LIBRARY OF CONGRESS, ?RTnr A Qfyn[L - Goptjrtgljt ^a^/"A-J. Shelf ..113.1 a- UNITED STATES OF AMERICA. glue Stn&mts' Mzxxzs of Htxglislx ©lassies. SIR WALTER SCOTT'S MARMION. EDITED BY MARY HARRIOTT NORRIS, Instructor in English Literature. Editor of George Eliot's " Silas Marner." Author of " Phebe," "Dorothy Delafield," "A Daniel of the Eighteenth Century," etc. x <^ LEACH, SHEWELL, & SANBORN. BOSTON AND NEW YORK. <* Copyright, 1891, By Leach, Shewell, & Sanborn J z-zTro 1 ! C. J. PETERS & SON, Typographers and Electrotypers. Press of Berwick & Smith. PREFACE. . The prolific genius of Walter Scott has seldom had a parallel. Under the stress of grief and need, Johnson composed Easselas in a week. Lope de Vega wrote whole dramas in a day, and exhibited something of the marvellous uniform capacity for composition in both quality and quantity that characterized the great Scotch romance writer. But Walter Scott was also a singular example of versatility, — a gift, indeed, which is seldom attended by either profundity or great achieve- ment. Scotland's revealer, however, while not highly original or philosophical in conception, was notably and meritoriously successful as poet and romancist ; if not profound, he was highly dramatic in his instincts and writings. He left to his contemporaries and posterity poems and tales which will always place him among the foremost masters in English literature of the nineteenth century. He covered the whole field of Scotch folk-lore in which Macpherson and Bishop Percy were worthy pioneers. iii iv PREFACE. In preparing " Marmion " for the " Students' Series of English Classics," the editor, conscious of the mass of information open to the general reader concerning Scott's life from its beginning to its close, has deemed it best to confine herself — by means of compilation chiefly, from the author himself and his sympathetic biographer, Lockhart — to a picture of the poet's literary development and bias till the time of the publication of " Marmion." This sketch is supplemented by a synopsis of the leading subsequent events in Scott's life. The notes also include, as far as possible consistently with this edition, the poet's own notes. The editor has endeavored to make her annotation of the poem so complete that the student will find works of reference unnecessary ; and it is therefore her earnest hope that the present edition will be found eminently suitable, not only for college preparatory examinations, but also for study in high schools and seminaries. She has also thought it advisable to present, continuously, first the poem proper of Marmion, and secondly the six epistles. Mary Harriott Norris. New York, August, 1891. SIR WALTER SCOTT. BIOGRAPHICAL SKETCH. (1771-1832.) Walter Scott, one of a family of twelve children, was born in Edinburgh, Aug. 15, 1771. He died at Abbotsford, Sept. 21, 1832. " Every Scottishman has a pedigree. It is a national prerogative as unalienable as his pride and his poverty. My birth was neither distinguished nor sordid. Accord- ing to the prejudices of rny country, it was esteemed gentle, as I was connected, though remotely, with ancient families both by my father's and my mother's side. 7 *' — Autobiography. [During Walter Scott's second year, owing to the loss of power in his right leg, he was sent to the country, to his grandfather's farm of Sandy-Knowe.] " It is here at Sandy-Knowe, in the residence of my paternal grandfather, that I have the first consciousness of existence. . . . The local information, which I con- ceive had some share in forming my future tastes and pur- suits, I derived from the old songs and tales which then formed the amusement of a retired country family. . . . The ballad of Hardyknute I was early master of." 1 2 SIR WALTER SCOTT. " I was in my fourth year when my father was advised that the Bath waters might be of some advantage to my lameness. . . . After being a year at Bath, I returned first to Edinburgh, and afterwards for a season to Sandy- Knowe ; and thus the time whiled away till about my eighth year, when it was thought sea-bathing might be of service to my lameness. . . . For this purpose I re- mained some weeks at Prestonpans. . . . From Preston- pans I was transported back to my father's house in George's Square [Edinburgh], which continued to be my most established place of residence until my marriage, in 1797. I felt the change from being a single indulged brat to becoming a member of a large family very severely. ... I had sense enough, however, to bend my temper to my new circumstances; but such was the agony I internally experienced that I have guarded against nothing more in the education of my own family than against their acquiring habits of self-willed caprice and domination." "My lameness and solitary habits had made me a tolerable reader, and my hours of leisure were usually spent in reading aloud to my mother Pope's translation of Homer, which, excepting a few traditionary ballads and the songs in Allan Ramsay's 'Evergreen/ was the first poetry which I perused." " In 1778 I was sent to the second class of the gram- mar school, or high school of Edinburgh. . . . Among my companions my good-nature and a flow of ready imagina- tion rendered me very popular. . . . After having been three years under Mr. Fraser [at the high school], our BIOGRAPHICAL SKETCH. 3 class was, in the usual routine of the school, turned over to Dr. Adam, the rector. It was from this respect- able man that I first learned the value of the knowledge I had hitherto considered only as a burdensome task. It was the fashion to remain two years at his class, where we read Caesar, and Livy, and Sallust, in prose; Virgil, Horace, and Terence, in verse. I had by this time mastered, in some degree, the difficulties of the language, and began to be sensible of its beauties. This was really gathering grapes from thistles ; nor shall I soon forget the swelling of my little pride when the rector pronounced that, though many of my school- fellows understood the Latin better, Gualterus Scott was behind few in following and enjoying the author's meaning. Thus encouraged, I distinguished myself by some attempts at poetical versions from Horace and Virgil. . . . " As I had always a wonderful facility in retaining in my memory whatever verses pleased me, the quantity of Spenser's stanzas which I could repeat was really mar- vellous. But this memory of mine was a very fickle ally, and has, through my whole life, acted merely upon its own capricious motion. ... It seldom failed to pre- serve most tenaciously a favorite passage of poetry, playhouse ditty, or, above all, a Border-raid ballad; but names, dates, and the other technicalities of history, escaped me in a most melancholy degree. " Among the valuable acquisitions I made about this time was an acquaintance with Tasso's l Jerusalem Delivered.' . . . But above all, I then first became 4 SIR WALTER SCOTT. acquainted with. Bishop Percy's ' Reliques of Ancient Poetry.' ... I remember well the spot where I read these volumes for the first time. It was beneath a huge platanus-tree, in the ruins of what had been intended for an old-fashioned arbour. The summer-day sped onward so fast that, notwithstanding the sharp appetite of thirteen, I forgot the hour of dinner, was sought for with anxiety, and was still found entranced in my intellectual banquet. . . . About this period also I be- came acquainted with the works of Richardson and those of Mackenzie, — with Fielding, Smollett, and some others of our best novelists. To this period also I can trace distinctly the awaking of that delightful feeling for the beauties of natural objects which has never since deserted me." — Autobiography. [After leaving the High School, Walter Scott went to college at Edinburgh. His acquirements in Greek and mathematics were slight.] YOUTH. "In other studies I was rather more fortunate. I made some progress in ethics. ... I was farther in- structed in mental philosophy at the close of 'Mr. Dugald Stewart/ ... To sum up my academical studies, I attended the class of history, and, as far as I remem- ber, no others, except those of the civil and municipal law. ... I imagine my father's reason for sending me to so few classes in the college was a desire that I should apply myself particularly to my legal studies. He had not determined whether I should fill the situation of an BIOGRAPHICAL SKETCH. 5 advocate or a writer; but judiciously considering the technical knowledge of the latter to be useful at least, if not essential, to a barrister, he resolved I should serve the ordinary apprenticeship of five years to his own profession. I accordingly entered into indentures with my father about 1785-86, and entered upon the dry and barren wilderness of forms and conveyances." " I cannot reproach myself with being entirely an idle apprentice. . . . The drudgery, indeed, of the office I disliked, and the confinement I altogether detested ; but I loved my father, and I felt the rational pride and pleasure of rendering myself useful to him. I was ambitious also. . . . Other circumstances reconciled me in some measure to the confinement. The allowance for copy-money furnished a little fund for the menus plaisirs of the circulating library and the theatre. . . . My desk usually contained a store of most miscellaneous volumes, especially works of fiction of every kind, which were my supreme delight. I might except novels, except those of the better and higher class." " A part of my earnings was dedicated to an Italian class which I attended twice a week, and rapidly acquired some proficiency. I had previously renewed and extended my knowledge of the French language, from the same principle of romantic research. Tressan's romances, the Bibliotheque Bleue and Bibliotheque de Romans, were already familiar to me, and I now acquired similar intimacy with the works of Dante, Boiardo, Pulci, and other eminent Italian authors. I fastened also like a tiger upon every collection of old 6 SIR WALTER SCOTT. songs or romances which chance threw in my way, or which my scrutiny was able to discover on the dusty shelves of James Sibbald's circulating library, in the Parliament Square. . . . " Excursions on foot or horseback formed by far my most favorite amusement. . . . My principal object in these excursions was the pleasure of seeing romantic scenery, or what afforded me at least equal pleasure, the places which had been distinguished by remarkable his- torical events. Yet to me, the wandering over the field of Bannockburn was the source of more exquisite pleas- ure than gazing upon the celebrated landscape, from the battlements of Stirling Castle. I do not by any means infer that I was dead to the feeling of picturesque scenery ; on the contrary, few delighted more in its general effect. But I was unable, with the eye of a painter, to dissect the various parts of the scene, to comprehend how the one bore upon the other, to esti- mate the effect which various features of the view had in producing its leading and general effect. . . . But show me an old castle, or a field of battle, and I was at home at once, filled it with its combatants in their proper costume, and overwhelmed my hearers by the enthusiasm of my description. ... I mention this to show the dis- tinction between a sense of the picturesque in action and in scenery. If I have since been able in poetry to trace with some success the principles of the latter, it has always been with reference to its general and leading features, or under some alliance with moral feeling; and even this proficiency has cost me study. BIOGRAPHICAL SKETCH. 7 "About 1788 I began to feel and take my ground in society. A ready wit, a good deal of enthusiasm, and a perception that soon ripened into tact and observation of character, rendered me an acceptable companion to many young men whose acquisitions in philosophy and science were infinitely superior to anything I could boast. ... In this society I was naturally led to correct my former useless course of reading; for — feeling my- self greatly inferior to my companions in metaphysical philosophy and other branches of regular study — I laboured, not without some success, to acquire at least such a portion of knowledge as might enable me to maintain my rank in conversation. In this I succeeded pretty well ; but unfortunately then, as often since through my life, I incurred the deserved ridicule of my friends from the superficial nature of my acquisitions, which being, in the mercantile phrase, got up for society, very often proved flimsy in the texture ; and thus the gifts of an uncommonly retentive memory and acute powers of perception were sometimes detrimental to their possessor, by encouraging him to a presumptuous reliance upon them. Amidst these studies, and in this society, the time of my apprenticeship elapsed ; and in 1790, or thereabouts, it became necessary that I should seriously consider to which department of the law I was to attach myself. " My father behaved with the most parental kindness. He offered, if I preferred his own profession, immedi- ately to take me into partnership with him. " The bar, though I was conscious of my deficiencies 8 SIR WALTER SCOTT. as a public speaker, was the line of ambition and lib- erty: it was that also for which most of my contem- porary friends were destined. And, lastly, although I would willingly have relieved my father of the labours of his business, yet I saw plainly we could not have agreed in some particulars if we had attempted to conduct it together, and that I should disappoint his expectations if I did not turn to the bar. So to that object my studies were directed with great ardour and perseverance during the years 1789, 1790, 1791, 1792." —Autobiography. EARLY MANHOOD. In 1792 Scott had expressed a desire to penetrate the wild regions of Liddesdale, in order to visit the ruins of " the famous Castle of hermitage, and to pick up some of the ancient riding ballads." The descendants of the ancient clans of Scott and Kerr lived in the same portion of Scotland, and it was Walter Scott's old friend, Charles Kerr, who introduced the young antiquarian to a near relative of the Kerrs, Mr. Robert Shortreed, who had many connections in Liddesdale. "During seven successive years Scott made a raid, as he called it, into Liddesdale, with Mr. Shortreed as his guide, exploring every rivulet to its source, and every ruined peel from foundation to battlement. At this time no wheeled carriage had ever been seen in the district — the first, indeed, that ever appeared there was a gig, driven by Scott himself, for a part of his way, when on the last of these seven excursions. There was BIOGRAPHICAL SKETCH. 9 no inn or public-house of any kind in the whole valley ; the travellers passed from the shepherd's hut to the minister's manse, and again from the cheerful hospitality of the manse to the rough and jolly welcome of the homestead, gathering, wherever they went, songs and tunes, and occasionally more tangible relics of antiquity — even such 6 a rowth of auld nicknackets ' as Burns ascribes to Captain Grose. To these rambles Scott owed much of the materials of his ' Minstrelsy of the Scottish Border ; ' and not less of that intimate acquaint- ance with the living manners of these unsophisticated regions, which constitutes the chief charm of one of the most charming of his prose works. But how soon he had any definite object before him in his researches seems very doubtful. 'He was makin? himsell a' the time/ said Mr. Shortreed ; ' but he didna ken maybe what he was about till years had passed. At first, he thought o' little, I dare say, but the queerness and the fun.' " In 1795, while visiting Edinburgh, Mrs. Barbauld " entertained a party at Mr. Dugald Stewart's, by read- ing Mr. William Taylor's then unpublished version of Burger's 'Lenore.'" Although Scott was not present, he became so interested in a friend's version of the poem, that he obtained a copy of the original in German, and one evening, between supper and bedtime, made his own translation. He carried this translation to his friend the next morning, who, in a letter on the matter, wrote thus : " Upon my word, Walter Scott is going to turn out a poet — something of a cross, I think, between Burns 10 SIR WALTER SCOTT. and Gray." If several effusions composed ten years before be excepted, this was the first attempt at poetry of Scotland's future minstrel. In October, 1796, Scott "was ' prevailed on/ as he playfully expresses it, by the request of friends, to indulge his own vanity, by publishing the translation of ' Lenore/ with that of the ' Wild Huntsman/ also from Burger, in a thin quarto. . . . The reception of the two ballads had, in the mean time, been favorable, in his own circle at least. The many inaccuracies and awk- wardnesses of rhyme and diction to which he alludes in republishing them towards the close of his life did not prevent real lovers of poetry from seeing that no one but a poet could have transposed the daring imagery of the German in a style so free, bold, masculine, and full of life. "His friend, Charles Kerr of Abbotrule, had been residing a good deal about this time in Cumberland : indeed, he was so enraptured with the scenery of the lakes as to take a house in Keswick. . . . His letters to Scott (March, April, 1797) abound in expressions of wonder that he should continue to devote so much of his vacations to the Highlands of Scotland, with every crag and precipice of which, says he, ( I should imagine you would be familiar by this time.' . . . After the rising of the Court of Session in July, Scott accordingly set out on a tour to the English lakes." In later years, " The Bridal of Triermain " commemo- rated this journey. His visit to Cumberland and adja- cent districts was, however, of special importance be- ' BIOGRAPHICAL SKETCH. 11 cause it was there that he met Charlotte Margaret Car- penter, who shortly afterward became his wife. Walter Scott and his wife mingled intimately in their early married life in both military and literary circles in Edinburgh. "Perhaps no where could have been found a society on so small a scale, including more of vigorous intellect, varied information, elegant tastes, and real virtue, affection, and confidence. How often have I heard its members, in the midst of the wealth and honours which most of them in due season attained, sigh over the recollection of those humbler days. ... In the summer of this year [1798] Scott had hired a pretty cottage at Lasswade, on the Esk. ... It was here, that when his warm heart was beating with young and happy love, and his whole mind and spirit were nerved by new motives for exertion — it was here, that in the ripened glow of manhood he seems to have first felt something of his real strength, and poured himself out in those splendid original ballads which were at once to fix his name." In February, 1799, Scott's translation of Goethe's Goetz von Berlichingen appeared ; and this is important only because, quoting Lockhart still further — " But who does not recognize in Goethe's drama the true original of the death-scene of Marmion and the storm in Ivanhoe." One morning, in the autumn of 1799, James Ballan- tyne called on Walter Scott to induce him to write on some legal question of the day for the newspaper Ballan- tyne then printed. On this occasion Ballantyne warmly 12 SIR WALTER SCOTT. praised Scott's poetry. At parting, the young lawyer and poet combined " threw out a casual observation, that he wondered his old friend did not try to get some little booksellers' work, ' to keep his types in play during the rest of the week.' Ballantyne answered that such an idea had not before occurred to him. . . . Scott, ' with his good-humoured smile/ said, ' You had better try what you can do.' Ballantyne assented," and the result of this little experiment changed wholly the course of his worldly fortune as well as of his friend's. Thus began the great printing-house of Ballantyne Brothers, thus was laid the foundation of Scott's fortune, and thus, through his secret partnership with this house, was the scene prepared for the last pathetic, tragic chap- ters of his life, when, with declining health, and an overwhelming debt, through the failure of three large publishing houses, severally propping one another, he struggled against illness, palsied mental powers and debt, to retrieve his name from dishonor, and to retain the princely manor and estate of Abbotsford for his eldest son. During 1800 and 1801 his literary occupation was the completion of Border Ballads, and during 1801-02 the first and second volumes of these appeared. An edition of eight hundred copies was exhausted in the course of a year. The third volume was published in 1803. At this period in Scott's career he still " retained in features and form an impress of that elasticity and youthful vivacity which, he used to complain, wore off after he was forty. , , . He had now ; indeed, somewhat BIOGRAPHICAL SKETCH. 13 of a boyish gayety of look, and in person was tall, slim, and extremely active." To the " Minstrelsy of the Scottish Border," the name under which the Border Ballads was published, Scott requested Ballantyne to append in substance the follow- ing notice : " In the press and will speedily be published, ' The Lay of the Last Minstrel/ by Walter Scott, Esq., editor of the i Minstrelsy of the Scottish Border/ Also < Sir Tristrem/ a Metrical Komance, by Thomas of Ercil- doune, called The Rhymer, edited from an ancient manuscript, with an introduction and notes by Walter Scott, Esq." The ancients ballads in the Minstrelsy, never before printed, were forty-three. Scott's editions of the others "were superior in all respects to those that had pre- ceded them. He had, I firmly believe, interpolated hardly a line or even an epithet of his own ; but his diligent zeal had put him in possession of a variety of copies in different stages of preservation; and to the task of selecting a standard text among such a diversity of materials he brought a knowledge of old manners and phraseology, and a manly simplicity of taste, such as had never before been united in the person of a poet- ical antiquary. From among a hundred corruptions he seized, with instinctive tact, the primitive diction and imagery." In the spring of 1805 Scott took a lease of the house and grounds of Ashestiel, which belonged to his cousin, as a summer home for his family. With Ashestiel he rented a small farm. This property overlooked the 14 SIR WALTER SCOTT. Tweed ; and, though seven miles either from " kirk or market/' the poet delighted in supplying both mundane and celestial needs, — the first by killing his own mutton and poultry, the second by adopting, to quote his own words, "the goodly practice of reading prayers every Sunday, to the great edification of my household/' Lockhart further says concerning the new home : " Ashestiel will be visited by many, for his sake, as long as Waverley and Marmion are remembered. A more beautiful situation for the residence of a poet could not be conceived. Here Scott busied himself about the farm, the care of his absent relative's woods, and with hunting. . . . He had long, solitary evenings for the un- interrupted exercise of his pen ; perhaps, on the whole, better opportunities of study than he had ever enjoyed before, or was to meet with elsewhere in later days. " In the first week of January, 1805, ' The Lay ' [of the Last Minstrel] was published; and its success at once decided that literature should form the main busi- ness of Scott's life. . . . The favour which it at once attained had not been equalled in the case of any one poem of considerable length during at least two genera- tions ; it certainly had not been approached in the case of any narrative poem since the days of Dryden. Before it was sent to the press it had received warm commendation from the ablest and most influential critic of the time ; but when Mr. Jeffrey's reviewal appeared, a month after publication, laudatory as its language was, it scarcely came up to the opinion which had already taken root in the public mind." Previous to the publi- BIOGRAPHICAL SKETCH. 15 cation of the edition of 1830, nearly 44,000 copies of the i Lay of the Last Minstrel ' were sold in Great Britain. In the history of British poetry nothing had ever equalled the demand for the ' Lay of the Last Minstrel.' " During the year 1805 Scott also wrote several arti- cles for the Edinburgh Review, as well as the opening chapters of Waverley. The novel, however, was laid aside long before it was finished, and the illustrious author had almost forgotten it, when, accidentally un- earthing it, he concluded to complete it. In so doing, he opened another pathway to fame. It was at this date also that Scott conceived the first outlines of the " Lady of the Lake." Some of his inspiration for this delightful narrative poem was doubtless due to his youthful and enthusiastic study of Spenser and Ossian. In passing, it is perhaps just to Scott to say, that in later years, while recognizing James Macpherson's talent, he was " compelled to admit that incomparably the greater part of the English Ossian must be ascribed to Mac- pherson himself." In November of 1806, when Scott was thirty-five years old and still under the stimulus of success which had attended the " Lay of the Last Minstrel," he began " Marmion." Constable the publisher " offered a thou- sand guineas for the poem shortly after it was begun, without having seen one line of it. . . . The news that a thousand guineas had been paid for an unseen and unfinished manuscript appeared in those days porten- tous." "I had formed," Scott says, "the prudent resolution 16 SIR WALTER SCOTT. to bestow a little more labour than I had yet done on my productions, and to be in no hurry to announce myself as a candidate for literary fame. Accordingly, particu- lar passages of a poem which was finally called