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 "^ 
 
 
 
 A' 
 
 V' ,• 
 
 "-i. 
 
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UNIVERSITY OF WASHINGTON PUBLICATIONS 
 
 IN 
 
 POLITICAL AND SOCIAL SCIENCE 
 Vol. 1, No. 1, pp. 1-67, pis. 1-8, 15 text figures June, 1920 
 
 THE WHALING EQUIPMENT OF 
 THE MAKAH INDIANS 
 
 by 
 T. T. WATERMAN 
 
 SEATTLE, WASH. 
 PUBLISHED BY THE UNIVERSITY 
 
 1920 
 

 CONTENTS 
 
 Page 
 
 Introduction 4 
 
 Alphabet ustd in rtcording Indian words 5 
 
 The "Chinook" Canoe 9 
 
 The name "Chinook" 9 
 
 Comparison with the canoes of other j)arts of the Pacific coast 10 
 
 "Rating" of canoes 12 
 
 The hull 1 i 
 
 Features of the luill described bv jjrevious writers 1 i 
 
 Additional notes on the hull 16 
 
 ]5ow and stern pieces 16 
 
 Shape of the hull 19 
 
 Interior fittings 20 
 
 Care of the Indl 22 
 
 Ornamentation 22 
 
 Sails and rigging 23 
 
 Features of the rigging described by ])revious writers 23 
 
 Additional notes on rigging 21 
 
 Defects of the canoe 26 
 
 Paddles 26 
 
 Information contained in previous accounts 26 
 
 Additional notes on the paddle 27 
 
 The Canoe-bailer 27 
 
 The WiiALiNJi H \nPoox \nd Its Accessory Devices 29 
 
 The liarpoon shaft 29 
 
 Information contained in previous accounts 29 
 
 Additional notes on the harpoon shaft 29 
 
 The harpoon licad 30 
 
 Information contained in jirevious accounts 30 
 
 Additional notes on the harpoon head 31 
 
 The whaling lanyard 34 
 
 Notes on the lanyard containci.? in iirevions accounts 34 
 
 Buoys or floats 31' 
 
 Features of the sealsHiin buoy or float described by other writers 31 
 
 Lines and ropes 37 
 
 n; •f A. 
 
 NOV 5 1920 
 
COXTEXTS 
 
 Page 
 p The Wmale-hun't 38 
 
 Religious observances connected with whale hunting, as described by other 
 writers 38 
 
 ^ Arrangement of equipment for whaling H 
 
 *^ The pursuit of the whale H 
 
 •Ilj Disposition of the whale carcass i-ii 
 
 (^ Religious observances connected with bringing in the whale i6 
 
 r. Method of navigation 17 
 
 Histoi-y of the whaling industry IT 
 
 Bibliography 50 
 
ILLUSTRATIONS 
 
 PLATES 
 
 Plate 1. Making a "Chinook" canoe. 
 
 Plate 2. "Lighthouse Joe," with his harpoon and buoys ; a canoe under sail. 
 
 Plate 3. Along the Makah coast. 
 
 Plate 4. The harpooned whale. 
 
 Plate 5. Removing the skin from a whale carcass ; baskets for carrying harpoon- 
 heads. 
 
 Plate 6. Cutting up the whale. 
 
 Plate 7. The last of the whale. 
 
 Plate 8. Head of the whaling harpoon. 
 
 text figures 
 
 Figure 1. Dugout canoe from Northern California (Yurok tribe). 
 
 2. Two t3'pes of canoe found in the Pacific Northwest; a, the "North Coast" 
 
 model; b, the "South Coast" or Chinook model. 
 
 3. Diagram showing the nomenclature of the canoe. 
 
 k Diagram showing the ornamentation on the prow, viewed from above. 
 
 5. The shape of the "Chinook" canoe; a, the appearance of the bottom, 
 
 b, the appearance of the canoe viewed from in front. 
 
 6. Diagram showing the cross-section of the canoe. 
 
 7. Diagram showing the lashing which liolds tlic thwarts in place. 
 
 8. Canoe sail and rigging. 
 
 9. Diagram illustrating the weave employed in a sail of cedar-bark matting. 
 
 10. Canoe-bailer of alder-wood; a, the bailer; b, attachment of the loop or 
 
 handle, viewed from above; c, diagram sliowing how the bailer is 
 clutched when in use. 
 
 1 1 . Tip of harpoon shaft. 
 
 12. Diagram showing the assembling of the parts of the whaling harpoon- 
 
 head, a, the bone "hafts" or barbs, viewed from one side ; b, the cut- 
 ting edge viewed from above ; c, the complete head. 
 
 13. The float or buoy; a, the complete float with its attachments; b, detail 
 
 drawing showing the nipple and plug for inflation. 
 
 II'. Diagram showing the arrangement of the huntsmen and their equijinient 
 in the whaling canoe. 
 
 15. Diagram showing the cutting-up of the wliale. 
 
 4 
 
INTRODUCTION 
 
 The present study was undertaken because of the presence for a time in the 
 city of Seattle of a member of the Makah tribe, Mr. C. Peterson, of Neah Bay. ^Ir. 
 Peterson is well informed concerning the life of his people, and has had for many 
 years a certain intellectual interest in the details of jirimitive culture, especially 
 with reference to his own group at Cape Flatter}'. The State Museum on the 
 Campus of the University supplied the various objects described below; man}' of them 
 being specimens collected by James G. Swan at Cape Flattery a number of years ago. 
 
 Several important printed works have appeared in the past, which deal with 
 the material culture of the Makah or their close neighbors. These works are cited 
 in detail in a terminal bibliography on page 50. The most recent of them is the 
 famous series of volumes entitled "The North American Indian." by Edward C. 
 Curtis. The eleventh volume of this great work, dealing specifically with the Nootka 
 and the Haida, includes numerous notes on the tribe which is the subject of the pres- 
 ent study. A much earlier work by another author, "The Indians of Cape Flattery," 
 by James G. Swan, deals with a larger number of topics than does the book by Curtis, 
 but in a more schematic way. Swan's sj'stem of transliterating Makah words is less 
 accurate than Curtis' method. The most important paper on the primitive peoples 
 of this region is a monograph by Franz Boas, "The Kwakiutl of Vancouver Island." 
 This famous work contains descriptions of devices and processes, printed in the form 
 of texts in the native Kwakiutl dialect. The present writer has not dealt in detail 
 with any of those matters which are discussed by these earlier observers. Where 
 Boas has described a process, for example that of separating spruce root into fibers, 
 it seems unnecessary to go into that particular matter again. What he says of 
 technological processes among the Kwakiutl is practically all applicable to the Makah. 
 Boas' description is incomparable for the various manufactures and the detailed 
 processes involved in them. Curtis' ])rincipal interest, on the other hand, is 
 in ceremonies. His admirable account of the ceremonial practices performed in con- 
 nection with whaling, as carried on by tribes adjacent to the Makah (such tribes as 
 the Nootka, Quilliute, Quinault, and Kwakiutl), presents a very clear pictui?. What 
 this author says of the ceremonial practices of neighboring tribes ajjjjlies perfectly 
 well to the Makah. Where the accounts of these previous writers nverln)). their mate- 
 rial is summarized and put in the form of an abstract. 
 
 The photographs illustrating the whaling industry are tlie work of .\sahel 
 Curtis, Esq., of Seattle, successor to the Romans Photo Company, and they are 
 reproduced by arrangement with him. The line drawings were done by Sara 
 Vinsonhaler of the Department of Design of the University of Washington. 
 
 Alphabet Used in Recording Indian Terms. — Many sounds occur in Makah 
 which are not present in English. Swan^ spells tlie Indian words as best he can with 
 the ordinary English alpliabet. with the result that the words as he gives them often 
 do not sound like Makah. Curtis has a more complete set of symbols. His list does 
 
 ' For nuthorities oitofl, sit tin- tcniiiiuil lil ]ift:;r)U:hy ni p. ro 
 
6 U'alcrman [Vol. 1 
 
 not, however, represent all of the jMakah sounds. To describe the phonetic elements 
 of this dialect seems to be somewhat troublesome ; unless they are expounded in 
 physiological terms which are of no interest to the casual reader. The usual resource 
 on the jjart of authors who have to describe sounds such as these is to avoid "accurate" 
 physiological terms, which seem uselessly difficult; using instead certain "general" 
 terms, which, in most cases fail to convey any accurate idea of the sound as it is 
 spoken b}' the Indian. The following notes may serve to give some impression of 
 how the Makah words sound to the present writer. I think practically all of their 
 spoken sounds are here represented. 
 
 i, as in machine u, as in rule 
 
 (, as in pin v, as in full 
 
 e, as in fete o, as in note 
 
 £, as in met o, as on in ought 
 
 a, as in hat a, as in bar 
 A, as in but 
 
 DIPHTHONGS 
 
 ai, as in aisle oi. as in boil 
 
 SEMIVOWELS 
 
 w, y, substantially as in English 
 
 CONSON.\NTS 
 
 Labial- Contin- Affrica- Affricative 
 
 Stop ised stop uant tive Nasal Lateral lateral 
 
 covjfc, c^Pi. c^osfe. 
 
 Labial 
 Dental 
 
 P 
 t 
 
 b 
 d 
 
 p' 
 
 t' 
 
 
 
 s 
 
 ts ts' 
 
 Alveolar 
 
 
 
 
 
 
 c 
 
 tc tc' 
 
 Palatal 
 
 k 
 
 g 
 
 g' 
 
 kw 
 
 kw' 
 
 X 
 
 
 Velar 
 Glottal 
 
 q 
 
 y 
 
 q' 
 
 qw 
 
 qw' 
 
 h,' 
 
 
 L 1 tl, tL 
 
 The consonants are sounded approximately as thej' are in English, except for 
 the following: 
 
 Fortis Sounds — These are "exploded" or "cracked" consonants produced with 
 the vocal organs in the position for the ordinary sound, but with hard pressure. The 
 
1920] Makah Indians 7 
 
 release is very sudden but the rush of breath is slight. The combination produces a 
 sharp sound, markedly different from anything in English. The sound itself is very 
 brief, but the firm "closure" which precedes it is often prolonged. As indicated in 
 the chart, these fortis sounds are of various types {p, k, t, etc.), and are of frequent 
 occurrence. The sj'mbol which represents them (namely, '), is explained below. 
 
 Labialized Stops — The nature of these sounds is indicated fairl}- well by the 
 symbols chosen to represent them. 
 
 Continuant Sounds — The symbol c stands for a simple sound which is represented 
 in English usage by a combination of two symbols, namely * and h, as in the English 
 word "she." The .r indicates a sound made by friction of the breath between the 
 back part of the tongue and the palate, as in German ach. This sound resembles 
 ordinary English h, except that the friction is more pronounced, the passage between 
 the tongue and the palate being greatly narrowed. 
 
 Affricative Sounds — These consist essentially of a continuant preceded by, and 
 "fused" with, a "stop." The symbol ts in Makah has approximately the value it has 
 in English, the two elements being pronounced as one sound. I think the sound is 
 more properly represented by one symbol, but no convenient symbol exists. As is 
 not the case in English, this ts sound in Makah is very frequent at the beginning of 
 words. The tc represents the combination of t with the c sound described above. 
 
 Lateral Sounds — One sound which does not exist in English, but which is 
 extremely frequent in Makah, is represented by L. This sound has the same rela- 
 tion to ordinary I that English p has to English h. namely the organs are in the same 
 position, but the vocal cords are not employed. Curtis represents the sound by a 
 combination of h with I. This combination may give a distant hint of its effect on 
 the ear. 
 
 Aifricatiz'c-lateral Sounds — These have the same relation to the laterals tiiat the 
 ordinary aft'ricatives have to the stops ; the lateral affricative, namely, is a lateral 
 which enters into combination with, and is "fused" with, a "stop" which precedes it. 
 
 Velar Sounds — These sounds, often described as "gutterals," are produced very 
 much in the fashion of ordinary A-, as it is in kick, but the contact is much further 
 back in the mouth. A little practice enables an English-speaking person to produce 
 these sounds without any difficulty. The "stop" is represented by q, and the corre- 
 sponding continuant by y. 
 
 Glottal Sounds — The most noteworthy of these is a "glottal stop" ('). Be- 
 tween vowels, this symbol indicates an interruption of the breath by a closure of the 
 larynx, which closure is achieved by drawing the vocal cords completely across the 
 passage. This is a commonplace action, performed, for example, in the process of 
 coughing. When used in connection with consonants, this symbol represents a 
 "stress" or "explosiveness," in wliicli a glottal closure is probably one factor. The 
 effect of this explosion produces on the ear a "cracking" of the consonant, wliich is 
 very noticeable and striking in the speech of the native Indians. 
 
8 Waterman [Vol. 1 
 
 Note. — The symbols used in the above tabulation are based on the report of the 
 Committee of the American Anthropological Association on the phonetic transcription 
 of Indian languages." The sounds of ]\lakah correspond, almost throughout, to the 
 sounds of the Kwakiutl language as described by Boas in the opening pages of his 
 monograph already mentioned. The sound which Boas describes as resembling ky 
 and which he writes as h, I have written hy; and similarly with his x, etc. I heard 
 both s and c in Makah, and also the aflricatives, ts and ic. although in Kwakiutl only 
 s and its affricative ts occur. What Boas says of the other sounds of Kwakiutl, 
 seems to my ear to apply to the sounds of Makah. As with Kwawiutl, t, d and * are 
 very far forward. In the language as spoken by Mr. Peterson, they were actually 
 dental. 
 
 OUier Symbols Employed — Prolongation of a vowel or consonant is indicated by 
 ( •), a period above the line. More pronounced prolongation is represented by a colon 
 ( :) following the symbol for the sound. A period between two vowels indicates that 
 they do not form a diphthong. Long-continued and non-grammatical ))rolongation, as 
 in rhetorical exclamations, is represented by -f-. 
 
 The symbol " indicates that the preceding consonant was pronounced with an 
 (or ii) position of the mouth. Superior letters indicate in general whispered or 
 weakly articulated sounds. The symbol (<) indicates the presumable derivation of 
 a term ; or marks the word with which a given expression is associated in the mind of 
 the Indian. I am not sure of the etymological accuracy of all of these derivations. In 
 man}' cases they are undoubtedly correct. In explaining the meaning of Indian terms, 
 literal translations are preceded by (=). 
 
 Square brackets are used, as they are ordinarily, to mark the writer's editorial 
 comments, where such comments are necessary. 
 
 -See "Report on tlie iilionetlc tiansi'riftioii i.t Iii'lian liuisuasts," in tlic hilpliosriapliy .m p. r,0 below. 
 
THE "CHINOOK" CAXOE 
 
 Probably the most important factor in the whaling industry of the Makah is the 
 canoe. They procure their food supplies for the most part from the open sea. In 
 the latitude of Cape Flattery the Pacific Ocean is very boisterous, and good boats 
 coupled with good seamanship are essential for a seafaring life. The hunting 
 grounds for whales lie along the shore, and the great animals, especially certain 
 species, sometimes come quite close in, but on the other hand the hunt often takes 
 the Indians entirely out of sight of land. The halibut banks, also, which are the 
 mainstay of their existence, and more important from the point of view of their food 
 economy than is the killing of whales, lie from iive to thirty miles off shore. Under 
 these circumstances, specialization in matters connected with the canoe takes on the 
 very highest importance. Better canoemen than the Makah have probably never 
 existed. I learn also that their boats deserve the very highest place for staunch sea- 
 worthiness, coupled with great manageableness and speed. 
 
 The Makah use only one type of craft, the so-called "Chinook" canoe. 
 
 This type of canoe is a dugout, hewn, except for a superimposed bow and stern 
 pi<;ce, from one cedar log. The particular model which is popularly spoken of as 
 the "Chinook" canoe, is illustrated in Figure 2, b. The use of this model is charac- 
 teristic of the whole of Puget Sound, and of a region stretching some distance to the 
 north and south along the coast. I am not familiar with the exact limits of the area, 
 but the Columbia River is included in it (Curtis, Vol. 8, Folio, Plate 265 shows that 
 boats of this type are used by the Wishram, living at the great cascades of this 
 stream). The use of this canoe characterizes the whole coast of Washington, and a 
 large part of the west coast of Vancouver Island. The Nootka and Clayoquot, near 
 Nootka Sound, use imposing specimens made along this model. In fact, there is 
 evidence that this type of boat originated with them.^ They manufacture a large 
 number of the boats whicli are in use at the present day, and supply them to the 
 tribes on Puget Sound and southward, either directly, or through the Makah. As 
 pointed out by Swan,** the Makah themselves do not make canoes to any great extent, 
 because their territory does not furnish the best cedar. They, however, depend 
 upon the canoe for all purposes, including the winning of their livelihood. The 
 "Chinook" type of canoe used by them in common with other tribes has never been 
 adequately described, so it may appropriately be taken up in detail here. It is as 
 much used by the Makah, and as skillfully handled, as by any tribe, even though 
 they do not as a usual thing manufacture their own boats. 
 
 THE NAIIE "cHIXOOk" 
 
 This word, "Chinook," holds a high place in the affections of the Northwest. 
 Primarily the name of one small sub-lribe, living at the mouth of the Columbia River, 
 it has become associated through historical accident not only with a type of canoe, 
 but also with a certain "jargon language," and with a warm southwest wind. The 
 
 ' Lewis, 1906, p. 1C3. 
 ' 1870, p. 30. 
 
10 
 
 U'atcniian 
 
 [Vol. I 
 
 wind does not concern us here; but the jargon language which passess commonly 
 under the name "Chinook," is, like the canoe, the product primarily of the Nootka,^ 
 living on the west coast of Vancouver Island, many hundreds of miles to the north 
 of Chinook territory. The term Chinook has long been in use, in connection with the 
 "jargon," and the canoe, and I think this usage, in spite of its inaccuracy, deserves 
 to be followed. 
 
 COMPARISON WITH CANOES OF OTHER PARTS OF THE PACIFIC COAST 
 
 There is a good deal of similarity in the dugout canoes used by the various tribes 
 along the whole Pacific Coast, including the tribes of Southern Alaska, those of 
 Northern California, and all the coast tribes in between. South of the Columbia 
 River, however. Indian boats are not very large, nor are they at all seaworthy. They 
 are built on what the northern Indians would call a "shovel-nose" model. The bot- 
 tom, that is to say, is rounded in cross section, but somewhat flatter toward the bow 
 and the stern, which are cut off square, as in the "punt" of civilized communities. 
 These squared ends are crowned up in a sort of peak, to relieve their clumsy appear- 
 ance, and among the California tribes a carven ornament rides upon the prow. Such 
 boats are excellent for quiet water, and are quite speedy, but the Indian takes his 
 life in his hands if he goes very far to sea in one of them. This is the type of craft 
 which the great Vancouver mentions, in connection with his exploration at Port 
 Orford, in Oregon, in the year 1792: 
 
 "Their canoes, calculated to carry about eight people, were rudely wrought out 
 of a single tree ; their shape much resembled that of a butcher's tray, and seemed very 
 unfit for a sea voyage or anj' distant expedition." 
 
 Pro, 1 — Dugout canoe from Northern California (Yurok tribe). University of California, Museum of Anthropology, 
 ("ataloK NuMil.cr 1/1700. I.i-ngth, IS foot (,^).nO moti-isl. 
 
 • See Meany, 1907, p. 44. 
 « 1798, Vol. 1, p. 204. 
 
19201 
 
 Makah Indians 
 
 11 
 
 This type of boat is the one used at the present time by the Yurok along the 
 Klamath River, in Northern California, and by their neighbors. Figure 1 shows a 
 characteristic Yurok specimen. This is exactly what we would expect to find, if a 
 knowledge of navigation, and a specialized industry in canoe-making, had become 
 gradually diffused southward from a center somewhere north of the Columbia River. 
 
 The same general type of craft is known along the coast of Washington, and a 
 close relative is found among the tribes of British Columbia, but it is used only in 
 navigating estuaries, rivers, sloughs, creeks and other quiet waters. In other words, 
 as we go southward, the size of canoes diminishes and we find fewer models in use, 
 until in northern California but one type, and that a relativesly poor one, has survived. 
 
 The "Chinook" canoe is in many ways an excellent model. It is very large, is 
 pointed at both ends, and carries lofty carved prow and stern pieces. It is perfectly 
 "fit" for use on the high seas. On the eastern coast of Vancouver Island, and north- 
 ward among the Indians of the British Columbia coast and Alaska, a slightly differ- 
 ent type of canoe is in use. This northern craft differs enough in externals of design 
 from the one last mentioned to be easih' distinguishable. If we call the second the 
 "Chinook" model, we may speak of this third type perhaps as the "Northern" model. 
 These "Northern" canoes, of which the Haida make probably the best specimens, 
 are very large in size, .exceeding the "Chinook" specimens (though the latter in 
 extreme cases reach a length of fifty feet or more). The northern boat is also more 
 elaborately ornamented. The main differences in shape are that the northern model 
 has a vertical cutwater, and an oblique stern, while the Chinook model has a sloping 
 cutwater, and is vertical at the stern. These differences are illustrated in Figure 2. 
 
 b Stern 
 
 NORTH COAST 
 
 c Cross section amidships. 
 
 MODEL. 
 
 /, Cross section amidships. 
 
 CHINOOK MODEL 
 
 I.- Two types of se 
 
 The "northern" model is drawn from a Haida specimen (University of Wash- 
 ington, State Museum, Accession No. 271); the "Chinook" model is from a minia- 
 ture canoe made of alder, Makah tribe (Catalog Number 26;)8). 
 
12 Jl'atcniuvi [\'o\. 1 
 
 The difference just mentioned has been pointed out by previous writers. Niblaok 
 in Plate 3t of his "Coast Indians of Southern Alaska," illustrates it with a plate. In 
 his drawing, however, he has turned his Haida boat end for end, placing the stern 
 where the bow ought to be. This misrepresentation may be the error of his draftsman. 
 Niblack's own remarks, however (on page 295 of his work), seem to indicate that 
 the two ends of the boat are confused with each other in his memory. The bow of the 
 Haida boat, as may be noticed in Figure 2 on this page, does at first glance seem 
 to be designed for a stern. The best canoes in this Northwestern region, whether of 
 the northern or the Chinook model, show an outward "flare" in the side just below 
 the gunwale. The Makah boats exhibit this feature, and Curtis mentions it as charac- 
 terizing the canoes of Puget Sound (Curtis, Vol. 9, p. 60). Its purpose is to keep 
 waves from curling into the boat in rough weather. It hardly seems that so slight a 
 protection could have much effect, yet I am assured that the presence of the flare 
 makes the boat behave quite differently in a sea. The Makah say that the "northern" 
 or Haida boats lack this feature. Niblack, on the other hand (p. 295 of his work), 
 says that the northern models have it, while the Makah or "Chinook" specimens lack 
 it. The truth very likely is that the use of this flare depends upon the skill of tlie 
 individual carpenter. The only Haida canoe which I have had a chance to examine 
 (a University of Washington specimen), did not have this feature. I doubt, liowever. 
 in view of Niblack's remarks, that the lack of it is characteristic of any particular 
 tribe. The "northern" boats, says Niblack, "have projecting prows, higii, spur- 
 shaped sterns, flaring gunwales, and a gracefully rounding or curving cross-section, 
 although without any distinct keel. The latter have the blunt, straight stern, a grace- 
 fully curving bow, but a flat bottom, with little curve in the cross-section." This type 
 is "heavier, roomier, stronger, less cranky, and more durable than the Haida type, 
 but the latter is swifter, handier, and more buoyant." The present writer's Makah 
 informant says that the Haida canoe is not so "dry" as the Makah boat, nor is the 
 Haida boat, they say, so easy to handle. The Makah canoe ships no water except in 
 the wildest weather, and is even then easily kept free with a bailer (for this ingenius 
 utensil see below page 27). The Haida canoe, possibly on account of its liigh stern, 
 is said to be particularly good in a following sea. 
 
 "rating" of canoes 
 
 As remarked above, most of the tribes of the Pacific Northwest liave \arioiis 
 styles of craft, for use under special circumstances. For example, they often have 
 flat-bottomed and blunt-nosed canoes for use in still waters, and along creeks and 
 rivers. The !Makah spend their time in the turbulent waters around their cape, and 
 use their sharp-nosed sea-going Chinook canoes practically to the exclusion of every- 
 thing else. The only variant is a small wide boat, "with a stern at both ends." which 
 is used by young people before they can be trusted to handle the big canoes. Tliey 
 use, however, various sizes of canoes. The general term for canoe is tc'A'p.Ats 
 (Chap-ats, in the notation given by Swan). Niblack mentions four ratings as gen- 
 erally recognized among tlic Indians': (1) Hunting and fishing canoes. (2) family 
 
1920] Makah Indians 13 
 
 and transportation canoes. (3) voyaging canoes, and (1) war canoes. Swan*^ groups 
 the canoes of the Makah into four classes. The spelling and accent of the native 
 terms for these ratings differ on different pages of this work. They are as follows : 
 (1) The whaling canoe, pa-dau-t'hl (p. 21), pah-dow-tlil (p. 95); (2) the canoe 
 for six persons, bo-kwis-tat (p. 21), bo-kwis-tat (p. 95); (3) a smaller canoe, 
 a-tlis-tat (p. 21), ar-tlls-tat (p. 95); (4) a very small canoe used for fisliing. 
 ta-ka-aii-da (p. 21), ta-kaow-dah (p. 95). 
 
 XoTE. — Swan's pa-dau-t'lil is probably pada'wiL.^outfit. or equipment. The 
 term in-obably refers to the equipment of floats, lines, tow-ropes, and harpoons, witli 
 which the wlialing canoe is laden. His term for the second type, bo-kwis-tat. is ex- 
 plained by my informant as bu-kyi'st, bu = four, kyist = inside. It would seem to be 
 properly a descriptive expression for canoes carrying four persons, not six. His 
 term a-tlis-tat, I cannot identify. His term for the "very small canoe," "te-ka-au-da. 
 is apparently tek'eodi'yak (:=; in the middle one sits). The craft was so small 
 that one could not sit in the stern without capsizing. 
 
 Curtis mentions two sorts of canoes, the whaling canoe, "oo'talisets." and the 
 war canoe, "wi-tuk-ests." 
 
 According to my informant there are seven "ratings " as follows: 
 
 The "freight" canoe, ci'tLats. This craft is the largest made. Such canoes 
 are employed when people are moving their effects from one locality to another. In 
 some cases even the house timbers are loaded into the canoe, or towed along beliind. 
 Occasionally two or three canoes are lashed side by side, and the house planks laid 
 across them to make a platform, spaces being left between the planks to accommodate 
 the paddlers. The Makah do not often resort to this device. If a squall comes up 
 the lashings liave to be cast off. or the canoes soon fill. 
 
 The "war" canoe. witA'ksAts (tAkwi'dak — war). This is given bv' Curtis 
 (\'ol. II. p. 179) as wi-tuk-csts. The craft is also known as the tLe'iks (^expe- 
 dition, or errand, boat). It is somewhat smaller than the preceding, and has much 
 less width of beam, in proportion to its length. It is used in warfare, for making 
 ceremonial visits, in connection with marriages and feasts, and is employed for all 
 extended trips. Canoes of this kind combine seaworthiness witli speed, but could not 
 carry much cargo without great inconvenience. 
 
 The "whaling" canoe. The bottom of tliis craft is 1' o "stretches ' of the builder's 
 arms in length. 
 
 The "three people" canoe, atLA'kwodiyak. This term is said to be descriptive 
 of the position of the men in the canoe, namely, two men forward, paddling, witli a 
 steersman in tlie sternsheets. 
 
 The "sealing" canoe. y£'cabA(|Ats ("for two men"). In pursuing the seal, one 
 man paddled while the other planted himself in tlie bow witli tlie liarpoon in readi- 
 ness. This general method is the one employed by civilized sealers at the present, 
 each boat carrying a "boat-puller," and a "hunter, " the latter with a rifle. The 
 sealing canoe is carefully designed so tiiat it does not splash the water as it sur- 
 mounts the waves. It carries a "knife-blade " at each end. whicli cuts tin- water (see 
 
 » 1870. pp. 21. (1.-.. 
 
14 Waterman [Vol. 1 
 
 below page 19. The seal are very alert and a boat which squatters over the 
 swells causes them to take alarm. This canoe measures along the bottom 3l/o 
 "stretches" of the arms, from tip to tip of the fingers. 
 
 The "one man" canoe, tck'eodi'yak (^in the middle one sits). This is men- 
 tioned in the note above. It accomodates one person only. 
 
 The "children's canoe," hupi'dwwac (<hu'p£d — salmon-trout). This craft 
 is small and, as the Indians say, "has a stern at both ends." In other words, both 
 stern and bow are finished off with a carven piece like the one represented in Figure 
 1. This boat is paddled about by children, for practice. 
 
 THE HULL OF THE CANOE 
 
 Features of the hull described by other writers 
 
 Note. — Fairly complete accounts of the splitting out and hollowing of the 
 canoe are given both by Swan and Niblack. Swan's especially is an excellent de- 
 scription, in outline. Niblack's account concerns primarily the Coast Indians of 
 Southern Alaska and British Columbia, but what he says applies in large part to 
 the Makali also. This description is not as full as the preceding one. 
 
 Curtis' passages on this matter add little to the ones previously written. This 
 author does not seem as a rule to be much interested in technological processes. 
 
 A very full description of the shaping of a canoe hull, a description which is 
 admirable in every way, and extremely graphic, is the one by Boas (Vol. 5, Part 2, 
 1909. pp. 31-1-369). This is a remarkable account, in Kwakiutl and English, of 
 all the operations of canoe-making, including the ceremonial observances connected 
 with it. 
 
 The Felling of the Timber of the Cniioe — A cedar tree for canoe-making is 
 selected with elaborate care, holes being bored to test its soundness (Boas, p. 344). 
 It is felled near a water-way (Niblack, p. 297). The carpenter "makes it fall" 
 on a favorable spot by throwing chips there ; and he calls a warning to the tree, 
 when he hears the wood cracking, to go down gently (Boas, p. 344). 
 
 Shaping of the Hull — The log is cut to the length required for the canoe by 
 the use of mauls and wedges. The sap wood is split off, and the top side of the 
 log is removed slab bj' slab to the level of the gunwales. Then the section of log 
 is turned over and the bottom of the canoe hewn out. Then it is reversed again and 
 the interior removed in slabs. When roughly shaped it is towed home and turned 
 bottom side up, to receive the final finish (Boas, 19. pp. 344-346; Swan, 1S70. j)]). 
 35, 36; Niblack, 1888, p. 297). 
 
 The different sections are adzed out in regularly prescribed order (Boas, 1909, 
 pp. 359-369; Figure 63, on p. 349 of his work). The thickness of the sides of the 
 canoe is one finger's width near the top, one and one-half finger's width midway 
 of the side, and two fingers' width at the bottom (Boas, p. 363). 
 
 Designing — The proper length for canoes for different purposes is established 
 by tribal custom (Boas, p. 350), and is measured by fathoms (a fathom being the 
 "reach " of the maker, the widest stretch of his arms). The curves of the canoe 
 are made entirelv by the eye (Swan, p. 36). The thickness of the sides is gauged 
 by placing one hand on the inside, the other on the outside and passing them over 
 the work (Swan, p. 36), or by drilling, here and there, numerous small holes, which 
 are later plugged with cedar pegs (Boas, p. 360). 
 
 Tools — The instruments consist of hand-adzes, long-handled adzes (both with 
 blades of stone), wedges of yew-wood bound with cedar withes to prevent s))litting. 
 
1920] ^fakal: Indians 15 
 
 mauls of stone (Niblack, p. 297), bone drills, polishing materials, and chisels of 
 mussel-shell (Swan, p. 36). 
 
 A complete account of each of these tools is given bj' Boas, pp. 319-327. 
 
 Widening the Canoe — When the log is small, the sides of the canoe are widened 
 out with the aid of heat (Swan, p. 36). Fresh water is poured into the canoe to 
 the depth of four fingers. Into tliis, red-hot stones are dropped, by means of tongs. 
 When the water is hot, it is sprinkled all over the inner surface of the sides with 
 a bailer (Boas, pp. 364-366). The outside of the hull is warmed by nearby fires 
 of bark (Swan, p. 36; Curtis, Vol. 9, p. 60) or bj' scorching with celar splints 
 (Boas. p. 366). When the wood is "heated through," special struts of plank are 
 placed crosswise in the hull, and pounded home with a maul. This spreads the sides 
 of the canoe, in some cases as much as ten inches or a foot. Permanent thwarts 
 are then lashed into place (Boas, p. 366-367; see below, page 21). 
 
 Botv and Stern Pieces — The characteristic feature in the canoes of tlie North- 
 west are bold and striking bows and sterns. These consist of separate pieces, 
 hewn out of logs and joined to the hull bj' dowells and lashings (Curtis, Vol. 9, 
 p. 60; Swan, p. 36). The joining of these additional parts to the Iiull is so close 
 and well done that they are water tight without caulking. This careful fitting is 
 accomplished by rubbing the hull where the extra piece is to be fitted on with 
 grease and charcoal. The bow-piece is then seated exactly in place. When re- 
 moved, those parts, which have been blackened by contact with the opposite surface, 
 are adzed down, and the process is repeated until the bow-piece fits smoothly along 
 its whole length (Swan, p. 37), 
 
 Thwarts — These consist among the Makah of round poles (Swan, p. 36). 
 Among the Kwawiutl they are narrow ])lanks. three fingers wide with a thickness of 
 one finger (Boas, p. 366). Among the Makah they are fastened in place with 
 cedar witlics, which pass through perforations in the side of the boat (Swan, p, 
 36; Curtis, Vol. 9, p, 60). For the details, see p. 21 below. 
 
 Taboos — Boas mentions the following rules observed by the canoe-builder: He 
 avoids contact with the opposite sex (p. 34'4) ; otherwise he finds rotten places in 
 the wood from which he is shaping the hull. He does not comb his hair (p. 345) ; 
 otherwise the ends of bis canoe become split. Also, he does not permit anybody 
 to look wlien he is heating the hull and spreading the sides (p. 347) ; for that may 
 cause the canoe to split open. Similar rules .ire scrupulously observed by the Makah. 
 
 Paint — The inside of the canoe is colored with a "paint" composed of fish-oil, 
 or seal-oil, and ochre, or "Indian red" (Swan. p. 37). This red ochre is obtained 
 from a deposit in the territory of tlu Quilliute tribe, along the Quilliute River 
 (Swan, p. 17). Sometimes charcoal is mixed with oil and rubbed on the outside of 
 the hull. More commonly the hull is cliarred or scorched with lighted cedar splits, 
 as described below (page 22; Swan, )). 37). Blue clay instead of ochre seems 
 to have been used in the Puget Sound region (Curtis. Vol. 9, p. 61). 
 
 Carving — On the flat surface at the tip of the bow-piece, transverse grooves 
 are gouged, to make an ornamental pattern of parallel lines. (See Figure 4 below, 
 p. 17). Sometimes a pair of large round holes are cut through the bow-piece 
 just below the tip (Xiblack, Plate 34, upper figure, represents this feature). A 
 square-looking ornament, carved in relief, may be seen on the bow of most canoes 
 some distance down on the neck (inaccurately indicated by Plate 34 of Niblick and 
 Figure 18 of Swan; various plates of Curtis' work also show tiiis ornament). The 
 prow terminates in a carving which, according to Boas (p, 444), resembles a bird's 
 nest, but according to Curtis "has an accidental resemblance to a dog's head" 
 (Vol. 9, p, 60). The form of carving is fixed by custom, but has no symbolic 
 meaning. 
 
16 
 
 Waterman 
 
 [Vol. 1 
 
 Similar incised lines are found in the "throat" of the prow, and on the stern- 
 piece ; the parallel incised lines of carving are carried from bow to stern along the 
 inside of the canoe, below the gunwale. [Something similar to this is mentioned by 
 Curtis, Vol. 9, p. 60.] 
 
 Parts of the hull 
 
 1. Carved bow-piece, kwAqu'b (=sits at the bow). 
 
 2,29. Joint, or "scarf," where the prow is joined to the hull (tabi'vq"). 
 
 3, 3. Perforations, connected by transverse grooves, which accommodate 
 the necessary lashings. 
 
 4a. Projecting ornament, q'ada'do (=uvula). 
 
 46. Incised ornamentation consisting of parallel lines, tsu'tsu (=scratches). 
 
 5. Forward projection of the prow, le'kw'iLtAb (^tongue stiking out). 
 
 6, 6. Tip ends of the gunwales, ihi'qaAL (^ears). 
 
 12. After-end of the gunwale strip. 
 
 8. A thwart, tap'ab (=brace). 
 
 9. Space between tlie forward pair of thwarts, tl.'asu'b — Ats (=mast- 
 
 holder). 
 10. Gunwale-strip, tL'e'txats (^paddle-piece). 
 11, 11', 11". .Joint, or scarf, where the stern-piece is fastened to the hull. 
 1 2. After-end of the gun-wale strip. 
 
 IS. Carven stern-piece, kwa'a'ktLib (=sitting at the stern). 
 14. Incised ornamentation resembling 4?). 
 
 Navies for the "spaces" betrceen the thu-arls 
 
 A. hitA'kwAd (Swan, pp. 21, 9!>, he-tuk-wad, hey-tuks-wad). 
 
 B. kaqai'yuwaxs (Swan, loc.cit ka-kai-woks, hah-hai-xcohs). 
 
 tc'eL-'kduwAxs (Swan, loc.cit. cha-t'hluk-dos, chah,-thlik-do-as). 
 
 liitA'ksistAxs (=inside place), 
 ll.'i'tca (=stern). 
 
 ADDITIONAL NOTES ON THE HULL 
 
 Boxc and Stern Pieces 
 
 When the canoe is small, the whole hull is carved from one piece. In the craft 
 of greater size, large additional pieces, called in general si'kwAb="sitting jjieccs" 
 (<kwasa=to sit), are fastened on to the hull. These added sections are designed 
 with great elegance, and, as described by Swan (p. 36), are fitted to the canoe with 
 exquisite care. The bow-piece. kwAqu'b. is rough-hewn from a cedar log, to the 
 
1920] 
 
 Makah Indians 
 
 17 
 
 proper dimensions. On the Inill a "scarf," tabi'dfq*' (="joint") is prepared, into 
 which the bow-piece exactly fits. In some cases shoulders in this scarf prevent the 
 bow-piece from slipping when it is once in place. In other cases a large curving 
 socket is cut in the bow of the boat, and the bow-piece carved so as to fit in. Plate 
 \.b, shows a carpenter fitting such a bow-piece on his boat. Holes are drilled into 
 the edges of both elements, carefull_y matched as to position. Cedar pegs or 
 "dowells," iLA'p'iqAb (<tL'tla'pa = to hammer) are then used to fasten the two 
 together. The work is so well done that the hull and the additions to it seem to be 
 all in one piece. The "auger" for boring holes consists of a bone blade set in a 
 handle and twirled between the palms. This drill is described and figured by Boas 
 (p. 323 of his work). 
 
 These bow and stern pieces are very carefully designed with a view to artistic 
 effect. They add very markedly to the gracefulness of the boat. Moreover, they 
 carry out and round off the lines of the hull, and lend a very "finished" effect. The 
 flat gunwales of the canoe are carried or "lifted" to meet the top of the bow piece, 
 producing a fine sweeping curve, and are cut off square at their extremity. What 
 seems to be a notch between them. Figure 5, h, and as seen in Plate 1, h, is really a 
 trench or groove. This trench is in origin a continuation of the floor of the canoe, 
 which becomes V-shaped at the bow and rises up to meet the gunwales. The corners 
 
 Fig. 4 — Diat- 
 
 a, notch where the point of the harpoon rests; h, the scratch ornanuiitatioii : 
 tongue, or \vid<;t -shaped projection; </, tiie gunwale. 
 
18 Waterman [Vol. 1 
 
 of the projecting prow are called the ihi'iiabAL, (=the edge or margin of a person's 
 ear). The harpoon point rests in this notch when the Indians are after whale or 
 porpoise. Perhaps the most striking element in the prow is a carven "snout, " which 
 projects out in front of the "ears." It is called le'kw'iLtAb, "tongue sticking out" 
 (<l£ka:'ik ^ "tongue") ; and gives the prow exactly the appearance of an animal's 
 head. The Indians say that this carving represents nothing at all, and is merely "for 
 looks." The life-like "effect " of the ornamentation is increased by the "cock" of the 
 prow, the whole canoe having an air of alertness, as though it were alive and moving 
 of its own accord. The Indian's consciousness of the canoe as an artistic whole, and 
 his anxiety for effect, is shown by the carving of the projecting ornamentation svhich 
 is visible on the neck of the canoe, some distance below the snout. It is called 
 q'ada'ds, "uvula" (the organ which projects downward from the soft palate, in the 
 back of the mouth cavity). The Indians say that the boat "looks bad," unless there 
 is something at this point to break the line of the prow. The loving care they expend 
 on the making of the canoe is also shown by a decoration consisting of lightly incised 
 lines. Across the flat surface leading back from the "ears " is an ornamentation con- 
 sisting of parallel grooves, called tsu'tstsu (<tsuts ^ scratch: tsu = to finish off). 
 This "scratch ornamentation" is shown in Figure 4. 
 
 Where the longitudinal groove begins to widen out to make the body of the boat, 
 a wedge-shaped tongue (Figure 4, c) is invariably carved. This again is merely "to 
 give finish." From this tongue, horizontal grooves called tsu'tsi.i'dAb (tsuts = to 
 scratch; i'dAb = gunwale), extend along the inside of the boat just below the gun- 
 wale,' clear to the stern. They are purely for ornament, but like the other features, 
 are found in this same unvarying form in all good canoes. This ornamentation is 
 made with a special tool resembling a reamer. 
 
 The stern-piece. kwa'a'ktLib (= sits on the stern), is not so large as the bow- 
 piece, nor (as might perhaps be expected) is it so elaborately ornamented. But it is 
 most appropriately designed to "fit" its place, and merges admirably into the general 
 design of the canoe. I do not see how anything could better illustrate the Indian's 
 eye for effect than the care taken in designing this modest and inconspicuous stern- 
 post. Like the bow-piece, it is painstakingly carpentered, and dowelled and lashed 
 into place. 
 
 When the boat needs mending, sections of plank or jiatches are set into the 
 side. Such an inset or patch is called qwAb. or tL';is"i (<tLa'sak^an addition). 
 Old boats are likely to be much iiatohed, as the result of the weathering and crack- 
 ing of the wood, and hard usage. 
 
 I have tried to indicate my sense of the artistic skill shown in the designing of 
 these "sitting pieces." It must be borne in mind that their purpose is, nevertheless, 
 primarily not aesthetic. The upreared bow-piece is put there to throw aside the seas 
 into which the canoe is driven. If it were not there, every sea which the boat 
 encountered would come right aboard. The stern-piece has a similar function and 
 increases the seaworthiness of the boat tremendously. The bow-piece is much the 
 larger of the two for obvious reasons, since the boat rides a following sea much more 
 easilv than the seas which arc met solidlv. head-on. In beaching a canoe, the Makah 
 
1920] 
 
 Makah Indians 
 
 19 
 
 always ride in stern-foremost. I think this is on account of the fine protection against 
 heavy seas that is afforded by the bow. Both bow and stern-pieces are so slender that 
 they hardly seem adequate to keep off the seas (see Figure 5, 6). They have prob- 
 ably been reduced, as the result of long usage, to the slenderest design which will 
 fulfill the purpose. Yet even in their present form they are highly useful. I dare say 
 that their reduction to their present slender proportions has been equally for the 
 artistic effect of delicacy, and for the practical consideration of reducing the total 
 weight of the boat. The Indians have reached in this feature of tlie canoe what 
 seems to my mind the highest artistic success, the making of what is a commonplace 
 and practical contrivance, also artistically beautiful. 
 
 Fig. .') — The sliapo of the "Chinook" ranoe. 
 
 a, the hull below the water line; h, the appearance of the canoe from in front. At 
 points Nos. 1 and 2 in the upper figure the bottom narrows into a sort of knife-blade. 
 
 THE SH.\PE OF THE HULL 
 
 The under side of the boat (Fig. 5, a) has some interesting features, from the 
 Standpoint of design. From the point marked 1 and 2 in the diagram (Fig. 5, a) 
 the bottom of the boat narrows and at the same time protrudes slightly, producing 
 a sort of keel at bow and stern. The narrow part rides somewhat lower in the 
 water than the rest of the bottom. A "blade" of this sort at bow or stern is called 
 stp-u's (<si'ap = anything elongated and crested). It has a very practical pur- 
 pose. In hunting sea-mammals, especially the seal and the otter, great silence is 
 necessary. A ship's boat, even one of the better designed ones, when it surmounts 
 a wave and dips forward is likely to slap the surface of the water. This noise often 
 alarms the quarry. Seals are frequently found napping in the water, turned on 
 their backs or their sides, with the hind flippers turned forward and up, breathing 
 
20 Waterman [Vol. 1 
 
 peacefully as their heads emerge from the waves. The Indian canoe can approacli 
 much more silently than the white man's boat, for this knife-blade at bow or stern 
 cuts the water, instead of pounding down into it. The seal canoe has conspicuous 
 "knife-blades" at both bow and stern, to prevent any splashing which might result 
 from the pitching of the boat in the seas. 
 
 The Chinook canoe has a rather flat bottom, as pointed out by a previous writer 
 (6, Fig. 2, p. 11 above). The terms for the various parts of the inside of the hull 
 are shown in the following diagram (Fig. 6): 
 
 a. hitA'ktAk, bottom. 
 
 b. tL^Atc, curve at the side (<tL'AtcAk = to fold). 
 
 c. hitA'tsk, side. 
 
 d. hitAkwi'i, along the top of the gunwale. 
 
 e. tL'e'txats, gunwale-strip (<tLi'''xAk = to paddle). 
 
 f. di'tLki"i, out-turn of the side, just at the gunwale. 
 
 Interior Fittings 
 
 The canoe has no ribs or knees, "holding up" merely by the strength of 
 the solid hull. Along the top of the gunwale lies a gunwale-strip, tL'e'ixats (mean- 
 ing "against it one works the paddle"). This is a thin strip of plank some three 
 inches wide, extending from stem to stern of the boat. This plank is fastened 
 down with cedar pegs. Its purpose is to prevent the sides from being worn down 
 by the rubbing of the paddles as the boat is propelled. When this strip becomes 
 worn, it is easily replaced by a new one. The thwarts are called ta'p-ab, "bracers" 
 or "spreaders" (<ta = to brace). This term arises from the custom of spreading 
 a canoe artificially by means of heat as described above in the quotations from 
 Swan and Boas. Special struts, ta'ktup (<taktc=to push with a pole) were used 
 for the actual work of prying the canoe open. The thwarts get the name "spread- 
 ers" because they were fitted in as though to keep the sides from closing together 
 again. The word "spreaders" is in general use for thwarts, although this "spread- 
 ing" was done only in special cases. The fitting of the thwarts is done as follows: 
 Round pieces of the proper length are cut. and each end is worked down into a sort 
 of dowell, suptsu'watits. One hole is drilled horizontally through the thwart, and 
 two pairs of smaller holes through the side of the canoe (Fig. 7), one pair above 
 the other. A withe made of cedar limb is soaked to make it soft. It is first rove 
 through the thwart, is then passed outward through the side of the boat, and back 
 
1920] 
 
 Makah Indians 
 
 21 
 
 through another perforation, then through the thwart again, and so on, by the 
 method shown in Fig. 7, until the thwart is firmly bound in place. The remainder 
 of the withe is served around the dowell. Both ends being caught beneath the 
 lashing, the whole is very solid and presents moreover a very workmanliiie appear- 
 ance. The lashings neatly fill in over the more slender part of the thwart, and give 
 the whole a very smooth and finished effect. 
 
 3 2 I 
 
 Fig. 7 — Diagram slioAviiig the lashing wliicli holds the thAvarts in place. 
 
 a, A section from the outside of the boat, showing the appearance of the two turns 
 of lashing seen from the outside, h, Diagram showing how the lashings are applied. 
 The strip is laid along the thwart, beginning at 1, goes through the thwart at 2, 
 enters a hole through the side of the boat at 3, emerges on the outside of the hull 
 at 4, starts inward through a hole at 5, enters the hole througli the thwart at 6, 
 passes through the luiU again at 7, returning at 8, passes through the thwart at 9, 
 emerges on the far side, and begins to wrap around it as at 10. r, diagram of a 
 cross-section of the side of the boat, showing the thwart and the finished wrapping, 
 with the end cauglit under a turn at 11. 
 
 The manufacture of tliese cedar withes or lashings is described by Boas 
 (p. 375) and will be referred to later in the present paper under the heading of 
 ropes and lines. 
 
 On the floor of the boat are other fittings. Forward in the boat, just below 
 the pair of thwarts at the bow, is a socket in which the mast is stepped when sail 
 is hoisted. This socket, hi'ksn'b, is a carven block of alder wood, -i inches wide by 
 8 inches long, thin toward the edges and thick in the center. In its upper surface a 
 pit is carved which accommodates the foot of the mast. The block is fastened 
 lengthwise in the bottom of the boat with cedar pegs. The canoe curve is supplied 
 with bottom-boards of cedar (Lit-tsi'b ^ "covering." a word applied to mats or 
 anything used to cover an object). They are carefully smoothed and rounded to 
 fit the shape of the boat, and furthermore are "crowned up" toward their middle 
 part, so that whatever water comes aboard drains off of them. Between the end 
 of one plank and the end of the next one, a space is left to permit of bailing the 
 boat. The bailer is an ingeniously shaped object, to be described on a later page. 
 
 It will be seen by looking at the figure that the thwarts or "seats" are round 
 poles. Blankets and mats are used to pad these poles to form scats. The Jndian 
 kneels to paddle, however. The canoes made on the northern coast are provided with 
 flat benches. I am not informed why the Makali and their immedate neighbors elect 
 to employ poles instead of beiiciics. Makah canoes at the i)rescnt time are often 
 
22 Waterman [Vol. 1 
 
 fitted with ribs, and the seats made of plank, and the small canoes often have thole- 
 pins or metal oarlocks. 
 
 Care of the Hull 
 
 The outside of the hull is carefully charred over with lighted cedar splints. This 
 is done when the canoe is first made in order to preserve the wood from decay. 
 The process is repeated from time to time, and the canoe rubbed with a wisp of grass, 
 or cedar twigs, to clear the bottom of the fouling of barnacles and seaweed which 
 accumulate there (Swan, p. 37). 
 
 These matters are described by Boas in the following terms: 
 
 "When the canoe is made ready for the hunting season, its outer side is dried 
 carefully, so that all the small splints turn outward. These are burned off with 
 torches, which are afterwards moved once more slowly over the whole surface of 
 the canoe until a layer of charcoal shows on the outside. Then the canoe is turned 
 over and allowed to cool. When it is cold, it is rubbed down [with an old mat, 
 according to another passage] at right angles to the grain of the wood. When it 
 is quite smooth, the outside up to the water-line is smeared with tallow. Olachen- 
 oil is not used for this purpose, on account of its odor. After this the bottom of 
 the canoe is struck with spruce-branches to give it a good smell. 
 
 The canoe must never rest on the ground ; otherwise its bottom becomes rough- 
 ened. It is always carried, never pushed along over stones. It must rest so high 
 that a person can sit under the bow, and lift it on his shoulder. The hunter carries 
 in his canoe two round cedar-sticks, about 10 cm. in diameter and a meter long. 
 When a landing is made during ebb-tide, the stern is brought ashore first. The poles 
 are then placed under the canoe to protect the bottom from the pebbles of the beach." 
 (Boas, p. 500.) 
 
 Ornamentation 
 
 Mention has just been made of the fact that the prow is carved in such a 
 form as to suggest the head of an animal (see above, p. 15). Curtis remarks that 
 this resemblance is accidental ; and my own inquiry pointed to the same conclusion. 
 That is, my informant stated that while this carving is considered necessary by 
 tribal custom, it does not "mean anything." This is remarkable, because the form 
 given the prow is far too lifelike to be the result of anything but design. More- 
 over, the neighboring tribes to the east and north of the Makah have a highly 
 developed totemic art. Carvings representing animals play a great part in their 
 lives. Figures representing animals are invariably present on their canoes, lending 
 the craft a very picturesque appearance. It seems altogether likely, then, that this 
 carving on the Makah canoe was, in origin, totemic. If so. its significance is not 
 recognized at the present day. The Makah canoe, compared to that of the 
 Kwakiutl, or the Haida, is very plain, and almost devoid of external ornamen- 
 tation. Whatever artistic interest it has, results principally from beauty of design, 
 and careful workmanship. 
 
 In addition to the black coloring material consisting of "fish-oil" and charcoal, 
 mentioned by Swan, an evil-smelling black muck, obtained in swamps, is sometimes 
 used. It is called kak'i'tsbts (cf. sAkw'a'kubts = dirt, earth). The fish-oil (olachen- 
 oil? dogfish oil?) mentioned by Swan is in some cases replaced by decayed salmon 
 
1920] 
 
 Makah Indians 
 
 23 
 
 roe (a'tc'pab). The "Indian red" (red ochre) is called LtxtC£'t"bis. The combina- 
 tion dries very quickly. The charcoal used in painting is called tibt'sbis. The best 
 kind is obtained by burning alder. White clay, tL'si'bAs, is occasionally used in 
 making designs, sometimes on canoes. 
 
 SAILS AND RIGGING 
 
 Features of the rigging described by other writers 
 
 Sails — The primitive sail is of the "square" type (Swan, p. 38) and is made 
 of cedar-bark matting (Swan, p. 38; Boas, p. 446). It is attached top and bottom 
 to yards consisting of light cedar poles (Swan, p. 38). These mats are woven on 
 a woof of cedar-bark twine. At the top and bottom of the mat these war-strings 
 are made into an openwork border, which permit the sail to be easily attached to 
 the yard (Boas, p. 391). 
 
 Among the Kwakiutl sails were made also of thin boards, sewed together (Boas, 
 p. 4-16). 
 
 Rigging — This consists of a mast, two yards, a "hallyard" to pull up the sail, 
 the "sheets" and "braces' (Boas, p. 446; Swan, figure 20) which are attached to 
 each corner of the sail. 
 
24 
 
 Waterman 
 
 [Vol. 1 
 
 e, 
 f. 
 
 9-9'' 
 
 mast, tLaxsi'b. 
 noose at masthead. 
 
 upper yard. tLiicVixtub (<tLucak=^a rod: liideaxtiL=over the top), 
 sail of matting, Ltsa'p'iyak (<Li'tsAk^to spread: hidap = up). 
 halyard, tci'aptLtLek ( <tci'apiL ^ to pull up), 
 "brace," tci-tcabub (<tci^to pull: ihi't'abuL :^ the top corner of the human 
 
 ear). 
 lower yard, tLusa'baktLtb ( <CtLusak' ^ rod: liitAksabaktL ^ the bottom 
 
 edge of a mat, or other fabric), 
 "sheet," tci-ksaba'ktLiyek (= pulling on the bottom of a mat). 
 
 ADDITIONAL NOTES ON RIGGING 
 
 The sail is an oblong mat (Curtis; chibat) of a type already described and 
 figured by Boas (1909, p. 383, figures 74, 75; 1916, p. 52, figure 9). A specimen in 
 the University of Washington Museum consists of a mat, three feet and one inch 
 wide by five feet seven inches long, with a pole or "yard" at its top and bottom. 
 Boas remarks that only coarse mats and large baskets are made in this checkerboard 
 weave, a twilled tecnique apparently being employed for the finer pieces. 
 
 Fig. 9 — Diagrnm illustrating the weave employed in a sail oi: cedar-bark matting : a, The border where the 
 sail is attached to the yard ; b. Section from the middle part of the lower border. University of AVashington, 
 State Museum, Catalog Number 209 (Makah tribe). Diameter of yard; 1^;^ Inches (2.7 cm.); width of ele- 
 ments, Vj cm. 
 
1920] Makah Indians 25 
 
 1, 1, 1, 1. Warp tlements. 
 
 2, 2, 2, 2, Woof elements. 
 
 3,3', Broad ribbon-like strips of eedar-bark. 1 cm. wide, dyed black, and 
 
 worked in along the edges of the mat as an ornamental border. 
 4, 4', String or cord of braided cedar-bark, which serves as the foundation of 
 the "edging" which finishes off the sides of the sail. The woof strands 
 numbered 2, 2, 2 pass over tlie black "ribbon," then around the cord, 
 and the end is fastened down by the next following strand of woof. 
 The wide ribbon 3' is separated into three divisions at its terminations, 
 and these divisions are caught separatelv into this cord, and held 
 fast (5, 5', 5"). 
 6. 6', A single row of plain twining, which binds the warp elements in place 
 at the lower fringe of the mat. Each strip is caught separately in a 
 "turn" of this plain twining. 
 
 The vertical ribbon, 3, is also divided into three narrow strips, and 
 
 each of these strips is caught separately into the row of plain twining, 
 
 as indicated at 5, 5', and 5". 
 
 7. 7' 7". A three-strand braid, produced by plaiting together three adjacent warp 
 
 strips, as they emerge below the row of twining. From 20 to 30 
 
 rows at each side are finished in this way. Toward the center of the 
 
 mat, the strips are merely twisted together, some of the elements 
 
 being split and parted to one side and the other. This braiding and 
 
 twisting produces the openwork effect. 
 
 A strip of cedar-bark, wound spirally around the braid, t. Appar- 
 ently in making this border, the maker worked from the right toward 
 the left. Each string is caught under this spiral ribbon; and is then 
 turned over it to the left, where the end is caught under the succeeding 
 coil of the spiral. 
 9, 9', Light three-strand string, with wliich the "clews" or corners of the sail 
 arc caught to the yard. 
 
 The openwork border resembles in weave the basket border shown in Boas, 
 1909, figure 81. page 392. The University of Washington specimen seems to be 
 specially designed for a sail, being finished off in one way at the upper and lower 
 borders, and in another tecnique at the sides. Its construction is shown in figure 
 9. The mat figured by Boas as a typical specimen has three black elements worked 
 into the fabric, parallel to the border, producing a sort of band of checkerboard 
 ornamentation around the edge of the mat. The present specimen has four similar 
 rows of this black and white ornamentation, beside a wide ribbon of black, which is 
 inserted just inside the border. 
 
 The sailing equipment of the Makah canoe is very primitive. The mast is a simple 
 pole, which is inserted in the socket already described, and lashed upright between 
 the two forward thwarts. There are no stays to hold it in place, the mast holding 
 up through the rigidity of the wood. It is hardly more than a stick, since the sail 
 is very small, and the strain is not at all heavy. A noose made of a cedar withe is 
 lashed to the top of the pole. Through this is rove a line of twisted sea-lion gut. 
 This line is called bAqw'Atsi'dibe-k (<bAqw't'ts = string) or simply tsi'kyub, "gut". 
 It served as a halyard for hoisting the sail. Sometimes this noose is replaced by 
 
26 Waterman [Vol. 1 
 
 a hole made in the mast itself. At top and bottom the warp threads project beyond 
 the fabric in the form of loops. Through these loops a round stick or rod might be 
 inserted to serve as a "yard." In the specimen examined by myself (Fig. 9) the sail 
 is attached to the pard by extra lashing. The sail is of a square type, and the only 
 additional rigging required beyond the halyard for pulling up the sail are "sheets" 
 attached at the lower corners, and "braces" attached at the upper corners of the 
 sali, to manage it in the breeze. 
 
 Captain Cook writing in 1778 says that sails are not aboriginal in this region. 
 The Indians of today look upon their sails and rigging as their own invention. 
 
 DEFECTS OF THE CANOE 
 
 The canoe is not designed for a sailing craft, and so its design from that stand- 
 point is very defective. Progress by tacking is impossible, as the boat would make 
 more leeway than headway. When a breeze comes over the stern they hoist sail. 
 When there is no favorable breeze, they stow the mast and sail, and paddle. They 
 have no words for "tacking" or "wearing" or other nautical maneuvers. The worst 
 weakness of the canoe is a structural one — namely, a tendency to split (see Boas, 
 p. 446). A canoe may split open into two halves if roughly handled, especially if 
 it is driven vigorously into a cross sea. When hauled up on the beach, it is carefully 
 covered from the effects of the sun, which starts "checking" and splitting, and may 
 in a few hours ruin a good boat. This covering may consist of mats, blankets, boards 
 or branches (Boas, p. 446; Curtis, Vol. 10, p. 16). These are the points in which 
 the Indian canoe is inferior to the white man's boats. For buoyancy and easy riding 
 of the waves in stormy weather, it compares favorably with any craft in the world. 
 In cleverness of design and adaptation to its special purpose, and for artistic grace, 
 it may almost be called a triumph of workmanship. 
 
 PADDLES 
 
 Information contained in previous accounts 
 
 Material — The paddle is made of yew or maple (Curtis, Vol. 9, p. 61 ; Swan, 
 p. 38; Boas, 1909, p. 496). The cross-piece at the top is made of "red pine" (Boas, 
 p. 497). [Alder, according to my information concerning the Makah practice; cf. 
 Curtis, Vol. 11, p. 179]. 
 
 Design — The blade is thin and somewhat elastic, and often sharply pointed or 
 "lanceolate." The sharper types are said to make less noise when entering the 
 water (Boas, 1909, p. 496). The top of the paddle ends in a dowell, which fits 
 into a short cross-piece, four finger-widths long. The hole which receives this 
 dowell is made rectangular, and the cross-piece is carefully fitted on the shaft (Boas, 
 1909, p. 498). This cross-piece is sometimes made of alder (Curtis, Vol. 11, p. 179). 
 
 Staining — The paddle is carefully smoothed and polished, and blackened by 
 charring (Swan, p. 38). According to Boas, the KwakiutI greased the implement 
 
1920] Makah Indians 27 
 
 with perch-oil, and blackened it by burning with piece of pitch wood (Boas, 1909, 
 p. 498). This black color never comes off. 
 
 Additional notes on the paddle 
 
 The paddle, kla-tah-juk in Swan's orthography (1870, p. 95), hlatawachuk 
 in Curtis (Vol. 11, p. 179) is a very well-designed implement. The proper length 
 for a paddle is the distance from tlie owner's chin to the ground. The paddles used 
 in hunting had more slender and delicate blades than those used in paddling the 
 freight canoe. 
 
 My informant describes a somewhat different method of blackening the paddle 
 from that referred to on the preceding page. There are certain growths on hemlock 
 bark which supply a rich coloring matter. These growths are spoken of as "blisters" 
 and are due to the growth of a fungus. These blisters, tc'i'twbu, are cut out and 
 dried. In making a paint or "stain" they are pounded up and mixed with urine 
 and boiled over the fire. The mixture is used exactly as we use a commercial stain 
 for woodwork. The paddle is painted a solid color. When stained the paddle is 
 held in the smoke until it becomes a glossy black. In this respect Makah paddles 
 differ from the paddles of the north coast, which are painted with striking totemic 
 designs, in red and black. 
 
 The middle part of the shaft is not stained, because it is later wrapped evenly 
 with kelp-stem. This material is used for fish-lines, and is very tough. This 
 wrapping of kelp gives a very satisfactory hand-hold. 
 
 THE CANOE-BAILER 
 
 An important article in the Makah canoe is the wooden bailer, xutcA'k. Several 
 types of bailers are in use on the Northwest Coast, some of them quite ingenious. 
 Boas figures several wooden specimens, of the general appearance of dippers or 
 scoops, and one made of cedar-bark (Boas, 1909, p. 446). The Makah use only one 
 type, and this is a type which, as far as I know, has not been described. Its 
 general appearance is shown in Fig. 10, a. The use for which it is intended would 
 hardly be suspected from its appearance, in the first sketch. It is pyramidal in 
 shape, Iiollowed from a single block of maple or alder, qwAxsa'bAp. Cedar is too 
 soft for the purpose for which the object is intended; it would wear out very quickly. 
 The ends of the utensil are somewhat concave when viewed from the outside, and 
 concavity deepens into a crease at the apex of the bailer. Two holes are bored 
 transversely (Fig. 10, 6) through the sides of this channel, and a cedar peg driven 
 through. This peg serves to fasten a loop or hoop made of two cedar twigs twined 
 together and bound with string of nettle fiber. The loop forms a convenient handle 
 by which the utensil may be carried. The Indian often puts the handle of his 
 paddle through this loop, or may carry several bailers at once, strung on the shaft 
 of his paddle. The loop also serves as handle by which the bailer is clutched in 
 scooping the water out of a boat (Fig. 10. c). The fact that the loop is seated 
 
28 
 
 n'aieriiian 
 
 [Vol. 1 
 
 tstjsiSIS'S^' -sss^s-ssiK-ss-sjittrfis si 
 
1920] Makah Indians 29 
 
 in the bottom of the crease prevents it from being worn in two through scraping the 
 sides and bottom of the boat. 
 
 A more effective utensil than this bailer could scarcely be devised. A person 
 can with one scoop of this instrument throw over a much larger amount of water 
 than the utensil itself contains ; for it fits closely against the curve of the boat, and 
 a quantity of water is "pushed ahead" of it. A boat can be cleared in half the 
 time that would be occupied in bailing with a can or a tin kettle. The instrument 
 is cleverly designed ; and in this simple utensil one observes the same merging of 
 lines, and the same effect of compactness and unity, that can be noticed in the 
 forty-foot canoe. The bailer is colored a smooth, deep red, inside and out, by the 
 use of "hemlock" paint, as described above. The use of this type of bailer seems 
 to be characteristic of the Makah. 
 
 THE WHALING HARPOOX AND ITS ACCESSORY DEVICES 
 
 The complete harpooning apparatus consists of the harpoon-shaft; the harpoon 
 head (itself made up of numerous parts); a lanyard; floats; various sections of 
 harpoon line, to which the floats are attached ; and lines for towing tlie quarry home. 
 
 THE HARPOON-SHAFT 
 
 Information contained in previous accounts 
 
 The harpoon-shaft is composed of two carefully selected pieces of yew, scarfed 
 together at the middle of the instrument. The end of each section is cut diagonally, 
 and the two sloping surfaces are matched, fitted together, and bound with braided 
 cord of cedar-bark fiber. The reason for using two pieces of yew was not known 
 to Edward Curtis, nor to Swan. The underlying cause may be that it is difficult to 
 find one clear piece of the proper length, this length varying from fourteen to 
 eighteen feet in different weapons (Curtis, Vol. 11, p. 16; Swan, p. 20). 
 
 The shaft tapers to a point at each end. 
 
 Additional notes on the harpoon-shaft 
 
 Very particular care is taken with the manufacture of the harpoon-shaft, 
 dupu' yeq (du-poi-ak, in Swan's orthography. 1870, p. 21). Its dimensions vary 
 according to circumstances. Swan gives the length as 18 feet. A Makah specimen 
 examined by myself (University of Washington State Museum, catalogue number 
 213) measured only 13 feet fi inches. The University of Washington specimen con- 
 sists, as is invariably the case, of two independent sections, neatly scarfed together 
 in the middle. My informant was sure that there is a practical reason for making 
 the shaft in two parts; though he could not remember what the reason was. This 
 scarf (tsA't-as; cf. tsAtsA't'evax ^^ points where fore shafts, etc., detach) begins 
 five feet from the head of the shaft. The two oblique surfaces which make the joint, 
 are exquisitely smoothed, and fitted. Each surface is about nine inches long. A 
 white man would hardly attempt to make this joint "hold," but tlie Indian wraps 
 it very carefully with braided cedar-bark (tsi.i'sy), and the whole is rigid when 
 done. On the University of Washington specimen the scarf had begun to loosen 
 
30 
 
 Waternian 
 
 [Vol. 1 
 
 from age or the drying out of the wood. Cedar-bark string is used because it does 
 not loosen when wet, as sinew or seal-gut would do. The string is braided instead 
 of twisted, so that it will be flat on the shaft, and take better hold. On top of this 
 braided sling is a wrapping of wild-cherry bark. This serving of bark around the 
 scarf gives an excellent hold for the left hand of the harpooner. 
 
 At another point the shaft is wrapped for about nine inches, to afford a "grip" 
 to the harjiooner's right hand. This wrapping also consists of braided cedar-bark, 
 covered with a spiral wrapping of cherry-bark. The two "hand-grips" are separated 
 by a space of 27 inches. 
 
 The tip of the harpoon is channeled out along one side (see Fig. 11). The 
 sinew lanyard which leads back from the harpoon head to the float just iits into 
 this groove. 
 
 Fig. 11 — Tip of harpnon shaft, showing the groove into which flts the lanyard leading back from the harpoon- 
 bead. University of Washington, Catalog Number 213. Length of groove, 12 inches (31 cm). 
 
 The harpoon-shaft becomes warped very easily and has to be very carefully 
 straightened before each hunt. 
 
 The Indian straightens an 18-foot harpoon-shaft exactly as lie does a 28-inch 
 arrow-shaft, by Iieating it and carefully wrenching it back to "true." He wraps 
 the shaft with big-leaved kelp, and holds it over the tire. When warm and steaming 
 and thoroughly heated through, he straightens it over his knee. 
 
 The Indian usually tries to get for his harpoon-shaft a piece of material that 
 will carry with it "good luck" in whale-hunting. The material itself is yew, 
 tL'ixa'ktLbAp (tL'i'xuk^red ; u'bAp^kind, species), and is carefully selected. 
 Swan gives an account of a pillar-like rock with a cavity near its top which stands 
 in the sea near Cape Flattery. In this cavity there rested in his day a great spar. 
 The Indians, according to Swan, looked upon this spar with veneration, and believed 
 that anybody attempting to dislodge it would fall off the crag and be drowned. A 
 photograph of this rock is shown in Plate 3. The spar, by the time the photograph 
 was taken, had decayed and fallen to pieces. My informant says that many an 
 Indian tried in former years to get this spar for a harpoon-shaft, believing that its 
 unusual situation indicated that there was "power" in it. No one was willing to 
 ask for help in reaching it, because secrecy, as mentioned above, was an essential 
 feature in all preparations for whaling, and so the spar stayed there till it rotted. 
 
 THE HARPOON-HE.1D 
 
 Inforviation contained in previous accounts 
 
 The harpoon-head is made up of several elements cunningly joined together. 
 The foundation consists of a pair of pointed barbs, made of elk-antler or bone, 
 which fit neatly together (Curtis, Vol. 11, p. 16; Swan, pp. 19, 39). The end of 
 the whale-sinew lanyard is attached by unlaying the strands and making them fast 
 around the barbs ; and then winding the whole with cord and strips of cherry-bark. 
 
1920] Makah Indians 31 
 
 A socket is fashioned in the reai- ot the head, into which the point of the wooden 
 harpoon-shaft exactly fits. The blade, or cutting edge, was formerly made of a 
 large mussel-shell (Curtis, Vol. 9, p. 66), but in recent years of copper, or steel 
 saw-blade (Swan, pp. 19, 39). This blade, whatever the material, is cut into the 
 shape shown in Fig. 12, and inserted between two barbs, the ends of which are 
 cut away to accommodate it. A "fat" knot of spruce is set in front of a fire, and 
 the gum which melts out is caught in a shell. This gum is kneaded and spread 
 smoothly over the harpoon-head. [Boas, 1909, p. i88, says "the point of the salmon 
 spear is gummed over to make it smooth and prevent it from tearing the fish". The 
 spreading of gum over the harpoon-head maj- in similar fashion tend to make it 
 smooth, so that it may cut its way deeper when the quarry is struck.] 
 
 Additional notes on the harpoon-head. 
 
 The finished harpoon-head is a very neat and tidy union of a number of sep- 
 arate elements. The word for the device, considered as a finished product is 
 qwi"kapL (<kwi'ktcu=to sharpen by grinding). Swan (1870, pp. 20, 21) gives 
 kwe-kaptl, kwe-kwahptl. The hariMon-head most familiar to students who frequent 
 museums is the Eskimo type, carved from a block of ivory, provided with barbs, 
 a crack or socket for the reception of the cutting blade, and a perforation for the 
 attachment of the harpoon-line, all in one piece. The most striking peculiarity of 
 the Makah specimens is that they consist of two separate halves of antler or bone, 
 cunningly joined by binding with string. The reason for the difference is, I pre- 
 sume, that the Eskimo harpoon has in the first place a smaller head, and in the se- 
 cond place walrus ivory is available from which the head may be wrought. The 
 Makah have no ivory, and the pieces of bone or antler which they employ are not 
 large enough to permit the carving out of a solid head. They are in a sense compelled 
 to piece their device together in two sections. The harpoon-heads of this whole 
 region, even to the salmon gigs, are made on this same plan, by binding two ele- 
 ments together. Such porpoise and salmon harpoons are described by Boas (1909, 
 pp. 489-495, figures 156, 157). The porpoise harpoon which Professor Boas 
 figures however, has riveting in place of lashings to hold the two segments of the 
 head together. 
 
 The method of assembling the parts of the whaling head is shown in a gen- 
 eral way in Swan's work, especially in his figure 4. The details may be seen in the 
 drawings appended herewith (figure 12; .and also Plate 8, c and rf.) The separate 
 parts of the head are shown in drawings a and b, figure 12, with the complete head 
 below. 
 
 I am not certain about the jnirpose of the external wrappings of cherry-bark 
 found in this device, and the coating of spruce gum. The gum may be primarily 
 for the purpose of glossing over the string wrappings, and making the head smooth. 
 This is indicated by Boas' account (1909, p 488). Smoothness would decrease the 
 resistance, as the head is driven into the quarry, and enable the huntsman to plant 
 the weapon much more deeply. It was very important to wound the animal as 
 severely as possible at the first thrust, for this made the consequent fight much 
 
32 Waterman [Vol. 1 
 
 shorter. With luck a harpooner could at the first blow drive his weapon into the 
 huge bulk of the whale clear to the lungs. The intention in applying the wrap- 
 pings and the gum may also have been to exclude the water. The lines on shiji- 
 board which are subject to immersion, are carefully wrapped with canvas and 
 covered with pitch ("parcelled, served and pitched"). This makes them last five 
 times as long. In the present case, excluding the water was even more important, 
 because sinew lashings become loosened and "give" when wet. The cherry-bark 
 lashings are very smooth and glossy, and inasmuch as several feet, or several yards 
 of the lanyard follow the head into the tissues of the animal, the lessening of fric- 
 tion is undoubtedly important. 
 
 A word about mussel-shell harpoon blades may not be out of place. When the 
 fact is recalled that the entire central part of the blade was cut out, to enable it to 
 fit over the lashings of the head, it seems that the mussel-shell blade must have 
 proven a very weak and fragile thing. The material of the shell itself is, of course, 
 extremely brittle. After the blade was firmly gummed in place, the gum was cleaned 
 away from the edges, and these were thoroughly sharpened. Brittle material often 
 shows astonishing penetrating powers, when driven with a sharp impact. Flint, for 
 example, makes a very effective tip for arrows. Dr. Saxton Pope, at the University 
 of California, found by experiment that the obsidian-tipped arrow would pene- 
 trate further into animal tissue than a steel-tipped arrow would. The reason he 
 ascribes for this fact is that the flint head, being serrated, cuts a way and clears 
 an opening for the shaft, better than the thin steel blade does. I dare say the 
 mussel-shell harpoon blade inflicted a deeper wound on the whole than the more 
 modern steel blade which has replaced it. even though the shell blade may often 
 have been shattered in the process. The shattering in such material does not come 
 until after the imjiact is completed, and the wound inflicted. In other words the 
 inflicting of the wound is almost instantaneous, while the shattering of the head, if 
 it does shatter requires an instant or two of time. This accounts for the fact that 
 a delicate fiint-arrow-point can be driven into a thick buffalo skull, or vertebra, as 
 set forth bv Wilson". It must be remembered that the blade of the harpoon has 
 no part in holding tlie animal. This is entirely tlie function of the bone barbs. The 
 sinew lanyard is most painstakingly attached to these devices of bone, for any fail- 
 ure in the coherence of these elements means the loss of the quarry. The coating 
 of spruce gtnii, on the other hand, is all that holds the blade in its place. The blade 
 is thus attached with only sufficient firmness to make certain that it will not come 
 loose as the harpoon is brandished. It will, of course, stand shocks of all degrees, 
 as long as they are directed from the front, until it flies to pieces from impact. 
 
 The harpoon head is kept in a sheath made of a rectangular piece of cedar bark. 
 This is folded over across its middle. The ends are frayed out for several inches, 
 and fine shreds of cedar-bark are worked across in plain twining (called tc'iba'tyu. 
 cf. tci'bat,=canoe-mat). Several harpoon heads are taken along on each trip, each 
 one enclosed in a separate sheath. The collection of heads is kept in a special 
 
 "1901, pp. .=)13-531 Moorolioml, in his ■Stuni. Ai;.- in NcHli At 
 quotes Wilson's paper at somo lengtli, and ivprcKluc's {\\u plintti;; 
 hisoii. with delicatf flint points flrivoii into tlu'in. 
 
1920] 
 
 Makah Indii 
 
 33 
 
 basket, called ha'^iL (Plate 5). This bag or basket is of checkerwork, and has 
 a flaring top. The basket in which ordinary fishing tackle is kept, is made in the 
 same weave, but is rectangular in shape, without the flaring upper portion. 
 
 / 
 
 3 • 4 ____ r:5^/0 
 
 12 15 
 
 Fig. 12 — Diagram showing the assembling of the parts of the whaling harpoon-liead : 
 b, the cutting edge uf mnssel-shell or metal ; r, the bone hafts or barbs. 
 
 the complete head ; 
 
 Element 
 Barbs (a, 1, 2) 
 Blade (6) 
 Lanyard (c, 18) 
 Cherry-bark {c,21) 
 Spruce gum 
 
 N0MENCL.\TUBE 
 
 Sxcan 
 tsa-kwat (p. 21) 
 kut-so-wit 
 kluks-ko 
 
 Present Informant 
 ts'a'kwAt (= antler) 
 
 Lu'ksku 
 
 tLexa'paL 
 
 I.Ak'il'tubc 
 
34 Waterman [Vol. 1 
 
 METHOD OF ASSEMBLING PARTS 
 
 The haftB (1 and 2) are brought together along the line 6-7. A wide groove, 3-4, eirtending around these 
 hafts, serves to hold in place a wrapping of sinew strands. These strands are derived from the sinew lan- 
 yard, the end of which is "uniayed" and the separate elements fitted over the hafts. These strands are first 
 wound around the pair of hafts as around a spool. Then a turn is taken in the transverse direction between 
 the t\vo hafts, forming what a seaman would call a "seizing"'. A socket, 5-6, between the forward ends of the 
 barbs, is for the reception of the blade, h. From the points indicated by the numbers 7 and S, the hafts are 
 caused to diverge. A groove or channel, 9. in one of these hafts, when imited with a similar channel in the 
 opposite barb, forms a hole or socket for the reception of the pointed tip of the yew harpoon-shaft. The rear 
 projection of the hafts (10, 11) acts as barbs, to prevent the head from being piUled out of the animal. 
 
 Great care is taken with the disposition of the ends of the lanyard, over the harpoon-head. At least one 
 heavy strand Is brought through the socket at the point indicated by the number 6 (see also Plate 8), and is 
 worked in an ingenious fashion under the other wrappings. This makes it certain that the lanyard can by no 
 chance pull away from the barbs. When the strands are disposed over the head to the satisfaction of the 
 artificer, the whole head is wmmd with strips of wildcherry bark (numbered 21 in the diagraml. 
 
 At this time the blade. 6, is inserte<l in the proper socket (5-6). The edge 15-16 fits over the lashings of 
 the head. The edge nmnbered 14-15 rests against the turn of sinew cord which passes over the point 6. A 
 thin wedge of wood is driven between the surface of the blade and the front tip of the hafting (13, Fig a or c). 
 The blade is then fastened more secfirely in place with spruce-gum. A solid coating of the gum is then ap- 
 plied over the whole head, making it very smooth. The gum is scraped away from the edges of the blade, 
 which are very painstakingly sharpened. The surface of this spruce-gum coating is as smooth and glossy as 
 varnisli. 
 
 The front end of the lanyard, near the harpoon-head, is served with nettle-fiber string (c, 19). Beginning 
 at the point 18, the nettle-string wrapping is replaced by a continuous wrapping or "parceling" of wild-cherry 
 bark, which covers its entire length. In some specimens, however, the serving of nettle-flber string goes the 
 entire length of the lanyard. 
 
 THE WHALING LANYARD 
 
 Notes on the lanyard contained in previous accounts 
 
 The lanyard is a strong rope of whale sinew, an inch or more in diameter, very 
 carefully and smoothly laid, served with string made of nettle fiber, and covered 
 with a continuous spiral wrapping of strips of wild-cherry bark or nettle-fiber string. 
 The free end is worked very neatly into a loop (Curtis, Vol. 11, p. 16; Swan, pp. 
 19, 20, 39). 
 
 The Vancouver Island tribes make such lanyards of sea-lion gut, split, cleaned, 
 and dried, and rolled into a hard round cord. These cords are wrapped spirally 
 with string made of nettle-fiber (Curtis, Vol. 9, p. 5-i). 
 
 BUOYS OR FLOATS 
 
 Features of the buoy or sealskin float described by other writers 
 Buoys made of sealskin are attached to the harpoon line. They have the pur- 
 pose of retarding the whale, and of making the carcass float after the animal's 
 death. Such a float consists of the skin of a hair-seal, turned with the hair inward, 
 made water-tight, and inflated (Curtis, Vol. 11, pp. 31, 33, 35; Swan, p. 20). The 
 valve for inflatation (according to one author) is at the left flipper (Curtis, Vol. 11, 
 p. 33). These floats are painted in various simple patters with red ochre 
 (Swan p. 30). 
 
 The male hair-seal supply the strongest buoys. The skins can be obtained at 
 anv season of the year, and are equally good at all times. The hide or pelt, 
 tuqwA'k, is stripped from the animal with as little cutting as possible. The head 
 and front flippers are cut away and the body encircled about halfway down its 
 length. The skin from the front half of the animal is then "peeled off" in a for- 
 ward direction, turning the hide inside out. This skin is then carefully scraped 
 to get the "grease" off. Well scraped skins last better and are more pliable. 
 After the scraping, the skin is usually smoked, which turns it a soft brown in 
 color. The heles left by removing the head and flippers of the animal are stopped 
 up in the following way (see figure 13): A plug or spool of wood is inserted in 
 the orifice, and the loose hide carefully "gathered" around it, as smoothly as 
 
1920] 
 
 Makah Indians 
 
 35 
 
 Pio. 13 — The float or buoj- : a, the complete float with its attachments ; 
 and plug for inflation. Diameter at widest part, 17 inelies (43 cm). 
 
 &, detail drawing showing the nipple 
 
 NOMENCLATURE 
 
 Lower figure 
 a. Buoy, tukwa'kap 'iL (= . . . . outside). 
 
 1. Folds of hide, hihtqsAqso, bunched or gathered around a wooden spool. 
 
 2. Wooden spool, atctska'pub (<atct'L = something put between other things: 
 
 "filler"). 
 
 3. Wrapping of gut string, which binds the folds of hide to the spool. 
 
 4. Yew-wood peg or skewer, kndi/tcskapub (= holding something in place). This 
 
 prevents the wrapping of gut string from slipping over the spool. 
 
 5. Rope of spruce-root, or cedar-fiber. 
 
 6. Lashing or serving of sinew string, batLska'pub, attaching the buoy-rope to 
 
 the buoy. 
 
 7. Nipple, or perforated spool, by which the buoy is inflated. 
 
 8. Plug or stopper, hukska'pub (<hi'kstcu = to screw in: this stopper fits the 
 
 opening very tightly, to prevent the buoy from becoming deflated). 
 
 Upper figure 
 
 7. Nipple. 
 
 8. Stopper. 
 
 9. Folds of hide. 
 
 10. Wrappiing of gut string, which fastens the hide to the spool. 
 
36 Waterman [Vol. 1 
 
 possible. These folds are then fastened down to the spool by winding with gut 
 string. A peg or skewer is then thrust transversely through the folds of hide, to 
 prevent this wrapping from slipping over the spool. The plug at one of the 
 front flippers is perforated down its axis. This opening serves for the inflation 
 of the float. When filled with air, the hole is stoppered with a small wooden 
 plug or "cork" of yew wood. Accidental leaks in the buoy, such as those made 
 by the hunter in killing the animal, are stopped by plugging with a piece of rope. 
 Such a mend or patch is called q'a'tstcu (q'a'tscttL,:^o make a difficult patch, or 
 repair). A cedar or spruce-root line is attached ito the buo}^, being strongly lashed 
 at either end to it with sinew. The free ends of this rope serve to attach the buoy 
 to the whaling line. As is usual with Makah lines, the ends are reduced in size, 
 tapering down at their tips. This makes the line easier to tie, but must apparently 
 reduce its strength. These buoys are kept in a flattened condition. Before be- 
 ing used, they are soaked in water, and inflated. This work is done when on the 
 whaling grounds (see below). 
 
 The principal features of the ornamentation of seal-skin buoys can be seen 
 in the figure. The areas where the head and flippers once were are colored solid 
 with red ochre, Lixtcc'hibis, mixed with rotten salmon roe, a'tepab. These areas 
 are surrounded with several concentric circles. In addition to these simple orna- 
 mented areas, figures are sometimes added to represent the thunder-bird, LukLu'tc, 
 or the "lightning animal, "xexe'tu'k; the latter a creature having the shape of a 
 snake, striped transversely with black and white, who travels through the air. 
 These designs are not totemic, but are intended in some mysterious way to make 
 the buoy more deadly to the whale. 
 
 The pursuit of the hair-seal whose hides supplied the buoys was itself an oc- 
 cupation not devoid of excitement. The two pronged harpoon used for this purpose, 
 and for porpoise hunting, and the method of handling the canoe, are described in 
 detail by Boas (1909, pp. 488-4.9.'5 ; .500-50 !•, 506) and need not be gone into here. 
 The Makah used also to waylay the seal at their "haul-up" places. They could 
 sometimes kill a seal at 75 feet, by hurling the harpoon, though they usually cast 
 at a distance of 30 feet. Sometimes a big bull when harpooned would show fight, 
 and threaten to tear a canoe to pieces. In that case, they bent a buoy onto the har- 
 poon line and let it go, picking the quarry up after he had died of his wounds. 
 They usually carried one or more buoys in a canoe for this purpose and to use as 
 life-preservers in case of a capsize. 
 
 Swan (p. SO.) tells of deep caverns in tlie cliffs, in which the seals congregate. 
 He says briefly that the Indians go in with a torch and kill numbers by clubbing 
 them. The actual procedure has some picturesque features. There are ten or 
 more of these caverns in the vicinity of Cape Flattery, including some on Tatoosh 
 Island, and certain of them are of enormous dimensions, extending into the bowels 
 of the Cape for some hundreds of yards. A cliff containing several of these caves 
 may be seen in Plate 30. The hunter tied his hair (which was formerly worn long) 
 in a knot on the top of his head. This knot was firmly wrapped with sinew, and a 
 skewer run through to keep the wrapping from slipping off. Into this knot of hair 
 
1920] Makah Indians 37 
 
 long splints of spruce pitch-wood (duqwi'ets) were thrust, so that they stood up 
 vertically. Tile best pitch-wood was selected for this purpose, dried, and split 
 into fine pieces. These "lights" or splints were two feet long. When this appar- 
 atus was securely in place on his head, the hunter took his sealing club, lighted the 
 splints at the top, lowered himself into the sea, and swam into the cave. The light 
 of tlu- burning splints blinded and stupified the seals, and enabled tiie hunter to 
 club them easily. When he had killed five or six, he tied them together, took tlu' 
 ends of the thong in his teeth, and towing his kill behind him, swam out again, 
 
 A number of years ago a hunter went with a companion to certain sea cave 
 which has a very small opening, a sort of oblique slit, very narrow and difficult 
 to get through. When he was well inside, the surf put his light out, leaving him 
 in ink}' blackness. There was a tremendous and incessant swishing of waves in the 
 darkness on every side, and the hunter, becoming confused, had no means of knowing 
 which way the entrance lay. The companion in the canoe outside the cave foolishly 
 idled most of the afternoon, waiting for the hunter to appear. Then he was driven 
 away by a sudden squall. The next day it was calm again, and a rescue party went 
 to the cave. A volunteer put on his head the usual outfit of splints, swam far into 
 the depths of the cavern, and there found our hero sitting placidly on a shelf of 
 rock. When his light went out, he "hauled up" like a seal, and with true Indian 
 patience, sat there without light, fire, raiment or food, until help came. 
 
 LINES AND ROPES 
 
 Boas o-ives a complete account of the manufacture of the various kinds of 
 ropes and lines (1909, pp. .S69-382), including the gathering and preparation of 
 fibres. The manufacture of lines is also referred to by Curtis, (Vol. 9, p. 1 tC ; 
 Vol. 11. p. 16) and Swan (]). "21). It may be well to merely enumerate the prin- 
 ciple varieties. The stem of the kclji is dried and used for fish-lines. String of 
 nettle fibre is sometimes used for the same ))urpose. The harpoon lanyard is 
 manufactured from whale sinew, wound or served witli nettle-fibre string, and 
 covered with a wrapping of cherry-bark. These lanyards are beautiful examiilcs 
 of workmanship. Fine lines, which are. however, very strong, are made from 
 sea-lion intestine (called tskikyu'p by the Makah). which is split and rolled into 
 a strincr. These lines are used just as they are for many purposes, for example, 
 for bow strings and for the halyards of the canoe sail. Ropes consisting of a 
 number of strands of this material are sometimes manufactured. Bear-guts are 
 sometimes used in a similar way Curtis mentions a rope of gut. twisted spirally 
 with nettle-fibre string, as being made on Vancouver Island. Lines are made of 
 seal-skin and elk-hide. The hide is cut s|)irally in :\ long narrow stri]). and this 
 strip rolled or twisted into a thong. Such thongs can be used as they are. or 
 twisted or jilaited into heavier lines. Bark fibres are sointinus made into ropes. 
 The heavy lines, such as are used in whaling tackle, consist either of spruce-root 
 fibres, or slender cedar withes. Very long cedar twigs somewhat tliicker than a 
 peiieil are ent from the tree, being very eartfully selected. The bark is removed. 
 
38 Waterman [Vol. 1 
 
 and by heating, twisting and working, the fibres are separated until the twig is 
 practically as soft and pliable as rope. These withes are then ready for use, 
 for example, in fastening the thwarts in a canoe as described above (page 21). In 
 this condition, they are stronger than hemp rope, and five times as durable. 
 They were also woven into excellent large ropes, which were very smoothly and 
 evenly laid in three strands. These various kinds of lines are used in differ- 
 ent ways in the whaling tackle, largely depending upon the supply of each that 
 is available. Towing us usually done with elk-hide ropes, but if lots of line is 
 needed, cedar is used to piece out. 
 
 THE WHALE HUNT 
 
 The hunting of the whale has for the white observer two distinct aspects. 
 From our point of view the matter of greatest concern would be the arrange- 
 ment of the tackle within the boat, and the methods of approaching and striking 
 the quarrj% From the Indian standpoint, however, the reall)' important matter 
 is the proper observance before and during the hunt of various cermonial per- 
 formances for procuring help from the spirits. The Indians, to be sure, see with 
 the very greatest care to all practical matters connected with whaling expeditions, 
 but they seem to look upon the religious performances as much more essential to 
 success. Secrecy in the religious preparations is verr commonly observed. Curtis 
 in his volume on the Nootka gives a great deal of information about whale hunt- 
 ing. Quite an elaborate account of a whaling expedition, an account which describes 
 both the ceremonialism and the operations of killing and disposing of the quarry, 
 will be found iri the same volume, pp. 19-34. This passage is the story of a 
 Nootka hero Umik and his successor. Swan gives some information, very briefly. 
 We may discuss first the ceremonies, the outstanding features of which may be 
 summarized as follows. 
 
 Religions observances connected with xchate-htinting as described bij other mithors. 
 
 Help from the spirits. Possession of a "medicine," or power of a spiritual 
 nature, is necessary before a man can sucessfully captain a whaling canoe (Curtis. 
 Vol. 9, p. 9; Vol. 11, p. 16). 
 
 Bathing. This is a most necessary part of the preparation for a hunt. The 
 seeker after "power" goes early every morning to a freshwater lake or pond. En- 
 tering the water at dawn, he sits down until the skin is "soaked" well. Then he 
 stands up and rubs himself with bunches of hemlock twigs, about one span in length, 
 beginning the operation on the left side of his body. When the needles are worn 
 off of one bunch, and the bare twigs covered with blood, he wades ashore, takes 
 a second bunch, and rubs his right side. He continues this until the four bunches 
 with which he has provided himself are all used up, (Curtis, Vol. 11, p. 20). 
 
 Imitating the xvhale. After rubbing, the candidate dives down, staying under 
 as long as possible. Mention is made of blood bursting from a bather's ears from long 
 submergence. He does this four times, and on emerging each time, he blows a 
 mouthful of water toward the center of the lake, trying to make a sound resembling 
 the blowing of the whale (Curtis, Vol. 11, p. 20). 
 
1920] Makah Indians 39 
 
 His movements are always quiet, and slow; "so that the wliale will act in' the 
 same way" (Curtis, Vol. 11, p. 25). [Tlie point is that otherwise the whale, when 
 struck, may thresh about and knock the canoe to fragments, or may set off at high 
 speed and tow the party twenty miles to sea.] 
 
 When a whaler's wife is helping him at Iiis devotions, she sometimes holds the 
 end of a rope which is tied about his waist [representing the harpoon line.] In this 
 condition he sings whaling songs, and walks around her, with the slow undulating 
 movements of the whale, the woman repeating over and over again, "This is the, 
 way the whale will act!" (Curtis, Vol. 11, p. 38). 
 
 Mention is made by Curtis of a performance by a whaler, in which he stands 
 erect in a pond, shaking a rattle, and holding his left hand out with the thumb stick- 
 ing up "like the fin of a whale" (Vol. 1 1 , p. 37). 
 
 Prayers. Whalers pray at night in whispers for success. Mention is made 
 of "Four Chiefs/' to whom they pray (Curtis, Vol. 11, p. 28). They are also 
 reported to beg the sun for success. [The present writer's informant insists that 
 they direct their prayers to Daylight, tL'isi'xaq, not to the sun ; the word for sun 
 being tl.'isi'xa'pi.L]. They also pray directly to the whales, both in the prepara- 
 tion-period, and after the animal is struck by the harpoon. The following praj'er 
 of a Clayquot bather deserves to be quoted at length. It is given in Curtis' volume 
 on the Nootka (Vol. 11, p. 37). 
 
 "Whale, I want you to come near me, so that I will get hold of your heart 
 and deceive it, so that I will have strong legs and not be trembling and excited 
 when the whale comes and I spear him. Whale, you must not run out to sea when 
 I spear you. Whale if I spear you, I want my spear to strike your heart. Har- 
 poon, when I use you, I want you to go to the heart of the whale. Whale, when I 
 spear at you and miss you, I want you to take hold of my spear with your hands. 
 Whale, do not break my canoe, for I am going to do good to you. I am going to 
 put eagle-down and cedar bark in your back." 
 
 After the whale is struck, songs are sung to make him "come along" easily. 
 "When the whale is weak and going ashore, he likes to hear the whaler sing," 
 (Curtis. Vol. 11, p. 37). These songs themselves are in the nature of prayers. 
 The following is an example: "It is good for you to go quickly toward the shore, 
 so that the young men may see you quicklj', for they all wish to see you." (Nootka 
 song, Curtis, Vol. 11, p. 32). Series consisting of one hundred "towing songs" are 
 mentioned. 
 
 The followinc prayer is utteered, according to Curtis, after a whale is har- 
 pooned: "Whale, I have given you what you wish to get — my good harjjoon. And 
 now you have it. Please hold it with your strong hands. Do not let go. Whale, 
 turn toward the fine beach of Yahksis, and you will be proud to see the young men 
 come down on the fine sandy beach of my village at Yahksis to see you ; and the 
 young men will say to one another: 'What a great whale he is! What a fat w-hale 
 he is ! WHiat a strong whale he is !' And you, whale, will be proud of all that vou 
 will hear them say of your greatness. Whale, do not turn outward, but hug the 
 shore, and tow mc to the beach of my village of Yahksis. for when you come ashore 
 there, young men will cover your great body with bluebill duck feathers, and with 
 the down of the great eagle, the chief of all birds ; for this is what vou are wish- 
 ing, and this is what you are trying to find from one end of the world to the other, 
 every daj' you are traveling and spouting." (Vol. 11, p. 23). 
 
 Use of Skeletons and Corpses. All sources of information mention a curious 
 practice of using skeletons, or skulls, or corpses, during the ceremonial bathing. 
 One of Curtis' Quilliutc whalers used to take a skull from a burial |)lacc. tic it on 
 
40 V.'atcrinaii [Vol. 1 
 
 a rope about his waist, .and tlien swim about, "sounding" and "blowing" like a 
 whale. That was why he was successful, taking over forty whales in all, (V^ol. 9, p. 
 147). In some cases skeletons from grave boxes are "joined up" and suspended 
 somewhere in the woods. Prayers are directed to them, and the}' are carried on the 
 whaler's back as he bathes. The arms of the skeleton are tied together behind its 
 head, and the whaler puts his head through the arms, getting the cadaver on his back 
 (Curtis, Vol. 11, p. 2,5). Then he swims about in the pond, diving and spouting. 
 
 In former times, fresh corpses were used in this way (Curtis, Vol. 11, pp. 103- 
 1 10). The body must be that of a male, dead not more than four days. Occasionally 
 a small boy could be killed for the purpose. Sometimes the corpse was skinned, 
 by cutting along the front of the body and the inside of the hips, the whaler diving 
 with the skin tied on his own body (Curtis, Vol, 11, p. 39). When a corpse was 
 used, the lower part of the legs and the forearms were cut off. A pad of rose- 
 bushes and nettles was put on the whaler's back, and the body was placed upon that 
 pad, the back of the corpse against the whaler's back. One time a man put a 
 corpse on his back in preparation for bathing, face forward, and it took a death grip 
 on his throat, and killed liim. When visiting a grave-box to get a dead body, the 
 whaler walked with an undulating movement (Curtis, Vol. 11, p. 39). 
 
 Taboos. Whalers arc very careful in observing taboo in connection with 
 women. It is best to avoid any kind of contact or association with women, for 
 some of them might be ceremonially unclean (Curtis, Vol, 11, p. 23). The whaler's 
 wife helps him with his vigils, but the two sleep in separate places, and avoid all 
 mention or thought of sex matters (Curtis, Vol, 11, p, 31), The woman bathes, as 
 does her husband, spouting like a whale, sometimes with a skeleton on her back. 
 At the time M'hen the whaler embarks for the Inmt, the woman lies down with a new 
 mat over her, and does not move, or eat, or drink, until her husband returns (Curtis, 
 Vol. 11, p. 35). The whaler himself never eats whale meat, lest he h.ive difficulty 
 in killing more whales (Curtis, Vol. 11, p. 18). 
 
 Ceremonial Dress. The whaler and his wife wear a head dress of split 
 feathers and ornaments resembling thee "saddle" of the whale (Curtis, Vol. 11. 
 pp. 38, 39. These head-feathers and some other decorations are shown in Curtis' 
 photographs, Vol. 11, pp. 20, 22, 28, Folio, Plate 382, 395). When putting to sea 
 in charge of his boat, the whaler wears hemlock twigs on his forehead, and a bear- 
 skin robe (Curtis, Vol. 11, pp. 9, 30). Whalers tie their hair in a sort of knot or 
 club at the back of the head (Swan, p. 17). 
 
 Astronomical considerations connected icith whale-luinting. \Vhalers observe 
 the phases of the moon in connection with their preparatory observances. All 
 through the winter they bathe when the moon is waxing (Curtis, Vol. 9. p. 115). 
 They start on their expedition when they see the first new moon "in the month of 
 Mav" (Curtis, Vol. 11. p. ll). In connection with the feasts accompanying a suc- 
 cessful hunt, mention is made of gull feathers being stuck into the "saddle"' or 
 "hump " of the whale, to rei)resent the moon, in the phase it presents at the mo- 
 ment f Curtis, Vol. 11, p. 10). The supernatural power usually comes to a man 
 "with the changing year." [That is, the winter solstice: direct observation by 
 sighting past a tree or a boulder is relied upon for ascertaining the occurrence of 
 this phenomenom (Curtis. Vol. 9, p. 115)]. 
 
 Dreams. Dreams play a part in the whaler's life. According to my inform- 
 ant, a man in bathing often scrubs himself with some plant about which lie Iiad 
 dreamed; seaweed, for example. As mentioned by Curtis (Vol. 9, p. 115) the 
 whalers wait for a vision of getting a whale, and then start on their ex])edition. 
 
1920] Makah Indians 41 
 
 ARRANGEJIEXT OF EQUIPMENT FOB WHALING. 
 
 Curtis in volume 11, p. 17 of his work, gives a brief description of wlialing 
 methods I have been able to find no complete account of the actual pursuit of the 
 whale, so the matter may perhaps be gone into here. The stowing of the complicated 
 equipment in the canoe involves a very high technique. We may consider this mat- 
 ter first. ^lention has alreadj^ been made of the "spaces" into which the canoe is 
 divided by the thwarts. These spaces are apportioned for the different operations 
 of the hunt. They are indicated in the accompanying diagram (Figure 1-i). 
 
 The most important man in the whaling canoe is the harpooner. He is the 
 leader of the party, and captains the expedition. His native title is y'u'tax, hunter 
 or searcher. His position is in the bow of the boat, where he takes his stand with 
 his weapon. The harpoon itself is sixteen feet long, and carries on its point the 
 bone-barbed harpoon-head, which is edged with mussel shell (see page 32 above 
 for a description of the weapon). To the harpoon is attached about four fathoms 
 of lough sinew rope, with a noose at the end. The space at the bow where the 
 hunter stands is kept clear of everything so that the chief performer shall not be 
 hampered in handling his weapon. Things "happen" very quickly when the whale 
 is struck, and any confusion of the tackle, or a momentarj' fouling, may mean the 
 loss of the whale, or the capsizing of the boat. The man in the next adjoining 
 space abaft the hunter's position, on the port side, has as his single duty the prompt 
 "bending on" of a buoy together with eight or ten fathoms of heavy cedar rope. All 
 of this tackle is tied bj' means of a reef-knot (t'a'biqcL) to a loop at the end of 
 a sinew leader. As the whale goes down, after being struck, one section of lina 
 after another is bent to the first one. Sealskin floats, qwtso':tAs(c cf.qwiso'tL .= 
 bladder), also are attached by special knots, at intervals of two fathoms. The whale 
 is always harpooned from the right hand or port side of the boat, and it is the duty 
 of the men seated along this side to help clear this tackle and get it overboard. No 
 "ties" or knots are made between different sections of the gear, until each new sec- 
 tion is safely over the side and clear of the boat. The whale takes the line out 
 very rapidly at first, and if the tackle were joined up in the boat, any delay in get- 
 ting it over the side would cause the boat to be jerked under water, or would cause 
 a capsize. In addition to the harpoon and its complete outfit of floats and lines, 
 the boat carries a sort of bone-pointed lance (butu'ysk) some four or five feet long, 
 for use in dispatching the whale at close quarters, bailers (xutcA'k), wooden boxes 
 (tcA'xsyb) of drinking water, a large number of extra floats, towing lines of elk- 
 hide, cedar rope (tla'cuk), and food for the crew for at least two days. All of this 
 equipment takes up room. The stowing of the apparatus so that it can be gotten 
 out easily and rapidly and at the same time not interfere with the crew, is a highly 
 developed art. Each pair of paddlers sit on the upturned end of a canoe-mat, 
 tc'i'b'at, (=something put under one) which is laid down on the flooring, turned 
 up behind the thwart, and folded forward so as to cover it. Thus the mat serves to 
 cushion the seat, and also serves the purpose of preventing the tackle in tliat ))ar- 
 ticular compartment from working astern and getting mixed u|i with other parts of 
 the equipment, or interfering with the bailing of the canoe. 
 
42 ]]'ateriiian [Vol. 1 
 
 THE PURSUIT OF THE WHALE. 
 
 It is the Indian belief that a "run" of whales occurs during a certain season of 
 the year, corresponding to the run of salmon, or halibut. The species called sixwa'ox 
 or "sore faces" (see below) are the first to run, migrating northward. The whalers 
 used to put off from shore at sunset, in a spell of whaling weather, so as to get on 
 the whaling grounds at daybreak. They usually encountered whales travelling north- 
 ward along the coast. The various kinds of whales they recognize are as follows : 
 
 California grey whale. Rachianectes glaucus, called by Swan che-che-wid. This 
 is the kind most frequently taken. 
 
 Sperm whale, called by Swan kots-ke, meaning, according to my infromation. 
 "having something upon the head". There are several species of these, including 
 the cachalot {Rhyseter macrocephalus) and the saw-toothed whale (Ziphius carros- 
 tris), which my informant does not distinguish one from the other. 
 
 Right whale (Balaenoptera artifera?), called itc'y'p "old one" (Swan gives 
 yakh'-yo-bad-di, not explained). 
 
 ....Humpback whale {Mcgaptera veisibilis), called sixwa'ox, or "sore faces" 
 (<si'xwi=sore). This variety is said to be similar to the right whale in propor- 
 tions, and "runs" in the spring. The oil obtained from them is reddish. 
 
 Finback whale {Balaenoptera david.iom or B. vilifera). called ka'owad, "stick- 
 ing up in the middle" ( <ka"ap==protruding: apa'owAd=in the middle). 
 
 Sulphur-bottom whale {Balaenoptera sulfurea), called kwaqwawe'axtLi, "noisy 
 tail" (Swan gives kwa-kwau-yak-t'hle, not explained). 
 
 Killerwhale, or "blackfish" {Orca). called klasqo'kajiix ( <klaska'piL=sniooth ; 
 -tL, generic). 
 
 When on the ground where whales might be expected, the seal-skin floats, 
 which after soaking to make them soft, have been packed into the canoe in a flat- 
 tened condition, are gotten out and inflated. The harpooner, takes his stand in the 
 bow with his sixteen foot weapon, its barbed head, to which is attached the sinew 
 lanyard, in readiness at its tip. The lanyard is "caught" to the shaft in several 
 places with cedar bark lashing, which breaks very easily. He usually plants his 
 right foot firmly at a point forward of the bow seat, and rests his left foot on a pair 
 of short braces at the stem of the boat. This posture is called yttsa'wad (<ye'tscd 
 =^0 kick). In this position, closely scanning the water ahead of him, he repeats a 
 prayer. It is sometimes vei'y hard to find whales, and to come up with them. At 
 other times no trouble of any kind is experienced. It all depends, say the Indians, 
 on the bathing a man has done. The whale when seen by the Indian is usually fol- 
 lov/ing a school of small fish. Coming up for breath, he rolls forward under water 
 and disappears from sight, a moment later appearing again and "blowing." His 
 motion is regular, and deliberate. The canoe cuts across his course and "lays" for 
 him. When it seems possible to meet him in one dash, the steersman, tLttca', gives 
 to the crew the word "hatsLtsatL" (come on!"). This steersman is usually an elder- 
 ly man, with a great deal of experience. The idea is to run up along side of the 
 whale as he emerges, so that he is to the right of the canoe. Combined luck and 
 skill are required to bring the canoe sharply alongside of the quarry, and there is 
 
1920] Makah Indians 43 
 
 usually not an instant to spare. When close to the whale the starboard man on the 
 forward seat, spoken of as the kaqai'yuwaxs (from his position in the forward 
 "space") has the right to give the word c*v', ("now throw!"). The hunter is more 
 or less guided by the judgement of the men behind him, all of whom have their eyes 
 on the quarry. Sometimes the canoe runs fairly upon the animal as he emerges, 
 the harpooneer striking him from a distance of six feet. 
 
 In brandishing his weapon, the harpooneer keeps his weight well forward on 
 his feet, to insure steadiness. He swings the harpoon up over his head, turning his 
 body towards the right side, the palms of both hands, in which he grasps the shaft, 
 turned outxcard. This does not seem to be the natural position for a lunge, until it is 
 tried, experimentally. This posture as a matter of fact gives much greater power, 
 control, and freedom of eifort, and enables the hunter to strike downward with all 
 his might, and yet recover his balance quickly. This latter is a very essential point. 
 Old Anderson, of Neah Bay, nichnamed dc'cyk ("strong"), once, in trying to regain 
 his balance after striking a whale, stepped on a coil of the harpoon-line and got his 
 foot entangled in it. The next moment he was twitched off his feet and pulled over- 
 board, a bight of line around his ankle. A stricken whale when he "sounds," is 
 sometimes gone for fifteen minutes, and when Anderson's friends saw him go down 
 with the whale they thought he would certainly be drowned. He managed to get a 
 grip on the line, however, and disengaged his foot, and came up blowing. He lived 
 to harpoon many a whale after this adventure. 
 
 The best time to strike the whale is just as his head becomes submerged, as he 
 "turns over" preparatory to going down. If struck while his tail is in the air, he is 
 likely to knock the canoe into bits. Quite commonly a whale when struck flirts water 
 over the boat until it is completely hidden from spectators, and filled half full. One 
 switch of the tail, if it "lands", has been known to knock the bow off a canoe, and 
 split it open from stem to stern. The inflated biioys in case of such a catastrophe 
 are very convenient to hang to, until something can be done with the boat. Cases 
 have been known, in which whale hunters caught in such an evil case, threw a line 
 over the boat so as to draw the pieces together, then put some floats under the gun- 
 wales to buoy the boat up, and finally caulked the seam with a piece of shirt, and 
 paddled home, after bailing out. 
 
 The moment the whale is struck, the man behind the harpooner throws over 
 a float, instantly. In the interval of a second or two, he bends this float to the har- 
 poon line. Meanwhile the other members of the crew back water with all their might, 
 to get clear of their huge quarry. As he "sounds" and takes out the line, additional 
 floats are bent on, new lines being added as the quarry goes into the depths. As 
 many as thirteen floats may be attached to one line. The sections of line last ad- 
 ded are lighter, since there is less strain upon them. Last of all a small buoy is 
 added to serve as a "marker," attached by a very light cord. This buoy remains 
 near the surface, and when the whale starts upward from his long submergence, it 
 bobs quickly to the surface, long before the whale himself appears. The canoe 
 races forward to that point, ready to plant another harpoon. Meanwhile, signals 
 are made to any other canoe in the vicinity, that the quarry has been struck. One 
 
44 M'aicrman [Vol. 1 
 
 of the crew stands up and calls "hya*o" and sticks up a blanket on a pole. The 
 successful hunter promises the other crew some certain definite part of the animal, 
 for example, the tongue, for their help in killing the game. Every harpoon that is 
 struck into the whale carries a buoy, and as the number of these buoys increases the 
 drag on the animal's progress is soon very serious. A wounded whale who has been 
 struck a number of times, often cannot get more than six feet below the surface, 
 hampered as he is by these buoyant floats. However, the huge animal if often ex- 
 traordinarily tenacious of life, and what turns out to be a weary fight for the tired 
 canoemen, continues for hours. An old Indian, bvts't'kxa, nicknamed Santa Ana. 
 once volunteered to ride a badly wounded whale. He clung fast to the lines, and 
 dispatched the cetacean with a butcher-knife, by means of repeated hacking. When 
 the whale "sounded" he clung fast and "went under" with him, stabbing him mean- 
 while as best he could. The Makah used to practice diving and holding the breath 
 so as to be prepared for emergencies. 
 
 Tlie actual arrangement of the tackle attached to the harpoon-head seems to 
 have diiifercd somewhat with different tribes. Curtis gives the following notes on 
 the succession of elements in the Ions; string of tackle. 
 
 1. 
 
 ■lilliute tribe (Vol. 9, 
 Harpoon head 
 
 P- 
 
 lie) 
 
 A' 
 
 1. 
 
 ootka tribe (Vol. 11. p. 16) 
 Harpoon head 
 
 2. 
 
 -i fathoms of sinew 
 
 line 
 
 2. 
 
 4 fathoms of sinew line 
 
 3. 
 
 Float 
 
 
 
 3. 
 
 Float 
 
 4. 
 
 10 fathoms of cedar 
 
 line 
 
 4. 
 
 8 fathoms of IXU inch plaited cedar lini 
 
 5. 
 
 Float 
 
 
 
 5. 
 
 Float 
 
 6. 
 
 30 fathoms of line 
 
 
 
 6. 
 
 20 fathoms of % '^1^ I'^c 
 
 7. 
 
 Float 
 
 
 
 7. 
 
 Float 
 
 8. 
 
 50 fathoms of line 
 
 
 
 8. 
 
 30 fathoms of Iv, incii line 
 
 9. 
 
 Float 
 
 
 
 9. 
 
 Float 
 
 After the whale is dead, a certain member of the crew, the "diver." goes down 
 as described by Curtis, and fastens a small line to the creature's lower jaw. This 
 is then passed through the whale's upper lip, and made fast to the tow line. Pulling 
 on this line jams the whale's lower jaw against the upper one and in this way his 
 mouth is kept closed. They say that when the mouth is closed the body does not 
 become water-logged and is towed more easily. 
 
 ^^'hen the whale is newly killed some difficulty is experienced in kcejjing him 
 afloat. The animal drowns, of course; that is, the lungs fill with water; and he 
 tends to sink outright. He often disappears below the surface, being sustained only 
 by the floats (see Plate 4). Upwards of twenty such floats are required for that 
 purpose. These are attached separately to harpoon heads, and stuck into the head 
 of the carcass. If the floats are too few in number, the whale is correspondingly 
 deeper in the water. 
 
1920] Makah Indians 45 
 
 DISPOSITION OF THE WHALE-CARCASS 
 
 All authorities mention the cutting up of the whale, and refer to rules bj- which 
 it was done. As far as I can discovjer the details are as follows. The whale, when 
 rowed ashore, is measured from blow-hole to hump. The unit consists of the dis- 
 tance the hunter can reach, from tip to tip of his fingers. The measurement, from 
 blow-hole to hump establishes che size of the whale. Then the proper width for the 
 "cuts" of blubber is computed. The cutting up of the whale is shown in figure 15. 
 The "hump" is the richest in oil, and belongs to the hunter. According to Curtis, 
 he sells it or gives it away, being afraid to eat it (see p. 1-0). The hump is called 
 yu'b-Atsk,=taboo-piece, (Swan's u'butsk, not explained) and is treated in a very 
 ceremonious manner, described by Swan very fully, the main point being that it is 
 set up on a sort of rack and left there lor a considerable time, being decorated mean- 
 time with eagle down, and feathers, (see above, p. 39). This "saddle" is re- 
 moved first of all. It is of the width already determined as being proper in the 
 light of the size of the whole carcass. A strip extending clear around the animal 
 at the point 5, (Fig 15), is next taken off. This belongs to the canoe which brought 
 the first assistance. The lower jaw, 8, goes to this party, and often the tongue also. 
 There are rules for the dividing of this tongue among the crew, the hunter or har- 
 pooner getting the largest piece. The material is not eaten, but the oil, which it 
 contains in large quantities, is extracted from it. The flipper, lulA'pt ("hand") is 
 eaten, and is often named in calling for assistance in the hunt. On the under side of 
 the whale is an area covered with long creases, three or four inches deep. This is 
 spoken of as the tsa-bA'kAk ("strips"), and is often "promised away" beforehand. 
 After the awards for assistance in the hunt are all made, the hunter gives away the re- 
 mainder of the carcass as he thinks fit. He himself keeps the tail (Curtis, Vol. 11, p. 
 37). There is some blubber on the flukes (see 7, b) and the remainder is of a jellv-like 
 consistency, like pigs-feet, when cooked. This distribution is the act so very char- 
 acteristic of the northwestern Indians: that is, the cutting up of the whale and the 
 distribution of the blubber is a form of potlatch. The donor knows to a pound what 
 everybody receives, and expects a return at a future date. The meat of the whale 
 is not removed, but the blubber (tl-'a'bas) is highly valued. This blubber is cut 
 with the short bone-pointed lance, butu'yek, mentioned above. It consists of a 
 straight handle 1 or 5 feet long, with a chisel, butkaiya':p, of elk-antler. A hand- 
 hold, su"Ats (^something one holds to) is cut in the top of the strip, and a line is 
 made fast. As one man wields the chopper, another pulls the blubber away with the 
 line, tei'ktup. Plate 6, (i, shows this operation. The hand-hold also serves in car- 
 rying the blubber (see Plate 6, h), The oil extracted from this blubber is highly 
 valued as a dressing for dried fish, and berry-cakes. After the oil is all extracted, 
 the blubber itself is dried and eaten, having a pleasant taste, suggesting rich pork, 
 though somewhat tougher. The dried blubber looks like citron, according to Swan. 
 The skin of the whale is very thin, almost like paper, and has no value to the Indian. 
 Under the skin are perpendicular fibres, called tl,i'dits, about l/j inch in diameter. 
 (See Plate 5, «)■ These are very rich in fat. and are removed and eaten raw, nr 
 
46 Waterman [Vol. 1 
 
 boiled. They are quite palatable in their raw state, and children especially are said 
 to be fond of them. 
 
 There are many disagreeable features connected with the cutting up of the 
 whale, which other authors seemed to have passed over without mention. I presume 
 they are a necessary part of the account, however, if a true picture of the primitive 
 food-quest is to be presented. They may be mentioned briefly. The stomach of the 
 animal when he is killed usually contains from one to two tons of half-digested fish. 
 This material begins to decay almost at once, and the carcass soon begins to be 
 bloated, from the gases which accumulate. If two days are consumed in getting to 
 the land, the tongue begins to protrude, the carcass "floats high" in the water, and 
 the whale stinks desperately. It is the intestines that give rise to this odor, however, 
 not the blubber. Even a perfectly fresh whale stinks when he is opened. It is said 
 that the man who first opens the carcass on the beach is sometimes overcome by the 
 gases, which burst out, and "cause him to faint." The process of decay goes on 
 much more rapidly in the flesh than in the blubber, which keeps for an indefinite 
 period, even if not removed from the whale. The flesh can be removed from the 
 bones only after stripping off the blubber, which requires time. Possibly that is 
 the reason the flesh of the whale is not more generally utilized. Blubber which has 
 become rancid, tlirough overmuch delay, is tried out, and the oil is used for various 
 technological purposes, not for food. The bones, with the muscles and ligaments, 
 are left on the beach for the birds and other scavengers. All of the blubber, however, 
 down to that on the flukes, is carefully preserved. 
 
 RELIGIOUS OBSERVANCES CONNECTED WITH BRINGING IN THE WHALE 
 
 Formerly the whole village turned out to receive a whale, mostly, however, 
 from excitement, and interest. The whaler's wife came down and danced, and sang. 
 Eagle-down was placed upon the dead animal's hump, and on the blow-hole (Curtis, 
 Vol. 11, p. 36). Menstruant women and adolescent girls were supposed to stay in 
 the house, and not see the whale; otherwise, they would spoil the "luck." Before 
 cutting up the carcass, the songs of the successful hunter were chanted, led by his 
 father or his uncle. Those songs "were like prayers." An old experienced man 
 measured the whale and made the first cut. After the hump or saddle had been cut 
 off and taken to the house, it was set upon a rack and decorated with feathers, as 
 described by Swan (see above p. 45). For several days there were gatherings, 
 and numerous ceremonial performances. The old whalers sat facing the decorated 
 "saddle-piece" and each man sang his own whaling song. (Curtis, Vol. 11, p. 40). 
 The successful hunter often entertained the people by a performance, showing his 
 "power." A helper, with a rattle in the form of a bird, would begin to rattle and 
 sing the whaling songs belonging to his chief. The latter would enter, dressed in 
 ceremonial costume. My informant has seen a man dance completely clothed in 
 nettles, tied on. The performer in such ceremonies makes his entry in tim^ to the 
 music, and dances around the fire in a contra-clockwise direction. His movements 
 imitate those of the whale, and he heaves his way slowly around the fire, "blowing" 
 from time to time. He never stands upright until the circuit is completed. 
 
1920] Makah Indians 47 
 
 No religious regard was ever paid to the bones, which were left on the beach. 
 Evidentl_v the courtesies extended to the taboo-piece or saddle, fulfilled all the neces- 
 sities. The skeleton of the whale lay at low water mark, and was slowly cleaned by 
 water-worms and sand-fleas. The whale, nevertheless, was supposed theoretically 
 to be a guest of the village, and to have appeared upon the scene of his own volition. 
 
 METHODS OF NAVIGATION 
 
 As already remarked, whaling expeditions often go clear out to sea, out of sight 
 of land. On the high seas at night, the Makah steer by the Pole-star. They never 
 get lost, even in a fog, for they are helped by the swells and the wind. In this 
 part of the Pacific the heave runs pretty consistently west and east. They know by 
 experience also that thick weather comes on when the wind is from the southeast. 
 So if the W'Cather is thick, they conclude that the wind is from that quarter. Clear 
 weather, on the other hand, is usually accompanied by winds from the west. By 
 considering all' of these matters, the whalers always manage to get back "somehow." 
 
 Some of the older men, who have spent a lifetime on the halibut banks, can locate 
 themselves even when out of sight of land by the appearance of the water and the 
 set of the "tide rips." 
 
 The following expressions are used by the Makah canoeman as terms of direc- 
 tion wliile on the water 
 
 To the left or "port", tcAba'tsp (cf. ka'tspa,=Ieft). 
 To the right or "starboard". tcAba'tsa'k (cf. katsaksp,^right). 
 Ahead, hitA'kwAd-dltsp (cf. hitA'kwAd, the bow space). 
 Astern, tL'I'tca'tsp (cf. tL'i'tca, the stern space). 
 
 The term iyexAxs is used in the sense of "here" or "there," a]iplying only to po- 
 sitions inside of a boat. On land, other terms are employed. 
 
 HISTORY or THE WHALING INDUSTRY 
 
 I suppose it would be impossible to discover which of the various coast tribes 
 originated the hunting of the whale. It is certain, however, that it sprang up 
 somewhere along the west coast of Vancouver Island. Probably the Nootka and 
 Clayoquot had as much to do as anybody with developing the industr3\ The art 
 is not found on the east coast of ^^ancouver Island, nor does it exist among the tribes 
 of Alaska, as the Haida or Tlingit. Whaling is practiced by the Quilliute and 
 Quinault, south of Cape Flattery, but the practice is unknown beyond their terri- 
 tory. Whales are spoken of in the accounts of the tribes living all along the coast 
 of Oregon and Washington, and whale products of various sorts are utilized, as they 
 are also in Alaska, but the tribes who actively pursue the big cetaceans arc those in the 
 vicinity of Capt Flattery and Vancouver Island. The Makah, who live near the south- 
 ern frontier of the region where whaling is practiced, would hardly be looked upon 
 (in the absence of positive proof) as the originators of the practice. All sources 
 agree, however, tliat they long ago attained first rate skill at it. 
 
48 
 
 U'ateniian 
 
 [Vol. 1 
 
 About 1860 the ]\Iakah temporarily left off whaling. The reason was the enor- 
 mous profits to be derived at that time from pelagic sealing, at which pursuit also 
 they were highly skillful, and highly successful. About the year 1890 they resumed 
 their whaling practices, largely because by that time the Government protection of 
 the fur seal had reduced the profits of sealing. Many of the Makah tribe attained 
 distiiict success as seal poachers, until the Federal Government's increasingly strict 
 supervision of the animals made poaching impractical. Whaling is still carried on 
 at the present time, largely with their old tribal apparatus. 
 
 "ft ift 
 
 1-1- -Diagram showing the arrangement of the huntsmen and 
 their equipment in the whaling canoe. (Based in part on in- 
 formation contained in Curtis, vol. II, pp. 36, 37, 184). For 
 the native terminology for the thwarts and other parts see 
 figure 3; and uage No. 50, above. 
 
 A. Bow-space, hitA'kwAd, occupied by 
 
 the harpooner with his weapon 
 and four fathoms of sinew line. 
 
 1. Position of the harpooner. 
 
 B. Second space, kaqai'yuwAxs, laden 
 
 with 14 floats. 
 
 2. Position of the float tender. 
 
 3. Position of the diver. 
 
 C. Third space, tctLAkduwAxs, laden 
 
 with cedar line, in sections. 
 
 4. Position of the harpoon-line ten- 
 
 der (chikowihlhasi. in Curtis no- 
 tation). 
 
 ,'j. Position of the float-inflator. 
 
 D. Fourth cargo-space. Here the bail- 
 
 ing is attended to. 
 
 E. Fifth cargo space, liitA'ksistAxs 
 
 (=insidc) laden with water-boxes 
 and provisions. 
 
 6. Position of the watcher. 
 
 7. Position of 
 
 F. Sixth cargo space, tL'i'tca 
 
 (=stern). 
 S. Position of the steersman. 
 
1920] 
 
 Makali Indians 
 3 
 
 49 
 
 Fig. 15. — Diagram showing the cutting-up of the wliale. 
 
 Blow-hole. 
 
 Eye, kali'i. 
 
 Hump, or saddle, _vub — 'Atsk (=taboo jaiece). 
 
 Flukes, tLi'i'ctcid (=feet). 
 
 Strip extending around the carcass, xAtsA'qAbitL. 
 
 Creases, tsabA'kAk (:=strips). 
 
 Flipper, lulA'iJi (=hand). 
 
 Tongue, lA'kaivi'k. 
 
50 Waterman [Vol. 1 
 
 BIBLIOGRAPHY 
 
 The following list includes the titles 
 referred to in the preceding pages. 
 Boas, Franz 
 
 1909. The Kwakiutl of Vancouver Island. American Museum of Natural 
 History, Memoirs, Vol. 8, part 2. Reprinted from Publications 
 of the Jesup North Pacific Expedition, Vol. 5, part 2. 
 1916. Tsimshian mythology. /» Smithsonian, Institution Thirty-first Annual 
 Report of the Bureau of American Ethnology, pp. 29-1037. 
 CuRTi.Sj Edward S. 
 
 1911-16. The North American Indian: being a series of volumes picturing and 
 describing the Indians of the United States and Alaska. In twenty 
 volumes. [Eleven volumes of the series have so far been published.] 
 Vol. 8. Nez Perce, Walla Walla, Umatilla, Cayuse, Chinookan 
 
 Tribes. 1911. 
 Vol. 9. Salishan tribes of the Coast; Chemakum, Quilliute, Willapa. 
 
 1913. 
 Vol. 10. The Kwakiutl. 1915. 
 Vol. 11. Nootka, Haida. 1916. 
 Lewis, Albert Buell 
 
 1906. Tribes of the Columbia Valley and the coast of Oregon and Washington. 
 
 Memoirs of the American Anthropological Association, Vol. 1, part 
 2, pp. 151-209. 
 Meany, Edmond S. 
 
 1907. Vancouver's discovery of Puget Sound. Macmillan. 
 
 Report of the Committee of the American Anthropological Association on 
 THE Phonetic Transcription of Indian Languages. 
 
 Smithsonian Miscellaneous Collections, Vol. 66, number 6 (Publication 
 24.15). Washington, D. C, 1916. 
 NiBLACK, Albert P. 
 
 1 890. The coast Indians of Southern Alaska and Northern British Columbia 
 7re Smithsonian Institution, U. S. National Museum, Annual 
 Report for 1888, pp. 225-386. 
 Swan, James G. 
 
 1870. The Indians of Cape Flattery at the entrance to the Strait of Fuca, 
 Washington Territory. In Smithsonian Institution, Contributions 
 to Knowledge, number 220. 
 Vancouver, Captain George 
 
 1798. A voyage "of discovery to the North Pacific Ocean. . . performed in 
 the years 1790, 1791, 1792, 1793, 1794, and 179.5. 3 vols., London. 
 Wilson, Thomas 
 
 1901. Arrow-wounds. In American Anthropologist, n; s. Vol. 3, pp. 513-531. 
 
ILLUSTRATIONS 
 
E.rplanation of Plate 1. 
 
 a. .Shapiiiij; tiie hull of the canoe. The typical adze used in such work is seen in the 
 carpenter's hand. A stone maul is close at hand on the bow of the boat. The 
 canoe, cut away as it is at bow and stern, is a very heavy-looking hulk until the 
 additional bow-and-stern-pieces are in jilace. 
 
 b. Fitting the bow-pieee on the hull. The bow-piece in a partly-finished state, is 
 being hewn to fit a scarf previously cut in the hull. 
 
 [52] 
 
Univ. of ^^'asll. Piibl. Pol. lS; Soc. .St 
 
 \V;itfnr.;\ii 1 VcA. I. Pl;u;- 1 
 
 ropiirinlil. Pliotdgliiplis liy .\s;il:cl C'tirtls 
 
 MAKING A '■CHINOOK" CANOR. 
 
 [5:s] 
 
Ej'plaiKiiion of Plate 2. 
 
 a. The canoe is beached stern-foremost, as is the invariable rule. The scarf which 
 holds the stern-piece on the boat is visible, patched in one place with a piece of 
 tin. The "gunwale strips" can also be plainly seen. One thwart has been broken 
 down, and the "mast-holders" have been replaced by a sawn plank, with an 
 auger-hole in it. Inflated buoys may be seen, and the old whaler is holding a 
 fine harpoon-shaft. 
 
 6. This photograph shows a canoe with the old fashioned square rigging, the var- 
 ious halyards being plainly visible. The sail, however, is of canvas instead of 
 matting. 
 
 L.'i4l 
 
Univ. of Wash. Publ. Pol. & Soc. .Sci 
 
 [Waterman] \'ol. I. Plati 
 
 LIGHT-HOUSE .JOE" WITH HIS HARPOON AND BUOYS. 
 A CANOE UNDER SAIL. 
 
 [;5.5] 
 
E.rpliiiiatinii of I'lafe o. 
 
 View of Cape Flattery lociking iiortli. The isolated crag in the sea has a recess 
 near its summit. This crevice is about 10 feet from the top, and the size of the 
 crag may be further cstiniati d by comparing it with the growth of timber on the 
 nearby cliff. A spar lay in this recess for a great many years (See page 30 
 above). Flattery Light may be seen in the distance. 
 L'ght may be seen in the distance. 
 
 This photograph shows tlie same crag as the ])revious one, but the view is taken 
 toward the soutli. In the cliff to the left are the sea-caves which were the scene 
 of the sealing exploit mentioned on page 3fi. 
 
 v-n 
 
Univ. of Wash. Publ. Pnl. & Soc. Sci 
 
 [W.-itfrman] Veil. I. Plate 3 
 
 <nlt,iiiflhl. r]lcit..sraiilis h.v Asilhi-l CiM- 
 
 ALONG THE MAKAH COAST 
 
 [57] 
 
Ea'phinotioiix of Plate I/. 
 
 a. The wlialc in tliis pliotograph has "drowned" and has sunk out of sight. His 
 position is marked by the group of floats in the background. 
 
 b. Here the whale has been towed to the beach at Neah Bay. At low tide the people 
 wMl be able to gather around the stranded carcass, to remove the blubber. 
 
 [58] 
 
Univ. of Wash. Publ. INil. & .S„f. Sci. 
 
 [Wattrin.in] \'ol. 1. Plate t 
 
 Cniiiirinhl. I'lint..2iiiplis liy .\s!iliel C'urfls 
 
 THE HARPOONED WHALE 
 
 [59] 
 
Explancilioii of Plate 5. 
 
 a. Basket in which harpoon-heads arc carried. 
 
 6. All old iNIakah is here seen peeling the skin from a wliale. As remarked in the 
 text, and as may be seen here, this skin is very thin, and quite the opposite from 
 the hide one ■would look for on such a tremendous carcass. The harpoon-heads 
 and the buoj^s attached to them have not vet been cut out of the tissue into which 
 tliey were driven in killing the animal. 
 
 [60] 
 
Ur.iv. of Wa~,Ii. I'lilil. Pol. & Sof. Sci. 
 
 [Watfi-man] \'ol. 1. Pl:it<- 5 
 
 Riuioving the skin from a whale-carcass; basket for harpoon heads. 
 
 [fit] 
 
Explanation of Plalc 6. 
 
 a. 'Flu- lilubbcr is hc-rt' being reniovtd from the strandid whale. Slabs aic eiit with 
 tlu "ciiiscl" or "butu"k;," and strijjped off by judling on a line, attached to n 
 slasii at tiie top of the slab. 
 
 b. Three famous whalers, Antone Wispu, on the reader's left; David Fischer, or 
 Q'e'/t'Ap; and Charley White, called TLixwit'u, or "Paddler." Charley 
 \^'hite is carrying a "cut " of blubber bv a hand-hold. 
 
 [62] 
 
Univ. of Wash. Publ. Pol. & Hoc. Sci. 
 
 [W.-ittrinan] \'ol. I. Fl.-itt- 6 
 
 l-'./nm:,!,! I'll 
 
 CUTTING UP THE WHALE 
 
 ii[ihs hy A.silliil Curtis 
 
 [63] 
 
E.rplanalion of Plate 7. 
 
 T.'ir bones of the whale arc largely stripped bare of the blubber, several cuts of 
 which are visible in the foreground. 
 
 Tlie tlcsh of the animal may here be seen, in the middle i)art of the carca^is. the 
 blubber having been stripped ofi'. In the foreground lies a float, and at the 
 right, one of the great flukes of the tail. 
 
 [6t] 
 
 R D 1 4. 8 ^^ 
 
Univ. of Wa,sli. I'libl. I'ol. \- Soc. Sci. 
 
 [W,-ittnn;m) \"<il. 1. i'laU 
 
 Ciilinriflhl. IMii.logriililis l.y Asiili.-I (.■uvtis 
 
 THK LAST OF THF. WHALE 
 
 [65] 
 
E,iplaiwtion of Plate S. 
 
 a. Sheath for the protection of the harpoon-head (see page 32). The sheath 
 consists of a folded strip of cedar-bark. The two ends of this strip are split into 
 narrow fibres, and these fibres are worked over with separate fibres of bark in 
 plain twining. University of Washington, State Museum. Catalogue number 105. 
 Length from point of barb to point of blade, 6% inches, 17.5 cm. 
 
 h. The complete liarpoon-head. The sinew lanyard, the bone barb, the blade (in 
 this specimen, a piece of saw-steel) and the final coating of spruce gum, are all 
 plainly shown. University of Washington, State Museum, Catalog number 
 
 105. ;■,' 
 
 c. Sketcli showing tlie details of the above lasliing, as far as they are visible in the 
 completed specimen. 
 
 d. Enlarged view of a wjialing head photographed without the blade, and the cov- 
 ering of resin; showing the ingenious manner in. which the strands of the sinew 
 lanyard are wrapped and served around the bone framework. University of 
 Washington. Catalog number 85. 
 
 [(56] 
 
Univ. r.f U'.isl!. I'uhl. Pol. iS; .Soc. Sei. 
 
 [Wattrnian] X'ol. 1. Pl:ilf 8 
 
 IMlnlnsiiipl.^ I.\ l.illkU'ltlT Sllllli. 
 
 HEAD FOR TIIK WlIAl.IXC HARPOON 
 
 [671 
 
^«^. 
 
 ,'\ 
 
 -?> 
 
 
 
 
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 •^^ 
 
 r-^^. 
 
 ■0* 
 
 vO 
 
 
 ^^' 
 
 %.** 
 
 ,5'^V 
 
 
 O ' • . s *^ 
 
 
 ®«;' ^'-^ 
 
 i>i^''*^ 
 
 
 > '.-^i^ 
 
 
 .0. 
 
 
 ■?y 
 
 
 
 •t/. 
 
 A 
 
 <. 
 
 
 
 ,.>■ 
 
 
 iPfe' 
 
 ;>» ^^°^ 
 
 ^> 
 
 
 
 
 ^^„ 
 
 
 
 ST. AUGUSTINE 
 FLA. 
 
 , a_^,-.-