7 >3 LIBRARY OF CONGRESS.? UNITED STATES OP AMERICA. { >• '&.& >»t^ j»««. V \V PROVIDENCE AND OTHER (Oil BY SAMUEL J. CASSELS. No leap, no fall j No effort, no success at all. MACON: PUBLISHED BY GRIFFIN &. PURSE. 1838. ?S I2tf Entered according to an Act of Congress, in the year 1838. By S. J. Cassels. In the Clerk's Office^pf 4 the District Court of Georgia. DEDICATION. TO THE OFFICEHS AND MEMBERS OF THE Alumni Association of Franklin College, Georgia* Gextle3iex — Permit one of your number, from the high veneration he entertains for the objects of your Society, and the great respect in which he holds your- selves, to dedicate to you, the following volume of Poems, He could desire to present you with a better offering ; but, it is such as he has. That your Fraternity may long prosper, and be a means of promoting greatly, the Literature of oar common Republic, is the sincere desire of your fellow-member, THE AUTHOR, Macon, April 5th, 1838. ERRATA. Page 53, 12th line from top, for ' then ' read ■ there.* Page 56, 12th line, from top, for ■ virtuous * read ■ virtuous* ' Page 70, 5th line from top, for * grow ' read * glow.* Page 96, 5th line from top, for l 'is ' read ' 'tis.' Page 102, 7 th line from top, for * windows ' read * widows.' Page 121, 10th line from top, for 'substited' read Substituted.' Page 162, 7th line from top, for * Guidance ' read * Evidence.' Page 163, 10th line from bottom, for ' land ' read * ground.' Page 177, 3d line foom top, for ' least ' read * heart.' Page 179, 8th tine from bottom, for * has' read ' had.' Page 225, 4th line from bottom, for 'Dove,' read ' Lave.' Page 226, 4th line from top, for ' care ' read • cure.* Page 227, 3d line, from top, for ' commenc'd ' read ' commun'd.' Page 227, 3d line from bottom, for ' dependent ' read 'despondent.' Page 228, 10th line from bottom, for ' did' read ' died.' Page 228, last line, for ' calls ' read ' call.' Page 235, 3d line from top, for ' sight * read ' night.' 6th line, for 'many' read 'man/ Page 315, 6th line from top, for ' steal ' read 'steals.' Page 318, 15th line from top, for ' laws ' read ' law.' Page 319, 8th line from top, for ' lighted ' read 'tighted.* Page 325, 8th line from top, for ' the * read 'their,' and for 'lambs ' read ' limbs.' Page 325, 9th line from bottom, for 'balance just ' read 'equilibrium.' Page 341 , 4th line from top, for ' the ' read ' their.' Page 353, 14th line from top, for ' one of two ' read ' of one two.' CONTENTS. Lxtkoductohy Essay, - - . 13 PART I. MISCELLANEOUS POEMS. BOOK I. Smaller and Early Productions. Adress to the American Muse, - - - - 23 Southern Literature, - - - 26 Myself, ... 27 The Little Dove and the Two {lawks, - - S2 A Poet's Reflection?, ... 34 The Weeping Bard, - - 39 A Fragment, 41 Verses for the Fourth of July, - . 42 Vanity of Fame, ... 44 Youthful Hope, - - - - 45 The Withered Rose, 46 The Gloomy Spirit, - - - 48 The Idle Mule, . . 49 A Comparison, - - . - 52 Man, 52 Vlll CONTENTS. Man, a Thought, Lines Written in Assembly, An Evening Thought, Midnight, - The Tears of Virtue, There is Joy in Tears, To a Town Clock, A Smile, Sweet Hour of Prayer, Written for an Album, Written for an Album, Written for an Album, Written for an Album, To a Young Friend, Natural and Moral Beauty, To a Friend at parting, To a Friend at Parting, To a Friend at Parting, Written for an Album, To a Young Friend. The Bible, To Melda, To a Babe, The Rainy Sabbath, Africa, Death of Pliny Fiske, The Father's Death, Death of a Child, My Mother's Grave, The Grave, 53 53 53 55 56 57 58 eo 6) 63 63 64 65 65 67 69 70 71 72 75 76 73 80 81 83 85 87 88 9Q BOOK II. Laeger Pieces, Retaliation ; a Satire, Canoochee, or Childhood Revived, the Bereaved Parent, a Dialogue, 95 103 112 CONTENTS. IX BOOK III. Adolphus, in Six Cantos, - • - 119 PART II. FROVISEXCEi BOOK L Atheism and Idolatry, 171 BOOK II. The Divine Sovereignty, ..... 187 BOOK III. The Church, - - 207 BOOK IV. Divine Providence towards the Church, from the Creation to the Advent of Christ, ..... 233 BOOK V. Divine Providence towards the Church, from the Advent of Christ, to the present time, .... 253 CONTEXTS. BOOK VI. Divine Sovereignty as Displayed in Nature, and the various ob- jects of Human Science, ----- 273 BOOK VII. Divine Sovereignty over Human Governments, together with Remarks on Government, - - - - 315 BOOK VIII. The World is Contemplated Prospectively, and the General Judgment Described, .... - 325 PREFACE. The writer of the following Poem?, began to scribble, at an early age, his devotional feelings, in sacred song. Afterward?, the wood- land scenery that environs the University of his native State, as it put on its flowery robes in spring, drew from him an cceasicnal verse The earliest of these, of which some were read Lefcre the Faculty and Students, have perished. Of the few preserved, the piece entitled 'The Withered Rose,' is the most ancient. This was written in the spring of 1325. ' The Grave,' was written about the same time. As to other smaller pieces, they were mostly extracted from him hy the demand of the Fair, for their albums. And had it not been for this circumstance, he had probably ceased composing verse altogether ; for, during his collegiate term, he had taken up the idee, that it was unmanly and unphilosophical, to court the Muses. In reference to ' Providence,' it is the result of a desire entertained by the author after leaving the University, of raising some monument to the B^ing who had controlled his early history in so remarkable a manner. He knew of no other way to raise such a trophy, but by succeeding in Eome brief, immortal verce. And though diffidence might restrain the un- dertaking, yetgratitude was stronger than diffidence. He be^an. At in* tervals he continued : and the work has assumed its present shape. Not even yet^Jiowever, is it what he designed it to he. The very part which was to have contained his principal object, has been left out. It has, too, been written at such remote intervals of time, that he fears it will lack much of unity, both as to style and sentiment. It is, howev- er, a sincere and grateful effort to illustrate one of the most practical and important of all truths — the Sovereignty of Divine Providence, Xll PREFACE. Severn! of these Poems will readily be associated, with that state of hope and despondency, so natural to young authors. There is one of these, however, in which the author seems to lay aside timidity, and to speak in the language of stem rebuke : he alludes to the Satire, 1 nat piece was written, it is confessed, in a moment of poetic ire. lt» however, designs no personalities ; but is meant to chastise that litera- ry apathy, which hangs upon our who'e society, as a mental incubus* The disease is an inveterate one, and the author has dealt in caustic. The p.^crn, Adolphus, is designed as a faithful exhibition of humanra- ture. The fictitious and dialojical style his boen adopteJ, to give to the moral truths, suitable interest. The plan was conceived, and the poem executed, during a few leisure hours in the past summer. That this apparently bold, though really modest effort, at a poetic literary work, may, at least meet the expectations of those not very san- guine in the unde: taking ; and that it may prompt ethers of abler pens and greater leisure, to write something more worthy the country and age, is the sincere ucsire of t'.w author. Macox, Georgia, April oih 1333. INTRODUCTORY ESSAY. Literature refers to the knowledge contained in books. It is either original or acquired. By original literature is meant, the knowledge communicated to others by means of books. — By acquired literature, the informa- tion obtained from books by reading. There is a general connection between these two kinds of literature. Among a people devoted to reading, there are apt to be some authors — and where there are autl there are apt to be readers. Original literature again, may be divided into that which is transient, and that which is permanent — Tran- sient original literature is that, which from its ephemera ( character, dies with the circumstances or times which pro- duced it. Permanent original literature is that, v from its intrinsic value, is suited to all times, and be the treasure of all ages. Each of these species of original literature, has its own peculiar excellence. The former, by a more popular aspect, seizes the multitude at once — instructs, pleases, perishes. The latter, with more real, though less obvious worth, is appreciated, probably, but by few — the discern- ing, the intelligent, the virtuous — but such, it delights and 2 14 INTRODUCTORY ESSAY. edifies through successive generations. The one may be compared to Nature's ever rich, though ever transient li- very of leaves and flowers — the other, to her more sub- stantial trees, which bloom and fruit, through a long term of years — Though of different, each is of real value. Between these two kinds of literature, there should be kept up a proper ratio of increase. If permanent litera- ture alone be promoted, the stream of learning will be deep and long, it is true — but then it will flow only in one country, the multitude will not be accessible to its healing waters. On the contrary, if transient literature receive an exclusive attention, the world will be inundated ; but, then it will be with only shallow waters; smaller substan- ces may float upon them, but the larger will be left dry and prominent beyond their influence. If, however, each of them receive a well balanced attention, learning will then resemble the oceans, seas, lakes and rivers upon the globe; it will be deep enough for the greatest, shallow enough for the least, and ample enough for all. The ancients erred in the former of these methods. With them, learning was peculiar, remote, mysterious, venerable. Science, as government, then distributed its gifts unequally — magnifying the few — degrading the many. With us, the latter is the approachable error. Dilation, universal dilation is the spirit of the present times. The few are sinking — the many rising. But, there is a point beyond which it is not safe to go. As nature has not made of earth one great mountain, so she has not made of it one great plain. A civil, moral and literary diversity, seems absolutely necessary to the good of the species. INTRODUCTORY ESSAY. 15 The importance of permanent original literature to a country, will appear from the following considerations. Such literature produces, first, a healthful mental ex- citement. That it is important to sustain among a people, suitable mental interest on worthy objects, need not be af- firmed — a nation swoons without it. It is the very life- blood of the social community ; when gone, death ensues. But there are some states of mind, even on the same subject, greatly preferable to others. All excitements in reference to literature, may not be equally good : one set may result from a wasting fever ; another may be marked with the spasms of dissolution. What peculiarities ■, then, distinguish the kind of mental interest, to which allusion has been made ! To this I reply, in the first place, that permanent ori- ginal literature ivtfi insirums and invigorates WJt^mufc' No human production, that has not in itself, the basis of lasting utility, is likely to amalgamate with a nation's learning and to be transmitted to posterity. Now, writ- ers of this character, must and will benefit the mind. They increase its information, arouse its aspirations and direct its energies. Like a venerable sage, presiding over a band of ardent youth, pleasing while he instructs, so do such volumes, charm but to edify, and fascinate but to exalt. Such writings also exert a decidedly virtuous influence. True it is, there have been such things, as literary vices, and learned monsters. These, however, are not the natu- ral inhabitants of the literary world — they are violent intruders upon its territory. As nothing but truth can stand, so nothing but virtue can be always approved. 16 INTRODUCTORY ESSAY. Even, however, these exceptions must in the main sub- serve the interests of morality. Such literary amalgama- tions stand, if they stand at all, upon the basis of truth and virtue: vice and falsehood are not capable of self-sup- port. Upon the literary field then, what purpose do such writers subserve — but to be held forth in the hands of truth and virtue, as monumental ruins ! A few may be deceived, but a greater number than otherwise, will escape. The general tendency, however, of valuable literary writings must be, to promote virtue. Who has not felt in his bosom, an unusual glow of admiration, as the fair image of this Heavenly Seraph, has been accurately drawn before him by the philosopher ; or vividh/ recom- mended by the orator ; or ethereally depicted by the poet ! This kind of literature, also, contributes in nati/mal IiO?U or. Jt is not her extended soil, her ancient name, her wealth or her soldiery, that constitutes true national glo- ry. It is her civil, social and moral virtue, transmitted to posterity in her literature. The literature, therefore, of a nation, constitutes a celestial canopy over her head, in whose wide compass, are congregated and established for- ever, the constellations of her great and good. Each liv- ing virtue becomes there immortal ; every national deco- ration is there canonized in eternal brightness. But the production of such literature, only pays a na- tional debt. Every nation has its own peculiarities. Its sky, its earth, its animals and plants, its inhabitants and customs, differ from others. It is itself — This isolation of character, among other things, furnishes some peculiar INTRODUCTORY ESSAY, 17 advantages for literary effort. The mind, taking the fea- tures of things around it, is excited by different impulses, lives under different emotions, and acquires different hab- its, from the rest of the world. It is slow or rapid, intel- lectual or imaginative, sublime or lovely ; it is the spirit of its own native scenery. Now, as there is in the commercial world, an exchange of products, to sustain to advantage the social condition of man : so, ought there to be, in the literary world, an exchange of mental productions, to sustain the general lit- erary state of mankind. The necessity of human condi- tion lays this tax upon every nation. The land that will not pay it is mean. The People that will not receive it are contemptible. He, then, judges far amiss, who, living in a nation obscure or young, despairs of her exalted des- tiny ; or, who, in the higher places of learning, despises all below him. Such is pride --the opposite true philo- sophy. When then the writer of these pages, looking over his own native soil, sees so many towns and villages, that still amid a forest dress of ever living ever extending green, but lift their glad countenances to the early no- tice of a world — surely he may be pardoned, in direct- ing those brilliant faces, to the road of real greatness and permanent utility. Beholding on the brow T of his own long familiarized heavens, and on the earth around him, the means of immortality, and feeling, amid the sympa- thies of common hearts, a flame of its fire burning in his own soul, how could he forbear becoming a literary as- tronomer ; and while wandering over the new fields of 2 * 18 INTRODUCTORY ESSAY. his own dear commonwealth, of pointing to those heavens where he fondly trusted, his native land would forever shine amid her own bright skies ! If such a course be right, it may do good — if wrong, it surely can be pardoned. But how can our country cultivate her literary field ? First : By public encouragement to literary effort. To establish the literature of any people, it is absolutely ne- cessary that there be mutual confidence between au- thors and readers, publishers and buyers. No one ex- pects that this is a department of business where riches may be reaped ; yet, would it be a high disgrace, that it should be the only one in which men must starve. But far beyond the mere pecuniary patronage of public sanc- tion, there is a kind of co-operation with an author in the just attentions of the public, which at once satisfy and stimulate. He feels that his labors are appreciated, and he is thus encouraged to render those labors still more conducive to the public good. That the public, however, may have something to pat- ronize, it is necessary that there should be adventurers in this department of national labor. The patronage of the country must be put to the test, by actual experiment. Who then are fit persons to make such experiment ? To this I reply, first, men of fortune and leisure, who have sufficient literary acquirements. Such men are nu- merous in our country — as numerous probably, as in most others. Why, then, may they not employ their ad- vantages to decorate and bless their age ? Why "should they not improve themselves, in the improvement of others ? INTRODUCTORY ESSAY. 19 But to this I reply again ; that professional men — men of less time and less fortune, than those already mention- ed, but of equal endowments and attainments — profes- sional men must contribute something to this noble object. Some of the most valuable literature in the world, has been the result, of the mere gleanings of business-men. A book has beei: written near midnight, after the labors of the day were over — or, before sun-rise, ere they had commenced. Moments have been snatched at intervals, and appropriated to some useful purpose. Thus has pos- terity and the world been blest, through the rigid econo- my of time, practized by some of the most laborious and devoted men that have ever lived. May not such things be done again, in our age and in our country? The Poems, which succeed this Essay, have, in a great measure, been written in this manner. The muse has been courted at midnight, or along a journey ; or, during a few leisure moments, in a very busy life. This, no doubt, will be found to be, in part, a disadvantage : yet, it is hoped, that hours thus spent, will be regarded by the public, as better appropriated, than had they been thrown away. PART FIRST. MISCELLANEOUS POEMS. J&-0454E 5c EARLY AND SMALLER PRODUCTIONS. ADDRESS TO THE AMERICAN MUSE.— 1832. Muse of America, awake ! And from the trees thy harp now take, Too long unstrung ; Its notes of sweetness widely peal, Make ev'ry heart its rapture feel, Or old or young. Genius of nature, now arise, Bend to thy song the upper skies In transport sweet : Roll it on storm and on the wave, From desert-glen and mountain-cave Still let it meet. Dark spirit of the storm, revive, Bid all thy hollow tones now live In wildest song : Thy banner wide o'er all unfurl, And rouse to music all the world In concert long. 24 ADDRESS TO THE AMERICAN MUSE. Handler of harp, thy choirs now lead. And 'mong the living and the dead Thy voices pour : From groaning bass and lively air. And every string or far or near. Still make it roar. Sweet eloquence of song revive. Make woodlands and the plains all live Beneath thy charm : Let cities bend intent their ear, And senates long thy notes to hear With feelings warm. Musician of the arts, awake ! Minerva's halls in rapture shake With thy sweet tone : Chain to thy harp the learned mind. The teachers teach of all mankin Taught else by none. Freedom's companion ! now arise. And wipe the tears from Freedom"? (eyes With thy soft palm : On despots roll a fiery wave. But bless the mem'ry of the brave With thy sweet calm. ADDRESS TO THE AMERICAN MUSE. 25 Fair bird of Paradise, now sing, And to thy notes here flap thy wing In melody : Pour Eden's songs o'er all our land, And round us draw a closer band Of harmony. Great preacher to the heart, now speak ; The proud subdue, but raise the meek With thy pure word : The streams of truth through every soul In richest tide now rapid roll, And life afford. Immortal harp of Zion high, Cast from thy string the weighty sigh, And speed thy pace ; Mix with our songs the songs of Heaven, Like rolling streams together driven In hurried race. Muse of America, awake ! And from the trees thy harp now take, Too long unstrung : Its notes of sweetness widely peal, Make every heart its rapture feel, Or old or young. SOUTHERN LITERATURE; AN INTRODUCTION TO A LETTER ON EDUCATION, WRITTEN 1835. Why mayn't our Southern clime the race of learning run ? Is it because we're burnt beneath a scorching sun ? Beneath those rays how rich our vegetations rise ! And may not mind attain beneath, to equal size ? Was not the cradle laid, of science, in the South ? Was it not cherished first in the fair land of Thoth ? The Hebrew learning too in southern Asia lived, And 'twas in southern Europe Greeks and Romans thriv'd: The North was then barbarian, cold, and wild, and dead. While in the South fair Science raised her glorying head* Let us then claim the mantle ancient sages left, And prove ourselves the worthy heirs of such a gift : Nor let a law, to eastern lands of old applied, Be in this western sphere in modern times denied. MYSELF. The hardest task I ever tried Is criticism on myself: The rules, to others well applied, Seem not to fit this little elf. I call him good — they say, he's bad : I call him bad — they say, he's good : Good-hunior'd — they pronounce him mad : Ill-will'd — he's in a happy mood. I dress him with the greatest care : A country clown, he's quickly thought : Niggardly — and the people stare — •• Tis wondrous fine — oh is it not ? " I speak what I think solid sense : My list'ners say, 'tis foolishness : I mention things not worth five-pence — Hearing, they say, is wealthiness. I think I'm smart — I get no vote : But when my brains to me are vanished, They cram fast praises down my throat, And say, ' dejection should be banished.' .' 28 MYSELF. My harp I seize, and strike a note, To me as sweet as orphean lyre : ; Strange, ' they say, ' not worth a groat ' — A poet should be filled with fire. ' At other time, I music make, Not fit a donkey *s ear to greet : At once the people loudly break — * How charming good — how very sweet ! I criticise another's verse, And call it ill or call it fine — At once they cry, in manner terse, * It 's not so good ; or worse than thine* ' Bethought me then, 'tis very strange, That I and others can't agree — I seem'd like herdling out the range ; Exil'd, yet thankful to be free. I thought, and often thought upon 't ; And now have form'd conclusion — My neighbors can't as well as won't See with my eyes — it 's delusion. They, too, are men as well as I, And just as fit may judges be : They have an ear, they have an eye ; And sure, may either hear or see. MYSELF. 29 Say what ye will, Logicians, About rules and fixed principles, The People, if not Rhetoricians, Are still, in taste, invincibles. The parent can't the child persuade, That what is nauseous still is sweet : Nor have the critics all men made With them in thinking quite to meet. Nature casts in different moulds The souls of men. All are not one — The rule which with the learned holds, The vulgar breaking, turn to fun. The Greek and Barbarian differ — Roman and Goth cannot agree — Britain and the Tartar rougher, With eyes alike can never see. Where is the rule that measures all ? Look out and find it, if you can : It 's not upon this earthly ball, The perfect rule to level man. In ev'ry age, and state and mind. Tastes diff 'ring will fore'er be found : And still mankind will be mankind, In spite the learned and profound, 3 * 30 MYSELF. Diff 'rent soils diff 'rent fruits produce, Different rivers run in diff 'rent lands : Great Nature hangs herself more loose, Than found in philosophic hands. General rules no doubt there are — The race is one howe'er diffus'd — But these must be applied with care, Or, all things soon will be confus'd. Gradations too, are different : Fix'd rules however good with some, Perhaps are not for others meant : They shoot above ; or, too low come. Straight lines may yet be parallel, Though some are short and others long : Different orbits too may dwell Around the sun — and none be wrong. The measuring-rod of th 5 polite, May not his plainer neighbor fit ; Yet, 'twould scarcely sure be right, Deny the latter every bit. The rude have hearts, as well as wise, And can as truly pleasures feel : Their enjoyments too, they prize ; Though to the learned's they are steel. MYSELF. 31 Why, then, ye learned and ye great ; Do ye so much monopolize ! There 's happiness in ev'ry state, Though hid from your exalted eyes. What ! shall the rich deny the poor The right of property ; because, Themselves possessed of so much more ? This would pervert just nature's laws. Descend, descend, ye exalted, then — If th' larger circles round your brow, May not be worn by other men, There still are smaller ones below. Thus, a self-thought I 've pursued ; And stroll'd me far, too far abroad — Yet, such it seem'd the poet's mood, Or blame me critics or applaud. And here I'll cease with one reflection — To end consistent with myself — Perhaps, if forced from one direction, My verse may steal a poor-man's shelf. THE LITTLE DOVE AND THE TWO HAWKS. A little dove once left Upon an island's strand, Half-fledg'd and quite bereft, Now long'd for distant land : And oft around the isle, its little wing It tried ; and cooing, strove its woes to sing. How oft upon the top Of some exalted tree, Its little feet would hop, As trying that land to see ! And oft it would youthful excursions make, On daring pinions o'er the wide, wide lake. At length two hawks it sees, Together on the boughs Of some o'erhanging trees, To whom itself it shows : And though a victim : yet, with generous trust, Itself confiding — 'If I die, I must. 9 THE LITTLE DOVE AND THE TWO HAWKS. 33 ' What think ye noble friends — For such my mis'ry hails — Can I to other lands Proceed, with my young sails ? Inspect me and examine ; for, ye know : And tell me : can I to those far-lands go ? ' At once they hold debate, And secrets seem to pass ; As poor little dove its fate Oft heav'd with an alas ! How oft upon their beaks and claws its eyes It turn'd, and to the deep and far-off skies ! The hawks reply — ; your lot We pity ; and would fain Relieve — but, w r e cannot — You'd better here remain ; And, than be prey to some devouring fish, Repress with firmness your excursive wish. ' Droops down its little head, Perhaps, they mean me ill, Perhaps, my blood will shed Themselves sometime to fill ! Oh fates ! yet, 4 thank you, friends, for your advice, It grieves me ; but, is still of priceless price. ' 34 a poet's reflections. From th' council now it goes, And in a lonely place, Unpitied, mourns its woes, And bathes with tears its face. • Oh how I long, that vast, vast deep to pass, And concert kindly with my own sweet race ! ' It wept 'and sighed awhile : But, now, its wings expand : And now, in loftier style • • • It sought the far-off land ; The air is mounted, and the sea o'er past ; As coos the dove beyond the wat'ry waste. A POET'S REFLECTIONS— 1832. The city oft I wooed, and long, And tried to move them with my song From lofty place — But deaf to music, bent on gain, They fix their eyes upon the plain In swiftest race. A POET ? S REFLECTIONS. 35 For senates too I often sung, And round their noise my loud notes flung, In rapture great. But they nor saw nor heard the bard, But strove 'bout laws and often jar'd About the State. The parlour too I sought and hearth, And tried to please them with the mirth Of minstrelsy : But full of chat and idle prate, They drove along at merry gate In revelry. The house of God I also sought, And with me all that's sacred brought In holy verse : But cold at heart and full of care, My music freez'd and perish'd there, In sad reverse. The palace of the rich I trod, And sang of nature, sang of God Before my host : But fat in soul as fat in pelf, He fixed his eyes upon himself In idle boast. 36 A POET S REFLECTIONS. Before the great I richly spread The splendid titles of the dead In brightest dress : But each pursued his stubborn way Nor listened to my swelling lay In thoughtful ness. The lover too I gently wooed, And tuned my lyre to suit his mood Of extacy : But o'er his soul no music breath'd, While round his heart his mistress wreath M Her tissuecy. And thus of men I all caressed, And to their states my theme I dressed Most faithfully : But none me noticed, or my song, But pushed ahead or right or wrong Most rapidly. Away from such I now retire — Nature, for thee I tune my lyre, And pray thee hear. Thou hast a heart, when mortals fail, A heart to joy, a heart to wail With poets here. a poet's reflections. 37 Thou lofty Sun, whose risen beam Drives from the earth each nightly dream. For thee I sing : Into thy rays I weave my song, And pray thee bear my notes along, Upon thy wing. Dark Empress Night, I thee invoke, Around me throw, thy blackest cloak Of midnight drear : Oh let my song through thy domain, Still widely roll and roll again, Both far and near. Ye stormy winds, whose furious tone Drives terror into hearts of stone, Attend my call : Mix with your wail, my own wild song, And bear the harsh strains fast along, Nor let them fall. Ye mountains tall, whose snow-clad peaks, Like marble piles with iv'ry cheeks, Your heads lift up ; Well-used to songs of heav'nly spheres, Receive my notes with notes of theirs, In lofty group. 38 Ye deserts dark, where wild beasts roam. And serpents hiss in native home, Receive me too : In your deep shades, oh let me sing And 'mong your haunts my harp-strings ring In music new. Ye balls of flame, whose steady light, Enliven e'er the vault of night, Attend my lay : And as ye wait, in palace high, Resound it through the lofty sky To courts of day. And thou, Great God, Eternal Cause, Whose will has fixed all Nature's laws, Be pleased to hear : Thee first, Thee last, Thee all J sing, God, my Redeemer, God my King, My Father dear. THE WEEPING BARD. Bright from the sky the sun-light beamed, And brisk from groves their glory streamed : Her gladdest mood, fair Nature showed, And every joy the heart o'erflowed. Nor would one think, mid scene like this A mind, could e'er be void of bliss ; Yet wept the Bard in secret shade, As if the scoff of fortune made. 'Twas not adversity severe That made him weep in silence there, Nor lack of mind, nor ill success : That drove him to the wilderness. Tend'rest plant of all the grove, He droop'd beneath the voice of love, Felt sickly in his wellest day, And pined and moaned his life away. 40 THE WEEPING BARD. With wail of winds, he mixed his sigh, And with the storm he wip'd his eye, Drew round his soul with night his shroud, And shook beneath the thunder loud. Plaintive in soul, his harp he seized, And as he sung, the blood he freezed ; Thrilled through each breast the keenest grief, And sorrows waked, without relief. His tears he poured in others' eyes, And with his own he mixed their cries ; Drew round their souls his own dread gloom, The cold, dark midnight of the tomb. Sucji mournful notes were all he sung — ■ The only tones his harp -strings rung : And when from ear they died afar, He sighed and groaned in anguish there. Now broke at heart, alone, he weeps, And with the grove its stillness keeps ; Sees with each leaf his hopes fall down, And all his joys to distance blown. THE WEEPING BARD. 41 Close by his side, his harp unstrung Lies weeping, on the willow hung, As on it oft his eyes he throws, And groans unpitied at his woes. Then with the waters floating by His griefs he mingles, with a sigh ; And as they join the briny wave, He, faded, falls in early grave. A FRAGMENT: WRITTEN FOR AN ALBUM. — 1827. As roves the buzzing bee mid verdant meads To sip the fragrance which the spring affords ; So wanders Laura, plucking in her course The buds of fancy and the sweets of thought. For her enchanted bards their sleeping lyres Again resume ; and play advent'rous song ; Attempting each to strike the purer lay. Here, notes flow easy — while a skilful hand 4 * 42 VERSES, FOR THE FOURTH OF JULY 1832. Skips lightly o'er the long-resounding strings ; There, sounds discordant thrilling through the breeze Speak love as ardent, but a feebler muse. Here, charms illusive play upon the soul Through friendship's well-known seal. There, scenes remote, Once sweet to view, are brought again to mind. All then, I ask, amid this num'rous train, Of wise and learned, is only this, a Name. VERSES, WRITTEN FOR THE FOURTH OF JULY 1832.. The storm it was loud and the ocean invaded, The night it was dark and the thunder upbraided, The earth it did quake, and the mountains were shaking, And hope that once glimmer'd was rapidly breaking. Chorus. Halleluiah to the Lord, who seized us when strangers. We'll praise Him again as we pass over dangers. VERSES, FOR THE FOURTH OF JULY 1832. 43 Our strength it was small, and our helpers were seldom, Our life it flowed slowly, and death it was welcome ; The tear of the widow fell cold from her eyelid. And orphans were crying for bread, all-exhausted. 'Twas then through the darkness, a hard was extended, That drove from the sunken the storm that impended ; That shut in their fountains the torrents that pelted, And roll'd from the highlands the ocean that melted. Then fixed on the war-cloud a Bow it expanded, While hushed in their tumult our dangers were stranded ; The mountains grew steadfast, and vallies all budded, And fields waved in harvest, as the rainbow was studded. Now brighter than then on the clouds we behold it ; While millions united all shouting applaud it : Stretch fast round the earth then, fair Rainbow of Freedom, And all lands encircle in the sweets of thy kingdom. VANITY OF FAME. — 1828, He won — I saw him crown'd amid thousands. While a loud burst of praise bore far on high The victor's name. The heavens bending smiled - Creation paused to do him reverence — Eyes without number, now strangely brightened. Meet him as he goes and stand in wonder. His common pathway is an isle of flowers, And round his side, from burnished armory, Plays many an image of the noon-day's sun. Unprompted messengers herald his approach — While every city bends with outstretched arms To bid him welcome. Capacious halls Dazzle the eye with richest pageantry ; And feasts and balls assist the common joy. Nor would a stranger know, who passed that way, But some Immortal, on an errand kind, Had hasted down to earth, and here had lodged ; For never mortal man was worshipped more. Yet still he died ! and died in infamy ! ! YOUTHFUL HOPE. 45 The sun that rose so bright upon his youth, Thrice blushing set behind heaps of dusky clouds, While far from hope he raised a faded eye, Sighed upon the world, and welcomed death, YOUTHFUL HOPE. As rise yon mountains high in distant view, And proudly mix their heads with ether's blue, While 'long their bushy sides the sun-light beams,, And o'er their peaks, a tide of glory streams, But which the rougher and the worse appear, As towards their feet the struggling wight draws near Till standing on their sides he round him sees But barren mounds of earth and rugged trees ; So, in the distant view of youthful hopes, The joys of life arise like mountain-tops : Around their brow a heavenly halo shines, And down their sides full many a lustre twines, The magic charms of life seem then all found, And sweetest pleasure floats in ev'ry sound. 46 THE WITHERED ROSE. A spot, which hope with ev'ry sweet o'erloads, The seats of angels, and abode of gods : But which as now we nearer come, decay ; And robe on robe fast dashing far away, A barren heap of rudest rocks appears, Despoiled of green and deeply marked by years : Nor now to ease or magic bliss invite, But labors ceaseless and the toils of fight. Or, sinking rapid from our wand'ring view, Leave us amaz'd, their sudden loss to rue. While for the scene which prest our youthful brain, We stand in tears amid a dreary plain. THE WITHERED ROSE.— 1826. WRITTEN IN MY SOPHOMORE YEAR ; AND THE EARLIEST FRAGMENT OF MY POETRY NOW EXTANT. 'Twas on a lovely morn in May, While wand'ring down a silvan way, I saw the rose in smiling bloom, The wind enrich with sweet perfume. THE WITHERED ROSE. 47 Its waving head, its ruddy form, Seem'd well prepared to stand a storm : While native pride within exclaimed, 'No hand shall break what Nature fram'd.' But, ah ! how little did it know, That fate e'en then design'd its wo, That veiled in clouds the sentence lay — 6 Thou shalt not live another day ! ' For now, while thus it boasts its power, Comes Mary's form to blast the flower, To pluck it from its native place, And join it to her female grace ! And ere the sun had ceas'd to shine O'er waving tops of western pine, All beauty from its form was fled, While droop'd its leaves on Mary's head ! And thus I thought it is with man : His youthful hopes fair breezes fan ; But ere he grasps the good ahead, He sinks and mingles with the dead. Like the dry leaf on Mary's hair, He blooms and smiles, then withers here ; A morning's rose, a summer's flower ; The plaything of th' Almighty's power. THE GLOOMY SPI RIT.— 1827. The rays of Sol fall bright around, The tree-tops sparkle as they move, And e'en that flower on the ground Uplifts its head in smiles of love. The lark, that wings her upward way, Free from the griefs that plague below, Pours to the morn her early lay, And sings her pleasures as they flow. See, too, that infant — mild and meek, It knows not pain, it feels not wo — Sweet raptures kindle on its cheek, And constant joy expands its brow. But ah ! within this breast of mine Are stormy nights and tempests dire : My latest hopes have ceased to shine^ And I seem left to Heaven's ire. Nor see I round the circling skies, A fellow trav'ler thus distrest ; A friend with me to sympathize, And break the sorrow of my breast. THE IDLE MULE. 49 But yes ! there still, there still is one; 5 Tis midnight in her dark robe drest — And there I'll haste, and all alone, Cling to her car from east to west. No more may I behold the light ! Its rays provoke the griefs I feel, But lock'd within the arms of night, Still roll upon her dusky wheel. THE IDLE MULE. A Mule that once to loaded wagon stood, Which absent Teamster left upon the road, Chancing to see, as now behind he gaz'd The lofty pile of bales, was quite amaz'd That one so small as he, should thus be made To drag a load which quite four thousand weigh 'd. 1 What cruelty ' he said i to yoke a mule To such a mass — my master's sure a fool — And then, quite idle on the poor beast's back To scold, and curse, and give poor Bill a crack ! 5 50 THE IDLE MULE. Tis hard — nor shall I ever drag again, Such load, for best, or worst, or all of men. Nor can I if I 'd try — it is too great — I weigh but straw to such a massy weight — And I 'm resolved — and by the heaven's I swear, To die, before I move a step from here.' O'erhearing — the Cur that lay within the grass Look'd up, and smiling, star'd him in the face. ' Why, Bill, ' said he, 6 dare you thus rebel Against a master feeding you so well ? Sure, if you 'd look upon your smooth, sleek side You 'd be asham'd, and try your face to hide. Besides, you 've not to drag the load alone, There's four beside yourself, and then big Roan — • Nor is the load to drag, the waggon's wheels To lighten th' burden from the poor mule's heels. And now, although, I never drew a track, You '11 pull 't, I know, without a single crack. Do your duty — 'tis all your master wants, The rest, no doubt, he'll charge to his accounts.' Before the Mule could make the Cur 'reply The Teamster came — and on the bales did fly — Poor Bill forgot the weight, forgot his oath, And pull'd the hardest in despite of both. THE IDLE MULE. 51 Bethought me then 'tis pitiful and bad, That folks on duty should stop along th' road — A moments' leisure gives them more of pain Than thousands if they'd at their task remain. A look at burdens swells their awful size, And makes us feel we just had ope'd our eyes. Our toils seem great, and we seem left alone, As wretched Bill without the mules and Roan, Nor do we see in such despondent hour, That burdens lesson by their rollers power. But placing wanton on our wretched head, Great loads that for such place were never made, We think our Maker hard, call men ill-names, And than perform our work, prefer the flames. The cure for Mule and Man is quite the same, Since both are caught at the same silly game — Nor need we here a sage or prophet wise, The Cur shall teach, as long the road he lies. " Do your duty — tis all your Master wants, The rest, no doubt, he'll charge to his accounts, ' A COMPARISON. WRITTEN IN A COLLEGE SPEECH. Like two great rocks from lofty mountains hurled, Met in their course that war it down the world ; Here cities tossing in their mighty strife, There, graves digging mid th' abodes of life. MAN. WRITTEN IN A COLLEGE SPEECH. Grows then round virtue such a vicious crew ? Is truth thus blended ? and with falsehood too ! Lurks dark deceit behind so fair a face ? Or wrankles wrath in love's acknowledged place ? Then turn it, bend it, twist it, as you can, And still, a strange variety is man. MAN. WRITTEN ON THE ROAD. A birth, a joy, a life, a sigh, A groan the dead, the ground a cry, Is man ; earth's transient lord and slave, A moment's flash, a moment's grave. LINES; WRITTEN IN THE GENERAL ASSEMBLY. — 1834, Away from war and strife, Where virtue spreads her shade ; Oh let me spend my life, And then lay down my head, AN EVENING THOUGHT. Retires the light of day And with it earthly toil, 54 AN EVENING THOUGHT. As down the milder ray- Steals soft upon the soil ; The Queen of night her host parades And through the sky in glory wades. In heaven's dark canopy Glitter the starry hosts, And with a revelry Maintain their shining posts ; While on the robes of darkness drear Their glit'ring light they scatter there, Silence o'er all prevails And nature meditates While each its Maker hails, And bends at holy gates ; God through them all they joyful sing As long and loud their sweet notes ring Say who mid scene like this, Could still his joy repress, Uncharm'd in general bliss And void of happiness ? Then wake, my soul, to joys of night, And glad pursue thy upward flight. MIDNIGHT. SUGGESTED BY THE BURNING OF A HOUSE. When all are wrap'd in sleep, There is an eye abroad, That eye doth sleepless vigils keep, It is the eye of God. When all are still and deaf There is an ear abroad, That ear is open to all grief, It is the ear of God* When all are helpless laid There is an arm abroad, Upon that arm all Nature's stay'd, It is the arm of God. That eye we love to see, - Upon that arm to trust ; That ear receives our minstrelsy, That God our slumbering dust. THE TEARS OF VIRTUE. There is a fountain in the soul, But few have tasted of it, It is the fountain whence do roll The tears of virtue grieved. Such fountain th' wicked cannot know, For they have never seen it ; And there the good do seldom go, And therefore do not need it. It is for few reserv'd to taste, The good unhappy-fallen, It is the virtuous after feast, When once from duty strollen. Such were the tears by David shed, When he had sin committed, Such were the weepings Peter made, When he of crimes repented. THERE IS JOY IN TEARS. 57 Such were the tears the Saviour shed, When in the garden striken, Such are the tears, if tears are shed By saints who 're now in Heaven. Such too be mine, where'er I stray, By hard temptation driven, May heaven yield me on that day, The tears of virtue grieven. THERE IS JOY IN TEARS. There is joy in tears — oh who has not felt it ! So melting, so soothing to the broken in heart, When the soul is so callous and sorrows still pelt it, Sweet tears relieve us, they bear away the smart. There is joy in tears — the widow well knows it, And weeps as she mourns the beloved one gone, It lessens her grief, her countenance shows it, She is happy to weep and therefore weeps on. 58 THE TOWN CLOCK. There is joy in tears — the parent has seen it, And wept as he dropt his young angel in death, He 's happy to weep tho' afflictions don't mean it, His tears are the fragrance of the little one's breath. There is joy in tears — the penitent loves it, And weeps as he counts sin's catalogue o'er, The fountain is sweet, thus often he moves it, And weeps, and still wishes to weep evermore. There is joy in tears — 'tis love that doth make it, Love at the bottom still mixing with brine, How blest then the soul, when the bitter forsake it, And love fill the fountain as in glory it shine. THE TOWN CLOCK. WRITTEN IN WASHINGTON— 1832. Tis night — the bustle of the town is dead, While round his hearth, or on his couch now rests, The wearied laborer. Silence prevails, Except the bark of distant cur, or shriek THE TOWN CLOCK* 59 Ud grateful, of the midnight reveller. But still one sentinel forgets to sleep, Tis thou, loud-measurer of time, whose notes, Like angel-voices fall upon the ear, And wake to solemn thought the slumbering soul. Like dirgeful knell, thou point'st the widow'd heart To lonely grave, where lies the form beloved — Or prompt'st parental tears at thought of babe, Once fair, now blighted by the hand of death. At stroke of thee, the sick man too, his head Lifts up, and anxious asks with glaring eye, If latest sands of life are nearly dropt. Age thou warnest of that grave so near at hand, And bid'st him think, and pray before he falls, From shore of time, to which he clings so hard. The young thou urgest to improve the hour Now passing by. Upon the guilty heart Thou flashest terror and remorse, which bid Him well beware the lake that burns with fire. Upon the night-debauch, who lion-like On virtue preys with greedy appetite, Thou roll'st the peals of coming judgment-day, When all his crimes, from gloomy night brought out, Shall him accuse of all his filthy deeds, And blackness and disgrace upon him cast. 60 A SMILE. The theif thou warnest, and the drunken wretch Whose bloated face betokens early death. And him whose busy head, most tavern-like, Is all night long disturbed by travellers, From gold or politics, thou bid'st his mind Compose, and head upon his Saviour rest. The christian too thou tell'st be faithful still, His loins most tightly girt, and lamps all trim'd, And he himself in promptest attitude. And all thou warnest of a night when none Can work — when man shall die — the world shall end, And thou thyself shalt throw thy tongue away, And God alone Eternity shall mete. A SMILE. When prosperities lighten, And friendships they brighten, When mercies are shower'd, And blessings are pour'd : I love on the face to behold all the while, The offspring of gladness, a sweet holy smile. THE SWEET HOUR OF PRAYER. 61 When adversities thicken, And dangers they quicken ; When afflictions are hurried, And comforts are buried : I love on the face to behold all the while, The child of submission — a sweet holy smile. When death is approaching, And terrors encroaching ; When darkness is falling, And angels are calling : I love on the face to behold all the while, The offspring of triumph — a sweet holy smile. THE SWEET HOUR OF PRAYER. When mercies abound, And love strews the ground, And smiles are so full and so clear : When goodness distils, And my heart it so fills : I love, oh I love the sweet hour of prayer. 6 62 THE SWEET HOUR OF PRAYER, When griefs oppress, And wretchedness Its many ills are drawing near : When darkness reigns, My soul complains ; I love oh I love the sweet hour of prayer. At morning light, With coming night, Or, when the burning noon draws near : Mid forest-glen, Or city, then « I love, oh I love the sweet hour of prayer. On bed of death, Mid stopping breath ; When none but God himself can hear : As sinking, I Lift up my eye ; I'll love, oh I'll love the sweet hour of prayer. WRITTEN FOR AN ALBUM. RICHMOND BATH. — 1830. Mind is an Album just like this — At first, a blank alone it is ; Revolving time the pages fill, Year after year augments it still : While life and being last. Dear girl as on these leaves you look, Op'n the pages of that inner book, Where blank, where full, where wrong, inquire, See that its leaves fair truth inspire : Each page with virtue fill. WRITTEN FOR AN ALBUM.— 1832. So fair as leaves of Album white And easy stain'd, is woman's name 64 WRITTEN FOR AN ALBUM. Remember, girl, a touch how slight And soft, may tarnish thee with shame. Hold firm thy heart, hold high thy aim. In all thy life let prudence reign, And modesty with meekness guide ; Nor once let guile thy bosom stain, E'en stain'd but once, 'twill there abide. WRITTEN FOR AN ALBUM— 1832. An Album's like a lady's face, Looks neat when well adorn'd with grace ; As on each page sweet poesy blooms, And every verse exhales perfumes. Let those, then, who for Lucia write, The virtues all for her unite ; And round them throw a blooming dress, As rich as blushes on her face. WRITTEN FOR AN ALBUM— 1832. Charlotte, for thee long life I pray, Hope, too, as bright as blushing day, And peace as sweet as evening's rest, Refreshing e'er thy thankful breast. Love, too, I pray with thee may live, Of objects worth that love to give : Truth too be thine and ev'ry bliss. That can delight a life like this, Each be the lot of my dear Miss. T£> A YOUNG F RI E N D.— 1832, Upon life's turbid sea unknown, What countless numbers rashly go ; Unconscious of the storm that's blown Ten thousands to the gulph of wo ! 6 * 66 TO A YOUNG FRIEND. That threat'nirg deep then, friend, explore Before you leave the peaceful shore Of youthful days. Some mid the rocks are hurl'd forlorn, Some mid the quicksands cover'd o'er ; Some by a thousand tempests torn, And millions sail to sail no more. That threat'ning deep then, friend, explore Before you leave the peaceful shore Of youthful days. See mid the lost a few sail on, With steady course and prosp'rous gale, They for the prize of virtue run, And truth immortal fills their sail. With these blest ones then launch your bark, And sail, young friend, for virtue's mark, From youthful days. NATURAL AND MORAL BEAUTY. FOR A YOUNG LADY. — 1827. Part. I. What is beauty ? A fading flower, Now fair, then withered in an hour ; The early tints of morning light, Now seen, now perished from the sight. What is beauty ? The ling'ring red, On evening's breast from sunbeams shed ; The night-pale ray that meets the eye, As transient dropt from star on high. What is beauty ? The painted tear Cast from a cloud when spring is near ; A pictur'd bubble to the morn, Now dazzling fair, now broke and gone. What is beauty ? Nature's fair trace, The hues she gathers in the face ; The life that sparkles in the eye, Th' expressive languor of a sigh. 68 NATURAL AND MORAL BEAUTY. What is beauty ? A wing'd idea, Oft given to you Ladies fair ; The silken cords of human hearts, Now binding strong, now rent in parts. Part. II. What is beauty ? A temper meek, The sweet expression of the cheek ; The mind that's pure from ev'ry guile, The soul that hates a treach'rous wile. What is beauty ? The path of truth, The road that leads the virtuous youth ; The tender heart that cannot stray, The soul that owns a Saviour's sway. What is beauty 1 A tree of life, Diffusing good and healing grief; The fair benov'lence of a hand, That sheds its blessings o'er the land. What is beauty ? An Eden's bower, The dewy lustre of a summer's shower ; The smiles of joy where goodness moves, The glist'ning tears which God approves. TO A FRIEND AT PARTING, 69 What is beauty ? The rose of Heaven, God's image bright to mortals given ; 'Tis grace now shining in the soul, 'Tis life immortal crowning all. TO A FRIEND AT PARTING— 1827. 'Tis friendship cheers when hope is fled, 'Tis friendship lifts the sinking head, 'Tis friendship makes the world revive, And void of friendship, who would live ? Creation's wealth and all its train May raise and bless — but all in vain ! The world presents a prospect drear, Without a friend no soul could bear. How sad the scene, then who can tell, When friendship speaks a long farewell ! When love that warms a mutual heart, Laments to hear the sound depart ! Tho' others show their friendship false, And at such tears their heart revolts ; 70 TO A FRIEND AT PARTING. Be ours a friendship ardent, warm, And moved by no terrestrial storm. Tho' time drives on and friends must part, The love we bear is in the heart ; Not there to languish, but to grow More constant, from more constant wo. TO A FRIND AT PARTING. PHILADELPHIA. — 1834. As green spots on a desert wide, Or Islands bathed in ocean's tide ; Or stars that glimmer in the night, Or transient moonbeams bursting bright ; Are pleasing friendships sudden made, But which shall never, never fade. Then while in gloomy distance far, We mutual fall like setting star, We'll sweetly think on moment's past, That bound us each to other fast : Nor mid a stronger burning flame, Forget to call each other's name. TO A FRIEND AT PARTING.— 1832. As long the sky the snow-beat clouds drive on, And while they shine still hasten to begone, Or like the well plumed arrow darting fast, As once we see it, and again 'tis past, Or like the meteor blazing through the night, As now it glares and now it dies from sight ; So came, so went, your kindly visit friend, So short to see, so pleasant to the mind. And now as from us called again to part, Your name I'll deep embalm within my heart, And o'er it there engraved, with friendly hand, I'll pour the best perfumes of all the land : And as you pass away 'tis sweet to know, The stars that set to us to other's go. WRITTEN FOR A YOUNG LADY'S ALBUM. Dear Charlotte, from a serious Muse, A serious song do not refuse, It springs from love ; Like seldom counseller in life, Unmov'd amid the gen'ral strife, It points above. But, why should Bard excuse require, As in his hand he holds his lyre ! Music's divine : And when to meaner ends 'tis given, It from its birth is distant driven. And herds with swine. But still J will of woman speak, And for herself her roses deck, As rich as spring : From her own heart her beauties take, And from her life its flow'rets rake, And round her fling. WRITTEN FOR A YOUNG LADY'S ALBUM. 73 But I shall not those beauties call, Which may delight and charm for all, In woman fair ; Nor have her dancing in the room, Or, foolish sporting o'er her tomb, In madness there. Nor will I on her jewels throw, Or costly robes that round her flow, In splendor bright ; Nor gift her tongue with pertest wit, As idle coxcombs 'round her sit, On merry night. But she whose worth the muse would paint, Shall be throughout the very saint, Then imitate. Her hands on earth, her eyes in Heaven, Her soul to good-deeds constant given, With ardor great I'd place her in the closet hid, As precious drops bedew her lid, In weeping bent ; Or where her cheek grows bright with love, As oft she lifts her heart above, By rapture rent. 7 74 WRITTEN FOR A YOUNG LADY's ALBUM. I'd see her by the cottage bed, As soft she rubs the saintly head, In sympathy ; Or, mid the weeping sons of want, As tender she their griefs would count, With charity. Or toiling on a distant shore, I'd see her soul by pity tore, For error's dupes ; As oft the word of life she'd give, And teach the dying how to live, In largest groups. Or on the gloomy bed of death, With smiles I'd see her yield her breath, In hands of God ; Then spreading wide her wings of love, Pass shining to the courts above, By angels trod. Such be the beauties I would throw, Around the fairest here below, With lib'ral hand; Immortal life to Roses give, And teach the Lilies how to live, On heavenly land. THE BIBLE. 75 Such beauties, Charlotte, e'er be thine, Such graces round thy spirit twine, In richest dress ; That fair among the fairest there, Thou may'st in Heaven at last appear, In righteousness. THE BIBLE. TO A YOUNG FRIEND. As once along a sea-beat shore, Where many a sage had stroll'd before ; A lonely stripling moved along, To sound the depth of right and wrong : Deep-wrapt in thought he probed his theme, And seemed to walk beneath a dream : Till now at last his spell was broke, As near his side a stranger spoke. i Friend, ' said the wight, ' if you would know The safest rules for man below, 76 TO MELDA. The brightest light to mortals given, The path that leads from earth to heaven : Read then this Book — it came from God, And bears the impress of his Word ; Nor can your boasted Schools beside, Produce for youth so safe a guide. ' TO MELDA. Melda, I love, yet can't tell why ; But, yet, I know I love thee well : 'Tis not thy person, or that eye, Betok'ning goodness, that has fell, Alas ! too seldom on my face : 'Tis not thy flowing auburn hair, Thy marbled forehead, or thy cheek Of red ; or, face of angel fair ; Or, spirit living there so meek, That gives in thee my soul a place. TO MELDA. 77 *Tis thy whole self — so perfect all, That takes me captive at thy will : *Tis all thy graces, that do fall So heavily on me, and that fill My soul with such an ardent glow. Forbear ; or, take the prisoner : Shed your beauty ; or, a little part, At least of that sweet empire there Bestow — Oh, give me, M. your heart — The greatest boon to me below. Like a hid water from the hill, Descending gently by each tree, That finds nor brook, nor kindred rill ; A stranger tide — I fix on thee : Oh to be mingled into one ! I saw thy glassy breast that pour'd Its richness down yon mountain-side : And as thy glist'ning drops were lower'd, I hop'd to make of thee my bride : Come, join me ; and the work is done. Commingled stream, we then shall roll, On, onward to the ocean's wave — One water and one precious soul — The sweetest stream that shore doth lave. 78 TO A BABE. An ever-winding, holy tide. Who drinks of one, will other taste ; Who sails on one, will other ride ; Who harms a part, will other waste ; Who blesses one, will bless the tide : Oh say — Wilt thou become my bride ? TO A BABE. Fair bud of life immortal, hail ! Nor with thy breath commence thy wail — For still o'er deserts roses bloom, And green-trees grow round death's cold tomb. The scene before is mix'd, 'tis true, With sorrow's tears, and conflicts rue ; Still mid those tears sweet smiles appear. And mid those toils, sweet peace is there. Tho' steep the way with many a clift, As oft their tall-heads mountains lift ; TO A BABE, 79 Yet 'long their sides a pathway leads, From danger free, and free from dreads. Tho' dark clouds oft the heavens o'ercast, And rough-streams too do sometimes waste ; Yet oft that sky resplendent looks, And oft those torrents turn to brooks. Vice too with all her dismal crew Will often crowd, the op'ning view ; But then in contrast Virtue stands With smiling aspect, welcome hands. Mid scene thus mix'd, thus varied o'er, We hail thee, Babe, at natal hour ; And to thy lips the cup apply, Of happiness — not misery. We hail thee, not as pleasure's slave, Nor victim fell of misery's grave ; Nor vagrant on the field of life, Nor mopish dupe of sorrows rife. Heaven make thee wise in all to choose, Heaven make thee wise thy time to use ; Sustain thee through the varied road, And take thee home at last to God. THE RAINY S A B BATH. — 1832. Zion's sweet day of rest again has come, And bids her sons with many an odor sweet Go see the place where mangled and alone, The Hope of Israel lies, by angels watched. Or, pointing higher, parts wide away the sky — Opens the gates of New Jerusalem, And shows their Lord by thrones and powers ador'd. While thousands to thousands cry, " Holy Lamb ! " The gladsome news — Salvation, Pardon, Peace, On wings of swiftest wind fly thro' the land : While Earth enraptured from her heart of joy Rolls back the song, " Most Holy, Holy Lamb ! " But why, so mournful glad, sweet Day of rest ? Why sparkle not the mountains, vales and woods ? Why such gloomy liv'ry cast o'er Nature's face ? Why shines no sun, as wont, from mid-sky bright ? And thou, O Zion, w r hy so still, so sad ? Why rolls no herald's voice along thy walls ? AFRICA. 81 Why breaks not forth on high, and loud, thy praise ? And why no sons now at thine altars bend ? The clouds have overspread thy Sabbath-sky — Torrents fast falling beat hard the ground — The wind is high and bleak, and full the streets — And Zion's sons now pent look mournful out. But yet, weep not Zion — Sit still and learn To rest upon the arm thou canst not bend. That Hand which fills yon sky with rain and gloom, Upholds thee too — then, let his will be done. Soon will he break thy clouds fore'er away, Soon he Himself thy Sun, thy Light, thy Joy — And on the shores of blest Eternity, Give thee a Sabbath, sinless and complete. AFRICA. — 1832. From Northern Barbar to the Southern cape, From Western Guinea to the Mozambique ; Dark superstition holds her bloody sway, And death is gorged with many a welcome prey. 82 AFRICA. Her kings are despots, and her gods are fiends, Her worship orgies, and her music screams ; Around her palace hang the skulls of foes, And heads on heads lie thick around her doors. Her inner forests hear the clash of arms, Her coasts and cities shake with dire alarms ; Her winds blow hatred, and her rain is blood, Her leagues are ruptures, and her friendships rude. . Satan's dread kingdom spreads from far to near, Whose sun is darkness, and whose hope, despair ; And with an iron rod of mountain weight, He breaks the nations here both small and great. Where then, O Afric, shall thy help be found ? Oh tell us where ? if not in gospel-sound ? Earth's cold charity but looks and passes by ; And reason unrenewed but heaves a sigh — Mere Science yields her glimm'ring light in vain, Her strength is weakness and her mercy pain. But Gospel Truth can break thy chains apart, Disperse thy gloom and sanctify thy heart ; Its still small voice shall turn thy screams to joy, Break down thy temples and thy tongues employ. LINES; dlt HEARING OF THE DEATH OF THE REV. PLINY FISKE, MISSIONART TO PALESTINE.— -1826. Across th' Atlantic's rolling breast, Sad news re-echoes on the West ; Plaintive and slow it strikes th' ear, And fills the eye with sorrow's tear. For who that breathes a christian's breath, When hearing of a Pliny's death, Would blush to shed a tear ? But if on gospel-lands there are, Whose griefs would die suppressed by fear ; The willow growing by the side, Of Jordan's slow and mournful tide Shall weep, O Pliny, o'er thy tomb, And over Palestina's gloom, And shame the christian's pride. Or if America, so blest, Shall scorn Jerusalem oppressed, The oak that shades a Pliny's grave, O'er slumbering Fiske a tear shall wave ; 84 LINES ON THE DEATH OF REV. PLINY FISKE. And mourn the mis'ry of a Land, Which groans beneath a cursing Hand, Once powerful to save. Oh Judah ! once the favor'd place, Where Jesus proffer'd heavenly grace ; How dark the cloud that fills thy sky, And sinks thy name in misery ! By oft refusal of thy God, Thou long hast felt the scourging rod, That speaks thy destiny. But hope again had cheer'd thy heart, And bid thy wretchedness depart ; That Gospel which thou once didst spurn, In smiles besought thy late return : Her Fiske and Parsons spent their might, To rescue thee from gloomy night, They died for thy return. Oh Fiske ! beloved name ! What honors shall attend thy fame, When ages yet unborn shall hear, The sufferings which thy soul did bear, To pluck from sin's oppressive gloom, The Land which bears thy Saviour's tomb ; It now thine own doth bear ! THE FATHER'S DEATH-BED.— 1832. The sun of time behind the hills, His latest journey now fulfills ; While on the solemn tree -tops far, His fading tints he scatters there. The mighty noise of men employ 'd, Now on the ear fall dull and cloy'd ; Then farther still, and faint — and gone — It leaves the dying all alone. Like fun'ral music on the winds, Now comes the sad farewell of friends : While squeezed his cold hand they depart, And bleed distrest in every heart. Still round his bed his partner weeps, Still by his side, she sleepless vigils keeps, His children too around him sigh, And watch the dim-light of his eye. 8 S6 the father's death-bed. He groans, and with the monster strives, They weep as if they wept their lives ; Again he groans, and bids them hope, They on the cold frame quickly drop. But now, life's taper sickly burns, Now glares, and almost dies, by turns ; The shades of death around him spread, And darkness settles on the dead. Along the deep vale now he goes, As at its font his life-blood froze ; The dark still grave now meets his view, And scenes both terrible and new. But soon Death's darkness flies away, He wakes, and rapid comes the day ; Red blushes in the morn appear, Nor sorrows known, nor shadows there. Now music bursts upon his ear, And scenes seraphic meet him here ; Death's struggles, tears are all forgot, And he, Immortal changes not. ON THE DEATH OF A CHILD.— 1833. From seat amid the blest above, The Babe we mourn looks down, And as its heart dissolves in love, It chides us with a frown. Weep not for me, ye parents dear, Nor spend your griefs in vain ; There are no drops of sorrow here, And we shall meet again. My stay on earth was short, 'tis true, But long enough to see ; The vale of tears that filled my view, And griefs that grew for me. As o'er the scene I cast my eye, I saw the roses fade ; While quick I sprung to joys on high, As God those joys displayed. 88 my mother's death. Now raised by grace divine on high, Frail infancy is gone ; No more I heave a restless sigh, But praise around the Throne. Reject the tears then shed for me, But for yourselves weep on ; That you may be prepared to see, The Little One now gone. MY MOTHER'S GRAVE.* Part. L Upon yon bed obscure, With three around demure, Who ? s dying ? My Mother ? Yes — ah me ! And these her children three, Now crying. * My Mother died in 1835, attended by her daughter and two of her sons. In consequence of rain and distance, there was no funeral, and she was buried at night. MY MOTHER'S GR AVE. 89 Upon that lonely herse, With crowd nor solemn verse, Who 's going ? My Mother ? Yes, 'tis she, And these her children three ; Still woeing. And on that graveyard plat, At midnight, and forgot ! Who 's burying ? My Mother ? Yes, ah me ! And these her children ? — see ! Interring ! Part. II. But she shall never go, So still from human wo, At dying : For many a filial heart, Now rent beneath the smart, Is crying. Her funeral are the tears, Her worth has bought for years. While living : 8 * THE GRAVE. Her Jomb-stone pillars they, She now bequeathes away, Entombing. And on some future page, Still read by other age, Exclaiming : May this poor, feeble verse, My Mother's praise rehearse, Unnaming. THE GRAVE. — 1826, The Earth had turn'd from Nature's light, The shades of eve were dropping round ; Sad stillness reign'd o'er every site, And groves were dark with gloom profound ; 'Twas then among the sleeping dead, With solemn awe and silent tread, I thought upon the grave. THE GKAVEi 91 Around me lay the great, the small, The proud, the wealthy and the good ; Confounded in one mass they all, Were chang'd by death to wormy food : Here , youth was blasted, hopes were spoil'd, There, manly strength by Death was foil'd, They slept in common grave. I paused — and thought on earthly bliss, I thought on grandeur and on power ; And surely, said I, is it this, For which all mortals spend their hour ? A grave they gain through dismal strife, A grave is all they win through life, A gloomy, silent grave ! I thought on pleasure and it seem'd, As empty as the bubble's burst ; I thought on glory, and it deem'd, A fatal puff for men accursed : I thought on riches, and they died, And sunk by Death's resistless stride, They perished in the Grave. And when again I look'd o'er earth, And saw how mortals toil and strive OS THE GRAVE. To gain a name, or gild a birth ; I thought it vanity to live : For while they'd seek substantial good, They fall, deceiv'd in fatal mood, And perish in the grave. O Man ! how vain is every hope, If placed on earth's unsteady base ; The noblest minds uncertain grope, Unless posses'd of heavenly peace ; Then while the maze of life you slide. Restrain your passion and your pride, And think upon the grave. IB§(D)E HH. LARGER PIECES. RETALIATION: You say that I must hold my tongue, And quit my notes, or right or wrong ; And yet you hav'nt a page perus'd, Tho' quite by times the Bard's abus'd. But come brave folks, please tell the reason, For to obey without, were treason ; The Bard, tho' rhyming, yet has sense, And if you've reasons, bring them hence. Say they all, we'll take the banter, And state objections at a venture ; Perchance, we'll some the madman hit, And put to death his poet's fit. « 'Tis trifling work, may please your Rever'nce, For Poet, is akin to dunce ; And if you'd put two thoughts together, Of rhymes, you'd never make another. 96 RETALIATION. Besides, your cloth is quite in danger, To citizen as well as stranger ; For people like the stern divine, And not the Bard of empty line. Again 'is truly out of time, And quite amounts to serious crime ; What ! to have a Southern verse ! And ere we've seen the writer's herse ! ! Nor this the least, we know the maker, He's here at home and plain as Quaker ; Nor could one know without Prospectus, That he intended so to shock us. Besides, if not insanity, 'Tis sure the hight of vanity ; Parnassus' top is awful high, And Zion's mountain meets the sky. Nor did you ask us to advise, But we are taken by surprise ; Before we know a word about it, You are ready quite to shout it. And one word more — it 's costly — look, It 's several dollars for a book ; RETALIATION. 97 The times are hard — cotton's falling, And such expenses are appalling. Now if you'd put all these together, You could not hesitate, whether To burn the sheets, or send abroad, For you are tempting man and God. Oh Fates ! that cast my wretched birth, In such a mean and grov'ling earth ! That threw society around me, As if by iron-walls to bound me ! Sooner would I live in Nature's wild, Nature's own, tho' orphan'd child ; Sooner dwell in grottoed cave, And sooner rest within my grave. If friends are clamps, and men are chains, To fetter down my very brains ; Then I could bid them all adieu And only wish I never knew. With Harp in hand, I'd stray abroad, Where Nature listens, listens God ; Where never should a sordid crowd, Hiss at my notes as peal'd aloud. 9 981 RETALIATION. But no, I'll not an inch re-treat, Or smile the multitude, or fret ; But grow they worse, or grow they better, I'll publish soon in ev'ry letter. And now brave folks, since you have ended, 'Tis time I had myself defended ; And if you've only time to hear, I'll now address you, man or bear. 1 You say 'tis mean employment, And in it no enjoyment ; ' Forgetting that the Saints above, Forever sing as well as love. i It also lies without your station, And ill consists with your vocation : ' Know ye not the Preacher's Bible, Is filled with verse and parable ? You also hate a Southern song, And scorn it soon, or right, or wrong ; Pray, why affect the patriot then, And emphasize so, Southern men ? But then you all despise the writer, Because he is 'nt a little greater ; RETALIATION. 99 Yet when he'd swell his size a little, You'd boil him soon, in pot or kettle. And you disdain the pride it shows, And wish to kill in time with blows ; But if you never wrote a line, Pray, why be envious so at mine ! In reference to advices, pray, What could the people say ! I fear they'd talk so much and fast, That I'd their counsel lose at last. And as concerns the mighty cash, 'Tis only with a mightier lash, That ye could make me bow myself, And pay my homage to the elf. And now brave critics ye are answer'd, Nor should ye think yourselves here censur'd ; And yet I must a little add, Or make you smile or make you mad. Ye first the gauntlet boldly threw, And I'll the gauntlet hurl at you ; And teach, who trifles with a Poet, Shall one day yet his folly woe it. 100 RETALIATION. To tell you then the truth in hurry, I hate your self-constructed jury ; And from a bench so bent on killing, I'll elsewhere look, and look more willing. But tell us plain before I leave you, Why my verse should so much grieve you ; And this before you ever read it, Or other, save the one who made it. Or if you'd take my explanation, And read it through without vexation ; I'll undertake the weighty task, And tear from you the mighty mask* Ye have no music in your souls, And therefore turn so soon to scolds ; If all your hearts were put together, Your song would not be worth a feather. 'Tis want of ear, 'tis want of taste, That makes you scorn me so in haste ; 'Tis not in me the objection lies, Please tear the beam from your own eyes. Your minds are on the market plac'd, On Cotton gains and Cotton waste ; RETALIATION. 101 On Steamboats, Packets and the Dray, And news of every passing day* 'Tis Banks, and Capitals, and Cash, Which build your hopes or sudden smash ; Ye live upon the car of trade, How much is lost, how much is made ? Oh what a world we 'Id shortly have. All filPd with honest men — no knave ; If every man would seek his gains, And ply to making cash his brains. It matters not if we've no schools, Such things are only fit for fools ; Nor aught concerns, us able lore, We have enough, enough and more. Poets, learned men and authors, Those vile, contemptible mouthers ; Shall ne'er appear among us, Lest to viler things they bring us. We love a noble freedom, And therefore will not breed 'em ; Lest we very tyrants raise, To scourge us in our noble ways. 9 * I 102 RETALIATION. Depart — depart, ye bookish drones, And leave us to our monied thrones ; We love enjoyment and play, Not study — time so thrown away. We love the race-ground's prancing steed, And city ponies of the Gilpin-breed ; Rattling carriages and windows, Rich in gold for highest bidders. Festivals we love and barbecues, Rich puddings and fine stues ; Glasses too, deep-filled with wine, And glittering robes that round us shine. Oh what a heaven of heavens 'twould be, With all thy blessings Gold and thee ! We'd have such Paradise below, As 'nother never wish to know. Mean spirit ! I contemn thy choice, And 'gainst thy folly raise my voice ; Rise from the dust, thou crawling thing, And brighter glory round thee fling. Native Land ! With all thy faults, I love thee, And weep, as others climb above thee ; CAN00CHEE. 103 My heart it longs to see thee rise, To thy own fair and glorious skies. But never — write it on thy heart, — Never, never, wilt thou start ; Until divorc'd from love of cash, Thou cease the soaring mind to lash. CANOOCHEE. OR CHILDHOOD REVIVED. Sweet land, that gave me birth, how still Hast thou become ! A pensive gloom, Deep-ting'd sits silent o'er thy hill ; And at thy coverd feet the tomb Of thy deep-sighing waters roll. Thy widow'd trees with mourning drest, Now bending low embrace thy breast, As down thy cheek the tears fast fall. 104 CANOOCHEE. Yet mid thy neglected ruins, With orphan'd heart and awe-touch'd feet, I wander, clinging to the scenes My youth's bright morn esteem'd so sweet. While here, reflected from thy breast, The shadows of the past I see, Paying my homage, Land, to thee, And rapture finding in a waste. Sacred the spot ! at least to me, My heart-strings yet are round it tied. My youth's first-love, now rip'd, to thee, Dear Land, I pay, as when a bride Thou stood'st adorn'd with every charm : I have not yet, nor can I e'er Forget a place to me so dear, Around thee still I throw my arm. Away, away, great world ! The tomb I visit of my youthful days ; This silence and this grave yard gloom I love — I see my childish ways Still deeply prest upon the ground ; My own young footsteps here I view, My former self, among them too And once belov'd associates round. CAN00CHEE. 105 Tis yet more holy ! Here I see My parents — sacred name, and dear, Their portraits hang on ev'ry tree ; And on the ground neglected here, Their trampled relics scattered lie ; Their former steps I weeping trace, Their words I hear in ev'ry place, And catching the fleeing image cry. And now around me crowd the men Of that past day — th' departed life Of things now gone — who cheerly then Join'd in the walk, the friendly strife, The hunt, the play, the fisher's sport, And social feats, unnumber'd kind, Vanish'd, that only pain the mind, To think how faded and how short. The crowded school room too I see, The Teacher and his strolling flocks Of youths, that now so sportive flee, In idle hour at random walks, And gladness catch from every thing ; Incumbent trees they quickly climb, Or gather gold-flowers in their time, Happiest Children of the Spring. 106 CANOOCHEB. There too my boyish self I view, At teacher's knee the Alphabet But stamm'ring o'er ; a pupil new, Un'custom'd to the school-house yet, Blushing and playful, yet reg'lar ; Now gilded butterflies chasing, Now th' singing grass-hopper racing, Of ev'ry pastime taking share. Here too I learnt my infant knee To bow, my tongue to utter prayer, Here to hallow the Sabbath day ; The holy gospel how to hear, And my young heart to rev'rence God. E'en now I seem to see the crowd Of worshippers, and hand, that show'd My youthful eye, atoning blood. Happy ! Happy scene ! On thee, My youth s bright eye so sweet repos'd, And unoffending heart did see More beauty than a world disclos'd ! It was my world, my childhood's world, Nor have I since, tho' pilgrim'd long, A world perceiv'd more pure, less wrong, Or which more beauty has unfurl'd. CAN00CHEE. 107 Fair scene ! and holy too as fair ! Be it by me fore'er enshrin'd In memory — Let no intruder there, Profane, what e'er on me hath shin'd, As comliest star in hope's dark night. The temple walls around I lift, And here I'll bring my annual gift, And worship where I hail'd the light. But is it vanish'd ? Lives it not In other regions still as exile, Banish 'd by some ruthless hand ? What ! Has so much comeliness perish'd, while I've been chasing youth to manhood ? As widow still to grave I cling, And round and round my eyes I fling, To find alive what was so good. Peep the stars from lofty canopy, Hastens the long-watch'd moon to set, And still I chase the dead, with eye, That weeping, looks, to find them yet, And shall I ? oh shall I not ? Darkness, are they not with thee 1 Or, ye deep graves, which here I see ! Oh, tell me, where to find my sought. 108 CANOOCHEE. No word I hear — Wide silence still Prevails, concerting with the gloom, Of walls and forest trees that fill This place, and make it so a tomb. Only myself I see or hear : Dead, reposing all beside, In one vast sepulchre, so wide, As welcomes many a midnight tear. Yes — I myself did see inter'd Much, too much of this sweet dream ; My own young breast hath often shar'd, In what did only evil seem. — I saw, I drank th' afflictive cup. Here fell my father, on whose face My youth's grown eye did never gaze — I saw — rever'd — then saw him drop ! The tears of widowhood here fell Upon my cheek — a widow's grief: (Sacred the load, what heart may tell, Or who to such may bring relief:) A widow's grief, I here have seen, My Mother's at my father's pile, My own heart wringing all the while ! How deep and keen our woes have been ! CANOOCHEE. 109 That widow was poverty's heir, And I with her — nakedness and want Loving have we often parted there, And shar'd together the amount Of woes, we could not drive away : As oft, like tender hen, she fed, Starving herself, her young with bread — Herself 'tween them and harder day. Raiment too she furnish'd — tearing From herself to clothe her sons ; The worst, or any thing wearing, To cover well her little ones ! How oft have my own eyes beheld Her hands, the cards, the roll, the wheel Holding before her earliest meal — Herself her children's only shield ! Faithful Parent ! The drops that fell From thy dear eye, still I behold : And know for whom, and how they fell — Still to me more rich they are than gold, — They are my childhood's legacy : A sacred treasure which I never see, But, Mother, that I think of thee — Still viewing with an extacy ! 10 110 CANOOCHEE. Ye, who, your parent's love, can trace, Mid chested millions and estates, That e'er while run in every place ; To vanity and pride such baits : Tho' poor, I envy not your lot, My inher'tance is yet more dear ; My Mother's labor and her tear For me, can never be forgot* A heart I heir, a Mother's heart ! Ye inherit but gilded trash, Your wealth will soon, outliv'd depart, Like bright ray from the lightning's flash ; But who my prize can steal away ? Yours leads to vice, mine to virtue ; Yours is false, mine entirely true — Will I exchange then ? Never, nay ! The influence still I feel, and shall Till this warm heart ceases to beat ; Whate'er I have, or be, my all, I willing lay at virtue's feet, As off 'ring for a Mother's love. Sworn is my heart at this dear pile, Virtue t' love, and want redress, while Reason, or pence, or life I have. CANOOCHEE. Ill She too fled ! I clos'd not her eye ! Yet still around her stood her offspring, And as she rais'd her faint last sigh, And stretch'd for fairer worlds her wing, Upon her breast they pour'd their tears — Soon then my off 'ring too I paid, And at her grave stone pillar laid ; Yet still pay this in after years, No paying cancels a Mother's tears. So died the flowers that once enrob'd Thy banks, Canoochee ! so pass'd away Th' glory, that once so sweet englob'd Thy breast, like rich-enflower'd May ! So chang'd the scene of early love ! Yet still, oh still, 'tis only sweet, To plant on thee my exil'd feet ; And 'mong thy grassy wilds to rove. From thy exalted pines, whose moan Still day and night is anthem'd out ; And thy dark swamp and river's groan, And bush-grown heath so spread about : From all — I taste, still taste the soul Of former days — with all, my heart 112 THE BEREAVED PARENT. Is one — and still I dread to part From any, or, to leave the whole. But yet I must — Then fare thee well : Ye pines, and fair green trees, thou stream Of loveliness, and banks that dwell On either side — the whole sweet dream Of childhood, a long, long adieu — Yet, still, when under other sky, I oft shall hither turn my eye, And pay my homage, Land, to you. THE BEREAVED PARENT. A DIALOGUE.— 1837. Parent. Thou art my debtor, Death — 'twas cruel To take a babe unrip'd in years. What ? Dost thou thy hunger fill On infant's groans, and sighs and tears ! THE BEREAVED PARENT. 113 Be nobler — strike a higher blow, Come, smite the parent, or, let go The child, in which he only lives ; To thee his naked breast he gives. Death. Reproach not the servant of the Lord, For such myself I ever hold ; Rapid to fly but at His word, Be feeble at it, or be bold. Perhaps, thine heart was too much laid On the young form, that now is shade ; Or, Heaven saw, 'twas wise and best To take it kindly into rest. Parent. That rest I see not. The bliss My child enjoy 'd was real, seen — And more, 'twas mine as well as his. But now, it is as ne'er had been. Restore the captive then — give back My lost ; or, thee or me for rack Prepare — I will thy prey regain, Or, here, with thee fore'er remain. 10 * 114 THE BEREAVED PARENT. Death, Parent, beware — Thy time will come, Perhaps, too soon — for at the bid Of Him I serve, I'll give thee room, And close thine eye with its cold lid. But, to restore is not my trade, My task 's to kill what God hath made. Till the stars and sun depart, The clods shall press thy infant's heart. Parent. Creator ! Is this the fate Of him thou callest, crownest man ? How is it then that he is great ; When from the grave he never can His best-belov'd recall, but stands Himself so threaten'd on the sands Of death, weeping, as if the dead, For those but just before him fled. God. Worm ! Thou knowest not my plan. Where wast thou ere thy worship'd dust Was form'd and moulded into man ? And art thou griev'd because it must THE BEREAVED PARENT. 1 15 Be turn'd to earth again ? Be still, And bow submissive to my will ; Or, if thy spirit yet rebel, My arm shall sink thee down to hell. Parent. 'Tis hard, but still I must submit, I'm but creature — He Creator. — But, oh for place on which to get, A prop of heart that's greater ! To lose my comforts ! see them die ! Yet find no peace, but onward cry ! Oh God, that made me, tell me, say, Is there to peace no other way ? Christ. I'm the Resurrection and the Life, I died and have secured it all ; I'm the balm of every grief, I hear the wretched's softest call. The Babe that thou hast lost is mine, And shall again a better still be thine : O'er thee I'll watch and be thy stay, And its, till Heaven's eternal day. 116 THE BEREAVED PARENT, I Parent. Saviour divine, supremely good ! Thou art and hast what I require ; No more I'll grieve in angry mood, But strike my harp and wake the lyre. Pardon me, Death, thou art my friend : God ! thou'st taken, what thou didst lend. The grave is bright — the Dead e'en smile, And 1 now kiss the fun'ral pile. DB(Q)