When Women Rule ONE ACT FARCE «a$ DICK & HTZGERALD, Publishers, NEW YORK. PLAYS FOR FEMALE CHARACTERS ONLY 15 CENTS EACH F CRANTORD DAMES. 2 Scenes; IJ^ hours 8 GERTRUDE MASON, M.D. 1 Act; 30 minutes 7 CHEERFUL. COMPANION. 1 Act; 25 minutes 2 LESSON IN ELEGANCE. 1 Act; SO minutes 4 MAIDENS ALL FORLORN. 3 Acts; 1^ hours 6 MURDER WILL OUT. 1 Act; 30 minutes 6 ROMANCE OF PHYLLIS. 3 Acts; 1^ hours 4 SOCIAL ASPIRATIONS. 1 Act; 45 minutes 5 OUTWITTED. 1 Act; 20 minutes 3 W^HITE DOVE OF ONEIDA. 2 Acts; 45 minutes 4 SWEET FAMILY. 1 Act; 1 hour 8 BELLES OF BLACKVILLE. 1 Act; 2 hours 30 PRINCESS KIKU. (35 cents) 13 RAINBOW KIMONA. (S5 cents.) 8 Acts; IJ^ hours 9 MERRY OLD MAIDS. (25 cents.) Motion Song 11 PLAYS FOR MALE CHARACTERS ONLY 15 CENTS EACH M APRILi FOOLS. : Act; 30 minutes 3 BYRD AND HURD. 1 Act; 40 minutes 6 DARKEY WOOD DEALER. 1 Act; 20 minutes 3 WANTED, A MAHATM A. 1 Act; 30 minutes 4 HOLY TERROR. 1 Act; 30 minutes 4 MANAGER'S TRIALS. 1 Act; 1 hour ,. 9 MEDICA. 1 Act; 35 minutes 7 NIGGER NIGHT SCHOOL. 1 Act; 30 minutes 6 SLIM JIM AND THE HOODOO. 1 Act; 30 minutes 5 WANTED. A CONFIDENTIAL CLERK. 1 Act; 30 minutes 6 SNOBSON'S STAG PARTY. 1 Act; 1 hour 12 PICKLES AND TICKLES. 1 Act; 20 minutes 6 HARVEST STORM. 1 Act; 40 minutes 10 CASE OF HERR BAR ROOMSKI. Mocli Trial; 2 hours.... 28 DARKEY BREACH OF PROMISE CASE. Mock Trial. 22 GREAT LIBEL CASE. Mock Trial; 1 Scene; 2 hours 21 RIDING THE GOAT. Burlesque Initiation; 1 Scene; IJ^ hours 24 DICK & FITZGERALD, Publishers, 18 Ann Street, N. Y. WHEN WOMEN RULE A Farce in One Act By AGNES ELECTRA PLATT Copyright, 1913, by Dick & Fitzgerald NEW YORK DICK & FITZGERALD 18 ANN STREET ^\^n^ ^V % WHEN WOMEN RULE CHARACTERS Mary Madison. .Private secretary to female Pres. of U. S. Kit Conley Late of "Road to Ruin CoJ^ Annie Murphy Policeman Marie Mario P(^9^ Willie Walters An Office Seeker Wick Lee Sling A Celestial Time. — Ten years hence. Locality. — The capitol. Time of Representation. — About fifteen minutes. INCIDENTAL PROPERTIES. Cigarette and newspaper for Mary Madison. Letters for Marie Mario. Satchel and stage money for Kit Conley. Handcuffs for Annie. Toy pistol for Willie Walters. Papers and paper bag for Wick Lee Sling. STAGE DIRECTIONS As seen by a performer on the stage facing the audience, E. means right hand; l., left hand; c, center of stage; D. R., door at right; d. l., door at left; d. c, door in center. XJP means toward back of stage; down. +ottto^(J footlights. TMP96-00692I ©CID 3220S ^1 WHEN WOMEN RULE SCENE. — Private office in the nation^s capital ten years hence. Doors c. of rear flat, also r. and l. Desk up r. with chair. Sofa down l. Arm chair down r. Other chairs and office furniture as may he desired. DIS- COVERED Secretary Mary Madison seated at desk, smoking a cigarette, reading newspaper, Mary {y axons). Can't get my mind on business this morning, even if the country does go to ruin. This being secretary to a female president is no cinch. She's off spending her seventy-five thousand a year, on royal bridge and bargain sales, and here am I, at eighteen per, running the whole United States. ENTER c. d., Marie Mario with letters. Marie. Morning mail Madam. [EXIT c. d. Mary {disgustedly throwing down paper). Now I have to go through a lot of dry, old letters. {Tears one open fiercely, reads) " President of United States. Dear Madam. We would deem it an honor, if you could be present, at the laying of the corner stone of our new Carnegie Li- brary," — {Throws down letter) I should think that man Carnegie, would get tired of building libraries, and build a garage or something, for a change. The President has an appointment with her dressmaker and of course won't go. {Confusion off stage, r. Kit Conley appears in door, speaking over her shoulder) Kit. Well, may be you are the doorkeeper, but you don't own the whole District of Columbia, do you? (ENTER D. R. Kit Conley, carrying satchel, which she places on 4 When Women Rule desk) Hello, Molly, What do you think, that tljousand year old mummy out there, tried to tell me I couldn't come in. Mary. Well, Kit Conley, where did you come from? Don't tell me that show of yours has stranded already? Kit. Busted last night in Baltimore. Say, I'm gettin' disgusted with the show business. Mary. Why don't you get a partner and go into vaudeville? Kit. I did. But — well — the act didn't go. Mary. The agents couldn't see it? Kit. Nope. They said The thing was slow, there were too many waits. They said, we couldn't dance, that our feet weren't mates. We couldn't sing a little, and both were off the key. The comedy was fierce, and the costumes were N. G. The act was simply punk, and when we started stewin' They pointed to the door, and said, " There's nothin' doin.'^ Mary. Hard luck Kit, but I hope you haven't come round here looking for a government job. Kit (sarcastically). No, I haven't given up earning an honest living yet. ^ Mary. Well, you know, Kit, we can't have a "Flora- dora Sextette" for a Cabinet. ENTER Marie, d. c Marie. A gentlemen to see you Madam. [EXIT d. c. Mary. Show him in. Kit. I thought men weren't allowed in the White House. Mary. That's why I'm sending for him, to inform him, he's broken one of our strictest rules. Men are not allowed in the White House. (Both turn as a very effemi- nate looking dude appears) ENTER D. c, Willie Walters Kit. Oh, let him come in, he won't break your rule. Mary (aside to Kit). What is it? When Women Rule 6 Kit (laughing heartily). It looks to me, like a cure for the blues. Mary. Sh, — It might be King Alphonso. Kit. Well, it isn't Abraham Lincoln. Mary {turning to Walters). What can I do for you? Walters {stamjiiering) . I'm heah, — I'm heah, — Well, weally, don't awsk me to be so abrupt. By Jove, you've got me so jolly well confused I can't think why I am heah. Mary {sarcastically). Perhaps the elevator man put you ojff at the wrong floor? Walters. Elevator? There was no elevator. I got in here by climbing some beastly, long steps out front there. My Word, I would nevah have reached the top if I hadn't had my smelling salts. Kit. Smelling salts. Help! [EXIT d. r. Mary. Well, now that you are here what do you want? Walters. Mother sent me down to awsk you to give me an office, — a government job don't you know. Mary. You bet I will. The country needs folks Uke you. I'll put you in the army to be shot in place of a real man. Walters. Oh, no, no, no, no. You don't understand at all, Mother doesn't want me to be shot. She wouldn't like it a bit. Mary. Then she doesn't know what's best for you. I have it — I'll put you in charge of the weather bureau. There's a vacancy and you don't need to know anything. Walters {puzzled). Weather bureau — bureau? Will that mean — ^lifting heavy furniture? Mary. No. It simply means, telling lies about the weather. Had any experience with weather? Walters. I should say so. I've been struck by thunder, and blown over by a cyclone. Mary {looking him over afnusedly). A cyclone! Are you sure it wasn't an electric fan? Walters. Oh, deah, no. Mary. Well, now, if you hadn't any idea what the weather was going to be to-morrow, what would you predict? 6 When Women Rule Walters. Why, I should simply say, From fair to beastly weather will prevail. Then I couldnH h€ wrong you see. Mary {clasping hands to head). Oh, let me out. [EXIT D. c. Walters {looking after her). What an extraordinary person. {Recites, or if possible the words should he sung to the tune of some popular air) Now, I've found if you wish to succeed these days, You must grasp on a new ideah. And nevah follow the crowd, you know, Tho' people may think you are que'ah. Decrees of Dame Fashion I simply ignoah, And though she is quite a tormentor. When, she says, part your hair in the middle, Why, I part mine, in the centah. I'm full of brilliant ideahs you know, There's no problem too deep for my brain, My friends think I'm awfully clevah. But I nevah let that make me vain. Now some folks cawn't see the point to a joke, And to tell them a gag nevah pays. Tell me sl good joke, and I see the point, Sometimes, — in a very few days. A friend of mine lost a valuable dog, A sort of a four legged cweture. And she did a number of cute, little tricks, That he had been able to teach her. He said, I have it, I'll advertise, In each paper an AD. shall appear, I said, '^Why you fool, your dog cawnH read'* You see, that was a new ideah. [EXIT D. L. ENTER Mary d. c. Mary. I wonder if he's gone. When Women Rule 7 ENTER Kit d. r. Kit. Has Mother's Sunshine went? Mary. I guess so, but violet perfume still lingers in the air. Kit. Say, do things like that happen often, around here? Mary. We get a new sensation evfery hour. Kit. Well, I hope the next one will be a cowboy that'll shoot up the place. Mary. I hope it will be a cup of coffee. Say, Kit would you mind taking charge here, while I get a bite to eat? Kit. I should be "dee-lighted." Run right along. (EXIT Mary d. c. Powders her nose and settles herself with very judicial air at desk) I suppose I ought to sit here, and look dignified in case someone should drop in, but I'm not going to. I feel a horrible desire to sing. {Song or musical specialty may he introduced here) ENTER D. R., Wick Lee Sling, stands grinning. Kit. Hello, whats this? An ambassador from China? {Sits down at desk takes up pen) Your name, please. Wick Lee. Me Wick Lee SHng. Kit. I beg your pardon? Wick Lee. Me Wick Lee Sling. Kit. Oh, yes, to be sure — Do you spell it with a hyphen, or a syphon? Wick Lee {confusedly). Me no speakee good English. Kit. Neither do I, so don't let that embarrass you. Wick Lee (looking around). Where's the Missy? Kit. The Missy is out Mr. Wick Lee Sling, but I am acting in her place. What can I do for you? {Aside) Now isn't this a pretty fix. I presume he is some Chinese Minister here on some important government business. I wish Molly would come back. (Wick Lee has been unfolding long narrow strip of paper on which are Chinese characters. He hands it to Kit) Wick Lee. Missy better read. 8 "Wlien Women Rule Kit {takes paper with some alarm. Aside). What in the world is this — I'm getting scared — Heavens I'JJ bet its a declaration of war against the United States. Wick Lee. Missy readee paper? Kit {studying paper). Yes, — Oh, yes — I'm reading it, {Aside, reading it) — I don't know a word that's here, but of course its a declaration of war, it has a threatening look. Wick Lee. What Missy going to do? Kit {aside). That's what Fd like to know, I wonder if I'd better throw him out, or kid him along and get him to call it off. {Turns to Wick Lee) Look here Mr. Meekly Wing, you'd better go back and tell the Emperor to think again, before he starts anything with the United States. Wick Lee. Me mus' have monies — Kit. Monies — {Aside) Oh, the miserable grafter. He wants money for squaring the thing, — I have it, I've a roll of stage money in my knapsack. {Gets money from satchel) Wick Lee {seeing money). Yes, now lady understandee me. Kit. Oh, this material is always ''oil on the troubled waters." Here, {Hands roll of money) take this to the Emperor and tell him to "forget it.'^ Wick Lee {taking money) . Laydee velly good. Thankee muchee — Kit. That's all right— Keep the change. (EXIT Wick Lee d. r. bowing. Kit laughs heartily) Stage money — Well it's the same color as what they make in the treasury, anyway, and for folks that worship crockery BilUkens it ought to do. ENTER Mary d. c. Mary. Hello, how's everything? Kit. Great, I've just called off a war — I'm quite get- ting the run of the job — Mary. Called off a TFto? Kit {holding up paper). Here's a merry httle declara- tion of war a Chinese ambassador waltzed in with. I When Women Rule 9 squared it (Winks at audience) but it's about all the ready cash I had. Mary. What! Are you crazy? Kit. Nope, {Holds up paper) Here's the program of the fight. I haven't read it, but it looks as if it's all here. Mary (looking at paper). This isn't a declaration of war. Kit. It isn't? Don't it say anything about war? Mary. No, It says one pair of pink pajamas twenty cents — etc. This is a three week's laundry hill. Kit {collapsing in chair). Well, it's paid. {Bursting into a laugh as thought strikes her) With stage money! {Noise off stage) ENTER Marie d. c. Marie. Madam there's a policeman out here with an excited Chinaman. Mary {looks knowingly at Kit). I thought so. Bring them in. ENTER D. c, Annie Murphy holding Wick Lee hy.the collar. Annie. This man was trying to pass counterfeit money, which he says he got here. Kit. Yes, he did. I thought he was after graft, so I gave him fake money. Annie {releasing Wick Lee). Well all I've got to say is, if there's any graft floating around, just slip some my way. {Taps herself on chesi) Why, I'm the lady that invented graft. Walters {Off stage). But I tell you I will come in. I must see her. {Rushes to center of stage, flourishing toy pistol, Marie hanging to his coat-tails) Where is she, where is she? Tell me. — I must kill her. Annie. Hello, who's this? {Grabbing Walters) Here my son, you are disturbing the peace. Walters. Don't touch me you horrid woman. I'm a 10 When Women Rule ^.. - disappointed office seeker, — a bloody anarchist. Do you heah? An Anarchist. {Fires toy pistol in the air. • All strike mock attitudes of terror, except Wick Lee who steps to Walter's side, with inflated paper bag) Wick Lee (looking at Walters inquiringly). Annie kiss? Annie kiss? {Explodes paper hag runs up to Annie whom he tries to embrace) Me kiss, Annie too. {All form laughing group, with the exception of Walters who looks crestfallen as Annie puts on handcuffs. CURTAIN. Plays for Female Qiaracters CHEERFUL COMPANION, A is cents, a duologue for two female characters, adapted from a Character Sketch by Ina Leon Cassilis. Parlor scene. Time, 25 minutes. A lady o£ refinement advertised for a cheerful, musical companion, a good reader. She has one applicant, who proves to be tearfully doleful, garrulous over disappointed love failures, and an unmitigated bore. A fine scope for character delineation. CRANFORD DAMES* l S cents, a play for 8 or 14 female charac- ters, by Alice Bvington. 2 interior scenes. Costumes of sixty years ago. Time of playing, i}4 hours. A clever adaptation of Mrs. Gaskell's "Cranford," which is perhaps one of the finest pieces of humoristic writing within the entire range of English fiction. The delicate pathos, the subtle humor, the quaint atmosphere of the book have been well preserved in the play, and the result is a series of episodes almost wholly devoid of that element called plot, but possessed, none the less, of a charm that cannot fail to please the audience. The piece is easily managed, and will prove a strong attraction for young ladies' representations. GERTRUDE MASON, M»D. j or, The Lady Doctor, is cents. A farce in i act for 7 female characters, by L. M. C. Armstrong. Plain room scerfe or no scene at all. Runs 30 minutes. An exceedingly bright piece for young ladies, in which young Dr. Gertrude^ already a victim of circumstances, is made the victim of a practical joke. The scenes with Mrs. Van Style, who mistakes the doctor for a pawnbroker, and Miss fane Simpkins, who brings a sick dog to be cured, are hilari- ous, while Nora^ an Irish cook, is deliciously droll. The cook is the star of the piece, but all the personages are vivacious and every situation bristles with fun. LOVE AND A WAY« is cents, a comedy in 3 acts and i scene, by Evelyn Simms. 4 female characters. Scene, a sitting-room. Time, ij^ hours. Phyllis^ a young girl, loving and beloved by Jack PembertoHy a rich young man, refuses to marry him because her maiden aunts consent and every one wishes it. Jack is reported to have lost his fortune, and now she wants to m.2ixryjack, with whom her aunts forbid any communication. By the_ aid of her friend Beatrice an elopement is planned and carried out, and a most surprising climax is sprung upon the audience. MAIDENS ALL FORLORN. I5 cents, a comedy in 3 acts and I scene, by Evelyn Simms. 6 female characters. Scene, a parlor in a seaside cottage. Time, ij^^ hours. Three young girh chafing under the monotony of a man-forsaken resort, write Teddy to come and visit them. Teddy cannot come, but answers that his friend Dr. Jocelyn Denby will coine and help while away the time. Great preparations are made for his reception, including much interest by a Maiden Aunt. Each prepares a present to bestow on the Doctor, and feigns an ailment to interest him. The Doctor arrives — a woman. The climax, deftly worked out, is sprung on the audience at the last moment, and insures the play a complete success. The char- acters are all good, the Maiden A unt and Mrs. Maloney are great character parts. MURDER WILL OUT. is, cents, a farce in i act, for 6 female characters, by L. M. Elwyn. Time, 30 minutes. A breezy and effective farce, in which half a dozen bright girls can delight an audience with half an hour of innocent fun. Grandmother Stiles and her demure but frolicsome granddaughter are excellent charac- ters ; Dinah, the colored cook, is amusing, and Bridget O" Flaherty \% a, funny Irish girl — her quarrel with, Z>/«a^ being exceedingly laughable. The attempts oi Lena and her merry friends. May zxiA Minnie, to hoodwink the old lady, and their final exposure, will keep the audience in a ripple of laughter. No scenery required. SOCIAL ASPIRATIONS, l S cents: a comedy in I act and 2 scenes, by Helen Sherman Griffith. 5 female characters. Bedroom scene afterwards transformed into a parlor. Plaj's about 45 minutes. A highly entertaining comedy in which Mrs. Chick and her two daughters from the United States are in Paris, bent on an extended tour, but meet with a Countess, who proposes to introduce them into fashionable society. They feel flattered and make a great fuss over, the Countess^ who turns out to be a lady s maid dressed in her mistress' finery, and is betrayed by the housemaid of the pension. Disillusionment and exciting climax. MY AUNT'S HEIRESS, is cents, a comedy in I act. , 11 female characters. Parlor scene. Modern costumes. Time, i hour. Has a "Cinderella" sort of plot in which a rich widow adopts a ruse to decide which of her seven nieces shall inherit her fortune. It shows that envy and jealousy don't pay, and that striv- ' ing to make others happy is the best way to gain happiness for ourselves. Two of the characters can l)e played by one jgirl. No scenery required. A WIDOW'S WILES A Comedy in Three Acts, by . EMILIE H. CALLAWAY Price, 25 Cents Seven male, eight female characters. Three interior scenes. Time of playing, two hours. A scheming widow involves Ted, who is engaged to Doris, in her toils and plays her cards with such success that she eventually forces Ted to marry her. Her sudden death releases Ted, and upon full explanation being made, he and Doris become reconciled. CHARACTERS Mr. Raymond A wealthy Virginian Tom Raymond Mr. Raymond's son ferrCsK } Tom's friends Ted Prescott Tom's intimate chum Percy Huston A dude, given to "butting in" Sambo Mr. Raymond's colored servant Mrs. Raymond Mr. Raymond's wife Doris Raymond Her daughter Mrs. Bronson A scheming widow Grace Huston Percy Huston's sister Mrs. Pueblo A society lady Louisiana Francis A young colored girl Aunt Dinah Mr. Raym.ond's colored old house-servant THE DELEGATES FROM DENVER A Farcical Comedy in Two Acts, by SAMUEL N. CLARK PRICE, 25 CENTS CHARACTERS Mr. John Randolph An elderly gentleman Mrs. John Randolph His wife John Randolph, Jr Their son, usually called "John" Edward Steele A friend of the family Louise Randolph John's sister Margaret Burley Louise's friend A Maid Servant Rose Wilbur ) ( ,, Gertrude V Members of the Eta Pi Sorority •{ ^.t^^n^r.^^ r^^r «, Janet Van Holt ) ^ 1 Two Other Girls Two Interior Scenes. Time of Playing — 45 Minutes. SYNOPSIS OF INCIDENTS Act I. — John has proposed to Margaret, but she delays giving him any- final answer. He overhears a conversation between her and Louise in which Margaret, who is a candidate for President of the Eta Pi Sorority, which is to meet in Boston, confides to Louise that if she is elected she will not marry, in order to devote her time to the Sorority. Two of the members of Denver write to say they cannot attend. John and Edward determine to disguise themselves as the Denver Delegates and vote against Margaret's election and plan to keep Margaret and Louise from reaching the Convention. Act II. — The Sorority convention in Boston. John and Edward arrive, but in spite of their ruse, Margaret and Louise also arrive. Edna (Edward) hands Margaret a bogus telegram calling her back instantly to New York. An accident has delayed the starting of the train; she telegraphs home to account for the delay, and the Randolphs in alarm hasten to Boston. The whole scheme is unravelled and plans are laid for a double wedding. ^s^ss$sssss$$ss$s$$sssssssss$s$s^ MILITARY PLAYS 25 CENTS EACH BY THE E]S"EMY'S HAND. 4 Acts; 2 hours lo' 4 EDWARDS, THE SPY. 5 Acts; 2}4 hours .10 4 PRISONER OF ANDERSONVILLE. 4 Acts; 2^ hours.. 10 4 CAPTAIN DICK. 3 Acts; 1^ hours 9 6 ISABEL, THE PEARL OF CUBA. 4 Acts; 2 hours 9 .3 LITTLE SAVAGE. 3 Acts; 2 hours; 1 Stage Setting 4 4 BY FORCE OF IMPULSE. (15 cents.) 5 Acts; 2}4 hours 9 3 BETWEEN TWO FIRES. (15 cents.) 3 Acts; 2 hours 8 3 RURAL PLAYS 25 CENTS EACH MAN FROM MAINE. 5 Acts; 214 hours 9 AMONG THE BERKSHIRES. 3 Acts; 2J4 hours 8 OAK FARM . 3 Acts ; 2}4 hours ; 1 Stage Setting 7 GREAT ^VINTERSON MINE. 3 Acts; 2 hours 6 SQUIRE THOMPKINS' DAUGHTER. 5 Acts; 2}4 hmirs 5 WHEN A MAN'S SINGLE. 3 Acts; 2 hours 4 FROM PUNKIN RIDGE. (15 cents.) 1 Act; Ihour... 6 LETTER FROM HOME. (15 cents.) 1 Act; 25 miuutes 1 ENTERTAINMENTS 25 CENTS EACH AUNT DINAH'S QUILTING PARTY. 1 Scene 5 11 BACHELOR MAIDS' REUNION. 1 Scene 2 30 IN THE FERRY HOUSE. 1 Scene; li^ hours 19 15 JAPANESE WEDDING. 1 Scene; 1 hour 3 10 MATRIMONIAL EXCHANGE. 2 Acts; 2 hours 6 9 OLD PLANTATION NIGHT. 1 Scene; I14 hours 4 4 YE VILLAGE SKEAVL OF LONG AGO. 1 Scene. 13 12 FAMILIAR FACES OF A FUNNY FAMILY 8 11 JOLLY BACHELORS. Motion Song or Recitation 11 CHRIST3IAS MEDLEY. 30 minutes , 15 14 EASTER TIDINGS. 20 minutes 8 BUNCH OF ROSES. (15 cents.) 1 Act; li^ hours 1 13 OVER THE GARDEN AVALL. (15 cents) 11" I DICK & FITZGERALD, Publishers, 18 Ann Street, N jt^i'i 6\ iyii5 COMEDIES AND 25 CENTS EAC LIBRARY OF CONGRESS I 015 910 084 4 BREAKING HIS BONDS. 4 Acts; 2 hours 6 3 BUTTERNUT'S BRIDE. 3 Acts; 2}^ hours 11 6 COLLEGE CHUMS. 3 Acts; 2 hours; 1 Stage Setting 9 3 COUNT OF NO ACCOUNT. 3 Acts; 2J^ hours 9 4 DEACON. 5 Acts; 2J^ hours 8 6 DELEGATES FROM DEIs^ER. 2 Acts; 45 minutes 3 10 DOCTOR BY COURTESY. 3 Acts; 2 hours 6 5 EASTSIDERS, The. 3 Acts; 2 hours; 1 Stage Setting 8 4 ESCAPED FROM THE LA"NV. 5 Acts; 2 hours 7 4 GIRL FROM PORTO RICO. 3 Acts; 2i^ hours 5 3 GYPSY QUEEN. 4 Acts; 2i^ hours 5 3 IN THE ABSENCE OF SUSAN. 3 Acts; IJ^ hours 4 6 JAILBIRD. 5 Acts; 21^ hours 6 3 .lOSIAH'S COURTSHIP. 4Acts;2hours 7 4 MY LADY DARRELL. 4 Acts; 2)^ hours 9 6 MY UNCLE FROM INDIA. 4 Acts; 2i^ hours 13 4 NEXT DOOR. 3Act8;2hours 6 4 PHYLLIS' S INHERITANCE. 3 Acts; 2 hours 6 9 REGULAR FLIRT. 3 Acts; 2 hours 4 4 ROGUE'S LUCK. 3 Acts; 2hours 5 3 SQUIRE'S STRATAGEM. 5 Acts ; 2^^ hours 6 4 STEEL KING. 4 Acts; 2i^ hours 5 3 WHAT'S NEXT? 3 Acts; 2i^ hours 7 4 WHITE LIE. 4Act8; 2i^hour8 4 3 WESTERN PLAYS 25 CENTS EACH ROCKY FORD. 4 Acts; 2 hours 8 GOLDEN GULCH. 3 Acts; 214 hours 11 RED ROSETTE. 3Acts;2hours 6 MISS MOSHER OF COLORADO. 4 Acts; 2^4 hours ... 5 STUBBORN MOTOR CAR. 3 Acts; 2 hours; 1 Stage Setting 7 CRAWFORD'S CLAIM. (15 cents.) 3 Acts; 2^ hours. 9 DICK & FITZGERALD, Publishers, 18 Ann Street, N. Y