\ .nut Published. -The Popular Edition" of r.aker's Reading Club and Dandy SiSkrr. No.. 1. 2. 3. *" 5 and 6, 50 Selection. In each. Price 15 cent, each. PS 1059 B22 08 1879 Copy 1 MUjy.//.r OUR FOLKS. LJJt i«j. *M?Ai NEW PLAYS aniUted from Oerman by Otorge M, Mr«. Wiilt»ir*« lln.li«-l«»r». .... ■■.■:...,{..., ' *,<*»**•**«. « V-""| , V:."„ v'.'Vl . •..'.';,. ■ -Hv Sir Ita.,.. « .. Day. ■ ^iTchirMter. Wcertfc I „,l.. It...- c«,t» Spencer's Universal Stage. A Collection of COMEDIES, DRAMAS, and FARCES, adapted to either Public or Private Performance. Containing a full description of all the necessary Stage Business. PRICE, 15 CENTS EACH. 03" No Plays Exchanged. 1. LOST IN LONDON. A Drama in 3 Acts. 6 male, 4 female characters. 2. NICHOLAS FLAM. A Comedy in 2 Acts. By J. B. Buckstoue. 5 male, 3 female char. 3. THE WELSH GIRL. A Comedy in 1 Act. By Mrs. Plauche. 3 male, 2 female char. 4. JOHN WOPPS. A Farce in 1 Act. By W. E. Suter. 4 male, 2 female char. 5. THE TURKISH BATH. A Farce in 1 Act. By Montague Williams and F. C. Burnand. G male, 1 female char. C. THE TWO PUDDIFOOTS. A Farce in 1 Act. By J. M. Morton. 3 male, 3 female char. 7. OLD HONESTY. A Comic Drama in 2 Acts. By J. M. Morton. 5 male, 2 female char. 8. TWO GENTLEMEN IN A FIX. A Farce in 1 Act. By W. E. Suter. 2 male char. 9. SMASHINGTON GOIT. A Farce in 1 Act. By T. J. Williams. 5 male, 3 female char. 10. TWO HEADS BETTER THAN ONE. A Farce in 1 Act. By Lenox Home. 4 male, 1 female char. 11. JOHN DOBBS. A Farce in 1 Act. By J. M. Morton. 5 male, 2 female char. 12. THE DAUGHTER of the REGIMENT. A Drama in 2 Acts. By Edward Fitzball, C male, 2 female char. 13. AUNT CHARLOTTE'S MAID. A Farce in 1 Act. By J. M. Morton. 3 male, 3 female char. 14. BROTHER BILL AND ME. A Farce in 1 Act. By W. E. Suter. 4 male, 3 female char. .15. DONE ON BOTH SIDES. A Farce in 1 Act. By J. M. Morton. 3 male, 2 female char. 16. DUNDUCKETTY'S PICNIC. A Farce in 1 Act. By T. J. Williams. G male, 3 female char. 17. I'VE WRITTEN TO BROWNE. A Farce in 1 Act. By T. J. Williams. 4 male, 3 female char. 19. MY PRECIOUS BETSY. A Farce in 1 Act. By J. M. Morton. 4 male, 4 female char. 20. MY TURN NEXT. A Farce in 1 Act. By T. J. Williams. 4 male, 3 female char. 22. THE PHANTOM BREAKFAST. A Farce in 1 Act. By Chas. Selby. 3 male, 2 female char. 23. DANDELION'S DODGES. A Farce in 1 Act. By T. J. Williams. 4 male, 2 female char. 24. A SLICE OF LUCK. A Farce in 1 Act. By J. M. Morton. 4 male, 2 female char. 25. ALWAYS INTENDED. A Comedy in 1 Act. By Horace Wigan. 3 male, 3 female char. 26 A BULL IN A CHINA SHOP. A Comedy in 2 Acts. By Charles Matthews. G male, 4 female char. 27. ANOTHER GLASS. A Drama in 1 Act. By Thomas Mortou. G male, 3 female char. 28. BOWLED OUT. A Farce in 1 Act. By II. T. Craven. 4 male, 3 female char. 29. COUSIN TOM. A Commedietta in 1 Act. By Geo. Roberts. 3 male, 2 female char. 30. SARAH'S YOUNG MAN. A Farce in 1 Act. By W. E. Suter. 3 male, 3 female char. 31- HIT HIM, HE HAS NO FRIENDS. A Farce in 1 Act. By E. Yates and N. 11. Har- riugton. 7 male, 3 female char. 32. THE CHRISTENING. A Farce in 1 Act. By J. B. Buckstoue. 5 male G female char. 33. A RACE FOR A WIDOW. A Farce in 1 Act. By T. J. Williams. 5 male, 4 female char. 34. YOUR LIFE'S IN DANGER. A Farce in 1 Act. By J. M. Morton. 3 male, 3 female char. 35. TRUE UNTO DEATH. A Drama in 2 Acts. Bv J. Sheridan Knowles. G male, -' female char. 36. DIAMOND CUT DIAMOND. An Interlude in 1 Act. By W. H. Murray. 10 male, 1 female char. 37. LOOK AFTER BROWN. A Farce in 1 Act. By George A. Stuart, M. D. G male, 1 female char. 38. MONSEIGNEUR. A Drama in 3 Acts. By Thomas Archer. 15 male, 3 female char. 39. A VERY PLEASANT EVENING. A Farce in 1 Act. By W. E. Suter. 3 male char. 40. BROTHER BEN. A Farce in 1 Act. By J. M. Mortou. 3 male, 3 female char. 41. ONLY A CLOD. A Comic Drama in 1 Act. By J. P. Simpson. 4 male, 1 female char. 42. GASPARDO THE GONDOLIER. A Drama in 3 Acts. By George Almar. It) male, 2 female char. 43. SUNSHINE THROUGH THE CLOUDS. A Drama in 1 Act. By Slingsby Lawrence. 3 male, 3 female char. 44. DON'T JUDGE BY APPEARANCES. A Farce in 1 Act. By J. M. Morton. 3 male, 2 female char. 45. NURSEY CHICKWEED. A Farce in 1 Act. By T. J. Williams. 4 male, 2 lemale char. 46. MARY MOO; or, Which shall I Marry» A Farce in 1 Act. By W. E. Suter. 2 male, 1 female char. 47. EAST LYNNE. A Drama in 5 Acts. 8 male, 7 female char. 48. THE HIDDEN HAND. A Drama in 5 Acts. By Robert Joues. 1G male, 7 female char. 49. SILVERSTONE'S WAGER. A Commedi- etta in 1 Act. By R. R. Audrews. 4 male, 3 fe- male char. 50. DORA. A Pastoral Drama in 3 Acts. By Chas. Reade. 5 male, 2 female char. 55. THE WIFE'S SECRET. A Play in 5 Acts. By Geo. W. Lovell. 10 male, 2 female char. 56. THE BABES IN THE WOOD. A Com- edy in 3 Acts, By Tom Taylor. 10 male, 3 fe- male char. 57. PUTKINS , Heir ts Castles in the Air. A Comic Drama in i Act. By W. R. Emersoc. 2 male, 2 fe.nalc char. 58. AN UGLY CUSTOMER. A Farce in 1 Act. By Thvii.js J. Williams. 3 male, 2 female char. 59. BLUE AND CHERRY. A Comedy in 1 Act. 3 male, 2 female char. 60. A DOUBTFUL VICTORY. A Comedy in 1 Act. 3 male, 2 female char. 61. THE SCARLET LETTER. A Drama in 3 Acts. 8 male, 7 female char. 62. WHICH WILL HAVE HIM ? A Vaude- ville. 1 male, 2 female char. 63. MADAM IS ABED'. A Vaudeville in 1 Act. 2 male, 2 female char. 64. THE ANONYMOUS KISS. A Vaudeville. 2 male, 2 female char. 65. THE CLEFT STICK. A Comedy in 3 Acts. 5 male, 3 female char. 66. A SOLDIER, A SAILOR, A TINKER, AND A TAILOR. A Farce in 1 Act. 4 male, 2 female char. 67. GIVE A DOG A BAD NAME. A Farce. 2 male, 2 female char. 68. DAMON AND PYTHIAS. A Farce. 6 male, 4 female char. 69. A HUSBAND TO ORDER. A Serio-comic Drama in 2 Acts. 5 male, 3 female char. 70. PAYABLE ON DEMAND. A Domestic Drama in 2 Acts. 7 male, 1 female char. Descriptive Catalogue mailed free on application to Geo. M. Baker & Co., 41-45 iYaiikliii St., Boston. OUR FOLKS. 3 pau in CIjvcc Sets. BY / GEORGE M. BAKER. Dramattjrt from RUNNING TO WASTE: THE STORY OF A TOMBOY. i:V THE SAMT- AITHOR. 3 : ■ L/C Boston : GEORGE M. BAKER AND COMPANY. Ib79. Copyright, 1879, By GEORGE M. BAKER. All rights reserved. FRANKLIN PRESS: ELECTROTYPED AND PRINTED BY RAND, AVERY, & CO., BOSTON. CHARACTERS. Caft. Thompson, ;i retired shipmaster. II v ii it \ Thompson, his son. Caft. Bli kprr, a returned Californian. Tki>dv Sleeper, liis son. Hiram Small, ;i mill-owner. Phil, Capt. Thompson's man-of-aU-work. Mi;--. Thompson, good as gold." Bias. Si. i bpbb, " hoping against hope." Becky Sleeper, "the tomboy." Hi i.nv Prims, " full of complaints." Sii.lv York, "slipshod but willing." COSTUMES. Capt. Thompson. Art I. Dark pants; blue-checked shirt, collar thrown back; black neckerchief, with sailor-knot; thin coat; broad-brimmed straw hat. Act. n. Dark pants and vest; white shirt and collar; dressing-gown. Act III. Change gown to dark coat. Bald, iron-gray wig and short side- whiskers with all. Capt. Sleeper. Kark pants and coat; blue shirt: black neck- erchief; black felt bat; iron-gray wig; full beard. Harry. Act I. Mixed suit, suitable for a Harvard student; pants and Bhirt only, when he appears with Becky after the rescue. Act in. Darker suit. Both rather " nobby." Teddy. Act i Age 15. Bather short pants out at the knees; short jacket out at the elbows; checked sbirt; blue stock- ings; low-cut sleics; cap: curly wig, of light or red hair; pockets of pants stuffed with apples. Act. II. Wide-brimmed straw bat, with blue' ribbon; dark pants; pea-jacket; checked sbirt. with wide collar turned over jacket; black neckerchief, with sailor-knot. Ait III. Change jacket for linen coat. Hiram. Let I. Linen suit; straw hat. Act EC. Change coat for a green jacket. Act III. Blue coat, with brass buttons: white pants and vest; high standing collar; naming red tie; tall hat. short-cut iron-gray wig and chin-whiskers for all. Phil. Act I. Overalls tucked into long boots; cheeked shirt; cap. Act II. Same, with green jacket. 3 • 4 STUMES. .16. Short brown dress, torn about the skirt; soiled white stocking- si - with I sti pa ligh- ted blue-checked apron stained with berry-juice: light, curling hair flowing wild. Act II. Pretty muslin di cherry bow at the neck : broad-brimmed straw Lax. with Try ribbons ; hair knotted with same. Act III. Of the same character. Mb-. Thompson. W:"g of short, white curly hair: plump figure; "I. Brown figured-muslin : light shawl, and summer bonnet. Acts II and III. Of the same char- I I. Calico dress: white apron. Act HI. White wrapper: hair unlxrand. HiLi>A. I. . :th bunched curls each side of her face. Act. I. Calico dress: head tied up with a towel. Act II. Neat dark dress : white collar and cuffs : dark shawl ; bonnet. Act III. Calico dress, sleeves rolled up; on last entrance, sleeves down: white collar and cuffs. Silly. Act L Calico dress: handkerchief tied over her head. Act II. Same dress, with white apron; sleeves rolled up; hair flying. NV,te. — This is a play without a villain, depending for success upon pictures of home-life and the characterization of homely every-day people. In dramatizing a story, a great amount of ;iti\-e matter necessarily enters into the play, rendering " speeches " of uncommon length. Great care should be taken, where these occur, that the action of the play be not retarded by their too slow delivery. A careful attention to this at rehearsals is earnestly recommended. Although three scenes are required, one will serve the purpose, where economy is a necessity, by the following arrangement: Have the " flat " made in three sections. In one a door is set for the closet in Act I. : in another a door; in the third a window. Now have an extra section, with a window, and you have all that is really necessary. Cover The " rlat " with drab paper, except where the windows and doors appear: make the window- frame s of light wood, stained black, — the casings as well as f lie door, — by pasting grained panel-paper, easily procured. Set these up; place a curtain of green paper, half rolled-up, at the window, and you have the scene for Act I. For Act II. remove the closet-section to i:. of stage; place the dcor-section in its place c; cover it with the dral> paper, then set your extra window L. of this; put up white curtains, and that scene is ready for the table, flowers, cage, &<\ F.>r Act III. you have only to remove the paper from c. section, and change curtains. Two years are supposed to elapse between first and second acts; one year between second and third. OUR FOLKS. A DRAMA IN THREE ACTS. Act I. — Sckm i Mrs. Sleeper's kitchen. Window in flat a., door in flat i... closet between, fireplace r. Hclda seated in rocking-chair, elbow on her knee, head resting on her hand, looking at the fire. Door l. ; toJbh l. < .. covered with white cloth. Dishes on table, Mrs. Sleepeb beside it. wiping dishes which .s//« places in the closet while speaking. Chair near window, stool mar rocking-chair. Httida. I've had every thing under the sun in the shape of aches, but this neuralany does beat all. Seem- .is If the roof of my head would come off every time those needle pains dart through it. Oh, dear! There's another. *>h. oh ! ( Rocks herself, and groans.) Mrs. S. Hadn't you better go into the sitting-room, and lie down? Hulda. And leave you alone, when I came here to help? But, dear me! how can I help with all the pains and aches in creation devouring me? Mr S. \li ! we all have OUT trials, — aching bodies and BOlTOWful hearts. 5 b OUR FOLKS. Hulda. Well, Delia, you've had your share, and no mistake, — your husband gone these five 3'ears, off mining in Californy, and not a word from him to know whether he's alive or dead. Mrs. S. Don't say dead, Hulda. I cannot believe it. Hulda. It looks precious like it when a man hasn't been heard of or from for five years. Mrs. S. Had he left me forever, some kind friend would have sent me his last words. No, I cannot be- lieve my dear, good husband is lost to me. Ever before my eyes is the welcome ship that comes bring- ing him to my aching, longing heart. That is the hope that cheers me. Hulda. But it doesn't cheer } t ou a bit, Delia : you haven't smiled these four j^ears. If 3'ou'd only chirk up a bit, and laugh once in a while, it would do 3011 lots of good. Where would I be with all nvy troubles if I let myself grow low-spirited, and groaned? Oh, dear ! There's another. Oh, oh ! (Holds her head, and rocks.) Mrs. S. 'Tis hard to smile with an aching heart, but when he comes all will be changed. Will that day never, never come? [Exit l., with table-cloth. Hulda. She's a good woman, a real good woman ; but that man Cyrus Sleeper just spoiled her. There wa'n't nothing too good for her, and he was just a hero to her. Hm ! Catch me making a hero of the best man that ever lived ! Oh, oh ! my head, my head ! Becky (outside). Run, Teddy, run; don't let him OUR FOLKS. 7 catch you. (Runs on, door in flat.) Oh, such fun! We've been up iu one of Capt. Thompson's apple- trees, Teddy and I ; and lie's after us full tilt on horse- back. He couldn't catch me, but I'm dreadful 'fraid he'll overhaul Teddy, for he's loaded down with apples. Capt. T. (outside). Stop, stop, you rascal ! Becky. There he is, hut he sha'n't catch me. (Buns into closet, anil puUs t!w door after her.) Hulda. Dear me ! what didos those young ones do cut up ! Teddy (running in door and doivn to l. corner). By jinks ! here's a scrape, and no mistake. Hope Becky's got off. (Enter Capt. T., door in flat, with a ivhijy, and in a toivering passion.) Capt. T. So, so, I've caught 30U in the act, at last, have I ? Becky (sticking her head oid of the closet). Yes, Cap'n, you certainly have this time, and no mistake. S'pose we've got to catch it now. What's the penalty? Going to put us in the pound, or lock us up in the barn ? Capt. T. Neither, tomboy: I'll horsewhip you both (flourishing his ie/iij>), commencing with you, Master Ned. Becky. Run, Teddy, run ! Capt. '/'. If you stir a Step, you imp of mischief, I'll break every bone in your body. Becky (coming from closet). Don't you touch* my brother! Don't you dare to touch my brother! It's .1 shame to make such a fuss about a few apples. 8 OUR FOLKS. Capt. T. It's a great shame that a girl of your age should be caught stealing apples. Becty. 'Tain't my fault. We shouldn't have been caught if you'd only staid at home. Capt. T. (aside). I'll be hanged if she isn't trying to shift the responsibility of the theft on to me. (Aloud to Teddy.) Now, sir, what have you to say for your- self? Haven't I told you to keep off my place? Haven't I promised you a thrashing if I caught you there again? Teddy. Yes, Cap'n, that's so. But I couldn't help it. I — I — I didn't want the apples, b — b — but I wanted to climb the tree for fun : it's such a hard climb, and — and — Capt. T. Don't lie, you scamp, with your pockets stuffed full of my apples. Teddy (looking down at his pockets) . By jinks ! Them must have dropped into my pockets when I was a-climbing. Capt. T. Oh, 3~ou shall sweat for this, I promise 3'ou. Off with your jacket, quick ! d'ye hear? Becky (comes between Captain and Teddy). Don't strike him, Cap'n, please don't. He's not to blame. He didn't want the apples, indeed he didn't. He don't like 'em; do you, Teddy? Teddy (shaking his head). No, colic berries, bah ! Becky. I helped him up the tree, and I'm to blame for it all. You oughtn't to strike a boy for doing all he can to please his sister. If } - ou must whip some- body ,• take me. Capt. T. (pushing her to r.). Stand out of the wa}-, OUR FOLKS. 9 tomboy: your time will come soon enough, never fear. — Off with that jacket, d'ye hear? Idy (coolly unbuttoning his jacket, and taking it off). Don't tease him, Becky. I ain't afraid of his whip. If it's any fan for him, let him lay on. I guess I can stand it as long as he can. Becky (running across stage, and throwing her arms about Teddy's neck). lie sha'n't strike you, Toddy. It'< all my fault. He sha'n't touch you. Teddy. Don't, Becky ; quit! D'ye want to smother a feller? Don't be a ninny. It's got to come. Quit! /.' /. 7. I won't. He shall kill me before he strikes you. Capt. T. (takes Becky by the arm. and flings her over to r.). I'll teach you to meddle: don't come near me till I've done with him. Beck;/ (shaking both fists at him). Oh, don't I wish 1 was a man ! Capt. T. (seizing Teddy by the collar, and raising whip over his shoulder). 2sow, you scamp, I'll teach you to rob orchards. Becky (runs up behind Captain, snatches whip, and runs to door in flat). Not before ladies. Cap'n : that's not polite. Some other time. 11a. ha, ha! Good- ly. Cap'n. Good-by, Teddy: I'm off for a ride. [Exit, snapping the whip. Capt. T. (runs >/]> to door). Come back, you imp, come back ! ( //' doorway, looking off l.) Might as well talk to the wind (Shouts.) Get off that horse. Confound the jade 1 (Runs off.) stop! d'ye hear? Becky (outside). Some other time. Ilmlnp, Uncle Ned! 10 OUR FOLKS. (Teddy runs up to door, and looks off.) Teddy. By jinks ! She's riding away on the Cap'n's horse : hi ! what fun ! An' the Cap'n he's ruiinin' — no; he's turned round, and's comin' back. (Runs down, and picks up his jacket.) Now what shall I do? Hulda. Do ! Scoot. Teddy. By jinks! I'm off. (Runs to window, and tumbles out, then pokes his head in.) Say, Aunt Hulda, you keep mum, and I'll divy on the apples. (Disappears.) (Enter Mrs. S. from l., and Captain, door in flat.) Capt. T. So, so ! Purty capers those 3'oung ones of yours are cutting up, Delia Sleeper ! Mrs. S. Do 3'ou mean Rebecca and Edward, Cap- tain? Have the} - been making any trouble? Capt. T. Trouble ! trouble ! Did they ever make any thing else? Ain't they the pests of the town? Who or what is safe when they. are about? I tell you what it is, Delia: I'm a patient man, a very patient man ; but I've endured this sort of thing just as long as I mean to. Something's got to be done. Mrs. S. I'm sure I try to keep the children out of mischief. Capt. T. No, you don't. That's just what's the matter. You've no control over them. You just let them loose, and like a couple of wildcats they go about seeking who they may devour. What's the consequence? Look at Brown's melon-patch. He couldn't find a sound melon. Then look at my OUR FOLKS. 11 orchard. Despoiled by these barbarians! To-da}' I eaughl them in one of my frees, loaded with plunder. — caught them in the act! Mrs. S. <> captain ! You did not punish them! Oapt. T. Punish eels! No: they were too sharp for me. Bui I will, he sure of that. Now, Delia, this thing must be stopped : it shall be stopped. Mrs. 8. I'm sure I'm willing to do an}* thing I can to keep them orderly. Capt. V. Now. what's the use of your talking so? You're all hound up in your sorrows. You won't think of tlie mattei- again when I am gone. If you eared for their bringing up, you'd have that boy at school instead of letting him fatten on other folks' property; and bring that girl up to work, instead of letting her go galloping all over creation on other folks' horses. I tell you, Delia, you don't know how to bring up young ones. //"/ >a\ to me sometimes, " Hulda,' don't you want to clap on your bunriet, and run over to the Widder Steams with the basket?" or, " Hulda, don't you want tn cany this jelly to Mr. Peters? He's awful sick." And I used to go and go, and never feel a bit tired, because it was charitable work. Now, there's Mr. York, Silly's father, poor man, he's most gone with consumption : now. if you only had a nice little bit of Bomethin' to take over to him, you don't know how good yon would feel. Oil. dear! if I was only Btrong ami well! (Rises.) But what's the use of talking? Here I've got the rheumatics so I can't walk, and the neuralagy so I can't sit still; and I'm afraid there's a cancel- coming on the end of my tongue, and then I can't talk. [Exit L. (Short pause; ln.i k\ uml Teddy munching apples.) Teddy. Becky, what's the matter? you've sat still as much as five minutes, sick, hey? Becky. No. Teddy: I'm thinking, that's all. Teddy. Don't do it. 'Twill make you sick ; see if it don't. 20 OUR FOLKS. Becky. I guess not. Teddy, I expect we're awful wicked. Teddy. Do yer, though ? What for? Becky. Because we don't go to church Sundays. Teddy. How are we going to church without clo'es? My elbows are all out, so's my knees. They'd send us home quick, I tell }'ou. Becky. 'Spose they would. Well, there's one thing we might do, — cany something nice to sick folks. Teddy. Ain't got nothin' nice, and don't know any sick folks. Becky. We know Mr. York,- who's got the con- sumption. Teddy. Well, we might go and catch some fish for him, onty I've lost my line. Becky. No ; something better than that. Teddy, you run and get a basket : I know what to take. Teddy {going r.). Don't know what ails Becky, but, by jinks, I'll bet there's some fun comin'. [Exit r., with hat full of apples. Becky. My sakes ! Did she ever do good ? Every- body calls her a nuisance, and everybody laughs at her grumbling. She take things to sick folks, and feel good in doing it ! Why, she talks like a minister. {Enter Teddy r., with a large basket. Leaves apples outside.) Teddy. How's this, Becky? Becky. That will do nicely. Now let's see what we can find to put into it. (Opiens closet.) Here's a bottle of currant-wine. I guess that's good for con- OUR FOLKS. 21 sumption : we'll take that. ( Puts it in basket.) And here's a jar of preserves. They always give those to sick Polks: we'll take that. (Puts it in basket.) And here's a bos of sardines. I don't know about thai : we'll take it, anyway. (Pitts it in basket.) Teddy. By jinks, Becky! them's the tilings Miss Thompson sent to Aunt Ilulda. I was outside the winder, and saw Silly York when she gave them to her. Becky. No matter: she'll send her more, I guess. Besides, Aunt Elulda won't care, for we're going to do good with them. There's a pair of chickens too, but I guess that they're too hearty for sick folks. Now let's lie oil'. {They take the basket between them, and go a.) '/'"I'll/. The basket is too big for the things. Becky. No: the things are too small for the basket. Teddy (laughs). Ha, ha, ha! (Becky joins in the laughs and then looks serious.) Becky. Teddy, this is charitable work. You must be very serious. (Both draw themselves up, put on long faces, then look down at the basket, up at each other, and exit a., laughing loud. Enter a., Mrs. Sleeper; door in flat, Mrs. Thompson.) Mrs. 8. Dear .Mrs. Thompson, this is kind of yon. Mrs. T. (taking her hand). Mrs. Thompson, in- deed! since when have you learned to be so formal and so polite? When we were girls together we greeted each other as Rebecca and Delia, a custom we have continued until the present moment. Why change it now ? 22 OUR FOLKS. Mrs. S. (sighs). Because I have learned within a few moments that our stations are greatly changed. You are the wife of the richest man in the count}' : I am a dependent on his bounty. Mrs. T. But our hearts have not changed, Delia. In your eyes I see the same loving light that greeted me years ago. And you will see the same in mine if you only look into them. "In the eye there lies the heart," the old song says ; and mine were never known to tell a fib. Well, how are you? My husband has been here to-day. Mrs. S. Yes ; and from him I learned that my money is all gone. Mrs. T. He told you that, did he ? He must have been in a towering passion to have so far forgot himself. Mrs. S. My money all gone ! What shall I do ? Mrs. T. (sitting in rocking-chair). Use his, of course. It's all in the family. You and yours were always " our folks," and you'll not suffer while he has a dollar. He's an awful growler, dear old fellow. Ha, ha, ha ! j-ou've no idea how I have to manage him. Give him his own wa}-, and he's as sweet-tempered as an angel. But of course I couldn't do that, being a woman. Ha, ha, ha ! Oh, no ! obstinacy is the ruling spirit I have to battle. Give him his own way, and he's ready for any good work. Oppose him in the slightest degree, and he is immovable ; and so, my dear, like a wise woman, I never array myself against his wishes or opinions, but continually contrive plans for him to combat. I always fight for what I don't OUR FOLKS. 23 want, and so get what I do. I triumph in defeat, and he is happy in his supposed victory. Ila, ha, ha! poor old trlli. w ; how he is humbugged ! He's going to send Becky to Bchool, isn't he.? Mrs. 8, That is his plan. I believe. Mrs. T. No, it isn't : it's mine. I thought it was high time that some attention should be paid to Becky's education : so I took occasion the other day, after Becky had climbed the lightning-rod of the church, opposite our house, to call lhs attention to it with the remark, •• Such exercise must be excellent for a girl's constitu- tion, much better than going to school." He took fire at once, and vowed she should be sent to school. Ha, ha. ha ! it was my plan, you see. Mrs. S. But Harry — Mrs. T. Ah ! then 1 you touch me. They quar- relled, and he drove him away. It's hard to bear the absence of a dear one from our home ; but I have never lost sight of him. The mention of his name is forbid- den ; but snugly tucked away among my treasures are weekly reports of his progress at college. — tender, lov- ing epistles, such as make a mother's heart glad and happy. He's a son to be proud of. Delia: and, once his Gather's Obstinate old eyes ari' opened to the fact, we -hall lie a united family again. And so Aunt Ilulda twitted him of it. did she? Mrs. S. I was never so mortified in my life. I tried to stop her; but she would go on. dirt. '/'. Bless her dear old heart ! I heard of it : he couldn't keep it to himself. So I sent Silly right Over with a few little delicacies. Ha, ha, ha ! how 1 24 OUR FOLKS. should have liked to have heard her ! Dear me, how I am running on ! I came here to meet a gentleman. Mrs. S. A gentleman? Mrs. T. Yes : it's time he was here. Ah ! I hear his step. (Rises. Enter Harry Thompson, door in flat.) Welcome, my dear, dear boy ! Harry (taking her in his arms, and kissing her). Dear, dear mother ! I can greet you without a blush. Thanks to you, I have won my laurels. Mrs. T. You carried off the honors at Harvard? Harry. Yes : graduated at the head of my class. Mrs. T. I knew you would. Harry (goes to Mrs. S., and takes her hand). My dear old friend ! I'm glad to meet you once more. (Kisses her.) You're my other mother, you know ; for I believe this house was as much my home in the old clays as the other. Mrs. S. Ah ! Harry ! 'tis not the old home. Cyrus gone — Harry. To return again, Heaven grant ! Keep up a good heart. He was never fond of writing, you know ; and men are returning often who have not been heard of for many, many years. Mrs. S. Oh, you don't know how good your words sound ! They all tell me to give him up, that he must be dead ; but something within me makes me hopeful. I could not feel so if he were dead. When my little baby died, I felt it near me for a long time ; but it was a shadowy presence, something that gave my heart no warmth, no consolation. But my husband is a living presence : his voice comes to me at times, not with a OTJB FOLKS. 25 ghostly sound, but with the clear, cheery ring that greeted me so often, — "Wife, home, home again!" Oh, In' must, he will come ! Harry. Heaven giant he may ! Mrs. T. Amen ! Mrs. 8. I will leave. I know you have much to say to each other, and I shall be in the way. Harry. Not a bit of it. We want yon, I want you : for 1 most have somebody near, that I may sound the praises of my angel mother there. Mrs. T. Oh, nonsense, Harry ! Harry. Ah! but I will. What I am, 3*011 have made me. Out of your deep mother-love, spite of obstacles that might have dismayed the stoutest heart, you have fashioned an honorable road to fame and fortune for my feet. May the future show how much I prize that love ! Capt. T. {outside). Bring them along, Phil. Harry. My father! (Going l.) Mrs. T. Stay here, Harry. You must meet him some time ; why not now? ( 1 1 iBXt goes behind her chair, and stands in corner ivith his arms folded.) Phi!, (outside). Aisy, honies, aisy. Becky (outside). Let go my ear. '■!;/ (outside). You quit, now: my ear's tender. Pliil. (appearing at door in flat, holding Becky and TEDDY by the ears). Ah, yis! 'tis a tinder tie that binds us. Thai's the way we took the pigs in the owld country. Scoot now! (Tiny run down ton. corner, uml rub their tan. Phil steps inside the door to l. Captain appears with basket.) 26 OUR FOLKS. Capt. T. More mischief! more thieving! Hang it ! nothing is safe in this town. Mrs. S. What's wrong now, captain? Capt. T. What's wrong? What's always wrong? The capers of j-our young ones. I've caught these young ones of yours — Becky. After a hard chase. Don't forget that, Cap'n. Phil. Begorra ! ye's may will say that — Capt. T. Silence! Phil. Will, I was only just afther remarkin' — Capt. T. Shut up ! Phil. I'm dumb. Capt. T. I caught them — Phil. Ye's wrong there, Captain dear. 'Twas jer- silf tumbled over a log ; an' a mighty sorry figure you cut. Becky and Teddy. Ha, ha, ha ! Capt. T. Silence ! I say. Phil. And I caught them. Capt. T. With wine, preserves, and sardines that I know came from my house. Are they thieves? Becky. No, } T ou hateful old thing ! Capt. Silence ! Phil. Faith ! Captain dear, give them a chance. Guilt}-, or not guilty? Those in favor, say I — Capt. T. Will 3*ou be quiet? Phil. To be sure I will. Be aisj 7 wid them, Captain dear. Sure, they're no thaves. Capt. T. Did 3011 come here to help me, or them? Phil. Will, I dunno ; but a thrue Irishman is always OUB FOLKS. 27 wid the wake. That's what makes them so fond of the girls. Capt. T. Go home. I've done with you. Phil, ('joes to door) . All right. Don't lie hard wid them. If ye'a want my ividince, send a habus corpus for me. [Exit. Capt. T. Char out! (He keeps his back to Mrs. T.) New. then — Becky. Mind what 3011 say! I won't be called a thief. Mrs. 8. Becky, be silent. Teddy. Don't care: we ain't thieves. Only hook apples and melons. Capt. T. Where were yon going with that basket? (Enter Hilda, l.) Becky. Going to sec sick folks. Teddy. Yes : ami carry them something nice. Jfulda (looking int<> bushel). Land of liberty sakes ! [f them young ones ain't been lugging off my things! Capt. T. Yours? How came you by them? IInliin (snatching basket). That's my business. I didn't steal 'em. [Exit L. Berk;/. Oh. my! there's Harry. Teddy. (Hakkv steps fortgard. She runs into his IIakky.) Harry (shakes hands). How are you. old fellow? (Capt. T. comes down 1.. when Becky speaks, and ylarcs at Hakkv.) 28 OUR FOLKS. Capt. T. Harry Thompson ! Harry {stepping forward) . Yes, sir : Hariy Thomp- son. I hope I see you well. Capt. T. {angrily). No, I ain't well. The sight of you makes me sick. What are you doing here? (Becky, when Harry steps forward, steps up to Mrs. T., ivho shakes hands with her, and kisses her. They appear to talk together for a short time; then Becky takes apiece of chalk from her pocket, goes to closet, opens door a little way, holds it with her left hand, and appears to be drawing on the inside of the door. Teddy wanders to r., sits on the floor, and eats an apple. Mrs. S. exit l. Mrs. T. has some tatting, and quietly works and rocks.) Harry. Visiting some old friends, sir. Capt. T. Visiting, indeed ! You impudent puppy ! You've no right in the place. You've disgraced your- self. After all I've done for you, too ! Harry. Well, sir, what have you done for me? You are my father — Capt. T. No, sir: I disown 3-011. Harry. You were my father until I was sixteen years old. You gave me a home ; but when, with a boy's enthusiasm, I asked to be allowed to choose my own way in life, you objected, sternly objected, with the threat, that, if I dared to leave home, your doors should be closed against me. I could not relinquish my desire : you executed your threat. I had no right to complain of your treatment, since I disobe} r ed yon. I have prospered in 1113- undertaking, and so have no reason to regret my course. OUR FOLKS. 29 Capt. T. Well, Bir; well, sir! And now, having prospered in your disobedience, you return with the hope that my doors will be opened to you again. Never, Bil' ; ne\ el' ! Harry. 1 shall never ask admission to your house. If ever I enter it while you live, it will be at your invi- tation. Copt. T. You'll never get that while I live. This is a trick to anger me. What brought you here? who set you up to this? Perhaps your mother — Harry. Stop, sir! To impute a base motive to my mother is unworthy of you, who know her goodness and truth so well. Heap upon me all the abuse your anger can justify. I can bear it ; but I should be more ungrateful than even you believe me, did I allow even the taint of suspicion to sully her pure name. Capt. T. your way, base, ungrateful son! Not a cent of my money shall ever he yours! Keep out of my way, or I shall be tempted to horsewhip you. Becky (throwing open closet-door, on which should be a weU-executed sketch in chalk, on a black (/round, of a running horse with a girl on its back, and an old man running after). As you did me. (Points to picture.) Capt. T. Confound you all! You'll drive me mad ! [Exit door in flat. Teddy. By jinks! that's prime! Ha, ha, ha! (B» ky joins in tin- laugh. ) Harry. Well, mother, are you satisfied? Mrs. V. Perfectly. The time has not come for reconciliation ; but it will be brought about, never fear. (Rises.) I must speak with Delia. I will return soon. [Exit, L. 30 OUR FOLKS. Becky. O Hany ! it's just splendid to have you back ! What fun we will have pitching quoits, and playing cricket ! I haven't had a game of cricket since you left. Come, let's go and shoot the basin. Harry. Shoot the basin? Why, Beck} T , how oW are j'ou? (Sits in rocking-chair.) Becky. Sixteen, I believe. (Sits on a stool at his side.) Harry. Sweet sixteen ! And she plays cricket, and pitches quoits, and shoots the basin ! What a smart, cultivated young lady ! Becky. Yes : I can do all 3*011 taught me. Teddy. By jinks ! that's so. Beats the fellers all holler. Harry (confiised) . All I taught you ? But, Beck}-, young ladies of sixteen should know something more. Becky. Well, I can fly a kite, kick football, row a boat, and — and — Harry. That's quite enough, if you expect to be a tomboy all your life. Young ladies of sixteen, some that I know, can cook, sew, sing, play, and — Becky. My ! you must know some fine ladies. Harry. Oh, yes ! Then they are educated. By the wa}*, Beck}', how do 3*011 get on at school? Becky. Haven't been for four 3'ears ; but I'm going next week, so the Cap'n sa3*s. Harry. I'm glad of that. 'Tis time nr-/ little play- fellow was making herself useful. To do all we can to improve ourselves, to do all we can to help others, — that should be the aim of all. Becky. Why, Harry, you never talked to me like that before. OUR FOLKS. 31 Harry. More shame for me. Becky, you have been neglected ; brought up in ignorance. You are bright, smart, — why, the possession of that one talent (j)' tints to drawing on door) is enough to make you famous ! Becky. What, drawing make me famous? Ila, ha, ha ! that's easy enough. Harry. Why, I know a young lady in Cambridge who makes lots of money drawing for the engravers. ky. You know her? what's her name? Harry. Alice Parks. Pretty name, isn't it? Becky. And you like her? Harry. Oh, immensely! We're great friends. Beck;/. And she sings and plays for you? Harry. Often. !!■ cky ( rises ) . ( iood-by. Harry. Where are yon going? />'. cky. i roing to shoot the basin. Come on, Teddy. Harry. No.no: it's dangerous. Beck;/, l'oh. who's afraid? It's only to take a pole, jump on a log in the water, push out, keep her head Straight, and yon glide over the basin, and strike the island in no time. Ilirry. But if yon miss, over the falls you go. Becky. Put I don't miss. Cateh me! Harry, stay and talk with me. Becky. No. I can't play or sing like Alice Parks. ('. ing b., turns back.) I'm real glad yon talked to - \oii did. It's set me thinking. Ilirry. Then sit down, and lei me say more. Becky. No: I've had enough for one day. I'm 32 OUR FOLKS. going to shoot the basin. It maj' be my last frolic. Come on, Teddy. Teddy. It's awful risky, Becky. Becky. If you're afraid you'd better stay behind. [Exit r. Teddy. By jinks ! I won't be stumped by a girl. [Exit r. Harry (looking off r.). She's a bright little body: pity she has been left to run to waste. But it's not too late. I've set her thinking. Something will come of that. Hiram Small (outside) . Whoa ! stand still, can't you? Anybody to hum ? (Enter door in flat.) Hal- lo, Harry Thompson ! Harry (shaking hands). Glad to see you, Hiram, and looking so hearty. Hiram. Hearty ! "Well, you never said a truer word. Of course I am, for luck's with me. When it goes agin me you never saw such a mean, miserable shyster as I am. But now it's just glorious. Mill run- ning on full time. Prices up, more than I can do. I can eat three square meals a day, sleep like a top, and be up to crow with the roosters in the morning. Where's all the folks? Where's Becky? Harry. She's gone to shoot the basin. Hiram. The deuce ! It's a bad day for that busi- ness. Water's too high. Harry. Do you think there's danger? Hiram. Well, I wouldn't risk it ; but Beck}* can do almost any thing. Harry. She wants looking after. I'll go at once. You'll find the folks in the sitting-room. \_Exit r. on: Fni.Ks. 33 Hiram. Nice chap, Harry, and lie's got laming. Purty cute trick thai of Miss Thompson, to give him a college course, after the Cap'u wouldn't hear to it, and pay the bills out of his pocket. (Enter IIllda, l.) How de do, llulda ? Ilulda. Oh, don't ask inc. Jlirnm. Well, I won't if you don't want me to. Ilulda. I've got the dyspepsy and the lumbago and the asthma, and I've got nothing to live for. Hiram. Well, if you've got all those to take care of, I should say you had. You want livenin' up. 'Sp086 I get the folks together, and come down and give you a Burprise-party. //■<'da. The noise would kill me. Hiram. I won't if you don't want me to. But I'm just dying for a time, — a real up-and-down, go in with your cowhide boots, and make all the noise 3011 can, BOOiable. If BOmebody don't get up a party and invite me, I'll set the mill afire just to hear it roar. Ilulda. Seems \>> me you're dreadful lively. Hiram. You're right, llulda. ( rood fortune always makes in.' as kinky as a grasshopper, as lively as a young colt. I want to sing, shout, dance. Oh for a g 1 old-fashioned cowtillion with a lively fiddle to set one's le._'> a-humming ! (Goes throuyh thejigures as he CaUs.) "Take your partners;" "all ready, Mr. White;" "first four forward and back;" "ladies chain;" " all forward ; " " swing partners." (Catches 1 1 1 1 1> \, mid swings her. ) Ilulda. Mercy Bakes! do you want to kill me? ( Drops int<> chair.) 34 OUR FOLKS. {Enter l. Mrs. S., while they are swinging.) Mrs. S. Well, I never ! Hiram. How de do, Delia? Jest dropped round with a, barrel of flour. Wanted to give 1113' pony a lit- tle exercise. Been givin' Hulda a little too. Hulda. Exercise ! You've driven all the breath out of my body. Mrs. S. A barrel of flour for me ? Hiram, 3-011 're too good ! Hiram. Guess not. The good die 3-oung, and I'm going on sixt3 r . Mrs. S. But I have no claim on you. Hiram. Want to know ! Wasn't C3TUS a good friend to me, and every bod}- in trouble? Wasn't he always casting bread upon the waters? I'm only returning it in flour. You can make the bread. When Cyrus went awa3', 3-011 and 3'ours became " our folks " to everybod3' in the place ; so it's all in the family. {Enter Teddy, door in fiat, wringing out his ivet jacket, hair over his eyes, ivet.) Teddy. B3' Jinks ! we've had a scrape. Hiram. What's the matter, soniry? Teddy. Me an' Beck3^ went to shoot the basin. She got over splendid ; but I didn't head n^ log right, and was goin' by right straight for the falls. Becky she see I was goin' ; reached out and caught my log, tipped me over, and in she went. I caught the bushes, but she went down the stream. Hiram. And over the falls? Teddy. Almost. I 3'elled like sixt3 r ; the men come rurinin' out of the mill, but they couldn't do nothin'. OUR FOLKS. 35 Then purty soon I saw another man rnnnin' with a rope. By jinks! it was Harry Thompson. He jest kicked off his shoes, tied the rope round his waist, give the fellers the other end of it, give a run, jumped In, caughl Becky just as she was going over the falls. The next minute they went under, and the next them fellers had 'em out; an' — an' — I'm awful hungry. • 8 to B.) Hiram. Well done! I'll raise the wages of every man in the mill. Mrs. S. Thank Heaven! But where is she? Where's my child? {Enter Harry, door in flat, with Becky in his arms.) Harry. She's here. (Enter Mrs. T., l.) Mrs. S. (staggering forward) . Becky! (Falls.) Hulda. Mercy sakes ! she's struck. Becky (whom Harry has set on her feet). mother ! I've killed my mother ! (Falls on her moth- i r's neck. Sloiv curtain. As it descends:) Mrs. T. Poor child! 'tis not her work; 'tis the Long watch for the ship that never comes. Picture. — Bins. S. and Becky on floor, c. Mrs. T. standing behind them, looking down. Hulda, it. c, with ii bottle which site takes from her pocket, and ivith which she is saturating a handkerchief, slightly bending forward. Teddy n., with a twist in his jacket, looking at Becky. Hiram i:., with his right leg over the corner of table, elbow on knee, chin on hand. IIakuv at the other end of table, lejl hand on table, right attack of his hi ad. Soft music. 36 OUR FOLKS. Act II. — Scene : Sitting-room at Capt. Thompson's. Windows r. and l., in flat. Table between, covered with a red cloth ; on it a vase of flovoers and several books. Windoivs have muslin curtains draped. Canary-bird in cage, in r. window. Chairs in win- dows. Door r., next window. Closet r., between door and entrance. Desk l., back to audience ; arm- chair behind it ; arm-chair l. c. Capt. T. at desk, writing. Mrs. T. in arm-chair, r. c, knitting. Mrs. T. Well, Paul, did you have a pleasant day in Boston yesterday ? Capt. T. Did I ever have a pleasant day there? No. It's nothing but rush and bluster ; you can't talk to a man five minutes before he grasps his hat, and rushes off, sa}-ing he's "got to go and see a man." I've no patience with them. You'll not catch me there again soon. What's the news here since I've been gone? Mrs. T. Delia's no better. Capt. T. Didn't' expect she would be. It's two years since she was struck with paralysis. Little chance of her ever getting well. Hard lines for her, especially with that grumbling old Hulda Prime about her. 3Irs. T. Ah ! the grumbler has gone, and in her place is a new creature. The blow that prostrated Delia made a new woman of Hulda. At once she OUR FOLKS. 37 took charge of every thing : all her old troubles were forgotten : she's a good cook, a careful housekeeper, a handy nurse, and a good mother to the children. They and the house are as neat as wax. Capt. T. Bah ! that tomboy. Mrs. T. She's no longer a tomboy, but a bright, helpful little woman. She's been at school two years, and always at the head of her elass. Capt. T. Well, I'm glad she's turned about. I never liked her, and 1 hope she'll never come in my way. Mrs. T. Yet you are very fond of Teddy. ( 'opt. T. Well, he's quite another sort. He's the coolest piece I ever met. He came into the ship-yard the day after the tomboy was pulled out of the water, as unconcerned as if nothing had happened. I was jus! going to drive him oil', when he asked me some- thing aliont the ship. I was so surprised that I answered him; and. confound him, I've done nothing hut answer his questions ever since. As for the rest of the family, I washed my hands of them long ago. Mrs. T. {with a mischievous cjlance at Cut. T.). I strange how they get along. They have a myste- rious friend somewhere aboul here. For the doctor's bill is regularly paid, and they've every thing they Heed. Who can it lie? Capt. T. (confused). Well — ah — hum ! You needn't trouble yourself to find out. It's none of our burin , Mrs. T. Becky's smart. Out of school-hours she works at the mill. 38 OUR FOLKS. Capt. T. She work ! Impossible ! Mrs. T. Now, father — Capt. T. Don't call me father. Haven't I told you I wouldn't be called father? I ain't a father! I won't be a father ! When that boy disobeyed me I cut him out of my heart, and I'll never forgive him, never. Mrs. T. (rising). Just as you please, fath — I beg pardon, I mean Paul. You know I never contradict you. (Opens closet, and takes hat and shawl.) Capt. T. Where are you going? Mrs. T. Out. Capt. T. So I see. Mrs. T. (aside). I wish he'd ask me where. Capt. T. (aside). She wants me to ask her where she's going. Catch me! (Aloud.) Don't be gone long : it's lonesome here without 3-011. Mrs. T. No longer than I can help. [Exit door r. Capt. T. (rises, and peeps out of window l. in flat). Hum ! told 30U so : there she goes straight down the hill to the Sleepers'. There never was such a woman. Deliberately disobeying her husband, bless her dear heart, I knew she would. Can't stand that. It's wrong. Obedience is a wife's first dut}'. But don't she make things fly over there? Poor Delia, she sha'n't want for physic as long as I live. And those young ones ! Well, well, bo3'S will be bo3 r s, and .girls will be — tombo3'S sometimes, I suppose. There she goes in at the gate. (Enter Phil r. 1 e.) Ah, my lad3' ! You'd like to find out who the nysterious friend is? No, no : I'm a shy old dog. Phil. Ah, ha, Captain ! is it a sly look at the girls 3'e's havin' ? nil: FOLK'S. 39 Capt. T. (turning quickly) . Hallo! you here? Phil. Yis, Mr; but ye'a can thrust me. I'll not till. Capt. T. Tell, you booby ! Can't a man look after his wife ? Phil. Oh : it's the misthress, is it? Well, that's all right : 1 forgive you. Capt. T. Well, what do you want? Phil. Did ye'a hear the news of the big fire down beyant there ? Capt. T. Fire? When? where? Phil. It was yisterday. Small's mill ; an' a mighty illigant blaze it was intirely. Capt. T. Small's mill burned down? Phil. No, burned up; for it caught in the lower fh ire. Cap*. T. Anybody hurt? Phil. Niver a one. The hands were at dinner; only two girls lift : Becky Sleeper, an' — an' the little cripple, Silly York's sister. They couldn't get out below : for, t\'\i' mind, it was all one roaring blaze. All, hut wasn't Becky the brave girl! the minute, she jisl raised a laddher to the Bkylight, tuk the cripple on the hack of her, and was on the roof in the twinkle of an eye ; thin begorra she riii hack, sthrippcd up the I'.i--. made a rope, and lowered her to the ground. Jist in time you may helave, begorra ! Didn't the paple shunt whin they Bee her coomin' ! Capt. T. It was a brave <\r^\. Phil. You ma\ will say that, for it's a judgment on 3 1 40 OUR FOLKS. Capt. T. A judgment on me ? Phil. To be sure, for trating her so shamefully whin she was a tomboy. She niver could have done it if she hadn't been trained to fates of ground an' lofty toumblin' loike the ac-crow-bats. Oh, she's the brave one ! If iver I have a girl, I'll make a tomboy ov her if I have to tie her hands and fate. Capt. T. {sitting at desk) . You go and find Hiram Small. Tell him I want to see him. Phil. All roight (going) . The young shaver Tiddy is outside. I've a moind he's waitin' fur a sight of ye's. Capt. T. Send him in. Phil. Will I foind the sisther, and sind her too? Capt. T. The tomboy in my house ? No. Phil. You couldn't do bether. Capt. T. Clear out. Phil. All right. Ye's haven't forgotten the toime she run away wid the horse, an' ye's afther her. Be- gorra ! how ye's did run ! (Captain rises.) Oh, I'm off. [Exit 1 E. R. Capt. T. (sits). So Small's had a streak of bad luck again. Sorry for him. But he's a stout-hearted fellow, and won't mind it. (Enter Teddy r. 1 e.) Hallo, Teddy ! are you there ? Teddy. Ay, ay, Cap'n. Capt. T. Well, Teddy, you've had a fire since I've been gone. Teddy. By jinks ! a buster. I tried to help. We got the blamed old ingine out, and got started down the hill with it ; but it went too fast for us, and we OUR FOLKS. 41 had to scoot out of the way, I tell you. She run down the hill, and thru tipped over. That's all the puttin' out the Bre 1 dit. T. {angry). Go to thunder with your in- fernal questions. '/'rt. T. No, I don't want you. Somebody's at the door: it' they want you, they're welcome to you. Silly. Do you want me to go to the door? Capt. T. What do 1 hire you for? Silly. Nine shillings a week. ( 'apt, T. Start yourself, quick. (Silly goes to door B. c. B.) Here, you ! mind, I'm busy, and don't want e anybody. [Exit Silly, shutting door after her. That girl will be the death of me. Silly (outside). Oh, you dear little thing! I must hug you. ( Throws open door.) Come right in. Capt. T. Didn't I tell you I wouldn't sec anybody? (Enter Silly.) S '). Becky Sleeper, you're a little angel, and I'm an ugly old brute! (Crosses tn i:.) Pick up your money: I don't want it. To think that I've been abusing you all this time, and you coining in this way to pour coals of fire on my head! I'm an old fool ! (Crosses back t<> desk.) Take A'our money, quick ! /.' yv. No; you mustn't ask me to do that, captain. If you knew what a temptation that money has been to me — 46 OUK FOLKS. Capt. T. Temptation? Becky. Well, I'll tell 3*011 ; but it's a secret. {Sits in chair it. c.) Capt. T. {pulls chair from desk, and sits near her). Oh ! it's a secret, is it? Becky. Yes. You must not tell, not even Aunt Rebecca. You won't, will you? Honor bright? Capt. T. Honor bright. Becky. Now, ain't this nice, to think of } T ou and I sitting so cosily together! Ha, ha, ha! it's just jolly. No one would think I had ever been such a torment to you ; and you ain't half so ugly as you used to be. Capt. T. Is that the secret? Becky. No. I've just learned of a very nice way to make mone}', — one I should like very much ; but it is necessary to make a journey to Boston, to see a man — Capt. T. {groans) . To see a man ! Becky. What's the matter? ain't you well? Capt. T. Go on. Becky. And this man would give me work, to make designs for engravings. Aunt Rebecca — no, Harry — told me of it ; your Harry. (Capt. T. scratches his head, and looks away.) {Aside.) He don't like that, but I'm not going to slight Hany. {Aloud.) I had the money to take me there ; and I was tempted to use it, — tempted, oh, so hard! until I remembered it was 3'our mone}' ; and, to put the temptation from me, I brought it to you. I didn't want to until I had the hundred : now I'm glad I did. Had I gone, I should have disobeyed Aunt Rebecca, and — Harry. Capt. T. Why disobeyed Aunt Rebecca? oil: POLKS. 47 Becky. Because the) (emphasizing "they" with a toss of hi r head) forbade my going until the expiration of the school-term. Capt. T. She forbid 3*ou ? nonsense! It's a capital idea; a nice way to rain money. And 3011 want to gi . ? Becky {clapping her hands). Oh, don't I ! If only- it was right I Cajrt. T. Right? of course it's right. She's no right t<> prevent you, and I should like to see her do it. You want to go to Boston : you shall go. Becky. Oh, if I only could! I know I should suc- ceed. lint what would Aunt Rebecca and — Capt. T. Hang Aunt Rebecca! I've just as much right to direct your actions as she has. I'm going to Boston to-morrow morning. You shall go with me. Becky {jumping up). Do you mean to say you will take me? Capt. T. To Boston to see a man, — a hundred if you want to. To Bee all the sights, — to the top of Bunker-hill Monument, and the State House. Y r ou shall see high life — Becky. Oh, that would he splendid! If I only could ! Capt. '/'. You can and shall. Go home, get ready, ami to-morrow morning at five o'clock meet me at the BChoolhoUSe. Phil shall drive 11^ to the depot, and at one we'll he in Boston. (Rises; takes money from "'. nk. ) Here, take your money (tosses it into her l"J>). When I want it. I'll ask for it. Becky (rises). Well, of all things in this world ! STOU icalU mean it? 48 OUR FOLKS. Capt . T. Of course I do. Becky. Honor bright? Capt. T. Honor bright. Becky. Oh, glory! Ha, ha, ha! I'm so thankful! Go to Boston? me? I can't believe it. Ha, ha, ha! It's too jolly for airy thing ! Capt. T. Come, you haven't much time. Becky. I must see Silly first. Capt. T. Good-by, little one. Be sure and be on time. Becky. When the clock strikes, j'ou'll find me there. Oh ! how can I ever pay 3011? Capt. T. By shaking hands, and making a friend of the old man. You may add a kiss if you like. Becky {throwing her arms about his neck) . A dozen, 3011 dear, good, kind, noble captain ! {Enter Phil., r. 1 e.) Phil. Ahem ! Becky. Good-by. {Runs offn. 1 e.) Capt. T. Well, what the d — Phil. Ais} r , captain. Remimber 3'e's a dacon, an' don't add profanity to ye's other sins. Oh ! I blush wid shame for the desate uv the world. Capt. T. You stop that, quick ! What do you want ? Phil. Sure, I found Misther Small, an' he's coomin'. Capt. T. All right. Have the horse ready to-mor- row morning at five. I'm going to Boston. Phil. To Boston, is it? Begorra ! an' it's only the day ye's said ye'd niver go to the infernal place agin. OUR FOLKS. 49 ('•Hit. T. No matter what I said : do as I tell you. Put iu both scats: I shall take Mis^ Becky with me. Phil, (whistles). Whew! the little one's coom it over the captain! Will, 1 never! {Knock.) Capt. T. See who's at the door. Phil, (goes to door, r. r. i:.). Et's all right, captain. [f you've taken the little one to yc's busom, it's a warrm heart ye'll be havin'. [Exit. Capt. T. (crossing to u. 1 E.). I've got myself into a scrap.- ; hut I'll carry it out. The}' say she sha'n't go: I Bay she shall. I do hate obstinacy. [Exit R. 1 B. Phil, (outside). He's waitin' for yees. Coom in. ( Knt' r l'nii... u. o. e., folloived by Hiram.) Begorra ! 1 1 -lit uv it ! Hiram. No matter: I'll come in again. Phil. Oh ! sit down, man, an' I'll be afther finding him. [Exit R. 1 E. Hiram (dropping into chair r. c, elbows on knees, hands hanging >ni). I ain't t much of an ear for music; bul there's two tunes I've got pretty well ac- quainted with. — fortune and misfortune. The fust is a lively jig, ami the t'other is as melancholy as the Dead March in Saul. I've whistled 'cm both SO long that it seems a- though this whack of luck oughtn't to hit me BO hard. But it docs. I'm thrown, floored, actually busted ; and I feel mean enough to rob a hen- | /.' \t< r I 1 1 I DA, K. 1 . E.) Hulda. There he is. I thought he come in here. ts her hand mi Hiuam's shoulder.) Hiram, if 50 OUR FOLKS. 'twasn't Heaven's doing I should say you was the wust-treated man in town. Hiram, {looking up). How de do, Hulda? Yes, the old tune's struck up agin. I'd kinder lost the hang of it, so long since I've heeded it. But now it seems just as nat'ral as " Auld Lang Syne." Hulda. Hiram, I'm real sorry for you. Dunno as I'm welcome; and I'm sure this is the last house I ever expected to be in. But I couldn't help putting on m} r bunnet, and runnin' over to the mill to see you. When I got along here I saw you comin' in, an' the Cap'n going down the road, so in I came. (Takes off her bonnet, and drops it in chair l. c.) Hiram. It's real kind of you, Hulda, — somethin' I couldn't expect ; for I hain't treated you jest right, nohow. Hulda (brings down chair from window, and sits r. of Hiram). Oh, never mind me ! Hiram. Seems queer you should drop down on me jest then, Hulda ; for I've been kinder looking back, and jest when you put your hand on my shoulder, I was thinkin' of that day when horse, wagon, tinware, and peddler went through the bridge together. Hulda (sighs) . I remember it too. Hiram. Yes : you were stoppin' with Miss John- son, helping her with her Thanksgiving. You were a smart girl those days, — not handsome, but kinder good, wholesome-looking. Don't you remember my coming round to the kitchen, and jokin' you 'bout Cyrus Cheever, who was kinder makin' up to you? Hulda. Cyrus Cheever, indeed ! he was a fool. OUR FOLKS. 51 Hiram. Yes ; an' I sang out to 3-011, " Don't have liiin. Hulda : wail for me; I'll call when I come back, and pop the question." (Laughs, then very sober.) Bui 1 drove off, and popped through the bridge; lost the chance. Ilnhla (aside). He'll never know what I lost. I took it in earnest, and waited and waited. Ah, dear mi' ! (Aloud.) Sonic of your nonsense. Hiram. I meant it, Hulda; as true as gospel I meant it. If it hadn't been for that accident I should have come back, and asked you, Hulda, true as preach- in'. But the old tune struck up, and 'twas no use try- in' to o.t up :i weddin' dance to such music as that. And then when 1 got in luck again, somehow 1 kinder gol stuck up, and got used to bein' my own master; but I iliil kinder keep thinkin' of you. Hulda. Nonsense, I liram ! Hiram. Bui what's the use of my telling you all this? We've got bj all that nonsense; and I'm Hal on my back agin, and poor as poverty. Don't 'sposc it's very manly in me to go confessing this thing now; but I've kinder felt mean about it. and your comin' to hunt me up. so cleverly and neighborly like, when I've nobody to feel Borry for me, has sorter made me do it. Hulda (/'lares her hand on his shoulder, ami, as she speaks, lets if slide down his arm, reaching his hand at the jhiisJi). Hiram. I'm glad you told me this. You needn't be ashamed of it neither. It's a manly thing tor you to do; it's wiped out some hard thoughts I had of you ; and I want \ oil to understand, that, if you'd come back that day, Cyrus Cheever, or any other man. would have been of no consequence at all. 52 OUR FOLKS. Hiram {clasping her hand). Well, now, that's hearty of you. Hulda. Hiram, I'm real sorry for } r ou. What will you do now? your mill is ruined. 'Twill take a heap of money to build it up again. Hiram. Donuo, Hulda. But I ain't a bit scared. I've begun too many times at the foot of the ladder to give it up now. Hulda. Trust in Heaven, Hiram, trust in Heaven. Hiram. That's good pious doctrine, Hulda ; but I'm kinder unsteady on religious p'ints, and I think Heaven does the handsome thing when it gives us this world, with all its promises and store of materials to work and weave, and brains to think and arms to work with ; and we serve the Giver best when we take all this on trust, and turn it over, and work it up, and do the very best we can. That's my religion, Hulda, and I mean to live by it ; and, if I can do that, I ain't afraid it won't carry me over the river. So I ain't goin' to trouble Heaven to set me goin', but jest look round, find somethin' to do, and then pitch in with a will. Capt. T. {outside). All right, I'll find him. Hulda {jumping up). Mercy sakes ! here's the captain. I wouldn't have him see me here for a dol- lar. Where's m}' bunnet? {Looks round without see- ing it.) Must have left it in the entry. {Runs into closet r.) Hiram. That ain't the entry. {Enter Capt. T., r. 1 e.) Capt. T. Hiram, I'm mighty sorry for 3'ou. {Shakes OUB POLKS. 53 hands.) If it had been one of my own ships I couldn't have fell worse. I \v:is out Of town all day yesterday, only heard <>f it this morning. Swept clean away, hey ? Hiram. Yes. captain; all gone. Some of the machinery might be saved, but it can do no good. What's the use of a horse if you oan't get a stable for him ? Capt, T. Well, the fust thing to do is to build a stable for your iron horse. Hiram. It's easy enough to talk, but where's the inoipy coming from? Copt. V. How much will it take to set the mill going again ? Hiram. Ten thousand dollars. (Whistles softly.) Capt. T. Ten thousand dollars? (Whistles loud- ly.) Any insurance? Hiram. Not a cent's worth. 'Twas too risky. You see. a little combustible cotton-waste swept away my fortune in a couple of hours. Co)>t. T. And you Bay ten thousand dollars would in' required to rebuild the mill? That's a big sum. Hi rum. Yes. The stock's clean gone. But my agent in Boston would fill me up. if I could only get the mill on its [egs again. Oapt. T. Ilm! l'ays good profit, hey? Hiram. Splendid! I had a customer for all I could make. Might rebuild on shares with m\ agents. I i_ r ue-s they'd come down with five thousand, if J could show the other five. ipt. T. Would they? Then you're all right. Hiram, lhiild it up. ami set it going. 54 OUR FOLKS. Hiram. Yes ; but where's my five thousand coming from ? Capt. T. From my pocket, Hiram. 'Tain't the first time I've set }'ou up in business ; and, though you've failed many times, I never lost a cent. You've always paid me principal and interest ; and the money's 3'ours when you want to set things going. If } r our agents won't go in with you, I will : though where so much money's coming from, I don't exactly see. Hiram (shaking the Captain's hand vigorously). Capt. Thompson, 3 r ou're a friend worth havin'. You've put new life into me. I thought my best friend was gone when the old mill went ; but I'm all right now. Capt. T. Of course 3 r ou are. Don't say any more about it, and don't let it leak out. I don't like to have my doings known. Hulda (running from closet). But they shall be known, you ugly old angel ! Capt. T. Hulda Prime ! You here? Hxdda. Yes; and thank Heaven I am here to see such a noble spirit ! Capt. Thompson, I've said hard things about you, and to your face too; but I take 'em all back, — except about Harr} 7 , — that I will stick to. You did treat him mean. Capt. T. (sternly). Miss Prime, I am surprised to find 3 T ou here. Hulda. No more than I am to be here. Hiram will tell you all about it. You're just splendid ! Folks round here pity Miss Thompson because she's got such a brute of a husband ; but they needn't. I wish I had you — OUR FOLKS. 55 Hiram. Hulda! Hulda. Law Bakes 1 I didn't mean that. You're just as good as you can be, and I'd like to hug 3-011. {Approaches Captain with outstretched arms. lie 8 to 1..) Come, Captain, shake hands, an' forgive me. (Captain looks at her hand an instant, then takes it.) You'll never regret this day's work as long as yon live, — never! And I'll never go to sleep at night without a prayer for ('apt. Thompson. Capt, T. Pray as much as you please, Hulda : I shall need it all. But, if we are to be friends, not a word of what has been said here: you understand? [Exit L. 1 B. Hulda [looking after him). Needn't fear me. If you want to hide your light under a bushel, I'm not mean enough to kiel; it over. (Turns.) Hiram Small, what on airth ails you ? Hiram (who has been silently executing a double- shuffle). Doin'? Why, I'm ready to shout, dance, sing. The tune's changed, and I'm jest bilin' over. Hulda, just remember, the minit the new mill is up, you're Bpoken for. Hulda. Do you mean it, Hiram? Hiram. To he sure I do (clasping her in his arms), you dear old girl ! ( Huns hi r tight.) Hulda (loud). Mercy! I'm Crushed I (Captain appears l b. l. B» kv appears 1 b. b. Hi- i:\m sinks into cAiir, L. C, on Hilda's bonnet.) Capt. T. Hiram Small! 7. Aunt Hulda ! 56 OUR FOLKS. (Mrs. T. enters r. u. e.) Mrs. T. Who's crushed? What's crushed? (Hiram rises, and holds out Hulda's bonnet, crushed flat.) Hulda {snatching it, and holding it up) . Heavens and airth ! my bun net ! (Captain, Mrs. T., and Becky laugh. Quick curtain.) urn i-oi.ks. 57 A.CI III. — Scene: Sitting-room at Mrs. Sleeper's. Door c. Windows draped tvith red curtains, R and L. in flat. Doors R. and L. /Sq/ti R. fcicfc, on which 'l'i i»i»v lie* asleep. Armchair l.., in WAtcA MRS. Thompson is seated, knittinq. Table c M covered with a red cloth ; lamp burning upon it. Becky seated r. of tattle, drawing on a wooden block. HarryThomp- boh seated L. of table, reading a newspaper. Mrs. T. No more work to-night, Becky. You'll spoil your eves. Becky. Don't stop me, aunty 1 I must finish this (hawing to-night. That will make three this week, my usual number. Harry. Three drawings a week? My eyes, what a genius ! Thai beats Alice Parks. Becky {aside). Alice Parks] lie thinks of no one but her. Harry. Three drawings a week ! You must be getting quite a millionnairess. Lei me sec. two from tWO you can't. fOUT from four you Won't : twice two is four, and twice four is two. By the way. how long has this been going on ? Beck>/. What, your figuring? If it should go on forever, you'd never come to a sum total. Harry. Ii musl be a year. Becky. Jusl a year since the Captain gave me that famous surprise-party; took me to Boston to Bee the grouty and grumpy Mr. Woodfern. 58 OUR FOLKS. Harry. "With whom 3-011 had the famous cricket- match. Becky. Ha, ha, ha ! such fun ! My tom-boy tricks, as the Captain calls them, served me well that time. He wouldn't look at my drawings. Didn't want 3*oung beginners, "more plague than profit;" and then he looked "Clear out!" though he didn't say it. I was just going to obe} T his mute order, when I saw, oh, the most splendid ci'icket-bat on the wall, just over his head! "Oh, what a splendid cricket-bat!" said I. "What do you know about cricket?" said he. "I know it's just the best game I ever played," said I. " You play cricket? " said he. " Yes, indeed ! Please let me take that bat: I won't hurt it." He took it down : I seized it, and handled it just as 3'ou taught me, Harry. "Now," said I, "if we only had a ball ! " He took one out of a drawer. " We have," said he. " What next? " — " Bowl me a ball, and you shall see; " and I placed nryself in position. Then he got excited; and, when I shouted '•Play!'' he bowled a swift ball. I struck quick and hard. It flew across the room, through a window, struck a glass globe filled with water, and down it came on the head of one of the workmen. He shouted " Help ! " and I screamed, "Gracious! what have I done?" Mr. Woodfern said, " It's of no consequence. Let me see j-our drawings;" and nn- fortune was made. Ha, ha ! how he did laugh, and shake his sides ! Teddy {dreaming) . Look out, Beck3' ! Keep her head straight : she's drifting. {Rolls off sofa on to the floor.) OTJK POLKS. 59 Becky. Ha, ha, ha! Ted's dreaming. Marry. Careful, old fellow. If you don't take bet- ter care of your head, you'll smash it all to pieces. Teddy {sitting uj>. and rubbing his eyes). Don't care ! I won't be stumped by a girl ! Harry. Stick to that, Ted, and we'll make a man of you. Teddy {sits on sofa). What do you want to wake a feller up for? I was havin' the best time! Don't have any good times now, except you dream 'em, since Becky's taken to drawin', and has got a beau. Becky. Hush, Ted. I la, ha, ha! Harry. A beau? Who is he? Teddy. Why, didn't you know Herb Arnold, the minister's son, is awful sweet on our Becky? Yes. he tried t.. git on the right s ' ( h' of me. Wanted to know what's Miss Rebecca's favorite flower; and 1 told him she was very fond of Graham. Couldn't fool me. Harry. I toes he come here often ? Becky. Very often. {Laughs,.) Harry. And do 3'ou like him ? Becky. Of course. He plays and sings. (Laughs.) Teddy. He's got weak eyes, and wears gold specs. One foot's a little shorter than the other, and he's got a lisp; but he's a pretty good-looking feller. I guess, if I gave my consent, he'd give Hie a new sled next winter. Harry, t lonsider it well. Ted. Teddy. He's awful loud of Aunt Ilulda's pies S'pose piety runs in the family . {Enter Ih i.o.v. pursue, and will to conquer — achieve greatness, and occupy high places in the world. 1 would try my powers. Mrs. T. () IIarr\ ! you want to leave me? Harry. I must, mother. •• Care-cankering rust the hidden treasure frets; But gold tint's put to use i v gold begets." T must do Longer keep my treasure hidden, — the precious treasure with which your love has endowed me. I shall go to Boston, and study law. Mrs. T. But, Harry, your father? Harry. And what of him? To him T am a stran- ger. Almosi daily, I meet him: he pulls his hat over his eyes, and hurries by. He is a man honored among men. I lis good deeds have filled many hungry mouths, smoothed many hard and thorny places, and lightened many weary loads. Hut to his own sou. his only child, he is implacable, relentless. (Rises.) Let me go, mother. Afar off I can reaped him: but, if I slay here. I fear I shall learn to hate him. [Crosses to R. Mrs. T. You are right, Harry. You must leave this place. Fondly hoping that the way to reconcilia- tion mighl be found. I have kept you by my side; but dear as you are to me, painful as the separation wotdd be, I had rather oceans divided u-> than thai an}' act of mine should cause you to hate your father. 62 OUR FOLKS. Harry (crosses, kneels at her side, and puts Ms arm about her) . Mother, forgive me ! It was a thoughtless speech. I could never hate one you love. (Enter Hiram. Small door c.) Hiram. How de do? I'm pretty well, I thank you. Harry (rises). Ah, Hiram! Walk in. Hiram. Well, I guess I can't stop. Thought I'd run over and tell you the mill is all ready. We're goin' to start the ingine to-morrow morning. Pr'aps you'd like to come up, and see her go? Harry. Thank you, I should. Hiram. That's all. Good-evening! (Going.) By the way, is Hulda to home ? Harry. Yes : she's in the kitchen. Hiram (comes down to door r.). Didn't think of it ; but I guess I'll step in and tell her. She might like to step over in the morning. [Exit door r. Harry. A poor excuse is better than none. So, mother, nry mind is made up. No more idleness, but good hard work. Mrs. T. So this is the surprise 3*011 had for me ? Harry. No, mother. Like Hiram, I kept my real object for a last disclosure. Mrs. T. And, like Hiram, you are in love? Harry. Why, mother, who told you? How did you find it out? Mrs. T. Oh, a little bird, you know. Ha, ha, ha ! Harry. Yes, mother. And that I may rear a home for the dearest girl in the wide, wide world — OUR FOLKS. 63 (Enter Becky, door l.) Mrs, T. Hush: (Harrt walks over to r., whis- tling. ) Beck;/. Mother serins very uneasy to-night. I think she would like to see you, aunty. Mrs. T. (rises). I'll go to her at once. [Exit door l. Harry, Mother n<> Wetter. Becky? Becky (aits at table, as before). No, Harry. The doctor says some sudden shock may restore her. That would be a miracle, for 'tis three years since she Left her bed. Harry. We will hope for the liest. (Becky has the block mi which she has been drawing, in her hand.) Let me see your thawing. (Goes behind her chair, and looks over her shoulder.) Exquisite ! (Puts his left hand caressing on her left shoulder.) Ah, Becky, how proud and happy you have made us all ! (BECKY looks at the hand on her shoulder, and tries to draw aioay.) What's the matter? Do I hurt yon ? y ( with a si'/h ) . Oh. no ! Harry, There's grace and beauty in every line of that drawing; and it tells the whole story. .<>r i.. Becky. Like the Spartan youth. I will return with m\ shield, or on it. {Ooesupc. Enter (\\rr. T., door c. Bbcri <-'>>ihs down Refolds her arms, and stands iril/i I,, /• back to him. ) 68 OUR FOLKS. Capt. T. {speaking as he enters) . Ah, Becky, here you are ! I haven't seen you all da} r ; and I couldn't go to sleep without a sight of my little will-o'-the-wisp. How's this? — not a word, not a smile, for the old man? Becky (turning). Capt. Thompson, you are a member of the church, a deacon : you should know what is right. Tell me, should I love the wicked, or hate them? Capt. T. Hate 'em ! Hate 'em like pison ! Becky. Then, Capt. Thompson, I hate 3-ou ! Capt. T. Hate me? What have I done ? Becky (fiercely). Every thing that is bad. You have scattered your riches for good ; but the dearest, best treasure Heaven bestowed you have squandered on an evil passion. You have made a fond mother's heart bleed ; and you have bitterly wronged a proud and noble son. Capt. T. (furious). Silence! You dare accuse me? — 3'ou, a little jade I saved from the workhouse ! Beck}' Sleeper, are you mad ? Becky. I have spoken the truth. Your son — Capt . T. 'Tis false ! I have no son. And, if I had, who are 3 r ou ? Becky. ' Becky Sleeper, whom you saved from the workhouse. Veiy manly to boast of it, wasn't it? Capt. T. Once for all : I will not hear that for- bidden name mentioned — Becky. In this house 'tis a name as much honored as that of his father. He saved me from a watery grave, quite as noble an act as to have saved me from the workhouse. But then he has never mentioned it. ODB POLKS. 69 Capt. T. (draws a fierce breath, then checks himself, bows). I beg your pardon. 'Twas a thoughtless Bpeech, which I regret. Becky {bows). Thank you! Now we will proceed. When will you ask Harry home? Capt. T. Never! Becky. Oh, yes, you will! Think a moment. Some philosopher 1ms said that a man's body under- .111 entire change every seven years; why not his feelings as well? It's just seven years since you drove him away. Now open your arms, and take him back, and your being has undergone an entire change. Don't you Bee? Capt. T. Never! He wilfully disobeyed me: I'll never forgive him. Becky. So did I — many a time; and you've for- given Ilie. Capt. T. Becky, no more of this. Don't you see what a furious paSsiOD I'm in? Becky. A wicked passion, born of a sinful hate towards the son who has honored the name you gave him. Capt. T. Becky. {Approaches her with clinched /mini raised to strike her; stops, lets it fall upon his fore- head.) Heaven help me! what would I do? (Staggers /■' arm-chair l., falls int<> it, covers 'his face with his hands, mi'l sobs. ) Bed (after a pause slowly approaches him) . Dear Captain. I am sorry if I have >poken too harshly; but ! have a deal' mother in that room, whose pale, sad lace lights up with joy when 1 approach. She has 70 OUR FOLKS. borne her trials so meekly, so patiently, that her pres- ence has come to fill my heart with a holier love than ever it knew. Over her bends another mother, whose heart is saddened at the thought that ere many days she must part with a son who is her life; her pride. Feeling all this, I have dared to speak with the hope that I might awaken the paternal affection that has so long slumbered in your dear old heart. If you still think I have done wrong, I will leave you. (Pause.) Shall I? (Capt. T. turns his head away, then slowly extends his right hand. Becky seizes it, hisses it, then sits on stool near his chair.) Oh, this is just splendid ! You're not angry with me now? (Capt. T., still keep- ing his head turned aivay, shakes it energetically.) No? Then I'll tell 3 - ou a secret. You won't tell, will you? (Capt. T. shakes his head.) Honor bright? Capt. T. Honor bright. Becky. You remember when we went to Boston? Didn't' we have a jolly time? (Capt. T. nods his head.) I told you I met a young girl at the engraver's, — Miss Alice Parks. (Capt. T. nods.) Well, she's a dear friend of Harry's, your Harry, Captain. I shouldn't wonder if one of these da}s she should become his wife. Capt. T. (sitting straight). Become his wife ? Hum- bug ! What are you thinking of, Becky ? Becky. Well, all I know, he calls her " the dearest girl in the world," and she calls him her dear friend, and they write to each other ; and that's the way lovers do, don't they? Capt. T. He many that girl! I'd like to see him attempt it. OUR FOLKS. 71 Beck;/. Why. Captain, she's :i splendid girl : and. if they love each other (sighs), I'm sure it's only right that they should marry. And then Harry's so good! it would be wicked to prevent his happiness. You won't, w ill you, Captain ? ('apt. T. I'll put a stop to that. He Bha* n't marry that girl : I won't have it. Becky. Why. how can you stop it? Capt. T. I'll find a way. Becky. He would hate me if I made trouble between him and you ; and I love him so dearly ! (Puts her hands t<> her eyes, and sobs.) Don't, Captain, don't! You'll break my heart. Capt. T. {putting his arm about her, and drawing her If'al to his breast ). There, child, don't cry. I won't interfere. (Aside.) The little girl loves him herself. Ah! if that could be brought about, she would he my <>wn daughter. (Aloud.) I must he getting home. (Iiisis.) Come up and see me to-morrow. Becky (n'srs. places her hand mi his arm, and looks uji into his fuc) . Shall I Come alone? Capt. T. (draws <> deep breath, turns his head away, tin i, /ums to Becky, with feeling). N<>. Becky; not alone. Bring him with you, — bring IIarr\ home. < lipids nut his hands to /"'/•. > Becky (throws her arms "bout his neck). Oh, dear. dear Captain — But stop: you must ask him yourself. Capt. '/'. I? 'i . - : he'll not come unless you do. lie's as obstinate as — Well, he came honestly by it. Luckily he's close at hand, and you shall extend an invitation this very night. 72 OUR FOLKS. Capt . T. But, Becky — Becky. Don't say a word. Delays are dangerous. Don't stir till I return. You won't, will you? Capt. T. (hesitating). N-o. Becky. Honor bright? Capt. T. Honor bright. Becky. All right. (Runs up and out c. door, shouting) Harry, Harry ! Capt. T. The little witch ! she has fairly conquered me. And I must meet the boy at last, and humble myself before him. (Fiercely.) No, I'll not do that. He has been to blame. Let me remember that, and meet him as a wronged father should. Hark ! I hear his step. He'll find no penitence in me. (Enter HAimy, door c.) For Becky's sake I'll take him back, but it shall be as the stern, wronged parent I am. Harry (advancing). Father — Capt. T. (turns quickly) . O Harry, nry boy ! Come home! (Seizes his hand.) I've been a bad father to 3*ou. Take me back, and I'll try to do better. Harry. Dear father ! (Puts his arm about him. They go to sofa, and sit.) (Enter Becky, door c.) Becky. It's all right. Oh ! isn't this just splendid ? (Runs to door l.) Aunt Rebecca! (Enter Mrs. T., door l.) See there ! (Points to sofa.) Mrs. T. (hugging her). Dear child, j'ou've con- quered. (Goes to sofa, kisses the Captain, and sits beside Harry. Becky places her thumbs under her OUR POLES. 73 arms, and struts over to n., singing, " See, the conquer- ing hero comes." ) (Enter Teddy, door c, ruiining.) Teddy. O Becky ! (Runs down, catches her in his arms, and, lifting her off her feet, whirls her round.) Becky. Why, Ted! arc yon crazy? Teddy. Crazy ! I'm stark, staring mad. You can't think, you've no idea. He's come, he's come! (Enter Mrs. S., door l.) Mrs. S. (tottering forward with a cry). Oh ! where is he ? Becky (starts toward her; party on the sofa rise). Mother! Mrs. T. Delia ! Mrs. S. Oh, I knew he would come ! I saw the moonlight on his sails as he rounded the point. Hark ! I hear his .-tip. (Enter Cut. Si i i per, door c.) Capt. S. Delia, wife! Home, home again. Mrs. S. My husband ! (Runs into I/is arms.) Becky. My father I '■/s her on it.) Mrs. 7'. I will see t" her, Cyrus. {Goes to sofa, anil busies herself about .Mi;-. S., rubbing lor hands, thing her lour, and like attentions. Cut. S. comes ,s'./;/< .) 74 OUR FOLKS. Capt. S. Ay, ay ! that's tender work for a sailor's rough hands. Well, Paul, old boy, how are you? Capt. T. (l. c. shaking hands) . Cyrus, old fellow, welcome home ! Harry (l). Welcome! (Shaking hands.) Capt. S. (turns to Becky, r.) . And this is my little girl I left behind me? Becky (running into his arms) . O father ! (Enter Hulda, door r.) Hulda. Land of liberty sakes ! if there ain't C} stage, and stands beside Capt. S.) Harry (opening letter, c). Ah, here's a surprise! (Looks at letter thoughtfully.) Beck;/ (comes t<> his siil,'). What's the matter, Harrj '. Harry. Oh, nothing! I was only thinking. Becky. Indeed! Then perhaps I'd better retire. I wouldn't for the world interrupt your new occupation. ( Laughs. ) Harry. That's right! laugh, Becky. It's an old 76 OUR FOLKS. occupation that's very becoming to you. It reminds me of the days when we were both so } r oung and happy. We were great friends then, Becky. Becky. I hope we are good friends now. Harry. Of course we are. But now you are quite a woman, full of cares, yet a brave, good, noble little woman. Becky. Thanks to those who trained the vine once running to waste. What I am I owe to those who loved me. What I might have been without their aid, not all the riches in the world could have prevented. Harry. True, Becky. By the way, I've a letter from an old friend will interest you. Oh, such startling news ! Becky (sighs). From Alice Parks? Harry. Yes. You know what an interest I take in that young lady's welfare, and you shall share my delight. Look at that. (Hands letter. Becky takes letter. There drop from it two cards fastened with rib- bon. Harry picks them up, and hands them to her.) Becky. O Harry, she's married ! Harry. Certainly. Mr. George Woodfern and Miss Alice Parks, after a long and patient courtship, have united their destinies. The designing young woman, having engraved herself upon the heart of the young engraver, the new firm is ready for business. Becky. O Harry ! I'm so sorry ! Harry. Sorry ! For what, pray ? Becky. Sorry for jou, Harry. They will be happy ; but you — you — you loved her so dearly ; didn't you? Harry. Sorry for me? Well, I like that. Ha, ha, mi: 1<»LKS. 77 ha! Loved her? Why, Becky, what put that into \ our head ? Beck;/. Why. I fain, you wrote to her, and she wrote !<» you. And I told the captain I thought you were engaged. Harry. Oh! you told him, did you? No, Becky. I esteem that young lady highly; but love her, make her my wife ! I never had the least idea of it. My heart i> engaged elsewhere. Becky. Indeed! I never heard of it. Harry. That's my misfortune, then. (Puts his arm about her waist, and takes her hand.) I have always loved a dear old playmate, —one whom I have watched glow into strong and beautiful womanhood, — one whom I would not wrong with the offer of my hand until I had fully proved my power to win my way in the world. Do you know her name? Becky {drops her head upon his breast). Harry. Harry ! I'm so glad, so glad ! Harry. Becky, I was right about the young lady in the hammock. (Lends her to Cut. T.) Father, your daughter ! <'t. T. Bless my eyes! {Kisses Becky.) Well, well ! We heat the Tarks girl, after all. Mrs. T. {embraces Becky). Ah, Harry! I found you out long ago. Capt. T. Cyrus, old hoy. there's been poaching on your grounds. Capt. 8. All right. If my dove must go, it's but a new branch of •• our (bis Mrs. 8. o Cyrus. I am bo happy! I thought you would never OOme: it was Mich weary waiting. 78 OUR FOLKS. Capt . S. "Well, well, sweetheart ! No more part- ing. I made a fortune five years ago, lost it through a rascally partner, and tried again, and regained all I had lost. So down comes the old house, and up goes a palace of gold if 3 T ou want it. Teddy. By jinks! Dad has come home rich. I'll have a double runner. Hulda. Well, Cyrus, what's the most precious sight you've seen since you left? Capt. S. (hand on his wife's head). My dear old sweetheart, with the glad welcome in her eyes. (Looks at Hulda.) A dear old girl, after years of waiting, on the road to peaceful happiness. Hiram (tucks Hulda' s arm under his). That's so — if that boiler don't burst to-morrow. Capt. S. (looks at Becky). A dear girl, happy with the lad she loves best. (Harry takes Becky's arm.) Capt. T. And an old friend who has turned from the error of his ways. Don't leave me out, Cyrus. We're here, a united family. Capt. S. A realization of the old song of the min- ers' camp, — " Afar, afar, on a shining shore, We turn the earth for its golden ore, To find at last, when we backward roam, Most precious of all are 'our folks' at home." (Keep positions.) Slow Curtain. [Music, " Old Folks at Home."] Always Get the Best. 50 ot the Choicest Selections in the No.l Reading Club and Handy Speaker, Edited by ( Ieorqe m. Bai ■ k. J'ric( , dut/i, SO cent*; paper, l.j cents, CONTENTS. The Red Jacket Old Age klabmoud The Ctoaet Scene from "Hamlet" How ho saved St. Michael's . S .ni-i.ii II..' Story uf the Bad Little Boj who j cli.ln't come t" ' irief. . j Mr. Caudle .in.l uia Second Who . in.- I kwretep '>M farmer Gray gets photographed . Mr. O'Gallagber'a Throe noads toj I i irnlng .... The Jeatei 'a Si rmon . •• The Boofcr Lady " Defiance of Harold the Dauntless Battle Hymn .... The Story >>\ the Faithful Soul " Curfew muat n.>t rlngTo-Nlght The Showman's Courtship 1 1 .. r. ri v s;n ed lii- 1 Bacon . The Senator*! Pledge . . Overthrow of Belehazsar The Id. in- ..r Prayer The Squire's Story . The Happiest < -ouple . . Godlva .... K it in p-Washlng The tk-utach Maud Mailer . Charles Sumner ... 'I'll.- I: . • . ;. r in tin- IVw . Tin. MIstictoc-Bough The Puzzli .1 < lensui Taker . The Voices :ii '.\\>- Throne cltmann'a Party . dacGrcgor I >. r I >i •iiiiinn r .... 'I'll.' Viiik.i- and the Dutchman's Dog i .■ ri The Ittiiupkin's Courtship Tli.- II ippy Life .\i tin . I in |'s I (iary i mm l . . . George M. /inker. /.. i,jh Hunt. Aldine. Mink- Twain. l>m i, iliis JerroUPs Fireside Saint* Whittier. £.'. ( '. 8ti limn u. Cnjit. Marryat. Wiiiti r Thornbury. Dickens's " Mutual Friend.' .->. ,,tt. A'lirm r. Adelaidi I'ruvter. Charles Sumner. Barry < brnwatU Mrs. II mans. .Iiiliii I'hnnis. Sheridan. J'i iiiiijsun. Carl P ( in l Si /itirz. <•'. II. linriu v. Ilm/i, r\ Mug. Jin'/ 1 1 ii. j.Js - /. II • ' 'harlt " ff. I. • land. Walter Scott. Sir II. urn Wnttnn, Robert Oollytr. Anonymous. Mm Imi. A iiMll.r .... " ' • •. ■ I .- )it liy mail, postpaid, on ■ LEF A SHEPAHD, Publishers, Boston. Tou will find one of your Favorites among 50 of the Choicest Selections in the Reading Club and Handy Speaker, Edited by George M. Baker. Price, cloth, 50 cents; paper, IS cents. CONTENTS. The Rescue The l'ickwiekians on Ice . A Picture .... Tobe's Monument The Two Anchors . The Old Ways and the New By the Alma River . Trial Scene from " Merchant of V The Sisters .... Farm- Yard Song The Fortune-Hunter Curing a Cold .... In the Bottom Drawer . Two Irish Idyls Over the River .... The Modest Cousin . . . Biddy's Troubles . . The Man with a Cold in his Head Harry and I The Shadow on the Wall The Little Puzzler . A Traveller's Evening Song . Calling a Boy in the Morning . Cooking and Courting A Tragical Tale of the Tropics The Paddock Elms . The Bobolink .... Toothache .... The Opening of the Piano Press On .... The Beauty of Youth Queen Man .... A 'Militia General . . Address of Spottycus . . • Our Visitor, and what be came for " What's the Matter with that Nose Workers and Thinkers . The Last Ride . Baby Atlas Possession There is no Death The Learned Negro . . Nearer, my God, to Thee A Short Sermon S-oin' Home To-day . . Flu' Broken Pitcher . \ Baby's Soliloquy . . The Double Sacrifice Sunday Morning , . The Quaker Meeting Oicen Meredith. Sir E. Bulwer Lytlon. Con gre gallon alist. Surah F. Adams. Not by a Hard-Shell Baptist W. M. Carlelon. Anonymous. Arthur William Austiu George A. Baku; Jan. Samuel Lover. Sold by all booksellers and newsdealers, or sent by mail on receipt o He* LEE & SHEPARD, Publishers,, Bostot John Broicnjohn. Dickens. Mrs. II. A. Bingham. Elizabeth Kilham. /.'. //. Stoddard. John H. Yates. Mi us Mu loch. Shakspeare. John G. Whittier. John G. Saxe. Mark Twain. Alfred Perceval Gratft. Priest. Sheridan Knoicl.es. Sarah M. B. Piatt. Mrs. Ilemans. Tom to Ned. B. E. Wool/. Aldine. Atlantic Monthly. Park Benjamin. Theodore Parker. Borneo and Juliet. Thomas C'orwin. Our Fat Contributor. Buskin. Nora Perry. You will find the Piece yo i are looking for among 50 of the Choicest Selections in the eading Club and Handy Speaker. Edited by Gbobox M. Bakbr. . cloth, -'in 1 1 nis; paper, IB cents. CONTENTS. icomo Bub Cratchlt'a Christmas-Dinner Tin- i-'n-t Snow-Fall I be i feuntess and the Bcrf . Aurclla's Unfortunate young M Losses ..... lind I ace .... I ii, Solemn Book-Agent . What the Old Man Bold nnd Sine* and Brain . Pat and the » >\ stew zht .... linger .... Speech "f tin' linn. Perveae 1'' ihe Acquisition of Cuba Banker Mill .... Two Births .... The < >ld Pbgy Mnn Auction M.nl .... The Wedding-Fee. Schneider's Tomatoes . \..|\,-s .... 'I'ln Ballad •>!" the <>w> nnan Tin Dcck-Hand and the Mule .\ 1 ij of Koal Life Riding I town .... Tin- Minute ni.n of '"•"> Reubi n's Baptism Horn IVrsimmons look Gab ob d lii. Evils "f Ignorance •,-.• iii 1 1 ii- School "f Reform Ambition - f Peace . '■'. I, Junior The Sons of New Ei The JoncsvHIc Blngin* Quire . I hi Burial of the Dane App< nl in Behalf of Ami Tin- 1 'hurcli ol [in- i'» si Licks Tin Koman Soldier. 1'. slructlo culaneum T ni|'. ranee .... \ Hit of Lamb. . ■ . t > ■ . . nntation '■; . ■ ■ ' , Tbc ilgnal . U : • llorni' ■body on r Baby Ibcrty of ii i'l ! Wo Robert Buchanan. Dick* hi. James Russell Lowell. .1 . Sheridan Knowlee. Mark Ticain. Francis Browne. All (h< I'ear /.'moid. Detroit Frei I'r, n. Al'n t Bobbins. John Boyle O'Reilly. Spanish Gypsy. Alice Williams. George II. CaltX rt. Oharlt s ./■ Sprague. R. M. Streeter. Cliarli a /■". Adams. ,i. T. Trmobridge. Oliver Wendell Holmes. Turn Haul. Nora /'■ rry. William Curtis. Vickxburg Ih raid. St. Xi< /tolas. Horace Mann. Thomas Marlon. II. nry Clay. Cliarli $ Sumner. Burl Marble. Bon. Oeorge Ii. Loring. My Opinions and Bt tsey JSvl/bH /:. Hirst. Henry Howard BroumelL Story. Edward Egglt rfon. A I'l. r stone. W. ,,,l,/l I'll illips. Charles Lamb. William Sawyer. Fram ts B. Haitian.. A" A'. Etihu Burritt. t,'. ,,, ■ tilbury Xi irs Man. M'A by ill books,. :,t by mail, postpaid, ■>* r, i , ipl of j,rice. LEE & SHEPARD, Publishers, Boston. If you are looking for Something New, you will find ft among 50 of the Choicest Selections in the Reading Club and Handy Speaker, Edited by George M. Baker. Price, vloth,60 cents; paper, lfi cent*. CONTENTS. The Tramp Joan of Arc Decoration Minot's Ledge . Scene from " The Hunchback Widder Green's Last Words The Cane-Bottomed Chair The House-Top Saint Tom .... The Song of the Dying . My Neighbor's Baby " The Paper Don't Say " The Post-Boy , What is a Minority? Robert of Lincoln , . Daddy Worthless . Zenobia's Defence . William Tell . Mary Maloney's Philosophy Custer's Last Charge Mother's Fool . The Little Black Eyed Rebel " The Palace o' the King " Grandfather " Business " in Mississippi The Indian's Claim . The Battle-Flag of Sigurd The Way Astors are Made Mr. Watkins celebrates . The Palmetto and the Pine Pip's Fight Cuddle I)oon . The Hot Roasted Chestnut St. John the Aged . The Bell of Atri Mr. O'Hoolahan's Mistake The Little Hero The Village Sewing-Society He Giveth His Beloved Sleep The Dignity of Labor A Little Shoe . " The Penny Ye Meant to Gi'i A Question The Cobbler's Secret The Lost Cats . The Pride of Battery B . Leedle Yawcob Strauss . Two Portraits . Elder Sniffles' Courtship Coin' Somewhere George M. Baker. DeQuincey. T. II'. Higgivson. Fitzjaiues O'Brien. Sheridan Knowles. Thackeray. Mrs. J. D. Chaplin. Constance Fenimore Woolson Mrs. C. J. Despard. J. B. Gough. Bryant. Lizzie W. Champney. William Ware. Philadelphia Bulletin. Frederick Whittaker. Will Carle ton. William Mitchell. Theodore Parker. ■ Chronicle, Augusta, Ga. Everett. J. M. Bailey. Detroit Press. Mrs. Virginia L. French. Dickens. Alexander Anderson. J. Ed. Milliken. Longfellow. Rev. Neimnan Hall. H.H. F. IT. Gassaway. Charles F. Adams. M. Quad. Sold by ill booksellers and nncxhril rrs. and sent by mail, postpaid, receipt of price. LEE & SHEPARD, Publishers, Boston. The Freshest, Brightest, and Best, are the 50 Choicest Selections in the Reading Club and Handy Speaker, Edited by Gvoboh M. Rakkk. ■ '■■!'!, .'in cents; /"tj"r, l~> cento* CONTENTS. The Ballad of Ronald Clara . The Scotchman at the Play . The )>.:i.l ]><>M .... .\ i lharge » nit Prince Rupert Am Irir-li W;ik«- .... The I loneel 1 beacon Tad imd Talent .... The T« " < • lasses .... Whistling in Heaven Noble Re> engo .... 1 1 ..i llnby y. Shaksptan. j. r. FU Ids. Frank For rrnft. If. W. Longfi How. On-tin Guild. William Winter. <: >;. ffalpim 'Miles O'lleilly). h a -in Russt II. .!'_/>' '/ Austin. Bout Icavtt. . ■ i -• -,t 1 1/ mail, postpaid, on ■ LEE & SHEPARD, Publishers, Boston. The Best Yet. 50 Rare Selections. Reading Club and Handy Speaker. Edited by George M. Baker. Price, cloth, 60 cents ; paper, 15 cents. CONTENTS. Count Eberhard's Last Foray Thos. S. Collier. Tammy's Prize Deaf and Dumb Anna F. Burnham. The Changed Cross Virginius to the Roman Army Elijah Kellogg. The Fountain of Youth Hezekiah Bulterworth. They Met Clerical Wit Greeley's Ride Mark Twain. Der Shoemaker's Poy The Sergeant of the Fiftieth The Fan Drill Spectator. Warning to Woman The Cavalry Charge F. A. Duriwge. Widow Stebbins on Homoeopathy Charles F. Adams. The Fight at Lookout It. L. Gary, Jun. The Well-Digger John G. Saxe. Behind Time Freeman Hunt. A Miracle Charles II. Webber. Weaving the Web The Great Future George F. Hoar. A Christmas Carol "Them Yankee Blankits" Samuel W. Small. Jim Lane's Last Message Sherman £>. Richardson. One Touch of Nature A Disturbance in Church Max Adeler. The Palmer's Vision J. G. Holland. A " Sweeter Revenge " The Farmer's Story David Hill. Paddy O'Rafther Samuel Lover. The Fireman's Prayer Russell II. Conwell. Down with the Heathen Chinee! New- York Sun. John Chinaman's Protest M. F. D. The Sweet Singer of Michigan Ten Years After Kate Putnam Osgood. Putty and Varnish Josh Billings. Nationality Rufus Choate. Tacking Ship off Shore Walter Mitcliel. Immortality Phillips Brooks. Mr. Coville Proves Mathematics . . . . . . . J. M. Bailey. Blind Ned Irwin Russell. The Benediction Francois Coppee. "Conquered at Last" Maria L. Eve. The Ship-Boy's Letter An Irish Love-Letter George M. Baker. Reserved Power Talk about Shooting The King's Kiss Nora Perry. Joe's Bespeak A Disturbed Parent Sold by all booksellers and newsdealers, and sent by mail, postpaid, on receipt of price. LEE & SHEPARDj Publishers. Boston. BETTER THAN GOLD. A Drama in Four Acts. BY GEORGE M. BAKER. PRICE, 23 CENTS. Deservedly popular as are the plays written by Mr. George M. Baker, we Lave never seen or read any of his works which can equal " Better than Gold," which has just been published. The play is one which will become one of the greatest favorites among amateurs, and is sufficiently strong t<> merit a season upon the professional stage. The plot is cleverly conceived, and the parts are all good ones, which in proper hands must make the performance one ['leasing to any audience. The pails are: a rather foolish old lawyer who weds a young wife, and is ruled by her; a noble-minded man who, as the years change, sees his fortune, his manhood, and his good name swept from him, till at last, maddened by drink, lie kills his wife, tlie whole turning out to he hut a dream < aused by his first drunken carouse; a good-natured, blundering young man : a dissipated and disinherited son. who by means of wine and gambling gains what he deems his birthright (a Btrong char- acter, if well taken i; and a colored servant. The ladies' parts are: an elderly lady, the housekeeper; two pans of nearly equal Importance, for the leading lady and first walking lady; and a lighter, but still important part. We give this list in order that companies in search of something new and power- ful may judge of the requirements of the piece. This play is so written that the first and last acts form a very pretty little play "f themselves; and a company which would be unable to properly perform the entire play could make a success in these two acts. The second and third acts are supposed to be a dream, and the play is very good with the third act omitted However, the third act contains a good deal of heavy acting, and the opportunity will hardly he thrown away by the better companies, who have Strong actors among their members. — The Amateur Theatrical Journal. GEORGE M. BAKER & CO., Publishers, BOSTON" LIBRARY OF CONGRESS f]^jfi foi x Sn^tettf BY CEORCE M. Author of "Amateur Dramas," " The Mimic Stage,' Handy Dramas," " The Fxhibitiot, Titles in this Type are New Plays Room Stat, 015 863 497 1 Titles in tltis Type are Temperance Plays. DRAMAS. /;/ Four Acts. Better Than Gold. char 7 male, 4 female In Three Acts. Our Folks. 6 male, 5 female char. . . 15 The Flower of the Family. 5 male, 3 female char ;j Enlisted for the War. 7 male, 3 fe- male characters 1 5 My Brother's Keeper. 5 male, 3 fe- male char 15 The Little Brown Jug. 5 male, 3 female char 15 In Two Acts. Above the Clouds. 7 male, 3 female characters 13 One Hundred Years Ago. 7 male, 4 female char 15 Among the Breakers. 6 male, 4 female char 15 Bread on the Waters. 5 male, 3 female char. 'S Down by the Sea. 6 male, 3 female char 15 Once on a Time. 4 male, 2 female char. 15 The Last Loaf. 5 male, 3 female char. 15 In One Act. Stand by the Flag. 5 male char . < . 15 The Tempter, 3 male, 1 female char. 15 COMEDIES AND FARCES. A Mysterious Disappearance. 4 male, 3 female char 15 Paddle Your Own Canoe. 7 male, 3 female char 15 A Drop too Much. 4 male, 2 female characters. 15 A Little More Cider. 5 male, 3 fe- male char 15 A Thorn Among the Roses. 2 male, 6 female char 15 Never Say Die. imale, 3 female char. 15 Seeing the Elephant. 6 male, 3 female cha 15 The Boston Dip. 4 male, 3 female char. The Duchess of Dublin. 6 male, 4 fe- male char 15 Thirty Minutes for Refreshments. 4 male. 3 female char 15 We're all Teetotalers. 4 male, 2 fe- male char 15 Male Characters Only. A Close Shave. 6 char 15 A Public Benefactor. 6 char 15 A Sea of Troubles. 8 char 15 Geo. M. Baker & Co., 41- COMEDIES, Sec, continued. Male Characters Only. A Tender Attachment. 7 char. ... 15 Coals of Fire. 6 char 15 Freedom of the Press. 8 char. ... 15 Shall Our Mothers Vote ? n char. 15 Gentlemen of the Jury. 12 char. ~ . 15 Humors of the Strike. 8 char. . . 15 My Uncle the Captain. 6 char. . . 15 New Brooms Sweep Clean. 6 char. . 15 The Great Elixir. 9 char 15 The Hypochondriac. 5 char 15 The Man with the Demijohn. 4 char. . . 15 The Runaways. 4 char 15 The Thief of Time. 6 char. . . . 15 Wanted, a Male Cook. 4 char. ... 15 Female Characters Only. A Love of a Bonnet. 5 char. . . is A Precious Pickle. 6 char 15 No Cure no Pay. 7 char 15 The Champion of Her Sex. 8 char. . 15 The Greatest Plague in Life. 8 cha. 15 The Grecian Bend. 7 char 15 The Red Chignon. 6 char. .... 15 Using the Weed. 7 char. ..... 15 ALLEGORIES. Arranged for Music and Tableaux. Lightheart's Pilgrimage. 8 female char »S The Revolt of the Bees. 9 female char 15 The Sculptors Triumph, i male, 4 fe- male char 15 The Tournament of Idylcourt. 10 female char 15 Thf "Var of the Roses. 8 female char. 15 MUSICAL AND DRAMATIC. An Original Idea, i male, 1 female char, 15 Bonbons ; or, the Paint King. 6 male, I female char 25 Capuletta ; cr, Romeo and Juliet Restored. 3 male, 1 female char. . 15 Santa Claus' Frolics x,5 Snow-bound; or, Alonzo the Brave and the Fair Imogene. 3 male, 1 female char • • 25 The Merry Christmas of the Old Woman who lived in a Shoe. . . 15 The Pedler of Very Nice. 7 male char • • •. • J S The Seven Ages. A Tableau Entertain- ment. Numerous male and female char. 15 Too Late for the Train. 2 male char. 13 The Visions of Freedom, ii female char. 15 45 Franklin St.. Boston. Baker's Humorous Dialogues. Male characters only. 25cents. Baker'S HumorOUS Dialogues. Female characters only. 25 cents.