' TT .(3-6 ^ STAIN •uunt lonv Class__I ' ^'Q Book. /Gf-e GopightlJl COEXRIGHT DEPOSIT. PAINT AND STAIN FORMULAS BY ALONZO A. GOODYEAR COPYRIGHT, 1922 by ALONZO AUGUSTUS GOODYEAR CARLISLE ,PA. PRESS OF (ARTZEUL. BROS. CARl-ISl-E, PA. OCT -9 V322 TT510 IC1.A686193 V ^' INDEX O .^ Page. '^Mahogany Formulas 2 to 15 ^ 0.ak Wood Formulas 16 to 24 Mahogany, Cherry and Walnut 25 to 29 Matple Wood 30 Oak Wood and Walnut Oil Stain 31 to 34 French Polishing 35 to 37 Vlajmish Remover 37 to 38 Stone Sills Cleaned 38 Golden Oak Filler 39 Apothecaries Weight 39 Avoirdupois Weight 39 Putty Formula 39 to 40 Waxing Floors 40 to 41 Flat Wall Painting 41 to 42 Enameling 42 Mixing Paints 43 toi 71 Ground Colors for Graining 71 Walnut, Golden Oak 72 Prime Coat Formula 72 Paint Formulas 73 to 80 Colors, Tints and Base 81 to 84 Walls, Ceiling, StencU 85 FRONTISPIECE This book is made up entirely of paint and stain formulas, and contains much valuable information for the furniture finisher and the house painter. I am sure that its value will be much more appre- ciated when you become acquainted with this method of ''weighing out" for stains and paints, which is the most accurate way. MAHOGANY FORMULAS Use Lockwood's Prepared Wood Stain Powders, 314 West 14th Street, New York. No. 1 Mahogany for Birch 1 oz., 5 drachms, 1 scruple of scarlet. 2 R. L. 1 oz., 2 drachms, 2 scruples of nigrosine. J. B. 1 oz. of orange yellow 1 oz. of honduras brown 1 gal. water ; fill with brown filler. No. 2 Mahogany Standard 6 oz. mahogany brown 6 oz. mahogany red 1/2 oz. bismark brown 5 qts. water. No. 3 Light Brown Mahogany 2% oz. of honduras brown 1/2 oz. of mahogany red 1 drachm of walnut crystal 5 qts. of water. No. 4 Mahogany Standard for Birch 6 oz. of mahogany brown 8 oz. of mahogany red 1 gal. of water. 2 No. 5 Mahogany Brown 1% oz. honduras brown % oz. nigrosine. J. B. 20 grains picric acid 1 gal. water. No. 6 Mahogany Brown Adam 2^4 oz. honduras brown % oz. nigrosine. J. B. 1 gal. water. No. 7 Mahogany Special lO^/o oz. honduras brown 6 qts. water. No. 8 41/0 oz. mahogany red 4 oz. mahogany brown 2 gal. water. No. 9 3% oz. bismark brown 5 oz. mahogany red 2 gal. water. No. 10 6% oz. mahogany brown 4 oz. mahogany red 1 gal. hot water. For birch wood. No. 11 Toona Mahogany % oz. caustic soda 2 oz. spirit of nitre 1 oz. honduras brown 2 gal. water. 3 No. 12 Toona on Birch 2 oz. mahogany red 4 oz. mahogany brown IV2 oz. bichromate of potash 1 gal. water. No. 13 Antique Mahogany 2 oz. honduras brown 1 oz. mahogany red 1 gal. hot water. No. 14 Standard Mahogany 6 oz. mahogany red 6 oz. mahogany brown 1/1, oz. napthol yellow 1 gal. water. No. 15 Adam Brown Mahogany 1 oz. loutre brown 2 drachms mahogany brown 3 scruples napthol yellow 21/0 gals, water. No. 16 Prima Vera Mahogany 1 oz. mahogany brown 1/2 oz. mahogany red 1 gal. hot water. No. 17 Rosewood or Dark Mahogany 1 lb. bichromate of potash 5 lbs. mahogany brown 2% oz. nigrosine. J. B. 2 oz. methyl violet 33 qts. water. 4 No. 18 Sheraton Mahogany 114 oz. mahogany brown 2 drachms, 2 scruples nigrosine. J. B. 1 scruple mahogany red 1 gal. water. No. 19 Spirit Brown Mahogany 3 oz. bismark brown 1 oz. nigrosine, soluble in alcohol 6 qts. alcohol. No. 20 Brown Mahogany or Antique Walnut 1 oz. loutre brown 1 oz. walnut crystals 1 oz. honduras brown 1/2 napthol yellow 5 qts. water. No. 21 Mahogany Wood 1 drachm honduras brwn 1% drachms orange yellow 2 drachms black walnut 1 oz. No. 79 loutre brown. 4985 5 qts. water. No. 22 Mahogany Wood 2 drachms nigrosine. J. B. 1 drachm orange yellow 1 drachm, 5 grains honduras brown %, qt. water. 5 No. 23 Mahogany Wood i/o drachm nigrosine. J. B. 11/2 scruples honduras brown 1 scruple canary yellow V> pt. water. No. 24 Mahogany Wood 1/2 oz. loutre brown 2 scruples honduras brown 1/2 scruple orange yellow 2-3 qt. water. No. 25 Mahogany Wood 21/2 scruples honduras brown 1/2 scruple canary yellow 1/2 oz. loutre brown 1^/4 Qts. water. No. 26 Mahogany Wood 2 drachms loutre brown 11/2 scruples honduras brown 1 pt. water. No. 27 Mahogany Wood 2 drachms walnut crystals 2 drachms loutre brown 3 scruples honduras brown lU) pts. water. No. 28 Mahogany Wood 2 drachms loutre brown 3 scruples honduras brown 1 qt. water. 6 No. 29 Mahogany Wood 2 drachms loutre brown 2 scruples honduras brown 114 pts. water. No. 30 Mahogany Wood 1 oz., 1/2 scruple walnut crystals 1 scruple honduras brown 1 scruple orange yellow 5 scruples nigrosine. J. B. 2-3 qts. water. No. 31 Mahogany Wood 2 drachms loutre brown 3 scruples honduras brown 1/2 scruple walnut crystals 1 pt. water. No. 32 Mahogany Wood 2 drachms loutre brown 3 scruples honduras brown 1 qt., 1 pt. water. No. 33 Mahogany Wood 2 drachms loutre brown 11/2 scruples honduras brown 1/2 scruple canary yellow 1 pt. water. No. 34 Mahogany Wood 2 drachms loutre brown 11/2 drachms honduras brown 1 qt., 1/2 pt. water. 7 No. 35 Mahogany Wood 2 drachms walnut crystals 3 scruples honduras brown 1 qt., Yo pt. water. No. 36 Mahogany Wood 2 V/o 1% drachms loutre brown scruples honduras brown scruple canary yellow pts. water. No. 37 Mahogany Wood V2 oz. walnut crystals V2 oz. honduras brown Vi scruple orange yellow 5 scruples nigmsine. J. B. % qt. water. No. 38 Mahogany Wood 11/2 ¥1 1 oz. loutre brown scruples honduras brown scruple orange yellow pt. water. No. 39 Mahogany Wood 2 1 5 1 scruples loutre brown scruple orange yellow grains brown mahogany, No 53 0.8 pt. water. 8 No. 40 Mahogany Wood 2 drachms loutre brown 2 drachms honduras brown 2 drachms nigrosine. J. B. 1 scruple orange yellow lyo pts. water. No. 41 Mahogany Wood 5 scruples nigrosine. J. B. 4 scruples honduras brown 1/2 oz. walnut crystals 1 qt. w^ater. No. 42 Mahogany Wood % oz. walnut crystals 1/2 scruple canary yellow 5 scruples honduras brown 5 scruples nigrosine. J. B. 1 qt. water. No. 43 Mahogany Wood 2 drachms loutre brown 1/2 drachm honduras brown 1 " scruple nigrosine. J. B. 1 qt., 1/2 P^- water. No. 44 Mahogany Wood 1/2 ounce loutre brown 2 *" scruples honduras brown 1/2 scruple canary yellow 11^ qts. water. 9 No. 45 Mahogany Wood i/2 scruple canary yellow 2 scruples honduras brown 1/- oz. loutre brown 1 qt. water. No. 46 Mahogany Wood 2 scruples loutre brown 1 scruple orange yellow 1 scruple, 5 gi's. brown mahogany No. 53 0.8 1 pt. water. No. 47 Mahogany Wood 5 scruples nigrosine. J. B. 2 scruples honduras brown V- oz. Walnut crystals 21/5 pts. water. No. 48 Mahogany Wood 2 drachms loutre brown 11/2 scruples honduras brown 1/2 scruple canary yellow VA pts. water. No. 49 Mahogany Wood 2 drachms loutre brown 11/2 scruples honduras brown 1/2 scruple canary yellow 1 " pt. water. No. 50 Mahogany Wood 1 oz. loutre brown 21/2 pts. water. 10 No. 51 Mahogany Wood 1 oz. loutre brown 11/4 oz. canary yellow 21/2 pts. water. No. 52 Mahogany or Walnut Wood For Queen Anne and Louis XVI Suits 2 drachms nigrosine. J. S. 1 drachm honduras brown J/2 drachms orange yellow % qt. water. No. 53 Walnut Antique First Coat 1 oz. bichromate potash 1 oz. carbonated soda 1 gal. water. Second Coat 3 oz. walnut crystals 4 drachms nigrosine. J. B. 1 gal. water. No. 54 IV2 oz. pyrogallic acid 2 qts water 3 oz. carbonated soda 2 qts. water. Mix separate, and then together. No. 55 14 oz. sulphate of copper 1/2 pt. water 4 oz. ammonia, 26 degrees. 11 No. 56 Mahogany Stain 6 lbs. bichromate potash 1 gal. water. No. 57 11/4 oz. mahogany brown 1% oz. mahogany red 1 gal. water. No. 58 Standard Brown Mahogany 12 oz. bichromate i/> oz. lye 12 " oz. lutre, C 3381 3 drachms red mahogany 5 drachms brown mahogany 2 drachms nigrosine. J. B. 10 gals, water. No. 59 2 scruples scarlet 2 R. L. 1 scruple nigrosine. J. B. 2 scruples loutre brown 1/2 pt. water. No. 60 4 scruples loutre brown 1 scruple mahogany red 1 scruple nigrosine. J. B. i/> pt. water. No. 61 First Coat Stain .q At 1 oz. honduras brown 2 pts. water. Second Coat ^/' iIj i' 1 oz. honduras brown iinre. I 1 pt. water. r// .iq t>\' 12 No. 62 Cedar Chest 2 ^ drachms nigrosine. J. B. % draghm orange yellow 11/2 drachms honduras brown 1 qt. water. No. 63 Red Mahogany First Coat Stain % oz. honduras brown. 1 pt. water. Second Coat 1% oz. honduras brown 1/2 oz. extreme bright red 11/2 qts. water. No. 64 2 scruples scarlet 2 scruples nigrosine. J. B. 6 scruples loutre brown 1 scruple mahogany red Vi\ pt. water. No. 65 2 scruples loutre brown 1 scruple mahogany red 1 scruple nigrosine. J. B. % pt. water. No. 66 2 drachms loutre brown 1 scruple honduras brown V2 pt. water. 13 No. 67 Dark Red Mahogany for Birch or Poplar Wood First Coat 1 oz. honduras brown 1 qt. water. Second Coat 4 oz. honduras. brown 1 qt. water. No. 68 Red Mahogany on Birch First Coat 1 oz. honduras brown V-y oz. bichromate of potash 1 qt. water. Second Coat 12 oz. honduras brown 4 oz. bichromate of potash 1 gal. water. No. 69 Medium Red Mahogany Wood First Coat 1 oz. honduras brown 1 qt. water. Second Coat 2 oz. honduras brown 1 qt. water. No. 70 For Touching White on Cedar Chest 161/4- gi*ains honduras brown 5 grains scarlet 4 grains bichromate lyo gi'ains violet 1 " qt. water. 14 No. 71 Brown Mahogany 2 drachms nigrosine. J. B. 1 drachm orange yellow 1 drachm, 1 scruple honduras brown 1% Qts. water. Brown Mahogany Oil Stain 3 drachms walnut oil stain powder No. 6800 1 scruple oil nigrosine lumps No. 5687 1 pt. benzine or turpentine. Walnut Oil Stain 3 drachms walnut oil stain powder No. 6800 1 drachm oil nigrosine lumps No. 5687 1 pt. benzine or turpentine. No. 16 Black Ebony Oil Stain Drop Black. If on the greenish, add trifle of green to suit, raw linseed oil, turpentine and dryer as thinner. No. 17 OAK WOOD Standard Fumed Oak First Coat V2 oz. carbonate of soda 3/2 oz. bichromate of potash 1 " gal. of water. Second Coat 1/2 oz. nigrosine. J. B. 31/2 oz. walnut crystals 2 "oz. mahogany brown 4 oz. ammonia, 26 degrees 1 gal. of water. 15 No. 18 Dutch Brown 6 oz. walnut crystals 1 gal. of water. No. 19 Standard Jacobean li/o oz. 1220 H. oil soluble 8 oz. benzol 21/2 oz. burnt umber 4 oz. lamp black ground in oil 1 pt. of turpentine IV2 qts. benzine. Gray Oaks such as silver pearls or standard grays are produced by using this method : First sponge the wood so as to raise the grain, and then sand smooth, and a coat of gray stain, leave dry out and then a thin coat of white shellac, sand and fill with natural filler or sometimes with white lead filler, sand and wax either acid or water stains can be used. Green and Blue Grays on Oak To produce a green gray on oak after the wood has been prepared in the same manner as for the above gray: Stain the wood with a blue water stain and when dried out for twelve hours give it a shellac wash of orange shellac, and fill with white lead and natural paste filler, tinted with a little green paint just to tint filler; this will leave filler show up light enough as the filler should be. Prime with orange shellac and the blue stain and the yellow orange shellac will produce a very nice green gray color. And for blue gray color use white shellac in- stead of orange, then either varnish and rub, or wax, whichever is desired. 16 No. 20 OAK WOOD Jacobean Red 1 lb. burnt umber 1 qt. turpentine. No. 21 Fumed on Chestnut First Coat % oz. bichromate of potash 1/2 oz. carbonate of soda. Second Coat % oz. nigrosine. J. B. 4 oz. walnut crystals 1 gal. of water. No. 22 Antwerp Oil Stain 4 oz. oil black 6 drachms oil yellow light 8 grains oil red bright 1 pt. boiled linseed oil 1 pt. turpentine 1 gal. benzine. No. 23 Austrian Oak V2 oz., 1 drachm honduras brown 30 grains nigrosine. J. B. 30 grains walnut crystals 1 gal. of water. No. 24 Baronial Oak A 1 oz. mahogany brown 1 drachm nigrosine. J. B. 1 drachm bichromate of potash 1 gal. of water. 17 No. 25 Chippendale Acid Stain 1 oz. nigrosine. J. B. 2 oz. mahogany brown 6 grains mahogany red 3 gals hot water. No. 26 Baronial Oak B Yit oz., 1 drachm honduras brown 30 " grains nigrosine. J. B. 30 grains walnut crystals 1 gal. of w^ater. No. 27 Antwerp Oak 1 oz. mahogany brown 4 oz. walnut crystals 41/j oz. nigrosine. J. B. 31/2 g^l- of water. No. 28 Chinese Teak First Coat 4 oz. mahogany red 1 oz. napthol yellow 1/2 oz. honduras brown 3 " gals, of water. Second Coat 4 oz. antwerp stain powder 1 gal. of water. No. 29 Bog Oak 1 oz. walnut crystals 3 drachms mahogany brown 1 oz. nigrosine. J. B. 4 gals, of water. 18 No. 30 Butler Oak % lb. Banner lye 2 gals, of water. Use 1 oz. of solution to 10 oz. of water, sponge wood sand and apply second coat of 135 grains nigrosine. J. B. 12 grains napthol yellow 1 gal. of water. No. 31 Belgian Oak 4 oz. walnut crystals 11/2 oz. mahogany brown 41/2 oz. nigrosine. J. B. 1 gal. of water. No. 32 Hungarian Oak 1 oz., 1 drachm mahogany brown 1 drachm nigrosine. J. B. 1 gal. water. No. 33 Cathedral Oak— Old Way First Coat 2 drachms mahogany brown 1 drachm napthol yellow 1 gal. of water. Cathedral Oak Second Coat 1 drachm mahogany brown 4 drachms walnut crystals 41/2 drachms nigrosine. J. B. 4 gals, of water. 19 • : No. 34 Cathedral Oak — New Way 3 oz. mahogany brown 1 oz. napthol scarlet 3 qts. of water. No. 35 Early English 2 oz. walnut crystals 4 oz. nigrosine. J. B. 14 oz. Banner lye 1 gal. 3 qts. of water. No. 36 Early English, Greenish Shade 1 lb. nigrosine. J. B. 7 gal. hot water 1 oz. picric acid 12 oz. alcohol. No. 37 Early English Windsor 4 oz. picric acid 6 1/2 lbs. nigrosine. J. B. 114 lbs. mahogany brown 36 gal. of water. No. 38 Drift Wood— Old Way 5 lbs. unslacked lime 2 gal. of water Fill with zinc white colored gray. No. 39 Drift Wood— New Way 60 grains sulphate of iron dried 1/4 oz. nigrosine. J. B. 60 grains oxalic acid 3 gals, of water. 20 No. 40 Early English Standard 2 oz. walnut crystals 1 oz. nigrosine. J. B. 1 gal. of water. No. 41 English Oak 10 oz. walnut cryistals 14 oz. Banner lye 1 gal. of water. No. 42 Ebony Stain 3 oz. solid extract of logwood chips 2 qts. of water. No. 43 Early English Antique First Coat 1/2 oz. walnut crystals 1 drachm honduras brown 1/2 oz. of lye 21/2 gals, of water. Second Coat 1/2 oz. tincture of iron % oz. nigrosine. J. B. i/i oz. walnut crystals 1 gal. of water. No. 44 Forest Green First Coat 21/1, oz. acid green E. 1 gal. of water. Second Coat 1/2 oz. picric acid 1 " gal. of water. 21 No. 45 Flanders Oak First Coat 2 1 1 oz. mahogany brown oz. 38 caustic soda gal. of water. Second Coat 2 1 2 1 oz. nigrosine. J. B. drachm sulphate of iron dried oz. acid brown gal. of water. No. 46 Fumed Oak — A First Coat 4 1 5 oz. honduras brown oz. carbonate of potash qts. of water. Second Coat 1 60 2 oz. blue X blue grains scarlet 2 R. L. gals, of water. No. 47 Fumed Oak First Coat 2 1 oz. honduras brown oz. carbonated of potash gal. of water. Second Coat % 4 1 oz. nigrosine. J. B. oz. walnut crystals gal. of water. 22 No. 48 Fumed Oak First Coat 2 oz. honduras brown 30 grains orange yellow 30 grains napthol yellow 1 gal. of water. Second Coat 1/2 oz. scarlet 3 R. L. 31/2 oz. nigrosine. J. B. 2 drachms napthol yellow 1 gal. of water. No. 49 Fumed Oak Oil 1 oz. oil black 30 grains oil brown 14 oz. oil mahogany 1 pt. benzol. No. 50 Fumed Oak English First Coat 30 grains orange yellow 10 grains mahogany red 1 pt. of water. Second Coat 10 grains picric acid 3 grains nigrosine. J. B. 60 grains iron sulphate 60 grains sulphate of soda 1 qt. of water. 23 No. 51 G. R. M. Standard Fumed Oak First Coat 1/2 oz. honduras brown 1/2 oz. carbonate of potash 1 g-al. of water. Second Coat 1% drachms acid brown 1% oz. walnut crystals 34 oz. nigrosine. J. B. % drachms napthol yellow 1 oz. sulphate brown M 1 gal. of water. Dark Red Mahogany Oil Stain 5 drachms dark mahogany red 1/2 drachm oil nigrosine lumps 14 pt. benzine or turpentine. Walnut for White Wood 1/2 oz. special walnut No. 6767 2 drachms loutre brown walnut 1 drachm black walnut 1 drachm bright red mahogany No. 52 1 pt. of water. Brown Mahogany for Chests 1 drachm nigrosine 1/2 draclim honduras brown No. 23 1 scruple orange yellow % qts. of water. 24 Mahogany % oz., % scruple walnut crystals 1 scruple honduras brown 1 scruple orange yellow 5 scruples nigrosine. J. B. 2-3 qt. of water. Brown Mahogany on Mahogany Wood 2^/2 drachms loutre brown 11/2 drachms walnut crystals 1 pt. of water. Alcohol Stain Red Mahogany 6 scruples bismark brov/n. No. 350 V2 pt. alcohol ; extra dark. No. 1 Cherry Stain for Pine 2 oz. honduras brown 10 oz. napthol scarlet 1 oz. bichromate of potash 6 gal. water. No. 2 Cherry Stain for Birch 2% oz. honduras brown 1 " oz. napthol scarlet 1/2 oz. bichromate of potash 8 gals, water. No. 3 Cherry Stain 21/2 drachms honduras brown 1 " drachm napthol scarlet % drachm bright red mahogany 1 gal. water. 25 No. 4 Cherry Stain 1 lb. burnt sienna 1 lb. yellow ochre 3 qts. turpentine. No. 1 Antique Walnut 1 oz. walnut crystals 2 drachms mahogany brown 3 scruples napthol yellow 2V:i qts. water. No. 2 Walnut Brown for Hard Wood 12 oz. walnut crystals i/o oz. carbonated soda 1 gal. water. No. 3 Vandyke Brown on Gum 10 oz. walnut crystals yo oz. nigrosine. J. B. i/i oz. lye ] 2 gals, water. No. 4 Walnut Wood 1 oz. No. 79 loutre brown 1 dracbm orange yellow 2 drachms black walnut, 4985 2 drachms honduras brown 4 qts., 1 pt. water. For mixed suits where walnut and mahogany wood are used, full strength for mahogany posts and walnut sap, half strength for other parts and mahogany veneer. 26 No. 5 Brown Walnut for Soft Wood 10 oz. walnut crystals 14, oz. honduras brown 1 gal. water. No. 6 Standard Finishes for Walnut or Mahogany 12 oz. walnut crystals i/2 oz. carbonated soda 1 gal. water. No. 7 12 oz. walnut crystals y> oz. carbonated soda 1 oz. black, P. B. 1 gal. water. No. 8 1 oz. loutre 1/2 oz. honduras brown 1 oz. yellow, No. 9803 12 oz. sulphur brown 1/2 oz. Babbitt's lye 6% gals, water. No. 9 2 oz. loutre. 2 oz. Indian yellow 1 gal. water. No. 10 Walnut and Mahogany 1 oz. orange yellow 2 oz. nigrosine. J. B. 1 oz. Indian yellow 1 gal. water. 27 No. 11 1 oz. orange yellow 2 oz. nigrosine. J. B. 1 drachm scarlet 1 gal. water. No. 12 Walnut Wood 4 scruples loutre brown 2 scruples Honduras brown 4 scruples acid yellow 21/2 oz. walnut crystals. 1 gal. water. No. 13 Walnut Wood 12 oz. sulphur brown i/j. oz. orange yellow 14 oz. nigrosine. J. B. 1 gal. water. No. 14 Walnut Wood 1 oz. walnut crystals 1 scruple honduras brown 2 scruples acid yellow 2 scruples loutre brown 1 scruple Babbitt's lye 2 qts. water. No. 15 1 drachm walnut crystals 1 scruple nigrosine. J. B. IV2 scruples honduras brown 1/" pt. water. 28 No. 16 Italian 1 oz. nigrosine. J. B. 1 gal. of water. No. 17 1 drachm loutre brown 1/2 drachni honduras brown % pt. water. No. 18 1 drachm walnut crystals 1 scruple nigrosine. J. B. 1/2 scruple honduras brown % pt. water. No. 19 Walnut 2 drachms nigrosine. J. B. % pt. water. No. 20 Walnut I/2 drachm honduras brown 1 drachm loutre brown V2 pt. water. No. 21 Standard American 1 oz. loutre C, 3381 1/0 oz. bro^^m mahogany, 3982 1 " oz. yellow H, 8903 12 oz. sulphur brown Swiss 1/2 oz. lye 6% gals, water. 29 No. 23 Italian Renaissance 1 drachm, 1 scruple bichromate 3 grains lye 1 drachm, 1 scruple loutre 21/2 grains mahogany red 4 grains brown mahogany IV2 grains nigrosine. J. B. 1 pt. water. MAPLE Vn^OOD No. 1 Gray Maple 1 drachm nigrosine. J. B. 5 gTains orange yellow 1 oz. sulphate of iron 4 oz. sulphate of soda 2 gals, water. No. 2 Kaiser Gray First Coat 1 drachm oxalic acid 1 qt. water. Second Coat 1 oz. nigrosine. J. B. 1 gal., 1 pt. water. No. 3 Silver Oil Stain Whiting colored with French Ochre, Raw Sienna and Lamp Black. Thinned raw Linseed Oil, one-third, and Turpentine, two-thirds. Add drier. No. 1 OAK WOOD Tobacco Brown Oak First Coat 4 oz. napthl yellow 1/2 oz. honduras brown 8 srals. water. Second Coat 14 oz. walnut crystals 1% oz. mahogany brown 2 gals., 5 pts. water. No. 2 Golden Oak Water Stain 3 oz. loutre brown 1 oz. napthol yellow 1 gal. water. No. 3 Fumed Oak First Coat 2 oz. bichromate of potash 30 grains orange yellow 30 grains napthol yellow 1 gal. water. Second Coat % oz. scarlet 2RL. 3 " oz. nigrosine. J. B. 1 oz. walnut crystals 2 drachms napthol yellow 1 gal. water. 31 No. 4 Antwerp Oak 1 oz. bichromate of potash 4 oz. sap brown powder 41/2 oz. nigrosine. J. B. 4 gals, hot water. No. 5 Tobacco Brown (New Method) First Coat 4 oz. napthol yellow 1/2 oz. bichromate of potash 8 gals, water. Second Coat 14 oz. walnut crystals 1% oz. honduras brown 2 gals., 5 pts. hot water. No. 6 Malchike Oak 1 oz. blue X blue 4 oz. acid green 4 gals, water. No. 7 Oriental Oak 120 grains sulphate iron 11/2 oz. sulphate of soda 60 " grains nigrosine. J. B. 1 gal. water. 32 No. 8 Golden Oak Oil Stain 8 oz. drop black 4 oz. crome yellow 1 oz. burnt turkey umber 2 oz. Venetian red 1 gal. asphaltum 4 gal. benzine. No, 9 Silver Oak First Coat % oz. honduras brown % oz. Banner lye 1 gal. water. Second Coat 3 oz. antwerp powder 1 drachm of blue X blue 1 gal. water. No. 10 Golden Oak Stain Stain with asphaltum. Fill with 245 filler. No. 11 Oak Stain 1 oz. oil nigrosine 2 qts. turpentine. Fill with burnt umber. No. 12 Oil Stain for Poplar Wood 6 drachms dark red mahogany oil powder 1/2 drachm oil nigrosine lumps 1 pt. turpentine or benzol. 33 No. 13 Dark Oak Oil Stain Rav/ sienna Raw umber Burnt umber. One-third of each ; thin with raw linseed oil. No. 14 Light Oak Two -thirds rav/ sienna One-third raw umber. Thin with linseed oil a little turpentine, add dryer. No. 15 Walnut Oil Stain Burnt umber Vandyke brown. Thin with raw linseed oil ; add dryer. For Acid Proof Tops Solution No. 1 1 lb. analine hydrochloride 1 lb. ammonium chloride 5 lbs. water. Solution No. 2 y.y lb. potassium, chlorate 1 lb. copper sulphate 5 lbs. water. Each solution applied three times except the last of the second solution, and it must be scinibbed with soap and water and when dry apply a thin coat of linseed oil ; cut with turpentine. 34 French Polishing French polishing was a method of finishing fur- niture in some of the older countries before varnish came into existence, which seemed to be a slow and tiresome way. The idea was to take a piece of furniture and put a finish on it by rubbing it with a cloth in dif- ferent motions, saturated with a liquid which had a tendency to build up a finished coat and also polish at the same time. This method is being practiced today, but only on furniture which has Jbeen varnished and become checked. This is called Frenching out checks or fixing up rough spots. French polishing is a process of fixing up scars and blemishes which have been caused by some misfortune or recklessness, and the best results of this operation are only secured by experts, and which is a very quick way of getting a piece of furniture ready for shipment that has been marked by some reason or another. The idea in this is pulling the varnish from one spot to cover the spot where it has been rubbed off. While doing this you are covering the spot and also polishing at the same time, and where the mark or blemish is too deep, it is necessary to stain and bum in with the proper shades of wax, which is done by the alcohol torch and knife. When a scar or a dugout is burnt in good results are obtained by shaving the roughest of your wax down with a good sharp knife or chisel, and then using very fine sand paper and a block kept wet with benzine, which will give a nice, smooth sur- face if done right. as Polish Formula No. 1 1 qt. of water 1 qt. of linseed oil 1 pt. of vinegar 1 qt. parafine oil 14. pt. butter antonomy 2 oz. rotten stone to each pint. Polish Formula No. 2 1 gal. parafine oil 1 gal. turpentine 20 oz. oil of cedar 12 oz. of oil of citronella. Polish Formula No. 3 1 pt. spirits of wine 2 oz. gum benzoin 14, oz. gum sandarac 14 oz. gum anime 14 gill of poppy oil. Place contents in a bottle and put in hot water until dissolved. Polish for Cleaning Varnish IV2 qts. of parafine oil 14, qt. of alcohol 1/4 qt. substitute turpentine. Varnish Remover 2 qts. of benzol ' 1 qt. of alcohol 1 qt. of acitone 4 oz. of parafine wax. 36 : French Polish No. 1 ' " 6 oz. of shellac 1 qt. naptha 1 oz. sandarac % oz. benzoin. French Polish No. 2 1 pt. of naptha 31/0 oz. of orange shellac 1/2 oz. of elima. Darken with red sanders wood. Varnish Remover 3 qts. 95 % wood alcohol 1 qt. benzol 4 oz. parafine wax. Dissolve wax in benzol in hot water bath, then mix with alcohol and finally reheat in a hot water bath, because the cold alcohol curdles the mixture. Keep Away from the Fire. Any water stain color can be made from the powders below : Black P. B. Brown S. Orange Y. Red. Yellow. Nigrosine. J. B. , ' Napthalene B. Bismark. Loutre. Seal. Scarlet. Coromosine. Where water and alcohol stains are to be used, the wood should be water sponged and left dry out for twelve hours, and then sanded smooth, and 37 then apply stain ; leave stand twelve more hours and then apply a very thin coat of shellac, called a shellac wash, and then sand and fill with proper filler to match color and then prime with shellac and apply two coats of good varnish. And often in doing this, in the veneer you will discover a blister, which the glue has not taken hold of. These blisters can often be put down by heating a knife or an iron, and placing it on the blister, but not too hot, that may burn the wood. If the piece of furniture has finish already on, the same process can be done, but the damage done by the hot iron, which is slight, can be touched up and Frenched over. Stone Sills Cleaned A paste of chloride of lime and water applied with an old brush, allowed to remain for two and one-half days, rinsed with cold water. Formula No. 2 A Good Cleanser for Stones Apply a thick paste of ordinary lye and water, add some whiting and let remain for a day and wash off with clear cold water. Filler Formula 1 paii: corn starch 1 part wheat flour 1 part Japan drier 1 part linseed oil. Primer Formula 1 gal. of varnish 1 gal. of brown Japan 8 lbs. of silex, very fine. 38 Golden Oak Filler ' "\ 3 oz. of raw sienna 5 lbs. natural filler 1 lb. burnt umber. Apothecaries Weight 20 grains 1 scruple 3 scruples 1 dram 8 drams 1 ounce 12 ounces 1 pound Avoirdupois Weight 14 ounce 109% grains 1/2 ounce 218% grains 1 ounce 4371^ grains 16 ounces, or 7000 grains 1 pound Lockwood's Stain Powders are to be used in these stain formulas. 314 West 14th Street, New York. Putty Formula 5 lbs. of whiting 1 lb. of linseed oil. Work to a stiff dough. Putty that is to be used for all natural finishes should not be matched exact but should be a trifle darker because the wood ages and gets darker and the utty does not ; as it may show a difference at first, but later it will not; but as this is or has been the old method of filling up nail holes and so forth, there is now another method where fur- niture is to be finished by staining. 39 First these nail holes and chipped out places should be filled up before staining with a water putty called tite fill, sold by McFadden. This water putty when firmly pressed into the intended places dries quickly and when sanded off will take the stain the same color as the wood and will not sink like the oil putty. To cut dry orange shellac place 41/2 lbs. into a wooden keg or a stone crock, add 1 gal. of 95% wood alcohol, agitate or stir occasionally until gum is dissolved, but do not leave shellac stand in tin parcels exposed to the air, as orange will turn very dark. Waxing Floors In regard to waxing hard wood floors, such ^xs new oak floors, to produce a nice satisfactory job, see that the floors are put in the right shape, such as being scraped evenly and sand papered to a smooth surface by the caii)enter, and then apply a coat of natural paste filler ; leave on about fifteen minutes and then grass and rag off clean; rub filler across grain of wood; leave filler dry for twelve to fifteen hours and then apply a coat of white shellac and let diy until next day, and then sand, and if only one coat is desired and the next application is the wax, apply a good coat of John- son's floor wax with a piece of cheesecloth, rub- bing it well over the floor, and this should be left dry about ten or fifteen minutes and then brush off with the floor brush, which is made for the purpose; then by placing a piece of felt beneath the brush and proceeding in the same manner, a very satisfactory wax polish is obtained. If the floors are old and have already been waxed and are tarnished from age and soiled by 40 being mopped over, to brighten them up for re- waxing, they should be cleaned. This can be done by using v/ood alcohol and a handful of clean waste, but in using this one should be well acquainted with the nature of alcohol, not to apply too much, just enough to take off the old wax and not to raise the under coat ; in doing this rag dry as you go and it will dry for rewaxing in about one-half hour. Flat Wall Painting In doing over old walls, the good looking results of your job largely depencl on the condition of your foundation. Before starting to paint, if the walls are old and have been whitev/ashed or calcimined, this should all be v/ashed and scraped off, and if broken out and full of nail holes, they should be plastered up nicely and sanded off smooth, and then you are ready to proceed with the coating. Sometimes the walls are sized before the first coat of pahit is applied and sometimes over the first coat of paint. This sizing should be made from a good grade of drying varnish thinned out very, very thin, just so that it forms a mere glaze. This is done in order to give the v/alls a smooth, hard surface and to help your coating to stand out better. This same process is used for oil painting ; also, at least forty-eight hours should be given for each coat to dry, and where the walls are new and nicely white coated, it is not necessary to do ap-y sizing unless one wishes to go to that expense. All flat Vv^all paint should be flowed on like enamel, with plenty of paint on your brush, and not brushed out like the house painter brushes his paint. 41 That is the difference in applying these two paints. The wall paint when applied like men- tioned above will flow out itself and dry out nicely without brush mars ; but judgment must be used so as to not have your paint run. Flat wall paint can be cleaned bj' washing the walls with Ivoiy soap and warm water, and then rinse and dry thoroughly. Enameling To secure a nice white job of enameling, it re- quires three coats of flat white. For white enamel on new work, of which the first coat ought to be flat lead, and the other two coats be mixed with lead and zinc white, which will give your enamel a nice pure white ground. These coats to be given sufficient time to diy and sanded well between coats, and then a coat of good enamel paint on. For Increasing and Decreasing Formulas In regard to these weighed-out paint formulas which are found in this book, and which contains several hundred other useful formulas, one will note the size of each fonnula as it is. To raise the formula to a larger amount it will be necessary to multiply the amount of lead and each of the other colors by the same number as you have multiplied the lead for a smaller amount reduce accordingly. Also the stain formulas for lighter shade, add more water or alcohol or oil, whichever stain it may be, and for darker shades increase the stain powder. 42 In mixing paints to match flat and varnished plates, one will find it easier to match the flat plate ; if he has matched the flat plate and then varnishes it, it will look slightly different under the brilliancy of the varnish. No. 1 Apple Green 48 lbs. white lead 2 lbs. Sylvan green. No. 2 Buff 40 lbs. white lead 10 lbs. French ochre. No. 3 Colonial Yellow 471/2 lbs. white lead 11/2 lbs. French ochre 1 lb. lemon chrome yellow. 43 No. 4 Citrine 371/2 lbs. white lead 71/2 lbs. French ochre 2 lbs. burnt sienna 3 lbs. drop black. No. 5 Cream 49 lbs. white lead 34, lb. French ochre V2 lb. lemon chrome yellow. No. 6 Drab 44 lbs. white lead 5 lbs. French ochre 1 lb. lamp black. 44 No. 7 Fawn 47 lbs. white lead 2% lbs. French ochre V2 lb. burnt turkey umber. No. 8 Green Stone 47 lbs. white lead 11/2 lbs. medium Sylvan green IV2 lbs. raw turkey umber. No. 9 Ivory 49 lbs. white lead V2 lb. raw sienna 1/2 lb. lemon chrome yellow. 45 No. 10 Lead Color 49 lbs. white lead 1 lb. lamp black. No. 11 Lilac 48 lbs. white lead 1% lbs. dark tuscan red ^2 lb. ultramarine blue. No. 12 Light Olive 35 lbs. white lead 71/2 lbs. French ochre 21/2 lbs. medium chrome yellow 3 lbs. raw turkey umber 2 lbs. drop black. 46 No. 19 Gray 481/2 lbs. white lead 1 lb. French ochre 1/2 lb. lamp black. No. 20 Sky Blue 491/2 lbs. white lead 1/2 lb. Prussian blue. No. 21 Spruce 40 lbs. white lead 5 lbs. French ochre 3 lbs. medium chrome yellow 2 lbs. bright Venetian red. 49 No. 22 Straw 45 lbs. white lead 31/2 lbs. French ochre IV2 lbs. medium chrome yellow. No. 23 Tan 45 lbs. white lead 31/2 lbs., bright Venetian red 1 lb. medium chrome yellow 1/2 lb. lamp black. No. 24 Terra Cotta 421/2 lbs. white lead 71/2 lbs. burnt sienna. 50 No. 25— Special 50 lbs. white lead 21/2 lbs. 51/2 oz. French ochre 1/2 lb. lamp black 3 oz. Prussion blue No. 26— Special 25 lbs. white lead % lb. French ochre 1 oz. medium chrome yellow % oz. lamp black. No. 27— Special 50 lbs. white lead 5 oz. French ochre 1 oz. lamp black 1/2 oz. medium chrome yellow. 1 oz. Prussian blue. 51 No. 28— Special Maple 15 lbs. white lead 1/2 oz. bunit umber 2 oz. yellow ochre. No. 29 Lavender 5 lbs. white lead 1 1-3 oz. Indian red 1 1-3 oz. ultramarine blue. No. 30 Purple IV2 l^^s. white lead 1 lb. Indian red 12 oz. ultramarine blue. 52 No. 31 Yellow 1 lb. white lead 1 oz. chrome yellow. No. 32 Olive 1% lbs. white lead 141/2 oz. light chrome yellow 1 oz. ultramarine blue 1 oz. Indian red 1 oz. lamp black. No. 33 Light Green Special 10 lbs. white lead 11 oz. medicm chrome green 41/^ oz. light chrome yellow 1 1-3 oz. ultramarine blue. 53 No. 34 Blue 4 lbs. white lead 4 oz. Prussian blue 4 oz. ultramarine blue 4 oz. lamp black. No. 35 Old Rose 10 lbs. white lead 18 oz. Venetian red 41/2 oz. Indian red. No. 36 Light Lavender 10 lbs. white lead 3 oz. ultramarine blue 1 oz. Indian red. 54 No. 37 Dark Lavender 10 lbs. white lead 51/2 oz. ultramarine blue 3 2-3 oz. Indian red 9 oz. drop black. No. 38 Rose Pink 10 lbs. white lead 9 oz. A^enetian red 41/2 oz. Indian red. No. 39 Light Brown 4 lbs. white lead 8 oz. burnt turkey umber. 55 No. 40 Red Brown Special 4 lbs. white lead 8 oz. burnt turkey umber 8 oz. Indian red 8 oz. Venetian red. No. 41 Seal Brown 4 lbs. burnt umber 1 lb. golden ochre. No. 42 Sea Blue 9 lbs. white lead 10 oz. Prussian blue 15 oz. raw sienna. 56 No. 43 Heliotrope 20 oz. zinc white 30 oz. bright red 40 oz. ultramarine blue. No. 44 Yellow 10 lbs. white lead 20 oz. golden ochre 20 oz. medium chrome yellow 41/2 oz. Venetian red. No. 45 Light Blue 5 lbs. white lead 1 oz. Prussian blue 11/2 oz. raw sienna. 57 No. 46 Brick 10 lbs. French ochre 5 lbs. Venetian red 5 lbs. white lead. No. 47 Brown 10 lbs. white lead 20 oz. burnt umber 20 oz. French ochre 10 oz. drop black No. 48 Chestnut 30 oz. Indian red 20 oz. lamp black 10 oz. yellow ochre. 58 No. 49 Copper 10 lbs. medium chrome yellow 5 lbs. Venetian red 5 lbs. drop black. 10 oz. red 10 oz. yellow 61^ lbs. black. No. 50 Nut Brown No. 51 Amber Brown 11/2 lbs. burnt umber 1 lb. medium chrome yellow % lb. burnt sienna. 59 No. 52 Aldemey Brown 8% lbs. lamp black 10 oz. lead 20 oz. orange yellow 30 oz. chrome yellow. No. 53 Argus Brown 6 lbs. lamp black 2 lbs. orange yellow 1 lb. chrome yellow. No. 54 Bismark 10 lbs. lamp black 5 lbs. Indian red 5 lbs. orange yellow. 60 No. 55 Bismark Brown 6 lbs. lamp black 1 lb. orange yellow 1 lb. chrome yellow. No. 56 Coffee Cream Light 10 lbs. white lead 2 oz. raw sienna 41/2 oz. chrome yellow 1 oz. burnt umber. No. 57 Indian Brown 4 oz. Indian red 4 oz. lamp black 4 oz. yellow ochre. 61 No. 58 Leather Brown 514, oz. yellow ochre 3% oz. Venetian red 31/4 oz. white lead li/i oz. of blue black. AUTOMOBILE COLORS No. 1 Light Blue 10 lbs. white lead 9 oz. ivory drop black 11/4 oz. Prussian blue 4 1-3 oz. French chrome green 62 No. 2 Buff Brown Light 10 lbs. white lead 9 oz. raw sienna 51/2 oz. raw umber 2 2-3 oz. chrome yellow 3 2-3 oz. French ochre 2 2-3 oz. burnt umber, turkey. No. 3 Sage Bush Green 10 lbs. white lead 21 oz. raw umber 12 oz. French ochre 7 oz. chrome green 8I/2 oz. drop black 9 oz. chrome yellow. Light Marine Green 10 lbs. white lead 54% oz. ivory drop black 18 oz. medium French green 23% oz. chrome yellow. 63 Peacock Blue Green 30 oz. medium chrome green 10 oz. ivory drop black 2 oz. Prussian blue. Oriental Brown 1 lb. white lead 1 lb. French ochre 4 oz. burnt turkey umber 4 oz. burnt sienna 4 oz. chrome yellow. Army Drab 5 lbs. white lead 30 oz. raw umber 59 oz. raw sienna 4 1-3 oz. medium chrome green. 64 Champagne Color 10 lbs. white lead 2 2-3 oz. chrome yellow 3 2-3 oz. raw umber 1 oz. burnt turkey umber. Light Sand Stone — Special 10 lbs. white lead 9 oz. raw umber 9 oz. burnt turkey umber. Columbia Green 18 oz. ivory drop black 6 oz. medium French green 6 oz. French ochre. 65 Light Gray 10 lbs. white lead 9 oz. ivory drop black. Paris Gray 10 lbs. white lead 11 oz. ivoiy drop black 1 2-3 oz. Indian red 2 2-3 oz. raw umber 1 oz. raw sienna. Brown Light 5 lbs. burnt turkey umber 5 lbs. burnt sienna. 66 Oriental Brown Dark 5 oz. French ochre 2 oz. burnt sienna. Blue Gray 10 lbs. white lead 15 oz. ivory drop black 1 2-3 oz. Prussian blue. Tan Color Light 8 oz. white lead 5 oz. French ochre 3 oz. burnt turkey umber 2 oz. burnt sienna. 67 Battleship Gray 121/2 lbs. white lead 37% oz. ivory drop black 1% oz. Prussian blue 71/j, oz. raw umber. Rolls Royce Blue 10 lbs. white lead 6 oz. Prussian blue 16 oz. medium chrome green. Pierce Arrow Gray — Light 20 lbs. white lead 18 oz. lamp black 4 1-3 oz. Indian red. 68 Pierce Arrow Gray — Dark 20 lbs. white lead 9 oz. Indian red 27l^ oz. lamp black. Special Green Dark 10 lbs. white lead 22% oz. lamp black 271/4 oz. chrome yellow 9 oz. yellow ochre 18 oz. medium chrome green. Biege Color Light 10 lbs. white lead 36 1-3 oz. ivory drop black 18 oz. raw umber 18 oz. burnt turkey umber. 69 Cobalt Blue Extra Dark 3 lbs. ultramarine blue 1 lb. ivory drop black. Brewster Green 1/2 lb. lamp black 1/2 lb. ultramarine blue 1/2 lb. chrome yellow 1/4 lb. medium crome green. Primrose Yellow Light 10 lbs. white lead 51/2 oz. chrome yellow 10 oz. light chrome yellow. 70 Gray Green 10 lbs. white lead 11 oz. medium chrome green 41/2 oz. light chrome yellow 1 1-3 oz. ultramarine blue 1% oz. lamp black. To bleach old floors where finish has been re- moved, or dirty floors that have had no finish on, use dissolved oxalic acid in boiling water. Apply this, leave on ten or fifteen minutes, and then wash off with clear water. GROUND COLORS FOR GRAINING No. 1 Dark Oak White lead, raw sienna, raw umber and a little ivory black. No. 2 Light Oak White lead, raw sienna, or French ochre. No. 3 Cherry White lead, raw sienna, tinged with burnt sienna. No. 4 Mahogany White lead, ochre, and Venetian red. 71 No. 5 Walnut White lead, Vandyke brown, or burnt umber, ochre, Venetian red, and a trifle of ivory black. No. 6 Golden Oak White lead, raw sienna, ochre, and a little burnt sienna to redden it. Iron of any kind that is to be painted to pre- serve it should first be sand papered, and then a coat of good red lead applied, and then any other color that would be desired. Prime Coat Formula 98 lbs. paste red lead 1 2-3 gals, raw linseed oil 1 2-3 gals, of turpentine 14, gal. Japan drier. 72 No. 4 Brilliant Green — Special 10 lbs. white lead 21 oz. medium French green 251/2 <^z. chrome yellow 51/2 oz. ivory drop black. No. 5 Pink 10 lbs. white lead 6 oz. Venetian red. No. 6 Salmon — Dark 10 lbs. white lead 71^ oz. burnt sienna. 73 No. 7 Salmon — Light 1214, lbs. white lead 9 oz. raw sienna IVj, oz. burnt sienna. No. 8 Red Brown — Special 10 lbs. white lead 18 oz. burnt turkey umber 9 oz. ivory drop black 7Vi oz. Indian red. No. 9 Buff Brown— Dark 10 lbs. white lead 22'% oz. raw umber 9 oz. raw sienna 9 oz. French ochre 51/. oz. chrome yellow. 74 No. 10 Light Brov/n — Special 10 9 18 9 lbs. white lead oz. burnt sienna oz. burnt umber oz. drop black. No. 11 Red Brown 10 lbs. white lead 27% oz. burnt sienna 2714, burnt umber 18 oz. ivory drop black. No. 12 Blue 10 lbs. white lead 161/4 oz. Prussian blue 4 lbs. drop black. 75 No. 13 Light Gray Green 10 lbs. white lead 14% oz. medium French green 27 Vi- oz. ivory drop black 11 oz. burnt umber. No. 14 Dark Gray Green 10 lbs. white lead 23% oz. medium French green 24% oz. burnt umber 451/2 oz. drop black. No. 15 Naples Yellow Dark 10 lbs. white lead 41/2 oz. chrome yellow 13% oz. raw sienna. 76 No. 16 Dark Coffee Cream 10 lbs. vfhite lead o oz. burnt umber 21/2 oz. raw sienna 5Vj oz. chrome yellow. No. 17 Light Green Gra>^^— Special 10 lbs. white lead 9 oz. burnt umber 9 oz. medium French green 2 oz. drop black. No. 18 Light Gray 10 lbs. v/hite lead 6 oz. drop black 2 oz. raw umber. 77 No. 19 Horizon Blue 10 lbs . white lead 35 oz. drop black 9 oz. Prussian blue 6 oz. medium French green sy. oz. raw umber. No. 20 Light Green — Special 10 lbs. white lead 7V4 oz. chrome yellow 3% oz. medium French green. No. 21 New Green or Dark Sage Standard 10 lbs. white lead 9 oz. medium French green 251/2 oz. chrome yellow. 78 No. 22 Dark Pea Green 10 lbs. white lead 131/2 oz. medium French green 7 oz. French ochre. No. 23 Medium Gray 10 lbs. white lead 171/2 oz. drop black 31/2 oz. raw umber. No. 24 Baby Blue 30 lbs. white lead 11/2 oz. French ochre % oz. Prussian blue. 79 No. 25 Special 60 lbs. white lead 40 oz. French ochre 14 oz. Prussian blue. No. 26 Special 10 lbs. white lead 2234^ oz. raw umber 9 oz. raw sienna 4 oz. French ochre. No. 27 Chocolate Brown 10 lbs. white lead 5 lbs. Venetian red 5 lbs. drop black. 80 JO pj CD rt) 0 P P 0< Qi fDfD (DfD (D fD 2^ Qi O* P* O' 81 pa p CO (T> CO :^ ::3 :31 Mj >-l3 cc p ^Q CD 0? CO cc p^ CD Q?D f-*- in- ?o P o a> a- O P P o fTt; 2. 2. a, IB l§ P p' CTQ orq d ^ m Cfl CD '^ o o CD CD CD CD P P H?D P CD P P o>dor^^o •"I t 85 iliiSiB^^ LIBRARY OF CONGRESS DOOlElHlibbA #