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 By bequest of 
 
 William Lukens Shoemaker 
 
THK 
 
 SEVEN" AGES OF MAX 
 
 SHAKESPEARE'S "AS YOU LIKE IT." 
 
 ILLUSTRATED. 
 
 PHILADELPHIA I 
 
 J. B. LIPPINCOTT & CO. 
 
 LONDON: 15 RUSSELL ST., COVENT GARDEN. 
 
 I ss.v 
 

 
 Copyright, 1884, by J. B. Lippincott & Co. 
 
 am 
 
 W. L. Shoemaker 
 7 S '06 
 
 
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LIST OF ILLUSTRATIONS. 
 
 ARTIST. ENGRAVER. 
 
 The Infant F. S. Church. K Heinemann 
 
 The School-Boy Wm. St. John Harper. Henry Wolf. 
 
 The Lover Thomas Hovenden. C. H. Reed. 
 
 The Soldier Gilbert Gaul. Frank French. 
 
 The Justice 1. H. Frost. Geo. P. Williams 
 
 The Lean and Slippered Pantaloon. W. T. Smedley. Geo. P. Williams 
 
 Second Childishness Walter Shirlaw. Fred. Juengling. 
 
All the world's a stage, 
 And all the men and women merely players: 
 They have their exits and their entrances ; 
 And one man in his time plays many parts, 
 His acts being seven ages. At first the infant. 
 Mewling and puking in the nurse's arms. 
 And then the whining school-boy, with his satchel 
 And shining morning face, creeping like snail 
 Unwillingly to school. And then the lover, 
 Sighing like furnace, with a woful ballad 
 Made to his mistress' eyebrow. Then a soldier, 
 Full of strange oaths and bearded like the pard, 
 Jealous in honor, sudden and quick in quarrel. 
 Seeking the bubble reputation 
 
 Even in the cannon's mouth. And then the justice, 
 In fair round belly with good capon lined, 
 With eyes severe and beard of formal cut, 
 Full of wise saws and modern instances ; 
 And so he plays his part. The sixth age shifts 
 Into the lean and slippered pantaloon, 
 With spectacles on nose and pouch on side, 
 His youthful hose, well saved, a world too wide 
 For his shrunk shank ; and his big manly voice, 
 Turning again toward childish treble, pipes 
 And whistles in his sound. Last scene of all, 
 That ends this strange eventful history. 
 Is second childishness and mere oblivion, 
 Sans teeth, sans eyes, sans taste, sans every thing. 
 
All the world's a stage, 
 And all the men and women merely players: 
 They have their exits and their entrances ; 
 And one man in his time plays many parts, 
 His acts being seven ages. At first the infant, 
 Mewling and puking in the nurse's arms. 
 

 - 
 
 #. 
 
 % 
 
 b 
 
 ^ ^^ 
 
 .^ 
 
And then the whining school-boy, with his satchel 
 And shining morning face, creeping like snail 
 Unwillingly to school. 
 

 M 
 
And then the lover, 
 Sighing like furnace, with a, woful ballad 
 Made to his mistress' eyebrow. 
 
Then a soldier, 
 Full of strange oaths and bearded like the pard, 
 Jealous in honor, sudden and quick in quarrel, 
 Seeking the bubble reputation 
 Even in the cannon's mouth. 
 
m 
 
 i 
 
And then the justice, 
 In fair round belly with good capon lined, 
 With eyes severe and beard of formal cut, 
 Full of wise saws and modern instances ; 
 And so he plays his part. 
 
The .sixth age shifts 
 Into the lean and slippered pantaloon, 
 With spectacles on nose and pouch on side, 
 His youthful hose, well saved, a world too wide 
 For his shrunk shank ; and his big manly voice, 
 Turning again toward childish treble, pipes 
 And whistles in his sound. 
 
Last scene of all. 
 That ends this strange eventful history, 
 Is second childishness and mere oblivion, 
 Sans teeth, sans eyes, sans taste, sans every thing. 
 
LIBRARY OF CONGRE