LIBRARY OF CONGRESS 
 
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 JHP96-006754 
 
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 Copyrighted by A. J. Fisher, 24 Vesey street, New York, 1879. 
 
 The Blackwell Ex-Isles. 
 
 COMIC SKETCH. 
 
 BY SAUL SERTREW. 
 CHARACTERS. 
 
 Sandy. * Cornelius. 
 
 SCENE — Street, Vieiv of a pa^vnbroker's house. Three 
 balls hanging' over the door, and sign marked " Simpson" 
 Enter Sandy, clothed in rags. 
 
 (Looks up at house.) — Here have I anchored at last. To 
 Simpson's have I come. An exile from Blackwell's Isle. 
 Yes, they drove me from its palatial mansions. There's not 
 even standing room. The people are hanging to the water- 
 spout, and I have come here to Simpson's to see if I can 
 spout myself. (Looks at his clothes.) I can't raise anything 
 on these garments — (surprised) — garments, did I say ! Gar- 
 bage, I should have said. (Looks at house.) Oh! if Simpson 
 would loan me something on myself ! I will, I will appeal 
 to him, and if he does not hear my appeal, I will carry my 
 case to the Court of Appeals, (Goes to door of pawnbroker's 
 
 house and sings) : 
 
 "TAKE ME, SIMPSON." 
 
 Air : " Take this Letter to My Mother." 
 
 Take me Simpson, take me darling, 
 
 Loan me something on myself ; 
 Fold me in my linen duster, 
 
 Throw me \\\< upon the shelf. 
 For the times they are so poorly, 
 
 Nothing can I get to do ; 
 I've been chewing my suspenders 
 
 Till my teeth are black and blue. 
 
 Chorus. 
 
 Take me, vSimpson, take me, darling, 
 Loan me something on myself; 
 
Fold me in my linen duster, 
 Hang me up upon the shelf. 
 
 [Comes forward. 
 
 Where, oh, where's my rich relations, 
 
 Where's the friends I used to know ; 
 Where's the Judge that gave me six months, 
 
 Why fore don't he do so now ? 
 Once I was a Gladiator, 
 
 In the Ring I had a " pull ;" 
 Now they hang me out the window 
 
 When the station-house is full. 
 
 Take me, Simpson, &c. 
 
 One of the balls drops from over the door. Sandy discovers 
 the ball. 
 Ah ! what is this I see before me — a snowball ? (Picks up 
 ball.) No ! it's one of Simpson's ten-pin balls that has fallen 
 from over his alley door. Yes, this ball has heard me bawl- 
 ing, and " dropt on it." (Examines ball and soliloquizes.) 
 Ah, this ball. I knew it well, Horatio Simpson. O, how 
 many times I have played ten-pins and made a ten strike 
 with that ball ! Ah, those good times are past. You might 
 put this ball in a cannon now and shoot it off, and you 
 wouldn't hit anything. (Smooths ball with his hand.) To 
 what base use some things do come \ This ball, now so 
 ^^A/headed, must have met with many ^a?> breadth escapes^ 
 Perchance this ball may have dangled from the ear of some 
 belle of the ball, and now has become the emblem of a pawn- 
 broker, and playing three-card monte over his door while he 
 is throwing dice inside, I will take this ball into Simpson's, 
 and tell him it's a ^zxdJice lost and I have found it. Tho* I 
 may be batted and bounced owi^ upon this ball I will/zV<r^*my 
 destiny. [Exit through door of pawnbroker's house. 
 
 Enter Cornelius, clothed in rags, and sings ,-' 
 
 '^BETTER BAYS." 
 
 Air ; ''' Slavery Days." 
 
 I am thinking of those days, those bright and happy days, 
 When I had friends and money at command ; 
 
And a golden watch and chain, which I'll never see again, 
 And those clothes I used to wear so fine and grand. 
 
 Those happy days are past ; misfortune came at last. 
 And I'm broken down and " nary" cent can raise ; 
 
 And the friends I used to know they go back upon me now, 
 But it wasn't so when I saw better days. 
 
 Chorus. 
 
 I hope they'll come again — let my hopes be not in vain — 
 
 And people will return to honest ways ; 
 Then subjects like me now wouldn't go about, you know, 
 
 And I think we all would see much better days. 
 
 I have dined on that roast beef— oh, so tender to the teeth. 
 
 In those happy days when I had lots of cash : 
 But you'd be surprised to know — oh, how quick I'd get just 
 now 
 
 On the outside of a ten cent plate of hash. 
 That dream to me is o'er. Roast beef I have no more j 
 
 My clothes are rags ; I've lost my stylish ways ; 
 On my uppers now I walk, and so hungry I can't talk. 
 
 But there was a time when I saw better days. 
 
 I hope they'll come again, &c. 
 
 (Looks toward pawnbroker's house.) — Here have I come at 
 last, to Simpson's, the pawnbroker. An exile from Coney 
 Isle, they drove me from its sandy shore, and my sands of life 
 are most run out. I have roamed the streets all through, and 
 went through everybody I could, but no one had a cent. 
 There has nothing entered my stomach for the past six 
 months but the fumes of a restaurant that I inhaled while 
 looking in the window. Ob, this is awful ! (Feels of his 
 stomach.) To think that I should have come to this ; I who 
 never knew what it was to be without a dollar in my pocket, 
 that didn't belong to somebody else. Oh, if I could move the 
 heart of this pawnbroker and get him to loan me something 
 on myself ! (Goes to pawnbroker's house and peers in the 
 window, and makes motions as if catching flies from the side 
 of the house, and, throwing them in his moiith suddenly, feels 
 of his stomach. Puts hand to his ^aclj c -> if sick, and leans 
 against side of house) as 
 
Enter Sandy, with ball in his hand. 
 
 I have seen Simpson, and he loaned me a fish ball, and 
 told me to keep this ball to remind me of my obligation. 
 Yes, the sacrifice was awful. I have pawned myself to Simp- 
 son, and when the hour of ten minutes expires I am a doomed 
 man ! (Discovers Cornelius.) Ah, who have we here ? 
 (Goes to Cornelius and slaps him on the shoulder.) Why this 
 Moodyness and Sankeyness ? 
 
 Cornelius (turns and recognizes Sandy) — Hello ! Sandy, 
 old boy, is that you ? 
 
 Sandy — Yes, it is all that is left of me ; and the balance 
 will belong to Simpson in a few minutes. 
 
 Cornelius (surprised) — Whyfore this emotion from an old 
 Castilian and brother convict ? What is the matter ? What 
 are you doing around here ? 
 
 Sandy — I've just been getting a loan on myself from Simp- 
 son. I didn't think it safe to be alone any longer. ' -vv 
 
 Cornelius (amazed) — A loan on yourself ! Why, you 
 don't mean to say that you have been spouting yourself — 
 given yourself in pledge ! Well, what did you get on this 
 valuable casket (turns Sandy around.) Six months ? 
 
 Sandy — No ; I got one fish ball without bread. They 
 don't give bread with one fish ball, and I have devoured the 
 fish ball. 
 
 Cornelius — And what security did you give ? 
 
 Sandy — I am to give myself up to Simpson in ten minutes. 
 
 Cornelius — What for ? 
 
 Sandy — To be used as a door-mat, for people to wipe their 
 muddy shoes on. Yes ; when the bell tolls the hour of ten 
 minutes I am a doomed man. My arms and legs are to be 
 cut off, and my body used as a door-mat. 
 
 Cornelius (horrified) — Gracious hevvings ! you don't say 
 so ! Well, I don't think I will try to get a loan on myself. 
 I'll leave Simpson alone. He might want me for a mop to 
 wipe up the floor. 
 
 Sandy (in despair)— Oh, this is dreadful ! But I wouldn't 
 
5 
 
 care so much about it if I could only see my mother-in-law 
 before I part this life. 
 
 Cornelius — Your mother-in-law ! "What do you want to 
 see her for ? 
 
 Sandy — She owes me two dollars and a half, and I want 
 to get it. 
 
 Cornelius — What are you going to do with it ? You can't 
 take it with you. 
 
 Sandy — I thought I would leave it to build a " hotel for 
 wealthy women, and not charge them anything for board." 
 
 Cornelius — Oh, you might better leave the two dollars 
 and a half to me. I'm an old friend of yours and a brother 
 exile and Castilian. 
 
 Sandy (starts) — Aye, that's so. A thought strikes me. 
 You just hold this ball, and I will depart at once for my 
 mother-in-law's castle and get the two dollars and a half and 
 return before the hour of my execution and give it to you. 
 (Hands ball to Cornelius.) Watch over this ball, and guard 
 it with your life. 
 
 Cornelius (takes ball) — I will, my noble duke. So haste 
 away. Not a moment is to be lost, and I will hold the fort 
 till you return. So hurry up and bring me the two dollars 
 and a half. 
 
 Sandy — 'Tis well, my noble Pythias. I fly ! I fly ! Shoo, 
 fly ! [Exit, stamping off. 
 
 Changes to the character of Shy lock, the Jetv. 
 
 Cornelius (very happy, dances about in glee, and tosses 
 up the ball and catches it.) — I, golly, I'm to be left a fortune 
 of two dollars and a half ! Oh, my ; won't I be a sport — 
 won't I be a thoroughbred ! 
 
 A loud noise of a gong is heard in doleful sounds, struck at 
 intervals, ten times. 
 Cornelius (frightened, moves friglit wig up and down) — 
 Ah ! what is that I hear ? Oh, what have I done ? I see it 
 all ! Yes, I have put myself in his pface ! I have taken the 
 place of Sandy, and that Shylock will come for his pound of 
 
6 
 
 flesh, and I am lost ! I'm a doomed man ! The bell tolls 
 the hour of ten minutes, and I am lost ! Oh, hevvings, why 
 didn't I think of this before ! What is to be done ? If I run 
 away they will set the bloodhounds on me and I would be 
 devoured ! (Runs about working his fright wig. Stops sud- 
 denly) as 
 
 Enter Sandy, disguised as Shylock. 
 
 (Has a large tin sword in his hand, scrapes it on the floor, 
 as if to sharpen it.) — I want me pound of flesh ! I want me 
 bond ! I want me door-mat ! (Scrapes sword on the flooi-.) 
 
 Cornelius (trembling and shaking with fright) — Oh, it 
 wasn't me ! I didn't do it ! It was another fellow ! He's 
 gone to see his mother-in-law ! He's coming right back ! 
 O, spare me, good Shylock, and I'll never do so again. (Falls 
 on his knees.) 
 
 Shylock — It is too late ; the hour is passed, and thou art 
 a doomed man, and nothing can save thee. I shall hang thee 
 first, and then cut thy arms and legs off", and use thy body for 
 a door-mat ! What, ho ! guards without, seize the victim. 
 (A man enters, puts a bag over Cornelius' head, and leads 
 him off", followed by Shylock, saying) : I want me pound of 
 flesh ! I want me bond ! I want me door-mat ! (Loud 
 noise and murmuring heard outside) as 
 Enter Sandy, in his original dress, tvith a big carving-knife. 
 
 (Stamping and rushing in for Cornelius) — Oh, Cornelius, 
 Cornelius, where art- thou ? Can it be that I am too late to 
 save him ! Oh, could I but save my friend Cornelius ! (Runs 
 about, looking up and down.) Where, oh, where is he ! (A 
 dummy man hanging from a rope swings from the flies to the 
 center of stage. Sandy discovers it. Noise and confusion 
 still goes on outside.) Ah ! what is this I see before me — a 
 dadger? No ! Yes ; it is my friend Cornelius ! and, by all 
 the dogs, I will save him, come what may. (Jumps up and 
 cuts the dummy down with his knife. A pistol shot is heard. 
 Sandy grabs the dummy and runs off" crying — Saved .' Saved i 
 He is saved !) 
 
 Curtain. 
 
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lyXVOLlES 
 
 OVOTGr 
 
 1. Jenny Hughes' Dolly V'arden. 
 
 2. Squeeze Me, Joe. 
 
 «. Johnny Wild's Dat Settles Dat. 
 
 4. Jennie Engfle's Grand Parade. 
 
 5. Sheridan & Mack's Character. 
 
 6. Harrigan A Hart's Mulcahy Twins, 
 
 7. Johnny Roach's Greatest. 
 
 8. Kiss Behind the Door. 
 
 9. Delehanty & Hengler's Songs, &c. 
 
 10. Miles Morris' Irish Gems. 
 
 11. Foy Sisters Songster. 
 
 VJ. McKee & Rogers' Retiecca Jane. 
 
 13. Jennie Engle's Serio Comic. 
 
 14. The Fielding's Songster. 
 
 15. Wayne & Lovely's Acrobatic. 
 
 16. Johiiiiy Roach's Emerald. 
 
 17. I want to go Home to M.ama. 
 
 18. Luke Schoolcraft's Shine on. 
 
 19. Billy Cotton's Old Black Joe. 
 •JO. Delehantv & Hengler's Love, &c 
 
 21. Billie & Maggie Ray's Old Log Cabin. 
 
 22. McAndrew's Water Melon Man. 
 
 28. J'.hnny Roach's Its Funny when you Feel, Ac. 
 
 24. Harrigan & Hart's Mulligan Guards. 
 
 25. Walters and Morton's My Gal. 
 
 26. Billy Carter's Great Banjo Solo. 
 
 27. Johnson & Power's Little Moke. 
 
 28. Jennie Engle's Favorite Songs. 
 
 29. Shoot the Hat. 
 
 30. Freeman Sisters' On Board the Mary Jane. 
 
 31. Jennie Hughes' I Should Like To. 
 
 32. Woman's Temperance. 
 
 33. Gus Williams' Belle of the Ball. 
 
 34. The Fieldings' Tipperary Couple. 
 
 35. Harrigan & Hart's Tom Collins. 
 
 36. Wild & Bradley's Big Fat Nance. 
 
 37. Larry Toolev's Bouncing Dutchman, 
 
 38. Harrigan & Hart's Regular Army. 
 
 39. Ain't von Awful. 
 
 40. Harrigan & Hart's Patrick's Day Parade. 
 
 41. Arnold Brothers' Jig, Song and Dance. 
 
 42. Diamond & Ryan's Irish Hod Carriers. 
 
 43. Harrigan & Hart's Mulligan Grds (2d Au. Prde) 
 
 44. Sandford & Wilson's Musical Mokes. 
 
 45. Harrigan & Hart's Skidniore Guards. 
 
 46. Billv Courtwright'sFlewy,Flewy,FlewySngstr 
 
 47. Harjier & Stansill's One Legged Songster. 
 
 48. Fielding's Irish Domestics Songster. 
 
 49. Tony Pastor's Traveling Sonirster. 
 
 50. Jenny Morgan's Kiss Songster. 
 
 51. Fov Sisters Mr. and Mrs. Thon.pson. 
 
 52. Wild & Bradley Theatre Comique. 
 
 53. Alice Harrison's Olympic. 
 
 54. Billy Carter's Champion Banjo. 
 
 55. Cool Burgeps' Nicodemus Johnson. 
 
 56. Alice Bennett's Laughing Eyes. 
 
 57. Richmond Sister's Challenge Song and Dance. 
 
 58. Harrigan & Hart's Day we Celebrate. 
 
 59. Dr. J. L. Thayer's Laugh and Grow Fat, &c. 
 
 60. Sheridan & Mack's Knocking on de Outside, Ac. 
 6L Harrigan A Hart's Gallant 69" h. 
 
 62. T. M.' Hengler's Fun in the Kitchen. 
 
 63. Drlrhanty A Cuinmings' Sunset in the South. 
 
 64. RoUin Howard's Dramatic. 
 
 f.5. C. L Davis' Dutch Song and Dance. 
 
 66. Johnson A Bruno's Mania Monia Nigs. 
 
 67. Sam Devere's Caricature Song. 
 
 68. Miles Morris' Roger O'Mallev. 
 
 69. Harrigan A Hart's Blue and Gray. 
 
 70. H.irper A Stansill's Sweet June Rose. 
 
 71. Ada Richmond's W.ait Till Moonlight Falls, Ac. 
 
 72. Pat Rooney's O'Reilly You're N. G. 
 
 73. La Verd Sisters Sailing on the Lake. 
 
 74. Ella Wesner's King of Trumps. 
 75 T. M. Hengler's Sweet Aleen. 
 
 76. Harrigan A Hart's Hildebraud Montrose. 
 
 77. Jolly Nash's Our Boys. 
 
 78. Tierney A Cronin's Ashantee Recruits. 
 
 79. Big Four, Lester, Allen. Smith A Waldron. 
 
 80. The Murray's Dro]>s of Blarney. 
 
 81. Western A Wal ling's Just as You See us Now. 
 82 Am. T^am, Wayne, Lovely, Cotton A Birdue, 
 
 83. Jakey Woolfingstein. 
 
 84. Larry Tooley's Turn Down Your Collar 
 
 85. Bennett A ICernell's Across the Raging Waters. 
 
 86. Foster A Dud ley's. Irish Clog. Song ami Dance. 
 
 LieRftRV OF co£Sl 
 
 „■,.. Diilv Pa^tur's Star Traveling. 
 
 101. H. Osborne's A F. Wentworth's L.ad A Lass, Ac. 
 
 1U2. Johnson A Bruno's Jnst from Tennessee. 
 
 103. Scan Ion A Cronin's Irishmen to the Front, 
 
 104. Foy Sisters' Branigan Band. 
 
 105. Harrigan A Hart's S. O. T. 
 
 106. Niles A Evans' Two Love Letters. 
 
 107. Arnold Brott'ers' Triple Clog, Song and Dance. 
 I(t8. Kirk A Drew's Mischievous Offspring. 
 
 109. Sam Devere's A Lean Banana. 
 
 1 to. Harry Braliam's Silly Bill and Father. 
 
 111. Scanlan A Cronin's Poor, but a Gentleman Still. 
 
 1 12. Harrigan A Hart's Slavery Days. 
 
 113. Dick Sands' Irish Character 
 
 114. Bryant A Williams' Slender Nigi=. 
 
 115. Lizzie Braham's Sweet Bye and Bye. 
 
 116. Delehanty A Hengler's Re-united Serenaders, 
 1 17 Murray's Old and Young. 
 
 118. Frank Lewis' Motto Songster. 
 
 119. Harrigan A Hart's GlMing Down the Stream. 
 
 120. Harrigan A Hart, Walking for dat Cake. 
 
 121. Jeppe and Fanny Delano's Love at First Sight. 
 
 122. Clara Moore's Character and Descriptive. 
 
 123. Will Morton's Behind the Scenes. 
 
 124. Kellv A Ryan's Bards of Tar.i. 
 
 125. Bran New Big Four. 
 
 126. Cool Burgess Don't Get Weary. 
 
 127. Scanlan A Cronin, Dundreary O'Donnell. 
 12-f. James D Roonies' Fashionable Beats 
 
 129. Ly.lia Thompson's On the Strict Q. T. 
 
 130. Tile Peasleys' O'Rielleys' Raffle. 
 
 131. Girard Brothers' Dancing in the Sunlight. 
 
 132. Harrigan A Hart's Sunday Night when, Ac. 
 
 133. Chas. Konollman's New York Variety. 
 
 134. Sheehan A Jones' Man of Education. 
 
 135. Chas Diamond's Milanese Minstrels. 
 
 136. The Murdoch's Don't You Do It. 
 
 137. Will. H. Trimble's Specialty. 
 
 138. The Bennett's Kitchen Domestic. 
 
 139. F. Lewis's Remember you have Children, Ac. 
 
 140. Larry Tooley's Mutton Pie. 
 
 141. Harry Woodson's Gwine Back to Dixie. 
 
 142. Hsrrigan A Hart's Front Stoop. 
 
 143. The McKee's Dancing in the Barn, 
 
 144. Worden A Mack's Little Ruby 
 
 145. Ben Dodge's Don't take any Notice. 
 
 146. C.illyer A Kelly's Buck Goat. 
 
 147. Delehanty A Hengler's Straw berries and Cream. 
 
 148. Fields A Hoey Musical Songster. 
 
 149. Whoa Emma' 
 
 150. Harry Montague's At it Asain. 
 
 151. Harry Bennett's Charley Fl\nn. 
 
 152. Tim Roger's Ain't he a Baby. 
 
 153. Harrigan A Hart's Isle de Blackwell. 
 
 164 Bolihy Newcomb's Sweet Forget me Not. 
 
 155. H. Osborne A F. Wentworth's Irish Comedi.in. 
 
 156. Duncan Sisters' Down in the Meadows. 
 
 157. Andy and Annie Hughes Happy Irish Couple. 
 
 158. Robert McK.ay's Since der B.ind was Broken up, 
 
 159. Will H Morton's America's Comiqne. 
 160 J. K Emmet's Lullaby. 
 
 161. Pat Rooney's D.iy I Played Base Ball 
 
 162. Seanion A Sommers' H'tp. Lit. Chil. from the So 
 
 163. Queen A West's Popular Songster. 
 
 164. Bennett's Combination. 
 
 165 Pat Rooney's Day I Walked O'Leary. 
 
 166. Barlow Brothers' Cal>in Floor 
 
 167. Harrigan A Hart's Such an Education, Ac. 
 
 168. Delehanty A Hengler's Laugh and Be Merry. 
 
 169. Jennie Hughes' Cash, Cash Songster. 
 
 170. Goss A Fox Jubilee Songster. 
 
 171. Flora Moore's Just Over Songster. 
 
 172. Foley A Sheffer's Big Pound Cake Songster 
 
 A. J. FISHER, PUBLISHER, 24 VESEY STREET, N. Y.