- ^^^ ; Jin ^ op- • )'^ ' l:^' -v •^ LITERARY REMAITfS OF THE LATE WILLIAM Bf O^PEABODY, D.D. EDITED BY EVERETT PEA BODY. BOSTON PUBUSHED BY BENJAMIN H, GREENE, 12-1, WASHINGTON-STKEEX. NEW YORK: CHAS. B. NOETON. C. S. FKAJfCIS AND CO. LONDON : JOHN CHAPMAN. 1850. ^S^' ^ ^ \ Ccl IB Hxclt. "JnTTT. TJh: Entered, according to Act of Congress, in tlie )'ear 1849, by B. H. GREENE, In tlie Clerk's Office of the District Court of the District of Massachusetts BOSTON: PRINTED BY JOHN AV I L S O X, No. 21, School-Street. PREFACE. It was intimated in the volume containing the Memoir and Sermons of Dr. Peabody, that a collection of his Mis- cellaneous Writings would be published. Accordingly, the present selection has been prepared from his numer- ous contributions to the " North American Review." These were written at different periods from 1830 to 1846. They embrace a number of favorite subjects, and illustrate the extensive research, the enthusiastic love of nature, the delicate perception of moral beauty, and the lofty and uncompromising standard of right, which, blended toge- ther by his quiet humor, always characterized him. In selecting the articles for publication, the object has been to give those which have been marked out as best by public opinion, and those which seemed to give the most faithful picture of his mind and heart. Omissions have been made only when dictated by the necessity of reduc- ing the article within proper limits, and then such parts have been omitted as were not necessary to the connec- tion or value of the article. It has been thought by some of Dr. Peabody's friends, that a volume of his Miscellanies would be incomplete without a selection from his Poetical Writings. At their suggestion, those which seemed most worthy to be pre- served have been brought together, and are placed at the end of the volume. C O N T E N T S. REVIEWS. Page Sttidiks IX Por.THY ........ 1 Byrox 30 AjIF.RICAN FoRF.ST-TRr.ES ....... 62 IIarits of Insects ........ 99 Biography of Birds ....... 137 Mex of Lkttehs and Science, Art. I, .... 199 Men of liETTERs AND SoiENCE, Art. II. . . . . 249 Addison .......... 29.5 Margaret . . . . . •. . . . 379 POETRY. To THE Memoky of a Young Lady ..... 413 The Departure 41o I;iNES ON Dying ......... 419 The Land of riiE Bi.est . . . . . . . 423 The Kising Moon . . . . . . - . . 424 Autumn Evening ........ 425 liAMENT of Anastasius ....... 426 To A Young Lady, on receiving a Present of Feowers . 429 monadnock ......... 432 On seeing a Deci:askd Infant ...... 434 " And the Waters wicre abated " . . . . . 436 "Man GivETH UP THE GHOST, and avheke is he ? " . . 438 Pericles . . . . • 440 Lines to ......... 445 R E V I E ¥ S STUDIES IN POETRY. Studies in Poetry ; embracing Notices of the Lives and Writings of the best Poets in the English Language, a copious Selec- tion of Elegant Extracts, a short Analysis of Hebrew Poetry, and Translations from the Sacred Poets ; designed to illustrate the Principles of llhetoric, and teach theii" Application to Poe- try. By George B. Cheever. Boston, 1830. If we may form a judgment of the estimate in which poetry is at this time lield, from the general practice of the professors of the art, we shall certainly be led to believe, that its voice is as little regarded as that of wisdom. All the great living masters of the lyre appear to have laid it by, in order to labor in a lower, though perhaps a more productive field. It is now about fifteen years since Scott, finding his poetical popularity on the wane, and doubtless a little dis- mayed by the portentous brilliancy of another ascending star, gave up all his powers to a different department of literature, with a vigor and success that leave us little reason to murmur at the change. Campbell had forsaken the field much earlier, to employ himself in celebrating the merits of those whom the world had reasonably expected him to rival. The fine genius of Coleridge is bewildered in the dim twilight of his strange metaphysics ; Southey, STUDIES IN POETRY. \vitli untiring diligence, has explored almost every practicable path of prose, as he had previously left scarcely any thing unattempted in rhyme ; and Moore appears to have devoted himself to the task of erect- ing monuments to departed genius. This general abandonment of poetry, on the part of those who have cultivated it with the greatest success, is rather singular ; and seems naturally to imply, that it enjoys less of the public favor now than has been accorded to it in former times. Such, in fact, is the opinion of many, who believe that the world is growing too busy and consequential to attend to such light mat- ters ; that the active spirit of the age demands excite- ment of a different and superior character ; and that men would now hardly stop to listen to the notes of inspiration, even were they uttered by an angel's voice. In part, this opinion is probably well founded ; but it should not be forgotten, that we are very liable to error in forming judgments which result from a comparison of the tastes and dispositions of men a>t this day with those of generations which are past. The present is before us, Avhile the past is at best but very dimly seen ; and a disposition to complain of the prevailing taste is by no means peculiar to our own times. Goldsmith remarked, with ludicrous bitter- ness, that the world made a point of neglecting his productions ; and Akenside declared, that his opinion of the public taste would be regulated by the recep- tion of Dyer's " Fleece ; " but the one was in error as to the fact, while the other may be said to have been mistaken in the law. Even if the justness of these complaints be admitted, they would only prove, STUDIES IN POETRY. O that the most deh'ghtful music is at all limes heard with difficulty amidst the din and crash of the enginery of practical life. The spirit of poetry is still present Avith him who meditates at eventide ; with the wor- shipper of nature in her solitary places ; with the contemplative in their high and lonely tower ; with him who is rapt and inspired by devotion ; a -id, even if it be driven from the haunts of crowded life, it still speaks to the soul in tones as thrilling and divine as ever. While we admit that what is called the spirit of the age, though the phrase is too often used without any very distinct perception of its meaning, is not very favorable to the cultivation of poetry, we must at the same time make due allowance for the opera- tion of another cause, — the influence of perverted taste. What else could induce men to welcome the inferior classes of romances, tales, and novels, which are hourly poured forth from the press in multitudes Avhich no man can number ? To what other cause can we attribute the reception of stories of fashiona- ble life, written by those who are as little conversant with its recesses as with the court of the Celestial Empire; and which, if the representation were per- fect, could present no picture on which the moral eye would delight to dwell ? What but perverted taste could tolerate the audacious depravity of novels which would fain teach us to look for the beatitudes in the person of the assassin and highway-robber, — in which we are taught, that what men, in their strange ignorance, have deemed the road to the gib- bet, is only the sure and beaten pathway to honor 4 STUDIES IN POETRY. and happiness and successful love ? A dark omen it will indeed be, if productions like these, on which the moral sentiment of the community ought to frown with deep, unequivocal, and stern indignation, shall permanently usurp the place of those which minister to the desires of our nobler nature. Upon looking back for a moment at the history of English poetry, w^e do not find many proofs, at any period, of a very just estimate of its object and excel- lences. To trace it beyond the reign of Edward III. is as hopeless as the attempt to ascertain the source of the Niger ; and, whatever may have been the cha- racter of the earlier chronicles and romances, there is no reason to beheve that it was at all propitious to the influence and diffusion of correct taste. The genius of Chaucer, like that of his great contem- porary Wickliffe, instead of being nurtured by the age, burst forth in defiance of it ; but the hour Avas not yet come ; and the poet's song was followed by silence, as deep and lasting as that which succeeded to the trumpet-call of the stern reformer. During the fierce civil wars, and until the reign of Henry VIII. there was no such thing as English literature. This was the period of the Heformation, and the revival of letters ; yet it presents us with few names which the lover of poetry is solicitous to remember. Love and chivalry have indeed given an interest to the melancholy genius of Surry, which is height- ened by the recollection that his unusual accomplish- ments were the only cause of his untimely and treacherous murder : but the poets of that time were little more than mere translators of the Italian : and STUDIES IN POETRY. Sir Philip Sidney, while defending poetry in general, is compelled to acknowledge the inferiority of that of his own country during the two preceding centuries. But the age of Elizabeth may well be considered as the era of its revival. This was certainly a period of high excitement, and distinguished for a bold and animated spirit of intellectual activity. Sir James Mackintosh has called it the opening scene in the political drama of modern Europe : it may, with al- most equal justice, be denominated the opening scene of English literature. The splendid genius of Greece was just restored to the world; the "earthquake- voice " of the Reformation had sounded through the vast of heaven ; and the mind had indignantly burst the chains of protracted and ignoble bondage. Every thing seemed propitious for the exhibition of freedom and vigor in every department of intellect ; and, in almost all, these qualities were signally dis- played ; but, with the exception of one venerable name, we find scarcely a single example of great excellence in any but dramatic poetry ; in which a degree of superiority was attained which has thrown the efforts of succeeding ages completely into shade. It is true, that powers of a very exalted order are required for success in the higher class of dramatic compositions ; but we can hardly consider that period as very remarkable for poetical excellence in general, which affords scarcely an example of any other. This direction appears to have been given to poetical talent by the taste of the court, the influence of which upon literature was subsequently very great. In the present instance, that influence, so far as it went, was 1* b STUDIES IN POETRY. highly favorable : the only cause of regret is, that it failed to extend to other departments of poetry, which Avere then struggling into existence. At this time the influence of the Puritans began to be felt. They were a class who are hardly to be judged by the same rules which would be applied to the characters of other men in ordinary times ; and of Avhom it is somewhat difficult to speak in proper terms, either of praise or censure. We are not ashamed to say, that we look with admiration, and almost with awe, upon these stern patriots and martyrs ; ambitious, but to gain no earthly crown ; burning with enthusiasm, yet severe and immovable, as if inaccessible to human passion ; inflexible and haughty to man, because reverence was due only to the Most High ; despising all accomplishments and all learning, because they counted them as nothing in comparison with religion and the word of God. But the state of feeling and opinion which it was their great purpose to maintain was in some re- spects false and unnatural. While they labored to elevate the mind, the tendency of some of their efforts could be only to degrade it. They saw lite- rature prostituted sometimes to unworthy purposes, and they straightway denounced it all as an abomina- tion. One might almost forgive this prejudice, if it had been founded on the Avrilings of those who have been strangely denominated metaphysical, as if meta- physics were only another name for every species of extravagance. These Malvolios of English litera- ture, of whom Donne was the common father, and Cowley the anointed king, contented themselves STUDIES IN POETRY. / ■with corrupting what the Puritans were anxious to destroy. Their writings appear to us to be a vivid delineation of the intellectual character and taste of King James, who, by a cruel insult to the wise king of Israel, has been sometimes called the English Solomon. They found the age pedantic, and they labored with eminent success to render it still more so. Never did poetry revel in such wanton extra- vagance and absurdity. With them, sighs were breathed in tempests ; tears were poured forth like the universal deluge ; love was nothing short of a coup de solell beneath the tropics ; pride was the tem- perature of the arctic circle, and a lover's heart a handgrenade. It is sufficiently obvious, that the taste for this extravagance was not created by those who thus employed it ; for the prose writings of some of them — of Cowley, for example — are full of simplicity, grace, and beauty. Indeed, the mere existence of the metaphysical style is a sufficient proof, that, if the readers of poetry at this time were not indifferent to it, they were at least not very scru- pulous in their selections. The most exalted eulogies Avere lavished upon Cowley ; and even Milton did not refuse to praise what he disdained to imitate. Signs of a more correct taste began to be visible in the languid smoothness of Waller, and the correct mediocrity of Denham ; but with what surpassing glory does the venerable form of Milton appear in the midst of an age like this ! His grand and melancholy genius was almost as far removed from that of his contemporaries as his immortal subject was elevated above all earthly things. So far from being indebted 8 STUDIES I\ POETRV. to his age, he was beyond it and above it ; and it is hardly too much to say, that he would have been beyond and above any other in the history of man. It is no reproach to his own, that men heard his voice, and comprehended it not ; for what standard was there, among the poets of the time, by which they could hope to measure such elevation as his ? The stern rigor of the Puritans was at length followed by its natural re-action ; and the literature of the age of Charles II. was a faithful transcript of the character of that degraded sensualist, and still more degraded king. It is easy to conceive what the worshippers must have been in the temple of vice and folly, in which Sedley and Etherege and Buck- ingham and Rochester were chief-priests. " The fools of David's age," says Sir William Temple, " those who have said in their hearts, there is no God, have become the wits of ours." The personal character of a king is never without its influence, and in this instance it was all-powerful; but it was only for the purposes of evil. In the school of severe adversity, where the milder virtues are commonly taught, he had learned nothing but vice, disguised under the name of pleasure. Ridicule was the fashion of the day ; and the subjects of that ridicule were all things that are venerable and holy. De- pravity lost nothing of its evil, because it lost nothing of its grossness : it was tolerated in all its grossness, and adored in all its deformity. It was not surpris- ing that the want of just moral sentiment should be accompanied by the debasement of literary taste. Their tastes, as well as their fashions, were alike bor- STLDIES IN POETRY. 9 rowed from the French, who returned the obhgation by regarding England as a nation of barbarians. St. Evremond passed twenty years in England with- out acquiring the slightest knowledge of the lan- guage ; while ignorance of the French language was regarded by the English as a greater crime than the violation of every precept of the decalogue. The worst defects of French literature were copied and exaggerated. Settle became a greater poet than Dryden, until the latter stooped from his mountain- height and the mid-day sun, to grovel in the dark recesses of a polluted theatre. The influence of a licentious court was visible also upon other minds ; degrading powers which should have been devoted to high purposes, and repressing every display of natural feeling by a general chorus of ridicule and scorn. In passing from this period to the beginning of the next century, we seem to be coming forth from the suffocation and gloom of the charnel-house to the fresh air and clear light of heaven. We shall have occasion presently to make a few remarks upon the characters of some of the most distinguished poets of that time ; and Ave will only observe here, that we have no knowledge of any period in English history, in which poetry was the object of more general re- gard than it was from the beginning until the middle of that century. The circumstances to which we have alluded furnish sufficient evidence that the po- pular taste has been often perverted ; but they give no evidence of indifference in regard to poetry, like that which is believed to prevail at this day. We 10 STUDIES IN POETRY. call the present an age of great intellectual excite- ment, of keen and restless enterprise, and of deeper insight into hidden mysteries than any of which the record has yet come down. Why, then, should the purest and not the least elevated department of intel- lect be regarded with coldness and neglect ? The true object of poetry is to subject the senses to the soul, to raise the mind above all low and sordid purposes, and to fix its desires upon things which are honorable and hisrh. If we receive it with indifFer- ence and scorn, if we refuse to listen to its voice, the loss is ours ; we are casting away the surest means to lift our thoughts from the dust, the noblest instru- ment to elevate and purify the heart. The moral tendencies of English poetry are such, on the whole, as the friend of virtue has much reason to approve. There have certainly been ominous ex- amples of the degradation and perversion of exalted powers ; but the waters of oblivion have already closed over some, and will, sooner or later, overwhelm the rest. It is idle at this day to say any thing of the moral influence of Chaucer : we might as well enlarge upon the absurdity of the Koran. Spenser, however, continues to be read, though not, we apprehend, by a large class of readers. There is abundant reason to regret, that the tediousness of the allegory, which constitutes the story of the " Fairy Queen," should have withdrawn from it the public favor ; for it is the production of a mind overflowing with rich and powerful thought, and a fancy full of all delightful creations ; the beautiful ideal of chivalry, when chiv- alry was only another name for a combination of all STUDIES IN POETRY. 11 the virtues. The poet appears to have forsaken this lower sphere to hold communion with superior be- ings ; and how could it be expected, that the friend of Sidney and Raleigh — those brightest spirits of an age not wanting in generous and lofty ones — should be insensible to the influence of their romantic senli- ment, as it was illustrated and personified in the moral beauty of their lives ? It was their influence by which he was led to devote himself, not to the study and description of man as he is, but as ro- mance and chivalry would make him. It was this which induced him, instead of producing a grand historical picture, to which his powers were more than adequate, to execute fancy-pieces only, glow- ing, indeed, with richness and beauty, but deficient in the interest and life which such talent, employed upon more propitious subjects, could not fail to be- stow. He chose a department in which many have failed, and in which scarcely any one but John Bun- yan has succeeded ; and how much of his power is to be attributed to the awful realities of his subject ! Still it is the praise of Spenser, that he consecrated his delightful harmony, his beautiful and not unfre- quently subhme description, and all the creations of an imagination of unrivalled splendor, and of inven- tion almost boundless, wholly to the cause of virtue. Would that the same praise were equally due to his far greater contemporary ! But Shakspeare wrote apparently without any moral purpose : he took the tales which ancient chronicles afforded him, or chance threw in his way ; and, by his inspiration, he created a hving soul under these ribs of death. If they gave 12 STUDIES IN POETRY. him a moral, it Avas well. Now we hear strains which seem to flow from a seraph's lyre ; presently, those which the depths of vulgarity could hardly essay to rival. Moral dignity and disgusting coarse- ness, the loftiest sublimity and the lowest grossness, are occasionally blended together, like the hovels and palaces of a Russian city. Ingratitude is de- nounced — and how denounced ! — in the heart- rending agony of Lear ; the dreadful penalty of guilty ambition, and the keen anguish of late re- morse, are displayed with terrific power in Macbeth ; while in Hamlet we see only a spirit crushed and broken beneath a burden which it cannot bear, faith- ful to duty, but overmastered by the consciousness that fate has imposed upon it a duty beyond its ability to do. But who can point us to the moral purpose of " Romeo and Juhet," or the " Merchant of Venice," or of " Cymbeline " ? The heart, with all its high aspirings, its guilty depths, its passions, its affections, and its powers, was laid full and open to Shakspeare's view ; all the elements of incomparable genius, and every divine gift, were imparted to him with a liberality hardly ever vouchsafed by Provi- dence to man before : but he looked upon man and nature, without looking beyond them to the God of all ; and thus the mind which was formed for all succeeding ages, and compounded of all imaginable glories, astonished, instructed, overawed, and de- lighted men, without making them better. It is pre- sumptuous to say what Shakspeare might have been, when human eloquence can hardly adequately tell what Shakspeare was ; but we believe that he was too STUDIES IN POETRY. 13 often induced by a fancied necessity to sacrifice his own superior thoughts to the influences of an age which "thought no scorn" of grossness, such as would sicken the purer, though not fastidious, taste of ours. The descent was not wholly nor always voluntary ; though the gratification of minds as far below his own as the sparrow's is lower than the eagle's flight, can hardly excuse the aberrations of an intellect like his. The moral influence of the drama has not in gen- eral been of the most exalted kind. The reason of this is not that it is incapable of being rendered full of instruction, or that it is in its nature at all inferior in this respect to any other description of poetry. On the contrary, there is perhaps no form of com- position in which the most elevated lessons can be brought more directly home to the heart, — none in which those sentiments, by which our minds are said to be purified, can be more impressively or forcibly displayed. It may thunder forth its warnings and threatenings with the awful energy of inspiration ; it may utter the burning accents of intense and over- whelming passion ; it may allure or terrify us with the solemn persuasion of real and living example. In these respects, it occasionally goes beyond other poetry, as far as the quivering muscles, the distorted features, and the convulsive agony of the victim of actual torture may be supposed to afford a more vivid idea of suffering than the marble Laocoon. The evil is, that, in holding the mirror up to life, it reflects all the images towards which its surface may chance to be directed. In the sister, but inferior, 2 14 STUDIES IN POETRY. arts of painting and sculpture, the human form is represented, not with its blemishes, not in its deform- ity, but Avith something of the purity of ideal perfec- tion ; and thus the representations of poetry, so far as respects their effect, should be adapted to the desires of the mind : they should present us, not with that which may sometimes be, for that would excuse all possible grossness ; but, in humble imitation of the obvious system of Providence, they should labor to exhibit virtue in all its loveliness and beauty, without throwing an unnatural gloss and attraction over sen- suality and vice. How often have men forgotten, that the only true object, and all the real dignity, of literature are lost sight of, when it is designed to charm only, and not to elevate ! It may be said that the purpose of the dramatic writer is to please, and his productions must therefore be adapted to the taste of his judges ; but the cause of any fault can hardly be pleaded as its apology. Passing over the dramatic writers, we come again to Milton. He stood apart from all earthly things. He may be likened to that interpreter of the mysteri- ous things of Providence who sits in the bright circle of the sun ; while Shakspeare resembles rather the spirit created by his own matchless imagination, which wanders over earth and sea, with power to subdue all minds and hearts by the influence of his magic spell. The poetry of Milton is accordingly solemn and dignified, as well becomes the moral sublimity of his character, and the sacredness of his awful theme. His mind appears to have been ele- vated by the glories revealed to his holy contempla- STUDIES IN POETRY. 15 tion ; and his inspiration is as much loftier than that of other poets, as his subject was superior to theirs. It is superfluous to say, that his moral influence is always pure ; for how could it be otherwise with such a mind, always conversant with divine things, and filled with the sublimest thoughts ? Yet it has been sometimes said, that the qualities with which he has endued that most wonderful of all poetical creations, the leader of the fallen angels, are too fearfully sublime to be regarded with the horror and aversion which they ought naturally to inspire. He is indeed invested with many sublime attributes, — the fierce energy, unbroken by despair ; the unconquera- ble will, which not even the thunders of the Almighty can bend : but these qualities, though they may fill us with wonder and awe, are not attractive. His tenderness is only the bitterness of remorse, without end and hopeless ; his self-devotion is only the result of wild ambition ; and a dreadful retribution at length falls upon him, " according to his doom." In this exhibition of character, there is undoubtedly vast intellectual power ; but there is nothing redeem- ing, nothing which can Avin the soul to love. We dread the effect of those delineations in which crime, from which nature recoils, is allied to qualities with which we involuntarily sympathize : such portraits are of evil tendency, because, though unnatural, they are still attractive ; but great crime frequently supposes the existence of imposing traits of character, which may excite admiration without engaging sym- pathy. We are interested in Conrad, because his fierce and gloomy spirit is mastered by the passion 16 STUDIES IN POETRY. which masters all, — because in him it is deep and overwhelming, yet refined and pure, Uke the token which restored the repenting peri to Eden, — the redeeming and expiatory virtue, which shows that the light of the soul, however darkened, is not extin- guished altogether ; and we do not ask how purity and love can find their refuge in a pirate's bosom, — - we do not remember, that they could as hardly dwell there as Abdiel among the rebel host. Not so the ruined archangel. In him all may be grand and imposing ; but all is dark, stern, and relentless. If there be aught to admire, there is at least nothing to imitate. Through all the writings of Milton, there reign a loftiness and grandeur which seem to raise the soul to the standard of his ovAm elevation. The finest minds have resorted to them for the rich trea- sures of eloquence and wisdom ; and they might also find in them the more enduring treasures of piety and virtue. We have already found occasion to offer some remarks upon the literature of the age of Charles II. It is a subject on which we have little inclination to dwell; but it is with sorrow and shame that we see the influence of such an age exhibited upon a mind like that of Dryden. They drove him to devote powers intended for nobler purposes to gratify the polluted tastes of a shameless court ; and, by a just retribution, his dramatic compositions can hardly be said to have survived him : not one of them is at this day acted, or generally read. We see him, first, embalming the blessed memory of the Lord Protector ; then, exulting in his Sacred Majesty's most happy STUDIES IN POETRY. 1 ' restoration ; next, fabricating rhyming tragedies to gratify the French prejudices of a king who was not ashamed to become tlie pensioner of France, or las- civious comedies to minister to the grovelling inclina- tions of the Defender of the Faith ; presently, descend- ing, like one of Homer's deities, to the field of political and religious controversy. Thus the intellect which was formed to illuminate the world Avas quenched in the obscurity of low or temporary sub- jects ; thus, with power to become a great reformer, he chose to follow in the track of vulgar prejudices ; instead of asserting his just rank as a sovereign, he made himself a slave ; and the result is before us in the fact, that his reputation is now almost wholly traditional, and would hardly be known otherwise, but for the noble " Ode for St. Ceciha's day." We are not insensible to the unsurpassed excellence of his versification, or the blasting power of his satire ; but the traces of elevated moral sentiment, and of admiration, or even perception, of the grand and beautiful in nature and in character, are rarely to be discovered in his writings. Perhaps he was cautious of displaying what must have excited the immea- surable contempt of the wits by whom he was sur- rounded. The beginning of the last century was distin- guished by the genius of Pope ; of whom nothing can now be said that has not frequently been said before. There are still many who persist in denying his title to the honors of the poetical character, with a zeal which nothing but the ancient penalties of heresy will be able to subdue. If, however, he has 2* 18 STUDIES IN POETRY. been assailed by Bowles, he has found no vulgar champions in Byron and Campbell ; and if he were living now, it would doubtless, in the language of Burke, " kindle in his heart a very vivid satisfaction to be so attacked and so commended." It is not easy to believe him to have been the least among the poets, who could shoot with such unequalled bril- liancy into the upper sky, while Addison was still in the ascendant, and when the star of Dryden had hardly yet gone down. Nature was not, perhaps, always regarded by him with a poet's eye ; for it seemed then as if she was to be abandoned to pas- torals ; as if one might scarcely venture to go forth into the country, Avithout arming himself with a shep- herd's crook. But he was the poet of manners and of social life ; and it is not the smallest of his merits, that he made poetry famihar to thousands who had never felt its influence before. The tendency of his writings is precisely what might be expected from a knowledge of his character ; — a character of v/hich Johnson, whose praise issues forth like a con- fession extorted by the rack, is compelled to speak, in general, with commendation. Early and unre- lieved infirmity rendered him irritable, while the unbounded admiration which was so profusely lav- ished upon him made him vain ; and both these qualities are abundantly exhibited in some of his writ- ings, where the sins of his enemies are visited upon those who had never offended him, and character is wantonly invaded, apparently with the sole design of displaying his extraordinary power. In some in- stances, he aims to rival the unapproachable vulgar- STUDIES IN POETRY. 19 ity of Swift ; but the wit is a poor atonement for the grossness. The " Rape of the Lock" was denounced by the frantic criticism of Dennis, as deficient in a moral ; while Johnson, with his usual politeness, thought no moral more laudable than the exposure of mischiefs arising from the freaks and vanity of women. It is obvious enough, however, that Pope, except in the " Essay on Man," and perhaps in his '' Epistles and Satires," had rarely any moral purpose in his view ; but it would be difficult to defend the morality of the verses " To the memory of an Unfortunate Lady," or of some of his imitations of Chaucer. We are often told, that satire is a powerful auxiliary of truth ; and there is no doubt, that, even while indulging in the gratification of personal resentment, or any other equally ignoble passion, the satirist may promote that cause by his denunciations of vice and folly ; though the effect will certainly be diminished by the mean- ness of the motive. But he is too apt to grow so warm in the cause as totally to overlook the higher object, in his zeal to overwhelm an adversary, or to take vengeance upon the world for the fancied ne- glect or injury of a single individual. In addition to this, he is often seduced by the popularity which is sure to attend invective against some fashionable vice or folly, of which the succeeding age retains no traces ; so that the fashion and the reproof soon perish together. His object may be a laudable one, though it will be far less important, and far less last- ing in its effect, than it would be if he should expose vice and imperfection as they exist universally, and 20 STUDIES IN POETRY. at all times. The satires of Donne are now forgotten, notwithstanding the rich drapery which Pope thought fit piously to throw over his old-fashioned and some- what ragged habiliments. Those of Dryden, as we have already intimated, were founded upon subjects of local or temporary interest. His " Absalom and Achitophel" was levelled at a faction, which soon experienced the fate of all other factions ; his " Medal" was written upon the occasion of Shaftes- bury's escape from the fangs of a grand jury ; and his " MacFlecknoe," for the laudable end of extermi- nating his successor in the Laureate's chair. Young is less liable to this objection than any other English satirist ; but, great as was his popularity in his own day, his " Universal Passion " has sunk into obscu- rity. The " Vanity of Human Wishes " and " Lon- don" are the effusions of a nervous and powerful mind, more strongly tinctured with misanthropy and indignation than with sound philosophy. In our own times, we have seen Gifford marching forth with the port and bearing of Goliath, against a host of butter- flies, who naturally enough took wang at the din and fury of his onset ; and we have seen Byron also, visiting the coarse mahgnity of a single revieAver upon all his literary brethren, with a wantonness and injustice which he was himself the first to regret. We may thus perceive, that, if satire be the instru- ment of virtue, it is so often borrowed for other pur- poses, that virtue is not always able to employ it for her own ; and, when those other purposes have been accomplished, the benefit, if there be any, is not per- manent. The artillery may remain, but the foe has STUDIES IN POETRY. 21 vanished. Some of Pope's satires are of universal and lasting application ; but the " Dunciad " is little better than a monument of wrath, erected in memory of departed and forgotten dunces. The English poetry of the last century was, upon the whole, more elevated in its moral tone, than that of any former period. It may be considered as a cause as well as an evidence of this superiority, that some of the most eminent writers at its commence- ment, who exerted a powerful influence over public t-aste and sentiment, were men of pure and unques- tionable character. Addison Avas then at the meri- dian of his stainless fame. He had taught the world a lesson which it was too slow to learn, that the attractions of wit and eloquence may gracefully be thrown around truth and vntue ; and that, in order to become a good and popular writer, it is not indis- pensably necessary to be an atheist and blasphemer. If he is deficient in the vigor and power of some of those who went before him, it should be remembered, that the character of his works was not in general such as essentially to require or to afford very full opportunity for the display of either. His main intention was to describe life and manners ; to apply the force of ridicule to the foibles and follies, as well as to the faults and vices, of social life ; to present truth and morality in alluring colors to those who had been previously disgusted at its stern and repul- sive aspect ; and it cannot be doubted, that, as far as the influence of a single mind could go, this object was successfully accomplished. The same praise is equally due to Richardson, whose name seems now 22 STLDIES IN rOETRV. to be better known and more respected in other countries than in his own. One who is led by curio- sity to read his novels, though he cannot fail to read them with interest, and to admire the purity of the sentiment and the vivid delineations of passion, can yet hardly form a conception of then- popularity when they first appeared. Addison taught the intellect and fancy, and Richardson the passions, to move at the command of virtue ; the influence of both was great and extensive over the sentiments and taste of others ; and we cannot but think, that much of the superiority of the period immediately succeeding that in which they lived to that which preceded, in refinement and delicacy at least, if not in morality, is to be attributed to the example which they gave. It is true that the essentially coarse and vulgar minds of Fielding and Sinollett, abounding as they did in humor and vivid powers of describing life and cha- racter, did much to weaken the impression which Richardson had made ; nor was it owing to any want of effort that they failed to corrupt moral sentmient completely. But they were not successful ; and any one who will turn to Southey's " Specimens of the later English Poets " (we cannot find it in our hearts to ask a felloAv-creature to read them through) will be surprised to find in how few instances morals and decency were disregarded or outraged by the poets, small and great, of any part of the last century. It is impossible to speak of any considerable portion of them at length, nor is it necessary. We will barely advert for a moment to three of them, Avhose Avritings are at this time more generally read than those of STUDIES IN POETRY. Z6 any of the rest. It may here be observed, however, that this period embraces very many names, particu- larly in the earlier part of it, of which England will long contmue to be proud. With all its variety of excellence, there is Uttle that savours of copyism or of aftectation. What can be more unlike than the mild sAveetness of Goldsmith, and the gloomy mag- nificence of Young ; the gentle pathos of Collins, and the homely strength of Johnson ; the classical ele- gance of Gray, and the native simplicity of Burns ? There are few who do not love to contemplate the two great masters of descriptive English poetry, Thomson and Cowper ; with whom we seem to converse with the intimacy of familiar friends, and almost to forget our veneration for the poets, in our love and admiration of the virtues of the men. Both had minds and hearts which were touched with a feeling of the beauty, and fitted to enjoy the influ- ences, of nature ; and the poetry of both Avas ele- vated, if not inspired, by rehgious veneration of the great Author of the grand and beautiful. The vicAv of Thomson was bold and wide ; it comprehended the whole landscape ; he delighted to wander by the mountain-torrent, and in the winter's storm ; and it seemed as if the volume of nature was open and present before him. It is not so with Cowper. His lowly spirit did not disdain the humblest thing that bore the impress of his Maker's hand ; he looked with as keen an eye of curiosity and admiration upon the meanest flower of. the valley, as upon the wide expanse, glittering in the pure brilliancy of winter's evening, or bright with the dazzhng glory of the 24 STUDIES IN POETRY. summer noon. He made the voice of instruction issue from the most famihar things, and invested them ^vith beauty, hourly seen, but never fek before ; and he painted them all with the pure and dehghtful coloring of simplicity and truth. Who is there but must wish, that Burns had held communion with such minds, and resorted to the fountain of their inspiration ? We know not that he was inferior to either in quickness to feel, or power to describe, all that is bright and alluring in nature or in the heart : but there is something startHng in the dark and fierce passions Avhich overshadowed his better nature ; in the wild and reckless blasphemy by which he insulted man, and defied his God ; in the stunning notes of that frantic debauchery by which he was at length mastered, and brought down to the dust. The feel- ing of devotion steals upon hmi, like the recollections of earlier and happier years ; love, pure and disinte- rested love, subdues sometimes the fury of his soul to gentleness and peace ; his proud and manly spirit appears sometimes to burst its fetters, and restore the wanderer to virtue : but the effort is o\'er, and it is vain. He smks into the grave, friendless and broken- hearted ; and his example remains, like a light upon a wintry shore, whose rays invite us, whither it would be death to follow. We are unwilhng to enumerate Rogers and Camp- bell among the poets of the last century, though the great works of both were published before its close, and though the latter part of it is so far inferior to the first, in the number of its illustrious poetical names, as to require some such addition to the list. STUDIES IN POETRY. 25 The sweet music of both is associated Avith our most pleasing recollections. The lyre of Rogers resem- bles an instrument of soft and plaintive tone, which harmonizes well with the memory of our early days ; that of Campbell is no less sweet, but deeper and more powerful, and struck with a bolder hand. Both are in strict and constant unison with virtue. Indeed, Avith one or two ominous exceptions, it is delightful to perceive the moral beauty of the poetry of this age in general. Moore, it is true, is an old offender. He appears to have composed the lascivious pretti- nesses of his youth much in the same manner as the unfledged votaries of fashion affect the reputation of grace and gallantry ; and Ave occasionally find symp- toms of love-making in his verses noAv, Avhich it is high time for a person of his years and discretion to have done Avith. It is the recollection of these Avhich goes far to diminish the pleasure Avith Avhich we should otherAvise Avelcome his sacred and lyric, song. But what shall Ave say of Byron, riven and blasted by the lightning of his OAvn relentless passions ; hurried on- Avard, often against the persuasion of his better feel- ings, as the sailor's bark in the Arabian tale is dashed by some mighty and mysterious impulse upon the fatal rock ? The light that was in him became dark- ness ; and hoAv great Avas that darkness ! His exam- ple, AA'-e trust, is destined rather to dazzle than to blind ; to Avarn, but not to allure. We do not noAV remember any other high examples of this moral delinquency. In WordsAvorth Ave see a gentle lover of nature, always simple and pure, and sometimes sublime, Avhen he does not labor to give dignity to 3 26 STUDIES IN POETRY. objects which were never meant to be poetical. Southey's " gorgons and hydras and chimeras dire " are well-trained ; and the minstrelsy of Scott is of a higher strain than that of the times of Avhich he sung. Literature, in reference to its moral tendency, is of three kinds ; one of which is decidedly pernicious ; another, indifferent in its character, being neither very hostile nor very favorable to correct sentiment ; and a thnd, decidedly pure and happy in its influ- ence. By far the greater part of English poetry appears to us to belong to the last of these classes ; but there are portions, and considerable portions too, which belong to both of the others. We seem hardly to have a right to claim, that it should always be actually moral ; and yet the writer who forgets this object forgets one of the great purposes for which his talent was bestowed. There is another error for which poetry is responsible, — that of presenting false vicAvs of life. Most young poets are as des- perately weary of the world, as if they had traversed it, and found it all vanity. We learn from a high authority, that misery is the parent of poetry ; but we should be led to believe, from the tone of many of our bards, that poetry is the parent of misery. Young proposed to draw a correct picture in his " True Estimate of Human Life." He published that part which represented it in eclipse ; but the bright side was unhappily torn in pieces by some lady's misanthropic monkey. In his " Night Thoughts," life is painted in no very alluring colors ; but the sunbeam breaks through the dark masses of the cloud. STUDIES IN POETRY. 27 We do not complain of the satirists for this ; for such is the very end of their vocation. The views of hfe Avhich every writer presents will be colored in some degree by his own circumstances, and state of feel- ing ; but we suspect, that the most melancholy poets have not in general been the least inclined to enjoy the world in their capacity of men, and that they have often drawn more largely from imagination than experience. This fault, however, is not a very common one among English poets of the highest order. All their faults, indeed, are few and small in comparison with their great and varied excellences. We regard it as an extraordinary fact, that so httle attention has been paid to Enghsh literature in gene- ral by those Avho must be considered most competent to understand its value. Our systems of education make our youth familiar with that of early ages, and of other nations : an acquaintance with it is consid- ered indispensably necessary for every gentleman and scholar ; while little, comparatively very little, has been done to acquaint us Avith that which we may call our own, at the period of life when the heart would most deeply feel the beauty, and the ear be most sensible to the music, of the " LoAvland tongue." Until recently, no provision whatever has been made in our literary institutions, either to turn the attention of the student towards it, or to guide him in his vol- untary inquiries. In our schools, English poetry has been employed as an exercise for teaching boys to read, from time immemorial ; but nothing has been said or done to induce the pupil to believe, that the poetry was originally written for any other purpose. 28 STLBiES IN POETRY, Now, without undervaluing the hterature of other countries or of antiquity, we believe that the business of education is only half accomplished, so long as our own literature is neglected. Within a few years, a better spirit has been visible ; but we are not yet acquainted with any treatise upon the subject of English literature, — any critical examination of its merits. The field is a broad one ; and we trust it will not long be justly said, that its treasures are within our reach, but that we have neither solicitude nor even inclination to gather them. We are pleased with this volume, both because it offers an indication of a growing interest in the sub- ject, and because the tendency of such works will be to excite attention tOAvards it. Mr. Cheever's selec- tions in general afford evidence of correct judgment and cultivated taste. We should hardly, however, have extracted the poetry contained in the Waverley novels, in order to give the most exalted idea of Scott's poetical genius ; or have given the " Soldier's Dream," as one of the best of Campbell's smaller productions ; and we think, that, in his selections from Southey and Moore, the compiler might have drawn more largely from the earlier writings of the one, and the "Irish Melodies" of the other. Nor can we readily admit the equity of the rule which allows to Grahana and Bloomfield twice the space which is allotted to Pope. But these are small blem- ishes ; and, after all, it is by no means certain that readers in general will not approve his taste at the expense of ours. The selections from most of the poets are accompanied by well-written and dis- STUDIES IN POETRY. 29 criminating sketches of the characteristics of their style. On the whole, though the compilation is stated to have been made for the use of the young, it is one which persons of mature ag& may read with pleasure and advantage. 3* 30 BYRON. Letters and Journals of Lord Byron. With Notices of his Life. By Thomas Moose. Vol. I. When Dr. Clarke, the traveller, was entering the wa- ters of Egypt, he saw the corpse of one who had fallen in the battle of the Nile rise from its grave in the ocean, and move slowly past the vessels of the fleet. It was with somewhat similar misgivings that we saw the resurrection of Lord Byron from the waves of time, which soon close over the noblest wreck, and leave no trace of the spot where it went down. Unless there were something new to be said in his favor, it seemed needless to bring him again before the public eye. The Avorld was as well acquainted with his frail- ties as with his transcendent powers ; the sentence of the general voice, which is not often reversed, had been pronounced, though with much hesitation ; he Avas declared entitled to a place among the great ; but, though he had the elements of a noble nature, no one, so far as w^e know, claimed for him a place among the good. We regretted, therefore, to have his name and character brought up again for judg- ment, unless for the purpose of vindication. Such is not the effect, Avhatever may have been the design, BYRON. 31 of the volume before us. Mr. Moore, though he loved and honored Byron, has, in thus gratifying the public curiosity, rendered no service to the memory of his friend. We are disposed to rank high among the better feelings of our nature the one v^^hich leads us to spare and respect the dead, and makes us indignant at every attempt to draw their frailties to the light, which cannot plead necessity in its justification. We feel grateful to those who have delighted us, even when they have done so with their enchant- ments ; we are beholden to them for whiling away some of the drearier hours of existence ; and when they are gone, where our gratitude or censure can no longer reach them, we feel as if their memory were left in our charge, to be guarded from wanton condemnation. We could see their forms under the dissecting-knife at Surgeons' Hall with more patience than we can see their reputation made the sport and gain of mercenary writers. We know that the " Life of Johnson " is a standing excuse for authors of this description, though we see not why ; for BosAvell would sooner have cut off his hand, than have wil- fully disparaged his " illustrious friend ; " and through all his defects of judgment and style his great subject towers, like Westminster Abbey, whose melancholy grandeur is not destroyed by the meanness of the objects round it. In his work, there is no violation of that sacred law of human feeling, which, like the gentle process of nature, seals up the grave, and covers it with verdure and flowers. But this law has been sadly broken in the case of Byron ; a man 32 BYRON. who, with all his faults, — and we have no disposition to deny them, — was never wanting in generosity to his friends. Some of them have preyed on his memory like vultures ; from the religious Mr. Dallas, who was dissatisfied with the gift of several rich copy-rights, down to Leigh Hunt, who intimated his independence of the commonplace opinion, which insists on gratitude for golden favors. Others, also, of the strange companions among whom the chances of his life and the waywardness of his temper threw him, retailed his most unguarded words and actions, subjecting him to a scrutiny which few men's lives and language Avill bear. But the public feeling, which is not apt to be permanently misled, had set- tled down into the conviction, that Byron, with all his failings, was to be admired and pitied as well as censured ; that he was an unfortunate man of genius, made up originally of strong powers and passions ; obHged to pass through the double trial of prosperity and misfortune, both perhaps equally severe ; and, by these disturbing forces, drawn aside from the orbit, in which, with a happier destiny, he might still have been shining as brilliantly as any great light of the world. Mr. Moore does not attempt to give any regular examination of Byron's character, aware perhaps that the thing was impossible ; for, if by character be meant the decided leaning of the habits and feelings towards good or evil, it would be no more correct to speak of his character than of the bearing of a vessel drifting on the sea ; or, if we mean by character the general impression received by one BYRON. 66 who reads his history, it is evident that such an one could gather no single impression. Every change in Byron's life was a new experiment or adventure suggested by the moment's whims ; each new deed contradicted the report of the one that went before it ; like the mercury in the weather-glass, he varied Avilh the changes of the air. Sometimes he rose to a noble height of virtue ; then sunk low in degrada- tion : sometimes he breathed out noble sentiment in inspired language ; then profaned his lips with the dialect of hell : sometimes he practised a hermit's self-denial ; then gave himself up to appetite and passion. The very climate of the country where he happened to be, seemed to spread its influence over him. All his manhness melted away into effemi- nacy under an Italian sun ; all the strength of his mind and heart seemed to revive among the living shores and mountains of Greece ; and this, while it shows that he had great and active energies within, proves also, that, like others who want principles of action, he needed something external to excite them. In him, these principles, and the unconquerable will, were entirely wanting : the rough hands of others struck out the fire from his soul. His inconsistencies, arising from this cause, are equally perplexing to his enemies and admirers ; each falter in making up their judgment ; the former hesitate in the midst of their sternest condemnation, conscious that all was not evil, and doubtful whether they are not more just to his vices than his virtues ; Avhile his admirers, in the moments of their warmest enthusiasm, find recollections stealing over their minds which fill them 34 BYRON. with indignant shame. They, too, doubt sometimes whether they are not misled by their reverence for genius, and hardly know whether they feel most sorrow for its perversion or wonder at its power^ The literary fate of Byron is a remarkable exam- ple of the indulgence shown to men of genius. The world is apt to be rigid enough in its exactions from others ; but it offers them a perpetual absolution for all offences, even for their waste of those powers by which it wishes and hopes to be delighted ; it receives these spendthrifts of talent with unwearied forgive- ness, however far they may have wandered ; it per- mits them, like conquerors, to trample on all rights and laws ; it finds something beautiful in their very scorn ; nations worship them in the blaze of their fame, and weep with mournful sensibility over their fall. We rejoice to see that the world can transfer its enthusiasm, in any degree, from military to intellec- tual greatness, and only desire that it may be careful in selecting its objects of adoration. In the un- guarded moments of rapture, it may place its honors on unworthy brows, and thus hold out an encourage- ment to all kinds of perversion. Intellectual men should read their duty, as Avell as triumph, in a nation's eyes ; and whenever, in their writings, they pass the limits of decency and moral restraint, instead of doing it with the confidence that great errors will be pardoned to great genius, should feel themselves driven back by a lightning-glance of indignation. When the power of the mind is growing so fast, it is of immense importance to make the feeling of literary obligation firm and strong, and to enforce it with an BYRON. 35 authority which will neither be defied nor resisted ; and this can be done without difficulty, because men of taste, and poets more than others, have their intel- lectual being in the world's good opinion. The poet, more than all, needs this restraint of general opinion. The historian makes a slow and patient impression on others ; the force of the orator, except in subjects of unusual interest, is felt in a space hardly broader than the thunder-cloud of the storm ; but the works of Byron, like those of Scott, not confined to the bounds of their language, have been read, we have no doubt, by the northern light at Tornea, and by the pine-torch under the Rocky Mountains; and, in all the various regions between, made the wayfaring forget their weariness, and the lonely their solitude, bearing enjoyment to a milhon of hearts at once, as if by supernatural power. No human power can rival that of the great poet of the day ; and, should it become wild and lawless, no despotism under which the earth suffers and mourns is half so fatal to the interests of men. Perhaps there never was one to whom the right direction which the world thus has it in its poAver to give was more important than to Byron ; for, as may appear in Avhat we shall say of him, he was remarka- bly deficient in self-dependence, except when wrought up with passion : his irresolute judgment was strongly contrasted with his genius. Powerful, indeed, he was ; he came not at a time when the field of suc- cess was open ; perhaps there has not been a period when a greater number of bright stars were met in tiie heavens. Campbell was shining in the pure bril- 36 BVRON. liancy of his stainless fame ; Southey was pouring out his wild and beautiful epics with a happy disre- gard of party censure ; Wordsworth was pleading, as he believed, for neglected nature, with a gentle and unregarded voice ; Moore was reposing, like an eastern sovereign in his sultry halls; at this moment, apparently most inauspicious for his rising, did this new and eccentric orb shoot from the horizon to the upper sky, and in every step of his ascension held men breathless with admiration, till his brightness " was changed into blood." But he seemed to take a perverse delight in trifling with his own power, and showing that he valued an imagination as splendid as ever was lighted in the soul, no more than a camera lucida or magic lantern ; and the world still deafened him with applause, even when he poured out strains of sensuality in music worthy of an angel's tongue. Nothing Avould convince men of his dishonor : they still believed in his integrity, as they insisted on regarding Napoleon as a friend of freedom, long after he had worn the crown. Let it not be thought strange, that we associate these two names ; for, great as Napoleon was, Byron was abso- lute and undisputed sovereign of the heart, — a region in which the other had no power. Byron could send to millions the highest enjoyment with a few rapid touches of his celestial pen ; and, while the throne of the oppressor is broken, he still exerts a mastery which grows and Avidens as the brass and marble decay. They were not wholly unlike in their des- tinies : deluded by the reverence of men, each became a suicide of his own welfare ; and, remem- BYRON. 37 bering that they are great examples to all future ambition, we regret the less that they perished as they did ; though each might have left a glorious name, the one as the bravest warrior that ever fought the battles of freedom, the other as the greatest poet of his age. Any observer of human nature may be interested in the fact, that men are always most zealous in their enthusiasm for characters which are somewhat doubt- ful, as well as great. The admirers of a man like Washington criticize him with freedom, knowing that he can only gain by discussion ; but the partisans of eminent characters like those I have mentioned, as if conscious that any opening for inquiry would over- throw their favorite passion, meet every suggestion of the kind with an outcry precisely resembhng that with which the worm-eaten governments of Europe welcome every proposal of reform. This fervor is not so flattering to such men as is generally imagined : it implies that their admirers are far from being per- suaded of their real excellence, though they are resolute in maintaining their own opinion. This is illustrated by the passion for Byron. When he first became generally known, which was not till after his first cantos of " Childe Harold " appeared, his name was surrounded with a colored cloud of romantic associations ; and, perceiving the charm to be derived from the slight mystery then resting on his condition and character, he kept up the illusion by all the means in his power ; new portraits of him- self, in striking attitudes and drapery, were perpet- ually held before the public eye.; and by these means 38 BYRON. lie inspired a deep feeling, not precisely of respect or regard, but of something more tenacious than either ; so that now his admirers hold fast iheir early opinions of him, as a lover clings to his first impressions ; deter- mined to maintain them, right or wrong, and resent- ing as a personal affront every attempt to exhibit his character in its true light. This book will give an unpleasant shock to their imaginations ; but, at the same time, they have seen his character in a glass so darkly, there is so little distinctness in their concep- tions of him, that, like the spirits in Milton's battle, his existence cannot be endangered by any mortal blow ; he is a vision of fancy in their minds, too unsubstantial to be measured ; their opinion of him is not a judgment, but a feeling, which neither argu- ment nor evidence can overthrow. But there are others who never have thought it necessary to give up their hearts to the great poet of ihe day ; who have neither taken part with Byron nor against him. To them this book will Avear a very different aspect : they will receive it as the deliberate testimony of a friend, of course as partial as truth and justice will allow, and will see with some sur- prise that the strongest feelings awakened by it are those of sorrow and shame. It is painful to see this disproportion between the moral and intellectual characters of distinguished men ; and, though history might prepare them for such disappointment, they are always dismayed to find those to whom Heaven has been most Uberal of its gifts, unfaithful in the use of them. Their kind feeling will be severely tried by this Life of Byron ; they will say of his 39 mind, as he did of Greece, that it is strange, that, Avhen natvire has formed it as if for the residence of the gods, man should take a mad dehght in making a Avilderness and a ruin. For, without overstating his defects, it is true that they will look in vain through this work for any traces of a sense of duty, either in the use of his social privileges or his intellectual powers ; they Avill see too much levity and profane- ness, Avithout wit or humor to cover its grossness ; they Avill see something offensive at times in the style of the biographer's apologies for him, when they are made, not as if necessary, but in deference to com- mon opinion ; they Avill find, that he Avent through the Avorld at the wind's pleasure, and that his path, though occasionally hghted up Avith flashes of good feeling, Avas not such as his friends love to remem- ber. In the natural regret for this Avaste of life and talent, they may chance to visit his memory Avith even more severity than it deserves ; and therefore Ave take the opportunity of referring them to one or tAVO circumstances, Avithout which his merits cannot be understood, and Avhich Avill show, that, Avith all his apparent felicity of birth and fortune, he Avas more to be pitied than condemned. The chief misfortune of Byron was his want of early kindness and instruction. The mind resembles a garden, in AA^hich floAvers and fruit must be culti- vated, or Aveeds Avill groAv ; and fcAv could be found, even among vagrants and outcasts, more unfortunate than Byron in the guardians of his tender years. His father Avas a worthless hbertine, Avho, after the death of his first victim, married Miss Gordon, the 40 BYRON. poet's mother, with a vicAv to her property, which Avas large, but soon wasted. His great uncle, from whom he inherited his title, Avas a man of savage and unsocial character, who was beUeved to have murdered a gentleman in a quarrel. With him, hoAvever, he had no intercourse, nor even Avith his father, Avho was soon separated from his Avife ; so that he Avas Avholly abandoned to his mother's care, and a more injudicious guide of a youth so Avild and passionate could not have been anyAvhere found. It has been generally thought that she Avas fondly indulgent ; but the present Avork effectually clears her memory from any such imputation. She AA^as a woman of violent temper, and rendered still more irri- table by her husband's treatment, though she seems to have loved him affectionately after all her AA^rongs. If to leave her child ungoverned was indulgence, she Avas guilty ; but it could not be expected, that, having no rule over her oAvn spirit, she should be equal to the harder duty of governing her son. Ne- glect, however, Avas not the Avorst offence for Avliich she is ansAverable : she Avas the author of that bitter- ness of spirit Avhich made him, though at some times mild and affectionate, at others so sullen and fero- cious ; for it seems that she forgot herself so far as to taunt him Avith that slight lameness Avhich caused him so much misery in his after-years. Little do they knoAv of human nature Avho Avonder at his feel- ing. The truth is, that, in almost any young person, such vulgar allusions to a personal defect, hoAvever trifling, Avill aAvaken an excessive sensibility amount- ing to horror : all the self-torturing energy of the BYRON. 41 i«oul will be concentrated on that single point ; and, if the Avound ever heals in the coldness of manhood or age, it leaves a quick and burning scar. This disease of the affections extended throughout his mind and heart ; and to this we are bound to attrib- ute that jealousy which occasionally seemed like madness, and that unsparing resentment of injury Avhich sometimes raged like a flame of fire. Know- ing this, we cannot wonder that he regarded his mother without affection, alone as they were in the world. At the same time, he discovers in his letters a respect and attention Avhich clear him from all reproach on this subject : she could expect nothing more of him ; for love is the price of love. Neither were the defects of his domestic education repaired by schools. His mother's poverty prevented her doing him justice in this respect ; and he was passed from hand to hand, with a view to save expense, rather than give instruction. None of his various masters had time to become acquainted with his mind ; and, without such an acquaintance with the tastes and powers of the young, teachers are often like unskilful gardeners, who destroy, by watering ill the sunshine, those blossoms whose habit is to close in preparation for a shower. None of them retained their charge long enough to gain an influ- ence over him. Altogether he had none to lean upon, and no worthy object for his affections to cling to, which is one of the greatest wants of the young and tender heart. This sufficiently accounts for many of his faults ; it explains where his careless desolation began ; it shows why he placed so little 4* 42 BYRON. confidence in the merit and affection of others, why he was so unbeheving in their virtue, and afterwards so indifferent to his own. It accounts for that mis- anthropy which some suppose was affected, but which there is every reason to suppose was sincere ; for, much as he depended on others, ardently as he thirsted for their applause, still, like all others who have no faith in human virtue, he held them in light esteem. Those who cannot live without the world's flattery sometmies despise the incense-bearers ; and the person who depends least upon others is not the misanthrope, but he who takes a -manly and gener- ous interest in all around him. Thus melancholy and disheartening was his childhood. Instead of being the gallant bark that Gray describes, standing bravely out to the summer sea, it was the one " built in the eclipse and rigged with curses dark," whose destiny was foreseen by the thoughtful before it left the shore. It may be said, that he might have done like many others whose parents have been unfaithful, and Avho, by this misfortune, have been driven to that self- education which Gibbon considers more important than any other. But Lord Byron was most unfavor- ably situated : this self-discipline is seldom enforced with vigor or success without the pressure of circum- stances, or the strong leaning of ambition combining with a sense of duty. But Byron was above the reach of that necessity which drives so many to great and fortunate exertions. Though poor in childhood, when his Avants were fcAv, he had before liim Avhat seemed a prospect of unbounded wealth ; and the BYRON'. 43 same expectation of rank and honor made him in- sensible to the call of intellectual glory. He knew that his title would secure him respect, and in this confidence was unambitious of any thing higher : it seemed to be the brightest point in all his visions of future greatness. Those who, born in humble life, feel the stirrings of ambition, and have no path to eminence open but such as they clear with their own hands, enter upon the work with a vigor Avhich at once gives and strengthens character, and ensures success. Byron, on the contrary, believed from his childhood, that he should be respected for his rank alone : it was not till he had reached this great ob- ject of desire, and found how barren it was, that he seemed to Avish or hope for any other distinction. The effect of this want of education in mind and character may be seen in almost every part of his life, even in those illuminated pages which display the triumj^hs of his genius. He never seems to have had the least confidence in his own taste or judg- ment, with respect to his own productions or those of others. We find him, on his return from his first voyage, talking with delight of an imitation of Hor- ace, which his biographer is too conscientious to praise ; and, at the same time, hardly prevailed upon, by the most earnest entreaty, to publish " Childe Har- old," the work on which his fame is built. A taste of this kind is as much formed by society as by reading and meditation ; but he had acquired a bashful re- serve in his childhood, which prevented his reading the eyes or minds of others ; and yet, as the public opinion is the tribunal to which all must lx)w, he 44 BYRON. never felt confidence in his opinions, till they were confirmed by the general voice. In his judgment of others, he seemed governed by the partiality of the moment. We find him speaking vv^ith delight of Coleridge's " Christabel," or praising Leigh Hunt's affectations, which he was the first to ridicule shortly after. The same wavering appears in his judgment of the " English Bards and Scotch Reviewers," — a Avork which he afterwards recanted, for no other reason than that his humor had altered. The entire history of this AVork of wholesale vengeance illustrates the indecision of his mind. In his first indignation at an attack which was certamly enough to irritate a meeker spirit, he forthwith drew his SAvord, and com- menced an indiscriminate slaughter of all about him ; but, as soon as the moment's madness had passed away, he began to bind up their wounds, at the same time exulting that he had made them feel his poAver. But the Avant of every thing like discipline Avas more plainly manifested in his character ; it was left to itself; so far as he ever had a character, it Avas formed by the natural and Avild groAvth of his feel- ings and passions. These feehngs and passions Avere suffered to grow and take their OAvn direction, Avith- out the least care or control from any hand. What affectionate instruction might have done, we do not knoAv ; the experiment Avas never tried : he Avas left to his OAA-^n guidance ; and, by feeding on extrava- gant hopes, he prepared himself to be hurt and dis- appointed by the ordinary changes of life. Never having been taught what to expect and Avhat he might reasonably demand from others, he received PYRON. 45 every slight neglect as an injury, put the Avorst con- struction on every word and deed, and required of the Avorld what it never gave to any mortal man. In Scotland, his fancy was excited with tales and ex- amples of high ancestral pride. Rank became, in his eyes, something sacred and commanding ; and there was enough in the history of the ^yrons to encourage his loftiness of feeling. But he was morti- fied, as he came forward into life, to find that the respect paid to it was hollow and unmeaning. He was received into the House of Lords with as little ceremony as at Eton or Harrow ; and this, though probal)ly a thing of course, was resented by him as an unexampled Avrong, for which he insulted the Lord Chancellor at the time, and afterwards impaled Lord Carlisle in various satirical lines ; though the only crime of the former was, that he did not dis- pense with legal forms in his favor, and Lord Car- lisle's transgression, that he did not come at a call. He was still more painfully taught how little could be claimed on the score of rank, by the attack of the " Edinburgh RevieAv." He could not plead privi- lege before that bar ; a republican from the United States could not have been treated with less cere- mony than the English baron ; and it appeared in evidence, that, Avith a regard for principle, of Avhich that Avork has given more than one example, it abused the poetry for the sake of the man, though his ranlv AA^as all the provocation. He AA-^as also con- stantly AA'-ounded in another tender point, — his friend- ship. With him friendship Avas a passion, cherished for reasons Avhich he Avould have found it hard to 46 BYRON. assign ; in its objects, there was no particular merit, save what was generously given them by his active imagination. His little foot-page and his Athenian protege were of this description ; yet he expected of these and others, selected with even less discretion, all the delicacy and ardor of attachment which might belong to superior natures. He was, of course, dis- appointed ; and, by a process of abstraction, found sufficient reasons to libel and detest mankind. Thus in almost every year some favorite charm was broken, some vision dispelled ; he came forAvard into life, like one seeing from afar the family mansion of his race, Avith its windows kindled by the setting sun, and who, as he approached it, looking for life and hospitality Avithin, found Avith dismay, as he entered the gate, that all Avas dark, cold, and de- serted. Byron's melancholy seems to have been OAA^ing to these peculiar circumstances of his life. Bright hopes and painful disappointments folio Aved each other in rapid succession ; the disappointment being that Avhich attends the gratified desire, of all others the most difficult to bear. He Avas his own master, and had all that men commonly Avish for ; he Avas thus in a condition Avhere, so far as resources of happiness Avere concerned, he had nothing more to hope from the Avorld, and that state in Avhich any change must be for the Avorse is found by experience to be more intolerable than that in which any change must be lor the better. How far his depression was owing to any thing constitutional, we cannot attempt 1o say, being less acquainted with the nerves of poets BYRON. 47 than with those of reviewers ; but we beheve that there are few cases in which the evil spirit may not be successfully resisted by a resolute will. Unfor- tunately, those unused to trouble, real or imaginary, become desperate at once, and are ready to tnake trial of any remedy to drive the moment's uneasi- ness away. By dissipation and violent excitement, they remove its pressure for a time ; but, as often as it is lifted, it returns Avith heavier weight ; and, at last, like the cottager who burns the thatch and rafters of his cabin to relieve the cold of a winter day, they are left without the least chance of shelter. To supply the vacancy of hope, they consume the materials of happiness at once, and then travel from desolation to desolation, having no resource left, but to become miserable self-destroyers of their own peace, character, and not unfrequently Kves. We regret to find the vulgar impression, that this melancholy was owing to his poetical talent, counte- nanced by such authority as Mr. Moore's : though he does not openly declare that such is his opinion, he intimates that faults and sorrows both were owing to " the restless fire of genius." This we believe to be one of the worst heresies in public opinion : beside being dangerous and misleading, it is unjust to the noblest of all arts. Were there no other young men of rank and fortune equally dissipated with Lord Byron, or did all the companions of his vice and folly share his exalted power ? Why need we assign more refined causes for his corruption than for theirs? And, more than all, why offer this immunitv to those who waste the talent which was 48 BYRON. given to bless the world, which we deny to the infe- rior prodigals of wealth and time ? It is unquestion- ably true, that a quick imagination gives a sharper edge to sorrow, by multiplying, changing, and color- ing its images ; but it has equal power over images of joy, if the poet can be made to look upon the bright side ; and, as this depends on his own choice, we cannot sympathize with him very deeply if he insist on being unhappy ; we will not throw the blame, which belongs to himself, either on poetry or nature. It is time that justice in this respect were done to poetry. It is a full fountain of consolation. So far from being a Marah in the wilderness of life, there is healing in its waters. The greatest masters of the lyre have found delight in the calm and ma- jestic exertion of all their powers; and, while poetry doubles their happiness by its inspirations, it has been found effectual, from the days of Saul till the present, to drive dark thoughts from the soul. No man was ever more indebted to poetry than Lord Byron ; we say nothing of his reputation, though, without poetry, he would have left no more name than a thousand other lords ; but Ave consider him indebted to poetry for all the bright hours that silvered his path of life. That he was a miserable man, no one can doubt, who knows any thing of the effect of dis- tempered fancy and ungovernable passions : but, while he was wildly sacrificing, one after another, the resources for happiness which surromided him, and seemed to take an insane pleasure in seeing those treasures melted down in the fires of passion ; while he was surrounded by associates who were enough BYRON. 49 to put to flight all those belter feelings which could not quite forsake him, even when he seemed most resolute to let them go ; while, in self-inflicted ban- ishment, his face was always turned toward his country, although he spoke of it with hatred and scorn ; while his wild, fierce, and riotous mirth only manifested the self-condemnation and torture within, he was indebted to poetry for fanning the embers of his better nature, for kindling up those flashes of manly and generous emotion, which, transient and wavering though they were, have been enough to secure for him the admiring compassion of the world. Nothing can extinguish this sacred light of the soul ; it is an immortal element, which floods cannot drown ; it often revealed to him the true character of his companions, and his own conduct, making him heart-sick of the scenes in which his life was Avasted, and the associates among whom he was thrown ; it led him to all the excellence which he ever knew ; and when, weary of degradation, he made one last effort, with his foot on the native soil of inspiration, to rise to his proper place among the sons of light, it was evidently owing to poetry that any thing worthy to redeem was yet existing in his soul. Equal injustice is done to poetry, by saying, as is often said in the case of Byron, that misery is the parent of its inspirations. Poetry is the work, not of circumstances, but of mind, — of disciplined and powerful mind; which, so far from being the sport of circumstances, makes them bend to its power. There is neither romance nor elegance in real dis- 6 50 BYRON. tress ; it is too real, oppressive, and disheartening ; the mind, so far from dwelling upon it, turns away with disgust and aversion. The person, in suffering of body or mind, no more thinks of the fine emotions his situation awakens, than the soldier, bleeding on the plain, who would exchange the fame of CsBsar for a drop of water to cool his burning tongue. It is true, that such a person often expresses himself in poetical, that is, in strong language ; but this is not poetry, which expresses a vivid imagination of the sorrow, rather than the reality, and implies a steady scrutiny of feelings, and a measuring of the depth and power of language, to which real suffering is a stranger. The whole advantage which a poet de- rives from acquaintance with grief is the same he might borrow from being present in a storm at sea : he could no more describe his emotions at the mo- ment when every nerve is strained and wrung with grief, than he could sit down to paint the sublimity of the tempest when the vessel lets in water at every seam. Afterwards he may remember the circum- stances, and recall the feelings ; and, if he do jt with judgment and selection, may affect the minds of his readers with impressions similar to his own. But he cannot do this till the fear and anguish are gone, or, at least, till he finds a consolation in the exercise of his mind, which makes him forget his sorrows. No stronger confirmation of this can be given than the lines addressed to Thyrza, which exceed all lyrical poetry in the language for the deep feeling which they express. They were addressed to an im- aginary person ; and the emotions, if he ever had BYRON. 51 felt them, were, at the moment of writing, dictated by the fancy rather than the heart. While, therefore, we believe that Byron was melancholy in his tem- perament, we do not believe that poetry was either the cause or the effect of his depression. His sadness was owing to the circumstances of his life ; but, whe- ther natural or accidental, it must be admitted in extenuation of his faults, becavTse, even if accidental, it was formed at an early period by events over which he had but little control. Lord Byron never appeared in so interesting a light as at the time when " Childe Harold " had made him the gaze of every eye. This was the happiest and most brilliant portion of his life ; indeed, the only portion to which those Avords can properly be applied. Beside his literary pretensions, he had begun to as- pire to the fame of an orator, and had already spoken once or twice with promising success. But all other hopes were dimmed by his poetical triumph, and seldom has there broken on the eye of man a scene of equal glory. He had not anticipated this ; he had reproached himself with relying so far on the opinion of his friends as to give his poem to the press ; his success, therefore, was made more wel- come by surprise ; and when we remember, that, in addition to this, he had the charms of high birth, renowned ancestry, and uncommon beauty of per- son, it is not strange that the pubhc, with its English enthusiasm, should have been transported with admi- ration. Wherever he went, he was received with rapture ; nobility, fashion, even royalty itself, united in the general acclamation ; his natural shyness 52 BYRON. passed for the absence of genius ; his constraint in formal society Avas taken for the coldness of sorrow ; his brow was supposed to be overcast by a melan- choly imagination ; his faults, so far as known, gave an air of romantic wildness to his character, though they were generally veiled by the clouds of incense that rose from every side, and gathered round him. Those Avho had suffered from his sarcasm laid their resentment by, and came manfully forward to offer at once their forgiveness and applause. Sensitive as he was on the subject of self, he had every thing to keep him in a state of perpetual excitement, delight- ful no doubt for a time, but calculated, when its first freshness was over, to bring more uneasiness than gratification ; and a poor preparation for that hour when the sounds of applause were to die away, and nothing to be heard but the murmur of condemna- tion, that reached him even across the deep. As we have said, he appears more amiable at this period of his life than at any other : for a time, he is at peace with himself and all around him. The ap- pearance of the " Giaour," and ihe compliments paid him by Jeffrey on that occasion, completed his exal- tation. But, while it is pleasant to witness the rejoi- cing of success, Byron's friends, had they known his nature, Avould have trusted but little to the promise of that hour. We cannot judge of a dwelling by its appearance when illuminated for a victory, nor of any character by the happiness produced by circum- stances, for such happiness cannot last ; and, when it goes, it leaves the heart more desolate than it was before. If the world's favor did not change, it was BYRON. 53 almost certain that he himself would alter ; after living on this exciting element for a while, it would naturally lose its power ; the fountain, having been drained in the beginning, could not be filled anew ; and, as nothing less luxurious would satisfy his desires, he must of course return to his old state of depression, sinking low in proportion to the height from which he fell. Such was the result. We soon find him making arrangements for another voyage ; he seem- ed to anticipate the time when the popular interest should fail him, and therefore kept himself as much apart as possible ; still the change was to come in the order of nature, and it came first in him ; he grew weary of receiving, sooner than the world of giving, its praise. He says of Sheridan, " What a wreck is that man ! and all from bad pilotage ; for no one had ever better gales." The same might be said of himself at this time ; but the truth is, that no winds are favorable to those who are not made in a measure independent of circumstances by something firm within. When energy at heart is wanting, it requires a miraculous combination of circumstances to keep one good, prosperous, or happy. This brings us to Lord Byron's marriage and sepa- ration ; a piece of history which has long been pub- licly discussed, and with a freedom unusual in such leases. It was investigated perhaps with the more earnestness from its being carefully hidden ; but now the slight mystery that hung over it is removed by Mr. Moore's publication, and a statement from Lady Byron, which has followed it, and which reveals all the circumstances that the public are likely ever to 5* 54 BYRON. know. This is the first time she has ever appealed to the public against the charm of her husband's poetical insinuations ; silence was certainly the more V. tt « <*. ■^ v^.^iS:*.-. AT * V •^J, "^ > * V »^> "^ .0- ^^ '^ • » * A f * • "' •^0^ ^"^^. V^'.**'' "=0,. ^^r^" ^O'' %/^.