mi LIBRARY OF CONGRESS. I y^^it-rt j Shelf.-Jill. UNITED STATES OF AMERICA. Homer in Chios. gin (fBpopcc 1/ DENTON J. SNIDER. X JUL ./ ST. LOUIS. SIGMA PUBLISHING CO., 210 PINE STREET, 1891. \ Entered according to Act of Congress in the year 1891, By DENTON J. SNIDER, in the office of Librarian of Congress, Washington. CONTENTS. I. Mnemosyne. The Making of the Poet 5 II. Calliope. The Call of the Muse 27 III. Euterpe. The Daughter of Homer 47 IV. Erato. The Stranger of Northland. ... 63 V. Clio. The Travels of Homer 85 VI. Terpsichore. The Pedagogue Chian 113 VII. Melpomene. The Singer of Ascra 131 VIII. Thalia. The Songstress of Lesbos 149 IX. Polyhymnia. The Psalmist of Israel 173 X. Urania. The Marriajre. ...... 201 I. The Making of The Poet. (5) ARGUMENT. HOMEU, the poet, having returned in old age to Chios, his birth-place, an island not far from the coast of Asia Minor, tells the story of his early life to his pupils. Two chief influences ivro%ight up)on his child- hood. The first was that of the smith, Chalcon, who was both artisan and artist — both vocations in early times were united in one mayi — and who revealed to the budding poet the forms of the Oods. The second in- Huence was that of his mother, Cretheis (^name given by Herodotus, Vita Horn). She loas the depository of fable andfolk-iore, which she told to her boy in the spirit of a poet, and which are the chief materials of his tioo great poems. So Homer reaches back to his earliest years by the aid of Mnemosyne {memory), who accord- ing to Hesiod (Theogon. 915) was the mother of the Nine Muses. (6) «' Fair was the day when I first peeped into the workshop of Chalcon, Chalcon, the smith, who wrought long ago in the city of Chios ; Now that day is the dawn of my life, which I yet can remember, All my hours run back to its joy as my very be- ginning, And one beautiful moment then let in the light of existence. Starting within me the strain that thrills through my days to this minute ! Still the old flash I can see as I peeped at the door of the workshop. Memory whispers the tale of the rise of a world that I saw there Memory, muse of the past, is whispering faintly the story. (7) 8 HOMER IN CHIOS. Chalcon the smith, far-famed in the sun-born island of Chios, Stood like a giant and pounded the bronze in the smoke of his smithy, Pounded the iron until it would sing in a tune with the anvil, Sing in a tune with the tongs and the anvil and hammer together. Making the music of work that rang to the ends of the city. Figures he forced from his soul into metal, most beautiful figures, Forced them by fury of fire beneath cunning strokes of the hammer ; As he thought them, he wrought them to loveliest forms of the living. Wrought them to worshipful shapes of the Gods, who dwell on Olympus. That was when I was still but a child in the home of my mother, Sole dear home of my life, the home of Cretheis my mother I Only two doors from his shop with its soot stood her clean little cottage. Vainly she strove to restrain her clean little boy from the smithy, But he would slip out the house and away, as soon as she washed hiin, Off and away to the forge just where the smutch was the deepest. THE MAIUNG OF THE POET. 9 How I loved the great bellows puffing its breath on the charcoal ! And the storm of the sparkles that lit up the smithy with starlight ! And the hiss of the iron red-hot when thrust into water ! Greatest man in the world I deemed at that time to be Chalcon, And his smithy to me rose up a second Olym- pus, Where the Gods and the Heroes I saw move forth into being; Him too deemed I divine, like Hephaestus, a God in his workshop. As he thought, so he wrought — he pounded and rounded the metal Till it breathed and would move of itself to a corner and stand there, Till it spoke, and speaking would point up beyond to Immortals. Bare to the waist and shaggy the breast of the big-boned Chalcon, As it heaved with an earthquake of joy in the shock of creation ; Thick were the thews of his arm and balled at each blow till his shoulder. At the turn of his wrist great chords swelled out on his fore-arm. One huge hand clasped the grip of the tongs in its broad bony knuckles. 10 HOMER IN CHIOS. Th' other clutched hold of the sledge and whirled it around by the handle ; Shutting his jaws like a lion, and grating his teeth in his fury, Whirled he the ponderous sledge to hit in the heat of the iron ; While the veins underneath would heave up the grime on his forehead, Smote he the might of the metal with all the grit of a Titan ; Working mid flashes of flame that leaped out the belly of darkness. Smote he and sang he a song in response to the song of his hammer." So spake aged Homerus, the bard, as he sat in his settle. Where grew a garden of fruit, the fig and the pear and the citron. Grapes suspended in clusters and trees of the luscious Domeo-ranate. He had returned to his home with a life full of light and of learning; Wandering over the world, he knew each country and city, Man he had seen in the thought and the deed, the Gods he had seen too ; Home he had reached once more, the violet island of Chios, Blind, ah blind, but with sight in his soul and a sun in his spirit. THE MAKING OF THE POET. 11 Youths were standing around him and hearkened to what he was telling, Bright-eyed youths, who had come to his knees from each region of Hellas, Homerids hopeful of song, the sons of the genius of Homer, By the new tale of Troy inspired, they sought to make measures. Striving to learn of the master to wield the hexameter mighty, As high Zeus the thunderbolt wields in a flash through the Heavens, Leaping from cloud unto cloud and leaving long lines of its splendor, Rolling the earth in its garment of resonant reverberation. Luminous too was the look of the bo3^s, lit up by the Muses, Eager they turned to the sage, and begged for the rest of his story ; Soon into musical words he began again spinning his life-thread : " Chalcon, the smith, was the maker of Gods in the smoke of his smithy ! Out of darkness he wrought them, out of chaos primeval, Striking great blows that lit up the night with the sparks of creation 12 HOMEB IN CHIOS. Which would flash from his mind into metal through strokes of the hammer. Aye, and the maker of me in his Gods he was also — that Chalcon; He perchance did not know it — the world he was mightily making. All the Graces he wrought into shape, and loved as he wrought them, And the Fates he could form in his need, though he never did love them, But the snake-tressed Furies he banished in hate from his workshop. I could always forecast what he wrought and whether it went well. Whether full freely the thought ran out of hi? soul to the matter. For he would sing at his work an old Prome- thean ditty. Tuneful, far-hinting it poured from his soul into forms of his God-world, Strong deep notes which seemed to direct each sweep of the hammer, Just at the point where a stroke might fiuish the work of the master. Or a blow ill-struck might shatter a year of his labor. Then bright notes would well from within as he filed and he chiseled, Seeking to catch and to hold in a shape the gleam of his genius. THE MAKING OF THE POET. 13 Battles he pictured in silver and gold on the shield of the warrior, Corselets he plaited in proof and swords he forged for the Hero, Many a goblet he made wreathed round with the frolic of Bacchus, All the Gods he could fashion to life, in repose and in motion. Their high shapes he could call from his soul, to- gether and singly. Call with their godhood down from the heights of the radiant Heavens, Till the dingy old smithy shot into Olympian sunshine. Chalcon, Oh Chalcon, me thou hast formed in forming Immortals, And the song of thy hammer I hear in the ring of my measures. Oft I can feel thee striking thy anvil still in my heart-strokes, Which are forging my strains like thee when thou smotest the metal, Till it rang and it sang the strong tune of the stress of thy labor. Chalcon, thy workshop went with me in every turn of my travel. Through the East and the West of wide Hellas, through island and mainland. Through the seas in the storm, through mount- ains rolling in thunder. 14 HOMEB IN CHIOS. With me it went iu my wandering, e'en to the top of Olympus: Never thy shapes shall fade from the sight of my soul, Oh Chalcon." Quickly the poet turned round in his seat and said to his servant: " Come, Amyntas my boy, now bring some wine in my goblet, Chian wine in my goblet wrought by the cunning of Chalcon, Which he gave to me once when I sang him my earliest measures. Round which are dancing the youths at the tast- ing the must of the wine-press, While the God overgrown with leaves and with vines looks laughing; Chalcon gave it me once as a prize when I sang in his workshop. Sang him my earliest measures iu tune to the strokes of his hammer." Beardless Amyntas, the cup bearer, brought the chalice of Chian, Choicest of wine, that sparkled and danced on the rim of the chalice , Draught of the sea, and the earth, and the sun- shine together commmgled, Liquid poesy, stealthily sung in each drop by the wine-god. THE MAKING OF THE POET. 15 Softly the singer sipped oft' the glittering beads of the beaker. Touching his lip to the line where the rim and the brim come together, Where flash twinkles of joy and laugh in the eye of the drinker. That was the essence of Chios distilled from the heart of her mountains, Tempered hot in the fires that smoulder still in the soil there, Drawn by the grape into drops that shoot into millions of sparkles, Generous vintage of Chios, renewing the heart of the singer. When his thirst he had slaked and his thought had returned to his thinking, Sweetly he lowered his voice to the note of a mu- sical whisper, And he bent forward his body as if he were telling a secret : "Once, I remember, Chalcon was making a group of the Muses, Sacred givers of song, to be borne to a festival splendid. Where each singer had in their presence to sing for the laurel. What do you think he did as I stood with him there in the smithy? 16 HOMEF. IN CHIOS. Me he turned into bronze, and put me among the Nine Sisters, As if I their young brother might be, their one only brother ; In the center he placed me, aye in the heart of the Muses, Sweet Calliope kissed me there in the workshop of Chalcon, Even in bronze I could feel her embrace on that day — I now feel it — And I could hear her soft breathings that told of the deeds of the Heroes. Still I can feel, e'en though I be old, the kiss of the Muses, And at once I respond to their music in words of my measures, Yielding my heart and my voice to their prompt- ings and gentle persuasion. good Chalcon, memory keeps thee alive, as I love thee ! Keeps thee working in me as the maker who is the poet ; Ever living thou art in thy glorious shapes of Immortals, Though thou, a mortal by Fate, hast gone to the Houses of Hades, Whither I too must soon go — the call I can hear from the distance, 1 too a mortal by Fate must pass to the shades of my Heroes." THE MAKING OF THE POET. 17 There he paused oa the tremulous thought of a hope and a sorrow, And the sweet word died away on his lips thrown far in the future. Hark ! the voice of a song creeps into the house of Homerus, Filling his home with love and with life to the measure of music, Fresh from the youth of the heart, the fountain of hope everlasting. Though unseen the sweet singer, hidden in leaves of an arbor. All the youths well knew who it was, and stood for a moment. Bating the breath and bendino; the head to listen the better, And to quaff each note to the full, for the voice that was singinj; Poured out the soul of a maiden, the beautiful daughter of Homer, Whom those boys were more eager to hear than to study their verses. Aye, more eager to hear the daughter than hearken the father. He, when the strain had ceased, with a sigh broke into the silence : *'Ah! the fleet years I how like is that note to the note of my mother, 18 EOMEB IN CHIOS. As she hymned to her work or sang me to sleep on her pallet I Early my father had died, his face I no longer remember, But the voice which speaks when I speak from my heart is always — Well do I know it — the voice of my mother, Cretheis my mother ! ' ' Overmastered a moment by tears, he soon overmastered All of the weaker man in himself, and thus he proceeded ; " I was telling the tale of the wonderful work- shop of Chalcon, Where I saw all the deities rise into form in a rapture, Coming along with their sunshine to stand in the soot of the smithy, Happy Olympian Gods who once fought and put down the dark Titans. Bearing their spell in my soul, I always went home to my mother, And I would beg her to tell me who were the Gods and the Muses, All this beautiful folk whom Chalcon had brought from the summits. From free sunny Olympus down into the smoth- ering smithy. THE MAKING OF THE POET. 19 She would begin with a glow in her eyes and tell me their story, Meanwhile plying the distaff — she never could help being busy — All of their tales she knew, by the hundreds and hundreds she knew them. Tales of the beings divine, once told of their dealings with mankind. When they came to our earth and visibly mingled with mortals. New was always the word on the tongue of Cretheis my mother, Though she dozens of times before had told the same story. Still repeating when I would call for it, ever re- peating, For a good tale, like the sun, doth shine one day as the other. What a spell on her lip when up from her lap I was looking. Watching her mouth in its motion, whence drop- ped those wonderful stories ! Oft I thought I could pick up her word in my hand as it fell there. Keep it and carry it off, for my play a most beau- tiful plaything. Which I could toss on the air when I chose, like a ball or an apple, Catch it again as it fell in its flight, for the word was a thing then. 20 HOMEB IN CHIOS. ' Mark! what I as a child picked up, the old man still plays with : Words made of breath, but laden with thought more solid than granite. Pictures of heroes in sound that lasts, when spoken, forever, Images fair of the world and marvelous legends aforetime. All of them living in me as they fell from the lips of my mother." There he stopped for a moment and passed his hand to his forehead. As if urging Mnemosyne now for the rest of the story; Soon came the Muse to the aid of the poet, and thus he continued : " How she loved the songs of old Hellas, and loved all its fabling ! Well she could fable herself and color her speech with her heart-beats. I have known her to make up a myth which spread through all Chios, Thence to island and mainland wherever Hellenic is spoken. Once I heard far out by the West in a town of Zakynthus, At a festival one of her lays, which I knew in my cradle, THE MAKING OF THE POET. 21 Sung by the bard of the town as his guerdon of song from the Muses. Ana now let me confess, too, my debt, the debt of my genius ! Many a flash of the fancy is hers which you read in my poems, Many a roll of the rhythm, and many a turn of the language, Many a joy she has given, and many a tear she has dropped there. Merciful sighs at the stroke of grim Fate on the back of the mortal — All are remembrances fallen to me from the lips of my mother." For a moment he ceased, till he gathered his voice into firmness, Smoothing the tremulous trill that welled from his heart into wavelets, Smoothing and soothing the quivering thoughts which Memory brought him : <'Hard was her lot, she had to work daily through Chios by spinning, For herself and her boy she fought the rough foes of existence, Making her living by toil that flew from the tips of her fingers, Deft and swift in the cunning which gives all its worth unto labor. 22 HOMEB IN CHIOS. Yet more cunning she showed in spinning the threads of a story Till they all came together forming a garment of beauty, Than in twirling the distaff and reeling the yarn from the sj)indle. But she too, my poor mother, was laid in the earth, as was fated, For the Fates span out the frail thread of her life at their pleasure." Here again the old man made a stop with a gaze in his features As if prying beyond to behold the unspeakable secret ; But he came back to himself with a joy in his look and continued : " It was she who gave me the love and the lore of the legend, Training my youth to her song which throbbed to the best of the ages — All the great men of the Past and great women, the mothers of Heroes. Do you know it was she who first told me the story of Thetis — Thetis the Goddess-Mother, whose son was the Hero Achilles ? Tenderly told she the tale of the boy who was born to do great things, THE M AKIN a OF THE POET. 23 Who from his birth had in him the spark divine of his mother, Though he had to endure all the sorrow of being a hero, Suffer the pang that goes with the gift of the Gods to a mortal. Then in a frenzy of hope she would clasp me unto her bosom. Dreaming the rest of her dream in the soft in- spiration of silence, Yet you could see what it was by the light that was lit in her presence. See it all by the light of her soul that shone from her visage. Once in her joy she arose with her arms out- stretched mid her story, Showing how Thetis arose from the deeps in a cloud o'er the billow, That she, the Goddess, might secretly take her son to her bosom. To impart what was best of herself — the godlike endurance — And to arouse in him too the new valor to meet the great trial. O fond soul of my mother, how well that day I remember, When thou toldest the tale of the bees that flew to my cradle. Dropping out of the skies on a sudden along with the sunbeams, 24 HOMEB IN CHIOS. Humminof and buzzing; throuo^h all of the house as if they were swarming, Till they lit on my lips as I slept but never once stung me, Never stung thee, though running around in thy fright to defend me, Smitino; and slashinoj with stick or with ras or whatever came handy, Scorching at last their leathery wings with their own waxen tapers ! But ere they flew, in spite of the lire and fight of the household, They had left on my lips their cells of the clear- flowing honey, Honey clear-flowing and sweet, though bitter the struggle to give it; Even the bees had to pay for giving the gift of their sweetness. Then wert thou happy, Cretheis, then wert thou sad too, my mother, Pensive, forethinking afar on what the God had intended. Who had sent the dumb bee to speak as a sign unto mortals. What thy son was to do and endure flashed into thy vision. Double that flash of the future, joyful, sorrow- ful also, TEE MAKING OF THE POET. 25 And thou didst say to thyself and the God, bend- ing over to kiss me: ' Let it fall — the lot of his life ; I feel what is coming : He must distil from the earth into speech all the sweetness of living, He must pour from his heart into song all the nectar of sorrow ; Let it fall — the lot of his life; though hard be the trial, Always there will be left on his lips the hive of its honey.' " II. The Call of The Muse. (27) ARGUMENT. Homer now tells the third chief influence lohich helped maJce him a poet. This influence was the bard of the town, Ariston, who sang on the borderland betiveen East and West, but iwisnot able to sing of the great con- flict between Troy and Greece. It was Ariston loho suggested this theme to Homer, and bade the youth go out to the sea-shore, where was the cave of the Muses, and listen to the voice ivhich woidd speak to him there. Calliope, the epic Muse, appears to him, tells him what he must do and suffer, and iyispires him with his great vocation. He goes home to his mother and tells her what the Muse has said to him; his mother after a short iyiternal struggle, bids him goat once andfolloio the call of the Muse. (28) Thus to the whisper of fleeting Mnemosyne, mother of Muses, Homer was yielding his heart and shaping her shadowy figures. While he was speaking, rose up the roar of the sea in the distance, Which an undertone gave to his measures, mighty, majestic. Wreathing the roll of its rhythm in words of the tale he was telling, Giving the musical stroke of its waves to the shore of the island, Givino; the stroke for the song to the beautiful island of Chios. All the sea was a speech, and spoke in the lan- guage of Homer, (29) 30 HOMER IN CHIOS. Aye, the iEgean spoke Greek, and sang the re- frain of great waters, All the billows were singing that day hexameters rolling. Rolling afar from the infinite sea to the garden of Homer. Stopped in the stretch of his thought the poet lay back in his settle. Seemingly lost in the maze where speech fades out into feeling ; He was silent awhile, though not at the end of his story. Aged and blind he was now, recalling the days of his boyhood. When he saw all the world of fair forms, as it rose up in Hellas, Else from the hand of the smith and rise from the lips of his mother. Saw too himself in the change of the years be- coming the singer. Soon spake a youth at his side, it was the best of his pupils. Called Demodocus, son of Demodocus, Ithacan rhapsode. Who belonged to an ancestry born into song from old ages : " Did you have no bard of the village, no teacher of measures. THE CALL OF THE MUSE. 31 Who could melt the rude voice of the people to rhythm of music? Men of that strain we have in our Ithaca, they are my clansmen. Still I follow the craft, and to thee, best singer, I come now, That I be better than they, far better in song than my fathers." Here he suddenly stopped and glanced out into the garden. For there flitted an airy form of a maid in the distance, Going and coming amid the flowers — the daughter of Homer, Whom Demodocus loved and sought as the meed of his merit. He would carry away not only the verse of the master. But would take, in the sweep of his genius, also the daughter. Yet the maiden held off, declaring the youth was conceited. But the father in words of delight replied to his scholar: *' Well bethought ! a good learner! thou thinkest ahead of the teacher ! Just of the bard I was going to speak, he rose in my mind's eye 32 liOMEE IN CHIOS. Suddenly with thy question — the face and the form of Ariston. Every day I went to the place of the market to hear him — Deep-toned Ariston, the singer of praises to Gods and to Heroes, Chanting the fray and the valorous deed in the ages aforetime, While the crowd stood around in reverent si- lence and listened. He was the bard of the town, he knew what had been and will be. Knew the decree of Zeus and could read it out of the Heavenc, Knew too, the heart of man, and could tell every thought in its throbbing. At the festivals sang he through all of the ham- lets of Chios, He was the voice of the isle, the mythical hoard of old treasures ; Song and story and fable, even the jest and the riddle — All were his charge and his choice, by the care and the call of the Muses. High beat his heart as he poured out its music singing of Heroes, Every word of his voice was a tremulous pulse- beat of Hellas, Doomf ul the struggle he saw in the land and fate- ful its Great Men. TEE CALL OF THE MUSE. 33 Often he sang the sad lot of Bellerophon, hoio of Argos, Who once crossed to the Orient, leaving the mainland of Europe, Quitting his home in the West for the charm of a Lycian maiden, Daughter fair of the king who dwelt by the ed- dying Xauthus. Many a demon he slew, destroying the shapes of the ugly, Savages tamed he to beautiful law, and the law, too, of beauty. Monsters, Chimeras, wild men and wild women he brought to Greek order, Amazons haters of husbauds, and Solymi mount- aineers shaggy. Rut the Hero, for such is his fate, sank to what he subjected. In the success of his deed he lapsed aud fell under judgment. Hateful to Gods is success, though much it is loved by us mortals, Victory is the trial, most hard in the eud to the victor. Such was the strain of Ariston, here on the borderland singing Where two continents stand and look with a scowl at each other Over the islanded waters, ready to smite in the struggle. 31 HOMER IN CHIOS. Every Greek in our Chios then heard Bellcro- phon's echo, llcurd in the deep-sounding name of the Hero an echo that thrilled him, Felt in his bosom the reverberation of Bellero- phontes, For he could find in himself the same peril of lapsing from Hellas, Sinking to Asia back from the march of the world to the westward." Sympathy touched in its tenderest tone the voice of Homerus, As his words sank down at the end of the line to a whisper, Then to a silence, the silence of thought, which spoke from his presence. What was the matter with Homer, and why that shadow in sunshine? Did he find in his own Greek soul a gleam of the danger? Did his poetical heart then enter the trance of temptation ? He must respond to the passion, aye to the guilt, in his rapture. He must glow with the deed of the Hero, even the wrongful. Never forgetting the law, and sternly pronounc- ing the judgment. THE CALL OF THE MUSE. 35 Soon he rallied and rose, and his voice returned with his story : " Well I knew tlie old man and eagerly stored up his treasures, Aged Ariston loved me, and made me his daily companion, I was his scholar, perchance, as ye are now in my training. Once in a mutual moment of freedom I ventured to ask him: ' O my Ariston, sing me to-day the new song of our nation, Born of the deed, the last great deed we have all done together, All the Hellenes have done it, methinks, in the might of one impulse, Fighting our destiny's fight to possess and pre- serve the new future. Saving the beautiful woman and saving ourselves in her safety ; That is the deed of Troy and its lay of the Hero Achilles ! Seek not so far for an action when near in thy way is the greatest.' Thus I spake, and his face on the spot turned into a battle. * Ah ! ' he replied ' too near me it lies, just that is the hindrance ! 36 HOMEE IN CHIOS. I must leave it behind to another, for I cannot touch it; Still my heart is cleft by that terrible struggle asunder, Wounded I was in the strife, remediless still I am bleeding. Cureless I feel it to be — that wound of the Greeks and the Trojans ! I was on both sides during the war, and yet upon neither, Standing aloof from each, yet standing with one and the other, With father Priam of Troy as well as with Greek Agamemnon — Tossed to this part or that, and torn into shreds by the Furies; Greeks had my brain on their side, the Trojans had hold of my heart-strings ; With that breach in my soul, how could I make any music? I cannot stand the stress, the horrible stress of the struggle Always renewed in my song whose every word is a blood-stain. But hereafter the man will arise who is able to sing it, Healing the wound in himself and the time, which in me is unhealing; One shall come and sing of that mightiest deed of the Argives, THE CALL OF THE MUSE. 37 He shall arise, the poet of Hellas — the man hath arisen Who will take it and mould it and make it the sonsi: t)t' the ao:es. Youth, be thou singer of Troy and the war for the beautiful Helen, Sing of the Hero in wrath, and reconciled sing of the Hero ! ' Thus spoke Ariston the bard ; what a life he started within me ! Chaos I was, but the sun of a song had smitten the darkness. And my soul bore a universe, with one word as a midwife. That was the word of the poet, who spoke as the maker primeval, Calling the sun and the earth from the void, and the firmament starry. Always welfare he brought to the people who hearkened his wisdom. And he was ever alive with the thought of bring- ing a blessing, Climbing the height of the highest Gods, where dwells freedom from envy. After deep silence, the mother of good, he sol- emnly added: ' Now is the moment to seek the divinity's sign for thy calling. 38 HOMEB IN CHIOS. Godlike the token must be, for of Gods is the breath of the singer ; Go to the grot of the sweet-voiced Muses down by the sea-side Wliere old Nereus scooped out of stone his son- orous cavern, Sounding the strains of a \yre that is played by the hands of great waters. As they incessantly strike on the sands and the shells and the rock walls, Reaching out from the heart of the sea for a stroke of their fingers, Just for one stroke of their billowy fingers, then broken forever, Playing the notes of a song that can only be heard by a poet. There thou wilt hear, if it also be thine, the voice of the Muses, Who will give thee their golden word and the high consecration ; But if it be not within thee already, they will be silent, Silence is the command of the God to seek them no further ; Then thou wilt hear in their house by the sea but a roar and a rumble, But a roar and a rumble of godless waters in discord ; Wheel about in thy tracks, perchance thou wilt make a o-ood cobbler.' THE CALL OF THE MUSE. 39 Not yet cold was the word when I started and came to the cavern, Set with many a glistening gem overhead in the ceiling, Decked with sculpture of stone cut out on its sides by the Naiads, Making a gallery fair of the forms of the Gods of the waters, Round whose feet mid the tangle and fern were playing the mermaids, Smiting the wine-dark deep, as they dived from the sight of the sea-boys. Smiting the blue-lit billows above into millions of sparkles, Into millions of cressets that lit up the cavern like starlight, Secret cavern of love for the nymphs, the watery dwellers, Echoing music afar of the kiss of the earth and the ocean. Well I knew the recess for often before I had been there, Oft I had heard the report that told of the sil- very swimmers, Told of the maidens and youths who loved f;tr under the billows. Loved one another far under the billows and sang the sweet love song, Swimming around in the grots and the groves of deep Amphitrite, 40 HOMEB IN CHIOS. Or reclining to rest on the couch of the pearl or the coral. There I had seen in the sunset the car of hoary Poseidon, Skimming across the wave with his train to his watery temple Over the golden bridge of the sunbeams that lay on the ripples, Bridge that lay on the ripples ablaze in the sheen of Apollo, Spanning the stretch of the sea from Chios away to the sundown. There I had seen old Proteus, changeful God of the waters, Forming, transforming himself, the one, into shapes of all being. Into the leaf-shaking tree and into the shaggy- maned lion, Creeping reptile, blazing fire, and flowing water ; Still I saw him, the one and the same, under- neath all his changes. There I had seen the beautiful Nereid, daugh- ter of Ncreus, Chased by the sinuous Triton, the man of the sea in his passion. Who would snort in his fury whenever the mer- maid escaped him. Spouting the foam of his rage up into the face of the heavens, THE CALL OF THE MUSE. 41 Eising and shaking his billowy curls and blowing his sea-horn. There I lay down on a pallet of stone and slid into slumber, While I was sleeping, stood up before me a troop of fair women, Nine of them, sisters who sang in a circle, they were the Muses, Singing along with their mother, Mnemosyne, who was the tenth one, Who would always give them the hint of tlie matter and music, Looking backward she gave to the Muses the boat of the present. Soon they arose into beautiful shapes from the strains of the cavern. Quite as once I had seen them arise in the smithy of Chalcon, Taking divinity's form in the strokes of his dexterous hammer. One of them stepped from the group, alto- gether the tallest and fairest, And she kissed me; it was Calliope who in the cavern Gave me again the sweet kiss that I felt in the smoke of the smithy; But her lips began moving with words in the twilight of dreamland, 42 EOMEB IN CHIOS. And with a smile stie stretched out her hand and spake me her message : ' Hail, O son of Cretheis, doubly the son of thy mother, Son of her mythical soul and son of her beautiful body. Hearken, dear youth, to our call, for thou hast been chosen the master. Thee we endow with all of our gifts of speech and of spirit, But take heed of the warning, henceforth be ready to suffer ; Mark it ! alono; with each o-ift the Gods have a penalty given, For each good that they grant unto mortals, strict is the payment; Not without toil is the gift of the Muses, not without sorrow ; Nay, a Fury is thine, called Sympathy, rending thy bosom, Making the fate of the human thine own in the song which thou singest ; Into the stroke of thy heart we have put each pang of the mortal , Which will throb and respond in a strain to the cry of the victim ; Answer thou must in agony every twinge of his torture, Pass through his sorrow of soul, and leap with the sting of his body ; THE CALL OF THE MUSE. 43 And when he goes down to death, thou living must go along with him, Go to the uttermost region beyond the line of the sunset, Living descend to the dead and speak in the Houses of Hades. Now thou must wander; thy path runs over each mountain of Hellas, Over the river and plain to the site of each ham- let and city, That thou see all its people and hear them tell their own story ; Not till then art thou fitted to sing the great song of Achsea. First to Troy thou must pass and look at the plain and the ruins. Thou wilt hear on the air the fierce clangor of arms in the onset. Hear the groans of the wounded, the shouts of the victor and vanquished. Hear the voice of the graves by the shore of the blue Hellespontus. Still the ghosts of the dead arc fighting, will fight there forever ! Catch the fleet flight of their words in thy strain, in its adamant fix them, Make adamantine the speech of the spectres by rolling Scamantler. Also the Gods thou must see descending from lofty Olympus, 44 HOMER IN CHIOS. Aiding one side or the other, ins})iring this hero or that one, Na}^ they must fight on Olympus, the Gods must have too a battle, But forget not omnipotence — high above all of them Zeus sits. 'Tis our vision we grant thee, to spy out their forms in the ether, As they flit hither a thought of the mortal, but yet a God too!' Loftily spoke the grand Muse, when she changed to a look of compassion. Which made me weep for myself as again she began to forecast me : ' O, the hard law which for good the divine must lay on the human ! For thy vision celestial the penalty too must be given. In return for the boon thou must yield thy ter- restrial vision, Sio;ht at last in old a^^e will l)e weisihed and be paid for thy insight. Poverty thou must endure on the way for the cause of thy poem. Thine is to hunger in body and thine to suffer in spirit, Still kind hands will reach thee a morsel where- ever thou singest, THE CALL OF THE MUSE. 45 Kindred souls will speak thee a word of sweet recognition, Then go further and sing, though at first nobody may listen, Further and further and sing till the end has been sung of- thy journey. Hard is thy lot, I warn thee — the lot of the God-gifted singer. But it cannot be shunned — to shun it were death without dying. Go now, get thee ready at once, and set out on thy travels.' Roused by the voice of command I awoke in a swirl of the senses, Homeward I hastened, reflecting how I might break to my mother What I had heard in a swound from the Muses so fateful, foretelling Sad departure, ordaining divinely the long sep- aration. Great was her joy at the marvelous talc, and great was her sorrow, Tear was fighting with tear in a war of delight and of anguish, Till in the masterful might of her heart she rose up and bade me: * Go my son, start to-day, thou must follow the call of the Muses, 4G HOMEB IN CHIOS. Suffer whatever of weal and of woe the Goddesses give thee ; Thou wast the hope of my life, but ghidly I shall thee surrender, Follow the call of the Muses, I can still spin for a living.' " III. The Daughter of Homer. (47) ARGUMENT. Wliile Homer is telling to the youths the story of his early life, his daughter Praxilla, who has hitherto been kept in the background, appears and begs that she be allovjed to share in the school and in the gifts of her father. She refuses all the allurements of love till this right be accorded her. Homer grants her petition, and finds in her words a strong note plainly indicating the future. Then they all move to the shrine of Apollo, and the poet p)rays the God for light witldn, and also prays for the God, tuho is still to unfold. (48) Strong and firm yet tender in tone had spoken Homerus, Ever the son of his mother and born each day of her spirit, Merely the thought of her brought back the sight to his eyes, though he saw not, And to his vision, though shut to the world, her shape had arisen, Speaking the long and the last farewell as he left her to travel, Speaking the words which Memory, shyest of Muses, had whispered. Of a sudden he stopped, borne off by the tide of his feelings, Out of the region of speech, which died like a beautiful music 4 (49) 50 HOMEB IN CHIOS. Far on the hills, with echoes repeating them- selves on his heart-strings, As he hearkened that voice which can only be heard in its silence. Always the poet responds to the lightest touch of his poem, In it the music he hears, and also the music be- yond it, For two strains his measures must have, both singino; together, One of mortals and earth, the other of Gods and Olympus, One of gloom and of fate, the other of light and of freedom. Priest though he be at the altar of song, he is also the victim. And he yields up his heart to the battle of joy and of sorrow. Homer, sovereign singer, was weaving the strands of his story. Weaving together the threads of his life as he sat in his garden. Where, on the path of the sea to the East, the is- land of Chios Up from the waters throbs to the rise and the fall of the billows, Being itself but a petrified fragment of sea- born music. THE DAUGHTEIi OF HOMEE. 51 Which was sung into stone with its notes at their sweetest vibriitioii. Over the slant and the summit the fruita2;e is hav- ing a frolic, Oranges coated with gold and olives sparkling in silver. Playing in floods of the sun that pour from the sky to the ishmd, Whose new ardent blood is flowing to juice of the wine-press. Heart-beats of stormiest stone you can feel every- where to the hill-tops, Heaving the vehement oai'th till it rises from slope into summit, While the fiery soil is transmuted to grapes in the vineyard, Which reveal the red rasje of the God in the sparks of their droplets. Pulses of passionate air you can breathe every- where in the island. Lifting the rapturous soul into love of the youth and the maiden. Which breaks forth into strains in answer to valley and mountain. Every look is a chorus of sea and of earth and of heaven, All of the isle is a song as it sways in the sweep of its ridges. And keeps time to the up and the down of the beat of a master, 52 EOMEB IN CHIOS.' Tuning the sea and the land to vast undulations of music, Notes of the strain that rose from the voice of the singer primeval When he created the land and the sea and the firmament starry. In the heart of this musical isle, his birth-place, sat Homer, And around him stood youths from the east and the west of all Hellas, In a trance of the Muses carried along by his numbers, Yielding their souls unto his to be shaped to that harmony splendid. Nor from that group of fair youths could Eros be rightfully absent, Eros, the God of Love, had his shrine, as his wont is, in secret There in the garden of Homer who, though shut in his eye-sight. Could behold each deity present, however dis- guised. Suddenly all of the eyes of the youths were turned from the singer. And to the tune of new measures were shooting poetic scintillas. Rolling sidelong in fiery joy, yet trying to hide it, THE DAUQHTEB OF EOMEB. 53 Flino'ing millions of sparkles over the form of a maiden, Very beautiful maiden , who entered the gate of the garden. Out of her hiding she moved, emerging from leaves of her arbor. Like a Goddess she came, who has sped from the heights of Olympus Down to the longing earth, to appear the divine unto mortals. Forward she stepped to the group without stop- ping, and came to its center ; All of the youths were lighting her path with their looks as she passed them. Making the twinkle of starlight there in the blaze of the sunlight. With a reverent glance she touched the lean hand of the poet, Yet the look of resolve gave strength to her face in its sweetness. Softly obedience shone just while her own way she was going. Standing behind him she pressed the bloom of her cheek to his forehead, Roses of life seemed to suddenly shoot from the furrows of wisdom. And to her father thus spake Praxilla the daugh- ter of Homer, While her strong sweet lips gave a kiss which sounded heroic : 54 HOMER IN CHIOS. " Father, suffer me also to come to thy knees and to listen ; I would learn who thou art before thou pass from this sunshine, Soon thou must go, methinks, with the Days, the daughters of Phoebus, Go with the beautiful Days far over the sea to the sundown. I am the daughter of Homer, hardly I know yet my father; Do not deny me the hope of my soul which of thine is begotten. Great is my longing to hear of what thou art saying and singing ; Why should men not share with the women their lore and their wisdom ? None the less will you have, and we shall gain much by your bounty ; We shall be worthy of you, and you will receive the full blessing. Long I have patiently kept in my bower, my beautiful bower, (>)vered with blossom and branch and filled with the fragrance of Nature, Which thou nobly gavest me once — it seems long ago now — Thoughtful the gift was and kind, but to-day I can stay there no longer. As I listened within it, hidden in leaves and in branches, THE DAUGHTER OF HOMER. 00 Wreathed around and around in its flowers and clasped in its tendrils, I resolved to go forth and to claim my heritage also, Heritage equal of legend and song which are all thy possessions. Hear me, O Father ! thy child, I am come to know of thy knowledge, I am come to thy school to learn if I be the true heiress. And to say the one Avord which long has been ojrowinoc within me. Not yet mature, but this day it is ripe and must drop from my lips now: Child of thy body I am, I seek to be child of thy spirit, I, not knowing my father, am not the true daughter of Homer." Mild was the mien, yet strong was the word which the maiden had uttered. Gentle the note of her voice, suppressing softly a quiver. Yet betra3nng a wavering line in response to her heart-beats. Which sank down with her modesty, yet swelled up with her purpose. Heedful of men in her presence, but of their scofling defiant. 56 HOMER IN CHIOS. To her father dutiful, yet her own way she must go too. All of the youths admired and looked, she re- turned not their glances, Was there not one whom she in her heart already had chosen — One of those beautiful youths, the flower of Hellas and Asia ? See how handsome they stand in a group, as if they were God-born, Gathered now on Olympus, rejoicing their par- ents immortal ! Still not a look from the maiden that way ! not a glance of sly favor ! How can she help it? But not a beam hath she dropped there among them. Say, has Nature lost her authority over the maiden? Once revenges were wreaked on the rebel, double revenges, Love which rejects will feel too the pang of being rejected, Twofold the wound which Eros inflicts if you tear out his arrow. Mark how the generous summers of Chios have given their bounty, Given their hidden command in the warmth of a Southern climate, But the command is not heard, is defied by the daughter of Homer. THE DAUGIITEE OF HOMER. 57 Subtle and sinuous are the retreats in the heart of a maiden Where she hides herself, unconsciously testing the gold there ; Labyrinth hopeless it is to dozens of fairest of suitors, Yet its clew is simple — merely the love of the right one, When he happens along, as he certainly will, on her pathway ; Yes, he will come, though we cannot tell when — to-day or to-morrow ; Thinking or thoughtless, guilty or guileless, lo ! he is chosen, And the rest, much better perchance, march off under judgment ; Just he, nobody else, and the reason without any reason, Sent from above he must be, it is said, yet sent by himself too, Helped divinely she is, in going the way that she pleases, Providence brings them together, and both have done what they wanted. See the two Gods, within and without! they have met and arc kissing, Eros and Psyche have met and are kissing, the spirits immortal. Long before the two mortals have tasted the lips of each other. 58 HOMES m CHIOS. But not so it runs now in the tale of the daughter of Homer, Now the law seems changed — and yet we can hardly believe it; Strange desire she has to share in the lore and the legend, Firmly refusing to listen to-day to the whisper of Eros, Who is wont to be hinting to maidens his secret suggestion, And to speak with his face hid in clouds till he dare be discovered. Now she will take her part of the gifts from her father descended, Dimly dreaming perchance that she hereafter may need them ; She will learn the old songs which treasure the wisdom of peoples. Learn the story of heroes tried in the failure and triumph, Learn the story of women, unf alien, fallen, for- given, Faithful Penelope, dire Clytemnestra, beautiful Helen; She too will sing, remaining forever the daughter of Homer. Gently the poet groped for her hand, reaching out with his fingers. THE DAUGHTEE OF HOMEB. 59 Found it and laid it in his with a satisfied look, then addressed her : " Daughter methinks thy voice has suddenly changed from thy childhood, Yesterday thou weit a girl, to-day thou art wholly the woman, I can hear in thy tones once more the voice of my mother. Thine is the voice of Cretheis, when she was tell- ing a story, Sweet are the turns of thy tongue in talking our living Hellenic, And yet seeming to speak just to me from a world resurrected, Building anew out of speech the rainbows of youtiiful remembrance. But a difference, too, I can hear — thy words are the stronger, Yes, far stronger are thine than the words of Cretheis my mother. Who could fable the past and loved antiquit3''s custom ; Stronger I deem them than Helen's, which held in their spell all Achrea. They do not dwell in old days, nor do they de- lay in the present, They belong not here in our Chios, belong not in Hellas, But reach out to a time and a land somewhere in the distance, 60 HOMER IN' CHIOS. Dreamily rising this moment, I see, out the fog of the future, Faintly lifted to life in the light of the beams of Apollo, Who has whirled in his chariot over the arch of our heavens, And, now facing the West, is scanning the far- thermost Ocean. List ! I bid thee to come when done is the duty of household, Come when thou wilt and stay when thou canst, both now and hereafter, Freely unfold what is in thee to all that ever thou canst be. Travel thou must thine own way of life as thy father before thee. Be thou child of my spirit, be thou heiress of Homer, Follow the path of the Sun round the world, and that be thy journey." Scarce had he uttered the word, when stately he rose from the settle. Full of the thought he had spoken he shone in each line of his visage ; Then he moved to the place where stood in his garden an altar, For, though blind, he knew well the way to the shrine of the Light-God. THE DAUGHTER OF HOMEB. 61 After him moved the daughter and youths in holy procession, Solemn, slow-stepping, while stainlessly white fell the folds of their garments ; When they had gathered about him and stood in a worshipful silence, Hopeful he turned to the sky, rolled upward his sightless eyeballs. Seeking the face of the God that shone as the sun in the heavens, And he prayed his soul's prayer, with might of an instant fulfillment: " O Apollo, bearer of all that is good to us mortals. Bearer of light to the Earth and of sight to the soul in thy presence, God of the luminous look that darts to the past and the future. And doth shine on the present forever, creating it daily ! Shed still over the Earth thy light, though to me thou deny it ; Build thy arch of pure beams each day round the heavens above us. Spend thy blessing on others, though I be not able to take it ; Hold overhead as our lamp and our shield thy canopy golden, And, as thou risest upon the beautiful world out- side me, 62 IIOMEB IN CHIOiS. Rise and illumine the world, the dim world that is lying within me ! Deity though thou be, for thee also I lift up my prayer ; Thou unfold in thyself while I too in thee am unfolding, More and more may thy light be transformed from the outer to inner, Till thou be risen from godship of nature to god- ship of spirit. Then through thee may the song that I sing be reborn in the ages. Ever reborn unto men in the sheen of thy spirit, O Light-God!" All the youths prayed the prayer of Homer, the daughter prayed with them. In low tones of devotion that speak to the deity present, Standing full in the sheen of the sun by the shrine of A[»ollo, Who from his way in the "West, threw back his glances propitious. Warming the words of the poet, and making the moments all golden. IV. The Stranger of Northland, (63) ARGUMENT, At this point a stranger appears in the school of Homer, not a Greek or Asiatic, but a Barbarian, so called, from the far northivest. He has come to learn something about Homer, having had some previous in- formation from a Greek captive whom he had taken in war. The stranger wishes to carry Homer's poetry — the lohole of it, and not some fragments — to his people, andhand it doton to the future. Meantime Praxilla, the daughter of Homer, listens to the story of the stranger with an interest never felt before, and she neglects for a moment her household duties in her eagerness to see and hear him. Homer and the scholars, after trying in vain to pronounce the rough gutturals of his name, salute him by the Greek title of Hesperion. (64) Scarce to the God of the Light had they ended their [)ovvei'ful prayer, And looked u)) from their service divine with a sense of their freedom, Lo, a stranger arrives, a youth still dusted with travel. Yet with a glow of new gladness that told of a journey completed. "Look, who is that?" the scholars were whis- pering each to the other, " Homerid novel he is, just come from Barbary distant ; Wonder if he have a tongue in his mouth tiuit can trill the Greek accent, See but his mantle of motley and garments swaddled around him, 5 (G5) 66 HOMER IN CHIOS. Look at his face and his form, he never was born in our Hellas. Beautiful still he might be, if he only were dressed in our drapery." Then they ceased , for the stranger already was standing among them, Manly in look and lofty in stature and earnest in feature. Fair was his hair and ruddy his cheek and broad were his shoulders, Swift was the flash of his eye, it was wild and still it was gentle. Often it sank to a dream reflecting the blue of the heavens. Some new sort of a man he appeared to the Greek of the islands. Taller he stood by the half of his head than any one present ; At the entrance he stopped and gazed at the group for a moment, Srait by the sight of what he had suddenly seen in an eye-shot ; Then he turned and spoke to the poet, slowly pronouncing Each Greek word in a tone that tingled the ear with new music, Though it tickled at first the light-brained youths to a titter, Whispering, jibing, making remarks in the ban- ter of boyhood. THE STB^iNGEB OF NOETHLAND. 67 Thus spake the stranger, deliberate, yet inton- ing his firmness, For a message he had in his heart, and was going to tell it : '* Far in the region of snow I dwell, whence Boreas chilling Falls on the sun-loved South with his sword that is forged in the Northland, Forged out of ice and tempered in blasts from the nostrils of frost-gods. Fierce is that warrior of winds and like the bar- barian ever, Who is charmed from his frozen world to the warmth and the harvest. And descends to your seas with his hordes in a whirl and a tempest, Mad with your love he smites in his rage and seizes your beauty. But, Oh Homer, you 1 address, the goal of my travels — For I deem you that man whom I name by the awe of your forehead — Do you know your measures have pierced our ice builded fortress. Warming our clime by their breath and melting our hearts to their music? Kude is the turn of your words in our speech, and dim is the meaning. Still it touches our hearts, and to sympathy softens our fierceness ; 68 HOMES IN CHIOS. You have made us all feel ourselves a little more human, When your Hero in wrath relented in pity for Priam, Ransomed his bitterest foe and comforted sweetly the father. Northland is starting to thaw in the breath of the Southern singer. And I am come to reward you alive by telling the message." Joyful the poet was tuned by the tidings hyper- borean, Voice from a far off world and promise of much that was coming. Casting across the Greek landscape a shadow of lands in the sunset. New were the tones of the tongue, not Doric, Aeolic, Ionic, Not the turn of the speech that is spoken on island or mainland. Nothing like it had ever been heard in the city of Chios, Nothing like it had ever been sung in the strains of a rhapsode, Music it had of its own, and yet all the words were Hellenic, Nay, all the words were Homer's, and seemed to be drawn from his poems, THE STRANGER OF NORTHLAND. 69 Wondrously tinged with new tints and quaintly turned to new meanings. Greatl}'' surprised at the sound of the voice spake Homer, uprising : *' Speak, oh guest, tell how you have learned our language of Hellas ; Hard it is for the native, harder it must be for strangers, Cunning it is like ourselves, eluding the grasp of the learner, In its hundreds of shifts transforming itself like old Proteus. Then I notice your rhythm to be of my measures begotten, And some turns of your speech are certainly born of my spirit, Aye and the sweep of the thought when you spoke of the Hero Achilles. Well you have heard my song, far better than many a Grecian, Though a barbarian, you, I can feel, have the touch of my kinship. Mighty and marvelous is all this, I would never have thought it, Come now, tell me the story, Oh guest, for great is my wonder." "That I shall tell you at once," he replied, " not long is the story. 70 HOMEB IN CHIOS. What I have spoken to you, I learned from a Greek, my own captive, Whom I had taken in war, when he came to my country's border. Trading, plundering, wandering over the world for adventure ; That was another Ulysses, much-enduring and crafty, Loving the song and the fable, singing them too on occasion, Loving the deed and daringly doing on land and on water. Your Greek earth was too small for the stress of his thought and his action, Over the border he broke and hunted his prey like a lion, Knowledge beyond it he sought, and fell into fate in his searching. How I felt in my bosom the swell and the stroke of his spirit! When I found what he was, I made him my friend and companion, Though a slave still in name, he was given my love and my bounty ; Well he repaid the act; from a prisoner's death I had saved him, And he saved me in turn from the ignorant death of the savage. There in the forest your speech I began, I prac- ticed it daily THE STEANGEB OF NOIiTHLAND. 71 Till })y his aid I was able to speak it the way you now hear me. Him I set free as soon as he taught me the lan- guage of Homer, It is the word of your poem that broke the chain of his bondage, Mine too it broke at a blow when I said in your Greek : * Be free now,' And I am sure, it would break every chain of the people who spoke it." More astonished than ever the poet burst out into questions : " Why hast thou come to this spot, and how didst thou get to our island ? Utter again to me here thy broken Hellenic — I love it, Love it twisted and splintered and broken to ra- diant fragments Dropping out of thy mouth, yet speaking the best that is spoken. Say, who art thou, man, and what art thou doing ill Hellas?" Jubilant Homer asked, but could not wait for the answer. Asked once more, and that was not yet the end of his asking. Till the stranger, breaking the lull of a moment, responded : 72 HOMEB IN CHIOS. ♦' He the Greek whom I spoke of, once called you a native of Chios ; With that name in my heart, inquiring each step I am come now Over the land from afar and over the sea in a vessel. But is it so? I can hardly believe it myself — Art thou Homer? Tell me, old man, thy name, O speak it but once — Is it Homer?" " So I was called by my mother, still so I am called by the Hellenes, Though there be some who deem me not Homer but some other person, Merely a different man of that name," responded Homerus, And a sunrise of smiles broke over the seams of his features, As arose in his thought the pedagogue dwelling in Chios, Terrible pedagogue, trouncer of boys, the crusty Typtddes. Then spake the stranger, uplifting himself to the height of his stature, Far overlooking the heads of the rest of the little assembly : " Let me now tell you the scope of my travel, the hope of my journey ! THE STRANGER OF NORTHLAND. 73 Praised be the Gods! I have reached in safety the place of your dwelling, Mighty, resistless the need I have felt to see 3'ou and hear you, Aye, to learn your full song and store it away in my bosom. Whence the Muses, daughters of Memory, al- ways can fetch it. I would carry it off to my home far up in the Northland, Fleeting over the wintery border of beautiful Hellas Where it reaches beyond the abode of the Gods on Olympus, To the regions where drinking their whey dwell the mare-milking Thracians, Over the hills and the valleys away to the banks of a river, To the stream that is bearing the flood of the wide-whirling Istros, Still beyond and beyond, still over the plain and the mountain, Over vast lands to the seas, and over the seas to the lands still, Through the icicled forest, and through the tracts of the frost-fields, Still beyond and beyond, still over the earth and its circles, I would carry your song in my soul to the homes of my people 74 IIOMEB m CHIOS. Where the huge arms of the breakers are smit- ing the shore of the Ocean, Ever beyond and beyond in the stretch of their strokes they are strikinir, Beating, forever repeating the strokes of the in- finite Ocean," Both of his arms he outstretched and gazed on the sea for a moment ; Catching his breath, the stranger returned from his look to Ws hearers: " Barbarous lands and peoples you call them, and truly so call them, But in their hearts they are ready, I know, to be tuned to your music. And to be dipped, once more new-born, in your harmony holy. Which they will keep forever enshrined in their lore and their legend. Homer, O Homer, poet of all the nations and ages, Give unto Barbary now what the Gods have given to Hellas." Round whirled the stranger, the beat of his thought still smiting within him. Driven out of himself, he walked at a whisk a small circle And came back to his stand, as if putting a bodily period THE ST3ANGEE OF NOBTHLAND. 75 There to the swcc)) of his utterance swift, but his spirit's full gallop' He could not rein in at once, and so his words he continued : " All of your song I would know, the whole of it fitted together, That Greek captive of mine could only sing me the fragments. Broken off here and there from the whole — most beautiful fragments, Which Mnemosyne fleetingly brought him when he invoked her. But the whole of your song I must have, the whole of it shrcdless, For the whole is often far more than all of its pieces, Aye, the whole is all of its pieces, and is the whole too." Here laughed Homer aloud, yet spake no word with his pleasure ; What had started the poet who rarely gave way to his lauo-hter? It was the thought, the comical thought of the pedagogue Chian, Who was always beating and breaking the song into pieces, Till he became what he made, became too himself but a Crasment — 76 HOMEB IN CHIOS. Terrible frao;ment of man, the trouncer of bovs and of verses, Terrible pedagogue Chian, the slasher and thrasher, Typtodes. All of the youths drew closer around him, the wonderful stranger, Scholar hyperborean, the first that had come from the Northland ; They received him as one of themselves in the school of the master, Gone is the scoff and the jibe, and the whisper is speaking respectful. Also Praxilla was there, the beautiful daughter of Homer, Hearing the marvelous tale and pondering deeply its meaning. Sweetly the maiden looked up and smiled at the mirth of her father. Though she knew not the cause, she knew that the stranger had pleased him. Her too the stranger had pleased, she thought, in pleasing the father. Her too the stranger had pleased — she knew not what was the reason. Not yet brought to an end was the task of the day in the household. Still she lingered and listened, though hearing the call of the kitchen. THE STEANGEE OF NOETHLAND. 77 Nobly erect stands the youth, and towers aloft in his stature, Brave as a hero he must be to travel alone the long journey. Loyal the heart in his breast, so true to his Greek benefactor ; Lofty his soul looks out and full of divine aspi- ration ! Man with a beard, overtopping the cluster of beardless bardlings, As great Zeus overtops all the Gods in his inien and his power. Burst is the bloom of his manhood, still as a man he is youthful. Weighty his speech drops down with the ring of the masterful doer; And Praxillathe daughter of Homer still lingered and listened, Lingered to hear but a word, one more word she would catch from the stranger, Though again she heard the importunate cry of the kitchen. Seeing her there he began once more, that son of the Northland, For he thought she might wish to be told what he knew about women : " Rude though we be and warriors from birth, we are fond of the household. 78 HOMEE IN CHIOS. And we honor the wife who rules with her heart in her home life ; But, yet more, we honor the woman, for she is the healer, Ever the merciful healer through the love in her nature, Healing the soul and the body, and nursing the sick and the helpless. Aye, yet more, we hold her the seercss, the gifted divinely, Who has the vision beyond, foretelling the time unto mortals." And Praxilla still lingered and listened, the daughter of Homer, Lingered to hear but a word, one more word she would hear from the stranger ; Louder and louder resounded the dolorous cry of the kitchen. Then the poet in speech forethoughtful and hearty addressed him : " Welcome, oh stranger, here is our board with its wine and its viands, Stay and partake, be refreshed from thy journey in body and spirit. First pour a drop to the God of the Light, far darter Apollo, Pray then, for men have need of the God, he will answer thy prayer. THE STB ANGER OF NOETHLAND. 79 Take of me all that I am, or was or ever I shall be, Bear me afar as thou wilt, to thy folk in the snows of the Northland, Learn all my song and carry it off, the whole, not a fragment. For no frag-meut can live if torn from its life in the body; Sing it thyself and let it be sung by the farther- most peoples. Thine it is as it is mine, if thou only art able to sing it; In thy words I can feel that thou art the son of the future, Feel what is coming to me and to mine from the world to the westward. Welcome O guest, now drink of our wine and eat of our viands ; Stay — perchance I shall make thee joint heir of all my possessions." So spake the father in joy, expecting the feast to be ready. But Praxilla, where is Praxilla, the dutiful maiden? Still she lingered in spite of herself, and listened, and wondered. Lingered to catch bnt a word, one more word, from the lips of the stranger, 80 HOMEE IN CHIOS. Though her father she heard re-echo the cry of kitchen, When he spoke of drinking the wine and eating the viands. Beautiful daughter of Homer she stood there, but dutiful also; She was restless, and said to herself in reproof, still delaying: "Surely I ought to be off, I was needed long since in my kitchen ; What will the household become if left to itself in the future? Oh, those women, those wonderful women, up there in the Northland ! That was the tale of a dream, and still I appear to be dreaming. Thinking myselt far away in the glistening home of the frost-gods. Thinking myself in a temple of ice on the top of an iceberg. Woman, now speed from this old Greek world and march to the new one ! Would he take me along if I perchance would go with him? That is my mind — and yet I know not whether I know it ; That is ray mind — beyond the seas and over the mountains — But I must go — my kitchen, my kitchen — and still I delay here — THE 8TBANGEB OF NORTHLAND. 81 Ever beyond and beyond is my mind, on the wings of my thinking, Over the plain and the mountain, and over the border of HelLis, Up to the stream that is bearing the flood of the wide-whirling Istros, Over the river afar to the shore of the further- most Ocean, Where I can feel the embrace of the waves of the earth-holding Ocean, There I would stand by the waters — and yet even they could not stop me ! But away to my kitchen, my kitchen — Oh, why do I stay here! " Just at that moment the stranger looked over the youths round about him. But those youths did not mark quite what he was warily seeking. Even away from the poet he looked and found what he searched for. Where stood the lingering, listening daughter of Homer, Praxilla, Who still delayed for a word, one more word from the lips of the stranger. Then spake the father, breaking into the thought of the daughter : " Hold ! thy name, O guest, we must know, ere we go to the banquet. 82 HOMEB IN CHIOS. We must address thee us one of our own, when we sit at the table." Slowly the stranger pronounced it, barbarous, heavy, rough -throated, But those soft-toned Greeks could not speak it in spite of their cunning, Oft he repeated it for them, but in vain they essayed it. Rudely its sounds were jolting out their mouths in confusion, Broken to fragments around on the air flew the name of the stranger. Then the master spake out, and bade all be silent a moment : *' Much too old is my voice to be forced to the tones of thy language. Always it creaks and breaks if strained to the subtle adjustment, I have sung too much to make any longer this discord. Hearken to me ! in my tongue I shall name thee henceforward Hesperion, Son of the Evening, come from the dip of bright Melius westward, Rising and shining when it is sunset already in Hellas. That is a name we can sing to right music in measure Hellenic, TEE STB ANGER OF NOBTHLAND. 83 List to the word, let us sing it together: Wel- come, Hesperiou ! " Then the youths sang aloud all together : Wel- come, Hesperiou ! And Praxilla whispered in silence: Thrice welcome Hesperiou ! In a blush at her whisper, she turned and ran out to her kitciien. Clio. The Travels of Homer. (85) AUQUMENT. Homer takes up the account of his travels through Hellas in preparation for his work. All his scholars are present^ of whom a short list is given. He first went to Troy, and saw the ruined city with its plain, where the war took place. Then he crossed over to the continent of Greece, and heard the people of each village celebrate the deeds of its speeded hero. While singing himself he also heard the bards of every locality sing its special legend of Troy and -the aforetime. TMis Homer gath- ered all the stories of the Trojan toar, and fused them together into his great national i^oeni. He chances to speak of Helen and her captivity ; at once the old conjlict flames out among the pupils in his school. But Homer stops (he dispute for a short time, and continues the nar- rative of his travels, till the strife breaks out anew, this time over Hector, between Glaucus the Lycian and Demodocus the Ithacan. Each side is still ready to fight the Trojan war over a.gain. Homer once more harmonizes the conflict, and takes occasion to show how the poet must embrace in himself both sides of the strug- gle v.ihich he portrays. (86) Morning had come from the East saluting the ishmcl of Chios, Throwing her kisses of light along every line of the landscape, Till it stood forth in her glance, revealed and transfigured to vision. Soft was the light that she dropped from her lips on the hill and the valley, Tenderly touching the air with violet tinges and golden ; Under her feet lay the waters and over her licad bent the heavens. Both of them waked from the night, reflecting her soul in their stillness; Sea and sky, the two big blue eyes of nature, had opened, (87) 88 HOMER IN CHIOS. And were looking with joy on Chios, the beauti- ful island, Where not far from the beach stood the garden and dwelling of Homer. All the youths had assembled to hear the tale of his travel, Which by the chance of the moment had been before interrupted ; Now they would hear of the way he had wan- dered to come to his poems, For they all would like to be Homers and sing of the heroes, Catching the glory of life in the lilt of a music- al measure. Glauons was there, a youth from the banks of the eddying Xanthns, Mighty his ancestor was, Bellerophon, hero of Lycia ; Warriors his race had been, but he now sought to be poet ; Singing not doing the deed he held the better vo- cation. Other great names were present from lowland and upland of Asia: Gyges, Mysius, Nastes, son of a Phrygian mon- arch , Dardan from Gargarus nigh unto Troy, tbe city in rnins, THE TRAVELS OF HOMER. 89 Aphroditorus the curled Milesian boy, Niobidcs Fresh from the tears of Sipjlus — these may stand as examples ; But the foremost was Glaucus, the son and the grandson of Glaucus, Far back tracing his blood to the veins of Bel- lerophontes. Next, O Muse, thou must glance at the youths who crossed out of Europe. Young Demodocus came, who sprang from an order of singers. Living in Ithaca where they sang of the toils of Ulysses. Homer had been their guest when he touched their isle in his travels. Gathering wonderful Ithacau tales of voyages westward. Fabulous threads of song, like gossamers floating in sunshine. All to be caught by the poet and wove to a beau- tiful garment. Teucer of Salamis came, descended from Teucer the archer ; Skill in handling the bow he possessed — the gift of Apollo, But the God had refused his other great gift — that of wisdom ; Still the youth would be singer, and broke in scorn all his arrows, 90 HOMER IN CHIOS. Talent he had for the one, desire he felt for the other, Teiicer could not what he would, and whatever he could ho would not. Burly Plexippus was there, the richest scholar of Homer, Glossy and sleek were grazing his herds in Thessaly grassy, Thousands of horses were his that drank at the streams of Peneios, Palaces too he owned and held whole cities for barter ; Somehow he thought he could simply exchange some cattle for verses. E'en the Pierian spring was his by virtue of money, Once for its waters he counted out pieces of gold and of silver, But though their fountain he bought, he never could purchase the Muses. When he returned to his country and held his Thessalian domains, All his thought was to buy up the home of the Gods, high Olympus, Then the Gods he deemed he possessed, possessing their mountain, And at his will he could call them down from their heights to his poem. Other youths from the islands had come, and also from Argos, THE TRAVELS OF IIOMEB. 91 But the Muse has not given their names excepting Sophrones, Clear Athenian soul, devoted to worship of Pallas, Moralist ever was he, the manifold maker of maxims. Tall Hesperion too was present, just from the Northland, Sole barbarian there, yet eager to learn and to listen, Towering over the rest like Fate over beautiful Hellas; Strong were his features, yet melting to love in the sunshine of Chios. One more scholar forget not, though first pres- ent this morning ! ThiBre she stands behind by the door — the daugh- ter of Homer, Still by the door in the rear — she yet will ad- vance to the foreground. Shy are her glances, striving to hide her heart in her bosom, But they are tell-tales, and whisper the thought she is secretly thinking. Voices arose which bade the poet go on with his story; Grappling awhile for his thought again he began his recital : 92 HOMER IN CHIOS. " First I went over to Troy, and dwelt on its plain and its hillock. In the city destroyed I stayed and lived with its ruins, Which still talk to the traveler telling their story so fateful. Elvers I saw in the plain, and heard the God of Scam and er Speak of the Heroes slain and many a furious battle, As he pointed to corselet and helmet and shield mid his rushes, Showinojthe skulls of the dead that o-rinned from the ooze of his stream bed. Thence I passed on the sea in a ship from island to island, Felt the favor of hoary Poseidon, and felt too his anger, When he would roll up the waves in a storm by the might of his trident; Him I once saw in his chariot scudding away on the billow Right into sunset, and leaving a fiery track through the waters. Glad for my life I was when I came to the main- land of Hellas, Peoples I saw, their cities and customs, but chieily their legends Drew me to listen and gather each radiant shred of their spirit. THE TRAVEL kS OF HOMEB. 93 Heroes unknown I found everywhere, great men of their vilhige, Whose high deeds were at festivals sung by their townsmen in worship, For each village its Hero must have and revere him divinely. Every bard in the country I heard and stored up his fables. Till the Delphian cleft which utters the measures prophetic. Till the Thcsprotian land where speak the oaks of Dodona, Till the Olympian heights where Gods look down upon Hellas. And to Helicon came I and heard the song of its Muses, Sinscinof a rival strain to the Sisters who sit on Parnassus ; There I listened to Hesiod, crabbed old singer of Ascra, And I gave-him a note of the song that was rising within me, I had already begun the new lay of the Gods and the Heroes. For a moment he ceased his complaints of man and of woman. Quit his dark world of monsters primeval and hazy huge Titans, Just lono; enough for a laugh to break out like a flash from a storm-cloud, 94 IIOMEB IN CHIOS. And to saj to me: Friend, I shall visit thee sometime in Chios." Here the poet himself was a smile and dropped into silence For a minute or more, and then he returned to his story: "Early to Argos I came and heard in a hymn the whole people Chanting the glory of Diomed, who was their valorous leader. How in the war of Troy he fought with the Gods, though a mortal. Fought with two Trojan Gods in the might of his heiirt, and he conquered ; For the Greek though a man, must put down the God if a Trojan. * That ' I said to myself ' is a note in the lay of our Hellas, In the grand lay of our Hellas that is a strain of the music ; Part of the one vast temple of song in the soul of the nation, I shall take it and mould it and build it mto my poem.' Each little fragment of life and each stray film of a story. Name of mountain, river and town, whatever I found there, THE TEAVELS OF IIOMEB. 95 All I picked up on the spot, and began to v.'cave them together, By the aid of Mnemosyne, Muse who always re- members. Then to Mycence I went, the golden, where dwelt Agamemnon, Through the portal I passed that was guarded above by the Lions, Fiercely glaring in stone at the man who entered their gateway. Much the splendid city had waned from its old Trojan glory. And the look of the sunset rested all day on its towers. There I learned the King's fate at the hands of his wife Clytemnestra, And the death of herself and her lover, both slain by Orestes. Sad was the tale of the doomful House of the Monarch wide-ruling, I could never refrain from repeating that tale in my measures, Truest example, methinks, of the dealing of Gods with us mortals. Still to be sung in many new poems to millions hereafter. It will be poured into bronze, and hewn out of whitest of marble, Told in tongues yet unborn, to measures unheard of in llelUis. 96 HOMER IN CHIOS. Wretched indeed is the mau, if the Gods in his pride, he obey not ; Base ^gisthus, I feel in my heart the point of thy dagger !" Fervidly spake the old mau, and he seemed overcome by his story, Thinking the fate that befel the great prince of the Greeks, Agamemnon. To his own life the poet transmuted the lives of the Heroes, Every thread of a fable he span to a strand of his heart-strings, Each wild word of the wildest old legend he caught and transfigured. Unto each sorrow of mortal his bosom beat mighty responses ; Nobly tlie youths were led to revere the man in the poet. Soon his gloom he had caught and flung it far back into Lethe, Whence at times it escapes in the brightest of souls up to daylight. And he began, in his countenance looking the look of the sunrise : " Over the heights I scrambled, that was a coun- try of mountains ! Woodmen I met in the forest, here and there a small hamlet. THE TRAVELS OF HOMEB. 97 But every where I could fiud some fragment of song or of story. Through the glens I passed of the piping Arcadian shepherds, Through the hills full of music down into the vale of Eurotas, Where lay Sparta — and there was the home of the beautiful Helen. Still the palace I saw in the sunlight, where Paris the Trojan As a guest was grandly received by the King Menelaus, And I saw too the glance of the eye and the thought of the woman. In its first flash to the fateful resolve — of wars the beginning ! Madly I followed each step on the path of the sea as she fled thence. Feeling the glow and the guilt of a passionate world in each heart-beat. Watched her enter the ship, the sheltering ship of her lover, Watched it ride on the sea till it vanished afar on the waters. There I sank on the sand, as the dead man drops from the arrow Sent to his heart, and I died for a while in the batt-le of Helen. O Aphrodite, Goddess of joy that is paid with all sorrow, 7 98 HOMER IN CHIOS. Queen of the love that bears in its proof the bit- terest vengeance, There I fell down the thrall of thy spell, but I rose up the master. Thou dost also possess in thy right the soul of the singer, I was Paris myself and I fled to the East with my Helen, Troy I was too and its siege, I was taken and burnt into ashes ; But I am also the law which is read in the flames of the city. And I am the stern judgment of Gods who speak from its ruins." When the poet had stopped in the rush of his words for a moment. See ! a youth stands forth with a flash in his eye like a falchion, Lycian Glaucus it is, from the banks of the eddy- ing Xanthus, Grandson of Glaucus who fell in the war by the walls of the Trojans, Sprung of the seed of Heroes, though poesy now he has chosen; Standing forth from the ranks of his friends, thus says he to Homer: "Helen belonged to our side, for she was tlie woman of beauty, THE TRAVELS OF HOMER. 99 We had to take her and keep her, or lose the heritage lovely, Basely resign it to others, and yield up the claim of fair Asia. Twenty years she was ours, of all the great war she was worthy. Twenty years she was ours, and we paid but the price of a city, Even one moment of Helen is worth all the losses of Priam." Scarce had he done when a valorous youth sprang out of the front-line From the opposite ranks, as if to respond to the challenge ; It was Demodocus, son of Demodociis, Ithaca's singer, Now in the school of the poet to learn the new song of the ages ; Far in advance was the song of all that were sung in his country By the old bards, his fathers. Pointing his finger at Glaucus, Raising his arm and smiting the air at each word, he spoke thus : *' Yes, we smote you, we burnt you, we bound you when sated with slaughter, Women we seized and your wealth, we wasted the city and country. 100 HOMER IN CHIOS. Little was left io the land, in yonr gore we painted our glory, And the same fate awaits you again if you come to the trial. Helen, the prize of the world, you had to sur- render forever." Each of the fiery speakers had spoken his speech in a fury ; See the turn ! how strange ! they are looking no more at each other. Both of them bending the head, they covertly glance at one object, Eight at one point where stands the beautiful daughter of Homer, As if Helen she were, to be fought for and won by a nation. But in the background quite overtopping them all stood the stranger, Just behind the fair daughter he stood and seemed to be weighing. Dreamful, blue-eyed Hesperion, yesterday come from the Northland, Now he seemed to be weighing two weights in the scales of a balance. In the midst of the din the poet uprose from his settle, As great Zeus on Olympus, the God of the Greeks and the Trojans, THE TBAVELS OF HOMER. 101 Who looks down to the earth and judges the struggle of mortals. Homer suddenly saw the old conflict arise in his scholars, Every battle at Troy was still in them — how could they help it? From the East and the West they had come, from Hellas and Asia, Deep is that scission of soul and of time — a breach everlasting. Not to be healed but by one who is both the victor and vanquished. Who can feel the defeat triumphant, the triumph defeated. Who can be slayer and slain, and rise up new- born from his ashes. Homer united both sides, and both saluted him poet, What in them was a discord, he turned into har- mony lasting, What was twain in their lives, in his he made one and a poem. All had their own completeness in him, so hailed him as master. When to speak he began, one word changed strife into concord : «' Hold, O youths," he cried, " cease wrangling at once in my presence ; 102 HOMEB IN CHIOS. Learn from to-day just what is the bondage you are to get rid of : Free is the poet, but free you are not when ruled by a passion ; Whole he must be, but whole you are not when halved into parties ; Music you never will make if the soul hath a break in its tension. Hear entirely; now let us go on with the rest of my story. Over to Pylos I passed, and saw the land of sage Nestor, Who returned to his home from the war un- troubled by tempest, Or by the wrath of the Gods, which wrecked so many returning. Older than I am he was when at Troy, and yet a good soldier. Fond of the fight, but of telling a tale of his youth still fonder. Thence I sailed to Ithaca where I heard of Ulysses, Wisest of men, he endured; and enduring, he rose in his wisdom ; Great were his deeds at Troy, for he was the Hero who took it. Mounting its walls by the wooden horse that was winged with his cunning ; Over Achilles he rises, through might of the spirit's contrivance. THE TRAVELS OF IIOMEB. 103 But yet greater bis task was after the city had fallen ; To return was the Hero's work, to return to his country And to his wife, through storms of the sea and himself in his doubting. Wandering through the whole world that lies out the sunlight of Hellas, Into the magical islands beyond the bounds of our knowledge, Suffering sailed he on, though losing all his companions ; Ithacan bards there told me his tale of the Cyclops, of Circe, Even through Hades he passed, through the realm of spirits departed ; Living, the Hero must go beyond life, and return to the living. Thither I followed him too, in my age I told his adventures. Bringing him back to Penelope prudent and Ithaca sunny; Last of my song is this, it has just lately been finished, Though some parts have been sung long since at the festivals Chian, Showing a glimpse of the West where men find always their new-world." 104 HOMER IN CHIOS. Thus he spake, and he turned, though blind, with his face to the sundown, Where in his path Hesperion, thoughtful, was standing in silence ; But before he began, interposed Sophrones of Athens : " Why such a liar and rogue did you make him, your hero Ulysses?" " Penalty too he must pay, the penalty even of wisdom," Answered Homerus, thoughtful, forecasting his words for his scholars. Low and slow he now spoke, as if with his soul he were talking: " Always the deed must be paid for, the doer heroic must suffer, Virtue arouses revenges and duty may call up the Furies ; Double the conflict must be, and the right may also be double. O Ulysses, great was thy action, but followed by curses ! The reward of thy life will be centuries full of reproaches ! Wrongful men thou didst pay with their wrong, for this expect judgment; Thou didst meet the guileful with guile, smite foes with their weapons. THE TRAVELS OF HOMER. 105 Thou shalt be rated as guileful and cruel in turn for tliine action. Compensation, the law, has been laid by the Gods upon me too, All the sunshine of nature is dark in spite of my vision, Insight the Muses have given, but for it my sight has been taken." Such was the answer, but it met not the need of Sophrones, Who was the moralist trying old tales with the touchstone of virtue, Easily solving the problem heroic by rule or a maxim. Excellent maxim for men who have not the stress of the problem. Thus the worthy Sophrones tested the life of the Hero, Putting his standard to each and measuring strictly the defect. Hear him again, for always Sophrones has one other question : " Which was right, the Greek or the Trojan? That is the point now, Truly the point to be settled before I can enter this calling. Much I have been worried about it, and still no decision. 106 HOMEB IN CHIOS. Ere I can sing, I must know just what is and who are the righteous. Dare I confess? I like not Achilles, Ulysses, not Helen, Beautiful Helen — she is not beautiful seen by my vision, Nor can I love Penelope prudent with all of her cunning; Aye, the Gods of Olympus I like not, I cannot adore them ; Zeus do you think I can worship, a God with the passions that I have?" Homer, the poet, was silent; Sophrones, how- ever, grew louder: *' Best of them all is Hector the Trojan, the man most perfect. True to the wife of his heart and doing his duty to country. Brave as a lion in war and gentle at home as a woman. But, like the good man always, he had to fall in the struggle, And by fate to lose what he fought for — his cause and his city. Such is the world — the great men are bad and the good men must perish." On the spot the sparkles were flying from one of the scholars, THE TRAVELS OF HOMER. 107 It was Glaucus who spoke, the fiery Lycian bard- ling : ** He was right — great Hector — defending his home and his nation From the wanton attack of the bandits who sought to destroy them ; Valiant in every way he was for his land and his people, He is the Hero of Homer, I say, the only true Hero; Hector was right, will be right forever, and he was a Trojan." Then he turned to one of the company seeking approval, Just from one and no more he sought it — the daughter of Homer, Not from the father the poet, but from the beau- tiful daughter Sought he the meed of a glance for his verses, but she beheld not, For she was looking away from the youths in an- other direction. But in answer Demodocus spoke, his vigorous rival, Rival not only in verse, but also in love of the maiden : " Yes, but he fought for the thing that was wrong and he knew it — your Hector ! 108 HOMER IN CHIOS. For the rape of Helen he fought and made it his own thus ; Aye, the good husband battled in Troy to keep wife from husband. What in his soul he condemned, he supported by arms and by words too. And so died of a lie in his life and the spear of Achilles." Suiting the act to the speech, Demodocus drew back and lifted Hand and arm to a poise, as if he were hurling the weapon Straight at Hector, to slay him before the battle- ments Trojan; Lycian Glaucus shrank not, but leaped to the front at the challenge. Great was the uproar; the war of Troy once more was beginning Right in the school of Homer, but quickly the master bade silence: " Hearken, O 3'ouths, what I say, and learn by example a lesson ! Not a part is the poet, nor is he owned by a party. On which side do I sing in my poem — the Greek or the Trojan? Mark it — on both and on neither; the will of Zeus is accomplished, THE TRAVELS OF HOMEB. 109 God supreme of the Ilelleues, rising above all conflict. Not with another, but with himself is the poet's true struggle. He is the slayer and slain and his soul is the place of the battle. Much I think with the Greeks and much I feel with the Trojans, These have my heart perchance, but those take hold of my reason ; Zeus too loves his dear children in Troy, but de- cides for Achsea. Ah, the poet must fight in himself the dolorous combat. As the God fought the God in the fray on the heights of Olympus; Wounds he cannot escape, he must bleed in the battle on both sides ; Showing the strife of the time, he shows too the strife in his bosom. But he must heal it — just that is the seal of the God on the singer; Rage, war, battles he sings, but also the peace and atonement, Sings great Achilles in wrath, and reconciled sings great Achilles. Now let the truce be confirmed between botii the Greeks and the Trojans, And in our joy we shall pour to the Gods a hearty libation." 110 HOMER IN CHIOS. Tall Hesperion silently heard the dispute of the bardlings, Much he had learned about Hellas, and seen the two sides of the conflict, Seen it still living and parting atwain the new generation, Who were ready to fight over Troy, and over its poem. But the best was, he saw the poet bring both sides to oneness, Out of discordance bring harmony lofty of men and of Gods too, Making the tumult of war sing the song of Olympian order. Homer in happiest mood uprose and continued his talking : *' Youths, Demodocus, Glaucus, now heal ye the wounds of each other. Thinking the thought of high Zeus, as it sings to a melody god-born. Speaking divinity's word which is sprung of the soul's recognition. Valiant ye be, but let us proclaim, the war is now over. All in one joy to-day let the East and the West greet as brothers, Each of them taking the best of the other as test of his spirit !" THE TRAVELS OF HOMES. HI Turning aside, ho spoke out the word of com- mand in a transport : • "Speed thee, Amyntas, my boy, a full jar of old Chian, the oldest, Ten years' ripe let it be, for age in the wine bringeth wisdom Back to the drinker, in concord attuning anew the lost temper, Bringino: the oneness of truth into souls that differ by nature. Here comes the wine, already I catch a whiff of its fragrance. Oldest of Chian it is, a God would mistake it for nectar. Glaucus, Demodociis, Gyges, Plexippus, and Aphroditorus, Noble Hesperion also, thou valorous youth of the Northland, Pledge now a health to yourselves, and pour to the Gods a libation." All the youths of the school, most willing, obeyed the good master, Touched loving lips to the brim of the wine on the rim of the beaker. Pledging a health to themselves and pouring to Gods a libation. Hark ! mid tiie draught a shrill noise is disturb- ing the How of the liquid. 112 HOME It IN CllIO/S. 'Tis the rickety gate as grinding it grates on its hinges. Opening first to a push, then backward it slams with a racket; What is the shape that noisily enters and shuffles along there? Man well-known in Chios he is, well-known unto Homer, Satisfied man with himself he seems by the turn of his features. That is the pedagogue, first of the island, the lord of the laurel, Which he doth use as a switch for teacbino; the verses of poets, Teaching the boys of his school the glory and gift of the Muses, Whose fair branch he now twirls in his hand as he turns up the pathway. Terrible pedagogue Chian he comes, the thrasher and slasher, Thrashing the youths into lore and slashing the poets to pieces, Into the school of Homer he walks — he is here — O Typtodes ! VI. The Pedagogue Chia^i. (113) ARGUMENT. A rival school to that of Homer is taught by Typtodes, the Chian schoolmaster, tuho comes one day to have a short visit tvith the poet. Typtodes is the severe critic of Homer's poems, and cuts them to pieces quite as some modern professors have done. But the school- master is a progressive man and is now specially inter- ested in the new script lohich has been brought from Phoenicia. In fact he is giving to the ]}oems of Homer their first alphabetic dress in spite of his criticism. It turns out that Typtodes has really come to see the daugh- ter of the poet, though he disguises the fact. But his bitter criticism is modified by the wine tvhich Homer causes to be brought him, and his final questions are in a different vein from his first utterances. A new man appeurs tvho will give some ansiver to ivhat Typtodes has asked. (114) Not iilone and unchiillenged the poet held sway ill his city, There was a rival in Chios, who in his reahn was the ruler. Most of the youths of the place were sent to the school of Typtodes, Crusty Typtodes, a far-famed trouncer of boys into learning, Tickling bare legs of Greek boys till they danced to the sprig of his laurel, Which he always held in his hand while he made them con verses, Rousing the Muses unwilling by use of their favorite symbol. (115) 116 HOMER IN CHIOS. Some were verses struck at a heat from the heart of a poet, With ail Olympian might, aud flowing and glow- ing forever In the fire and flash of the words of the i)rimal conception. But the others, the most, were his own, the ped- agogue's verses, Made without a mistake according to rule in his school-room, Flawlessly made out of wood, the toughest wood in the forest. In his sandals he shuffles along the loose stones of the pathway ; Slyly he shutfles and seems to be slipping about on his tiptoes. As the schoolmaster warily slippeth around in the school-room. Seeking to catch in the act the bad boy who is making the mischief. Gaunt and ungainly the man, and somewhat stilted in posture, Sparse was the beard, each hair from his visage shot out like a bristle Ready to stick and to prick any person approach- ing too near him. Even the kiss of Typtodes had the keen point of a briar. THE FEDAGOOUE CHI AN. 117 Thin was the nap on his garment, exact each step that he took there, Always the branch of the laurel he held in his hand while walking Had in its swaying upward and downward the look of precision. Sharp was the thrust of his eye, as it peered from the hole of the eyebrows. Slightly barbed was the point of his nose, no mercy allowing, No escape for the foe ; his whole visage seemed pointed and ready, Even his look was a cut and his tongue had two edges of sharpness. Yet the man had his virtues —industry, feeling of duty, Faith in knowledge he never gave up, in spite of reverses, And, on the whole, he believed in the movement of men to the better. Bearer of light to Chios he was, when the day was beginning. Homer he was not, and yet but for him there had been no Homer, Whom he first put into script from the word and made everlasting. By the skill which he had in tracing Phwnician letters. This fair day he has come to have a good visit with Homer, 118 HOMEll IN CHIOS. Whom as a man he liked, as a fellow-craftsman respected, Deeming himself to be, however, the much bet- ter poet. Though the world had passed on the men a differ- ent judgment. He had heard of the beauty, too, of the daughter of Homer ; Living in the same town all his life he never had seen her, Never had seen her, though knowing by heart every word of her parent. Not too young to be curious, not too old was Typtodes, Pedagogue Chian who sought for a glimpse of the beautiful maiden. Though, of course, he pretended to come for a chat with the father. Settled down in his seat he began to talk of his methods. How the rule had been found, and the glory was great of the finder. " Yes, methinks I have brought to perfection this science of teaching ! Surely not much will the schoolmaster have to be doing hereafter But to follow, ages on ages, the steps of Typtodes. THE PEDAGOGUE CHI AN. 119 What great progress to-day we arc making io every department ! • Some weeks ago a new churn was invented by Phagon of Samos, Hither he brought it at once and showed it around iu our island; Soon each household of Chios will have it, soon will be churning, Churning away for dear life the milk of the kine of the country ; Barbarous oil-eating Greeks will change into eaters of butter, That is improvement, that, I call, the grand march of the species ! Only one fear I cannot help feeling amid all our progress ; All the world will have nothing to do , and so will do nothing, After that we are gone, and have left it the fruit of our labor ; Idleness is the great curse, our children will have to be idle ; Such is my fear ; so I one day have resolved to take easy; Having dismissed my school, I would dally awhile in your garden, Leave the words of the poem behind and talk with the poet." Here he stopped for a moment and slyly was peeping around him, 120 HOME It IN CHIOS. Once, twice, thrice he looked, and every look wa^ a question, Asking, " Where, I wonder?" but without any answer, Though he could hear a sweet stray note now and then from an arbor. In its stead unwilling he heard the voice of old Homer : " Friend, have you any new light on the dark way of life ? — O give it — Some fresh word upon fate or the law or the wonderful secret ; Eyesight is gone, and often I feel the bounds of my insight; Often I feel the bounds of the word in the stress of the spirit." Then began in the height of his mood the peda- gogue Chian : " We have lately been reading, or rather reciting your poems. Since in the school or the market they still for the ear are recited. Though I myself can read those recent Phoenician symbols. Catching the sound of the voice in the devious tracery of letters ; I alone of all of the men in the island of Chios, I can wind out the lal^yriuth weird made of strange Alpha-Beta, THE PEDAGOGUE CHIAN. 121 Follow the clew to the end and bring back the prize that is hidden, • Hidden away by a spell in the heart of the char- acters mystic. Into those signs I have been transformins^ the voice of your verses, Scratching the musical sound into signs which now are called letters. Magical symbols of fast-fleeting speech, which fix it forever, Holding it firm to the sight when the tongue which spake it, is silent. But not yet I have seen your beautiful daughter, Homerus, Whom Fame whispers abroad in every nook of our Hellas." "O good man," said the poet, "aught more would I hear of this wonder, Which has caught and is holdino; the word to make it eternal ; Fate forbids me to see it. Oh then let me learn of the marvel Changing the world at a stroke by giving the past to the future." Crabbed Typtodes perchance was not pleased with the turn of the answer, But he began on the spot to speak out the thing that was in him: 122 HOMEB IN CHIOS. " Let that pass — all that which 1 said of Phoe- nician letters. We have glanced these days down into the depths of your poems; Now I am going to speak you the word of friend- ship and frankness. You, I find, are not accurate, shifting the dates of your action, Not quite correct in the facts, and you give your twist to the story. All your tales of the Gods are turned to the bent of your thinking, Somehow changed from the old they seem to be bearing your impress. Often you make in your spring important mis- takes in the measure. Short where it ought to be long, and long where it ought to be shortened. Forcing the stress of the voice in places where it belongs not. And I hold the hexameter is not fit for your poem, Which, so rapid in movement, should not be delayed by the meter ; If you only had asked me, I could have told you a better. Nay, I deem that measure not suitable to the Greek language, Which has a boisterous genius not to be swaddled in long clothes ; THE PEDAGOGUE CHI AN. 123 You should remember from Troy the Greeks no longer are babies. Hark to a verse of your poem, describing far- darting Apollo, Which should be simple and rapid and grand, divine in its movement; Slowly it drags along and cumbers its flight with its lumber. Then at the end it suddenly whisks and swashes its tail round. What a blasphemy ! Phoebus will take from his quiver an arrow. Sly invisible arrow, penalty due to the Muses, Put the notch to the bow-string and pull it — be- hold ! who is stricken !'■ Warmed to his work was shrilly Typtodes, and so he continued, Cruelly lashing himself into slashing to frag- ments the poet : "And that mixture of words from every part of our Hellas, Mixture poetic of fragments of speech from island and mainland, Doric, Ionic, JEolic, how can it ever be lasting? It is a wonder that people to-day are willing to hear it ; No such jargon has ever been spoken by Greek or Barbarian, 124 HOMER IN CHIOS. Crumbs from the table of tongues — and that is the language of Homer. Though to nature it be not kin, still I put it in writing, And I study it too, though I have to tear it to fragments; What seems substance turns in my hands to the flimsiest shadow, I confess I have pleasure in knocking nothing to pieces, All to pieces I knock it so that it appears to be somethinof. " Satisfied well with his work, Typtodes contin- ued in judgment: " Nor are your characters always consistent, however heroic, Diomed changes, Ulysses is never the same in two stories. And your implacable Hero is placated twice in his anger. Homer himself is never the same, but shifts to another, Dozens and dozens of Homers I find ensconced in your verses. Your large poem doth fall of itself into many small poems. Which, I know, were sung by hundreds of singers before you, THE PEDAGOGUE CIIIAN. 125 Who were the piiinitive makers of what you have gathered and taken ; You are but a collection of songs, a string of loose ballads, You arc not one and a plan, but many 3''ou are and planless. Now I shall state to your face the final result of my wisdom : Homer, a3'e Homer himself is not the true author of Homer." Up rose the pedagogue Chian and stretched to the height of his stature. Whirled his ponderous arm as if a boy he were flogging, Slashing the verses of Homer, a pupil he seemed to be thrashing, Terrible pedagogue Chian, the slasher and thrasher Typtodes. But in response he called up the cheerful humor of Homer : '*Take my book and study it further; perchance you can read it In that new sort of script which you say has come from Phoenicia. One is the book if you arc one and can ever be happy. Wholeness first being found in yourself, is found then outside you, 126 HOMER IN CHIOS. I am halved and quartered if you are a half or a quarter, But a whole I shall be, if you are a whole in my study ; Discord enough you will find in my poem , if you be discordant, Discord enough in the world if harmony to you be wantmg. But those wonderful letters — would I miffbt see them and read them ! Ere I pass from this earth, I would know the Phoenician letters!" Mild was the manner and sweet was the voice of the godlike singer, Dropping transparent as pearls the beautiful words of his wisdom, Showing in chilly old age the upspring of young aspiration. But that terrible fragment of man, the trouncer Typtodcs, Spake once more, and showed in his voice a dash of resentment : *' My next business will be to cut up your book into ballads, I shall put the keen knife of this brain to each joint of your body, Though I be but a half or a quarter, or less than a quarter, THE PEDAGOGUE CHI AN. 127 Yoa shall be smaller than 1 am, you I shall chop into mince-meat." *' In dissecting, oft the dissector himself is dissected ; What to another he fits, may fit just the fitter," said Homer. " What a prophet you are? In you I foresee the grand army Who will cut me and stab me with every sort of a weapon. Gashing and slashing my whole poetical body to fragments. Still I affirm your army so grand can never defeat me, I shall remain as I am, the wounds will return to the giver. But let us stop this pitiful wrangle, it wholly untunes me ; Harmony, wisdom, hope it hath not, but ends in mere nothing. Cheerful now let us pour to the Gods a hearty libation. Then let us pour to ourselves a good draught in the warmth of our worship." Mellowed at once to the rhythm of wine Typ- todes gave answer: *' Now you are truly a poet, with fresh inspira- tion you touch me ; 128 HOMEB IN CHIOS. Wine is a poem in drops, which you easily sip in small verselets; That hexameter which you just made while urg- ing libation, Was a good one — the best, to my taste, you ever have spoken. Better, I think, I shall now understand the drift of your verses." Look ! a beautiful figure has flitted past to the garden; Is it a sudden dream, a phantom of vision fan- tastic ? No ; Typtodes has caught a glimpse of the daughter of Homer, Caught one fitful glimpse of the shape of the beautiful maiden, More he longed for and looked for, but he re- ceived not the second. "Now I would know," he said, "how you build with such skill your grand temple, How you turn your soul into music that flows in your measures, How you turn all the world into harmony wedded to beauty, How you call down the Gods themselves from the heights of Olympus? " "Bravely," the poet replied, "you aim at the white of the mark now ; THE PEDAGOGUE CUIAN. 129 But it is not my calling to point out the path of the Muses In their flight through the air down to men from the top of Parnassus. Surely enough it is if I hear them when they are singing, And repeat their melodious strain in its fullness to mortals. Faint is the note at first, but it goes on extending and swelling, Till it sweeps to its musical train the whole earth and the heaven, Tuning the discord below and above, of men and of Gods too." "But whence cometh the world of the Gods and their sway on Olympus? To the beginning I wish to return and make my inquiry." So spake Typtodes, when a new figure rose over a hillock Walking out of the distance, amid the orchard of olives. " Aye, whence cometh the num, who goes to the Houses of Hades? What is he here for — the mortal of clay once shaped by Prometheus? And the woman, his mate, the beautiful, fateful, what is she?" 9 130 HOMEB IN CHIOS. Asking he glanced to the right and the left for the daughter of Homer, Nowhere he saw her, but in her stead he beheld through the leaflets, Slowly approaching, the man he had seen before in the distance. Such were the questions which eager Typtodes put to Homerus, Who replied not, but seemed of something else to' be thinking. Hark to the groan of the gate which suddenly grinds on its hinges! VII. The Singer of A sera. (131) ARGUMENT. Tlie person approaching turns out to he Hesiod, the poet of Ascra in Bceotia, whom Homer had met in his travels and whom he had invited to come on a visit to Chios. Hesiod is received hij his brother poet^ and tells his story of the Gods, and his view of the world. He, too, will see and knoio the daughter of Homer, though he has no good opinion of looman. Finally he beholds her, when, for a sarcasm on her sex, she gives him a tart reply. The old Greek misogymist and pessimist slips away from the company, and vanishes out of Chios at the appearance of another woman, the songstress of Lesbos. (132) All start up at the stridulous sound to see what is coming, When a stranger moves into the path of the eye to the heavens, Leisurely comes down the walk which leads to the garden of Homer, Beautiful garden of fruit and of flowers, of shade and of sunshine. Broad and bony the hand of the man, and knotted the knuckles. Trained to whirling the ax by the helve in the woods on the mountain. Trained to holding the plow by the handle in turning the furrow, Used to toil were his palms, and hardened to horn by his labor. (133) 134 B03IEB IN" CHIOS. Great strong lines he had in his face dividing it crosswise, Also dividing it lengthwise to network of val- ley and mountain, Which would rise and fall into billows of rough corrugations : Surely that face was a battle, the battle of Gods and of Titans, Seizing and hurling volcanoes aflame in their wrath at each other. Under his features was lying a scowl, which seemed to be born there, Which would dart from its lair in his look, spit- ting fire like a dragon ; Strange was the tone of his speech, yet stranger his play of grimaces. Lips would writhe at each word, as if it were sore to be spoken. Hark ! he is ready to speak and turns to the poet of Chios: " Over the sea I have come in a ship from the mainland of Hellas ; Voyage unblest, for Poseidon was trying each minute to drown me, Dashing his waves on the craft and mightily cleaving the waters ; Often he opened his jaws and shut them tight on the vessel. THE SINGER OF ASCBA. 135 How I escaped I know not, but salted and scared I escaped bira. Heavy Boeotia is my borne, my village is Ascra, Ugly village of Ascra, vile in tbe summer and winter. Tbere I sang of tbe Birtb of tbe Gods and tbe Works of poor mortals, Mortals, wbo sweating and swinking in life, die at last in a discord." " What a note istbat in tbe sunligbtof Chios," cried Homer, " Wbo art tbou, man? Some tricks of thy voice I have beard in my travels." Twisting bis face into scowls, as if be were tasting of wormwood, Spake tbe poet of Ascra, and spitefully spat out tbe bitter : " Well tbou knowest, for tbou bast borrowed some of my verses, Hiding the source in a word, tbou hast called it tbe breath of tbe Muses. Once I sang lor thee when tbou badst come to my home in thy journey, Sang of tbe eldest Gods wbo were born of Chaos primeval, For I like to go back to tbe start, though it be all in darkness, Origin ever I seek, although I can never quite reach it. 136 HOMEE IN CHIOS. What a pleasure lo run from the sheen of the sun back to nothinsf ! This Olympian order of thine, it came of dis- order, Which is my burden of song reaching back to the very beginnmg ; Even this beautiful day now sporting in joy of the sunshine. Not long ago was born of the night and to night it returneth." "Hail, O brother," said Homer, the bard, to the poet of Ascra, " I have heard thee before on Helicon — now I remember — Bleak was the day and hoarse was the wind that blew up the valley. Be at home, O guest ; give us more of thy song — I would listen." Then again the poet of Ascra seemed tasting of wormwood, Ere his strain he began in the stress of a mighty upheaval ; Soon into thunderous words he let out the soul of old Chaos: " All this isle, this world, as we see it, was once but a monster. Peopled with monstcj'-< grim in the grey of the distant uforelime; THE SINGER OF ASCRA. 137 There I love to dwell with old Cronus who swal- lowed his offspring, Even to Uranus oft I go back for a gaze in the twilight, And I dally with Nereus, parent of beautiful daughters, Thousandfold forms of the billowsrising, rolling, retreating. Fleeting forever away in the haze of the distant horizon, Leaping anew into life as they rise to the top of the sea-swell. O for the mightiest monsters of old! I tell you, I like them ; All day long I could sing of the terrible brood of the Gorgons, Triple-headed, hundred-handed, thousand-legged, Cerberus, Briareus, Hydra, Chimaira, Echidna the lizard ; What is Olympus to these, with its Gods who dwell in the sunshine ! Once in this world lived a people I loved — the Giants and Titans, Who could hurl as weapons of war huge mount- ains and rivers, Heaven itself they would storm and break down the limit of mortals, Which the Gods once set in their envy when man they created. 138 HOMER IlSr CHIOS. Long the battle was fought, the stormers of heaven were vanquished, Now see them whirl — down, down they spin to Tartarus sooty, By the Olympians whisked off the earth-ball to infinite spaces, Where they lie under ban of falling, falling for- ever. Still in the Upperworld sunny they wrought for the ages great wonders ; This fair island, this sea, yon mountains are showing their power. Lofty, grandiloquent words are my colors, by which I can paint them, Words that are sung in mine ear by the high Heliconian Muses, Loving the mighty and monstrous and piling up horror on horror ' ' *'Hold, for mercy! " cried Homer, "let me catch breath for a moment. For I seem to be falling, falling along with your Titans, Down to black Tartarus whirling I spin in a spiral headforemost. Poet, is there no light in your world, no beauti- ful order?" Curling his lip to a scowl, responded the singer of Ascra : THE SINGEB OF ASCBA. 139 " I cannot say that I like your Olympian sun- shine, Homerus, All of your deities stand too clear in the sweep of my eyesight, Cut into words they walk as if they w^ere moving to marble, Gods in my thought should break over bounds into limitless regions, Break over all of the forms of fair life into in- finite fancy. Give me the view far away o'er the deeps of Oceanus hoary, And his thousands of children with all the dim train of the sea-gods. Breaking, creating their shapes with every now dash of the wavelet, Eiding the steeds of the sea and leaping from billow to billow. Homer, I come to pay thee a visit once promised at A sera; And I have heard of a beautiful maiden now dwelling in Chios." "Welcome again, O friend," said Homer; *' some wine in a goblet, Speed thee Amyntas, my boy — some Chian wine for the poet." But the musical guest in response made a face full of discord. For in spite of himself he longed to behold the fair dauohter. 140 HOMER I!i CHIOS. Disappointed, he turned once more to ttie tale of his terrors: "Dragons I love, if human, and forms of the sphinxes and griffons, Forms commingled of man and of beast, which sprang from the Orient. You, O Homer, have driven my monsters away to the background, Far in the background of Hellas they lie under curse of your spirit. Where they will stay by your spell, I fear, in the darkness forever. — No, again they will rise," spake the poet of Ascra prophetic, " Out of the night they will rise and bask in the sheen of Apollo, Far in the future I see them step to the light from their hiding. They will riot around in the world as in times of the Titans, Storming Olympus again in the might of their struggle for heaven. They will battle with Gods on the earth and the air and the ocean. Till the Underworld sunless will rumble and quake in its terror." Here a youth stepped forth, he had recently come from the Northland, Tall Hesperion, who from a dream had been roused by the story, THE SINGEB OF ASCBA. 141 Roused by the mention of Giants, the dwellers of mountain and iceberg, Calling to mind his own far country in landscape and legend. Thus he spake in response to the poet of Ascra foretelling : " Truth you have spoken, I know it; those mon- sters are livinoj and thrivino; Just at this moment far up in the nebulous tract of the Northland Where they fight with the fire and sport with the frost of the icefield ; Mighty and massive those Giants of cold, the Hyperboreans, Never I thought I would find them here in the sunbeams of Hellas, Even in story I did not expect to be told of their wonders, Though they be sitting in Tartarus sooty, the cheerless, the hopeless. Tell me your name, O stranger, for I would carry it with me, When I return to my laud with the name and the song of great Homer, Both of you banded together shall go to ray home in the Northland." With a gleam of rude joy responded the singer of Ascra, Fame he reproached and despised and yet he longed to bo famous ; 142 HOMER IN CHIOS. " I am culled Hesiod, younger in song than Homer, yet older, Earliest Gods I have sung and the latest of all — Prometheus, Friend of poor lost man, and the sufferer, too, for his goodness; Sufferer God-born he lay in his anguish on Cau- casus lonely. But the strange spell of m}^ life ! I cannot get rid of the woman ! On me has rested a curse, the curse of that charmer Pandora, Once created by Zeus, endowed by each God wilh his talent, Born with craft in her heart, then sent upon man for his evil. Off and away ! good Homer, I whisper the hope of my journey ! Much I have heard in my land of a girl now grown to a woman, Can I not see, perchance, now converse with the beautiful maiden? Vain is my visit to-day if I see not the daughter of Homer; More than Helen she is, aye more than the gifted Pandora." " Here comes Amyntas," said Homer, " bear- ing the fragrance of Chios ; What a perfume of the wine as he steps in the gate of the garden ! THE SINGEB OF ASCRA. 143 Well, that boy is a flower that blooms with the scent of old Bacchus ! I can trace his path in the air without hear- ing his footstep. Drink now a cupful of tears that were shed on the beautiful island, Tears of the wine-god which tell not the sorrow but joy of the godhood." Hesiod turned up the cup, and drank off the vintage of Chios, Generous vintage of Chios, that lightens the soul of the singer. And that cup was a wonder, with figures that danced in a'circle. Forms of maidens and youths that danced in a ring round the wdne-cup. Wrought by the cunning of Chalcon the smith, and given to Homer, When in his youth he sang for the prize and won in the contest. Won the fair prize in a contest with deep-toned Ariston his teacher. So they sipped off the wine from their beakers a moment in silence, Hesiod, Homer, the great Greek singers were sip- ping together There in Chios the wine that is good for the Gods and us mortals. Good for libations to Gods and a slaking of thirst unto mortals. 144: HOMER IN CIIIOS. boon they were done, for they loved, not the frenzy, but joy of the wine-god. "Dearest my daughter, where art thou? Come hither and lead me," said Homer. But he heard no response, so he called out again : Praxilla! What is the matter? where is the maiden? Gone on an errand ? No, she was looking just then in a dream from a nook of her arbor, Whence she could gaze on the fair-haired, blue- eyed youth of the Northland, Wondering what she would do if she weut to the folk of the icefields. Of a sudden she woke from her wonder and sprang to her father, Speaking mid blushes : *'I was not gone, behold, I am present." But the flashes of red spake louder that what she had spoken. Truer than words in telling the truth of the heart that is hidden. Then they passed from the house for a stroll mid the trees and the vineyard, All together they went — the youths, the guests and the maiden. Shady t ho roof overhead of the loaves and the twigs and the tendrds. THE SINGER OF ASCBA. 145 Leaves of the olive with silvery sparkle in sun- beams of Chios, Tendrils of grapevines that clasped the twigs in tender embraces, Hintino; of love in a bower to hearts that are young, and to old ones. Hesiod saw with delight the beautiful daughter of Homer, Every seam of his face was illumed with the torches of Eros, Fled are the monsters aforetime, ended the battle of Titans, And the wormwood of words is turning to sweet- ness of honey ; Glances he cast on the maiden and coined them to lines of a poet. Singer of Ascra, thou hast forgotten thy tale of Pandora ! Also Typtodes beheld in a joy the daughter of Homer, For the pedagogue too was a man, though dry in his learning. Dry the vast heap of his learning, but it would make a great bonfire, If but one little spark would snap from the flamelet of Eros, Fall on the ponderous pile and suddenly set it to blazing. m 146 HOMEE IN CHIOS. O Typtodes, pedagogue Chian, what arc these flashes ! Thou hast forgotten thy letters, forgotten the symbols Phcenician. So thc}^ walked and they talked till they came to the view of the waters, Wondering came they at once to the side of the sea everlasting Rolling its waves from beyond and beyond, far over the vision. Over the tremulous line where heaven and earth run together, Where the God may be seen as he comes and de- parts from the mortal. Nearest the billow that broke on the beach stood the maiden Praxilla, Just behind her with look o'er the sea stood youthful Hesperion. All of them gazed at the waves, and thought- fully dropped into silence, Seeming to peep far over the bound of the bend- ing horizon Into the realm beyond for a moment, and hear its low music. Feeling a gentle attunement of soul to the beat of the billows. Telling the pulse of the world that is coming, the world that is ooinof. THE SINGEIi OF ASCEA. 147 List to a voice ! a herald is hurrying out of the city, Running along the white sand of the margin that gleamed in the sunshine; <' Hearken," he cried, " I announce the approach of the sovereign woman, Poetess come from the Lesbian isle to pay hom- age to Homer." " What ! a woman poetic !" broke out old Hesiod crabbed, With a twinge in his lips as if tasting his words that were wormwood. With a whirl of his fist as if fighting the Gods like a Titan : " What new evil is born to the suffering race of us mortals ! This last woman, methinks, is worse, far worse than the first one, With the gift of her verses she comes, far worse than Pandora." " Hater of woman!" quickly responded the daughter of Homer, Why are your Muses women, your own Heli- conian Muses ? Long I have known of you here, I have heard that tale of Pandora, Shameless ! you have in that tale besmirched the mother that bore you." 148 HOMEB IN CHIOS. Off slipped the poet of Ascra through a lone path by the sea-shore, Thinking to catch some vessel awaiting the breezes for Hellas, Eager to quit the sunshine of Chios for heavy Boeotia, Leaving the Gods of Olympus, to dwell once more with the Titans. Surly he sauntered along by himself till he passed out of vision. Hapless poet of Ascra, dismissed by the daugh- ter of Homer. Meanwhile the rest of the people went back from the sea to the garden, Where they sat down on the stones which were scats for the guests in a circle, Waiting to hear the first notes of the beautiful songstress of Lesbos, And with a festival high and a hymn to receive her with honor. vm. The Songstress of Lesbos. (149) ARGUMENT. The perso7i heralded is Sappho, a poetess of the island of Lesbos, and ancestress of the later more fa- mous tSappho. She had caught from Homer the spirit of song in her youth, and noio she comes to tell him her gratitude for what he had done. She thinks that Homer, through his story of Helen , had helped to save all women of Greece, herself included, from the fate of Helen. She crowns Homer with a garland for his other pictures of noble women, those found in the Odyssey. At this point the daughter of Homer steps fonvard and asks Sappho concerning a secret. Hesperion, who has listened to the songstress arid lias heard her songs before, comes for- ward and asks a similar question. The restdt is, the two lovers are brought together through Sappho, the p)oetess of love. But they are suddenly separated by the learning sound of a trumpet. (150) Who could it be that had come from the neighboring island of Lesbos, Lovely island of love, and the home of the lyre of Hellas? It was Sappho, beautiful Sappho, poetess tender, Singing ancestress of many a Sappho still greater than she was, Sister own of the Muses, the sister too of the Graces, Breathing the heart of her sex into strains of the sweetest of music, Bearino- the beautiful name to be borne by Ium- children hereafter, Sappho, melodious Sappho, first name of the songstress of Hellas. (151) 152 HOMEli IN CHIOS. Many a Lesbian woman she gave of her musical dower, Tunefully sharing the gift of her song to the soul 'that might need it, All of them singing of love with the joy, the triumph, the sorrow. Tasting the magical drop which wings with a word the sweet senses — Lesbian bees that lit on each beautiful flower of nature, Busily culling in song the bitter-sweet honey of passion. Sappho already had sung for the prize in a contest with Homer, Years agone that was, when she was the bloom of a morning, But when he was a noonday turning and looking to sundown. Both of them sang before judges — the prize was a new-made tripod, Fashioned to life by Chalcon with dexterous strokes of the hammer, That it seemed ready to step and to walk while standing forever. High and mighty the judges taken from lords of the islands. And from rulers of cities on mainland, all of them greybeards ; Rigid and just they were deemed in settling dis- putes of the people. THE ISONUSTRESS OF LESBOS. 153 Rigid and just were the judges, and still she had won before singing. See but the gleam of her eye, no furrow of frost can resist it ! Every heart she had won by her look, and away went the tripod; She herself was the song that sang more sweetly than Homer, Love and beauty were hers while singing of love and of beauty. She was the prize herself, the prize of the Gods to the winner. No true Greek could ever behold her, not hoping possession. So the tripod she easily won from the first of the poets. By the decree of the judges, whose law she took in her triumph, Took too the hearts of the greybeards along, and they could not help it ; Homer himself in their place had not given another decision. Homer had turned against Homer, had he been one of the judges. But to-day she harbored no thought to tell of that triumph, Rather ashamed she was, for she knew the power that gave it. 154 HOMEll IN CHIOS. Years had brouo-ht to her life the orolden return O O of their harvest, Still not chilliuo; the warmth and the glow of the Lesl^ian summer. Not too young in her folly, not too old in her wisdom, Almost repentant her spirit looked out on the world from its windows, Casting its glances adown as if it had a con- fession. Stately she moved, yet modest, into the presence of Homer; Courteous welcome he gave to the songstress, when she began speaking. Not in her own soft cadence, but tuned to the sweep of his measures: "Thee, O fatherly singer, I come to visit in Chios, Chios, thy beautiful island, fair sister it is to my Lesbos ; I would behold thee once more in the living form of thy features, Ere thou pass to Elysian fields, last home of the poets. Who shall dwell as spirits beyond in the house of their genius, House of high fantasy built, material stronger than granite. THE SONGSTRESS OF LESBOS. 155 Holding eternal the echo of musical strains of the singer. There among thine own Heroes, there abiding forever, Thou the Hero shalt bethysclf — in the deed the first Hero ; For of all thy great people of song, thou sing- ing art greatest, Sinking high actions of men thine action itself is the highest. There I too, a poet mid happy Elysian meadows, Hope in the sound of thy song with thee to he living immortal. But to-day I have come once more in the sun- shine to listen, I would hear thee again this side of the pitiless earth-stream. And would speak thee a word — not to thee but to me it is needful, Brinsins thy soul nearer mine — the word of sweet recognition." " Aye, it is sweet, that word," interrupted the poet good-humored, *' Even to age it is sweet, for myself I do not deny it ; More I would hear of thy strain, so deftly thou turnest thy measures." Seeing herself reflected in Homer, the song- stress continued : 156 HOMER IN CHIOS. " Long ago I first heard thee attune the high lay in my Lesbos, I was a girl in my home, and thou wert a wan- dering minstrel. Who went singing through Hellas the wrath of the Hero Achilles, Singing the fateful, dolorous tale of the beautiful woman. Wandering, singing, and tuning thy song to the hearts of the Hellenes. Helpful thou spakest to me in the bloom and the peril of girlhood, ^ Mighty thy voice in my heart just then in the struggle of woman ; At thy command my soul was set free and broke forth into measures. Irresistible measures of long-ino; in Lesbian music. Secretly sang I my earliest notes to a circle of maidens. Who would listen and love along with the tender vibrations. Singing the stiaius of the song and touching the strings of the cithern. That was after I heard thee hymning the story of Helen, How she was blmded and sank in the spell of sweet Aphrodite, Though the Goddess she fought and rated with heavy reproaches ; THE SONGSTBESS OF LESBOS. 157 How by Paris of Troy she then was led from her husband, Going, unwilling to go, and yielding though always refusing, Driving the Trojan away, yet drawing him back by denial, No was the word of her tongue, but Yes the response of her action." Here she stopped for a moment and looked abashed at her daring, Thought unspoken when born into speech has in it a demon. Who oft leaps from the sound of the word and frightens the speaker, Till the courage returns to speak out the heart of the matter. Poetess was the Lesbian, having the right to her color. Having the duty to utter the truth of herself in her singing; Warm were the tones and strong were the tints of the thoughts that she painted ; Though her words seemed growing forbidden, courageous began she : "Must I confess it? Helen I felt in myself at that moment ! All of the bliss and the blight of her love swept over my heart strings. 158 HOMEB IN CHIOS. Touching them lightly at first, then smiting them harder and harder, As if I were a lyre by lingers of Fates to be played on, Thrilling to music the ebb and the flow of the ocean within me, Making the billowy passion sing to a measure responsive ! Willing unwilling, fated yet free, to myself but a battle ! Yes, I confess, the Goddess I felt, the Goddess resistless. Driving me forward to do as did the beautiful woman. Whispering dulcet commands in words of divin- ity's power. Yet Aphrodite but spoke to what was within me already, Willing, unwilling, fated yet free — ye Gods, how she smote me ! Till through the cleft of my heart I could see down, down to its bottom! With the prize of the fairest, the penalty too has been given. With the beautiful women is chained the spite of a Fury, Who doth secretl}^ lurk in the gift of the Gods to the mortal. But I stand not alone, for all I now stand in thy presence : THE SONGSTRESS OF LESBOS. 159 Every wife in Lesbos, in Chios, in all the Greek islands, And on mainland too, through Hellas, through midland of Argos, Far in the isles of the West and over the sea to the sundown, Has that danger of Helen, the lapse of the soul in its loving, With the vengeance that follows the joy and the glory of beauty. In thy story a witness I was of all that I might be, Saw the dread ghost of myself and fled from the horrible specter ! Homer, my father, thou hast saved me from be- ing a Helen, In thy song thou hast suffered and saved all men and all women Winning thy soul to themselves in its story of trial and rescue. I had been taken to Troy, if thy word had never been spoken. All the daughters of Greece tiiou hast rescued from fleeing with Paris, Though his city has fallen, again he had come to Achsea, Were it not that thy song keeps the warning alive and the judgment. Tro}' still stands in the world and holds in its citadel Helen, 160 H03IEB IN CHIOS. Only in song, thy song, is it taken forever, O Homer." There she stopped on the height of her thought, the Lesbian songstress, Whence she could see far over the sky-bound limit of Hellas ; Soon in sweet low tones responded the poet prophetic : "Gracious words thou hast spoken and dear to me, beautiful woman; Singing the peril of beauty in soft, warm words of thy measures ; Muse among Muses the tenth for thy strain hence- forth I shall name thee, Aye, for thy love the tenth Muse I shall name thee to nations hereafter. Who thy honor will sing beyond the far streams of the Ocean, First of the women of Hellas to build the melo- dious poem, Chastely chanting thy lay to the wives and maid- ens of Lesbos. Thou wilt be followed by thousands of songsters along down the ages. Thine is the musical prelude of forests of night- ingales singing. Women preserve the story and song as they nourish their infants, TEE SONGSTRESS OF LESBOS. 161 Who must be reared on the voice as well as the milk of the mother; Nature makes her sing, she must die or sing to her baby ; Motherly harmony is her first gift to her child, and the greatest. What a world I see rising before me, the world of the woman ! Beautiful Helen again shall be sung, aye, more, she shall sing too, Taking herself Troy town, not conquered but conquering Paris; She shall be the new Hero Achilles, in action heroic, Gods ! as I see I must speak ! she also shall be the new Homer." Down fell the word like a blow, surprising even the speaker, Who by the spur prophetic was driven beyond his own knowledge ; But on the spot she snatched up the talk, that Lesbian songstress. For she still had a weight on her heart to be lifted by s})eaking: " How we look at ourselves in thy tale of the beautiful woman ! Our warm heart thou hast felt, its ready response and the peril. 11 162 HOMEB IN CHIOS. All our circle is drawn, the trial, the fall and the sorrow, Then the return of the soul, the rise and the grand restoration ; Helen estranged is restored to her own, restored to herself too. In her marvelous tale I can see the past and the future. All the life of our people unfold to the story of Helhis. But still more than Hellas I watch in the lines of her image : — This whole round of existence on earth, hard destiny human, With the rise and the drop in the struggle of good and of evil. Now on the up and now on the down of the life- stroke eternal, Measuring cycles of pain and of gain to the beat of the master." Jlere she ■ stopped for a moment, lost in the reach of her thinking, Which ran over the bounds of her speech in the stress of her spirit; Soon again she came back to herself and spoke Greek unto Homer : "Not alone the rise from the fall, thy beautiful Helen, THE SONGSTRESS OF LESBOS. 163 But the woman unfallen is also thy gift to us womcu — She who never could lapse from herself in trial the sorest. Now let me crown thy brow with this wreath for Penelope faithful, For Arete, the mother, who dwells in the heart of her household, For Nausicaa too, the maid of all maidens for- ever. Take this gift from thy children, thou art the father of Hellas ! Which has been born to thy song and trained to tlie step of thy music, Which will go singing thy strains down Time, in joy and in sorrow. With the echo repeating itself in all nations, O Homer." Thus spake Sappho, the soft-speaking Sappho, sweet Lesbian songstress, Graceful she stepped, and loving she laid on his temples the garland, Plucked by lier hand and wove to a crown of the leaves of the laurel. Echoing shouts of approval rang back from the hills and the sea-shore, Even the wavelets, trying to walk, had come up to the bank-side. 164 HOMEB IN CHIOS. Trying to talk had murmured afar their billowy answer. Sweetly the rhythm she spoke, her spirit had caught it from Homer, And the heroic hexameter yielded to lips of a woman, Tamed by her gentle caress into lines of mel- lifluous movement, Tliough it was used to the clangor and clash of the onset of battle. Now the poet has heard in tenderest tones of the songstress. Touched with Lesbian tints, the tune of his own mighty measure Softened quite to the whisper of love in its deli- cate cadence, Sung in praise of himself for singing the praises of woman. Showing her highest worth, not sparing her blame- ful in error. Fairest reward of the bard, when he harks to the heart of his verses Beating out of a bosom that throbs in a joy to his music. Flowing from lips that he loves, like a soft suc- cession of kisses. But behold ! another fair woman steps up to the front-line. THE SONGSTRESS OF LESBOS. '^^^ Forward she moves to lliat presence, it is the daughter of Homer, Who in a gleam of her sunshine embraces the songstress of Lesbos, And then speaks In low tones what her looks al- ready are telling: " Thou hast uttered the word of my heart to thy music, O Sappho, Word which often has beaten the wall of my lips for dclivrance, Always in vain, for left to myself I never can say it ; But in the warmth of thy speech I can feel the hot beat of my bosom. And that struggle of thine and of Helen's has sung me my battle. Deep is the joy of my soul, and yet I have with it a trembling, I have given myself all away, and yet I must keep me, Sweet is every moment of life, and yet it is bitter. What is this riddle of pleasure in pain and of pain in pleasure? Would I might fly from myself, and yet to my- self I would fly then. . Tell me the great surrender which will restore me my freedom, Speak it again, the magical word, the word of my weal now, 166 HOMEB IN CHIOS. Overmaking me wholly iu hopo of the time of my ransom. I would bathe in the stream of thy song as in waters of healing, At thy voice my fall heart which before had been closed, is open, Like the flower which bursts at the breath of the spring from its bud-coat, Still unwilling to show at first what is hid in its bosom." What does this mystery mean which lurks in the speech of the maiden? Not quite clear to herself is the meaning of what she has uttered ; Nearer the Lesbian songstress she drew, confid- ing in glances, , Then in a whisper she spake, the beautiful daugh- ter of Homer, Clinging to Sappho, soft-speaking Sappho, the helper of love-pain: " Tell me the story once more thou hast told so often already, I can hear it again from thy lips and never grow weary, I would hearken thy heart and live in the strains of its music; Sappho, O Sappho, what is this love of the youth and the maiden. THE SONQSTBESS OF LESBOS. 1G7 Which thou singest in hundreds of songs to the s6norous cithern?" Scarce had ended the speech when both were aware of another Who had entered their thought and stood by himself in their presence; Both looked hastily up, it was the fair youth of the Northland Ready to speak, and his glances held the two women asunder, Since the one of them blushed, and the other drew back in amazement; Warm was his accent, though neither Ionic, ^olic, nor Doric; Well he could say what he wanted and spake to the Lesbian songstress : " Thou hast uttered the word of my heart to thy music, O Sappho; I a stranger am here from afar, from the realm of the fiost-gods, Thy warm breath I have felt as it wafted in words from thy poems, All the winter within me has melted, and I am the summer. Tender summer of Hellas attuned to tlie lyre of Lesbos. All the ice of the North to-day thou hast thawed from my bosom. 168 HO 31 Eli IN CIIIOIS, As thou toldest thy tale in the tale of the beauti■^ fill woman; Helen I was myself, and I sank in the spell of her passion, But I was also her spouse, to Troy I would march for my Helen; Aye, the Greek I must win, or myself I shall lose forever." Here he stopped for a sigh, then passed to an undertone softly : " What is this fearful joy, and yet an agony with it Which allows no rest in the pain that is born of its pleasure? Sweet is every moment of life, and yet it is bit- ter ; I had given myself all away, before I had known it; Tell me the cause of this hungering lingering lonoiiig for something — CO ~ Sappho, O Sappho, what is this love of the youth and maiden, Which thou singest in hundreds of songs to the sonorous cithern? " Smiling she touched the amorous chords with the tip of her finger. Softly preluding the tones which turned into words in her answer: THE SONOSTBESS OF LESBOS. 169 " Both of 3^011 have the same pain, and ])oth of you hnve the same pleasure, Both of jou sing the one song which runs to the very same ending ; Even the words of your lips I notice are pairing together, Yes, young people, I think I can tell you concern- ing this matter, Old is the tale to the old, yet ever is new to the youthful. But to the poet it never can wear off the gleam of its freshness. Much in myself I have studied the cause and the cure of this trouble ; What in lono-ino; is sighino; asunder, the word brings together. Hear rae, then, both of you, daughter of Homer and son of the Northland : Two are still twain and in pain, who were born to be one and one only. Give me two hands — I shall join them to one in mine own at a heart-beat." Sappho set down her sonorous shell, to the pair she drew nearer, Till between them she stood and secretly reached out on both sides. Took two hands in her own and l.iid them willins: together. 170 HOMER IK CHIOS. Wliicli of themselves, with a grip like Fate, were cLisped in a promise, While the eyes at each other shot fiery ratifica- tion. Meantime the songstress was chanting a lay of the doings of Eros, Singing for others she sang to relieve her own heart of its travail. For the old wound, broken open, could only be stanched by the love-song. Hark! the sound of a trumpet rolls over the hills in the distance ! What can it mean, interrupting this moment of y^y hy a startle? There ! once more it is rolling, it sends on its waves a light shudder. Each let go the firm grip of the hand iu the shock of the warning. But the daughter has gone and whispered aside to her father ; What did she say to him there as she leaned to his ear with her blushes? Joyful he was at the word and louder he spoke than a whisper : "Happy I am — I have it foreseen — let me pledge you together ; Sorrowful too — ye both have to leave me be- hind — leave Hellas : THE SONGSTBESS OF LESBOS. 171 Still I feel you will take me along to the land of the future, Aje, you will take our Hellas along and preserve it forever." Louder, nearer, sterner, resounded the blast of the trumpet, Bearing command it seemed and bidding to wait for the message ; Still no person appeared, but a ruler was surely behind it, For authority spoke unworded in tones of the trumpet, Strangely attuned to the roll of the thunder, the voice of the Heavens. In response to the note of forewarning spake Homer prophetic: " Nay, not yet, not yet — the tie is not yet to be fastened. First this flame must be curbed and subdued to the oracle coming, Else it will burn down the world, like Troy, in a grand conflagration; No more Helens — one Helen is surely enough for all ages — Bravely renounce the sweet thought, and prove yourselves worthy, renouncing; Bravely renounce and renounce till the law hath declared its fulfillment." 172 IIOMKJt IN CHIOS. Loiulor roHpondod to Homer ilio bl:ist of llic ominous trumpcj;, Louder, nearer it rolled and mingled its souml with his scntcncG. As if civiniT tho stren}ji;th of its stroke to the DO o words of tho poet, Who still addcul l)is warning- to soids that might bo impatient: <♦ Something else is announced, the ])est is lo wait for the message; It is near — tho tramp can be heard — now wait for the message." IX. The Psalmist of Israel. (173) ARGUMENT. ■ David, King of Israel, conies to visit Homer, having heard the songs of the Greek poet sung by Mesander, born in Cyprus, a Hellene and a representative of his race, the Hellenes (^pronounced as tivo syllables) among Semi- tic peoples — Phcenicians and Hebrews. The two great poets sing for each other, and in their songs they give the Greek and the Hebrew views of the world. The po- ems of Homer and the psalms of David have just been written in the neio alj)habet of Phoenician letters; Typ- todes and Afesander have copies of the two works. David and Homer sing several times, each recognizes the greatness and worth of the other. They become warm friends, as from Chios they look out upon the future to the westivard. Hesperian and Praxilla are betrothed, and King David stays to take part in celebrating the marriage on the morrow. (174) Suddenly after the sound of the trumpet that rolled from the mountain Followed a wave of deep voices of song that swayed to the sea-swell, Choirini; in tune to the strings of the harp and the tones of the timbrel, Mid the clash of the cymbals and drum, and the clangor of cornets. Loudly preluding new strains to be joined to the music of Hellas, First to-day, where rises melodious Chios in billows, Chios, the beautiful island, whose eye is the gar- den of Homer. Slowly a caravan wound through sinuous turns of the mountain, (175) 176 HOMER IN CHIOS. Shone as it rolled into vision out of the azure horizon ; Over the hilltops it heaved, it seemed to be hung from the heavens ! Gaily it glistened afar with the gleam of its gold and its purple ; Precious stones of the East, the onyx, the opal, the diamond. Peeped with a thousand eyes from the front of the column advancing. Peeped and sparkled and shot in a dance with the sunbeams of Chios. *' What high pomp of a monarch is that and where is he going ? ' ' Each one asked of his neighbor, who gave no re- sponse to the question, For he knew nothing to say, but stood and gazed in his wonder. Statelier moved the procession while nearer it came, still nearer, Till it had reached to the door where inside was sitting Homerus, Sitting not far from the hearth by the altar he made for the Muses, With his soul in a song he sat there and heard what was coming. Royally rode forth a man, dismounted and stood at the entrance, THE PS.iLMISr OF ISRAEL. 177 All the radiant train of his followers with him dismounted ; What a spangle of gems and twinkle of jewels like starlio;ht I Dark was the eye and crispy the hair and l)ro\vn the complexion, Strong was the curve of the nose of the King, like the beak of an eagle, As it darts from its fastness of rock on the cow- ering rabbit. Yet how soft lay his lip underneath the tierce hook of the nostrils As if nought but compassion he knew, and could utter love only ! Merciful downward to earth and prayerful up- ward to heaven Ran his glances, while under them glowed the tire of his daring. In a lofty obeisance he raised up finger to fore- head. Jeweled lightnings leaped from his hand to the eyes of beholders, Making them blink in the flash, and answer the sport of the sparkles. Then he murmured low tones of a something in syllables foreign, To the man who stood at his side, and who seemed to be waiting, Eager to let the fountain of speech gush u[) to the sunlight. 13 178 HOMER IN CHIOS. That was a different man from the rest of the men of the Monarch; Not the same turn of the features he had, and not the same stature ; He was named Mesander — the versatile, clear- toned Mesander, Kuower of speech, reconciler of men, interpreter famous, He was the tono;ue of the King who bade him tell of the journey. Hark! he is speaking, now list to his voice! his words are Hellenic ! Thus he spoke in the rhythm and speech familiar to Homer: " Hail to thee, poet, thou song of the West, and also its prophet! Humbly we pray thee to give us to-day a glimpse of thy treasures. And of our own we gladly shall grant whdt we can in requital. This high Monarch has heard thy strains in the home of his people, Over the roar of the seas, beyond Phoenician Sidon, Where dwells Israel's seed in the holy land of Judea. In his palace he listened with pain to the sorrows of Priam, Deeply forefeeling in Troy and its fall the fate of liis city, THE PSALMIST OF ISRAEL. 179 Sacred Jerusalem, set on a hill by good Abraham's children. Also he followed in hope the devious path of Ulysses, In whose return he beheld the return of his peo- ple from bondage, When they fled through the sea and the wilderness drear out of Egypt. High beat the wish in his heart and rose to a longing resistless, Thee to behold, the singer of Hellas — he too is a singer — Ere the dark Fates of Death shall clutch thee and hale thee to Hades. He has stepped down from his throne to pay thee a visit of honor. Leaving his own far away, he has come to the country of Javan , Turning the point of his law, which keeps him aloof from the stranger. Greatest of musical Hellenes, thou, the voice of the Muses Singing forever down time and making thy lan- guage eternal, Homer, before thee stands Israel's sovereign, singer, King David." Such were the words of Mesander, the em- bassy's eloquent spokesman, He in Cyprus was born, and long he had lived with Phoenicians, 180 HOMEE IN CHIOS. Learning their maiuicrs and speech, when he came as sailor to Sidon ; Also lie traded with Tyre, when Hiram was king of the country, Hiram, the King of rich Tyre, the friend and ally of David. Skillful in talking the tongues, Mesander had seen many nations. Noting the merits of each, he spoke the language of concord, Artful in dealing with men, he wns often chosen as envoy. Wandering over the world, as interpreter came ho to Jewry, Even a poet he was and doubly was dear to King David. But he remained a good Greek, although he was born on the border, Quite on the line where Shem and Japhet have fought for dominion All throuo;h the a^os, and minii:;led in battle the blood of their children. Greek though he was, Mesander partook of them both in his S[)irit, Sought to keep peace between the combative souls of the brothers, Soua;ht to midie each understand tlie greatness and worth of the other. Deftly uniting the East and the West in the truth that is common. TUE PSALMIST OF ISRAEL. 181 Good was the Greek and yet he was vahi, the showy Mesandcr Called by the envious Hebrew, although beloved by King David ; Vain of his gift he was, of his gift in the tonanies and in song too. How he would strut when he made a good speech, or perchance a good ver.selet ! He could put on more airs than David and Homer together. When Mesander had spoken, the King looked around for a moment ; Lo ! he is stopped in his look, he is caught in the glance of fair Sappho, Tranced by her face and her figure he cried : " What a beautiful: woman ! How would she like to appear in my palace, a daughter of Israel, Aye, a wife to the King, and a light of Greek beauty to Hebrews! " Sappho looked on the ground, she knew the lan- guage of glances, Sappho knew the language of love, even when it is silent, Though she did not understand the Hebrew, the language of David, And Mesander kept still, for he honored the Les- bian songstress. 182 HOMER IN CHIOS. Then to the words of Israel's Monarch re- sponded Homerus, " Welcome, O friend, to the isles of the sea, to . the land of fair Hellas, Enter my garden and home, to me thou shalt be as a brother ! Thy great name I have heard, it was borne from the realm of Phoenicians, By the Tyrian princes who trade in their ships with Greek merchants. Sweet though faint is the shred of thy song in the land of Achseans, Floating over the sea from the East to the tune of the sunrise. How I have longed to list to yowv Muses, so lofty, so holy ! Now the moment has come ere I pass into pitiless Hades ; Oft in my heart I have felt you had something I had not, but needed. Strike the harp ! sing the song ! one burst of your heavenly music ! And of 3'our God I would know through melo- dious lips of his servant, For we all have need of the God, be he one, be he many. Dwelling in man and the world, over Hellas en- throned or Judea. Tell me the story of trials I heard concerning your people. THE PSAL3IIST OF ISRAEL. 183 As from bondage it fled with its God from the land of the Nile-stream ; That, niethinks, is the story of man, to be tokl him forever. Oft repeating itself in his life and the life of the nations. We the Greeks have also divinely been put under training, Throuofh sore trial our Gods have tested the love of their people, Tested onr mettle Hellenic to do the grand task of the ages ; Over to Troy we went and we fought ten years for our heirshii), Asia we had to assail that we save our beautiful Helen." Then the dark king of the East laid off his gar- ments of purple. And a golden harp he took from the hand of its holder, Harp of ten strings to which he chanted the praise of Jehovah. Also his voice he essayed in a caroling upward and downward; Sweet were the tones which he rapi "Happiest nation of nations I sing, whose God is Jehovah; Blessed forever and ever the people whom He hath chosen. Looking down from the heavens the children of men He beholdeth, Israel's children He loves, but His law is the law of the nations. Praise Him, my soul, the one holy God, He is the Almighty; Praise Him, the King of the Kings, the Monarch of earth and of heaven, Whose thoughts are a great deep, and His right- eousness like a great mountain; Trust in the Lord and do good, for He laughs at the cunning of evil, Its keen sword, when drawn against Him, shall pierce its own bosom. He is the law of the world, which to men He has mightily given, THE rSALMIST OF I SUAE L. 185 He is the law of the world, and He is also the judgment. List to His voice as it speaketh aloud in the roll of the thunder, See Him fold up the sea in His hand like a gar- ment of waters, Hark how the cedars of Lebanon crash in the breath of His anger ! Hark to His law, ye nations: No other God is before me." In the might of his mood sang the King high strains of his language. Which Mesander the spokesman turned to the speech of Homerus; To the hexameter's swing he broke the wild cadence of Hebrew, Tuning Israel's heavenly flight to the tread of a heathen, Training in bounds of Greek measure the sweep of divine aspiration. Oft he had done so before, and now he would peep in a scroll there. Made of a papery rind of Egyptian reeds from the Nile fens, Which he held in his hand, scratched over and over with scribblings, Curious mystical signs which seemed to whisper in secret, 186 HOMER IN CHIOS. Only by him understood was the talk of tliose signs and their meaning, Still their voice was not heard, for they talked in a flash to his eyesight. But at last he raised up his eyes and folded his writing, And in a glow he spoke, that Grecian of Cyprus, to Homer : " Give him the roar of thy seas, as they rise like learian billows. Give him the swell of thy heart as it heaves in the height of the battle. Give him the roll of thy measures in waves of the blue Hellespontus ; O Mffionides, sing him thy Zeus, the God of the Hellenes, Father whose children are Gods who come with their help to us mortals. Sands of the desert below, and glories of Heaven above us He has sung — now give him thy concord of man and the world here, Give him thy concert of Earth and Olympus, divine and the human, And for thee I shall do what for him I have done — translate thee." Softly Homer began with a prayer that fell into measures: THE rSAL3IIST OF ISIiAEL. 187 *'Zeus, high father of Gods and of men, Olym- pian father ! Son thyself of old Cronus, consumer of all of his children, Thou has escaped from his maw and dethroned thy pitiless parent. Who would be all to himself in the world, with- out even ofFs])ring. Hear me, O Zeus, mo the mortal, but loving thy worship and order ! Not by thyself dost thou rule from the top of snowy Olympus, Highest of all thy gifts thou dost share unto others — thy godhood. Many divinities sit in a circle majestic around thee, Gods and goddesses too are thy sons and thy beautiful daughters, Whom thou hast raised to thy heights and with thee hast made to be rulers, Rulino; the air and the earth and even the under- world sunless. Ruling the man in his deed and also his inner- most spirit. Still thou art ever the first among many, in mind and in power. And in authority over the Gods thou art surely the sovereign. Let any deify dare to question thy might for a moment, 188 HOMEli IN CHIOS. Down to black Tartarus whirls lie to sit with the hopeless Titans." Skillful Mesander now did his best to turn this to Hebrew, Toning a word here and there to suit the fine car of King David, Fitting to music the thought, as it flowed from the heart of the singer; But in spite of his skill, the translation ran rough in hard places. Free Greek speech would not always dance to the tune of Semitic, Homer's hexameters broke in the back at the gait of the psalm-song, And the Monarch would scowl when he heard of the Gods in the plural. Yet he would smile to himself at the noise about beautiful Helen, For the God of the King must be one, though his wives may be many; Gods of the Greek may be many, his wife is the one, the one only, Whom to save he is ready to fight ten years with the Orient. Sly Typtodes had slipped up behind and peeped into the papers Which the interpreter held in his hand when his reading had ended ; THE PSALMIST OF ISRAEL. 189 Theubegauto adtlrcss him in whispers the peda- gogue prying: " What is that script wliich I see, that strange miraculous scribbling? Have you too the mystical writ of symbols Phoenician ? Mighty it will be forever, preserving both David and Homer, Rescued f i-om sounds of the voice and fixed into si^ns for the vision. And the schoolmaster now will have work in each now generation, Teaching the name and the shape and the sound of the wonderful letters. Till they together be put into words, the holders of all things. Then the pupil will spell out the deed and the thought of aforetime. Spurred by the sprig of the laurel held in the hand of the teacher. That I call progress, that is the march of man- kind to the better ! Nor will it stop till every youth in the land knows the letters. Every youth in the world must know the Phoe- nicians symbols." Ere Typtodes had done, strong currents had drowned out his whisper, 190 HOMEIt IN CHIOS. Strong loud currents of song that rose from the throat of the singer, Overflowing all bounds of the sea when the tide runs the highest, And it came from the fathomless heart of Israel's psalmist : "Praised be Jehovah, in Him is our trust, the God of our Fathers, From everlasting to evcrlastino; He is the ruler ! In the land of Egypt we toiled and we wept in our sorrow, Slaves were Jacob's children, but they were never forgotten. From the slime of the Nile we fled to the shore of the Red Sea, Always we saw a great hand reach out of the cloud round about us, Smiting the chains of our bondage and pointing the way of our rescue. Through the walls of the waters we crossed dry- shod on the bottom, Long in the wilderness forward and backward in trial we wandered, Till we returned to our home, the primitive home of our Fathei'S, Bearing the law in our hearts, which was given in thunders at Sinai. Sing, O my soul, the high song, the return to the land of our promise, THE PSALMIST OF ISRAEL. 191 Sing it for me and for mine, and for wandering millions hereafter, Millions on millions unborn, the countless sons of the future." As he ended he turned to Hesperion, child of the Northland, Into whose shadowy semblance he peered in a wonder while singing. For that youth had the face among faces which look at the speaker, Drawing him always secretly back to the spell of its gazes, Back to itself it draws him, unconscious of magical power. Showing him dreamlike glimpses of something afar that is coming. Thus the youth of the North attracted the look of King David, Who seemed glancing into futurity throned in that visage. Far-off futurity throned in the visage of dreamful Hesperion, As he stood there beside the beautiful daughter of Homer, Who all the future had read in the soft blue eyes of the stranger. Dreamful Hesperion, lately arrived from the snows of the Northland. 192 HOMEE IN CHIOS. * Soon the poet of Hellas began once more full of fervor, Gently attuning his note somewhat to the music of David : " Singor, thou art of the East, but thy strain belongs to the West too, In it I hear the same voice that to me is the voice of the Muses, By whose help I also have sung the return of my people. That was the sad return of the haughty victori- ous Argives, Coming from Troy in their ships to their homes on island and mainland; Many were lost through wrath of the Gods, but the faithful were rescued, Though the path was doubtful and long that lay on the waters. Lately I finished the tale which tells the return of Ulysses, Who on the passionate sea had to wander with foolish companions; Much he endured in his heart, and much he doubted in spirit, Till he came back to his Ithacan home, to Pene- lope prudent, Where in peace he dwelt till the Fates had spun out his life-thread. Great the return of Israel, hymning itself in all peoples, THE FSALMIST OF ISliAEL. I'Jo Great the return of Achaea, which also will not be forgotten. Different may be our speech, but one at last is the meaning, Different may be our blood, but it all responds to one heart-beat. Different may be our Gods, but the Man is the same in us both here." Spoken the winged word, uprose divinely Homerus, Reaching out with his fingers, he felt for the hand of King David, Trip-hammer strokes of his heart beating time to the voice of the Muses: " Mortals may blame the Gods for their ill, but it is their own folly. Through themselves they must perish, ere Gods are able to smite them, Ate is sent for by man, else even the Gods could not send her. What through man the divinities do, is also his doing. His is the deed, though the world is divine in which he can do it. But the one deity truly is thine, the God of the ages, All shall pass away, but He abideth forever, ileii- my prophecy, hear it and weigh it, con- cerning two poets 194 HOMER IN CHIOS. Standino; in Chios and lookin2i; afar on the worlds in the sunset; One shall lift up the soul from below to the pres- ence immortal, And Avill quicken the heart to worship, unseen, the Eternal; But the other will show the trial and triumph of Heroes, Singing into his strains the homage undying of beauty. Both as brothers shall go down the echoing hall of the ages. Echoing double one voice from the heart of Greece and Judea. Two are the aisles in the temple of song, Hellenic, Hebraic, One is the harmony under them both, the har- mony human. Tuning to musical life the Man and the God in their struofgle." Slowly the poet of Hellas drew back to his seat in the settle, But his mind ran on in its might, though his body was Aveary, And he continued: "One thing more my si)irit must tell thee, Hear now my prayer, O David, and call it the prayer of Homer : THE PSALMIST OF ISRAEL. 195 May the sou ever be a uiuch .better man than his father!" At the thought he suddenly turned and seemed to be looking, Though he was blind, he seemed to be lookino; and prying about him : *' But I forget ! I have a new pupil, where is he? Hesperion ? Where is Hesperion, dreamful youth of the neb- ulous Northland ? And I forget too my daughter, where is she? Praxilla? Praxilla? Surely to-day she is roaming, my daughter, my sunny Praxilla ! " In a moment the crowd was moving and turnino; and looking. All would peep at the pair whom the poet had coupled together ; What he had joined in his words, they surmised he had joined in his thoughts too, Every boy in the school surmised what was going to ha})peu, Every boy in the school blushed red as if he were guilty, Guilty of hiding away in his heart an arrow of Eros, Which had pricked him with jealousy's pang, though slyly secreted. 196 HOMER IN CHIOS. First he peeped for bis rival, but found no reward for his peej^ing, Saw no Hesperion, dreamful youth of the neb- ulous Northland, Then he would speak in low tones to his neigh- bor, who had to make answer; Each was disguising the timorous thought that trembled within him, Each was telling it too just through his careful disguises ; Soon the whole school was a whisper, asking : Where is Praxilla? Soon the whole school was a whisper, replying. Where is Hesperion ? Crabbed Typtodes, the schoolmaster, still was present and looking, But he nowhere saw what he looked for, the daughter of Homer, Whom he too would see and would sue in spite of his wrinkles ; Teaching the verses of Homer, he weened he could teach the fair daughter. Writing Phoenician letters, he thought he would write her a poem. Vain is the effort, to-day he is wearied and worried with waiting ; In his sandals he shuffles along to the side of Mesander, THE PSAL31IST OF ISBAEL. 197 Whom he somehow thinks to be kin to himself in the spirit ; Him he bespeaks on a point quite aloof from the way of the lover: *' Long you have dwelt in Phoenicia, you say, and know all its learning; Have you the songs set down in the signs of strange Alpha-Beta, Cunning symbols of speech, that fix the fleet breath of the singer?" "Yes," responded with joy the dexterous spokesman Mesander, " All have been set down in signs so that we can hear them forever Only by seeing them, look, the cunning Phoeni- cian symbols ! Thousands of years from now, yea, millions on millions of ages. Men will have but to look on these signs and will hear King David, Magical signs of the word, which make the good poem eternal. I have all of his songs scratched down on the folds of this scroll here." Lowering still his tone, Typtodes spoke to INIe- sander, Confidentially bending his head more near while speaking : 11>8 HOMEB IN CHIOS. " I have noted it well ; while you talked, I peeped over your shoulder. But I must tell you a secret, which nobody knows of in Chios — Long I have wrought to set down in these signs the poems of Homer; What a task it has been — the burning by drops of my heart's blood! It' is done, but yesterday done, and to-day I have brought it, Hid in my bosom; toilsome the work but I felt it was worthy, Thouo;h I find fault with the failins-s of Homer and slash him to fragments; See ! I have poured out my life into writ, here it is, O Mesander — One small roll out of many, the rest I shall fetch from the school-house. One short day out of many, all which have sunk into Lethe." *' Surely no idler thou art," said the Greek from the island of Cyprus, And thou movest along with the world, the schoolmaster moves too. Spirit needeth the letter, the letter too needeth the spirit. Homer will last, but the pedagogue Chian will not be forgotten. Who was the first to put into script the song of the poet, THE r SAL MI ST OF ISRAEL. VM) Making him sing forever in spite of the Fates, the grim spinners." Both of the men had still something to say on the matter of letters. But they suddenly stopped when they heard the voice of the poet Not now chanting a musical strain to the Gods and the Heroes, But impatiently calling aloud, '*Hesperion! Praxilla!" Twice he repeated, "Where is Hesperion ! Where is my daughter? " " Here I am on this side," soon spake up the youth of the Northland, " Here I am on the other," responded the maiden Praxilla. Both of them spoke in their joy as they suddenly sprang from an arbor, Where they had hid from the crowd for a moment of sweet conversation, Words of the twain now blended toij-ether to tender est music, And their voice was wedded in love, preluding the marriage: " For thy blessing we come, thy blessing, O father Homerus." Then both kneeled at his side, brave youth and beautiful maiden. 200 HOMEB IN CHIOS. "Rapid work, my children, too rapid, and yet I confirm it ! Who can catch and turn back in its flight the arrow of Eros? Well I foresaw what was coming, I knew in advance the whole story. Did you think because I was blind, I never could see you? All the while I could see you doing just what I intended. But enough ! You have my approval, take now my blessing !" Laying each hand on a head, he rose up with them together. Standing between the twain, once more spoke the poet to David : *' Thee I beseech, O Monarch, yet greater than Monarch, a Singer, Stay with me here, for to-morrow is given in marriage my daughter ; Go to rest in my chamber and wake up renewed in the morning, Both of us then shall sins; too-ether the song of the wedding. Ere we send off the pair to the distant forests of Northland. Thou must give them thy God, the One, and his high adoration, I shall show them the Man, the beautiful Man in his freedom." X. Wixunm. The Marriage, (201) AEGUMEN'T. All come together in the morning for the ^vedaing fes- tival of Hesperian and Praxilla. The scholars have a choral dance in horior of the event; Glaucus and Dem- odocus confess their great disappointment. Sa2)2^ho chants for the pair her last measures of love and good wishes. Typtodes brings as his bridal gift the poems of Homer written in the new alphabet. Homer and David give to the pair their blessing arid with it their tivo books, which are to be borne to the neiu home, ivhither the happy couple noio set forth on their journey. (202) Up rose the Sun in his car and lit the Ionian heavens, Driving the timorous Dawn far over the sea to the westward, Seeming to mount to the sky in flames that burst from his glances For some joy that he felt and imparted to earth and to ocean. Like a bridegroom he rose and put on his gar- ments of splendor, Gold he was strewing wherever he looked on the land and the water. Warm was the thrill as he reached from afar with his radiant fingers, Earth awoke at the touch and sprang up respond- ing in music, (203) 204 HOMER IK CHIOS. Every creature was sir.ging, even still voices of nature Chanted the hymn of the Sun as he soared up the sky in the morning. Purple and scarlet and gold were his regal changes of raiment, Jewels he flung with his sheen in the lap of the beautiful island, Whicli peeped forth from the waves in a smile at the sport of the sunbeams, As from slumber it woke and lay on the bed of the billows. Chios he kissed in a rapture, as if his bride he were kissing, All the heart of the Sun was flowing to love and to marriage, glowed and h den of Homer. As he glowed and he glanced down into the gar- Both of the poets had risen from sleep, the Greek and the Hebrew, And were sitting together, in joy saluting the morning. Which from earth and from heaven returned the high salutation. "Beautiful is this world of Jehovah," shouted King David. " Praised be his name, for his law is the law which endureth forever." THE MABBIAGE. 205 " Beautiful is this world of the Gods," responded Homcrus, " Beautiful too is the man, divinely upbearing his freedom." Thus they continued their talk, which ran of itself into measure, All of their speech was a song, and each of them sang to the other. Two were the strains on the tongue, yet both reached down to one kej-'-note. Skillful Mesander translated the twain and added his comment. Soon they all had gathered together with David and Homer, Hearing the note of the East and the West in the words of the masters. Lovely Sappho was present, the soft-speaking songstress of Lesbos, But she was silent, for eagerly now she heard the new message. Heard the voice of the law as it fell from the lips of the psalmist. Though she felt that the singer himself was not free of its judgment. Still in her thought she did not upbraid him who rose after falling. Nor condemn what her own tender heart had told her was human. 206 HOMEB IN CHIOS. Shifty Typtodes, the pedagogue Chian, doth seem to be absent ; No, he is coming, yonder lie shuffles along in his sandals, He has set down the poems of Homer in symbols Phoenician, Though he won not the daughter, he must be a guest at her marriage. Look ! he hastes up the path, and carries the rolls of his paper, Rolls first made of the rind of the fen-born rush, the papyrus, On which is written the word of the poet for ages hereafter ; Book it is called, the scribbled peelings of rushes of Egypt. Next were seen the beautiful youths who sang in a chorus. Gracefully stepping along, attuning their dance to the song-beat, All the youths of the school were there arrayed for the wedding, Spotless they shone in white raiment falling in folds to their motion. From the East and the West they had come, all joined the procession. And they began the high song with a festal pray- er together, THE M ABB I AGE. 207 Prayer beseechiug the presence divine of the God of Espousals: *' Hail Hymenieus, hail ! O come to the island of Chios, Come to the glorious island of song that is sing- ing thy praises ! Great is the need of thy presence to bless what is going to happen, For the lots of marriage are now to be drawn by a maiden, Rarest of maidens of Hellas, the beautiful daugh- ter of Homer. Be not absent, O deity, rule the caprices of Fortune ; Hail HymentEus, hail ! make the tie of the pair everlasting! " David the King drew near, and spake to the youth of the Northland, *' Speed thee afar to thy forests, and take this maiden Hellenic, Her thou must win to thy love, for thou never canst marry a Jewess, 'Tis not allowed by the law — no hope thou canst have for my daughter. Whom I have left behind with the rest of the daughters of Israel ; These we keep to ourselves for the glory and praise of Jehovah. 208 HOMEB IN CHIOS. But unrewarded thou shalt not pass from my presence this morning, All that is best of myself, whatever is good in my nation, I shall give as a present to thee and thy people forever. It shall attune thee anew to its song when thy soul is discordant, From thy fall it shall lift thee on high with fresh aspiration, It shall stead thee in trial the sorest, in death it shall stead thee. Now its words have been written in signs that came from Phoenicia, Musical sounds of the voice have been set down in signs for the vision On that Egyptian peel of a rush, called Byblus, the Bible. We have brought it along on our journey — Where is it, Mesander?" Here the translator suddenly stopped his talk- ing Hellenic, Spoke in Hebrew the word of reply which has not been translated. Takino; the folds of a curious roll written over with lettoj-s, Looking tlie look of a victor, he handed it soon to the Monarch. -^^ THE MABBIAQE. 209 Meanwhile trembling in voice spake up good father Homerus, *' Now may life pass away, the end I have seen of my living; When his work has been done, not long the mortal will tarry ; More cannot fall to my lot, my hours henceforth are a passage ; After to-day I shall sing no more, the spirit refuses ; "Words cannot tell what I think, but bound the flight of my vision ; Life I have loved, for it was a deed, and it was a song too. But it is done, and the time draws near — the time of my silence. When the sound of my song will be but an echo repeating, Ever repeating the voice which I flung on the breezes of Hellas. Daughter, go ; I send thee far off to the folk of the Northland, Thither now bear my song, for it is my gift to the ages ; May thy children be heirs of the lay and the life of Greek Homer." Such were the words of the parent, and they were never forgotten. 14 210 HOMEB IN CHIOS. All of the company present were touched by the tone of Ihe farewell, For they seemed to hear the refrain of a lay in the distance, Giving a soft response from beyond to the note of the poet, Who was singing to-day the last, last strains of his swan-song. Hark to the bardlings ! a youth steps forth from the line of the chorus, With a discord in look and in heart — it was high-born Glaucus, Who from Lycia came, and now he sang to the maiden : " I have tried to win the hand of the daughter of Homer ; How I longed to carry her off to the banks of the Xanthus, Where is my sweet sunny home by the banks of the eddying Xanthus ! Honest my suit was to bear her away once more, the Greek Helen, Peacefully bring back the beautiful prize of the world into Asia; But I have lost, the Gods are against me, and turn from my people ; All I have lost, I must now see the bride borne off to the westward — THE MABRIAQE. 211 I the son of King Glaucus, and grandson of Glauciis the Hero, I who am sprung far back of the seed of Bel- lerophontes — Hail, Hymeuseus, thy blessing upon the daugh- ter of Homer." Scarce had he ended, when from the opposite side of the chorus Stepped forth a youth of the West, in song and in love his great rival. It was Demodocus, son of Demodocus, Ithacan rhapsode : ** I too sought for the hand of the beautiful daughter of Homer, From this isle I would bear her away to the home of Ulysses, Whence the old Greeks our fathers once came to the rescue of Helen. Great was the deed they did, the deed of the Greeks, our fathers! Beautiful Helen again I would rescue in fairest Praxilla, Coming over the sea from my home to the island of Chios. I have lost, let me go, I now shall become but a swineherd. Son unworthy of men who took the citadel Trojan. 212 HOME It IN CHIOS. Hail, Hymeneeus, thy blessing upon the daughter of Homer." Forward came Sappho, the Lesbian songstress, the tenth among Muses, Grace she revealed in her form and her speech, the fourth among Graces, Aye tenth Muse of the Muses, and aye fourth Grace of the Graces, As she sang to the pair mid the sweet low tones of her cithern ; *' Hail, Hymeuoeus, hail ! make happy the bride and the bridegroom ! May the souls of the twain be one thought, the two lives be one living! Make the marriage a presence, which they shall dwell in forever. May the love of to-day be also the love of to- morrow ! You, O bride and bridegroom, you tool would move by my prayer; When you come to your home far over the border of Hellas, Sappho forget not, who was the first to join you together. Making the love of your hearts to flow in the strains of her music. Taking the hands of you both into hers and link- ing the promise. THE MAUBIAQE. 213 Daughter of Homer and son of the Northland, remember the songstress, Sappho the Lesbian singing the love of the youth and the maiden, Hail, Hymenseus I make the bond of the lovers eternal ! ' ' Soon Typtodes stepped forth, in his hand were the rolls of his writing, Faithful he brought the work of his life as his gift at the nuptials, Though the beautiful daughter he won not with all of his wooing. But he hath his reward, his gift shall not be for- gotten. Gruffly with a grimace he muttered : Hail, Hy- mena?us ! Into the hand of the poet he put the magical symbols. Then he withdrew from the place — not the least was the schoolmaster's present ; As he passed out of sight, he flung down a tear on the gravel ; Once he looked back at his rolls, his life-task, sad at the parting. Then spake Homer, giving the pair his last bene- diction : ** Here, take my book, now writ by Typtodes in letters Phoenician, 214 HOMEli IN CHIOS. Keep it and let it still grow, one seed of your future existence, Showing the beautiful world of the Gods which arose in our Hellas, Showing what man must do with himself to build up a freeman." Then spake David, giving the pair his last ben- ediction : *' Here, take my book, it too is written in letters Phoenician, By some scribe — I know not his name — em- ployed in my household : Keep it and let it still grow, one seed of your future existence. Showing the law of the world proclaimed in the land of Judea, Showing the God, the one only God, and his worship in spirit." So to the Northland they took the two books of Homer and David, Oldest and newest, twin books of all time, the Greek and the Hebrew, Lovingly bore them afar to the West, the home of the nations. Which shall kindle the light in their hearts and carry it further, Where the two singers of Eld shall still sing daily their wisdom, Voices resounding in millions of echoes from let- ters Phoenician, THE MARRIAGE. 215 Bringing their song to the present and handing it on to the future. Ever renewing their strains in the soul that is ready to hear them, Known far better hereafter than ever in Greece or Judea. Then the pair set out — Hesperion son of the >v NorthUind, And Praxilla, fair maiden of Hellas, the daughter of Homer, Quitting the garden where grew the orange, the fig and pomegranate. Where the hills were a flutter of leaves of the silvery olive. Soon they came to the shore, and there lay the boat of the bridal, Covered with branches and leaves, and decked with the flowers of Chios. Seamen raised up the mast and steadied it firmly with mainstays, Then they spread out the sails to the wind and took the direction. Oars they dipped in the brine, for trial made ready the rudder, And the God sent a favoring breeze which blew from the island, Yet a sigh mid the joy of the day it would whisper in snatches. " Farewell forever, Praxilla my daughter ! Fare- well Hesperion!" 216 IIOMEB IN CHIOS. Light ran the ship as it cut with its keel through the billowy waters, Laughingly sparkled the sea in the stroke of the vigorous oarsmen, Over the rise and the fall of the ripples was rock- ing the vessel, Muffled sang the great deep, upheaving and bear- ing its burden. " Farewell forever, O Honier, my father! Fare- well O Hellas." From the sliore all the youths of the school were gazing in sorrow, Merrily still the vessel kept dancing away o'er the billow. That was the last day of school, the end had come of their training ; Long they looked at the boat until it had van- ished from vision, Looked in the blue at the sail till lost in the haze to the westward, Wondering whither it went and whether again they would see it. When the small white speck of the ship had twinkled to nothing, Longing the scholars turned for the sight and the speech of the poet, But he was not to be seen, he had gone to his home with King David. Soon they too had dispersed, each went his own way to his country. THE MARRIAGE. 217 Still the lovers sailed on far away from the gar- dens of Chios, Onward they went in their joy, behind them leav- ing the islands, Over the deep they sailed and came to the shore of the mainland. Quitting the ship and the sea, they plunged into forest and desert, Into the dangers of land far greater than perils of water. Fleeting across the wintery border of beauti- ful Hellas, Where it stretches beyond the abode of the Gods on Olympus, To the regions where drinking their whey dwell the mare-milking Thracians, Over the hills and the valleys away to the banks of a river. To the stream that is bearing the flood of the wide-whirling Istros, Still beyond and beyond, still over the plain and the mountain, Over vast lands to the seas, and over the seas to the lands still, Throuo-h the iciclcd forests, through the tracts of the frost-fields, Still beyond and beyond, still over the earth and its circles. Onward they passed, the daughter of Homer and son of the Northland — 218 HOMER IN CHIOS. Further and further they went, till they came to the homes of his people, Bringing two books in their journey, the gifts of David and Homer, Brino-ino; two songs of the sunrise to sins; to the hinds of the sunset, Songs still singing of God in his foresight and Man in his freedom, Where the huge arms of the breakers are smiting the shores of the Ocean, Ever beyond and beyond in the stretch of their strokes they are striking. Striking the barrier of earth in the stress of their strong aspiration. Beating, forever repeating, the strokes of the in- finite Ocean.