\Vf) NO PLAYS EXCHANGCD. BnMCR'3 CDIT15N PL7\Y3 ^ AN IRISH INVASION Price, 15 Cents THF AMA70NS Farce in Three Acts. Seven males, lSvo :I:emaies. AiUi OiUOi^ i»? Costvunes, modern ; scenery, not diisficult. Playa a full evening. HE CABINET MINISTER TZl^Z^tZZ^^S^Z'. scenery, three interiors. Plays a full evening. DANDY DICE ^^^^ ^ Three Acts. Seven males, four females. Costumes, modem ; scenery, two interiors. Playe two hours and a half, THE fiAT LORD OCEX ^^°^^7 ^ ^*^^ Acts. Four males ten AIlLf fl I I^vnv ^UL(A fgjj^igg Costumes, modern ; scenery. two interiors and an exterior. Plays a full evening. ffls HocsE IN ORDER s:^2.'"<^r:r Jti^i^r, three interiors. Plays a full evening. THF HORRY HOff^ comedy in Three Acts. Ten males, five It UVUUi UVtkJLi fQjjj^^iQg Costumes, modern; scenery easy. Plays two hours and a half. IRIS ^'^^^^^ ^ ^^^® Acts. Seven males, seven females. Costumes, modem ; scenery, three interiors. Plays a full evening. LADY RODNTIHIL ^^^^ ^ ■^'"'"^ ^^*'^° ■^S^* ™«'1«8» seven fe- males. Costimies, modern ; scenery, four in- teriors, not easy. Plays a full evening, I FTTY ^'^^^^^ ^ Four Acts and an Epilogue. Ten males, five f e- ^ males. Costumes, modem ; scenery complicated. Plays a full eveninge Sent prepaid on receipt of price by Waltn ^. TSaUv & Company No. 5 Hamilton Place, Boston, Massachusetts An Irish Invasion A Comedy in One Act By ALICE C. THOMPSON BOSTON WALTER H. BAKER & CO. I9II An Irish Invasion CHARACTERS Mrs. McManus. Eileen, her daughter. Granny O'Ryan. Mrs. O'Donnel. Maggie O'DoNNEL. Biddy O'Donnel. MoiRA O'Donnel. Celeste. Scene. — Parlor in Mrs. McManus's house. PROPERTIES A book, letters, an old leather bag, a bunch of flowers. Copyright, 1911, by Walter H. Baker & Co. CCLD 25120 An Irish Invasion SCENE. — Mrs. McManus's parlor. A comfortable, rather showy, room furnished with sofa and chairs, R. c, a table and armchair l. c. Pictures on wall; sofa cushions; a book on table ; at back a windoiv with window-seat. Efi- trances c. and doivn l. andix. llie curtain rises to discover Mrs. McM. sitting r. c, with a book in her hand. She is a good' looking woman and is well dressed. She yawns and puts dowfi the book. Enter Celeste, r., carrying several letters. Cel. Oh, madame, at last he has come, ze lettaire for which yon wait every day so long. Mrs. McM. What letter, Celeste? How do you know I look for any letter? Cel. Because I have seen madame watch and watch with ze so eager look in ze eye. Mrs. McM. Bring it here. (Cel. brings her letters.) Cel. Zis is ze lettaire from over ze big sea. And two leetle ones like the common kind. Mrs. McM. Is this all that came? Cel. Yes; but one for Mees Eileen, which I give her, and I look out ze corner of ze eye and I see her kees it— so. (^Kisses hand rapturously.') Mrs. McM. You should have brought all the letters to me first. Now mind you do it next time. Go and tell Miss Eileen I want her at once. Cel. Yes, madame. [Exit, l. (Mrs. Mci\I. breaks seal of letter, tossing the others on sofa.) Mrs, McM. At last. I feel sure she will consint. {Reads.) Yes, yes, I was right. 3 A AN IRISH INVASION (Smiles and continues to read absorb edly.^ Enter Eileen, l., holding a letter. She is a pretty girl of about eighteen^ daintily dressed, Eileen (eagerly). Oh, mother, I have something to tell you. Mrs. McM. But I have something very important to tell you. Yours can keep. It will be a big surprise to ye. (Eileen comes to her,) Look, here is a letter from Lady Mac- room. Eileen. A letter from Lady Macroom ? Mrs. McM. Listen to this, Eileen. Sit down, dear. It will take some telling. (Eileen sits on sofa,) A month ago I wrote to Lady Macroom in Oireland and asked if she would take you into her home and inthroduce you to society. Eileen. You asked her to receive me, mother? And I have never met her. Mrs. McM. That doesn't matter. 'Tis commonly done in the best families. Oh, of course I heard first that she was willing to take a pretty American girl and introduce her at court, providin* she was well paid for it. It means a tremen- jous big sum of money, but I am ready to give it. Thank goodness, your father made a big pile in oil. And just think what this will mane to you, Eileen. Eileen. Shall I have to go to Ireland ? Mrs. McM. Yes, and to London. It's there she has her town house. Eileen. But I don't want to leave all my friends here, mother. Mrs. McM. Nonsense ! You'll maybe marry a lord. Eileen (rising). Marry? Is that why you're going to send me away ? To marry, no, to be married for my money. Mrs. McM. Sure, any girl would be wild with joy at the idea . Just think of it ! Lady Macroom has a castle that stands in the very same little village I was born in — the village of Clog- heen. Many a time I've stared up at the windows, but never thought I'd be sendin' me own daughter to visit her. And 'twas there in Clogheen your father was born, too. And he left it as a lad and came to America, and I came with him. Oh, Eileen, it wad be a proud day for me if you wrote me from Kenny Castle. Eileen. But mother, my grandmother is living yet, and AN IRISH INVASION 5 humbly in a little cottage. Surely Lady Macroom will be too proud to receive her grandchild. Mrs. McM. Oh, I've settled all that. Three weeks ago I sent for my mother, sent her two hundred dollars to bring her out, and she may come any day now. And Lady Macroom needn't know that your folks come from Ciogheen if ye keep mum. She spends most of her time at the English court, I'm thinkin'. Now come, Eileen. We'll go out this minute and I'll order you a dozen of the handsomest gowns a girl could shtep in. Eileen. A moment, mother. May I read my letter first ? ( Goes to window-seat and sits, reading letter. Mrs. McM. walks up and down the room.) Mrs. McM. Oh, Eileen, if ye only knew what this manes to me. When your father and I shtarted out first we were very poor, and both of us workin' hard every day ; but I always said, and so did he, "Eileen shan't soil her pretty hands. Eileen shall have an eddication and be brought up a lady." It was for you we saved and saved. It was for you your father made all his money, but he left it in my hands when he died. He knew I'd use it right. And I will. It's a big price to pay, but it's not too much for such a chance. Eileen (turning). Mother, I cannot go away. Mrs. McM. Why not, child ? Eileen [rising and cojfting down c). Oh, mother, here is a letter from Stephen asking me to be his wife. Mrs. McM. He may keep on askin'. Eileen. I'd rather marry him than any lord. I can't go away now. I love him. Mrs. McM. You're not going to disappoint me, Eileen. Sure, no girl would refuse such a chanst. Why, you can meet any one and go anywhere. Eileen. Oh, mother, don't send me away. Let me marry Stephen. Mrs. McM. Stephen ! He hasn't a dollar to his name hardly. Eileen (eagerly). Yes, he has. He's saved up enough to furnish a small house. And he's clever, he will work, and he truly loves me. You remember how when we were children he used to carry my books home from school for me ? And do you remember the day I fell in the lake and he pulled me out ? 6 AN IRISH INVASION He was only ten then and I was eight. He has never loved any one else. Think how faithful he's been ! Mrs. McM. A boy and girl courtship. Now I won't have any more of this, Eileen. Eileen. But he'll be here to-day to see me. He writes from New York. He couldn't wait. Mrs. McM. Now we're going out to see about your dresses. I'll get ready at once. Remember, Eileen, you'll start for the ould country in two weeks' time. Eileen. Oh, no, no, mother. \_£xif Mrs. McM., r. (Eileen looks at her letter again and kisses it. Goes to window and looks out. Voices are heard off c. Eileen listens.) Cel. No, we do not buy ze shoe laces or ze pencils or ze butter at ze front door. And ze lady cannot see you. She is ver' busy. No, no, no. (Cel. appears at Q,.) Eileen. What is it, Celeste ? Cel. One old woman who sells or begs, I know not {shrugging shoulders), at ze frontdoor. And 1 tell her **go," and she will not go. She say she will see Madame McManus. And she is ver' stubborn old woman. Eileen. Let her come in, Celeste. Cel. But madame say I must nevaire Eileen. Show her in here and I'll see her. I don't like turning old people away. Cel. Ver' well, m'amselle. {She goes otit c, reappearing at once with Granny O'Ryan. She is a little woman, her face is rosy, her eyes bright, her hair a soft gray. She wears a long, round cape, a little bonnet, around her neck a white handkerchief fastened with a big brooch. Carries a?i oldfashioned, shabby leather satchel and a bunch of faded flowers.) Granny. Norah ! {Drops her flozvers.) Eileen. No, my name is not Norah. I am Eileen. (Picks up flowers and gives them to her. ) Granny. Thank ye, me dear. Is this afther bein' the house of Mistress McManus ? AN IRISH INVASION 7 Eileen. Yes, Mrs. McManus lives here. Gkanny. Then will ye take me to her? Eileen. Celeste, ask mother to come. Cel. {tossing her head). Ver' well, m'amselle. [Exitf R. (Granny gazes at Cel.) Granny. Praise be ! She do be wan av thim Oitalyians, I'm thinkin*. Eileen. She is French. She did not understand you. Will you tell me who you are ? Granny. Shure, darlin'. I'm Bridget O'Ryan from Clog- heen, and I do be thinkin' you're Norah's gurl, forye'vegot the very eyes av her. Eileen. Then you're Granny ? {Runs to her.) Granny. And you're little Eileen that me Norah writ me about. {Kisses her.) Eileen. Oh, Granny, so you've come all the way over the ocean to see us ? And you'll never leave us any more ? You'll stay with us — with mother, I mean— for I — I am going away. Granny. Going away, dearie, and me just afther bavin' sight of your face. Oh, no, you mustn't be afther lavin' us. The young folks is like the sunshine to us. Eileen. I wish I could stay. But mother wants me to go to Ireland, to live in a castle and perhaps to marry a lord. Granny. Oh, wisha, wisha ! Lords is all very foine for them over there, but you'll marry the man you've gave your heart to, dearie. Eileen. Granny, I will, if you will help me. I don't want to leave him. Granny. And why for should ye be lavin' him ? {Enter Mrs. McM., l.) Norah! Oh, 'tis Norah hersel', and I'd known her anywhere. {Goes to her.) Mrs. McM. Mother, mother ! I am glad to see you. {Kisses her.) But did you come all alone ? I thought you'd have let me know, and I would have gone to New York to meet you. Granny. Alone, is it ? No. I came with the McAllisters and the O'Donnels, and grand company they was for me all the way acrost. Mrs. McM. Come and sit down. My, it's good to see you again, mother. Eileen, take these flowers and the bag. This is your grandchild, mother. 8 AN IRISH INVASION Granny. Sure, it's Eileen and meself is acquainted al- ready. And I'm that glad she's going to be with us to cheer us up and to take me about in this shtrange city. And it'll be foine for the O'Donnel girls when they meet her, for I make sure they'll be comin'. Maybe you won't be knowin' the O'Donnels, but ye've never forgotten Kitty Clancy. Mrs. McM. Kitty Clancy — the friend of my childhood? No, indeed, I haven't forgotten her, though it's years and years since I saw her. So she married ? Granny. Not long after you left, and now she's a widdy woman with three big gurls. And she come out with me and brought them all — Maggie and Biddy and Moira. She'll be findin' you out, Norah, for I told her where I was comin'. Mrs. McM. I doubt Kitty wouldn't feel at home — here. And as for Eileen, she is going away soon; over the water to stay with Lady Macroom. What do you think of that, mother? Here is her letter. Granny. Foine, indade. And what does Eileen say ? Mrs. McM. Eileen is young and doesn't know what's best for her. But some day when she's made a grand match and has her own castle to live in, she'll thank me for planning for her. Granny. A grand match, is it? Didn't her father leave her enough money to keep her? Mrs. McM. I'm not thinking of money. I tell ye, Eileen can look high. Granny. Eileen won't look higher than a good heart, I'm thinkin'. Eileen. You're right. Granny. Mrs. McM. She won't throw her chances away. She'll remember how hard her father worked for her. (Eileen goes to window -seat and sits looking out.) Granny {with a sigh). Poor Dennis ! There wasn't an- other man ever courted you so determined, Norah. Mrs. McM. And niver a cross word out of him in all his life, mother. Granny. I remember the day he came to me and sez he, "Mrs. O'Ryan, I've asked your Norah to marry me." "In- dade," sez I, " and 'tisn't every wan will get me Norah for the askin'. And what," sez I, "have you got to offer her?" With that he stood up shtraight and tall and sez he, "Savin' AN IRISH INVASION 9 these clothes, which is none too good" — and sure the poor bye was threadbare — "savin' these," sez he, "and me Sunday shirt, a lovin' heart, a good name and a shtrong arm," sez he, barin' his brown fist. And I sez, "Dennis, ye're worthy me Norah." Mrs. McM. May I never forgit him ! Granny. And so I bid ye good-bye and watched ye set sail fer Ameriky. 'Twasn't me as hung back waitin' fer a lord to come and pick ye up. And I'm glad I didn't turn an honest lad down, Norah McManus, or you wouldn't be a-sittin' here in this grand room with your darlin' Eileen beside ye and jest breakin' her hairt bekase she can't marry the man she loves. Mrs. McM. Oh, no, no ; she'll get over it. Enter Cel. Cel. Madame, zere is a woman says she must see you. And three girls with her. Mrs. McM. What do they want ? Did they give their name ? Cel. I ask ze name and ze business, but no, zey say zey will, moost see you, madame. Granny. 'Tis loike to be the O'Donnels theirselves. (^Excited voices heard off c.) Mrs. O'Donnel. I'll go in alone. You wait here, chil- ders. 'Tis not Kitty O'Donnel's afraid of a grand manner. Enter Mrs. O'D. She passes Cel., with her head up. Cel. looks scornful. Granny. Kitty it is. Mrs. O'D. Norah McManus, do you remember me, Kitty Clancy that was ? Mrs McM. Kitty ! Sure I do. {Rises.) Mrs. O'D. I knew ye wouldn't be too proud to see an old friend. And glad I am to meet you again, Norah. Mrs. McM. And I'm glad to see you, too. {Goes to her and kisses her.) Indeed, I am. Mrs. O'D. Mrs. O'Ryan, I told you I'd follow you up. And here I am. (Eileen comes down c.) 10 AN IRISH INVASION Granny. This is Eileen, my little granddaughter. Mrs. O'D. I'm proud to meet you, me dear. Your mother and me played together when we were little childern. Mrs. McM. They were happy days. (Sig/is.) Mrs. O'D. And I have three as foine gurls as iver came out of old Oireland, jest waitin' patient like in the entry. Mrs. McM. Bring them in, Kitty, bring them all in. (Mrs. O'D. goes up c.) Mrs. O'D. Come in, darlin's. {^Enter Maggie, Biddy and MoiRA O'DONNEL. They wear rather old-fashioned clothes and small hats. Moira is in short dresses, the other two are about seventeen and eighteen. All have rosy cheeks a fid a bashful manner. As soon as they enter each takes hold of the other' s hand, Moira in the middle.') Here they be. Mag- gie, Biddy and Moira. (Waves hand to each.) And proud to make your acquaintance. (The girls curtsey.) Mrs. McM. Oh, they're like you — you're like your mother when she was a girl, my dears. Eileen, come and speak to them. Eileen (going to them). Welcome to America ! (Moira runs to Granny and takes her hand.) Did you have a nice voyage ? Mag. Foine. Biddy. Foine. Eileen. And how do you like America ? Mag. 'Tis grand. Biddy. Grand. Eileen. I hope you will be happy here. Mag. Thank you, miss. Biddy. Thank you, miss. Eileen. Don't call me miss. Say Eileen. Mag. I will— Eileen. Biddy. Eileen. Moira (to Granny). This do be a grand house. Mrs. O'D. Oh, Norah, 'tis like a dream to see my chil- dern chattin' with yours. Do you remember the times we had ? I often think of them. Mrs. McM. Does it look the same — the old place ? Mrs. O'D. Not a shtone or a shtick of it changed since we AN IRISH INVASION II danced at Ballyiioo Fair. To my dyin* day I'll not fergit how we plucked geese and sold the feathers to buy new ribbands for the fair. Mrs. McM. Out under the old yew tree, and the feathers flew all over and onto the pig till you couldn't hardly tell if she was bird or baste. (^Laughs.') Granny. I well remember the time I had clearin' up after ye. Mrs. O'D. And how we danced at the fair, you with a blue ribband bound round yer purty yellow hair and me with a pink wan. And do you remember it was me Cousin Jerry sent me to ask would ye ride home with him in his new cart ? And you sez to me, " Kitty, I'd rather foot it with Dennis than ride with the King of England." But I didn't tell Jerry that. Mrs. McM. Oh, I was happy then. What it is to be young and light of heart ! Eileen. Mother, did you say that? That's just how I feel. Don't send me away. Let me stay here — and be happy too. Mrs. O'D. Sure, you're not going to send her away ? Mag. Oh, no; let her stay here with us. Biddy. Yes, with us. Granny. "lis better for her to be home. Mrs. McM. Oh, what can I do ? Seems to me you've all come on the wrong day. Here I was planning the best for Eileen — a grand marriage, castles, high position, maybe, who knows, a title. (Eileen goes to window.') And now you want me to give it all up. You've brought back the old days to me. You've made me almost think I was a young girl again, Kitty, and you, mother, and that nothin' mattered but to be with them you loved. Oh, don't say any more, don't say any more. Eileen. There's Stephen ! He sees me. He's looking up. What shall I do ? Granny (with excitement). Here, toss him this bokay. He'll know the manin* av that, or lads has changed since I was young. (Eileen throws the flowers out of the window. Mag., Biddy and Moira ail run up c. ) Eileen. He caught them. Oh, Stephen ! 12 AN IRISH INVASION Mag. {at window). He kissed 'em. MoiRA. Kissed 'em. Biddy. Right in the middle of the road. Mag. My, he's a handsome gentleman. Eileen. And now he's coming in. Mother, what shall I say to him ? Mrs. McM. Tell him— tell him you are not going away, and anything else you think you should say, Eileen. Eileen. Oh, mother, how happy I am ! And it's all thanks to you. Granny {taking her hands)y and you, Mrs. O'Donnel. Yes, both of you with your talk of the old days. {Goes up c. ; softly.) He's— there. \^Exit, c. CURTAIN New Entertainments THE ANNUAL PICNIC OF THE MUGGSVILLE SUNDAY-SCHOOL ENTERTAINMENT IN ONE SCENE By O. W. Gleason Sixteen males, twenty-four females. Costumes, modern ; no scenery, merely a decorated platform. Time, one hour or longer, according to the songs introduced. A lively piece, full of incident and with an unlimited chance for specialties. Recommended as a frame for a miscellaneous enter- tainment. Calls for both adults and children. Price, 15 cents CHARACTERS JOHNTTS" Harper, aged twelve. Jimmy Brown, aged eleven. BiiiLY Barrows, aged thirteen. Freddie Clark, aged ten. NelxjIB Morris, aged seven. Etbcel, Smith, aged eight. Fannie Rock, aged seven. Etta Murdock, aged eight. Mamie Barton, aged eighteen. Teddy Jones, aged nineteen. Susie Snell, aged sixteen. Flossie Carter, aged seventeen. Hallie Long, aged seventeen. Bob Morse, aged twenty. Frank Manson, aged nineteen. Charlie Piper, aged twenty. Parson Truefitt, the minister. Deacon Trijll, the deacon. Mrs. Truefitt, the minister's wife. Mrs. Trull, the deacon's wife. Mrs. Ellis, a young woman. Mrs. Harwood, a young woman. Miss Sharp, an old maid. Miss Witt, an old maid. Professor Wise, professor of geology. Miss Prim, aged forty. Mrs. Grant, aged thirty-five. Nannie Grant, aged five. Victor Grant, aged seven. Judge Strong, a wealthy man. Mrs. Strong, his wife. Dorothy Strong, aged eleven. Rachel Strong, aged nine. Bridget, nurse to the Strong children, Mr. Blodgett, an old man. Mr. Ripley, an old man. Lawyer Black, aged twenty-eight. Dr. Burnsidb, aged thirty. Miss Morton, a school-teacher. Miss Pitt, a typical up-to-date young lady. WAGNER AT THE SMALLVILLE WOMAN'S CLUB ENTERTAINMENT IN ONE SCENE By Ida B, Cole Ten females. Costumes modern; scenery unnecessary. Plays fifteen minutes. A bright little satire on woman's clubs and recommended for their use. Very easy and very laughable. Price, IS cents CHARACTERS Mrs. Van Ness, the President. Miss SCRIBBLEE, the Secretary. Miss VON Culture, the Wagnerian Lecturer. Miss Mann, an Eqval Suffragist. Mrs. PUBITAS, a Social Purity Advo- cate. Mrs. NoTEALL, with a penchant for fashion notes. Mrs. IjEE, formerly of the East. Mrs. Owen, very domestic. Miss Prim, ivho understands etiquette. Mrs. Orderly, /ond of parliamentary law. New Plays OUT OF TOWN A COMEDY IN THREE ACTS By Bell Elliott Palmer Three males, five females. Scene, an interior, the same for all three acts ; coritumcs, modern. Plays an hour and a half. A clever and interest- ing comedj'^, very easy to produce and recommended for amateur perform- ance. Tone liigii and atmosphere refined. All the parts good and full of varied opportunity. A safe piece for a fastidious audience, as its theme and treatment are alike beyond reproach. Pricey 25 cents CHARACTERS Mr. John Spencer Ellington, the disguised as housekeeper and maid in unioilling possessor of a Dukedom, Acts II and III. disguised as a valet in Act III. Elizabeth Thorndike, her daugh- Mr. Robert Mayhew Thorndike, ter. alias " Bobby," a bachelor by choice. Mrs, J. Ludington MoNROE,/or»n«r Jambs, butler at Thorndike' s. classmate of Mrs Thorndike' s. Mrs. Jane Harrington Thorn- Esther Monroe, her daughter. DIKE, a widow ; mother of Bobby. Marie, Miss Thorndike^s maid. SYNOPSIS ACT I.— At Mrs. Harrington's. A deep-laid plot. An unexpected Duke. Unlooked-for trouble. The best-laid plans. A disguised household. ACT II. — The same, A tyrannical guest. An imitation housekeeper and a spurious maid. A titled valet. Social algebra. Lifting the mask. ACT III, — The same. The camel's back and the last straw. The begin- ning of the end, Mrs, T, asserts herself. The tyrant dethroned. An inter- national alliance and a bachelor reformed. THE MARBLE ARCH A COMEDIETTA IN ONE ACT By Edward Rose and A, J, Garraway From the German Two males, two females. Costumes modern ; scenery, an easy interior. Plays half an hour. A bright and amusing little play, suited for any occa- sion, but particularly for parlor theatricals, because of its simplicity and its Independence of stage accessories. Very refined and high in tone. Strongly reoonunended. Price, 15 cents New Plays HER WEEKLY ALLOWANCE A FARCICAL ENTERTAINMENT IN ONE ACT By Jessie A. Kelley AUTHOR OF " THE VILLAGE POST-OFFICE," " THE PEDLER'S PARADE " "SQUIRE JUDKINS' APPLE BEE," ETC. ' Nine males, seven females. Costumes modern; scenery an interior, not important. Plays half an hour. A humorous presentation of the trials and tribulations of a young housekeeper. Very funny and sympathetic; a case of " we've all been there before many a time." Can be played on a platform without scenery. Price, 15 cents CHARACTERS Mrs. Jack Tebbitts, who has an al- Book Agent, w?io cultivates thefam- lowance. ily's minds. Cleansing Fluid Agent, who helps Mrs. Brown, who is soliciting for a her economize. turkey supper. Dorothy Fletcher, who wants a Patent Medicine Pedler, who doll (child). saves Mrs. Tebbilts' life. Piano Agent, toho saves a divorce. Chair Pedler, who makes the neigh- Mrs. Ford, who wants subscriptions. bars envious. Fruit Pedler, who plays a bunco 'BuJSD'P'EDUE.R^who arouses Mrs. Teb- game. bitts' sympathies. Spectacle Agent, who saves the Armenian Woman Pedler, who is family's eyesight. a fraud. Susie Pease, who sells soap (child). Rug Seller, who can sell Mrs. Teb' Mrs. Kellogg, who has tickets to sell. bitts nothing. THE MAN FROM BRANDON A FARCE IN ONE ACT By J. M. Taylor Three males, four females. Costumes modern; scene, an easy interior. Plays half an hour. A brisk and amusing piece, full of action and move- ment, touching on the popular football theme. Strongly recommended to such as desire a lively up-to-date play for young people. Price, 15 cents HER DEAF EAR A FARCE IN ONE ACT By Arlo Bates Two males, three females. Costumes modern ; scenery, an easy interior or none at all. Plays half an hour. A clever and ingenious play api>ealing to the best taste. Price, 15 cents New Farces A REGIMENT OF TWO A FARCICAL COMEDY IN TWO ACTS Bi/ Anthony E, Wills diUhor 9f "Liberty Corners," "All Charley's Fault," "Fighting FOR Freedom," etc. Six males, four females. Modern costumes. Scene, an interior, the same for all three acts. Plays a full evening. A lively, up-to-date farce, easy to produce and full of laughs from beginning to end. Well suited for amateur performance ; all the parts good — no small ones. German comedy charac- ters for both male and female, and " wild west" character part and English character comedy. Strongly recommended. Price, 25 cents CHARACTERS Arthite Sewall, a tTieoretical war- Jim Bitckner, known as *' The Par^ rior. son." Ira Wilton, Ms father-in-law, anoth- Conrad Melzer, a plumber. er. Eliza Wilton, Ira^s hetter-halS* Harry Brentworth, Arthur* s Grace Sewall, wr/e o/J[r