■ m ■ ■ ■ ■1 m ■ m 1 1 i ■■ ■ ■ tilfJT, • - ■1 • ■■ i6!i ■ i Tv*' > .wk .r; in m Class Tv^-aoi Book_^J3 jWJ s m |F S$ TH E NEW AMERICAN SPEAKER: A COLLECTION OF ORATORICAL AND DRAMATICAL PIECES, SOLILOQUIES AND DIALOGUES, WITH AN ORIGINAL INTRODUCTORY ESSAY ON THE ELEMENTS OF ELOCUTION DESIGNED FOR THE USE OF SCHOOLS, ACADEMIES, AND COLLEGES, BY J. C. ZACHOS, ASSOCIATE PRINCIPAL OF THE COOPER FEMALE ACADEMY. CINCINNATI: H. W. DERBY & CO., PUBLISHERS. 1851. 7^ * % *f 3 Entered according to act of Congress, in the year 1851, by H. W. DERBY & CO., In the Clerk's Office of the District Court of the United States for the District of Ohio. A. C. JAMES, STEKEOTYPEK, 167 VALNUT ST.. CINCINNATI. PEEFACE I have proposed to myself, in this work, to put a better book in the hands of the student of oratory, than has yet been given to the public. There are already some excellent manuals on the subject : but I say it without the least invidious design, and in accordance with most teachers of elocution with whom I have conversed, that they are found inadequate to the purpose of instruction and copious illustration. Many of these are almost entirely taken up with the dissection of the subject by minute technical details and numerous rules ; or, in the absence of all system and theory, they are a jumbled collection of illustrations, in which leanness and barrenness are very conspicuous. The chief fault to be found with such books of elocution as I have met, is, that whereas the English language abounds with such a vast amount of the most fervid eloquence ; with so many specimens of language wrought out with a concentration of thought and rhetorical power, that must strike fire from the coldest heart; with such high-wrought descriptions, and dra- matic, passionate and powerful exhibitions of feeling ; these books of oratory seem to have stumbled on very little of all these ; and show up, for the most part, but " a beggarly account" of tame and dry pieces, with here and there a gem of pure water. I have designed, therefore, the present work, with two points in view : to have a system clear and complete, but briefly ex- pressed, so as to give unity of method and symmetrical organism to the book, without repelling the student with too much tech- nicality ; and after this, to have a copious collection of illustra- tions, in which no point of rhetorical excellence should be omitted, and none of which should be unworthy of a high place in the estimation of the student of oratory and dramatic expression. IV PREFACE. Let it be borne in mind, that it is not the object of such a book to give merely specimens of fine writing, but of declamatory and dramatic speaking. Hence I have rejected everything that could not come under one of the following heads : earnest declamation, vehement invective, dramatic passion and descrip- tion, wrapt meditation and soliloquy, fine wit, rich humor, and spirited dialogue. How far I have succeeded in this, I leave others to judge. I have not been so sedulous of novelty in all my selections, as of intrinsic excellence. Here will be found a number of those pure and noble specimens of eloquence, such as Chatham's, Patrick Henry's, "Webster's, which no book of professed elocution can leave out ; and it will be remembered that to the youthful student they are all new. The preliminary essay has some original analyses in articula- tion, and other points of elocution, to which I would respectfully call the teacher's attention. If the work should materially promote the noble art of speak- ing, too much neglected in our country, I shall feel myself amply rewarded for the no small labor which it has cost me. J. C. Z. INTRODUCTION Science is taught by precept ; Art must be taught by example. Elocution is an art, and therefore cannot be learned from books. No book can supersede the living teacher. Here, as in all art, Nature must be appealed to at every step ; there is no other or higher court to which to carry the decision. The teacher by example can best stimulate the student to open his ear to the voice of Nature. A book such as this is only intended to stimulate and assist the consciousness of the student in the apprehension of Nature's dictates, and to serve the teacher with an efficient means of illustration. It is a sign of narrowness and poverty of spirit, that the art of speaking is so poorly cultivated in most of our schools and colleges. It is but an imperfect preparation that they can give a man to enter society, without giving him the power of delivery of thought and feeling. The want of it makes the freeman afraid to exercise his rights, the thinker give way to the mere talker, the true statesman to the demagogue. It makes poor, sniffling interlocutors, instead of bold and manly orators. It puts the province of governing in the hands of the shameless and the foolish, instead of those of the good and wise. Let every youth be taught to speak ; those who have talent and virtue will have so much the advantage over the stupid and the vicious. But health of body as well as of mind depend upon this. There is scarcely a muscle or organ in the body, that is not brought into free and healthful exercise by an energetic exertion in speaking. Let any one study his experience in giving a loud and continuous sound, and he will find how complicated and great is the effort. The knees are stiffened ; the muscles of the back erect the person to the utmost; the abdominal muscles are brought strongly into play ; the intercostal muscles expand the chest, and the lungs have the freest movement ; the circulation is quickened, and the whole man is roused to the centre of his living organism. Can such an exercise be often resorted to without the greatest physical benefit? VI INTRODUCTION. Children would suffer infinitely less from the sedentary habits and confinement of school, if they were given exercises in a sort of vocal gymnastics several times a day, in the course of the other school exercises. Many would thus be saved from consumption, bronchitis, spinal affections, and the numerous diseases that are often traced to confinement at schools and academies. There seems a general prejudice against subjecting girls at school to vocal exercises, which works much to their injury in this respect. Calisthenics and vocal gymnastics should be as much a part of their training as that of boys ; but in a different spirit, and for a different purpose. It is certain they need it as much physically, and in another aspect they need it as much morally. For though they are not expected to become public orators, it is no reason that their souls should be shut up in a husky and sputtering speech, or in a trembling and weak voice. Modesty and delicacy have nothing to do with such things, and it is folly to suppose that the full and ener- getic development of the woman can lead to anything but to what is noble and beautiful. Note. — The following movements, breathings and exercises of the voice suitable for the school-room, by expanding the chest, quickening the circulation, and imparting energy and pliancy to the respiratory and vocal organs, have considerable iise in developing the powers of elocution. M O VEME NTS. 1st. Position erect, with arms a-kimbo. The head elevated, the shoulders back and down; place the hands upon the hips, then throw the elbows forcibly backward. 2d. Move the hands, after extending them downward by the sides, briskly up and down. 3d. Let the hands and arms be placed in a vertical position ; then drawn down and projected upward with force. 4th. Extend the arms horizontally forward, and move them back and forth quickly and with force. 5th. Place the arms horizontally forward with the palms of the hands together ; then throw them apart forcibly, bringing the back of the hands as nearly as possible behind the back. 6th. A variety of exercises in gestures descriptive or passionate, for the purpose of acquiring grace in movement. These the good taste and ingenuity of the teacher must suggest. INTRODUCTION. Vll BREATHINGS. 1st. Full breathing. — Place the arms and hands as required in the first movement ; slowly draw the breath until the chest is fully expanded ; emit it with the utmost slowness. 2d. Audible breathing. — Draw in the breath as in full breathing, and expire it audibly in a prolonged sound of the letter H. 3d. Forcible breathing. — Fill the lungs, and then let out the breath suddenly and forcibly in the manner of an abrupt and whispered cough. 4th. Sighing. — Fill suddenly the lungs with a full breath, and emit it as quickly as possible. 5th. Gasping. — With a convulsive effort inflate the lungs ; then send forth the breath more gently. 6th. Panting. — Breathe quickly and violently, making the emis- sion of the breath loud and forcible. THE VOICE. For exercises of the voice, and especially in articulation,, the table of elementary sounds and the preliminary exercises should.be used daily and with a most assiduous practice. USE OF THE TABLE. 1st. In a distinct and moderate utterance of all the sounds. 2d. In an explosive and forcible manner of making each sound. 3d. In the application of all the elements of Elocution, while producing the different sounds ; as, Emphasis, Inflection, Pitch, Force, Tone, (especially the orotund,) Movement, &c. A chart of these elementary sounds ought to be hung up in every school-room, and made the subject of diligent practice for some time. I proceed now to give a brief exposition of the principles of Elocution. I have purposely dwelt but little on this part, because I designed this book more as a manual of exercises, than as an elaborate treatise on the subject; and experience has taught me that multiplying rules and technical directions in an art that depends so much upon instinct, and nature brought into play by example, has the effect of "killing the spirit in the letter." CONTENTS. PRELIMINARIES. PAGE. Articulation , 15 Accent 24 Pronunciation 26 Expression 27 Gesture 3' EARNEST DECLAMATION. Character of True Eloquence Webster. 41 Phillips on the Policy of England 42 Ireland Grattan. 43 Washington a Man of Genius E. P. Whipple. 44 Chalmers on War 45 The Famine in Ireland S. & Prentiss. 46 Cicero for Milo 47 Demosthenes to the Athenians 48 Salathiel to Titus Croly. 49 Phillips on the Wrongs of Ireland 51 The Price of Eloquence Chauncey Colton, D. D. 52 A Political Pause Fox. 53 Prevalence of War Grimke. 54 New England and the Union S. S. Prentiss. 55 Christianity the Basis of Liberty Beecher. 56 Phillips on Washington 57 Rolla to the Peruvians Sheridan. 58 Speech of Belial, dissuading War Milton. 59 Popular Elections George M'Duffie. 60 The Mexican War Thomas Corwin. 61 Phillips on America 62 Adams and Jefferson Edward Everett. 63 Moloch's Oration for War Milton. 63 Cassius instigating Brutus against Caesar Shakspeare. 64 The Adventurers in the Mayflower Everett. 65 Hannibal to the Carthaginian Army 67 The Folly of Disunion Gaston. 67 Phillips on the Catholic Question 68 Character of Napoleon Bonaparte Phillips. 69 A Call to Liberty Warren 70 Speech of Logan, the Indian Chief Humphrey. 71 The Wrongs of the Indian Race Story. 72 Ames' Speech on the British Treaty . . . „ 73 The Right of England to Tax America Burke. 74 South Carolina and Massachusetts Webster. 75 The Same, Continued Webster. 76 Lord Stanhope on Neutral Rights 76 Chatham on the American Revolution 77 The Same, Continued Chatham. 78 The Irish Disturbance Bill Daniel O'Connell. 79 British Influence John Randolph. 81 Webster's Reply to Hayne 82 viii CONTENTS. IX PAGE. Reply to Webster, in Senate, 1830 Hayne. 83 Specimen of the Eloquence of James Otis s 84 God's Rebuke to Job Bible. 86 Chatham's Reply to Hillsborough 87 The Federal Union Webster. 88 Necessity of a Pure National Morality Beecher. 89 Self- Vindication Robert Emmet. 90 Reply to the Duke of Grafton Thurlow. 91 The Perfect Orator Anonymous. 92 Anniversary of the Settlement of New England Webster. 92 Events Great, because of their Results Webster. 93 Corruption, the Cause of the Fall of States Story. 94 An Appeal in behalf of American Liberty , . Story. 95 The Tomahawk submissive to Eloquence Neal. 96 Ancient and Modern Productions Sumner. 97 The Murderer's Secret Webster. 98 The Same, Continued Webster. 99 French Aggressions Paine. 100 Supposed Speech of John Adams Webster. 100 The Same, Continued Webster. 101 The Miseries of War Chalmers. 103 Free Discussion Webster. 103 American Institutions Webster. 104 Speech of Patrick Henry 105 The Same, Continued Patrick Henry. 106 Brutus justifying the Assassination of Caesar Shakspeare. 107 Hamlet's Address to the Players Shakspeare. 108 Curran in defense of Rowan 109 Curran on the Liberty of the Press : . . Ill The Same, Continued Curran. 112 Noble Defense of Irish Character Phillips. .1 13 Curran on Irish Emancipation 114 On the Union of Church and State Phillips. 115 Speech to Mr. Finley Phillips. 116 Curran against O'Brien 117 Curran in defense of Orr 119 The Same, Continued Curran. 120 The Public Informer Curran. 121 Appeal to the Jury Curran. 122 Speech of Mr. Phillips 123 The Same, Continued Phillips. 124 The Same, Continued Phillips. 126 Napoleon Bonaparte Phillips. 128 The Same, Continued Phillips. 129 Appeal to the Jury against Blake Phillips. 130 Appeal to the Jury in behalf of O'Mullen Phillips. 131 The Same, Continued Phillips. 132 Appeal to the Jury against Dillon Phillips. 132 On the Liberty of the Press Phillips. 133 The Advantages of Education Phillips. 134 Appeal to the Jury in behalf of Guthrie Phillips. 135 An Appeal to the Jury Curran. 137 The Fallen Wife Phillips. 138 The Same, Continued Phillips. 138 Curran against Mr. Justice Johnston 140 The Same, Continued Curran. 141 X CONTENTS. PAGE. The Same, Continued ■. Curran. 142 Curran against the Marquis of Headford 143 Noble. Tribute to Lord Avonmore Curran. 144 Prince Lewis' Answer to the Pope's Legate Shakspeare. 145 Destiny of the Human Race upon Earth J, C. Zachos. 146 DECLAMATION. — VEHEMENT INVECTIVE. Employment of Indians in Civilized Warfare Chatham. 148 Moloch and Satan, before the Powers of Hell White. 149 The Same, Continued White. 150 Marullus to the Mob Shakspeare. 150 Speech of Raab Kiuprili Coleridge. 151 The Seminole's Reply G. W. Patten. 152 Extract from a Speech of Mr. Burke 153 The Indignation of Constance Shakspeare. 1 54 The Passing of the Rubicon Knowles. 155 Las Casas dissuading from Battle Sheridan. 156 Rienzi's Address to the Romans Miss Mitford. 157 Speech of Sempronius for War Addison. 158 Ceesar's Triumphs Knowles. 159 Reply to the Reflections of Mr. Walpole Pitt. 160 Grattan's Reply to Mr. Corry 161 Catiline on hearing his Sentence of Banishment Croly. 162 From Cicero's Oration against Verres 163 From Cicero's First Oration against Catiline. 164 Bolingbroke against Norfolk Shakspeare. 165 Meeting of Death and Satan Milton. 1 66 The Quarrel of Achilles and Atrides Pope. 167 The Same, Continued Pope. 168 Gloster's Indignation Shakspeare, 169 Norfolk against Bolingbroke Shakspeare. 170 Margaret's Curse Shakspeare. 172 DRAMATIC AND DESCRIPTIVE PIECES. Song, from the Lady of the Lake Scott. 173 The Death-Fire Ann S. Stephens. 174 A Fever Dream .John M. Harney. 175 Bernardine Du Born Sigourney. 176 The Kaiser W. Howitt. 178 The American Patriot's Song Anonymous. 179 The Flight of Xerxes Miss Jewsbury. 179 The Village Blacksmith Longfellow. 180 The Last Days of Herculaneum Ather stone. 1 82 The Prisoner in Herculaneum Atherstone. 183 The Baron's Last Banquet Albert G. Greene. 184 Bernardo and King Alphonso Lockhart. 185 The Battle of Bannockburn Campbell. 187 Henry V, at the Seige of Harfleur Shakspeare. 188 Henry V, encouraging his Soldiers Shakspeare. 189 New England's Dead M'Lellan. 190 Darkness Byron. 191 The Gladiator 192 Science and Religion Mrs. Sigourney. 194 The O'Kavanagh J. Augustus Shea. 195 " Look Not Upon the Wine." Willis. 196 CONTENTS. XI PAGE. Alonzo the Brave Lewis. ] 97 The Owl Anonymous. 199 The Maid of the Inn Southey. 201 Arnold Winkelried Montgomery. 204 The Maniac Lewis. 205 The Grave of the Greyhound W. Spencer. 207 The Mummy Smith. 210 The American Flag Dr. Drake. 211 Parting of Douglas and Marmion Scott. 213 The Old Oaken Bucket Woodworth. 215 Warren's Address Pierpont. 21 6 Battle of Warsaw Campbell. 216 Brougham and Canning Anonymous. 217 Excelsior Longfellow. 2J 8 War Song of the Greeks, 1822 Campbell. 220 What is Time ? Marsden. 220 Boadicea Cowper. 221 The Bended Bow Mrs. Hemans. 223 Lochinvar Scott. 224 The Vision of Belshazzar Byron. 225 The Sailor-Boy's Dream Dimond. 226 The Spider and the Bee *. .Anonymous. 228 Death-Song of Outalissi Campbell. 229 David's Lament for Absalom Willis. 231 The Burial of Sir John Moore Wolfe. 232 Absalom's Dream Hillhouse. 233 The Downfall of Cardinal Wolsey Shakspeare. 234 The Murdered Traveler Bryant. 235 The Leper Willis. 236 The Child's First Grief Mrs. Hemans. 239 The Gipsey Wanderer Anonymous. 240 Glenara Campbell. 241 Casabianca Mrs. Hemans. 242 The Song of Constance • Scott. 243 The Destruction of Sennacherib Byron. 244 The Battle of Busaco Anonymous. 245 Pulaski's Banner Anonymous. 246 Ginevra Rogers. 247 The Vulture of the Alps Anonymous. 248 The Close of Autumn Bryant. 249 The Love of Country and of Home Montgomery. 250 The Hurricane , . .Bryant. 251 The African Chief Bryant. 252 Goody Blake and Harry Gill Wordsworth. 254 What 's Hallowed Ground ? Campbell. 256 Pleasures of Hope Campbell. 257 Patriotism Scott. 257 Greece Byron. 258 The Isles of Greece Byron. 259 The Raising of Samuel Byron. 260 The Serpent of the Still Milford Bard. 261 Virginius and his Daughter Macaulay. 262 Horatius at the Bridge Macaulay. 264 A Roman Battle Macaulay. 267 The Death of Leonidas Croly. 269 Song of MacMurrough Scott. 270 Xll CONTENTS. PA.GE. Elijah's Interview with God Campbell. 271 Byron Pollok. 272 Parrhasuis Willis. 273 Marco Bozzaris Halleck. 275 Ode to the Passions Collins. 277 Alexander's Feast Dryden. 279 The Fearless De Courcy 283 The Fireman Anonymous. 286 Battle of Waterloo Byron. 287 The Avenging Childe Lockhart. 288 The Pounder Lockhart. 289 The Bull Fight of Gazul Lockhart. 290 Antony's Oration over Caesar's Body Shakspeare. 292 The Vengeance of Mudara Lockhart. 294 The Battle in Heaven Milton. 295 The Same, Continued Milton. 296 The Same, Continued Milton. 297 Satan in Hell. ..-. Milton. 299 The Same, Continued Milton. 300 The Same, Continued Milton. 302 Defeat of the Rebel Angels Milton. 303 Gabriel and Satan Milton. 304 Passage of the Red Sea Heber. 306 King Henry to his Son Shakspeare. 307 Moonlight and Music Shakspeare. 308 Love's Ecstasy Shakspeare. 309 Oberon's Vision Shakspeare. 309 Prospero Shakspeare. 310 Marius in Prison De Quincy. 311 SOLILOQUY AND MEDITATION. Soliloquy of Manfred Byron. 313 King Richard's Meditation on Kings Shakspeare. 314 King Richard's Lament Shakspeare. 315 Romeo in the Garden Shakspeare. 316 Clifford's Soliloquy Shakspeare. 316 Gloster's Soliloquy Shakspeare. 317 Richard III, before the Battle of Bosworth Shakspeare. 318 The Guilty Conscience Shakspeare. 319 Clarence's Dream Shakspeare. 320 Hotspur's Soliloquy on the Contents of a Letter Shakspeare. 321 King Edward's Lament over Clarence Shakspeare. 322 Hamlet's Soliloquy Shakspeare. 323 Soliloquy of Hamlet's Uncle Shakspeare. 323 The Dying Horse Blackett. 324 Antony over the Dead Body of Caesar Shakspeare. 325 A Soliloquy from Hamlet Shakspeare. 326 Hamlet on his own Irresolution Shakspeare. 327 Lady Macbeth's Soliloquy Shakspeare. 329 Cato's Soliloquy on the Immortality of the Soul Addison. 329 Lady Randolph's Soliloquy Home. 330 Othello's Vengeful Sorrow Shakspeare. 331 Macbeth meditating the murder of Duncan Shakspeare. 332 A Soliloquy of Macbeth Shakspeare. 332 Shylock's Soliloquy and Address Shakspeare. 333 Falstaff on Sack Shakspeare. 334 CONTENTS. X1U PAGE. ^oliloquy on Character Shakspeare. 335 Soliloquy on a Dog Shakspeare. 335 Falstaff's Description of his Soldiers Shakspeare. 336 Soliloquy of Dick, the Apprentice 337 WIT — HUMO R— BURLESQUE. The Rhyming Apothecary Colman. 338 One Good Turn Deserves Another Mrs. Gilman. 339 Old Grimes Albert G. Greene. 340 The Removal Anonymous. 341 History of John Day Hood. 342 The Alarmed Skipper J.T. Field. 344 The Seven Ages of Man Shakspeare. 345 The Three Black Crows Byrom. 346 The Gouty Merchant and the Stranger Anonymous. 347 Misconception Anonymous. 348 The Apple-Dumplings and George III Wolcott. 349 The Directing Post Anonymous. 350 The Atheist and Acorn Anonymous. 351 The Ass and the Nightingale Kriler. 351 The Young Fly and the Old Spider Wolcott. 352 Spectacles, or Helps to Read Byrom. 353 Lodgings for Single Gentlemen Colman. 354 The Fat Actor and the Rustic 356 Logic Anony?nous. 357 Apology for the Pig Southey. 358 The Duel Hood. 359 Frank Hayman Taylor. 361 Christmas Times 362 A Grecian Fable Foote. 364 The Country Bumpkin and Razor Seller Wolcott. 365 Queen Mab Shakspeare. 366 The Rich Man and the Poor Man Khemnitzer. 367 The Frost Hannah F. Gould. 368 The Three Warnings Mrs. Thrale. 369 The Music Crier Hood. 371 The Magpie, or Bad Company Anonymous. 375 Ode to my Boy, aged three years Hood. 378 The Old Hat 379 The Whiskers Woodworth. 381 A Very Poor Horse Shakspeare. 383 Falstaff's Moral Lecture Shakspeare. 384 DIALOGUES— SERIOUS AND COMIC. The Triumph of Julius Caesar Shakspeare. 385 Cassius instigating Brutus against Cessar Shakspeare. 387 The Offering of the Crown to Csesar Shakspeare. 390 The Conspiracy Shakspeare. 394 The Shipwrecked Prince Shakspeare. 398 The Greeks before Troy Shakspeare. 401 Achilles' Message , Shakspeare. 404 Banishment of the Duke of Kent Shakspeare. 406 The Fool's Remonstrance Shakspeare. 407 The Loyal Follower Shakspeare. 409 The Anger of Kent Shakspeare. 410 XIV CONTENTS. PAGE. The Usurpation of Bolingbroke Shakspeare. 413 Rebellion of Hotspur, Mortimer, and Glendower Shakspeare. 417 The Welshman and his Leek Shakspeare. 420 The Disguised King Shakspeare. 422 The Feud of the Roses Shakspeare. 424 The Quarrel of Gloster and Winchester Shakspeare. 427 The Murder of Prince Arthur Shakspeare. 429 The Enchanter and his Familiar Spirit Shakspeare. 432 The Punning Messenger Shakspeare. 436 Indications of being in Love Shakspeare. 437 Will it be a Match Shakspeare. 439 A Woman's Virtues and Faults Shakspeare. 441 The Ludicrous Lover Shakspeare. 443 The Conceited Steward Shakspeare. 444 The Fool in Office Shakspeare. 447 Dogberry's Charge Shakspeare. 449 The Amateur Tragedians Shakspeare. 45 1 Father's Wit and Mother's Tongue Shakspeare. 453 The Usurer's Bond Shakspeare. 456 The Mild Threat Shakspeare. 459 The Quarrel on the Seventh Cause Shakspeare. 460 An Answer to Fit any Question Shakspeare. 461 Iago inciting Othello to Jealousy Shakspeare. 463 The Choleric Prince Shakspeare. 468 The Two Murderers Shakspeare. 469 The Grief of Macduff .Shakspeare. 470 The Danish Sentinels Shakspeare. 473 The Unquiet Spirit Shakspeare. 477 Hamlet's Interview with his Father's Spirit Shakspeare. 480 The Indignation of Hamlet Shakspeare. 482 The Burial of Ophelia Shakspeare. 485 The Quarrel of Brutus and Cassius. Shakspeare. 486 Prince Arthur of Bretagne Shakspeare. 489 Falstaff 's Valor Shakspeare. 493 The Miser Fielding. 496 The Two Robbers Dr. Aiken. 497 The Constable De Bourbon Kemble. 499 The Lost Maiden Holcraft. 503 The Hakon Jarl Anonymous. 504 The Saracen Brothers Anonymous. 506 How to tell Bad News Anonymous. 511 Indigestion Anonymous. 512 The Valorous Apothecary Colman. 514 The Embryo Lawyer , Allingham. 517 The Irish Servant* Oulton. 520 The Stygian Ferry 523 The Prophet of Mecca Miller. 526 The Dramatist Sheridan. 529 The Swiss Patriot Knowles. 532 The King-Maker Franklin. 546 The Colonists L. Aiken. 549 The Churchyard Karamsin. 551 ARTICULATION. 15 ARTICULATION. ELEMENTARY SOUNDS. There are forty-one elementary sounds in the English lan- guage, which may be thus arranged according to three principles of classification : 1. According to the organs with which they are chiefly formed : Vocal, Labial, Linguo-Dental, Linguo-Palatal, and Guttural. 2. According to the nature of the sound : Tonic, Subtonic, and Atonic. 3. According to the manner of expressing the sound : Checked, Vanishing, Abrupt, Smooth, Liquid, Resonant, Aspirate, Ambiguous. These are presented in one view in the following table : THE ELEMENTARY SOUNDS (41) 16 VOCAL TONICS. 8 Checked. 8 Prolonged and Vanishing. 1. I as in It. 1. I as in . Pique. 2. E : Bet. 2. E tt Ere. 3. A ' At. 3. A << Rare. 4. A (final) ' < Era. 4. A n Ear. 5. < < Odd. 5. a Or. 6. U < Up. 6. U a Cur. 7. (final) < ' Hero. 7.