mm iiiiliiir piiiir ■iiiiililiiiililil ?iiiiii!ij^^ liililiiiilii:' iiiiiiiililiiiiiiiiiiiiiiliiyiiilii ,MM;i,;t;i;;;;;i;;i:i;;;w» lira iiiiiiiiii ji Sinn; i: 11 mmMi lliiiiiiiilll Copyright}!^, COPYRIGHT DEPOSm Digitized by the Internet Archive in 2011 with funding from The Library of Congress http://www.archive.org/details/legendsofoldhono01west LOTUS LILIES AND COCOANUTS— WAIKIKI LEGENDS OF OLD HONOLULU Collected and Translated from the Hawaiian W-- D. WESTERVELT AUTHOR OF " LEGENDS OF MAUI, A DEMI-GOD OF POLYNESIA" AND " TALES TOLD AROUND A POI-BOWl" BOSTON, U.S.A. PRESS OF GEO. H. ELLIS CO. LONDON CONSTABLE & CO., LTD. lo Orange St., Leicester Sq., W.C. IQIS Copyright, 1915, by William Drake Westervelt Honolulu, H.T. JUL -6 1915 ©GI,A401653 FOREWORD The legends of a people are of interest to the scholar, the thinker, and the poet. The legends tell us of the struggles, the tri- umphs, and the wanderings of the people, of their thoughts, their aspirations; in short, they give us a twilight history of the race. As the geologist finds in the rocks the dim rec- ords of the beginnings of life on our planet, the first foreshadowings of the mighty forests that have since covered the lands, and of the count- less forms of animal life that have at last culmi- nated in Man, so does the historian discover in the legends of a people the dim traces of its origin and development till it comes out in the stronger light of the later day. So it is with the legends of the Hawaiians, or of the Polynesian race. We see them, very in- distinctly, starting from some distant home in Asia, finally reaching the Pacific Ocean, and then gradually spreading abroad over its islands till they dominate a large portion of its extent. In bringing together this collection of Hawai- ian legends, the author of this little book has conferred a great favor upon all those residents iv FOREWORD of Hawaii and of those visitors to its shores who may take an interest in its original inhabitants, once an exceedingly numerous people, but now a scattering remnant only. To that native race this little book will be at once a joy and a sorrow; to the heart of the haokj who has lived among them, known them intimately for thirty years or more (as has the writer of this Foreword), and learned to love them, this collection of the legends of old Honolulu brings a warm "Aloha!" Geo. H. Barton, Director, Teachers' School of Science, Boston, Mass. Formerly Professor of Geology at the Massachusetts Institute of Technology. June 4, 1915. TABLE OF CONTENTS CHAPTER PAGE Introduction vii I. Legendary Places in Honolulu ... i II. Wakea the Polynesian lo III. Legend of the Bread-fruit Tree . . 23 IV. The Gods who fouiot> Water .... 32 V. The Water of Life of Ka-ne .... 38 VI. The God of Paka.ka Temple 47 VII. Mamala the Surf-rider 52 VIII. A Shark punished at Waikiki .... 55 IX. The Legendary Origin of Kapa ... 59 X. Creation of Man 70 XI. The Chief with the Wonderful Ser- vants 75 XII. The Great Dog Ku 82 XIII. The Cannibal Dog-man 90 XIV. The Canoe of the Dragon 97 XV. The Wonderful Shell 105 XVI. The Ghost Dance on Punchbowl . . 112 XVII. The Bird-man of Nuuanu Valley . . 121 XVIII. The Owls of Honolulu 127 XIX. The Two Fish from Tahiti 138 XX. IwA, the Notable Thief of Oahu . . 148 XXI. PiKOi THE Rat-killer 157 XXII. Kawelo 173 XXIII. "Chief Man-eater" 189 XXIV. Lepe-a-moa 204 XXV. Kamapuaa Legends . 246 LIST OF ILLUSTRATIONS Lotus Lilies and Cocoanuts Frontispiece ^ OPPOSITE PAGE Honolulu Harbor i8v^ Le Passage des Brisants 52 *^ Moanalua 94 t/^ NuuANU Pali 122 ^ Poi Pounder 144 v Where Pikoi hunted Rats 166 The Oldest Resident at Waikiki 188 "- Hat and Mat Maker 204 ^ Haliewa and Waianae Mountains 220 Kakuhihewa's Lands 228 i Rice and Cocoanut-trees 258 Map of Oahu 278 ;, Some illustrations are from the author's own snapshots. INTRODUCTION The ancient Hawaiians were not inventive. They did not study new methods of house- building or farming. They did not seek new tools or new weapons. They could live comfortably as their ancestors lived. But they were im- aginative and therefore told many a wonderful tale of gods and goblins and men. Some of these stories were centuries old, and were closely similar to legends told in Tahiti, Samoa, Fiji, New Zealand and many other islands of the Pacific Ocean. Most of them are of course limited to the locality from which they come. The Honolulu legends belong to this class al- most entirely, although a student of Polynesian mythology will find many traces of connecting links with the mythology of far distant islands. The legends of Old Honolulu have been com- piled from stories told by the old Hawaiians. Some of them came from those still living, but many have been found in the files of papers published from 1850 to 1870. The first alphabet for Hawaiians was pre- pared in 1 82 1. The Hawaiians were taught to viii INTRODUCTION read and write their histories and ancient stories as rapidly as possible. This was the result of the labors of the American missionaries. Some of the missionaries, notably Mr. Dibble, sent their pupils out to write down and preserve the old legends and traditions. Between thirty and forty years after the first lesson in the alphabet the Hawaiians were writing articles for papers published regularly in their own language — such as Ka Hae Hawaii {The Hawaiian Flag), Ke Kuokoa {The Independent), Ka Hoku Pakipika {The Star of the Pacific). These were followed by many papers down to the present time edited solely by Hawaiians. Careful research through these papers brings many stories of the past into the hands of stu- dents. It is chiefly in this way that these legends of Old Honolulu have been gathered together. This is the result of several years' work of note- taking and compilation. These legends belong of course to Honolulu people, and will be chiefly interesting to them and those who are acquainted with the city and the island of Oahu. It is hoped that the folk-lore lovers the world over will also enjoy comparing these tales with those of other lands. Sometimes these old stories have been touched up and added to by the Hawaiian story-teller who has had contact with foreign literature, and INTRODUCTION ix the reader may trace the influence of modern ideas; but this does not occur frequently. The legend of " Chief Man-eater " comes the nearest to historic times. Cannibalism was not a custom among the ancient Hawaiians. These are unquestionably sporadic cases handed down in legends. These legends have been printed in the follow- ing papers and magazines: The Friend , The Para- dise of the Pacific, The Mid-Pacific, Thrum's Hawaiian Annual, Historical Society Reports, The Advertiser and Star Bulletin, published in Honolulu. PRONUNCIATION Readers will have little difl&culty in pronouncing names if they remember two rules: — 1. No syllable ends in a consonant, e.g., Ho-no-lu-lu, not Hon-o-lulu. 2. Give vowels the German sound rather than the English, e.g., "e" equals "a," and "i" equals "e," and "a" is sounded like "a" in "father." I LEGENDARY PLACES IN HONOLULU HO-NO-LU-LU is a name made by the union of the two words "Hono" and ''lulu." Some say it means "Sheltered Hollow." The old Hawaiians say that "Hono" means "abun- dance" and "lulu" means "calm," or "peace," or "abundance of peace." The navigator who gave the definition "Fair Haven" was out of the way, inasmuch as the name does not belong to a harbor, but to a district having "abundant calm," or "a pleasant slope of restful land." "Honolulu" was probably a name given to a very rich district of farm land near what is now known as the junction of Liliha and School Streets, because its chief was Honolulu, one of the high chiefs of the time of Kakuhihewa, according to the legends. Kamakau, the Ha- waiian historian, describes this farm district thus: "Honolulu was a small district, a pleasant land looking toward the west, — a fat land, with flow- ing streams and springs of water, abundant water for taro patches. Mists resting inland 2 LEGENDS OF HONOLULU breathed softly on the flowers of the hala- tree." Kakuhihewa was a king of Oahu in the long, long ago, and was so noted that for centuries the island Oahu has been named after him "The Oahu of Kakuhihewa." He divided the island among his favorite chiefs and officers, who gave their names to the places received by them from the king. Thus what is now known as Hono- lulu was until the time of Kamehameha I., about the year 1800, almost always mentioned as "Kou," after the chief Kou, who was an "Ilamuku," or "Marshal," under the king Ka- kuhihewa. "Kou" appears to have been a small district, or, rather, a chief's group of houses and grounds, loosely defined as lying between Hotel Street and the sea and between Nuuanu Avenue and Alakea Street. Ke-kai-o-Mamala was the name of the surf which came in the outer entrance of the harbor of Kou. It was named after Mamala, a chiefess who loved to play konane (Hawaiian checkers), drink awa, and ride the surf. Her first husband was the shark-man Ouha, who later became a shark-god, living as a great shark outside the reefs of Waikiki and Koko Head. Her second husband was the chief Hono-kau-pu, to whom the king gave the land east of the land of Kou. This land afterward bore the name of its chief. LEGENDARY PLACES IN HONOLULU 3 Hono-kau-pu. In this section of what is now called Honolulu were several very interesting places. Kewalo was the place where the Kauwa, a very low class of servants, were drowned by holding their heads under water, according to the law known as "Ke-kai-he-hee." "Kai" means "sea" and "hee" means ''surf-riding" or ''sliding along." The law meant the sUding of the ser- vants under the waves of the sea. Kewalo was also the nesting-ground of the owl who was the cause of a battle between the owls and the king Kakuhihewa, wherein the owls from Kauai to Hawaii gathered together and defeated the forces of the king. Toward the mountains above Kewalo lies Makiki plain, the place where rats abounded, living in a dense growth of small trees and shrubs. This was a famous place for hunting rats with bows and arrows. Ula-kua was the place where idols were made. This was near the lumber-yards at the foot of the present Richards Street. Ka-wai-a-hao, the site of the noted old native church, was the location of a fine fountain of water belonging to a chief named Hao. It means "The water belonging to Hao." Ke-kau-kukui was close to Ula-kua, and was the place where small konane (checker) boards 4 LEGENDS OF HONOLULU were laid. These were flat stones with rows of little holes in which a game was played with black and white stones. Here Mamala and Ouha drank awa and played konane. Here also Kekuanaoa, father of Kamehameha V., built his home. In Hono-kau-pu was one of the noted places for rolling the flat-sided stone disc known as 'Hhe maika stone." This was not far from Richards and Queen Streets, although the great "Ulu-maika" place for the gathering of the chiefs was in Kou. Ka-ua-nono-ula, the *'rain with the red rainbow," was the place in this district for the *'wai-lua," or ghosts, to gather for their nightly games and sports. Under the shadows of the trees, near the present Hawaiian Board Mission rooms at the junction of Alakea and Merchant Streets, these ghosts made night a source of dread to all the people. Another place in Honolulu for the gathering of ghosts was at the corner of King Street and Nuuanu Avenue. Puu-o-wai-na, or Punchbowl, was a "hill of sacrifice" or "offering," according to the mean- ing of the native words, and not "Wine-hill" as many persons have said. Kamakau, a native historian of nearly fifty years ago, says: "For- merly there was an 'imu ahi,' a fire oven, for LEGENDARY PLACES IN HONOLULU 5 burning men on this hill. Chiefs and common people were burned as sacrifices in that noted place. Men were brought for sacrifice from Kauai, Oahu, and Maui, but not from Hawaii. People could be burned in this place for violat- ing the tabus of the tabu divine chiefs." *'The great stone on the top of Punchbowl Hill was the place for burning men." Part of an ancient chant concerning "Punch- bowl" reads as follows: " O the raging tabu fire of Keaka, O the high ascending fire of the sacrifice! Tabu fire, scattered ashes. Tabu fire, spreading heat." Nuuanu Valley, inland from Kou, was full of interesting legendary places. The most interest- ing, however, is the little valley made by a mountain spur pushing its way out from the Kalihi foothills into the larger valley, and bear- ing the name ''Waolani," the wilderness home of the gods, and now the home of Honolulu's Country Club. This region belonged to the eepa people. These were almost the same as the ill-shaped, deformed or injured gnomes of European fairy tales. In this beautiful little valley which opened into Nuuanu Valley was the heiau Waolani built for Ka-hanai-a-ke-Akua (The chief brought up by the gods), long before 6 LEGENDS OF HONOLULU the days of Kakuhihewa. It was said that the two divine caretakers of this chief were Kahano and Newa, and that Kahano was the god who lay down on the ocean, stretching out his hands until one rested on Kahiki (Tahiti or some other foreign land) and the other rested on Oahu. Over his arms as a great bridge walked the Menehunes, or fairy people, to Oahu. They came to be servants for this young chief who was in the care of the gods. They built fish- ponds and temples. They lived in Manoa Val- ley and on Punchbowl Hill. Ku-leo-nui (Ku with the loud voice) was their master. He could call them any evening. His voice was heard over all the island. They came at once and almost invariably finished each task before the rays of the rising sun drove them to their hidden resorts in forest or wilderness. Waolani heiau was the place where the noted legendary musical shell "Kiha-pu" had its first home — from which it was stolen by Kapuni and carried to its historic home in Waipio Valley, Hawaii. Below Waolani Heights, the Mene- hunes built the temple Ka-he-iki for the child nourished by the gods, and here the priest and prophet lived who founded the priest-clan called "-Mo-o-kahuna," one of the most sacred clans of the ancient Hawaiians. Not far from this temple was the scene of the dramatic plea of an owl LEGENDARY PLACES IN HONOLULU 7 for her eggs when taken from Kewalo by a man who had found her nest. This is part of the story of the battle of the owls and the king. Nearer the bank of the Nuuanu stream was the great bread-fruit tree into which a woman turned her husband by magic power when he was about to be slain and offered as sacrifice to the gods. This tree became one of the most powerful wooden gods of the Hawaiians, being preserved, it is said, even to the times of Kame- hameha I. At the foot of Nuuanu Valley is Pu-iwa, a place by the side of the Nuuanu stream. Here a father, Maikoha, told his daughters to bury his body, that from it might come the wauke- trees, from which kapa cloth has been pounded ever since. From this place, the legend says, the wauke- trees spread over all the islands. In the bed over which the Nuuanu waters pour is the legendary stone called "The Canoe of the Dragon." This lies among the boulders in the stream not far from the old Kaumakapili Church premises. In Nuuanu Valley was the fierce conflict be- tween Kawelo, the strong man from Kauai, assisted by two friends, and a band of robbers. In this battle torn-up trees figured as mighty war-clubs. 8 LEGENDS OF HONOLULU These are legendary places which border Kou, the ancient Honolulu. Besides these are many more spots of great interest, as in Waikiki and Manoa Valley, but these lie beyond the boun- daries of Kou and ancient Honolulu. In Kou itself was the noted Pakaka Temple. This temple was standing on the western side of the foot of Fort Street long after the fort was built after which the street was named. It was just below the fort. Pakaka was owned by Kinau, the mother of Kamehameha V. It was a heiau, or temple, built before the time of Kakuhihewa. In this temple, the school of the priests of Oahu had its headquarters for centuries. The walls of the temple were adorned all around with heads of men offered in sacrifice. Kou was probably the most noted konane (or checker) board place on Oahu. There was a famous large stone almost opposite the site of the temple. Here the chiefs gathered for many a game. Property and even lives were freely gambled away. The Spreckels Building covers the site of this famous gambling resort. One of the finest "Ulu-maika" places on the islands was the one belonging to Kou. This was a hard, smooth track about twelve feet wide extending from the corner on Merchant and Fort Streets now occupied by the Bank of Hawaii along the seaward side of Merchant LEGENDARY PLACES IN HONOLULU g Street to the place beyond Nuuanu Avenue known as the old iron works at Ula-ko-heo. It was used by the highest chiefs for rolling the stone disc known as "the maika stone." Kame- hameha I. is recorded as having used this maika track. lO LEGENDS OF HONOLULU II WAKEA THE POLYNESIAN THE fountain source of the Mississippi has been discovered and rediscovered. The origin of the Polynesian race has been a subject for discovery and rediscovery. The older theory of Malay origin as set forth in the earlier ency- clopaedias is now recognized as untenable. The Malays followed the Polynesians rather than pre- ceded them. The comparative study of Poly- nesian legends leads almost irresistibly to the conclusion that the Polynesians were Aryans, coming at least from India to Malasia and pos- sibly coming from Arabia, as Fornander of Hawaii so earnestly argues. It is now accepted that the Polynesians did not originate from Malay parentage, and that they did occupy for an indefinite period the region around the Sunda Straits from Java to the Molucca Islands, and also that the greater portion of the Pol3niesians was driven out from this region and scattered over the Pacific in the early part of the Christian Era. The legends that cluster around Wakea have greatly aided in making plain some things concerning the disposition of the Polynesians. By sifting the legends of Hawaii-loa we learn WAKEA THE POLYNESIAN ii how the great voyager becomes one of the first Vikings of the Pacific. His home at last is found to be Gilolo of the Molucca Islands. From the legends we become acquainted with Wakea (pos- sibly meaning '^ noonday," or "the white time") and his wife Papa ("earth"), the most widely remembered of all the ancestors of the Polynesian race. Their names are found in the legends of the most prominent island groups, and the high- est places are granted them among the demi-gods and sometimes among the chief deities. Their deeds belong to the most ancient times — the creation or discovery of the various islands of the Pacific world. Those who worshipped Wakea and Papa are found in such widely separated localities that it must be considered impossible for even a demi-god to have had so many homes. Atea, or Wakea, was one of the highest gods of the Marquesas Islands. Here his name means "light." The Marquesans evidently look back of all their present history and locate Atea in the ancient homeland. Vatea in the Society Isl- ands, Wakea in Hawaii and New Zealand, Makea, Vakea and Akea are phonetic variations of the one name when written down by the students who made a written form for words repeated from generation to generation by word of mouth alone. Even under the name "Wakea" this ancient chief is known by most widely separated 12 LEGENDS OF HONOLULU islands. The only reasonable explanation for this widespread reference to Wakea is that he was an ancestor belonging in common to all the scattered Polynesians. It seems as if there must have been a period when Wakea was king or chief of a united people. He must have been of great ability and probably was the great king of the United Polynesians. If this were the fact it would naturally result that his memory would be carried wherever the dispersed race might go. In the myths and legends of the Hervey Isl- ands, Vatea is located near the beginning of their national existence. First of all the Her- vey Islanders place Te-ake-ia-roe (The root of all existence). Then there came upon the an- cient world Te Vaerua (The breath, or The life). Then came the god time — Te Manawa roa (The long ago). Then their creation legends locates Vari, a woman whose name means *'the beginning," a name curiously similar to the He- brew word "bara," "to create," as in Gen. i. i. Her children were torn out of her breasts and given homes in the ancient mist-land, with which, without any preparation or introduction, Ha- waiki is confused in a part of the legend. It has been suggested that this Hawaiki is Savaii of the Samoan Islands, from which the Hervey Islands may have had their origin in a migration of the WAKEA THE POLYNESIAN 13 Middle Ages. One of the children of Vari dwelt in "a sacred tabu island" and became the god of the fish. Another sought a home "where the red parrots' feathers were gathered" — the royal feathers for the high chief's garments. Another became the echo-god and lived in *'the hollow gray rocks." Another as the god of the winds went far out "on the deep ocean." Another, a girl, found a home, "the silent land," with her mother. Wakea, or Vatea, the eldest of this family, remained in Ava-iki (Hawaii), the ances- tral home — "the bright land of Vatea." Here he married Papa. This Ava-iki was to the Her- veyites of later generations the fiery volcanic under-world. When the long sea-voyages ceased after some centuries, the islanders realized that Ava-iki was very closely connected with their history. They had but a misty idea of far-off lands, and they did know of earthquakes and lava caves and volcanic fires — so they located Ava-iki as the secret world under their islands. This under-world with legendary inconsistency was located on the ocean's surface, when it be- came necessary to have their islands discovered by the descendants of Vatea. According to the Hervey legends, Vatea is the father of Lono and Kanaloa, two of the great gods of the Polynesians. They are twins. Lono has three sons, whom he sends away. They sail out through many 14 LEGENDS OF HONOLULU heavens and from Ava-iki ''pull up" out of the deep ocean two of the Hervey Islands. The natives of the Hervey group supposed that the horizon around their group enclosed the world. Beyond this world line were heavens after heav- ens. A daring voyager by sailing through the sky-line would break out from this world into an unknown world or a heaven bounded by new horizons. Strangers thus "broke through" from heaven, sometimes making use of the path of the sun. Thus about twenty-five generations ago Raa (possibly Laa, the Hawaiian) broke down the horizon's bars and established a line of kings in Raiatea. So also when Captain Cook came to the Hervey Islands the natives said: "Whence comes this strange thing? It has climbed up [come up forcibly] from the thin land the home of Wakea." He had pierced the western heavens from which their ancestors had come. When the sons of Lono unexpectedly saw a speck of land far away over the sea, they cried out that here was a place created for them by their deified ancestors. As they came nearer they "pulled up" the islands until they grew to be high mountains rising from the deep waters. In these mountains they found the lava caves and deep chasms which they always said ex- tended down under the seas back to Ava-iki. WAKEA THE POLYNESIAN 1$^ They made their caves a passageway for spirits to the fairy home of the dead, and therefore into certain chasms cast the bodies of the dead, that the spirit might more easily find the path to the under-world. Vatea was a descendant of ''the long ago," according to the Hervey legend. Wakea of Hawaii was a son of Kahiko, ''the ancient." Wakea 's home is more definitely stated in the Hawaiian than in the Hervey legends. He lived in 0-Lolo-i-mehani, or The Red Lolo, a name confidently referred by Fornander in "The Polynesian Race" to Gilolo, the principal island of the Moluccas. The Red Lolo, as suggested by Fornander, would refer not alone to volcanic action and its decaying debris, but would fittingly designate the largest and most important island of the group. The fire bursting from many vol- canoes in the region of the Sunda Straits was "royal" to the beholders, who felt that divine power was present in the mysterious red flames. Hence all the Polynesian tribes invested the red color with especial dignity as a mark of royalty and pre-eminence. It was on the ban- ners allowed only to chiefs when their boats sailed away to visit distant lands. It was the color of the war cloaks of chiefly warriors. In the recent days of the monarchy of Hawaii, the richest crimson was the only color allowed in i6 LEGENDS OF HONOLULU upholstering the great throne room. Gilolo might worthily bear the name "The Red Lolo" in Hawaiian story. Here Hawaii-loa, the first of the Polynesian Vikings, had his home. Here the Chieftainess Oupe, a Polynesian princess, dwelt. In 0-Lolo Wakea married the grand- daughter of Oupe, whose name was Papa. She is almost as widely known in legends as her hus- band. Papa was said to be a tabued descendant of Hawaii-loa and therefore superior in rank to Wakea. Papa is described as 'Very fair and almost white." Her name means "earth," and Wakea's name might mean "noonday." This, with the many experiences through which they both passed, would lay the foundation for a very pretty sun-myth, but we cannot avoid the human aspect of the legends and give them both a more worthy position as ancestors or scattered people. Kahiko, the ancient, is recorded as having had three sons, from whom descended the chiefs, the priests and the common people, — the husband- men, — almost a Shem, Ham and Japheth di- vision. Other legends, however, give Kahiko only two sons, the eldest, Wakea, having power both as chief and priest. All the legends unite in making Wakea the head of the class of chiefs. This would very readily explain the high place held by Wakea throughout Polyne- sia and also the jealous grasp upon genealogical WAKEA THE POLYNESIAN 17 records maintained by the royal families of the Pacific. Wakea and Papa are credited with being the creators of many island kingdoms of the Pacific. Sometimes the credit is given partly to a mis- chievous fisherman-god, Maui, after whom one of the Hawaiian Islands is named. One of the Hawaiian legends goes back to the creation or discovery of Hawaii and ascribes the creation of the world to Wakea and Papa. The two were liv- ing together in "Po" — 'Markness," or "chaos." Papa brought into existence a gourd calabash in- cluding bowl and cover, with the pulp and seeds inside. Wakea threw the cover upward and it became heaven. From the pulp and seeds he made the sky and the sun and moon and stars. From the juice of the pulp he made the rain. The bowl he fashioned into the land and sea. Other legends limit the creative labors of Wakea to the Hawaiian group. With the aid of Papa he established a portion of the islands; then dis- cord entered the royal family and a separation was decided upon. The Hawaiian custom has always been for either chief or chieftainess to exercise the right to divorce and to contract the marriage ties. Wakea is said to have divorced Papa by spitting in her face, according to an an- cient custom. Wakea selected a chieftainess named Hina, from whom the island Molokai l8 LEGENDS OF HONOLULU (the leper island) received the name ''Molokai- hina" — the ancient name of the island. Morotai was also an island lying near Gilolo in the Mo- lucca group, and might be the place from which Wakea secured his bride. Papa selected as her new husband a chief named Lua. The ancient name of Oahu (the island upon which Honolulu is located) was "Oahu-a-lua" (The Oahu of Lua). One of the Celebes Islands bears a name for one of its districts very similar to Oahu — "Ouadju." Papa seems to have been partially crazed by her divorce. She marries many husbands. She voyages back and forth between distant islands. In an ancient island, Tahiti, she bears children from whom the Tahitians claim descent. In the Celebes she and her people experience a fam- ine and she is compelled to send to 0-Lolo for food. In New Zealand legend she becomes the wife of Langi (Hawaiian Lani, or heaven), a union of ''earth" and "heaven." They have six children. Four of these are the chief gods of ancient Hawaii: Ka-ne, ''light"; Ku, "the builder"; Lono, "sound"; and Kanaloa. Two of the children are not named in Hawaiian an- nals, unless it might be that one, Tawhirri, should be represented in Kahili, the tall standard limited for centuries as the insignia of very high chief families. The other name, " Haumia," might possibly be Haumea, a second name given ^ WAKEA THE POLYNESIAN 19 to Papa in the legends. The Maoris of New Zea- land deify all of these six sons of Lani and Papa. Ka-ne was "father of forests." He was very- strong. In ancient days the sky was not sep- arated from the earth. He lifted up the heavens and pushed down the earth — and thus made space for all things to grow. It was while the sky rested its full weight upon the earth that the leaves started into life, but were flat and thin because there was no chance to become plump and full like the fruit which came later. Here is the foundation for another sun-myth of the Pacific, wherein it might be said light came and separating darkness from the earth brought life into the world. Light could well be "the father of forests." The second son was Tawhirri, "the father of winds and storms." A part of his name was "ma tea," which might possibly be referred to Wakea. He dwelt in the skies with his father Lani. The third son was Lono, who was "the father of all cultivated food." The fourth was Haumia, "the father of un- cultivated food" — such food as grew wild in the forests or among the herbs or in the midst of the edible sea-mosses. The fifth son was Kanaloa, "the father of all reptiles and fishes," at first dwelling in Hawaiki on the land with all his descendants. 20 LEGENDS OF HONOLULU The sixth son was Ku ''with the red face," "the father of fierce or cruel men." Ku was easily made angry, and after a time waged war against his brothers and their followers. There was great destruction, but Ku could not win the victory alone. He was compelled to call upon Tawhirri, ''the father of winds and storms." Fierce men and fierce storms made it difficult for the remainder of the household to escape. The "father of forests" bowed to the earth under the terrific force of hurricanes and torna- does. The "fathers of foods" buried themselves deep in the ground to escape destruction at the hands of cruel mankind and tempestuous nature. Then came the bitter conflict between the family of Kanaloa and their combined enemies. Cruel men were without pity in the blows dealt against their inferior kindred. At last the "fish" fled to the sea and sought safety in distant waters, finding homes where the children of Ku did not care to follow. The "reptiles" fled inland to the secret recesses of the mountains and forests. There they have kept their wild savage life through the centuries even to the present day, as in Sumatra, Borneo, the Celebes, the Philip- pines and other sections of the region around the Sunda Straits. They are not now ocean lovers any more than in the ages past. They do not "go down to the sea in ships." Neither do WAKEA THE POLYNESIAN 21 they love the coming of Dutch or Spanish or American civilization. They seem to have an hereditary dislike for strange and cruel men. The sea rovers became great wanderers, car- rying with them the name of "Kanaloa" and planting it in almost all the Pacific islands to be worshipped as one of the supreme gods. How much these domestic troubles surround- ing the name of Papa may have had to do with an early migration of the Polynesians we do not know. It may be that while the household was engaged in war the Malays came from the north and with tornado power scattered the divided family, compelling swift flight to distant lands. It is now understood that the great dis- persion of the Polynesians came from the incur- sions of the powerful Malays during the second century of the Christian Era. Some of the Hawaiian and New Zealand legends imply that for a number of generations a part of the Poly- nesians remained in the old family home, Ha- waiki. The New Zealanders enter quite fully into the account of the troubles attending the coming of their ancestors from Hawaiki. They mention battles and domestic discords. They tell of the long journeys and wearisome efforts put forth until their ancestors find Northern New Zealand, Ke-ao-tea-roa (The great white land). This was pulled up out of the sea for 22 LEGENDS OF HONOLULU them by Maui with his wonderful fish-hook. This story of the magic fishing of the disobedient and mischievous Maui is common in Polynesia. After the discovery of New Zealand, boats were sent back to Hawaiki to induce large com- panies of colonists to leave the land of warfare and trouble and settle in rich lands bordering the beautiful bays of New Zealand. Like stories of discovery of new lands and return for friends adorn the legends of all Poly- nesia. Wakea's descendants were clannish and stood by each other in that great migration of the second century as well as in the better-re- membered journeys of later years. There seems to have been a continued migration of the Poly- nesians. Sometimes they were apparently fought off by the black race, as in Australia; sometimes they held their own for a time, keeping the black men inland, as in Fiji; and sometimes they struck out boldly for new lands, as when they sailed long distances to the Hawaiian and Easter Isl- ands. It is said that the purest forms of the Polynesian language, most harmonious with one another, were carried by the children of Wakea to the far distant islands of New Zealand, Easter Island and Hawaii. LEGEND OF THE BREAD-FRUIT TREE 23 in LEGEND OF THE BREAD-FRUIT TREE THE wonderful bread-fruit tree was a great tree growing on the eastern bank of the rippling brook Puehuehu (the ancient name for the Nuuanu stream near the Nuuanu Street bridge). It was a tabu tree, set apart for the high chief from Kou (ancient Honolulu harbor) and the chiefs from Honolulu to rest under while on their way to bathe in the celebrated diving- pool Wai-kaha-lulu. That tree became a god, and this is the story of its transformation: Papa and Wakea were the ancestors of the great scattered sea-going and sea-loving people living in all the islands now known as Polynesia. They had their home in every group of islands where their descendants could find room to multiply. They came to the island of Oahu, and, accord- ing to almost all the legends, were the first resi- dents. The story of the magic bread-fruit tree, however, says that Papa sailed from Kahiki (a far-off land) with her husband Wakea, landing on Oahu and finding a home in the mountain upland near the precipice Kilohana. 24 LEGENDS OF HONOLULU Papa was a kupua — a woman having many wonderful and miraculous powers. She had also several names. Sometimes she was called Hau- mea, but at last she left her power and a new name, Ka-meha-i-kana, in the magic bread-fruit tree. Usually the legends which tell this story call her Haumea, but the name matters not and the best and easiest name is Papa. Papa was a beautiful woman, whose skin shone like polished dark ivory through the flowers and vines and leaves which were the only clothes she knew. Where she and her husband had settled down they found a fruitful country — with bananas and sugar-cane and taro. They built a house on the mountain ridge and feasted on the abundance of food around them. Here they rested well protected when rains were fall- ing or the hot sun was shining. Papa day by day looked over the seacoast which stretches away in miles of marvellous beauty below the precipices of the northern mountain range of the island Oahu. Clear, deep pools, well filled with most delicate fish, lay rest- fully among moss-covered projections of the bordering coral reef. The restless murmur of surf waves beating in and out through the broken lines of the reef called to her, so, catching up some long leaves of the hala-tree, she made a light basket and hurried down to the sea. In a little LEGEND OF THE BREAD-FRUIT TREE 25 while she had gathered sea-moss and caught all the crabs she cared to carry home. She turned toward the mountain range and carried her burden to Hoakola, where was a spring of beautiful clear, cold, fresh water. She lay down her moss and crabs to wash them clean before she took them home. She looked up, and on the mountain-side there was something strange. She soon saw her hus- band in the hands of men who had captured him and bound him and were compelling him to walk down the opposite side of the range. Her heart leaped with fear and anguish. She forgot her crabs and moss and ran up the steep way to her home. It is said that the moss rooted itself by the spring, but the crabs escaped to the sea. The legend says that there were chiefs and their people living on the Honolulu side of the mountains, and that the noted temple Pakaka (now the foot of Fort Street) had been built and had received from time to time the human vic- tims which it demanded through all its hundreds of years of existence. Lele-hoo-mao was said to be the ruling chief, and his fields were the ones despoiled by Papa and her husband. His servants, while searching the country around these fields, had found and captured Wakea. They were forcing him to the 26 LEGENDS OF HONOLULU temple Pakaka to be there offered in sacrifice. They were shouting, "We have found the mis- chief-maker and have tied him." Papa threw around her some of the vines which she had fashioned into a skirt, and ran over the hills to the edge of Nuuanu Valley. Looking far down the valley she saw her husband and his captors. Down she climbed into the valley. She found a man by the side of the stream Puehuehu, who said to her: "A man has been carried by who is to be baked in an oven this day. The fire is burning in the valley below." Papa said, "Give me water to drink." The man said, "I have none." Then Papa took a stone and smashed it against the ground. It broke through into the water pool which lies near the present cemeteries, the home of the dead in Nuuanu Valley. She drank and hastened on to the bread-fruit tree at Nini, where she overtook her husband and the men who guarded him. One of the legends says that a chief by the name of Makea killed Wakea at this place. Others say that Makea was Papa's husband and that he was killed by a chief, Puna-ai-koae, but the longer legends say that Papa found her hus- band alive, his hands bound behind him and his leaf clothing torn from his body. She rushed to LEGEND OF THE BREAD-FRUIT TREE 27 him, wailing and crying that she must kiss her husband. She ran to him and began to push him and pull him, whirling him around and around. Suddenly the great bread-fruit tree opened and she leaped with him through the doorway into the heart of the tree. The opening closed in a moment. Papa, by her miraculous power, opened the tree on the other side. They passed through and went rapidly up the mountain-side to their home, which was near the head of Kalihi Valley. As they ran Papa threw off her vine pa-u, or skirt. The vine became the beautiful morning- glory, delicate in blossom and powerful in me- dicinal qualities. The astonished men had lost their captive. He was entirely lost. According to the ancient Hawaiian proverb, "Their fence was around the field of nothingness." They rushed and pushed against the tree, but the door was well closed. They ran around under the heavy-leaved branches and found nothing. They believed that the great tree held their captive in its magic power. Away ran their messenger to their high chief, Lele-hoo-mao, to tell him about the trouble at the tabu bread-fruit tree at Nini and that the sacrifice for which the oven was being heated was lost. 28 LEGENDS OF HONOLULU The chiefs consulted together and decided to cut down that tree and take that captive out of his hiding-place. They sent tree-cutters with their stone axes. The leader of the tree-cutters struck the tree with his stone axe. A chip leaped from the tree, struck him, and he fell dead. Another caught the axe. Again chips flew and the workman fell dead. Then all the cutters struck and gashed the tree. Whenever a chip hit any one he died, and the blood of the tree flowed out and was spattered under the blows of the stone axes. Whenever a drop touched a workman or a bystander he fell dead. The people were filled with fear and cried to their priest for help. Wohi, the priest, came to the tree, bowed be- fore it, and remained in silent thought a long time. After a time he raised his head and said: "It was not a woman who went into the tree. That was Papa from Kahiki. She is a goddess and has a multitude of bodies. If we treat her well we shall not be destroyed." Wohi commanded the people to offer sacrifices at the foot of the tree. This was done with prayers and incantations. A black pig, black awa and red fish were offered to Papa. Then LEGEND OF THE BREAD-FRUIT TREE 29 Wohi commanded the wood-cutters to rub themselves bountifully with cocoanut oil and go fearless to their work. Chips struck them and the blood of the tree was spattered over them, but they toiled on unhurt until the great tree fell. Out of this magic bread-fruit tree a great goddess was made. Papa gave to it one of her names, Ka-meha-i-kana, and endowed it with power so that it was noted from Kauai to Hawaii. She became one of the great gods of Oahu, but was taken to Maui, where Kamehameha secured her as his god to aid in establishing his rule over all the islands. The peculiar divine gift supposed to reside in this image made from the wonderful bread- fruit tree was his ability to aid her worshippers in winning land and power from other people and wisely employing the best means of firmly establishing their own government, thus pro- tecting and preserving the kingdom. Papa dwelt above the Kalihi Valley and looked down over the plains of Honolulu and Ewa cov- ered with well-watered growing plants which gave food or shade to the multiplying people. It is said that after a time she had a daughter, Kapo, who also had kupua, or magic power. Kapo had many names, such as Kapo-ula-kinau and Laka. She was a high tabu goddess of the ancient Hawaiian hulas, or dances. She had 30 LEGENDS OF HONOLULU also the power of assuming many bodies at will and could appear in any form from the mo-o, or lizard, to man. Kapo is the name of a place and of a wonder- ful stone with a ''front like the front of a house and a back like the tail of a fish." The legends of sixty years ago say that Kapo still stood in that place as one of the guardians of Kalihi Valley. Kapo was born from the eyes of Haumea, or Papa. Papa looked away from Kapo and there was born from her head a sharp pali, or precipice, often mist-covered; this was Ka-moho-alii. Then Pele was born. She was the one who had mighty battles with Kamapuaa, the pig-man, who almost destroyed the volcano Kilauea. It was Ka-moho-alii who rubbed sticks and rekindled the volcanic fires for his sister Pele, thus driving Kamapuaa down the sides of Kilauea into the ocean. These three, according to the Honolulu legends, were the highest-born children of Papa and Wakea. Down the Kalihi stream below Papa's home were two stones to which the Hawaiians gave eepa, or gnomelike, power. If any traveller passes these stones on his way up to Papa's rest- ing-place, that wayfarer stops by these stones, LEGEND OF THE BREAD-FRUIT TREE 31 gathers leaves and makes leis, or garlands, and places them on these stones, that there may be no trouble in all that day's wanderings. Sometimes mischievous people dip branches from lehua-trees in water and sprinkle the eepa rocks; then woe to the traveller, for piercing rains are supposed to fall. From this comes the proverb belonging to the residents of Kalihi Valley, ''Here is the sharp -headed rain of Kalihi" (''Ka ua poo lipilipi o Kalihi")- 32 LEGENDS OF HONOLULU IV THE GODS WHO FOUND WATER FOUR great gods with a large retinue of lesser gods came from Kahiki to the Hawaiian Islands. "Kahiki" meant any land beyond the skies which came down to the seas around the Hawaiian group. These gods settled for a time in Nuuanu Valley, back of the lands now known as Honolulu. These four great gods were worshipped by the Polynesians scattered all over the Pacific Ocean. Their names were Ku, Lono, Ka-ne and Kanaloa. Ka-ne and Kanaloa were the water-finders, opening fountains and pools over all the islands, each pool known now as Ka-Wai-a-ke-Akua (The water provided by a god). In one of the very old Hawaiian newspapers the question was asked, "What are the waters of Ka-ne?" The answers came: The heavy showers of life-giving rain, the mountain stream swelling into a torrent lifting and carrying away canoes, the rainbow-colored rain loved by Ka-ne, the continually flowing brooks of the valleys and the fresh waters found anywhere — these were the waters of Ka-ne. THE GODS WHO FOUND WATER 33 It may reasonably be surmised that from the reahzation of the blessing of fresh waters the ancient Polynesians as well as the Hawaiians looked up to some waters to be found somewhere in the lands of the gods, which were called "the waters of life of Ka-ne." The Hawaiian legends said: "If any one is dead and this water is thrown upon him, he becomes alive again. Old people bathing in this water go back to their youth." If the common fresh water of the hills and plains were good, it was easy to look beyond to something better. The gods Ka-ne and Kanaloa were very closely allied to the farming interests of the people of the long ago. Prayers were offered to them in all the different stages of the process of farming. When a field was selected some article of food was cooked and offered with the prayer: "Here is food, O Gods Ka-ne and Kanaloa! Here is food for us. Give life to us and our family. Life for the parents feeble with age. Life for all in the household. When digging and planting our land Life for us — This is our prayer. Amama." A similar prayer was made while cultivating the crops or harvesting the ripened product. 34 LEGENDS OF HONOLULU It may be that the close connection of waters with plant growth made these two gods the especial gods of farmers. There was a host of other gods whose names were sometimes used in prayers offered while farming. Each of these gods bore the name "Ka-ne" (sometimes Ku or Lono would be sub- stituted), followed by an adjective showing some method of work, but all these names of lesser gods were apparently used to explain the particular task desired, as when the name "Ka- ne-apuaa" was mentioned in some prayers, the word "puaa" (pig) carried the idea of digging or uprooting the soil. Ka-ne and Kanaloa were great travellers. Together they journeyed over Kauai, coming (according to an account written in the Kuokoa about 1868 by the Rev. J. Waiamau) from far- away lands. They appeared more like men than gods, and the Kauai people did not worship them, so they opened up only a few fountains and crossed over to the island Oahu. Throughout all the islands the awa root has been found. It was bitter and very astringent, but when crushed and mixed with water the juice became a liquor greatly loved by the people. "These two gods drank awa from Kauai to Hawaii," so the old legends say. They journeyed along the coast of the island THE GODS WHO FOUND WATER 35 Oahu until they came to Kalihi, one of the pres- ent suburbs of the city of Honolulu. For a long time they had been looking up the hill- sides and along the water courses for awa — but had not found what seemed desirable. At Kalihi a number of fine awa roots were growing. They pulled up the roots and pre- pared them for chewing. When the awa was ready Kanaloa looked for fresh water, but could not find any. So he said to Ka-ne: ''Our awa is good, but there is no water in this place. Where can we find water for this awa?" Ka-ne said, "There is indeed water here." He had a "large and strong staff," in some of the legends called a spear. This he took in his hands and stepped out on the bed of lava which now underlies the soil of that region. He began to strike the earth. Deep went the point of his staff into the rock, smashing and splintering it and breaking open a hole out of which water leaped for them to mix with their prepared awa. This pool of fresh water has been known since the days of old as Ka - puka - Wai - o - Kalihi (The water door of Kalihi). The gods, stupefied by the liquor, lay down and slept. When at last they were weary of that resting-place, they passed Nuuanu Valley and went into the most beautiful rainbow valley of the world, Manoa Valley, the home of the rainbow princess. This 36 LEGENDS OF HONOLULU valley is one of the well-settled suburbs of Honolulu. Well-wooded precipices guard the upper end of the valley and make difficult the path to the tops of the mountains rising thousands of feet above. Here the gods found most excellent awa, and Kanaloa cried, ''O my brother, this is awa sur- passing any other we have found; but where shall I go to find water?" Ka-ne replied, "Here in this hillside is water." So he took his staff and struck it fiercely against the precipice by which they had found awa. Rapidly the rocks were broken off. The precipice crept back from the mighty strokes of the god and a large pool of clear, cool water nestled among the great stones which had fallen. There they mixed awa and water and drank again and again until the sleep of the drunkard came and they rested by the fountain they had made. This pool is still at the head of Manoa Valley, and to this day is called Ka-Wai-a-ke-Akua (The water pro- vided by a god). The servants of hundreds of chiefs have borne water from this place to their thirsty masters. In the days of Kamehameha I. very often messengers came from this pool of water of the gods with calabashes full of water swinging from the ends of sticks laid over their shoulders. THE GODS WHO FOUND WATER 37 When they came near any individual or group of Hawaiians they had to call out loudly, giv- ing warning so that all by whom they passed could fall prostrate before the gift of the gods to the great king. Ka-ne and Kanaloa made many fountains of fresh waters in all the different islands. Some- times a watchman refused to let them take the desired awa — the legends say that they called such persons stingy, and caught them and put them to death. At Honuaula they broke a large place and made a great fish-pond. They went to Kohala, Hawaii, and found a temple in which they lived for a long time, and the people of Hawaii thought they were gods. Therefore they brought sacrifices and offered worship, and Ka-ne and Kanaloa were satisfied to remain as two of the gods of the islands. This idea of "striking a rock for water springs" is not connected or derived in any way from Biblical sources. The tool used by Hawaiians for centuries for digging was called the 0-0, which was but little more than a sharp-pointed stick or staff, which was a lever as well as a spade. There is nothing in the legend beyond the expression of a desire to locate water springs as a gift from the gods. 38 LEGENDS OF HONOLULU V THE WATER OF LIFE OF KA-NE A Legend of Old Hawaii "When the moon dies she goes to the livmg water of Ka-ne, to the water which can restore all to life, even the moon to the path in the sky." — Maori Legend of New Zea- land. THE Hawaiians of long ago shared in the belief that somewhere along the deep sea beyond the horizon around their islands, or somewhere in the cloud-land above the heavens which rested on their mountains, there was a land known as "The land of the water of life of the gods." In this land was a lake of living water in which always rested the power of restoration to life. This water was called in the Hawaiian language Ka wai ola a Ka-ne, literally "The water living of Ka-ne," or "The water of life of Ka-ne." Mention of this "wai ola" is found in many of the Pacific island groups, such as New Zea- land, the Tongas, Samoa, Tahiti and the Ha- waiian Islands. The thought of "water of life" cannot be limited to only a few references in legends. Some of the most interesting legen- THE WATER OF LIFE OF KA-NE 39 dary experiences in several island groups belong to the stories of a search after this ''water of life." Ka-ne was one of the four greatest gods of the Polynesians. In his hands was placed the care of the water of life. If any person secured this water, the power of the god went with it. A sick person drinking it would recover health, and a dead person sprinkled with it would be re- stored to life. In the long, long misty past of the Hawaiian Islands a king was very, very ill. All his friends thought that he was going to die. The family came together in the enclosure around the house where the sick man lay. Three sons were wailing sorely because of their heavy grief. An old man, a stranger, passing by asked them the cause of the trouble. One of the young men replied, "Our father lies in that house very near death." The old man looked over the wall upon the young men and said slowly: "I have heard of something which would make your father well. He must drink of the water of life of Ka-ne. But this is very hard to find and difficult to get." The old man disappeared, but the eldest son said, "I shall not fail to find this water of life, and I shall be my father's favorite and shall 40 LEGENDS OF HONOLULU have the kingdom." He ran to his father for permission to go and find this water of life. The old king said: "No, there are many diffi- culties and even death in the way. It is better to die here." The young prince urged his father to let him try, and at last received permission. The prince, taking his water calabash, hastened away, but the journey was long and he found no water which had the power of life. As he went along a path through the forest, suddenly an ugly little man, a dwarf (an a-a), appeared in his path and called out, "Where are you going that you are in such a hurry?" The prince answered roughly: "Is this your business? I have nothing to say to you." He pushed the little man aside and ran on. The dwarf was very angry and determined to punish the rough speaker, so he made the path twist and turn and grow narrow before the trav- eller. The further the prince ran, the more bewildered he was, and the more narrow became the way, and thicker and thicker were the trees and vines and ferns through which the path wound. At last he fell to the earth, crawling and fighting against the tangled masses of ferns and the clinging tendrils of the vines of the land of fairies and gnomes. They twined themselves around him and tied him tight with living cords, and in their hands he lay like one who was dead. THE WATER OF LIFE OF KA-NE 41 For a long time the family waited and at last came to the conclusion that he had been over- come by some difficulty. The second son said that he would go and find that water of life, so taking his water calabash he ran swiftly along the path which his brother had taken. His thought was also the selfish one, that he might succeed where his brother had failed and so win the kingdom. As he ran along he met the same little man, who was the king of the fairies although he ap- peared as a dwarf. The little man called out, "Where are you going in such a hurry?" The prince spoke roughly, pushed him out of the way, and rushed on. Soon he also was caught in the tangled woods and held fast like one who was dead. Then the last, the youngest son, took his calabash and went away thinking that he might be able to rescue his brothers as well as get the water of life for his father. He met the same little man, who asked him where he was going. He told the dwarf about the king's illness and the report of the "water of life of Ka-ne," and asked the dwarf if he could aid in any way. "For," said the prince, "my father is near death, and this living water will heal him and I do not know the way." The little man said: "Because you have spoken 42 LEGENDS OF HONOLULU gently and have asked my help and have not been rough and rude as were your brothers, I will tell you where to go and will give you aid. The path will open before you at the bidding of this strong staff which I give you. By and by you will come to the palace of a king who is a sorcerer. In his house is the fountain of that water of life. You cannot get into that house unless you take three bundles of food which I will give you. Take the food in one hand and your strong staff in the other. Strike the door of that king's house three times with your staff and an opening will be made. Then you will see two dragons with open mouths ready to devour you. Quickly throw food in their mouths and they will become quiet. Fill your calabash with the living water and hurry away. At midnight the doors are shut, everything is tightly closed, and you cannot escape." The prince thanked the little man, took the presents and went his way rejoicing, and after a long time he came to the strange land and the sorcerer's house. Three times he struck until he broke the wall and made a door for himself. He saw the dragons and threw the food into their mouths, making them his friends. He went in and saw some young chiefs, who welcomed him and gave him a war-club and a bundle of food. He went on to another room, where he THE WATER OF LIFE OF KA^NE 43 met a beautiful maiden whom he loved at once with all his heart. She told him as she looked in his eyes that after a time they would meet again and live as husband and wife. Then she showed him where he could get the water of life, and warned him to be in haste. He dipped his calabash in the fountain and leaped through the door just as the moments of midnight came. With great joy he hastened from land to land and from sea to sea watching for the little man, the a-a, who had aided him so much. Almost as if his wish were known the little man appeared and asked him how he fared in his journey. The prince told him about the long way and the success and then offered to pay as best he could for all the aid so kindly given. The dwarf refused all reward. Then the prince said he would be so bold as to ask one favor more. The little man said, ''You have been so thoughtful in dealing with me as one highly honored by you, ask and perhaps I can give you what you wish." The prince said, "I do not want to return home without my brothers; can you help me find them?" "They are dead in the forest," said the dwarf. ''If you find them they will only do you harm. Let them rest in their beds of vines and ferns. They have evil hearts." But the young chief pressed his kindly thought 44 LEGENDS OF HONOLULU and the dwarf showed him the tangled path through the forest. With his magic staff he opened the way and found his brothers. He sprinkled a little of the water of life over them and they came back to full life and strength. He told them how he had found the * 'living water of Ka-ne," and had received gifts and also the promise of a beautiful bride. The brothers for- got their long sleep of death and were jealous and angry at the success of their younger brother. The way was long as they journeyed home- ward. They passed a strange land where the high chief was resisting a large body of rebels. The land was lying desolate and the people were starving. The yoimg prince pitied the high chief and his people and gave them a part of the bundle of food from the house of the god Ka-ne. They ate and became very strong. Then he let the chief have his war-club. Quickly the rebels were destroyed and the land had quiet and peace. He aided another chief in his wars, and still another in his difficulties, and at last came with his brothers to the seacoast of his own land. There they lay down to sleep, but the wicked brothers felt that there were no more troubles in which they would need the magic aid of their brother, so they first planned to kill him, but the magic war-club seemed to defend him. Then they took his calabash of the water of life and poured THE WATER OF LIFE OF KA-NE 4$ the water into their water-jars, filling his cala- bash again with salt, sickish sea-water. They went on home the next morning. The young prince pressed forward with his calabash, hand- ing it to his father, telling him to drink and recover life. The king drank deeply of the salt water and was made more seriously sick, almost to death. Then the older brothers came, charg- ing the young prince with an attempt to poison his father. They gave him the real water of life and he immediately became strong as in the days of his youth. The king was very angry with the youngest son and sent him away with an officer who was skilled in the forest. The officer was a friend of the young prince and helped him to find a safe hiding-place, where he lived a long time. By and by the three great kings came from distant lands with many presents for the prince who had given them peace and great prosperity. They told the father what a wonderful son he had, and wanted to give him their thanks. The father called the officer whom he had sent away with the young man and acknowledged the wrong he had done. The officer told him the prince was not dead, so the king sent messengers to find him. Meanwhile one of the most beautiful princesses of all the world had sent word everywhere that 46 LEGENDS OF HONOLULU she would be seated in her house and any prince who could walk straight to her along a line drawn in the air by her sorcerers, without turning to either side, should be her husband. There was a day set for the contest. The messengers sent out by the king to find the prince knew all about this contest, so they made all things known to their young chief when they found him. He went with his swift steps of love to the land of the beautiful girl. His brothers had both failed in their most careful endeavors, but the young prince followed his heart's desire and went straight to a door which opened of its own choice. Out of the house leaped the maiden of the palace of the land of Ka-ne. Into his arms she rushed and sent her servants everywhere to proclaim that her lord had been found. The brothers ran away to distant lands and never returned. The prince and the princess became king and queen and lived in great peace and happiness, administering the affairs of their kingdom for the welfare of their subjects. Thus they received high honor from all their people for their wisdom and grace. THE GOD OF PAKAKA TEMPLE 47 VI THE GOD OF PAKAKA TEMPLE PAKAKA was a heiau, or temple, located in the long ago on the western side of the foot of Fort Street, about the place where a lumber- yard is now to be found. There are several legends connected with this heiau. One of the most interesting is that which tells how the god of the temple came into being. The story of the god of this temple is a story of voyages and vicissitudes. Olopana had sailed away from Waipio, Hawaii, for the distant isl- ands of distant seas. Somewhere in all that great number of islands which were grouped un- der the general name "Kahiki" Olopana found a home. Here his daughter Mu-lei-ula was near to childbirth. "Mu with the red gar- land" was experiencing great trouble. For some reason Haumea, one of the divine Poly- nesian ancestors, had stopped for a time to visit the people of that land. When the friends were afraid that "Mu" would die, Haumea came to help, saying: "In our land the mother lives. The mother and child both live." The people said, "If you give us aid, how can we render payment or give you a reward?" 48 LEGENDS OF HONOLULU Haumea said: ''There is a beautiful tree with two strange but glorious flowers, which I like very much. It is ' the tree of changing leaves' with two flowers, one kind singing sharply, and the other singing from time to time. For this tree I will save the life of the chief's daughter and her child." Gladly the sick girl and her friends promised to give this beautiful tree to Haumea. It was a tree greatly loved and enjoyed by the princess. Haumea commenced the prayers and incanta- tions which accompanied her treatment of the sick, and the chiefess rapidly grew stronger. This had come so quickly and easily that she repented the gift of the tree with the beautiful flowers, and cried out, "I will not give the tree." Immediately she began to lose strength, and called to Haumea that she would give the tree if she could be forgiven and healed. However, as strength came to her once more she again felt sorry for her tree and refused to let it go. Again the incantations were broken off and the divine aid withdrawn. Olopanain agony cried to his daughter: ''Give up your tree. Of what use will it be with its flowers if you die?" Then Haumea gave her the final strength, with the most powerful incanta- tions, and mother and child both lived and be- came well and strong. THE GOD OF PAKAKA TEMPLE 49 Haumea took the tree and travelled over the far seas to distant Hawaii. On that larger isl- and she found no place to plant the tree. She crossed over to the island Maui, and came to the "four rivers." There she found the awa of the gods and prepared it to drink, but needed fresh water to mix with it. She laid her tree on the ground at Puu-kume by the Wai-hee stream and went down after water. When she returned the tree had rooted. While she looked at it it be- gan to stand up and give life to its branches. She built a stone wall around it, shutting out the winds. When it blossomed Haumea returned to her divine home in Nuumehalani, in the unknown land of mists and shadows where the gods dwelt. By and by a man took his stone axe and went out to cut a tree, perhaps to make a god. He saw a new tree, short and beautiful, and after hours of labor cut it down. The night was com- ing on, so he left it as it fell and went home. That night a fierce and mighty storm came down from the mountains. Blood-red were the streams of water pouring down into the valleys. During twenty nights and twenty days the angry rain punished the land above and around Wai- hee. The river was more than a rushing tor- rent. It built up hills and dug ravines. It hurled its mighty waves against the wall inside which the tree was lying. It broke the wall, 50 LEGENDS OF HONOLULU scattered the stones, and bore the tree down one of the deep ravines it had dug. The branches were broken off and carried with the trunk of the tree far out into the ocean. For six months the waves tossed this burden from one place to another, and at last threw the largest branch on the reef near the beach of Kailua, on the island Hawaii. The people saw a very wonderful thing. Where this branch lay stranded in the water, fish of many kinds gath- ered leaping around it. The chiefs took this wonderful branch inland and made the god Makalei, which was a god of Hawaii for gen- erations. Another branch came into the possession of some of the Maui chiefs, and was used as a stick for hanging bundles upon. It became a god for the chiefs of Maui, with the name Ku- ke-olo-ewa. The body of the tree rolled back and forth along the beach near the four waters, and was wrapped in the refuse of the sea. A chief and his wife had not yet found a god for their home. In a dream they were told to get a god. For three days they consulted priests, re- peated prayers and incantations, and offered sacrifices to the great gods, while they made search for wood from which to cut out their god. On the third night the omens led them THE GOD OF PAKAKA TEMPLE 51 down to the beach and they saw this trunk of a tree rolling back and forth. A dim haze was playing over it in the moonlight. They took that tree, cut out their god, and called it Ku-hoo- nee-nuu. They built a heiau, or temple, for this god, and named that heiau Waihau and made it tabu, or a sacred place to which the priests and high chiefs alone were admitted freely. The mana, or divine power, of this god was very great, and it was a noted god from Hawaii to Kauai. Favor and prosperity rested upon this chief who had found the tree, made it a god, and built a temple for it. The king who was living on the island Oahu heard about this tree, and sent servants to the island Maui to find out whether or no the re- ports were true. If true they would bring that god to Oahu. They found the god and told the chief that the king wanted to establish it at Kou (ancient Honolulu), and would build a temple for it there. The chief readily gave up his god and it was carried over to its new home. The temple, or heiau, was built at Kou and the god Ku-hoo-nee-nuu placed in it. This temple was Pakaka, near the foot of Fort Street, the most noted temple on the island Oahu, while its god, the log of the tree from a foreign land, be- came the god of the chiefs of Oahu. 52 LEGENDS OF HONOLULU VII MAMALA THE SURF-RIDER. "ly'OU" was the ancient name of Honolulu — -■■^ the place for games and sports among the chiefs of long ago. A little to the east of Kou and inside the present filled land used for the United States quarantine and coal station was a pond with a beautiful grove of cocoanut-trees belonging to a chief, Hono-kau-pu, and afterward known by his name. Straight out toward the ocean was the narrow entrance to the harbor, through which rolled the finest surf waves of the Honolulu part of the island Oahu. The surf bore the name "Ke-kai-o-Mamala" ("The sea of Mamala "). When the surf rose high it was called "Ka- nuku-o-Mamala " (''The nose of Mamala"). So the sea and entrance to the harbor were known by the name "Mamala," and the shore gave the name "Kou" to the bay. Mamala was a chiefess of kupua character. This meant that she was a mo-o, or gigantic liz- ard or crocodile, as well as a beautiful woman, and could assume whichever shape she most desired. One of the legends says that she was a shark and woman, and had for her husband the shark-man Ouha, afterward a shark-god having his home in the ocean near Koko Head. MAMALA THE SURF-RIDER 53 Mamala and Ouha drank awa together and played konane on the smooth konane stone at Kou. Mamala was a wonderful surf -rider. Very skilfully she danced on the roughest waves. The surf in which she most delighted rose far out in the rough sea, where the winds blew strong and whitecaps were on waves which rolled in rough disorder into the bay of Kou. The people on the beach, watching her, filled the air with resounding applause as they clapped their hands over her extraordinary athletic feats. The chief, Hono-kau-pu, chose to take Mamala as his wife, so she left Ouha and lived with her new husband. Ouha was angry and tried at first to injure Hono and Mamala, but he was driven away. He fled to the late Ka-ihi-Kapu toward Waikiki. There he appeared as a man with a basketful of shrimps and fresh fish, which he offered to the women of that place, saying, "Here is life [i.e., a living thing] for the children." He opened his basket, but the shrimps and the fish leaped out and escaped into the water. The women ridiculed the god-man. The an- cient legendary characters of all Polynesia as well as of Hawaii could not endure anything that brought shame or disgrace upon them in the eyes of others. Ouha fled from the taunts 54 LEGENDS OF HONOLULU of the women, casting off his human form, and dissolving his connection with humanity. Thus he became the great god-shark of the coast be- tween Waikiki and Koko Head. The surf-rider was remembered in the beau- tiful mele, or chant, coming from ancient times and called the mele of Hono-kau-pu: "The surf rises at Koolau, Blowing the waves into mist, Into little drops, Spray falling along the hidden harbor. There is my dear husband Ouha, There is the shaking sea, the running sea of Kou, The crab-like moving sea of Kou. Prepare the awa to drink, the crab to eat. The small konane board is at Hono-kau-pu. My friend on the highest point of the surf. This is a good surf for us. My love has gone away. Smooth is the floor of Kou, Fine is the breeze from the mountains. I wait for you to return, The games are prepared, Pa-poko, pa-loa, pa-lele, Leap away to Tahiti By the path to Nuumehalani (home of the gods), Will that lover (Ouha) return? I belong to Hono-kau-pu, From the top of the tossing surf waves. The eyes of the day and the night are forgotten. Kou has the large konane board. This is the day, and to-night The eyes meet at Kou." 1^ >ci ^' -^^'^-^ '„ VIII A SHARK PUNISHED AT WAIKIKI BETWEEN i860 and 1870 two Hawaiian papers, the Kuokoa and the Au-Okoa, gave space to a great many chapters of Hawaiian history and legend. Among the legendary characters was Ka-ehu — the little yellow shark of Pearl Harbor. He had been given magic power and great wisdom by his ancestor Kamoiliili, the shark -god, brother of the fire-goddess Pele. Part of his life had been spent with his par- ents, who guarded the sea precipices of the Coast of Puna in the southern part of the island Hawaii. While at Pearl Harbor he became homesick for the beauty of Puna, so he chanted: "O my land of rustling lehua-treesl Rain is treading on your budding flowers, It carries them to the sea. They meet the fish in the sea. This is the day when love meets love, My longings are stirring within me For the spirit friends of my land. They call me back to my home, I must return," 56 LEGENDS OF HONOLULU Ka-ehu called his shark friends and started along the Oahu shores on his way to Hawaii. At Waikiki they met Pehu, a shark visitor from Maui, who lived in the seas belonging to Hono- ka-hau. Pehu was a man-eating shark and was swimming back and forth at Kalehua-wike (the surf outside Moana Hotel). He was waiting for some surf-rider to go out far enough to be caught. Ka-ehu asked him what he was doing there. He replied, "I am catching a crab for my break- fast." Ka-ehu said, "We will help you catch your crab." He told Pehu to go near the coral reef while he and his large retinues of sharks would go seaward. When a number of surf-riders were far out he and his sharks would appear and drive them shoreward in a tumultuous rush; then Pehu could easily catch the crab. This pleased the shark from Maui, so he went close to the reef and hid himself in its shadows. Ka-ehu said to his friends: "We must kill this man-eating shark who is destroying our people. This will be a part of our pay to them for honoring us at Puu-loa [the ancient name for Pearl Harbor]. We will all go and push Pehu into the shallow water." A number of surf-riders played on the waves, A SHARK PUNISHED AT WAIKIKI 57 and Pehu called for the other sharks to come, but Ka-ehu told him to wait for a better chance. Soon two men started on a wave from the dis- tant dark blue sea where the high surf begins. Ka-ehu gave a signal for an attack. He told his friends to rush in under the great wave and as it passed over the waiting Pehu crowd the men and their surf-boards to one side and push the leaping Pehu so that he would be upset. Then while he was floundering in the surf they must hurl him over the reef. As Pehu leaped to catch one of the coming surf-riders he was astonished to see the man shoved to one side, then as he rose almost straight up in the water he was caught by the other sharks and tossed over and over until he plunged head first into a deep hole in the coral. There he thrashed his great tail about, but only forced him- self farther in so that he could not escape. The surf-riders were greatly frightened when they saw the company of sharks swimming swiftly outside the coral reef — but they were not afraid of Pehu. They went out to the hole and killed him and cut his body in pieces. Inside the body they found hair and bones, showing that this shark had been destroying some of their people. They took the pieces of the body of that great fish to Pele-ula (near the present corner S8 LEGENDS OF HONOLULU of Nuuanu and Beretania Streets). There they made a great oven and burned the pieces. The place where he stuck fast in the coral is probably still known by the fishermen of Waikiki and is not far from the Moana Hotel beach. Ka-ehu passed on toward Hawaii as a knight- errant, meeting many adventures and punishing evil-minded residents of the great sea. teq^v-i^ 4tUe.T THE LEGENDARY ORIGIN OF KAPA 59 IX THE LEGENDARY ORIGIN OF KAPA DR. BRIGHAM, the director of the Bishop Museum in Honolulu, well says, ''Kapa (or tapa) is simply ka, the, and pa, beaten, or the beaten thing." The cloth used for centuries by the Hawai- ians and some other Polynesians was "the beaten thing" resulting from beating the inner mucilaginous bark of certain trees into pulp and then into sheets which could be used for cloth- ing or covering. The letters "k" and ''t" have from time immemorial been interchangeable among the Hawaiians, therefore the words "kapa" and "tapa" have both been freely used as the name of the ancient wood-pulp cloth of the Hawaiians. The old people said that in the very long ago their ancestors did not have anything like the kapa cloth which has been known for many centuries. They said also that there was no kapa maoli, meaning that there was nothing in nature which provided clothing or covering. Very little reference is made in the legends to the 6o LEGENDS OF HONOLULU use of skins as clothing, although the dog and pig were brought with chickens by their early- ancestors. The clothing of the oldest time was sometimes made by tying dried banana leaves around the body, and coverings were made by throwing dry banana leaves over the body. Thus Kawelo was warmed and brought back to life, according to one of the most famous legends of the island Kauai. The long, fragrant leaves of the ti plant were dried, soaked in water until soft, the outside scraped off, then fastened together by braiding or tying. In this way a very warm cloak was made and worn by bird-catchers. They found it very good for shedding rain and keeping out cold when they went into the mountains. Some- times the long leaves of the Lau-hala were thatched into covering for the body as well as for the house. So also grass was braided into very fine cloaks as well as mats. Banana leaves hanging in strips like a fringe were used for malos (loin cloths) for men, and pa-us (skirts) for women. For many generations the art of making most beautiful and costly feather garments has been known by the Hawaiians. They braided or wove a foundation mat of very fine vegetable fibres, such as the long threads of the ieie vine. THE LEGENDARY ORIGIN OF KARA 6i This mat was fashioned into a mahiole, or warrior's helmet, a kihei, or shoulder cape, or an ahuula, or long cloak, and covered with the most brilliant red and golden feathers which could be secured from the Hawaiian forest birds. It is natural to suppose that the most ancient people brought the knowledge of kapa-making with them when they came from the original home of the Polynesians. But in the legend of Mak- uakaumana the gods Ka-ne and Kanaloa are represented as feeling pity for one of their wor- shippers when they saw him shivering in a fierce storm of cold rain; therefore they taught him how to make a kihei, or shoulder cape. Great was the wonder of the people of the northern side of the island of Oahu when he appeared among them and taught them how to make cloaks like ''the gift of the gods." The legend is interesting, but only shows that the people sometime learned how to make a work- day cloak. The Hawaiian method of pounding the adhesive bark of certain trees until that bark becomes a pulpy mass and then making and drying sheets was used in Samoa and many other islands of the Pacific Ocean and also even in Mexico hundreds of years ago. Evidently the Hawaiian brought the art with him or learned it from the sea rovers of about the tenth cen- tury. Nevertheless, the Hawaiian legend of 62 LEGENDS OF HONOLULU the origin of kapa is a myth well worth keeping on record in Hawaiian literature. It was partly published in a native paper, the Kuokoa, in 1865, but many references in other legends printed about the same time fill out the story. Back of Honolulu a beautiful valley rises in a gentle slope between two rugged, precipitous ranges of lava mountains until it reaches cloud- land and drinks ceaselessly from the fountains of the sky. A stream of laughing water rising from waterfalls blown into spray by swift winds rushes and leaps in numberless cascades through pleasant groves down this valley of restful shad- ows until it is lost in the coral reefs of an iri- descent sea. This is the noted Nuuanu Valley of winding ways loved by sightseers as they climb to the grand outlook over extinct craters, island coast and boundless ocean, called "the view from Nuuanu Pali." This was the valley supposed to have been the first habitation of the gods, from which all life spread over the island group. Here the gnomes, or the eepa people, had their home, and here the Menehunes (the fairies) built a temple for *'the child adopted by the gods." The waters of the valley stream made pro- ductive large areas of fertile land where the valley broadened into the large seaside plain THE LEGENDARY ORIGIN OF KARA 63 in which now lies the city of Honolulu. Here at a place called Pu-iwa, by the side of the run- ning water, a farmer by the name of Maikoha lived with his daughters without any care be- yond raising whatever food they needed for themselves and for their tribute to the king and their offerings to the gods. Years passed by and Maikoha became weak and ill. The eepa people of the upper valley had always sent driving rains and cold winds down the valley, and Maikoha had cared little for them; but the old man at last went into the days of death feeling a chill which struck to his very heart. On his death-bed he called his daughters and commanded them carefully to obey his words. He said: "When I die, bury my body close to the waters of our pleasant stream. A tree will grow from that burial- place. This tree will be to you for kapa, from which you will make all things good for clothing as well as covering when you sleep or are ill. The bark of this tree is the part you will use." When death came, the daughters buried their father by the running water. After a time a tree grew from the grave. The daughters saw that it was a new tree such as they had never seen before. It was not tall and large, but threw out a number of small, spreading branches. This was the wauke-tree. 64 LEGENDS OF HONOLULU The daughters with great fear drew near to this monument which was over their father's grave. They beheved it was a gift from the aumakua, the ghost-god, into which they supposed the spirit of their father had been changed. Reverently they touched the tree, broke off some of the branches, stripped off the bark, and pounded and pounded until the pieces were fastened together in a rude kind of cloth. Thus they found kapa, "the beaten thing," and learned how to make it into small and large pieces and out of these fashion such clothing as met their need. Wherever they cut or broke the branches of this new tree the broken pieces took root, or, if the fragments were caught by the swift-flow- ing stream, they were tossed on the bank or car- ried and scattered over the plain, and wherever they went they found a place to plant themselves until they grew even to the sea. • Branches were carried to the other islands; thus the wauke became a blessing to all the people. The kapa-tree under the name **aute," which is the same as wauke, was a blessing to many Pol3niesians, from Tahiti to New Zealand. In after years other trees, such as the mamaki, the maa-loa and po-ulu, were found to have bark from which kapa could be made; but the old THE LEGENDARY ORIGIN OF KARA 6$ people said, "From the wauke we get the best kapa for fine, soft clothing." Maikoha became the chief aumakua, or an- cestor-god, of the Hawaiian kapa-makers, and has been worshipped for generations. When they planted the wauke branches, or shoots, prayers and incantations and sacrifices were offered to Maikoha. Before branches were cut and placed in bundles to be carried to a field set apart for kapa-making, the favor of Maikoha was again sought. One of the daughters of Maikoha, whose name was Lau-hu-iki, became the aumakua of all those who pounded the prepared bark, for to her was given the power of finding kapa in the bark of the wauke-tree, and she had the power of teaching how to pound as well as bless the labor of those who worshipped her. The other daughter, Laa-hana, was also wor- shipped as an aumakua by those who used especially marked clubs while beating the bark into patterns or marked lines, for they said she learned how to scratch the clubs with sharks' teeth so that marks would be left in the pounded sheets. She was also able to teach those who worshipped her to mark figures or patterns on the pounded kapa. Thus Maikoha and his daughters became the chief gods of the kapa-makers; but other ances- 66 LEGENDS OF HONOLULU tral gods were also found from time to time as some new step was taken in perfecting the art. Ehu, a man, was made the aumakua of kapa- dyers because he learned how to dip the cloth in dyes and give it color. He discovered the red dye in the blood of the kukui-tree; therefore prayers were offered to him and sacrifices laid on his altar when the kapa-maker desired to color some of the work. A small corner in a house in the kapa-field usually had a very small pile of stones called ''the altars." Here small offerings of leaves or fruit could be placed while the worshipper chanted his prayer. Kapa-dyers searched forests for trees and plants which could give life-blood for different dyes. The sap of these plants was carefully put in bamboo joints and carried to the place where the pounders sang and worked. Offerings of leaves and fruits and flowers were made to Ehu from time to time while the dyes were being collected as well as when they were used to color the kapa. Sometimes the sheets were spotted by sprink- ling colors over them. Sometimes they were marked in lines and figures by using bamboo splints or bamboos with ends pounded into brush- like fibres. Stone cups were kept in the kapa- fields for the dye and the marking-splint. THE LEGENDARY ORIGIN OF KARA 67 Sometimes torn-up pieces of dyed kapas were pounded up with new sheets, producing a mottled effect. White kapas of the best texture were used in the temples to cover the gods in certain parts of the temple ceremonies. They were also used to mark a strict tabu. When laid on an object, it meant that it was not to be touched under pain of punishment by the guard- ing aumakua. Fastened to a staff and placed in a path, it meant that this path was tabu. It was in this way that tabu standards were placed around the temples. A kapa dipped in a black dye was kept for the death covering, especially of those of very high rank. Sometimes the perfumes of sweet flowers or the oil of such trees as the iliahi (sandalwood) were pounded into the kapa while it was being made. ''The perfumes were made in this way. The sweet-smelling things were placed in a cala- bash and covered with water. Hot stones were put in the water and the fragrance drawn out of the plants. The water was boiled away until the perfume became very strong. This was done with the sweet-scented flowers of the niu (cocoanut) and of the lau-hala, and the wood of the iliahi and other fragrant plants." When the kapas were perfumed, they were 68 LEGENDS OF HONOLULU dried inside a house so that the fragrance should not be lost. Sometimes the kapas were well scraped with pieces of shell or rubbed with stones, then were rolled in dirt and put in a calabash and well soaked for a long time. When these kapas were washed, scraped and pounded again, they became very soft. Often the kapa-maker would take these sheets of kapa and spread them over a layer of cold, wet, fresh-water moss, leaving them all night for the dew to fall upon. These kapas became very bright and shining. Some- times finished kapas were oiled so that they be- came excellent protectors from the wet and cold of heavy mists and rains. These oiled kapas were frequently varnished by being rubbed with eggs. Spider eggs were considered the best for this purpose. In the early time a flat stone was used upon which to pound out the sheets of kapa, but blocks of wood and long, heavy sticks were found to give the best results. These were called kua-kuku. A block cut in a certain way was very much liked by the women, for it gave back a soft sound with the rhythmic beat of the mallets, accompanied by their own chants and incantations to Maikoha or one of the other aumakuas. Hina, the mother of the demi-god Maui, THE LEGENDARY ORIGIN OF KARA 69 was the great kapa-maker of the legends of the ancient Hawaiians. It is said that she still spreads her kapas in the sky. They are the beautiful clouds of all colors, sometimes piled up and sometimes lying in sheets. When fierce winds blow and lift and toss the cloud kapas and roll off the stones which Hina has placed on them to hold them down, or when she throws off the stones herself, the noise of the rolling stones is the thunder which men hear. When Hina .rolls the cloud sheets together, the folds glisten and flash in the light of the sun; thus what men call lightning is the sunlight leaping from sheet to sheet of Hina's kapas in cloudland. o 70 LEGENDS OF HONOLULU X CREATION OF MAN BACK of Honolulu rises a cloud-capped range of island mountains. Just over this range is the place where Kamakau, a native historian of about sixty years ago, says that the Hawaiian gods created the first inhabitants of these islands. The story has been repeated in several Hawaiian papers and with embellishments, was adopted by Judge Fornander and mentioned in notes in his work "The Polynesian Race." Parts of the story are evidently old Hawaiian, but the part which describes the creation of man is thor- oughly Biblical with the addition of a few touches of the imagination. The gods had come from far-off unknown lands. They brought with them the mysterious people who live in precipices and trees and rocks. These were the invisible spirits of the air. Ku, Ka-ne, Lono and Kanaloa were the first gods made. The earth was a calabash. The gods (other legends say the first man maker) threw the cala- bash cover upward and it became the sky. Part of the thick "flesh" became the sun. Another CREATION OF MAN 71 part was the moon. The stars came from the seeds. The following fine chant describes the ap- pearance of the earth: "The sky is established. The earth is estabhshed. Fastened and fastened, Always holding together, Entangled in obscurity, Near each other (a group of islands) Spreads out like a flock of birds. Leaping up are the divided places. Lifted far up are the heavens. Polished by striking, Lamps rest in the sky. Presently the clouds move. The great sun rises in splendor, Mankind arises to pleasure, The moving sky is above." The gods went over to a small island called Mokapu, and thought they would make man to be chief over all other things. Mololani was the crater hill which forms the little island. On the sunrise side of this hill, near the sea, was the place where red dirt lay mixed with dark blue and black soil. Here Ka-ne scratched the dirt together and made the form of a man. Kanaloa ridiculed the mass of dirt and made a better form, but it did not have life. Ka-ne 72 LEGENDS OF HONOLULU said, "You have made a dirt image; let it be- come stone." Then Ka-ne ordered Ku and Lono to carefully obey his directions. They were afraid he would kill them, so at once they caught one of the spirits of the air and pushed it into the image Ka-ne had made. Fornander, in his book "The Polynesian Race," says that Lono brought whitish clay from the four ends of the world, with which to make the head, but there is no foundation for this statement in the legends. This must have been a verbal statement made to him by Kamakau. When the spirit had been pushed into the body, Ka-ne stood by the image and called, "Hiki au-E-ola! E-ola!" (" I come, live! live!") Ku and Lono responded "Live! live!" Then Ka-ne called again, "I come, awake! awake!" and the other two responded, "Awake! awake!" and the image became a living man. Then Ka-ne cried, "I come, arise! arise!" The other gods repeated, "Arise! arise!" and the image stood up — a man with a living spirit. They named him Wela-ahi-lani-nui, or "The great heaven burning hot." A chant is given, probably made by Kamakau, giving the divine signs attending the birth of a chief: CREATION OF MAN 73 "The stars were burning. Hot were the months. Land rises in islands, High surf is like mountains, Pele throws out her body (of lava). Broken masses of rain from the sky, The land is shaken by earthquakes, Ikuwa reverberates with thunder." Ikuwa was the month of thunder and light- ning. Thus attended by the right signs a chief came into the world. The Au-Okoa, a native paper of 1869, says that the gods took this man to their home and nourished him. When he became strong he went out to walk around the home of the gods. Soon he noticed a shadow going around with his body. It walked when he walked, and rested when he rested. He wondered what this thing was, and called it ''aka," or "shadow." When he slept, Ku, Ka-ne and Lono tore open his body, and Ka-ne took out a woman, leaving Ku and Lono to heal the body. Then they put the woman by the side of the man and they were alike. Wela-ahi-lani-nui woke and found a beautiful one lying by him, and thought: "This is that thing which has been by my side, my aka. The gods have changed it into this beautiful one." So he gave her the name "Ke-aka-huli-lani" 74 LEGENDS OP HONOLULU ("The heaven-changed shadow")- But the na- tives have called her "Owe." These were the ancestors of the Hawaiians and all the peoples of the islands of the great ocean. This legend, although by one of the old Hawai- ians, is unquestionably adapted in part to the Biblical account of the Creation of Man, al- though parts of it touch Hawaiian antiquity. It must be remembered that there are many other Hawaiian legends which mention other first men and women as ancestors of the Hawai- ian people. The above legend of the creation of man is to be known as "The Kamakau Le- gend." CHIEF WITH WONDERFUL SERVANTS 75 XI THE CHIEF WITH THE WONDERFUL SERVANTS IN the native newspaper, the Kuokoa, of 1862, the following story is told about a chief who lived on the island of Oahu in the very misty memory of long, long ago. He thought he would travel over his lands and see their condi- tion. So pleased was he that he boasted when he saw a fellow-traveller. The man replied, "I can see the lands of Wakea and Papa and they are larger and fairer than these fine places of yours." They decided to go together to find that wonderful land of the gods. Soon they passed a man standing by the way- side. The chief asked him what he was doing. The man replied: *'I am Mama-loa [The very swift]. I am waiting for the sun to rise, that I may run and catch him." They all waited until the sun came up and started to rise above the island. The man ran very fast and caught it, tied it, and held it as a prisoner for a time. Then the three travelled together — the chief, whose name was Ikaika-loa (The very strong), and the man who could see clearly a long dis- 76 LEGENDS OF HONOLULU tance, whose name was Ike-loa (The far- sighted), and Mama-loa (The very swift). In a httle while they saw two men sleeping by the path. One was shivering with cold; his name was Kanaka-make-anu (Man who dies in the cold). The other was burning as if over a fire; his name was Kanaka-make-wela (Man who dies in the fire). They warmed one and cooled the other, and all went on together. They came to a field for rat-shooting, and found a man standing with bow and arrow, shooting very skilfully. His name was Pana-pololei (The straight shooter). They asked him to go to the lands of Wakea and Papa, so he journeyed with them. By and by they found a man lying by the path with his ear to the ground. The chief asked him, "What are you doing?" He looked up and said, "I have been listening to the quarrel between Papa and Wakea." These two ancestors of the Hawaiian people had a famous quarrel and finally separated. The man who was listening to their harsh words was Hoo- lohe-loa (The man who could hear afar off). They all journeyed on until they entered a land more beautiful than any they had ever seen before. The legends say that one of the homes of Wakea and Papa was the splendid country around Nuuanu Valley and Honolulu. The watchmen of that country saw six fine- CHIEF WITH WONDERFUL SERVANTS 77 looking men coming; with them was a seventh man, superior in every way. The report of the coming of these strangers was quickly sent to the chiefess who ruled the land under Wakea and Papa. She commanded her chief warrior to take his warriors and meet these strangers and bring them to her house. There they were en- tertained. While they slept the chiefess gath- ered her people together until the enclosure around the cluster of houses was filled with people. In the morning Ikaika-loa, the chief, said to the chiefess: ''I have heard that you propound hard riddles. If I guess your riddles you shall become my wife." The chiefess agreed, took him out of the house, and said, "The man who is now my husband is standing by the door of the house of Wakea and Papa; where is the door of that house?" The chief turned to Ike-loa and secretly asked if he could see the door of Papa's house. He looked all around and at last said: "The door of that house is where the trunk of that great tree is. If you are strong and can break that tree you can find the door, because it is in one of the roots of that tree." Then the chief went out to that tree and lifted and twisted the bark and tore away the wood, opening the door. After this the chiefess said: "There are three 78 LEGENDS OF HONOLULU dogs. One belongs to our high chief, Wakea; one to his wife, Papa; and one is mine. Can you point out the dog belonging to each of us?" The chief whispered to his servant Hoo-lohe- loa, "Listen and learn the names of the dogs." So the man who could hear clearly put his ear to the ground and heard Papa telling her ser- vants: "This black dog of Papa's shall go out first, then the red dog of Wakea. The white dog belonging to the chief ess shall go last." Thus the chief learned how to name the dogs. When the black dog leaped through the door the chief cried out, "There is the black dog be- longing to Papa." When the red dog followed he said, "That is the red dog of Wakea." Then came the white dog, and the chief cried out, "That white dog belongs to us, O Chiefess." After this they prepared for a feast. The chiefess said: "Very far is the sweet water we wish. You send one of your men and I will send one of my women each with a calabash for water. If your man comes back first while we eat, we will marry." The chief gave a calabash to Mama-loa and he made ready to go — a woman with her calabash standing by his side. At the word they started on their race. The man ran swiftly, thinking there was no one CHIEF WITH WONDERFUL SERVANTS 79 among all men so swift as he, but the woman passed him and was leaving him far behind. The chief called Pana-pololei, the straight shooter, and told him they needed his skill. He took his bow and arrows and shot. Far, far the arrow sped and whizzed just back of the head of the woman. She was so startled that she stumbled and fell to the ground and the man passed by. After a time the chief said to Ike-loa, the far- sighted, ''How are they running now?" The servant said, ''The woman is again winning." The chief said to his rat-hunter, "Perhaps you have another arrow?" and again an arrow sped after the swift runners. It grazed the back of the woman and she fell. Mama-loa passed her, rushed to the fountain, filled his calabash and started back. But the woman was very swift, and, quickly dipping her calabash, turned and soon passed the man. An arrow sped touching the head of the woman, and she fell forward, breaking the calabash and spilling the water; but she leaped up and saw a little water and hastened after the man who had sped past her. "Ah, how she runs ! She flies by the man as they are almost at the end of their race." Then the chief called to his bowman: "O Pana-pololei! Perhaps you have another ar- row?" The bowman shot a blunt arrow, strik- 8o LEGENDS OF HONOLULU ing the woman's breast, and she fell, out of breath, losing all the water from her broken calabash. The chief took the calabash from his man and poured water into a cocoanut-cup and gave to the chiefess to drink. When the woman came the chiefess asked why she had failed. The woman replied: *'I passed that man, but some- thing struck me and I fell down. This came to me again and again, but I could not see any- thing. At last I fell and the calabash was broken and all the water lost, and this man won the race." Meanwhile Mama-loa was being ridiculed by the other servants of the chief. He asked: " Why do you laugh at me? Did you not see my victory?" They laughed the more, and said: '*Ka! If we had not aided you, you would have been defeated." Then they told him how he had been watched by the far-sighted one and aided by the arrows of his friend. The chiefess told the chief that she had one more test before the marriage could really come. She said: ^'In this land there are two places, one very hot and one very cold. If you can send men to live in these two places we will marry." Then the chief said to Kanaka-make-anu, ''You die in the cold, but perhaps you can go CHIEF WITH WONDERFUL SERVANTS 8 1 to the very hot place for the chief ess." And Kanaka-make-wela who suffers from heat he asked to go into the cold. The two servants said: "We go, but we will never return. These are our natural dwelling-places." There were no more riddles to solve, so the chief and chiefess married and lived royally in that beautiful land of the gods. C BvnOB5v< 1