PS 2s// Tn^ /^3 •*£>7 I? 07 IKagdalene of Trance Hit llistorical Drama (lllustrattd) Ernest l^ugb Fitz^atrfcli Copyright according to Act of Congress, by Ernest Hugh Fitzpatrick, 1907. (English Rights Applied For) Yours Very Sincerely Ernest Hugh Fit zpat rick MAGDALENE OF FRANCE AN HISTORICAL DRAMA IN FOUR ACTS. (ILLUSTRATED) BY ERNEST HUGH FITZPATRIGK, l. R. G. P., ED. (ALL RIGHTS RESERVED) PUBLISHED BY THE SENTINEL PUBLISHING COMPANY, PONTIAC, ILLINOIS 1907 ' LIBRARY ot CONGiiE^ Two Copies Rec3iy*j DEC 31 1907 x CLASS 1> XXcAu.j \ X «\^-.0 COPY B. SYNOPSIS AND REVIEW OF THE DRAMA. By the Sentinel Publishing Company. The scenes of the play are laid in Scotland and France, and the story is drawn from the romantic incidents that sur- rounded the marriage of James the Fifth of Scotland and the Princess Magdalene, or Madeleine, the youngest daughter of Francis I, K=ng of France. The young king of Scotland was very much wanted by Henry the Eighth of England for hus- band to his daughter Mary, Henry's design being to ultimately unite the two kingdoms of England and Scotland. He was therefore much chagrined when King James married into the royal house of France. The conduct of James to the Princess Mary de Vendome cannot be defended on any grounds. On King Francis representing to him the delicate state of Magda- lene's health, he expressed his willingness to forego his claim upon the hand of Magdalene, and plighted his troth to Mary de Vendom.e on recommendation of Francis. The play en- deavors to- follow him during h's sojourn in France, his visit to the Chateau of Lorraine in disguise, his visit to Francis' court, his repudiation of Mary de Lorraine and his subsequent marriage to Magdalene in January, 1537. On Magdalene's pre- mature death in June, 1537, in Scotland, he afterwards wedded Mary of Lorraine, the Dowager Duchess of Longueville. By Mary of Lorraine he had a daughter, the unfortunate Mary Queen of Scots, who was but a few days old when Kmg James died. On James hearing of the birth of the Princess aiary, he gave expression to the now famous saying, "We came in with a lass and we go out with a lass." The dramat'st for artistic purposes has taken the dual char- acters of Mary de Vendome and Mary de Lorraine and moulded then into the single character of 'Mary de Lorraine, a strikingly picturesque one. The story ia ihus intensified and the character of Mary de Lorraine is given a continuity of interest which otherwise it could not possibly possess. The Lord Murray mentioned in the play must not be confused with James Stewart, the second Earl of Murray, the chief adviPor of Mary Queen of Scots. This Murray was created Earl Murray in 15G2, James V of Scotland was born in 1512 and died in 1542 at Falkland after his army had been routed by the English at Solway Moss on November 25, 1542, at the early age of thirty. One of the most stirring climaxes of the drama comes at the last scene of Act III, Mary de Lorraine bein^ discarded by James the Fifth, enters a convent. Queen Magda- lene, her successful rival, goes to see her and pleads with Mary not to take the veil as she (Magdalene) feels that she has not long to live and that King James had pledged himself to marry Mary de Lorraine when she (Magdalene) died. The beauty of the lines in this scene and the play of words in portraying character and depicting emotion at once excite our admiration and enlist our sympathies. This scene rests like a peerless gem in a beautiful and chaste setting. The 4th, or last act, in its two scenes is thrillingly dramatic, ending in powerful climaxes leading up to the death of James the Fifth, the preservation from death of the infant Mary Queen of Scots, and the proclamation of the infant as queen of Scotland by the command of King Henry VIIL The story in the ma'n is true to history, the author taking only such liberties usually conceded to dramatists to round out the drama of their stories. The interest is kept up from start to finish and intensifies as the story proceeds. The story is told in beautiful language, the climaxes are powerful and heart stirring and constructed with rare ability. Competent critics declare the drama of a very high order of merit. We present the play to the publ'c with every confidence that it will readily meet with the success that we feel it richly deserves. MADGALENE OF FRANCE AN HISTORICAL PLAY IN FOUR ACTS CHARACTERS REPRESENTED. King James V of Scotland. The Princess Mary de Lorraine. Lord Lion Lady Ellenor, lady-in-waiting upon Mary. The Bishop of St. Andrews. Ihe attendants upon the Duke de The Earl of Murray. Lorraine. Sir James Hamilton, special attend- Quests at the fete at the Chateau de ant upon King James. Lorraine. The Duke of Albany and his attend- Knights, Country Gentry, Farmers, ants. Etc. Lord Howard and his attendants. Courtiers of the Court of King James. King Francis I of France. Elderly Nuns (two) attendants upon „ . T,T 1 1 .^^c+ Lady Mary de Lorraine. The Princess Magdalene, younge?-t daughter of King Francis. H'ghland Soldiers of King James. Lady Geraldyne Murray. Attendants upon Court of King James. Guards in attendance upon King 'i^e infant Princess, "Marv Queen of Francis. Scots." Watchmen of Paris. English Soldiers. The Duke de Lorraine. j.ord Howard's messenger. Miss Agnes Lannon, who appeared in the role of "Magdalene of France." — 7— ACT I, SCENE I. — Throne Boom in Holijrood Falace, Edinburgh. Present: King James V of Scotland on his throne; the Bishop of St. Andreivs, the Earl of Murmy, Lord Lion and Esquires, and Sir James Hamilton, Special Attendant upon his Majesty, Etc., Etc. King James — 8ir James, prithee cease that music, For I am somewhat disturbed today ard proT.-5*?8B^L '15^^^^ r li^fc_ >1i >• t^ r >*w-»»,_^ ^w feL*« E' Itfilk -,^ _^C— ^.^ ^^kSHv ^^^^^^^^^^i IP i^^-^^I^^^^^^^^^^^^H 1 vfm^A '/ zdS »iilik —43— I did give my consent to consider the fair Lady de Lorraine, Came I not on France's soil to carry out my royal pledge'^ But fate had otherwise decreed; It appears to me that the Princess Magdalene Was nQ%^ party to that arrangement. She insists on holding to her compact — A compact that was to have made her Wife of James V, and Queen of Scotland. She holds me to this; Indeed, to tell the truth, I am but too willing to be held. If injustice I have done unwittingly, I crave pardon of those I did so offend. Princess Magdalene-^ It is true, your grace of Albany, and my grace of Lorraine, To which my royal father can testify his truth, I did not consent to yield up Scotland's King and coronet. Since earliest dawn of maidenhood Scotland's King to me was pledged, My childish heart I did to him yield. To womanhood now that I have attained, Upon him I still bestow it. Dare any prevent it? What was mine was mine; Without my consent should not from me been promised; I pray thee, sweet and gentle Mary, In our happiness do join. It would make me sad, indeed, to think That you do not wish me joy. Who can tell? Scotland's throne for long I may not grace. {Magdalene goes up to Mary of Lorraine when she addresses her.) Mary of Lorraine — {Throwing her arms impulsively around Mag- dalem. ) Oh, sweet Magdalene, my Princess, so fair a flower, I cannot find it in my heart to cause a moment's pain. It is true I do fervently love King James, And it is not strange too, perhaps, To love the one who hath plighted you his troth; —44— I thought that King James did my love return. Sometimes he acted as though he did; But I had strange misgivings; To me it seems quite clear that on you King James has bestowed his affection and his love, So take it, Magdalene, my sweet Princess, And may you both live long and happily; Far be it removed from me To cause either an unhappy thought. Your most gracious Majesty, my Lord, King of France, And my father here, I do renounce all claim. That perhaps I never had. Upon Scotland's King and coronet. And let not a shadow rest upon the happiness of our sweet Princess Magdalene of France. {Mary breaks into sobs; and sinks into her father's arms.) King Francis I — Come, Your Majesty, my lords and counselors, we will re- pair To our other apartments, leaving the Lady Mary awhile with her father, She doth appear in great distress. King James gently draws Magdalene away; all retire, foMowed by the King of France, who hesitates at the door awhile, then turns back to Mary, and smoothing her brow, implants a kiss upon her forehead. ' King Francis — Most noble cchild. {He retires in evident distress and Lady Mary is left alone with her father, the Duke of Lorraine.) Duke of Lorraine — Having renounced your claim to Scotland's throne, Keey thy courage; let none other see a Lorraine struck in misery. Mary of Lormine — Ah ! Ilj sire ! Alas ! :Mine vain hopes as Scotland's Queen. May I never find it in my heart Miss Agnes Lannon, as "Magdalene," Queen of Scotland. —45— To cause the smallest anguish to our Princess Magdalene of France. I will live apart for years to come, Endeavoring to forget King James. Renouncing worldly aims, I will seek a cloister cell, Passing my days in prayer and good deeds. Duke of Lorraine — You will think otherwise in years to come, my noble girl. Mary of Lorraine — Father, do you not know your daughter's heart ? This fell stroke has severed it in twain; Say no more, let us begone from hence And seek our home. Come, father {Taking his hand.) We must go unnoticed if we can. (They leave hy a side door.) CURTAIN DROPS. SCENE IV. — A cloister cell in a convent. Mary de Lorraine attired in white, with her two attendants. Elderly nuns. The Elderly Attendant — Enter, my lady. {Magdalene enters, attired as Queen of Scotland; Mary looks up and starts on sight of her visitor; she quickly recovers herself, however.) Mary of Lorraine — Whence comes this honor to me, my most noble queen? Magdalene — {Holding Mary's hands.) I have come to say farewell, sweet Mary; Tomorrow we sail from France, for Scotland's far off shores, And I could not leave my country thus Without bidding you adieu. My happiness is so great, That sometimes I think it cannot last. Mary, it makes me sad to think that you Have suffered much by my happiness. • j —46— Mary of Lorraine — Your Majesty has conferred upon me an honor, This gracious mark of your royal favor. I shall cherish always. Think no more of me, my sadness has long since passed. I am happy here from day to day. Doing what ere I can find to do of good, And in prayerful thought submitting to the will of Heaven. And perhaps, I would not change my daily course Even for your owti, sweet Queen. Magdalene — Mary most Royal Princess in all of France, If Royalty measured is to be. By such splendid beauty of form and mind, All the passions of a woman's heart Hast thou not laid aside for me ? Making me debtor, here. And all through eternity, A thought lies heavy on my heart, And to this holy place I come To ask of you a pledge, A pledge which you cannot refuse me. Mary, this thought that possession takes Of my very inmost soul. This thought, a sad one too it is. That Scotland is soon to be without a Queen, And that no issue shall I leave. To sit on Scotland's throne. To carry down through time, the name Of Stewart, the Royal name of Scotland. King James will be perforce compelled To seek another Queen, when I am gone, To conserve his lineage, So that Scotland's King Shall not be left without an heir: — To me, this solemn pledge he has given, Should I soon go hence