Class Vri szos Book CopyrightN JO COPYRIGHT DEPOSIT. SIR WALTER SCOTT MAYNAKD'S ENGLISH CLASSIC SERIES.— Nos. 236-237-238 THE LADY OF THE LAKE BY SIR WALTER SCOTT, Bart. WITH INTRODUCTION AND NOTES r\»\-': '■ ^ • > ■> > > N"EW YORK MAYNARD, MERRILL, & CO. THE LtBRAFV OF CONGRESS. Two Copies Receivec SEP 2 1903 Copyright tnt.y ^LASS CL XXc No COPY B. Copyright, 1903, Bt MAYNAED, MEKKILL, & CO. LIFE OF SCOTT Walter Scott was bom in Edinburgh on the 15th of August, 1771, which was also the birthday of Napoleon Bonaparte. His father was a Writer to the Signet, or, as we would say, an attorney-at-law ; a law^yer with a large practice; an elder in the famous Old Grey Friars Church, and a man of integrity, sincerity, and benevolence. Wal- ter was the ninth of tw^elve cliildren, of whom the first six died young. "I was," says Scott in his Autobiography, "an un- commonly healthy child . . . until I was about eighteen months old. One night, how^ever, I exhibited an intense reluctance to be put to bed ; and after liaving been.chased around the room, I was wdth difficult}^ consigned to my dormitory. It was the last time I was to show such personal agility. In the morning I was affected with fever; and in the course of three days afterwards it was discovered I had lost the power of my right leg." The best physicians were consulted, and finally, at the advice of his mother's father, Dr. John Rutherford, Professor of Medicine in the University of Edinburgh, Scott was sent to live at the house of his father's father, Robert Scott, a farmer of Sandy-Knowe in Roxburghshire, where the shepherd w'ould often take him out and lay him down under the rocks beside the sheep. Scott used to say in after life that "the habit of lying on the turf there among the sheep and the lambs had given his mind a 3 4 LIFE OF SCOTT peculiar tenderness for these animals, which it had ever since retained." The boy never completely recovered from his lameness, but his activity among his school- fellows was remarkable, and, according to liis own account, he was as mischievous as the wildest urchin of his acquaintance. In his fourth year he was sent to Bath, in the care of his aunt, Miss Janet Scott, where he reijnained about a year. By this time, he tells us, his health had become much improved by the country life prescribed for him by his grandfather, although his leg was still shrunken and contracted. In a word, he, who in a city would probably have been condemned to hopeless invalidism, became a healthy, high-spirited, and, except for his lameness, a sturdy child. While he lived at Bath he learned to read at a day school in the neighborhood, and profited much by the comj^anionship of his aunt, who read aloud to him old English and Scottish ballads until he could repeat long- passages by heart. From Bath he returned first to Edinburgh, and then to Sandy-Knowe ; and when about eight years old he was removed to Prestonpans, as it was thought that sea bathing might prove beneficial to his lameness. At Prestonpans little Walter Scott stayed for some weeks, and here be- came great friends with an old military veteran, Dalgetty by name, who had pitched his tent, after many campaigns, in that little village, where, though called by courtesy a captain, he lived upon an ensign's half pay. He was the original of Captain Dugald Dalgetty, whom, with his redoubtable war horse, Gustavus Adolphus, readers of The Legend of Montrose hold in pleasant remembrance. From Prestonpans, Scott was taken back to his father's LIFE OF SCOTT 5 house in George's Square, Edinburgh, and, after having undergone the usual routine of juvenile instructions, he became, in 1779, a pupil in the Edinburgh high school. As a scholar he appears to have been by no means vc- markable either for proficiency or for diligence; but his leisure hours were employed to good advantage in read- ing aloud to his mother, who had good natural taste and great feeling, and who succeeded in inculcating in his opening mind a discriminating love for literature. In childhood Scott's hair was light chestnut, turning to brown in youth. His mouth was large and good- tempered, his eyes light blue, his eyebrows bushy. In spite of his lameness, he could climb rocks with the most daring, and he soon learned to ride. Out of school he was known as a leader in two different accomplishments : he could tell his schoolfellow^s stories of wonderful adven- tures, which always held their attention ; or he could lead them across the difficult path under the Castle to attack the boys of the town. After a few years in Edinburgh, Scott's health again became delicate, and it was thought best that he should be sent to live with his aunt at Kelso, which he calls the most beautiful, if not the most romantic, village in Scot- land. From this time the love of natural beauty became with Scott an insatiable passion. It was while attending the grammar school at Kelso that he became acquainted with James and John Ballan- tyne. According to James Ballantyne, Scott was then devoted to antiquarian lore, and was certainly the best story-teller he ever heard. " In the intervals of school hours," says Ballantyne, "it was our constant practice to walk together by the banks of the Tweed, and his stories appeared to be quite inexhaustible." This friendship 6 LIFE OF SCOTT with the Ballantynes continued through life, John having a share in the publication of many of Scott's works, while James was the printer of nearly all of them. When Scott returned to Edinburgh his acquaintance with English literature was greatly extended; he liad read much in history, poetry, voyages, and travels, and an unusual amount of fairy tales, eastern stories and ro- mances ; in short, he had been " driving through a sea of books, like a vessel without a pilot or a rudder. " After having been two years under the rector of the high school, Scott enrolled himself in 1783, for the hu- manity or Latin class under Professor Hill in the Uni- versity of Edinburgh, and in the Greek class under Professor Dalzel; the only other class for which he matriculated at the university was that of logic, under Professor Bruce, in 1785. All this time he was constantly reading. He learned Spanish and read Cervantes; lie learned Italian and read Tasso and Ariosto ; he steeped his mind in mediaeval romance and legend, and he still retained his fondness for the old ballads whose acquaint- ance he had first made in company with his Aunt Janet, when he was a boy of four years. In 1786, how^ever, he was apprenticed to his father for five years, in order to be initiated into the dry techni- calities of conveyancing, for his father destined him for the law. The change was very great ; Scott had the strongest aversion to the confinement and the dull routine of the office. His desk was usually supplied with a store of works of fiction, and the eagerness with which he sought out and read everything that had reference to knight- errantry would have won the warm sympathy of the In- genious Hidalgo, Don Quixote of La Mancha. About the second year of his apprenticeship he had the LIFE OF SCOTT 7 misfortune to burst a blood-vessel, and was confined to his bed for many weeks. During this time, conversation was forbidden, and his only amusements were reading and playing chess. In these weeks of enforced idleness he added to his readings of poetry and romance the study of histoiy, especially as connected with military events, and thus collected much material that was of ultimate use in the composition of his poems and novels. After this illness he enjoyed excellent health, and as his frame gradually hardened, he was rather disfigured than dis- abled by his lameness. Excursions on foot or on horse- back now formed Scott's favorite amusements, and wood, water, and wilderness had inexpressible charms for him. When he saw an old castle or a battle-field, his imagi- nation immediately peopled it with combatants in their proper costumes, and his hearers were overwhelmed by the enthusiasm of his description. In 1791 Scott was admitted a member of the Specula- tive Society 1 of the University of Edinburgh, and very shortly afterward was appointed its librarian and subse- quently its treasurer and secretary. The time of Scott's apprenticeship had now elapsed, and after some consideration he determined to prepare himself for the bar, for which purpose he diligentlv ap- plied himself to the study of Roman civil law, as well as to the municipal law of Scotland. On the lOth of July, 1792, when just completing his twenty-first year, he was called to the bar as an advocate. Lockhart tells us that Scott became a sound lawyer, 1 For a description of the Speculative Society, or "Spec," see Robert Louis Stevenson's delightful essay, A College Maga- zine, published in Virginibus Puerisque ; Memories and Por- traits, New York, Charles Scribner's Sons. 8 LIFE OF SCOTT and might have been a great one ; Scott's father, on the other hand, told him that he was better fitted to be a peddler than a lawyer, so fond was he of tramping the country in search of noble scenery and historic associa- tions. It was on such expeditions that Scott learned to know the speech and ways of the peasantry, whom he describes so well in his books. In liedgauntlet, one of the most interesting of Scott's novels, he gives us, in the person of Alan Fairford, a vivid picture of the tastes and occupations of this period of his life. The truth is, the love for antiquarian lore, which so impressed James Bal- lantyne, was still his ruling passion, while his necessities were not so great as to make an exclusive application to his profession imperative. Although he could speak flu- ently at the bar, his mind was not at all of a forensic cast, and he was too much the abstract scholar to assume readily the mental attitude of an adroit pleader. The love of literature was strong in him, and in 1796, the year in which Burns died, he made his first appear- ance as a writer with a translation of Leuore, and the Wild Huntsman, from the German of Burger, which met with a favorable reception from a somewhat limited public. About this time there was widespread indignation in Scotland at the hostile menaces of France, and numerous bodies of volunteer militia were formed to meet the threatened invasion. In the beginning of 1799 a cavalry corps was formed under the name of the Royal Mid- Lothian Regiment of Cavalry; Scott was appointed its adjutant, for which office his lameness was considered no bar. He was a very zealous officer, and highly popular in the regiment, and he always looked back upon this episode in his life with the greatest pleasure. LIFE OF SCOTT 9 In his nineteenth year while still apprenticed to his father, Scott fell in love with Margaret, daughter of Sir John and Lady Jane Stuart Belches of Ivernary. For some reason, most probably the difference in their social position, the hope that he might one day marry her was, six years later, definitely abandoned. Shortly afterward, during a visit to the English lakes, Scott met Miss Mar- garet Carpenter, or Charpentier, the daughter of a French royalist who had fallen a victim to the excesses of the French Revolution. This lady he married on Christmas eve, 1797, and her affectionate thoughtf ulness contributed much to the happiness of his life. She died in 1826, leaving two sons and two daughters, the elder of whom married J. G. Lockhart, the translator of the Spanish Ballads. In 1799 Scott was appointed to the office of Sheriff depute of Selkirk, which secured him an annual salary of £300. The duties of the office were very slight, and the income relieved him from any anxiety as to the chances either of his profession or his pen. In 1806 he was appointed one of the clerks of session (on the retirement of Mr. Home), with the understanding that he should not receive the salary (£800 per annum) until after Mr. Home's death, which did not take place for more than five years after- ward. When Scott obtained this situation, he gave up his practice at the bar, and at once decided that literature should thereafter form the main business of his life. His first real literary success was his Minstrelsy of the Scottish Border, published in 1802. To the old ballads, the col- lected results of many years of research, Scott added a few new ones of his own composition, written in imita- tion of the old. The edition was at once exhausted, and Scott suddenly found himself famous. 10 LIFE OF SCOTT He was living now in a cottage at Lasswade, on the Esk, six miles from Edinburgh. Scott had made the dining table with his own hands, and was very proud of his various exploits in carpentering. Here he used to sit up late, and work far into the morning hours; but this gave rise to serious headaches, which induced him to change his habits of life. In 1804 Scott quitted Lasswade for Ashestiel, in Sel- kirkshire, where he lived in a house belonging to his cousin. Plere he began his life of sport. He would rise at five and work steadily till breakfast ; by noon he had finished his day's work, and was ready to ride forth with dog and gun or fishing tackle. Salmon spearing by torchlight was a favorite amusement with him. His dogs and horses he treated as personal friends. On the death of his deerhound Samp, he refused an invitation to dinner, giving as his reason "the death of an old friend." In 1805 his first great poem. The Lay of the Last Minstrel, was completed, and forty-four thousand copies were sold before 1830. For this work Scott received £769, a large sum in those days. In 1808 Marmion was published. It was the success of the Lay which produced Marmion. It is said that Scott received £1000 from his publisher for this poem before he had written a line of it. The popu- larity of Marmion in turn encouraged him to another attempt in the same vein, and in 1810 he published The Lady of the Lake. Five years earlier he had formed a secret partnership with James Ballantyne, already mentioned, and had em- barked in the printing business. In order to keep his presses supplied with work, he soon after founded, with John Ballantyne, a publishing house; neither John Bal- LIFE OF SCOTT 11 lantyne nor Scott was a business man, and the business was unprofitable almost from the start. Meanwhile he removed to Abbotsford on the Tweed, where he bought a hundred acres of land, to wliich prop- erty he soon added the adjoining farms. He says, "We had twenty -five cartloads of the veriest trash in nature, besides dogs, pigs, ponies, poultry, cows, and calves." The ruins of Melrose Abbey could be seen from the grounds, which had, in fact, once belonged to the abbot. Shortly after he was offered the laureateship, an honor which he declined. Up to this time Scott's literary fame depended entirely on his poetry, but in 1814 his first novel, Wacerley, took the reading world by storm. The story was published anonymously, and for many years the secret of the au- thor's identity was preserved. The great publishers of London and Edinburgh vied with each other in their efforts to buy a share in Waveiiey, and the series of novels which followed it. They were finally sold to Constable, but by the terms of sale that publisher was required to buy at the same time a large part of the stock of John Ballantyne & Co., the luckless publishing house in which Scott was a shareholder. The purchase of so much of the stock of the old concern seriously impaired Constable's working capital, and the new firm faced the future burdened with debts, largely to the printing-house of James Ballantyne & Co., in which business also Scott was a stockholder. The remarkable success of Waverley was, however, fol- lowed by a series of no less remarkable successes. Guy Mannering was published in 1815, The Antiquary, The Black Dwarf, and Old Mortality in 1816, Rob Roy and The Heart of Midlothian in 1818, Tvanhoe in 1820, and 12 LIFE OF SCOTT Kenilworth in 1821, all of which attained a large measure of popular favor. On the 31st of March, 1820, Scott was created a baronet by King George TV. At the time the honor was con- ferred the king observed to the poet, " I shall always reflect with pleasure on Sir Walter Scott's having been the first creation of my reign." Scott had already been elected President of the Royal Society of Edinburgh, and seemed almost beyond the reach of adverse fortune. Five years later the crash came. In the commercial ex- citement of 1825-1826 the house of Constable & Co. was declared bankrupt. The printing firm of James Ballan- tyne & Co. held Constable's notes for large sums, and it soon became necessary for Scott and his partner to declare their inability to meet their business obligations. In this same year Scott's wife, who had long been an invalid, died, and he himself began to fail in health. These were blows enough to daunt most men ; perhaps the blow to his pride was the heaviest. He says in his diary: " 1 felt rather sneaking as I came home from the Parliament House — felt as if I were liable monstrari digito in no very pleasant way. But this must be borne cum cceterls ; and, thank God, however uncomfortable, I do not feel despondent." No; Scott came of a line of fighting ancestors, and he was not one to sit down tamely under difficulties. This misfortune was the touchstone of his character, and brought out all its beauty and generosity. He might have declared himself bankrupt, and have risen again with debts partly paid off; but "for this," he says, " in a court of honor I should deserve to lose my spurs. No; if they permit me, I will be their vassal for life, and dig in the mine of my imagination to find dia- LIFE OF SCOTT 13 monds to make good my engagements, not to enrich myself." As soon as his situation became public, it caused one universal burst of sympathy, and incredible offers of assistance were made to Scott. When the Earl of Dudley heard of his failure, he exclaimed : " Scott ruined ! the autlior of Waverley ruined ! Why, let every man to whom hfe has given months of delight, give him a six- pence, and he will rise to-morrow morning richer than a Rothschild." Scott's liabilities were about £117,000. Two days after the failure he unreservedly assigned the whole of his property to his creditors, together with all his future labors. He then sat down at fifty-five years of age to the task of redeeming this enormous debt. In the first place, he sold his furniture and house in Edinburgh, and took a humble lodging in a side street. During the vacations, when living at Abbotsford, he almost entirely gave up seeing company — a resolution the more easily carried into effect as Lady Scott was no longer living. " I have been rash," he writes in his diary, " in anticipat- ing funds to bu}^ land; but then I made from £5000 to £10,000 a year, and land was my temptation. I think nobody can lose a penny by me, that is one consolation. My children are provided for: thank God for that! I was to have gone home on Saturday to see my friends. My dogs will M^ait for me in vain. It is foolish, but the thoughts of parting from these dumb creatures have moved me more than any of the painful reflections I have put down. Poor things! I must get them kind mas- ters." Again he writes in a more cheerful strain : " I experience a sort of determined pleasure in confronting the very worst aspect of this sudden reverse ; in standing, 14 LIFE OF SCOTT as it were, in the breach that has overthrown my future, and saying, ' Here I stand, at least an honest man.' " The proceeds of the very first work published after the failure, the celebrated novel Woodstock, amounted to more than £8000. The next year, 1827, two editions of Scott's next work. The Life of Napoleon Buonaparte, pro- duced, for the benefit of the creditors, the then unprece- dented sum of £18,000. These sums, together with the money received from other publications, enabled Scott's trustees to distribute among his creditors six shillings in the pound on their whole claim, before Christmas, 1827, nearly £40,000 having been realized by the exertions of two years. Be- fore the close of 1830 Scott's debt had been reduced to about £51,000. In December, 1830, it was unanimously agreed, "That Sir Walter Scott be requested to accept his furniture, plate, paintings, library, and curiosities of every descrip- tion, as the best means the creditors have of expressing their very high sense of his most honorable conduct, and in grateful acknowledgment for the unparalleled and most successful exertions he has made, and continues to make, for them." This generous gift was worth at least £10,000, and it enabled him (to use nearly his own words) to eat with his own spoons and to study with his own books. When Scott died, his trustees had an undistributed balance on hand, which, with his life insurance, and the money realized by the sale of his copyrights, was suffi- cient to pay off all his debts. In the winter of 1830 it became apparent to Scott's friends that his mind had lost something, and was daily losing something of its wonted energy. "1 have lost," LIFE OF SCOTT 15 he said, "the power of interesting the coui-itrj^ and oivghit in justice to all parties to retire while I have some credit." Before the close of the year he w^as attacked with apoplexy, and a consultation of physicians was held. They told him that if he persisted in working his brain, nothing could prevent another and more serious attack. His first reply was : " As for telling me not to work, Molly might as well put the kettle on the fire and say, ' Now, don't boil,' " but in a few months he put himself unre- servedly in the hands of the doctors, and agreed to spend the ensuing winter in a warmer climate. In October, 1831, Scott left London for Portsmouth, whence he sailed for Malta. In December he went to Naples, where he remained some months, and thence to Rome, where he was received with the greatest enthu- siasm. On the 16th of May he left Rome, and crossing the Apennines, went to Venice. From Venice he went to Frankfort, where he took the Rhine steamboat. Coming- down the Rhine he had another attack of apoplexy, this time combined with paralysis ; he, however, reached London on the loth of June, and was immediately put to bed. His great anxiety was that he might reach Abbots- ford before he died, and at length his medical attendants consented to his removal to Scotland ; on the 7th of July everything was prepared for his journey by the steamship. He became unconscious on the boat, and remained so until he came within sight of the towers of Abbotsford. When he reached his home, " his dogs assembled about him, began to fawn upon him, and to lick his hands, and he alternately sobbed and smiled over them until sleep oppressed him." For four or five days after his arrival he was daily wheeled about the house and the garden, but on the 16th he was much feebler and remained in 16 LIFE OF SCOTT bed; the next day he asked to be placed at his desk, but "when the pen was put into his hand, he was unable to close his fingers upon it, and it dropped upon the paper. The tears sprang to his eyes, but his old pride asserted itself. " Friends," he said, " don't let me expose myself; get me to bed." He Avas carried to bed, where he lay uncon- scious for several days. Returning to consciousness, he asked to see Lockhart, his son-in-law and afterward his biographer. " Lockhart," he said, " I may have but a minute to speak to you. My dear, be a good man — be virtuous — be religious — be a good man. Nothing else will give you any comfort when you come to lie here." He paused ; Lockhart said, " Shall I send for Sophia and Anne?" — "No," said he, "don't disturb them. Poor souls ! I know they were up all night. God bless you all ! " With this he sank into a very tranquil sleep, and indeed he scarcely afterward gave any sign of conscious- ness. He died September 26, 1832, in the second month of his sixty-second year. About seven years before he had written in his diary : " Square the odds and good-night, Sir Walter, about sixty. 1 care not, if I leave my name unstained, and my family property settled. Sat est INTRODUCTION The Lady of the Lake was published in May, 1810. Its success was even greater than that of The Lay of the Last Minstrel and Marmlon, eight editions, aggregating twenty thousand copies, having been sold before the end of the year. Mr. Cadell, the publisher, said : *' The whole country rang with the praises of the poet; crowds set off to view the scenery of Loch Katrine, till then com- paratively unknown ; and as the book came out just before the seasons for excursions, every house and inn in that neighborhood was crowded with a constant suc- cession of visitors." The popular verdict on Scott's three greatest poems was thus expressed by Lockhart, " The Lay, if I may venture to state the creed now estab- lished, is, I should say, generally considered as the most natural and original ; Marnuon, as the most powerful and splendid; The Lady of the Lake, as the most.hiteresting, romantic, picturesque, and graceful " ; and Jeffrey pre- dicted that the last would be " oftener read hereafter than either of the former." The Lady of the Lake, like The Lay of the Last Minstrel and Marmion, is written in the romantic measure of English poetry called iambic tetrameter, arranged in rhymed couplets, and variously combined with trimeters. The normal verse is of four feet, each consisting of an accented followed by an unaccented syllable. The rhythm of the poem was inspired principally by Coleridge's 17 1^ INTRODUCTION Christahel, which was read to Scott by a mutual friend while it was yet in manuscript. Christahel is written in a meter which, Coleridge says in his Preface, " is not, properly speaking, irregular, though it may seem so from its being founded on a new principle, namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four. Nevertheless, this occasional variation in the number of syllables is not introduced wantonly, or for the mere ends of convenience, but in correspondence with some transition in the nature of the imagery or passion." Scott adopted a modification of this principle. The defects of The Lady of the Lake, as a work of art, are manifest. The style is in many places rough and unpolished. Scott wrote at a high rate of speed, and though his language always flows easily on, the words are not invariably well chosen. Scott had little natural ear for music, and was not fastidious as to the harmony of his verse. " I am sensible," he said, " that if there be anything good about my poetry, it is a hurried frankness of composition which pleases soldiers, sailors, and young people of bold and active disposition." This "hurried frankness" is no doubt responsible for other defects in versification. Unlike Coleridge, Scott may have con- sidered " the mere ends of convenience ""; hence the occurrence of faulty rhymes, of the same words over and over again at the end of the lines, of instances of incon- sistency in the sequence of tenses. What Scott said of the composition of The Lay of the Last Minstrel, in ex- plaining the rapidity with which that poem was com- pleted, is equally applicable to the composition of the present poem : " There was little occasion for pause or INTRODUCTION 19 hesitation, when a troublesome rhyme might be accom- modated by an alteration of the stanza, or when an incorrect measure might be remedied by a variation of the rhyme." Scott has vindicated the meter of his tales as preferable to Pope's couplet, though surely in the case of a romance which was a development of the ballad, the vindication was needless. His meter is the true English counterpart, if there be one, of Homer. And Scott is essentially a ballad writer. Ballad poetry was in literature his first love — the spring at which he drank his earliest inspira- tion. Each of his greater poems is formed of ballad elements. He himself acknowledged this when he de- scribed his earliest considerable poem as, in style and form, a revival of minstrel craft. The great charms of Scott's poetry are simply the characteristics of the old ballads, refined by the influence of modern art and higher culture. Nari-ative in form and simple in style and lan- guage, his poems appeal to the sympathies and the state of knowledge of the mass of the people. They subject the intellect to no violent strain. They are entirely free from subtleties of thought — from intricate subjectivities, re- mote allusions, and hidden meanings. Their crowning glory is that they are genuine transcripts of nature. True to his character as a ballad poet, Scott makes large use of the supernatural element. The Augury of the Taghairm, or Oracle of the Hide, in the present poem, the legend of Gilpin Horner in The Lay of the Last Minstrel,, and the host's tale of the Elfin Warrior and the apparitions at the City Cross in Marrnion are due to the fondness for the purely romantic and supernatural aspects of the ballad which led Scott to translate Biirger's Lenore and Wild Huntsman. 20 INTRODUCTION In this respect Scott bore the impress of his poetical truth ; for he is reported to have said of the translation of Lenore by William Taylor : " This was what made me a poet. I had several times attempted the more regular kinds of poetry without success; but here was something that 1 thought I could do." And accordingly his own translation of that ballad was one of his earliest poetical efforts. But in his larger poems, with the possible ex- ception of The Lay, Scott with the artist's histinct keeps the supernatural element duly subordinate to their pri- mary characteristics — narration and description. The text of this edition is that of Black's Author's Edition, with Rolfe's corrections. CRITICAL OPINIONS Surely since Shakespeare's time there has been no great- speaker so unconscious of an aim as Sir Walter Scott. — Thomas Ccuiyle. He saw life, and told the world what he saw. Has any writer since his time supplied it with a fuller, fairer vision? His very style, loose and rambling as it is, is a part of the man, and of the artistic effect he produces. The full vigor and ease with which his imagination plays on life is often suggested by his pleonasms and tautolo- gies ; the search for the single final epithet is no part of his method, for he delights in the telling, and is sorry when all is told. — Walter Kaleigh. Poetry is consistent with perfect tranquillity of spirit; a true poem may have the calm of a summer day, the placidity of a mountain lake ; but eloquence is a torrent. a tempest, a mass in motion, an army with banners, the burst of a hundred instruments of music. Scotfs highest excellence as a poet is his eloquence. — John Burroughs. In Scott's narrative poems the scenery is accessory and subordinate. It is a picturesque background to his fig- ures, a landscape through which the action rushes like a torrent, catching a hint of color perhaps from rock or tree, but never any image so distinct that it tempts us aside to reverie or meditation. — James Russell Lowell. 21 22 CRITICAL OPINIONS Walter Scott is a great genius — he has not his equal — and we need not wonder at the extraordinary effect he has produced on the reading world. He gives me much to think of, and I discover in him a wholly new art, with laws of its own. — Goethe. If there were, or could be, any man w^hom it would not be a monstrous absurdity to compare with Shakespeare as a creator of men and inventor of circumstance, that man could be none other than Scott. Greater poems than his have been written, and, to my mind, one or two novels better than his best ; but when one considers the huge mass of his work, and its quality in the mass, the vast range of his genius, and its command over that range, who shall be compared with him? — A. C. Swin- burne. Walter Scott is out and away the king of the romantic?;. The Lndij of the Lake has no indisputable claim to be a poem beyond the inherent fitness and desirability of the tale. It is just such a story as a man would make ii]> for himself, walking, in the best of health and temper, through just such scenes as it is laid in. Hence it is that a charm dwells undefinable among these slovenly verses as the unseen cuckoo fills the mountains with his note ; hence, even after we have flung the book aside, the scenery and adventures remain present to the mind, a new and green possession, not unworthy of that beautiful name, The Tjodt/ of the Lake, or the direct romantic open- ing, — one of the most spirited and poetical in literature, — " The stag at eve had drunk his fill." — Robert Louis Stevenson. He is not a reflective poet, straining his sight to behold what is hidden from men, and laboring to discover the CRITICAL OPINIONS 23 secret springs of human thought, character, and conduct. No man is less speculative. He is content with broad, obvious surfaces, colors, sounds. He gives us no deep thoughts, few really magical cadences, no trimmed and polished art. He is at the opposite pole from Virgil, but he is, except in his lack of reflection, very closely akin to a greater than Virgil, to Homer. He is, and he is likely to remain, the Latest Minstrel, the last voice of the Old World; akin to Homer, and more akin to Homer's bards, Phemius and Demodocus. The deeds, not the thoughts, of men are his matter ; passion expressed in action, not passions analyzed in the poetic laboratory. So potent was his genius, so inspiring the martial tramp and clang of his measures, that he made the New World listen to the accents of the Old. — Andrew Lang. If Byron and Scott could have been combined, — if the energetic passions of the one could have been joined to the healthy nature and quick sympathies of the other, — we might have seen another Shakespeare in the nineteenth century. — Leslie Stephen. Probably no author of the highest mark has been so little conscious of his greatness as Scott. His amazing success left the manly simplicity of his nature untouched. His warmth of affection for homely folk, his pleasures and his duties, his gentleness and his courtesy, — he was a gentleman, it was said, even to his dogs, — were un- affected by the popularity that made his name everywhere familiar. Whatever was lovely and of good report was loved by him, and the stamp of a healthy nature is left upon all that he has written. — John Dennis. Far-seeing toleration, profound reverence, a critical insight into the various shades of thought and feeling, a 24 CRITICAL OPINIONS moderation which turns to scorn the falsehood of ex- tremes, a lofty sense of Christian honor, purity, and justice, breathe through every volume of the romances of Walter Scott. — Dean Stanley. His poems are historical narrations, true in all things to the spirit of history, but everywhere overspread with those bright and breathing colors which only genius can bestow on reality; and when it is remembered that the times in wliich the scenes are laid and his heroes act are distinguished by many of the most energetic virtues that can grace or dignify the character of a free people, and marked by the operation of great passions and important events, every one must feel that the poetry of Sir Walter Scott is, in the noblest sense of the word, national; that it breathes upon us the bold and heroic spirit of perturbed and magnificent ages, and connects us, in the midst of philosophy, science, and refinement, with our turbulent but high-minded ancestors, of whom we have no cause to be ashamed, whether looked at in the fields of war or in the halls of peace. He is a true knight in all things — free, courteous, and brave. War, as he describes it, is a noble game, a kingly pastime. He is the greatest of all war poets. His poetry might make a very coward fearless. — William Cullen Bryant. HISTORICAL BASIS OF THE POEM The following paragraphs are taken from Scott's Tales of a Grandfather : I. Highlanders and Borderers. — There were two great divisions of the country, the Highlands namely, and the Borders, which were so ranch wilder and more barba- rous than the others, that they might be said to be alto- gether without law ; and although they were nominally subjected to the king of Scotland, yet when he desired to execute any justice in those great districts, he could not do so otherwise than by marching there in person, at the head of a strong body of forces, and seizing upon the offenders, and putting them to death with little or no form of trial. Such a rough course of justice, perhaps, made these disorderly countries quiet for a short time, but it rendered them still more averse to the royal government in their hearts, and disposed on the slightest occasion to break out, either into disorders amongst themselves, or into open rebellion. I must give you some more par- ticular account of these wild and uncivilized districts of Scotland, and of the particular sort of people who were their inhabitants, that you may know what I mean when I speak of Highlanders and Borderers. The Highlands of Scotland, so called from the rocky and mountainous character of the country, consist of a very large proportion of the northern parts of that king- dom. It was into these pathless wildernesses that the 26 26 HISTORICAL BASIS OF THE FOEM Romans drove the ancient inhabitants of Great Britain ; and it was from these that they afterward sallied to in- vade and distress that part of Britain which the Romans had conquered, and in some degree civilized. The in- habitants of the Highlands spoke, and still speak, a lan- guage totally different from the Lowland Scots. That last language does not greatly differ from English, and the inhabitants of both countries easily understand each other, though neither of them comprehend the Gaelic, which is the language of the Highlanders. The dress of these mountaineers was also different from that of the Lowlanders. They wore a plaid, or mantle of frieze, or of striped stuff called tartan, one end of which being wrapped round the waist, formed a short petticoat, which descended to the knee, while the rest was folded round them like a sort of cloak. They had buskins made of raw hide ; and those who could get a bonnet, had that covering for their heads, though many never wore one during their whole lives, but had only their own shaggy hair tied back by a leathern strap. They went always armed, carrying bows and arrows, large swords, which they wielded with both hands, called claymores, pole- axes, and daggers for close fight. For defense, they had a round wooden shield, or target, stuck full of nails ; and their great men had shirts of mail, not unlike to the flannel shirts now worn, only composed of links of iron, instead of threads of worsted ; but the common men were so far from desiring armor, that they sometimes threw their plaids away, and fought in their shirts, which they wore very long and large, after the Irish fashion. This part of the Scottish nation was divided into clans, that is, tribes. The persons composing each of these clans believed themselves all to be descended, at some HISTORICAL BASIS OF THE POEM 27 distant period, from the same common ancestor, whose name they usually bore. Thus, one tribe was called MacDonald, which signifies the sons of Donald ; another MacGregor, or the sons of Gregor; MacNeil, the sons of Neil, and so on. Every one of these tribes had its own separate chief, or commander, whom they supposed to be the immediate representative of the great father of the tribe frOm whom they were all descended. To this chief they paid the most unlimited obedience, and willingly followed his commands in peace or war; not caring al- though, in doing so, they transgressed the laws of the king, or went into rebellion against the king himself. Each tribe lived in a valley, or district of the mountains, separated from the others ; and they often made war upon and fought desperately with each other. But with Low- landers they were always at war. They differed from them in language, in dress, and in manners; and they believed that the richer ^'rounds of the low country had formerly belonged to their ancestors, and therefore they made incursions upon it, and plundered it without mercy. The Lowlanders, on the other hand, equal in courage and superior in discipline, gave many severe checks to the Highlanders; and thus there was almost constant war or discord between them, though natives of the same country. Some of the most powerful of the Highland chiefs set themselves up as independent sovereigns. Such were the famous Lords of the Isles, called MacDonald, to w^hom the island, called the Hebrides, lying on the northwest of Scotland, might be said to belong in property. These petty sovereigns made alliances with the English in their own name. They took the part of Robert the Bruce in the wars, and joined him with their forces. We shall 28 HISTORICAL BASIS OF THE POEM find that, after his time, they gave great disturbance to Scotland. The Lords of Lorn, MacUouglas by name, were also extremely powerful; and you have seen that they were able to give battle to Bruce, and to defeat him and place him in the greatest jeopardy. He revenged himself afterward by driving John of Lorn out of the country, and by giving great part of his possessions to his own nephew. Sir Colin Campbell, who became the first of the great family of Argyll, which, afterward enjoyed such power in the Highlands. Upon the w'hole, you can easily understand that these Highland clans, living among such high and inaccessible mountains, and paying obedience to no one save their own chiefs, should have been instrumental in disturbing the tranquillity of the kingdom of Scotland. They had many virtues, being a kind, brave, and hospitable j)eople, and remarkable for their fidelity to their chiefs ; but they were restless, revengeful, fond of plunder, and delighting rather in war than in peace, and disorder than in repose. The Border counties were in a state little more favor- able to a quiet or peaceful government. In some respects the inhabitants of the counties of Scotland lying opposite to England greatly resembled the Highlanders, and par- ticularly in their being, like them, divided into clans, and having chiefs, whom they obeyed in preference to the king, or the officers whom he placed among them. How clanship came to pievail in the Highlands and Borders, and not in the provinces which separated them from each other, it is not easy to conjecture, but the fact was so. The Borders are not, indeed, so mountainous and inaccessible a country as the Highlands; but they also are full of hills, especially on the more western part of the frontier, and were in early times covered with HISTORICAL BASIS OF THE POEM 29 forests, and divided by small rivers and morasses, into dales and valleys, where the different clans lived, milking war sometimes on the English, sometimes on each other, and sometimes on the more civilized country which lay behind them. But though the Borderers resembled the Highlanders in their mode of government and habits of plundering, and, as it may be truly added, in their disobedience to the general government of Scotland, yet they dilfered in many particulars. The Highlanders fought always on foot, the Borderers were all horsemen. The Borderers spoke the same language with the Lowlanders, wore tlie same sort of dress, and carried the same arms. Being- accustomed to fight against the English, they were also much better disciplined than the Highlanders. But in point of obedience to the Scottish government, they were not much different from the clans of the north. II. James Y. of Scotland. — James V. displayed most of the qualities of a wise and good prince. He was handsome in his person, and resembled his father in the fondness for military exercises, and the spirit of chival- rous honor which James IV. loved to display. He also inherited his father's love of justice, and his desire to establish and enforce wise and equal laws, which should protect the weak against the oppression of the great. It was easy to make laws, but to put them in vigorous exer- cise was of much greater difficulty ; and in his attempt to accomplish this laudable purpose, James of ten incurred the ill will of the more powerful nobles. He was a well- educated and accomplished man ; and like his ancestor, James I., was a poet and a musician. He had, however, his defects. He avoided his father's failing of profusion, having no hoarded treasures to employ on pomp and 30 HISTORICAL BASIS OF THE POEM show; but he rather fell into the opposite fault, being of a temper too parsimonious; and thougli he loved state and display, he endeavored to gratify that taste as eco- nomically as possible, so that he has been censured as rather close and covetous. Me was also, though the foibles seem inconsistent, fond of pleasure, and disposed to too much indulgence. It must be added, that when provoked, he was unrelenting even to cruelty; for which he had some apology, considering the ferocity (-f the subjects over whom he reigned. Uiit, on the whole, James Y. was an amiable man and a good sovereign. His first care was to bring the Borders of Scotland to some degree of order. These, as you were formerly told, were inhabited by tribes of men, forming each a different clan, as they were called, and obeying no orders save those which were given by their chiefs. These chiefs were supposed to represent the first founder of the name, or family. The attachment of the clansmen to the chief was very great : indeed, they paid respect to no one else. In this the Borderers agreed with the Highlanders, as also in their love of plunder and neglect of the general laws of the country. But the Border men wore no tartan dress, and served pJmost always on horseback, whereas the Highlanders acted always on foot. You will also remember that the Borderers spoke the Scottish language, and not the Gaelic tongue used by tlie mountaineers. The situation of these clans on the frontiers exposed t hem to constant war ; so that they thought of nothing else but of collecting bands of their followers together, and making incursions, without much distinction, on the English, on the Lowland (or inland) Scots, or upon each other. They paid little respect either to times of truce or treaties of peace, but exercised their depredations HISTORICAL BASIS OF THE POEM 31 without regard to either, and often occasioned wars be- twixt England and Scotland which would not otherwise have taken place. As their insolence had risen to a high pitch after the field of Flodden had thrown the country into confusion, James V. resolved to take very severe measures against them. His first step was to secure the persons of the principal chieftains by whom these disorders were privately en- couraged. The Earl of Bothwell, the Lord Home, Lord Maxwell, Scott of Buccleuch, Ker of Fairniehirst, and other powerful chiefs, who might have opposed the king's purposes, were seized, and imprisoned in separate fortresses in the inland country. James then assembled an army, in which warlike pur- poses were united with those of sylvan sport ; for he ordered all the gentlemen in the wild districts which he intended to visit to bring their best dogs, as if his only purpose had been to hunt the deer in those desolate regions. This was to prevent the Borderers from taking the alarm, in which case they would have retreated into their mountains and fastnesses, from whence it would have been difficult to dislodge them. These men had indeed no distinct idea of the offences which they had committed, and consequently no apprehen- sion of the king's displeasure against them. The laws had been so long silent in that remote and disorderly country, that the outrages which were practiced by the strong against the weak seemed to the perpetrators the natural course of society, and to present nothing that was worthy of punishment. Thus, as the king in the beginning of his expedition suddenly approached the castle of Piers Cockburn of Henderland. that baron was in the act of providing a 32 HISTORICAL BASIS OF THE POEM great entertainment to welcome him, when James caused him to be suddenly seized on and executed. Adam Scott of Tushielaw, called the King of the Border, met the same fate. In the like manner James proceeded against the High- land chiefs ; and by executions, forfeitures, and other severe measures he brought tlie northern mountaineers, as he had already done those of the south, into compara- tive subjection. He then set at liberty the Border chiefs, and others whom he had imprisoned, lest they should have offered any hindrance to the couisc: of his justice. James was very fond of hunting, and wlicn lie pursued that amusement in the Higlilands he used to wear the peculiar dress of that country, having a long and wide Highland shirt and a jacket of Tartan velvet, with plaid hose, and everything else corresponding. The accounts for these are in the books of his chamberlain, still pre- served. Tlie reign of James Y. was not alone distinguished by his personal adventures and pastimes, but is honorably remembered on account of wise laws made for the gov- ernment of his people, and for restraining the crimes and violence which were frequently practiced among them; especially those of assassination, burning of houses, and driving of cattle — the usual and ready means by Mhich powerful chiefs avenged themselves of their feudal enemies. AUTHOR'S PREFACE After the success of Marmion, I felt inclined to ex- claim with Ulysses in the Odyssey : "One venturous game my hand has won to-day — Another, gallants, yet remains to play." The ancient manners, the habits and customs of the aboriginal race by whom the Highlands of Scotland were inhabited, had always appeared to me peculiarly adapted to poetry. The change in their manners, too, had taken place almost within my own time, or at least I had learned many particulars concerning the ancient state of the Highlands from the old men of the last generation. 1 had always thought the old Scottish Gael highly adapted for poetical composition. The feuds and political dis- cussions which, half a century earlier, would have ren- dered the richer and wealthier part of the kingdom indisposed to countenance a poem, the scene of which was laid in the Highlands, were now sunk in the gener- ous compassion which the English, more than any other nation, feel for the misfortunes of an honorable foe. The l^oems of Ossian had, by their popularity, sufficiently shown that if writings on Highland subjects were qualified to interest the reader, mere national prejudices were, in the present day, very unlikely to interfere with their success. I had also read a great deal, seen much, and heard more of that romantic country where I was in the habit of spending some time every autumn j and the scenery 33 34 A U THO R^S FEE FA CE of Loch Katrine was connected with the recollection of many a dear friend and merry expedition of former days. This poem, the action of which lay among scenes so beautiful and so deeply imprinted on my recollections, was a labor of love, and it was no less so to recall the manners and incidents introduced. The frequent custom of James IV., and particularly of James V., to walk through their kingdom in disguise, afforded me the hint of an incident which never fails t(^ bs interesting if man- aged with the slightest address or dexterity. I may now confess, however, thai the employment, though attended with great plea'^aii-e, was not without its doubts and anxieties. A lady- to whom I was nearly re- lated, and with whom I lived, during her whole life, on the most brotherly terms of affection, was residing with me at the time when the work was in progress, and used to ask me what I could possibly do to rise so early in the morning (that happening to be the most convenient to me for composition). At last I told her the subject of my meditations ; and I can never forget the anxiety and affection expressed in her reply. "Do not be so rash," she said, " my dearest cousin. You are already pojjular — more so, perhaps, than you yourself will believe, or than even I, or other partial friends, can fairly allow to your merit. You stand high — do not rashly attempt to climb higher, and incur the risk of a fall; for, depend upon it, a favorite will not be permitted even to stumble with impunity." I replied to this affectionate expostulation in the words of Montrose : " He either fears his fate too much, Or his deserts are small. Who dares not put it to the toucli To gain or lose it all." AUTHOR'S PREFACE 35 " If I fail, " I said, for the dialogue is strong in my recollection, "it is a sign that I ought never to have suc- ceeded, and I will write prose for life : you shall see no change in my temper, nor will I eat a single meal the worse. But if I succeed, " ' Up with the bonnie blue bonnet, The dirk, and the feather, and a' ! ' " Afterward I showed my affectionate and anxious critic the first canto of the poem, which reconciled her to my imprudence. Nevertheless, although I answered thus confidently, with the obstinacy often said to be proper to those who bear my surname, I acknowledge that my con- fidence was considerably shaken by the warning of her excellent taste and unbiased friendship. Nor was 1 much comforted by her retraction of the unfavorable judgment, when I recollected how likely a natural parti- ality was to effect that change of opinion. In such cases, affection rises like a light on the canvas, improves any favorable tints which it formerly exhibited, and throws its defects into the shade. I remember that about the same time a friend started in to "heeze up my hope," like the "sportsman with his cutty gun," in the old song. He was bred a farmer, but a man of powerful understanding, natural good taste, and warm poetical feeling, perfectly competent to supply the wants of an imperfect or irregular education. He was a passionate admirer of field sports, which we often pur- sued together. As this friend happened to dine with me at Ashestiel one day, I took the opportunity of reading to him the first canto of The Lady of the Lake, in order to ascer- tain the effect the poem was likely to produce upon a 36 AUTHOR'S PREFACE person who was but too favorable a representative of readers at large. It is, of course, to be supposed, that I determined i-ather to guide my opinion b}- what my friend might appear to feel, than by what he might think fit to say. His reception of my recitation, or prelection, was rather singular, lie placed his hand across his brow, and listened with great attention through the whole account of the stag hunt, till the dogs threw themselves into the lake to follow their master, who embarks with Ellen Douglas. He then started up u ith a sudden exclama- tion, struck his hand on the table, and declared, in a voice of censure calculated for the occasion, that the dogs must have been totally ruined by being permitted to take the water after such a severe chase. I own I was much encouraged by the species of reverie which had possessed so zealous a follower of the sports of the ancient Nimrod, who had been completely surprised out of all doubts of the reality of the tale. Another of his remarks gave me less pleasure. He detected the identity of the king with the wandering knight, Fitz-James, when he winds his bugle to summon his attendants. He was probably thinking of the lively, but somewhat licentious, old ballad, in v/hich the denouement of a royal intrigue takes place as follows : " He took a bugle frae his side, He blew both loud and shrill, And four-and-twenty belted knights Came skipping ower the hill ; Then he took out a little knife, Let a' his duddies fa', And he was the brawest gentleman, That was araang them a'. And we'll go no more a-roving," etc. AUTHOR'S PHEFAC^: 37 This discovery, as Mr. Pepys says of the rent in his camlet cloak, was but a trifle, yet it troubled me ; and I was at a good deal of pains to efface any marks by which I thought my secret could be traced before the conclu- sion, when I relied on it with the same hope of producing effect, with which the Irish postboy is said to reserve a " trot for the avenue." I took uncommon pains to verify the accuracy of the local circumstances of this story. I recollect in particu- lar, that to ascertain whether I was telling a probable tale, I went into Perthshire to see whether King James could actually have ridden from the banks of Loch Ven- nachar to Stirling Castle within the time supposed in the poem, and had the pleasure to satisfy myself that it was quite practicable. After considerable delay, The Ladj/ of the Lake appeared in June, 1810 ; and its success was certainly so extraordinary as to induce me for the moment to con- clude that I had at last fixed a nail in the proverbially inconstant wheel of fortune, whose stability in behalf of an individual who had so boldly courted her favors for three successive times had not as 5'et been shaken. I had attained, perhaps, that degree of reputation at which prudence, or certainly timidity, would have made a halt, and discontinued efforts by which I was far more likely to diminish my fame than to increase it. But, as the celebrated John Wilkes is said to have explained to his late Majesty, that he himself, amid his full tide of popu- larity, was never a Wilkite, so I can, with honest truth, exculpate myself from having been at any time a partisan of my own poetry, even when it was in the highest fashion with the million. It must not be supposed that I was either so ungrateful, or so superabundantly candid, as to 38 AUTHOR^ S PBEFACK despise or scorn the value of those whose voice had ele- vated me so much higher than my opinion told me I dc- seived. I felt, on the contrary, the more grateful to tli*- public, as receiving that from partiality to me, which I could not have claimed from merit ; and I endeavored to deserve the partiality by continuing such exertions as I was capable of for their amusement. It may be that I did not, in this continued course of scribbling, consult either the interest of the public or uiy own. But the former had effectual means of defending themselves, and could, by their coldness, sufficiently check any approach to intrusion ; but, for myself, I had now for several years dedicated my hours so much to literary labor that I should have felt difficulty in employing my- self otherwise; and so, like Dogberry, 1 generously be- stowed all my tediousness on the public, comforting myself with the reflection, that if posterity should think me undeserving of the favor with which I was regarded by my contemporaries, " they could not but say I had the crown," and had enjoyed for a time that popularity which is so much coveted. I conceived, however, that I held the distinguished situation I had obtained, however unworthily, rather like the champion of pugilism ^ on the condition of being always ready to show proofs of my skill, than in the manner of the champion of chivalry, who performs his duties only on rare and solemn occasions. I was in any case conscious that I could not long hold a situation 1 ** In twice five years the greatest living poet, Like to the champion in the fisty ring, Is called on to support his claim, or show it, Although 'tis an imaginary thing," etc. — Don Juan, Canto IX. Stanza 55. AUTHOR'' S PREFACE 39 which the caprice, rather than the judgment, of the pub- lic, had bestowed upon me, and preferred being deprived of my precedence by some more worthy rival, to sinking into contempt for my indolence, and losing my reputation by what Scottish lawyers call the negatice prescription. Accordingly, those who choose to look at the Inti-od action to Rokeby will be able to trace the steps by which I de- clined as a poet to figure as a novelist ; as the ballad says, " Queen Eleanor sunk at Charing Cross to rise again at Queenhithe." It only remains for me to say, that, during my short preeminence of popularity, I faithfully observed the rules of moderation which I had resolved to follow before I began my course as a man of letters. If a man is deter- mined to make a noise in the world, he is as sure to encounter abuse and ridicule; as he who gallops furiously through a village must reckon on being followed by the curs in full cry. Experienced persons know, that in stretching to flog the latter, the rider is very apt to catch a bad fall; nor is an attempt to chastise a malignant critic attended with less danger to the author. On this principle, I let parody, burlesque, and squibs find their own level ; and while the latter hissed most fiercely I was cautious never to catch them up, as schoolboys do to throw them back against the naughty boy who fired them off, wisely remembering that they are, in such cases, apt to explode in the handling. Let me add, that my reign i (since Byron has so called it) was marked by some in- stances of good nature as well as patience. I never refused a literary person of merit such services in smoothing his 1 ** Sir Walter reigned before me," etc. — Don Juan, Canto XL Stanza 57. 40 AUTHOR'S PREFACE way to the public as were in my power; and I had the advantage, rather an uncommon one with our irritable race, to enjoy general favor, without incurring permanent ill will, so far as is known to me, among any of my con- temporaries. W. S. Abbotsford, April, 1830. SYNOPSIS The events narrated in The Lady of the Lake are sup- posed to occupy six days; the poeui is composed of six cantos, and each canto describes a day's incidents. Canto I. The Chase. — The story opens with a descrip- tion of the chase, by a knight of Snowdoun, James Fitz- James, and his companions, of a stag started in Glenartney, and which is followed across the heaths of Uam-Var, through Canibus-more, over Bochastle Heath, across the Teith, past Loch Vennachar and Achray, into the depths of the Trosachs. Here the stag disappears from view, and, in pursuing it, "the gallant horse," on which the knight is mounted, falls dead from exhaustion. There is a description of the Trosachs, in seeking an outlet from which Fitz -James comes upon Loch Katrine as the sun is setting. Blowing his horn with the view of bring- ing up some of his companions, he sees Ellen, who sup- poses it to be her father, row over from an islet opposite. Fitz-James, telling of his " benighted road," is invited to the island. Canto IL The Island. — The story is continued by a description of the departure of Fitz-James next morning, and of the arrival at the island, first of Sir Roderick Dhu, chief of Clan-Alpine, and next of Lord Douglas and Malcolm Graeme, " a noble youth," favored by Ellen. In the evening Sir Roderick, who has heard of the king's intention to invade the Highlands, and who hopes that 41 42 SYNOPSIS by linking his fortunes to the House of Douglas friends and allies will flock to the united standard, asks the hand of Ellen. Douglas refuses. The deep disappointment of Roderick Dhu at lengtli finds vent in a jealous quarrel with Graeme. Douglas interposes, and Graeme leaves the island. Canto III. The Gathering. — Sir Roderick, after solemn I'itual, consisting in the preparation of the Fiery Cross, sends that dread symbol by swift messengers through the district over which he is acknowledged chief, summoning his clan to instant muster on " Lanrick mead." Douglas and his daughter have meanwhile withdrawn from Loch Katrine to a hollow called Coir-nan-Uiiskin, or the Goblin- cave, in the side of Benvenue. They are accompanied by their aged minstrel, Allan-bane. Canto IV. The Prophecy. — The canto opens with an account of the Taghairm, an augury said to be tried only in time of great extremity. Fitz-James again visits Ellen and proposes to take her to Stirling. She refuses. He gives her a ring, on presenting which to the king of Scotland her suit will be favored. On his return Fitz- James is led astray by a treacherous Highland guide, and night finds him a wanderer among the hills. As he journeys on he suddenly comes on a watch fire and a plaided mountaineer, who demands "his name and pur- pose." Ultimately, the Highlander promises to conduct him " past Clan- Alpine's outmost guard." Canto Y. The Combat. — The narrative of the fifth day's adventures opens with a dialogue between Fitz- James and the mountaineer, who, stung b}^ Saxon accu- sations, discloses himself as Roderick Dhu. He whistles and the hillside suddenly appears to be alive with men, who, at the signal, instantly spring from the ground. sYJS'OJ'SJs 43 Having led the knight of Snowdoun beyond the bounds of Clan- Alpine, he challenges him to single combat at "Coilantogle Ford." Roderick Dhu is worsted and wounded. Fitz-James blows his horn; four mounted squires appear with a saddled steed, on which two of them are commanded to place the wounded chief and to take him to Stirling Castle. Fitz-eTames and the other two ride on. On reaching Stirling, Fitz-James recognizes the form of Douglas, who has come to surrender himself. It is the day of the " burghers' sports," at which the king must be present. Douglas joins in the athletic exercises, in which he excels. Canto VI. The Guard-room. — Ellen and Allan-bane arrive at the castle, the former to ask audience of the king. The minstrel is conducted to the room where Roderick Dhu lies dying. Roderick inquires as to the results of the battle which had meanwhile taken place in the Trosachs, between his clan and the royal troops. As the minstrel describes the battle of Beal-an-Duine, and shows how, although the engagement was nobly fought by Clan-Alpine, the advantage lay w^ith the royal forces, " Stout Roderick Dhu " expires. Fitz-James conducts Ellen to the room where the king is holding court. On looking round she sees every one uncovered except Fitz- James, and discovers, , " That Snowdoun's Knight is Scotland's King." Douglas is restored to the royal favor, and Ellen is united to Malcolm Graeme. CHARACTERS OF THE POEM James Fitz-James, the Knight of Snoicdoun. James Douglas, Lord of Both- well, uncle of the banished Earl of Augus. Ellen Douglas, his daughter. Margaret, Douglas^ sister-in- law. Roderick Dhu, her son. Malcolm Gr^me, Ellen's lover. Allan-bane, a minstrel at- tendant on Douglas. Malise, Roderick's henchman. Angus, the young chieftain of Duncraggan. Norman, the heir of Arman- dave. Brian, a hermit, retainer of Roderick Dhu. The Red Murdoch, a follower of Rhoderick Dhu. Blanche of Devon. Bertram of Ghent. John of Brent. Lewis of Tidlibardine. Scene: Perthshire, chiefly Loch Katrine and its neighbor- hood ; afterwards Stirling Castle. Time : About 1530. 44 THE LADY OF THE LAKE CANTO FIEST The Chase Harp of the North! that mouldering long hast hung On the witch-elm that shades Saint Fillan's spring, . And down the fitful breeze thy numbers flung, Till envious ivy did around thee cling, Muffling with verdant ringlet every string, — 5 Minstrel Harp, still must thine accents sleep ? Mid rustling leaves and fountains murmuring. Still must thy sweeter sounds their silence keep, Nor bid a warrior smile, nor teach a maid to weep ? 1. Each canto is introduced by one or more Spenserian stanzas. Those which precede the first canto may be consid- ered as introductory to the whole poem. They consist in an invocation oi the Scottish Harp, symboliziug the old minstrelsy, in the manner of the Greek and Latin poets, whose poems began with invocations of the Muses. 2. witch-elm, or wych-elm, distinguished by its long leaves. St. Fillan's spring. St. Fillan was a Scotch abbot of the seventh century. 3. numbers, verses. Cf . Longfellow's Psalm of Life : " Tell ine not In mournful numbers," etc 46 46 THE LADY OF THE LAKE Not thus, in ancient days of Caledon, lo Was thy voice mute amid the festal crowd, When lay of hopeless love, or glory won, Aroused the fearful or subdued the proud. At each according pause was heard aloud Thine ardent symphony sublime and high ! 15 Fair dames and crested chiefs attention bowed ; For still the burden of thy minstrelsy Was Knighthood's dauntless deed, and Beauty's matchless eye. 0, wake once more ! how rude soe'er the hand That ventures o'er thy magic maze to stray ; l'O 0, wake once more ! though scarce my skill command Some feeble echoing of thine earlier lay : Though harsh and faint, and soon to die away, And all unworthy of thy nobler strain. Yet if one heart throb higher at its sway, 25 The wizard note has not been touched in vain. Then silent be no more ! Enchantress, wake again ! The stag at eve had drunk his fill. Where danced the moon on Monan's rill, 10. Caledon, or Caledonia. The Roman name for Scotland. 14. according pause, interlude. 28. fill. This word expresses, not what the stag drank, hnt how much he drank. It is therefore objective of measure, and should be construed as an adverb. 29. Monan's rill. This stream is not entered in any map or gazetteer that we have seen. Monan was a Scotch martyr of the foui-th century. CANTO FIRST i1 And deep his midnight lair had made 30 In lone Glenartney's hazel shade ; But when the sun his beacon red Had kindled on Benvoirlich's head, The deep-mouthed bloodhound's heavy bay Resounded up the rocky way, 35 And faint, from farther distance borne, Were heard the clanging hoof and horn. II. As Chief, who hears his warder call, ' To arms ! the foemen storm the wall,' The an tiered monarch of the waste 40 Sprung from his heathery couch in haste. But ere his fleet career he took, The dew-drops from his flanks he shook ; Like crested leader proud and high Tossed his beamed frontlet to the sky ; 46 A moment gazed adown the dale, A moment snuffed the tainted gale, A moment listened to the cry. That thickened as the chase drew nigh ; Then, as the headmost foes appeared, 50 With one brave bound the copse he cleared, 31. Glenartney, a glen or valley in Perthshire. 33. Benvoirlich, a monntain, 3180 feet high, on the southern side of Loch Earn. Ben is the Gaelic for mountain, as in Ben Lomond, Ben Venue, etc. ; Welsh, pen. 45. beamed frontlet, the stag's forehead, bearing his antlers or horns. 51. brave, grand or splendid, without reference to courage. [Fr. brave, Sc. hraw, Ger. hrav, handsome.] Copse, coppice. 48 THE LADY OF THE LAKE And, stretching forward free and far, Sought the wild heaths of Uam-Var. III. Yelled on the view the opening pack ; Kock, glen, and cavern paid them back; To many a mingled sound at once The awakened mountain gave response. A hundred dogs bayed deep and strong, Clattered a hundred steeds along, Their peal the merry horns rung out, 60 A hundred voices joined the shout; With hark and whoop and wild halloo, No rest Benvoirlich's echoes knew. Far from the tumult fled the roe, Close in her covert cowered the doe, 65 The falcon, from her cairn on high. Cast on the rout a wondering eye. Till far beyond her piercing ken 53. Uam-Var, a mountain to the northeast of Callander, and the highest point in the " Braes of Doune." 54. the opening pack, the hounds spreading out in beginning the chase. 56. many a mingled sound. In the modern idiom the article always follows the adjectives many, what, and such ; and adjectives qualified by so, how, as, and too. In O. E. the same construction is found; but Shakespeare has "« many merry men" {As You Like It, I. i. 119), and "a many thousand war- like French" {King John, IV. ii. 199). In these instances it is equivalent to " a great number (of) " ; and here many may cor- rectly be considered a noun, as it is in the phrase " a great many.'^ 66. falcon = a kind of hawk, cairn, a heap of stones. 67. rout, tumult. 68. ken, sight. « CANTO FIRST 49 The hurricane had swept the glen. Faint, and more faint, its failing din 70 Eeturned from cavern, cliff, and linn, And silence settled, wide and still, On the lone wood and mighty hill. IV. Less loud the sounds of sylvan war Disturbed the heights of Uam-Var, 75 And roused the cavern where, 'tis told, A giant made his den of old ; For ere that steep ascent was won. High in his pathway hung the sun. And many a gallant, stayed perforce, 80 Was fain to breathe his faltering horse, And of the trackers of the deer Scarce half the lessening pack was near ; So shrewdly on the mountain-side Had the bold burst their mettle tried. 85 V. The noble stag was pausing now Upon the mountain's southern brow. Where broad extended, far beneath. The varied realms of fair Menteith. With anxious eye he wandered o'er go 71. linn, waterfall. 84, shrewdly, severely. Cf . Hamlet, I. iv. 1 : " The air bites shrewdly." 89. Menteith, the district through which the river Teith flows. 50 THE LADY OF THE LAKE Mountain and meadow, moss and moor, And pondered refuge from his toil. By far Lochard or Aberfoyle. But nearer was the copsewood gray That waved and wept on Loch Achray, 95 And mingled with the pine-trees blue On the bold cliffs of Benvenue. Fresh vigor with the hope returned, With flying foot the heath he spurned, Held westward with unwearied race, lOO And left behind the panting chase. VI. 'T were long to tell what steeds gave o'er, As swept the hunt through Cambusmore ; What reins were tightened in despair. When rose Benledi's ridge in air ; 105 Who flagged upon Bochastle's heath, 93. Lochard, a small lake near the town of Aberfoyle. See map. 95. Loch Achray, a small lake between Loch Katrine and Loch Vennachar. The name means " The Lake of the Level Field." 97. Benvenue, " Center Mountain," a high mountain near Loch Katrine, and halfway between Ben Ledi and Ben Lomond. 99. heath, or heather, a low shrub with a purple flower, which grows on the Scotch hills. 103. Cambusmore, the Great Cambus. Cambusmore is situ- ated on the Keltie Water, a few miles to the southeast of Callander. 105. Benledi, a mountain on the north side of Loch Venna- char. The name means " the hill of God." 106. Bochastle, a haugh or plain between the stream that flows out of Loch Vennachar and the Teith. CANTO FIRST 51 Who shunned to stem the flooded Teith, — For twi(3e that day, from shore to shore, The gallant stag swam stoutly o'er. Few were the stragglers, following far, no That reached the lake of Vennachar ; And when the Brigg of Turk was won, The headmost horseman rode alone. VII. Alone, but with unbated zeal, That horseman plied the scourge and steel ; 115 For jaded now, and spent with toil, Embossed with foam, and dark with soil, While every gasp with sobs he drew, The laboring stag strained full in view. Two dogs of black Saint Hubert's breed, 120 Unmatched for courage, breath, and speed, Fast on his flying traces came. And all but won that desperate game ; For, scarce a spear's length from his haunch, Vindictive toiled the bloodhounds stanch; 125 Nor nearer might the dogs attain, Nor farther might the quarry strain. 112. Brigg of Turk, a small village, taking its name from the bridge on the Glentinlas Water, at the east end of Loch Achray. 120. of black Saint Hubert's breed, black hounds of the breed preserved by the abbots of Saint Hubert, the patron saint of liunting. 123. all but won, very nearly won. All is an adverb, modi- fying hut icon. But, or except, or leai^e out that they wou, and they did all. [But = be out ; A.-S. butan = beutan.] 127. quarry, the hunted animali 52 THE LADY OF THE LAKE Thus up the margin of the lake, Between the precipice and brake, O'er stock and rock their race they take. loO VIII. The Hunter marked that mountain high, The lone lake's western boundary. And deemed the stag must turn to bay. Where that huge rampart barred the way ; Already glorying in the prize, 135 Measured his antlers with his eyes ; For the death-wound and death-halloo Mustered his breath, his whinyard drew : But thundering as he came prepared, With ready arm and weapon bared, 140 The wily quarry shunned the shock, And turned him from the opposing rock ; Then, dashing down a darksome glen, Soon lost to hound and Hunter's ken. In the deep Trosachs' wildest nook 145 His solitary refuge took. There, while close couched the thicket shed 129. brake, ferns and bushes. 131. that mountain high, Ben-an, or Ben-a'an, to the north- west of Loch Aohray, the " lone lake " of the passage. 133. to bay. " At bay ' ' would be more correct ; in a position iu which it was checked, or brought to a standstill, as in the expression, " The stag at bai//' [Fr. bayer, to gape, to watch.] 138. whinyard, a kind of sword or cutlass. 145. Trosachs', literally "the bristled territory," is the Gaelic name applied to the district between Lochs Achray and Katrine. (JAN TO J'lIiSr 53 Cold clews and wild flowers on his head. He heard the baffled dogs in vain Rave through the hollow pass amain, 150 Chiding the rocks that yelled again. IX. Close on the hounds the Hunter came, To cheer them on the vanished game ; But, stumbling in the rugged dell, The gallant horse exhausted fell. 155 The impatient rider strove in vain To rouse him with the spur and rein. For the good steed, his labors o'er, Stretched his stiff limbs, to rise no more; Then, touched with pity and remorse, 160 He sorrowed o'er the expiring horse. ' I little thought, when first thy rein I slacked upon the banks of Seine, That Highland eagle e'er should feed On thy fleet limbs, my matchless steed ! 165 Woe worth the chase, woe worth the day, That costs thy life, my gallant gray ! ' 150. amain, loudly, vigorously. 154. the rugged dell. " In the defile of Becd-an-duine, where Fitz-James's steed fell exhausted, we are in the heart of the great gorge." — Anderson's Guide to the Highlands. 158. his labors o'er. An absolute phrase, " his labors ftemfif over." 159. to rise no more. A phrase attributive to limbfi. They were " limbs which were to rise no more." 163. Seine, a river of France, on which Paris is situated. 166. Woe worth the chase, woe be to the chase. Worth is 54 THE LADY OF THE LAKE Then through the dell his horn resounds, From vain pursuit to call the hounds. Back limped, with slow aud crippled pace, 17"' The sulky leaders of the chase ; Close to their master's side they pressed. With drooping tail and humbled crest ; But still the dingle's hollow throat Prolonged the swelling bugle-note. 175 The owlets started from their dream, The eagles answered with their scream, Eound and around the sounds were cast, Till echo seemed an answering blast; And on the Hunter hied his way, 180 To join some comrades of the day, Yet often paused, so strange the road. So wondrous were the scenes it showed. XI. The western waves of ebbing day Rolled o'er the glen their level way ; 185 imperative of O. E. wurth, loorthe, to be, become. [A.-S. weorthan, Ger. loerden.] Chase and day are datives. Cf. " Woe is me" {Hamlet, III. i. 168). 174. dingle, a small valley. 180. hied his way. Hie is an intransitive verb, meaning to hasten [A.-S. higan] ; way is therefore a redundant object. Hie is, however, used with a personal and reflexive object: "Hie thee hither" {Macbeth, I. v. 26). In "Hie ?/om to horse " {Mac- beth, III. i. 34), "you " may be either nominative or objective. 185. their level way. Toward sunset the rays of the sun become more and more nearly horizontal. In this passage, day CANTO FIRST 65 Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow- Within the dark ravines below. Where twined the path in shadow hid, iito Eound many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle ; Eound many an insulated mass. The native bulwarks of the pass, 195 Huge as the tower which builders vain Presumptuous piled on Shinar's plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set 200 With cupola or minaret. Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare. Nor lacked they many a banner fair ; 205 For, from their shivered brows displayed. Far o'er the unfathomable glade. All twinkling with the dewdrop sheen, or light is spoken of as a liquid ; and the metaphor is appro- priately maintained throughout, in the words waves, ebbing, rolled, bathed, foods. 194. insulated, isolated. 195. native bulwarks, natural fortifications. 196. tower, the tower of Babel. Cf. Genesis xi. 1-9. 201. minaret, a slender, lofty tower, on a Mohammedan mosque or temple. 202. pagod or pagoda, a Chinese temple. 56 THE LADY OF THE LAKE The brier-rose fell in streamers green, And creeping shrubs of thousand dyes 210 Waved in the west-wind's summer sighs. XII. Boon nature scattered, free and wild, Each plant or flower, the mountain's child. Here eglantine embalmed the air, Hawthorn and hazel mingled there ; 215 The primrose pale and violet flower Found in each cleft a narrow bower; Foxglove and nightshade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain 220 The weather-beaten crags retain. With boughs that quaked at every breath ; Gray birch and aspen wept beneath ; Aloft, the ash and warrior oak Cast anchor in the rifted rock ; 226 And, higher yet, the pine-tree hung His shattered trunk, and frequent flung. Where seemed the cliffs to meet on high. His boughs athwart the narrowed sky. 224. warrior oak. The oak is so called, probably, from its being used in building ships of war. The nautical figure is con- tinued, not very happily, in the next line, where the trees are compared to ships at " anchor." 227. frequent. An adjective, qualifying pine-tree = " many a pine-tree." It may, however, also be taken as an adverb = " at frequent intervals." The object otfung is boughs. 229. athwart, on-thwart, i.e., cross-wise. [A.-S. on, in, and theor, cross, perverse.] CANTO FIRST 57 Highest of all, where white peaks glanced, 230 Where glistening streamers waved and danced. The wanderer's eye could barely view The summer heaven's delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. 235 xiri. Onward, amid the copse 'gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck's brood to swim. Lost for a space, through thickets veering, 240 But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace ; And farther as the Hunter strayed, Still broader sweep its channels made. 245 The shaggy mounds no longer stood. Emerging from entangled wood. But, wave-encircled, seemed to float, Like castle girdled with its moat ; Yet broader floods extending still 260 Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. 240. veering, turning, curving. 249. moat, a ditch, filled with water, surrounding a castle. 58 THE LADY OF THE LAKE XIV. And now, to issue from the glen, No pathway meets the wanderer's ken, 255 Unless he climb with footing nice A far-projecting precipice. The broom's tough roots his ladder made, The hazel sa^^lings lent their aid ; And thus an airy point he won, 2G0 Where, gleaming with the setting sun, One burnished sheet of living gold. Loch Katrine lay beneath him rolled, In all her length far winding lay. With promontory, creek, and bay, 265 254. to issue. An attribute to pathway : " no pathway by which he may issue." 256. Unless he climb. The subjunctive mood, expressing the uncertainty wliich attaches to the future: "unless he (shall) climb," which he may or may not do. Nice, cautious, careful. [Variously derived from A.-S. hnesc, tender; and from Lat. nescius, ignorant. Probably there are two words nice in Eng- lish, one derived from each of these roots. There were two cor- responding words in O. E. ; namely, nesh, soft, tender; and nice, silly, foolish; the former derived from A.-S. hnesc; the latter from O. Fr. 7iice, Fr. niais, Sc. nice, simple, Lat. nescius, ■unlearned. One form of nesh was neys ; and as this latter -would be pronounced exactly like 7uce, the words were very naturally confounded. The latter is, of course, the word in the text. In illustration of the change which its meaning has under- gone, cf. fond, affectionate; Shakespeare, fond, foolish; O. E. fonne, Sc.fon, to play the fool, and to fondle.] 258. broom, a wild shrnb bearing yellow liowers and pods. 262. Explain the metaphor in this line. 263. Loch Katrine, the lake referred to in the title of the poem. It disputes with Loch Lomond, which it excels in roman- tic interest, tlie title of "The Queen of Scottish Lakes." It is situated in the southwest of Perthshire. CANTO FIRST 59 And islands that, empurpled bright, Floated amid the livelier light. And mountains that like giants stand To sentinel enchanted land. High on the south, huge Benvenue 270 Down to the lake in masses threw Crags, knolls, and mounds, confusedly hurled, The fragments of an earlier world ; A wildering forest feathered o'er His ruined sides and summit hoar, 276 While on the north, through middle air, Ben-an heaved high his forehead bare. XV. From the steep promontory gazed The stranger, raptured and amazed. And, ' What a scene were here,' he cried, 280 ' For princely pomp or churchman's pride ! 266. bright. An adverb, for brightlj/. In O. E. raany adverbs were formed from adjectives by the suffix -e (representative of the dative, expressing manner). When the suffix was lost, the adverbs came to have the appearance of adjectives. Hence many adjectives are now used as adverbs, though they have not gone through this process. 268. mountains, like islands, is governed by vnth, which is here equivalent to having, and introduces the enumeration of the details of the lake. 274. wildering, perplexing, from the confusion ; bewildering. [Ger. ivildren, verivildren, to grow wild.'] 277. Ben-an is on the north side of Loch Katrine, opposite Benvenue. 280. were here. Conditional mood = " would be here " ; indi eating possibility, and implying the contrary fact : "it is not, but it might be." 60 THE LADY OF THE LAKE On this bold brow, a lordly tower ; In that soft vale, a lady's bower ; On yonder meadow far away, The turrets of a cloister gray ; 285 How blithely might the bugle-horn Chide on the lake the lingering morn ! How sweet at eve the lover's lute Chime when the groves were still and mute ! And when the midnight moon should lave 290 Her forehead in the silver wave, How solemn on the ear would come The holy matins' distant hum, Wldle the deep peal's commanding tone Should wake, in yonder islet lone, 295 A sainted hermit from his cell, To drop a bead with every knell ! And bugle, lute, and bell, and all. Should each bewildered stranger call To friendly feast and lighted hall. 300 XVI. ' Blithe were it then to wander here ! But now — beshrew yon nimble deer — Like that same hermit's, thin and spare, The copse must give my evening fare ; 285. cloister, a convent. 290. lave, bathe. 293. matins, morning prayers. 297. bead, the old Saxon word for prayer. 302. beshrew, curse. [Be, and O. E. sA re ?/;, wicked.] A mild expletive, often used affectionately. 304. give, afford or yield. CANTO FIRST 61 Some mossy bank my coiicli must be, 305 Some rustling oak my canopy. Yet pass we that; the war and chase Give little choice of resting-place ; — A summer night in greenwood spent Were but to-morrow's merriment : 310 But hosts may in these wilds abound, Such as are better missed than found; To meet with Highland plunderers here Were worse than loss of steed or deer. — I am alone ; — my bugle-strain 315 May call some straggler of the train ; Or, fall the worst that may betide, Ere now this falchion has been tried.' 305. Some mossy bank my couch must be. Cf. : " The heath this night must be my bed, The bracken curtain for my head." — Canto III. Stanza 23. 313. To meet with Highland plunderers here, etc. The clans who inhabited the romantic regions in the neighborhood of Loch Katrine were, even until a late peri( d, much addicted to preda- tory excursions upon their Lowland neighbors. It was consid- ered not only lawful, but honorable for hostile tribes to plunder one another. To meet is the nominative, or subject, of loere worse, which is in the conditional mood = " would be worse." The supposition is implied in the subject to meet : " It would be worse than loss of steed or deer (is bad) if I icere to meet with Highland plunderers here." 317. fall the worst. Subjunctive mood: concessive or con- ditional: " if, or thour/h, the worst should 6efall." The apodo- sis is implied in the next line : " Ere now this falchion has been tried ; " therefore I need not fear. 318. falchion, a kind of sword. 62 THE LADY OF THE LAKE XVII. But scarce again his horn he wound, When lo ! forth starting at the sound, 320 From underneath an aged oak That slanted from the islet rock, A damsel guider of its way, A little skiff shot to the bay. That round the promontory steep 325 Led its deep line in graceful sweep. Eddying, in almost viewless wave, The weeping willow twig to lave, And kiss, with whispering sound and slow. The beach of pebbles bright as snow. 330 The boat had touched' this silver strand Just as the Hunter left his stand, And stood concealed amid the brake, To view this Lady of the Lake. The maiden paused, as if again 335 She thought to catch the distant strain. With head upraised, and look intent. And eye and ear attentive bent, And locks flung back, and lips apart. Like monument of Grecian art, 340 In listening mood, sire seemed to stand. The guardian Naiad of the strand. 319. wound — past of wind, winded = blew. 323. A damsel guider of its way. An absolute phrase : "a damsel h'iing guider of its way." 331. this silver strand. The beach of Loch Katrine in this bay is now called " The Silver Strand." 342. Naiad, a water nymph. OANTO FIRST 63 XVIII. And ne'er did Grecian chisel trace A jSTyniph, a Naiad, or a Grace, Of finer form or lovelier face ! 345 What though the sun, with ardent frown, Had slightly tinged her cheek with brown, — The sportive toil, which, short and light, Had dyed her glowing hue so bright. Served too in hastier swell to show 350 Short glimpses of a breast of snow : Wha,t though no rule of courtly grace To measured mood had trained her pace, — A. foot more light, a step more true, Ne'er from the heath-flower dashed the dew ; 355 E'en the slight harebell raised its head. Elastic from her airy tread : What though upon her speech there hung The accents of the mountain tongue, — Those silver sounds, so soft, so dear, 360 The listener held his breath to hear! XIX. A chieftain's daughter seemed the maid; Her satin snood, her silken plaid. Her golden brooch, such birth betrayed. And seldom was a snood amid 365 Such wild luxuriant ringlets hid, Whose glossy black to shame might bring 363. snood, a ribbon used to bind the hair. 64 THE LADY OF THE LAKE The plumage of the raven's wing; And seklom o'er a breast so fair Mantled a plaid with modest care, 370 And never brooch the folds combined Above a heart more good and kind. Her kindness and her worth to spy, You need but gaze on Ellen's eye ; Not Katrine in her mirror blue 375 Gives back the shaggy banks more true, Than every free-born glance confessed The guileless movements of her breast ; Whether joy danced in her dark eye, Or woe or pity claimed a sigh, 380 Or filial love was glowing there. Or meek devotion poured a prayer. Or tale of injury called forth The indignant spirit of the North. One only passion unrevealed 385 With maiden pride the maid concealed. Yet not less purely felt the flame ; — 0, need I tell that passion's name ? XX. Impatient of the silent horn. Now on the gale her voice was borne : — 390 ^ Father ! ' she cried ; the rocks around Loved to prolong the gentle sound. Awhile she paused, no answer came ; * Malcolm, was thine the blast ? ' the name Less resolutely uttered fell, 395 CANTO FIRST 65 The echoes could not catch the swell. ' A stranger I,' the Huntsman said, Advancing from the hazel shade. The maid, alarmed, with hasty oar Pushed her light shallop from the shore, 400 And when a space was gained between. Closer she drew her bosom's screen ; — So forth the startled swan would swing. So turn to prune his ruflled wing. Then safe, though fluttered and amazed, 405 She paused, and on the stranger gazed. Not his the form, nor his the eye, That youthful maidens wont to fly. XXI. On his bold visage middle age Had slightly pressed its signet sage, 410 Yet had not quenched the open truth And fiery vehemence of youth ; Forward and frolic glee was there, The will to do, the soul to dare, The sparkling glance, soon blown to fire, 415 Of hasty love or headlong ire. His limbs were cast in manly mould For hardy sports or contest bold; And though in peaceful garb arrayed, 403. would swing. Conditional mood. The subjunctive is implied in the attribute startled : " So the swan would swing forth, if it were startled." 408. wont, are accustomed. 66 THE LADY OF THE LAKE And weaponless except his blade, 420 His stately mien as well implied A high-born heart, a martial pride, As if a baron's crest he wore, And sheathed in armor trode the shore. Slighting the petty need he showed, 425 He told of his benighted road ; His ready speech flowed fair and free, In phrase of gentlest courtesy, Yet seemed that tone and gesture bland Less used to sue than to command. 430 XXII. Awhile the maid the stranger eyed. And, reassured, at length replied. That Highland halls were open still To wildered wanderers of the hill. 'Nor think you unexpected come 435 To yon lone isle, our desert home ; Before the heath had lost the dew. This morn, a couch was pulled for you ; On yonder mountain's purple head Have ptarmigan and heath-cock bled, 440 And our broad nets have swept the mere, 425. Slighting, making light of. 431. Awhile. The object of time. While is properly a noun. [A.-S. hivil, time.] Measure of time, space, or quantity is expressed by a noun in the objective, without a preposition. 434. wildered. This is the passive participle, and shows that Scott used the verb transitively. 438. a couch was pulled. The materials for the couch, which consisted of heather and bracken, were pnllpd. CANTO FIRST 67 To furnish forth your evening cheer.' — * Now, by the rood, my lovely maid, Your courtesy has erred,' he said ; ' No right have I to claim, misplaced, 445 The welcome of expected guest. A wanderer, here by fortune tost. My way, my friends, my courser lost, I ne'er before, believe me, fair. Have ever drawn your mountain air, 450 Till on this lake's romantic strand I found a fay in fairy land ! ' XXIII. * I well believe,' the maid replied. As her light skiff approached the side, — ' I well believe, that ne'er before 455 Your foot has trod Loch Katrine's shore ; But yet, as far as yesternight, Old Allan-bane foretold your plight, — A gray -haired sire, whose eye intent Was on the visioned future bent. 460 443. by the rood. By the cross. [Same as rod, that which springs from a root. A.-S. roede ; Lat. rudis, a rod, and radix, a root.] 449. fair. An adjective used as a noun in the vocative or nominative of address. When the adjective is so used, it is gen- erally accompanied by the definite article — the fair, the good, the rich, the poor. The adjective and article so used generally name either a class (the poor = poor people) or an abstract qual- ity (the good = goodness). 452. if ay, a fairy. 460. * ' If force of evidence could authorize us to believe facts inconsistent with the general laws of nature, enough might be 68 THE LADY OF THE LAKE He saw your steed, a dappled gray, 461 Lie dead beneath the birchen way ; Painted exact your form and mien, Your hunting-suit of Lincohi green, produced in favor of the existence of the second sight. It is called in Gaelic Taishitaraugh, from Taish, an unreal or shad- owy appearance ; and those possessed of the faculty are called Taishatrin, which may be aptly translated visionaries. Martin, a steady believer in the second sight, gives the following account of it : " ' The second sight is a singular faculty of seeing an otherwise invisible object without any previous means used by the person that uses it for that end : the vision makes such a lively impres- sion upon the seers, that they neither see nor think of anything else, except the vision, as long as it continues; and then they appear pensive or jovial, according to the object that was repre- sented to them. '"At the sight of a vision, the eyelids of the person are erected , and the eyes continue staring until the object vanish. This is obvious to others who are by when the persons happen to see a vision, and occurred more than once to my own observation, and to others that were with me. . . . " * If a woman is seen standing at a man's left hand, it is a presage that she will be his wife, whether they be married to others, or unmarried at the time of the apparition. " ' To see a spark of fire fall upon one's arm or breast is a fore- rminer of a dead child to be seen in the arms of those persons ; of which there are several fresh instances. . . . " ' To see a seat empty at the time of one's sitting in it, is a presage of that person's death soon after' (Martin's Descrip- tion of the Western Islands, 1716, 8vo, p. 300, et seq.). " To these particulars innumerable examples might be added, all attested by grave and credible authors. But, in despite of evidence which neither Bacon, Boyle, nor Johnson were able to resist, the Taish, with all its visionary properties, seems to be now universally abandoned to the use of poetry. The exqui- sitely beautiful poem of Lochiel will at once occur to the recol- lection of every reader." — Scott. 464. Lincoln green, cloth made in Lincoln and much used by huntsmen. CANTO FIRST 69 470 That tasselled horn so gayly gilt, 465 That falchion's crooked blade and hilt, That cap with heron plumage trim, And yon two hounds so dark and grim. He bade that all should ready be To grace a guest of fair degree ; But light I held his prophecy, And deemed it was my father's horn Whose echoes o'er the lake were borne.' XXIV. The stranger smiled : — ' Since to your home A destined errant-knight I come, 475 Announced by prophet sooth and old, Doomed, doubtless, for achievement bold, I '11 lightly front each high emprise For one kind glance of those bright eyes. Permit me first the task to guide 480 Your fairy frigate o'er the tide.' The maid, with smile suppressed and sly. The toil unwonted saw him try ; For seldom, sure, if e'er before. His noble hand had grasped an oar : 485 Yet with main strength his strokes he drew, And o'er the lake the shallop flew ; With heads erect and whimpering cry. The hounds behind their passage ply. 475. errant-knight, or knight-errant, a wandering knight. 476. sooth, true. 478. emprise, enterprise. 70 THE LADY OF THE LAKE Nor frequent does the bright oar break 490 The darkening mirror of the lake, Until the rocky isle they reach, And moor their shallop on the beach. XXV. The stranger viewed the shore around ; 'T was all so close with copsewood bound, 495 Nor track nor pathway might declare That human foot frequented there, Until the mountain maiden showed A clambering unsuspected road. That winded through the tangled screen, 500 And opened on a narrow green. Where weeping birch and willow round With their long fibres swept the ground. Here, for retreat in dangerous hour, Some chief had framed a rustic bower. 505 XXVI. It was a lodge of ample size. But strange of structure and device ; 490. frequent, the adjective used adverbially. 492. rocky isle, still known as Ellen's Isle. 504. for retreat in dangerous hour. "The Celtic chieftains, whose lives were continually exposed to peril, had usually, in the most retired spot of their domains, some place of retreat for the hour of necessity, which, as circumstances would admit, was a tower, a cavern, or a rustic hut, in a sti-ong and secluded situ- ation. One of these last gave refuge to the unfortunate Charles Edward, in his perilous wanderings after the battle of Cul- loden. " — Sco«. 507. device, design. CANTO FIRST 71 Of such materials as around The workman's hand had readiest found. Lopped of their boughs, their hoar trunks bared, 5io And by the hatchet rudely squared, To give the walls their destined height, The sturdy oak. and ash unite ; While moss and clay and leaves combined To fence each crevice from the wind. 515 The lighter pine-trees overhead Their slender length for rafters spread, And withered heath and rushes dry Supplied a russet canopy. Due westward, fronting to the green, 620 A rural portico was seen, Aloft on native pillars borne, Of mountain fir with bark unshorn. Where Ellen's hand had taught to twine The ivy and Idaean vine, 525 The clematis, the favored flower Which boasts the name of virgin-bower, And every hardy plant could bear Loch Katrine's keen and searching air. An instant in this porch she stayed, 530 And gayly to the stranger said : ^ On heaven and on thy lady call, And enter the enchanted hall ! ' 525. Idaean vine, probably the red whortleberry. Mt. Ida, a mountain near ancient Troy, was famous for its vines. 526. clematis, the vine called in this country Virginia creeper. 528. So. "that." The omission of the relative pronoun is common in English verse. 72 THE LADY OF THE LAKE XXVII. < My hope, my heaven, my trust must be, My gentle guide, in following thee ! ' 535 He crossed the threshold, — and a clang Of angry steel that instant rang. To his bold brow his spirit rushed, But soon for vain alarm he blushed. When on the floor he saw displayed, 540 Cause of the din, a naked blade Dropped from the sheath, that careless flung Upon a stag's huge antlers swung ; For all around, the walls to grace. Hung trophies of the fight or chase : 545 A target there, a bugle here, A battle-axe, a hunting spear. And broadswords, bows, and arrows store, With the tusked trophies of the boar. Here grins the wolf as when he died, 550 And there the wild-cat's brindled hide The frontlet of the elk adorns. Or mantles o'er the bison's horns ; Pennons and flags defaced and stained. That blackening streaks of blood retained, 555 And deer-skins, dappled, dun, and white, With otter's fur and seal's unite, 542. See note on 1. 490. 546. target, a small shield. 548. store. Cf. Milton's U Allegro : "With store of ladies, whose bright eyea Kain influence, and adjudge the prize." CANTO FIRST 73 In rude and uncouth tapestry all, To garnish forth the sylvan hall. XXVIII. The wondering stranger round him gazed, 5m And next the fallen weapon raised : — Few were the arms whose sinewy strength Sufficed to stretch it forth at length. And as the brand he poised and swayed, ' I never knew but one/ he said, 565 ' Whose stalwart arm might brook to wield A blade like this in battle-field.' She sighed, then smiled and took the word : ' You see the guardian champion's sword ; As light it trembles in his hand 570 As in my grasp a hazel wand : My sire's tall form might grace the part Of Ferragus or Ascabart, But in the absent giant's hold Are women now, and menials old.' 675 XXIX. The mistress of the mansion came, Mature of age, a graceful dame, 573. Of Ferragus or Ascabart. " These two sons of Anak flour- ished in romantic fable. The first is well known to the admirers of Ariosto by the name of Ferrau. He was an antagonist of Orlando, and was at length slain by him in single combat. Asca- part, or Ascabart, makes a very material figure in the History of Bevis of Hampton, by whom he was conquered." — Scott. 577. Mature of age. Mature as