin- ished the work. It was only one small volume, and in later days would have been completed in six weeks, or in two months at the longest, if other work had pressed. On looking at the title-page, I find it was not published till 1855. I had made acquaintance, through my friend John Merivale, w^ith William Longman, the publisher, and had received from him an assurance that the manu- script should be " looked at." It was " looked at," and Messrs. Longman made me an offer to publish it at half profits. I had no reason to love " half profits," but I was very anxious to have my book published, and I ac- ceded. It was now more than ten years since I had commenced writing " The Macdermots," and I thought that if any success was to be achieved, the time surely had come. I had not been impatient ; but, if there was to be a time, surely it had come. The novel-reading world did not go mad about " The Warden ;" but I soon felt that it had not failed as the others had failed. There were notices of it in the press, and I could discover that people around me knew that I had written a book. Mr. Longman was compliment- ary, and after a while informed me that there would be profits to divide. At the end of 1855 I received a check for £9 8.5. 8^., which was the first money I had ever earned by literary work — that £20 which poor My First Success. 39 Mr. Colbnm Lad been made to pay certainly never hav- ing been earned at all. At the end of 1856 I received another sum of £10 15^. Id. The pecuniary success was not great. Indeed, as regarded remuneration for the time, stone-breaking would have done better. A thousand copies were printed, of which, after a lapse of five or six years, about three hundred had to be con- verted into another form, and sold as belonging to a cheap edition. In its original form "The Warden" never reached the essential honor of a second edition. I have already said of the work that it failed alto- gether in the purport for which it was intended. But it has a merit of its own, a merit by my own perception of which I was enabled to see wherein lay whatever strength I did possess. The characters of the bishop, of the archdeacon, of the archdeacon's wife, and espe- cially of the warden, are all well and clearly drawn. I had realized to myself a series of portraits, and had been able so to put them on the canvas that my readers should see that which I meant them to see. There is no gift which an author can have more useful to him than this. And the style of the English was good, though, from most unpardonable carelessness, the grammar was not nnfrequently faulty. With such results I had no doubt but that I would at once begin another novel. I will here say one word as a long-deferred answer to an item of criticism which appeared in the Times news- paper as to " The Warden." In an article— if I remem- ber rightly, on " The Warden " and " Barchester Towers " combined— which I would call good-natured, but that I take it for granted that the critics of the Times are actuated by higher motives than good-nature, that little 90 Autobiography of Ardhony Trolloj)e. book and its sequel are spoken of in terms which were very pleasant to the author. But there was added to this a gentle word of rebuke at the morbid condition of the author's mind, which had prompted him to indulge in personalities — the personalities in question having reference to some editor or manager of the Times news- paper. For I had introduced one Tom Towers as being potent among the contributors to the Jupiter^ under which name I certainly did allude to the Times. But at that time, living away in Ireland, I had not even heard the name of any gentleman connected with the Times newspaper, and could not have intended to repre- sent any individual by Tom Towers. As I had created an archdeacon, so had I created a journalist, and the one creation was no more personal or indicative of morbid tendencies than the other. If Tom Towers was at all like any gentleman then connected with the Times, my moral consciousness must again have been very powerful. '^Barchester TowersP 91 Chapter YI. "BARCHESTER TOWERS" AND "THE THREE CLERKS." 1855-1858. It was, I think, before I started on mj English tours among the rural posts that I made my first attempt at writing for a magazine. I had read, soon after they came out, the first two volumes of Charles Merivale's " History of the Romans under the Empire," and had got into some correspondence with the author's brother as to the author's views about Csesar. Hence arose in my mind a tendency to investigate the character of probably the greatest man who ever lived, which ten- dency in after-years produced a little book of which I shall have to speak when its time comes — and also a taste generally for Latin literature, which has been one of the chief delights of my later life. And I may say that I became at this time as anxious about Caesar, and as desirous of reaching the truth as to his character, as we have all been in regard to Bismarck in these later days. I lived in Csesar, and debated with myself con- stantly whether he crossed the Rubicon as a tyrant or as a patriot. In order that I might review Mr. Meri- vale's book without feeling that I was dealing unwar- rantably with a subject beyond me, I studied the "Com- mentaries" thoroughly, and went through a mass of other reading which the object of a magazine article hardly 93 AutoUography of Anthony Trollo])e. justified, but whicli has thoroughly justified itself in the subsequent pursuits of my life. I did write two articles, the first mainly on Julius Caesar, and the second on Augustus, which appeared in the DuUin University Magazine. They were the result of very much labor, but there came from them no pecuniary product. I had been very modest when I sent them to the editor, as I had been when I called on John Forster, not ven- turing to suggest the subject of money. After a while I did call upon the proprietor of the magazine in Dub- lin, and was told by him that such articles were gener- ally written to oblige friends, and that articles written to oblige friends were not usually paid for. The Dean of Ely, as the author of the work in question now is, was my friend ; but I think I was wronged, as I cer- tainly had no intention of obliging him by my criticism. Afterwards, when I returned to Ireland, I wrote other articles for the same magazine, one of which, intended to be very savage in its denunciation, was on an ofiicial blue-book just then brought out, preparatory to the in- troduction of competitive examinations for the civil service. For that and some other article, I now forget what, I was paid. Up to the end of 1857 I had re- ceived £55 for the hard work of ten years. It was while I was engaged on " Barchester Towers" that I adopted a system of writing which, for some years afterwards, I found to be very serviceable to me. My time was greatl}^ occupied in travelling, and the nat- ure of my travelling was now changed. I could not any longer do it on horseback. Eailroads afforded rae my means of conveyance, and I found that I passed in railway - carriages very many hours of my existence. ^^Barchester TowersP 03 Like others, I used to read — though Carljle lias since told me that a man when travelling should not read, but ''sit still and label his thoughts." But if I in- tended to make a profitable business out of mj writing, and, at the same time, to do mj best for the Post-office, I must turn these hours to more account than I could do even by reading. I made for myself, therefore, a little tablet, and found after d, few days' exercise that I could write as quickly in a railway-carriage as I could at my desk. I worked with a pencil, and what I wrote my wife copied afterwards. In this way was composed the greater part of " Barchester Towers "' and of the novel which succeeded it, and much also of others sub- sequent to them. My only objection to the practice came from the appearance of literary ostentation, to which I felt myself to be subject when going to work before four or five fellow-passengers. But I got used to it, as I had done to the amazement of the west country farmers' wives when asking them after their letters. In the writing of '* Barchester Towers " I took great delight. The bishop and Mrs. Proudie were very real to me, as were also the troubles of the archdeacon and the loves of Mr. Slope. When it was done, Mr. W. Longman required that it should be subjected to his reader; and he returned the manuscript to me, with a most laborious and voluminous criticism — coming from whom I never knew. This was accompanied by an o2er to print the novel on the half-profit system, with a payment of £100 in advance out of my half profits — on condition that I would compl}* with the suggestions made by his critic. One of these suggestions required 94 Autobiograjphy of Anthony Trollojpe. that I should cut the novel down to two volumes. In mj reply I went through the criticisms, rejecting one and accepting another, almost alternately, but declaring at last that no consideration should induce me to cut out a third of my work. I am at a loss to know how such a task could be performed. I could burn the manu- script, no doubt, and write another book on the same story ; but how two w^ords out of six are to be withdrawn from a written novel, I cannot conceive. I believe such tasks have been attempted — perhaps performed; but I refused to make even the attempt. Mr. Long- man was too gracious to insist on his critic's terms ; and the book was published, certainly none the worse, and I do not think much the better, for the care that had been taken with it. The work succeeded just as " The Warden " had suc- ceeded. It achieved no great reputation, but it was one of the novels w^iich novel-readers were called upon to read. Perhaps I iw^y be assuming unto myself more than I have a right to do in saying now that "Bar- chester Towers " lias become one of those novels which do not die quite at once, which live and are read for perhaps a quarter of a century ; but if that be so, its life has been so far prolonged by the vitality of some of its younger brothers. " Barchester Towers " would hardly be so well known as it is had there been no "Framley Parsonage" and no "Last Chronicle of Barset." I received my £100, in advance, with profound de- light. It w^as a positive and most w^elcome increase to my income, and might probably be regarded as a first real step on the road to substantial success. I am well ^'Barchester Towers.''^ 95 aware that there are many who think that an author in his authorship should not regard money — nor a painter, or sculptor, or composer, in his art. I do not know that this unnatural self-sacrifice is supposed to extend itself further. A barrister, a clergyman, a doctor, an en- gineer, and even actors and architects, may without dis- grace follow the bent of human nature, and endeavor to fill their bellies and clothe their backs, and also those of their wives and children, as comfortably as they can, by the exercise of their abilities and their crafts. They may be as rationally realistic as may the butch- ers and the bakers ; but the artist and the author forget the high glories of their calling if they con- descend to make a money return a first object. They who preach this doctrine will be much offended by my theory, and by this book of mine, if my theory and my book come beneath their notice. They require the prac- tice of a so-called virtue which is contrary to nature, and w^hich, in my eyes, would be no virtue if it were prac- tised. They are like clergymen who preach sermons against the love of money, but who know that the love of money is so distinctive a characteristic of humanity that such sermons are mere platitudes, called for by cus- tomary but unintelligent piety. All material progress has come from man's desire to do the best he can for himself and those about him, and civilization and Christianity itself have been made possible by such progress. Though we do not all of us argue this mat- ter out within our breasts, w^e do all feel it ; and we know that the more a man earns the more useful he is to his fellow-men. The most useful lawyers, as a rule, have been those who have made the greatest incomes — 96 Autobiography of Anthony Trollojpe, and it is the same with the doctors. It would be the same in the Church if they who have the choosing of bishops always chose the best man. And it has in truth been so too in art and authorship. Did Titian or Ru- bens disregard their pecuniary rewards ? As far as we know, Shakespeare worked always for money, giving the best of his intellect to support his trade as an actor. In our own century what literary names stand higher than those of Byron, Tennyson, Scott, Dickens, Macaulay, and Carlyle? — and I think I may say that none of those great men neglected the pecuniary result of their labors. Now and then a man may arise among us who, in any calling, whether it be in law, in physic, in religious teaching, in art, or literature, may in his professional enthusiasm utterly disregard money. All will honor his enthusiasm, and if he be Avifeless and childless, his disregard of the great object of men's work will be blameless. But it is a mistake to suppose that a man is a better man because he despises money. Few do so, and those few in doing so suffer a defeat. Who does not desire to be hospitable to his friends, generous to the poor, liberal to all, munificent to his children, and to be himself free from the carking fear which poverty creates ? The subject will not stand an argument; and yet authors are told that they should disregard payment for their work, and be content to de- vote their unbought brains to the welfare of the public. Brains that are un bought will never serve the public much. Take away from English authors their copy- rights, and you would very soon take away from Eng- land her authors. I say this here, because it is my purjwse, as I go on, ^'' Bar Chester Towers P 97 to state what to me has been the result of mj profes- fiion in the ordinary way in which professions are re- garded ; so that by my example may be seen what pros- pect there is that a man devoting himself to literature with industry, perseverance, certain necessary aptitudes, and fair average talents, may succeed in gaining a liveli- hood, as another man does in another profession. The result with me has been comfortable but not splendid, as I think was to have been expected from the combi- nation of such gifts. I have, certainly, also had always before my eyes the charms of reputation. Over and above the money view of the question, I wished from the beginning to be something more than a clerk in the Post-office. To be known as somebody, to be Anthony Trollope, if it be no more, is to me much. The feeling is a very general one, and I think beneficent. It is that which has been called the " last infirmity of noble mind." The infirmity is so human that the man who lacks it is either above or below humanity. I own to the in- firmity. But I confess that my first object in taking to literature as a profession was that which is common to the barrister when he goes to the bar, and to the baker when he sets up his oven. I wished to make an income on which I and those belonging to me might live in comfort. If, indeed, a man writes his books badly, or paints his pictures badly, because he can make his money faster in that fashion than by doing them well, and at the same time proclaims them to be the best he can do, if, in fact, he sells shoddy for broadcloth, he is dishonest, as is any other fraudulent dealer. So may be the bar- 5 98 Autobiography of Anthony Trollope, rister who takes money that he does not earn, or the clergyman who is content to live on a sinecure. No doubt the artist or the author may have a difficulty which will not occur to ihi seller of cloth, in settling within himself what is good work and what is bad, when labor enough has been given, and when the task has been scamped. It is a danger as to which he is bound to be severe with himself — in which he ought to feel that his conscience should be set fairly in the bal- ance against the natural bias of his interest. If he do not do so, sooner or later his dishonesty will be discov- ered, and will be estimated accordingly. But in this he is to be governed only by the plain rules of honesty which should govern us all. Having said so much, I shall not scruple as I go on to attribute to the pecuniary result of my labors all the importance which I felt them to have at the time. ^' Barchester Towers," for which I had received £100 in advance, sold well enough to bring me further payments — moderate payments — from the publishers. From that day up to this very time in which I am writ- ing, that book and " The "Warden " together have given me almost every year some small income. I get the accounts very regularly, and I find that I have received £727 lis, Bd. for the two. It is more than I got for the three or four works that came afterwards, but the payments have been spread over twenty years. When I went to Mr. Longman with my next novel, " The Three Clerks," in my hand, I could not induce him to understand that a lump sum down was more pleasant than a deferred annuity. I wished him to buy it from me at a price which lie might think to be a fair ''The Three ClerJcsP 99 value, and I argued with him that as soon as an author has put himself into a position which insures a sufficient sale of his works to give a profit, the publisher is not entitled to expect the haU of such proceeds. While there is a pecuniary risk, the whole of which must be borne by the publisher, such division is fair enough ; but such a demand on the part of the publisher is mon- strous as soon as the article produced is known to be a marketable commodity. I thought that I had now reached that point, but Mr. Longman did not agree with me. And he endeavored to convince me that I might lose more than I gained, even though I should get more money by going elsewhere. " It is for you," said he, '' to think whether our names on your title-page are not w^orth more to you than the increased payment." This seemed to me to savor of that high-flown doctrine of the contempt of money, which I have never admired. I did think much of Messrs. Longman's name, but I liked it best at the bottom of a check. I was also scared from the august columns of Pater- noster Kow by a remark made to myself by one of the firm, which seemed to imply that they did not much care for works of fiction. Speaking of a fertile writer of tales who was not then dead, he declared that (naming the author in question) had spawned upon them (the publishers) three novels a year ! Such language is perhaps justifiable in regard to a man who shows so much of the fecundity of the herring ; but I did not know how fruitful might be my own muse, and I thought that I had better go elsewhere. I had then written " The Three Clerks," which, when I could not sell it to Messrs. Longman, I took in the 100 Autdbiogra/phy of Anthony Trollojpe, first instance to Messrs. Hurst & Blackett, who had be- come successors to Mr. Col burn. I had made an ap- pointment with one of the firm, which, however, that gentleman was unable to keep. I was on my way from Ireland to Italy, and had but one day in London in which to dispose of my manuscript. I sat for an hour in Great Marlborough Street, expecting the return of the peccant publisher who had broken his tryst, and I was about to depart with my bundle under my arm when the foreman of the house came to me. He seemed to think it a pity that I should go, and wished me to leave my work with him. This, however, I would not do, unless he would undertake to buy it then and there. Perhaps he lacked authority. Perhaps his judgment was against such purchase. But w^liile we debated the matter, he gave me some advice. " I hope it's not his- torical, Mr. Trollope ?" he said. " Whatever you do, don't be historical ; j^our historical novel is not worth a damn." Thence I took ''The Three Clerks" to Mr. Bentley; and on the same afternoon succeeded in sell- ing it to him for £250. His son still possesses it, and the firm has, I believe, done very well with the pur- chase. It was certainly the best novel I had as yet writ- ten. The plot is not so good as that of " The Macder- raots ;" nor are there any characters in the book equal to those of Mrs.Proudie and the warden ; but the work has a more continued interest, and contains the first well-described love-scene that I ever wrote. The pas- sage in which Kate Woodward, thinking that she will die, tries to take leave of the lad she loves, still brings tears to my eyes when I read it. I had not the heart to kill her. I never could do that. And I do not ''The Three ClerksP lOi doubt but that they are living happily together to this day. The lawyer Chaffanbrass made his first appearance in this novel, and I do not think that I have cause to be ashamed of him. But this novel now is chiefly notice- able to me from the fact that in it I introduced a char- acter under the name of Sir Gregory Hardlines, by which I intended to lean very heavily on that much- loathed scheme of competitive examination, of which at that time Sir Charles Trevelyan was the great apostle. Sir Gregory Hardlines was intended for Sir Charles Trevelyan, as any one at the time would know who had taken an interest in the civil service. " We always call him Sir Gregory," Lady Trevelyan said to me after- wards, when I came to know her and her husband. I never learned to love competitive examination ; but I became, and am, very fond of Sir Charles Trevelyan. Sir Stafford JSTorthcote, who is now Chancellor of the Exchequer, was then leagued with his friend Sir Charles, and he too appears in " The Three Clerks " under the feebly facetious name of Sir Warwick "West End. But for all that " The Three Clerks " was a good novel. When that sale was made I was on my way to Italy with my wife, paying a third visit there to my mother and brother. This was in 1857, and she had then given up her pen. It was the first year in which she had not written, and she expressed to me her delight that her labors should be at an end, and that mine should be be- ginning in the same field. In truth they had already been continued for a dozen years, but a man's career will generally be held to date itself from the commence- 102 Aiitdbiography of Anthony T7vllope. ment of his success. On those foreign tours I always encountered adventures, which, as I look back upon them now, tempt me almost to write a little book of my long-past Continental travels. On this occasion, as we made our way slowly through Switzerland and over the Alps, we encountered again and again a poor, for- lorn Englishman, who had no friend and no aptitude for travelling. He was always losing his way, and find- ing himself with no seat in the coaches and no bed at the inns. On one occasion I found him at Coire seated at 5 A.M. in the coupe of a diligence which was intended to start at noon for the Engadine, while it was his pur- pose to go over the Alps in another which was to leave at 5.30, and which was already crowded with passengers. " Ah !" he said, " I am in time now, and nobody shall turn me out of this seat," alluding to former little mis- fortunes of which I had been a witness. When I ex- plained to him his position, he was as one to whom life was too bitter to be borne. But he made his w^ay into Italy, and encountered me again at the Pitti Palace in Florence. " Can you tell me something ?" he said to me in a whisper, having touched my shoulder. " The people are so ill-natured I don't like to ask them. Where is it they keep the Medical Yenus ?" I sent him to the Uffizi, but I fear he was disappointed. We ourselves, however, on entering Milan, had been in quite as much distress as any that he suffered. We had not written for beds, and on driving up to a hotel at ten in the evening, found it full. Thence we went from one hotel to another, finding them all full. The misery is one well known to travellers, but I never heard of another case in which a man and his wife were ''The Three ClerhsP 103 told at midnight to get out of the conveyance into the middle of the street because the horse could not be made to go any farther. Such was our condition. I induced the driver, however, to go again to the hotel which was nearest to him, and which was kept by a German. Then I bribed the porter to get the master to come down to me ; and, though my French is ordi- narily very defective, I spoke with such eloquence to that German innkeeper tliat he, throwing his arms round my neck in a transport of compassion, swore that he would never leave me nor my wife till he had put us to bed. And he did so ; but, ah ! there were so many in those beds ! It is such an experience as this which teaches a travelling foreigner how different, on the Con- tinent, is the accommodation provided for him, from that which is supplied for the inhabitants of the country. It was on a previous visit to Milan, when the tele- graph-wires were only just opened to the public by the Austrian authorities, that we had decided one day at dinner that we would go to Yerona that night. There was a train at six, reaching Yerona at midnight, and we asked some servant of the hotel to telegraph for us, ordering supper and beds. The demand seemed to create some surprise ; but we persisted, and were only mildly grieved when we found ourselves charged twen- ty zwanzigers for the message. Telegraphy was new at Milan, and the prices were intended to be almost pro- hibitory. We paid our twenty zwanzigers and went on, consoling ourselves with the thought of our ready sup- per and our assured beds. When we reached Yerona there arose a great cry along the platform for Signor Trollope. I put out my head and declared my identity, 104 Autobiography of Anthony Trollope, when I was waited upon by a glorious personage, dressed like a beau for a ball, with half a dozen others almost as glorious behind him, who informed me, with his hat in his hand, that he was the landlord of the " Due Torre." It was a heating moment, but it became more hot when he asked me after my people — mes gens. I could only turn round and point to my wife and brother-in-law. I had no other " people." There were three carriages provided for us, each with a pair of gray horses. When we reached the house it was all lit up. We were not allowed to move without an attend- ant with a lighted candle. It was only gradually that the mistake came to be understood. On us there was still the horror of the bill, the extent of which could not be known till the hour of departure had come. The landlord, however, had acknowledged to himself that his inductions had been ill-founded, and he treated us with clemency. He had never before received a telegram. I apologize for these tales, which are certainly out- side my purpose, and will endeavor to tell no more that shall not have a closer relation to my story. I had finished " The Three Clerks " just before I left Eng- land, and when in Florence was cudgelling my brain for a new plot. Being then with my brotlier, I asked him to sketch me a plot, and he drew out that of my next novel, called "Doctor Thorne." I mention this particularly, because it was the only occasion in which I have had recourse to some other source than my own brains for the thread of a story. How far I may un- consciously have adopted incidents from what I have read — either from history or from works of imagina- ''The Three ClerhsP m tion — I do not know. It is beyond question that a man employed as I have been must do so. But when doing it I have not been aware that I have done it. I have never taken another man's work, and deliberately framed my work upon it. I am far from censuring this practice in others. Our greatest masters in works of imagination have obtained such aid for themselves. Shakespeare dug out of such quarries wherever he could find them. Ben Jonson, with heavier hand, built up his structures on his studies of the classics, not think- ing it beneath him to give, without direct acknowledg- ment, whole pieces translated both from poets and his- torians. But in those days no such acknowledgment was usual. Plagiary existed, and was very common, but was not known as a sin. It is different now ; and I think that an author, when he uses either the words or the plot of another, should own as much, demanding to be credited w4th no more of the work than he has himself produced. I may say also that I have never printed as my own a word that has been written by others.* It might probably have been better for my readers had I done so, as I am informed that " Doctor Thorne," the novel of which I am now speaking, has a larger sale than any other book of mine. Early in 1858, while I was writing " Doctor Thorne," I was asked by the great men at the General Post-ofiice to go to Egypt to make a treaty with the Pasha for the conveyance of our mails through that country by rail- * I must make one exception to this declaration. The legal opinion as to heirlooms in "The Eustace Diamonds " was written for me by Charles Merewether, the present Member for Northampton. I am told that it has become the ruling authority on the subject. 6* 106 . Autobiography of Anthony Trollojpe. way. There was a treaty in existence, but that had reference to the carriage of bags and boxes by camels from Alexandria to Suez. Since its date the railway had grown, and was now nearly completed, and a new treaty was wanted. So I came over from Dublin to London, on my road, and again went to work among the publishers. The other novel was not finished; but I thought I had now progressed far enough to arrange a sale while the work was still on the stocks. I went to Mr. Bentley and demanded £400 — for the copyright. He acceded, but came to me the next morning at the General Post-office to say that it could not be. He had gone to work at his figures after I had left him, and had found that £300 would be the outside value of the novel. I was intent upon the larger sum ; and in furi- ous haste — for I had but an hour at my disposal — I rushed to Chapman & Hall in Piccadilly, and said what I had to say to Mr. Edward Chapman in a quick tor- rent of words. They were the first of a great many words w^hich have since been spoken by me in that back-shop. Looking at me as he might have done at a highway robber who had stopped him on Hounslow Heath, he said that he supposed he might as well do as I desired. I considered this to be a sale, and it was a sale. I remember that he held the poker in his hand all the time that I was with him — but in truth, even though he had declined to buy the book, there would have been no danger. ''Doctor ThorneP 107 Chapter YII. ''DOCTOR THORNE." — "THE BERTRAMS."— " THE WEST INDIES AND THE SPANISH MAIN." As I journeyed across France to Marseilles, and made thence a terribly rough voyage to Alexandria, I wrote my allotted number of pages every day. On this occa- sion more than once I left my paper on the cabin table, rushing away to be sick in the privacy of my state- room. It was February, and the weather was miserable ; but still I did my work. Labor omnia mncit improbits. I do not say that to all men has been given physical strength sufficient for such exertion as this, but I do be- lieve that real exertion will enable most men to work at almost any season. I had previously to this ar- ranged a system of task-w^ork for myself, which I would strongly recommend to those who feel as I have felt, that labor, when not made absolutely obligatory by the circumstances of the hour, should never be allowed to become spasmodic. There was no day on which it was my positive duty to write for the publishers, as it was my duty to write reports for the Post-office. I was free to be idle if I pleased. But as I had made up my mind to undertake this second profession, I found it to be expedient to bind myself by certain self-imposed laws. When I have commenced a new book, I have always prepared a diary, divided into weeks, and carried it on 108 Autobiography of Anthony Trollope. for the period wliicli I have allowed myself for the completion of the work. In this I have entered, day by day, the number of pages I have written, so that if at any time I have slipped into idleness for a day or two, the record of that idleness has been there, staring me in the face, and demanding of me increased labor, so that the deficiency might be supplied. According to the circumstances of the time — whether my other busi- ness might be then heavy or light, or whether the book which I was writing was or was not wanted with speed — I have allotted myself so many pages a week. The average number has been about 40. It has been placed as low as 20, and has risen to 112. And as a page is an ambiguous term, my page has been made to contain 250 words ; and as words, if not watched, will have a tendency to straggle, I have had every word counted as I went. In the bargains I have made with publishers I have — not, of course, with their knowledge, but in my own mind — undertaken always to supply them with so many words, and I have never put a book out of hand short of the number by a single word. I may also say that the excess has been very small. I have prided my- self on completing my work exactly within the pro- posed dimensions. But I have prided myself especially in completing it within the proposed time — and I have always done so. There has ever been the record before me, and a week passed with an insufficient number of pages has been a blister to my eye, and a month so dis- graced would have been a sorrow to my heart. I have been told that such appliances are beneath the notice of a man of genius. I have never fancied myself to be a man of genius, but had I been so I think ^^ Doctor ThorneP 109 I miglit well have subjected myself to these trammels. Nothing, surely, is so potent as a law that may not be disobeyed. It has the force of the water-drop that hol- lows the stone. A small daily task, if it be really daily, will beat the labors of a spasmodic Hercules. It is the tortoise which always catches the hare. The hare has no chance. He loses more time in glorifying himself for a quick spurt than suffices for the tortoise to make half his journey. I have known authors whose lives have always been troublesome and painful because their tasks have never been done in time. They have ever been as boys struggling to learn their lesson as they entered the school gates. Publishers have distrusted them, and they have failed to write their best, because they have sel- dom written at ease. I have done double their work — though burdened with another profession — and have done it almost without an effort. I have not once, through all my literary career, felt myself even in dan- ger of being late with my task. I have known no anxiety as to '* copy." The needed pages far ahead — very far ahead — have almost always been in the drawer beside me. And that little diary, with its dates and ruled spaces, its record that must be seen, its daily, weekly de- mand upon my industry, has done all that for me. There are those who would be ashamed to subject themselves to such a taskmaster, and who think that the man who works with his imagination should allow himself to wait till — inspiration moves him. When I have heard such doctrine preached, I have hardly been able to repress my scorn. To me it would not be more absurd, if the shoemaker were to wait for inspiration, 110 Autdbiograjphy of Anthony Trollojpe. or the tallow-chandler for the divine moment of melt- insr. If the man whose business it is to write has eaten too many good things, or lias drunk too much, or smoked too many cigars — as men who write sometimes will do — then his condition may be unfavorable for work ; but so will be the condition of a shoemaker who has been similarly imprudent. I have sometimes thought that the inspiration wanted has been the rem- edy which time will give to the evil results of such imprudence. Mens sana in corpore sano. The author wants that, as does every other workman — that and a habit of industr3\ I was once told that the surest aid to the writing of a book was a piece of cobbler's wax on my chair. I certainly believe in the cobbler's wax, much more than the inspiration. It will be said, perhaps, that a man whose work has risen to no higher pitch than mine has attained has no right to speak of the strains and impulses to which real genius is exposed. I am ready to admit the great vari- ations in brain power which are exhibited by the prod- ucts of different men, and am not disposed to rank my own very high ; but my own experience tells me that a man can always do the work for which his brain is fit- ted if he will give himself the habit of regarding his work as a normal condition of his life. I therefore venture to advise young men who look forward to au- thorship as the business of their lives, even when they propose that that authorship sliall be of the highest class known, to avoid enthusiastic rushes with their pens, and to seat themselves at their desks day by day, as though they were lawyers' clerks ; and so let them sit until the allotted task shall be accomplished. ^^The Bertrams^ 111 "While I was in Egypt I finished " Doctor Thome," and on the following day began " The Bertrams." I was moved now by a determination to excel, if not in quality, at any rate in quantity. An ignoble ambition for an author, my readers will no doubt say. But not, I think, altogether ignoble, if an author can bring him- self to look at his work as does any other workman. This had become ray task, this was the furrow in which my plough was set, this was the thing the doing of which had fallen into my hands, and I was minded to work at it with a will. It is not on my conscience that I have ever scamped my work. My novels, whether good or bad, have been as good as I could make them. Had I taken three months of idleness be- tween each, they would have been no better. Feeling convinced of that, I finished "Doctor Thorne" on one day, and began " The Bertrams " on the next. I had then been nearly two mouths in Egypt, and had at last succeeded in settling the terms of a postal treaty. Nearly twenty years have passed since that time, and other years may yet. run on before these pages are printed. I trust I may commit no official sin by describing here the nature of the difficulty which met me. I found, on my arrival, that I was to com- municate with an officer of the Pasha, who was then called ISfubar Bey. I presume him to have been the gentleman who has lately dealt with our government as to the Suez Canal shares, and who is now well known to the political world as Nubar Pasha. I found him a most courteous gentleman, an Armenian. I never went to his office, nor do I know that he had an office. Every other day he would come to me at 112 Autobiography of Anthony Trollope. my hotel, and bring with him servants, and pipes, and coffee. I enjoyed his coming greatly ; but there was one point on which we could not agree. As to money and other details, it seemed as though he could hardly ac- cede fast enough to the wishes of the Postmaster-gen- eral; but on one point he was firmly opposed to me. I was desirous that the mails should be carried through Egypt in twenty-four hours, and he thought that fort}^- eight hours should be allowed. I was obstinate, and he was obstinate ; and for a long time we could come to no agreement. At last his Oriental tranquillity seemed to desert him, and he took upon himself to assure me, with almost more than British energy, that, if I insisted on the quick transit, a terrible responsibility would rest on my head. I made this mistake, he said — that I sup- posed that a rate of travelling which would be easy and secure in England, could be attained with safety in Egypt. " The Pasha, his master, would," he said, " no doubt accede to any terms demanded by the British Post-office, so great was his reverence for everything British. In that case he, Nubar, would at once resign his position, and retire into obscurity. He would be ruined ; but the loss of life and bloodshed which would certainly follow so rash an attempt should not be on his head." I smoked my pipe, or rather his, and drank his coffee, with Oriental quiescence, but British firm- ness.. Every now and again, through three or four vis- its, I renewed the expression of my opinion that the transit could easily be made in twenty-four hours. At last he gave way — and astonished me by the cordiality of his greeting. There was no longer any question of bloodshed or of resignation of office, and he assured me, "TA^ BertramsP 113 with energetic complaisance, that it should be his care to see that the time was punctually kept. It was punctually kept, and, I believe, is so still. I must con- fess, however, that my persistency was not the result of any courage specially personal to myself. While the matter was being debated, it had been whispered to me that the Peninsular and Oriental Steamship Company had conceived that forty-eight hours would suit the purposes of their traffic better than twenty-four, and that, as they were the great paymasters on the rail- way, the minister of the Egyptian state, who managed the railway, might probably wish to accommodate them. I often wondered who orio^inated that frio^ht- ful picture of blood and desolation. That it came from an English heart and an English hand I was al- ways sure. From Egypt I visited the Holy Land, and, on my way, inspected the Post-offices at Malta and Gibraltar. I could fill a volume with true tales of my adventures. The ^' Tales of All Countries" have, most of them, some foundation in such occurrences. There is one called " John Bull on the Guadalquivir," the chief in- cident in which occurred to me and a friend of mine, on our way up that river to Seville. We both of us handled the gold ornaments of a man whom we be- lieved to be a bull-fighter, but who turned out to be a duke — and a duke, too, who could speak English! How gracious he w^as to us, and yet how thoroughly he covered us with ridicule ! On my return home I received £400 from Messrs. Chapman & Hall for " Doctor Thorne," and agreed to sell them '* The Bertrams " for the same sum. This 114 Autobiography of Anthony Trollope, latter novel was written under very vagrant circum- stances — at Alexandria, Malta, Gibraltar, Glasgow, then at sea, and at last finished in Jamaica. Of my journey to the West Indies 1 will say a few words presently, but I may as well speak of these two novels here. " Doctor Thorne " has, I believe, been the most popular book that I have written — if I may take the sale as a proof of comparative popularity. " The Ber- trams " has had quite an opposite fortune. I do not know that I have ever heard it well spoken of even by my friends, and J cannot remember that there is any character in it that has dwelt in the minds of novel- readers. I myself think that they are of about equal merit, but that neither of them is good;' They fall away very much from "The Three Clerks," both in pathos and humor. There is no personage in either of them comparable to Chaffanbrass the lawyer. The plot of " Doctor Thorne " is good, and I am led there- fore to suppose that a good plot — which, to my own feeling, is the most insignificant part of a tale — is that which will most raise it or most condemn it in the public judgment. The plots of " Tom Jones " and of " Ivanhoe " are almost perfect, and they are probably the most popular novels of the schools of the last and of this century ; but to me the delicacy of Amelia, and the nigged strength of Burley and Meg Merrilies, say more for the power of those great novelists than the gift of construction shown in the two works I have named. A novel should give a picture of common life enlivened by humor and sweetened by pathos. To make that picture worthy of attention, the canvas should be crowded with real portraits, not of individuals known "TA^ Bertrams^ 115 to the world, or to the author, but of created person- ages impregnated with traits of character which are known. To my thinking, the plot is but the vehicle for all this; and when you have the vehicle, without the passengers, a story of mystery, in which the agents never spring to life, you have but a wooden show. There must, however, be a story. You must provide a vehicle of some sort. That of "The Bertrams "was more than ordinarily bad ; and as the book was relieved by no special character, it failed. Its failure never surprised me ; but I have been surprised by the success of " Doctor Thorne." At this time there was nothing in the success of the one or the failure of the other to affect me very great- ly. The immediate sale, and the notices elicited from the critics, and the feeling which had now come to me of a confident standing with the publishers, all made me know that I had achieved my object. If I wrote a novel, I could certainly sell it. And if I could pub- lish three in two years — confining myself to half the fe- cundity of that terrible author of whom the publish- er in Paternoster Row had complained to me — I might add £600 a year to my oflScial income. I was still liv- ing in Ireland, and could keep a good house over my head, insure my life, educate my two boys, and hunt perhaps twice a week, on £1400 a year. If more should come, it would be well — but £600 a year I was prepared to reckon as success. It had been slow in coming, but was very pleasant when it came. On my return from Egypt I was sent down to Scot- land to revise the Glasgow Post-office. I almost forget now what it was that I had to do there, but I know 116 AutoUogrwphy of Anthony Trolloj^e, that I walked all over tlie city with the letter-carriers, going lip to the top flats of the houses, as the men would have declared me incompetent to judge the ex- tent of their labors had I not trudged every step with them. It was midsummer, and wearier work I never performed. The men would grumble, and then I would think how it would be with them if they had to go home afterwards and write a love-scene. But the love-scenes written in Glasgow, all belonging to " The Bertrams," are not good. Then, in the autumn of that year, 1868, I was asked to go to the West Indies, and cleanse the Augean sta- bles of our Post-office system there. Up to that time, and at that time, our colonial Post-offices generally were managed from home, and were subject to the British Postmaster-general. Gentlemen were sent out from England to be postmasters, surveyors, and what not ; and as our West Indian islands have never been regarded as being of themselves happily situated for residence, the gentlemen so sent were sometimes more conspicuous for want of income than for official zeal and ability. Hence the stables had become Augean. I was also instructed to carry out in some of the islands a plan for giving up this postal authority to the island governor, and in others to propose some such plan. I was then to go on to Cuba, to make a postal treaty with the Spanish authorities, and to Panama for the same purpose with the government of New Grenada. All this work I performed to my satisfaction, aijd I hope to that of my masters in St. Martin's-le-Graud. But the trip is at the present moment of importance to my subject, as having enabled me to write that '-''The ^^est Indies and the Spanish Main.''"' 117 whicli, on the wliole, I regard as the best book that has come from my pen. It is short, and, I think I may venture to say, amusing, useful, and true. As soon as I had learned from the secretary at the General Post- office that this journey would be required, I proposed the book to Messrs. Chapman & Hall, demanding £250 for a single volume. Tlie contract was made without any difficulty, and when I returned home the work was complete in my desk. I began it on board the ship in w^hich I left Kingston, Jamaica, for Cuba, and from week to week I carried it on as I went. From Cuba I made my way to St. Thomas, and through the island down to Demerara, then back to St. Thomas — which is the starting-point for all places in that part of the globe — to Santa Martha, Carthagena, Aspinwall, over the Isthmus to Panama, up the Pacific to a little harbor on the coast of Costa Pica, thence across Central Amer- ica, through Costa Pica, and down the I^icaragua Piver to the Mosquito coast, and after that home by Bermuda and ISTew York. Should any one want further details of the voyage, are they not written in my book ? The fact memorable to me now is that I never made a sin- gle note while writing or preparing it. Preparation, indeed, there was none. The descriptions and opinions came hot on to the paper from their causes. I will not say that this is the best way of writing a book intended to give accurate information. But it is the best way of producing, to the eye of the reader, and to his ear, that which the eye of the writer has seen and his ear heard. There are two kinds of confidence which a reader may have in his author — which two kinds the reader who wishes to use his reading well should care- 118 Atdobiography of Anthony Trollojpe, fully discriminate. There is a confidence in facts and a confidence in vision. The one man tells you accu- rately what has been. The other suggests to you what may, or perhaps what must have been, or what ought to have been. The former requires simple faith. The latter calls upon you to judge for yourself, and form your own conclusions. The former does not intend to be prescient, nor the latter accurate. Research is the weapon used by the former ; observation by the latter. Either may be false — wilfully false ; as also may either be steadfastly true. As to that, the reader must judge for himself. But the man who writes currente calamo^ who works with a rapidity which will not admit of ac- curacy, may be as true, and in one sense as trustworthy, as he who bases every word upon a rock of facts. I have written very much as I have travelled about ; and though I have been very inaccurate, I have always written the exact truth as I saw it ; and I have, I think, drawn my pictures correctly. The view I took of the relative position in the West Indies of black men and w^hite men was the view of the Times newspaper at that period; and there ap- peared three articles in that journal, one closely after another, which made the fortune of the book. Had it been very bad, I suppose its fortune could not have been made for it even by the Times newspaper. I afterwards became acquainted with the w^riter of those articles, the contributor himself informing me that he had written them. I told him that he had done me a greater service than can often be done by one man to an- other, but that I was under no obligation to him. I do not think that he saw the matter quite in the same light. ^^TJie West Indies and the Spanish MainP 119 I am aware that by that criticism I was much raised in mj position as an author. Whether such lifting up by such means is good or bad for literature is a ques- tion which I hope to discuss in a future chapter. But the result was immediate to me, for I at once went to Chapman & Hall and successfully demanded £600 for my next novel. 120 Autobiography of Anthony Trollope, Chapter YIII. THE "CORNHILL MAGAZINE" AND "FRAMLEY PAR- SONAGE." Soox after my return from the West Indies I was enabled to change my district in Ireland for one in England. For some time past my official work had been of a special nature, taking me out of my own dis- trict ; but through all that, Dublin had been my home, and there my wife and children had lived. I had often sighed to return to England, with a silly longing. My life in England for twenty-six years, from the time of my birth to the day on which I left it, had been wretched. I had been poor, friendless, and joyless. In Ireland it had constantly been happy. I had achieved the respect of all with whom I was concerned, I had made for myself a comfortable home, and I had en- joyed many pleasures. Hunting, itself, was a great de- light to me; and now, as I contemplated a move to England, and a house in tlie neighborhood of London, I felt that hunting must be abandoned.* Nevertlie- less I thought that a man who could write books ought not to live in Ireland — ought to live within the reach of the publishers, the clubs, and tlie dinner-parties of the metropolis. So I made my request at headquarters, and with some little difficulty got myself appointed to * It was not abandoned till sixteen more years had passed away. ^'Cornhill MagazineP 13j the Eastern District of England — which comprised Essex, Suffolk, ]N"orfolk, Cambridgeshire, Huntingdon- shire, and the greater part of Hertfordshire. At this time I did not stand very well with the dom- inant interest at the General Post-office. My old friend Colonel Maberly had been some time since squeezed into, and his place was filled by Mr. Kowland Hill, the originator of the penny post. With him I never had any sympathy, nor he with me. In figures and facts he was most accurate, but I never came across any one who so little understood the ways of men — unless it was his brother Frederic. To the two brothers the servants of the Post-office — men numerous enough to have formed a large army in old days — were so many machines who could be counted on for their exact w^ork without devi- ation, as wheels may be counted on which are kept go- ing always at the same pace and always by the same power. Powland Hill was an industrious public ser- vant, anxious for the good of liis country ; but he was a hard taskmaster, and one who would, I think, have put the great department with which he was concerned al- together out of gear by his hardness, had ho not been at last controlled. He was the chief secretary; my brother-in-law — who afterwards succeeded him — came next to him, and Mr. HilPs brother was the junior sec- retary. In the natural course of things I had not, from my position, anything to do with the management of affairs; but from time to time I found myself more or less mixed up in it. I was known to be a thoroughly efficient public servant — I am sure I may say so much of myself without fear of contradiction from any one who has known the Post-office — I was very fond of the 6 122 Autobiograjphy of Anthony Trollojpe. department, and, when matters came to be considered, I generally bad an opinion of my own. I bave no donbt tbat I often made myself very disagreeable. I know tbat I sometimes tried to do so. But I could bold my own, because I knew my business and was useful. I bad given official offence by tbe publication of " Tbe Tbree Clerks." I afterwards gave greater offence by a lecture on tbe civil service, wbicb I delivered in one of tbe large rooms at tbe General Post-office, to tbe clerks tbere. On tbis occasion tbe Postmaster -general, witb wbom personally I enjoyed friendly terms, sent for me and told me tbat Mr. Hill bad told bim tbat I ougbt to be dismissed. Wben I asked bis lordsbip wbetber be was prepared to dismiss me be only laugbed. Tbe tbreat was no tbreat to me, as I knew myself to be too good to be treated in tbat fasbion. Tbe lecture bad been permitted, and I bad disobeyed no order. In tbe lecture wbicb I delivered tbere was notbing to bring me to sbame; but it advocated tbe doctrine tbat a civil servant is only a servant as far as bis contract goes, and tbat be is, beyond tbat, entitled to be as free a man in politics, as free in bis general pursuits, and as free in opinion, as tbose wbo are in open professions and open trades. All tbis is very nearly admitted now, but it certainly was not admitted tben. At tbat time no one in tbe Post-office could even vote for a Member of Par- liament. Tbrougb my wbole official life I did my best to im- prove tbe style of official writing. I bave written, I sbould tbink, some tbousands of reports, many of tbem necessarily very long ; some of tbem dealing witb sub- jects so absurd as to allow a toucb of burlesque ; some '^Cornhill Magazine^ 123 few in which a spark of indignation or a slight glow of pathos might find an entrance. I have taken infi- nite pains with these reports, habituating myself al- ways to write them in the form in which they should be sent — without a copy. It is by writing thus that a man can throw on to his paper the exact feeling with w^hich his mind is impressed at the moment. A rough copy, or that which is called a draft, is written in order that it may be touched and altered and put upon stilts. The waste of time, moreover, in such an operation is terrible. If a man knows his craft with his pen, he will have learned to write without the necessity of changing his words or the form of his sentences. I had learned so to write my reports that they who read them should know what it was that I meant them to understand. But I do not think that they were regarded with favor. I have heard horror expressed because the old forms were disregarded and language used which had no savor of red tape. During the whole of this work in the Post-office it was my principle always to obey authority in everything, instantly, but never to allow my mouth to be closed as to the expression of my opinion. They who had the ordering of me very often did not know the work as I knew it — could not tell, as I could, what would be the effect of this or that change. When car- rying out instructions which I knew should not have been given, I never scrupled to point out the fatuity of the improper order in the strongest language that I could decently employ. I have revelled in these official correspondences, and look back to some of them as the greatest delights of my life. But I am not sure that they were so delightful to others. 124 Autobiography of Anthony Trollojpe. I succeeded, however, in getting the English district — which could hardly have been refused to me — and prepared to change our residence towards the end of 1859. At the time I was writing " Castle Kichmond," the novel which I had sold to Messrs. Chapman & Hall for £600. But there arose at this time a certain literary project which probably had a great effect upon my career. While travelling on postal service abroad, or riding over the rural districts in England, or arranging the mails in Ireland — and such for the last eighteen years had now been my life — I had no opportunity of becoming ac- quainted with literary life in London. It was probably some feeling of this which had made me anxious to move my penates back to England. But even in Ire- land, where I was still living in October, 1859, I had heard of tlie Cornhill Magazine^ which was to come out on the 1st of January, 1860, under "the editorship of Thackeray. I had at this time written from time to time certain short stories, which had been published in different pe- riodicals, and which in due time were republished under the name of " Tales of All Countries." On the 23d of October, 1859, 1 wrote to Thackeray, whom I had, I think, never then seen, offering to send him for the magazine certain of these stories. In reply to this I received two letters— one from Messrs. Smith & Elder, the proprietors of the Cornhill, dated 26th of October, and the other from the editor, written two days later. That from Mr. Thackeray was as follows : " 36 Onslow Square, S. W., October 28. "My dear Mr. Trollope,— Smith & Elder have sent you their pro- posals ; and the business part done, let me come to the pleasure, and say ^'Cornhill MagazineP 125 how very glad indeed I shall be to have you as a co-operator in our new magazine. And, looking over the annexed programme, you will see whether you can't help us in many other ways besides tale-telling. What- ever a man knows about life and its doings, that let us hear about. You must have tossed a good deal about the world, and have countless sketches in your memory and your portfolio. Please to think if you can furbish up any of these besides a novel. When events occur, and you have a good lively tale, bear us in mind. One of our chief objects in this magazine is the getting out of novel spinning, and back into the world. Don't under- stand me to disparage our craft, especially your wares. I often say I am like the pastrycook, and don't care for tarts, but prefer bread-and-cheese ; but the public love the tarts (luckily for us), and we must bake and sell them. There was quite an excitement in my family one evening when Paterfamilias (who goes to sleep on a novel almost always, when he tries it after dinner) came up-stairs into the drawing-room wide awake and call- ing for the second volume of "The Three Clerks." I hope the Comhill Magazine will have as pleasant a story. And the Chapmans, if they are the honest men I take them to be, Pve no doubt have told you with what sincere liking your works have been read by " Yours very faithfully, W. M. Thackeray." This was very pleasant, and so was the letter from Smith c% Elder offering me £1000 for the copyright of a three-volume novel, to come out in the new magazine — on condition that the first portion of it should be in their hands by December 12. There was much in all this that astonished me — in the first place, the price, which was more than double what I had yet received, and -nearly double that which I was about to receive from Messrs. Chapman & Hall. Then there was the suddenness of the call. It was already the end of Oc- tober, and a portion of the work was required to be in the printer's hands within six wrecks. " Castle Rich- mond " was, indeed, half written, but that was sold to Chapman. And it had always been a principle with me in my art that no part of a novel should be published 126 Aiitobiogrwphy of Anthony TroUope, till the entire storj was completed. I knew, from what I read from month to month, that this hurried publica- tion of incompleted work was frequently, I might per- haps say always, adopted by the leading novelists of the day. That such has been the case is proved by the fact that Dickens, Thackeray, and Mrs. Gaskell died with un- finished novels, of which portions had been already pub- lished. I had not yet entered upon the system of pub- lishing novels in parts, and therefore had never been tempted. But I was aware that an artist should keep in his hand the power of fitting the beginning of his work to the end. l^o doubt it is his first duty to fit the end to the beginning, and he will endeavor to do so. But he should still keep in his hands the power of rem- edying any defect in this respect. "Servetur adimum Qualis ab incepto pvocesserit," should be kept in view as to every character and every string of action. Your Achilles should, all through, from beginning to end, be "impatient, fiery, ruthless, keen." Your Achilles, such as he is, will probably keep up his character. But your Davus also should be always Davus, and that is more difiicult. The rustic, driving his pigs to market, cannot alwaj^s make them travel by the exact path which he has intended for them. "When some young lady at the end of a story cannot be made quite perfect in her conduct, that vivid description of angelic purity w^ith which you laid the first lines of her portrait should be slightly toned down. I had felt that the rushing mode of publication to which the system of serial stories had given rise, and by which small parts, as they were written, were sent hot to the press, was inju- '^Cornhill Magazine^ 127 rious to the work done. If I now complied with the proposition made to me, I must act against my own principle. But such a principle becomes a tyrant if it cannot be superseded on a just occasion. If the reason be " tanti," the principle should for the occasion be put in abeyance. I sat as judge, and decreed that the pres- ent reason was " tanti." On this, my first attempt at a serial story, I thought it fit to break my own rule. I can say, however, that I have never broken it since. But what astonished me most was the fact that at so late a day this new Cornhill Magazine should be in want of a novel ! Perhaps some of my future readers will be able to remember the great expectations which were raised as to this periodical. Thackeray's was a good name with which to conjure. The proprietors, Messrs. Smith & Elder, were most liberal in their man- ner of initiating the work, and were able to make an expectant world of readers believe that something was to be given tliem for a shilling very much in excess of anything they had ever received for that or double the money. Whether these hopes were or were not fulfilled it is not for me to say, as, for tlie first few years of the magazine's existence, I wrote for it more than any other one person. But such was certainly the prospect ; and liow had it come to pass that, with such promises made, the editor and the proprietors were, at the end of Octo- ber, without anything fixed as to what must be regarded as the chief dish in the banquet to be provided ? I fear that the answer to this question must be found in the habits of procrastination wliich had at that time grown upon the editor. He had, I imagine, undertaken the work himself, and had postponed its commencement 128 Autobiograjphy of Anthony Trollojye. till there was left to him no time for commencing. There was still, it may be said, as much time for him as for me. I think there was — for though he had his magazine to look after, I had the Post-office. But he thought, when unable to trust his own energy, that he might rely upon that of a new recruit. He was but four years my senior in life, but he was at the top of the tree, while I was still at the bottom. Having made up my mind to break my principle, I started at once from Dublin to London. I arrived there on the morning of Thursday, November 3, and left it on the evening of Friday. In the meantime I had made my agreement with Messrs. Smith & Elder, and had arranged my plot. But, when in London, I first went to Edward Chapman, at 193 Piccadilly. If the novel I was then writing for him would suit the Corn- hill^ might I consider my arrangement with him to be at an end ? Yes ; I might. But if that story would not suit the Cornhill^ was I to consider my arrangement with him as still standing — that agreement requiring that my manuscript should be in his hands in the following March ? As to that, I might do as I pleased. In our dealings together Mr. Edward Chapman always acceded to every suggestion made to him. He never refused a book, and never haggled at a price. Then I hurried into the City, and had my first interview with Mr. George Smith. When he heard that " Castle Pich- mond " was an Irish story, he begged that I would en- deavor to frame some other for his magazine. He was sure that an Irish story would not do for a commence- ment ; and he suggested the Church, as though it were my peculiar subject. I told him that " Castle Pich- ^^FramUy ParsonageP 129 mond" would have to "come out" while any other novel that I might write for him would be running through the magazine ; but to that he expressed himself altogether indifferent. He wanted an English tale, on English life, with a clerical flavor. On these orders I went to work, and framed what I suppose I must call the plot of " Framley Parsonage." On my journey back to Ireland, in the railway car- riage, I wrote the first few pages of that story. I had got into my head an idea of what I meant to write — a morsel of the biography of an English clergyman who should not be a bad man, but one led into temptation by his own youth and by the unclerical accidents of the life of those around him. The love of his sister for the young lord was an adjunct necessary, because there must be love in a novel. And then, by placing Fram- ley Parsonage near Barchester, I was able to fall back upon my old friends Mrs. Proudie and the archdeacon. Out of these slight elements I fabricated a hodge-podge in which the real plot consisted at last simply of a girl refusing to marry the man she loved till the man's friends agreed to accept her lovingly. E'othing could be less efficient or artistic. But the characters were so well handled that the work, from the first to the last, was popular, and was received as it went on with still increasing favor by both editor and proprietor of the magazine. The story was thoroughly English. There was a little fox-hunting and a little tuft-hunting; some Christian virtue and some Christian cant. There was no heroism and no villany. There was much Church, but more love-making. And it was downright, honest love, in which there was no pretence on the part of the 6* 130 Autobiography of Anthony Trollojpe. lady tliat she was too ethereal to be fond of a man, no half-and-half inclination on the part of the man to pay a certain price and no more for a pretty toy. Each of them longed for the other, and they were not ashamed to say so. Consequently, they in England who were living, or had lived, the same sort of life, liked " Eram- ley Parsonage." I think myself that Lucy Eobarts is, perhaps, the most natural English girl that I ever drew — the most natural, at any rate, of those who have been good girls. She was not as dear to me as Kate Woodward in *' The Three Clerks," but I think she is more like real human life. Indeed, I doubt whether such a character could be made more lifelike than Lucy Kobarts. And I will say also that in this novel there is no very weak part, no long succession of dull pages. The pro- duction of novels in serial form forces upon the author the conviction that he should not allow himself to be tedious in any single part. I hope no reader will mis- understand me. In spite of that conviction, the writer of stories in parts will often be tedious. That I have been so myself is a fault that will lie heavy on my tomb- stone. But the writer, when he embarks in such a busi- ness, should feel that he cannot afford to have many pages skipped out of the few which are to meet the reader's eye at the same time. "Who can imagine the first half of the first volume of "AVaverley" coming out in shilling numbers? I had realized this when I was writing " Framley Parsonage ;" and, working on the conviction which had thus come home to me, I fell into no bathos of dulness. I subsequently came across a piece of criticism which ^'Framley Parsonage.'''' 181 was written on me as a novelist by a brother novelist very much greater than myself, and whose brilliant in- tellect and warm imagination led him to a kind of work the very opposite of jnine. This was ]N"athaniel Haw- thorne, the American, whom I did not then know, but whose works I knew. Though it praises myself highly, I will insert it here, because it certainly is true in its nature : " It is odd enough," he says, " that my own in- dividual taste is for quite another class of works than those which I myself am able to write. If I were to meet with such books as mine, by another writer, I don't believe I should be able to get through them. Have you ever read the novels of Anthony Trollope? They precisely suit my taste — solid and substantial, written on the strength of beef and through the inspiration of ale, and just as real as if some giant had hewn a great lump out of the earth and put it under a glass case, with all its inhabitants going about their daily business, and not suspecting that they were being made a show of. And these books are just as English as a beef- steak. Have they ever been tried in America? It needs an English residence to make them thoroughly comprehensible, but still I should think that human nature would give them success anywhere." This was dated early in 1860, and could have had no reference to " Framley Parsonage ;" but it was as true of that work as of any that I have w^ritten. And the criticism, wdiether just or unjust, describes with wonder- ful accuracy the purport that I have ever had in view in my writing. I have always desired to "hew out some lump of the earth," and to make men and women walk upon it just as they do walk here among us — with 132 Autobiography of Anthony Trollope. not more of excellence, nor with exaggerated baseness — so that my readers might recognize human beings like to themselves, and not feel themselves to be carried away among gods or demons. If I could do this, then I thought I might succeed in impregnating the mind of the novel-reader with a feeling that honesty is the best policy ; that truth prevails while falsehood fails ; that a girl will be loved as she is pure and sweet and unself- ish ; that a man will be honored as he is true and hon- est and brave of heart ; that things meanly done are ugly and odious, and things nobly done beautiful and gra- cious. I do not say that lessons such as these may not be more grandly taught by higher flights than mine. Such lessons come to us from our greatest poets. But there are so many who will read novels and understand them, who either do not read the works of our great poets, or, reading them, miss the lesson ! And even in prose fiction the character whom the fervid imagination of the writer has lifted somewhat into the clouds will hardly give so plain an example to the hasty, normal reader as the humbler personage whom that reader un- consciously feels to resemble himself or herself. I do think that a girl would more probably dress her own mind after Lucy Robarts than after Flora Macdonald. There are many who would laugh at the idea of a novelist teaching either virtue or nobility — those, for instance, who regard the reading of novels as a sin, and those also who think it to be simply an idle pastime. They look upon the tellers of stories as among the tribe of those who pander to the wicked pleasures of a wick- ed world, I have regarded my art from so different a point of view that I have ever thought of myself as a '^Framley ParsonageP 133 preaclier of sermons, and my pulpit as one which I could make both salutary and agreeable to my audience. 1 do believe that no girl has risen from the reading of my pages less modest than she was before, and that some may have learned from them that modesty is a charm well worth preserving. I think that no youth has been taught that in falseness and flashness is to be found the road to manliness ; but some may perhaps have learned from me that it is to be found in truth and a high but gentle spirit. Such are the lessons I have striven to teach ; and I have thought it might best be done by representing to my readers characters like themselves, or to which they might liken themselves. "Framley Parsonage" — or, rather, my connection with the Cornhill — was the means of introducing me very quickly to that literary world from which I had hitherto been severed by the fact of my residence in Ireland. In December, 1859, while I was 6till very hard at work on my novel, I came over to take charge of the Eastern District, and settled myself at a resi- dence about twelve miles from London, in Hertford- shire, but on the borders both of Essex and Middlesex, which was somewhat too grandly called Waltham House. This I took on lease, and subsequently bought, after I had spent about £1000 on improvements. From hence I was able to make myself frequent both in Cornhill and Piccadilly, and to live, when the opportunity came, among men of my own pursuit. It was in January, 1860, that Mr. George Smith — to whose enterprise we owe not only the Cornliill Maga- zine but the Pall Mall Gazette — gave a sumptuous din- ner to his contributors. It was a memorable banquet 134 Autobiography of Anthony Trollope, in many ways, but chiefly so to me because on that oc- casion I first met many men who afterwards became my most intimate associates. It can rarely happen that one such occasion can be the first starting-point of so many friendships. It was at that table, and on that day, that I first saw Thackeray, Charles Taylor (Sir) — than whom in later life I have loved no man better — Eobert Bell, G. H. Lewes, and John Everett Millais. With all these men I afterwards lived on affectionate terms ; but I will here speak specially of the last, be- cause from that time he was joined with me in so much of the work that I did. Mr. Millais was engaged to illustrate " Framley Par- sonage," but this was not the first work he did for the magazine. In the second number there is a picture of his, accompanying Monckton Milnes's " Unspoken Dia- logue." The first drawing he did for ^' Framley Par- sonage" did not appear till after the dinner of which I have spoken, and I do not think that I knew at the time that he was engaged on my novel. "When I did know it, it made me very proud. He afterwards illus- trated " Orley Farm," " The Small House at Allington," "Kachel Eay," and ^'Phineas Finn." Altogether he drew from my tales eighty-seven drawings, and I do not think that more conscientious work was ever done by man. AYriters of novels know well — and so ought readers of novels to have learned — that there are two modes of illustrating, either of which may be adopted equally by a bad and by a good artist. To which class Mr. Millais belongs I need not say ; but, as a good artist, it was open to him simply to make a pretty picture, or to study the work of the author from whose writing he was ^^Framley ParsonageP 135 bound to take his subject. I have too often found that the former alternative has been thought to be the better, as it certainly is the easier method. An artist will fre- quently dislike to subordinate his ideas to those of an author, and will sometimes be too idle to find out what those ideas are. But this artist was neither proud nor idle. In every figure that he drew it was his object to promote the views of the writer whose work he had undertaken to illustrate, and he never spared himself any pains in studying that work, so as to enable him to do so. I have carried on some of those characters from book to book, and have had my own early ideas im- pressed indelibly on my memory by the excellence of his delineations. Those illustrations were commenced fifteen years ago, and from that time up to this day my affection for the man of whom I am speaking has in- creased. To see him has always been a pleasure. His voice has been a sweet sound in my ears. Behind his back I have never heard him praised without joining the eulogist ; I have never heard a word spoken against him without opposing the censurer. These words, should he ever see them, will come to him from the grave, and will tell him of my regard — as one living man never tells another. Sir Charles Taylor, who carried me home in his brougham that evening, and thus conjmenced an inti- macy which has since been very close, was born to w^ealth, and was therefore not compelled by the neces- sities of a profession to enter the lists as an author. But he lived much with those who did so, and could have done it himself had want or ambition stirred him. He was our king at the Garrick Club, to which, how- 13Q Autobiograjphy of Anthony TroUojpe. ever, I did not yet belong. He gave the best dinners of my time, and was — happily I may say is * — the best giver of dinners. A man rough of tongue, brusque in his manners, odious to those who dislike him, some- what inclined to tyranny, he is the prince of friends, honest as the sun, and as open-handed as charity itself. Eobert Bell has now been dead nearly ten years. As I look back over the interval and remember how inti- mate we were, it seems odd to me that we should have known each other for no more than six years. He was a man who had lived by his pen from his very youth; and was so far successful that I do not think that want ever came near him. But he never made that mark which his industry and talents would have seemed to insure. He was a man well known to literary men, but not known to readers. As a journalist he was use- ful and conscientious, but his plays and novels never made themselves popular. He wrote a life of Canning, and he brought out an annotated edition of the British poets ; but he achieved no great success. I have known no man better read in English literature. Hence his conversation had a peculiar charm, but he was not equal- ly happy w^ith his pen. He will long be remembered at the Literary Fund Committees, of which he was a stanch and most trusted supporter. I think it was he who first introduced me to that board. It has often been said that literary men are peculiarly apt to think that they are slighted and unappreciated. Robert Bell certainly never achieved the position in literature which he once aspired to fill, and which he was justified in thinking that he could earn for himself. I have fre- * Alas ! within a year of the writing of this he went from us. ^''Frajnley Parsonage^ 137 quently discussed these subjects with him, but I never heard from his mouth a word of complaint as to his own literary fate. He liked to hear the chimes go at midnight, and he loved to have ginger hot in his mouth. On such occasions no sound ever came out of a man's lips sweeter than his wit and gentle revelry. George Lewes — with his wife, whom all the world knows as George Eliot — has also been and still is one of my dearest friends. He is, I think, the acutest critic I know — and the severest. His severitj^, however, is a fault. His intention to be honest, even w^hen honesty may give pain, has caused him to give pain when hon- esty has not required it. He is essentially a doubter, and has encouraged himself to doubt till the faculty of trusting has almost left him. I am not speaking of the personal trust which one man feels in another, but of that confidence in literary excellence wdiich is, I think, necessary for the full enjoyment of literature. In one modern writer he did believe thoroughly. Noth- ing can be more charming than the unstinted admira- tion which he has accorded to everything that comes from the pen of the wonderful woman to whom his lot has been united. To her name I shall recur again when speaking of the novelists of the present day. Of " Billy Russell," as w^e always used to call him, I may say that I never knew but one man equal to him in the quickness and continuance of witty speech. That one man was Charles Lever — also an Irishman — whom I had known from an earlier date, and also with close intimacy. Of the two, I think that Lever was perhaps the more astounding producer of good things. His manner was, perhaps, a little the happier, and his turns 138 Autobiography of Anthony Trollope, more sharp and unexpected. But ''Billy" also was marvellous. Whether abroad, as special correspondent, or at home, amid the flurry of his newspaper work, he was a charming companion ; his ready wit always gave him the last word. Of Thackeray I will speak again when I record his death. There were many others whom I met for the first time at George Smith's table. Albert Smith, for the first, and, indeed, for the last time, as he died soon after ; Higgins, wdiom all the world knew as Jacob Omnium, a man I greatly regarded ; Dallas, who for a time was literary critic to the Times, and who certainly in that capacity did better work than has appeared since in the sayje department ; George Augustus Sala, who, had he given himself fair play, would have risen to higher em- inence than that of being the best writer in his day of sensational leading articles; and Fitz- James Stephen, a man of very different calibre, who has not yet culmi- nated, but who, no doubt, will culminate among our judges. There were many others; but I cannot now recall their various names as identified with those ban- quets. Of "Framley Parsonage" I need only further say, that as I wrote it I became more closely than ever ac- quainted with the new shire which I had added to the English counties. I had it all in my mind — its roads and railroads, its towns and parishes, its members of Parliament, and the different hunts which rode over it. I knew all the great lords and their castles, the squires and their parks, the rectors and their churches. This was the fourth novel of which I had placed the scene '''Framley Parsonage^ 139 in Barsetshire, and as I wrote it I made a map of the dear county. Throughout these stories there lias been no name given to a fictitious site which does not rep- resent to me a spot of which I know all the accessories, as though I had lived and wandered there. 140 Autobiogrwphy of Anthony TroUojpe, Chapter IX. "CASTLE RICHMOND." — "BROWN, JONES, AND ROBIN- SON."— "NORTH AMERICA."— "ORLEY FARM." "When I had half finished " Fraraley Parsonage " I went back to my other story," Castle Kichmond," which I was writing for Messrs. Chapman & Hall, and com- pleted that. I tliink that this was the only occasion on which I have had two different novels in ray mind at the same time. This, however, did not create either difficulty or confusion. Many of us live in different circles ; and when we go from our friends in the town to our friends in the country, we do not usually fail to remember the little details of the one life or the other. The parson at Kusticum, with his wife and his wife's mother, and all his belongings ; and our old friend, the squire, with his family history ; and Farmer Mudge, who has been cross with us, because we rode so un- necessarily over his barley ; and that rascally poacher, once a gamekeeper, who now traps all the foxes ; and pretty Mary Cann, whose marriage with the wheel- wright we did something to expedite — though we are alive to them all, do not drive out of our brain the club gossip, or the memories of last season's dinners, or any incident of our London intimacies. In our lives we are always weaving novels, and we manage to keep the different tales distinct. A man does, in truth, remem- ^^ Castle I2ichmo7idy 141 ber that wliicli it interests him to remember ; and when we hear that memory has gone as age has come on, we should understand that the capacity for interest in the matter concerned has 23erished. A man will be gener- ally very old and feeble before he forgets how much money he has in the funds. There is a good deal to be learned by any one who wishes to write a novel well; but when the art lias been acquired, I do not see why two or three should not be well written at the same time. I have never found myself thinking much about the work that I had to do till I was doing it. I have, indeed, for many years almost abandoned the effort to think, trusting myself, with the narrowest thread of a plot, to w^ork the matter out when the pen is in my hand. But my mind is constantly employing itself on the work I have done. Had I left either " Framley Parsonage" or "Castle Richmond" half finished fifteen years ago, I think I could complete the tales now with very little trouble. I have not looked at " Castle Rich- mond " since it was published ; and poor as the work is, I remember all the incidents. " Castle Richmond " certainly was not a success, though the plot is a fairly good plot, and is much more of a plot than I have generally been able to find. The scene is laid in Ireland, during the famine ; and I am well aware now that English readers no longer like Irisli stories. I cannot understand why it should be so, as the Irish character is peculiarly well fitted for romance. But Irish subjects generally have become distasteful. This novel, however, is of itself a weak production. The characters do not excite sympathy. The heroine has two lovers, one of whom is a scamp and the other a 142 Autobiograjpliy of Anthony Trollope. prig. As regards the scamp, the girl's mother is her own rival. Eivalry of the same nature has been ad- mirably depicted by Thackeray in his " Esmond ;" but there the mother's love seems to be justified by the girl's indifference. In " Castle Richmond " the mother strives to rob her daughter of the man's love. .The girl herself has no character ; and the mother, who is strong enough, is almost revolting. The dialogue is often live- ly, and some of the incidents are well told ; but the story, as a whole, was a failure. I cannot remember, however, that it was roughly handled by the critics when it came out; and I much doubt whether anything so hard was said of it then as that which I have said here. I was now settled at Waltham Cross, in a house in which I could entertain a few friends modestly, where we grew our cabbages and strawberries, made our own butter, and killed our own pigs. I occupied it for twelve years, and they were years to me of great prosperity. In 1861 I became a member of the Garrick Club, with which institution I have since been much identified. I had belonged to it about two years, when, on Thack- eray's death, I was invited to fill his place on the com- mittee, and I have been one of that august body ever since. Having np to that time lived very little among men, having known hitherto nothing of clubs, having even as a boy been banished from social gatherings, I enjoyed infinitely at first the gayety of the Garrick. It was a festival to me to dine there — which I did, indeed, but seldom ; and a great delight to play a rubber in the little room up-stairs of an afternoon. I am speaking now of the old club in King Street. This playing of ''Castle BichmondP 143 whist before dinner lias since that become a habit with me, so that unless there be something else special to do — unless there be hunting, or I am wanted to ride in the park by the young tyrant of my household — it is "my custom always in the afternoon." I have some- times felt sore with myself for this persistency, feeling that I was making myself a slave to an amusement w^hicli has not, after all, very much to recommend it. I have often thought that I would break myself away from it, and " swear olf," as Eip Yan Winkle says. But my swearing off has been like that of Kij) Yan Winkle. And now, as I think of it coolly, I do not know but that I have been right to cling to it. As a man grows old he wants amusement, more even than when he is young ; and then it becomes so difficult to find amusement. Eeading should, no doubt, be the delight of men's lei- sure hours. Had I to choose between books and cards, I should no doubt take the books. But I find that I can seldom read with pleasure for above an honr and a half at a time, or more than three hours a day. As I write this I am aware that hunting must soon be aban- doned. After sixty it is given but to few men to ride straight across country, and I cannot bring myself to adopt any other mode of riding. I think that without cards I should now be much at a loss. When I began to play at the Garrick, I did so simply because I liked the society of the men who played. I think that I became popular among those with whom I associated. I have long been aware of a cer- tain w^eakness in my own character, which I may call a craving for love. I have ever had a wish to be liked by those around me, a wish that during the first half 144 Autobiography of Anthony Trollope. of my life was never gratified. In my school-days no small part of my misery came from the envy with which I regarded the popularity of popular boys. They seemed to me to live in a social paradise, while the desolation of my pandemonium was complete. And afterwards, when I was in London as a young man, I had but few friends. Among the clerks in the Post-ofiice I held my own fairly for the first two or three years; but even then I regarded myself as something of a pariah. My Irish life had been much better. I had had my wife and children, and had been sustained by a feeling of general respect. But even in Ireland I had, in truth, lived but little in society. Our means had been sufii- cient for our wants, but insufficient for entertaining others. It was not till we had settled ourselves at Waltham that I really began to live much with others. The Garrick Club was the first assemblage of men at which I felt myself to be popular. I soon became a member of other clubs. There was the Arts Club in Hanover Square, of which I saw the opening, but from which, after three or four years, I withdrew my name, having found that during these three or four years I had not once entered the build- ing. Then I was one of the originators of the Civil Service Club — not from judgment, but instigated to do so by others. That also I left for the same reason. In 1864 I received the honor of being elected by the committee at the Athenaeum. For this I was indebted to the kindness of Lord Stanhope; and I never was more surprised than when I was informed of the fact. About the same time I became a member of the Cos- mopolitan, a little club that meets twice a week in ^'Browriy Jones^ and EobinsonP 145 Charles Street, Berkeley Square, and supplies to all its members, and its members' friends, tea and brandy-and- water without charge ! The gatherings there I used to think very delightful. One met Jacob Omnium, Monckton Milnes, Tom Hughes, William Stirling, Henry Reeve, Arthur Russell, Tom Taylor, and such like ; and generally a strong political element, thoroughly well mixed, gave a certain spirit to the place. Lord Ripon, Lord Stanley, William Forster, Lord Enfield, Lord Kim- berley, George Bentinck, Yernon Llarcourt, Bromley Davenport, Knatchbull Huguessen, with many others, used to whisper the secrets of Parliament with free tongues. Afterwards I became a member of the Turf, which I found to be serviceable — or the reverse — only for the playing of whist at high points. In August, 1861, 1 wrote another novel for the Coriv- hill Magazine. It was a short story, about one volume in length, and was called " The Struggles of Brown, Jones, and Robinson." In this I attempted a style for which I certainly was not qualified, and to which I never again had recourse. It w^as meant to be funny, was full of slang, and was intended as a satire on the ways of trade. Still I think that there is some good fun in it, but I have heard no one else express such an opinion. I do not know that I ever heard any opinion expressed on it, except by the publisher, who kindly re- marked that he did not think it was equal to my usual work. Though he had purchased the copyright, he did not republish the story in book form till 1870, and then it passed into the world of letters sul) silentio. I do not know that it was ever criticised or ever read. I received £600 for it. From that time to this I have 7 146 Autobiograjphy of Anthony Trollojpe, been paid at about that rate for my work — £600 for the quantity contained in an ordinary novel volume, or £3000 for a long tale published in twenty parts, which is equal in length to five such volumes. I have occa- sionally, I think, received something more than this, never, I think, less for any tale, except when I have pub- lished my work anonymously/'^ Having said so much, I need not further specify the prices as I mention the books as they were written. I will, however, when I am completing this memoir, give a list of all the sums I have received for my literary labors. I think that " Brown, Jones, and Eobinson " was the hardest bargain I ever sold to a publisher. In 1861 the War of Secession had broken out in America, and from the first I interested myself much in the question. My mother had thirty years pre- viously written a very popular, but, as I had thought, a somewhat unjust, book about our cousins over the water. She had seen what was distasteful in the man- ners of a 3'oung people, but had hardly recognized their energy. I had entertained for many years an ambition to follow her footsteps there, and to write another book. I had already paid a short visit to New York city and state on my way home from the West Indies, but had not seen enough then to justify me in the ex- pression of any opinion. The breaking-out of the war did not make me think that the time was peculiarly fit for such inquiry as I wished to make, but it did repre- sent itself as an occasion on which a book might be popular. I consequently consulted the two great pow- * Since the date at which this was written I have encountered a dimi- nution in price. ^'NoTth AmericaP 147 ers with whom I was concerned. Messrs. Chapman & Hal], the publishers, were one power, and I had no diffi- culty in arranging my affairs with them. They agreed to publish the book on my terms, and bade me God- speed on my journey. The other power was the Post- master-general and Mr. Eowland Hill, the Secretary of the Post-office. I wanted leave of absence for the un- usual period of nine months, and fearing that I should not get it by the ordinary process of asking the secre- tary, I went direct to his lordship. ^' Is it on the plea of ill-health?" he asked, looking into my face, which was then that of a very robust man. His lordship knew the civil service as well as any one living, and must have seen much of falseness and fraudulent pre- tence, or he could not have asked that question. I told him that I was very well, but that I wanted to write a book. " Had I any special ground to go upon in asking for such indulgence?" I had, I said, done my duty well by the service. There was a good deal of demur- ring, but I got leave for nine months — and I knew that I had earned it. Mr. Hill attached to the minute grant- ing me the leave an intimation that it was to be con- sidered as a full equivalent for the special services ren- dered by me to the department. I declined, however, to accept the grace with such a stipulation, and it was withdrawn by the direction of the Postmaster-general.* I started for the States in August and returned in the * During the period of my service in the Post-office I did very much special work for which I never asked any remuneration — and never re- ceived any, though payments for special services were common in the de- partment at that time. But if there was to be a question of such remu- neration, I did not choose that my work should be valued at the price put upon it by Mr. Ilill. 148 Autobiogrwphy of Anthony Trollojpe. following May. The war was raging during the time that I was there, and the country was full of soldiers. A part of the time I spent in Yirginia, Kentucky, and Missouri, among the troops along the line of attack. I visited all the states (excepting California) which had not then seceded — failing to make my way into the seceding states unless I was prepared to visit them w^ith an amount of discomfort I did not choose to endure. I worked very hard at the task I had assigned to my- self, and did, I think, see much of the manners and in- stitutions of the people. Nothing struck me more than their persistence in the ordinary pursuits of life in spite of the war which was around them. Neither industry nor amusement seemed to meet with any check. Schools, hospitals, and institutes were by no means neg- lected because new regiments were daily required. The truth, I take it, is that we, all of us, soon adapt our- selves to the circumstances around us. Though three parts of London were in flames I should, no doubt, ex- pect to have my dinner served to me, if I lived in the quarter which was free from fire. The book I wrote was very much longer than that on the West Indies, but w^as also written almost with- out a note. It contained much information, and, with many inaccuracies, was a true book. But it w\as not well done. It is tedious and confused, and will hardly, I think, be of future value to those who wish to make themselves acquainted w^ith the United States. It was published about the middle of the war — just at the time in which the hopes of those who loved the South were most buoyant, and the fears of those who stood by the North were the strongest. But it expressed an as- ^'North AmevicaP 149 sured confidence — which never quavered in a page or in a line — that the North would win. This assurance was based on the merits of the Northern cause, on the superior strength of the Northern party, and on a con- viction that England would never recognize the South, and that France would be guided in her policy by Eng- land. I was right in my prophecies, and right, I think, on the grounds on which they were made. The South- ern cause w^as bad. The South had provoked the quar- rel because its political supremacy was checked by the election of Mr. Lincoln to the presidency. It had to" fight as a little man against a big man, and fought gal- lantly. That gallantry — and a feeling, based on a mis- conception as to American character, that the Southern- ers are better gentlemen than their Northern brethren — did create great sympathy here ; but I believe that the country was too just to be led into political action by a spirit of romance, and I was warranted in that be- lief. There was a moment in which the Northern cause was in danger, and the danger lay certainly in the prospect of British interference. Messrs. Slidell and Mason — two men insignificant in themselves — had been sent to Europe by the Southern party, and had man- aged to get on board the British mail steamer called the Trent, at TIavanna. A most undue importance was attached to this mission by Mr. Lincoln's govern- ment, and efforts were made to stop them. A certain Commodore AVilkes, doing duty as policeman on the seas, did stop the Trent, and took the men out. They were carried, one to Boston and one to New York, and were incarcerated, amidst the triumph of the nation. Commodore Wilkes, who had done nothing in which a 150 Autdbiograjyhy of Anthony Trollope. man could take glory, was made a hero and received a prize sword. England, of course, demanded her passen- gers back, and the States for a while refused to surren- der them. But Mr. Seward was at that time the Secre- tary of State, and Mr. Seward, with many political faults, was a wise man. I was at Washington at the time, and it was known there that the contest among the leading JSTortherners was very sharp on the matter. Mr. Sumner and Mr. Seward were, under Mr. Lincoln, the two chiefs of the party. It was understood that Mr. Sumner was opposed to the rendition of the men, and Mr. Seward in favor of it. Mr. Seward's counsels at last prevailed with the President, and England's dec- laration of war was prevented. I dined with Mr. Seward on the day of the decision, meeting Mr. Sum- ner at his house, and was told as I left the dining-room what the decision had been. During the afternoon I and others had received intimation through the embassy that we might probably have to leave Washington at an hour's notice. This, I think, was the severest danger that the Northern cause encountered during the war. But my book, though it was right in its views on this subject — and wrong in none other, as far as I know — was not a good book. I can recommend no one to read it now in order that he may be either instructed or amused — as I. can do that on the West Indies. It served its purpose at the time, and was well received by the public and by the critics. Before starting to America I had completed " Orley Earm," a novel which appeared in shilling numbers — after the manner in which " Pickwick," " Nicholas Nic- kleby," and many others had been published. Most of '^Orley FarmP 151 those among my friends who talk to me now about my novels, and are competent to form an opinion on the subject, say that this is the best I have written. In this opinion I do not coincide. I think that the high- est merit which a novel can have consists in perfect de- lineation of character, rather than in plot, or humor, or pathos, and I shall before long mention a subsequent work in which I think the main character of the story is so well developed as to justify me in asserting its claim above the others. The plot of " Orley Farm " is, probably, the best I have ever made ; but it has the fault of declaring itself, and thus coming to an end too early in the book. When Lady Mason tells her an- cient lover that she did forge the will, the plot of "Orley Farm" has unravelled itself — and this she does in the middle of the tale. Independently, how- ever, of this the novel is good. Sir Peregrine Orme, his grandson, Madeline Stavely, Mr. Furnival, Mr. Chaf- fanbrass, and the commercial gentlemen, are all good. The hunting is good. The lawyer's talk is good. Mr. Moulder carves his turkey admirably, and Mr. Kant- wise sells his tables and chairs with spirit. I do not know that there is a dull page in the book. I am fond of "Orley Farm" — and am especially fond of its illus- trations by Millais, which are the best I have seen in any novel in any language. I now felt that I had gained my object. In 1862 I had achieved that which I contemplated when I went to London in 1834, and towards which I made my first attempt when I began "The Macdermots" in 1813. I had created for myself a position among literary men, and had secured to myself an income on which I might 153 Autdbiogrwphy of Anthony Trollojpe. live in ease and comfort, which ease and comfort have been made to include many luxuries. From this time, for a period of twelve years, my income averaged £4500 a year. Of this I spent about two thirds and put by one. I ought, perhaps, to have done better — to have spent one third and put by two ; but I have ever been too well inclined to spend freely that which has come easily. This, however, has been so exactly the life which my thoughts and aspirations had marked out — thoughts and aspirations which used to cause me to blush with shame because I was so slow in forcing myself to the work which they demanded — that I have felt some pride in having attained it. I have before said how entirely I fail to reach the altitude of those who think that a man devoted to letters should be indifferent to the pecuniary results for which work is generally done. An easy in- come has always been regarded by me as a great bless- ing. Not to have to think of sixpences, or very much of shillings ; not to be unhappy because the coals have been burned too quickly and the house linen wants re- newing; not to be debarred by the rigor of necessity from opening one's hands, perhaps foolishl}^, to one's friends — all this, to me, has been essential to the com- fort of life. I have enjoyed the comfort for, I may almost say, the last twenty years, though no man in his youth had less prospect of doing so, or would have been less likely at twenty-five to have had such luxuries fore- told to him by his friends. But though the money has been sweet, the respect, the friendships, and the mode of life which has been achieved have been much sweeter. In my boyhood, when I would be crawling up to school with dirty boots '^Orley FarmP 153 and trousers through the muddy lanes, I was always telling myself that the misery of the hour was not the worst of it, but that the mud and solitude and poverty of the time would insure me mud and solitude and pov- erty through my life. Those lads about me would go into Parliament, or become rectors and deans, or squires of parishes, or advocates tliundering at the Bar. They would not live with me now — but neither should I be able to live with them in after-years. Nevertheless I have lived with them. When, at the age in which others go to the universities, I became a clerk in the Post-office, I felt that my old visions were being realized. I did not think it a high calling. I did not know then how very much good work may be done by a member of the civil service who will show himself capable of doing it. Tlie Post-office at last grew upon me and forced itself into my affections. I became intensely anxious that people should have their letters delivered to them punc- tually. But my hope to rise had always been built on the writing of novels, and at last by the writing of nov- els I had risen. I do not think that I ever toadied any one, or that I have acquired the character of a tuft-hunter. But here I do not scruple to say that I prefer the society of dis- tinguished people, and that even the distinction of wealth confers many advantages. The best education is to be had at a price as well as the best broadcloth. The son of a peer is more likely to rub his shoulders against well-informed men than the son of a tradesman. The graces come easier to the wife of him wlio has had great-grandfathers than they do to her whose husband has been less, or more, fortunate, as he may think it. 7* 154 Autobiography of Anthony Trollope. The discerning man will recognize the information and the graces when they are achieved without such assist- ance, and will honor the owners of them the more be- cause of the difficulties they have overcome; but the fact remains that the society of the well-born and of the wealthy will, as a rule, be worth seeking. I say this now because these are the rules by which I have lived, and these are the causes which have instigated me to work. I have heard the question argued — On what terms should a man of inferior rank live with those who are manifestly superior to him ? If a marquis or an earl honor me, who have no rank, with his intimacy, am I, in my intercourse with him, to remember our close ac- quaintance or his high rank? I have always said that where the difference in position is quite marked, the overtures to intimacy should always come from the higher rank ; but if the intimacy be ever fixed, then that rank should be held of no account. It seems to me that intimate friendship admits of no standing but that of equality. I cannot be the sovereign's friend, nor, probabl}^, the friend of many very much beneath the sovereign, because such equality is impossible. When I first came to Waltham Cross, in the winter of 1859-60, 1 had almost made up my mind that my hunting was over. I could not then count upon an in- come which would enable me to carry on an amusement which I should doubtless find much more expensive in England than in Ireland. I brought with me out of Ireland one mare, but she was too light for me to ride in the hunting-field. As, however, the money came in, I very quickly fell back into my old habits. First one horse was bought, then another, and then a third, till it ^'Orley FarmP 155 became established as a fixed rule that I should not have less than four hunters in the stable. Sometimes, when my boys have been at home, I have had as many as six. Essex was the chief scene of my sport, and gradually I became known there almost as well as though I had been an Essex squire, to the manner born. Eew have investigated more closely than I have done the depth and breadth and water-holding capacities of an Essex ditch. It will, I think, be accorded to me by Essex men generally that I have ridden hard. The cause of my delight in the amusement I have never been able to an- alyze to my own satisfaction. In the first place, even now, I know very little about hunting — though I know very much of the accessories of the field. I am too blind to see hounds turning, and cannot therefore tell whether the fox has gone this w^ay or that. Indeed, all the notice I take of hounds is not to ride over them. My eyes are so constituted that I can never see the nat- ure of a fence. I either follow some one, or ride at it with the full conviction that I may be going into a horse-pond or a gravel-pit. I have jumped into both one and the other. I am very heavy, and have never ridden expensive horses. I am also now old for such work, being so stiff that I cannot get on to my horse witjiout the aid of a block or a bank. But I ride still after the same fashion, with a boy's energy, determined to get ahead if it may possibly be done, hating the roads, despising young men who ride them, and with a feeling that life cannot, with all her riches, have given me any- thing better than when I have gone through a long run to the finish, keeping a place, not of glory, but of cred- it, among my juniors. 156 Autobiography of Anthony Trollojpe, Chapter X. "THE SMALL HOUSE AT ALLINGTON."— " CAN YOU FOR- GIVE HER?"— "RACHEL RAY."— THE "EORTNIGHTLY REVIEW." During the early months of 1862 " Orley Farm " was still being brought out in numbers, and at the same time " Brown, Jones, and Robinson " was appearing in the Cornhill Magazine. In September, 1862, "The Small House at Allington" began its career in the same periodical. The work on IS^orth America had also come out in 1862. In August, 1863, the first number of " Can You Forgive Her ?" was published as a sepa- rate serial, and was continued througli 1864. In 1863 a short novel was produced in the ordinary volume form, called " Rachel Ray." In addition to these I published during the time two volumes of stories called " The Tales of All Countries." In the early spring of 1865 " Miss Mackenzie " was issued, in the same form as " Rachel Ray ;" and in May of the same year " The Bel- ton Estate" was commenced with the commencement of the Fortnightly Review^ of which periodical I will say a few words in this chapter. I quite admit that I crowded my wares into the mar- ket too quickly, because the reading world could not want such a quantity of matter from the hands of one author in so short a space of time. I had not been quite so fertile as the unfortunate gentleman who dis- ^^The Small House at AUingtonJ^ 157 gusted the publisher in Paternoster Row — in the story of whose productiveness I have always thought there was a touch of romance — but I had probably done enough to make both publishers and readers think that I was coming too often beneath their notice. Of pub- lishers, however, I must speak collectively, as my sins were, I think, chiefly due to the encouragement which I received from them individually. What I wrote for the Cornhill Magazine I always wrote at the instiga- tion of Mr. Smith. My other works were published by Messrs. Chapman & Hall, in compliance with contracts made by me with them, and always made with their good-will. Could I have been two separate persons at one and the same time, of whom one might have been devoted to Cornhill and the other to the interests of the firm in Piccadilly, it might have been very well ; but, as I preserved my identity in both places, I myself be- came aware that my name was too frequent on title- pages. Critics, if they ever trouble themselves with these pages, will, of course, say that in what I have now said I have ignored altogether the one great evil of rapid production — namely, that of inferior work. And, of course, if the work was inferior because of the too e^reat rapidity of production, the critics would be right. Giv- ing to the subject the best of my critical abilities, and judging of my own work as nearly as possible as I would that of another, I believe that the work which has been done quickest has been done the best. I have com- posed better stories — that is, have created better plots — than those of " The Small House at Allington " and " Can You Forgive Her ?" and I have portrayed two or 158 AutoUographij of Anthony TroUope. three better characters than are to be found in the pages of either of them ; but taking these books all through, I do not think that I have ever done better work. Nor would these have been improved by any effort in the art of story-telling, had each of these been the isolated labor of a couple of years. How short is the time devoted to the manipulation of a plot can be known only to those who have written plays and nov- els — I may say also, how very little time the brain is able to devote to such wearing work. There are usual- ly some hours of agonizing doubt, almost of despair — so, at least, it has been with me — or perhaps some days. And then, with nothing settled in my brain as to the linal development of events, with no capability of set- tling anything, but w^ith a most distinct conception of some character or characters, I have rushed at the work as a rider rushes at a fence which he does not see. Sometimes I have encountered what, in hunting lan- guage, we call a cropper. I had such a fall in two novels of mine, of which I have already spoken — " The Bertrams" and ''Castle Eichmond." I shall have to speak of other such troubles. But these failures have not arisen from over-hurried work. When my work has been quicker done — and it has sometimes been done very quickly — the rapidity has been achieved by hot pressure, not in the conception, but in the telling of the story. Instead of writing eight pages a day, I have written sixteen ; instead of working five days a week, I have worked seven. I have trebled my usual average, and have done so in circumstances which Lave enabled me to give up all my thoughts for the time to the book I have been writing. This has generally been done at ^^The Small House at AllingtonP 159 some quiet spot among the mountains — where there has been no society, no hunting, no whist, no ordinary household duties. And I am sure that the work so done has had in it the best truth and the highest spirit that I have been able to produce. At such times I have been able to imbue myself thoroughly with the characters I have had in hand. I have wandered alone among the rocks and woods, crying at their grief, laugh- ing at their absurdities, and thoroughly enjoying their joy. I have been impregnated with my own creations till it has been my only excitement to sit with the pen in ray hand, and drive my team before me at as quick a pace as I could make them travel. The critics will again say that all this may be very well as to the rough work of the author's own brain, but it will be very far from well in reference to the style in wdiich that work has been given to the public. After all, the vehicle which a writer uses for conveying his thoughts to the public should not be less important to him than the thoughts themselves. An author can liardly hope to be popular unless he can use popular language. That is quite true ; but then comes the question of achieving a popular — in other words, I may say, a good and lucid — style. How may an author best acquire a mode of writing which shall be agreeable and easily intelligible to the reader? He must be correct, because without correctness he can be neither agreeable nor intelligible. Headers will expect him to obey those rules which they, consciously or unconsciously, have been taught to regard as binding on language ; and un- less he does obey them, he will disgust. Without much labor, no writer will achieve such a style. He has very 160 Autobiograjphy of Anthony Trollojpe. much to learn ; and, when he has learned that much, he has to acquire the habit of using what he has learned, with ease. But all this must be learned and acquired — not while he is writing that which shall please, but long before. His language must come from him as music comes from the rapid touch of the great per- formers fingers ; as words come from the mouth of the indignant orator; as letters fly from the fingers of the trained compositor ; as the sj'llables tinkled out by lit- tle bells form themselves to the ear of the telegraphist. A man who thinks much of his words as he writes them will generally leave behind him work that smells of oil. I speak here, of course, of prose ; for in poetry we know what care is necessary, and we form our taste ac- cordingly. Rapid writing will, no doubt, give rise to inaccuracy — chiefly because the ear, quick and true as may be its operation, will occasionally break down under pressure, and before a sentence be closed will forget the nature of the composition w^ith which it was commenced. A singular nominative will be disgraced by a plural verb, because other pluralities have intervened, and have tempted 'the ear into plural tendencies. Tautologies will occur, because the ear, in demanding fresh empha- sis, has forgotten that the desired force has been already expressed. I need not multiply these causes of error, which must have been stumbling-blocks indeed when men wrote in the long sentences of Gibbon, but which Macaulay, with his multiplicity of divisions, has done so much to enable us to avoid. A rapid writer will hardly avoid these errors altogether. Speaking of my- self, I am ready to declare that, with much training, I "TA^ Small House at Allingtony I6i have been unable to avoid them. But the writer for the press is rarely called upon — a writer of books should never be called upon — to send his manuscript hot from his hand to the printer. It has been my practice to read everything four times at least — thrice in manu- script and once in print. Yery much of my work I have read twice in print. In spite of this I know that inaccuracies have crept through — " not single spies, but in battalions." From this I gather that the supervision has been insufficient, not that the work itself has been done too fast. I am quite sure that those passages which have been written witli the greatest stress of labor, and consequently with the greatest haste, have been the most effective and by no means the most inaccu- rate. " The Small House at Allington " redeemed my rep- utation with the spirited proprietor of the Cormhill, which must, I should think, have been damaged by " Brown, Jones, and Robinson." In it appeared Lily Dale, one of the characters which readers of my novels have liked the best. In the love with which she has been greeted I have hardly joined with much enthu- siasm, feeling that she is somewhat of a French prig. She became first engaged to a snob, who jilted her; and then, though in truth she loved another man who was hardly good enough, she could not extricate herself sufficiently from the collapse of her first great misfort- une to be able to make up her mind to be the wife of one whom, though she loved him, she did not altogeth- er reverence. Prig as she was, she made her way into the hearts of many readers, both young and old ; so that, from that time to this, I have been continually 163 AutoUography of Anthony Trolloj>e. honored witli letters, the purport of which has always been to beg me to marry Lily Dale to Johnny Eames. Had I done so, however, Lily would never have so en- deared herself to these people as to induce them to write letters to the author concerning her fate. It was because she could not get over her troubles that they loved her. Outside Lily Dale and the chief interest of the novel, " Tlie Small House at Allington " is, I think, good. The De Courcy family are alive, as is also Sir Eaffle Buffle, who is a hero of the civil service. Sir Raffle was intended to represent a type, not a man ; but the man for the pictm-e was soon chosen, and I w\as often assured that the portrait was very like. I have never seen the gentleman witli whom I am supposed to have taken the liberty. There is also an old squire down at Allington, whose life as a country gentleman with rather straitened means is, I think, well described. Of '' Can You Forgive Her ?" I cannot speak with too great affection, though I do not know that of itself it did very much to increase my reputation. As regards the story, it was formed chiefly on that of the play which my friend Mr. Bartley had rejected long since, the circumstances of which the reader may perhaps re- member. The play had been called " The Noble Jilt ;" but I was afraid of the name for a novel, lest the critics might throw a doubt on the nobility. There was more of tentative humility in that w^hich I at .last adopted. The character of the girl is carried through with con- siderable strength, but is not attractive. The humorous characters, which are also taken from the play — a buxom widow, who with her eyes open chooses the most scamp- ish of two selfish suitors because he is the better-look- "Clm You Forgive HerV 163 ing — are well done. Mrs. Greenow, between Captain Bellfield and Mr. Cheeseacre, is very good fun — as far as the fun of novels is. But that which endears the book to me is the first presentation which I made in it of Plantagenet Palliser, with his wife, Lady Glencora. By no amount of description or asseveration could I succeed in making any reader understand how much these characters, with their belongings, have been to me in my latter life ; or how frequently I have used them for the expression of my political or social convictions. They have been as real to me as free trade was to Mr. Cobden, or the dominion of a party to Mr. Disraeli ; and as I have not been able to speak from the benches of the House of Commons, or to thunder from plat- forms, or to be efficacious as a lecturer, they have served me as safety-valves by which to deliver my soul. Mr. Plantagenet Palliser had appeared in " The Small House at Allington," but his birth had not been accompanied by many hopes. In the last pages of tliat novel he is made to seek a remedy for a foolish false step in life by marrying the grand heiress of the day — but the person- age of the great heiress does not appear till she comes on the scene as a married woman in " Can You Forgive Her ?" He is the nephew and heir to a duke — the Duke of Omnium — who was first introduced in "Doctor Thorne," and afterwards in " Framley Parsonage," and Avho is one of the belongings of whom I have spoken. In these personages and their friends, political and so- cial, I have endeavored to depict the faults and frailties and vices — as also the virtues, the graces, and the strength — of our highest classes ; and if I have not made the strength and virtues predominant over the faults and 164 Autobiography of Anthony Trollope. vices, I have not painted the picture as I intended. /.PJantagenet Palliser I think to be a very noble gentle- man — such a one as justifies to the nation the seeming anomaly of an hereditary peerage and of primogeniture. His wife is in all respects very inferior to him ; but she, too, has, or has been intended to have, beneath the thin stratum of her follies a basis of good principle, which . enabled her to live down the conviction of the original wrong which was done to her, and taught her to en- deavor to do her duty in the position to which she was called. She had received a great wrong — having been made, when little more than a child, to marry a man for whom she cared nothing ; when, however, though she was little more than a child, her love had been giv- en elsewhere. She had very heavy troubles, but they did not overcome her. As to the heaviest of these troubles, I will say a word in vindication of myself and of the way I handled it in mj work. In the pages of " Can You Forgive Her ?" the girl's first love is introduced — beautiful, well-born, and utterly worthless. To save a girl from wasting her- self, and an heiress from wasting her property on such a scamp, was certainly the duty of the girl's friends. But it must ever be wrong to force a girl into a mar- riage with a man she does not love — and certainly the more so when there is another whom she does love. In my endeavor to teach this lesson I subjected the young wife to the terrible danger of overtures from the man to whom her heart had been given. I was walking, no doubt, on ticklish ground, leaving for a while a doubt on the question whether the lover might or might not succeed. Then there came to me a letter from a dis- ^^ Can You Forgive Her f^"^ 165 tingiiislied dignitary of our Church, a man wliom all men honored, treating me with severity for what I was doing. It had been one of the innocent joys of his life, said the clergyman, to have my novels read to him by his daughters. But now I was writing a book which caused him to bid them close it ! Must I also turn away to vicious sensation such as this ? Did I think that a wife contemplating adultery was a character lit for my pages ? I asked him, in return, whetlier from his pulpit, or, at any rate, from his communion-table, he did not denounce adultery to his audience ; and if so, why should it not be open to me to preach the same doctrine to mine ? I made known nothing which the purest girl could not but have learned, and ought not to have learned, elsewhere, and I certainly lent no attrac- tion to tlie sin which I indicated. His rejoinder was full of grace, and enabled him to avoid the annoyance of argumentation without abandoning his cause. He said tliat the subject was so much too long for letters that he hoped I would go and stay a week with him in the country, so that we might have it out. That op- portunity, however, has never yet arrived. Lady Glencora overcomes that trouble, and is brouglit, partly by her own sense of right and wrong, and partly by the genuine nobility of her husband's conduct, to attach herself to him after a certain fashion. The ro- mance of her life is gone, but there remains a rich real- ity of which she is fully able to taste the flavor. She loves her rank and becomes ambitious, first of social, and then of political, ascendency. He is thoroughly true to her, after his thorough nature, and she, after her less perfect nature, is imperfectly true to him. 166 Autobiography of Anthony Ti'ollope. In conducting these characters from one story to an- other I realized the necessity, not only of consistency — which, had it been maintained by a hard exactitude, would have been untrue to nature — but also of those changes which time always produces. There are, per- haps, but few of us who, after the lapse of ten years, will be found to have changed our cliief characteristics. The selfish man will still be selfish, and the false man false. But our manner of showing or of hiding these characteristics w^ll be changed, as also our power of adding to or diminishing their intensity. It was my study that these people, as they grew in j^ears, should encounter the changes which come upon us all; and I think that I have succeeded. The Duchess of Omni- um, when she is playing the part of Prime Minister's wife, is the same woman as that Lady Glencora who almost longs to go ofiE with Burgo Fitzgerald, but yet knows that she will never do so ; and the Prime Minis- ter Duke, with his wounded pride and sore spirit, is he who, for his wife's sake, left power and place when they were first offered to him — but they have undergone the changes which a life so stirring as theirs would natu- rally produce. To do all this thoroughly was in my heart from first to last; but I do not know that the game has been worth the candle. To carry out my scheme I have had to spread my picture over so wid^ a canvas that I cannot expect that any lover of such art should trouble himself to look at it as a whole. Who will read "Can You Forgive Her?" "Phineas Finn," "Phineas Kedux," and "The Prime Minister" consecutively, in order that they may understand the characters of the Duke of Omnium, of Plantagenet ^^Can You Forgive UerT^ I67 Palliser, and of Lady Glencora ? Who will ever know that they should be so read ? But in the performance of the work I had much gratification, and was enabled from time to time to have in this way that fling at the political doings of the day which every man likes to take, if not in one fashion, then in another. I look upon this string of characters — carried sometimes into other novels than those just named — as the best work of my life. Taking him altogether, I think that Plan- tagenet Palliser stands more firmly on the ground than any other personage I have created. On Christmas day, 1863, w^e were startled by the news of Thackeray's death. He had then for many months given up the editorship of the Cornhill Magazhie — a position for which he was hardly fitted either by his habits or temperament — but was still employed in writ- ing for its pages. I had known him only for four years, but had grown into much intimacy with him and his family. I regard him as one of the most tender- hearted human beings I ever knew, who, with an exag- gerated contempt for the foibles of the world at large, would entertain an almost equally exaggerated sympa- thy with the joys and troubles of individuals around him. He had been unfortunate in early life — unfortu- nate in regard to money — unfortunate with an afilicted wife — unfortunate in having his home broken up be- fore his children were fit to be his companions. This threw him too much upon clubs, and taught him to dis- like general society. But it never affected his heart, or clouded his imagination. He could still revel in the pangs and joys of fictitious life, and could still feel — as he did to the very last — the duty of showing to bis 168 Autobiograjphy of Anthony Trollojpe. readers the evil consequences of evil conduct. It was, perhaps, his chief fault as a writer that he could never abstain from that dash of satire which he felt to be de- manded by the weaknesses which he saw around him. The satirist who writes nothing but satire should write but little, or it will seem that his satire springs rather from his own caustic nature than from the sins of the world in which he lives. I myself regard "Esmond" as the greatest novel in the English language, basing that judgment upon the excellence of its language, on the clear individuality of the characters, on the truth of its delineations in regard to the time selected, and. on its great pathos. There are also in it a few scenes so told that even Scott has never equalled the telling. Let any one who doubts this read the passage in which Lady Castlewood induces the Duke of Hamilton to think that his nuptials with Beatrice will be honored if Colonel Esmond will give away the bride. When lie went from us he left behind living novelists with great names; but I think that they who best under- stood the matter felt that the greatest master of fiction of this age had gone. "Kachel Eay" underwent a fate which no other novel of mine has encountered. Some years before this a periodical called Good Words had been estab- lished under the editorship of my friend Dr. Norman Macleod, a well-known Presbyterian pastor in Glasgow. In 1863 he asked me to write a novel for his magazine, explaining to me that his principles did not teach him to confine his matter to religious subjects, and paying me the compliment of saying that he would feel him- self quite safe in my hands. In reply I told him I ''Rachel RayP 169 thouglit he was wrong in bis choice; that though he mia'ht wish to srive a novel to the readers of Good Words^ a novel from me would hardly be what he want- ed, and that I could not undertake .to write either with any specially religious tendency, or in any fashion dif- ferent from that which was usual to me. As worldly and — if any one thought me wicked — as wicked as I had heretofore been, I must still be, should I write for Good ^Yords. lie persisted in his request, and I came to terms as to a story for the periodical. I wrote it and sent it to him, and shortly afterwards received it back — a considerable portion having been printed — with an intimation that it would not do. A letter more full of wailing and repentance no man ever wrote. It was, he said, all his own fault. He should have taken my advice. He should have known better. But the story, such as it was, he could not give to his readers in the pages of Good Words. Would I forgive him ? Any pecuniary loss to which his decision might subject me the owner of the publication would willingly make good. There was some loss — or, rather, would have been — and that money I exacted, feeling that the fault had in truth been with the editor. There is the tale now to speak for itself. It is not brilliant, nor in any way very excellent; but it certainly is not very wicked. There is some dancing in one of the early chapters, de- scribed, no doubt, with that approval of the amusement which I have always entertained; and it was this to which my friend demurred. It is more true of novels than perhaps of anything else, that one man's food is another man's poison. " Miss Mackenzie " was written with a desire to prove 8 170 Autobiography of Anthony Trollojpe. that a novel may be produced without any love ; but even in this attempt it breaks down before the conclu- sion. In order that I might be strong in my purpose, I took for my heroine a very unattractive old maid, who was overwhelmed with money troubles ; but even she was in love before the end of the book, and made a romantic marriage with an old man. There is in this story an attack upon charitable bazaars, made with a violence which will, I think, convince any reader that such attempts at raising money were at. the time very odious to me. I beg to say that since that I have had no occasion to alter my opinion. "Miss Mackenzie" was published in the early spring of 1865. At the same time I was engaged with others in es- tablishing a periodical Eeview, in which some of us trusted much, and from which we expected great thinofs. There was, however, in truth so little com- bination of idea among us, that we were not justified in our trust or in our expectations. And yet we were honest in our purpose, and have, I think, done some good by our honesty. The matter on which we were all agreed was freedom of speech, combined with per- sonal responsibility. We would be neither conserva- tive nor liberal, neither religious nor free -thinking, neither popular nor exclusive — but we would let any man who had a thing to say, and knew how to say it, speak freely. Bat he should always speak with the responsibility of his name attached. In the very be- ginning I militated against this impossible negation of principles — and did so most irrationally, seeing that I had agreed to the negation of principles — by declaring that nothing should appear denying or questioning the "TA<3 Fortnightly BeviewP 171 divinity of Christ. It was a most preposterous claim to make for such a publication as we proposed, and it at once drove from us one or two who had intended to join us. But we went on, and our company — limited — was formed. We subscribed, I think, £1250 each. I, at least, subscribed that amount, and — having agreed to bring out our publication every fortnight, after the manner of the well-known French publication — we called it The FortnigJitly . We secured the services of G. II. Lewes as our editor. We agreed to manage our finances by a Board, which was to meet once a fort- night, and of which I was the chairman. And we de- termined that the payments for our literature should be made on a liberal and strictly ready-money system. We carried out our principles till our money w^as all gone, and then we sold the copyright to Messrs. Chap- man & Hall for a trifle. But before we parted with our property we found that a fortnightly issue was not popular with the trade through whose hands the work must reach the public ; and, as our periodical had not become sufficiently popular itself to bear down such opposition, we succumbed, and brought it out once a month. Still, it was The Fortnightly^ and still it is The Fortnightly. Of all the serial publications of the day, it probably is the most serious, the most ear- nest, the least devoted to amusement, the least flippant, the least jocose — and yet it has the face to show itself month after month to the world, with so absurd a mis- nomer! It is, as all who know the laws of modern lit- erature are aware, a very serious thing to change the name of a periodical. By doing so you begin an alto- gether new enterprise. Therefore should the name be 173 Autohiogra^hy of Anthony Trollope. well chosen ; whereas this was very ill chosen, a fault for which I alone was responsible. That theory of eclecticism was altogether impracti- cable. It was as though a gentleman should go into the House of Commons determined to support no party, but to serve his country by individual utter- ances. Such gentlemen have gone into the House of Commons, but they have not served their country much. Of course, the project broke down. Liberal- ism, free-thinking, and open inquiry will never object to appear in company with their opposites, because they have the conceit to think that they can quell those op- posites; but the opposites will not appear in conjunc- tion with liberalism, free-thinking, and open inquiry. As a natural consequence, our new publication became an organ of liberalism, free-thinking, and open inquiry. The result has been good ; and though there is much in the now established principles of The Fortnightly with which I do not myself agree, I may safely say that the publication has assured an individuality, and asserted for itself a position in our periodical literature, which is well understood and highly respected. As to myself and my own hopes in the matter — I was craving after some increase in literary honest}^, which I think is still desirable, but which is hardly to be at- tained by the means which then recommended them- selves to me. In one of the early numbers I wrote a paper advocating the signature of the authors to peri- odical writing, admitting that the system should not be extended to journalistic articles on political subjects. I think that I made the best of my case; but further consideration has caused me to doubt whether the rea- "TA^ Fortnightly BemewP 173 sons whicli induced me to make an exception in favor of political writing do not extend themselves also to writing on other subjects. Much of the literary criti- cism which we now have is very bad indeed ; so bad as to be ojDen to the charge both of dishonesty and inca- pacity. Books are criticised witliout being read — are criticised by favor — and are trusted by editors to the criticism of the incompetent. If the names of the critics were demanded, editors would be more careful. But I fear the effect would be that we should get but little criticism, and that the public would put but little trust in that little. An ordinary reader would not care to have his books recommended to him by Jones; but the recommendation of the great unknown comes to him with all the weight of the Times, the Spec- tator, or the Saturday. Though I admit so much, I am not a recreant from the doctrine I then preached. I think that the name of the author does tend to honesty, and that the knowledge that it will be inserted adds much to the author's industry and care. It debars him also from illegitimate license and dishonest assertions. A man should never be ashamed to acknowledge that which he is not ashamed to publish. In The Fortnightly everything has been signed, and in this way good has, I think, been done. Signatures to articles in other periodicals have become much more common since The Fortnightly was commenced. After a time Mr. Lewes retired from the editorship, feeling that the work pressed too severely on his mod- erate strength. Our loss in him was very great, and there was considerable difficulty in finding a successor. 174 Autdbiograjphy of Anthony TroUo^pe. I must say that the present proprietor has been fortu- nate in the choice he did make. Mr. John Morlej has done the work with admirable patience, zeal, and ca- pacity. Of course, he has got around him a set of con- tributors whose modes of thought are what we may call much advanced ; he, being " much advanced " himself, would not work with other aids. The periodical has a peculiar tone of its own; but it holds its own with ability, and though there are many who, perhaps, hate it, there are none who despise it. When the company sold it, having spent about £9000 on it, it was worth lit- tle or nothing. ITow I believe it to be a good property. My own last personal concern with it was on a mat- ter of fox-hunting."^ There came out in it an article from the pen of Mr. Freeman, the historian, condemn- ing the amusement which I love, on the grounds of cruelty and general brutality. Was it possible, asked Mr. Freeman, quoting from Cicero, that any educated man should find delight in so coarse a pursuit? Al- ways bearing in mind my own connection with The Fortnightly^ I regarded this almost as a rising of a child against the father. I felt, at any rate, bound to answer Mr. Freeman in the same columns, and I obtained Mr. Morley's permission to do so. I wrote my defence of fox-hunting, and there it is. In regard to the charge of cruelty, Mr. Freeman seems to assert that nothing unpleasant should be done to any of God's creatures except for a useful purpose. The protection of a lady's shoulders from the cold is a useful purpose ; and therefore a dozen fur-bearing animals may be snared in * I have written various articles for it since, especially two on Cicero, to which I devoted great labor. '''The Fortnightly BemewP 175 the snow and left to starve to death in the wires, in order that the lady may have the tippet — though a tippet of wool would serve the purpose as well as a tippet of fur. But the congregation and healthful amusement of one or two hundred persons, on whose belialf a single fox may or may not be killed, is not a useful purpose. I think that Mr. Freeman has failed to perceive that amusement is as needful and almost as necessary as food and raiment. The absurdity of the further charge as to the general brutality of the pur- suit and its consequent unfitness for an educated man, is to be attributed to Mr. Freeman's ignorance of what is really done and said in the hunting-iield — perhaps to his misunderstanding of Cicero's words. There was a rejoinder to my answer, and I asked for space for further remarks. I could have it, the editor said, if I much wished it ; but he preferred that tlie subject should be closed. Of course I was silent. His sym- pathies were all with Mr. Freeman — and against the foxes, who, but for fox-hunting, would cease to exist in England. And I felt that The Fortnightly was hardly the place for the defence of the sport. Afterwards Mr. Freeman kindly suggested to me that he would be glad to publish my article in a little book to be put out by liim, condemnatory of fox-hunting generally. He was to have the last word and the first word, and that power of picking to pieces which he is known to use in so masterly a manner, without any reply from me ! This I was obliged to decline. H he would give me the last w^ord, as he would have the first, then, I told him I should be proud to join him in the book. This offer did not, however, meet his views. 176 Autobiography of Anthony Trollope. It had been decided bj the Board of Management, somewhat in opposition to mj own ideas on the sub- ject, that The Fortnightly Review should always con- tain a novel. It w^as, of course, natural that I should write the first novel, and I w^rote ^' The Belton Estate." It is similar in its attributes to " Bachel Ray " and to " Miss Mackenzie." It is readable, and contains scenes which are true to life; but it has no peculiar merits, and will add nothing to my reputation as a novelist. I have not looked at it since it was published ; and now, turning back to it in my memory, I seem to re- member almost less of it than of any book that I have written. ^^The ClaveringsP 177 Chapter XL "THE CLAVERINGS."— THE "PALL MALL GAZETTE." — "NINA BALATKA." — "LINDA TRESSEL." "The Clayekings," which came out in 1866 and 1867, was the last novel which I wrote for The Cornhill ; and it was for this that I received the highest rate of pay that was ever accorded to me. It was the same length as " Framley Parsonage," and the price w^as £2800. Whether much or little, it was offered by the proprietor of the magazine, and w^as paid in a single check. In " The Claverings " I did not follow the habit which had now become very common to me, of intro- ducing personages whose names are already known to the readers of my novels, and whose characters were famil- iar to myself. If I remember rightly, no one appears here who had appeared before, or who has been allowed to appear since, I consider the story, as a whole, to be good, though I am not aware that the public has ever corroborated that verdict. The chief character is that of a young woman who has married, manifestly for money and rank — so manifestly that she does not her- self pretend, even w^hile she is making the marriage, that she has any other reason. The man is old, disrep- utable, and a worn-out debauchee. Then comes the pun- ishment natural to the offence. When she is free, the 178 Autobiography of Anthony Trollo^e. man whom she had loved, and who had loved her, is engaged to another woman. He vacillates and is weak — in which weakness is the fault of the book, as he plays the part of hero. But she is strong — strong in her purpose, strong in her desires, and strong in her consciousness that the punishment which comes upon her has been deserved. But the chief merit of '' Tlie Claverings " is in the genuine fun of some of the scenes. Humor has not been my forte, but I am inclined to think that the char- acters of Captain Boodle, Archie Clavering, and Sophie Gordeloup are humorous. Count Pateroff, the brother of Sophie, is also good, and disposes of the young hero's interference in a somewhat masterly manner. In " The Claverings," too, there is a wife whose husband is a brute to her, w^ho loses an only child — his heir — and who is rebuked by her lord because the boy dies. Her sorrow is, I think, pathetic. From beginning to end the story is w^ell told. But I doubt now whether any one reads " The Claverincrs." When I remember liow many novels I have written, I have no right to expect that above a few of them shall endure even to the sec- ond year beyond publication. This story closed my connection with the Cornhill Magazine^ but not with its owner, Mr. George Smith, who subsequently brought out a further novel of mine in a separate form, and who about this time established the Pall Mall Gazette, to which paper I was for some years a contributor. It was in 1865 that the Pall Mall Gazette was com- menced, the name having been taken from a fictitious periodical, which was the offspring of Thackeray's brain. It was set on foot by the unassisted energy and resources "Fall Mall Gazette:' 179 of George Smith, who had succeeded, by means of his magazine and his publishing connection, in getting around him a society of literary men who sufficed, as far as literary ability went, to float the paper at once under favorable auspices. His two strongest staffs, probably, were "Jacob Omnium," whom I regard as the most forcible newspaper writer of my days, and Fitz-James Stephen, the most conscientious and indus- trious. To them the Pall Mall Gazette owed very much of its early success, and to the untiring energy and general ability of its proprietor. Among its other contributors were George Lewes, Hannay — who, I think, came up from Edinburgli for employment on its col- umns — Lord Houghton, Lord Strangford, Charles Meri- vale. Greenwood (the present editor), Greg, myself, and very many others — so many others that I have met at a Pall Mall dinner a crowd of guests who would have filled the House of Commons more respectably than I have seen it filled even on important occasions. There are many who now remember — and, no doubt, when this is published there will be left some to remember — the great stroke of business which was done by the rev- elations of a visitor to one of the casual wards in Lon- don. A person had to be selected who would undergo the misery of a night among the usual occupants of a casual ward in a London poor-house, and who should at the same time be able to record what he felt and saw. The choice fell upon Mr. Greenwood's brother, who certainly possessed the courage and the powers of en- durance. The description, which w\as very well given, was, I think, chiefly written by the brother of the Cas- ual himself. It had a great effect, which was increased 180 Autoliograjphy of Anthony Trollo^e. by secrecy as to the person who encountered all the horrors of that night. I was more than once assured that Lord Houghton was the man. I heard it asserted also that I myself had been the hero. At last the un- known one could no longer endure that his honors should be hidden, and revealed the truth — in opposition, I fear, to promises to the contrary, and instigated by a conviction that, if known, he could turn his honors to account. In the meantime, however, that record of a night passed in a work-house had done more to estab- lish the sale of the journal than all the legal lore of Stephen, or the polemical power of Higgins, or the crit- ical acumen of Lewes. My work was very various. I wrote mucli on the subject of the American war, on which my feelings were at the time very keen — subscribing, if I remember right, my name to all that I wrote. I contributed also some sets of sketches, of which those concerning hunt- ing found favor with the public. They were repub- lished afterwards, and had a considerable sale ; and may, I think, still be recommended to those who are fond of hunting, as being accurate in their description of the different classes of people who are to be met in the hunting -field. There was also a set of clerical sketches, which was considered to be of suflScient im- portance to bring down upon my head the critical wrath of a great dean of that period. The most ill-natured review that was ever written upon any work of mine appeared in the Contemjporary Heview with reference to these clerical sketches. The critic told me that I did not understand Greek. That charge has been made not unfrequently by those who have felt themselves strong ''Pall Mall Gazette:' 18i in that pride-producing language. It is much to read Greek with ease, but it is not disgraceful to be unable to do so. To pretend to read it without being able, that is disgraceful. The critic, however, had been driven to wrath by my saying that deans of the Church of England loved to revisit the glimpses of the metropoli- tan moon. I also did some critical work for The Pall Mall, as I also did for The Fortnightly. It was not to my taste, but was done in conformity with strict conscientious scruples. I read what I took in hand, and said what I believed to be true, always giving to the matter time altogether incommensurate with the pecuniary result to myself. In doing this for The Pall Mall I fell into great sorrow. A gentleman, w^hose wife was dear to me as if she were my own sister, was in some trouble as to his conduct in the public service. He had been blamed, as he thought, unjustly, and vindicated himself in a pamj)hlet. This he handed to me one day, asking me to read it, and express my opinion about it if I found that I had an opinion. I thought the request injudi- cious, and I did not read the pamphlet. He met me again, and, handing me a second pamphlet, pressed me very hard. I promised him that I would read it, and that if I found myself able I would express myself — but that I must say not what I wished to think, but what I did think. To this, of course, he assented. I then went very much out of my way to study the sub- ject, which was one requiring study. I found, or thought that I found, that the conduct of the gentleman in his office had been indiscreet, but that charges made against himself, affecting his honor, were baseless. This I said, 182 Autobiography of Anthony Trollope. emphasizing much more strongly than was necessary the opinion which I had formed of his indiscretion, as will so often he the case when a man has a pen in his hand. It is like a club or a sledge-hammer — in using which, either for defence or attack, a man can hardly measure the strength of the blows he gives. Of course there was offence, and a breaking off of intercourse be- tween loving friends, and a sense of wrong received, and, I must own, too, of wrong done. It certainly was not open to me to whitewash with honesty him whom I did not find to be white ; but there was no duty in- cumbent on me to declare what was his color in my eyes — no duty even to ascertain. But I had been ruf- fled by the persistency of the gentleman's request, which should not have been made, and I punished him for his wrong-doing by doing a wrong myself. I must add, that before he died his wife succeeded in bringing us together. In the early days of the paper, the proprietor, who at that time acted also as chief editor, asked me to undertake a duty, of which the agony would, indeed, at no one mo- ment have been so sharp as that endured in the casual ward, but might have been prolonged until human nat- ure sank under it. He suggested to me that I should during an entire season attend the May meetings in Ex- eter Hall, and give a graphic and, if possible, amusing description of the proceedings. I did attend one — which lasted three hours — and wrote a paper which I think was called "A Zulu in Search of a Eeligion." But when the meeting was over I went to that spirited proprietor and begged him to impose upon me some task more equal to my strength. Not even on behalf ''Pall Mall Gazetted 183 of the Pall Hall Gazette^ which was very dear to me, could I go through a second May meeting, much less endure a season of such martyrdom. I have to acknowledge that I found myself unfit for work on a newspaper. I had not taken to it early enough in life to learn its ways and bear its trammels. I was fidgety when any word was altered in accordance with the judgment of the editor, who, of course, was responsible for what appeared. I wanted to select my own subjects, not to have them selected for me; to write when I pleased, and not when it suited others. As a permanent member of a staff I was no use, and after two or three years I dropped out of the work. From the commencement of my success as a writer, which I date from the beginning of the Cornhill Maga- zine, I had always felt an injustice in literary affairs which had never afflicted me or even sucr2:ested itself to me while I was unsuccessful. It seemed to me that a name once earned carried with it too much favor. I, indeed, had never reached a height to which praise was awarded as a matter of course ; but there were others who sat on higher seats, to whom the critics brought unmeasured incense and adulation, even when they wrote, as they sometimes did write, trash which from a beginner would not have been thought worthy of the slightest notice. I hope no one will think that in say- ing this I am actuated by jealousy of others. Though I never reached that height, still I had so far progressed that that which I wrote was received with too much favor. The injustice which struck me did not consist in that which was withheld from me, but in that which was given to me. I felt that aspirants coming up below 184 Autobiography of Anthony TroUojpe. me might do work as good as mine, and probably much better work, and yet fail to have it appreciated. In or- der to test this, I determined to be such an aspirant my- self, and to begin a course of novels anonymously, in order that I might see whether I could obtain a second identity — whether, as I had made one mark by such lit- erary ability as I possessed, I might succeed in doing so again. In 1865 I began a short tale called "Nina Ba- latka," which in 1866 was published anonymously in BlachwoocTs Magazine. In 1867 this was followed by another of the same length, called " Linda Tressel." I will speak of them together, as they are of the same nat- ure and of nearly equal merit. Mr. Blackwood, who him- self read the manuscript of " Nina Balatka," expressed an opinion that it would not from its style be discovered to have been written by me ; but it was discovered by Mr. Hutton of the Sj>€ctato7\ who found the repeated use of some special phrase which had rested upon his ear too frequently when reading for the purpose of criti- cism other works of mine. He declared in his paper that " Nina Balatka " was by me, showing, I think, more sagacity than good-nature. I ought not, however, to complain of him, as of all the critics of my work he has been the most observant, and generally the most eulo- gistic. "Nina Balatka" never rose sufficiently high in reputation to make its detection a matter of any im- portance. Once or twice I heard the story mentioned by readers who did not know me to be the author, and always with praise; but it had no real success. The same may be said of " Linda Tressel." Blackwood, who, of course, knew the author, was willing to publish them, trusting that works by an experienced writer would ''Mna BalatkaP—'^ Linda TresseV 135 make their way, even without the writer's name, and he was willing to pay me for them, perhaps half what they w^ould have fetched with my name. But he did not find the speculation answer, and declined a third at- tempt, though a third such tale was written for him. Nevertheless I am sure that the two stories are good. Perhaps the first is somewhat the better, as being the less lachrymose. They w^ere both written very quickly, but with a considerable amount of labor ; and both were written immediately after visits to the towns in which the scenes are laid — Prague, mainly, and Nuremberg. Of course, I had endeavored to change not only my manner of language, but my manner of story -telling also; and in this,^ac^ Mr. Hutton, I think that I was successful. English life in them there was none. There was more of romance proper than had been usual with me. And I made an attempt at local coloring, at de- scriptions of scenes and places, which has not been usual with me. In all this I am confident that I was in a measure successful. In the loves, and fears, and hatreds, both of Nina and of Linda, there is much that is pathetic. Prague is Prague, and Nuremberg is Nuremberg. I know that the stories are good, but they missed the ob- ject wdth which they had been written. Of course there is not in this any evidence that I might not have suc- ceeded a second time as I succeeded before, had I gone on with the same dogged perseverance. Mr. Blackwood, had I still further reduced my price, would probably have continued the experiment. Another ten years of unpaid, unflagging labor might have built up a second reputation. But this, at any rate, did seem clear to me, that with all the increased advantages which practice in 186 Autobiograjphy of Anthony Trollojpe. my art must have given me, I could not at once induce English readers to read what I gave to them, unless I gave it with mj^ name. I do not wish to have it supposed from this that I quarrel with public judgment in affairs of literature. It is a matter of course that in all things the public should trust to established reputation. It is as natural that a novel-reader wanting novels should send to a library for those by George Eliot or Wilkie Collins, as that a lady when she wants a pie for a picnic should go to Fort- num & Mason. Fortnum & Mason can only make themselves Fortnum & Mason by dint of time and good pies combined. If Titian were to send us a portrait from the other world, as certain dead poets send their poetry, by means of a medium, it would be some time before the art critic of the Times would discover its value. We may sneer at the want of judgment thus displayed, but such slowness of judgment is human, and has always existed. I say all this here because my thoughts on the matter have forced upon me the con- viction that very much consideration is due to the bitter feelings of disappointed authors. "\Ye who have succeeded are so apt to tell new as- pirants not to aspire, because the thing to be done may probably be beyond their reach. " My dear young lady, had 3^ou not better stay at home and darn your stock- ings V " As, sir, you have asked for my candid opinion, I can only counsel you to try some other work of life which may be better suited to your abilities." What old-established successful author has not said such words as these to humble aspirants for critical advice, till they have become almost formulas ? No doubt there is cru- ^'Nina Bdlatkar — ^'Linda TresselP 187 elty in such answers ; but the man who makes them has considered the matter within himself, and has resolved that such cruelty is the best mercj^ No doubt the chances against literary aspirants are very great. It is so easy to aspire — and to begin ! A man cannot make a watch or a shoe without a variety of tools and many materials. He must also have learned much. But any young lady can write a book who has a sufficiency of pens and paper. It can be done anywhere; in any clothes — which is a great thing ; at any hours — to which happy accident in literature I owe my success. And the success, when achieved, is so pleasant ! The as- pirants, of course, are very many ; and the experienced counsellor, when asked for his candid judgment as to this or that effort, knows that among every hundred ef- forts there will be ninety-nine failures. Then the an- swer is so ready : " My dear young lady, do darn your stockings ; it will be for the best." Or perhaps, less tenderly, to the male aspirant : " You must earn some money, you say. Don't you think that a stool in a counting-house might be better?" The advice will probably be good advice — probably, no doubt, as may be proved by the terrible majority of failures. But who is to be sure that he is not expelling an angel from the heaven to which, if less roughly treated, he would soar — that he is not dooming some Milton to be mute and inglorious, who, but for such cruel ill -judgment, would become vocal to all ages ? The answer to all this seems to be ready enough. The judgment, whether cruel or tender, should not be ill-judgment. He who consents to sit as judge should have capacity for judging. But in this matter no ac- 188 Autobiography of Anthony Trollope, curacy of judgment is possible. It may be that the matter subjected to the critic is so bad or so good as to make an assured answer possible. " You, at any rate, cannot make this your vocation ;" or " Yon, at any rate, can succeed, if you will try." But cases as to which such certainty can be expressed are rare. The critic who w^rote the article on the early verses of Lord Byron, which produced the "English Bards and Scotch Ke- viewers," w^as justified in his criticism by the merits of the " Hours of Idleness." The lines had, nevertheless, been written by that Lord Byron who became our Byron. In a little satire called " The Biliad," which, I think, nobody knows, are the following well-expressed lines : " When Payne Knight's 'Taste' was issued to the town, A few Greek verses in the text set down Were torn to pieces, mangled into hash, Doomed to the flames as execrable trash — In short, were butchered rather than dissected, And several false quantities detected — Till, when the smoke had vanished from the cinders, 'Twas just discovered that — the lines were Pindar'^ s T^ Tliere can be no assurance against cases such as these ; and yet we are so free with our advice, always bidding the young aspirant to desist. There is, perhaps, no career of life so charming as that of a successful man of letters. Those little unthought- of advantages w^hich I just now named are in themselves attractive. If you like the town, live in the town, and do your work there ; if you like the country, choose the country. It may be done on the top of a mountain or in the bottom of a pit. It is compatible with the roll- ing of the sea and the motion of a railway. The clergy- man, the lawyer, the doctor, the Member of Parliament, '^JS'ina BalatlcaP — ''Lmda TresselP 189 the clerk in a public office, the tradesman, and even his assistant in the shop, must dress in accordance with cer- tain fixed laws ; but the author need sacrifice to no grace, hardly even to propriety. He is subject to no bonds such as those which bind other men. Who else is free from all shackle as to hours? The judge must sit at ten, and the attorney-general, who is making his £20,000 a year, must be there with his bag. The prime-minister must be in his place on that weary front bench shortly after prayers, and must sit there, either asleep or awake, even though or should be addressing the House. During all that Sunday which he maintains should be a day of rest, the active clergyman toils like a galley-slave. The actor, w^hen eight o'clock comes, is bound to his foot- lights. The civil-service clerk must sit there from ten till four — unless his office be fashionable, when twelve to six is just as heavy on him. The author may do his w^ork at five in the morning, when he is fresh from his bed, or at three in the morning, before he goes there. And the author wants no capital, and encounters no risks. When once he is afloat, the publisher finds all that — and indeed, unless he be rash, finds it whether he be afloat or not. But it is in the consideration which he enjoys that the successful author finds his richest reward. He is, if not of equal rank, yet of equal standing with the high- est ; and if he be open to the amenities of society, may choose his own circles. He, without money, can enter doors which are closed against almost all but him and the wealthy. I have often heard it said that in this country the man of letters is not recognized. I believe the meaning of this to be that men of letters are not often invited to be knights and baronets. I do not think 190 Autobiograj^hy of Anthony Trollojpe. that they wish it — and if they had it they would, as a body, lose much more than they would gain. I do not at all desire to have letters put after my name, or to be called Sir Anthony, but if my friends Tom Hughes and Charles Reade became Sir Thomas and Sir Charles, I do not know howl might feel — or how my wife might feel — if we were left unbedecked. As it is, the man of letters who would be selected for titular honor, if such bestowal of honors were customary, receives from the general re- spect of those around him a much more pleasant recog- nition of his worth. If this be so — if it be true that the career of the suc- cessful literary man be thus pleasant — it is not wonder- ful that many should attempt to win the prize. But how is a man to know whether or not he has within him the qualities necessary for such a career ? He makes an at- tempt, and fails ; repeats his attempt, and fails again ! So many have succeeded at last who have failed more than once or twice ! Who will tell him the truth as to himself ? Who has power to find out that truth ? The hard man sends him off without a scruple to that office- stool ; the soft man assures him that there is much merit in his manuscript. Oh, my young aspirant — if ever such a one should read these pages — be sure that no one can tell you ! To do so it would be necessary not only to know what there is now within you, but also to foresee what time will produce there. This, however, I think may be said to you, without any doubt as to the wisdom of the counsel given, that if it be necessary for you to live by your work, do not begin by trusting to literature. Take the stool in the office, as recommended to you by the hard ^^JSina BalatkaP — "-Linda Tresseiy 191 man ; and then, in such leisure hours as may belong to you, let the praise which has come from the lips of that soft man induce you to persevere in your literary at- tempts. Should you fail, then your failure will not be fatal ; and what better could you have done with the leisure hours had you not so failed ? Such double toil, you will say, is severe. Yes ; but if yon want this thing, you must submit to severe toil. Some time before this I had become one of the com- mittee appointed for the distribution of the moneys of the Eoyal Literary Fund, and in that capacity I heard and saw much of the sufferings of authors. I may in a future chapter speak further of this institution, which I regard with great affection, and in reference to which I should be glad to record certain convictions of my own ; but I allude to it now, because the experience I have acquired in being active in its cause forbids me to advise any young man or woman to enter boldly on a literary career in search of bread. I know how utterly I should have failed myself had my bread not been earned else- where while I was making my efforts. During ten years of work, which I commenced with some aid, from the fact that others of my family were in the same profes- sion, I did not earn enougli to buy me the pens, ink, and paper which I was using; and then when, with all my experience in my art, I began again as from a new spring- ing-point, I should have failed again unless again I could have given j^ears to the task. Of course, there have been many wlio have done better than I — many whose powers have been infinitely greater. But then, too, I have seen the failure of many who were greater. The career, when success lias been achieved, is cer- 192 Autobiography of Antliony Trollojpe. tainly very pleasant ; but the agonies which are endured in the search for that success are often terrible. And the author's poverty is, I think, harder to be borne than any other poverty. The man, whether rightly or wrong- ly, feels that the world is using him with extreme in- justice. The more absolutely he fails, the higher, it is probable, he Avill reckon his own merits ; and the keener will be the sense of injury in that he, whose work is of so high a nature, cannot get bread, while they whose tasks are mean are lapped in luxury. " I, with my well- filled mind, with my clear intellect, with all my gifts, cannot earn a poor crown a day, while that fool, who simpers in a little room behind a shop, makes his thou- sands every year." The very charity, to which he too often is driven, is bitterer to him than to others. While he takes it he almost spurns the hand that gives it to him, and every fibre of his heart within him is bleeding w^ith a sense of injury. The career, when successful, is pleasant enough, cer- tainly ; but when unsuccessful, it is of all careers the most agonizing. Oil Novels^ and the Art of Writing Them. 193 Chapter XIL ON NOVELS, AND THE ART OF WRITING TPIEM. It is nearly twenty years since I proposed to myself to write a history of English prose fiction. I shall never do it now, but the subject is so good a one that I recom- mend it heaj-tily to some man of letters, who shall at the same time be indefatigable and light-handed. I acknowl- edge that I broke down in the task, because I could not endure the labor in addition to the other labors of my life. Though the book might be charming, the work w'as very much the reverse. It came to have a terrible aspect to me, as did that proposition that I should sit out all the May meetings of a season. According to my plan of such a history, it would be necessary to read an infinity of novels, and not only to read them, but so to read them as to point out the excellences of those wdiicli are most excellent, and to explain the defects of tliose which, though defective, had still reached sufficient reputation to make them worthy of notice. I did read many after this fashion — and here and there I have the criticisms which I wrote. In regard to many, they were written on some blank page within the book. I have not, however, even a list of the books so criticised. I think that the "Arcadia" w-as the first, and "Ivanhoe" the last. My plan, as I settled it at last, had been to be- gin with " Robinson Crusoe," which is the earliest really 9 194 Autobiograjphy of Anthony Trollojpe. popular novel which we have in our language, and to continue the review so as to include the works of all English novelists of reputation, except those who might still be living when my task should be completed. But when Dickens and Bulwer died mj spirit flagged, and that which I had already found to be very difficult had become almost impossible to me at my then period of life. I began my own studies on the subject with works much earlier than '' Robinson Crusoe," and made my way through a variety of novels which were necessary for my purpose, but which in the reading gave me no pleasure whatever. I never worked harder than at the " Arcadia," or read more detestable trash than the stories written by Mrs. Aphra Behn ; but these two were neces- sary to my purpose, which w^as not only to give an esti- mate of the novels as I found them, but to describe how it had come to pass that the English novels of the pres- ent day have become what they are, to point out the effects w^iich they have produced, and to inquire whether their great popularity has, on the whole, done good or evil to the people who read them. I still think that the book is one wxll worthy to be written. I intended to write that book to vindicate my own profession as a novelist, and also to vindicate that public taste in literature which has created and nourished the profession w^iich I follow. And I was stirred up to make such an attempt by a conviction that there still exists among us Englishmen a prejudice in respect to novels, which might, perhaps, be lessened by such a work. This prejudice is not against the reading of novels, as is proved by their general acceptance among us. But it On Novels^ and the Art of Writing Them. 195 exists strongly in reference to the appreciation in which they are professed to be held ; and it robs them of much of that high character which they may claim to have earned by their grace, their honesty, and good teaching. No man can work long at any trade without being brought to consider much whether that which he is daily doing tends to evil or to good. I have written many novels, and have known many writers of novels, and I can assert that such thoughts have been strong with 'them and with myself. But in acknowledging that these writers have received from the public a full measure of credit for such genius, ingenuity, or perse- verance as each may have displayed, I feel that there is still wanting to them a just appreciation of the excel- lence of their calling, and a general understanding of the high nature of the work which they perform. By the common consent of all mankind who have read, poetry takes the highest place in literature. That nobility of expression, and all but divine grace of words, which she is bound to attain before she can make her footing good, is not compatible with prose. Indeed, it is that which turns prose into poetry. When tliat has been in truth achieved, the reader knows that the writer has soared above the earth, and can teach his lessons somewhat as a god might teach. He who sits down to write his tale in prose makes no such attempt, nor does he dream that the poet's honor is within his reach ; but his teaching is of the same nature, and his lessons all tend to the same end. By either, false sentiments may be fostered ; false notions of humanity may be engen- dered ; false honor, false love, false worship may be created ; by either, vice instead of virtue may be taugh^ 196 Autobiography of Anthony Trollope. But by each, equally, may true honor, true love, true worship, and true humanity be inculcated ; and that -will be the greatest teacher who will spread such truth the widest. But at present, much as novels, as novels, are bought and read, there exists still an idea, a feeling which is very prevalent, that novels at their best are but innocent. Young men and women, and old men and women, too, read more of them than of poetry, be- cause such reading is easier than the reading of poetry ; but they read them, as men eat pastry after dinner, not without some inward conviction that the taste is vain, if not vicious. I take upon myself to say that it is neither vicious nor vain. But all writers of fiction who have desired to think well of their own work, will probably have had doubts on their minds before they have arrived at this conclu- sion. Thinking much of my own daily labor and of its nature, I felt myself at first to be much afflicted, and then to be deeply grieved, by the opinion expressed by wise and thinking men as to the work done by novel- ists. But when, by degrees, I dared to examine and sift the sayings of such men, I found them to be some- times silly and often arrogant. I began to inquire what had been the nature of English novels since they first became common in our own language, and to be desir-^ ous of ascertaining whether they had done harm or good. I could well remember that, in my own young days, they had not taken that undisputed possession of draw- ing-rooms which they now hold. Fifty years ago, when George lY. was king, they were not, indeed, treated as Lydia had been forced to treat them in the preceding ''^ign, when, on the approach of elders, " Peregrine On JSfovels, and the Art of Writing Them. 197 Pickle " was hidden beneath the bolster, and " Lord Ainsworth " put away under the sofa. But the families in which an unrestricted permission was given for the reading of novels were very few, and from many they were altogether banished. The higli poetic genius and correct morality of Walter Scott had not altogether succeeded in making men and women understand that lessons which were good in poetry could not be bad in prose. I remember that in those days an embargo was laid upon novel-reading as a pursuit, which was to the novelist a much heavier tax than that want of full ap- preciation of which I now complain. There is, we all know, no such embargo now. May w^e not say that people of an age to read have got too much power into their own hands to endure any very complete embargo? ^N'ovels are read right and left, above stairs and below, in town houses and in country parsonages, by young countesses and by farmer's daugh- ters, by old lawyers and by young students. It has not only come to pass that a special provision of them has to be made for the godly, but that the provision so made must now include books which a few years since the godly would have thought to be profane. It was this necessity which, a few years since, induced the editor of Good Words to apply to me for a novel — which, indeed, when supplied was rejected, but which now, probably, owing to further change in the same direction, would have been accepted. If such be the case — if the extension of novel-read- ing be so wide as I have described it — then very much good or harm must be done by novels. The amuse- ment of the time can hardly be the only result of any 198 Autobiograjphy of Anthony Trollojpe. book tliat is read, and certainly not so with a novel, which appeals especially to the imagination, and solicits the sympathy of the young. A vast proportion of the teaching of the day — greater, probably, than many of us have acknowledged to ourselves — comes from these books, which are in the hands of all readers. It is from them that girls learn what is expected from them, and what they are to expect when lovers come; and also from them that young men unconsciously learn what are, or should be, or may be, the charms of love — though I fancy that few young men will think so little of their natural instincts and powers as to believe that I am right in saying so. Many other lessons also are tauffht. In these times — when the desire to be honest is pressed so hard, is so violently assaulted by the am- bition to be great ; in which riches are the easiest road to greatness; when the temptations to which men are subjected dulls their eyes to the perfected iniquities of others; when it is so hard for a man to decide vigor- ously that the pitch, which so many are handling, will deiile him if it be touched — men's conduct will be act- uated much by that which is from day to day depicted to them as leading to glorious or inglorious results. The woman who is described as having obtained all that the world holds to be precious, by lavishing her charms and her caresses unworthily and heartlessly, will induce other women to do the same with theirs; as will she who is made interesting by exhibitions of bold pas- sion teach others to be spuriously passionate. The young man who, in a novel, becomes a hero, perhaps a Member of Parliament, and almost a prime-minister, by trickery, falsehood, and flash cleverness, will have many followers, On JVovels, and the Art of Writing Them. 199 whose attempts to rise in the world ought to lie heavily on the conscience of the novelists who create fictitious Cagliostros. There are Jack Sheppards other than those who break into houses and out of prisons — Macheaths, who deserve the gallows more than Gay's hero. Thinking of all this, as a novelist surely must do — as I certainly have done through my whole career — it be- comes to him a matter of deep conscience how he shall handle those characters by whose words and doings he hopes to interest his readers. It will very frequently be the case that he will be tempted to sacrifice something for effect, to say a word or two here, or to draw a pict- ure there, for which he feels that he has the power, and which, when spoken or drawn, would be alluring. The regions of absolute vice are foul and odious. The savor of them, till custom has hardened the palate and the nose, is disgusting. In these he will hardly tread. But there are outskirts on these regions, on which sweet- smelling flowers seem to grow, and grass to be green. It is in these border-lands that the danger lies. The novelist may not be dull. If he commit that fault, lie can do neither harm nor good. He must please, and the flowers and the grass in these neutral territories some- times seem to give him so easy an opportunity of pleas- ing. The writer of stories must please, or he will be noth- ino". And he must teach, whether he wish to teach or no. How shall lie teach lessons of virtue and at the same time make himself a delight to his readers? That sermons are not in themselves often thought to be agreeable we all know. Nor are disquisitions on moral philosophy supposed to be pleasant reading for our idle 200 Autobiography of Anthony Trollope. hours. But the novelist, if he have a conscience, must preach his sermons with the same purpose as the clergy- man, and must have his own system of ethics. If he can do this efficiently, if he can make virtue alluring and vice ugly, while he charms his readers instead of wearying them, then I think Mr. Carlyle need not call him distressed, nor talk of that long ear of fiction, nor question whether he be or not the most foolish of exist- ing mortals. I think that many have done so ; so many that we English novelists may boast, as a class, that such has been the general result of our own work. Looking back to the past generation, I may say with certainty that such was the operation of the novels of Miss Edge- worth, Miss Austen, and Walter Scott. Coming down to my own times, I find such to have been the teaching of Thackeray, of Dickens, and of George Eliot. Speak- ing, as I shall speak to any who may read these words, with that absence of self -personality which the dead may claim, I will boast that such has been the result of my own writing. Can any one, by search though the works of the six great English novelists I have named, find a scene, a passage, or a word that would teach a girl to be immodest, or a man to be dishonest? When men, in their pages, have been described as dishonest and women as immodest, have they not ever been pun- ished ? It is not for the novelist to say, baldly and simply: "Because yow lied here or were heartless there, because you, Lydia Bennet, forgot the les- sons of your honest home, or you. Earl Leicester, were false through your ambition, or you, Beatrix, loved too well the glitter of the world, therefore you shall be On Novels^ and the Art of 'Writing Them. 201 scourged with scourges either in this world or in the next;" but it is for hiin to show, as he carries on his tale, that his Lydia, or his Leicester, or his Beatrix will be dishonored in the estimation of all readers by his or her vices. Let a woman be drawn clever, beautiful, at- tractive — so as to make men love her, and women al- most envy her — and let her be made also heartless, nn feminine, and ambitious of evil grandeur, as was Beatrix, what a danger is there not in such a character ! To the novelist who shall handle it, what peril of doing harm ! But if at last it liave been so handled that every girl who reads of Beatrix shall say : " Oh ! not like that — let me not be like tliat !" and that every youth shall say : " Let me not have such a one as that to press my bosom, anything rather than that !" — then will not the novelist have preached his sermon as per- haps no clergyman can preach it ? Yery much of a novelist's work must appertain to the intercourse between young men and young women. It is admitted that a novel can hardly be made interest- ing or successful without love. Some few might be named, but even in those the attempt breaks down, and the softness of love is found to be necessary to complete the story. " Pickwick " has been named as an exception to the rule, but even in " Pickwick " there are three or four sets of lovers, whose little amatory longings give a softness to the work. I tried it once with " Miss Mac- kenzie," but 1 had to make her fall in love at last. In this frequent allusion to the passion which most stirs the imagination of the young, there must be danger. Of that the writer of fiction is probably well aware. Then the question has to be asked, whether the danger may 9^ 203 Aiitdbiogra-phy of Anthony Trollojpe. not be so averted that good may be the result — and to be answered. In one respect the necessity of dealing with love is advantageous — advantageous from the very circum- stance which has made love necessary to all novelists. It is necessary, because the passion is one which inter- ests or has interested all. Every one feels it, has felt it, or expects to feel it — or else rejects it with an eager- ness which still perpetuates the interest. If the novel- ist, therefore, can so handle the subject as to do good by his handling, as to teach wholesome lessons in regard to love, the good which he does will be very wide. If I can teacli politicians that they can do their business better by truth than by falsehood, I do a great service ; but it is done to a limited number of persons. But if I can make young men and women believe that trutli in love will make them happy, then, if my writings be popular, I shall have a very large class of pupils. I^o doubt the cause for that fear which did exist as to nov- els arose from an idea that the matter of love would be treated in an inflammatory and generally unwholesome manner. "Madam," says Sir Anthony, in the play, " a circulating library in a town is an evergreen tree of diabolical knowledge. It blossoms through the year; and depend on it, Mrs. Malaprop, that they who are so fond of handling the leaves will long for the fruit at last." Sir Anthony was, no doubt, right. Eut he takes it for granted that the longing for the fruit is an evil. The novelist who writes of love thinks differently, and thinks that the honest love of an honest man is a treasure which a good girl may fairly hope to win ; and that, if she can be taught to wish only for that. Oil Novels^ and the Art of Writing Them. 203 she will have been taught to entertain only wholesome wishes. I can easily believe that a girl should be taught to wish to love by reading how Laura Bell loved Penden- nis. Pendennis was not, in trutli, a very worthy man, nor did he make a very good husband ; but the girl's love was so beautiful, and the wife's loVe, when she be- came a wife, so womanlike, and at the same time so sweet, so unselfish, so wifely, so worshipful — in the sense in which wives are told that they ought to worship their husbands — that I cannot believe that any girl can be injured, or even not benefited, by reading of Laura's love. There once used to be many who thought, and prob- ably there still are some, even here in England, who think, that a girl should hear nothing of love till the time come in which she is to be married. That, no doubt, was the opinion of Sir Anthony Absolute and of Mrs. Malaprop. But I am hardly disposed to believe that the old system was more favorable than ours to the purity of manners. Lydia Languish, though she was constrained by fear of her aunt to hide the book, yet had " Peregrine Pickle " in her collection. "While human nature talks of love so forcibly it can hardly serve our turn to be silent on the subject. " Naturam expellas furcd^ tarnen usque recurretP There are countries in which it has been in accordance with the manners of the upper classes that the girl should be brought to marry the man almost out of the nursery — or rather, perhaps, out of the convent — without having enjoyed that freedom of thought which the reading of- novels and of poetry will certainly produce ; but I do not know that the marriages so made have been thought to be happier than our own. 204 Autobiography of Anthony Trollops. Among English novels of the present day, and among English novelists, a great division is made. There are sensational novels and anti-sensational, sensational novel- ists and anti-sensational, sensational readers and anti- sensational. The novelists who are considered to be anti- sensational are generally called realistic. I am realistic. My friend Wilkie Collins is generally sup- posed to be sensational. The readers who prefer the one are supposed to take delight in the elucidation of character. Those who hold by the other are charmed by the continuation and gradual development of a plot. All this is, I think, a mistake — which mistake arises from the inability of the imperfect artist to be at the same time realistic and sensational. A good novel should be both, and both in the highest degree. If a novel fail in either, there is a failure in art. Let those readers who believe that they do not like sensational scenes in novels think of some of those passages from our great novelists which have charmed them most : of Rebecca in the castle with Ivanhoe; of Burley in the cave with Morton ; of the mad lady tearing the veil of the expectant bride, in " Jane Eyre ;" of Lad}^ Castle- wood as, in her indignation, she explains to the Duke of Hamilton Henry Esmond's right to be present at the marriage of his Grace with Beatrix — may I add, of Lady Mason, as she makes her confession at the feet of Sir Peregrine Orme? Will any one say that the au- thors of these passages have sinned in being over-sensa- tional ? Xo doubt, a string of horrible incidents, bound together without truth in detail, and told as affecting personages without character — wooden blocks, who can- not make themselves known to the reader as men and Oil Novels, and the Art of Writing Them. 205 women — does not instruct or amuse, or even fill the mind, with awe. Horrors heaped upon horrors, and which are horrors only in themselves, and not as touch- ing any recognized and known person, are not tragic, and soon cease even to horrify. And such would-be tragic elements of a story may be increased without end and without difficulty. I may tell you of a woman mur- dered^ — murdered in the same street with you, in the next house ; that she was a wife murdered by her husband — • a bride not yet a week a wife. I may add to it for- ever. I may say that the murderer roasted her alive. There is no end to it. I may declare that a former wife was treated with equal barbarity ; and may assert that, as the murderer w^as led away to execution, he de- clared his only sorrow, his only regret, to be, that he could not live to treat a third wife after the same fashion. There is nothing so easy as the creation and the cumulation of fearful incidents after this fashion. If such creation and cumulation be the beginning and the end of the novelist's work — and novels have been written which seem to be without other attractions — nothing can be more dull or more useless. But not on that account are we averse to tragedy in prose fiction. As in poetry, so in prose, he who can deal adequately with tragic elements is a greater artist and reaches a higher aim than the writer whose efforts never carry him above the mild walks of everyday life. The " Bride of Lammermoor" is a tragedy throughout, in spite of its comic elements. The life of Lady Castlewood, of whom I have spoken, is a tragedy. Eochester's wretched thraldom to his mad wife, in " Jane Eyre," is a tragedy. But these stories charm us, not simply be- 206 Autobiograiphy of Anthony ^Trollojpe. cause tliej are tragic, but because we feel that men and women with flesh and blood, creatures with whom we can sympathize, are struggling amid their woes. It all lies in that. Xo novel is anything, for the purposes either of comedy or tragedy, unless the reader can sym- pathize with the characters whose names he finds upon the pages. Let an author so tell his tale as to touch his reader's heart and draw his tears, and he has, so far, done his work welL Truth let there be — truth of de- scription, truth of character, human truth as to men and women. If there be such truth, I do not know that a novel can be too sensational. I did intend, wlien I meditated that history of Eng- lish fiction, to include within its pages some rules for the writing of novels; or, I might perhaps say, with more modesty, to offer some advice on the art to such tyros in it as might be willing to take advantage of the ex- perience of an old hand. But the matter would, I fear, be too long for this episode, and I am not sure tliat I have as yet got the rules quite settled in my own mind. I will, however, say a few words on one or two points which my own practice has pointed out to me. I have from the first felt sure that the writer, when he sits down to commence his novel, should do so, not because he has to tell a story, but because he has a story to tell. The novelist's first novel will generally have sprung from the right cause. Some series of events or some development of character will have presented it- self to his imagination ; and this he feels so strongly that he thinks he can present his picture in strong and agreeable language to others. He sits down and tells Lis story because he has a story to tell ; as you, my friend, On Novels^ and the Art of Writing Them. 207 ■when you have heard something which has at once tick- led your fancy or moved your pathos, will hurry to tell it to the first person you meet. But when that first novel has been received graciously by the public and has made for itself a success, then the writer, naturally feeling that the writing of novels is within his grasp, looks about for something to tell in another. He cud- gels his brains, not always successfully, and sits down to write, not because he has something which he burns to tell, but because he feels it to be incumbent on him to be telling something. As you, my friend, if you are very successful in the telling of that first story, will be- come ambitious of further story-telling, and will look out for anecdotes — in the narration of which you will not improbably sometimes distress your audience. So it has been with many novelists, who, after some good work, perhaps after very much good work, have distressed their audience because they have gone on with their work till their work has become simply a trade with them. Need I make a list of such, seeins: that it would contain the names of those who have been greatest in the art of British novel-writing. They have at last become weary of that portion of a novelist's work which is of all the most essential to success. That a man, as he grows old, should feel the labor of writing to be a fatigue is natural enough. But a man to whom writing has become a habit may write w^ell though he be fatigued. But the w^eary novelist refuses any longer to give his mind to that work of observation and recep- tion from which has come his power, without which work his power cannot be continued — which work should be going on not only when he is at liis desk, but in all 208 Autdbiograjphy of Anthony Trollope. his walks abroad, in all his movements through the world, in all his intercourse with his fellow - creatures. He has become a novelist, as another has become a poet, because he has, in those walks abroad, unconsciously, for the most part, been drawing in matter from all that he has seen and heard. But this has not been done with- out labor, even when the labor has been unconscious. Then there comes a time when he shuts his eyes and shuts his ears. When we talk of memory fading as age comes on, it is such shutting of eyes and ears that we mean. The things around cease to interest us, and we cannot exercise our minds upon them. To the novelist, thus wearied, there comes the demand for further novels. He does not know his own defect, and even if he did he does not wish to abandon his own profession. He still writes ; but he writes because he has to tell a story, not because he has a story to tell. What reader of novels has not felt the " woodenness" of this mode of telling? The characters do not live and move, but are cut out of blocks and are propped against the wall. The incidents are arranged in certain lines — the arrangement being as palpable to the reader as it has been to the writer — but do not follow each other as results naturally demanded by previous action. The reader can never feel — as he ought to feel — that only for that flame of the eye, only for that angry word, only for that moment of weakness, all might have been different. The course of the tale is one piece of stiff mechanism, in which there is no room for a doubt. These, it may be said, are reflections which I, being an old novelist, might make useful to myself for discon- tinuing my work, but can hardly be needed by those On Novels, and the Art of Writing Them, 209 tyros of whom I have spoken. That they are applica- ble to myself I readily admit, but I also find that they apply to many beginners. Some of us who are old fail at last because we are old. It would be well that each of us should say to himself, *' Solve senescentem mature sanus equum, ne Peccet ad extremum ridendus." But many young fail also, because they endeavor to tell stories when they have none to telL And this comes from idleness rather than from innate incapacity. The mind has not been sufiiciently at work when the tale has been commenced, nor is it kept sufficiently at work as the tale is continued. I have never troubled myself much about the construction of plots, and am not now insisting Specially on thoroughness in a branch of work in which I myself have not been very thorough, I am not sure that the construction of a perfected plot has been at any period within my power. But the nov- elist has other aims than the elucidation of his plot. He desires to make his readers so intimately acquainted with his characters that the creatures of his brain should be to them speaking, moving, living, human creatures. This he can never do unless he know those fictitious per- sonages himself, and he can never know them unless he can live with them in the full reality of established in- timacy. They must be with him as he lies down to sleep, and as he wakes from liis dreams. He must learn to hate them and to love them. He must ar^rue with them, quarrel with them, forgive them, and even submit to them. He must know of them whether they be cold-blooded or passionate, whether true or false, and how far true, and how far false. The depth and the 210 Autobiography of Anthony Trollojpe. breadth and the narrowness and the shallowness of each should be clear to him. And, as here, in our outer world, we know that men and women change — become worse or better as temptation or conscience may guide them — so should these creations of his change, and every change should be noted by him. On the last day of each month recorded, every person in his novel should be a month older than on the first. If the would-be novelist have aptitudes that way, all this will come to him without much struggling ; but if it do not come, I think he can only make novels of wood. It is so that I have lived with my characters, and thence has come whatever success I have obtained. There is a gallery of them, and of all in that gallery I may say that I know the tone of the voice, and the col- or of the hair, every flame of the eye, and the very clothes they wear. Of each man I could assert whether he would have said these or the other words ; of every woman, whether she would then have smiled or so have frowned. AVhen I shall feel that this intimacy ceases, then I shall know that the old horse should be turned out to grass. That I shall feel it when I ouglit to feel it I will by no means say. I do not know that I am at all wiser than Gil Bias' canon ; but I do know that the power indicated is one without which the teller of tales cannot tell them to any good effect. The language in which the novelist is to put forth his story, the colors with which he is to paint his pict- ure, must, of course, be to him matter of much considera- tion. Let him have all other possible gifts — imagina- tion, observation, erudition, and industry — they will avail him nothing for his purpose, unless he can put forth his On Novels^ and the Art of Writing Them. 211 work in pleasant words. If lie be confused, tedious, harsh, or unharmonious, readers will certainly reject him. The reading of a volume of history or on science may represent itself as a duty ; and though the duty may by a bad style be made very disagreeable, the con- scientious reader will, perhaps, perform it. But the nov- elist will be assisted by no such feeling. Any reader may reject his work without the burden of a sin. It is the first necessity of his position that he make himself pleasant. To do this, much more is necessary than to write correctly. He ma}^, indeed, be pleasant without being correct — as I think can be proved by the works of more than one distinguished novelist. But he must be intelligible — intelligible without trouble; and he must be harmonious. Any writer who has read even a little will know what is meant by the word intelligible. It is not sufficient that tliere be a meaning that may be hammered out of the sentence, but that the language should be so pellucid that tlie meaning should be rendered without an effort of the reader; and not only some proposition of mean- ing, but the very sense, no more and no less, which the writer has intended to put into his words. What Ma- caulay says should be remembered by all writers : " How little the all-important art of making meaning pellucid is studied now ! Hardly any popular author except myself thinks of it." The language used should be as ready and as efficient a conductor of the mind of the Avriter to the mind of the reader as is the electric spark which passes from one battery to another battery. In all written matter the spark should carry everything ; but in matters recondite the recipient will search to see 213 Autobiography of Anthony Trollope, that he misses nothing, and that he takes nothing away too much. The novelist cannot expect that any such search will be made. A young writer, who will acknowl- edge the truth of what I am saying, will often feel him- self tempted by the difficulties of language to tell him- self that some one little doubtful passage, some single collocation of words, which is not quite what it ought to be, will not matter. I know well what a stumbling- block such a passage may be. But he should leave none such behind him as he goes on. The habit of writing clearly soon comes to the writer who is a severe critic to himself. As to tliat harmonious expression which I think is re- quired, I shall find it more difficult to express my mean- ing. It will be granted, I think, by readers, that a style may be rough, and yet both forcible and intelligible ; but it will seldom come to pass that a novel written in a rough style will be popular — and less often that a novelist who habitually uses such a style will become so. The harmony which is required must come from the practice of the ear. There are few ears naturally so dull that they cannot, if time be allowed to them, de- cide whether a sentence, when read, be or be not har- monious. And the sense of such harmony grows on the ear, when the intelligence has once informed itself as to what is, and what is not, harmonious. The boy, for instance, who learns w^ith accuracy the prosody of a Sapphic stanza, and has received through his intelligence a knowledge of its parts, will soon tell by his ear whether a Sapphic stanza be or be not correct. Take a girl, en- dowed with gifts of music, well instructed in her art, with perfect ear, and read to her such a stanza with two words transposed, as, for instance — On Novelsyand the Art of Writing . " Mercuri, nam te docilis magistro Movit Amphion canendo lapides. Tuque testudo resoinare septem Callida nervis" — and she will find no halt in the rhythm. But a school-' boy with none of her musical acquirements or capacities, who has, however, become familiar with the metres of tlie i3oet, will at once discover tli,e fault.. And so will the writer become familiar with what is harmonious in prose. But in order that familiarity may serve him in his business, he must so train his ear that he shall be able to weigh the rhythm of every word as it falls from (lis pen. This, when it has been done for a time, even for a short time, will become so habi'tual to him that he will have appreciated the metrical duration of every syllable before it shall have dared io show itself upon paper. The art of the orator is the same. He knows beforehand how each sound which he is about to utter will affect the force of his climax. If a writer will do 30 he will charm his readers, though his readers will probably not know how they have been charmed. In writing a novel the author soon becomes aware that a burden of many pages is before him. Circum- stances require that he should cover a certain, and gen- erally not a very confined, space. Short novels are not popular with readers generally. Critics often complain of the ordinary length of novels, of the tl'iree volumes, to which they are subjected ; but few noveL^ which liave attained great success in England have l)een told in fewer pages. The novel-writer who sticks to novel- writing as his profession will certainly fin'd that this burden of length is incumbent on him. Hc^w shall he j ^rapliy of Anthony TroUope. I drdeii to the end? How sliall he cover his Many great arti^sts have by their practice op .d the doctrine which I now propose to preach ; hm .aej have succeeded, I think, in spite of their fault, and Iby dint of their greatness. There should be no episodes in a novel. Every sentence, every word, through all those pages, should tend to the telling of the story. Such episodes distract the attention of the reader, and always do so disagreeably. Who has not felt this to be the case, even with "The Curious Impertinent," and with jthe "History of the Man of the Hill." And if it be 'so with Cervantes and Fielding, who can hope to suc- ceed ? Though the novel which you have to write must be long, let it be all one. And this exclusion of epi- sodes should be carried down into the smallest details. jEvery sentence and every word used should tend to the jtelling of the sto;ry. " But," the young novelist will say, " with so many pages before me to be filled, how shall I succeed, i?f I thus confine myself; how am I to know beforehan(,i what space this story of mine will re- quire? There must be the three volumes, or the cer- jtain number of \nagazine pages, which I have contracted to supply. If I may not be discursive should occasion require, how shall I complete my task ? The painter suits the size of his canvas to his subject, and must I, in my art, stretcji my subject to my canvas ?" This un- doubtedly mu'st be done by the novelist ; and if he will |learn his business, may be done without injury to his jeffect. He^ may not paint different pictures on the same canvas, which he will do, if he allow himself to iwander awiiy to matters outside his own story ; but by studying p^roportion in his work, he may teach himself Oji Novels, and the Art oj so to tell liis story that it shall naturally ta. quired length. Though his story should be ah ^ it may have many parts. Though the plot itself iiic.^ require but few characters, it may be so enlarged as to iind its full development in many. There may be sub- sidiary plots, which shall all tend to the elucidation of the main story, and which will take their places as part of one and the same work, as there may be many fig- ures on a canvas, which shall not to the spectator seem to form themselves into separate pictures. There is no portion of a novelist's work in which this fault of episodes is so common as in the dialogue. It is so easy to make any two persons talk on any casual subject, with which the writer presumes himself to be conversant! Literature, philosophy, , politics, or sport may thus be handled in a loosely discursive style; and the writer, while indulging himself, and filling his pages, is apt to think that he is pleasing his reader. I think he can make no greater mistake. The dialogue is generally the most agreeable part of la novel ; but it is only so as long as it tends in some way to the telling of the main story. It need not seem to be confined to that, but it should always have a tendency: in that direc- tion. The unconscious critical acumen of a reader is both just and severe. When a long dialoi'^ue on extra- neous matter reaches his mind, he at once fe^els that he is being cheated into taking something which he did not bargain to accept when he took up that L.ovel. He does not at that moment require politics or |l:>hilosophy, but he wants his story. He will not, perhaps, be able to say in so many words that at some certain poii^t the dia- logue has deviated from the story ; but when it does so .atobiograjphy of Anthony Trollope. ^ will feel it, and the feeling will be unpleasant. Let the intending novel-writer, if he doubt this, read one of Bulwer's novels — in which there is very much to charm — and then ask himself whether he has not been offended by devious conversations. And the dialogue, on wdiich the modern novelist, in consulting the taste of his probable readers, must de- pend most, has to be constrained also by other rules. The writer may tell much of his story in conversations, but he may only do so by putting such words into the mouths of his personages as persons so situated Avould probably use. He is not allowed, for the sake of his tale, to make his characters give utterance to long speeches, such as are not customarily heard from men and women. The ordinary talk of ordinary people is carried on in short, sharp, expressive sentences, which, very frequently, are never completed, the language of which even among educated people is often incorrect. The novel-writer, in constructing his dialogue, must so steer between absolute accuracy of language — which would give to j!iis conversation an air of pedantry — and the slovenly inaccuracy of ordinary talkers — which, if closely followed, would offend by an appearance of grimace — as to produce upon the ear of his readers a sense of realUy. If he be quite real, he will seem to at- tempt to be funny. If he be quite correct, he Avill seem to be unrea\. And, above all, let the speeches be short. No character should utter much above a dozen w^ords at a breatli, unless the writer can justify to himself a longer flood of speech, by the speciality of the occa- sion. In all t his human nature must be the novel-writer's II On Novels, ar of Writing Them. 217 guide. JN'o doubt in whicli human miglit name " C* Blair " as anothc than enough to •" man nature he pen in his han ate human na^ literary aptit' The jou:^ bly beth'^J: edge of hi;ui'i' '<;' ( lovels have been writtei s been set at defiance. 1 tms ■' as one, and "Adam le exceptions are i^ot more tilt rule. But in following hu- M. rcijj'3mber that he does so wi1:h a d that the reader who will appreci- so demand artistic ability and ill probably ask, or more proba- >w he is to acquire that knowl- r.;'cart; which will tell him with accu- racy what uiun jud women would say in this or that r/sition. He must acquire it as the compositor, who is orint hif- words, has learned the art of distributintr ills tyjc — by constant and intelligent practice. Unless it be ■ v'en to him to listen and to observe, so to carry i^ were, the manners of people in his memory, ) i>e ;iole to say to himself, with assurance, that these ... i- might have been said in a giver position, and tho those other words could not have been said, I do not think that in these days he can succeed as a nov- elist. And then let him beware of creating tedium ! Who has not felt the charm of a spoken story up to a certain point, and then suddenly become aware that it has be- come too long, and is the reverse of charming. It is not only that the entire book may liave this fault, but that this fault may occur in chapters, in passages, in pages, in paragraphs. I know no guard against this so likely to be effective as the feeling of the writer him- self. When once the sense that the thing is becoming 10 'iJ- -J.---V ^J i^t/i/i//yc/. DDg has grown upon him, TOW npon his readers. I dll declare to themseives 1 7ill never be tedious to hi- • ^^hom this may be truly said, ru.th, that lie will always be tt sure that it will i.e of some, who •ds of a writer the writer of lid with equal readers. On Miglish Novelists of the Present Day. 219 1 Chapter XIII. ON ENGLISH NOVELISTS OF THE PRESENT DAY. In this chapter I will venture to name a few success- ful novelists of my own time, with whose works I am acquainted; and will endeavor to point whence their success has come, and why they have failed when there lias been failure. I do not hesitate to name Thackeray the first. His knowledge of human nature was supreme, and his char- acters stand out as human beings, with a force and a truth which has not, I think, been within the reach of my other English novelist in any period. I know no 3haracter in fiction, unless it be Don Quixote, with ^vhom the reader becomes so intimately acquainted as tvith Colonel ^ewcome. How great a thing it is to be a gentleman at all parts ! How we admire the man )i whom so much may be said with truth ! Is there my one of whom \yq feel more sure in this respect than Df Colonel ]S"ewcome ? It is not because Colonel E"ew- 3ome is a perfect gentleman that we think Thackeray's tvork to have been so excellent, but because^ he has had :he power to describe him as such, and to iforce us to ove him, a weak and silly old man, on acco\unt of this ^race of character. ! It is evident from all Thackeray's best woJ>'k that he ived with the characters he was creating^. Hie had al- j^ays a story to tell until quite late in life ; and be t shows us that this was so, not by the interest which he had in his own plots, for I doubt whether his plots did occupy nuch of his mind, but by convincing us that his characters w^ere alive to himself. With Becky Sharpe, with Lady Castlewood and her daughter, and with Es- mond, with Warrington, Pendennis, and the Major, with I Colonel Newcorae and with Barry Lyndon, he must have lived in perpetual intercourse. Therefore, he has made these personages real to us. Among all our novelists his style is the purest, as to my ear it is also the most harmonious. Sometimes it is I disfigured by a slight touch of affectation, by little con- ceits which smell of the oil ; but the language is always i lucid. The reader, without labor, knows what he means, and knows all that he means. As well as I can remem- ber, he deals with no episodes. I think that any critic, I examining his work minutely, would find that every I scene, and every part of every scene, adds something to the clearness with which the story is told. Among all his stories there is not one which does not leave on the mind a feelin^^ of distress that women should ever be immodest or men dishonest, and of joy that women should be so devoted and men so honest. How we hate the idle selfishness of Pendennis, the worldliness of Beatrix, ^^he craft of Becky Sharpe ! how we love the honesty of Colonel Newcome, the nobility of Es- mond, and / the devoted affection of Mrs. Pendennis ! The hatred of evil and love of good can hardly have come upon so many readers without doing much good. Late in Thackeray's life — lie never was an old man, but towards tihe end of his career — he failed in his power of On English Wovelists of the Present Day. 221 charming, because lie allowed his mind to become idle. In the plots which he conceived, and in the language which he used, I do not know that there is any per- ceptible change ; but in " The Virginians " and in "Philip" the reader is introduced to no character with which he makes a close and undying acquaintance. And this, I have no doubt, is so because Thackeray himself had no such intimac^^ His mind had come to be weary of that fictitious life which is always demand- ing the labor of new creation, and he troubled himself with his two Virginians and his Philip only wdien he was seated at his desk. At the present moment George Eliot is the first of English novelists, and I am disposed to place her second of those of my time. She is best known to the literary world as a writer of prose fiction, and not imjDrobably whatever of permanent fame she may acquire will come from her novels. But the nature of her intellect is very far removed indeed from that which is common to the tellers of stories. Her imagination is, no doubt, strong, but it acts in analyzing rather than in creating. Everything that comes before her is pulled to pieces so that the inside of it shall be seen, and be seen, if possi- ble, by her readers as clearly as by herself. This search- ing analysis is carried so far that, in studying her later writings, one feels one's self to be in company with some philosopher rather than with a novelist. I doubt whether any young person can read with pleasure either " Felix Holt," '' Middlemarch," or " Daniel Deronda." I know that they are very difiicult to many that are not young. Her personifications of character have been singularly 223 Autdbiograj>hy of Anthony Trollope, terse and graphic, and from tliem has come her great hold on the public, though by no means the greatest effect which she hf^s produced. The lessons which she teaches remain, though it is not for tlie sake of the les- sons that her pages are read. Seth Bede, Adam Bede, Maggie and Tom TuUiver, old Silas Marner, and, much above all, Tito, in " Eomola," are characters which, when once known, can never be forgotten. I cannot say quite so much for any of those in her later works, because in them the philosopher so greatly overtops the portrait- painter, that, in the dissection of the mind, the outward signs seem to have been forgotten. In her, as yet, there is no symptom whatever of that weariness of mind which, when felt by the reader, induces liim to declare that the author has written himself out. It is not from decadence that we do not have another Mrs. Poyser, but because the author soars to things which seem to her to be higher than Mrs. Poyser. It is, I think, the defect of George Eliot that she struggles too hard to do work that shall be excellent. She lacks ease. Latterly the signs of this have been conspicuous in her style, which has always been and is singularly correct, but which has become occasionally obscure from her too great desire to be pungent. It is impossible not to feel the struggle, and that feeling be- gets a flavor of affectation. In " Daniel Deronda," of which at this moment only a portion has been published, there are sentences which I have found myself com- pelled to read three times before I have been able to take home to myself all that the writer has intended. Perhaps I may be permitted here to say, that this gifted woman was among my dearest and most intimate friends. On English Novelists of the Present Day. 223 As I am speaking here of novelists, I will not attempt to speak of George Eliot's merit as a poet. There can be no doubt that the most popular novelist of my time — probably the most popular English novelist of any time — has been Charles Dickens. He has now been dead nearly six years, and the sale of his books goes on as it did during his life. The certainty with which his novels are found in every house — the familiar- ity of his name in all English-speaking countries — the popularity of such characters as Mrs. Gamp, Micawber, and Pecksniff, and many others whose names have en- tered into the English language and become well-known words — the grief of the country at his death, and the honors paid to him at his funeral, all testify to his popu- larity. Since the last book he wrote himself, I doubt whether any book has been so popular as his biogra]3hy by John Forster. There is no withstanding such testi- mony as this. Such evidence of popular appreciation should go for very much, almost for everything, in criticism on the work of a novelist. The primary ob- ject of a novelist is to please; and this man's novels have been found more pleasant than those of any other writer. It might, of conrse, be objected to this, that thongh the books have pleased, they have been injuri- ous, that their tendency has been immoral and their teaching vicious ; but it is almost needless to say that no such charge has ever been made against Dickens.. His teaching has ever been good. From all whicli, there arises to the critic a question whether, with such evi- dence against him as to the excellence of this writer, he should not subordinate his own opinion to the collected opinion of the world of readers. To me it almost seems 224 AutobiograpJiy of Anthony Trollope. that I must be wrong to place Dickens after Thackeray and George Eliot, knowing as I do that so great a major- ity put him above those authors. My own peculiar idiosyncrasy in the matter forbids me to do so, I do acknowledge that Mrs. Gamp, Micaw- ber, Pecksniff, and others have become household words in every house, as though they were human beings ; but to my judgment they are not human beings, nor are any of the characters human which Dickens has por- trayed. It has been the peculiarity and the marvel of this man's power that he has invested his puppets with a charm that has enabled him to dispense with human nature. There is a drollery about them, in my estima- tion, very much below the humor of Thackeray, but which has reached the intellect of all ; while Thack- eray's humor has escaped the intellect of many. ISTor is the pathos of Dickens human. It is stagey and melo- dramatic. But it is so expressed that it touches every heart a little. There is no real life in Smike. His misery, his idiotcy, his devotion for Nicholas, his love for Kate, are all overdone and incompatible with each other. But still the reader sheds a tear. Every reader can find a tear for Smike. Dickens's novels are like Boucicault's plays. He has known how to draw his lines broadly, so that all should see the color. He, too, in his best days, always lived with his char- acters ; and he, too, as he gradually ceased to have the power of doing so, ceased to charm. Though they are not human beings, we all remember Mrs. Gamp and Pickwick. The Bofiins and Yeneerings do not, I think, dwell in the minds of so many. Of Dickens's style it is impossible to speak in praise. On English Novelists of the Present Day. 225 It is jerky, ungrammatical, and created by himself in defiance of rules — almost as completely as that created by Carlyle. . To readers who have taught themselves to regard language, it must, therefore, be unpleasant. But the critic is driven to feel tlie weakness of his criti- cism, when he acknowledges to himself — as he is com- pelled in all honesty to do — that with the language, such as it is, the writer has satisfied the great mass of the readers of his country. Both these great writers liave satisfied the readers of their own pages ; but both have done infinite harm bv creating a school of imita- tors. No young novelist should ever dare to imitate the style of Dickens. If sucli a one wants a model for his language, let him take Thackeray. Bulwer, or Lord Lytton — but I think that he is still better known by liis earlier name — was a man of very great parts. Better educated than either of those I have named before him, he was always able to use his erudition, and he thus produced novels from w^hich very much not only may be, but must be, learned by his readers. He thoroughly understood the political status of his own country, a subject on which, I think, Dickens was marvellously ignorant, and which Thackeray had never studied. He had read extensively, and w^as al- ways apt to give his readers the benefit of wliat he knew. The result has been that very much more than amusement may be obtained from Bulwer's novels. There is also a brightness about them — the result rather of thought than of imagination, of study and of care, than of mere intellect — which has made many of them excellent in their way. It is perhaps improper to class all his novels together, as he wrote in varied manners, 10- 226 Atitobiograjphij of Anthony Trollope. making in bis earlier works, such as "Pelham" and "Ernest Maltravers," pictures of a fictitious life, and afterwards pictures of life as he believed it to be, as in " My mvel " and " The Caxtons." But from all of them there comes the same flavor of an effort to pro- duce effect. Tbe effects are produced, but it would have been better if the flavor had not been there. I cannot say of Bulwer as I have of the other novel- ists whom I have named, tbat he lived with his characters. He lived with his work, with the doctrines which at the time he wished to preach, thinking always of the effects wliich he wished to preach ; but I do not think he ever knew his own personages, and therefore neither do we know them. Even Pelham and Eugene Aram are not human beings to us, as are Pickwick and Colonel New- come and Mrs. Poyser. In his plots Bulwer has generally been simple, facile, and successful. The reader never feels with liim, as he does with Wilkie Collins, that it is all plot, or, as with George Eliot, that there is no plot. The story comes naturally, without calling for too much attention, and is thus proof of the completeness of the man's intellect. His language is clear, good, intelligible English, but it is defaced by mannerism. In all that he did, affectation was his fault. How shall I speak of my dear old friend Charles Lever, and his rattling, jolly, joyous, swearing Irishmen. Surely never did a sense of vitality come so constantly from a man's pen, nor from man's voice, as from his ! I knew him well for many years, and whether in sick- ness or in health I have never come across him without finding him to be running over with wit and fun. Of all On English Novelists of the Present Day. 227 the men I liave encountered, he was the surest fund of drollery. I have known many witty men, many who could say good things, many who would sometimes be ready to say them when wanted, though they would sometimes fail — but he never failed. Rouse him in the middle of the night, and wit would come from him before he was half awake. And yet he never monopo- lized the talk, was never a bore. He would take no more than his own share of the words spoken, and would yet seem to brighten all that was said during the night. His earlier novels — the later I have not read — are just like his conversation. The fun never flags, and to me, when I read them, they were never tedious. As to character, he can hardly be said to have produced it. Corney Delaney, the old man-servant, may perhaps be named as an exception. Lever's novels will not live long, even if they may be said to be alive now, because it is so. What was his manner of working I do not know, but I should think it must have been very quick, and that he never troubled himself on the subject, except when he was seated with a pen in his hand. Charlotte Bronte was surely a marvellous woman. If it could be right to judge the work of a novelist from one small portion of one novel, and to say of an author that he is to be accounted as strong as he shows himself to be in his strongest morsel of work, I should be in- clined to put Miss Bronte very high indeed. I know no interest more thrilling than that which she has been able to throw into the characters of Rochester and the governess, in the second volume of " Jane Eyre." She lived with those characters, and felt every fibre of th 228 Autoliograj>hy of Anthony Trollope. heart, the longings of the one and the sufferings of the other. And therefore, thougli the end of the book is weak, and tlie beginning not very good, I venture to predict that "Jane Eyre" will be read among English novels when many Avhose names are now better known shall have been forgotten. " Jane Eyre" and " Esmond" and "Adam Bede" will be in the hands of our grand- children, when " Pickwick " and " Pelham " and "Harry Lorrequer " are forgotten ; because the men and women depicted are human in their aspirations, human in their sympathies, and human in their actions. In " Yillette," too, and in " Shirley," there is to be found human life as natural and as real, though in cir- cumstances not so full of interest as those told in " Jane Eyre." The character of Paul, in the former of the two, is a wonderful study. She must herself have been in love w^ith some Paul when she wrote the book, and have been determined to prove to herself that she was ca- pable of loving one whose exterior circumstances were mean and in every way unprepossessing. There is no writer of the present day who has so much puzzled me by his eccentricities, impracticabilities, and capabilities as Charles Reade. I look upon him as endowed almost with genius, but as one who has not been gifted by nature with ordinary powers of reasoning. He can see what is grandly noble, and admire it with all his heart. He can see, too, what is foully vicious, and hate it with equal ardor. But in the common affairs of life he cannot feee what is right or wrong ; and as he is altogether unwilling to be guided by the opinion of others, he is constantly making mistakes in his literary areer, and subjecting himself to reproach which he On English Novelists of the Present Day. 229 hardly deserves. He means to be honest. He means to be especially honest, more honest than other people. He has written a book called "The Eighth Command- ment," on behalf of honesty in literary transactions — a wonderful work, which has, I believe, been read by a very few. I never saw a copy except that in my own library, or heard of any one who knew the book, l^ev- ertheless it is a volume that must have taken very great labor, and have been written — as, indeed, he declares that it was written — without the hope of pecuniary reward. He makes an appeal to the British parliament and Brit- ish people on behalf of literary honesty, declaring that, should he fail — " I shall have to go on blushing for the people I was born among." And yet, of all the writers of my day, he has seemed to me to understand literary honesty the least. On one occasion, as he tells ns in this book, he bought for a certain sum, from a French author, the right of using a plot taken from a play, which he probably might have used without such purchase, ^nd also without infringing any international copyright act. The French author not unnaturally praises him for tli^e transaction, telling him that he is ^'un vrai gentleman.^'' The plot was used by Reade in a novel ; and a critic, discovering the adaptation, made known his discovery to the public. Whereupon the novelist became angry, called his critic a pseudonymuncle, and defended him- self by stating the fact of his own purchase. In all this he seems to me to ignore what we all mean when we talk of literary plagiarism and literary honesty. The sin of which the author is accused is not that of taking another man's property, but of passing off as his own creation that which he does not himself create. When 230 Autoliography of Anthony Trollojpe. an author puts liis name to a book he claims to have written all that there is therein, unless he makes direct signification to the contrary. Some years subsequently there arose another similar question, in which Mr. Eeade's opinion was declared even more plainly, and certainly very much more publicly. In a tale which he wrote he inserted a dialogue which he took from Swift, and took without any acknovv^ledgment. As might have been expected, one of the critics of the day fell foul of him for this barefaced plagiarism. The author, however, defended himself, with much abuse of the critic, by asserting, that whereas Swift had found the jewel, he had supplied the setting — an argument in which there was some little wit, and would have been much excellent truth, had he given the words as belong- ing to Swift and not to himself. The novels of a man possessed of so singular a mind must themselves be very strange — and they are strange. It has generally been his object to write down some abuse with which he has been particularly struck — the harshness, for instance, with which paupers or lunatics are treated, or the wickedness of certain classes — and he always, I think, leaves upon his readers an idea of great earnestness of purpose. But he has always left, at the same time, on my mind so strong a conviction that he has not really understood his subject, that I have ever found myself taking the part of those whom he has ac- cused. So good a heart, and so wrong a head, surely no novelist ever before had combined ! In story-telling he has occasionally been almost great. Among his novels I would especially recommend " The Cloister and the Hearth." I do not know that in this work, or in any, On English Novelists of the Fre^f'^^ ^ay. ggj- tliat he has left a character that will remain >\ but he has written some of his scenes so brightly that to^^ead them w^ould alwaj's be a pleasure. \ Of Wilkie Collins it is impossible for a tru? critic not to speak with admiration, because he has excelbd all his contemporaries in a certain most difficult branc'i^ of his art ; but as it is a branch wliich I have not myselKt all cultivated, it is not unnatural that his work shoul\ be very much lost upon me individually. When I sit\ down to write a novel I do not at all know, and I do not very much care, how it is to end. Wilkie Collins seems so to construct his that he not only, before writ- ing, plans everything on, down to the minutest detail, from the beginning to the end; but then plots it all back again, to see that there is no piece of necessary dovetailing which does not dovetail with absolute ac- curacy. The construction is most minute and most wonderful. But I can never lose the taste of the con- struction. Tlie author seems always to be warning me to remember that something happened at exactly half- past two o'clock on Tuesday morning ; or that a woman disappeared from the road just fifteen yards beyond the fourth mile-stone. One is constrained by mysteries and hemmed in by difficulties, knowing, however, that the mysteries will be made clear, and the difficulties over- come, at the end of the third volume. Such work gives me no pleasure. I am, however, quite prepared to ac- knowledge that the want of pleasure comes from fault of my intellect. There are two ladies of whom I would fain say a word, though I feel that I am making my list too long, in order that I may declare how much I have admired ;i3S Autobvbgrajpliy of Anthony Trollope. their work," They are Anne Thackeray and Ehoda Broughtop,. I have known them both, and have loved the form'er ahnost as though she belonged to me. ]^o two waiters were ever more dissimilar, except in this that -they are both feminine. Miss Thackeray's charac- ters are sweet, charming, and quite true to human nat- ure. In her writings she is always endeavoring to prove that good produces good, and evil evil. Tliere is not a line of which she need be ashamed, not a sentiment of which she should not be proud. But she writes like a lazy writer who dislikes her work, and who al- lows her own want of energy to show itself in her pages. Miss Broughton, on the other hand, is full of energy — though she too, I think, can become tired over her w^ork. She, however, does take the trouble to make her personages stand upright on tlie ground. And she has the gift of making them speak as men and women do speak. '^ You beast !" said Nancy, sitting on the wall, to the man who was to be her husband — thinkins: that she was speaking to her brother. Now Nancy, whether right or wrong, was just the girl who would, as circum- stances then were, have called her brother a beast. There is nothing wooden about any of Miss Broughton's novels — and in these days so many novels are wooden ! But they are not sweet-savored as are those by Miss Thackeray, and are, therefore, less true to nature. In Miss Broughton's determination not to be mawkish and missish, she has made her ladies do and say things which ladies would not do and say. They throw them- selves at men's heads, and when they are not accepted only think how they may throw themselves again. Miss Broughton is still so young that I hope she may live to overcome her fault in this direction. On English Novelists of the Present Bay, 233 There is one other name, without which the list of the best-known English novelists of my own time would certainly be incomplete, and that is the name of the present prime-minister of England. Mr. Disraeli has written so many novels, and has been so popular as a novelist, that, whether for good or for ill, I feel myself compelled to speak of him. He began his career as an author early in life, publishing "Vivian Grey" when he was twenty-three years old. He was very young for such work, though hardly young enough to justify the excuse that he makes in his own preface, that it is a book written by a boy. Dickens was, I think, younger when he wrote his " Sketches by Boz," and as young when he was writing the "Pickwick Papers." It was hardly longer ago than the other day when Mr. Disraeli brought out "Lothair," and between the two there were eight or ten others. To me they have all had the same flavor of paint and unreality. In whatever he has w^rit- ten he has affected something which has been intended to strike his readers as uncommon, and therefore grand. Because he has been bright and a man of genius, he lias carried his object as regards the young. He has struck them with astonishment, and aroused in their imagination ideas of a world more glorious, more rich, more w^itty, more enterprising, than their own. But the glory lias been the glory of pasteboard, and the wealth has been a wealth of tinsel. The wit has been the wit of hair-dressers, and the enterprise has been the enterprise of mountebanks. An audacious conjurer has generally been his hero — some youth who, by wonder- ful cleverness, can obtain success by every intrigue that comes to his hand. Through it all there is a feeling of 234 Autobiography of Anthony Trollojpe. stage properties, a smell of hair-oil, an aspect of biilil, a remembrance of tailors, and that pricking of the con- science which must be the general accompaniment of paste diamonds. I can understand that Mr. Disraeli should, by his novels, have instigated many a young man and many a young woman on their way in life, but I cannot understand that he should have instigated any one to good. Yivian Grey has had probably as many followers as Jack Sheppard, and has led his followers in the same direction. " Lothair," which is as yet Mr. Disraeli's last work, and, I think, undoubtedly his worst, has been defended on a plea somewhat similar to that by which he has defended "Vivian Grey." As that was written when he was too young, so was the other when he was too old — too old for work of that nature, though not too old to bo prime-minister. If Jiis mind were so occupied with greater things as to allow him to WTite such a work, yet his judgment should have sufficed to induce him to destroy it when written. Here that flavor of hair-oil, that flavor of false jewels, that remembrance of tailors, comes out stronger than in all the others. Lo- thair is falser even than Yivian Grey, and Lady Cory- sand, the daughter of the duchess, more inane and un- womanlike than Yenetia or Henrietta Temple. It is the very bathos of story-telling. I have often lament- ed, and have as often excused to myself, that lack of public judgment which enables readers to put uj) with bad work because it comes from good or from lofty hands. I never felt the feeling so strongly, or was so little able to excuse it, as when a portion of the reading public received "Lothair" with satisfaction. On Criticism. 235 Chapter XIY. ON CRITICISM. LiTEKAKY criticism in the present day has become a profession — but it has ceased to be an art. Its object is no longer that of proving that certain literary work is good, and other literary work is bad, in accordance with rules which the critic is able to define. English criticism at present rarely even pretends to go so far as this. It attempts, in the first place, to tell the public whether a book be or be not worth public attention ; and, in the second place, so to describe the purport of the work as to enable those who have not time or in- clination for reading it to feel that by a short-cut they can become acquainted with its contents. Both these objects, if fairly well carried out, are salutary. Though the critic may not be a profound judge himself, though not unfrequently he be a young man making his first literary attempts, with tastes and judgment still unfixed, yet he probably has a conscience in the matter, and would not have been selected for that work had he not shown some aptitude for it. Thougli he may not be the best possible guide to the undiscerning, he will be better than no guide at all. Real substantial criticism must, from its nature, be costly, and that which the public wants should, at any rate, be cheap. Advice is given to many thousands, which, though it may not be 236 Aiit6biogra][>liy of Anthony' TroUope. the best advice possible, is better than no advice at all. Then that description of the work criticised, that com- pressing of the much into very little — which is the work of many modern critics or reviewers — does enable many to know something of what is being said, who without it would know nothing. I do not think it is incumbent on me at present to name periodicals in which this work is well done, and to make complaints of others by which it is scamped. I should give offence, and might probably be unjust. But I think I may certainly say that as some of these periodicals are certainly entitled to great praise for the manner in which the work is done generally, so are others open to very severe censure — and that the praise and that the censure are chiefly due on behalf of one virtue and its opposite vice. It is not critical ability that we have a right to demand, or its absence that we are bound to deplore. Critical ability for the price we pay is not attainable. It is a faculty not peculiar to Englishmen, and when displayed is very frequently not appreciated. But that critics should be honest we have a right to demand, and critical dishonesty we are bound to expose. If the writer will tell us what he thinks, though his thoughts be absolutely vague and useless, we can forgive him ; but when he tells us what he does not think, actuated either by friendship or by animos- ity, then there should be no pardon for him. This is the sin in modern English criticism of which there is most reason to complain. It is a lamentable fact that men and women lend themselves to this practice who are neither vindictive nor ordinarily dishonest. It has become " the custom On Criticism. 237 of the trade," under the veil of which excuse so many tradesmen justify their malpractices. When a strug- gling author learns that so much has been done for A by the Barsetsliire Gazette^ so much for B by the Dills- horough Herald, and, again, so much for C by that pow- erful metropolitan oi'gan the Evening Pulpit, and is told also that A and B and C have been favored through personal interest, he also goes to work among the edi- tors, or the editors' wives — or, perhaps, if he cannot reach their wives, with their wives' first or second cous- ins. When once the feeling has come upon an editor or a critic that lie may allow himself to be influenced by other considerations than the duty he owes to the public, all sense of critical or of editorial honesty falls from him at once. Facilis descensus Averni. In a very short time that editorial honesty becomes ridicu- lous to himself. It is for other purpose that he wields the power; and when he is told what is his duty, and what should be his conduct, the preacher of such doc- trine seems to him to be quixotic. '' Where have you lived, my friend, for the last twenty years," he says in spirit, if not in word, " that you come out now with such stuff as old-fashioned as this?" And thus dishon- esty begets dishonesty, till dishonesty seems to be beau- tiful. How nice to be good-natured ! How glorious to assist struggling young authors, especially if the young author be also a pretty woman ! How gracious to oblige a friend ! Then the motive, though still pleas- ing, departs further from the border of what is good. In what way can the critic better repay the hospitality of his wealthy literary friend than by good-natured criticism, or more certainly insure for himself a contin- uation of hospitable favors ? 238 Antohiograjphy of Anthony Trollope. Some years since a critic of the day, a gentleman well known then in literary circles, showed me the manuscript of a book recently published, the work of a popular author. It was handsomely bound, and was a valuable and desirable possession. It had just been given to him by the author, as an acknow^ledgment for a laudatory review in one of the leading journals of the day. As I was expressly asked whether I did not re- gard such a token as a sign of grace both in the giver and in the receiver, I said that I thought it should neither have been given nor have been taken. My theory was repudiated with scorn, and I was told that I was strait-laced, visionary, and impracticable ! In all that the damage did not lie in the fact of that one pres- ent, but in the feeling on the part of the critic that his office was not debased by the acceptance of presents from those whom he criticised. This man was a profes- sional critic, bound by his contract with certain employ- ers to review such books as were sent to him. How could he, when he had received a valuable present for praising one book, censure another by the same author? While I write this I well know that w^hat I say, if it be ever noticed at all, will be taken as a straining at gnats, as a pretence of honesty, or, at any rate, as an ex- aggeration of scruples. I have said the same thing be- fore, and have been ridiculed for saying it. But none the less am I sure that English literature generally is suffering much under this evil. All those who are struggling for success have forced upon them the idea that their strongest efforts should be made in touting for praise. Those who are not familiar with the lives of authors will hardly believe how low will be the forms On Criticism. 239 which then* struggles will take ; how little presents will be sent to men wdio write little articles ; how much flat- tery may be expended, even on the keeper of a circulat- ing library; with w^hat profuse and distant genuflexions approaches are made to the outside railing of the temple which contains within it the great thunderer of some metropolitan periodical publication ! The evil here is not only that done to the public when interested coun- sel is given to them, but extends to the debasement of those who have, at any rate, considered themselves fit to provide literature for the public. I am satisfied that the remedy for this evil must lie in the conscience and deportment of authors themselves. If once the feeling could be produced that it is disgrace- ful for an author to ask for praise — and demands for praise are, I think, disgraceful in every walk of life — the practice would gradually fall into the hands only of the lowest, and that which is done only by the low- est soon becomes despicable even to them. The sin, when perpetuated with unflagging labor, brings with it at best very poor reward. That w^ork of running after critics, editors, publishers, the keepers of circulating li- braries, and their clerks, is very hard, and must be very disagreeable. He who does it must feel himself to be dishonored — or she. It may, perhaps, help to sell an edition, but can never make an author successful. I think it may be laid down as a golden rule in liter- ature that there should be no intercourse at all between an author and his critic. The critic, as critic, should not know his author, nor the author, as author, his critic. As censure should beget no anger, so should praise be- get no gratitude. The young author should feel that 240 Autobiography of Anthony Trollojpe. criticisms fall upon liim as dew or hail from heaven — which, as coming from heaven, man accepts as fate. Praise let the author try to obtain by wholesome effort ; censure let him avoid, if possible, by care and industry. Eut when they come, let him take them as coming from some source which he cannot influence, au^jrwith which he should not meddle. I know no more disagreeable trouble into which an au- thor may plunge himself than that of a quarrel with his critics, or any more useless labor than that of answering them. It is wise to presume, at any rate, that the re- view^er has simply done his duty, and has spoken of the book according to the dictates of his conscience. Noth- ing can be gained by combating the reviewer's opinion. If the book which he has disparaged be good, his judg- ment will be condemned by the praise of others ; if bad, his judgment will be confirmed by others. Or if, un- fortunately, the criticism of the day be in so evil a con- dition generally that such ultimate truth cannot be ex- pected, the author may be sure that his efforts made on behalf of his own book will not set matters right. If injustice be done him, let him bear it. To do so is con- sonant with the dignity of the position which he ought to assume. To shriek, and scream, and sputter, to threaten actions, and to swear about the town that he has been belied and defamed in that he has been accused of bad grammar or a false metaphor, of a dull chapter, or even of a borrowed heroine, will leave on the minds of the public nothing but a sense of irritated impotence. If, indeed, there should spring from an author's work any assertion by a critic injurious to the author's honor, if the author be accused of falsehood or of personal mo- On Criticism. 241 lives which care discreditable to him, then, indeed, he may be bound to answer the charge. It is hoped, how- ever, that he may be able to do so with clean hands, or he will so stir the mud in the pool as to come forth dirtier than he w^ent into it. I have lived much among men by whom the English criticism of the day has been vehemently abused. I have heard it said that to the public it is a false guide, and that to authors it is never a trustworthy mentor. I do not concur in this wholesale censure. There is, of course, criticism and criticism. There are at this mo- ment one or two periodicals to which both public and authors may siifely look for guidance, though there are many others from which no spark of literary advantage may be obtained. But it is w^ell that both public and authors should know what is the advantage which they liave a right to expect. There have been critics — and there probably will be again, though the circumstances of English literature do not tend to produce them — with power sufficient to entitle them to speak with authority. These great men have declared, tanquam ex cathedi'd, that such a book has been so far good and so far bad, or that it has been altogether good or altogether bad ; and the world has believed them. When making such as- sertions they have given their reasons, explained their causes, and have carried conviction. Very great reputa- tions have been achieved by such critics, but not with- out infinite study and the labor of many years. Such are not the critics of the day, of whom w^e are now speaking. In the literary world as it lives at pres- ent some writer is selected for the place of critic to a newspaper, generally some young writer, who for so 11 242 Autobiography of Anthony Trollojpe. many shillings a column shall review whatever book is sent to him and express an opinion — reading the book through for the purpose, if the amount of honorarium as measured with the amount of labor will enable him to do so. A laborer must measure his work by his pay or he cannot live. From criticism such as this must for the most part be, the general reader has no right to ex- pect philosophical analysis, or literary judgment on which confidence may be placed. But he probably may believe that the books praised will be better than the books censured, and that those which are praised by periodicals which never censure are better worth his attention than those which are not noticed. And read- ers will also find that by devoting an hour or two on Saturday to the criticisms of the week, they will enable themselves to have an opinion about the books of tlie day. The knowledge so acquired will not be great, nor will that little be lasting; but it adds something to the pleasure of life to be able to talk on subjects of which others are speaking; and the man who has sedulously gone through the literary notices in the Spectator and the Saturday may perhaps be justified in thinking him- self as well able to talk about the new book as his friend who has brought that new book on the tapis^ and who, not improbably, obtained his information from the same source. As an author, I have paid careful attention to the re- views which have been written on my own work ; and I think that now I well know where I may look for a little instruction, where I may expect only greasy adula- tion, where I shall be cut up into mince-meat for the delight of those who love sharp invective, and where I On Criticism, 243 shall find an equal mixture of praise and censure so ad- justed, without much judgment, as to exhibit the impar- tiality of the newspaper and its staff. Among it all there is much chaff, which I have learned how to throw to the winds, with equal disregard whether it praises or blames ; but I have also found some corn, on which I have fed and nourished myself, and for which I have been thankful. 244 Autobiograjphy of Anthony Trollojpe. Chapter XY. *'THE LAST CHRONICLE OF BARSET." — LEAVING THE POST-OFFICE.— " ST. PAUL'S MAGAZINE." I WILL now go back to the year 1867, in whicli I was still living at Waltham Cross. I had some time since bought the house there which I had at first hired, and added rooms to it, and made it for our purposes very com- fortable. It was, however, a rickety old place, requiring much repair, and occasionally not as weather-tight as it should be. We had a domain there sufficient for the cows, and for the making of our butter and hay. For strawberries, asparagus, green pease, out-of-door peaches — for roses especially — and such everyday luxuries, no place was ever more excellent. It was only twelve miles from London, and admitted, therefore, of frequent inter- course with the metropolis. It was also near enough to the Koothing country for hunting purposes. Ko doubt the Shoreditch Station, by which it had to be reached, had its drawbacks. My average distance, also, to the Essex meets was twenty miles; but the place combined as much or more than I had a right to expect. It was within my own postal district, and had, upon the whole, been well chosen. The work I did during the twelve years that I re- mained there — from 1859 to 1871 — was certainly very great. I feel confident that in amount no other writer ^^TJie Last Chronicle of BarsetP 245 contributed so nuich during that time to English litera- ture. Over and above my novels, I wrote political arti- cles, critical, social, and sporting articles, for periodicals, without number. I did the work of a surveyor of the General Post-office, and so did it as to give the authori- ties of the department no slightest pretext for fault- finding. I hunted always at least twice a week. I was frequent in the whist-room at the Garrick. I lived much in society in London, and was made happy by the pres- ence of many friends at Waltham Cross. In addition to this we always spent six weeks, at least, out of Eng- land. Few men, I think, ever lived a fuller life ; and I attribute the power of doing this altogether to the vir- tue of early hours. It was my practice to be at my table every morning at 5.30 ; and it was also my practice to allow myself no mercy. An old groom, whose business it was to call me, and to whom I paid £5 a year extra for the duty, allowed himself no mercy. During all those years at Waltham Cross he was never once late with the coEee which it was his duty to bring me. I do not know that I ought not to feel that I owe more to him than to any one else for the success I have had. By beginning at that hour I could complete my literary work before I dressed for breakfast. All those, I think, who have lived as literary men — ■ w^orking daily as literary laborers — will agree with me that three hours a day will produce as much as a man ought to write. But then he should so have trained himself that he shall be able to work continuously dur- ine: those three hours — so have tutored his mind that it shall not be necessary for him to sit nibbling his pen, and g-azinsr at the wall before him, till he shall have 246 AutdbiograpTiy of Anthony Trollojpe. found the words with which he wants to express his ideas. It had at this time become my custom — and it still is my custom, though of late I have become a little lenient to myself — to write with my watch before me, and to require from myself 250 words every quarter of an hour. I liave found that the 250 words have been forthcoming as regularly as my watch went. But my three hours were not devoted entirely to writing. I always began my task by reading the work of the day before, an operation which would take me half an hour, and which consisted chiefly in weighing with my ear the sound of the words and phrases. I would strongly recommend this practice to all tyros in writing. That their work should be read after it has been written is a matter of course ; that it should be read twice, at least, before it goes to the printers, I take to be- a matter of course. But by reading what he has last written, just before he recommences his task, the writer will catch the tone and spirit of what he is then saying, and will avoid the fault of seeming to be unlike himself. This division of time allowed me to produce over ten pages of an ordinary novel volume a day, and if kept up through ten months, would have given as its results three novels of three volumes each in the year — the pre- cise amount which so greatly acerbated the publisher in Paternoster Eow, and which must, at any rate, be felt to be quite as much as the novel-readers of the world can want from the hands of one man. I have never written three novels in a year ; but by following the plan above described I have written more than as much as three novels; and by adhering to it over a course of years I have been enabled to have al- "-The Last Chronide of BarsetP 247 ways on hand — for some time back now — one or two, or even tliree, unpublished novels in my desk beside me. Were I to die now, there are three such besides " The Prime Minister," half of which has only yet been issued. One of these has been six years finished, and has never seen the light since it was first tied np in the wrapper which now contains it. I look forward with some grim pleasantry to its publication after another period of six years, and to the declaration of the critics that it has been the work of a period of life at which the power of writing novels had passed from me. Not improbably, however, these pages may be printed first. In 1866 and 1867 *' The Last Chronicle of Barset" was brought out by George Smith, in sixpenny monthly numbers. I do not know that this mode of publication had been tried before, or that it answered very well on this occasion. Indeed, the shilling magazines had inter- fered greatly with the success of novels published in numbers without other accompanying matter. The pub- lic, finding that so much might be had for a shilling, in which a portion of one or more novels was always included, were unwilling to spend their money on the novel alone. Feeling that this certainly had become the case in reference to novels published in shilling num- bers, Mr. Smith and I determined to make the experi- ment with sixpenny parts. As he paid me £3000 for the use of my manuscript, the loss, if any, did not fall upon me. If I remember right, the enterprise was not altogether successful. Taking it as a whole, I regard this as the best novel I have written. I was never quite satisfied with the de- velopment of the plot, which consisted in the loss of a 248 Autobiography of Anthony Trollojpe. check, of a charge made against a clergyman for stealing it, and of absolute uncertainty on the part of the clergy- man himself as to the manner in which the check had found its way into his hands. I cannot quite make my- self believe that even such a man as Mr. Crawley could have forgotten how he got it ; nor would the generous friend who was anxious to supply his wants have sup- plied them by tendering the check of a third person. Such fault I acknowledge — acknowledging, at the same time, that I have never been capable of constructing with complete success the intricacies of a plot that re- quired to be unravelled. But while confessing so much, I claim to have portrayed the mind of the unfortunate man with great accuracy and greater delicacy. The pride, the humility, the manliness, the weakness, the conscien- tious rectitude and bitter prejudices of Mr. Crawley were, I feel, true to nature and well described. The surroundings, too, are good. Mrs. Proudie, at the pal- ace, is a real woman ; and the poor old dean dying at the deanery is also real. The archdeacon, in his victory, is very real. There is a true savor of English country life all through the book. It was with many misgiv- ings that I killed my old friend Mrs. Proudie. I could not, I think, have done it, but for a resolution taken and declared under circumstances of great momentary press- ure. It was thus that it came about. I was sitting one morning at work upon the novel, at the end of the long drawing-room of the Athengeum Club — as was then my wont when I had slept the previous night in London. As I was there, two clergymen, each with a magazine in his hand, seated themselves — one on one side of the fire "TAd Last Chronicle of Bar set P 249 and one on the otlier — close to me. They soon began to abuse what they were reading, and each was reading some part of some novel of mine. The gravamen of their complaint lay in the fact that I reintroduced the same characters so often. " Here," said one, " is that archdeacon whom we have had in every novel he has ever written." " And here," said the other, " is the old duke whom he has talked about till everybody is tired of him. If I could not invent new characters, I would not write novels at all." Then one of them fell foul of Mrs. Proudie. It was impossible for me not to hear their words, and almost impossible to hear them and be qniet. I got up, and standing between them, I acknowledged myself to be the culprit. " As to Mrs. Proudie," I said, " I will go home and kill her before the week is over." And so I did. The two gentlemen were utterly con- founded, and one of them begged me to forget his friv- olous observations. I have sometimes regretted the deed, so great was my delight in writing about Mrs. Proudie, so thorough was my knowledge of all the little shades of her character. It was not only that she was a tyrant, a bully, a would- be priestess, a very vulgar woman, and one who would send headlong to the nethermost pit all who disagreed with her; but that at the same time she was conscien- tious, by no means a hypocrite, really believing in the brimstone which she threatened, and anxious to save the souls around her from its horrors. And as her tyr- anny increased, so did the bitterness of the moments of her repentance increase, in that she knew herself to be a tyrant — till that bitterness killed her. Since her time, others have grown up equally dear to me — Lady Glen- 11^ 250 Autobiography of Anthony Trollope. cora and her husband, for instance ; but I have never dissevered myself from Mrs. Proudie, and still live much in company with her ghost. I have in a previous chapter said how I wrote " Can You Forgive Her ?" after the plot of a play which had been rejected, which play had been called " The Noble Jilt." Some year or two after the completion of " The Last Chronicle," I was asked by the manager of a thea- tre to prepare a piece for his stage, and I did so, taking the plot of this novel. I called the comedy " Did He Steal It ?" But my friend the manager did not ap- prove of my attempt. My mind, at this time, was less attentive to such a matter than w^hen dear old George Bartley nearly crushed me by his criticism, so that I forget the reason given. I have little doubt but that the manager was right. That he intended to express a true opinion, and would have been glad to have taken the piece, had he thought it suitable, I am quite sure. I have sometimes wished to see, during my lifetime, a combined republication of those tales which are occu- pied with the fictitious county of Barsetshire. These would be "The Warden," " Barchester Towers," " Doc- tor Thorne," " Framley Parsonage," and " The Last Chronicle of Barset." But I have hitherto failed. The copyrights are in the hands of four different persons, including myself, and with one of the four I have not been able to prevail to act in concert with the others.* * Since this was written I have made arrangements for doing as I have wished, and the first volume of the series will now very shortly be pub- lished. Leaving the Post-office. 251 In 1867 I made np my mind to take a step in life which was not unattended with peril, which many would call rash, and which, when taken, I should be sure at some period to regret. Tliis step was the resig- nation of my place in the Post-office. I have described how it was that I contrived to combine the performance of its duties with my other avocations in life. I got up always very early ; but even this did not suffice. I worked always on Sundays — as to which no scruple of religion made me unhappy — and not unfrequently I was driven to work at night. In the winter, when hunt- ing was going on, I had to keep myself very much on the alert. And during the London season, when I was generally two or three days of the week in town, I found the official work to be a burden. I had deter- mined some years previously, after due consideration with my wife, to abandon the Post-office when I had put by an income equal to the pension to which I should be entitled if I remained in the department till I was sixty. That I had now done, and I sighed for liberty. The exact time chosen, the autumn of 1867, was se- lected because I was then about to undertake other lit- erary work in editing a new magazine, of which I shall speak very shortly. But in" addition to these reasons there was another, which was, I think, at last the actu- ating cause. When Sir Powland Hill left the Post- office, and my brother-in-law, Mr. Tilley, became sec- retary in his place, I applied for the vacant office of under-secretary. Had I obtained this I should have given up my hunting, have given up much of my literary work — at any rate, would have edited no magazine — and would have returned to the habit of 253 Autobiography of Anthony Trollojpe. my youth in going daily to the General Post-of- fice. There was very much against such a change in life. The increase of salary would not have amount- ed to above £400 a year, and I should have lost much more than that in literary remuneration. I should have felt bitterly the slavery of attendance at an of- fice from which I had then been exempt for five-and- twenty years. I should, too, have greatly missed the sport which I loved. But I was attached to the de- partment, had imbued myself with a thorough love of letters — I mean, the letters which are carried by the post — and was anxious for their welfare as though they were all my own. In short, I wished to continue the connection. I did not wish, moreover, that any young- er officer should again pass over my head. I believed that I had been a valuable public servant, and I will own to a feeling existing at that time that I had not al- together been well treated. I was probably wrong in this. I had been allowed to hunt, and to do as I pleased, and to say what I liked, and had in that way received my reward. I applied for the ofiice, but Mr. Scudamore was appointed to it. He, no doubt, was pos- sessed of gifts which I did not possess. He under- stood the manipulation of money and the use of figures, and was a great accountant. I think that I might have been more useful in regard to the labors and wages of the immense body of men employed by the Post-office. However, Mr. Scudamore was appointed ; and I made up my mind that I would fall back upon my old inten- tion, and leave the department. I think I allowed two years to pass before I took the step ; and the day on which I sent the letter was to me most melancholy. Leaving the Post-office. 253 The rule of the service in regard to pensions is very just. A man shall serve till he is sixty before he is en- titled to a pension, unless his health fail him. At that age he is entitled to one sixtieth of his salary for every year he has served up to forty years. If his health do fail him so that he is unfit for further work before the age named, then he may go, with a pension amounting to one sixtieth for every year he has served. I could not say that my health had failed me, and therefore I went without any pension. I have since felt, occasion- ally, that it has been supposed that I left the Post-ofiice under pressure, because I attended to hunting and to my literary work rather than to postal matters. As it had for many years been my ambition to be a thoroughly good servant to the public, and to give to the public much more than I took in the shape of salary, this feel- ing has sometimes annoyed me. And as I am still a little sore on the subject, and as I would not have it imagined after my death that I had slighted the public service to which I belonged, I will venture here to give the reply w^hich was sent to the letter containing my resignation. General Post-office, October 9, 1867. "Sir, — I have received your letter of the 3d inst., in which you tender your resignation as Surveyor in the Post-office service, and state as your reason for this step that you have adopted another profession, the exigen- cies of which are so great as to make you feel you cannot give to the du- ties of the Post-office that amount of attention which you consider the Postmaster-general has a right to expect. " You have for many years ranked among the most conspicuous mem- bers of the Post-office, which, on several occasions, when you have been employed on large and difficult matters, has reaped much benefit from the great abilities which you have been able to place at its disposal ; and in mentioning this, I have been especially glad to record that, notwithstand- 254 Autobiograjphy of Anthony Trollope, ing the many calls upon your time, you have never permitted your other avocations to interfere with your Post-office work, which has been faith- fully, and, indeed, energetically performed." (There was a touch of irony in this word "energetically," but still it did not displease me.) "In accepting your resignation, which he does with much regret, the Duke of Montrose desires me to convey to you his own sense of the value of your services, and to state how alive he is to the loss which will be sus- tained by the department in which you have long been an ornament, and where your place will with difficulty be replaced. (Signed) " J. Tillet." Eeaders will, no doubt, think that this is official flum- mery ; and so, in fact, it is. I do not at all imagine that I was an ornament to the Post-office, and have no doubt that the secretaries and assistant-secretaries very often would have been glad to be rid of me ; but the letter may be taken as evidence that I did not allow my liter- ary enterprises to interfere with my official work. A man who takes public money without earning it is to me so odious that I can find no pardon for him in my heart. I have known many such, and some who have craved the power to do so. IS'othing would annoy me more than to think that I should even be supposed to have been among the number. And so my connection was dissolved with the depart- ment to which I had applied the thirty-three best years of my life — I must not say devoted, for devotion im- plies an entire surrender, and I certainly had found time for other occupations. It is, however, absolutely true that during all those years I had thought very much more about the Post-office than I had of my literary work, and had given to it a more unflagging attention. Up to this time I had never been angry, never felt my- self injured or unappreciated in that my literary efforts Leaving the Post-office. 255 were slighted. But I had suffered very much bitterness on that score in reference to the Post-office ; and I had suffered not only on my own personal behalf, but also and more bitterly when I could not promise to be done the things which I thought ought to be done for the benefit of others. That the public in little villages should be enabled to buy postage-stamps; that they should have their letters delivered free and at an early hour; that pillar letter-boxes should be pot up for them (of which accommodation in the streets and ways of England I was the originator, having, however, got the authority for the erection of the first at St. Heliers, in Jersey) ; that the letter-carriers and sorters should not be overworked; that they should be adequately paid, and liave some hours to themselves, especially on Sun- days ; above all, that they should be made to earn their wages ; and, latterly, that they should not be crushed by wdiat I thought to be the damnable system of so-called merit — these were the matters by which I was stirred to what the secretary was pleased to call energetic per- formance of my duties. How I loved, when I was con- tradicted — as I was very often and, no doubt, very prop- erly — to do instantly as I was bid, and then to prove that what I was doing was fatuous, dishonest, expensive, and impracticable ! And then there were feuds — such delicious feuds ! I was always an anti-Hillite, acknowl- edging, indeed, the great thing which Sir Rowland Hill had done for the country, but believing him to be entirely unfit to manage men or to arrange labor. It was a pleasure to me to differ from him on all occasions — and looking back now, I think that in all such differences I was right. Having so steeped myself, as it were, in postal waters, 256 Aittohiogra^hy of Anthony Trollojpe. I could not go out from them without a regret. I won- der whether I did anything to improve the style of writing in official reports! I strove to do so gallantly, never being contented with the language of my own reports unless it seemed to have been so written as to be pleasant to be read. I took extreme delight in writ- ing them, not allowing myself to re-copy them, never liaving them re-copied by others, but sending them up with their original blots and erasures — if blots and eras- ures there were. It is hardly manly, I think, that a man should search after a fine neatness at the expense of so much waste labor ; or that he should not be able to exact from himself the necessity of writing words in the form ill which they should be read. If a copy be required, let it be taken afterwards — by hand or by machine, as may be. But the writer of a letter, if he wish his words to prevail with the reader, should send them out as written by himself, by his own hand, with his own marks, his own punctuation, correct or incorrect, with the evi- dence upon them that they have come out from his own mind. And so the cord was cut, and I was a free man to run about the world where I would. A little before the date of my resignation, Mr. James Yirtue, the printer and publisher, had asked me to edit a new magazine for him, and had offered me a salary of £1000 a year for the work, over and above what might be due to me for my own contributions. I had known some- thing of magazines, and did not believe that they were generally very lucrative. They were, I thought, useful to some publishers as bringing grist to the mill; but as Mr. Virtue's business was chiefly that of a printer, in Leaving the Post-office. 257 which he was very successful, this consideration could hardly have had much weight with him. I very strong- ly advised him to abandon the project, pointing out to him that a large expenditure would be necessary to carry on the magazine in accordance with my views — that I could not be concerned in it on any other understand- ing, and that the chances of an adequate return to him of his money were very small. He came down to Wal- tham, listened to my arguments with great patience, and then told me that if I would not do the work he would find some other editor. • Upon this I consented to undertake the duty. My terms as to salary were those which he had himself pro- posed. The special stipulations which I demanded were : firstly, that I should put whatever I pleased into the magazine, or keep whatever I pleased out of it, without interference ; secondly, that I should from month to month give in to him a list of payments to be made to contributors, and that he should pay them, allowing me to fix the amounts ; and, thirdly, that the arrangement should remain in force, at any rate, for two years. To all this he made no objection ; and during the time that lie and I were thus bound together, he not only complied with these stipulations, but also with every suggestion respecting the magazine that I made to him. If the use of large capital, combined with wide liberality and ab- solute confidence on the part of the proprietor, and per- petual good-humor, would have produced success, our magazine certainly would have succeeded. In all such enterprises the name is the first great diffi- culty. There is the name which has a meaning and the name which has none — of which two the name that has 258 Autobiography of Anthony Trollope. none is certainly the better, as it never belies itself. The Liberal may cease to be liberal, or The Fortnightly, alas ! to come out once a fortnight. But The Cornhill and The Argosy are under any set of circumstances as well adapted to these names as under any other. Then there is the proprietary^ name, or possibly the editorial name, which is only amiss because the publication may change hands. Blackwood's has, indeed, always remained Blackioood's, and Fraser'^s, though it has been bought and sold, still does not sound amiss. Mr. Virtue, fearing the too attractive qualities of his own name, wished the magazine to be called Anthony Trollojp^s. But to thi^ I objected eagerly. There were then about the town — still are about the town — two or three literary gentle- men, by whom to have had myself editored would have driven me an exile from my country. After much dis- cussion, we settled on St. PauVs as the name for our bantling — not as being in any way new, but as enabling it to fall easily into the ranks with many others. If we were to make ourselves in any way peculiar, it was not by our name that we were desirous of doing so. I do not think that we did make ourselves in any way peculiar — and yet there was a great struggle made. On the part of Uie proprietor, I may say that money was spent very freely. On my own part, I may declare that 1 omitted nothing which I thought might tend to suc- cess. I read all manuscripts sent to me, and endeavored to judge impartiall}^ I succeeded in obtaining the ser- vices of an excellent literary corps. During the three years and a half of my editorship I was assisted by Mr. Goschen, Captain Brackenbury, Edward Dicey, Percy Fitzgerald, H. A. Layard, Allingham, Leslie Stephen, " St. FauVs Magazine^ 259 Mrs. Lynn Linton, my brotlier, T. A. Trollope, and liis wife, Charles Lever, E. Arnold, Austin Dobson, K. A. Proctor, Lady Pollock, G. II. Lewes, C. Mackay, Hard- man (of the Times\ George Macdonald, W. R. Greg, Mrs. Oliphant, Sir Charles Trevelyan, Leoni Levi, Dut- ton Cook — and others, whose names would make the list too long. It might have been thought that with such aid the St. PauVs would have succeeded. I do not think that the failure — for it did fail — arose from bad editing. Perhaps too much editing might have been the fault. I was too anxious to be good, and did not enough think of what might be lucrative. It did fail, for it never paid its way. It reached, if I remember right, a circulation of nearly ten thousand — perhaps on one or two occasions may have gone be- yond that. But the enterprise had been set on foot on a system too expensive to be made lucrative by anything short of a very large circulation. Literary merit will hard- 1}^ set a magazine afloat, though when afloat it will sustain it. Time is wanted — or the hubbub, and flurry, and ex- citement created by ubiquitous sesquipedalian advertise- ment. Merit and time together may be effective, but they must be backed by economy and patience. I think, upon the whole, that publishers themselves have been the best editors of magazines, when they have been able to give time and intelligence to the work, l^othing, certainly, has ever been done better than BlachiooocVs. The Cornhill, too, after Thackeray had left it and before Leslie Stephen had taken it, seemed to be in quite eflScient hands — those hands be- ing the hands of proprietor and publisher. The pro- prietor, at any rate, knows what he wants and what he 260 Autobiography of Anthony Trollope. can afford, and is not so frequently tempted to fall into that worst of literary quicksands, the publishing of mat- ter not for the sake of the readers, but for that of the writer. I did not so sin very often, but often enough to feel that I was a coward. " My dear friend, my dear friend, this is trash 1" It is so hard to speak thus — but so necessary for an editor! "We all remember the thorn in his pillow of which Thackeray complained. Occasionally I know that I did give way on behalf of some literary aspirant whose work did not represent it- self to me as being good ; and as often as I did so, I broke my trust to those who employed me. Now, I think that such editors as Thackeray and myself — if I may for the moment be allowed to couple men so un- equal — will always be liable to commit such faults, but that the natures of publishers and proprietors will be less soft. Is'or do I know why the pages of a magazine should be considered to be open to any aspirant who thinks that he can write an article, or why the manager of a magazine should be doomed to read all that may be sent to him. The object of the proprietor is to produce a periodical that shall satisfy the public, which he may probably best do by securing the services of writers of acknowledged ability. Beverley. 261 Chaptee XYI. beverley. Yeey early in life, very soon after I had become a clerk in St. Martin's-le-Grand, when I was utterly im-' pecunious and beginning to fall grievously into debt, I was asked by an uncle of mine, who was himself a clerk in the War Office, what destination I should like best for my future life. He probably meant to inquire whether I wished to live married or single, whether to remain in the Post-office or to leave it, whether I should prefer the town or the country. I replied that I should like to be a Member of Parliament. My uncle, who was given to sarcasm, rejoined that, as far as he knew, few clerks in the Post-office did become Members of Par- liament. I think it was the remembrance of this jeer which stirred me up to look for a seat as soon as I had made myself capable of holding one by leaving the public service. My uncle was dead, but if I could get a seat, the knowledge that I had done so might travel to that bourne from whence he was not likely to re- turn, and he might there feel that he had done me wrong. Independently of this, I have always thought that to sit in the British Parliament should be the highest ob- ject of ambition to every educated Englishman. I do not by this mean to suggest that every educated Eng- 263 Autobiography of Anthony Trollojpe. lisliman should set before himself a seat in parliament as a probable or even a possible career; but that the man in parliament has reached a higher position than the man out — that to serve one's country without pay is the grandest work that a man can do — that of all studies the study of politics is the one in which a man may make himself most useful to his fellow-creatures — and that of all lives, public political lives are capable of the highest efforts. So thinking — though I was aware that iifty-three was too late an age at which to commence a new career — I resolved with much hesita- tion that I would make the attempt. Writing now, at an age beyond sixty, I can say that my political feelings and convictions have never under- gone any change. They are now what they became when I iirst began to have political feelings and con- victions. Nor do I find in myself any tendency to modify them, as I have found generally in men as they grow old. I consider myself to be an advanced, but still a conservative, Liberal, w^hich I regard not only as a possible but as a rational and consistent phase of po- litical existence. I can, I believe, in a very few words, make known my political theory; and as I am anxious that any who know aught of me should know that, I will endeavor to do so. It must, I think, be painful to all men to feel inferi- ority. It should, I think, be a matter of some pain to all men to feel superiority, unless when it has been won by their own efforts. We do not understand the opera- tions of Almighty wisdom, and are therefore unable to tell the causes of the terrible inequalities that we see — why some, why so many, should have so little to make Beverley, 263 life enjoyable, so much to make it painful, while a few others, not through their own merit, have had gifts poured out to them from a full hand. We acknowledge the hand of God and his wisdom, but still we are struck with awe and horror at the misery of many of our brethren. We who have been born to the superior con- dition — for in this matter I consider myself to be standing on a platform with dukes and princes, and all others to whom plenty and education and liberty have been given — cannot, I think, look upon the inane, unin- tellectual, and tost-bound life of those who cannot even feed themselves sufficiently by their sweat, without some* feeling of injustice, some feeling of pain. This consciousness of wrong has induced in many enthusiastic but unbalanced minds a desire to set all things right by a proclaimed equality. In their efforts such men have shown how powerless they are in oppos- ing the ordinances of the Creator. For the mind of the thinker and the student is driven to admit, though it be awe-struck by apparent injustice, that this ine- quality is the w^ork of God. Make all men equal to- day, and God has so created them that they shall be all unequal to-morrow. Tlie so-called Conservative, the conscientious, philanthropic Conservative, seeing this, and being surely convinced that such inequalities are of divine origin, tells himself that it is his duty to pre- serve them. He thinks that the preservation of the welfare of the world depends on the maintenance of those distances between the prince and the peasant by which he finds himself to be surrounded ; and perhaps I may add, that the duty is not unpleasant, as he feels himself to be one of the princes. 264 Autobiography of Anthony Trolloj^e. Eut this man, though he sees something, and sees that very clearly, sees only a little. The divine inequality is apparent to him, but not the equally divine diminu- tion of that inequality. That such diminution is taking place on all sides is apparent enough ; but it is apparent to him as an evil, the consummation of which it is his duty to retard. He cannot prevent it ; and therefore the society to which he belongs is, in his eyes, retro- grading. He will even, at times, assist it ; and will do so conscientiously, feeling that, under the gentle press- ure supplied by him, and with the drags and holdfasts which he may add, the movement would be slower than it would become if subjected to his proclaimed and ab- solute opponents. Such, I think, are Conservatives; and I speak of men who, with the fear of God before their eyes and the love of their neighbors warm in their hearts, endeavor to do their duty to the best of their ability. Using the term which is now common, and which will be best understood, I will endeavor to explain how the equally conscientious Liberal is opposed to the Con- servative. He is equally aware that these distances are of divine origin, equally averse to any sudden disrup- tion of society in quest of some Utopian blessedness ; but he is alive to the fact that these distances are day by day becoming less, and he regards this continual diminution as a series of steps towards that human mil- lennium of which he dreams. He is even willing to help the many to ascend the ladder a little, though he knows, as they come up towards him, he must go down to meet them. What is really in his mind is — I will not say equality, for the word is offensive, and presents Beverley, 265 to the imaginations of men ideas of communism, of ruin, and insane democracy, but — a tendency towards equal- ity. In following that, however, lie knows that he must be hemmed in by safeguards, lest he be tempted to travel too quickly ; and therefore he is glad to be accom- panied on his way by the repressive action of a Conser- vative opponent. Holding such views, I tliink I am guilty of no absurdity in calling myself an advanced Conservative -Liberal. A man who entertains in his mind any political doctrine, except as a means of im- proving the condition of his fellows, I regard as a polit- ical intriguer, a charlatan, and a conjurer — as one who thinks that, by a certain amount of wary wire-pulling, he may raise himself in the estimation of the world. I am aware that this theory of politics will seem to many to be stilted, overstrained, and, as the Americans would say, high-faluten. Many will declare that the majority even of those who call themselves politicians — perhaps even of those who take an active part in pol- itics — are stirred by no such feelings as these, and ac- knowledge no such motives. Men become Tories or Whigs, Liberals or Conservatives, partly by education — following their fathers — partly by chance, partly as openings come, partly in accordance with the bent of their minds, but still without any far-fetched reasonings as to distances and the diminution of distances, l^o doubt it is so ; and in the battle of politics, as it goes, men are led further and further away from first causes, till at last a measure is opposed by one simply because it is advocated by another, and Members of Parliament swarm into lobbies, following the dictation of their leaders, and not their own individual judgments. But 12 266 A^Udbiograj>hy of Anthony Trollope. the principle is at work throughout. To many, though hardlj acknowledged, it is still apparent. On almost all it has its effect; though there are the intriguers, the clever conjurers, to whom politics is simply such a game as is billiards or rackets, only played with greater re- sults. To the minds that create and lead and sway po- litical opinion, some such theory is, I think, ever present. The truth of all this I had long since taken home to myself. I had now been thinking of it for thirty years, and had never doubted. But I had always been aware of a certain visionary weakness about myself in regard to politics. A man, to be useful in Parliament, must be able to confine himself and conform himself, to be satisfied with doing a little bit of a little thing at a time. He must patiently get up everything connected with the duty on mushrooms, and then be satisfied with himself when at last he has induced a Chancellor of the Exchequer to say that he will consider the impost at the first opportunity. He must be content to be beaten six times in order that, on a seventh, his work may be found to be of assistance to some one else. He must remember that he is one out of 650, and be content with l-650th part of the attention of the nation. If he have grand ideas, he must keep them to himself, unless by chance he can work his way up to the top of the tree. In short, he must be a practical man. Now I knew that in politics I could never become a practical man. I should never be satisfied with a soft word from the Chancellor of the Exchequer, but would always be flinging my over-taxed catchup in his face. Nor did it seem to me to be possible that I should ever become a good speaker. I had no special gifts Beverley. 367 that way, and had not studied the art early enough in life to overcome natural difficulties. I had found that, with infinite labor, I could learn a few sentences by heart, and deliver them, monotonously, indeed, but clearly. Or, again, if there were something special to be said, I could say it in a commonplace fashion, but always as though I were in a hurry, and with the fear before me of being thought to be prolix. But I had no power of combining, as a public speaker should always do, that which I had studied with that which occurred to me at the moment. It must be all lesson, which I found to be best ; or else all impromptu, which was very bad indeed, unless I had something special on my mind. I was thus aware that I could do no good by going into parliament ; that the time for it, if there could have been a time, had gone by. But still I had an almost insane desire to sit there, and be able to assure myself that my uncle's scorn had not been deserved. In 1867 it had been suggested to me that, in the event of a dissolution, I should stand for one division of the County of Essex ; and I had promised that I would do so, though the promise at that time was as rash a one as a man could make. I was instigated to tliis by the late Charles Buxton, a man whom I greatly loved, and who was very anxious that the county for which his brother had sat, and with which the family were connected, should be relieved from what he regarded as the thral- dom of Toryism. But there was no dissolution then. Mr. Disraeli passed his Eeform Bill, by the help of the Liberal member for Newark, and the summoning of a new parliament was postponed till the next year. By this new Reform Bill Essex was portioned out into 268 Autobiography of Anthony Trollope, three instead of two electoral divisions, one of whicli — that adjacent to London — would, it was thought, be al- together Liberal. After the promise which I had given, the performance of which would have cost me a large sum of money absolutely in vain, it was felt by some that I should be selected as one of the candidates for the new division, and as such I was proposed by Mr. Charles Buxton. But another gentleman, who would have been bound by previous pledges to support me, was put forward, by what I believe to have been the de- feating interest, and I had to give way. At the election this gentleman, with another Liberal, who had often stood for the county, were returned without a contest. Alas ! alas ! They were both unseated at the next elec- tion, when the great Conservative reaction took place. In the spring of 1868 I was sent to the United States on a postal mission, of which I will speak presently. While I was absent the dissolution took place. On my return I was somewhat too late to look out for a seat, but I had friends who knew the weakness of my ambi- tion ; and it was not likely, therefore, that I should es- cape the peril of being put forward for some impossible borough as to which the Liberal party would not choose that it should go to the Conservatives without a struggle. At last, after one or two others, Beverley was proposed to me, and to Beverley I went. I must, however, exculpate the gentleman who acted as my agent from undue persuasion exercised towards me. He w^as a man w^io thoroughly understood par- liament, having sat there himself — and he sits there now at this moment. He understood Yorkshire — or, at least, the East Biding of Yorkshire, in which Beverley is sit- Beverley. 269 iiated — certainly better than any one alive. He under- stood all the mysteries of canvassing, and he knew well the traditions, the condition, and the prospect of the Liberal party. I will not give his name, but they who knew Yorkshire in 1868 will not be at a loss to find it. " So," said he, " you are going to stand for Beverley ?" I replied gravely that I was thinking of doing so. " Yon don't expect to get in ?" he said. Again I was grave. I would not, I said, be sanguine, but nevertheless I was disposed to hope for the best. " Oh, no !" continned he, with good-humored raillery, " you won't get in. I don't suppose you really expect it. But there is a fine career open to you. You w^ill spend £1000, and lose the elec- tion. Then you will petition, and spend another £1000. You will throw out the elected members. There will be a commission, and the borough will be disfranchised. For a beginner, such as you are, that will be a great suc- cess." And yet, in the teeth of this, from a man who knew all about it, I persisted in going to Beverley ! The borough, which returned two members, had long been represented by Sir Henry Edwards, of whom, I think, I am justified in saying that he had contracted a close intimacy with it for the sake of the seat. There had been many contests, many petitions, many void elections, many members, but, through it all. Sir Henry liad kept his seat, if not with permanency, yet with a fixity of tenure next door to permanence. I fancy that, with a little management between the parties, the bor- ough might at this time have returned a member of each color quietly ; but there were spirits there who did not love political quietude, and it w^as at last decid- ed that there should be two Liberal and two Conserva- 270 Autobiography of Anthony Trollope. tive candidates. Sir Henry was joined by a young man of fortune in quest of a seat, and I was grouped with Mr. Maxwell, the eldest son of Lord Herries, a Scotch Koman Catholic peer who lives in the neighborhood. When the time came I went down to canvass, and spent, I think, the most wretched fortnight of my man- hood. In the first place, I was subject to a bitter tyr- anny from grinding, vulgar tyrants. They were doing what they could, or said that they were doing so, to se- cure me a seat in Parliament, and I was to be in their hands for, at any rate, the period of my candidature. On one day both of us, Mr. Maxwell and I, wanted to go out hunting. We proposed to ourselves but the one holiday during this period of intense labor ; but I was assured, as was he also, by a publican who was working for us, that if we committed such a crime he and all Beverley would desert us. From morning to evening, every day, I was taken round the lanes and by-ways of that uninteresting town, canvassing every voter, exposed to the rain, up to my knees in slush, and utterly unable to assume that air of triumphant joy with which a jolly, successful candidate should be invested. At night, ev- ery night, I had to speak somewhere — which was bad ; and to listen to the speaking of others — which was much worse. When, on one Sunday, I proposed to go to the Minster Church, I was told that was quite useless, as the Church party were all certain to support Sir Henry ! " Indeed," said the publican, my tyrant, ^' he goes there in a kind of official profession, and you had better not allow yourself to be seen in the same place." So I stayed away and omitted my prayers. No Church of England church in Beverley would on such an occasion BeoerUy. 271 have welcomed a Liberal candidate. I felt myself to be a kind of pariah in the borough, to whom was opposed all that was pretty, and all that was nice, and all that was — ostensibly — good. But, perhaps, my strongest sense of discomfort arose from the conviction that my political ideas were all leath- er and prunella to the men whose votes I was soliciting. They cared nothing for my doctrines, and could not be made to understand that I should have any. I had been brought to Beverley either to beat Sir Henry Edwards — which, however, no one probably thought to be feasi- ble — or to cause him the greatest possible amount of trouble, inconvenience, and expense. There were, in- deed two points on which a portion of my wished-for sup- porters seemed to have opinions, and on both these two points I was driven by my opinions to oppose them. Some were anxious for the ballot — which had not then become law — and some desired the Permissive Bill. I hated, and do hate, both these measures, thinking it to be unworthy of a great people to free itself from the evil results of vicious conduct by unmanly restraints. Undue influence on voters is a great evil, from which this country had already done much to emancipate itself by extended electoral divisions and by an increase of independent feeling. These, I thought, and not secret voting, were the weapons by which electoral intim- idation should be overcome. And as for drink, I be- lieve in no parliamentary restraint ; but I do believe in the gradual effect of moral teaching and education. But a Liberal, to do any good at Beverley, should have been able to swallow such gnats as those. I would swallow nothing, and was altogether the wrong man. 272 Autobiography of Anthony Trollope. I knew, from the commencement of my candidature, how it would be. Of course that well-trained gentle- man who condescended to act as my agent had under- stood the case, and I ought to have taken his thoroughly kind advice. He had seen it all, and had told liimself that it was wTong that one so innocent in such ways as I, so utterly unable to fight such a battle, should be car- ried down into Yorkshire merely to spend money and to be annoyed. He could not have said more than he did say, and I suffered for my obstinacy. Of course, I was not elected. Sir Henry Edwards and his comrade became members for Beverley, and I was at the bottom of the poll. I paid £400 for my expenses, and then re- turned to London. My friendly agent in his raillery had, of course, exag- gerated the cost. He had, when I arrived at Beverley, asked me for a check for £400, and told me that that sura would suffice. It did suffice. How it came to pass that exactly that sum should be required I never knew, but such was the case. Then there came a petition — not from me, but from the town. The inquiry was made, the two gentlemen were unseated, the borough was disfranchised, Sir Henry Edwards was put on his trial for some kind of parliamentary offence, and was acquitted. In this way Beverley's privilege as a bor- ough and my parliamentary ambition were brought to an end at the same time. When I knew the result I did not altogether regret it. It may be that Beverley might have been brought to political confusion and Sir Henry Edwards relegated to private life without the expenditure of my hard- earned money, and without that fortnight of misery ; Beverley. 273 but connecting the things together, as it was natural that 1 should do, I did flatter myself tliat I had done some good. It had seemed to me that nothing could be worse, nothing more unpatriotic, nothing more abso- lutely opposed to the system of representative govern- ment, than the time-honored practices of the borough of Beverley. It had come to pass that political clean- liness was odious to the citizens. There was something grand in the scorn with which a leading Liberal there turned up his nose at me when I told him that there should be no bribery, no treating, not even a pot of beer on one side. It was a matter for study to see how at Beverley politics were appreciated because they might subserve electoral purposes, and how little it was un- derstood that electoral purposes, which are in themselves a nuisance, should be endured in order that they may subserve politics. And then the time, the money, the mental energy, which had been expended in making the borough a secure seat for a gentleman who had realized the idea that it would become him to be a Member of Parliament! This use of the borough seemed to be realized and approved in the borough generally. The inhabitants had taught themselves to think that it was for such purposes that boroughs were intended ! To have assisted in putting an end to this, even in one town, was to a certain extent a satisfaction. 12^ 274 Autobiography of Anthony TroUojpe. Chapter XYII. THE AMERICAN POSTAL TREATY. —THE QUESTION OF COPYRIGHT WITH AMERICA.— FOUR MORE NOVELS. In the spring of 1868 — before the affair of Beverley, which, as being the first direct result of my resignation of ofiice, has been brought in a little out of its turn — I was requested to go over to the United States and make a postal treaty at Washington. This, as I had left the service, I regarded as a compliment, and of course I went. It was my third visit to America, and I have made two since. As far as the Post-office work was concerned, it was very far from being agreeable. I found myself located at Washington, a place I do not love, and was harassed by delays, annoyed by incompe- tence, and opposed by what I felt to be personal and not national views. I had to deal with two men — with one who was a working officer of the American Post- office, than whom I have never met a more zealous, or, as far as I could judge, a more honest, public servant. He had his views and I had mine, each of us having at heart the welfare of the service in regard to his own country — each of us also having certain orders wliich we were bound to obey. But the other gentleman, who was in rank the superior — whose executive position was dependent on his official status, as is the case with our own ministers — did not recommend himself to me equal- The Question of Copyright with America. 276 Ij. He would make appointments with me and then not keep them, which at List offended me so grievously that I declared at the Washington Post-office that if this treatment were continued, I would write home to say that any further action on my part was impossible. I think I should have done so had it not occurred to me that I might in this way serve his purpose rather than my own, or the purposes of those who had sent me. The treaty, however, was at last made — the pur- port of which was, that everything possible should be done, at a heavy expenditure on the part of England, to expedite the mails from England to America, and that nothing should be done by America to expedite the mails from thence to us. The expedition I believe to be now equal both ways; but it could not be main- tained as it is without the payment of a heavy subsidy from Great Britain, whereas no subsidy is paid by the States.* I had also a commission from the Foreign Office, for whicli I had asked, to make an effort on behalf of an international copyright between the United States and Great Britain — the want of which is the one great im- pediment to pecuniary success which still stands in the way of successful English autliors. I cannot say that I have never had a shilling of American money on be- half of reprints of my work ; but I have been conscious of no such payment. Having found many years ago — in 1861, when I made a struggle on the subject, being * This was a state of things which may probably have appeared to American politicians to be exactly that which they should try to obtain. The whole arrangement has again been altered since the time of which I have spoken. 276 Autobiography of Anthony Trollope. then in the States, the details of which are sufficiently amusing* — that I could not myself succeed in dealing with American booksellers, I have sold all foreign right to the English publishers ; and though I do not know that I have raised my price against them on that score, I may in this way have had some indirect advantage from the American market. But I do know that what the publishers have received here is very trifling. I doubt whetlier Messrs. Chapman & Hall, my present publishers, get for early sheets sent to the States as much as five per cent, on the price they pay me for my manuscript. But the American readers are more nu- merous than the English, and, taking them all through, are probably more wealthy. If I can get £1000 for a book here (exclusive of their market), I ought to be able to get as much there. If a man supply 600 cus- tomers with shoes in place of 300, there is no ques- tion as to such result. Why not, then, if I can supply 60,000 readers instead of 30,000? I fancied that I knew that the opposition to an in- ternational copyright was by no means an American feelinof, but was confined to the bosoms of a few inter- * In answer to a question from tnyself, a certain American publisher — he who usually reprinted my works — promised me that if any other American publisher republished my work on " America" before he had done so, he would not bring out a competing edition, though there would be no law to hinder him. I then entered into an agreement with another Amer- ican publisher, stipulating to supply him with early sheets ; and he stip- ulating to supply me a certain royalty on his sales, and to supply me with accounts half-yearly. I sent the sheets with energetic punctuality, and the work was brought out with equal energy and precision— by my old Americaa publishers. The gentleman who made the promise had not broken his word. No other American edition had come out before his. I never got any account, and, of course, never received a dollar. The Question of Cojpyright with America. 277 ested Americans. All that I did and heard in refer- ence to the subject on this further visit — and having a certain authority from the British Secretary of State with me I could hear and do something — altogether confirmed me in this view. I have no doubt that if I could poll American readers, or American senators — or even American representatives, if the polling could be unbiassed — or American booksellers,* that an assent to an international copyright would be the result. The state of things as it is is crushing to American authors, as the publishers will not pay them on a liberal scale, knowing tliat they can supply their customers with modern English literature without paying for it. The English amount of production so much exceeds the American, that the rate at which the former can be published rules the market. It is equally injurious to American booksellers — -except to two or three of the greatest houses. No small man can now acquire the exclusive right of printing and selling an English book. If such a one attempt it, the work is printed instantly by one of the leviathans, who alone are the gainers. The argument of course is, that the American readers are the gainers — that as they can get for nothing the use of certain property, they would be cutting their own throats were they to pass a law debarring them- selves from the power of such appropriation. In this argument all idea of honesty is thrown to the winds. It is not that they do not approve of a system of copy- right — as many great men have disapproved — for their own law of copyright is as stringent as is ours. A bold * I might also say American publishers, if I might count them by the number of heads, and not by the amount of work done by the firms. 278 Autdbiograjphy of Anthony Trollojpe. assertion is made that they like to appropriate the goods of other people ; and that, as in this ease they can do so with impunity, they will continue to do so. But the argument, as far as I have been able to judge, comes not from the people, but from the bookselling levia- thans, and from those politicians whom the leviathans are able to attach to their interests. The ordinary American purchaser is not much affected by slight va- riations in price. He is, at any rate, too high-hearted to be affected by the prospect of such variation. It is the man who w^ants to make money, not he who fears that he may be called upon to spend it, who controls such matters as this in the United States. It is the large speculator who becomes powerful in the lobbies of the House, and understands how wise it may be to incur a great expenditure either in the creation of a great business, or in protecting that which he has cre- ated from competition. Nothing was done in 1868 — and nothing has been done since (up to 1876). A royal commission on the law of copyright is now about to sit in this country, of which I have consented to be a member; and the question must then be handled, though nothing done by a royal commission here can affect American legislators. But I do believe that if the measure be consistently and judiciously urged, the enemies to it in the States will gradually be overcome. Some years since we had some quasi private meetings, mider the presidency of Lord Stanhope, in Mr. John Murray's dining-room, on the subject of international copyright. At one of these I discussed this matter of American international copyright with Charles Dickens, who strongly declared his conviction that nothing would The Question of Copyright with America. 279 induce an American to give up the power he possesses of pirating British literature. But he was a man who, seeing clearly what was before him, would not realize the possibility of shifting views. Because in this mat- ter the American decision had been, according to his thinking, dishonest, therefore no other than dishonest decision was to be expected from Americans. Against tliat idea I protested, and now protest. American dis- honesty is rampant; but it is rampant only among a few. It is the great misfortune of the community that those few have been able to dominate so large a por- tion of the population among which all men can vote, but so few can understand for what they are voting. Since this was written the commission on the law of copyright has sat and made its report. With the great body of it I agree, and could serve no reader by allud- ing here at length to matters which are discussed there. But in regard to this question of international copy- right with the United States, I think that we were in- correct in the expression of an opinion tliat fair jus- tice, or justice approaching to fairness, is now done by American publishers to English authors by payments made by them for early sheets. I have just found that £20 was paid to my publisher in England for the use of the early sheets of a novel for w^hich I received £1600 in England. When asked wliy he accepted so little, he assured me that the firm with whom he dealt would not give more. " Why not go to another firm ?" I asked. No other firm would give a dollar, because no other firm would care to run counter to that e'reat firm wliich had assumed to itself the right of publish- ing my books. I soon after received a copy of my own 280 Autobiography of Anthony Trollojye. novel in the American form, and found that it was published for T^cZ. That a great sale was expected can be argued from the fact that without a great sale the paper and printing necessary for the republication of a three-volume novel could not be supplied. Many thou- sand copies must have been sold. But from these the author received not one shilling. I need liardly point out that the sum of £20 would not do more than com- pensate the publisher for his trouble in making the bar- gain. The publisher here, no doubt, might have refused to supply the early sheets, but he had no means of ex- acting a higher price than that offered. I mention the circumstance here because it has been boasted, on be- half of the American publishers, that though there is no international copyright, they deal so liberally with English authors as to make it unnecessary that the Eng- lish author should be so protected. With the fact of the £20 just brought to my knowledge, and with the copy of my book published at l^d. now in my hands, I feel that an international copyright is very necessary for my protection. They among Englishmen who best love and most ad- mire the United States, have felt themselves tempted to use the strongest language in denouncing the sins of Americans. Who can but love their personal generosity, . their active and far-seeking philanthropy, their love of education, their hatred of ignorance, the general convic- tion in the minds of all of them that a man should be enabled to walk upright, fearing no one, and conscious that he is responsible for his own actions ? In what country have grander efforts been made by private mu- nificence to relieve the sufferings of humanity ? Where The Question of Copyright with America. 281 can the English trav^eller find any more anxious to as- sist him than the normal American, when once the American shall have found the Englishman to be nei- ther sullen nor fastidious ? Who, lastly, is so much an object of heart-felt admiration of the American man and the American woman as the well-mannered and well-educated Englishwoman or Englishman? These are the ideas which I say spring uppermost in the minds of the unprejudiced English traveller as he makes ac- quaintance with these near relatives. Then he becomes cognizant of their official doings, of their politics, of their municipal scandals, of their great ring-robberies, of their lobbyings and briberies, and the infinite base- ness of their public life. There, at the top of evei'y- thing, he finds the very men who are the least fit to oc- cupy high places. American public dishonesty is so glaring that the very friends he has made in the coun- try are not slow to acknowledge it — speaking of public life as a thing apart from their own existence, as a state of dirt in which it would be an insult to suppose that they are concerned ! In the midst of it all the stranger, who sees so much that he hates and so much that he loves, hardly knows how to express himself. '' It is not enough that you are personally clean," he says, with what energy and courage he can command — " not enough though the clean outnumber the foul as greatly as those gifted with eyesight outnumber the blind, if you that can see allow the blind to lead you. It is not by the private lives of the millions that the outside world will judge you, but by the public career of those units whose venality is allowed to debase the name of your country. There never was plainer proof 283 Autobiography of Anthony Trollojpe, given than is given here, that it is the duty of every honest citizen to look after the honor of his state." Personally, I have to own that I have met Ameri- cans — men, but more frequently women — who have in all respects come up to what my ideas of what men and women should be : energetic, having opinions of their own, quick in speech, with some dash of sarcasm at their command, always intelligent, sweet to look at (I speak of the women), fond of pleasure, and each with a personality of his or her own wliich makes no effort necessary on my own part in remembering the differ- ence between Mrs. Walker and Mrs. Green, or between Mr. Smith and Mr. Johnson. They have faults. They are self-conscious, and are too prone to prove by ill-con- cealed struggles that they are as good as you — whereas you, perhaps, have been long acknowledging to yourself that they are much better. And there is sometimes a pretence at personal dignity among those who think themselves to have risen high in the w^orld, which is de- liciously ludicrous. I remember two old gentlemen* the owners of names which stand deservedly high in public estimation, whose deportment at a public funeral turned the occasion into one for irresistible comedy. They are suspicious at first, and fearful of themselves. They lack that simplicity of manners which w^ith us has be- come a habit from our childhood. But they are never fools, and I think that they are seldom ill-natured. There is a woman, of whom not to speak in a work purporting to be a memoir of my own life would be to omit all allusion to one of the chief pleasures which has graced my later years. In the last fifteen years she has been, out of my family, my most chosen friend. She is Four More Novels. 283 a ray of light to me, from which I can always strike a spark by thinking of her. I do not know that I should please her or do any good by naming her. But not to allude to her in these pages would amount almost to a falsehood. I could not write truly of myself without saying that such a friend had been vouchsafed to me. I trust she may live to read the words I have now writ- ten, and to wipe away a tear as she thinks of my feel- ing while I write them. I was absent on this occasion something over three months, and on my return I went back with energy to my work at the St. PaioTs Magazine. The first novel in it from my own pen was called " Phineas Finn," in which I commenced a series of semi-political tales. As I was debarred from expressing my opinions in the House of Commons, I took this method of declaring myself. And as I could not take my seat on those benches where I might possibly have been shone upon by the Speaker's eye, I had humbly to crave his per- mission for a seat in the gallery, so that I. might thus become conversant with the ways and doings of the House in which some of my scenes were to be placed. The Speaker was very gracious, and gave me a running order for, I think, a couple of months. It was enough, at any rate, to enable me often to be very tired, and, as I have been assured by members, to talk of the proceed- ings almost as well as though Fortune had enabled me to fall asleep within the House itself. In writing " Phineas Finn," and also some other novels which followed it, I was conscious that I could not make a tale pleasing chiefly, or perhaps in any part, by politics. If I write politics for my own sake, I must 284 Autobiography of Anthony Trollojpe, put in love and intrigue, social incidents, with perhaps a dash of sport, for the benefit of my readers. In this way I think I made my political hero interesting. It was certainly a blunder to take him from Ireland — into which I was led by the circumstance that I created the scheme of the book during a visit to Ireland. There was nothing to be gained by the peculiarity, and there was an added difficulty in obtaining sympathy and af- fection for a politician belonging to a national] t}^ whose politics are not respected in England. But in spite of this Phineas succeeded. It was not a brilliant success, because men and women not conversant with political matters could not care much for a hero who spent so much of his time either in the House of Commons or in a public office. But the men who would have lived with Phineas Finn read the book, and the women w^ho would have lived with Lady Laura Standish read it also. As this was what I had intended, I was contented. It is all fairly good except the ending, as to which till I got to it I made no provision. As I fully intended to bring my hero again into the world, I was wrong to marry him to a simple, pretty Irish girl, who could only be felt as an encumbrance on such return. When he did return I had no alternative but to kill the simple, pretty Irish girl, which was an unpleasant and awkward necessity. In writing "Phineas Finn" I had constantly before me the necessity of progression in character — of marking the changes in men and women which would naturally be produced by the lapse of years. In most novels the writer can have no such duty, as the period occupied is not long enough to allow of the change of which I speak. Four More Novels, 285 111 ^'Ivanhoe," all the incidents of which are included in less than a month, the characters should be, as they are, consistent throughout. Novelists who have under- taken to write the life of a hero or heroine have gener- ally considered their work completed at the interesting period of marriage, and have contented themselves with the advance in taste and manners which are common to all boys and girls as they become men and women. Fielding, no doubt, did more than this in " Tom Jones," which is one of the greatest novels in the English lan- guage, for there he has shown how a noble and sanguine nature may fall away under temptation and be again strengthened and made to stand upright. But I do not think that novelists have often set before themselves the state of progressive change — nor should I have done it, had I not found myself so frequently allured back to my old friends. So much of my inner life was passed in their company, that I was continually asking myself how this woman would act when this or that event had passed over her head, or how that man would carry him- self when his youth had become manhood, or his man- hood declined to old age. It was in regard to the old Duke of Omnium, of his nephew and heir, and of his heir's wife. Lady Glencora, that I was anxious to carry out this idea ; but others added themselves to my mind as I went on, and I got round me a circle of persons as to whom I knew not only their present characters, but how those characters w^ere to be affected by years and circumstances. The happy, motherly life of Violet Ef- fingham, which was due to the girl's honest, but long- restrained love ; the tragic misery of Lady Laura, which was equally due to the sale she made of herself in her 286 Autobiography of Anthony Trollope, wretched marriage; and the long suffering but final success of the hero, of which he had desei'ved the first by his vanity, and the last by his constant honesty, had been foreshadowed to me from the first. As to the in- cidents of the story, the circumstances by which these personages were to be effected, I knew nothing. Tliey were created for the most part as tliey were described. I never could arrange a set of events before me. But the evil and the good of my puppets, and how the evil would always lead to evil, and the good produce good — that .was clear to me as the stars on a summer night. Lady Laura Stan dish is the best character in " Phineas Finn" and its sequel "Phineas Kedux" — of which I will speak here together. They are, in fact, but one novel, though they were brought out at a considerable interval of time, and in different form. The first was commenced in the St. PaiiVs Magazine in 1867, and the other was brought out in the Graphic in 1873. In this there was much bad arrangement, as I had no right to expect that novel-readers would remember the char- acters of a story after an interval of six years, or that any little interest which might have been taken in the career of my hero could then have been renewed. I do not know that such interest was renewed. But I found that the sequel enjoyed the same popularity as the former part, and among the same class of readers. Pliineas, and Lady Laura, and Lady Chiltern — as Yiolet had become — and the old duke — whom I killed grace- fully, and the new duke, and the young duchess, either kept their old friends or made new friends for them- selves. " Phineas Finn," I certainly think, was success- ful from first to last. I am aware, however, that there Four More Novels. 287 was nothing in it to touch the heart like the abasement of Lady Mason when confessing her guilt to her old lover, or any approach in delicacy of delineation to the character of Mr. Crawley. " Phineas Finn," the first part of the story, was com- pleted in May, 1867. In June and July I wrote " Linda Tressel" for Blackwood's Magazine, of which I have already spoken. In September and October I wrote a short novel, called "The Golden Lion of Granpere," which was intended also for Blackwood — with a view of being published anonymously ; but Mr. Blackwood did not find the arrangement to be profitable, and the story remained on my hands, unread and unthought of, for a few years. It appeared subsequently in Good Words. It was written on the model of " JSfina Balatka " and "Linda Tressel," but is very inferior to either of them. In IS^ovember of the same year, 1867, 1 began a very long novel, which I called " He Knew He Was Kight," and which was brought out by Mr. Virtue, the proprietor of the St. PauVs Magazine, in sixpenny numbers, every week. I do not know that in any lit- erary effort I ever fell more completely short of my own intention than in this story. It was my purpose to create sympathy for the unfortunate man who, while endeavoring to do his duty to all around him, should be led constantly astray by his unwillingness to submit his own judgment to the opinion of others. The man is made to be unfortunate enough, and the evil which he does is apparent. So far I did not fail, but the sym- pathy has not been created yet. I look upon the story as being nearly altogether bad. It is in part redeemed by certain scenes in the house and vicinity of an old 288 Autohiograjphy of Anthony Trollojpe, maid in Exeter. But a novel which in its main parts is bad cannot, in truth, be redeemed by the vitality of subordinate characters. This work was finished while I was at Washington in the spring of 1868, and on the day after I finished it I commenced "The Yicar of BuUhampton," a novel which I w^'ote for Messrs. Bradbury & Evans. This I completed in November, 1868, and at once began " Sir Harry Hotspur of Humblethwaite," a story which I was still writing at the close of the year. I look upon these two years, 1867 and 1868, of which I have given a somewhat confused account in this and the two pre- ceding chapters, as the busiest in my life. I had, in- deed, left the Post-office, bat though I had left it I had been employed by it during a considerable portion of the time. I had established the St. PauVs Magazine^ in reference to which I had read an enormous amount of manuscript, and for which, independently of my novels, I had written articles almost monthly. I had stood for Beverley and had made many speeches. I had also written five novels, and had hunted three times a week during each of the winters. And how happy I was with it all ! I had suffered at Beverley, but I had suffered as a part of the work which I was desirous of doing, and I had gained my experience. I had suffered at "VYashington with that wretched American Postmas- ter, and with the mosquitoes, not having been able to escape from that capital till July; but all that had added to the activity of my life. I had often groaned over those manuscripts ; but I had read them, consider- ing it — perhaps foolishly — to be a part of my duty as editor. And though in the quick production of my Four Move Novels. 289 novels I Lead always ringing in my ears that terrible condemnation and scorn produced by the great man in Paternoster Row, I was nevertheless proud of having done so much. I always had a pen in my hand. Whether crossing the seas, or fighting with American officials, or tramping about the streets of Beverley, I could do a little, and generally more than a little. I had long since convinced myself that in such work as mine the great secret consisted in acknowledging my- self to be bound to rules of labor similar to those which an artisan or a mechanic is forced to obey. A shoe- maker when he has finished one pair of shoes does not sit down and contemplate his work in idle satisfaction. " There is my pair of shoes finished at last ! What a pair of shoes it is !" The dioemaker who so indulged himself would be w^ithout w\ages half his time. It is the same with a professional writer of books. An author may, of course, want time to study a new sub- ject. He will, at any rate, assure himself that there is some such good reason wdiy he should pause. He does pause, and will be idle for a month or two, while he tells himself how beautiful is that last pair of shoes which he has finished ! Having thought much of all this, and having made up my mind that I could be really happy only when I was at work, I had now quite accustomed myself to begin a second pair as soon as the first was out of my hands. 13 390 Autobiograjphy of Anthony Trollojpe. Chapter XYIII. *'THE VICAR OF BULLHAMPTON."— "SIR HARRY HOT- SPUR."— "AN EDITOR'S TALES."— " C^SAR." In 1869 I was called on to decide, in council with my two boys and their mother, what should be their destination in life. In June of that year the elder, who was then twenty-three, was called to the Bar; and as he had gone through the regular courses of lecturing, tuition, and study, it might be supposed that his course was already decided. But, just as he was called, there seemed to be an opening for him in another direction ; and this, joined to the terrible uncertainty of the Bar, the terror of which was not in his case lessened by any peculiar forensic aptitude, induced us to sacrifice dig- nity in quest of success. Mr. Frederic Chapman, w^ho was then the sole representative of the publishing house known as Messrs. Chapman & Hall, w^anted a partner, and my son Henry went into the firm. He remained there three years and a half ; but he did not like it, nor do I think he made a very good publisher. At any rate, he left the business with perhaps more pecuniary success than might have been expected from the short period of his labors, and has since taken himself to literature as a profession. "Whether he will work at it so hard as his father, and write as many books, may be doubted. *'TA^ Vicar of Bullhamj[ftonP 291 My second son, Frederic, had very early in life gone out to Australia, having resolved on a colonial career when he found that boys who did not grow so fast as he did got above him at school. This departure was a great pang to his mother and me ; but it was permitted on the understanding that he was to come back wdien he was twenty-one, and then decide whether he would remain in England or return to the Colonies. In the winter of 18G8 he did come to England, and had a season's hunting in the old country; but there was no doubt in his own mind as to his settling in Australia. His purpose was fixed, and in the spring of 1869 he made his second journey out. As I have since tliat date made two journeys to see him — of one of which, at any rate, I shall have to speak, as I wrote a long book on the Australasian Colonies — I will have an opportunity of saying a word or two further on of him and his doings. "The Yicar of Bullhampton" was WTitten in 1868, for publication in Once a Week, a periodical then be- longing to Messrs. Bradbury & Evans. It was not to come out till 1869, and I, as was my wont, had made my terms long previously to the proposed date. I had made my terms and written my story and sent it to the publisher long before it was wanted ; and so far my mind was at rest. The date fixed was the first of July, which date had been named in accordance with the exigencies of the editor of the periodical. An author who writes for these publications is bound to suit himself to these exigencies, and can generally do so without personal loss or inconvenience, if he will only take time by the forelock. With all the pages that I have written for 293 Autobiography of Anthony Trollope. magazines I have never been a day late, nor have I ever caused inconvenience bj sending less or more matter than I liad stipulated to supply. But I have sometimes found myself compelled to suffer by the irregularity of others. I have endeavored to console myself by reflect- ing that such must ever be the fate of virtue. The in- dustrious must feed the idle. The honest and simple will always be the prey of the cunning and fraudulent. Tlie punctual, who keep none waiting for them, are doomed to wait perpetually for the unpunctual. But these earthly sufferers know that they are making their w^ay heavenwards, and their oppressors their way else- wards. If the former reflection does not suffice for consolation, the deficiency is made up by the second. I was terribly aggrieved on the matter of the publication of my new Yicar, and had to think very much of the ultimate rewards of punctuality and its opposite. About the end of March, 1869, 1 got a dolorous letter from the editor. All the Once a Week people were in a terrible trouble. They liad bought the right of translating one of Victor Hugo's modern novels, " L'llomme Qui Rit;" they had fixed a date, relying on positive pledges from the French publishers ; and now the great French author had postponed his work from week to week and from month to month, and it had so come to pass that the Frenchman's grinning hero would have to appear exactly at the same time as my clergyman. Was it not quite apparent to me, the editor asked, that 0?ice a Week could not hold the two ? Would I allow my clergyman to make his appearance in the Gentlema7i^s Magazine instead ? My disgust at this proposition was, I think, chiefly "77i6 Vicar of Bullham'ptonP 293 due to Yictor Hugo's later novels, which I regard as pretentious and untrue to nature. To this, perhaps, was added some feeling of indignation that I should be asked to give way to a Frenchman. The Frenchman had broken his engagement. He had failed to have his work finished by the stipulated time. From week to week and from month to month he had put off the ful- filment of his duty. And because of these laches on his part — on the part of this sententious French Radical — I was to be thrown over ! Virtue sometimes finds it difficult to console herself even with the double comfort. I would not come out in the Gentleman^s Magazine^ and as the Grinning Man could not be got out of the way, my novel was published in separate numbers. The same thing has occurred to me more than once since. '^ You, no doubt, are regular," a publisher has said to me, " but Mr. is irregular. He has thrown me out, and I cannot be ready for you till three months after the time named." In these emergencies I have given perhaps half what was wanted, and have refused to give the other half. I have endeavored to fight my own battle fairly, and at the same time not to make myself unnecessarily obstinate. But the circumstances have impressed on my mind the great need there is that men engaged in literature should feel themselves to be bound to their industry as men know that they are bound in other callings. There does exist, I fear, a feel- ing that authors, because they are authors, are relieved from the necessity of paying attention to everyday rules. A writer, if he be making £800 a year, does not think himself bound to live modestly on £G00, and put by the remainder for his wife and children. He does 294 A^ttobiogrwphy of Anthony Trollope, not understand that he should sit down at his desk at a certain hour. He imagines that publishers and book- sellers should keep all their engagements with him to the letter ; but that he, as a brain-worker, and conscious of the subtile nature of the brain, should be able to ex- empt himself from bonds when it suits him. He has his own theory about inspiration, which will not always come — especially will not come if wine-cups over-night have been too deep. All this has ever been odious to me, as being unmanly. A man may be frail in health, and therefore unable to do as he has contracted, in whatever grade of life. He who has been blessed with physical strength to work day by daj^, year by year — as has been my case — should pardon deficiencies caused by sickness or infirmity. I may in this respect have been a little hard on others, and, if so, I here record my repentance. But I think that no allowance should be given to claims for exemption from punctuality, made, if not absolutely on the score, still, with tlie conviction, of intellectual superiority. *' The Yicar of Bullhampton " was written chiefly with the object of exciting not only pity, but sympathy, for a fallen woman, and of raising a feeling of forgive- ness for such in the minds of other women. I could not venture to make this female the heroine of my story. To have made her a heroine at all would have been directly opposed to my purpose. It was necessary, tlierefore, that she should be a second-rate personage in the tale ; but it was with reference to her life that the tale was written, and the hero and the heroine, with their belongings, are all subordinate. To this novel I affixed a preface — in doing which I was acting in defiance of "T/i^ Yicar of BullhamjptonP 295 my old-established principle. I do not know that any one read it ; but as I wish to have it read, 1 will insert it here again : "I have introduced in ^ The Yicar of Bullhampton' the character of a girl whom I will call — for want of a truer word that shall not in its truth be offensive — a castaway. I have endeavored to endow her with quali- ties that may create sympathy, and I have brought her back at last from degradation, at least to decency. I have not married her to a wealthy lover, and I have en- deavored to explain that though there was possible to lier a way out of perdition, still things could not be with her as they would have been had she not fallen. " There arises, of course, the question whether a nov- elist, who professes to write for the amusement of the young of both sexes, should allow himself to bring upon his stage a character such as that of Carry Brattle. It is not long since — it is well within tlie memory of the author — that the very existence of such a condition of life as was hers was supposed to be unknown to our sisters and daughters, and was, in truth, unknown to many of them. AVhcther that ignorance was good may be questioned ; but that it exists no longer is beyond question. Then arises the further question — how far the condition of such unfortunates should be made a mat- ter of concern to the sweet young hearts of those whose delicacy and cleanliness of thought is a matter of pride to so many of us. Cannot women who are good pity the sufferings of the vicious, and do something, perhaps, to mitigate and shorten them, without contamination from the vice? It will be admitted, probably, by most men who have thought upon the subject, that no fault 296 AiUohiography of Anthony Trollojpe. among us is punished so heavily as that fault, often so light in itself, but so terrible in its consequences to the less faulty of the two offenders, by ^Yhich a woman falls. All her own sex is against her, and all those of the other sex in whose veins runs the blood which she is thought to have contaminated, and who, of nature, would be- friend her, were her trouble any other than it is. " She is what she is, and she remains in her abject, pitiless, unutterable misery, because this sentence of the world has placed her beyond the helping hand of Love and Friendship. It may be said, no doubt, that the se- verity of this judgment acts as a protection to female virtue — deterring, as all known punishments do deter, from vice. But this punishment, which is horrible be- 3^ond the conception of those who have not regarded it closel}^, is not known beforehand. Instead of the pun- ishment, there is seen a false glitter of gaudy life — a glitter which is damnably false — and which, alas ! has been more often portrayed in glowing colors, for the injury of young girls, than have those horrors which ought to deter, with the dark shadowings which belong to them. " To write in fiction of one so fallen as the noblest of her sex, as one to be rewarded because of her weak- ness, as one whose life is happy, bright, and glorious, is certainly to allure to vice and misery. But it may, perhaps, be possible that if the matter be handled with truth to life, some girl, who would have been thought- less, may be made thoughtful, or some parent's heart may be softened." Those were my ideas when I conceived the story, and with that feeling I described the characters of Carry ^^The Vicar of BullhaTivptonP 297 Brattle and of her family. I have not introduced her lover on the scene, nor have I presented her to the reader in the temporary enjoyment of any of those fallacious luxuries, the longing for which is sometimes more seductive to evil than love itself. She is intro- duced as a poor, abased creature, who hardly knows how false w^ere her dreams, with very little of the Magdalene about her — because, though there may be Magdalenes, they are not often found — but with an intense horror of the sufferings of her position. Such being her con- dition, will they who naturally are her friends protect her? The vicar, who has taken her by the hand, en- deavors to excite them to charity ; but father and brother and sister are alike hard-hearted. It had been my purpose at first that the hand of every Brattle should be against her; but my own heart was too soft to en- able me to make the mother cruel — or the unmarried sister, who had been the early companion of the forlorn one. As regards all the Brattles, the story is, I think, well told. The characters are true, and the scenes at the mill are in keeping with human nature. For the rest of the book I have little to say. It is not very bad, and it certainly is not very good. As I have myself forgot- ten what the heroine does and says — except that she tumbles into a ditch — I cannot expect that any one else should remember her. But I have forgotten nothing that w^as done or said by any of the Brattles. The question brought in argument is one of fearful importance. As to the view to be taken first, there can, I think, be no doubt. In regard to a sin common to the two sexes, almost all the punishment and all the dis- 13* 298 Autobiography of Anthony Trollope. grace is heaped upon the one who in nine cases out of ten has been the least -sinfuh And the punishment in- flicted is of such a nature that it hardly allows room for repentance. How is the woman to return to decency to whom no decent door is opened? Then comes the an- swer : It is to the severity of the punishment alone that we can trust to keep women from falling. Such is the argument used in favor of the existing practice, and such the excuse given for their severity by women who will relax nothing of their harshness. But, in truth, the severity of the punishment is not known beforehand ; it is not in the least understood by women in general, except by tliose who suffer it. The gaudy dirt, the squalid plenty, the contumely of familiarity, the absence of all good words and all good things, the banishment from honest labor, the being compassed round with lies, the flaunting glare of fictitious revelry, the weary pave- ment, the horrid slavery to some horrid tyrant — and then the quick depreciation of that one ware of beauty, the substituted paint, garments bright without but foul within, like painted sepulchres, hunger, thirst, and strong drink, life without a hope, without the certainty even of a morrow's breakfast, utterly friendless, disease, starva- tion, and a quivering fear of that coming liell wliich still can hardly be worse than all that is suffered here ! This is the life to which we doom our erring daughters, when because of their error we close our door upon them ! But for our erring sons we find pardon easily enough. Of course there are houses of refuge, from which it has been thought expedient to banish everything pleas- ant, as though the only repentance to which we can af- "/&> Harry Hotsj^urP 399 ford to give a place must necessarily be one of sackcloth and ashes. It is hardly thus that we can hope to recall those to decency who, if they are to be recalled at all, must be induced to obey the summons before they have reached the last stage of that misery which I have at- tempted to describe. To me the mistake which we too often make seems to be this — that the girl who has gone astray is put out of sight, out of mind, if possible, at any rate, out of speech, as though she had never existed, and that this ferocity comes not only from hatred of the sin, but in part also from a dread of the taint which the sin brings with it. Yery low as is the degradation to which a girl is brought when she falls through love or vanity, or perhaps from a longing for luxurious ease, still much lower is that to which she must descend perforce when, through the hardness of the world around her, she con- verts that sin into a trade. Mothers and sisters, when the misfortune comes upon them of a fallen female from among their number, should remember this, and not fear contamination so strongly as did Carry Brat- tle's married sister and sister-in-law. In 1870 I brought out three books — or, rather, of the latter of the three I must say that it was brought out by others, for I had nothing to do with it except to write it. These were " Sir Harry Hotspur of Humble- thwaite," "An Editor's Tales," and a little volume on Julius Caesar. " Sir Harry Hotspur " was written on the same plan as "Nina Balatka" and "Linda Tressel," and had for its object the telling of some pathetic in- cident in life rather than the portraiture of a number of human beings. "Nina" and "Linda Tressel" and "The Golden Lion" had been placed in foreign coun- 300 AxUdbiogra/phy of Anthony Trollojpe. tries, and this was an English story. In other respects it is of the same nature, and was not, I think, by any means a failure. There is much of pathos in the love of the girl, and of paternal dignity and affection in the father. It was published first in Ilacmillan^s Magazine, by the intelligent proprietor of which I have since been told that it did not make either his fortune or that of his magazine. I am sorry that it should have been so ; but I fear that the same thing may be said of a good many of my novels. When it had passed through the magazine, the subsequent use of it was sold to other publishers by Mr. Macmillan, and then I learned that it was to be brought out by them as a novel in two vol- umes. ISTow, it liad been sold by me as a novel in one volume, and hence there arose a correspondence. I found it very hard to make the purchasers under- stand that I had reasonable ground for objection to the process. What was it to me? How could it injure me if they stretched my pages, by means of lead and margin, into double the number I had intended. I have heard the same argument on other occasions. AVhen I have pointed out that in this way the public would have to suffer, seeing that they would have to pay Mudie for the use of two volumes, in reading that which ought to have been given to them in one, I have been assured that the public are pleased with literary short measure, that it is the object of novel-readers to get through novels as fast as they can, and that the shorter each volume is the better! Even this, how- ever, did not overcome me, and I stood to my guns. " Sir Harry " was published in one volume, containing "An Editor's TalesP 301 something over the normal 300 pages, with an average of 220 words to a page, which I had settled with my conscience to be the proper length of a novel volnme. I may here mention that on one occasion, and on one occasion only, a publisher got the better of me in a matter of volumes. He had a two-volume novel of mine running through a certain magazine, and had it printed complete in three volumes before I knew where I was, before I had seen a sheet of the letterpress. I stormed for a while, but I had not the heart to make him break up the type. The " Editor's Tales " was a volume republished from the St. PauVs Magazine, and professed to give an edi- tor's experience of his dealings with contributors. I do not think that there is a single incident in the book which could bring back to any one concerned the mem- ory of a past event. And yet there is not an incident in it the outline of which was not presented to my mind by the remembrance of some fact — how an ingenious gentleman got into conversation with me, I not know- ing that he knew me to be an editor, and pressed his lit- tle article on my notice ; how I was addressed by a lady with a becoming pseudonym, and with much equally be- coming audacity ; how I was appealed to by the dearest of little women, whom here I have called Mary Gres- ley; how in my own early days there was a strngglo over an abortive periodical, which was intended to be the best thing ever done ; how terrible was the tragedy of a poor drunkard, who, with infinite learning at his command, made one sad final effort to reclaim himself, and perished wliile he w^as making it ; and lastly, how a poor, weak editor was driven nearly to madness, by 302 Aut6biograj[>hy of Anthony Trollope. threatened litigation from a rejected contributor. Of these stories " The Spotted Dog," with the struggles of the drunkard scholar, is the best. I know now, how- ever, that when the things were good they came out too quick one upon another to gain much attention — and so also, luckilv, when they were bad. The " Csesar" was a thing of itself. My friend John Blackwood had set on foot a series of small volumes called ''Ancient Classics for English Readers," and had placed the editing of them, and the compiling of many of them, in the hands of William Lucas Collins, a clergy- man who, from my connection with the series, became a most intimate friend. The " Iliad " and the " Odys- sey" had already come out when I was at Edinburgh with John Blackwood, and, on my expressing my veiy strong admiration for those two little volumes — which I here recommend to all young ladies as the most charm- ing tales they can read — he asked me whether I w^ould not undertake one myself. "Herodotus" was in the press, but, if I could get it ready, mine should be next. Whereupon I offered to say what might be said to the readers of English on " The Commentaries of Julius Csesar." I at once went to work, and in three months from that day the little book had been written. I began by reading through the " Commentaries" twice, wdiich I did without any assistance either by translation or English notes. Latin was not so familiar to me then as it has since become, for from that date I have almost daily spent an hour with some Latin author, and on many days many hours. After the reading what my author had left behind him, I fell into the reading of what ^^CcBsar,^^ 303 others had written about him, in Latin, in English, and even in French ; for I went through much of that most futile book bj the late Emperor of the French. I do not know that, for a short period, I ever w^orked harder. The amount I had to write was nothing. Three weeks would have done it easily. But I was most anxious, in this soaring out of my own peculiar line, not to disgrace myself. I do not think that I did disgrace myself. Per- haps I was anxious for something more. If so, I was disappointed. The book I think to be a good little book. It is read- able by all, old and young, and it gives, I believe accu- rately, both an account of "Caesar's Commentaries" — which, of course, was the primary intention — and the chief circumstances of the great Roman's life. A well- educated girl who had read it and remembered it would, perhaps, know as much about Caesar and his writings as she need know. Beyond the consolation of thinking as I do about it, I got very little gratification from the work. E'obody praised it. One very old and very learned friend to whom I sent it thanked me for my " comic Caesar," but said no more. I do not suppose that he intended to run a dagger into me. Of any suf- fering from such wounds, I think, while living, I never showed a sign ; but still I have suffered occasionally. There was, however, probably present to my friend's mind, and to that of others, a feeling that a man who had spent his life in writing English novels could not be fit to write about Csesar. It was as when an ama- teur gets a picture hung on the walls of the Academy. What business had I there ? Ne sutor ultra crepidam. In the press it was most faintly damned by most faint 304 Autobiography of Anthony Trollope. praise. ISTevertheless, having read the book again with- in the last month or two, I make bold to say that it is a good book. The series, I believe, has done very well. I am sure that it ought to do well in years to come, for, putting aside " Csesar," the work has been done with infinite scholarship, and very generally with a light hand. With the leave of my sententious and sonorous friend, who had not endured that subjects which had been grave to him should be treated irreverently, I will say that such a work, unless it be light, cannot answer the purpose for which it is intended. It was not ex- actly a school-book that was wanted, but something that would carry the purposes of the school-room even into the leisure hours of adult pupils. Nothing was ever better suited for such a purpose than the " Iliad " and the " Odyssey," as done by Mr. Collins. The " Yirgil," also done by him, is very good ; and so is the " Aris- tophanes," by the same hand. ''Raljph the IleirP 305 Chapter XIX. "RALPH THE HEIR." — "THE EUSTACE DIAMONDS." — "LADY ANNA."— "AUSTRALIA." In tlie spring of 1871 we — I and mj wife — had de- cided that we would go to Australia to visit our shep- herd SOD. Of course, before doing so, I made a contract with a publisher for a book about the colonies. For such a work as this I had always been aware that I could not fairly demand more than half the price that would be given for the same amount of fiction; and as such books have an indomitable tendency to stretch them- selves, so that more is given than what is sold, and as the cost of travelling is heavy, the writing of them is not remunerative. This tendency to stretch comes not, I think, generally from the ambition of the writer, but from his inability to comprise the different parts in their allotted spaces. If you have to deal with a country, a colony, a city, a trade, or a political opinion, it is so much easier to deal with it in twenty than in twelve pages ! I also made an engagement with the editor of a London daily paper to supply him with a series of ar- ticles — which were duly written, duly published, and duly paid for. But, with all this, travelling with the object of writing is not a good trade. If the travelling author can pay his bills, he must be a good manager on the road. 306 Autohiography of Anthony Trollojpe. Before starting there came upon lis the terrible neces- sity of coming to some resohition about our house at Waltham. It had been first hired, and then bought, primarily because it suited my Post-office avocations. To this reason had been added other attractions — in the shape of hunting, gardening, and suburban hospitalities. Altogether the house had been a success, and the scene of much happiness. But there arose questions as to expense. Would not a house in London be cheaper % There could be no doubt that my income would de- crease, and was decreasing. I had thrown the Post- office, as it were, away, and the writing of novels could not go on forever. Some of my friends told me already that at fifty-five I ought to give np the fabrication of love-stories. The hunting, I thought, must soon go, and I would not therefore allow that to keep me in the countiy. And then, why should I live at Walthara Cross now, seeing that I had fixed on that place in ref- erence to the Post-office ? It was therefore determined that we would flit, and as we were to be away for eigh- teen months, we determined also to sell our furniture. So there was a packing-up, with many tears and con- sultations as to what should be saved out of the things we loved. As must take place on such an occasion, there was some heart -felt grief. But the thing w\as done, and orders were given for the letting or sale of the house. I may as well say here that it never was let, and that it remained unoccupied for two years before it was sold. I lost by the transaction about £800. As I continually hear that other men make money by buying and selling houses, I presume I am not well adapted for transactions ^''The Eustace Diamonds^ 307 of that sort. I liave never made money by selling any- thing except a manuscript. In matters of horseflesh I am so inefficient that I have generally given away horses that I have not wanted. AVhen we started from Liverpool, in May, 1S71, ^' Ealph the Heir" was running through the St. PauVs. This was the novel of which Charles Reade afterwards took the plot and made on it a play. I have always tliought it to be one of the worst novels I have written, and almost to have justified that dictum that a novelist after fifty should not write love-stories. It was in part a political novel; and ihat part which appertains to politics, and which recounts the electioneering experi- ences of the candidates at Percycross, is well enough. Percycross and Beverley were, of course, one and the same place. I^eefit, the breeches-maker, and his daugh- ter, are also good in their way ; and Moggs, the daugh- ter's lover, who was not only lover, but also one of the candidates at Percycross as well. But the main thread of the story — that which tells of the doings of the young gentlemen and young ladies — the heroes and heroines — is not good. Halph the heir has not much life about him ; while Ralph who is not the heir, but is intended to be the real hero, has none. The same may be said of the young ladies, of whom one — she who was meant to be the chief — has passed utterly out of my mind, without leaving a trace of remembrance behind. I also left in the hands of the editor of The Fort- nightly^ ready for production on the 1st of July follow- ing, a story called " The Eustace Diamonds." In that I think that my friend's dictum was disproved. There is not much love in it, but what there is, is good. The 308 AxUobiograj)hy of Anthony Trollojpe, character of Lucy Morris is pretty ; and her love is as genuine and as well told as that of Lucy Robarts or Lily Dale. But "The Eustace Diamonds" achieved the success which it certainly did attain, not as a love-story, but as a record of a cunning little woman of pseudo-fashion, to whom, in her cunning, there came a series of adven- tures, unpleasant enough in themselves, but pleasant to the reader. As I wrote the book, the idea constantly presented itself to me that Lizzie Eustace was but a second Becky Sharpe ; but in planning the character I had not thought of this, and I believe that Lizzie would have been just as she is though Becky Sharpe had never been described. The plot of the diamond neck- lace is, I think, well arranged, though it produced itself without any forethought. I had no idea of setting thieves after the bauble till I had got my heroine to bed in the inn at Carlisle; nor of the disappointment of the thieves, till Lizzie had been wakened in the morning with the news that her door had been broken open. All these things, and many more, Wilkie Collins would have arranged before with infinite labor, prepar- ing things present so that they should fit in with things to come. I have gone on the very much easier plan of making everything as it comes fit in with what has gone before. At any rate, the book was a success, and did much to repair the injury which I felt had come to my reputation in the novel-market by the works of the last few years. I doubt whether I had written anything so successful as " The Eustace Diamonds " since " The Small House at Allington." I had written what was much better — as, for instance, " Phineas Finn " and ^'Phineas ReduxP 309 <'Nina Balatka;" but that is bj no means the same thing. I also left behind, in a strong-box, the manuscript of " Phiueas Eedux," a novel of which I have already spoken, and which I subsequently sold to the proprie- tors of the Graphic newspaper. The editor of that paper greatly disliked the title, assuring me that the public would take Eedux for the gentleman's surname — and was dissatisfied with me when I replied that I had no objection to them doing so. The introduction of a Latin word, or of a word from any other language, into the title of an English novel is undoubtedly in bad taste ; but after turning the matter much over in my own mind, I could find no other suitable name. I also left behind me, in the same strong-box, another novel, called ''An Eye for an Eye," which then had been some time written, and of which, as it has not even yet been published, I will not further speak. It will probably be published some day, though, looking forward, I can see no room for it, at any rate, for the next two years. If, therefore, the Great Britain, in which we sailed for Melbourne, had gone to the bottom, I had so provided that there would be new novels ready to come out un- der my name for some years to come. This considera- tion, however, did not keep me idle while I was at sea. When making long journeys, I have always succeeded in getting a desk put up in my cabin, and this was done ready for me in the Great Britain, so that I could go to work the day after we left Liverpool. This I did ; and before I reached Melbourne I had finished a story called " Lady Anna." Every word of this was writ- 310 Autobiography of Anthony Trollope. ten at sea, during the two months required for our voy- age, and was done day by day — with the intermission of one day's illness — for eight weeks, at the rate of sixty- six pages of manuscript in each week, every page of manuscript containing two hundred and fifty words. Every word was counted. I have seen work come back to an author from the press with terrible defi- ciencies as to the amount supplied. Thirty-two pages have perhaps been wanted for a number, and the prin- ters, with all their art, could not stretch the matter to more than tw^enty-eight or nine ! The work of filling up must be very dreadful. I have sometimes been ridi- culed for the methodical details of my business. But by these contrivances I have been preserved from many troubles; and I have saved others with whom I have worked — editors, publishers, and printers — from much trouble also. A month or two after my return home " Lady Anna" appeared in The Fortnightly, following " The Eustace Diamonds.'* In it a young girl, who is really a lady of high rank and great wealth, though in her youth she enjoyed none of the privileges of wealth or rank, mar- ries a tailor who had been good to her, and whom she had loved when she was poor and neglected. A fine young noble lover is provided for her, and all the charms of sweet living with nice people are thrown in her way, in order that she may be made to give up the tailor. And the charms are very powerful with her. But the feeling that she is bound by her troth to the man -who had al- ways been true to her overcomes everything — and she marries the tailor. It was my wish, of course, to justify her in doing so, and to carry my readers along wuth me Australia. 311 in my sympathy with her. But everybody found fault with me for marrying her to the tailor. What would they have said if I had allowed her to jilt the tailor and marry the good-looking young lord ? How much louder, then, would have been the censure ! The book was read, and I was satisfied. If I had not told my story well, there would have been no feeling in favor of the young lord. The horror which was expressed to me at the evil thing I had done, in giving the girl to tlie tailor, was the strongest testimony I could receive of the merits of the story. I went to Australia chiefly in order that I might see my son among his sheep. I did see him among his sheep, and remained with him for four or five very happy weeks. He was not making money, nor has he made money since. I grieve to say that several thou- sands of pounds which I had squeezed out of the pock- ets of perhaps too-liberal publishers have been lost on the venture. But I rejoice to say that this lias been in no way due to any fault of his. I never knew a man work with more persistent honesty at his trade than he has done. I had, however, the further intentions of writing a book about the entire group of Australasian colonies ; and in order tliat I might be enabled to do that witli sufficient information, I visited them all. Making my headquarters at Melbourne, I went to Queensland, ISTew South Wales, Tasmania, then to the very little known territory of Western Australia, and then, last of all, to l^ew Zealand. I w^as absent in all eighteen months, and think that I did succeed in learning much of the political, social, and material condition of these coun- 313 Autobiography of Anthony Trollope. tries. I wrote my book as I was travelling, and brought it back with me to England all bnt completed in De- cember, 1872. It was a better book than that which I had written eleven years before on the American States, but not so good as that on the West Indies, in 1859. As regards the information given, there was much more to be said about Australia than the West Indies. Yery much more is said, and very much more may be learned from the latter than from the former book. I am sure that any one who will take the trouble to read the book on Australia will learn much from it. But the West Indian volume was readable. I am not sure that either of the other works are, in the proper sense of that word. When I go back to them I find that the pages drag witli me; and if so with me, how must it be with others who have none of that love which a father feels even for his ill-favored offspring. Of all the needs a book has the chief need is that it be readable. Feeling that these volumes on Australia w^ere dull and long, I was surprised to find that they had an ex- tensive sale. There were, I think, 2000 copies circu- lated of the first expensive edition ; and then the book was divided into four little volumes, which were pub- lished separately, and which again had a considerable circulation. That some facts were stated inaccurately, I do not doubt ; that many opinions were crude, I am quite sure ; that I had failed to understand much which I attempted to explain, is possible. But with all these faults the book was a thoroughly honest book, and was the result of unflagging labor for a period of fifteen months. I spared myself no trouble in inquiry, no Australia. 313 trouble in seeing, and no trouble in listening. I thor- oughly imbued my mind with the subject, and wrote with the simple intention of giving trustwortliy infor- mation on the state of the Colonies. Though there be inaccuracies — those inaccuracies to which work quickly done must always be subject — I think I did give much valuable information. I came home across America from San Francisco to l!^ew York, visiting Utah and Brigham Young on the way. I did not achieve great intimacy with the great polygamist of the Salt Lake City. I called u]3on him, sending to him my card, apologizing for doing so with- out an introduction, and excusing myself by saying that I did not like to pass through the territory with- out seeing a man of whom I had heard so much. He received me in his doorway, not asking me to enter, and inquired whether I were not a miner. When I told him that I -was not a miner, he asked me whether I earned my bread. I told him I did. '' I guess you're a miner," said he. I again assured him that I was not. "Then how do you earn your bread?" I told him that I did so by writing books. '' I'm sure you're a miner," said he. Then he turned upon his heel, went back into the house, and closed the door. I was prop- erly punished, as I was vain enough to conceive that he would have heard my name. 'I got home in December, 1872, and in spite of any resolution made to the contrary, my mind was full of hunting as I came back. No real resolutions had, in truth, been made, for out of a stud of four horses I kept three, two oi which were absolutely idle through the t 'o summers and winter of my absence. Immediately 14 314 Autohiography of Anthony Trollope. on my arrival I bought another, and settled myself down to hunting from London three days a week. At first I went back to Essex, my old country, but finding that to be inconvenient, I took my horses to Leighton Buzzard, and became one of that numerous herd of sportsmen who rode with the " Baron " and Mr. Selby Lowndes. In those days Baron Meyer was alive, and the riding with liis liounds was very good. I did not care so much for Mr. Lowndes. During the winters of 1873, 1874, and 1875 I had my horses back in Essex, and went on with my hunting, always trying to resolve that I would give it up. But still I bought fresh horses, and, as I did not give it up, I hunted more than ever. Three times a week the cab has been at my door in London very punctually, and not unfrequently be- fore seven in the morning. In order to secure this at- tendance, the man has always been invited to have his breakfast in the hall. I have gone to the Great East- ern Hallway — ah ! so often with the fear that frost would make all my exertions useless, and so often, too, with that result! — and then, from one station or an- other station, have travelled on wheels at least a dozen miles. After the day's sport, the same toil has been necessary to bring me home to dinner at eight. This has been work for a young man and a rich man, but I have done it as an old man and comparatively a poor man. Now at last, in April, 1876, 1 do think that my resolution has been taken. I am giving away my old horses, and anybody is welcome to my saddles and horse-furniture. "Singula de nobis anni pioedantur euntes; Eripuere jocos, venerem, convivia, ludum ; Tenduut extorquere poemata." Australia. 315 " Our years keep taking toll as they move on ; My feasts, my frolics, are already gone, And nosv, it seems, my verses must go too." This is Conington's translation, but it seems to me to be a little flat. *' Years as they roll cut all our pleasures short ; Our pleasant mirth, our loves, our wine, our sport. And then they stretch their power, and crush at last Even the power of singing of the past." I think that I may say with truth that I rode hard to my end. " Vixi puellis nuper idoneus, Et militavi non sine gloria ; Nunc arma defunctumque hello Barbiton hie paries habebit." "I've lived about the covert side, I've ridden straight, and ridden f^ist ; Now breeches, boots, and scarlet pride Are but mementoes of the past." 316 AiUobiograj>hy of Antfiony Trollope, Chapter XX. *'THE WAY WE LIVE NOW" AND *'THE PRIME MINISTER. "—CONCLUSION. In what I have said at the end of the last chapter, about my hunting, I have been carried a little in ad- vance of the date at which I had arrived. We returned from Australia in the winter of 1872, and early in 1873 I took a house in Montagu Square — in which I hope to live and hope to die. Our first work in settling there was to place upon new shelves the books which I had collected round myself at Waltham. And this work, which w^as in itself great, entailed also the labor of a new catalogue. As all who use libraries know, a cata- logue is nothing unless it show the spot on which every book is to be found — information which every volume also ought to give as to itself. Only those who have done it know how great is the labor of moving and ar- ranging a few thousand volumes. At the present mo- ment' I own about 5000 volumes, and they are dearer to me even than the horses which are going, or than the wdne in the cellar, which is very apt to go^ and upon which I also pride myself. When this was done, and the new furniture had got into its place, and my little book-room was settled suffi- ciently for work, I began a novel, to the writing of which I was instigated by what I conceived to be the ''The Way We Live Now^ 817 commercial profligacy of the age. Whether the world does or does not become more wicked as years go on, is a question which probably has disturbed the minds of thinkers since the world began to think. That men have become less cruel, less violent, less selfish, less bru- tal, there can be no doubt ; but have they become less honest? If so, can a world, retrograding from day to day in honesty, be considered to be in a state of prog- ress. We know the opinion on this subject of our phi- losopher Mr. Carlyle. If he be right, we are all going straight away to darkness and the dogs. But then we do not put very much faith in Mr. Carlyle, nor in Mr. Ruskin, and his other followers. The loudness and ex- travaojance of their lamentations, the wailinc: and o-nash- ing of teeth which comes from them, over a world which is supposed to have gone altogether shoddy-wards, are so contrary to the convictions of men who cannot but see how comfort has been increased, how health has been improved, aud education extended, that the general effect of their teaching is the opposite of what they have intended. It is regarded simply as Carlylism to say that the English-speaking world is growing worse from day to day. And it is Carlylism to opine that the general grand result of increased intelligence is a tendency to deterioration. Nevertheless a certain class of dishonesty — dishonesty magnificent in its proportions, and climbing into high places — has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace, with pict- 318 Autobiography of Anthony Trolloj>e. iires on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and cmi give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishon- est after such a fashion is not a low scoundrel. Insti- gated, I say, by some such reflections as these, I sat down in my new house to write " The Way We Live JSTow." And as I had ventured to take the whip of the satirist into my hand, I went beyond the iniquities of the great speculator who robs everybody, and made an onslaught also on other vices — on the intrigues of girls who want to get married, on the luxury of young men who prefer to remain single, and on the puffing propen- sities of authors who desire to cheat the public into buying their volumes. The book has the fault which is to be attributed to almost all satires, whether in prose or verse. The ac- cusations are exaggerated, the vices are colored, so as to make effect rather than to represent truth. Who, when the lash of objurgation is in his hands, can so moderate his arm as never to strike harder than justice would require ? The spirit which produces the satire is honest enough, but the very desire which moves the satirist to do his work energetically makes him dishon- est. In other respects " The Way We Live Now " was, as a satire, powerful and good. The character of Mel- motte is well maintained. The bear-garden is amusing, and not untrue. The Longestaffe girls and their friend. Lady Monogram, are amusing, but exaggerated. Dolly Longestaffe, is, I think, very good. And Lady Carbury's literary efforts are, I am sorry to say, such as are too frequentl}^ made. But here again the young lady with "The Way We Live Now^' 819 her two lovers is weak and vapid. I almost doubt whether it be not impossible to have two absolutely dis- tinct parts in a novel, and to imbue them both with in- terest. If they be distinct, the one will seem to be no more than padding to the other. And so it was in " The Way We Live Now." The interest of the story lies among the wicked and foolish people, with Mel- motte and his daughter, with Dolly and his family, with the American woman, Mrs. Hurtle, and with John Crumb and the girl of his heart. But Koger Carbury, Paul Montague, and Henrietta Carbury are uninterest- ing. Upon the whole, I by no means look upon the book as one of my failures; nor was it taken as a fail- ure by the public or the press. While I was writing "The Way We Live Now" I was called upon by the proprietors of the Graphic for a Christmas story. I feel, with regard to literature, somewhat as I suppose an upholsterer and undertaker feels when he is called upon to supply a funeral. He has to supply it, however distasteful it may be. It is his business, and he will starve if he neglect it. So have I felt that, when anything in the shape of a novel was required, I was bound to produce it. ISTothing can be more distasteful to me than to have to give a relish of Christmas to wdiat I write. I feel the humbug im- plied by the nature of the order. A Christmas story, in the proper sense, should be the ebullition of some mind anxious to instil others with a desire for Christ- mas religious thought, or Christmas festivities, or, bet- ter still, with Christmas charity. Such was the case with Dickens when he wrote his first two Christmas stories. But since that the things written annually — all 320 Autobiography of Anthony Trollope. of wliicli have been fixed to Christmas like children's toys to a Christmas-tree — have had no real savor of Christmas about them. I had done two or three be- fore. Alas ! at this very moment I have one to write, which I have promised to supply within three weeks of this time — the picture-makers always requiring a long interval — as to which I have in vain been cudgelling my brain for the last month. I can't send away the order to another shop, but I do not know how I shall ever get the coffin made. For the Grajphic^ in 1873, 1 wrote a little story about Australia. Christmas at the antipodes is of course mid- summer, and I was not loath to describe the troubles to which my own son had been subjected, by the mingled accidents of heat and bad neighbors, on his station in the bush. So I wrote " Harry Heathcote of Gangoil," and was well through my labor on that occasion. I only w^sh I may have no worse success in that which now hangs over my head. When " Harry Heathcote " was over, I returned with a full heart to Lady Glencora and her husband. I had never yet drawn the completed picture of such a states- man as my imagination had conceived. The personages with whose names my pages had been familiar, and, per- haps, even the minds of some of my readers — the Brocks, De Terriers, Monks, Greshams, and Daubeneys — had been more or less portraits, not of living men, but of living political characters. The strong-minded, thick- skinned, nsef ul, ordinary member, either of the Govern- ment or of the Opposition, had been very easy to de- scribe, and had required no imagination to conceive. The character reproduces itself from generation to gen- '-''The Prime Minister P 321 eration ; and, as it does so, becomes shorn in a wonder- ful way of those little touches of humanity wliich would be destructive of its purposes. Now and again there comes a burst of human nature, as in the quarrel be- tween Burke and Fox ; but, as a rule, the men submit themselves to be shaped and fashioned, and to be formed into tools, which are used either for building up or pull- ing down, and can generally bear to be changed from this box into the other, without, at any rate, the appear- ance of much personal suffering. Four-and-twenty gen- tlemen will amalgamate themselves into one whole, and work for one purpose, having each of them to set aside his own idiosyncrasy, and to endure the close personal contact of men who must often be personally disagree- able, having been thoroughly taught that in no other way can they serve either their country or their own ambition. These are the men who are publicly useful, and whom the necessities of the age supply — as to whom I have never ceased to wonder that stones of such strong calibre should be so quickly worn down to the shape and smoothness of rounded pebbles. Such have been to me the Brocks and the Mildmays, about whom I have written with great pleasure, having had my mind much exercised in watching them. But I had also conceived the character of a statesman of a different nature — of a man who should be in something, perhaps, superior, but in very much inferior, to these men ; of one who could not become a pebble, having too strong an identity of his own. To rid one's self of fine scruples — to fall into the traditions of a party — to feel the need of subservience, not only in acting, but also, even, in thinking — to be able to be a bit, and at first 14* 322 Autobiography of Anthony Trollope. only a very little bit — these are the necessities of the growing statesman. The time may come, the glorious time, when some great self-action shall be possible, and shall be even demanded — as when Peel gave np the Corn Laws; but the rising man, as he puts on his harness, should not allow himself to dream of this. To become a good, round, smooth, hard, useful pebble is his duty ; and to achieve this he must harden his skin and swallow his scruples. But every now and again we see the at- tempt made by men who cannot get their skins to be hard, wlio, after a little while, generally fall out of the ranks. The statesman of whom I was thinking — of whom I had long thought — was one who did not fall out of the ranks, even though his skin would not be- come hard. He should have rank and intellect and par- liamentary habits, by which to bind him to the service of his country ; and he should also have unblemished, unextinguishable, inexhaustible love of country. That virtue I attribute to our statesmen generally. They who are without it are, I think, mean indeed. This man should have it as the ruling principle of his life ; and it should so rule him that all other things should be made to give way to it. But he should be scrupulous, and, being scrupulous, weak. When called to the highest place in the council of his sovereign, he should feel with true modesty his own insufficiency ; but not the less should the greed of power grow upon him when he had once allowed himself to taste and enjoy it. Such was the character I endeavored to depict in describing the triumph, the troubles, and the failure of my Prime Minister. And I think that I have succeeded. AVhat the public may think, or what the press may say, I do '-''The Prime Minister P 333 not 3^et know, the work having, as yet, run but half its course."^ That the man's character should be understood as I understand it — or that of liis wife, the delineation of which has also been a matter of much happy care to me — I have no right to expect, seeing that the operation of describing has not been confined to one novel, which might, perhaps, be read through by the majority of those who commenced it. It has been carried on through three or four, each of which will be forgotten, even by the most zealous reader, almost as soon as read. In/' The Prime Minister," my Prime Minister will not allow his wife to take office among, or even over, those ladies who are attached by office to the queen's court. " I should not choose," he says to her, " that my wife should have any duties unconnected with our joint family and home." Who will remember in reading those words that, in a former story, published some years before, he tells his wife, when she has twitted him with his willingness to clean the Premier's shoes, that he would even allow her to clean them if it were for the good of the country? And yet it is by such details as these that I have, for many years past, been manufacturing within my own mind the characters of the man and his wife. I think that Plantagenet Palliser, Duke of Omnium, is a perfect gentleman. If he be not, then am I unable * Writing this note in 1878, after a lapse of nearly three years, I am obliged to say that, as regards the public, "The Prime Minister" was a failure. It was worse spoken of by the press than any novel I had writ- ten. I was specially hurt by a criticism on it in the Spectator. The critic who wrote the article I know to be a good critic, inclined to be more than fair to me ; but in this case I could not agree with him, so much do I love the man whose character I had endeavored to portray. 324 Autobiography of Anthony Trollojpe. to describe a gentleman. She is bj no means a perfect ladj; but if she be not all over a woman, then am I not able to describe a woman. I do not think it probable that my name will remain among those who in the next century will be known as the writers of English prose fiction ; but if it does, that permanence of success will probably rest on the character of Plantagenet Palliser, Lady Glencora, and the Rev. Mr. Crawley. I have now come to the end of that long series of books written by myself, with which the public is al- ready acquainted. Of those which I may hereafter be able to add to them I cannot speak; though I have an idea that I shall even yet once more have recourse to my political hero as the mainstay of another story. When "The Prime Minister" was finished 1 at once began another novel, wliich is now completed, in three volumes, and which is called " Is He Popen joy ?" There are two Popenjoys in the book, one succeeding to the title held by the other ; but as they are both babies, and do not in the course of the story progress beyond baby- hood, the future readers, should the tale ever be pub- lished, will not be much interested in them. I^everthe- less the story, as a story, is not, I think, amiss. Since that I have written still another three-volume novel, to which, very much in opposition to my publisher, I have given the name of " The American Senator." ^ It is to appear in Temple Bar, and is to commence its appear- ance on the first of next month. Such being its circum- stances, I do not know that I can say anything else about it here. * "The American Senator" and "Popenjoy " have appeared, each with fair success. Neither of them has encountered that reproach which, in Conclusion. 325 And so I end the record of my literary performances, which I think are more in amount tlian the works of any other living English author. If any English authors not living have written more— as may probably have been the'^case— I do not know who they are. I find that, taking the books which have appeared under our names, I have published much more than twice as much as Carlyle. I have also published considerably more than Yoltaire, even including his letters. We are told that Yarro, at the age of eighty, had written 480 vol- umes, and that he went on writing for eight years lono-er I wish I knew what was the length of Yarro's volumes ; I comfort myself by reflecting that the amount of manuscript described as a book in Yarro's time was not much. Yarro, too, is dead, and Yoltaire ; whereas I am still living, and may add to the pile. The following is a list of the books I have written, with the dates of publication and the sums I have re- ceived for them. The dates given are the years in which the works were published as a whole, most of them having appeared before in some serial form. Date of Total Snms "Karnes of Works. Publication. Keceived. The Macderraots of Ballycloivan 1847 £^^ G 9 The Kellys and the O'Kellys 1848 gO La Vendee ^^"^S; The Warden '^^^I'il 727 U 3 Earchester Towers 18o7> ^ ThelWClerks « '^ ,, Doctor Thorne ;;•;;".'"" ioro 9-,o o> Tlie West Indies and the Spanish Main. . . 1859 2oO u u The Bertrams -^j^^ ^^''^ re.nird to » The Prime Minister," seemed to tell me that my work as a no'^-elist should be brought to a close. And yet I feel assured that they nre very inferior to "The Prime Minister." 336 Autobiography of Anthony Trollope, ^ , Date of Total Sums Names of Works. Publication. Received. Castle Richmond 1860 £600 Framley Parsonage 1861 1000 Tales of All Countries— 1st Series 1861 ^ *' " 2d " 1863 > 1830 '* «♦ 3d " 1870) OrleyFarm 1862 3135 .^'" North America 1862 * 1250 RachelRay 1863 1645 The Small House at Allington 186-t 3000 Can You Forgive' Her ? 1864 3525 Miss Mackenzie 1865 1300 The Belton Estate 1866 1757 The Claverings 1867 2800 The Last Chronicle of Barset 1867 3000 Nina Balatka 1867 450 Linda Tressel 1868 450 Phineas Finn. 1869 3200 He Knew He Was Right 1869 3200 Brown, Jones, and Robinson 1870 600 The Vicar of BuUhampton 1870 2500 An Editor's Tales 1870 378 00 ^ Casar (Ancient Classics). 1870* 00 Sir Harry Hotspur of Humblethwaite 1871 750 Ralph the Heir 1871 2500 The Golden Lion of Granpere 1872 550 The Eustace Diamonds 1 873 2500 Australia and New Zealand 1 873 1 300 Phineas Redux 1874 2500 Harry Heathcote of Gangoil 1 874 450 Lady Anna 1874 1200 The Way We Live Now 1875 3000 The Prime Minister 1876 2500 The American Senator 1877 1800 Is He Popenjoy ? 1878 1600 GO ' South Africa 1878 850 John Caldigate 1879 1800 r- Sundries 7800 £68,939 17 5 It will not, I am sure, be thought that, in making my boast as to quantity, I have endeavored to lay claim to * This was given by me as a present to my friend John Blackwood. Conclusion, 327 any literary excellence. That, in the writing of books, quantity without quality is a vice and a misfortune, has been too manifestly settled to leave a doubt on such a matter. But I do lay claim to whatever merit should be accorded to me for persevering diligence in my pro- fession. And I make the claim, not with a view to my own glory, but for the benefit of those who may read these pages, and when young may intend to follow the same career. Nulla dies sine lined. Let that be their motto. And let their work be to them as is his com- mon work to the common laborer. E"o gigantic efforts will then be necessar3\ He need tie no wet towels round his brow, nor sit for thirty hours at his desk without moving — as men have sat, or said that they have sat. More than nine tenths of my literary work has been done in the last twenty years, and during twelve of those years I followed another profession. I have never been a slave to this work, giving due time, if not more than due time, to the amusements I have loved. But I have been constant — and constancy in labor wall conquer all difficulties. GiUta cavat lapidem non viy sed scejpe cadendo. It may interest some if I state that during the last twenty years I have made by literature something near £70,000. As I have said before in these pages, I look upon the result as comfortable, but not splendid. It will not, I trust, be supposed by any reader that I have intended in this so-called autobiography to give a record of my inner life. JS'o man ever did so truly — and no man ever will. Rousseau probably attempted it, but who doubts but that Eousseau has confessed in much the thoughts and convictions rather than the facts 328 Autobiography of Anthony Trollojpe. of his life? If the rustle of a woman's petticoat has ever stirred my blood ; if a cup of wine has been a joy to n\e ; if I have thought tobacco at midnight in pleas- ant company to be one of the elements of an earthly paradise ; if now and again I have somewhat recklessly fluttered a £5 note over a card table ; of what matter is that to any reader? I have betrayed no woman. Wine has brought me to no sorrow. It has been the compan- ionship of smoking that I have loved, rather than the habit. I have never desired to win money, and I have lost none. To enjoy the excitement of pleasure, but to be free from its vices and ill effects — to have the sweet, and leave the bitter untasted — that has been my study. The preachers tell us that this is impossible. It seems to me that hitherto I have succeeded fairly well. I will not say that I have never scorched a finger — but I carry no ugly wounds. For what remains to me of life I trust for my happi- ness still chiefly to my work — hoping, that when the power of work be over with me, God may be pleased to take me from a world in which, according to my view, there can be no joy ; secondl}^, to the love of those who love me ; and then, to my books. That I can read, and be happy while I am reading, is a great blessing. Could I remember, as some men do, what I read, I should have been able to call myself an educated man. But that power I have never possessed. Something is al- ways left — something dim and inaccurate — but still something sufficient to preserve the taste for more. I am inclined to think that it is so with most readers. Of late years, putting aside the Latin classics, I have found my greatest pleasure in our old English drama- Conclusion. 329 tists— not from any excessive love of their work, which offeen irritates me by its want of truth to nature, even while it shames me by its language — but from curiosity in searching their plots and examining their character. If I live a few years longer, I shall, I think, leave, in my copies of these dramatists, down to the close of James I., written criticisms on every play. No one wlio has not looked closely into it knows how many there are. Now I stretch out my hand, and from the further shore I bid adieu to all who have cared to read any among the many words that I have written. THE END. CHARLES DICKENS'S WORKS. HARPER'S HOUSEHOLD EDITION. 7/1 16 volumes, Paper, $14 00 ; Cloth, $22 00. In 8 volumes, Cloth, $20 00 ; Imitation Half Morocco, $22 00 ; Half Calf, $40 00. THE ADVENTURES OP OLIVER TWIST. With 28 Illustrations by J. Mauoney. 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