Class r*,ol Bonk t&3 PHILOLOGICAL GRAMMAR, GROUNDED UPON ENGLISH, AND FORMED FROM A COMPARISON OF MORE THAN ~ & SIXTT LANGUAGES. AN INTRODUCTION TO THE SCIENCE OF GRAMMAR, AND A HELP TO GRAMMARS OF ALL LANGUAGES, ESPECIALLY ENGLISH, LATIN, AND GREEK. By WILLIAM BARNES, B.D. £t. Sofjn's College, CamkiDge. LONDON : JOHN RUSSELL SMITH, 36, SOHO SQUARE. MDCCCLIY. -Y^° l -3 3 LONDON : PRINTED BY E. TUCKER, PERRY'S PLACE, OXFORD STREET. CONTENTS. PAGE Preface v Introduction 1 ORTHOGRAPHY 6 The Breathings . . 10 Clippings 11 Division I. — Lip Division 14 „ II. — Tongue Division 15 „ III.— Throat Settings 15 Equivalent Consonants . 18 Some Rules of English Spelling 19 Phonetic Alphabet 21 ETYMOLOGY 28 Shifting of pure Breath-sounds or Vowels . . 47 Etymological Figures 48 Formation of Words 49 English Nouns 51 Verbal Nouns 57 Diminutive Nouns 59 Bad or Unworthy Nouns 61 Nouns of Likeness, or Madeness, or Artificiality . 61 Collective Nouns 62 Nouns of Past and Coming Time 62 Augmentive Nouns 62 Noun of Agent 63 ,, of Place, &c 65 ,, of Instrument 65 Nouns of Quality * . . . 66 Patronymics 67 Noun of Place 70 Gentile Nouns 71 Table of Roots 75 Universal Noun 76 Person 76 Gender 76 Number 81 The Plural of Excellence 84 Case 85 Definite and Indefinite Things 121 CONTENTS. Etymology — continued. page Shifting of Case. — Twofold Cases . . .121 Pronouns 145 Adjectives 155 Verbs 168 Participles 182 Negative Verbs 184 Tense 184 Table of Tense Forms 195 Mood 196 English Strong Verbs 214 Mixed Verbs 217 Adverbs and Prepositions, or Postpositions 227 Adverbs 227 Prepositions, Postpositions, &c 233 Conjunctions . . 240 SYNTAX 242 Eelative Propositions 243 Parenthesis 248 Single Propositions 249 Twofold Propositions 250 Ellipsis 253 Pleonasm 256. Other Figures of Grammar 256 Purity 258 Ethnology and Language 259 PROSODY 261 RHYME 277 Twofold Rhymings 282 Blank Verse 283 Sonnet 284 Word-Matching 286 Clipping-Rhyme, or Matching of Clippings . .287 Old Teutonic Poetry . . 289 Celtic Poetry of the Bards 291 v Palindrome * . 297 Paronomasia 298 Speech-Matching 298 Task 299 Hebrew Poetry 302 Index 309 - PREFACE, TO THE READER. Worthy Reader, There are three sciences which are of great service for the strengthening of the mind and the sharpening of the wit, and for the helping of the under- standing in its search after truth, — Geometry, Logic, and Grammar; but if we would make Grammar truly worthy of its two fellow- sciences, we must seek to con- form it to the universal or to some common laws of speech, so as to make it the science of the language of mankind, rather than the Grammar of one tongue. A knowledge of the forms which have grown out of common laws, working with peculiar elements in one tongue, cannot be fairly taken for the Science of Grammar, any more than a knowledge of the organs of one plant, when some even of them are misformed from accidental causes, is the science of botany. The formation of language is always a conformation to three things in nature : (1) the beings, actions, and VI PREFACE. relations of things in the universe \ (2) the conceptions of them by the mind of man ; and (3) the action of the organs of speech : and inasmuch as the beings, actions, and relations of things, and the mind and the organs of speech, are the same in kind to all men upon earth, and a need of conformity to them is itself a law, so far, it is clear, that some common laws must hold in the formation of languages, and the science of those laws, when they are unfolded, is Grammar. What the Senor Astarloa says in his Apologia de la Lengua Bascongada (Apology for the Basque Language) is true of English as well as Spanish : " A blind slaver to the Greek and Latin languages, and a readiness to believe that every thing which imitates their idioms must be so far regular, has misdirected or fettered our whole literature/ ' Although I have sought to build my Grammar, mainly of general forms, in conformity with common laws, yet I have so far grounded it upon English as to make it an English Grammar, and have taken up so many Latin and Greek speech-forms as to make it of service to the less learned teacher and more forward learner of the dead languages of our schools. PREFACE. Vll The languages from which I have drawn my prin- ciples and forms are, — Latin (Lat.) Romaunt (Bom.) Italian (It.) Spanish (Span.) Portuguese .... (Port.) French Fr. Greek Greek. Romaic. Albanian. English (Fkg.) Anglo-Saxon. . . . (A.-^ax.) German (Germ) Low Dutch .... (Du.) Masso-Gothic . . . (M. Goth.) Icelandic or Norse . (Icel., No.) Swedish (Swed.) Norwegian (Norweg) Danish (Ban) Old Teutonic dialects. Welsh. Irish. Gaelic. Bretonne. Russian (Russ.) Bohemian. Polish. Wallachian. Wendish-Servian. Illyric. Bulgarian. Turkish. Persian (Pers.) Sanscrit. Hindoostanee . . . (Hindoost.) Damulican. Khoordish. Mandshoo. Mongolian. Lazistanish, of Lazistan, by the Black Sea. Hebrew (Heb.) Arabic (Arab.) Chaldee. Syriac. Maltese. Egyptian or Coptic. Malay. Basque. Armenian. Chinese. Finnic. Hungarian, or Magyar. Lapponic. Syrjsena. 11 PREFACE. Cheremissian. Maori, of New Zealand. Esthnonian. Hawiish, of Hawaii or Owhyhee Cree. Bisaya, of the Philippine Islands Chippeway. Australian. Greenlandish. Language of Marquesas Islands Japanese. Tonga. Malay. Kafir. I am, Worthy Reader, Your very obedient servant, W. Barnes DOECHESTEE, March, 1854. A PHILOLOGICAL GRAMMAR. INTRODUCTION. 1. Grammar is the science of speech. 2. Speech is the formation and utterance of breathsounds, by which men communicate thoughts one to another. Speech is not the same among all nations on the earth, but different nations or kindreds or tribes of men own sundry bodies of breath- sounds for the communication of thoughts. The sundry bodies of breathsounds owned by different bodies of men, are called their languages, or tongues, or speeches. 3. Breathsounds of a language may be either pure breath- sounds, or clipped or articulate breathsounds. The breathsounds of speech are formed by streams of breath, flowing through the throat and mouth or nostrils, under the action of the throat, tongue, and lips ; with the palate, teeth, and nostrils. The throat, tongue, and lips ; with the palate, teeth, and nostrils, are the organs of speech. 4. A pure Breathsound is one that may begin and end by a stream of breath flowing through the throat and mouth, without any motion of an organ of speech, as o, e. A speaker, having set his organs of speech in the form with which he utters the sound o, may begin and end it again and again, as o, o, o ; without any motion of the tongue, lips, or any other organ of>speech. 5. A clipped or articulate Breathsound is one that cannot begin and end without a motion of an organ of speech. The breathsounds bo, po, begin with an opening of the lips ; do, to, begin with a motion of the tongue from the palate ; ob, op, end with a closing of the lips ; ad, at, end with a motion of the tongue to the palate ; go, ho, begin with an opening of the throat ; and ag, ak, end with a straitening of the throat; top begins with a motion of the % Z INTRODUCTORY REMARKS. tongue from the palate, and ends w^th a closing of the lips ; and pot begins with an opening of the lips, and ends with a motion of the tongue to the palate. Clipped breathsounds are made of pure breathsounds, em- bodied with motions of the organs of speech. Breathsounds are either short or long. 6. A short Breathsound is one that takes up only the least length of time in which a single clipped breathsound can be clearly uttered ; as bat, met, not. 7. A long Breathsound is one that takes up twice the time of a short one ; as bate, meet, note. 8. Single breathsounds are called syllables; as a, ball, man, sin, woe, Lon-don. 9. The breathsounds of a language form words which are tokens either of notions, as man, horseman, white, skilful, walk, ride ; or of relations, as fast, slow, over, under, 10. A word may be of one syllable, or of more syllables than one. 11. Language is known among all nations, in the form of breathsounds, for perception through the hearing ; but among some of them words are betokened by visible or tangible marks, for perception through the sight or touch. The first and most natural form of language is that of breathsounds, for perception through the hearing ; and as the breathsound form of language is the first and most natural one, so it is still the best for the communication of thought and will among men, within hearing of each other ; but, in the breathsound form, language cannot be heard by the deaf, and is confined within a narrow sphere of space round a speaker ; and does not continue, otherwise than in the memory of a hearer, after the uttering of it : and therefore most nations have felt a greater or less need of a form of language, in which it may be perceived by the deaf, and by men beyond the reach of hearing and sight, from the utterer of it, and at any time after the outgiving of it ; and they have more or less fully answered their need, with types or visible marks, by which breathsounds or words, and therefore thoughts, INTRODUCTORY REMARKS. 3 may be communicated to the minds of men through their sight. 12. There are two modes of betokening and communicating the words of language by visible marks. 13. One is the Alphabetic or Phonographic mode, in which the pure breathsounds, and the motions of the speech- organs for the clipped breathsounds, are betokened or spelt by marks, which we call letters. This is the mode in which the English, German, Arabic, Greek, and other languages are mostly betokened to the sight. 14. The other mode is the Symbolical or Logographic mode, in which the words of a language are betokened, each by its own mark. This is the mode in which the Chinese language is mostly betokened to the sight. 15. Both the alphabetic and phonographic modes may be employed together, in the betokening of the same language ; as they are in English, when we betoken any of the numerical words, such as three, four, five, by Arabic numerals, 3, 4, 5, among other words betokened by letters. Language so betokened to the sight by visible marks, may be called Sight-speech. By a slight modification of the sight-speech, it has been made intelligible through the touch instead of the sight, so that it may be read by the blind. In this form the letters or symbols of the words are embossed or raised upon flat surfaces, and are perceived through the reader's fingers. Language so betokened to the fingers may be called Finger- speech. Language betokened by visible types for the sight, or by tangible ones for the touch may be called Type-language. 16. There is another mode of betokening facts and ideas — that of signals and tokens for the hearing and sight; and although it cannot be rightly called language, it is often a good substitute for true breathsound speech as well as type- language. Of such signals are the ringing of bells for the calling of folk to worship, or for gathering them to dinner; or for the 4 INTRODUCTORY REMARKS. summoning of a waiter into a room : the clapping of hands, in approbation of a skilful performance ; the whistle of the railway-engine; or the blowing of a coach-guard's horn, to give warning of the coming of the train or the coach; the blast of the trumpet, or the beating of the drum, by which soldiers are bidden to their exercise or work. Of such signals are hoisted flags, of different forms or colours, by day, or lights by night ; to declare to others, on shore or sea, their bearers' nation ; or an admiral's orders ; or a crew's wants ; such as was Nelson's signal, "England expects every man to do his duty." Of such tokens is the emblem of the cross, to beget the thought of Christ's death for man's sin, or to declare the Christian faith of the owner of it ; such as was the cross worn by the Christians in the holy wars. Of such tokens are armorial bearings, which announce to beholders, who can read the symbols of heraldry, the rank and family of those who bear them. Of such tokens are the uniform and badges of soldiers, which show to what regiment they belong, and the rank they hold in it ; and the gowns and hoods which betoken the rank of members of the universities, and the degrees they may have taken. Of such tokens is the black apparel of mourning, which announces its wearer's loss of kindred by death; and the wedding-ring, which betokens a woman's wifehood, or her mourning weeds of woe, which show her widowhood. Of such tokens are beckonings of the head or hand, such as the forward nod of affirmation, and the backshaking of the head for a denial ; or such as the inward motion of the raised hand, which may be read "come hither;" and the offward motion of it, that means " go away." The uplifted finger, which bids bystanders listen; and the downshaken hand, as that with which St. Paul {'Acnaatias t£ huq) shook down, or beckoned to the people, to forbid a churme or uproar. These symbols or tokens, although they fulfil the office of words, are not truly language, inasmuch as they are not breathsounds or tokens of them. They are loose tokens of propositions, which may be given in sundry forms of words. Thus, the wedding-ring may be read either "wife," or "married;" the upholden finger would not be misread, as " hold your tongues," or " listen," or " don't talk ; " the bell may mean " go to chapel," or " come to dinner ; " and the INTRODUCTORY REMARKS. 5 drum may mean several biddings, which may be distinguished by the time of day at which it may be beaten. The half-language of signals, like true language in its breathsound form, and in its type form, is for perception through the hearing and sight ; and, as breathsound-language is for the hearing, in sounds; and type-language is for the sight, in visible marks ; and for the touch, in tangible ones ; therefore language is known in forms in which it may be perceived by three of the senses — hearing, sight, and touch. 17. There is said to be, however, something of a half- language in the form of symbols of flowers; and inasmuch as the flowers, which may be known as symbols of words or propositions, may be distinguished by the smell as well as sight, insomuch they may be read through the sense of smell. 18. Type-language has been of great help in the exaltation of man's moral nature ; for the enlarging of his knowledge, and for the weal of his social life. In type-language the dead outgiver of it still speaks through a long series of days and years, to later men of many genera- tions ; and the thoughts of a mind on one side of an ocean, or of the earth, may be communicated to one on the other, unperceived by any soul in its passage between them. In type-language our Saviour still teaches the millions of his Church the wisdom from above; and the prophets and apostles and evangelists, though dead, yet speak. By type- language holy men of all times, faithful men of all trials, the learned of all lore, the seekers of all knowledge, the ga- therers of all historical truth and statistical facts, the searchers into all the laws and works of nature, travellers among all nations, navigators of all seas, the ready in all traffic, and the skilful in all crafts, can communicate their thoughts and feel- ings, and learning and knowledge, and truths and facts, and science and arts, to others, of all places on the earth, and of any times after them. By type-language all the hundreds or thousands of authors of the books in a library are ever uttering, side by side, their still language of instruction ; and while the words of one are not drowned by the clashing voices of the others, each is always ready to yield to its reader its treasures of knowledge and thought. By type-language, in a will, the dead father gives his beloved 6 ORTHOGRAPHY. widow her provision of worldly goods, and divides among his children the fruits of his labour. By type-language in the conveyance, the seller of house or land is for ever renouncing the ownership of it to the heirs or assigns of the buyer ; and in the receipt, the receiver of money is unceasingly declar- ing that it has come into his hands. By type-language the lonely guidepost and milestone tell the traveller which road to take on the darksome heath, and the length of it that lies before him. By type-language the house, or its door, announces the name and business of its householder, and the grave gives an account of its dead. 19. In the Grammar of a language, in the type form, it is usual to handle it in four divisions, Orthography, Etymology, Syntax, and Prosody, though in its first form, that of breath- sound-language, it has only three of those divisions, Etymo- logy, Syntax, and Prosody. ORTHOGRAPHY. 20. Orthography is the science of the visible or tangible marks, which betoken the breathsounds of a language to the sight or touch ; or, in other words, Orthography is the science of the spelling of the breath- sounds of a language. 21. The marks that spell words, or that betoken to the sight or touch, the pure breathsounds, and the motions of the organs of speech, in the articulate breathsounds, are called Letters. The letters taken to spell the words of a language are called the Alphabet of the language. 22. The letters that spell the pure breathsounds, as such, or as they are embodied in clipped breathsounds, are called Vowels. (From the Latin vocalis, belonging to the voice, vox; because they are letters of pure voice-sounds. Vocalis, voalis, became the French voyelle, and the English voweL) ORTHOGRAPHY 7 23. The clipped breathsounds of the English language are made by motions of the organs of speech, embodied with 16 pure breathsounds, as there are in English 16 voicesounds, 8 long and 8 short, 8 close and 8 open. 24. The open sounds are so called, because they are made with the tongue and underjaw more open from the palate than the close ones. Long Close Sounds. Short Close Sounds 1 ee as in meet. 1 i as in wit. 2 e as the ea in read, in the rustic dialect of the Went of England. 2 i as in dip. 3 a as in mate. 3 e as in men. 4 ea as in earth. 4 e as in battery, or e of the French le. ee in meet is the same sound as i in wit lengthened ; as the long sounds, 2, 3, and 4, are the short ones, 2, 3, and 4, lengthened. The i in dip, fit, clearly differs from i in wit, kitten ; but it is markworthy that, although the sounds 1, 3, and 4, are found both short and long, in the national speech of our books, yet we now own the sound 2 only as a short one ; and therefore that our book language wants one of the 16 vowel sounds : but, as it still lingers in some of her rustic dialects, we may believe she once owned it, and has lost it; and it would be worth while to inquire, through the dialects of West Saxony and the German language, whether the long sound, No. 2, is betokened by any vowel or diphthong of the Anglo- Saxon. 25. Long Open Sounds. Short Open Sounds 5 a as in father. 5 a as in fat. 6 aw as in awe. 6 as in dot. 7 as in rope. 7 u as in ML. 8 00 as in food. 8 00 as in crook. The division of the close and open sounds is set between the sound of ea in earth, and that of a in father, because, in uttering the long sounds in succession, the tongue and under jaw are found to open wider from the palate between those two than any other two sounds, and because a division between those two leaves 4 close and 4 open ones. 8 ORTHOGRAPHY. 26. A diphthong* is the meeting of two vowel-sounds uttered in immediate succession, as oi in voice, ou injound. 27. A triphthong f is the meeting of three vowel-sounds, uttered in immediate succession. These diphthongs and triphthongs are sometimes called, in Grammars of type language, proper diphthovgs and triph- thongs, to distinguish them from what are called improper diphthongs and triphthongs, or the meetings of two or three vowel letters, of which we utter, in breathsound speech, only one of the two, or one or two of the three, as ea in read, oa in boat, ieiv in view, eau in bureau; but the letters so called diphthongs and triphthongs, inasmuch as they betoken only one sound, are truly no diphthongs or triphthongs at all. They may be digrams or trigrams, 2»ypajx/x#T# or Tp/yp#/x- puTct, but they cannot be ^(p^oyyoi or Tpfyboyyoi. Some of the English letters, which we call single vowels, are truly diphthongs. The sound of the i long, as in life, is a combination of two vowel-sounds, the 4th and 1st short close ones; and the u in duty is a combination of the 1st short close one and the 4th short open one. W at the beginning of a word is a vowel, with the 4th short open sound, as in wind {poind), sow (so-oo) ; and y short has the 1st short close sound, as in yonder (ee-onder), boy (bau-ee). 28. The letters that spell the motions of the organs of speech in the clipped breathsounds are called Consonants. From the Latin " consonans," withsounding ; because they betoken nothing more than motions of the organs of speech, which are not themselves breathsounds, though they modify breathsounds, and there- fore they do not betoken breathsounds otherwise than with vowels. The motions of the organs of speech are — A motion of the lips to or from each other; as in ab } ap, am ; bo, po, me ; or to or from the teeth ; as af, av, fo, vo. The motion of the tongue up to or out from the palate ; as in ad, at, an, at; do, lo, no, to. The motion of the tongue nearer towards or farther from the palate ; as in ar, as, az ; ro, so, zo. * So called from the Greek dig, twice, and 00oyyoc, sound ; i. e. a twofold sound. t So called from the Greek rpig, thrice, and 06yyog } sound ; i.e. & three- fold sound. ORTHOGRAPHY. 9 The motion of the tongue to or from the teeth ; as in ath, ad; tho, do. The motion of the throat by a straitening or widening of it ; as in ag, ak, aq ; go, ko, qo. 29. The consonants are divided into classes of lip letters, lip-teeth letters, tongue-teeth letters, palate letters, and throat letters, after the organs of speech whose motions they spell. 30. The lip letters are those that spell the motions of the lips to or from each other ; as b, p, m, in ab, ap, am ; bo, po, mo. 31. One of the lip letters, m, is a lip-nose letter, because it spells an opening or shutting of the lips with the nostrils open ; while the bare lip letters spell motions of the lips with the nose stopped. 32. The lip-teeth letters are those that spell the motions of the lip to or from the teeth; as v,f, in av, af ; vo, fo. 33. The tongue-teeth letters are those that spell the motions of the tongue to or from the teeth ; as ^ ; or the smooth and rough th, in other, death ; thy, thigh. 34. The palate letters are those that spell the motions of the tongue up to or out from the palate ; as d, I, n, t, in ad, al, an, at ; do, lo, no, to ; or r, s, z, in ar, as, az ; ro, so, zo. 35. One of the palate letters, n, is a palate-nose letter, as it spells a motion of the tongue up to or out from the palate with the nostrils open, while the other palate letters spell motions of the tongue with the breath stopped from the nose. 36. The throat letters are those which spell motions of the throat ; as g, k, c, q, in ag, ak, ac, aq ; go, ko, co, quo. 37. The pure breathsounds are made by the flowing of a stream of breath from the lungs through the throat and mouth or nostrils ; and the motions of the tongue, or other organs of speech, form pure breathsounds into clipped ones by clippings, which are the narrowings, widenings, divertings, 1 & 10 ORTHOGRAPHY. or stoppings of the stream of breath upon which they work, as a hatch, by its shiftings, acts with a stream of water. 38. Consonants are divided into two classes, Mutes and Semivowels, as they betoken stoppings or only narro wings of the stream of breath. 39. The Mutes are those letters which betoken such set- tings of the organs of speech as must needs stop the breath- stream at the end of a breathsound ; as b, p, d, t, g, k, m ; ab, ap, ad, at, ag, ak. 40. The Semivowels are those letters which betoken such settings of the organs of speech as do not of need stop the stream of breath at the end of a breathsound ; as v, f, in av, of; orj, r, s, z, in aj, ar, as, az ; or m, n, in am, an. In the making of the breathsounds av, of, the breath is still allowed to flow on, hissing, between the lip and the teeth. At the end of the breathsounds aj, ar, as, az, it is still free to go out, with a hissing or dull breathsound, between the tongue and palate ; and the closing of the lips in am, and the striking of the tongue on the palate in an, still leave it an open way through the nostrils. L, m, n, r, are called Liquids, because they spell easy clip- pings that make good breathsounds. The Breathings. 41. There are two breathings, — the weak or soft, or smooth or slow; and the strong or hard, or rough or quick breathing. The weak or soft, or smooth or slow breathing, is a stream of breath that flows with less impulse and speed; and the strong or hard, or rough or quick breathing, is a stream of breath that flows with greater impulse or speed in the making of a breathsound. In the making of the pure breathsounds, the strong or hard, or rough or quick breathing, is a sudden impulse of the breathstream at the beginning of them ; and in the English alphabet, and others derived from the Latin, the mark for it is h, or some other such letter; and in Greek it is the mark *, as opog, horos. ORTHOGRAPHY. 11 Weak breathsounds, a, e, o ; at, et, ot. Strong breathsounds, ha, he, ho ; hat, het, hot. In the making of the clipped breathsounds, the weak breathing is a slacker breathstream, with a slacker action of the organs of speech ; and the strong breathing is a quickened breathstream, with a quicker action of the organs of speech. Weak breathings, bob, vav, dod, zoz ; juj, gug. Strong breathings, pap, faf, tot ; sos, chuch, kuk. 42. The two breathings in clipped breathsounds are mostly marked in type-language by two sets of letters, and therefore some of the lip letters, lip-teeth letters, tongue-teeth letters, palate letters, and throat letters, are fellows by two and two ; each of a pair spelling the same clipping as the other, but with a slacker or quicker outflowing of the breath ; and thence such pairs of letters are called cognate-letters, or fellow -letters, or kins -letters. 43. We have shown that the letters of an alphabet are of different kinds ; those of one kind being akin to each other, with some quality in which they differ from the others, — such as the vowels, as they differ from the consonants ; or the lip letters, lip-teeth letters, tongue-teeth letters, palate letters, and throat letters ; or the mutes, as they differ from the semivowels ; or the pairs of kins-letters, as they differ from each other only in impulse of breath : and therefore it might seem, at first thought, that the best order for the succession of the letters in the alphabet would be that of some succession of their classes ; such as that the vowels might stand together at the head of the alphabet, with the consonants below them; and that the consonants of each class might be placed together, with the classes in some order of succession. We do not, however, find any such order of letters, or of their classes, in actual alphabets. In the Hebrew alphabet the letters of one class are dispersed, seemingly without any forechosen order, among those of others ; and as many, if not most, of the later alphabets of Europe, Asia, and America have been formed after the Hebrew, or that of a Shemitic language akin to it, they do not show any more marked order of their letters than their prototype. Clippings. 44. Sometimes words that are much worn in their own language, or are taken, as borrowed words, into another, lose a clipping, and do not take any other instead of it ; and yet the letter of the lost clipping abides in the type language, 12 ORTHOGRAPHY. though it does not stand for any thing in the breathsound speech ; as, in English, — 45. Unclijjped throat-letter before a palate-letter, (6) g in foreign. k in Zrnife. g in ^ash. k in knocker. g in impugn. k in Arnow. k in faiave. g in resign. k in &nell. g in si^n. c in indict. 46. Undipped throat-letter before a palate-letter, and at the end of a word. (7) g in bright. g in ri^ht. g in %ht. g in hi^h. g in li^ht. g in plough. 47. Undipped throat-letter before a lip-letter. (5) g in apothegm, phlegm, paradigm. ■ 48. Undipped I. (4) ba/m, ca/m, psa/m, talk, ca/f, ha/f, sta/k, wa/k. Undipped s. 8 in demesne, puisne, corps, viscount. 49. Undipped palate-letter after a lip-letter, (3) n in autunm, hynm, solemn. 50. Undipped lip-letter before a palate-letter. (2) p in josalm, psalter, Ptolemy, b in debtor, subtle, bdellium. 51. Undipped lip-letter after a lip-letter. (1) b in clim#, com&, dum6, tom&. 52. Other undipped letters, ph in ^Athisis, th in as/toa. A of x=ks in Xenophon, Xerxes. ORTHOGRAPHY. 13 53. From the dispositions of sundry nations to especial settings of the organs of speech, and from a tendency in all to give up harder for more easy ones, the clipped breathsounds of a tongue, after a long wear in their own language, or a reception, as borrowed words, into another, often lose a clip- ping of one class, and assume that of another instead of it, while the letter of the first clipping abides in the type-language as a token of the latter. Thus, in the Latin word natura, the t is a close palate letter, but in the English nature it is an open palate letter, of the force of tsh. The French word sure has become the English sure (shure). The c in the Latin vermiculus (most likely equal to k), became tsh in the Italian vermicelli (varmigelli), and is mostly s, as vermicelli is pro- nounced in England. /in of is breathed v, as it often is in Icelandic ; and the ph of joMhisis is not clipped in English. p in ^salm (Greek tpaXfibg), and b in debtor (Lat. debitor), stand for clippings which are not made in English, though they were in Greek and Latin. The t of the word nation is in English sh, and in French s ; ch in the English and French Charles, and in champagne and chain, have two different clippings, tsh and sh ; the g in diligence, English, is dj, and in the French diligence, like s in pleasure ; and the z of mangel wiirzel is, in German, ts ; and the t in et stands for a palate clipping in Latin, and for none in French. The I of caff, and haZf, Anglo-Saxon cealf, healf, the n in autunm, hynm, (Latin, aulumnus, hymnus,) were clipped in the word-giving languages, though we drop them; and the LI in Ztewellyn betoken one clipping to the Welsh, and another to us. In the Anglo-Saxon word cnafa, German knabe, and in the Latin signo, the c and k and g are formed ; but in our forms of the words knave, sign, although the k of /mave, and g of sign, stand in the type- language, yet their dipping is unknown in the breath-sound speech. 54. The same letter stands, in different languages, for different clippings; and when words with such a letter are taken from one language into another, they will sometimes retain the clipping of the word-giving language in the word- taking one t so that the word-taking language will then have the same letter standing for different clippings, — its own clip- ping of the letter, and the word-giving language's clipping of it. Thus the letter B is, in Russian, articulated V; C is sometimes equal to tsh in Italian ; / is, in English, a palate letter of one clipping, but in 14 ORTHOGRAPHY. French a palate letter of another ; in Italian a vowel, and in Spanish a throat letter. ch are, in English, tsh, in French s7i, and in Latin and German a throat-clipping. w is articulated, in German, as v. Thence, in the English words cow, calf, colt, the c is clipped as k ; and in the words certain, city, from the French, it is clipped as s. ch in the English words chap, chick, chop, churm, have the force of tsh ; in the words chaise, machine, they are equal to sh ; and in the words chord, chronology, from the Latin, or rather Greek, they betoken the clipping of k. g in the English words gate, give, go, gun, is a hard throat letter ; but in the words gelid, virgin, it is a palate letter. j in the English words jar, jest, jig, job, is a palate letter of one clipping ; and in the word joujoux it is a palate letter of a different one. 55. We have in English 16 pure breathsounds, and only 7 letters for the writing of them ; and we have 19 settings of the organs of speech in our clipped breathsounds, and only 16 letters that spell any of them : so that we have 9 pure breathsounds and 3 settings of the organs of speech, for which, as such breathsounds and settings, we have no letters. It is true we have 26 letters in our alphabet ; and if we were to take the so-called vowels as 7, a, e, i, o, u, and w and y, we should have left 19 consonants. But our c, when it is soft, as in cinnamon, is s ; and when it is hard, as in card, it is k ; our q, as in queen, is k or c hard, as in kween or cween ; our x in ox is ks, as in oks ; and therefore our c, q, and ^) Hindostanee. (n) Irish. 62. Class 7. Tongue-teeth settings. (th) in thee ; (d) Icelandic. (th) in thin. (dd) Welsh. (z) Spanish. DIVISION III. 63. Class 8. Throat Settings. (g) hard. (k) (gh) Irish; (g) Span, and Germ, (x) Greek and Russ. ; (j) Spanish. (ch) Germ, and Welsh. (ghain) Arabic. 16 ORTHOGRAPHY. 64. The pure breathsounds and clippings for which, as such, and only such, we have not any letters in our alphabet, are either not marked at all in our type-language, or else are betokened by sundry associations of the letters of the other breathsounds and clippings. Some of them are as clumsy and puzzling as the slightest exercise of wit could have willingly left them, as they make a consonant --the mark of a vowel, and two consonants the mark of clipping, of which neither of them, singly, is the type of any element. Examples of differences of sounds unmarked by letters : — The sound of a in calf is not the same as that of a in walk ; the a in fat is short, the a in father is long ; the e in fetid, mediate, is different from that in fetor, medicine. The i in dip, lip, nip, pip, sip, is different from the i in wit, give, pin, dutiful ; the i in machine is different from the i in chine. oo in door is different from the oo in poor, and oo in blood. The u in dall, hwll, is not of the same sound as that of u in ball, fall. u in daly is a diphthong, composed of the sounds 1 and 8 ; u in dally is the short 7th sound, of which the only token is the other /. So a in slater is the long 3d sound, and a in slattern the short 5th ; o in bony is the long 7th sound, and o in bonny the short 6th ; but the only tokens of the short sounds of u in dally, a in slattern, and o in bonny, are the consonants /, t, and n ; so that we make consonants the tokens of vowel-sounds. Bad as it is to betoken the sound of a vowel in a word by one of its consonants, we make our spelling the more puzzling, inasmuch as we do so in some words and not in others ; for while the u, a and o of daly, slater, and bony would be read long, for the want of the pairs of consonants of dally, slattern, and bonny, the o, e, and a of body, level, and manor are short before single consonants. The First Long Sound is spelt in English by e ; as me, she, he, be. ee, or two e's parted by a consonant ; as breed, deed, meet, glebe, recede, scene, scheme. ea, as beaver, clean, dream, gleam, reap. ei, as deceive, seize. eo, as people. ie, as belief, brief, grief, thief. A ORTHOGRAPHY. 17 Third Long Sound. a at the end of a syllable; as nature, creator. ae, as brae (Scotch) . a before a consonant and e ; as date, fate, gale, game, hale, lame, name, same. ai, as in bail, fail, hail, mail, main, rain, plait, strait. ay, as day, gay, hay, way. Fourth Long Sound. ea, as in earth. i, as in birth. Fifth Long Sound. a, as after, barm, calm, father, farm, rather. au, as laugh. e, as clerk, serjeant. Sixth Long Sound. a before 11, as all, ball, call, fall, pall, stall, wall. a after w, as warm, war, ward. aw, as daw, ]aw, law, gnaw, naw, raw, straw, au, as cawght, daughter, naughty, taught. ou, as brought, cough, fought, sought, thought. Seventh Long Sound. oe or o before a consonant and e ; as doe, foe, hoe, toe, lore, mole, pope, rope, store, wore. oa, as boat, coat, doat, goat. au, eau, as hawtboy, beau, oo, as door, floor. o before r, as port, sport. ou, as thowgh, mourn, ow, as blow, grow, low, mow, slow, snow. Eighth Long Sound. oo, as food, hood, mood, rood. ou, as sowp, yowth. ui, as brwise, frwit, recrwit, swit. 18 ORTHOGRAPHY. First Short Sound. i, as give, pin, spin, wit. y or ey at the end of a word ; as beauty, duty, alley, valley. Second Short Sound. i, as ditty, fit, hit, pipkin. u, as basy. Third Short Sound. e, as bed, fed, men, pen, step, wet. ea, as breathy death, meadow, head, eo, as leopard, jeopardy. Fourth Short Sound. a, e, o, ou, in a short unaccented syllable ; as grammar, geography, natter, slavery, priory, major, various, virtuows. Fifth Short Sound. a, as battle, fancy, gather, happy, lap, map. Sixth Short Sound. o, as dol, gol, hot, jolly, lop, mop, robber, sobbing. a after w, as was, watch, wadding, warrant. Seventh Short Sound. u, as babble, dall, hall, mad, rab, tab. oo, as blood, flood. ou, as enough, roagh, doable, treble. Eighth Short Sound. u, as ball, Ml, pall. ou, as shoald, coald. oo, as stood, wool, good, foot. Equivalent Consonants, in English type-language. 65. c soft, as s: cinnamon, cinnamon. c before h, in English words, is equivalent to ts : chin, ts\\m. t in creature, feature, nature, has the power of ch. ORTHOGRAPHY. 19 s betokens the clippings of d and j French ; or d and s in pleasure. q is k : quick, kuick. ch, in words from the Greek, is equivalent to k: chorus, scheme; korus, skeme. x betokens the clippings of ks : ox, oks. c and t before i and another vowel, is sometimes equivalent to sh : ocean, social, martial, partial, nation, portion, are oshean, soshial, marshial, parshial, nashion, porshion. ch, in some words from the French, are sh : chaise, machine; shaise, mashine. ph are equivalent to / or v : phenomenon, phantom, feno- menon, fantom ; nephew, Stephen, nevew, Steven, SOME KULES OF ENGLISH SPELLING. 66. (1) When a word ending with y, after a consonant, takes on another syllable beginning with a consonant or any vowel but i, the y commonly becomes i : carry, carrier. merry, merrily, happy, happier. accompany, accompaniment. 67. (2) When a word ending with a consonant, after a short accented vowel, takes on another syllable beginning with a vowel, the consonant is commonly doubled : begin, begi^^er. sit, sitting. set, se^er. wit, wittj. 68. (3) When a word that ends with a consonant and mute e, after a long vowel, takes on another syllable beginning with a vowel, the e is thrown out : prude, prudish. slave, slavish. white, whitish. 69. (4) When a word ending with a consonant, after a diphthong, takes on another syllable, the consonant is not doubled : bowl, bowler. coil, coiling. jail, jailer, nail, nailer. sail, sailor. toil, toiling. 20 ORTHOGRAPHY. 70. (5) When a word that ends with a consonant and mute e, after a short vowel, takes on another syllable, the e is thrown out : , , sedge, sedgy. 71. (6) When a word that ends with a consonant and mute e, after a long vowel, takes on another syllable beginning with a consonant, the e is retained ; as abate, abatement. manage, management, change, changeable. close, closely, state, statement. pale, paleness. 72. (7) When a word ending with a mute e, after a long vowel, takes on another syllable beginning with a consonant, the e is thrown out ; as due, duly. true, truly. 73. It seems clear that the type-form of a language should be true to its breathsound-form ; and that there should be one letter, and no more than one, for every breathsound and setting of the organs of speech. As our alphabet is short of the breathsounds and clippings by many letters ; and as letters abide in our language in words from other tongues, or from the older form of our own, as marks of other breathsounds or clippings than their own, or as un- meaning marks of lost ones ; and as letters of words borrowed from other languages stand sometimes for the breathsounds and clippings which they betokened in the word-giving lan- guages, and at other times for those which they mark in our own, — therefore our type-language is not true to the breath- sound-speech, and is very anomalous and puzzling, and hard to learn and keep in mind. This untruthfulness of our spelling is a great hindrance and evil to our children and others in their learning of our type- language, and some English grammarians have sought to reduce it to accordance with our breathsound-speech. The best method to this end seems to be that of the upfilling of our alphabet by new letters — formed, as far as possible, from the elementary strokes of those we have — for the breathsounds and clippings which are not now marked by letters of their own, and by throwing aside all but one of those that now stand for the same clipping or breathsound. Such an alphabet has been formed and published by Messrs. Pitman. It is called the Phonotypic or Phonographic Alphabet, and contains letters not only for most of the voice- sounds and articulations, but also for the diphthongs. ORTHOGRAPHY. 21 74. Phonetic Alphabet. Vowels. Long Close Sounds. Short Close Sounds. 1 *i . . meet Ii . . wit, yet. 2 . . (wanting) .... . . (wanting). 3 8e . . mate Ee . . men. 4 .... . . (wanting) .... . . battery. 75. Long Open Sounds. Short Open Sounds. 5 H^ . . father A a . . fat. 6 O © . . awe Oo . . dot. 7 a 5vjp. Lat., fera. [2.8.] 120. c before v goes out in Latin. cognosc-o, cognosc-vi, cogno*vi. g and v take place of each other in dialects of the Green- landish. Our word ' enough ' (enuf) was in A -Sax. 'genog/ so that its g has become /. [3.3.] 121. In Hebrew D is thrown away from the noun plural in the constructive case. D'Tftft, plantations; O^O TO?, plantations of a vineyard. [3.4.] 122. m before a strong t becomes strong mp. Northamton (A.-S., NorShamton), Northampton. Lat., sum-o, sumtus, su/wptus. 36 ETYMOLOGY. d before m becomes m. Lat., admirabilis. Ital., ammirabile. In Greek, T £ become a before ^. V[V\)T-\LCll, l'4/£u£-/X#/, 7T£Tf/6-jUl^/, WVpoL$-Tcu t %eQpau> peivbdvu, make ubly^au, $Ku7tvi*(7oq. hr^Zo^ai. (Act*§v\*(70[j*cii. ETYMOLOGY. 43 n before s has gone out from the Latin; Lat., defensa, prensa, tensa, sponsus, It ah, defe*sa. pre*sa. te*sa. spo*so. Latin, permanserunt. Romaunt, perma*seron. In Finnic, n after r becomes r ; as, purrut for pur nut. So in Japanese, s becomes r after n. zonii for zonzi. — (Abel-Remusat's Japanese Gh'ammar.) r before / becomes I. Lat., interlego, perlucidus, intelligo. pellucidus. In Coptic, the Memphitic r becomes I in Bashmuric. In Cheremisian, I becomes r ; ortnjer for ortnjel, a saddle. So in Australian and Bisaya. " If a Kafir be given a word to pronounce with the sound of r in it, he will almost invariably give it the sound of V 3 — Appleyard's Kaffir Language. In Arabic, the / of the article becomes (5) before (5) . alsadirun, the sea; pronounced assadirun. alshajarun, the tree; pronounced ashajarun. alrahemun, mercy; pronounced arrahemun. s before n goes out ; audi*n' tu ilium ? Sati*n' sanus es ? ai*n' pergi*n'? — [Terence.) r becomes n ; Greek, $sivbg t Supov, Latin, dirus. donum. [5.7.] 135. In Gothic, £A becomes s; qvi^A-an, speak; ga-qvm, spoken. In Turkish, the Arabic $ is sometimes pronounced s, and sometimes "$; ■. , . ' kevsar, kevftar. So our z is, in Spanish, th ; plazo, mozo; platho, motho. 44 ETYMOLOGY. [5.8.] 136. A strong (8) before a strong (5) becomes strong. AeV~ w > hiy, Bog, (God) ; 6o/KecKin, berjeskij, (godlike). naxami, pakhate, (to plough) ; namy, pascui, (I plough) . In Persian, kh of the verb-root becomes z and s, or sh, in the imperative mood; andakh-tan, to throw; andaz, throw thou. shanakh-tan, to know; shanas, know thou. farookh-tan, to sell; faroosh, sell thou. [6.6.] 137. n before / becomes /. Lat., conloco, conlido, conludo, colloco. collide colludo. In Finnic, n after I becomes /; as, ol-nut, ollut. n commutes into I ; Gothic, himins, Germ., kind, Germ., himmel. Eng., child. In Welsh, II becomes I, by the Celtic canons of articulation ; Haw wenn. ei law. In Arabic, the 7 of the article before n becomes n, by tashdid with the solar letters ; alnas, (the man) ; pronounced annas. " The lower classes " (of Greeks) "have a dislike to v as the termination of a word ; they therefore, when the regular ter- mination requires the letter, divide it, and say to npocomo, and not vpoffwvov" &c. — David's Modern Greek Grammar. I goes out ; Lat., flumen, templum, pluma, Ital., fiume. tempio. piuma. ETYMOLOGY. 45 / commutes into r. Lat., nobilis, Sp., plata, Port. y nobre. prata. [6.7.] 138. n before % (7) goes out. Gothic, anthar, munths, tunths, Eng., o*ther. mou*th. too*th. In Turkish, the n of the genitive case ending, goes out after a consonant ; as, baba-nun, of a father ; kopeg*un (not kopeg-nun), of a dog. [6.8.] 139. In Basque, n sometimes goes out before c ; as, emdn, to give. ema*corra, give some. n before (8) becomes ng ; iv-*yivo(JLUi 9 iv-xaXeu, drink. iyy{vQ[LUi. iyMciheta. dringk. Lat., fing-o, fi*gtum, fictum. frang-o, fra*gtum, fractum, string-o. stri*gtum. strictum. In Bisaya, g before h, I, or g, becomes n. k before / becomes I ; Greek, eK-Kehu. eXXehu. k g before n goes out ; Eng., foreign, gnash, sign, forei*n. *nash. si*n. Eng., knell, knee, knife, knocker, know, *nell. *nee. *nife. *nocker. *now. In Spanish, c before / becomes a liquid I; Lat., clamo ; Sp., llamo. / before k goes out ; stalk, talk. walk, sta*k, ta*k, wa*k, In Bisaya, c becomes ng. In Welsh, g becomes ng ; and in Irish, g is eclipsed by n, by the Celtic canons of articulation. Welsh, gwas, a servant ; fy ngwas, my servant. Irish, ar n-gort, our field. 46 ETYMOLOGY. In Icelandic, n goes out before k or g ; Icel., dreck-a, stack, sprack, Eng., drink. stang. sprang. [7.8.] 140. cs becomes ft. Lat., vox, felix, capax, Sp., voz. feliz. capaz. [8.8.] 141. a strong (8) becomes weak, or an (8) goes out. Lat., rex(recs), ecclesia, benedico, dico, Gr., avfiepvu, Sp., rey. iglesia. bendigo. Port., digo. Lat., guberno. In Welsh, k becomes g in adjectives ; cariadus, (masc.) beloved; gariadus, (femin.) In Irish, g eclipses c ; as, ar g-ceart, our right. A more guttural (8) becomes less guttural ; Germ., brech-en, mach-en, wach-en, Eng., break. make. wake. Germ., dag, schlag-en, weg, Eng., day. slay. way. So in Turkish, beg is pronounced bey. In Welsh, c becomes ch, g, ngh, by the Celtic canons of articulation ; car agos, a near kinsman ; ei char, her kinsman, ei gar, his kinsman ; fy nghar, my kinsman. In Turkish and Mongolian, k at the end of a noun becomes gh in its genitive form ; kalpak, a cap; kdlpaghoon, of a cap. (8) has a tendency to become h. Lat., trah-o, once trag-o, as in tragtum, tractum. veh-o, veg-o, vegtum, vectura. So in Anglo-Saxon ; sec-an, to seek. socode, soc*de, soc*te. sohte, sought. And so in Finnic. etymology. 47 Shifting of pure Breathsounds or Vowels. 142. Vowel-sounds give place one to another in the forma- tion of words of a language, and in the formation of the languages or dialects of a mother speech. A vowel of a root-word more often becomes closer, but sometimes more open, in a breathsound of a compound word ; as, Lat.j arceOj coerceo ; carpo, decerpo ; calco, inc'wlco. menus, commus ; salio, desilio ; capio, decipio. salsus, inswlsus. «rma, inermus. tenax, pertmax; rego, corrigo; lego, deh'go. terra, extorris. tego, twgurium. similis, simzdo. hoc, adhwe. locus, illico. qaavOj exquiro. flZtdio, obedio. clawdo, conclwdo. plaado, explodo. In English. man (a, 5) . tinman, waterman, huntsman ; pronounced tinmm, watermin, huntsmin. (a, 4). land (a, 5). Lowlands, Lowlends ; Netherlands, Netherlands, (a, 4). coat (oa, 7) . waistcoat, waistcit. (oa, 4) . mowth (ou, 4.8). Portsmouth, Plymouth, Yarmouth, (ou, 4). 143. "Hiatus." When in the formation of words two vowels are brought together, making what is called a hiatus or yawning, a clipping is mostly inserted between them. In the pronouncing of ' a arm/ ' a ape/ the sounds of the a a would coalesce, and make one unhandily long sound, instead of two distinct ones ; we therefore insert n between them, and say f an arm/ ' an ape.' The hiatus is resolved in different languages by different clippings. In Greek and Turkish it is resolved by n, as it is in English ; in Latin, as it is in some places in Illyric, a (4), d is inserted between the meeting vowels. 48 ETYMOLOGY. In Greek, ouXocq $* e$u%e(y) Ikkqi;. And in Turkish, baM(n)un, of a father. In Latin, d, re(d)integratio. So in Hebrew, nijttf, a year, makes DJ(£l)3?ttf years, with J"l. In Kafir, s, I, m, and n are all intaken in sundry places against the hiatus. Etymological Figures. 144. Etymological figures are sundry kinds of changings, and outcastings, or onsettings, of breathsounds and clippings, in the forms of words. Prosthesis is the onsetting of a breathsound or clipping at the beginning of a word. Epenthesis is the insetting of a breathsound or clipping in the midst of a word ; as, sies, for sis. Sp., intiend-o, for Lat. intendo. Dorset, beat, for Eng. beat (beet) . Paragoge is the onsetting of a breathsound or clipping at the end of a word ; as, Dorset, reapy, for Eng. reap. Apharesis is the outcasting of a breathsound or clipping at the beginning of a word ; as, nosco for gnosco ; biscop for episcopus ; nob for knob. Syncope is the outcasting of a breathsound or a clipping from the midst of a word ; as, Gk>*spel, for A.-Sax. Godspel; ha*s, for haves. Lat., periclum, for periculum. Apocope is the outcasting of a breathsound or a clipping from the end of a word ; as, Eng. sing, for A.-Sax. sing-an. Lat. die, for dice. Antithesis is the changing of one breathsound for another; as, Eng. stone, for A.-Sax. stan, Germ, stein. ETYMOLOGY. 49 145. Two letters sometimes take each the place of the other by a shifting of place, called metathesis ; as, The A. -Saxon hveps, wseps, are the new English hasp. was;/?. Latin, m«rmor, Russian, mrcmor. Illyric, sav or vas, all. Formation of Words. 146. Some kinds of words are notional words, and some relational words. 147. The notional words betoken notions of being or action ; as nouns, adjectives, and verbs. 148. Relational words betoken only relations of things ; as limiting pronouns, adverbs, and prepositions. 149. Some notional words are root-words, as man, good, drive. Some notional words are derivative words, derived from root-words, as manful, from man ; goodness, from good ; drove, driver, drift, from drive. 150. Some derivatives are formed from roots by only a mutation of breathsound or clipping, as drove, from drive ; band, bond, from bind ; girth, from gird ; and they are called stems. 151. Some derivatives are formed from roots or stems by additions of breathsounds or clippings ; as driver, drift, from drive; binder, bundle, bandage, from bind; growth, grass, ground, great, from gro (grow) ; brown, bran, from bren, to burn. Derivatives may be formed from roots by the insetting of breathsounds into the middle of them, as in Bisaya. 152. Relational words are also formed from roots; some from known roots of their language, and others from roots lost from their languages, or worn out of their early likeness to them, so that they cannot now be called notional words. Of such a kind is the preposition in, which is in Lat., A.-Sax., 3 50 ETYMOLOGY. Germ., Gothic, Dutch, and English, in; in Spanish and French, en ; in Greek, h ; in Portuguese, em ; in Welsh, yn ; in Irish, and in Icelandic, Danish, and Swedish, i : so that it is found, with little variation of form, in most of the Indo- Teutonic and Celtic languages, though its root is unknown. 153. All our notions are notions either of action, as to bind, strike ; or notions of existence, as man, blow : and root verbs betoken notions of action, from which spring notions of existence ; so that the notion of action is the root of all other notions ; and roots are verbs. 154. The notions of the activities of the mind, or of things which are not perceived by the senses, (abstract notions), are mostly formed from notions of the activities of the body, or of other objects which are perceived by the senses. hat., sapio, to discriminate by taste. sapio, to discriminate by the mind ; to be wise. Gothic, vit-an, to see ; to know. Greek, el'doo, to see ; to know. hat., pendo, to weigh. Fr., pemer, to think ; weigh in the mind. Germ., greif-en, to lay hold of; begreifen, to comprehend or lay hold of with the mind. Lat., audio, to hear; obedio (ob-audio), to obey. Germ., hbren, to hear; gehorch-en, to obey. Greek, auovoo, to hear ; vkcmovu, to obey. 155. One kind of words is formed from another; as a noun from a verb, a verb from a noun or adjective, and an adjective from a verb or noun. 156. The kinds of words from which others are formed are, 1. Noun. 3. Verb. 2. Adjective. 4. Adverb. 5. Preposition. 157. If we take 1 for the noun-root, 2 for the adjective- root, 3 for the verb-root, 4 for an adverb, and 5 for a pre- position, we may form a set of handy expressions for the formation of compound words : thus, (1+1) would mean a word of two nouns, as railway ; (2+1) a word of an adjective ETYMOLOGY. 51 and noun, as blackbird; (5+3) a word of a preposition and verb, as overcome. The words noun-root, adjective -root, and verb-root, mean the noun, adjective, and the verb without its ending for case, number, person, or tense, as domin of dominus, bon of bonus, reg of rego. 158. The number of combinations that n things will form, as taken 2 and 2, is nX (c^r), which, in the case of five parts of speech, would be 5 X {—) or 10 ; so that we may conceive, at first thought, that the five kinds of words would afford ten forms of derivative nouns, and as many of adjectives and verbs. This, however, is not true, as each kind of word does not form derivatives with all the others, while some derivative nouns, adjectives, and verbs are not formed from one of the kinds of words with another, but from the roots of words only changed in sound or clipping, or with breathsounds which, are not now in the language as words of themselves, foreset or afterset to the roots, or inset into the middle of them ; as bond from bind, song -from sing, truth from true, wooden from wood, whiten from white, prattle from prate, ex -king from king, and 1-inm-acat from lacat, to go, in Bisaya. In the constructing of expressions for the formations of compound words, we may betoken by a dot a breathsound which is not now a word of itself; so that (1+.) would be the form of a word compounded of a noun -root and such a breath- sound afterset to it, as manly, golden ; and (2+.) and (3-f-.) would betoken such forms, as those of whiteness and runner ; (.+1) would betoken the form of ex-king ; and a figure with a dot over it might be taken as the mark of a word formed from a root with a breathsound or clipping set within it, as (3 ), which would betoken the form l-inm-acat, from the root lacat, to go, in Bisaya. English Nouns. 159, Roots. Stems. From bear, bier. beat, bat. bind, band, bond. chop, chip. 52 ETYMOLOGY. English Nouns, continued. Eoots. Stems. Ger., deck-en, to cover .... deck. A.-Sax., thecc-an, to cover . . . thatch (4. 8). Note. The numbers (such as 4. 8.) refer to the canons of clippings of the same numbers. Old Ger., dimpf-en, to smoke . . . damp. A.-Sax., thring-an, to squeeze . . . throng. Ger., fang-en, to catch .... fang. gape gap. gird garth, girth (4. 7.) Ger., gleiss-en, to shine .... glass, gloss. A.-Sax., graf-an, dig grave, groove (2. 2.) grow-an, grow . . . . . grass. Old Ger., han-an, sing, crow .... hen. hang hinge (4. 8). Goth., h*nt, to catch,! fhand, the catching limb. seize, hunt, J "\_houncl, the catching animr I hew hay. heave hoof. hold hilt. creep crab (1. 1.) Old Ger., limm-en, bleat lamb. „ liuch-en, to be favourable . luck. A.-Sax., melt-an malt. milt. A.-Sax., hnig-an, to bow .... neck (8. 8.) rest « . roost. ride road. A.-Sax., seer -an, shear, divide . . . share, shears, shire, shore (5. 8.) shape ship. shoot , . . shot. sing . song. sit seat. A.-Sax., sle-an, sleg-an, to strike . . sledge (4. 8.) strike stroke. streak, tell ........ tale, toll. weave woof. In Coptic, a change of voicing makes a noun ( 3 ) , as from roofj,, to shut in; tq^, a wall. ETYMOLOGY. 53 160. Of the same kind are root-nouns of the form of the root (3), for the effect of the action (3). to burn, a burn. to fall, call, call. hug, drink, drink. kick, There are many of these root-nouns in Icelandic, where they are formed by throwing away the ending a of the in- finitive mood ; as, kail, a call. fall, a fall. tal, a talk. a fall, hug. kick. Form (3+.). 161. Another class of English nouns are formed from roots by an I clipping; their form is (3+.), or especially (3-f-*l), or that of a verb (3) with an ending (.), of no mean- ing alone. These nouns are mostly concrete ones, — names of things for the doing of the action (3), rarely the agent or effect of it. beetle, bridle? shove, shoot, bustle. spin, spit, spring, beat, A.-Sax., bred-an, to braid, A.-Sax., bisg-an,to occupy creep, cripple. A.-Sax., fleog-an, fly, j a | ^ e M%\ gird, girdle. Germ., hirt-en, keep, hurdle, lade, ladle. nag-en, f (nsegel) gnaw, bite, \ nail (8.) Germ., n'dh-en, sew, needle. prick, prickle. off, offal. try, A -Sax ml an fpilstre, tread, i pcsuc, j±.fj.,t>ng-ufi, A. -Sax., rad-an, guess, riddle. climb, A.-Sax., hreow-an, Trowel, stand, rue, be rough, \_ ruffle. wring, run, runnel. {settle, saddle. shovel, shuttle. spindle. spittle, springle. stand, **{«**■> stickle, stopple, steeple. teazle. stick, stop, steep, teaze, trend, f trendle, a bend, [_ snanow tub. { trial, treadle, (stigle), stile. stool. wrinkle. sit, set, 54 ETYMOLOGY. Upon this form we might have shapen other nouns of in- struments, for many whose names we have borrowed from other tongues. Fr.y allumette might be called a tinel, from tine, to kindle. strikle, a plectrum. Lat., (3+bulum), sto, stabulum. infund-o, infundibulum trud-o, trudes. ar-o, aratrum. al-o, alimentum. (3+is) (3+es), (3+tram), (3+inentum), (3+ela) cande-o, candela. (3+men) flu-o, flumen. (3+ ex) vert-o, vertex. Greek, (3+erov), ypafTpcv. (3+o?) 5 Tpe%~w, rpoxog. In Kafir, (im+3), as im-alato, forefinger, index, from alata, to point. Magyar, (3+asz) . Japanese, (3+goto) ; kakigoto, a writing-tool, pencil. 162. Form (3+5/). Other nouns of the form (3+.) are formed from roots by the ending of an st clipping. These nouns are mostly abstract, and mean the effect of the action (3). A.-Sax.,behdt-an, bid, behest. Ger.,ruh-en,vest? rest. roost ? bequeath, bequest, blow, blast. wane ? waste ? west? Ger., frier-en, freeze, frost. GotKthaursj . an ^ ^ to thirst. J grind, grist. A.S., treowi-an, ~\ A.-S., ga~an, go, guest. be faithful, > trust, hie, haste. believe, be sure. J ETYMOLOGY. 55 163. Other primary nouns of the form (3+.) are made from roots, by an ending of a clipping of the class (4), d, t. They are mostly abstract, meaning the effect of the action (3). A.- S.j blcec-an, fade, blight. flow, flood. A. -S.j ceoivan, chew, cud. give, gift. cleave, cleft. A.-S., mag-an, be able, might. drive, drift. see, sight. A. -S.j fleog-an, fly, flight. stand, state. do, deed. weigh, weight. draw, draught. mow, mead. Goth. , fi-an, hate, feud. sow, seed. 164. Other primary nouns of the form (3 -\-.) are formed from roots, by the endings m, n, and er. They are mostly concrete, more rarely abstract. 165. Form (3 + *m). blow, bloom. sew seam, glow, gleam. tow, team. 166. From (3 + en). gird, garden. bear, burden. 167. Form (3 + er). , , /"butter, Goth., fodj-an, feed, fodder. A.S., bu-'un, dwell, bower! A - 8 -> sle ^ aH ' sla ^ slau S hter - Ger.j fang-en, take, finger. Goth., tundy-an, kindle, tinder. (3 + .). 168. Another class of primary nouns of the form (3-|-.), are formed from roots ending in a clipping of class (8), by the conversion of it into one of class (4) — (canon 4. 8.) They mean the effect of the action (3). bak (bek), batch (bar). stick (stik), stitch (stic;). break (brek), breach (brjc). speak (spjk), speech (spje). dig, ditch (dir). smack (smak), smatch (smctq). wake (wek), watch (wor). 56 ETYMOLOGY. 169. Form (S + th.) Another class of primary nouns of the form (3+.) are made of roots, by the ending th, (d) . They are mostly abstract, rarely concrete nouns. Goth., ar-an, till, bear, earth, birth. A.-Sax., brced-an, make broad, brew, dip, go deep, dear, die, foul, breadth. broth. depth. dearth. death. filth. A.-Sax. > heel- an, health. Icel.j nicer -a, praise, rejoice, long, mirth, length. A. -Sax., slawi-an, be slow, steal, strong, sloth. stealth. strength. A.-Sax. 4 treowi-an, (certum esse,) well, weal, weor^San, become, young, truth, troth, wealth, worth, youngth, youth This ending -th, is -iths and -itha in Gothic, *"§ in Anglo- Saxon, and in German t and end ; and in Icelandic, S, d, t and -mid. A.- Sax., tredw-ft, truth, troth. Germ., jug-end, youth. ge-burt, birth. Icel., leingft, length. breidd, breadth. dypt, depth. vitund, knowledge. Goth., ga-baurths, birth. diupitha, depth. In Kafir, (im+3). In Magyar, (3-f-al), hal, die; halal, death. (3-f-at), el, live; elet, life, &c. ETYMOLOGY. 57 170. Form (3+%). Verbal Nouns. Roots with, the ending ing, make another set of nouns called verbal nouns, of the form (3+.) ; as, an ( offering ' for sin. a man of f learning.' the ' washing' of regeneration. the ' singing' of birds. They are abstract nouns. This ending was, in A. -Saxon, ung, ing ; in German it is ung ; in Dutch, ing ; in Icelandic, ing, ung ; in Gothic, tins. A.-Sax.j halgung, Germ., heiligung, > a hallowing. Dutch, heiliging, J Icelandic, sigling, a sailing. djorfung, a daring. Gothic, ustaikneins, outtokening, manifestation. In Latin the ending ing of (S-\-ing) is often represented by *tio, tura, sus, turn, *go ; and in Greek by (fig, vj. Lat., em-o, emp-tio. land-o, laud-atio. dic-o, dic-tio. mut-o, mut-atio. gest-o, gest-atio. solv-o, soln-tio. capi-o, cap-tura. col-o, cul-tura. nasc-or, na-tura. fulci-o, ful-tura. derid-eo, deri-sus. CUIT-O, cur-sus t cens-eo, cen-sus. eveni-o, even-tus. consul-o, consil-ium. move-o, mo-tus. gaud-eo, gaud-ium. vert-o, vert-igo. The Latin supines in um and u seem to be nouns of this form, (3-\-us). Ledum ire, is ad ledum ire, to go for a reading ; and difficilis fadu, is difficilis in fadu, difficult in the doing. The noun (3-\-i?ig) with its concrete meaning, as that of 'collection' and ' section,' when they mean not the act of collecting or cutting, but the instrument of the action or the lot of things effected by it, is often represented in Latin by nouns of the form (3-f-mentum), and (3-f-raen), (3+ium). al-o, ali-mentum. lig-o, lig-amentum. doce-o, docu-mcntum. movc-o, mo-mentum. jug-o, jug-umentum. orn-o, orn-amentum. 3§ 58 ETYMOLOGY. ag-o, ag-men. can-o, can-men, car-men. (Can. 3. 6.) cant-o, cant-am en. cert-o, cert-amen. flu-o, flu-men. gest-o, gest-amen. medic-o, medic-amen. nuo (to nod), numen ; a nodding, thence a will of the Deity, for-o, for- am en. lib-o, lib-amen. teg-o, teg-men. conjung-o, conjugium. nub-o, nuptiee. relinquo, reliquiae. In Greek the English noun (3-\-inff) is often replaced by (8+fl-iff), and (3+$), (3+«), (S+og), (3+f*«). /3«/v-0, $d,ffig. ficcvr-oo, fia(pv\. $s -open, Ssvi ficc) as oa -ro-balay, a small house, from balay, house. 175. Form (1+.) Bad or Unworthy Nouns. In Latin (1-f-aster), poetaster. 176. Form (1+.) Nouns of Likeness, or Madeness, or Artificiality. Some languages have a most handy kind of nouns (1+.) for the names of things, like or made like the noun (1), and therefore the names of artificial things. In Bisaya they arc formed by repetition of the noun ; as, tauo, man; tauotauo, a mock-man, a made-man, an image; 6.2 ETYMOLOGY. bagol, shell of coco; bagolbagol, a mock-shell, the skull. Sometimes of the form (1) by insetting into it the breath- sound in, as bato, stone; b-in-ato, hard (plane-tree), stonelike (tree) . In Cree their form is (1+kon). niska, goose ; nisk-ekon, an artificial goose for a decoy* wdtee, a hole in the ground, cavern; wdtee-kon, a made- hole, cellar or vault. mistick, tree ; mistick-oo-kon, a made-tree, a pole or flag- staff set up. In English this form is (2+1), and sometimes becomes (mock+1), or (sham+1). 177. Collective Nouns. Some languages have forms of nouns called collective nouns, for lots, or sets, or collections of things of a name. Germ., ge-birge, a range of hills, from berg, a hill. Bisaya, ca-|-(l)+han, ca-tauo-han, a crowd, from tauo, man. Finnic, (1+sto), faiva, ship; laivasto, fleet. Lapponic, (1+loge). 178. Nouns of Past and Coming Time. In Lapponic there is a good form for nouns of coming time (1+asas), as irg, bride; irg-asas, intended bride. In Icelandic, (1+efni), mdgs-efni, intended son-in-law. In English we have taken Latin words, quondam and ex, for these nouns, as quondam-pupil, ex-king of France. In Latin, present, consul ; past, vir consularis, a man who has been consul. 179. Form (1+.). AUGMENTIVE NOUNS. The English language does not own any augmentives, or forms of the noun for large or ugly things of their name. In Italian their form is (\-\-one) (\-\-accio), &c, and we have borrowed some of them into English. ballo, bale. . ball-one, balloon. sala, hall. sal-one, saloon. tromba, trumpet. tromb-one, trombone. ETYMOLOGY. Od 180. Form (l+ing), (2+ing). The Teutonic languages have some nouns of the form (\-\-ing), (l-\-ung), (2-{-ing), which are not diminutives. A.-Sax< r feorft, fourth ; feorfting, a farthing. I eel., fjorftungr, a fourth part. A. -Sax., here, a troop, shoal; herring. Icel., Sjdland (Sealand) ; Sjdlendingr, a Sealander. IceL, ferhyrn (four-horn) ; ferhyrningr, a fourhorning, square, white, whiting, (fish). 181. Form (3+.). Noun of Agent. The noun of the agent mostly takes in English the form (3+er). bowl-er. read-er. build-er. writ-er. In A. -Saxon the ending is -ere; German and Dutch, -er ; Icelandic, *r, -ari, -i. A. -Sax., redf-ere. Germ., rdub-er, robb-er. Du., maaker, maker. Icel., brefber-i, brief-bearer, letter-carrier. hird-ir, herder, herdsman. skrif-are, writer. In Latin this noun takes the form (3-\-tor), (S-\-a), (3+o), (S+ius), (l+ista), (l+istes). In Greek, {S+evg), (3-f-T^p), (3+T*fc). ag-o, ac-tor. incol-o, incol-a. scrib-o, scrib-a. imit-o, imit-ator; f^o fudms • lana ' lanista - 9 ' cithara, citharistes. Greek, yfa-o^ui, beget; yovevg, parent. hv\Ksca } destroy; ^Av)t^, destroyer. fiuivw, go ; /i«T«p, a goer. ypoitpu, write; ypuqevg, writer. jtpi'vw, judge; apirrig, a judge. 64 ETYMOLOGY. In Irish the form is (3+oir) . millce-oin, destroyer. In Russian, (3+me.7ii>), &c. In Turkish, (3+jjj). (3+jj). bak, look; balqjj, spectator. dilen, beg; dilenjj, beggar. In Greek, as in Arabic and Persian, the active participle often takes the place of the agent-noun. 6 tvktoov, striker, active participle of tvktu. In Japanese the form is (1+ts). yomi-ts, reader. kaki-ts, writer. In Arabic, kotib, writer, active participle of kataba, to write. In Cheremissian its form is (3-\-oza) . In Kafir, (wm+3+i) , um-teng~i y a trader, from teng-a, to buy. In Finnic, (3+k), (3-\-uri). In Mongolian, (3+^i). In Basque, (3-{-tzalle) , (3+/e), (3-\-iaria). These nouns often take in English the form (1+1), where one stands for the matter under the agency ; as glass-blower, shoe-maker. In Magyar, (I+05), asztal, table; asztalos, table- wright. (l-\-dsz), hal, fish; haldsz, fisher. 182. A liker or fancier of a thing, as a science or an art, or flowers or animals, the Greek (phil + 1) is in Bisaya (maqui+1). In Australian, (1+1), buy a, fish; kuyameyu, a fisherman. 183. Some languages have agent-nouns of two forms ; one for the semelfactive or one-time agent, and another for the habitual or many-times agent. Under the sentence, ' John is the writer of that letter/ the writer is one-time agent ; but under the sentence ' John is a writer in a lawyer's office/ he is habitual agent. ETYMOLOGY. 65 One-time Agent. Habitual Agent. Greek, 6 ypoL-itetQ, . . . . 6 ypatpevg. Bisaya, (mag-soraf), 6 ypcc^ag, a writer,! f {mag-so-soraf) , as the writer of a letter. J \ a writer officially. Mongolian. . . . (3+ a participle), . . (3 + <$« Basque (3 + fe)? .... (3 + taria). In the Cree language the place of the form (1+er), the name of the habitual agent, is taken by the frequentative form of the verb : Mth&sku, he lies. ka kithasku, he lies with iteration ; he is a liar. 184. Forms (1+m/), (2+m/), &c. Noun of Place, etc. There are in English a few nouns of the form (3-f-m/) or (1+y), or (1+m/) or (2+m/), betokening the place of the action or agent, and collections of things. {l+ery). lott-ery, shrubb-ery, rook-ery, swan-ery. (2+ery). (3+en/). fin-ery, brew-ery, forg-ery. (1+?/), smithy. In Latin these nouns are found under the forms (l-f-*n*wm), (l+etum), (l-\-ile), &c; as aviarium, arboretum, suile. Basque 3 (l-\-queria) . 185. Forms (3+*/), (3+cr), &c. Noun of Instrument. The nouns of the instrument are of very irregular formation in English. Some of them are of the form (3+*/) and (3+er). gird, girdle. shoot, shuttle. lade, ladle. spin, spindle. prick, prickle. stop, stopple. dust, duster, grave, graver. rule, ruler. scrape, scraper. snuff, snuffers. 66 ETYMOLOGY. Some are in the form of the verb-root, as bellpull, shoelift, a press. Some are not formed from the root, as gun, hook, pen, spoon. Latin, (S-\-trum), &c. aratrum. Greek, (3+e/bv), (3+Tpov), yputpeTov, 7rXvj^rpov. In Arabic the noun of the instrument has a set form shape n from the trilateral verb, as miftah, a key; from fat a ha, to be opened. In Hindoostanee its form is (3+.) . 186. Nouns of Quality. We have a large class of abstract nouns of quality of the form (1+.) and (2+.). (1+hood), (2+hood); (1+ship, (2+ship). boy, boy-hood. woman, womanhood. child, child-hood. God, Godhood (Godhead). (2+hood) hardy, hardi-hood. likely, likeli-hood. fellow, fellow-ship, seaman, seaman-ship. heir, heir-ship. son, son-ship. owner, owner-ship, workman, workman-ship. A.-S.fWeorft (honour) worth; weorSscip, worthship, worship. The ending -hood is in A.-S., -had. cild-hdd, child-hood. mceden-hdd, maiden-hood - head Germ., -heit ; kind-heit, childhood. Du., -held; kinds-heid, childhood. Sived., -het ; sdllhet, happi-hood (ness) . The ending -ship is, in A.-S., -scipe ; frednd-scipe, friendship. Germ., -schaft ; freund-schaft, \n- i -i • Du., -schap ; vriend-schap, J P* Dan., -skab ; ven-skab, friendship. Swed., -skap ; vdn-skap, friendship. Icel., -skapr ; fjand-skapr. foeship. M.Go.,-iskei ; barnwiskei, child-hood. In Latin a form of this noun is (l-\-itia), (l-\-atus) ; and in Greek (l+£/#), (1+^uvv]). hat., amic-us, magister, consul, puer, amic-itia. magistr-atus. consul-atus. pueritia. ETYMOLOGY. 67 Greek, irciTp-os, eruip-eiv. Lap., (l-\-ivuddt) . Bisaya, (ca-\-l), tauo, man; pag-ca-tauo, manhood. Finnic, (l-\-us), (l-{-ute), &c. Basque, (I-\-tasiina) . In Irish, (1+**), (1+acs). car aid, friend; cdirdeas, friendship, taomeac, chieftain; taoimgeacc, chieftainship. Russian, ( 1 + chibg ), corls^t), slave ; cocJs^ciiibo, slavery. Persian, (1+e). (mard), man; (marde), manhood. In Hindoostanee, and also in Arabic, though it is a Shemetic language, the form of this noun is (!+.)♦ 187. Form (1+.) (1+1.). Patronymics. Many languages own a set of surnames for the designation of children of the same father or family. They are mostly of the form (1+.) or (1+1), with the name of the father for a ground word. There are a few of such names, such as Johnson, Richardson, Williamson, that are now fixed as lasting surnames of families in English. In Welsh it is {Ap-\-Y), and in Irish (ilfac+1) and (Mic+l) ; as, Ap-David, Ap-Hoel. Mac-Donald, Mac-Cormac. Domnall Mac Emin, Mic Cainnaich Moir. In Greek it is (1+*^) masculine; (l+'V), (l+«0* &c - feminine. NeflTopAtis, son of Nestor ; iEneades, son of iEneas. NfflTcptej daughter of Nestor. Laertias, daughter of Laertes. DO ETYMOLOGY. In Russian, (l-|-oBHq-b), (l-f-cBiiq*), (l-L-nqi,), for men; and (1+OBHa), (1+eBHa), (l-f-Hnma), for women. Alexander jvanervjc. . . . Alexander, son of John. Yakerv Termjc James, son of Thomas. Anna Alexandruvna, Anna, daughter of Alexander. In Finnic, (1-^-nen), Vs son; (l-\-tar), Vs daughter. 188. The Teutonic languages, and some other tongues of the Indo -Teutonic division, such as Greek and Persian, are markworthy for their ready formation of an unlimited store of nouns and adjectives by composition of others. This compo- sition is the pride of these languages, as it is a power whereby they can form new words to endless length and with wonder- ful ease, for the taking up of new objects and notions as they arise to the mind. The form of the nouns is, 189. air-balloon, bedstead, cupbearer, daybook, firepan, goatherd, (i+i)- hawthorn, kneepan, landlord, malthouse, nightwatch, penknife, railway, sheepfold, thunderbolt, watchman, windmill, woodcock. The German and Dutch, with the Icelandic and other Scandinavian tongues, are rich of these compounds. Icelandic, vagnsldd, wheel-rut; mjafi-drecka, mead-bowl; fjand-maftr, foe-man. The following Icelandic ones of the form (\-\-efni), for which we have no good representatives, are very useful : konungs-efni, king's-heir, or successor; i.e., crown-prince. prests-efni, priest that is to be. mdgs-efni, future son-in-law. These compounds are found also in Celtic languages, and in Persian, Hindoostanee, &c. ETYMOLOGY. 69 Irish, laim-dia, hand-god ; i.e., a teraph or household-god. Persian, jini start, fairyland; gulzar, rosebed. Hindoost., nishanburdar, standard-bearer; gh rasal, horse-place, i.e. stable. The Greek is also very rich of these compounds : fieXovTuaig. vuv altitudo. coecitas, capacitas. durities. sequor, calor. In Greek this form of (2+.), is (2+otvjj), (2+^^?), (2+/«), (2+ means ( from/ (See Xy lander's Albanian Speech) . " i aovp.e novpixe (yyce,) ToiXiXctlcc fibre -nkg riy e de (yjca) Yovlulu" — (Mark iii. 7.) ' A great multitude from Galilee followed him, and from Judea/ " %o pie ; fiopeXe VT6 yi/xpersp} re nieXfieT ears [xe i puij (yn#) oli. ( He that is least in the kingdom of heaven is greater than (from) he/ y4 ETYMOLOGY. The increase of examples of this coincidence makes it less likely that it is an accidental one. It is true that in some languages, Latin and others, there are two modes of rating the quality of one thing from that of another. One of them is the mode which we are tracing, — that in which the thing with the quality of another rated from it, has the same case-tokens as a thing with an activity from it, — and the other mode is the conjunctive mode of two subjects, in w r hich the noun of the thing with the quality rated from it, follows a conjunction in the nominative case. 1st mode. Argentum vilius [auro] . 2d mode. Argentum vilius quam [aurum] . So in Welsh the form is, ' She is fairer not, or nor, her sister ;' i. e., she, not her sister, is fairer. The latter mode may be dismissed for a short time, while we are tracing the first through other languages. The first, as well as the latter, may be taken for the ends of induction in the discovery of the laws of the classification of cases. In Anglo-Saxon, through the fewness of its case-forms, the noun of a thing with a motion from it, is put in the dative case-form : " Da comon pa men of (6n) our word 'than' is used chiefly in adverbial expressions for ' )?am/ which is the from- ness case-form of ' se/ and means ' from that/ so that ' Ge synt selran ()?onne) manega spearwan/ (Matt, x, 31.) is 'Ye are better from that (which) many sparrows (are) ; ' i. e., ye are better, rating the quality good from what sparrows are, so that the token of fromness, although it is not in ' spearwan/ is in 'Jjonne;' and Mr. Bosworth says, in his Anglo-Saxon Grammar, that "when the words 'J?onne/ f J?senne/ or ')?e/ are omitted after a comparative, the following word is put in the genitive or dative case," the fromness case-form j or, that when there is no pronoun upon which the law (if there be such a law) can hold, it holds on the noun. Hence we may deduce a resolution of the Latin form, ' argentum vilius quam aurum/ which seems to be elliptic for a argentum vilius (ab ea ad) quam aurum vile est." i silver is viler, rating from that quality to which gold is vile/ So in the Basque language we find " Ez jaatoc i-r-e zaldija (baiio) lodiric;" ' No horse is fatter (than) yours/ In Zetlandish, 'more than ' is ( mour az/ and in the German, u listiger (als) der hund," 'more cunning (than) the dog;' and in Greek, i ce^vorepov vj apery. 3 102 ETYMOLOGY. The words 'bario/ and 'als/ and 'if/ may have a like origin, from a pronoun, as our word ' than/ and may etymo- logically have the case-token of fromness. But this wants further inquiry. 245. It is true there is a form of comparison in which the noun of the thing from which the quality is rated is governed by a word of the meaning of our word ' over/ or f beyond/ and therefore may have no case-token of ' fromness ; ' but in that form the adjective is mostly in the positive, and not the comparative degree. It is thus : c Snow is white above, or over or beyond, linen/ Latin. " Scelere t ante alios immanior omnes." Mneid, lib. i. 347. 1 Praeter cseteras altior/ In Luke xvi. 8. we have