as NO PLAYS EXCHANGED. A Majority of One |£ COPYRIGHT, 1S89, BY WALTER H. BAKER ix, Cu. piays for /Amateur 5l7eatrieal8. BV CSORCe 7^. B3=5:KER, Author of ^* Amateur Drafnas,'* "The Mimic Stngre** "The Social Stage,** "The Drtvming- RoojH Stagey ''''Handy Dra7nasy ^''The Exhibition Dramas^'* "A Baker'' s Dozeft^ etc. Titles in this Type are New Plays. Titlns in thin if/pe at'e Temperance Tlays, DRAMAS. /;/ Four Acts. Better than Gold. 7 male, 4 female char 25 In Three A cis. Our r'»llcs. 6 male, 5 female char. • 15 The Flower of the Family. 5 male, 3 female char 15 Eniisted fok the War. 7 male, 3 fe- mal^char 15 My Brother's Keeper. 5 male, 3 fe- male char. 15 Thi' JAUie Jirtncn tTitf/, 5 male, 3 female char • • • • 15 /;/ T7V0 Acts. Above the Clouds. 7 male, 3 female char. •IS One Hundred Years Ago. 7 male, 4 female char 15 Amonc; the Breakers. 6 male, 4 female char 15 Bread on the Waters. 5 male, 3 female char .- , 15 D nvN BY the Sea, 6 male, .3 female char. Once on a Time. 4 male, 2 female char. 15 The Ijust L.oaf, 5 male, 3 female char. 15 In One A ct. otand by the Flag. 5 male char. . . Vhc Tempter, 3 male, i female char. COMEDIES AND FARCES. A Mysterious Disappearance. 4 male, 3 female char. .,».,,. Paddle Your Owu Canoe. 7 male 3 female char. . , . . , A Drop too Mucli, 4 male, i female char - A JAttif ?loreCidfr, 5 male, 3 fe-. male char. A Thorn Among the Roses. 2 male, 6 ■ female char , , . a'Crvbr ?^ay Die. 3 male, 3 female char. '^iEEiNG the Elephant. 6 male, 3 female char The Boston Dip. 4 male, 3 female char. The Duchess of Dublin. 6 male, 4 fe- male char o . . . Thirty Minutes for Refreshments. 4 male, 3 female char. We.*re nil Teetotalers. 4 male, 2 fe- male char. ....••••.• Mnie Characters Only. A Close Shave. 6 char. ...... A Public Rfnefactor. 6 char. . . . A Sh>» of Troubles. 8 char. .... »5 ,'5 15 IS WALTER H. BAKER & CO COMEDIES, etc., continued. Male Characters Only. A Tender Attachment. 7 char. . . 15 Coals OF Fire. 6 char. ...... 15 Freedom of THE Press. 8 char. ... 15 Shall Onr Mother** Vot*^? 1 1 char. 15 Gentlemen OF THK Jury. 12 char. . . 15 Humors OF THE Strike. 8 char. . . . js My Uncle THE Captain. 6 char. . . . 15 New Brooms Sweep Clean. 6 char. . 15 The Great Elixir. 9 char 15 I HK Hypochondriac. 3 char 15 * /«e Man with the JJemiJohu. 4 char. 15 The Runaways. 4 char. ...... 15 The Thief of Time. 6 char 15 Wanted, a Male Cook. 4 char. . • • 15 female Characters Only. A Love OF A Bonnet. 5 char. .... 15 A Precious Pickle. 6 char 15 No Cure No Pay. 7 char 15 The Champion OF Her Sex. 8 char. . 15 The Create*;t Plague in Life> 8 char. 15 The Gkkcian Bend. 7 char. .... 15 The Red Chignon. 6 char 15 Using THE Weed. 7 char. ..... 15 ALLcGORIES. A rranged/or Music and Tableaux . Lighthart's, Pilgrimage. 8 female char. 15 Tnii Kevolt of the Bees. 9 female cher. Is The Sculptor's Triumph, i male. 4 fe- male char ». . 13 The Tournament of Idylcourt. 10 fe- male char. .......... 15 The War of the Roses. 8 female char. 15 The Voyage of Life. 8 female char. . 15 MUSICAL AND DRAMATIC. An Original Idea, i male, i female 15 Bonbons; or, the Paint King, 6 male, I female char. .';......, 2 1; Capuletta; or, Roii,jEO and Julit i i -. Restored. 3 male, i female char. Santa Claus* Frolics.. . , . •. . Snow-bound; or, Alonzo the Bravi and the Fair Imogene. 3 male, . female char. . . '. , The Merry Christmas of thk O: Woman who Lived in a Shof; i - The Pedler or Very Nice. 7 char. ...•...^•..* *^ The Seven Ages. A Tableau Enrertai; ment. Numerous male and female chn Too Late for the Train. 2 male cha 1 The Visions of Freedom. 11 fema char , . . 13 ., 23 Winter St., Boston. A MAJORITY OF ONE OR LOVE AND MUSHROOMS ^ JTarce in ©ne ^ct BY FRANCIS A. HARRIS, M.D, FREELY ADAPTED FROM THE GERMAN ^l']^^ BOSTON ■ I r - • — ——rmr-mammmmmm\ — -^"^ 1892 ^^1 CHARACTERS. TIMOTHY NORCROSS, a retired grocer^ and at this time a candidate for the Legislature, A. WARD HEELER . , . . Manager of Nor cross'' campaign HENRY MASON Nephew of the opposing candidate ALICE HALE Niece of Norcross^ just home from school MARY Servant in hotel where Nor cross boards Costumes, modern. Time, the present day. Copyright, 1892, by Walter H. Baker & Co. A MAJORITY OF ONE Scene. — A room of the country hotel of a New England village. The room is the public parlor^ with doors opening on left nti7n- bered 3 and 4. Also doors at back. Open fireplace with logs not fired. Appropriate furniture. {Enter from door l. Norcross and Heeler, the latter with his hat on.) Heeler. Now don't you fret your gizzard, Norcross. Every- thing is cut and dried. Your name is as sure to be on the roll of the next Legislature as mine is to be on my tombstone ''Hie Jacket '''* {mispronouncing) '* A. Ward Heeler." Norcross (with dignity). Ah, Heeler, there is nothing sure in this world, nothing ! Still, if my fellow-citizens shall deem me the person most worthy to protect their interests in the great and general court, and shall of their own accord elect me, unbiassed by any personal influence, and with no attempt at bribery — by the way, did you open that barrel of ale down at Goat Acre 1 Heel. To be sure I did. There wasn't a man that did not have a full-blown jag inside of an hour, and everybody was cheering for Norcross. Nor. Well, Heeler, if there is one thing more than another that I reprobate, it is the abuse of intoxicating liquor ; yet I am told that the gentle stimulation of malt beverages is not injurious. Heel. You won't find it injurious when it comes to voting, I can tell you. Nor. I truly hope the ale will have no such effect as to make any man vote against his convictions of what is right — ahem! — what was I saying? — ah, yes — with no efforts at bribery, far be it from me to refuse the call of my country. Patriotism demands of every man any sacrifice, whether he be American by birth, or American by adoption — by the way — you got those Italians natu- ralized in time } Heel. Yes ; and paid their poll-tax. Nor. That's right. Heeler. See that no man is^prived of the right of suffrage by poverty alone. Yes, sir, evejjji I should be required to give up my comfortable room in this hotel, and should be asked to expatriate myself as a minister to a foreign power, patriotism would force me to it, Heeler ; I feel sure it would. 3 4 A MAJORITY OF ONE. Heel. Ah, sir, your principles are well known. Nor. I hope you have circulated my views on civil service, — no removals but for cause. Heel. But, sir — Nor. Oh ! you shall have the post-office. Your work for me would be cause enough for the removal of the other fellow ; but {^for the first thne observing Heeler's hat, and begin^iing very quietly, and gradually working into a passion), Heeler, allow me, in the mildest manner in the world, to inquire in, as I may say, the politest terms possible to a man of refinement and breeding, and a candidate for the general court, why you persist in keeping your infernal hat on your miserable old head .^ Take it off, sir ; take it off. (Heeler rej/toves hat.) There, sir, that is more respectful. I don't wish to be severe, but as a man swears at a mule, I must speak to you in a language that you understand. Heel. Yes, sir ; certainly, sir. Excuse me. I forget sometimes. My head is so full of business. You have no idea of the amount of work I have put in in the last fortnight. What with seeing this man and interviewing that one ; talking prohibition to the clergy- men and license to rounders, — and, by the way, I had a hard job with the Metl^odists ; your opponent is a member of that church, — and then the drinks on the sly here, there, and everywhere ; I can hardly tell if I have a head on my shoulders, much less a hat on my head. If it had not been for patriotism and a post-office, I never could have done it — never. {Puts his hat on again.) Nor. Then you think I have a sure thing .^^ Heel. A good safe majority, believe me. Nor. Good enough. I respect you. Heeler — (noticing that Heeler has replaced his hat) and speaking of respect, I am prompted in perfect good humor to remark that if you don't re- move that confounded hat from your pate, I'll kick you out of the room, do you hear.^ Heel, (removing hat) . Yes, sir. Yes, sir. Oh, I forgot, there is one thing that is working against you, though. The matter I mentioned last week. Nor. What was that ? Heel, (embarrassed). Why — er — I — well — the fact that you do not live with your wife. Nor. (quietly). Oh, that.? Eh? Heel. The opposition are making quite a handle of it. They say, sir, that such a state of things is highly immoral ; that is (put- ting on his hat),\t''s quite awkward to talk about — Nor. (aside). And a mighty sight more awkward just at the present time that it is a fact. (Aloud.) I've looked out for that. It's all provided for, and I'll see that it does me no harm. Heel, (surprised). Ah ! have you indeed? Nor. Yes. Now you go and — (seeing hat) and if you value my esteem, observe me when I say that if I see your gibbering old jaws capped with that beastly old tile in my presence, I'll knock A MAJORITY OF ONE. 5 the Stuffing out of you, even if it does the same to my canvass, hear me ? Heel, {taking off haf). Yes, sir. Nor. You just get it noised around now that this afternoon my wife and I are going to visit the high school together. Heel. But how is it possible ? Nor. That's my affair. Just you go and do as I say. Heel. That will be a good move. {Going -^ puts on hat.) V\\ hurry. I say — couldn't you manage to take a few children along with you ? "Nor. Children ? What the deuce do I want of children? Heel. Why, important educational matters are to come before the next Legislature, and the people imagine that a man will take more interest in such matters if he has children of his own. Now Morse, your opponent, has two. Nor. I do hate a liar, — that is on principle, — but you may say that I have two — no — make it three children — {sees hat) and with all the composure in the world, I venture to remark that I'll kick your miserable old carcass from here to the park, if you will persist in keeping that greasy old plug on your head another minute (Heeler takes off hat. Quietly) — three children, — Thomas, Richard, and Henry. Heel. If we only had them here. Oh, I fancy that Thomas, Richard, and Henry would have great influence with — with, well, Tom, Dick, and Harry. Nor. You are laboring with a joke. Heeler. Don't do it ! Hav- ing them here is out of the question. Just ask the people to over- look their inability to be in two places at the same time. Now go. {Exit Heeler, door c.) I respect the feelings of an enhghtened and intelligent public, and I fully appreciate their careful inspection of the belongings of a candidate. But — children ! What will the idiots want next "^ I've promised to go in for a new park and a new wall around the cemetery, though, as the lamented Jim Fiske said, I can't see what the use of that is. " Those that are in can't get out, and those that are out don't want to get in." However, I've promised all this, and now they want a wife and children. Good job they don't want them to be twins or triplets. Wife be hanged ! or any- thing else unpleasant. I've lived altogether too comfortably since she took a notion to go West with my bookkeeper to wish her back. Still, I won't risk my election for a trifle like that. Luckily she ran away before I came to this town, and since nowadays seeming is as good as being, I've provided a way out of the wife question. Now — {Enter at c, Mary.) Mary. Excuse me, sir, there is a young lady inquiring for you- ^o^, {turns quickly). Aha! Show her in here. 6 A MAJORITY OF ONE. Mary {speaking out off stage). Right this way. {Exit.) Nor. Aha ! Here she is — my wife, that is, by proxy ; here comes the means to satisfy the free and enlightened public — and be hanged to them ! {E7tter c, Alice, with wraps, satchel^ etc.y which she puts on table and then embraces Norcross.) Alice. How do you do, uncle dear? Nor. {mysteriously). Hush ! Not so loud. Don't call me uncle. AiACK {astonished). What! NOR. I'll explain presently. Who came with you ? Alice. Only an old lady who has relatives here. NoR. Good enough ! Well, my child, I sent to your boarding- school for you because I want you to render me an important service. Alice. Service ? Ah, if you knew what a service has been rendered to me to-day ! I haven't even now recovered from the excitement. NoR. Ah? Well, never mind that. Now, my dear — Alice {interrupting). A young man who came in the coach with me — Nor. Never mind the young man. Now the fact is — Alice. But I do mind him. He was a perfect gentleman — just too sweet to live — Nor. That is not of the slightest consequence. Now I — Alice. Oh, and so brave ! Only for him I should have been killed. Nor. What ! Killed ? Alice. He saved my life. Nor. Who ? Alice. This nice young man. Nor. Well, much obliged. I'll call on him and thank. him in person. {Aside.) I don't see why a nice young man who goes about saving people's lives should turn up just now. It's very awk- ward. {Aloud.) Now, my child, you know that at some time you will be my heiress, will have all I possess, and to-day I want you to do me a small favor. Alice. A favor to you. Of course, dear uncle. Nor. Hush ! Don't call me uncle. When you marry, my dear, I'll give you a splendid outfit. But to-day you must do me a trifling favor. Alice. Well ? Nor. In the first place, you know you have three children. Alice {springing back) . What ! Nor. {quietly). Three children, — Thomas, Richard, and Henry. All at present away at school. Alice. But, my dear uncle. Nor. Great Scott ! Will you stop calling me uncle ! You are A MAJORITY OF ONE. 7 my wife. (Alice expresses bewilderment.') So you see, I can't be your uncle if I am your husband. You are simply your aunt, Mrs. Norcross. Alice. I don't understand it at all. {Weeping?) I can't be my own aunt. ^o^. {looking around hastily) . Hush! Don't cry, or folks will think we don't live happily. Remember 'tis only for a day. To- morrow you shall be my niece again, as before. Alice {still crying). But why must I be my aunt ? {Enter c, Mary. Goes and gets glasses from sideboard j sees Alice crying; exit shaking her head compassionately.) Nor. That's my secret. It is enough for you to know that circumstances in which I am placed render it necessary. It is con- nected with important matters affecting the welfare of the country. So, above all things, keep your mouth shut. I'll do everything for your happiness hereafter, but until to-morrow don't say a word that you're not my wife. Do you understand 1 Not to any one. Alice. Well, I won't. It's a bargain, uncle. Nor. {nervous). Hush! Don't say uncle. Did you bring your school report with you ? Alice. Yes, uncle. Nor. {anxious). Goodness gracious ! will you quit that uncle! (Alice in chair. Norcross on table.) Alice {aside). If I only could. Nor. Call me Timothy. Your own Timothy. Try it once, just once — now — one, two, three. Alice {laughs). Yes, my own dear Timothy. Nor. Capital ! Capital ! I declare if you keep that up you shall have a sealskin. Now let me see your report. Alice {getti^ig paper froin satchel and giving it) . Here it is. Nor. {reads). " Mathematics good. Geography good. His- tory good. Language bad." What ! Do you use bad language ? Fie, Fie ! Alice. No ; that means foreign language, — French, etc. Nor. .Oho, I see. {Reads.) *' Punishments " — K\A(Z^ {nervous) . Oh, dear! {Aiace. at k. fro?U, goes up and down.) Nor. {reads). "March 5, twenty lines for making faces at the teacher." What's this 1 You make faces at the teacher.'* How disrespectful ! Alice. I couldn't help it. She would make such a guy of her- self. No girl could help making fun. Nor. Oh ! couldn't she ? Guy was she ? Now what did you do ? Eh ? Alice {nervous). Oh ! I — Nor. Come, come now, I want to see. Do it again. Alice. I don't want to — 8 A MAJORITY OF ONE. Nor. I must see. Perhaps you were not punished enough. Alice (^putting her fingers to her 7iose). That was all. Nor. Ha ! Ha ! Twenty lines for that. Poor thing ! {Reads.) ** April I, fifty lines for pinning a paper on the teacher's back." Alice. That was the fault of the day, unc — Timothy dear. ISlOR. (/>/eased). So it was. April fool, eh ? (Reads,) ** April lo, one hundred Hues for being caught reading a novel." {Gravely.) What! Do you read novels? Alice (con/used). Oh, if he knew I had one in my satchel now ! (Aloud.) Why, you see I was not punished for reading a novel. I was punished for being caught reading. Nor. Ah ! You are getting the world's philosophy early, my dear. It^s always the way. We are only punished for being caught. (Sternly ; crosses.) If I hear of your reading novels again I'll send you to a convent. Alice. Yes, uncle. Nor. (turns). Confound it ! can't you stop saying uncle? Alice. Yes, uncle. Nor. (stamps feet). There you go again. Alice. I didn't mean to, Timothy. (Eftter Mary.) Your room is ready, Mary (coming from Alice's room). Miss Nor. Miss ? Miss ? What's got into your head ? This lady (laying his hand on her arm tenderly) is my wife, Mrs. Norcross. Mary. Your wife? (Aside.) Aha! That accounts or their quarrelling as soon as they come together. (Aloud to Norcross.) Then you only want one room ? Nor. {disconcerted ; up and down) . Yes — Yes — we want two. (Aside to Mary.) My wife snores frightfully. Mary. All right. Your wife can have that room next to yours. (Pointing to No. 3.) Nor. Thatll just suit. Mary. Ah ! what the folks say is true. This is an unhappy marriage. Nor. Now, my dear duxy wuxy, go and change your things, and while my little dovey is dressing Pll look over my speech once more. In a quarter of an hour we will take a stroll up to the high school. I want you to see some of the people here — (Alice shuts off speech with her door. Aside) and all of the people here to see you. (Exit Norcross into 4 as Alice into 3.) Mary. All their hugging and their duxy wuxys don't fool me. They must lead a cat-and-dog life. (Enter c, Henry Mason. Arms full,— satchel^ umbrella, overcoat, etc.) A MAJORITY OF ONE. 9 Henry {mysteriously), St — st — my dear, st — Mary {ttirns and sees hiin)^ Ah, another traveller! What can I do for you, sir ? Henry. My hands are full. Just see if you can find a quarter in my vest pocket. {VIkky feels in pockety and it tickles Henry so that he squirms,) Oh ! Ah ! Mary. What's the matter? Henry. You tickle me so. Mary. Here's the quarter. {Producing it.) Henry. All right. Just hold onto it. Tell me, didn't two young ladies stop here just now? — one of them say about sixty. Mary {laughs). Yes, sir, 2. young lady oi sixty did stop here. Henry. You know what I mean. See if you can't find another quarter. {VIaky feels ; same business.) Mary. Here it is. Henry. Just hold onto it, will you. Where is she now ? Mary. Who? The sixty? Henry. No. The other. Mary {pointing to No. 3). She's in there in her room. Henry. Take me to her at once. {Going towards 3.) Mary {running in front of door). No, sir ; not if I know it. For shame, sir! she's dressing. Henry. What! You won't? Mary. Not for the world. Henry. Have you got those quarters? Mary. Yes. Henry. Then oblige me by putting them back into my vest pocket. (Mary does it ; same btisiness of squirjning.) Mary. There they be. Law, how ticklish you be ! Henry. Now I want a room. Mary. Very well, sir. Henry. And I — 1 am very thirsty. Do bring me a glass of beer. Mary. Beer ? Why this is a temperance house ! Henry. Temperance^ eh ? Then bring me a whiskey punch, Mary. What do you mean ? • Henry. Oh, I know these te7nperance hotels ! There is plenty of drink to be had, only the quality is mighty bad and the price higher. Mary. Really, sir, we do not keep any liquor. Henry. All rieven male, four female characters. Modern costumes; scenery, one interior and one exterior. Time m playnig, two hours and twenty minuies. This is the latest play of Western life, and one of the finest dramas ever written by this brilliant and successful author. Its interest is unflagginjj, it i^ full of b.ight, clean fun, and roaring comedy situations alternate with thrilling and pathetic scenes. Rvery cliaracier is a goyd one and worthy of tlie Lest talent. This piece can be played m any hall or upon -any stage, as there are n(» difficulties in costumes or scenery. Printed directly from the author's acting copy, and preceded by a chapter of *' Remarks" in which are given, in the author's own words, special instructions regardnig the play, the acting of each part, and all necessary details of stage-management. Price, « . . 25 Cents. SVNOPSIS : * ACT I. The First Day. —Sitting-room at Lawton's. Ju(tge Biggs renders an opinion. Casey in doubt; Segura fails to score. Paul and Ketta. Jealousy. The arrival. Maniie and tlie Ju(jge. Trouble ahead. A threatene?f Laying the train. " He has a wife already." Paul in trouble. : |ilodes themine^ Paul in dangtM-. De.iili of H •" i. I'ii.il.. LIBRARY OF CONGRESS ENTIRE NOVEL 017 198 597 3 i THE GREAT MORA Dime Show AN ENTERTAINMENT IN ONE SCENE. By MARY B. HORNE, Author of "Tjie Peak Sisters," Piiof. Baxter's Great Invention *'The Book of Drills," "The Carnival of Days," "Plantation Bitters," Etc. Nine male, seven female cliaracte»'s. Costumes simple; scenery an ordiuarv interior, or may be dispensed with altogether. Plays from half an hour upWHrtf. according to the number and character of additional ppecialties introeuMi,'* so-callesistant, aMomlerful collection of *• freaks" of naiure (Bome- Avhat ju^sisted by {irt) who i»ing, dance or recite, according to their special abilities, in illu.-tration <•! the explanatory lectu e. It is most elastic in its requirements, can be played on any staye or platform, with or without scenery, HJid with a greater or smaller number of characters, according to taste or necessity. It can be made uproariously funny, and is in character as well as fact A SEQUEL TO THE PEAK SISTERS. Price, 15 Cents. sir25ro:E>sis. SCENE.— The exhibition hall of Sister Keziah's Show. Sister Keziah's intro- ductory lecture. Johnathan, the bashful assistant. Introductory hymn. Introduction of the "freaks." Daniel McGinty redivivus. Daniel's song Lucia Zarate, the celebrated Mexican dwarf. Kioto, the ihortest nmti alive, not jiim0iaVy. The wonderful Mermaid. The MerUiaid's eong. Cassius White, the ossified boy. A **rocky" recitation. Kallulc, the only specimen of his kind in captivity; illustrated by cuts. Signor Galabsi, the celebrated Glass-Eater. Galassi sings. Allegro Penseroso, the won- derful two-headed girl; not to be confounded with the more common two- fnced girl. Two ways of eating a pickle. Ida and Ione. the Grecian mauieus. Raphael Tintoret, the blinil painter, who paints blinds in full view of the audie- ce. Ah Chin and Wuv Lung, the Chinese twins, .\- %remely well connected from birth. •• The Land of Tea." Ka-FOOZLE-ki i the- Tiuksh vocalist.