>S 635 .Z9 36172 L^opy «0 PLAYS EXCHANGCD. . >AMCK'5 CDITJ5N or PL7\Y3 ^ AT THE JUNCTION Price, 15 Cents M €*PYRMHT, IMt, BY WALTKR H. BAKBH 4 THE AMAZONS ^^^^ ^ Three Acts. Seven males, live lemaies. Costumes, modem ; scenery, not diioficult. Plays a full eyening. THE CABINHmiNISTER Faroe m Pour Acts. Tenmales,mne females. Costumes, modem society s scenery, three interiors. Plays a full evening. DANDT DICK ^*^^^ "* Three Acts. Seven males, four f emaies. Costumes, modem ; scenery, two interiors. Playf two hours and a hall THE OAY LOHD OUEX <^o™® COSTUMES Spotts. — Cap and coat, regulation railroad uniform under overalls ; grizzled gray wig, and stubby chin beard. All other costumes modern. Copyright, 19 id, by Walter H. Baker & Co. TMP92-008658 (gGI.D 22575 At the Junction SCENE. — A station at the Junction of the Air line and O. M." Y. -R. R.'s. At back, r., a ticket office with usual ope?iing in front; telegraph key supposed to be i?i back ; telephone handy. Lunch counter back l., ivith food displayed — pies, doughnuts, cakes, etc. , a?id three bottles of pop. Small round table, L. c, and duplicate off r., to be brought ifi when re- quired. Plai?i chairs and settees around stage ; time tables, etc., on walls. Jotham Spotts discovered back of ticket window at rise. JOTH. {yawnifig noisily'). . Ah — a — yum ! (^Looks at time table.') Time for number twenty-six air line. (IVhistle heard.) Ye-a, there she comes now. ( Goes L. ; whistle and bell heard off l. ; commotion and voices) Fannie Quick {outside). Well, here we are, Clara. I sup- pose this is the Junction, — wonder how long we will have to wait here ? Clara Cute {outside). I'm sure I don't know; where do you suppose the waiting-room is ? And where is the porter to assist us with our luggage ? JoTH. {7nimicking). "Where is the porter " ? Some more o' these women from the east — can't move without a "porter." Everybody 'round a railroad station is a porter to them, — huh. \^Exit, L. Clara. Oh, here he is, — here, porter, take these things and show us into the waiting-room. JoTH. Did you think this was the Grand Central ? The porters are all takin' their afternoon tea, but come on in. Enter l.. Fan., Clara and Joth. ; he is loaded dotvn with snit cases, ivraps, etc. 4 AT THE JUNCTION Fan. How long did the conductor of our train say we would have to wait here for the O. M. Y. local? Clara. I think he said fifteen minutes. JoTH. {dropping load). Did he? Well, he's got another guess a-comin' to him. Them main line jays think they know a whole lot, 'specially the one you come down with. You'll find it a long fifteen minutes afore your train pulls in, that is, if it's the O. M. Y. local you was allowin' t' take. Fan. Why, I thought (JBell and whistle of departifig train heard.) JOTH. So'd your conductor, but I tell ye the short line won't be here mebby for an hour or more. She's run into a washout, down below somewhere, an' it's no tellin' when she will g\t here — they say a good hour late anyway. {Goes back to ticket office.) Yah ! Main line conductors ! What do they know about railroadin', anyhow? Fan. Dear me, how provoking. Clara. And such a stupid place to wait ! Why, it's the deadest looking place we have struck yet. JOTH. {aside). Huh ! Wonder if they thought the Junc- tion was goin' t' be a sort of a world's fair or a automobill show ? Fan. And we have had no lunch, either. I am so hungry I believe I could eat anything. Clara. So am I, Fan ; you don't think we could JoTH. {coming forward briskly). Ahem, — did I hear you gals say you was a-wantin' suthin' t' eat ? Fan. Why, yes, I think so, don't we, Clara? It will help pass away the time ; and they say you can get things real nice at these country stations sometimes. Clara. Can you ? That will be jolly ; let's see what they have. JoTH. Come on over here, then, t' this table; ye've hit th' right place for a good, plain feed. {With a flourish.) Se' down, gals. {They go to sit down. ^otu. pulls chairs away.) Hold on a minutt, I forgot, — one dollar apiece in advance. Fan. {a?nazed). One dollar ? JoTH. Yep. Clara. In advance? JoTH. Ye, ah, rules o' th' road. Fan. Did you ever ? AT THE JUNCTION 5 {Hands Joth. tivo silver dollars. Note. — All of ]otk.^s fees should be paid iti silver dollars.^ Clara. Ha, ha ! Seems like the dear old east, don't it? {They sit.) Joth. Now, then, what'll ye have? We've got Fan. Oh, I think we will look over the card. Joth. {puzzled). The card ? Fan. Certainly; I suppose you have one? Joth. {scratching head). No, I ain't; the fact is I don't have t' b'long t' th' union. Clara {laughiiig). She refers to the menu card. Joth. Oh, I see. Well, the " Main U " don't go through here {going arid getting time table), but here's the time table of th' O. M. Y. short line; mebby that's what you're lookin' for. {The ladies laugh aside.) Fan. Well, never mind now ; do you have any hot fried, or cold boiled chicken, with mashed potatoes and Joth. Nope, we ain'ty the chickens hev all flew th' coop, but we've got Clara. Any lobsters — oysters Joth. Nope, no 'Mobstersoysters," either, — ye see the lobsters- oysters got into a scrap this mornin' afore I was up, and there wa'n't nuthin' left wuth eatin' ; but we've got Fan. {desperately). Well, what have you Joth. Now see here, be you women a-wantin' vittles or not? I ain't got any such fancy stuff as you're talkin' about, but if you want suthin' fillin', an' will give a feller a chance, I'll tell ye what there is on hands. Clara. Oh, well, tell us, then. Joth. {going and looking over stock). Um-m, there's pie, — apple pie — an' Fan. {aside to Clara). Horrors ! Apple pie ! Joth. Squash pie — an' Clara {aside to Fan.). Squash pie ! Mercy ! Joth. Doughnuts, an' Fan ) ^ P * ^Doughnuts — what next? Joth. Nothin' next, that's about all ; no, here's a bottle o* ketchup, like t' overlooked that. Fan. Shades of Delmonico ! What do you think of that 6 AT THE JUNCTION for a dainty little lunch, Clara? ( To Joth.) Please bring us what you have, and call us when it is ready. {They rise a?id co7?ie down.) Joth. {aside'). They seem a leetle hard t' suit, but I'll give *em a plenty, anyway. {He sets table wiih plates, knives, forks, red napkins, etc., afid puts on the whole stock of food, the ladies conversing meanwhile.) Fan. I don't see why Mr. Brief insisted on my coming way out here just to hear uncle's will read, when he had written me all about it. Claka. I don't see either, dear; but did you ever hear anything so perfectly absurd in all your life as the will was anyway ? Fan. No, I am sure I never did, nor any one else either, for that matter. He always was considered eccentric, and this surely bears it out ; I hardly know what to do about it. Clara {laughing). Oh, I guess it will be matrimony for you, Fannie. Fan. {stamping her foot). But I am not at all anxious to be married. Clara. But think of that million ; if it was me, — well, I'd land some one, even if I had to take advantage of its being leap year. Fan. Yes, I think you would, dear. Clara {aniioyed). What do you mean? Fan. Oh, nothing; this will is so much on my mind that I am hardly responsible for anything. Clara. What were the exact provisions of the thing any- way ? Fan. It amounted to this — he said he had always been a believer in early marriage, so he had decided to leave all his estate — a million or more — to his beloved niece, Fannie Quick, provided she married before her cousin, Jack Sharp; but if his beloved nephew. Jack Sharp, married first, then the entire estate was to go to him. Clara. How ridiculous. Fan. And in the event of neither of them marrying within six months from the date of his death, it was all to go to found an old man's home. Now I have not the least desire in the world to marry AT THE JUNCTION 7 Clara. Of course not, dear. Fan. What do you mean to insinuate? Clara. Nothing at all, only what Fan. Your tone seemed to imply that Clara. How sensitive you are. Fan. Well, I am so anxious when I think about this cousin of mine. I do not know him, have never even seen him ; he is somewhere out on the coast, I believe. How do I know but what he may take it into his head to marry an Indian squaw or a Mexican or something, and come on and claim the estate be- fore I have decided what to do. Clara. Well, it's no use your getting nervous over it. Fan. I guess you'd be nervous. A million dollars is too much for any one to have slip through their fingers JOTH. {banging on empty pan, and ittiitating locomotive whistle). Ro-o-p — Ro-o-p ! Now then, all ready in the din- ing car. {Ladies startled,) Clara {aside). What a singular man he is. {They sit at table.) JOTH. {jingling money, goes back to ticket office; aside). It's dollars to doughnuts they can't eat the money's wuth. Clara. How awfully dry this stuff is ; we forgot about the coffee — where's the bell? {Does not see any ; rattles knife on plate. ]otk. comes over.) Ah, Mr. JoTH. Spotts is my name — Jotham Spotts. Fan. What an odd name. JoTH. Nothing odd about it when youlcnowthe circum- stances. Ye see, my mother didn't give me my second name until after I'd had the measles — and Fan. Oh ! JOTH. Yes; that accounts for th' spots, see? My last name was Steel, but after my father was — {expressive gesture) for beni' too free with another man's horse, in the good old days out here, I dropped th' last name. Fan. Well, Mr. Spotts, we would like a pot of coffee. JOTH. Quite likely, s'posin' ye could git it. Fan. What do you mean ? JOTH. No coffee served at the Junction. The management says there ain't any good coffee no more, an' they don't want no *' grounds" for complaint, so 8 AT THE JUNCTION Clara. No coffee ! How strange ! Well, have you any- thing to drink? JoTH. {j-eaching for hip pocket). Well, now, just to be so- ciable {producing flask), I don't mind standin' a small round. Clara {shocked). Oh, no, we did not mean JOTH. Oh, you want sumthin' a leetle milder. {Brings 'wo bottles of pop.) Here ye be, — pop. Clara. Pop? JoTH. Pop. Fan. Pop ? JoTH. {loudly). Yes, pop. {Aside.) Consarn it, I never see sich critters. Fan. How do you drink it ? (JOTH., disgusted, pulls tops off of bottles.) Clara. But we can't drink from the bottles. JoTH. {sarcastic). Well, pour it on your pie. I don't care how ye take it. Clara {aside to Fan.). Did you ever see such service? {Whistle heard ; exit^OTYi., l. i e.) Fan. Never. Why, that must be our train. {Starts tip.) Let's go and see. ( Whistle and bell.) Clara. It can't be ; you know he said it would be an hour Fan. I know, but do come and make sure. {They run off L. i E.) Enter Joth., l. u. e., loaded with suit cases, etc., followed by Jack Sharp and Percy Keen. Jack {looking aroujid). Wonder how long we have to wait in this joint. Percy. Looks like a good place for a barn dance, eh, Jack? Jack. Say, my friend, what time does the O. M. Y. local get under way ? Joth. She's over due now — it'll be three-quarters of an hour afore she pulls in. Percy. What's the trouble? AT THE JUNCTION 9 JOTH. Washout. Percy. Ha, ha ! Why don't they take it in ? JOTH. {looking blank). Take what in ? Percy. Why, the wash, of course. Ha, ha, ha ! JoTH. (aside). Huh ! Wonder where they blew in from. What do they know about railroadin' ? (Retires to ticket office.) Percy {looking after hit?i). Whew, Jack. Just think of anybody falling for an old gag like that, — I suppose any of the "original seven " would be new in a place of this sort. (Bell and whistle heard.) Jack. There goes the Overland, and here we are, marooned for three-quarters of an hour. (Yawns.) Ah — yum — don't see what old Brief meant by insisting on my coming down here to hear that confounded will read. Knew all about it, in fact the old boy wrote me at the time it was drawn up ; guess he thought it might make me settle down. Ha, ha ! But, Percy, ray boy, I had no notion of committing any such foolishness at my tender age, and I supposed he would live for years ; but his gout got the best of him, and now it seems it's up to me — Jack Sharp — to do the marrying act, inside of six months — perhaps sooner — or stand to lose a cool million. What do you think of that for a "cold proposition," Percy, anyway? 1 tell you a "million " is too much for any man to let slip through his fingers. Percy. Right you are. Jack. Say, what about this cousin ? What is her name, anyway ? Jack. Fannie Quick. Percy. Quick, eh ? Ha, ha ! By Jove, Jack, suppose this Miss Quick should take a notion to do something sudden? Jack. Whew ! Ease up, will you ? You make me nervous. (Walks around uneasily.) Percy. You know her? Jack. No, never saw her \ she may be a Hottentot for all I know. Old Brief said she was a hustler, though that might be a heavy idea he had of trying to be witty at my expense; but all the same I hurried down, and towed you along thinking you might be useful in a pinch. Percy. Oh, give me a chance, and there'll be something 10 AT THE JUNCTION doing. I'll be right in the push ; you can gamble on that. But say, Jack, I wonder if we couldn't rustle a little in the grub line at this caravansary. I'm as empty as J^Looks around.) Ye gods and little fishes ! pipe the lay out. Jack. (^Goes to table L.) Oh, ho, here's the trap already set and baited to catch the unwary wayfarer. Come on, old chap ; we might as well eat while we are waiting — pie — sinkers — pie — ketchup — pie — pop. Ha, ha ! Ho for the feast ! Jack. Yes, but who will ''dig" for the doctor afterward? Well, come on, it's better than the desert air we've been taking in all the morning anyway. {They sit.') JOTH. {comijig over). Say, you fellers, that lay out is for two Jack. Quite correct, and there's two at the banquet, my friend. {They eat.) Ha, ha! Say, Percy, now if that mil- lion dollars would only work out as slick as this remark of our friend's here — it would be all to the easy. Percy. Logic, Jack, logic. JOTH. {loudly). I said two Jack. Oh, yes, two, I'm on; that's one apiece; here you go. ( Tosses two dollars to Joth.) Now run along and play. JOTH. But I mean Percy. So do we, old sport ; we mean to stay our stomachs 'til they get that wash taken in. Ha, ha ! {They laugh and eat. Joth. throws up ha?ids and exit, R.) Jack. Say, old *' Rip Van Winkle " seemed to have some- thing on his mind. Percy. Or on his stomach — maybe 'twas one of these doughnuts. {Holds one up.) Say, Jack, how would one of these do for a wedding ring for the future Mrs. Jack Sharp? Jack. Oh, fine — fine. Ha, ha ! Come on, Percy. {Takes bottle of pop ^ hafids Percy the other one.) Come on, let us drink a toast to her in a draught of sparkling pop. Percy. Hip ! Hip ! All up ! {They stand.) Jack. Here's to a girl I do not know, wherever she may be, through whom kind fate will soon bestow, a million *' bones " on me. AT THE JUNCTION I 1 {They laugh, and drink from bo tiles.') Enter Fan. and Clara, l. i e. Discoverifig Jack and Percy, they cross to r. Fan. {aside to Clara). Why, the idea ! Clara. Did you ever see such impudence ? Fan. Where is Mr. Spotts ? {They go to ticket window.) Jack {aside). Gad, Percy, here's two fairies down here in the wilderness. Wonder where they dropped from ? Percy. Search me — must have come by wireless. {They proceed with lunch, but are inuch ifiterested in the ladies.) Enter Joth., r. Fan. Here he is now. Mr. Spotts, what is the meaning of this? loiYL. { pretending not to understand). Meaning? Why — oh, I had to go and see about some freight. Did you get lonesome without your Spotty, eh? Clara. No evasion, sir; we want to know what this means. We go out on the platform for a few momeiUs, and when we return we find these two — {glancijig toivard table) these two — ah — persons consuming Fan. Devouring Clara. Annihilating our lunch. It's going Joth. {scratching head). Going, gone, as the auctioneer says. C\ RA I (j^^^^^P^"i f^^l)- Explain, sir ! Joth. Oh, certainly — it's this way. {Aside.) What'll I tell 'em? Oh, I have it. {To ladies.) The fact o' th' matter is, girls, these two chaps are directors on the board of the O. M. Y. R. R. — came down on the Overland while you were out lookin' at the scenery. They'd got to wait for the local Fan. {startled ; looking ove?'). The local ? Joth. That's what they said, — and they saw your vittles on the table, said they were wantin' nourishment, an' took possession in the name of the commonwealth. Clara. Of the what? Joth. {confused). No, I mean common stockholders. So 12 AT THE JUNCTION what could I do? A feller don't want to git too gay withhis superiors, 'specially when there's two agin one; that is, not if he ain't sick of his job. Fan. The beasts ! JOTH. Second the motion. Now, I tell ye what I'll do. I'll fix you up a table right here, and — well, wait a jiffy. {^Ru/is off K. ; returns with table, which he places R. F.) Here ye be. Now hold yer horses a second. {^Goes to counter, but finds nothing there; scratches head attain; goes and leans over Jack; in a loud aside?) Say, if you gents'U excuse me — here's two young women just fell off th' Limited. They got t' wait here fer th' O. M. Y. local Jack. What ! The O. M. Y. local ? JoTH. That's what they said. Now, these two women is hungry — starvin', — an' you fellers has got all the grub there is in th' hotel on your table. What 1 was wantin' t' ask is, would you be willin' to loosen your hold on a few o' these viands to keep these two sufferin' females from perishin' on my hands ? Jack. Sure ; here, take what you want. Percy. No, Jack, let him have it all. Jack. Yes, sweep the festive board. {They both steal glances at the ladies.) By Jove, Percy, here's an adventure; here's where we succor two lovely damsels in distress. Fan. They are positively staring at us ! Clara. I like their impudence ! ( They turn their backs.') JoTH. {%vho is working rapidly, takes pie in haiid, piles doughnuts on top, takes bottle of ketchup in other hand and goes over and puts them on table R.). I guess this'U do for a starter. There ye be, folks. (^Brings two chairs. As ladies attempt to sit down, he holds chairs aivay.) Dollar apiece in advance, please. Clara {indigtiant). But we paid you before. JOTH. This is a fresh nieal, served to order. Fan. This is extortion. JoTH. Not at all; pie'n doughtnuts — rules o' th' road — dollar apiece in advance. If you don't believe it, ask the board o' directors over at th' other table. Fan. (^paying). The idea ! (^They sit at table.') We posi- tively must have something to drink with this dry stuff. (Joth. AT THE JUNCTION I3 brings plates, knives, forks, etc. He should move quickly.) Please bring us a pot of black tea. JOTH. Th' black tea is all out. There'll be some down on th' next coal train. How'll a nice bottle o' pop do, now ? Fan. (aside'). There he goes popping again. (To Joth.) Well, let us have it. (He brings bottle from counter.) Joth. Only one left. (Starts back.) Clara. But — oh, waiter ! Joth. (returfiing). What? I ain't no waiter. Clara. Oh, pardon me; what are you? Joth. I'm th' station agent. Clara. Oh, that's it? Joth. Well, that's part of it. I'm also ticket agent Clara. Anything else ? Joth. Yes, baggage agent — freight agent — telegraph agent — lunch agent — insurance agent — ^justice o' th' peace, an* notaray-ry public fer this here county. In short, I'm a gent Clara. Well, Mr. Spotts, acting in your capacity as lunch agent, would you kindly bring us two straws to assist us in absorbing this enticing beverage ? Joth. Straws? Do you take this for a livery stable? (Brings one tumbler.) Guess ye' 11 have to make this do. (Retires up.) Fan. Ha, ha ! What a specimen. (T/iey eat.) Clara. I wonder if there are many more like him out here, Fannie. (Jack and Percy are lunching and smoking during the foregoing:) Jack (aside to Percy ; starting). Fannie ! Did you hear that ? Percy. Gad, Jack, you don't think it's possible ? Jack. Whew! What if it should be Ahem! (Beck- ons to Joth., who comes over.) Say, my friend, could you find out the name of the lady in black for me? Joth. Don't see how I could. Jack (handing him tip). Well, try it, anyway. 14 AT THE JUNCTION (JuTH. goes to telegraph key ; comes out with telegram goes R.) JOTH. Here's a message for Miss — er — Miss Fan. Oh, it must be for me ; I was looking for one. JoTH. What was the name? Fan. Miss Fannie Quick. Jack. Jerusalem, Percy, it is she I JoTH. Well, this message happens to be fer Miss Mo)lie Garrity. {To Clara.) Now, your name wouldn't be — Clara. No, it would not. The idea ! {Ring at telephone ; Joth. goes over.') JoTH. Hello Yes Junction Dunno; there's twp gents waitin' here fer th' local I'll ask 'em; hold her fei minit. Say, either you gents named Sharp — Ja Jack {^rattling knife and fork). Sh-h ! man, not so loud. Fan. (starting). Clara, did you hear ? Clara. Be quiet, dear, they'll notice you. JOTH. What kind of a lookin' feller is he? Um — yes Tall, dark hair, long neck, short chap with him — not overly good-lookin' U m — yes. Jack. Confound the man ! Here, let me take it. ( Goes over.) Fan. Oh, it must be he. He's on his way down, and — and you know Mr. Brief wrote me that he was sure to get ahead of me if I did not hustle. Do tell me what to do. {They confer.) Jack. Hello Yes Is that so? Um, yes I guess it will be up to me Oh, I think so Good-bye. {Goes back ; aside to Percy.) It was Brief, the lawyer ; there's no mistake; he said she was coming on the Limited, said she was a hustler, and I'd have to get up a full head of steam if 1 wanted to make good. W^hat's to be done, eh ? Percv. Don't get excited, old man; just let your friend Percy cogitate over the situation for a brief space of tiuie. {Comes doivn front.) Um-m — here is a situation, and one that plainly needs some one with a large brain capacity to grasp it. Let me see, if Jack wants this money — and there's no doubt about that — he will have to marry within six raontlis to get it. That's plain as an old maid's face. Um — so far so AT THE JUNCTION I5 good. And if this designing cousin of his wants it, why ditto and the same. This means there's going to be a matrimonial race from now on. He'll marry at the first opportunity; so will she. Um-m. [Sudden thought?) Ah, what? Suppose — just suppose she should throw out a hook in this direction. Whew! what a bait. Jack is a good fellow; 'twould be too bad to be the instruQient of his undoing, but hang it all, he has all tae money he needs now, and a million is too much for any one to let slip through their fingers. But what can I Ah, I have it. (^Returns to table.) Say, Jack, I've an idea. Jack. Good ! What is it? Percy {7nysteriously). Wait. ( Whistles to Joth. ; goes doivii front.') JOTH. {imitati7ig dog). Bow-wow, wow- wow ! (Runs to Percy.) Percy (aside). Is the man crazy, or has he got the hydro- phobia? Say, what's the matter with you, anyway? Joth. Didn't you whistle? Percy. Well, what of it ? JoTH. I thought you wanted me to play I was a dog. Percy. Nonsense, — here. (Passes fee and 7vhispers in his ear.) You understand? (JOTH. nods and exits L.) Jack. Well ? Percy {returning ; mysteriously). Sh-h ! Wait. (They confer.) Clara (aside to Fan.). Now, dear, you just keep cool; we'll find a way. Fan. Yes, but it won't do to wait. Didn't I tell you that the lawyer said he was a very determined man, and that I would have to be looking around if I wanted to get ahead of him. Oh, Clara, what can I do ? Clara. Wait, dear, let me think it over. (Coines front ; aside.) This is a problem. (Knits her brows ; glances at Jack.) He does look like a man who would marry the first woman he saw, rather than lose the money, and what a lot it is. I wish I had as much, — if he should marry first, some girl will be in luck. (Looks covertly at Fan.) Of course, I i6 AT THE JUNCTION wouldn't think of such a thing as to try to take advantage of my dear Fannie in any way, and I know I'll not have any such opportunity, although they do say opportunity knocks once at every one's door. Well, if it should knock at mine in a (ase like this, I am afraid I would find it hard work to be — " not at liome," for a million is too much for any one to let slip through their fingers. Enter Joth., l. JoTH. {loudly). O. M. Y. local, on track number |3ne, leaves in \ {All grab luggage arid hustle off L. Percy, in the reir, stops and laughs, dropping suit case in passageway.) Percy. Ha, ha ! Bully for the agent; now I'll await dd velopments ; perhaps something may happen to give me an ex cuse for addressing Miss Fannie Quick, and if it should, trusi me for the rest. {Strolls hack.) ' Enter Fan., i.., puzzled. Fan. What could he have meant? There was no train in sight, and (^Ealls over Percy's suit case.) Oh-h ! {Screams.) Percy {saving her from falling ; half supports her to chair). I beg ten thousand pardons, madam ; I am to blame for this. Fan. {recovering). You, sir, how? Percy. I very thoughtlessly left my grip in the passageway, and you fell over it. I hope you are not injured. I should never forgive myself if Fan. Thank you. Oh, no, I— I think not. Just a little shaken up. Percy. Dear me, what can I do, or — or say ? Fan. Oh, nothing, sir ; I am sure it is nothing serious, and you were hardly to blame. Percy. It is extremely good of you to say so. Fan. Thank you again, but if you will excuse me, I think I will go and look for my friend. Percy {gently detaining her as she attempts to arise). Oh, no, I fear you are not equal to the exertion ; pray allow me to call her. AT THE JUNCTION 1 7 Fan. If you will be so kind. Percy. Only too glad to be of service. I'll bring her here in a moment. {Aside.^ Perhaps. \_Exii, l. Fan. I wonder where Clara can be; it is funny she has not returned. {Reenter Percy.) Did you not find her? Percy. Ahem ! I saw her. Fan. Saw her ? Percy. Ah — yes, she was talking with my friend, Mr. Sharp. Fan. {startled). Talking with him? Oh, are you sure? Percy. I'll look again. {Goes l., atid looks off.) Hullo, that's queer — deuced queer. Fan. What is queer? {Crosses ajid looks.') Why, she is walking with him. {Agitated.) What does it mean ? Percy. You can search — pardon me, I mean I cannot say what it means — unless {Returns to v.. ; seems thoughtful.) Fan. {following). Unless what? Do go on. {Falls into chair.) Percy {also sitting doivn'). Why, it's so absurd ; hardly worth mentioning, in fact. Fan. Oh, can't you say what you mean? Percy. Well, to tell the truth, I am somewhat alarmed about poor Jack ; not that I think it anything serious, you know, but he seems all of a sudden to have developed a kind of a monomania on the subject of matrimony. Fan. {nervously ; half rising). Matrimony? Percy. Fact ; he told me a while ago that he might take a notion to marry at any moment — said something about its being money in his pocket for him to do so. He seems obsessed wiih the idea that every nice young girl he sees would be glad to have him if he only said the word. Fan. {slight scream). Oh ! Percy {pretending alarm). What is it? Fan. {faintly). Oh — nothing. {Rises ; walks about.) Percy {laughing ; aside). Of course, it's only a vagary of his. Fan. Of course, I see. {Aside.) Oh, if he should — if she should Is it possible that, knowing all, she has deliber- iUely thrown herself in his way? If I thought she had, I'd l8 AT THE JUNCTION Percy. Only this morning he said to me, "Percy, my dear boy " Fan. Percy? Percy what? Percy. Percy Keen, at your service. {Rises; bows.) Fan. Percy Keen ? Did you have a sister at Brown's col- lege named Dorothy Keen ? Percy. Did 1 ? Why, of course I did ; did you know Dorothy ? Fan. Yes ; how strange to meet her brother way out here. She was my roommate. Did you never hear her speak of her friend, Fannie Quick ? Percy. Often. {Aside.) Hope I'll be forgiven for that one. {Takes her haftd.) I am delighted to meet you. Miss Quick, delighted. Fan. The pleasure is mutual, I am sure, Mr. Keen. {Aside.) He seems like an excellent young man, and I know he is from a fine family. I wonder if it would be possible {Steals a look at Percy.) Why not? I am desperate with this dangerous flirtation going on between his friend and Clara Cute — the artful minx. 1 have always been suspicious of her. I'll do it. Perhaps she will find me as cute as she is. From the way Mr. Keen acts, I think he will not need much encour- agement. {Turns to Percy.) It is very warm in here, don't you think so? Percy. Insufferable. Can we not stroll outside until the train comes? Fan. That would be very nice — and I have so many things to ask about dear Dorothy. Percy {aside). I think the scheme is working, and with a little diplomacy on my part — well, we'll see. {They stroll off k.) Enter Joth., l. JOTH. {Jingling silver). If that O. M. Y. local will only hold off a while longer, I'll have enough of this to buy a new uniform. {Retires up.) Enter Jack and Clara, l. Jack {looki?ig around). I wonder where my friend Percy went to ? Clara. And my friend, Fannie Quick, {Knoivin^ lock.'') Jack {suspiciously). Hey? By Jove, that's so; buth AT THE JUNCTION IQ gone. H'm — that's queer. {Alarjued.') Percy wouldn't (71? JoTH.) Hey! Seen anything of my friend — and — and the other young lady ? JOTH. Just went out together in that direction, as I was comin' in. Jack (aside). Say, I don't like the looks of this. Con- found it, what a fool I am. He knows all about this will business — suppose he should try to steal a march on me. He's none too good for it, and he likes money as well as the next one. It looks deuced suspicious, but I'll find out. {Starts to go r. ) Clara {near table, l. ). Ahem ! Jack {stopping; looking back). Eh? Oh, yes ; excuse me a moment. Miss Cute ; I must see my friend {Shakes fist ; aside.') Friend ! {Starts R. again.) Clara. Ahem! {He stops again; very nervous.) lam afraid you are not as keen as your friend is, Mr. Sharp. {Laughs.) Didn't you ever hear that two might be company — while three would be something else? ( With elbows on table she watches Jack with amusement.) Jack. What? You surely don't mean ? Clara {still laiighijig). How can any one be so stupid as not to see anything as plain as this is? If you will come back and be seated a moment I will explain. (Jack returns ; they sit at table, L. Exit Joth., l.) My friend, Fannie Quick, you must know, is just the nicest girl in the world, and it would not be in her nature to do anything which would have the least appearance of impropriety, but — confidentially — something has happened recently that — ah — that Jack {nervously). Yes — er — what ? Clara. That I am not at liberty to state ; but by reason of this matter of which I speak, my dear Fannie has recently developed a sudden and most unaccountable inclination toward matrimony, and Jack {jumping up ; walking around ; Clara laughs aside). The deuce she has ? Clara. Please be seated, Mr. Sharp. {He cofjiplies.) Yes, and of course this friend of yours — this Mr. Keen, is all right, 20 AT THE JUNCTION is he not? Good family and all that sort of thing? I'd be very sorry if Fannie Jack {Jwppifig up agaiti). Ob, yes, that'-s all right. Percy is a fine fellow. \G0e5 r. ; looks off; aside.) Blast him! I'd like to twist his neck. Suppose he should get the start of me and marry this nice girl — my cousin, Miss Fannie Quick. But he shan't. I'll find some way to prevent it, if I have to marry the first available {Sudden ihouglit ; glances at Clara.) By Jove ! Why not? Wonder I hadn'i thought of it before. She must be a girl of the right soil. I'll do it. {Shakes fist off r.) Aha, my dear Percy, you'll find I'm as Sharp as you are Keen. {Returns to Claka, who has been watching him closely.) Ah, my dear Miss — er Clara. Cute — Miss Clara Cute. Jack. Oh, yes, Miss Cute. As I was about to say, my dear Miss Cute, — ah — you may perhaps think it a very odd question, but I would like to ask you if you would not consider it a cause for satisfaction if a nice young lady — ah — I might venture to say a very nice looking young lady — should sud- denly discover that she had been the innocent cause of arous- ing, at first sight, the tender but all-absorbing sentiment of love in the breast of a — er — a most noble and worthy young man ? Clara {coyly). What a strange question, Mr. Sharp. I — why, my answer might depend on whether your question was a hypothetical one or not. Jack. Nothing of the sort, believe me. Clara. Well, then, if you mean that this explains why your friend Mr. Keen and my dear Fannie have been so sud- denly attracted to one another, then 1 might say ^ (Jack starts up ; recollects ; sits down.) Jack. Oh, no; I was not thinking of them at all, but of yourself — myself — ourselves. I — er Clara {assuming surprise). Why, Mr. Sharp, what can you possibly mean ? Jack {effusively ; throwing himself at her feet). 1 mean that I have suddenly discovered that I love you — I adore you, — madly — devotedly — that without you my life would be like an alkali plain. {Enter Percy atid Fan., r. ; they stop and witness the scene with alarm, but are not observed by the other two.) I have learned to love you so in the last iialf hour that I would not lose you now — no, not for a million dollars ! {Percy and Fan., startled.) Er — will you marry me? AT THE JUNCTION 21 Clara. Why, I must say you surprise me, Mr. Sharp. This is very, very sudden. Jack. Call me Jack. Say yes. Clara (^yielding). Well — er — Jack, I suppose since you are so insistent, it must be as you wish. {They both rise. He embraces her rapturously.') Jack. Hurrah ! Come, let's walk outside. I have some- thing further to say. {They stroll off l.) Percy. What do you suppose this means? Looks as though he was in earnest about marrying, don't it? Fan. (jiervously). It surely does. [Aside.) Who would have thought that of Clara Cute? What if they should go somewhere and be married right away? Something must be done, and at once. Percy (aside). Gad, Jack's losing no time, is he? Guess this is going to be a tight race for the matrimonial stakes. Fan. What do you think of this ? Percy. Well, it was certainly a very interesting little scene, wasn't it ? Fan. Oh, very. Percy. But, of course, now tha,t we are engaged ourselves, it is a great pleasure to see our friends happy also. Ha, ha ! Fan. Very interesting, no doubt, but I fail to see anything so dreadfully amusing in the situation. Percy. Pray pardon me. I was thinking of Jack's mania, and how funny it would be if he should take a notion to hunt up a parson and have the knot tied right away; and so Fan. And so what? What are you talking about ? Percy {with a side glance). And so ? Oh, yes, and so miss the O. M. Y. local. Ha, ha ! Fan. {forcing a laugh). It would be too funny for words. {Aside.) And it would cost me a million. {To Percy.) But it's ridiculous ; we should try to prevent any such rash move on their part. Can't you do something ? « Enter Joth., l. Percy. Wait — I'll see. Ahem ! Mr. Spotts, does there happen to be a — er — minister anywhere around here ? Joth. Meanin' a preacher ? 22 AT THE JUNCTION Percy. Yes, a parson. JoTH. Yes; there generally happens t' be two or three over to th' village. Why ? Percy. Um-m — how long does it take to walk over there ? JOTH. About ten minutes. But you won't find any preacher there to-day ; there's a church picnic over to th' pond, and everybody's out there, preachers an' all. {AsiWe.) Say, this looks like a weddin' — a elopement, or suthin' o' that kind. Wonder if a feller couldn't git an honest dollar or two outer this. {Takes Percy aside.') Say, young feller, you'n her ain't thinkin' o' gittin' married or anything, be ye? Percy. Why, as to that JOTH. 'Cause if ye be, there ain't no need o' your galli- vantin' all over th' country for a preacher. I'm a justice o' th' peace and a notaray-ry public inter th' bargain, an' I can do th' job as good as any preacher; yes, an' a darn sight better'n some I've heard. Here's my commission. (Shows paper,) See ? Percy [aside). By Jupiter! The very thing. If she will consent, it will clinch the matter, and we'll win hands down. ( To JOTH.) Ahem ! Wait a bit — I'll consult the lady. (Goes over to Fan.) Fan. What did he say? Percy. He said there were plenty of preachers over at the village. Fan. He did ? Is it very far ? Percy. Oh, no — ^just a little walk. [Looks at watch.) They could go over there and be made one and be back here in time for the local, all right. Fan. But we must stop them ! Don't you see we must? Percy. Why, no, can't say I do; they are free agents — both of age — don't see how we can interfere. It will be a good joke on us though. Fan. Joke ! Percy. Yes, of course ; but I know a better one — though, of course, it is out of the question ; only it would enable us to turn the tables on them in rather a neat way. Wouldn't it be rich, though? Ha, ha, ha! Fan. Do tell me. If it's anything I can do, say so; only do be quick about it. Percy. It is simple enough — we might be married first. AT THE JUNCTION T.'l {Significantly.^ Fan. {startled). First! When— how? Percy. Here— now. We are engaged. Mr. Spotts, here, is a justice of the peace, and Fan. Why, Mr. Keen, I could never think of such a thing. ( Walks aside y thinking.) Percy. Of course you couldn't. I was only thinking of putting one over on old Jack. {Yawns.) ' 0-a-yum — suppose they'll soon be back as Mr. and Mrs. Jack Sharp. [Laughs, aside.) ^k-^. (suppressing scream). Oh! Wait— wait ! {Aside.) I don't know, though it's an awful thing to do. But suppose I consent; it would settle the whole difficulty at once, and the money would be mine beyond the shadow of a doubt. {To Percy.) What would you think of me if I entered into this — ah — this joke you propose ? Percy {whistling; aside). Think of you? I'd think you were a trump. Fan. Very well, then, I agree. It's perfectly absurd, I know, but it will be such a good joke on Clara that I really can't resist. Percy. Why, it will be the richest joke of the season. Here, Mr. Spotts, it's a go. Can you perform the ceremony at once ? JoTH. You're right I can. I Fan. Oil, do hurry, then. JOTH. {going back zvhile talking and coming out with a kg book). Hurry — well, I guess we'll all have to hurry some if we want to git this job done afore the O. M. Y. local pulls in ; she's about due now. Just left the station below. {F/tts book on table.) Now then, you folks stan' right here {placing them R., facing c), hold hands — no, wait a minit {consulting book ; coming back), hold up your right hands— that's it — you do solemnly Percy. Say, is that right ? JOTH. Hold on till I see. {Puts on specs ; cofisults book.) No, that's an affidavit. Take 'em down agin. {Turns page.) Here she is — hold hands agin. Now, do you Oh, I forgot to ask how many times you folks had been married afore ? 24 AT THE JUNCTION Fan. {indignantly). Sir? Percy {amused). This is the first time, Mr. Spotts. JOTH. How many ? P^"*:^- I Never ! Fan. ) JOTH. All right — all right; no offense. Then it'll be a dollar apiece, in advance. (Percy pays.) Don't you go to gittin* nervous, young woman ; it'll all be over in two minutes an' a half. Enter Jack and Clara, l. IkCYi {aside). Hullo ! what's this ? What's up here? {They look at group ; then at one another ^ suspicious.) Percy ) (^^^^i^^^. ^eeifig them). Oh, do go on, Mr. Spotts! Jack. Hey? No, you don't, not if I know it. What does this mean, eh? Looks like a wedding. {Angry.) Percy {also angry). It is a wedding; go on, Mr. Spotts. Jack. And 1 say — come off, Mr. Spotts. What kind of fool play is this anyway ? What authority have you to marry people ? JoTH. {wrathy). Authority? I'd have ye know I have authority from the governor of this here commonwealth. {Shakes paper in Jack's face.) An' there's my commission as justice o' th' peace an' notaray-ry public. (Jack examines docu?nent.) Jack {reluctajitly). Um-m — yes, that looks O. K. JOTH. Oh, it does, does it ? Well then, you an' th' little gal run away an' play now. I'm busy. (Percy and Fan. laugh. Jack whispers to Clara who nods assent.) Jack {to Percy). Well, this is a game that two can play at, you'll find. {To Joth.) I demand that you marry this lady and myself. Joth. {scratching his head). Well, I guess that's all right. A dollar apiece, in advance, please. (Jack/«^j.) AT THE JUNCTION 25 Percy. But you can't do this ; you have JOTH. Oh, yes, I can, after I've tended to your case; first come, first served, ye know. (^Consults book.') Percy. Aha — good ; we are ready ; go ahead. Jack (^puzzled; takes Clara aside). By Gad ! Miss Cute, what can we do now ? Clara. Do you really mean this, Mr. Sharp ? Jack. Do I ? Didn't I tell you all about the Clara. Then listen. ( Whispers.) JoTH. (returning). Now for the next chapter. Jack. Just the thing — come on. Percy ^ Fan. Jack Clara {They range up before Joth. also.) ( Oh, I say (a/l very J What does this mean ? ^ much excited), j Go on, Mr. Spotts, go on. [^Yes, go on; we are ready. Joth. {scratching head again). Oh, all right ; all aboard — one dollar apiece — no, I mean do you take this woman t' be Percy } ^^-^^^)- ^ ^^ ' ']QTn. {bewildered). Oh, ye do — do ye? {Consults book.) An' do you take this man t' be Clara | i^^^^^^^^^S)- I do ! Joth. {aside). Whew ! These are th' most willin* people I ever see. {To the group.) Well, then, all hands appearin* t' be satisfied, I pronounce ye to be married as tite as a fiddle ; an* it will cost ye a dollar all round t' have it recorded. {Collects the money ; telephone rings.) Jack. Yes, but who was married first? {Glances at Percy.) Percy {glancing at Jack). Yes, who was married first ? (Fan. and Clara look daggers at each other.) 26 AT THE JUNCTION JOTH. {confused^. Fust? Why — er — looks t' me as if there wasn't any fust about it; ye didn't never hear o' there bein' any fust at a double weddin', did ye ? {Telephofie rings loud?) * v Double wedding ? Percy. Fan. JOTH. Sure. (^Goes to ^ phone.') If that wasn't a double weddin', I never see one, Percy {angrily to Jack). I suppose you call yourself Sharp ? Jack {laughing). And you no doubt consider yourself Keen ? Percy. Bah ! Jack. Bah ! ! Fan. Some folks think they're Cute, don't they? Clara [laughifig). Yes, they do; and some other folks call themselves Quick, but they are not always as quick as they think they are. Fan. Pooh ! Clara. Pooh yourself. JOTH. {at 'phone). Somebody here wants Mr. Jack Sharp, right away quick. Jack {takifig 'phone). Well, what is it? Yes, Sharp Ha, ha! you bet Sharp as tacks. {Looks at Percy.) What ?...... No Another? You don't mean it Huh — two Is that so? {Da?ices.) Hurray!! {He grabs Joth., dances him around stage, the rest lookifig on in ajnaze?ne?it. Whistle heard. Joth. breaks away and hurries off L.) Percy. What is it ? Clara. Oh, what have you heard ? Fan. Is he crazy ? Jack. Hurray ! It was young Sam Perkins, old Brief's partner. He says a new will has been found in which, the property is divided equally between my Cousin Fannie Quick and myself, and they also find that the old gentleman left two millions instead of one. Percy. Hurray ! Glorious ! (Jack and Percy shake hands.) AT THE JUNCTION 27 Fan. ) How perfectly lovely ! {They embrace.') Jack. Whoop ! {Seizes Fan. a^id dances around stage. Percy and Clara the same. Whistle and bell heard, very loud.) Enter Joth, l. JOTH. {bawling). All aboard for the O. M. Y. local, track number one. All aboard. {Dances too.) {The others seize their luggage and rush off l. Music. Joth. dances toward ticket office.) CURTAIN New Plays OUR WIVES A Farce in Three Acts By Anthofiy E. Wills Seven males, four females. Costumes, modem ; scenery, two interiors. Plays two hours and a lialf. A bustling, up-to-date farce that deserves the rather worn description of " side-splitting," Full of movement and action ; all the parts good and effective ; easy to produce ; just the thing for an ex- perienced amateur club and hard to spoil, even in the hands of less prac- tical players. Free for amateur performance. Price, 2^ cents CHARACTERS RoswELL Chandler, a retired mere hajit. (Old Man.) Walter Blair, his son-in-laiv. (Comedy Lead.) Oscar Siebel, a composer. (German.) Lloyd Deveaux, a chronic ijivalid. (Character Old Man.) John Stanton, a detective. (Comedy.) Mallory, a reporter. (Comedy.) Ford, ati expressman. (Utility.) GiLDA Deveaux, wife of Deveaux. (Lead.) Mrs. Chandler, wife of Rosivell. (Old Lady.) Beattie Blair, wife of Walter. (Straight.) Julia, a French maid. (French.) THE PACKING OF THE HOME MIS- SIONARY BARREL An Entertainment in One Scene By Mrs. Henry A. Hallock Ten females. Costumes, modern ; scenery unimportant. Plays thirty minutes. One of those little satires of feminine ways that are so popular even with the ladies ; very shrewd and effective, but perfectly good-na- tured. An assured success and very easy to get up. Strongly recom- mended. Price, i^ cents THE BARGAIN COUNTER A Farce in Three Scenes ^y Grace Moody Five females. Costumes, modern ; scene, an interior. Plays thirty minutes. A bright little piece satirizing that institution so dear to the fem- inine heart — "the bargain counter." Full of good-natured fun; can be recommended. Price, I J cents New Plays PLAIN PEOPLE A Comedy Drama in Four Acts By Dana J. Stevens Five males, five females. Costumes, modern ; scenery, two interiors. Plays a full evening. A strong and human piece full of humorous char- acter drawing and sympathetic interest. The cast is very even in oppor- tunity, and all the parts are good. A great play for a good club, and a sure winner. Strongly recommended. Free for amateur .performance. Price, 25 ce?its CHARACTERS Ezra Bromley, storekeeper. Almira Bromley, housewife. Martin Jasper Bromley, college man. Liza Liz Hankins, by-at. Judge Jotham Marley, Christian. Melissy Watkins, elderly maiden. Jonas jARROCK,/rtr;/z^?'. Belindy Jarrock, seamstress. Hiram Curtis Peck, seller. April Blossom, help. SYNOPSIS Act L — Sitting-room behind Ezra Bromley's store. Morning. Act IL — The same. Some days later. Act in. — At the Jarrocks'. Some weeks later. Act IV. — At the Bromley s'. Later in the evening. FOOLING FATHER A Comedy in One Act By R. M. Robinson Three males. Costumes, modern ; scene, an interior. Plays thirty minutes. A clever little play easily done and very effective. The boys arrange a little burglary just to show the old gentleman what heroes they are, but somehow things do not turn out right for the hero part. Can be recommended. Price, 75 cents AT THE JUNCTION A Farce in One Act By Charles S. Bird. Three males, two females. Costumes, modern ; scene, an easy interior. Plays thirty minutes. A bright and vivacious little farce for two young couples and a comic station agent, very easy and effective. All the parts are first rate, and that of the station agent is a corker. Can be strongly recommended. Price, ij cents New Plays THE TIME OF HIS LIFE A Comedy in Three Acts By C Leon a Dalrymple Six males, three females. Costumes modern ; scenery, two interiors, or can be played in one. Plays two hours and a half. A side-splitting piece, full of action and a sure success if competently acted. Tom Car- ter's little joke of impersonating the colored butler has unexpected, con- sequences that give him " the time of his life." Very highly recom- mended for High School performance. Price, 2^ cents CHARACTERS Mr. Bob Grey. Mrs, Bob Grey. Tom Carter, Mrs. Grefs brother. Mrs. Peter Wycombe, a *' personage,^'' Mr. Peter Wycombe, a " pessimist " with a digestion, Dorothy Landon, secretly e?igaged to Tom Carter. Mr. James Landon, Sr., Dorothfs father ; of a peppery disposition. Uncle Tom, an old colored butler from the South. Officer Hogan, of the Twenty- Second Street Police Station. EETHER OR EYTHER A Farce in One Act By Robert C. F. Meyers Four males, four females. Costumes modern; scene, an interior. Plays thirty minutes. A clever parlor play, similar in idea to the popular " Ob- stinate Family." Sure to please. Price^ 75 cents THE MORNING AFTER THE PLAY A Comedy in One Act By Willis Steell Two males, three females. Costumes modern; scene, an interior. Plays twenty minutes. An easy piece of strong dramatic interest, ong inally produced in Vaudeville by Christy Clifford. Free to amateurs royalty required for professional performance. Frice^ J$ cents New Plays COUSIN KATE A Comedy in Three Acts By Hubert Henry Davies Three males, foui' females. Costumes modern ; scenery, two easy in- teriors. Plays two hours and a half. One of the most delightful comedies of recent years, made widely and favorably knovA'n through the admirable performance of the leading role by Miss Ethel Barrymore. The inimitable spirit with which the scenes between Miss Barrymore and Mr. Bruce Mc Crae were played returns inevitably to haunt the imaginative reader of the lines of this play. Sold for reading only ; acting rights strictly re- served. Price y 50 cents CHARACTERS Heath Desmond, an artist. Mrs. Spencer, a widow. Rev. James Bartlett, a Amy Spencer, her daughter. clergyman. Jane, a servant. Bobby SyKi^c^^K, a schoolboy. Cousin Kate Curtis, THF IWAfilSTRATT ^*'^*'® ^° Three Acts. Twelve males, four females. Costumes, modern ; scenery, all interior. Plays two hours and a half. THE NOTORIODS MRS. EBBSMITF ^in;;,'vrfLl;t. Costumes, modern ; scenery, all interiors PI; ys a lull evening. Tff F PROFI Ifi ATF ^^^y ^ Four Acts deven males, five females. Scenery, three interiors, rather elaborate ; costumes, modern. Plays a full evening. THF SCH OOT MISTRFSS ^^^^® "^ Three Acts, Nine males, seven females. Costumes, modern ; scenery, three interiors. Plays a full evening. • THE SECOND MRS. TANQUERAY ^^^J^lZ^^L T«' tumes, modern ; scenery, three interiors. Plays a full evening. SWFFT [ A VFNDFR comedy in Three Acts. Seven males, four females. Scene, a single interior ; costumes, modern. Plays a full evening. THF TIIWFS Comedy in Four Acts. Six males, seven females. Scene, a single interior ; costumes, modern. Plays a full evening. THF WFAKFR SFX comedy in Three Acts. Eight males, eight females. Costumes, modern ; scenery, two interiors. Plays a full evening. A WIFE WITHOUT A SMILE ^'T* '",'*T T, ^"' males, four females. Costumes, modern ; scene, a single interior. Plays a full evening. Sent prepaid on receipt of price by Salter 1$. 'Bafiet & Company No. 5 Hamilton Place, Boston, Massachusetts NOV " LIBRARY OF CONGRESS Cije 3l^illtam Wmuv ^l^iMS^ir ' of ^laps f^tite, 15 €cnt3S