. » • A <^ .... & yt l.*^ *._ UNDINE AND OUR SYLVAN WORLD i ■> mmi CX)PYRIGHT, 1906, BY DANIEL EDWARDS KENNEDY LISaARY c; CONGRf.SS I Two Con-f? RecfiveO I JUN 8 \90e One hundred copies printed "0 7 K PAGE UNDINE 1 OUR SYLVAN WORLD 19 THE REAL IRISH SHAMROCK ... 31 THOREAU IN OLD DUNSTABLE . . 41 A BROOK AND ITS FLOWERS ... 51 JULIUS 65 THE GARDEN 73 A SUMMER PATH TO A RIVER . . 83 GRAVEYARD GOSSIP 97 "FOXY" 107 ANTIQUES AND ANTIQUARIES . . 115 THEGOONACK 127 A DAY IN THE LIBRARY . . .135 THE COUPLE IN THE WIND ... l5l SNOW TRACKS TO THE WOODS . . 159 LOT, THE RUSTIC 169 UNDINE Af Igf l&f UNDINE JUR Undine is a life-sized ! bronze statuette of a little Igirl, with wavy hair and fclear eyes. Helayne and I 3like to think her soft hair golden and her half-closed eyes very blue, perhaps because we see so much in them, that we think we are looking into the infinite blue of a broad heaven; perhaps, because the only other little person in our household has eyes that surpass the sky. She stands on the new old-fashioned mahogany desk in the library bow window, and, with drooping lids that hide her eyes, looks down, benignant and all-propitious, on the hearth of our only home. Although, in truth, we -1- bought her and took her away from a brightly-lighted jewell-filled window in one of the most noisy streets of a city, still, she is not at all a slave, as she very properly should not be in such enlightened days as these. But, she is very much of a tyrannical queen; a very jealous goddess who demands your all or none; a little immortalized deity of our household; our saint; the image of our Lares in spite of the Roman custom of having one of the opposite sex. Just as a child sees in a rag-doll and box fitted with curtains and furniture from Liliput, a little world of its own, just so, Helayne and I see a cosmos in the eyes of Undine. The little per- son, Thaddeus, being a child, of course sees with eyes like those of the little -2- ,»^ .;^<^^'1/!^/5^^x ^^ji^;^ p!^' mother with the rag-baby. Thus our household, our triple alliance, the fam- ily of which I am the proud head, live in the light of the spirit of Undine. At every meal, after the holy man- ner of ancient sacrifice and first fruits she is offered a prominent part of our simple repast. In all our joyful family occasions she has her part, and, be- cause our Sylvan World is daily full of those occasions, she wears her crown, —no jewell-studded rim of gold but a laurel wreath culled fresh, and green at all times. Our little Undine entered our Sylvan World when we did,~on a bright and clear day when the star bluets, in little crowds, gave an azure aspect to the lawn to the north; when the anemones swayed in the spring winds down in -3- the woods and the golden oriole hunt- ed insects in the bark and new leaves of the apple trees. From that time, her image has pre- sided over the lararia in our home, where, in the summer, we often sit with the songs of the birds floating in on the warm heavy air; and, in the winter, we join the old hearth circle when the fire light plays over her delicate feat- ures and casts a giant shadow of her on the heavy window curtains. At first, we knew little about her, but day after day, we came to love her more and more, and, as one very naturally does, we went to the lore of all lands and sought knowledge of her birth and life. And while we learned considerable about her and came to understand her -4- 'T e'l^^-M'.c. K^. ^ character better, still we were not entirely pleased with what we found, for some of it was quite odd and un- usual and, perhaps, funny. Pagan people gave her Nisus, for her father —pagans, they gave her no mother. She began her life when, first, water was; her first play was a free chase over the sand and pebbles; her day's work was to sing a merry song while, on the banks, the wood nymphs danced with Pan as he piped. In the old Paracelsist fanciful system of things, she was the elementary spirit of water— a sort of a Naiade —a spirit without a soul, and only given one when she has borne a child to a mortal. But alas! in those days, no man ever drank of the spring or brook or lake or river, over which she pre- -5- -t«^ p-'S" -^ax'^stf sided, and therefore, she could not in- spire them with the gift God gave her, or, rouse in the breast an unquench- able love. Time went on, and some one, driven to a rural land by political faction or social ostracism, or ft-om a free desire of their own, came and wet his parch- ed lips at her shrine and when he re- turned among men they reverenced him, as a seer,~a Tiresias; or, sat at his feet and listened to his poetic strains,— a Homer; or, cast him forth a toy for the furies, ~a mad man, — a melancholiac,-- a fool. And, except for short occasional visits. Undine lived entirely alone—and waited—and waited— soulless! Years went by — centuries — we know not, how many. In their long -6- '^^ time, only a few~perhaps, one a year- one a century—went to her shrine and returned among men to tell of it. Many went there and never return- ed. Men in the outer world wondered why they did not. Stories went about that they had gone to some Circe, had tasted of the magic gold cup offered to them, and, probably, now they were wild beasts running about at the call of their mistress. Bold adventurers went, some out of curiosity; —some, to find the lost ones„ An adventurous son sought his father, an adventurous husband sought his wife-they had been told that all of the lost had been seen there, remaining, because they did not desire to leave that happy land. These misguided adventurers had -7- seen someone living and dying in peace. They coveted it. They heard that Undine would give it. They set out on their quest, ~ errant knights after another Holy Grail ~ and most of them returned and had nothing, but hardship, to tell other men. Others went all the way and bent the knee. But soon they also returned, because they had a false idea, which, in turn, they gave to their fellow men. Among these, Baron De La Motte Fouque told to the Germans a story about Undine~a very German story— in which she played the part of a sort of German coquette, coming from the country to a home in a city where she was looked upon as a princess rescued from some evil enchantment. W^e, with others perhaps, sought -8- Undine through the German eyes of Fouque ~we put his book aside, with never a word—with none of our desire satisfied— and we sought further. Before Fouque, John Oxenford and Sir Julius Benedict had journeyed to Undine's realm, had there formed a friendship with one another and had come back as companions. As a first fruit of that friendship, they gave to the world a cantata, called Undine. We have not heard this musical story of her charm and deification, but we praise Oxenford and Benedict, for we have been told, by those who did hear it, that it was very much of a choral piece and was very successfully given at rural Norwich. To us, our Undine, certainly would be in better harmony at a festival than in a -9- German city in Fouque*s poor story. Helayne and I have only found those three experiences of the seekers after Undine. We wondered a deal that some did not find dragons and enchanted palaces and giants and all kind of romantic adventure ~we thought that, perhaps, their journeys would have proved more interesting, if they had. To us, there did not seem to be such an ado about it ~ we found none of the difficulties that others had~we found the journey, if one can call it a journey, a very pleasant one. It did not seem long, we found much to interest us on the way and when we arrived there we bowed our heads to Undine just as we do to the image of her in our home. Her one realm is the Sylvan World, -10- where forests and brooks and birds abound, and, while a German city, and perhaps others, may think one, who comes from that world, to be rescued from an evil enchantment. Undine, in turn, certainly thinks the same of the city and she stays with her brooks and fountains and lakes and rivers in the more homely land and seldom bothers to send back a true errant knight in the cause of enlightening that city. Therefore, if you would know what peace and happiness and health we find, v/hen the knee bends at the shrine of Undine, you must be able to find that peace and happiness when you sit near a woodland brook in any rural land of yours and just look and listen, awed to silence in the presence of the great sylvan-world deity. Then -11- perhaps you will find, as we have, that Undine without a soul is better than many others with one. Then too, if there happens to be a little chubby hand in yours and a curly head in your lap and in the air a little laughter that melts into and harmonizes with the songs of the plumy race ~ then perhaps you will find, as one of the true errant knights did, that "God made the country and man made the town" and you will vow never again to aspire to city ideals and always to keep the laurel wreath on Undine's head fresh and green. For, the condition of the sacrificial wreath means much to the people in the Sylvan World. A green one, indi- cates that you have paid your vows to Undine to-day. A wrinkled one, that -12- you did so yesterday, perhaps. A sere leaf, that you have ceased your Undine worship and have returned to the city ideals. And so, by the wreath, the Undine worshippers can tell all about you. But, perhaps, in your conceit of cleverness, you think that you could easily deceive them or their Undine. We hope you do not. One man did. When he looked at Undine he did not see the holy expression that Helayne, little Thaddeus and I and other true worshippers do. No one knew what horrible thing he beheld; according to rumor he sought in vain to take the life of others and only succeeded in taking his own. In some seasons Helayne and I find that, on one day, we together have -13- not only placed the wreath on her head for our household, but each of us has, out of the fullness of the heart, done so. Sometimes we even have found little Thaddeus climbing up a pile of books to crown her with his little wreath. Some day in winter when one says, "A sad tale's best for winter. I have one Of sprites and goblins. ..." and the same little enthusiast is nestled in your arms and your Hela3nie sits opposite you at the fire, then, perhaps, Undine will be crowned a fifth time because, as you say, you watch the expression of Undine for inspiration for your "fairy story." And, as the sun moves from east to west in his days work, and travels from Undine's right to her left, the light on her changes -14- wonderfully; now giving her a stem calm of contentment; now changing the chiaroscuro about her eyes and mouth as she becomes benignant; now stealing around back of her head and leaving her mouth in semi-darkness with a faint smile lurking around the comers of it; now coming over her left shoulder, lighting up a part of her face, calming the mouth; and, now as the light in the sky dies away, she seems to become as reverent as if she, like all good little girls with souls, were saying her prayers before going to bed. The story of bears, sprites and fairies goes very much the same way — now stem and blood curdling; now promis- ing an escape from the fiends; now touching the humorous side of the adventure; now coming back to some -15- little child safe in father's strong arms. And thereafter, as the days follow on, and the little fellow who listens to your story comes to strength and character of manhood, some day you will see in his eyes the light of a new awakening and his song of praise of Undine and his stories of her will revive yours that have perhaps worn at the edges with time. Then indeed you will know that even though the boy is a man and the father and mother are wrinkled and grey, to every one who in all sincerity of heart goes to her realm and bend- ing the knee drinks of her inspiring fount, Undine remains as she was all the yesterdays and will be all the to- morrows. s^£ OUR SYLVAN WORLD i& ^ ^ OUR SYLVAN WORLD fFTER we had made Un- ) dine the one goddess of our household, after she had s.come to play a great part ^in our very lives, our Sylvan World became almost an Arthurian Avalon to us~a little terrestrial Para- dise— a land haunted by kind spectres and good ghosts—where the hills echo the praises of the dead and the birds sing hymns to the living. Our Avilonian acres still have their groves and woods for woodland w)ld- ness; hamadryads still have their haunts here; nymphs still bathe in the clear waters; fauns and sat5a'S still watch and pipe their mellifluous music. Whether you find them all depends on the atti- -19- tude you take in seeking for them. If you come to our land, for refuge- to pay homage to Undine— you will find all that the heart desires and you will stay with us. If you come, seeking to lead back a father or wife, happy here, you will not see or feel any of the wood magic. If you covet our peace and happiness, you will find more trouble and unrest. If you come out of curios- ity; if you bring nothing and expect to go away heavy-laden with gold things your footfall in the land will send all the rural gods and goddesses in flight to secret comers; you will find in a tree, no dryad; in the air, no birds hymn; in a brook or lake or stream, no Undine. Helayne and I left the city, in distance far far behind us, in memory blotted out and unknown and settled a sylvan -20- home when the heart renewed leaps up in joy, when indeed "Sumer is icumen in Groweth sed, and bloweth med, And springth the wude nu— " We soon started to do the things Undine inspired us to— she with her woodland witchery led us here and there. And yet we found she was less of a bad witch and more of a good fairy. Under her direction, we fixed anew the long neglected garden and the rains came and it flourished. With her lead- ing, we tramped over the roads and bjrways and sought the banks of a wild brook; we listened to its waters; we culled its choicest flowers and we went back to the old red house and took the -21- song of birds and the sweet scent of flowers and a glad peaceful heart along with us. "When the time was ripe she called us and we went on a summer walk down to the river; we sought to know the animals near by; we watched birds in the trees; we came home with our arms full of wild flowers. W^e gazed with wonder on the heavens, watching Venus hang like an earring diamond in the sky. We wove pretty fictions about the starry land; we saw pretty fine couples there and Tiresias- like we imagined they had souls and sexes; so that we wondered if they were married too, and we hoped they had sylvan abodes and country solitudes and an Undine. Later, when the leaves went and the autumn came, we spent chilly days in -22- !£~^f i^^^^ the library and study, where we took down from the shelves and read large volumes by men who had seen some- thing of a sylvan world and had wor- shipped at a shrine of Undine. We found many of them, for in these days her shrines are myriad. One man calls his sylvan land, Arden; another, Ar- cadia; another, Avalon; another, Eden, and so on even into the hundreds. Some people, from the earliest exiled monarch to the latest country lover, have sought a Sylvan 'World as the only solace. Fact and fancy have been ever at war for man's soul and the times run an interminable race from one to the other. In the past, countless numbers have left the town and gone out in the country and some of them, better seers than others, saw nymphs -23- and fauns and sat5^s sporting in the underwoods, and even some found the fairies dancing in their mystic circle as they wound their spell of enchantment. They, the seers, gave back to the land they had fled a pastoral scene of swains and shepherdesses; whereby they lead others to go to the country. Perhaps some one of the city men, who little knew what wonders the Undine wor- shipper heard and what sights he saw, came upon one of them, l5dng on the grass under the greenwood tree, looking up through the lace of leaves at the clouds, or sitting on the river bank, fish- ing. To the city man, just fishing; no gods or goddesses; none of that senti- mental stuff, as the realists call it. But when the fisherman was left alone, or another like him, met him; it was very -24- different, especially to those concerned^ Helayne and I were never alone in our land; we had found no island where we stayed as a Mr. and Mrs. Robinson Crusoe. Every day brought some new sound or sight to us; we saw all the host of people who inhabit all nature. At times there would be a veritable hymn of praise sung by all the sylvan deities; for a new soul had come to pay homage to the goddess and all nature rejoiced. Then too, letters from other sylvan lands were left in the door of the red house for us; letters that recalled men and women we had seen. Some of their messages were in extremity of sorrow or joy; some were messages of moderation, of man leading just the every day, simple, rural life as best he knows how. Our cup of happiness was -25- indeed full to overflowing when joyful tidings came; with sad ones, tears came to us even in our sylvan world. A marked newspaper told us of the death of the Octogenerian; another marked in just the same way told of the unexpect- ed, but well deserved, success in a dear friend's life work; we shed tears of joy and tears of sorrow, both coming from the same well, both wiped away by a like handkerchief Nights came and showers of fire skimmed across the heavens; we looked out at them from the cupola and we learned the goodness of God from the stars. We listened to the couple in the wind, night after night, and we grew accustomed to the creak of the ghost and did not wish the house exorcised. With all his ghoulishness, with all his -26- creaks and groans, we rather liked to have him haunt the house. He helped to raise the spirits of the dear dead; a groan came to mean a character to us. A sigh brought back that young colon- ial maid with her curls and low corsage, her hoop skirts, just as she attended that "great ball". A creak showed us the old stage coach scarcely moving through a mud hole on the old Concord road, the coachman snapping his whip at the leaders, the six horses straining to pull the coach through, big old men leaning out of the windows, scowling and storming at the condition of the road, in a comer, prim old maids hold- ing their knees and breath, "positive" that the wheels were going to break. At times the ghost grows humorous; at times disrespectful. He told us that -27- tn our land "a grasshopper was once seen perched upon the top of a dry mullen stalk, with the tears rolling down his cheeks, looking in vain to discover one stalk of green grass." Then while we laughed at him he slid out of the room and was quiet for the rest of that night. W^hen the first snow fall came, I left Helayne reading before the fire and went to the woods alone. I came back to her with cold face and hands, sat before the blaze and told her what I had seen. On another day, when I was at work in the study, she ran off like a truant and came back to me and told me what she had seen. So, we share our new Sylvan World sights. THE REAL IRISH SHAMROCK m THE REAL IRISH SHAMROCK |ODDY brings us berries afresh from the fields, and, (ever since we took up our /residence on the same ^thoroughfare on which she lives, she has been a faithful protegee of Helayne's. She is a little freckled-faced red-haired girl about eleven— a chip of the old block, as they say,— a little un- tutored savage of the Concord road farm, more often found in the top of an apple tree than in the dairy at her chores. She has a wild hankering after gaudy ribbons and stockings, a more than normal heart beat at the tinsel on the circus women's clothes. Once she saw a play at the village "opera house" and when her father asked her about -31- it, the only thing she remembered, was that Lizzie Perkins went with her and 'Lizzie Perkins had a new blue-and- green dress, and, the heroine in the play wore bright red leggings and a purple tarn o' shanter. The winter at the farm had been dull, as usual. The weather had proved more rainy than the country had seen for ten years, and, for a few weeks, Toddy found nothing to do but work in the dairy. "When a clear day had come round in March she was let loose again and with Lizzie Perkins she decided to pay a visit to the near-by town. Lizzie had saved seventy-five cents and a Canadian ten-cent piece. Toddy had a bright silver dollar and a twenty- five cent piece and two pennies. Lizzie -32- had on her old brown winter coat anc^ a cap belonging to her brother —she had it pulled tight on her head and over her ears for there was a cold biting wind coming from the north-west. Toddy wore a black coat and cap~a coat that gave her a look as if she had been melted and poured into it. It looked as if it pinched her all over. The two young ladies condescended to give a "good morning" to Hela5me as they passed our home on their way to the end of the trolley line where they boarded the car for town. Needless to say they made the trip both on their knees, looking out of the window. First they had to stop at the candy store ~ just for a little ~ for Toddy's father had given orders not to buy more than ten cents worth of candy. -33- Then, there was the ribbon counter at Bustard's ~ they surely wanted to go there. As they passed the florist, Toddy gave a jerk to Lizzie's arm and they stopped before the window and read the large green-lettered sign: "The Real Irish Shamrock!" "Oh, is n't that pretty?" cried Toddy. "Beau— ti~ful!" Lizzie agreed. "And such lovely pots they are in." "Y-e-s." "I'm going in and ask how much they are." The two entered the store rather shyly. The clerk bowed to them. "How much are the —the— pillow ~ rocks?" Toddy was all confusion and for a minute she did not really know whether she wanted to buy a sham- -34- rock or what she knew as a pillow sham. "The—the flowers—in the window." "Oh, you mean the shamrocks. One dollar." Toddy turned to Lizzie and Lizzie looked a perfect blank. "I'll take one-I guess.'* The clerk chose one from the "win- dow and talked as he did it up in tissue paper. It seemed to Toddy as if he would never finish it. "You see there is a flower on this one. Rather rare to get flowers on them. You want to keep it well-watered and give it a cool room. It grows fast." Lizzie whispered in Toddy's ear; whereupon she asked, "Is it the real one?" "Oh, yes. Real Irish shamrock." the clerk responded. -35- And so Toddy parted with her silver dollar, received the little plant, done up in four sheets of tissue paper, and, they blew out and down the street to the big store of Bustard's. At the ribbon counter the rest of their money went for pink and yellow ribbons and when they had shut the door and stepped out on the sidewalk, Toddy thought for the first time since she had had the shamrock put in her arms. "W^e have n't any money for the car!" she gasped. "What will we do?" Lizzie began to whine. "W^e might take some things back." Toddy answered. Then she thought of the ribbons~oh, no, she could not give those up. Then -36- she thought of the shamrock~oh, not that. Then of the candy —that would go-they could make some at home. But they had eaten it. Then a happy thought struck her and she almost yelled. "There comes Mr. Winton's car — we '11 take that~and father will pay him when he comes in town next time. Mother got trusted once." So, they boarded car number thirty- two and were soon at the end of the line. Toddy unceremoniously left Liz- zie at her gate and hurried across the road, home. She entered the kitchen and there met the whole family, ~ mother, father and brother Ned. "Oh, see what I have got." she spoke up. And she started to open the rib- bon package after she had put the -37- shamrock on the table near the door. While she was opening it she talked, "We forgot our fare, father, and Mr. Winton trusted us." The old man answered "yes." Then the ribbons were laid out to view and her mother looked them over while her father sat and looked at that other package, and, waited for her to open it. "But this is the fine thing." Toddy said, undoing the shamrock. Four pairs of eyes were on the won- derful package. One pair sparkled with joy, the other three stared in curiosity. "It 's a real Irish shamrock. It cost a dollar." Toddy said proudly. "Oh, Lord!" her father ejaculated. "It 's one of those pesky weeds fi*om the cow pasture." THOREAU IN OLD DUNSTABLE ^ Igf ^ THOREAU IN OLD DUNSTABLE fND we rowed slowly on.... ) looking for a solitary place in which to spend the night. . .W^e camped at length ^near Penichook Brook, on the confines of what is now Nashville, by a deep ravine, under the skirts of a pine wood, where the dead pine leaves were our carpet, and their tawny boughs stretched overhead. But fire soon tamed the scene; the rocks con- sented to be our walls, and the pines our roof So Thoreau wrote, when, in 1839, he took his voyage on the Concord and Merrimack rivers; taking a long trip to Sylvan Worlds, in response to an appeal of Undine. And it gives a peculiar -41- charm to many of the walks and rides that Helayne and I take in our Sylvan World; the world once visited by the Concord naturalist. One day while on the river bank, Helayne and I saw two French boys in a boat floating by the current. We did not think much of it at the time; in truth if they had been men, we probably would never have had our attention drawn to their antics. The fact that they were boys, at least, made us hope- ful for their safety. About sixty-five years ago Thoreau went up and down the same river on which the boys floated by the current. Had it not been for the interest that he took in the banks of that river we would not have occasion to seek out the spot by the Pennichuck Brook, -42- where, sixty-five years ago, he camped. He sought a solitary place. He seems to have found it. ". . We wrapped our buffaloes about us and lay down with our heads pillow- ed on our arms, listening awhile to the distant baying of a dog, or the mur- murs of the river, or to the wind, which had not gone to rest. Perhaps at midnight one was awak- ened by a cricket shrilly singing on his shoulder, or by a hunting spider in his eye, and was lulled asleep again by some streamlet purling its way along at the bottom of a wooded and rocky ravine in our neighborhood." I do not think we are liable to forget that part about the spider, and, the one thing we could wish, would be, that he might tell us how he managed to per- -43- suade the spider to allow him to fall asleep again. Is it not probable that Thoreau allowed it to finish the hunt and learn that his eye was no place for flies or webs? A good many people have learned almost as much about Thoreau. W^hen Helayne and I were recently in Concord, I gazed long at that little stone with "Henry" on it. Through a little book in our library I had come to feel as if I had some bond of fellowship with that simple man, buried beneath so simple a stone in Sleepy Hollow. Only I wished he had a Helayne and a Thaddeus. In Concord when we had climbed the hill and found the Thoreau lot, I had expected to see some such enclosure as that of Hawthorne, or some boulder -44- such as marks the resting place of Emerson. I saw a granite head-stone so small that I believe I could carry it as easy as a loaded dress-suit case. On it was the simple Christian name; no date; no quotation. All that, was left to be cut on the family stone, so that "Henry" was only one of the Thoreaus. Perhaps he wished it so, and perhaps, the people have respected his wishes more than Bowdoin College has re- spected those of its famous romancer. "When we were back in our Sylvan World we thought that Thoreau did not need any monument or tombstone credentials. We found that we could not go about our land without linking his name with it. It was not long after we had come to anciently - called Dunstable that we -45- happened to experience some of the same good fortune as Thoreau, when here. "We bought a book; a book that has some of the sentiment of a first edition. It is a first edition; but the book only went through one, so that its place of interest is due more to another fact about it. Thoreau read it and had it in his small library; a small book call- ed Fox's History of the Township of Old Dunstable. W^e are told by Chan- ning, in his storehouse of Thoreau reminiscence, how he came to obtain it. ". . . And, knocking, as usual, at the best house, he went in and asked a young lady who made her appearance whether she had the book in question. She had,~it was produced. After con- sulting it, Thoreau in his sincere way inquired very modestly whether she -46- "would not sell it to him." I think the plan surprised her, and have heard she smiled: but he produced his wallet, gave her the pistareen, and went his way rejoicing with the book, which remain- ed in his small library." The fact that he bought Fox's book, and buying a book meant a good deal to him, even though he only paid twenty cents for it, that fact, shows that Thoreau had a great interest in the place. If you will read it over or even look up the references to it among his collect- ed works, you will easily see what the attraction was to Thoreau in our land. And he found much in our land, many times more than we can find at one glance. For, he is one of those rare souls who profited most because -47- he bowed at the shrine of Undine most often. Thoreau lived in very many Sylvan W^orlds and probably saw more than he thought profitable to tell to his neighbor men. Perhaps he was wait- ing and waiting for another man, as the fisherman waits for another fisher- man. Helayne and I rejoice because he did not leave us without singing a song of sad farewell. He must have been row- ing when he composed: Salmon Brook, Penichook, Ye sweet waters of my brain When shall I look, Or cast the hook. In your waves again? %i^ A BROOK AND ITS FLOWERS \$f \$f ^ A BROOK AND ITS FLOWERS ELAYNE was busy about the house and I sat trying to read in the shade of the apple trees. I could not help but watch a humming bird feeding on the trumpet vine that climbs the back porch to my study. The day was warm and sunshiny, and, after the humming bird had dis- appeared and I had made vain attempts to centre my interest on the dull book, I left it in the middle of a chapter, went into the house to leave word of my in- tentions and started off on a rambling walk over the fields and down the hill to the brook near the Arcadian flat land where the cows chew their contentment cuds in the shade of the willow trees. -51- Of course I had put on my boots, my coat and collar I had left with the book, my shirt was open at the neck and sleeves rolled up. As soon as I reached my brook, in I went, ~ splash! The water cooled my feet, the trees afforded me shade and I started out, determined to know every little eccentricity of that miniature wild river. On such an idle day and in a country where "it seemed always afternoon," as it did in Lotus land, there was no great hurry, in fact I went slow, perhaps, not to hurt the brook, perhaps because the bed was of slate stone and quite able to protect itself by a green slimy scum that clings to it. For fear of a wet fall I always take warning from that scum and go slow. And then, besides, nature does not fix things so that he -52- -^IT'snL-M', ^'^^ ^^ \ who runs may read, she has a little way of putting such scummy difficulties in our way to try and make us go slow enough to look about and see aU her beauty, and whether or not we sing her praises, lies at our mercy. Up, on the bank, among the grasses beside the brook, the thoroughwort stood tall, and, in the slow movement of the warm air, now and then, waved its leaves like hands at me. Heal-all, that common, jovial, little, fat fellow in royal purple, clung among the green of the bank, and, the jewel-weed stood and cried out "hands off." I glanced ahead and there at a turn stood four stalks of a bright red flower, conspicuous from its surroundings of dark green. For once I risked the danger of falling, rushing pell mell -53- ■«e through the water for the cardinal— an uncommon flower in this part of the country —and I pulled it up by the roots so as to set it out in the smaller brook near our home. Soon, I happened upon a little falls where the water dropped two feet and sang the merriest of songs. To the left there was another course where the water used to run before the flat land over yonder was cleared and I stopped up the present course and turn- ed the brook into the old one. How still and death-like it ran! But then I thought the new course would be more attractive and I ran down its banks to see it. Before long I had reached the forks and went back up the course I had just dammed, and, at every turn, I was convinced, it was the best. When -54- ^w«^^ I came back to the little dam the water was running over the new falls quite patiently but a conscience had roused me and I had decided. With one kick of my boot I sent mud and slate stones a-flying and the brook jumped forth joyously and went on in the course chosen by nature. To me, it seemed as if it sang a happier song at being let loose to run in its own sweet will again. Once in a while I had to go up on the bank— now, because my boots were not high enough to let me step in the pool, and, now, because some spider's web blocked my way. Then I began thinking of how the flies have two bad enemies near this brook— one, the min- nows, that fly helter skelter when the little watching fish runs in the pool ahead of me and perhaps tells the old -55- ones that a big giant is coming down stream at a terrific rate,~and, the other, the spider webs hung so near to the best part of the brook bed that the wary spider can come out when the fly is caught and wind him with web and let him hang there for another meal just as a country matron stores away two pieces of pie for the next day's dinner. A little further on, in the course, I crouched under an apple tree; a wild one that had to grow two-year-old thorns to protect itself from the cattle, and, as I thought, man also, for just as some prying "boss," they gave me a good stab in the head once or twice before I crawled out from under it. Up, on the flat land, I found hairy moth-mullein in little crowds perhaps counselling against the ironweed so -56- heartily hated by farmers. I passed a place where the bank rose high and steep. By leaning down and peering under the trees I could see a few clust- ers of that corpsy ghost flower, the Indian pipe. The bank was green with aged wintergreens and Dalibarda re- pens leaves and beside the brook were skull caps scattered along at irregular intervals. As I looked to the right and left my eye caught sight of a purple-clustered flower. Out of the cooling stream I jumped to the bank and ran as if chas- ing a rare butterfly. Here was a new reward of my passion— I had found a purple- fiinged orchid and my heart swelled with pride. I thought of the joy with which I would show it to Helayne. I placed it carefully among -57- the rest in my full hand and then re- turned to my brook. But here there was no going on. A bridge had barred the way and one cannot very safely and conveniently go under a brook bridge, so I scrambled up the bank and over the fence and hurried along the road toward home. I did not stop to think how I looked or how eager I acted but, with perspiration on my brow, just hustled along. Ten to one some farmer probably saw me and thought me to have grown a little childish or simple, but then I was thinking of a brook and its flowers. Here this little brook had led me in a most unreasonable course. I was not half a mile from the place where I had gone down the fields to it and here it had been doubling, meandering, stealing -58- under trees with thorns, hiding under overhanging banks, in fact pla)dng me all the Will-o'-the-wisp pranks possible. The heat had roused me up until far more uncomfortable than when start- ing and what had I profited by leaving the quiet shade of the apple trees and the apathetic book. Well, anyway, there was a purple-fringed orchid! Helayne met me at the door. "My! What have you? Here 's that common old moth-mullein. Lots of it in our neighbor's field. Here 's that heal-all - - " I dropped the flowers on the table and went up stairs for my old copy of Gray. On returning Helayne was gone—and my orchid had gone too! I called and called. She came. "Where 's my orchid?.' -59- No answer. She straightened one of the plates on the wall. "Did n't you take my orchid? Or, did Thaddeus?" "Orchid! What orchid?" she asked, innocently. "Must have lost it in climbing over the fence. I 'm going back for it." I turned toward the door. "Your orchid is in my book." she spoke up. "You mean old thing—you found one before me." I went out to the bam and got the spade to set out the cardinal. Helayne knew my pride about the orchid. The next day I asked her if she had a purple-fringed orchid in her book. "Do n't know." she answered. "Go and look." She surprised me. "Only yesterday. -60- Can she have forgotten it?" She went up stairs and presently re- turned all smiles— and mischief. "Yes. Here is one, found — found in Seymour's marsh." "You stole that out of my flowers, yesterday." "The idea! You did n't have an orchid yesterday. You lost one. Do n't you remember, you were going— " She turned away. Then it occured to me that she wanted to have the honor of finding that orchid. She laughed— and so did I. I knew, and she knew I did. Since then, of course, Helajme has been the botanical wonder of our little world, for she found the orchid first— at least she found it in the book, first. JULIUS JULIUS HAD gone for a little joiir- ^ney up the Concord road, lout among farms and the |thickly wooded lands. An iold man hoeing near a bam caught my eye. I leaned on the fence rail and asked him the road to He straightened up, as much as his age allowed him, looked round at me and told me to take the road to the left. His large forehead—an indication of a genius or a fool—his small eyes, with a dreamer's dreaminess in them, his long gray hair, his two teeth one in each jaw, led me to start a conversation with him. "Beautiful country up here." I re- marked, looking around and giving him -65- a chance to take up the talk there, or else with a grunt to return to his hoeing. He did not follow my line of thought for most farmers do not say very much about the farm being beautiful, either because they are seldom ever aesthetes, and, if they are, their familiarity with the place makes it nothing wonderful. He met me half way and asked if I knew a certain man, naming one from the city near our sylvan home. WTien he found I did he said he had been long waiting to hear from that man about his ''book." Helayne can tell you how the men- tion of the book affected me. Not in vain had I been somehow drawn to a man who would appear to most good people as anything but attractive. Now that the ground proved favorable -66- I wished to get at the mind of the man; to strip him of his ugly externals; to un- derstand his nature, all, through the book that I wanted to see. When I asked him for it he favored me with a rare smile, showed unbounded delight and also his two teeth. His old wife came to the door. "Julius, that wood needs chopping!" "I can't bother with that now, this young man wants to see my book." And, while he went into the house, I stood and looked at the lichen-cover- ed well and the bucket, kicking my foot against the edge of the rotten boards in the walk. He soon came out with the "book." It was a twenty page pamphlet, with a buff-colored cover, the title, —well, never mind the title, it was probably taken -67- from some history that he read, and it bore little relation to the substance of the pamphlet. The man was of more interest than the title or the contents, so I went on in my conversation. Having glanced over the pages, I told him I would like to read it all. He said I could have it. But I asked him if he sold it~he rather reluctantly said he had it on sale in the store at but had not sold any. Then I asked him what the price was and gave him the money. I expected he would want to go back to the barn to work when I had bought it, but he was not going to let me off so easily. "Do you write?" he asked. "Some." I replied. "Have you got one of your books? -68- With you?" "No. I have n't" was my reply. "Well, when you come up here again, bring me one, will you?" I said I would. "Do you know, I love to write. Why I just love to think and think and think and write." And then after a little pause he said: "I want to write some- thing that people will read after I'm dead." ^ ^ dJff dJf The next winter, on inquiring after the old man I learned that he and his wife had perished in the burning of their home. Often, we read Julius* little book. M> THE GARDEN ^ ^ THE GARDEN WHIPPORWILL'S song was the first sound I heard in the early morning. I ^had not opened my eyes I when down in the garden somewhere he let burst his melody, singing it out as fast as he could; a most melodious song, sweeter and sweeter because it fled quite away, and returned again after its composer had rested a little. After the morning meal, when I went out of the house and down the path to the garden door, I found the evening primroses had forgotten themselves and were staring eyes open wide at the sunlight. The whipporwill had gone with the night and only a few English -73- sparrows flew up from the walk, and a robber robin sneaked out of the cherry tree. Of course our sylvan world would be imperfect without the garden delight and a good garden serves more of a purpose than to give one an hour or two every day in which the hands get soiled with earth. If there is any one thing that will give you health and hope and patience, it is a garden, and more than one pen will attest that fact. Our garden is a simple, old-fashioned place. W^e did not follow out any Baconian plan or use more of our land than one acre to set out one for each month of the year, as Bacon suggests. I rather imagine that if Bacon ever took care of one garden he would have found twelve of them rather an elephant -74- on his hands and far from a delight—at least if he got anything out of them. But, of course, Bacon was writing "of gardens" for English country gentle- men, and they had enough gardeners in their establishments to keep even more than a dozen. But, one Bacon garden would have little in it to show each month,-- three or four trees in bloom and not many more flowers. To us, the greatest de- lights in the garden aire the deceit of the perfume and the veritable state of disorder and panic among the beds. Now, from the scent, you are sure there are only roses there. The next instant you change your mind and say they are sweet peas. A little later you think they were neither roses or sweet peas but nasturtiums and then you give -75- it up, to be impressed the same way a few minutes later. The looks of the garden would almost make you think we had sown a sort of a porridge-of-seed within the confines of four lichen-covered walls, to give an illustration of survival of the fittest. But then, that is not the case. Helayne and I go out there of an afternoon and by a careful selection of the strong and healthy we assist the promising plants by clearing out the in- firm and crippled, a sort of a savage Canadian method of preservation of the favored in the struggle for life. And so it is that we have our garden well in control, although it does not look so, and the bluets and golden-rod and evening primroses and rabbit foot clover and other flowers called wild are -76- '"C ^Jk-M.' OK "^^a-Hia* 'Vf b ""SS^ f^s' <*uS''*»- driven out of our little Paradise and the domesticated ones are given all the opportunities possible to grow up and become favorites. However, at the same time, there is little formal method in our gardening— of course I mean in the arrangement of the various flowers,~for as one looks on them from our chamber windows they appear to be just a mass of all colors, some making pleasant harmonies and others horrible discords; a red poppy killing, so to speak, a purple phlox; a delicate purple morning-glory blending with a cream-colored hoUyhawk that grows near the western wall where the morning-glories gamble. But, more about the delights of the garden. In the centre there is a square, paved with gravel, surrounded by trees trim- -77- med low, and, furnished with an east and west high-back seat. In the centre there is a sundial with Tennyson's much beloved motto, non numero horas nisi Serenas— I mark only the sunny hours. We had originally planned to make a flower sundial, having a flower as the symbol for each hour. Then the idea struck us to have one flower with diff- erent colors for each hour; but, we had not quite made up our mind, when one day, a native had the courage to look in the door as we were at work, and I invited him in. He looked around, walked up and down the paths, stopped at the wall shaded from the sun, felt of the ivy sent us from Stratford and finally sat down on the seat near the west wall where I -78- was working at the turban-like tulips. "What do you callate to set that 'ere square to?" he asked; for the centre was spaded up, and, of course I had not yet thought of gravel. "We have n't decided yet." I answer- ed. "We thought of making a flower sundial there." The visitor was silent. Presently he spoke up. "W^ould you like an old brass un?" At that, I thought Helayne had found a snake among her roses, she gave such a jump. And so it was we found a real sun- dial and discarded the thought of doing any design work with theflowers,~and the motto we dug out of an old volume in the library and the pedestal was cut out of the state granite by a local cutter. -79- When the sky is touched up by a summer's sunset and the day's work of the sundial is done, we often sit on the east seat and read aloud from some out-door author, or, together, in silence, watch the heavens as they change to tints of purples and pinks and yellows. There we sat and watched the sun go down back of a bank of pink clouds, at the close of our first year of wedded life at home, and later, when all the colors blended into the gray of twilight and we went through the covered gate- way and into the house, the Bob White called and called us back to sit on the opposite seat amid a Paradise perfume and w^tch the pumpkin-pie moon come over the woodbined wall at the other end of the garden. •:^ M U "X^ik^ A SUMMER PATH TO A RIVER ^ ^ A SUMMER PATH TO A RIVER ^RAISES of walking and nature - walks have been 'many and the men ^vho ahave sung those praises are ^as varied in temper as they are numerous. Men such as White, Jefferies, Thoreau and Burroughs have given us the fruits of their observation while walking, Stevenson has given us the best ideas on the abstract subject, while other men such as Hawthorne and Browning happened on many new inspirations while walking the same old paths. All these men, and one more, have been favorites of ours and never have we walked without their names on our lips. Cowper is that other one. He knew a good deal of walking and there are seven lines of his poetry that -83- express, with a few exceptions, all the delights that the average man takes in a summer's path. "For I have loved the rural walk through lanes Of grassy swarth, close cropped by nibbling sheep And skirted thick with intertexture firm Of thorny boughs; have loved the rural walk O'er hills, through valleys, and by river's brink, E'er since a truant boy I passed my bounds To enjoy a ramble on the banks of Thames;" Many of us have known what a rural walk like that means to a truant schoolboy. He only needs to have gone over one hill and perhaps down into one valley before he has entirely forgotten the book and the ferule. At the height of his happiness when he turns a green lane and his father siezes him by the collar, the hard bony hand or a good willow stick interrupts the Elysian dream of the rambler, and -84- the song of birds and the tinkle of the bell on the cow and the humming of the honey bee or insect and the river and the flowers, all fly away and the almost bare walls of the school room and the ugly black boards and figures and uninteresting books take their place. That is the way the truant boy finds it~the way Cowper found it. Next to the piscatorial pastime of the Isaac Walton type there is nothing like a "rural walk o'er the hills through valleys and by river's brink," for the mature man as well as the truant boy. If you go free fi-om care and duty you will not only get much food for healthy thought but an unconscious "constitutional" as well. You can go alone as Stevenson advises, you can take a child with you, you can go with -85- your Helayne, despite Stevenson's idea that you will have to mince steps with a woman. You do not want to hurry, you do not want to walk faster than Helayne can, you do not want to feel any of the loneliness that the absence of a human being gives one in the woods and so, why not take Helayne? Especially if she is in any way like you in taste. While they are walking past all the wealth nature can display, certain men figure percentages and count on the weaknesses of poor humanity to make a new article sell well or float a new bond in some get-rich-quick company that will pay in annual dividends more than you invest and then wUl give you common stock of the same value, as a bonus. On the other hand there have -86- been men decrepit and old who took the same walk by the aid of a stout stick and they thought of other things. We are a good deal like those old men. When we had been in the garden for a little afternoon attention to our garden delights, when a row of holly- hawks had been transplanted and an apron full of red roses gathered for the house, when Thaddeus was tucked in his bed watched over by a good do- mestic, we left at home all thought for the morrow, all care and duty, and with ft-ee hands and hearts, we strolled down the golden fields and along the wiggly path to the woods. The swallows were darting here and there, pouncing on some summer's insect. Up in a neighbor's field a sable company of ejaculating crows were -87- holding a council of war preparatory to an invasion of a near corn-field where an old straw man slowly swayed in the weak wind and at times posed in an idiotic posture. Large, cottony Delect- able-mountain clouds floated overhead in the heavens, cross old bumble bees buzzing their greviances flew to another flower, and twigs snapped under foot to warn the little creatures of the under- woods that the giants were coming to take another look at their haunts. That was the day we went down through our golden-rod fields and found an Arcady among the oak and pine. The path was one that had probably been followed by those old men and truant boys; it was not straight and cleared of underbrush and levelled, as the business man would have it; in and -88- out it wound, around obstructing trees, around an evergreen copse; ~a path that would have killed a Stevenson if he hurried. I, the taller, went ahead and made doorways among the cobwebs. Violets grew temptingly along the path, birds took to wing from the trees before us, insects fled the sunny spots, to return after we had passed. W^e stopped to rest and I lighted a fire after I had built a little fireplace of stones and had collected some oak leaves and twigs and branches. My Helayne sat Turk fashion, with her feet under her, and made the violets into a large bouquet. From my pipe I blew clouds of smoke that rose slowly, with- out wavering, in the warm air. The chirping told of the return of the birds. -89- There was no running brook near in which we might find a book, we did not like the sermons in the stones, and so I took a little book from my side pocket. "Violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; . . ." And I read more of that partly pas- toral play of Shakespeare. So we sat until the last twig had curled up and fallen to ashes, and then a choir invisible sang songs to us. Peep, chick a dee dee dee dee dee ~ one sang, and another answered. Bob- ~b Wliite ! ~ went another. Thump, thump, thump, ~ went the red-bellied woodpecker. And then a train whistle and a distant rumble and a trembling of the ground and all the birds were quiet. W^e arose and went on. -90- Near the pine copse we came to the spot, where, on a former day,I had read from another play and had imitated Orlando. My Rosalind should have her name carved on a tree and verses hung on the hawthorn hedges for her, so that "... these trees shall be my books And in their barkes my thoughts He character That every eye, which in this Forest lookes Shall see thy vertue witneft every where." And so I had carved a letter for the name of Helayne, cut it deep in the bark of a mature sympathetic pine, as a sign of the love I bore her, just as the lovers express themselves in a Greek novel. We came down the sandy bank and under the branches of the pollard wil- lows to the riverside and there we sat and watched the waters moving slow and eternal to the sea. Here the river -91- had worn its sluggish way through our broad valley, the stream channel widen- ing as the terraced banks add to the river's load. And so it goes on, for year after year and into the centuries. And, in spite of the time passed, the river is still young, and, opposite to human nature, does not meander in fickleness as the old rivers do, but makes straight long courses and slow bends. As we sat on the bank and perhaps tempted the finny race with grubs from a rotted stump, the contemplative man could not help but go back and rehearse some of the scenes that have been enacted there long long ago. In the river we saw the lore and legend of the land, the Indian fights, the hard struggles of settlers to make the home hearth safe, to gain a living fi-om the -92- GRAVEYARD GOSSIP GRAVEYARD GOSSIP ELAYNE knows a woman who holds the peculiar po- sition of "friend of the ^family." We call her Cos- emetic Carrie — the reason will be seen presently. I believe she is nearing the seventy mark in age, she wears a wig, lines up her eyebrows, rouges her cheeks and colors her lips. Once she even confided to Helayne that she always used lots of powder after her bath. When she enters the room the reason of her name is quite clear, every room she rests in she permeates with the odor of a "green room." You meet her, give her one glance and say, under your breath, Cosmetic Carrie. -97- A short time ago she came to stay over night to see our home—and inci- dentally, what sort of a husband and child Helayne had. She begged to be allowed to have the windows of her room closed, she would like another coverlet, and something to wrap around her feet when she had put on her bed- room slippers, then perhaps if it would not be too much trouble she would like the water bottle, and then she would be everlasting grateful if there were some sort of a shawl she could put about her shoulders. W^ell, she got them all and Helayne smiled a bit and left her. During the night the steam pipes banged and cracked and the heat came so fast I had to get up and shut it off— and Helayne said something sleepy about running the heater like mad. -98- In the morning Helayne went in to see our guest, expecting to find her roasted to death. C. C. embraced her and blessed her eternally, she had had the most lovely night she ever had. Helayne simulated some duty so as to get away from those cosmetics and to keep herself from fainting. When C. C. was down stairs I had to take my turn and save the room for another visitor whom we were expecting the next week. I stood it as best I could but hung out of the window when I had opened it. That afternoon, when we were talk- ing in the library, and I could n't smoke for C. C. "hated the filthy weed," she suggested to Helayne a walk to the graveyard. Of course we knew she had had relatives here so we took it L or - -99- for granted that she bore an affection to some one of them dead, and Helayne very reverently agreed to go—and we asked no questions. Of course the walk was agreeable— they talked and talked and talked. Carrie thought Helayne had a "most delightful husband," "but it is too bad he smokes." Her dear nephew Bertie, just too nice for words, he never had lighted a pipe or cigarette in his life, she would swear it. Of course he used to go off with a nice drummer every Saturday, a little fiin that he had, but she knew he only played pool, and he had liked peppermint candy ever since he was a baby. The night before, Helayne had called my attention to a beautiful diamond pin she wore in the back of her neck -100- ribbon. When they were on the way to the graveyard, Carrie suddenly gave a little cry and begged Helayne to try and stop that something from sticking in her neck. Helayne searched, she saw the diamond pin,~of course Carrie wanted her to,~she could not find any- thing out of the way, Carrie felt all right, and so they went on. Helayne thought Carrie would lead her along the roads to some little grave where she would have to stand and look about her while Carrie wiped away a tear or two—and perhaps some paint with it. They walked down one path, across the cemetery by another, back again, across again. Helayne began to won- der. Cosmetic Carrie began to tell her some gossip about some man out in -101- Oklahoma, some rascal, a regular old villain, he had helped to have Carrie dismissed from her work, he had plotted with the mayor and the police and heavens only knows perhaps the Czar of Russia to have her position taken away from her. To Helayne it went in one ear and out the other, and then Carrie became a little tired and worked up, and suggested they "might go now." Helayne gave a sigh of relief and they boarded the car for home. A couple of hours later, when I had lighted my cigar after seeing Cosmetic Carrie on the car for the station, we sat in the library. When she had told me of their mournful visit to the grave- yard I asked Helayne what finally became of the villain. Poor Hela5me did not know whether he succeeded in -102- ^fc4 '-i^O. ■ ' I), tj '^-^ "FOXY" ^ ^ "FOXY" jHE story of Narcissus is feomewhat known by most ^people of our time, at least /the average person knows teat he was the youth who saw his own reflection in the water, pined away with love for it, and from whose remains the flower Narcissus sprung up. Ethelbert Nevin knew something of the story and made his name immortal by a rippling "water scene" based on the myth. If you read the original story as it appears in Ovid you will find that there are some moral lessons in it, as well as a pleasant little creation myth of the flower. If you have in mind the "pretty part," -107- as we might call it, of the flower, the part that appeals most to us, of the origin of the delicate white flower with the yellow centre, I think you will per- haps find some of the same charm in the little story of "Foxy". Perhaps I had better begin by telling you the way in which I happened to hear it. I was paying an afternoon's visit to the farm of a friend, the daughter of the Octogenerian. She and I had an in- terest in common, namely; landscape painting, and I had driven eight or nine miles across country to see her home. The Octogenerian was about five feet six or seven, rather slight in build, hardened by work in winter winds and summer suns, a man with a noble brow, a strong, set mouth and a chin that in- dicated determination. He was a rare -108- farmer, a happy harmony of homely traits and artistic temperament, perhaps that is why his daughter was a painter. At his farm you would not find things to hurt your eyes, so to speak; the place seemed to have an unusual air of re- finement about it. We sat on the stoop for a while talk- ing and two fox terriers soon made friends with me and licked my hand and sat in my lap. Then we took a stroll through the orchard and vineyard and flower gardens. We had visited the pine grove and here and there had stopped at leafy bowers in which stumps of long dead trees had been cut and fitted together to form seats. We had passed rare bushes and trees, many of them grafted, and bed after bed of old-fashioned -109- flowers, and as we came before a large cluster of hoUyhawk, my companion held one of the red-streaked cream- colored flowers in his hand and stood there spellbound, repeating over and over again, "poor Foxy, poor Foxy, poo - - r Foxy." I looked at him and his sad face hin- dered me from asking the question I had in mind. I did not need to ask it, the heart of the man made him want to tell me of it and he asked me if I would like to hear of Foxy. Then in a lower than conversation tone that gave to the story a reverence only equalled by the hush in an empty cathedral he told me a little American country happening that stands superior to any creation myth, even that of the boy Narcissus. -110- There was one of the litter of fox terriers that he liked the most, partly because in its play it always rolled over on the ground and thereby drew more attention to it, and, partly because it was so much more affectionate than all the others. ^Vhen it grew strong enough he used to take it to the fields with him and the little fellow romped about and played tirelessly with the men when resting in their harvesting. One day when they were working they missed Foxy and thought that he had gone back to the house. And a little later they hitched the horses to the hay wagon and started. A little muffled cry came from under the rear wagon wheel and they stopped and jumped off to the ground. Then, the -111- old gray-haired man said "poor Fox for the first time, and with tears rolling down his cheeks took up the warm little body and walked across the field. He felt it grow cold in his arms and when he reached the garden he laid it among the flowers and got the spade fi-om the barn. The year after, hollyhawks grew up all about the grave. He said he had other varieties in color, but these were cream-colored, and through them a little streak, red as blood. When he stopped, he looked down at the ground and only said, again, "poo-r Foxy." ANTIQUES AND ANTIQUARIES \$ )i^ ANTIQUES AND ANTIQUARIES )F YOU are an antique collector perhaps the ex- iperiences of Helayne and |I will help you some. If jyou go into a so-called an- tique store there always will be a character study something after this manner. You walk into an antique store, the man comes to meet you, he knows by the way you open the door whether you are out "buying" or "just looking around." Of course you affect a non- concern about something you price, he has seen that non-concern before and ten to one he knows whether or not it is affected. You walk about the store, he has had -115- other store walkers and it gives him a chance to size you up from your ap- pearance. You give a start when you see something you would like, he has studied other faces besides yours, and perhaps ones that are better deceivers. And so it goes on, the character study. Is it quite clear to you? But when you turn his method on him it is another affair, and you do not buy so much and what you get is better and possibly a real antique. The definition of antiques as you buy them on Boylston street, Boston or Fourth avenue. New York is rather in- definite. I suppose it depends on what it means to each buyer, a subjective definition. At least, to me, a table, with a cherry top, finished in mahogany and a mahogany frame and one leg new or -116- replaced from some other table, and the handle to the drawer new, and the front of the drawer replaced from another drawer and blocks set in the legs to conceal the place where a shelf used to be, and all that,~you probably have run across them—that table is not an antique any more than a building built of old second-hand lumber. That table, to me, is like the beautiful Smith college girl photograph I once heard of It was a composite, and into it, entered the skeleton grind as well as the fair one who just keeps her standing high enough to allow her to be an athlete. You see, the table or picture, which- ever you will, is a conglomeration of parts that parade around under a pleas- ant name. It would not be advisable to inquire into the history of the table -117- any more than to go to Smith to see that girl. Then, there is another thing one must adopt in an antique store. You must not lie to the man, for if you do, he will be a better Ananias than you. Do not tell him you can get a table for a dollar less than that—he knows for how much you can get one. Do not edge around and go out—he can tell, by the way you do it, if you are coming back again. Treat the man as you would any other store keeper, do not try and find out how much profit he is making, take it for granted he is getting a profit big enough to pay his fashionable-street rent and to give him a few of the dain- ties of life. Down in the city, on one of the car streets there used to live a man to -118- whom we often went for an antique. He lived in four rooms in a little tene- ment, one on each floor for the antiques, while the other two made up all he had of a home. In summer it was a pretty place, the windows lined with blue plates and cups and pitchers, the gabled roof and the little pointed protection to the door. It faced on a yard decked in reds and blacks and blues on the wash-day when we first went there. Before the door there was a line of maple trees and a road and a lawn, half sunny. Mr. B was a short, somewhat corpulent man, had a double chin and legs accentuated in their bow by the uncreased trousers that reached only below the shoe tops. He liked a cap on the back of his head, partly gray, -119- and a red crocheted coat. His double chin and set bull-doggish mouth gave him a serious expression except when the crow's feet came around his small blue eyes and a laugh released the tension of his jaw. The first time I met him he gave me a feeling of security, a sort of a confi- dence in the man, even though he pre- tended to be an antiquary and I an innocent. I looked at a table, a round centre one, that he probably has yet, because of his honesty. Half a dozen have been on the point of buying that table, when he tells them the top has been cut down fi-om another they do not take it, but they come back, perhaps to buy, he says. I looked at that table and I have gone back a good many times. -120- B. hands out a candlestick and says,- "Here's one that is very squrse. They used to take it with them in the bag when they travelled and they just took it out and screwed it together like this and put the candle in it when they wanted to write or like that." B. has told that "squrse" story every time I have been in his shop,~but he tells other stories. I looked at some blue plates,-- "Those are n't old." he said. "I bought those for ten cents down town to put in the window for an adver-tise-ment." He put his hand in his side pocket and withdrew something in wrapping paper. "But, here is a cup plate." he went on as he opened it. "That 's awfully old— awfully, awfully old— it *s historical— why a lady said she would -121- give me fifteen dollars for it if it was n't cracked." After looking it over I asked if he had any more furniture and we went up stairs to see a four -posted bed and some bureaus, all of which he took great pride in because he had "finished" them. "Is that bed mahogany?" I asked. "Oh, my, no!" he answered. "It's solid cherry with mahogany finish on it." "You put it on hot, do n't you?" "Boiling hot. First scrape it, then the mahogany finish, then sand paper, then two coats of shellac, then the sand paper again, then varnish." I began to wonder if my "mahogany" chest of drawers I bought in Boston was cherry. In fact, I decided, then and there, to learn to identify the real article. -122- "Have you a banjo clock?" I asked, "Nope." Then he added, "I used to sell them for five dollars, lots of them, before I know'd better, know'd they were squrse, but I 've learned better now, you see I doubled my money and that 's what I wanted. But do you know I 've heerd that them there fel- lows in Boston and New York get big big prices for them, and I suppose they sometimes get a hundred dollars for them. No, I hai n't got one. I wish I had." And so he goes on, ever pleasant^ ever interesting, ever honest, honest to a fault, for he wants you to come back and buy more. Of course he knew us, he did not fear we were buying as dealers or going to pick them up and ship them to Boston to bring a higher -123- price in return for his confidence in us. But he did sell to dealers. And he al- ways got the price that gave him his little profit and that was what he was looking for. And the dealers, of course found that an easy way to buy, —and so it goes. I believe B has moved into new quarters, he has probably made money, and deserves to. At least I have been told that he looks happier and is jollier than ever. If you ever happen on him you will probably find him just the same as I did, unless you try and beat him. But remember B is an old antiquary and the character study goes on in his shop just the same as in all others. THE GOONACK \$f ^ THE GOONACK .-®)IXTLE curly-haired, blue- eyed Thaddeus will tell you there is a rare book in our household that excels all the others without pictures. It is our animal book. In that book you will find some astonishing information about monsters and if it does not make you see things at night it is not the fault ot the narrator. Take for instance these that I just recently read to the little fellow. The Brontops Robustus~a new ex- tinct quadruped from North America, a robust fellow, height eight feet, heavy and massive, larger than any of the Dinocerata, with a length of nearly twelve feet, without tail. The limbs -127- are not so long as the elephant which it nearly equals in size. Feeds on apple trees eating them like humans eat watercress. "That 's why the boys keep out of our orchard." Thaddeus told me. At different times, one of us armed with a gun and the other with a bow and arrow have watched for the Bron- tops— but we have not seen him. One night we thought we heard him but it was too bold to go out and we liked the fire better. Megalosaurus Bucklandi ~ this is a carnivorous Dinosaur, about twenty- five feet long. It is not difficult to im- agine a megalosaurus lying in wait for his prey, perhaps a slender little harm- less newsboy, with his limbs bent under his body so as to bring his heels to the -128- ground and then with one terrific bound from those long legs springing onto the prey and holding it tight in its claws, as a cat does a mouse, then the sabre-like teeth would be brought into action and crunch, crunch, crunch! "Perhaps that is why I would n't be a newsboy," a certain person told me before the library fire. The Mososaurus, the largest sea snake, about a block long, he is a side- wheeler, he has a set of paddles, a long neck, a flat pointed head, a very narrow body, so that he is able to crawl right into the portholes of ships. "Oh, I would n't be a sailor for any- thing. I'm so glad we are not right on the sea-shore." The Goonackius Umulautus, length ten feet, but the most powerful of all, -129- long ears, large red eyes, pointed tail, razor-like teeth, claws like the points of scissors. Feeds on young children, has never been known to attack men, very common, can be heard most any windy night, has a peculiar cry, something like O....E....aw!~in a high tone. Many are the days we have gone to the woods to try and get a glimpse of the Goonack, as he comes from the White mountains down to the big sea, perhaps we might even find him asleep, and you know if w^e did we could kill him. Oh, how we have wished for some Theseus to come and rid the land of him. How we have read and read in books to try and find some old Theseus trick to play on the Goonack. And if we killed him we were going to try to sell him to the butcher, perhaps he too -130- might be good to eat, for dogs. Ugh, but he eats little children! Wonder if he eats newsboys? Ugh! Of course there are other animals in the book but these are the favorites of Thaddeus. When one is on the look- out for the Brontops and the Mososau- rus and the Megalosaurus and the Goonack, a chipping squirrel or a big fat woodchuck or a sneaking fox or a brown rabbit hardly ever scare one. Then too we often see a good many flowers and birds and we study them so as to find a fabled flower that pro- tects little boys from all wild animals. But the worst part of it is that we have not found a Goonack or his tracks, although we have searched and inquir- ed a good many times. The other animals are in many books -131- but the Goonack is only in ours. Often word comes from another little neigh- boring fellow that he thought he saw or heard a Goonack the night before, and of course we immediately look for the tracks with a view to finding him. But then we have had trouble in being sure that we followed the right track, for the book says nothing about them, and so our hunt is usually Goonackless. But, occasionally we find a squirrel. Meanwhile someone is growing larger and stronger and perhaps he may never have a fight with the Goonack, for the book says he rarely ever attacks men. A DAY IN THE LIBRARY ^ \$f A DAY IN THE LIBRARY »HEN I awoke at daylight 1 found the sky laden with jlead-colored clouds. The )\therTnometer was down to itwenty-foxir and a snow storm was setting in as if it intended to stay. During breakfast the flurry came—first a light fall, then the flakes increased in number and size till the hills and the houses down across the valley blended with the sky, and only a dark indistinct line of foliage showed where the pine and oak woods began. A little later the wind came down fi-om the north-west and the drifts be- gan to form around the side door and in the nooks and crannies beneath the trees around the house. The apple -135- trees outside the library bow windows had a little line of snow along their branches and now and then a big gust of wind shook the blinds, swayed the vines on the piazza to and fro, and scat- tered on the ground little clumps of snow from the trees. I went out of the room, and, after a little hunt down cellar and some split- ting with the hatchet, returned with an arm full of fuel for the fire. Packing boxes make a good quick- burning kindling and only a half minute passes before a column of fire is rushing up the chimney. Snap, snap, snap-snap goes the fire, like a whole bunch of firecrackers, making a great ado about nothing. And while the kindling is doing its work Helayne sits with a paper-basket beside her and pelts the -136- flame with a seemingly endless supply of wads of paper. Then we draw up our chairs in the hearth circle and read. Oftentimes a sentence is broken in tw^o by a little comment, or a little new thought we have brought to mind by some word we are reading, or by the lack of attraction, we go off on a day- dream over some sentence of a w^ordy writer, and, after thinking it all over, we comeback to our book, and perhaps read over what we have dreamed over. I took up a few more logs and rebuilt the sinking fire. The bark takes fire quickly and beneath it the smoke curls out in little spirals. Birch seems to be better than pine for a fire when you want to watch it~it burns quicker and so makes more changes in its size and shape of flame. And really it is the -137- mutability of the wood fire that makes it preferable to a gas log, is it not? I have watched one particular gas log at different times for ten years and every flame is just the same as it was ten years ago. Now and then a wood fire springs little surprises on you, a flame jumps out here, where you did not expect it, a red hot coal falls dif- ferent than you thought it would, a piece curls up like a writhing snake, another expands and breaks as if it warped. But then I dreamed some of my best bachelor dreams before that gas log and it only lost its fascination for me when I set up a crane and pair of and- irons in a fireplace of my own. And of those andirons and that crane more presently. It was no unusual thing for me to -138- have a roaring fire going on the hearth and the door and windows wide open; for I had a fire to look at, and, in an age of steam heating, that seems to be the place of an open fire. But, if you want a fireplace to make in you the reverence that it did to people when they even buried their dead beneath the hearth stone, there must be some sentiment about the fittings of it. You do not need to go quite so far as to make a graveyard of your hearth. Perhaps time will do that. If you have the fittings with some sentiment attach- ed to them the rest will take care of itself. The smoke and soot will make every fire-back look the same and you will not have to do more than sit in the hearth circle to have that same home- like feeling creep over you. -139- But notice that you must sit in the hearth circle. If you sit at the side of the hearth you will invariably look at the opposite side and not at the fire. At a vaudeville show I once saw the following. A man, on the eve of his wedding, sat smoking before a fireplace in the centre of the stage, —he was sup- posed to reverie the past and dream of the coming wedding. Up above the fireplace the scene opened and by a ser- ies of living pictures his thoughts were given to the audience. To me, the whole effect was spoiled by having him look away from the fire. For it is in the fire that you live some in the past, very little in the present and much in the future. You have a reverie or you sit in cow- like contentment of the present or you -140- ^ see a castle in Spain. For the most part the hearth is a place of reveries and dreams. The lover thinks of the trysts of yesterday and the promise of another for to-morrow, the business man dreams of the past or future success or failure. And so we sit and look into the fire beyond the andirons. And this brings up my andirons and crane. The former are rare— not an- tique, not historical— not for sale on Boylston street or Fourth avenue. I have never seen any just like them—and that is because they were designed by Helayne. But I will not give you a description of them or recommend them by a drawing, if I could draw, as Ik Marvel did for country homes and prae- dial homeliness and beauty. You had better get your Helayne to design them -141- ,/t^^ (!;*ii m-'m- cki P.^fi.ft and they will be "what I always eulogise. The crane is a so-called antique and like most antiques is made over and re- strengthened. No large broad-shoul- dered muscle-knotted blacksmith swung the hammer or pumped the bellows for it. A goodly fellow, barely five foot two, delicate of build and quite the op- posite of the traditional blacksmith gave many a push with his forearm to the bellows handle and brought sharp quick blows to bear on the red hot portions of the crane. Longfellow has given us the poem of the hanging of the crane, Taylor has given us the painting of it and no crane can possibly ever hope to vie with these in the myriad romances that one can find in reading one or looking at the other. But the crane that John the -142- /« D ^-^^9- ^m. blacksmith made over for me has a history, and here it is, at least as far as we can reasonably trace it. The origin of it we leave to the ob- scurity it courts, perhaps it goes back to the dark ages—perhaps. It came from an amalgamation of parts collected from Dan to Beersheba~we do not care for an analysis— we spend more time in just living and less in theoretical speculation of origins. We cover all its unknown history by one word, we say it came from chaos, by the grace of God. There was probably a time of its mythology, as one might call it, and after that, what not? The first real record of it was that it hung in a block- house fireplace in the days of war cries and tomahawks when the sentinel pac- ed his monotonous beat in the dead of -143- night and took every moving shadow of the trees or bushes for war-painted savages creeping up to massacre the sleeping stronghold. When the blockhouse passed out of use and peace spread its shielding wings over the land one of the early settlers took the crane to his rude home and there it hung for over a century. Probably there was a long and mer- ry feast at the hanging of it. Later it had a smouldering fire beneath it and the kettle hung in the hook of it whis- tled and spouted steam up the chimney while two sat alone before it and "want- ed no guests." And still later King Canutes and fine Princesses fi-om Fairy Isles grew up and went to Cathay and war and sea. And after many anniversaries a golden -144- wedding party made the old house raf- ters resound to the dancer's feet and the merry laugh and talk and all manner of pleasantry, all just as Longfellow pictured it in his poem. Son succeeded to father and son to son and there in the old house it hung for four generations of the same blood while little bands of the same kin gath- ered in a circle before it and watched in two new centuries. These were the gay youthful days of its life—the first realizations of the bless- ings of existence—the first self-confidence of strength-the first aspirations, the first disappointments and the first joys. Then fickle Fortune turned her face from it and civilization came in and changed the roads and lands of the valley and the house of the crane was -145- left in a field to rot to pieces while the people lived a quarter of a mile away in an ugly modern two-storied country house. It was one day, in late summer, that John made inquiries among the group at the village store for an old crane and Len Thomas spoke up and told him there was one in the haunted house near home and if he wanted it he could go over and dig it out of the ruins of the fireplace. So John went over. W^hen I walked into the shop the next day he was at work shortening it to fit my hearth and adding a new bracket to strengthen it. Thus it came about that in my hearth I set up a crane with a good many stories in it and very often Helayne thinks they come out of it, especially when we sit and "want no -146- guests," gazing far into the dying fire. We return to our reading. Helayne gives me a smell of a spotless flower of fields and woods culled from the fer- tile and blessed brain of Hamilton Mabie, while I in turn set up a scene for her of three old tattered men meet- ing at a cross road. They stand there cowering from fear, one blind, one with a loss of his left arm, the third with his right foot lopped off—examples of the extreme rigor against malcontents of William the Conqueror. And, Hume does not ring the curtain down until the last hideous act of the tragedy. And so we pass the day dreaming and reading in the hearth circle in the library, the room to which one comes when the snow drifts outside and the blinds are shaken by the winter wind. THE COUPLE IN THE WIND \^ m THE COUPLE IN THE WIND ^E HAD trouble with the ^servant problem, of course, |and we put an advertise- )\ment in the paper for one )week and saw the lady of the so-called intelligence office. Even though there was not any bad "sign" about it, Friday is a superstitious day in our calendar ~ Josie, a twenty year old, down East girl, came on Fri- day—and left on Saturday. Perhaps she was not to be blamed, for Friday night was a wierd one. Have you ever laid, tucked up to your cold chin, and listened to the couple in the wind? As is commonly believed the old woman talks most of the time. Her voice is low and probably she is -151- short and fat. Her quarreling consort is tall and slim and when the wind blows harder and harder he gets a chance to talk, and when he talks I tell you it is talking. At times they quarrel, at times they talk, but on a night like Friday they cannot talk without quarreling. One virtue of their quarreling is that they know how to do it properly —and I have heard of people who did not« Neither one interrupts the other— she is a lady and he a gentleman, and each one takes a turn at it and so it goes till the quarreling is done. After you have listened and listened to their rebuttal and noises commence to make themselves heard in the cellar and the kitchen and the dining room and the library and all over the house, perhaps the couple settle their dispute, -152- soothing sentence or two by woman, the wind dies away, and they go to sleep. But the noises about the house keep up. A window rattles as if it were being opened and I can hear the ghoul- ish ghost enter. First there is a creak of the floor near the window, then one nearer, right after it, and then one near- er, and then one at the foot of the bed and then one near the hall door and then one down stairs, after which a back-kitchen blind bangs, and I imagine he, in his devilish pranks, has jumped the whole flight of stairs and gone with a whish out of the kitchen window- where to, no one knows. Most times he comes alone, occac^'on- ally he brings along with him all tiie -153- old ghosts of the place. One shreiks and groans, another laughs and cries, another sings and whistles, each one bringing back to you under the coun- terpane a scene enacted under the home roof. All of them ghosts of the past, perhaps doomed to act an eternal com- edy or tragedy. One plays the part of an Indian, with his war whoop and the dripping scalp; another personates the laughing co- quette, the belle of the country ball, with her ungainly hoop-skirts, her curls corkscrewed, a rose in her hair, a veri- table fiend, forever leading on the gay young men, forever deceiving them. She gives one a glance, he takes it to mean he is her favorite, he follows that glance and soon finds other gallants led by it. And so the ghosts act the play. -154- Here comes another, slow and pen- sive, melancholy, leaning on a cane, a book under his arm, an old man. Deacon Upham. He sits down in his old W^indsor chair, leans his cane between the spindles of the side arm, places his large bell-shaped silk hat on the floor and turns the pages of the Bible. And still another, a short fat man, red-faced, sleeves rolled up, the landlord of the inn. He stands arms akimbo and chuckles at the story told by the man taking his ease over a posset. The glasses on the bar fairly shake with his laughter and then he takes from the table the tray and like a barrel rolls to the bar for more liquor. Here is a little colonia maid, golden curls and baby face, dressed in sombre homespun, in all the neatness of wax, -155- going to the Sunday service, down the rose-hedged lane to the gate and along the road to the meeting house. In this manner we are taken back to a pristine time by the ghostly Hamlets of the red house. Possibly on that Friday night the ghoulish fellow or the Indian or the old landlord may have been abroad on a spree. Josie's eyes were certainly bulgy when she appeared the next morning. Helayne said she had never waited on table before but I thought that possibly she may have heard some of our noisy ghosts, possibly the ghoulish fellow went up the stairs at a bound, through her room and out of her window. Perhaps she saw him, perhaps, we know not, anyway she found cause to leave us. SNOW TRACKS TO THE WOODS ^ ^ ^ SNOW TRACKS TO THE WOODS FTER a day in the library, when the sky is clear and blue and the snow lies on the front lawn like a soft downy cover to keep the earth warm, "When winter soaks the fields, and female feet, Too weak to struggle with tenacious clay, Or ford the rivulets, are best at home," I left Helayne, writing her letters, and bundled up good and warm to go down toward the woods, looking for snow tracks and snow effects on the same walk that Helayne and I had gone in the warm summer. Around the bam I found tracks in the snow that told me where Roger, our neighbor's dog, had prowled around earlier than I. On the steps that take -159- one down the stone terrace I saw that he had jumped with two feet stuck out before him, a dog's way of going down stairs. I passed the elm trees at the rear of the bam and started across the field where the gaunt golden-rod skeletons blew all over me. After the first fall of snow, the field down here, looked from the house to be one monotonous brown, but, when on the way to the woods, I found quite a lot of snow piled deep in the hollows and trenches. After an- other storm the snow will make it a lovely level. At that time of the year there was a decided scarcity of colors; in the spring and summer and autumn, all the pal- ette, but, when winter is with one, only the cold blue of the sky with a few -160- evanescent white clouds, the soft, clean white of the snow and the low-keyed tone of the evergreens alternated with the browns of the oak and distant or- chards. Even the houses seemed to take on a sober and subdued tone in winter and the red of our house and the white of the neighboring ones did not stand out so prominent up on the high- er land. Along the southern boundary of our land the woods jut out into the field toward the red house, and, there beside the wiggly snake path, I came upon the pine trees that we had plundered of branches for a past wedding decoration. Nature had taken care of the mutila- tion, the sap had hardened and healed over the wounds. Then, back of the blazed oak, I entered -161- the woods and found the path that leads to the river side. So far no signs of any human being or bird or flower, and I hurried on. Near a little turn I found the fireplace we had built in the summer when we read a W^inter's Tale. Where I had sat and smoked while Hela5me bouqueted the violets, I found ice five inches thick. I wished Helayne might be there with a copy of Midsummer Night's Dream. Just beyond that, more dog tracks crossed the path at right angles and I cut three notches in a white birch to show me, in summer, the runway of the hunter after rabbits and partridge. Then, a little further on, I came on some crow tracks, shaped somewhat like a chicken's foot,— they reminded me of B 's wrinkles around his eyes. -162- Between each print there was a little line that showed where the crow's tail had disturbed the soft top of the snow. I turned off the path and followed the tracks. A low branch, undisturbed, arched over them and from the height of it I judged the bird was not a very large one. Near a mound, that to Jim Crow probably forboded danger, the tracks abruptly stopped and there I judged he had taken flight. Last summer I found a crow's skull and took it to my study, not gazing on it with a desire for morbid pleasure as Philip the Second is said to have done on a skull which had on the crown of Spain and grinned at him from the cover of his future casket. Nor, did I brood over it, in strains of melancholy Hamlet or noted Guy of Warwick and -163- sigh "alas, poor Jim." Neither did I have it fashioned and polished in London for a drinking cup, as Byron did. No, none of these. In fact I was quite affected by it as it lay in my palm. A slight shiver ran up and down my back as I looked at the empty eye-sockets. I compared it to the black stuffed fellow who stands silent on a root and gazes down on the rows and rows of books in my study. As I came down to the pine copse, a train went rumbling by, faces were pressed against the window panes, the green flags on the rear car stood out straight and stiff and the smoke from the engine flew along the snowy top of the cars. What a change from the time when the stage coach used to jolt along the old Concord road, stopping at -164- taverns for change of passengers and horses, when the bride returning from the honeymeon might lean from the window and say "hello, Will" to one of her former flames, when people meas- ured distances, not by hours, but by taverns with big fireplaces and good warming drinks. A little further on, I found the site of a deserted tramp's encampment. An old tin wash-boiler with a hole in it had served for a stove, trees and branches and stray fence boards had once been erected overhead for shelter. Probably the same fellows who slept in our woods are now fed and warmed in one of our Southern jails, at least I have heard that down that way there is a jail noted for its food and lodging, and these rovers make great efforts to be sent up to jail -165- for the winter months in that section. I turned from the woods toward home and just before leaving the beaten path that runs in our neighbor's woods I found a trace of summer, a checker- berry. In June the children in New England gather "youngsters," as the tender green leaves of the checkerberry are called, in winter the Bob White digs through the snow for the red ber- ries that are stronger in taste than the leaves, perhaps for medicine for some prodigal bird that has at last reached home. LOT, THE RUSTIC I ^ LOT, THE RUSTIC ?0-DAY the world seems ^to run very much to cities. fThe young man "up coun- [ try" somewhere was easily ^attracted to the urban uni- verse somewhat as Lot was. He too had quarreled with the herdsman of some Abram of his home land and he sought the "plain of Jordan" as a very well known Lot did. The glare of the shops and theatres and restaurants attracted him, the eva- nescent deity, Fortune, lead him on and only after a long chase did he discover her a faithless guide. In that way the country Lot dwelt in the city Sodom and tarried there many days. After the glare had become familiar -169- and the senses dulled to the city life, one day, in spring, the flowers at some florists or the faint harbinger scent of the coming summer or the pale face of a child hurrying with a nurse toward the park or some ruddy-faced country- looking lad hurrying for the railroad station, some one, or all, of these, either by their contrast or similarity, struck deep into the heart of the man and he longed to return to the country. And then came a little bad health, he felt "out of sorts" and he threw a few nec- essaries into a dress-suit case and rush- ed to a North Station or a Grand Central, just as fast as he had seen the country-looking lad do. He went back in the country to live and he found there a veritable Avalon. In a Sylvan World he set up an Undine. 4w^^W^h THE END / )•« /'o..*^ 0^^ ^^'^^^V"^ ^^'-o^^^V^^ \''^^>*\'^^ » " " «^ '"•** ^^^ \^^^^*\A <.*'o.T*'x^ ^'r^^A^ .-j^ v*^\/ %*^-**/ V'^^-'s^^' ^°^'^-