s>««% ^ninloW^JP^STr^bBRBf??^;^^ m li ic5 fc HCy AMES' Series of STANDARD AKD MIITOR LKAMA. HOW SISTER PAXEY AN ETEICPEiN FARCE IN ONE ACT, - in - -I. S H. SHAW, l\'i in CA f^T OF rjTA RA CTKIIS, KSTPlA NCES A ND EXITS, REI,A Tl VE Posri inxs OF I UK i'i:i:F<>ni\u:]:soy tjiestahe, de- aVJiJf'TiUN ()E<-<)STI:ME, and the WIIOI.EOF THE STAGE hi:61NESH, AS PERFORM- ED A T THE PRINCfPAE AMER- ICAS AND ENGLISH THE A TRES. m 13 3 Si o o a r*3 ^« 1) AMES, PUBLISHER. ^m^imm^wm^^m^''/^^^wm^ ( Adrift. <>.,1 I'liil's Uirllurv ) A ("..rn|>li'te De- IIow He Did It, Tlu' S|iv lit" Atliiuta, ^fri|»liv«' Cut ( Joe's Visit. TIh' CoiniiiK Mnii, I iiloa^uc FH EK T/ic (ibnrr I't cents each e.rccpt Thr S/-t/ <>/ Allnnln, iruirli is J'> cmt.s. JVEir pLdrs. ^>) u NEW PLAYS. I 7'). ADRIFT. A TeDiiHMaiiLr Drama, in three acts, by Chas. W. Babcook, Ci> ^i. D. Six male, ioiu- I'om.ile oharaeter^. Good cliaracteis lor leading man, (y villain, comedy, juvenile, a cipital negrw, and jolly Irishman. Also leading la- yl dy, little girl, juvenile lady, and old negress. A deej) plot, chaiacters well (^ > (\>) drawn and Liifguage i)ure. Easily produced. Scenery simple on d costumes ( !) Al) juodern. Time of periermanee, one hour and a half. ^y ^ 76. I/O W HE nit) IT. A comic Drama in one act, by John I'arry, three C i> male, tw.) female ciiaracicrs. An amusing scene from real life. A ph/i is laid (^ > to cinv' a hu.slmnd, who having lost a tirsi wife whom he domineei'ed over,.trie.s ( !> totro.it aseeouil one in like manner. A splendid comedian's part. Time about | ) thirty minutes. ^Costumes modern. (- j> Q 77. JOES I'ISIT. An Etliiopean burlesque on the Rough Diamond, two v> - male, one female cliaracters. Easily produced and very laughable. Can also be C) played white. Time twenty minutes. Co.stumes extravagant negi;o. (O ^j 7.S. A^' A ]yFUL~CRliVI\AL. A Farce in one act, by J. Palgrave Simpson, ^ [ (])) three male, three female cliaracters. Plot excellent and its devek)pment very ^( jj) amusing. The oftener produced the better it is liked— is in one scene and easily ^ ^ ( j) put upon the stage, ('ostiime.-; sim)»le. Time thirty-tive minutes. ' O 7!). THE SPY OF ATLANTA. A (Jrand Military Allegory in .'! el on incidents which occured during the war of the Kebellion — it "introduces ).i Ohio's l)ravean(l gallant McPher.son— tlie manner of his capture and death. It ^{ abounds witii iteautifui tableaux, drills, marches, battle scenes^ Andersonville, ^^ etc., and is pronounced iiy the iire.ss and public, the most successtiil military ^\ (jp play ever produced, (i. A. K. Posis, Military Companies and other organiza"- ^^^ ^N tions, who may wish something which will draw, should produce it. it may O ^{^ not be out of jilaee to add tnat this play with the incidents of the d.-ath of Mc.'- ( } Pherson, was writt--n with the consent of the General's brother, K. B. McPher- (^ ) son,||sinc;j dead.^wno fully approved of it. Price 'i.i cents per copy. ( ) ^ 80. AL.ARMINGLY SCSPiriOUS. A Comedietta in one act, bv J. Pal- $ (hj grave Simpson, four m lie, tlire.' females. This play is easiiv arranged', and the ''P (>) plot excellent. Some things are "Alarmingly Su.spicious" however, and it-will <^ ■ '{ please an audience. Time forty-five minutes. " (^ c|^ SI. OLD PHIL'S BIRTHDAY. A serio-comic Drama in two acts, bv J. % (p \\ Wooler, hve male, two lemules. Scenery easilv arranged. Costumes modern. f^ One of the purest and mo,u attraL'tive plays ever published. Thecharcter' of }[ "Old Pall" cannot b-^ exeelle.l, an I the oalance are every one good." Time one { (^ hour and forty-five :jinut.'s. * O (P 82. KlLLlNCr TIME. A Farce in one act, one male, one female. ;^Scene''a ((\ <\) drawing room. Costumes modern. A woman held captive at home l)y the rain -\ m seeks to "kill tim-." flow sh>-doesi( is told bv this farce. Time about thirtv W (j) minutes. "^ " '1^ h 83. OUT Oy THE WORLD. A Drama in three act.s,» live males, four fe- \\ (^ males. Scenery not ditlicuU. Modern costumes. A thrilfing picture of love ).{ jl) fidelity and devotion. Exc.-lleiit leading characters^ iindu Irish comed'v, "".both' >' r]) male and female. C.m be produced on any stage. Time two houik An'A'mer- '^ 61) ican Drama. " C >) (Ji) S4. VHEEK WILL WIN. A Farce for three male' characters bv W E - ) Suter. Costumes modern. Scene plain apartment. It i.s said that nothing wili Y' ^ carry a nmn tlirmigh the world as well as plentv of "cheek." " i strikin.-- ex- ^s ^) ample is given in tills farce. U will jdease all. Ti"me tiiirtv minutes " " ^^ % S.5 THE OUTCASTS WIFE. A domestic Drama in 't'hree acts, bv Colin I: ^ 11. Hazlewood, twelve males, three females. Co.stumes modern. A thrillinsf ^. play ot the blood and thunder order, abounding in exciting .scenes and hair- vl breadth escapes, Is a favorite wherever inoduced, "andWias leadin'"- man old ^ I man, juvenile and comedy characters. The "wife" is aVand (me t^.r leadiu"- ^' ? ^ lauy, and there IS a good comedy. Time one hour and fort v-tive minutes ^^ f) ^iS. BLACK VS WHITE OR THE NIGGER AND YANKEE A Fare S' (I) in one act, by (ieo. S Vautrot, four males, two females. Simple scenerv Mod- $ ^ ern costumes. In this larce is combined the Ethiopean and Yankee "both ^\ (^^ charac ens being very tunny, as well as other excellent parts. Time of perfoii - T (£^ ance, thirtv-tive minutes. ' "•<- oi pfnoim ^ (I HOW SISTER PAXEY GOT HER. CHILD BAPTIZED, AN ETHIOPEAH FAECS insr oisriG scicjsrEi, BY J. 2. E* Shaw^ Esq* W tb v-'^omplete stage directions, deseriptions of costumes, and entrances and exits, correctly printed from the author's manuscript. Entered according to act of Covgress, in the year 18S0, by A. D. AMES, in the office of the LibraHan of Congress, at Washington. 2n3P''- •<;. CLYDE, OHIO: A. D. AMES, PUBLISHER. 1 "--^ HOW SISTKR PAXET GOT HER CHILD BA.PTIZE©. CHARACTERS. Brother Bones A Colored Preacher Sister Paxey — who is rather sly, and will dance and im- bibe a little when no one is about One of his member.^ Jim Paxey Sister Paxey' s son. Scene — A kitchen. Costumes — To suit the ctiaracters, but a little "loud. Properties. — Marbles, jewsharp, one bottle labelled "whiskey", one bottle labelled "turpentine", tumbler, two bottles not labelled, pail of water, large rag baby, one chair. Time of performance — twenty minuter. THP96-Q06729 HOW SISTER PAXEY GOT HER CHILD BAPTIZED. SCENE. — A kitchen with table, chairs, etc. Jim Paxey discovered sitting on thefioor, playing marbles. Enter Sister Paxey, l. 1 e. Sister P. 0, law me ! I Avonder where dat eberlastin' boy ob mine hab gone. If I git a hold ob him, I'll gib him one ob dem ole Virginia lickins, Bich as massa used to gib me, when I picked cotton down south, {she sees Jim) 0, here you is, you little scamp you, git a long where I sent you, {kicks Jim, toho runs around the stage crying.) Stop dat cry in' an* go 'long after dat preacher, before dat chile expires. I want him to baptize it. Dat beautiful creature. Jim. I ain't cryin', dat am de way 1 laugh. I hab been to see brodder Bones, and he says he will be here immediately, it not before. Sister P. Well, den stop dat laffin, I'm too ole to be laughed at. But I must iix to sustain dat preacher, to de best ob my inability. Jim. Well den, while you are waiting, let's have some fun. Sister P. All right, what shall we do? Jim. Why, let's run a race. Sister P. "l can't run, I hab got de rheumatics in one ob my legs, awful bad. Jim. I guess we will have to let dat go. But dat am a curious place to take de mathematics. I always thought dat people tuck dem in de head. Sister P. You Jim ! I didn't say the mathematics. I said the rheumatics. Jim. yes, I understand the rheumatics. 0, mammy, I know what to do now. Sister P. What am it? Jim. Let's jump. Sister P. d, but I can't jump ! Jim. sVell, mammy, suppose we dance. Sister P. ! but den you see, I can't dance, because one foot am a Mef- fi;^est an* de oder am a Presbyterian. Jim. 0, but you can try. Sister P. No I can't! no sur-ree-bob, you don't ketch me a dancin', and the preacher a cumin' in at any minute. Not much Sister Paxey don't let the preacher catch her a dancin'. Jim. Well, but I have some church music here. (pulls ajetvsharp from his pocket. Sister P. Where am it ? Jim. {showi7ig jewsharp) Here it am. I can play dat ole camp meetm • 4 HOW SISTER PAXEY GOT HER CHILD BAPTIZED. song, dat broder Bones makes 'em all shout wid. Sister F. Ai-e you sure you can? Now Jim, I don't want to dance any- thing but church music, because it would be a very great sin. Jim. Yes, mammy, you jest bet your ole bonnet on dat. {aside) I'll fool mammy once any way. I'll play her Yankee Doodle, and she'll not know the difference. 8iste7' P. {aside) I don't guess it would be any harm if de preacher was cum in and catch me a dancin' church music, [^to Jim) Well, git us some familiar tune, an' I'll try to dance. Jivi. All right, mammy, {takes his jewsharp and plays Yankee Doodle, they both dance until sister Paxey stumbles and falls.) Sister P. {rising) Are you sure dat am church music. Jim. Yes, mammy, dat am broder Bones' favorite tune. Dat am de one he makes em all shout with at de camp meetin'. {aside) I knowed I'd fool mammy. Dat am Yankee Doodle, but mammy don't know the diflTerence, and I'll not tell her anv better, or else she'll give me a thrashin'. {to sis- ter P.) Well, mammy, how d'you like dat tune? Stster P. i liou'L know as i eber heard it afore, but it seems to suit my taste very well. {struts around gaily. Jim. 0, mammy, you are way behind de times, now a days. Sister P. How am dat, my son? splainify dat to me. Jim. {aside) Well, of all the old fools I eber did see, mammy is de big- ist. {to sister P.) I mean dat you don't walk like de fashionable portion ob de population do now a days. Dey go it somethin' after dis style, only dey hab got more ob a twist to it. {trying to walk like a lady) Some how or oder I can't git dat peculiar twist to it dat de most ob em hab got. {continues to walk around. Sister P. De oder day, when I was out takin' a walk, I met one ob de fashionable young ladies, and she was a comin down de street a meetin' an oder one of the lashionable young ladies. She had on one ob dese pull back or hitch back, what eber you call em, and she was a comin' down de street some thin' like this, {shovjs hoio by taking up the skirt of her short dress) 0, dear, my dress won't permit me to show you exactly how she was a comin' down dat street, but maby you can comprehend. If I disremember right, she was a comin' sorter this way. {shoivs how) "0, dear, I'm so glad to see you, it is so hot to-day, I really thought I should have expired." Now when I was a gal, it was different all together. They went it sorter this way, in muddy weatner. {shoivs hoio, by taking up her dress in front, and stamping rotnd the stage) And they meant business too, I tell you. Dat was when I was a gal. • Jim. 0, mammy, give me ten cents to git a bottle of soda water, I'm so dry after dat talk. Sister P. O, dear, dem rheumatics am a comin' back on me agin. You Jim, go an' git dat rheumatic medicine ob mine, you will find it on de top shelf. • Jim. All right, dat am just as good as soda water for me, it am awful easy to take. I'll go an' see if I can find it. {exit r. Sister P. 0, he's an obedient son, I tell you, and he's so quick. Here he's back agin. Enter Jim r. with ixoo large bottles, one labeled ^^whiskey^' the other 'Hurp^n- tine." He is drinking out of the whiskey bottle as he enters. Jim. Say mammy, which ob dese here bottles am your medicine in, dis one seems to taste de best. {drinks. Siser p. Let me see dem labels an' I can tell you which it am. Jim. All right, mammy, dat am de one y»u want, {hands her the tur- pentine bottle. — aside) I hope it am, for dis here tastes most awful good. {Sister P., takes bottle and reads label, "turpentine J' Sister P. No dis am turpentine, dis ain't my medicine j dare it am, you HOW SISTER PAXEy GOT HER CHILD BAPTIZED. 9 have it in your hand. Dat am de bottle dat my medicine am in. Gib it to me. {points to the bottle that Jim has. Jim. All right, mammy, here 'it am. {raises the bottle as if to hand it to her, but drinks. Sister P. {disappointed) Yes, ihere it am, but I ain't got it yet, and ain't likely to either from the present appearances, {getting angry) Gib it to me, I say ! Jim. Yes, it's awful good, I got it on the top shelf, {raises bottle again to give it to her but drinks. She reaches to take it but is disappointed. She chases Jim, around the stage, but fi nail jj gives it up and stops l.) Sister P. {in a threatening manner) Gib dat here, I say. Jim. (r.) Well, mammy, here's {raises bottle and she steps up to take it) to your health. {he empties bottle. Sinter P. From de looks ob de thing it am to your own health. Jim. 0, no mammy, dat am de style now a days. Here mammy, you drink to my health the same as I did to yours, {hands her the empty bottle. Sister P. {pleased) All right. {goes to drink but Jim stops her. Jim. Hold on, mammy, you forgot to say, here's to my health. Sister F. {getting a glass) 0, so I did, Jimmy. Well, here's to your health. {tries to pour some out. Si'sttr P. I wonder what am in de neck ob dis here bottle, dat won't let my medicine come out. {looks doion the neck of bottle) Now I don't see anything wrong with that bottle, {shakes it, vjhen she finds it is empty) No, I don't think I will drink to your health, nor to any body elses, when you didn't leave any in the bottle. But I don't care, I can git anoder bottle, I guess, about dis house an' you shan't have nary a drop neither. Jim. All right, mammy, {exit Sister P. r.) I guess I can find some more medicine about dis here house some whar. {exit l. Enter Sister P. r., with a bottle of xoater, drinking. Enter Jim t,. with a bottle. Business adlibitum, when Jim looks ofi r. and sees Brother Bones. Jim. 0, mammy, dar am dat preacher a comin' to baptize mine little brodder. Sister P. 0, dear, I wonder what on arth dat preacher am a comin' here fur any way. 0, yes, I remember now, I sent you for him to baptize dat child. Well I must fix things up a little around here, {tries to arrange the room, but cannot stand steady, and sits down) well, I will just sit down on dis chair, an' when Br udder Bones comes in, I'll just sit still, an' he'll not know that I've been takin' a little too much ob my medicine. Jim. No, no ! Dat won't work, because dar ain't only one chair here, an' how am you goin' to sit on dat, an' tell him to take it? Sister P. Neber you mind, Jim, I'm used to these preachers. I'll tell him some story about it. Jim. {getting tipsey) All — hie — right, mammy — hie. {knock £. Sister P. {sits on chair) Come in — hie. Enter Brother Boyies, r. 1 e. Bones. Good day ? How do you do ? How do you come along ? Sister P. You mean me'n Jim, I s'pose — hie — We do as we — hie — please — hie — Now how do you — hie — do? Bones. Tolerable well, thank you, you seem to be indulgin' in somethin* to drink. Sister P. Brodder Bones, take a chair — hie — an' sit down — hie. Bones, {seei no chair) Sister Paxey, I don't see any chair to take. Sister P. 0, sense me, I forgot the chairs am all in the parlor — hie — here take this — hie — one, I can stand — hie. {staggers arid gives chair to Bones. Bones, {taking chair) Thank'ee. {goes to sit doion when she is over bal- anced and knocks the chair from under him, they both fall.) Jim. {aside) It pears to — hie — me dat somethin's — hie — dropped. 6 HOW eiSTEB PAXEY GOT HER CHILD BAPTIZED. Bones, {rising and dusting his pants) Well, sister Paxey, you don't seem to stand very well. Sister P. I — hie — don't eh ! Well, I can't — hie — help that. Bones. You should not indulge in strong drink, an' den you could help it sister. Sister P. I wasn't a dulgin' in it I — hie — was only takin' some medicine — hie — for my stomach. Jim. Now, mammy, you — hie — said dat was — hie — for your rheumatics dat you — hie — took dat medicine. Sister P. {aside to Jim) You Jim, shut up ! I tole you — hie— not to say nuthin'. Jim. All right, mammy — hie — but dat am what you — hie — tole me. Sister P. {to Bones) I'll tell you — hie — Brudder Bones, I had the — hie — rheumatics awful bad in one ob ray — hie — legs, an' I took some ob dis here medicine ob mine, but it — hie — seems to hab gone the wrong — hie — way, it hab gone up instead ob down. You had better try some ob it, it a,m ready relief— hie — an' it takes eflfect right immediately, if not — hie — before. {offers the bottle to him — he takes it and drinks. Bones. Dat am good, I tell you, not hard to take either. But where am dat child you wanted baptized ? Sister P. 0, I forgot all about dat child wantin' — hie — baptizin'. I'll go an' fetch it in. {Bones stops her. Bones. no, you needn't bring it in, I can go into de oder room. Do you want it dipped, sprinkled or submerced ? Sister P. Well, if it's— hie— all the same to you, I would like to — hie — hab it dipped, if you can find water enough around dis place. Bones. All right. I guess we can find water enough. A pail full of wa- ter would be enough to dip a small child. I say sister, gib me some more ob dat medicine, my corns am a hurtin' awfully, an' if it am good for de rheumatics, I guess it would be good for corns. Sister P. 0, yes, it am mighty good for the — hie — corns. ^ {takes a drink then hands it to Bones) It will do your corns — hie — good. Try some of it. Bones. I know dat will do my corns good, for I am beginnin' to feel it in my — hie — toes already, {sits bottle down beside him. Sister P. takes the bot- tle unobserved by him, and empties it and sits it back. Sister P. I say, Brodder Bones, what did you — hie — come here for — hie — any way ? Bones. Well, now, if dat don't — hie — beat de dickens. When — hie — I come here, dey say "what'd come here for?" — hie — an' when I go away dey say, "when you comin' — hie — back ?" What'd I come here for, let me see. Why I come to baptize that — hie — child ob yours, {takes up the empty bottle turns it up and sits it dotvn again] I say sister — hie — Paxey, habn't you got some more — hie — ob dat medicine around here ? I think it — hie — does my corns good. Sister P. {gives him turpentine bottle) Here's some more, I think. Bones, {drinking) Am it? it don't hab — hie — de same taste, any way. Sister P. Don't it ? Well I — hie — can't help that. But I guess we had better — hie — get that child baptized. Bones, {suddenly jumps up) Oh, my — hie — stomach is out of order. {runs o/f R. 1 E. Sister P. I wonder what in — hie — de name ob skience eber took dat man off — hie — so suddenly ? I wanted to hab — hie — dat child baptized before he "Went. Jim. Why, yovx old fool, mai^imy, his--hic- legs took him off so suddenly. Sister P. 0, yes, I know dat, but what prompted his legs to take him off am a mystery to me — 0, I hab made a mistake an' gib de preacher turpen- tine instead ob my rheumatic medicine. But I.wish he had baptized dat child before he went. HOW SISTER PAXET GOT HER CHILD BAPTIZED. 7 Jim, Yes, mammy, but you see, sircumstancea won't permit, they wouldn't in hjs case, any way, not when he had swallowed a pint ob tur- pentine, (aside) I'll surprise mammy, when she lays down to take her evening nap, I'll get the baby and baptize it while she am asleep. Sister P. You Jim, go an' see after dat child. V (staggers and falls on front of stage — sleeps. Jim. Dat am a curious place dat mammy hab picked on to take her nap. Sister P. {in her sleep) Ob, my stomach's — hie — out of order. Ji7n. Yes, dat am what dat preacher said. I guess a dose out ob dat bot- tle dat she gib df' preacher might ease her. (gets the bottle and stands over her as if to pour it in her face) 0, mammy don't you want a dose ? It will relieve you, I. know. Well now, I don't think it would be any harm to gib her a dose any way, I believe it would do her good, she gib it to the preach- er, an' she always said, "to do to others as you would hab 'em do to you," an' when she gib de preacher a dose ob dis turpentine, I — hie — don't think it would be any harm to gib her a dose according to her own rule, (gets bottle and stayids over her again) 0, mammy, you had better — hie — hab a dose, it will do you good. Sister P. {on floor unable to move) Not any — -hie — more, I thank you. Jim. Well, mammy, if you won't hab any, you can go to sleep, I don't care, {aside) I'll let mammy get good and sound asleep, an' den I'll — hie — baptize dat little brudder ob mine. I guess mammy am sound enough asleep to proceed with dat baptizen. She said she wanted it dipped and de preacher said a pail ob wnter would almost do, an' I am goin' to beat de preacher, I am goin' to make it do. I guess I had better bring it in here an' save making a slop in de parlor. {exit R. Enter Jim, R., with pail of vjater and large rag baby. Jim. Well, I hab got back — hie— but de baby am asleep, well, I don't care if it does wake it. Well, here goes, {holds it up as if to dip it) 0, I neber heard mammy say what she wanted it — hie — called, but rieber mind I'll call it somethin'. Now let me see — hie — General Georgo-Wasnington- Grantr-Davis-Lincoln-Ulyssus-Hayes-Tilden-Paxy. 1 reckon dat will be name enough, if it ain't, mammy can call it ober again. Well here goes. (holds y Vav: A Ticket JiLcnve A Koiiiantic Attaohnieut A Day Well Spent A Pel of the iublio Arrah DeBiiUi!;)i An Unvveh'onie Return Alarmingly lSusj)ieii)U3 A Lite's Kevenge At Last Adrift An Awful Ciiniinal Briiranils of Calabria Better Half (Japtain Smith Coming Man Did 1 Dream it Domestic Felicity Der Two Su Uprises Driven to the Wall Deuce is in Him False Friend Fetter Lane to Gravesend Give Me My U'lie How He Did it Hints on Elucution Handy Andy How Stout You're Getting Henry ^ii'anden Hans', the Dutch d. P. Hamlet Hunter of the Alps (Law How to Tame Your Mother-in- In the Wrong Box Jotin Smith doe's Visit Lady Audley's Secret Laily of Lyons •Life's Revenge Mr. and Mrs. Pringle My Heart's in the Highlands My Wife's Relations Man and Wite Mother's Fool Mistletoe Bough Miller of Derwent Water Kot So Bad After All Not as Deaf us He Seems On the sly Obedience Out in ttie Streets Paddy Miles' Boy Poaohei's Doom Painter of Ghent Rock Allen the Oriihau Restuied Spy of Atlanta, lb cts. Slocks Up Sto(;ks Down S[»ort with a Spoi'tsmau Schna]''j>s So)ne body's Xobody Saved Sham Pi'ofessor 'Ihe Sj»y c:itrons to our own list. We think it em- braces play which will suit either professional or amateur companies. If however you need something, published elsewhere, do not hesitate to send us your order.s — our stock is very large, aiid we fill pronjptly.— Stocks of every publisher on hand. LETTERS 0-PJiVQC/JitF answered, promptly, and we solicit oorrespond- .ence. 1? the business upon which you write concerns you alone, enclose a 3 cent stamp fi'r reply. Amateurs who are puzzled upon auy questions ■rehitive to the stage will be ausv.'ered explicitly, and to the best of our abil- ity. ' MANUSCRIPT TL AYS. Parties who have Mss. to dispose of should write to us. We will publish whatever may be meritorious, on terms which ■will be satisfactory. SHEET' MUSIC. Orders for sheet music, or music books will be re- ceived and filled as promptly as possible. C^4!r/4XO(7C'i!^S^ will be sent free to any address. Send a postal card, with your address, and tiie catalogue will be sent by the next mail. HOW TO ORDER. It would perhaps seem to every one that any di- rections as to 'how to order' plays was entirely sui)erfluous ; but not so. We have many instances, and remember to have been severely censured by parties, some cf whom failed to sign their name to their order, or failed to write the state, etc. In the first place, begin your order Avith the name of your post olHce, county and state. If you order from our list, it is not nec- essary to designate, only by giving the name of the pipy ; but if from the lists of other publishers, state the publishers name, if you know it. Do not write your letters of inquiry on the same sheet with your orders, and make the order ali'-ai/.erhap3 five dollar's worth in single copies, before anything suitable can be found. All this can be done away wiih. Our catalogue embraces play- suitable for any and all companies, andif our friends will write to us, state- irtg the requirements of their coiuj)anies, there need be n*^ trouble, in this line at least, if a temperance society wants plays, we have something for them. If a company wants something which is very funny, we can suit them. In. fact, we have dramas, farces, tragedies and comedies Avhich ^oill suit you. Enclose 15 cents per copy, for as many copies as you may need, iiiiid we guarantee to suit you, if you will state the size of your company, aifd whetli r best adopted to the serious or funny. Give us a trial at least. MAGNESIUM TABLEA U LIGHTS. There is scarcely a person who has not been annoyed by the smoking of colored fires, which are so often used on tableaux, and whole scenes in dramas have Veen ruined by the coughing and noise always attendant on their use. We earnestly recom- mend the use of the Magnesium lights. They can be ignited with a common match, and burn with wonderful brilliancy. There is no danger in their use; they make no smoke and are cheap. Price, 25 cents each, by mail, post paid. Those who do not know how to burn them, will be instructed by ad