?OCIAl 'ELLOWS ^ T P: S T E P H E N S i^^^ Class Book. Copightl^?. ■^\u CfiPXRIGHT DEPOSm WORKFELLOWS IN SOCIAL PROGRESSION BY TEE SAME AUTHOR The Gbeek Spirit 12mo cloth, $1.50' Pillars of Smoke 12mo cloth, $1.25 Stories from Old Chronicles 12mo illustrated, $1.50 American Thumb-Prints 12ino cloth, $1.50 The Mastering of Mexico 12mo cloth, $1.50 WORKFELLOWS IN SOCIAL PROGRESSION BY KATE STEPHENS depyiYj ds r ovetBog, — Hesiod Work is no blame. But lack of work a shame. flew lorft STURGIS & WALTON COMPANY 1916 Copyright, 1916 By STURGIS & WALTON COMPANY Set up and electrotyped. Published, October, 1916. /££ DEC 16 1916 ©GI.A44681'i CONTENTS PAGE Pbologue: Is There Social Peogeession? . . 3 OuB CouNTEY Newspaper: the Genesis of ITS Spieit 19 Forerunners of Women's Collegiate Educa- tion: AND Mary Astell 83 Uses and Abuses of Two English Words: Female; Woman 171 Plato's Imperishable Epigram: and its Trail of Light 217 Fables of Bronze and Iron Ages: of To-day 241 "Tobacco Battered and Pipes Shattered About Their Ears that Idly Idolize so Base a Weed"; by Joshua Sylvester, Puri- tan 287 PROLOGUE: IS THERE SO- CIAL PROGRESSION? The odd thing is that in spite, or perhaps by vir- tue, of his absurdities man moves steadily upwards; the more we learn of his past history the more groundless does the old theory of his degeneracy prove to be. From false premises he often arrives at sound conclusions: from a chimerical theory he deduces a salutary practice. Preface to "Psyche's Task" J. G. Feazee. The study of history seems to me, of all others, the most proper to train us up to private and pub- lic virtue. . . . I think that history is philosophy teaching by example. "Of the Study of History" BOLINGBEOKE. All our hopes of the future depend on a sound understanding of the past. "The Meaning of History" Feedebic Haeeison. for the centuries to be. Of beauty and simplicity, When wisdom, truth, and love shall reign, And science slay disease and pain. When all the nations shall be blent Into one loving parliament, When wars are done, and earth shall be One peaceful, happy family. "The Gates of Silence" ROBEET LOVEMAN. PROLOGUE: IS THERE SO- CIAL PROGRESSION? **We are about where the ancients were," said a noted critic of life and let- ters — neighbor at Harvard University of men who delighted to tell of evolution from the ** first appearance of rudimen- tary nerve systems in creatures as low as star-fishes up to the most abstruse and complex operations of human intelli- gence.'* *'We are about where the an- cients were,'' this critic said to me one day, *^not advanced, surely. Their writ- ers are not approached by any to-day. I do not see evolution. In time recorded by human writing men have not changed. Minds are no closer in grasp nor deeper in penetration." ^*Look at the old-time Greeks," spoke up another conservative. ^* Where do you find a better mirror of the woe and 3 4 WORKFELLOWS IN PROGRESSION passion of man than the Iliad? — ^where so complete a consciousness of the moral law as Sophocles' drama? — ^what so sat- urated with knowledge of human nature as Euripides ' plays ? — our politicians, do they build as framers of Greek constitu- tions and workers for the perfection of Greek city-states built? — do artists put before us such beauty as Pheidias and his fellows blazoned in Athens? '*What product of to-day is equal to that of the mighty minds of old?'' con- tinued the conservatives, *^when loftier works interpreted alike populace and thinker; when the Parthenon rose through racQ enthusiasm, race religion and race taste; when the pan-Athenaic, folk-festival, meant all Greeks of the* city of the Golden Grasshopper; when the Greek commoner, conserving a corpo- rate ideal, sensible of the values of his folk legend and preservative of his fore- fathers' bequest, found himself embodied in his religion, his ethics, his art, his poli- IS THERE SOCIAL PROGRESSION? 5 tics ; when, in fact, wliat he thought and did impelled to great embodiments. ** Consider works of the Latin people," the conservatives went on, *Hhe Eo- mans, whose calmer minds wrote down what life was telling before their eyes, until the * Consolations' of Boethius rounded into ten centuries the produc- tiveness of a war-intoxicated race. Since men set down their reflections on papyrus and parchment, human capac- ities have grown no stronger, no clearer, nor have thought and action become more directive." **This may be true of the individual mind," answers to-day's radical. ^*But if we have no master-minds in art and state-craft, no peaks rising to the SBther of unapproached ideal, still general so- cial conditions prove evolution. Men and their activities are knit closer. Sympathy is more universalized ; feeling more collective. Democratizing society has allowed play of men's social instinct, 6 WORKFELLOWS IN PROGRESSION or turned their impulses into broader, more rational channels, and pronounced against inefficacious, ephemeral, self- destructive individualism. Bound the earth people are living on a higher plane. The social will may not yet have become sufficiently conscious and compelling to give us heights towering above the plane. Greece was a tiny group held together by spiritual qualities, and, in what she was not reversive, a prophet for nations to follow. The world is not yet a purged Hellas which it will become. ** Human life averages higher than in the days of Plato ; and doubtless chances of recession are less. Bread, and circus and human torture do not assuage now- a-days, as they once pacified proletarians of imperial Eome — a people degenerated by militarism and economic conditions it produces, and doomed by oriental in- pourings either to eviction from lands they had owned and cultivated to a city- life of dependence on odd-jobbing and IS THERE SOCIAL PROGRESSION? 7 charity, or to stay by their lands and become serfs. The ribald jokes of that old city's populace in the years of its imperial glory, the people's floating stories reported by satirists, would not in our day be endured. For the soul of the people is higher. And as to con- ditions in ancient Greece — ^let us not for- get that in Athens, and elsewhere, much of the drudgery and benumbing work was done by slaves. * * The measureless work of the world, ' ' continues our radical, **and in saying this we do not speak of the devastation of war, the appalling destructiveness by which the science of war is now impover- ishing mankind, but of the quenchless pain of the real work of the world — the digging of earth; cutting and construc- tion of stone and moulding and building of metals; traffic of men and travel to and fro; raising of crops, cleansing of habitations ; feeding and clothing human bodies — such daily reparative routines 8 WORKFELLOWS IN PROGRESSION still burden the race's will, healthily at times, and yet more often leaving neither strength nor freedom for the mind's nimble service. Our science, you know, declares fatigue a toxin that kills brain activity. Eepetitious drudgeries dwarf the soul of the people, we say, by dead- ening initiative, constructive effort. They darken morals, also, for what Aristotle wrote is true of all time, *A man's constitution should be inured to labor, but not to excessive labor, nor of one kind only. He should be capable of all the acts of a freeman.' << * Wings unfurled sleep in the worm.' Certain species of lepidoptera split and cast many a skin in passing from early larval life — before they reach the con- spicuous beauty of 'the membraned wings, So wonderful, so wide, So sun-suffused, . . . things Like soul, and nought beside.' IS THERE SOCIAL PROGRESSION? 9 By some such process — a crude simile, I admit, but let it pass — hy some such way men^s associated life may be mov- ing, in the pain of its creeping towards psychic freedom sloughing off character- istics undesirable and destructive for human living, and putting in their stead characteristics better fitted for brother- hood. **0r, this merged individuality, this social will, may be likened to a glacier, pushing onward, crushing, grinding, pul- verizing with limitless pain; but as it moves clarifying and cooling and giving off living waters. Still, in the on-shov- ing centuries, even when stunted by wars and exhausting labors, it is learning the truth with more and more certainty, be- coming more and more conscious of right and practice of justice. What Wallace called the cumulative effects of the ac- quisition of knowledge does intermit- tingly develop, and then a general ad- vance astounds generations and gives 10 WORKFELLOWS IN PROGRESSION an age of marked characteristics and marked social progress. *^ Inheriting civilizations of centuries, we are not merely what Sir William Temple, about the year 1690, called us — we modern dwarfs, standing on a giant's, the ancients \ shoulders, thus seeing more and farther than he. William Wotton hits nearer the truth: * Comparatively speaking the extent of knowledge is at this time vastly greater than it was in former ages.' And mark the gain in breadth and the spiritual results of dis- semination since 1694 when Wotton wrote this. The way has been long, the pace slow, we repeat. But count what the soul of the people has won! Social ideals, sense of conduct, better codes of duty, better codes of virtue. *' 'But dig down: the Old unbury; thou shalt find on every stone That each Age hath carved the symbol of what god to them was known ; IS THERE SOCIAL PROGRESSION? 11 Ugly shapes and brutish sometimes, but the fairest that they knew ; If their sight were dim and earthward, yet their hope and aim were true.' *^ To-day, with us, this secular, people's will is striving through a compelling social conscience, the conscience finally pushed into a world-force in throes of the Great Eeformation — through the Eeformers' resistance to pressure upon their liberties. Inseparably linked with this conscience, also, is the old Puritan idea of the commonwealth and its edu- cation which would mark off the educa- tion that confuses and weakens from the education that clears and strengthens and would make a new moral world for all peoples, and better for this and future generations, and wherever they may have their habitations, all dwellers of the earth. Our democratic, on-sweeping will and conscience, our soul of the peo- ple, so declares itself — that men and 12 WORKFELLOWS IN PROGRESSION women of future generations, and even of to-day, shall have such a common weal and shall be more vigorous in morals, mind and body, than peoples of the past. **A strange insight of the seventeenth century forecast such possibilities for our gift to the world spirit, when Wot- ton wrote : ^ So some future Age, though, perhaps, not the next, and in a Country now possibly little thought of, may do that which our great Men would be glad to see done; that is to say, they may raise real Knowledge, upon the Founda- tions laid in this our Age, to the utmost possible Perfection, to which it can be brought by mortal Men in this imperfect State.' 'This,' adds Wotton, 4s what one would gladly hope should be reserved for his own Posterity and his own Coun- try. ' Have we enough of the old Puritan spirit to develop such an inheritance aright? **That we are moving in steady im- IS THERE SOCIAL PROGRESSION? 13 provement and endeavor to make our moral progress keep pace with material progress is surely not an idle dream of optimists — such as Anthony a Wood would call ^magotie-headed.' Advance in spiritual acquisition, founded on the well-directed use and extension of prac- tical arts of life, is not a mere vagary. Kailways carry Krupp cannon far; but they carry steel ploughs and pruning hooks farther. Telegraph and telephone may have borne messages that shattered the peace of the world; but they also carry to remotest corners teachings of the solidarity and interdependence of all earth's people. **Even to-day's knowledge and inven- tion, and our intelligent utilizing of them for human advantage, old seers saw and foretold. For instance, Joseph Glanvill ventured in 'The Vanity of Dogmatiz- ing,' 1661, to say; *I doubt not but pos- terity will find many things, that are now but Rumors, verified into practical 14 WORKFELLOWS IN PROGRESSION Realities. It may be some Ages hence, a voyage to the Southern unknown Tracts will not be more strange than one to America. To them, that come after us, it may be as ordinary to buy a pair of wings to fly into remotest Regions ; as now a pair of Boots to ride a Journey. And to confer at the distance of the Indies by Sympathetick conveyances, may be as usual in future times, as to us in a literary correspondence.' In such ways did prophets shine out in past generations and hint at the realities that forerun our conscious and positive pur- suit of social well-being. *^And still further afield — centuries before Glan^ill — the * Chronicle of Lon- don,' so long ago as the year 1203, sug- gested such air visitors as a brilliant material civilization in 1915 and 1916, effected : * There were seyn f oules fleynge in the eyre berynge in their billes brennyng coles, whiche brenden manye houses'; and again in 1221, *at which IS THERE SOCIAL PROGRESSION? 15 tyme fyry dragons and wykkes [wicked] spirytes grete noumbre were seyn openly fleyng in the eyre.' " OUR COUNTRY NEWSPAPER: THE GENESIS OF ITS SPIRIT Yet still the New World spooked it in his veins, A ghost he could not lay will all his pains; For never Pilgrims' offshoot 'scapes control Of those old instincts that have shaped his soul. "Fitz Adam's Story," James Russell Lowell. The little county paper From the old home town, ah me, Has anybody died this week? Let's open it and see. . . . The editor is lazy and he don't get round much more To gather up the items at the blacksmith shop and store ; But here are all the funerals, and the marriages are told In simple old-time sweetness of an English style of gold. . . . It hasn't much pretension and it's still the same old thing It used to be when childhood filled the world for us with spring. But how we watch and hunger for the little sheet to come Each week from Homely Corners where so many friends are dumb. The little county paper, Oh, a welcome friend it is. With all its quaint old gossip Of a sweeter world than this! "The Little Country Paper," FoLGEB McKinsey in the Baltimore Sun. OUR COUNTRY NEWSPAPER: THE GENESIS OF ITS SPIRIT Our people who had the courage to pioneer in this country and form their government after their race institutions had a certain inborn spirit. When they made these United States and invited over the less fortunate of the world to share their good with them, we say, fore- fathers and f oremothers of ours kept an essential of theirs already enshrined in their race customs, traditions, language and literature — democratic, local, self- government. That self-government was funda- mental in inhabitants of Britain nearly two thousand years ago, Julius Caesar is witness. In the year 55 b.c, about the 26th day of August, having sailed from Port Itius in Gaul, now Boulogne in 19 20 WORKFELLOWS IN PROGRESSION France, Caesar landed Roman legions on that snug island off the continent of Europe where, in coming generations, it was fated our English stock and English speech should evolve. * * He thought, ^ ' he wrote, *4t would be well worth his while merely to visit the island, see what the people were like, and make himself ac- quainted with the features of the coun- try, the harbors and landing places. ' ' This was not all the shrewd and am- bitious Eoman purposed, however. He sought popularity at home, the then great capital and military centre of the world, by conquest of the natives of Britain, peoples celebrated, even in that day, for their fierce love of freedom — obdurate esteemers of liberty before all other possessions. To such men and women, enraged and horror-stricken, assembled near the flat shore and open beach between present-day Walmer and Deal, Caesar set forth his heresy of im- perialism, his principle of authority OUR COUNTRY NEWSPAPER 21 centring at Eome — ^the glory to the swarming islanders in having the head of their government at the capital city of Italy. In that imperial town their chief, a Roman, should dwell, and he and his Eoman advisers should govern them — alien, northern Britons that they were — ^in all conditions of life and death. The raw islanders would none of his offering. They preferred home-bred rulers and home-bred freedom. And when CsBsar finally drew up his legions to enforce his authority centring at Eome, unnumberd Britons died in battle, and others outright killed themselves, rather than bow the knee to Eoman as- sumption. But strength of arms won, and the island in large part became a Eoman province. Through many years imperial gov- ernors and legions held subject liberty- loving Britons. Bloody wars, exhaust- ing taxes, mutilation and starvation of the body, every heinous means of reduc- 22 WORKFELLOWS IN PROGRESSION tion and destruction a gross, material- istic power visited upon those would-be- local-self-governors. An individual, a man or woman, counted not a souPs or a body's worth, if only the imperial will prevailed. Yet, some two hundred years after Caesar's proclamation of conquest, Hegesippus wrote, '^Britons never will be slaves'' — ^his exact words were, ^^Britanni quid esse servitus ignorabant, soli sibi nati, semper sibi liberi." Cen- turies again passed. The island called other peoples across seas that wash its fair shores. The new comers settled and an amalgamation of bloods followed. Over in Rome the state was dying of its imperial megalomania. Still, the idea itself seemed not yet ready for ex- tinction ; and it set up an imperial order in relations of the spirit of man to eternity. The Christian community centring at Eome, that is, gradually grafting the mild, mystic, individual OUR COUNTRY NEWSPAPER 23 teachings of Jesus upon pomp and ritual of the old Roman religion and imperial Roman organization and administration, became not content solely with other- worldly preachings, but proclaimed the sovereignty of their overseer, or bishop, over all earth's people. So early as the second century the tale was broached. To English peoples a result of this Roman claim was that with their accept- ance, in the seventh century, of simple precepts taught under Syrian skies, and with their delight in fragments of the Gospels and Prophets translated from the Latin into their own rude tongue, they perforce took Roman tradition and zeal for imperial organization and au- thority centring at Rome. This accept- ance meant to the disrupted races of the island a temporary abrogation of their instincts. But in the secular process with which the collective mind, the social spirit, the justice of God pushes onward. 24 WORKFELLOWS IN PROGRESSION they finally evolved a government — ^with which the better systematized and more stable church united. In those days learning was in the keep- ing of the church. Chronicles of the time tell of dominating king and strong noble, priest and monk. Karely do they mention soil-dwellers — carl, villein and simple, unpretentious commoners. Look far in the writings of such imperialists and you find little indwelling, heart- warming, democratic fellow-feeling with the folk, the estimate of the human creature as a sole and complete unit working out his individuality in this life and needing at least a modicum of fructi- fied, fulfilled desires this side his grave. Nevertheless the idea of democracy, self-government, still abode in that folk of rugged English speech. All peoples are democratic in their beginnings. The difference between the democracy of English stock and others is that, in spite of absolutism supervening, in spite of OUR COUNTRY NEWSPAPER 25 such hindrances to its expansion as a secular aristocracy preserved by primo- geniture, from us the spirit can not be torn out, so deep in our nature run its roots. In this fixity, this radication, we find why democratic ideals inspired Eng- land's government through centuries, when state-paid preachings of the value- lessness of the people retarded evolution. Throughout hundreds of years, when the church which might have been a benef- icent tribunal was hardening into a rapacious, intollerable tyrant, the Eng- lish commons comforted themselves as did a mouthpiece of theirs. Preacher John Ball, of the fourteenth century, who, says an old chronicler, * 'began a sermon in this manner: ''When Adam dolve and Eve span Who was then a gentleman? And continuing, ' ' says the chronicler, **he sought to prove that from the begin- 26 WORKFELLOWS IN PROGRESSION ning all were made alike by nature, and that bondage or servitude was brought in by unjust oppression of naughty men against the will of God." All such pleas for liberty as this we have just cited have been smouldering fires of the people 's spirit — fires covered at times, as the Normans declared the Saxons' should be — ^but bound to seek the face of heaven wherever, in the race's evolution, its offspring might settle to pass their life-cycle of labor and love. Wherever any chance-usurping power might strive to curtail its individual liberty, this native, would-be-self -govern- ing-and self -ordering democracy of our stock has been apt to warm to wrath with a star-of-the-morning in hand, or to volley its indignation in arrows, or pikes, or muskets, or rifles to regain the liber- ties of the English people, which, even in Elizabeth's day, writers spoke of as **antient." And upon whatever land our race has taken root, democracy, re- OUR COUNTRY NEWSPAPER 27 gard for tlie individual being, has sprung in the institutions of the soil and dwelt there. The idea seems to be in us, an essential factor of our race subconscious- ness. In early comers to America this devo- tion to the democratic idea was strong. That the infarers were a human unit, trammeled by no social forms except those that had brought and welded them, dwelling upon a virgin land mysteriously stretching its fragrant forests beyond their exploring eye, increased such con- victions. They were fresh for the effort of working out mighty ideas and pushing those ideas into human evolution. They had left the old home with the winds of the Great Keformation still cleansing England's air, and when the Puritan ideas of a commonwealth were stalking abroad and in daylight. Habit of revolt and stand for individual freedom had become a part of their natures. A sense of isolation born of the habit of opposi- 28 WORKFELLOWS IN PROGRESSION tion had already stoicized, freed from littleness and uplifted their souls. But again we have to turn back, and this time to the seers and learned of a Semitic people dwelling thousands of years ago in a land east of the Mediter- ranean, who had set down the values of the agricultural life. Their estimate went into one of the greatest books the world has ever read — a seminal book for soil-tillers, the Bible. And now, in the seventeenth century, in this America, when the Puritan ideas of a self-governing commonwealth were abroad aihong the people, the sonorous voice of the old Semitic writings, their estimate of the soil-dweller, played a master part.^ For the colonists of our 1 The self-governing instinct of the English people had demanded translations of the Bible into their own tongue after their acceptance of Christianity, and after the time of Bede many fragments were rendered. Such works, dating from the ninth cen- tury, still exist. But Wycliffe in the year 1382 finally brought the entire Bible to English speech, OUR COUNTRY NEWSPAPER 29 Atlantic slope, besides inheriting the love of individual liberty of their birth-land, had seized upon and were worshipping the records in which the ancient Semitic folk, exultant in having a soil on which to dwell, had inscribed their living. Our colonists knew that conditions about the Hebrews of old and themselves had somewhat of identity — at one time wanderers without a home, would-be soil-dwellers seeking an abode, strong in faith and courage and community of in- terests, each with an undeveloped genius for bringing ideals to the world's better- ment. These later colonists had, too, as Jeremiah tells of Israel, gone after the Lord **in the wilderness," *4n a land that was not sown." To found a theo- when manuscript copies of parts of the work were multiplied and eagerly bought. Then, after printing came into use, Tyndale's and Coverdale's, and others' versions, made the folk familiar with their pages eighty years before the landing of our Pilgrims. The Bible in its English dress, let us not forget, entered a world where theology and its reformation were of chiefest interest. 30 WORKFELLOWS IN PROGRESSION cratic commonwealth was a great pur- pose of theirs here in America. A God- ruler of like conception to the old Hebrews' was to be their mystic head, and manifest vessels of his grace the guiders of their commonwealth's affairs. Thus our early American forefathers brought the old, concrete-minded He- brews' book to inhospitable shores and fed themselves upon its manna. Those stiff-necked, self-sacrificing, self-deny- ing, little-asking forefathers and fore- mothers of ours, in the blue and white of whose nerves and the red of whose blood was still vibrating love of liberty, love of the loc^l-self -government that CsBsar found ancient Britons and other north- ern peoples ready to die for, and to suffer more than death for — the liberty which the imperial Roman idea, whether of state or of church, had never been able to kill out — that people, with such an inheritance, took the informing soul of the old Hebrew scriptures into their OUR COUNTRY NEWSPAPER 31 lives with the fervor that one people will sometimes seize another's exalta- tion. In these colonists' view the Bible was holy of holies, the veritable voice of God. When, in the narrowness and material comfortlessness of their lives they held the book in their hands and with rever- ence undid its leathern covers, they found in its theocratic spirit governing all de- tails of life a breadth of vision that en- compassed the world. It opened before their eyes heights of human aspiration, and its simple, penetrating message searched the depths of every human heart. Countless of its precepts balmed their ills. For did they not own all that men needed to order themselves and their affairs in this world and for the world to come? No longer were their souls comfortless. The Old Testament, its simplicity, its concreting of values, the high philosophy of a part of it, bore to the Puritans espe- 32 WORKFELLOWS IN PROGRESSION daily an ideal of life. In their instinc- tive democracy they turned to records of the heroic age of Israel, the generations between Abraham and David, to those days when 'Hhere was no king in Israel bnt every man did that which was right in his own eyes,'' and to the later theo- cratic organization after the Captivity when a court or synedrium and high- priest governed Judaea, when laymen gathered in synagogues to read sacred writings and talk over their interpreta- tion. Aside from these Puritans no moderns have taken into their own lives the stern sincerity and contempt for ma- terial prosperity, the fervor for the moral law tfiat informed the prophets of that ancient people. Upon the curving hills and amid the forests of their new world these inf aring colonists upbuilt an English Israel. Many a New England farmer, housed in greying timbers upon some wind-swept height, worked the soil of his few acres, OUR COUNTRY NEWSPAPER 33 lived his elemental life and dignified his sorrows and joys by his conviction of their likeness to men's of holy writ — the affliction of Jacob, the triumph of Jeph- thah, the faith of David, the grief of Job, and the three types of friends zealous in comforting, pictured for all time, Bildad and Eliphaz and Zophar — ^his course made possible solely by the men- tal resourcefulness and untiring indus- try of a most marvellous *' help-meet," his wife. The family itself, and similar, neighboring families, formed an auton- omous unit. These people of the New World knew that the old Hebrew prophets were the Puritans of their times and people — ^to be a prophet was to be a Puritan. They knew that the inspired might be a simple soil-tiller. So in this later life of theirs, the New England farmer needed no special nor artificial training to exalt him to the service of his deity — ^to be a Puritan was to be a prophet. Twice 34 WORKFELLOWS IN PROGRESSION each day, needing no priest, separated from divinity by no vail he read to his listening family of thq people led by Moses and face to face with the Al- mighty. Self-instructed and self-con- secrated, he was oftenest like the moral reformer, Amos, of old, **a herdsman, and a gatherer of sycamore fruit, ' ' whom the Lord took as he followed the flock and said, **Go, prophesy unto my peo- ple. ' ' He might not be a poet in expres- sion, as the Hebrew, but he was a poet in soul; a thinker and ready to exhort against voluptuousness — that the chosen people might hear the word the Lord had spoken. Sometimes, like the elder Jacob, he combined religious fervor with a shrewd and crafty individualism. Conditions taught him. In consonance with the physical atmosphere of his New England, sternness and severity were his mental and emotive climate. To gain subsistence he had cleared his soil of forests with unmeasured toil, ears quick- OUR COUNTRY NEWSPAPER 35 ening to hear the approach of a de- stroyer ; and he had learned that axe and saw ring finest when they strike the clos- est knit and most enduring timber. *'Who would true valor see, Let him come hither ! One here will constant be, Come wind, come weather: There's no discouragement Shall make him once relent His first avow 'd intent To be a Pilgrim. ** Whoso beset him round With dismal stories, Do but themselves confound; His strength the more is. No lion can him fright ; He'll with a giant fight; But he will have the right To be a Pilgrim." Solitariness was his lot. *^The king- dom of God is within you." -Esthetic symbols ensnared approaches to the Divine, for, to such a religionist, when 36 WORKFELLOWS IN PROGRESSION attention to material forms entered spir- itual religion took wing. Eitual was desecration. And each neighbor of his, we say, suffered the same contagion. Their Master was about to come. Goodness, justice should reign, and a righteous world at last be theirs. They knew not the day or hour Triumph might glori- ously appear, perhaps in a month, a year — so much was fulfilling the prophecy — surely in the not far-off future. Such was their faith and estimate of values. A severe, narrow existence it mightily sustained. Among those dwell- ers, in this life they led — in no other by any possible pretence — grew that ** American conscience'' which has been, and still is, a dominant moral power round the whole earth — that American conscience of which the warring states of Europe sought, in 1914, '15 and '16, the approval. The great book, again, was at one with OUR COUNTRY NEWSPAPER 37 the agriculturalism to which the people's lives were constrained. In its report of the living of the elder people of the Covenant, its estimates were often of the real, primal things of life — so genuinely part of the terrestrial passage of man that terrestrial passage is not without them. This fact squared exactly with intense belief in elementals of daily life that has characterized our English- speaking peoples' strength and democ- racy — ^their inheritance, we have said, from peoples who had the trait before they had heard of the Bible, who were distinguished by it before the Bible was. Heirs of this spirit, when once they had grasped the book, they did not lose its bed-rock for human living. Birth of children, the life-events of nearby dwellers, ploughing, planting, harvesting, cattle-tending, the pursuit of goods enough to live wholesomely, the final debt we owe to the laws of nature, and always and everywhere service and 38 WORKFELLOWS IN PROGRESSION helpfulness to our neighbor — this was the sum of the moral life as their democ- racy saw it. This was the real triumph of the individual, the best product of duty for one's self and duty towards one's neighbor. Terah took Abram his son, and Lot the son of Haran his son's son, and Sarai his daughter-in-law, his son Abram 's wife; and they went forth from Ur of the Chaldees to go into the land of Canaan ; and they came unto Haran, and dwelt there. And again Abram took Sarai his wife and Lot his brother's son, and all their substance that they had gathered and the souls that they had gotten in Haran, and they went forth to go into the land of Canaan ; and into the land of Canaan they came. These elder families, their souls got- ten, their substance, their migration, were worth note in the most sacred and spiritual book the Puritan people knew. That book should serve also to register OUR COUNTRY NEWSPAPER 39 souls born of their own. It should record the great trinity — ^birth, mar- riage, death — of each Puritan offspring — a progeny strong, valiant, confident, conquering, settling in Merrimac, Con- necticut and Mohawk valleys; again democratized in bands of dauntless, ad- venturous, plodding pioneers trailing to the broad Canaanitic bottom-lands of the Ohio and Missouri; or, infused with a flexible modernity and facing the further difficulty and danger of trekking in wind- jamming prairie-schooners towards the Willamette ^s flood and the Golden Gate. In many races a first use of writing was in family annals, for instance among the early Greeks and Irish, in records on tombstones. The Bible's chronicling is a complete example, both as the book stood in its ancient form and in practical uses among our English-speaking Puri- tans. In those days, when the people forming the colonies had broken from the old home and church dominion, the 40 WORKFELLOWS IN PROGRESSION Bible was their holiest possession. It should be their family register. Their reasoning was natural, inevitable, in- deed, through need of the exact registry that loosely knit church and state did not keep. Of all places open to their need for record that was the most abid- ing. Those practical theorists were unconscious of what their reasoning gained through their religious satura- tion. Their justification was in the records of the Bible that chronicled the worth of human lives, gotten and seeking domicle, and in concrete phrase wrote down a husbandman's spirit. Thus .our *^antient-liberty' Moving f oreparents nursed their human interests and kept their human records. The generations making their entries lived in the faith that they were the heirs of the early folk and beloved of the Lord. Yellow sheets in the holy book of every family conserving such treasures follow the Old Testament pages. Time-saf- OUR COUNTRY NEWSPAPER 41 froned leaves, we say, blank save for the faded ink of family entries, set forth, in the uneven script of the hand unused to the pen, material and speaking evidence of the truth here bespoken. The very act of inscription witnessed their belief that they were a chosen people, a con- tinued Israel. Not only certain of their mental habits, often their given names were from the old Jews — those Jews, we repeat, whose family records foreran their family records in the binding of the book. The Old Testament had gripped them more firmly than the New. Thus our Puritans, extending their love of local self-government, the in- stinct for state-building that had char- acterized their English forebears, and in their constant reference for ordering their affairs multiplying the simple cul- ture of the great book they sanctified by their worship, — thus the Puritans went on accomplishing their mighty work for the human spirit, and towards the end of 42 WORKFELLOWS IN PROGRESSION the centuries they had distinguished by their social progress, one of the hand- maids of self-government — movable type — sought popular distribution. A sig- nificant history lies in the fact that the first book printed in movable type was the Bible ; and also in another fact, that the people indelibly marked by the Bible *s teachings were the first to make the type their everyday servant. When the distribution of this type was completed and put at hand means for speedy printing of records, country newspapers gradually sprang from the social soil of our American village and town. A people democratized, inasmuch as they had proved to all the world that their conscious progress was through free self-government, were secularizing and confirming their faith in a hereafter of ideal justice by endeavor to bring, so far as humanly possible, equity to life upon this earth. Not so often now did family-annals, I OUR COUNTRY NEWSPAPER 43 written in the old-home Bible, in its blank leaves twixt Old Testament and New, seem a nisi qua non. Those self- governing state-builders took the right not only to secularize their own family records, but also to deliver to their local press legends of neighboring patriarch and matriarch — to write simple annals of whatever good and ill might come to every hearth whose blue smoke upcurled in fragrant morning air and whose door opened upon a green sward. No pretence defaced such newsmonger- ing. Faith in the human being and lo- cal pride were its base. Its all-inclusive- ness forbade snobbery. Spiritual needs, economic needs and social needs lay still in lines as simple as those of the early people. And especially when our Civil War came, and every community marched forth its little band of brothers for the front, and dire news flashed over the wires after battles, and sympathy for another ^s loss quickened and united 44 WORKFELLOWS IN PROGRESSION all the neighborhood's people, a voice must be at hand to tell the pride and pain of every dweller. Each settlement must have its newspaper and every man and woman be its reader. In such ways as these it happened that the country newspaper and its personal columns — ^which are the surging, purple life-stream of its spirit — finally came to voice country habits and habitudes; the humanity that burgeons in a community which takes on permanence; the folk- humor that digs another in the ribs ; the willing ear for another's sorrow or joy; the helpfulness embedded in our hearts toward those less fortunate than our- selves. Thus our country newspapers became unconscious records, perhaps to-day the sole records not self-conscious and hav- ing to the student the interest of uncon- scious speech. They are a simple order- ing and organization of friendly neigh- borhood news — ^not unlike that Froissart OUR COUNTRY NEWSPAPER 45 delightedly received when *Uhe squire drew me apart into a corner of the chapel/' or such as the Mermaid Tavern, and London coffee houses of later cen- turies, purveyed — such as forebears of us Americans heard at the turnstile be- tween fields yellow with grain and scarlet with poppies, or at the post-seat of a cross-road, at the town-pump and foun- tain, or at the cornerstone of the farm, or resting on the old settle of the wayside inn, or at a raking of hay, or press of cider, or full-moon corn-husking, or early spring "sugaring-off"; or, again, at those points especially warming to tonguey gossip — ^the neighboring tavern and country-store — and also to-day's town club. For portraiture the papers' columns are of unexampled worth. You and I have never seen Cherry Vale, nor Willow Springs, nor Vinland nor Eudora. Neither kith nor kin of ours dwell in those groupings nestled close to Mother 46 WORKFELLOWS IN PROGRESSION Earth and strengthened by the electric current pulsing under her leafage.^ Yet good it is to hear this end-of-the-week news: Ira Rothrock hulled 57 bushels of clover seed last Saturday, which breaks the record for one day's work in these parts. Lloyd Duffee has received the nomination for county surveyor. Success to him. The Library supper was quite well attended last Wednesday evening though the threat- ening aspect of the weather together with bad roads, seemed to keep a good many at home. The supper was a bountiful repast, and very appetizing. Six huge chicken pies graced the tables. Their odor made one's mouth water as the knife penetrated them. J. Hammond lost a good horse last week — one of his greys. Ross Hughs, the road boss, got a horse and buggy last Sunday and went to see his best 1 Thousands of years ago the faith pertained that those who slept on the ground drew oracular wis- dom from Earth. Homer, in the Iliad (xvi, 234), ascribes such power to the Selloi, original dwellers at Dodona, guardians of the oracle of Zeus : 'afi ing, or paraphrasing, the two lines of Plato I did not then know. Of all Greek epigrams the verse stood to me as most perfect in expressing the simplicity of Greek art, its grace, its concise definite- ness, its surpassing quality of propor- tion, its effect of standing alone, sufficient to itself, unaffected by outside life. The PLATO^S IMMORTAL EPIGRAM 221 poem made such a swift, clean flight to the empyrean! Then there was its de- licious diction. And still another reason for the charm the epigram might work upon a student of the University of Kansas must lie in the star-sown night-skies of that land, rousing and lifting the imagination of those children of men who look up to them with loving curiosity — heavens marvellous in their myriad effulgent suns, the opalescent radiance of their Milky Way and infinities known only to the calculus of God. The distich persisting in my memory, some years later I sent my translation to a magazine in which it was published.^ Possibly the English words of a second and later version more exactly interpret their Greek cousins : Thou gazest on the stars, My star! "Would I might be, The skies 1 8crihner% May, 1889. 222 WORKFELLOWS IN PROGRESSION With many eyes, To look on thee. Interest in the epigram from my student essay in its lovely art, led me, in general reading and through years, to note translations, or if not exact translations paraphrasing, or approxi- mations of its imagination and diction, in our poets of English speech — ^pass- ages possibly inspired by Plato's dis- tich, or at least near kin to it. The notes perished by the wanderlust that is the heart of all detached papers. Those which follow are what I still have in memory. In the first place we ought to under- stand that, as Diogenes Laertius quoting Aristippus says. Aster (the third word in the Greek poem, aster, means star) — Aster was the name of a beautiful youth with whom Plato studied the science of the stars. The Greek Anthology of Hugo Grotius (edited by Bosch, 1797) puts it with Latin practicality: PLATO'S IMMORTAL EPIGRAM 223 *'In eum qui Stella vocatur SteUa vides coeli stellas meus, o ego coelum Si sim, quo te oeulis pluribus adspiciam. ' ' If we begin with those confessing themselves purely translations we may- then take the often brilliant and very- beautiful paraphrasings by our English poets. The first in time, so far as I now re- call, is that of Thomas Stanley, who died in 1678: *'The stars, my Star, thou viewest: heaven might I be, That I with many eyes might gaze on thee.'* A fine rendering, and one which has the merit of keeping in the English the word heaven, exact equivalent of the Greek. A test of its excellence is that it seems modern, of our own day; that is, it is not circumscribed or limited by any mannerism of speech of the translator's day. Stanley was a cousin of Eichard Lovelace — ^him of the famous, fastidious, 224 WORKFELLOWS IN PROGRESSION cavalier **To Althea from Prison." He was also a friend of James Shirley, writer of the perennial ''Only the actions of the jnst Smell sweet, and hlossom in their dust" — ^which we still put in our anthologies, if not in our lives. A man of feeling for letters and of real cultivation and wealth, Thomas Stanley had a genuine lyric gift, which he used in good measure for trans- lating singers of other tongues. He gave himself, also, to the aid of those not so pecunious as himself. The pub- lic eye of his own day he considerably filled. A contemporary called him **the glory and admiration of his time." Yet by all but the long-visioned lover of literature he is now forgotten. We are calling him back to earth to-day because of his beautiful rendering of Plato's two lines. Lord Neaves, *'a senator of the col- lege of justices in Scotland," is perhaps PLATO'S IMMORTAL EPIGRAM 225 the next translator of whom I had record. The Greek simplicity he presents in this way: *'My star, thou view'st the stars on high: Would that I were that spangled sky, That I, thence looking down on thee, With all its eyes thy charms might see/' Lord Neaves won higher honors in codifying the laws of nations than in writing metrical versions of Greek poetry. The stars on high, where stars commonly are, is palpably made to rhyme with spangled shy. Still, let us honor a great jurist who loved the quiet of his study, **the mighty minds of old,'' the ** never failing friends,'' and made translations from the Greek his pastime and delight. Peculiarities of this Scottish lawyer's version we find also in that of the witty Irishman and poet, Thomas Moore — a literary looseness or diffuseness, almost lack of conscience to our more truth- loving point of view. Moore's English 226 WORKFELLOWS IN PROGRESSION versions from the Greek anthology are often marked by a boyish nnconseions- ness of Greek spirit and Greek form. They gleam, one might almost say glit- ter, with Celtic facility, and not infre- quently echo English drawing-room fashions of the end of the eighteenth and early nineteenth century. Of Moore's translation of the epigram I think we find these defining facts true : *'Why dost thou gaze upon the sky? Oh ! that I were that spangled sphere, And every star should be an eye, To wonder on thy beauties here ! ' ' Another version of the distich Sy- monds, in ^ his ** Studies of the Greek Poets ' ' ascribes to Frederick Farrar : *' Gazing at stars, my star? I would that I were the welkin, Starry with infinite eyes, gazing forever at thee!'' The English welkin with its unusedness and archaic feeling seems unfortunate, PLATO'S IMMORTAL EPIGRAM 227 for the words of Plato are simple, nat- ural. Then, too, infinite and forever are not in the Greek — just as Lord Neaves' spangled shy, and Tom Moore 's spangled sphere and wonder on thy beauties here are not. And as for infinite eyes — a Greek was too genuine in his feeling for nature ever to say it — and he was also too reverent. Strange that Symonds with his sensitiveness and taste should have quoted such a translation! -If you lay beside it the rendering of the late Goldwin Smith, you will see more clearly the gifts of sincerity, fidelity, simplicity that mark that distinguished scholar's rendering; *'Dost scan the stars! would I were those skies, To gaze upon thee with their myriad eyes!'' Poetry, it is often said, is untranslata- ble. Spontaneous welling of sensibili- ties, an overflow of feeling impels the poet to song. The translator can hardly be excited by like spontaneity; his emo- 228 WORKFELLOWS IN PROGRESSION tion must be secondary. When, there- fore, we essay mirroring the man of the original enthusiasm, we should, it would seem, approach his work with such rev- erence that we strip ourselves of our- selves, so far as possible, and enter that spirit of life of which he was a part. Then, only, may we voice his feeling in our phrase. That is, a translation seems to be a bringing of the poet's knowledge, comprehensiveness, sympathy, sensibil- ity to speak through ourselves as his in- strument — a flute if you will — not an ex- pressing ourselves through his ideas. In this opinion I may be differing with my friend, Mr. Charles Fletcher Lummis, in his admirable verse ^ recalling the great distich : *'Star of me, watching the mother skies Where thine elder sisters be, Would I were heaven with all its eyes — All of its eyes on thee!" 1 In McClure's Magazine, February, 1911. PLATO^S IMMORTAL EPIGRAM 229 In passing from the solitary transla- tions of this epigram to the often very beautiful and suggestive paraphrasing by our English poets, we should, in point of time, take up those four lines in a son- net which Palgrave, in his ^* Golden Treasury'* ascribes to Joshua Sylvester. The sonnet, by the bye, I do not find in collections of Sylvester's poems printed near his time, and others would deny it him saying in none of his poems did he reach such heights as the sonnet scales. That is poor reasoning, even if facts bore it out. Sylvester did climb with swelling and reverberating song, as you may easily see by turning to pages 304 to 307 of this book. The four lines of his para- phrase which are the ninth, tenth, eleventh and twelfth of the sonnet, read in this wise : **Were you the earth, dear Love, and I the skies, My love should shine on you like to the sun. 230 WORKFELLOWS IN PROGRESSION And look upon you with ten thousand eyes Till heaven wax'd blind, and till the world were done." Sylvester was born one year before Shakespeare. The sonnet ascribed to him, and unmistakably of his day, evi- dences that this epigram of Plato's, so perfect that it is modern to every age, was familiar to the Elizabethans, and even then stirring the human heart and hand to work its gold into English wear. Shakespeare himself seems to have known its beauty. A critic has queried whether the mighty genius of the poet had not taken the conception and trans- muted it, as that genius transmuted much of the best of its earthly day and sealed it in marvellous verse. For instance, in reading the following lines in the sec- ond scene of the third act of **Eomeo and Juliet,'' you must, with a knowledge of Plato's epigram, pause and reread, and note the ascent of emotion, and won- der if the Greek, or any translation PLATO'S IMMORTAL EPIGRAM 231 Shakespeare may have seen, played any part in their composition: — **And, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world will be in love with night, And pay no worship to the garish sun.'' Dodd, in this book **The Epigram- matists," and quoting Steevens, I be- lieve, calls attention to a play **The Wis- dom of Doctor DodypoU," which was acted before the year 1596. Editors of Shakespeare have conjectured that ** Romeo and Juliet'' was written in 1596. Impulse for our quoted passage may, therefore, have been in this passage of the forgotten play : "The glorious parts of faire Lucilia, Take them and joine them in the heavenly spheres : And fixe them there as an eternal light, For lovers to adore and wonder at." A far cry from that to Shakespeare's 232 WORKFELLOWS IN PROGRESSION racy, clear-cut English and overwhelm- ing emotion, you will say. But the author of **The Wisdom of Doctor DodypoU," as well as the author of ^* Romeo and Juliet,'' may have known Plato's epigram. The age of Jonson and Drummond and Drayton was not one to let its grace lie hid, as we said above. In Shakespeare's restatement, whatever the source of the conception, is the new-bom outlook on life, the Eliza- bethan strength of interpreting nature at first hand, and a loveliness of phrase that make the passage his own.^ lA beautiful simile has appealed to us humans since long befqre the days of Homer, master in simile. Let us consider it for a moment. Passages that call to mind the manner of Plato's two lines are as far back as in the old Greeks when we have an unknown poet singing in a way, only singing more simply and purely, after the manner of this translation which Moore made: "I wish I could like zephyr steal To wanton o'er thy mazy vest; And thou wouldst ope thy bosom-veil, And take me panting to thy breast! "I wish I might a rose-bud grow PLATO'S IMMORTAL EPIGRAM 233 Not an Elizabethan but a Victorian poet, Francis Bourdillon, has made a dis- And thou wouldst cull me from the bower, To place me on that breast of snow, Where I should bloom, a wintry flower." Sonnets to a mistress' eyebrows, and also such similes, as for instance, Shakespeare's: "O, that I were a glove upon that hand. That I might touch that cheek!" did not begin with modern times. Nor do they owe their origin to the sentiment of chivalry, as often claimed. Have we not just now seen an old Greek poet talking in phrase as direct and untrammeled as a neo-romanticist might use? And not unlike expressions are among old Greek love tales and nov- els. Also they are in the ancient writings of the Hebrews. A song of like and exquisite simile, if we may step to the very bounds of digression, is by a certain Rob- ert Burns, against whom one could never bring a charge of borrowing from the Greek. The beauty and lilt of the first of the verses, by an unknown Scottish poet, are said to have so seized and warmed Burns' fancy that he sang in pure and bird-like note the equally beautiful second : "G were my ^ove yon lilac fair, Wi' purple blossoms to the spring; And I, a bird to shelter there. When wearied on my little wing! How I wad mourn, when it was torn By autumn wild, and winter rude! 234 WORKFELLOWS IN PROGRESSION tinctly modern suggestion of tlie great Greek's distich in the oft sung and oft quoted : (^ * * The Night has a thousand eyes And the day but one ; Yet the light of the whole world dies With the setting sun. * * The Mind has a thousand eyes And the heart but one ; Yet the light of a whole life dies When love is done. ' ' From this long wandering in pages of other poets suggestive of Plato the poet — from other similes of ardor to the real, tentative embodiment of the great epi- gram in -others' works — ^we turn to But I wad sing on wanton wing, When youthfu' May its bloom renewed. O gin my love were yon red rose, That grows upon the castle wa' ; And I mysel' a drap o' dew, Into her bonnie breast to fa' Oh, there beyond expression blest, I'd feast on beauty a' the night; Seal'd on her silk-saft faulds to rest, Tin fley'd awa' by Phoebus' light." PLATO'S IMMORTAL EPIGRAM 235 Samuel Taylor Coleridge ^s poem *^0n an Autumnal Evening^' not only to find the distich of Plato, but also a part of that epigram by the unknown Greek poet which, in the footnote, Moore translated for us. *^To fan my love,'* wrote Cole- ridge : *^To fan my love I'd be the evening gale, Mourn in the soft folds of her swelling vest, And flutter my faint pinions on her breast! On seraph wing I'd float a dream by night, To soothe my love with shadows of delight; Or soar aloft to be the spangled skies. And gaze upon her with a thousand eyes." And now at last we come to the supra- mundane genius of Shelley closing the ninth canto of his ethical cries in *^The Eevolt of Islam" with the great epi- gram's emotion: **Fair star of life and love," I cried, **my soul's delight, Why lookest thou on the crystalline skies ? O that my spirit were yon Heaven of night, "Which gazes on thee with its thousand eyes !" 236 WORKFELLOWS IN PROGRESSION When I began I forecast this writing merely as a note setting forth interpre- tations of Patd^s immortal lines. We have gone far afield — sympathetic, asso- ciative memories leap one upon another when we once give the leash and bear us far beyond the metes and bounds of mere adducing comment. But the echoes of Plato's great leit-motiv, to change our simile, and the snatches of heaven-sent song we have heard by the way, are am- ple excuse for our wandering — if excuse need be. In old-time, student days in the Uni- versity of Kansas, in our reading the great Greek idealist,— yes, I make bold to say, even in these times when ideal- ism is often looked upon as a sort of in- tellectual degeneracy, a variety of atav- ism — I make bold to say, and quite meg- aphonicly, we gloried in Plato's teach- ings and in his marvellous art of writing out his thoughts — ^we used, in those old days, when meeting some conception, PLATO'S IMMORTAL EPIGRAM 237 idea, expression, we had deemed modern, frequently to exclaim — quoting, I ven- ture from memory to say, Emerson re- ferring to Plato's supremacy in the world of philosophy — **It is all in Plato!" So, too, from what we have here in these few pages seen is a most distinguished and exalted simile, a su- preme expression of idealizing love. FABLES OF BRONZE AND IRON AGES: OF TO-DAY I happened to see a living company of them [ephemerae] on a leaf, who appeared to be in con- versation. You know I understand all the inferior animal tongues. "To Madame Brillon of Passy," Benjamin Franklin. He that cannot contract the sight of his mind as well as disperse and dilate it, wanteth a great faculty. "Of the Advancement of Learning," Fbancis Bacon. Those loose Robes or common Veils that disguised or covered the true Beauty of Poetry's features. . . . This was done first by ^sop in Greek, but the Vein was much more antient in the Eastern Regions, and much in Vogue. "Of Poetry," • Sib William Temple. FABLES OF BRONZE AND IRON AGES: OF TO-DAY Fables are the simplest of all stories. They sprang into being before conscious records of human history began, as soon, probably, as early peoples of this * kittle O, the earth," had a language large enough to tell a story in. Long after, when human life had read a meaning in the fact that it is, and its significance had gladdened the up-looking spirit of man, re-telling of the stories brightened fire- sides gleaming in caves, and helped through dull, gloomy days men and women whetting stone knives, and hew- ing arrow-heads, and sewing hide-shirts. Thousands upon thousands of years ago, lAn essay written before the publication of an article or two citing like illustrations. 241 242 WORKFELLOWS IN PROGRESSION we say, at a time when all earth's mys- teries in beast and tree, upon land and sea, voiced to the primal folk an in- alienable kinship with themselves, there lived, in that early morning of our race, the first inventors of the story. They were fable-makers. They won- dered: they brooded: they worshiped; and became the primitive poets delight- ing to bring to the soul of their people what they had discovered. Naively fashioning universal truths, they showed what life had taught them by depicting a neighbor's traits controlling some elder brother of man. In other words, the fable-mal^er, apt at weaving tales from his own spirit and what his world had written upon it, presented human char- acteristics embodied in, or a human ex- perience enacted among, creatures fa- miliar to his listeners. Men and beasts, we say, stood in more intimate kinship than now, and the story's situation and imagery were not far from their every- BRONZE AGE FABLES 243 day affairs. Such a tale was bound to catch the attention of the less reflective man and make him pause, wonder and perhaps take lesson. For perhaps human nature had then the weakness that an Englishman lamented countless centuries later, ** Nothing will go down, if it be not seasoned with a tale." Lacking every worldly artificiality with which human traits stand forth in our conscious literature, more simple than Garden-of-Eden simplicity — for into Eden man had entered, in the world of those early days the beasts of the fable-making poet felt and thought and talked as humans. Author's and pub- lic's simplicity was of life in cave and lake-dwelling and the sunlit sward that lay before the jungle. Thus, doubtless, the early peoples of our earth, far off in the dim mists of old millenia, had the beginnings of story-telling. Human imagination con- structed and human love of the ideal vi- 244 WORKFELLOWS IN PROGRESSION sion credulously accepted. Ages whose factors we can not estimate passed in the growth and habit. This nascent literature, these fables, may have been metaphor writ large. Primitive men talk in metaphor ; for un- developed peoples must express them- selves in concrete form. The stories may at first have lain in the naked sim- plicity of a sentence, a complete undress and freedom. But in time they waxed in strength and length, and travelled far — for generations of the human fam- ily, led by divinities of the ideal, were ever splitting off from parent stocks and seeking lands to make their own. Rec- ords of the tales the migrators put on stones, on earthen and waxen tile, on gold and silver cup, on papyrus, in carv- ing and painting and tapestry. Almost every land where a clan or tribe settled and evolved their arts and governments has remnants in keeping. The tales journeying and expanding BRONZE AGE FABLES 245 in restful new homes, drew to them- selves embellishments and conventions. The human life that treasured them was in every circle of the sun growing and enriching. Fables thus, like all our poetry, all our prose, all mental products, became aggregations. But they are the simplest of aggregations, and after all, even in their broad diffusion they vary little. Perhaps the folk through centu- ries of the eld had the loyalty to first form that characterizes children to-day and insistently kept a crystallization of a favorite story. What had become a common possession of their tribe, they probably safe-guarded with the instinct of self-preservation, and would suffer their recounters no deviation from the form which emphasized their race man- ners and customs, and their race art. The original metaphor, of which we spoke above, had somewhat of a didactic aim, an evident moral. Therefore fables must reduce rudimentary inductions of 246 WORKFELLOWS IN PROGRESSION the mind of man — save tlie early cave- man's inductions — ^to an ethical truth. They must etch human gropings for a moral order of life — ^when such an order was vaguely conceived of. From the be- ginnings, we say, the tendency of the telling of a fable must have been what it is to-day — practical teachings of ethical relations of life. An instance is the story of Eve and the serpent — at first blush not showing conscious, open fic- tion, but really a fabulizing of the sin and sequent disaster of taking short cuts to great accomplishment, rather than working within The Law. Men's ethical sense grew and in time forced the moral of the tale to extend itself, until the de- liberation, patent and confessed, became what this fable teacheth, hac fabula docet, o fJLvOo^ BrjXoL, That those early story-tellers for the people, ancients to those who are an- cients to us, came to make fables with deliberate intent, for the untrained BRONZE AGE FABLES 247 mind's deligM and instruction, is clear. The Old Testament's book of Judges preserves, in its ninth chapter, a most striking and beautiful instance of con- scious knowledge of such fiction and its forceful application. Jotham, son of Gideon, tells to the men of Sechem how, *^The trees went forth on a time to anoint a king over them'' . . . and finally * ' The bramble said unto the trees, If in truth ye anoint me king over you, then come and put your trust in my shadow: and if not, let fire come out of the bramble, and devour the cedars of Lebanon. ' ' This fable is perhaps an early product of the Hebrew genius. If not, but was brought from the east in times of old when the peoples of Mesopotamia and their western neighbors, the people of Judaea, had reciprocal relations of cul- ture, at any rate it seems to have been a folk-possession which the author of the part of the book of Judges in which it 248 WORKFELLOWS IN PROGRESSION is embedded, borrowed and applied. To- day 's criticism pronounces the part younger than the ninth century before Christ. After recorded time we hear of ^sop composing and recomposing fables for the Greeks — about the sixth century be- fore Christ. But before ^ sop's day such tales flourished among the Greeks — we know from Homer and from the earliest complete fable in European literature, Hesiod's story of **The Hawk and Nightingale.'' And the ^sopic fable was the foundation idea of the cele- brated satire on women of Simonides of Amorgos — in its tracing the lineage of ten different types of women back to ani- mals. This Simonides is said to have been a mature man in 693 b. c, ^sop possibly heard recitations of oriental apologues while in service at the court of the Lydian king, Croesus. In his century travellers were continually passing between India and peoples of the BRONZE AGE FABLES 249 eastern Mediterranean. Possibly, from some wandering pundit basking in the luxury of Croesus' court, and his recital of such tales as are ascribed to the oriental Bidpai, ^sop gained his inspi- ration for the fable and led to its restitu- tion. That the tales were popular among the later Greeks, Aristophanes' comedies let us know; and another light Plato brings us when he tells of Soc- rates turning ^sopian tales into verse in his final days in prison. Centuries after the hunchback master the fable took, at the hands of the Greek Babrius, the form in which it abides to this day. Just what that century was no one can say. A German critic, Cru- sius, says Babrius wrote in an age of the Eoman emperors when taste agreed the greatest virtue of a writer to be sim- plicity. Not far from the days of Bab- rius — some say before on the ground that Phaedrus makes no mention of a cat while Babrius tells various stories about that 250 WORKFELLOWS IN PROGRESSION familiar fellow — Phaedrus, a Thracian slave, wrought the innocuous tales into Latin, for the moralizing Eoman's de- light and instruction. Thus the fable, that is, many of our well-known fables, flourished, and always best among peoples of southern latitudes with whom they are said to have had their birth. Even after the days of the Judges, to which we refer above, those fellow-dwel- lers of the Greeks near the vine-clad slopes of the Mediterranean, the He- brews, kept on using the fable. With their genius for the concrete they turned about its ^oint and aiming merely to il- lustrate men's higher life by the lower, they called it the parable. It served for imaginative appeal to the people, and be- came of stupendous import. The book of Jonah, for instance, ascribed to about 250 B. c, is a fable — a parable about so- cial exclusives. To the uses of the fable-parable the BRONZE AGE FABLES 251 New Testament brings a mightier wit- ness: — **Tlie disciples said, Why speak- est thou to them in parables? He an- swered and said, Because it is given unto you to know the mysteries . . . but to them it is not given. . . . This people's heart is waxed gross, and their ears are dull of hearing, and their eyes have closed. ' ' Here abides evidence that the fable, in those times, by profoundest wisdom, served to reach the rudimentary mind of men — ^when their ears were dull of hear- ing and their eyes the Teacher would un- close to the significance of life. Thus peoples of old deliberately fos- tered the fable, an early poem, for the untrained mind's instruction and delight. For that we moderns make it, and some- times, even like present-day Arabs, for grown-ups. But most we make it for children, because a child loves a make- believe world; he likes to escape this world of hard facts and enter its life only 252 WORKFELLOWS IN PROGRESSION througli his fancy. Then, also we make it for the child because our conviction is well-worn that the child in his growth repeats the development of the race. The first conception of a fable, we have seen, is a sort of sly humor. The ancient fable-maker would play an amusing light round human characteristics, he would lay hold of the grey matter of the aver- age head and set in motion its zygomatic muscles by making a crane, a lion, a mouse, an earthen pot or a tree speak out subject to laws controlling human kind and seemingly humans alone. Thus the fable becomes a deliberate make-believe, a designed work of art with a meaning. Classic writers, and by that we mean the old Greek and Eoman, knew from the instinctive sense of art that blessed them that the fable should be a com- plete unit, never at variance with sim- pler conditions; and it should have the honesty and power that come from famil- iarity with, and easy knowledge of, BRONZE AGE FABLES 253 everyday life — a crow is a clever thief and lie would steal cheese, a hare does run swiftly, an ant is an industrious layer-by. The story should, in other words, be exact to truth — ^truth as it would be if beasts thought and felt as humans, and were to hold the recounters ' pen. Thus the old writers produced their fables. And with incalculable success we re- peat, — especially after the stories were by oft-repetition set to the minds of the Greeks. But the new workers moved cautiously and with reserve. They had moderation, the Greek golden mean. Into this little art, as into their great- est, they put the impersonality that marks the classic expression. Not be- cause they forecast their manner and said they would and sat down with stylus in hand to write it, did they do this. They wrote the fable with the imper- sonal note because that bore out their in- born conception of art, that was their 254 WORKFELLOWS IN PROGRESSION conception of life — and a racial concep- tion of art, because it is a conception of life, must work itself out even in expand- ing a metaphor. What the teller thought or felt, his views by the bye, his emotions, in no wise figured in his story and could not enter into the structure of his sen- tences. The art of the tale, to put it another way, did not reflect the subject, was not personal. It was objective. It pre- sented a view of the outer world into which the teller was not projected, not reflected. It stood alone, apart from subjective, interpretative feeling and im- aginings infused into it. Its appeal was by reflection to the typical, the general, not by emotion to the individual. No disturbing subjective excitement, no glow nor tendency of the writer to exaggera- tion warmed it. Personal feeling neither touched nor set a nerve aquiver. Prob- ability, exactness even to economy of material, simplicity, universality were BRONZE AGE FABLES 255 in its appeal. That is, the art stood upon a cool and calm intellectuality and truth to general life. It must move by the force inhering in its subject, by the sub- ject's fitness for its purpose and the per- fectness of presentation. This was as true of the minor art of fable-making as of the great art of the Greeks. Those people viewed the body and soul not as distinct, separate, but as forming one unit, the human being as a whole. In such a conception there can be no intense emotion, no dominating *^ temperament,'' no minor many-imaginings — merely col- lective, generally social, race experience. The modem, in contrast, demands a fervor working in the writer's brain and gaining its own spiritual expression. It confesses to an appeal for the emotional response and human interest of the reader. It carries its own ** atmos- phere ' ' of specific quality, unique aspect, the personality of the teller comes for- ward. It is individualistic and demo- 256 WORKFELLOWS IN PROGRESSION cratic as to its sense of reserve. It acts and gains by minute accumulated touches of detail and by the contagion of excite- ment. Yet a popular fable might, and in the old way, in stating a general truth, teach a good part of the conduct of life. Take, for instance, an old version of a fable, probably among the oldest of fables — so old that a Greek book of the second or third century makes Sophocles deliver an epigram in referring to it — the fable of Helius, the Sun, and Boreas, the North Wind. Plutarch, also, tells the tale in his *' Precepts for the Married" to illus- trate the persuading with soft ways — '*this most women do," adds the phi- losopher. Our version follows closely and simply the picturesque iambic telling of Babrius : The North Wind and the Sun **The story goes that a great strife rose twixt the North Wind and the Sun, BRONZE AGE FABLES 267 as to wMcli of the two could take a gar- ment of skin off a wayfaring rustic. ** First Boreas blew as he blows in Thrace, for he thought that by force he could strip away the hide. But the fel- low would not let go at all. On the con- trary he shivered from the cold, and binding his hands with the skin's edge, drew it about him, got down against a rock and bent his back to its projection. ^*Then the Sun peeped out. First he eased the man from the chill of the harsh wind. Then he kept on sending warmth, till a glow suddenly seized the wearer and he stripped himself and tossed the gar- ment aside. ' * So was Boreas beaten in the contest. The fable says, * Grentleness, child, before passion. You will make your way by persuasion rather than by force, what- ever befalls you.' " Now this fable is a deliberate story for the untrained mind. Its moral is pal- 258 WORKFELLOWS IN PROGRESSION pable, and its jumble of truth and fan- tasy clear. It is a tale told in severely simple Greek fashion, reserved, bearing in its lines no appeal to the listener's emotion. From the English Sir Eoger L 'Es- trange of more than two hundred years ago, so-called *^ prince of translators," from a book of his printed in London in 1694, we take a version that shows Greek influence still controlling — ^yet our Eng- lish imaginativeness will not let it off purely and with the almost barren detail of the Greek : ^ ** There happened a Controversie be- 1 In the las%, half of the seventeenth century J2sop had come into great vogue in England. Translations into English verse, such for instance as John Ogilby's, were not infrequent. Toward the end of the century, in 1691, ^sop was "a book universally read and taught in our schools," L'Estrange wrote, "the boys break their teeth upon the shells, without even com- ing near the kernel. They learn the fables by les- sons, and the moral is the least part of our care in a child's instruction." Such facts, L'Estrange con- tinued, prompted to his translations — ^versions *l3eing equally beautiful of their kind," wrote an English contemporary, "with the verse of La Fountain." BRONZE AGE FABLES 259 twixt the Sun and the Wind, which was the Stronger of the Two; and they put the Point upon This Issue : There was a Traveller upon the Way, and which of the Two could make That Fellow Quit his Cloak should carry the Cause. The wind fell presently a Storming, and threw Hail-Shot over and ahove in the very Teeth of him. The Man Wraps himself up, and keeps Advancing in spight of the Weather: But this Gust in a short Time Blew over ; and then the Sun Brake out, and fell to Work upon him with his Beams; but still he Pushes forward. Sweating, and Panting, till in the End he was forced to Quit his Cloak, and lay himself down upon the Ground in a Cool Shade for Belief: So that the Sun, in the Conclusion, carry 'd the Point." A version by the learned Chinese Mun Mooy Seen-Shang, translated by his pupil Sloth, is curiously severe and dy- namic in its English dress : **Sun with Wind mutually-wrangled 260 WORKFELLOWS IN PROGRESSION strong weak both not mntually-yield ex- tremely wished one compare high low unexpectedly saw road-upon travelling- man put-on-had a-cloak hurridly-hastily and coming Sun said wonderful!! won- derful extreme!! you I each self -call great not can divide now coming-man body put-on outside-cloak you I each put- in-force magical-art can cause travell-er put-off clothes he-who does gain with- that mutually wagered the Wind then first put-in-force plans great whirlwind suddenly rose nearly-took travell-er out- side-garment blew-fell. Travell-er by- means-of hand defended-held obtained- escape Wind plans since not could do and come-to Sun make plans cloud-clear sky- empty shining-splendour fierce-er sweat flo wed-down two jaws hot-air difficult to- sustain only-could put-off outer-garment therefore Sun was gainer truly!! As world-men in-vain cling-to blood-tem- per's valor many lead-to have loss con- BRONZE AGE FABLES 261 trary not as soft-gentle measure strength obtain no unlooked-for-evil.'' In our country and to-day the story would run somewhat after the following version. In keeping with a supposed mythopoeic sense of the less-developed, it would speak from the mouth of an old- fashioned nurse, probably a black mammy. A reason of mammy's telling it would also be that we feel the south to be the native temperature of the fable. Her story would bring in a bit of ego- tism, make evident in a very patent way the individuality of the teller — ^pos- sibly with endeavor to touch up the humor of the tale. It would appeal to the feelings of the listener, stir and warm the heart probably by engrossing details. Its gain or basis of appeal would be through the emotions, would not be mainly intellectual that is to say. Still, underneath our version of this old-time 262 WORKFELLOWS IN PROGRESSION tale we must find that truth to human life which the ancients always demanded, which the child demands, and we grown- ups, perhaps, in less degree. Ole Mam Blizzaed and Mastah Sunshine Dat mornin ole Mam Blizzard an Mastah Sunshine had dere quarrel wuz a dreadful contensionin. Ye see, honey, Mastah Sunshine riz red an sleepy dis mornin I'se a tellin ye about, an he looked to havin it all his own way. Fer a time after sun-up he wuz nigh shakin all de yallow light out of does eyes of hisn. De birds wuz a singin, de flowers wuz a blowin, an de wind wuz as soft as cotton in de boll. But jess dat minute de folks wuz rub- bin dere eyes fer all de glory — puff! puff!! puff!!! came ole Mam Blizzard sailin along on a pack of clouds. An de ole lady pulled a veil over Mastah Sun- shine 's face quicker 'n you can wink. BRONZE AGE FABLES 263 Praps you don't know who ole Mam Blizzard is, honey, de ole lady dat rides high as de moon. She's from way far up in Mountany. Way up in de moun- tains, where de rivers all is ice, Mam Blizzard lives, and all de little Blizzards. De chillun hang up in bags roun de sides o dere ma's cabin. Who is de Blizzard chilluns' pa? Laws sakes, honey, seems like as if it wuz Mistah Wind-o- Christmas — ^him dat comes hoUerin an tearin down de chim- bley. But xactly I disremembers. But dis mornin I'se tellin ye about, ole Miss Blizzard wuz a ridin high in de air an out for a fracas wif Master Sun- shine. Dose two never could agree no way — Mastah Sunshine an Mam Bliz- zard. Dey's dat contrarious dat where Mastah Sunshine is Mam Blizzard never will abide, an Miss Blizzard bein by Mas- tah Sunshine '11 never show his face. Dis yere mornin I'se tellin ye about, Mastah Sunshine sittin over dare in de 264 WORKFELLOWS IN PROGRESSION sky, he call out sort o laughin like when he see Miss Blizzard, an he say, **I'se stronger dan you is.'' ^* What's dat you says?" cry ole Mam Blizzard, stopin short all a suddin an rubbin her nigh ear with a weeny piece o black cloud, ** What's dat you says?" '*I say I'se stronger dan you is," an- swer Mistah Sunshine, an he wunk an eye at pretty Miss Moon jess gettin to bed behind de hill. Ole Miss Blizzard wuz mad. *^You is stronger, is you?" say she. *'Yes, I is," say Mastah Sunshine. '*Well, we '11 see," say de ole lady settlin down on dem clouds o hern, **Now here, Mastah Sunshine, here is Colonel Lampster's ole black mammy, an declare to goodness she's got on de Colonel's bearskin coat. Now I say to you, Mastah Sunshine," say ole Mam Blizzard, **I say to you, if you can take dat dere coat BRONZE AGE FABLES 265 off dis yere mammy sooner 'n I can, den you is stronger dan I is. " Mastah Sunshine he stop a minute an thunk, an den he agree to what de ole lady say. An all dis yere time I wuz lopin long de road for to see de doctor on count o my punyin ague. Sudden like, quicker 'n a lamb can jerk his tail, Mam Blizzard began fer to blow. My gumbo! how she blowed! An spry ! an cole ! Down she come outn de sky an up she lift one side you pa^s ole bear coat. Den dis did n't doin no good, roun she whisk an lift up tother. Den up she stretch her hand under de coat an pull at de collar. Den she go fer de buttons an sack at em, an sack. Den dis yere did n't doin no good, she try an crope inside an almost done freeze me. But every time Miss Blizzard goes fer dat bearskin, I'se dat chillin dat I pulls it tighter. I don't hanker fer Mam Bliz- 266 WORKFELLOWS IN PROGRESSION zard, honey. Me an she wuz always mislikin. Now bumbye, after a powerful pullin an a haulin, an I all de time holdin on to dat coat, Mam Blizzard get roarin mad an begin fer to send bats o ice. She think like I take off dat coat to cover my head, an so she grab it. But I jess dat contrarious dat I turns up the coat tail, an on I goes cantalopin down de road. So fer nigh a half an hour Mam Blizzard pestered me. De ole lady is prouder dan de queen o Sheeny when she set matchin diamond rings wif King Solomon, an she think o dem chillun of hern way up in Mountany, all hangin up in bags roun de cabin walls, waitin fer dere icecicle icecream, an she did n't w^ant to be beat. But bumbye Mastah Sunshine he poke out his face a little, an say, say he, **How 's you gettin along, Mam Bliz- zard T* — an he sort o laugh like. BRONZE AGE FABLES 267 *^It 's a mighty spry nigger, dis yere ole mammy," say Mam Blizzard talkin back over de grey cloud she was hitchin to de top of a cottonwood, **aii I don't seem to get dat coat. I '11 try once more howmsoever. ' ' Den de ole lady crope np sly an quiet like, an kind o go zip, an bat me on de north side. Den she go zap, an bat me on de south. Den again she go down under de coat an rack me like de ague. An all de time I jess keep on cagin an holdin faster to dat coat. By dis time Mam Blizzard wuz clean indiginant, honey. She stop a minute an scowl, an den she onhitch her grey cloud and sail off behind de hickory grove. Seemed like she 'd never speak to no- body. Den Mistah Sunshine, he try to show how strong he wuz. First he let a wink right square in front. I feels like a waffle fresh from de iron an I onties my head. Den he wunk on one side an I 268 WORKFELLOWS IN PROGRESSION wuz dat hot I muss plumb onbutton dat coat. He kep a wunkin. All dis time I 'se cagin long de road, but soon I 'se so done het all over dat I clean took off dat bearskin coat an sit down by de Sweetwater spring to cool. So it wuz dat Mastah Sunshine won over ole Mam Blizzard. He wuz stronger dan de ole lady cordin to what she offered, for he 'd taken you pa's ole bear coat off your ole mammy. Miss Blizzard wuz so shamed dat she kep away and did n't show her face in dese yere parts fer a coon's age after. An ever .since dat mornin, honey, I 'se been a noticin dat warm is powerfuUer dan cole, an de white folks an de black is stronger when dey smiles like Mastah Sunshine dan when day scowls like ole Mam Blizzard. Take another famous fable and make as simple an English version as the BRONZE AGE FABLES 269 Greek of the four-line choliambic of Ignatius Diaconus^ — said by his editor, Muller, to have flourished in the ninth century. The Grasshoppee and the Ant **In frost time a Grasshopper asked food of an Ant. The Ant said to him, ^How is it you have n't anyr *In summer,' he returned, *I sing shrilly.' 'Dance in winter,' she said, * do not yearn after food.' " Our English William Caxton, a volu- minous translator, **at Westmynstre In the yere of oure Lorde m.cccc. Ixxxiij" made a version of this ** Fable of the Ant and of the Sygale" and opened as well as closed its recital with 1 'envoy. **It is good to purveye hym self in the somer season of suche thynges wherof he shalle myster and have nede in wynter 270 WORKFELLOWS IN PROGRESSION season. As thou mayst see by this pres- ent fable Of the sygalle whiche in the wynter tyme went and demaunded of the ant somme of her Corne for to ete. *^And thenne the ant sayd to the sygalle, what has thou done al the somer last passed? And the sygalle answered I have songe. *'And after sayd the ante to her. Of my corne shallt not thou none have. And yf thou hast songe alle the somer danse now in wynter. **And therefore there is one tyme for to doo some labour and werk. And one tyme for to have rest. For he that werketh not ne doth no good shal have ofte at his teeth grete cold and lacke at his nede." The celebrated Sir Eoger tells the same tale in his edition of 1694: '*As the Ants were Airing their Pro- visions One Winter, Up come a Hungry BRONZE AGE FABLES 271 Grasshopper to ^em, and begs a Charity. They told him that he should have Wrought in Summer, if he would not have Wanted in Winter. Well, says the Grasshopper, but I was not Idle neither ; for I Sung out the Whole Season. Nay then, said they, You shall e'en do Well to make a Merry Year on 't, and Dance in Winter to the Tune you Sung in Summer. ' ' You see it reads with Greek reserve and simplicity notably retained. Like other stories of L 'Estrange 's book its excellence has kept it a living publication to this day. Yet, now, and in our coun- try, a Southern mammy would tell the fable somewhat after this detailed and abounding fashion: MiSTAH HOP-O-GEASS AN MiSS AnT One summer day Mistah Hop-o-grass sit out in de yard yonder, an he harp powerful loud. Dar he sit playin an 272 WORKFELLOWS IN PROGRESSION singin from soon after sun-up till de dew wet Ms whistle at night. So Mistah Hop-o-grass wuz, an so wuz he goin on, when Miss Ant come a-puUin an a-haulin some kernels of com out dere in the garden path. Now Miss Ant come from a mighty respectable f ambly, honey, an dis yere minute when Mistah Hop-o-grass wuz playin his handsomest, de ole lady's apron strings wuz wet wif sweat. When Mistah Hop-o-grass see Miss Ant doin f er-sure wuk at de corn kernels, up he fling hisself in de air, light like, an, **0h. Miss Ant," he say, **why you wuk dis fiije summer day? Don't you see de sun is shinin? Stop you wukin an play de flute wif me." **Yes, Mistah Hop-o-grass," say Miss Ant, **it is a mighty fine sunnner day, an dat 's de raisin I 's layin up corn for de cole winter day. ' ' When Miss Ant say dat, Mistah Hop- BRONZE AGE FABLES 273 0-grass laugh and scrape his fiddle all de louder. So he go on playin all de summer. An Miss Ant she wuk, wuk, haulin craps into de Ant corn bins, milkin de ants' cows an tendin de Ants' chillun. She wus de busiest of all busy pussons. But bumbye summer got clean spent. Mastah Sunshine nigh forgot to get up in de mornin. De nights wuz long. Mistah Man an Miss Bee an Miss Ant had done stowed away all de craps, an Mistah an Miss Squirrel had put away all de nuts in dere pantry. Den ole Mam Blizzard turn herself loose, an Andrew Jackson Frost and Mastah Wind-o-Christmas got wukin, an de Blizzard chillun open up all dere ma's feather beds. Folks wuz a-shiverin, an out doors nuthin handy but ice an snow. When so cole it wuz, Mistah Hop-o- grass got de stummuck-hunger ; an he got it bad. He call to mind de warm 274 WORKFELLOWS IN PROGRESSION summer day when lie wuz playin yonder in de garden an Miss Ant wuz layin away de kernels o corn. **Ali! hah!'' say he, an up he spring an off he go, hoppin over de snow to make de ole lady a visit. He think to get there bout de time she 'd be settin de table f er dinner. When Mistah Hop-o-grass come to Miss Ant's cabin, honey, he knock on de door, an he call, **How d'y do. Miss Ant? How is you fambly! Is dey enjoyin de corn you lay up?" Now dis yere Miss Ant wuz a mighty particular lady, honey. Dis day she wuz washin dQ floor more 'n usual scrump- tious, cause she wuz goin to have a quiltin bee dat afternoon. When Mistah Hop- o-grass knock an call out, up she got up from her bucket o suds, an she say, say she, ** Who's dar? Pears like dat 's you, Mistah Hop-o-grass. What is it yousayl Eh?" *' Please, Miss Ant," call Mistah Hop- BRONZE AGE FABLES 275 0-grass from tother side de door, an his speakin wuz thin fer de hollow in his insides, **Miss Ant, I'se come to see yon. Won't you give me some corn to eatT' Miss Ant, she jus open de door a trifle to see whether Mistah Hop-o-grass wuz as thin as his speakin. De lady wuz a wishin she had more corn 'n just enough for her fambly. But she's obleeged to say, **What wuz you a doin all de sum- mer days, Mistah Hop-o-grass! What wuz you a doin? Ehr' *^0h, I 'se playin my harp an singin,'' say Mistah Hop-o-grass tryin to bend his cole legs an make a squeak on his strings, **I 'se playin my banjo an dancin. ' ' *^Yes, you 's playin," say Miss Ant. '^Settin on a high stalk o grass bendin in de wind, settin on a high stalk o grass bendin in de wind, spittin tobacco juice an playin jews' harp! Dat 's what you 's doin all summer long. Go way now, Mistah Hop-o-grass, go way. I'se 276 WORKFELLOWS IN PROGRESSION not Wilkin to lay up corn f er such lazy coots as you. Keep on playin an dancin, Mistah Hop-o-grass, keep on playin till summer time come again.'' So den, honey, Miss Ant shet de door of her cabin an go on washin de floor f er de ladies' quiltin bee dat afternoon. Mistah Hop-o-grass wuz done flabber- gasted. He try to dance to warm his legs. An when night come he cuddle hisself in de middle of a sweetgum tree. But his sleep wuz poor his stummuck hol- lered so loud, an he could n't play his harp, nor sing, f er de pain dat wuz under his apron. Mistah -Hop-o-grass wuz like one o dese yere atheletes, honey, always buzzin bout his muscle, fer his health jus a jumpin an a jumpin, always buildin up plenty o leg, an neveh, in all his caper- cuttin, doin one stroke of wuk. He wuz, dis Mistah Hop-o-grass, always sittin on de stool o do-nothin. He spoil his muscle BRONZE AGE FABLES 277 if he wuk. Den lie have nothin to buzz about. Seems like dere's two kinds of muscle, honey, de muscle what God's wuk makes, and de muscle dese yere atheletes gets by never wukin. If brevity is the soul of the fable, as Lessing reiterates, and its greatest orna- ment is to have none at all, the darkey mammies are astray. Whatever grace may be of their recounting, it is not con- cision. And if *^the object of the fable is the clear and forcible perception of some moral truth, ' ' as the German fabu- list further declares, possibly penning the stories of our mammies loses its main end and sets forth bad art. But to those who have listened to such tales their entrancing qualities never fail. What Lessing, 1729-1781, worked and talked against, and that more than thirty years before Goethe wrote his version of 278 WORKFELLOWS IN PROGRESSION the mediaeval ^^Eeinecke Fuchs," was tlie endeavor of certain German writers of the eighteenth century to imitate the poetic and expansive and exuberantly vivacious narrative of the French La Fontaine, 1621-1695. The German would stem the sprightly, Frenchifying loquacity his brothers were essaying — which ill-fitted the temper of their Deutsch speech, to say nothing of fidelity to the severity and plainness of the Greek and Latin originals. Yet these German imitators, as La Fontaine before them, were conscious that the brief, unadorned narratives, the precision and conciseness of Babrius and Phaedrus and their later imitators, did not, and would not, please their eigh- teenth century generation. They saw that with French tact and French taste, and for a modern society demanding grace in its reading. La Fontaine had turned old fables, and the earlier French fabliaux, into the most popular poetry BRONZE AGE FABLES 279 of his day. He had adapted the old tale of those people who were ancients to the ancients, and had fitted it and made it attractive to his generation, for all years of their life. To-day our conception is often La Fontaine's. This colloquy concerning tales old as the spirit of literature hardly necessi- tates inclusion of the famous quarrel which stirred Europe more than two hundred years ago — ^the strife hetween ancient and modern literary excellence, a reacting from all-compelling estimates of the Renaissance, a dispute which lives to us in remains such as Jonathan Swift's '^Battle of the Books." It may permit, however, the laying alongside diif erences between methods of ancient folk and a method of to-day. Literary history is a register of liter- ary forms meeting turns of view in human life. New environment demands and produces new and fresh expression. Every generation hungers for stories 280 WORKFELLOWS IN PROGRESSION made for it, interpreting its view of life. It wants its tales told in its own way of thinking and feeling, limning in its chosen lines and colors. The ways Cax- ton, toward the end of the fifteenth cen- tury, and Cavalier L 'Estrange, at the end of the seventeenth, told our two fables in England, mark a considerable psychical difference. Changes in the affairs of a people, often results of war, evolve new desires and tastes. These literature and art spring forward to satisfy. For instance, in Prance, in the twelfth and thirteenth centuries, the rise of orders neither priest nor noble, the coming of a part of the people to con- sciousness' of themselves and their worth, the social environment about them and the polity of their times — ^this caused the rapid development and spread of a gay and folk-humorous compound of the old fable and the novel of that day, the famous racial fabliaux, little realistic tales for common folk, brim- BRONZE AGE FABLES 281 ming with their spirit, sharply jesting at pretensions of superiors and especially mocking at women. Literature had been a luxury. To read, or even to hear, the telling of many new stories had been most often, as in all feudal societies, for the favored of fortune. Another instance, and a notable one, of the evolution of new tastes and new demands of literature, is found in an effect of the French Eevolution. Half way between that great whirlwind and to-day, a learned Scotchman complained of the appeal to the people that books of his time made — ^the change in substance from the condensed, sedate and grave to lighter pabulum for the unexercised, less strengthened, less taste-developed mind. The weakness he lamented was in fact the endeavor of writers of the time to meet the populace which eighteenth century pronunciamentos for human rights had made readers. Those peo- ples' minds were the real thing his close 282 WORKFELLOWS IN PROGRESSION thinking combated. What would he have said to the watery diffuseness of to-day ! — in our democratic land and times when even those who do not think practice the art of writing! Our ages-old fables go to the very core of human life and manners, as we said in the beginning — to life's primary points of view. They are ethical teach- ings in each language's genius, smack- ing of antiquity, preserving foundation morals, and bearing somewhat the force of a race's religion. In this fact, some- one has said, is the reason why they run through human history with such aston- ishing persistence, and, thousands or tens of thousands of years old, adapt themselves to all peoples and scenes, and evince the temperament of every people that essays their re-telling. In what- ever colonization a race undertakes go its version of its folk-tales. Like com- merce, each nation's fables — each na- BRONZE AGE FABLES 283 tion's telling of the fables — follow its flag. Wandering stars in the literary heavens, someone has named the com- moner fables. It is true. They move in and out of the constellations of the literature of various peoples, smaller and less sparkling lights, but apparently as enduring, and sometimes shining with as clear a radiance as the very fixed and burning suns of literature. TOBACCO BATTERED AND PIPES SHATTERED BY JOSHUA SYLVESTER, PURITAN We Shoot at Manners, Wee would save the Men. "Tobacco Battered and The Pipes Shattered (about their Ears that idly Idolize so base and barbarous a Weed; at leastwise over-love so loath- some Vanitie ; ) by a Volley of Hot Shot thundered from Mount Helicon." Joshua Sylvesteb. A little cloud out of the sea, like a man's hand . . . and it came to pass . . . that the heaven was black with clouds. / Kings xviii, 44> 4^- Though many men crack Some of ale, some of sack And think they have reason to do it; Tobacco hath more That will never give o'er The honor they do unto it. "Wit's Recreation," 1650. Learn to smoke slow. The other grace is To keep your smoke from people's faces. Punch. TOBACCO BATTERED AND PIPES SHATTERED BY JOSHUA SYLVESTER, PURITAN Portuguese folks, wandering in Lis- bon gardens about the middle of tlie sixteenth century, gazed with curiosity upon an herb of which voyagers to the new-found land, America, brought strange tales. Sailors, for instance, such as were with Columbus, and later his- torians themselves, told how some of the new world people ** drank ^' the smoke of the outlandish growth, inhaling it through the nostrils by means of a hol- low, forked cane (shaped like the letter Y) or a straight reed called **tobago," while others rolling it in dried blades of maize, made a firebrand for the mouth. The leaves powdered, report also went, 287 288 WORKFELLOWS IN PROGRESSION they snuffed through a tube. Not one tribe had the voyagers found ignorant of such uses.^ The herb, the story went on, was ver- itably **holy,'' a cure-all for humanity's ills, a precious saver of life and an en- hancer of all that life may contain. So it happened that leaves and seeds of this **herba santa,'' this **herba panacea," Jean Nicot, French ambassador, took from Lisbon gardens, about the year 1560, and sent them as rare and precious things to Catherine de Medici, queen- mother of the French court. Laden with mysterious messages, tobacco came for those times to be the miraculous remedy our mystified, hopeful human kind has ever been seeking and proclaiming ^ — 1 When the Spaniards discovered the Aztecs of Mexico, they were taking snuff, and one of the Conquistadores tells how, after Montezuma had dined, fair women brought him painted and gilded tubes filled with liquid-amber and tobacco; and the mon- arch took the smoke into his mouth, and after he had done this a short time, fell asleep. 2 Other growths have suffered, or enjoyed, like ascriptions. Asparagus, for instance, in what seems i "TOBACCO BATTERED" 289 each discovery, whether of the elixir vitaB, elixir of life, of two, three or more centuries ago, or of ** vibrations" of to- day, reflecting its time's mental temper and science. At the time of this first bringing-over of tobacco, peoples of Europe did not know so much of the uses of primitive men as we to-day. They did not know that scented products of the earth — frankincense, cinnamon, balm, camphor, even the very weed to which they were ascribing wonderful cures — mankind had burned * * in offering an offering made by fire, of a sweet savour unto the Lord, ' ' ^ to express their gratitude to the Good Giver of Harvests and beg for further blessings — they did not know that for to have been a revival of its use in Europe, for it was known to the ancient Greeks — asparagus is re- ferred to in an English play, "The Sparagus Garden," acted in Salisbury Court in 1635; "The vertues of the precious plant Asparagus, and what wonder it hath wrought in Burgundy, Almaine, Italy and Languedoc before the herborists had found the skill to plant it here." 1 Numbers xv, 13. 290 WORKFELLOWS IN PROGRESSION thousands of years, so far back we have no record of the beginning of the hom- age, men had offered burnt sacrifices to the Infinite Will compared with whose power they felt their own and their tribe's strength puny. Our European forebears were unaware, we say, that re- ligious feeling initiated tobacco smoking and founded reports of its healing strength; that the strange, red people across the sea smoked to, *^ incensed,'' the Great Spirit in fumes of their stone and cane pipes ; that they had faith that their medicine-man, by inhaling vapor of the smouldering leaves and falling in the mysterious ^ stupor it induced, gained counsel from a god, and when the people at large took it the dreams of their drunkenness were inspired. For with the Indians smoking served such great occasions as the worship of the Al- mighty, thanksgiving for harvests, and solemnities of declaring peace and war. Who brought the weed to our ances- "TOBACCO BATTERED" 291 tors dwelling in England no man knows. One legend says Sir John Hawkins ^ bore it over, and that Captain Richard Gren- field and Sir Francis Drake were in Eng- land first planters. Another repeats how Sir Walter Raleigh initiated white men's smoking, and the tale stiffens its testimony by the well-known account — told also by the bye of others of that generation — how the knight's servant, one day finding him puffing at his pipe, cried out that his master was on fire and hastily doused him with ale. Another story attributes the carrying of tobacco to England to Ralph Lane, first governor of Virginia, in 1585. Early settlers of Virginia began planting the weed, records are clear. It soon be- came a chief product and even currency 1 Sir John Hawkins in telling of his first voyage, 18 Oct. 1564-20 Sept. 1565, reports how the natives "with a cane and a earthen cup in the end, with fire, and the dried herbs put together, do suck through the cane the smoke thereof; which smoke satisfieth their hunger, and therewith they live four or five days without meat or drink." 292 WORKFELLOWS IN PROGRESSION of the colony. Such a value, and thus established, undoubtedly appealed to popular imagination. In England, at any rate, shortly after the introduction of tobacco smoking, demand for the leaf became great. The rich burned it in silver pipes ; the poor in nut shells with a straw stem. Not men alone, women, also, used it — and even children. Satirists of manners of those times refer to smoking as a fad for those who would do the last smart trick. Ben Jonson, for instance, in ^* Every Man in His Humor, ' ' a play produced in 1598, makes Cob say of Bobadil, *'He takes this same filthy, rougish tobacco"; and the braggart captain himself declares; **I have been in the Indies, where this herb grows, where neither myself, nor a dozen gentlemen of my knowledge, have received the taste of any other nutriment in the world, for the space of one-and- twenty weeks, but the fume of this simple only: therefore, it cannot be, but "TOBACCO BATTERED" 293 'tis most divine. Further, take it in the nature, in the true kind ; so, it makes an antidote, . . . had you taken the most deadly poisonous plant in all Italy. . . . But I profess myself no quacksalver. Only this much; by Hercules, I do hold it, and will affirm it before any prince in Europe, to be the most sovereign and precious weed that ever the earth ten- dered to the use of man. ' ' .During the passing of these years while tobacco was making in England the conquest we have glanced, Joshua Sylvester had been growing to manhood, having ventured this life near the '* flowery meadows'' of Kent in 1563 — one year before Shakespeare came to earth. The seriousness of Joshua's career began early, for his parents died when he was of tender growth. But the family was of sterling stock, of the breed- ing that estimates knowledge and values trained thinking, and a maternal uncle, William Plumbe, saw to it that the child 294 WORKFELLOWS IN PROGRESSION was well-nurtured and entered at ten under Master Saravia's instruction.^ Doubtless in those days, on benches of Saravia's school, where not to speak French was to earn the fooPs cap at meals, the boy gained foundation of the language, Englishing poems from which he was, in after years, to distinguish himself. Sylvester's lack of fortune led him, when still a youth, to test his luck in busi- ness. And '^Marchant Adventurer'' he described himself when he was grown to manhood — on the title page of his 1 Adrian Saravia was a zealous worker in the re- formed churcl^ in Antwerp and Brussels until re- ligious troubles forced him to carry his family from the continent. He exemplified the notable fact that zeal in education and church reformation in those days went hand in hand. At Southampton he tem- porarily took up the work common to the intellectual exile, teaching, and became head of the grammar school into which boy Joshua Sylvester entered as a pupil. Afterwards the master went to the divinity chair at Leyden, and later returned to England to become one of the translators of the King James Bible, and, in the words of Izaak Walton, "the happy author of many learned tracts" and the "chief com- fort" of the life of Richard Hooker. "TOBACCO BATTERED" 295 translations of French songs, 1591 and 1592, while in his dedication of a second book loyalty to adventure prompted him to declare, ^*If thou find me poore in Poetrie, remember that is not my pro- fession." If poetry was at that time not Sylves- ter ^s profession, it affected his life more profoundly than mercantile enterprise. To understand his work we have now to go still further afield and speak of an older contemporary of his, Guillaume de Salluste du Bartas, a French poet, who/ during his life enjoyed a most extensive renown — whose zeal as a Huguenot, after he had left the Eoman communion, prompted him, in endeavor to bring to French people knowledge of characters of the Bible and the book's simple Chris- tian teachings, to extended labor on a series of poems. Most notable and com- plete of this epic was **La Semaine,'' or ^*The Week" of the creation of the world — which so pleased the imagination 296 WORKFELLOWS IN PROGRESSION and taste of his day that it went through thirty editions in six years, and found translations into Latin, German, Span- ish, Italian and other languages; and into English by Joshua Sylvester under the title, **Du Bartas — ^his First Weeke; or, Birth of the World, wherein in Seven Dayes the glorious Worke of The Crea- tion is divinely handled.'' Eeligious sentiment was the soul of Du Bartas' poems, the intense, church-reformatory, Huguenot zeal then in France. In those days French verse moulded more easily than now into English song, and Sylvester leaped into fame as trans- lator of Du.Bartas' *^ Divine Weekes and Workes. " ' * He was admirably qualified for the task. No writer ever ventured to mould the language more freely to his will, coining words, when he did not find them ready minted for his use, introduc- ing new compounds, good, or bad, with equal hardiness. ... He poured out his verse with force as well as fluency. . . . "TOBACCO BATTERED" 297 There was a sweetness in the general flow which deservedly entitled him'* ^ to An- thony a Wood's report that he was usually called by the poets of his time ** Silver-tongued Sylvester.'' Through such a history Sylvester be- came the most popular poet of England in the reign of James the First. Un- doubtedly a reason of his popularity lay in the religious ardor that distinguished his works — the ardor which was in him by gift of nature and in the works he had most sympathetically translated. He was a Puritan. A famous favorer of Puritanism, Bishop Joseph Hall, bears out these conclusions of ours when ad- dressing Sylvester: * * I Dare conf esse, of Muses more than Nine, Nor list, nor can I envie none, but thine. She, drench 't alone in Sion's sacred Spring, Her Maker 's praise hath sweetly chose to sing, And reacheth nearest th' Angels notes above. Nor lists to sing, or Tales, or Wars, or Love." 1 Quoted from Robert Southey. 298 WORKFELLOWS IN PROGRESSION In citing one witness after anotlier, as we have just been doing, we are sensible that we run the risk of losing the outline of our subject in fragmentary detail. But in bringing back and brushing clear of the dust of centuries such a character as Sylvester's, one so little upborne and floated by light, histrionic qualities, one so sound, so profound in values, scraps of reports are most important. And they are all we have. We must labor as one who builds up a vase from unearthed shards and endeavors to decipher for- gotten legends painted upon them. Pen fragments of those who saw the man, and could be trusted to understand him, or those who heard at first hand of what he had done, are our best aids. This poet, Sylvester, wrote Anthony a Wood, **was much renowned by his most virtuous fame, and by those of his pro- fession, and such that admire poetry, esteemed a saint on earth, a true Na- thaniel, a Christian Israelite ... re- "TOBACCO BATTERED" 299 ligious in himself and family and cour- ageous to withstand adversity.^' *^ Queen Elizabeth had a respect for Sylvester," further says Wood, *^King James a greater, and Prince Henry greatest of all. ' ' The prince was declar- edly *^ Puritanic" and made Sylvester his first poet-pensioner.^ Another of Sylvester's patrons and friends was Anthony Bacon, elder brother of the re- nowned Francis, and so close a follower of the Puritans that he lived long on the continent, a trusted servant of Elizabeth and on intimate terms with Beza and other Protestant leaders. Sylvester *'was very pious and sober" continues Wood. *'But this must be 1 Preserved among the items of "anuyties" ex- pended at the instance of the prince is this: "Mr. Silvester at XX. 1, per ann. for twoe years XL." The poet testifies to this patronage in an elegy en- titled "Lachrymae Lachrymarum, or the Distilla- tion of Teares shede for the untymely Death of the Incomparable Prince Panaretus" (all-virtuous), writ- ten when the heir-apparent died in Nov. 1612; "This losse ( alas ! ) which unto all belongs. . . . But more than most, to Mee, that had no Prop But Henry's Hand, and, but for Him, no hope." 300 WORKFELLOWS IN PROGRESSION known, that lie taking too much liberty upon him to correct the vices of the times . . . suffered several times some trouble, and thereupon it was, as I pre- sume, that his step-dame country did ungratefully cast him off and became most unkind to him." **At length this eminent poet,'' further says Wood, *'J. Sylvester (a name worthily dear to the age he lived in) died at Middleburg in Zeland on the 28th of Sept., 1618, aged fifty-five; and had this epitaph following made on him by his great admirer, Joh. Vicars ^ . . . 1 This John Vicars may be he of whom Wood bears testimony, "he was a most admirable linguist, and the best for the oriental tongues in his time." The name, John Vicars, appears, it has been noted, in original proposals for printing the Polyglot Bible, as one of the persons to prepare copy, correct the press and otherwise manage that work. Vicars also wrote other verses on Sylvester; "Whose Life and Labours have few Equalls knowne, Whose Saered-Layes his Browes with Bayes have bound, And, Him, his Ages Poet-Laureate crowned, Whom Envy (scarce) could hate; Whom All admired, Who Liv'd beloved and a Saint expired." "TOBACCO BATTERED" 301 but I think it was not put over his grave": *'Here lyes (Death's too-rich Prize) the Corps interred Of Joshua Sylvester, Du Bartas Peer : A Man of Arts best Parts, to God, man, deer ; In foremost Rank of Poets best preferred." ^ In a volume of Sylvester's works printed a few years after his death, the printer-publisher speaks of * * the issue of 1 Death found Sylvester, however, still destined to do notable work. His strength in translating Du Bartas, and venturing to mould English freely, in all probability incited Milton to his great story. Milton was ten when Sylvester died. The older poet's couplets must have sung appealingly to the finely tuned ear of the boy — "a poet at ten," says John Aubrey. The very printing of Sylvester's transla- tion of Du Bartas, editions appearing through years, was not far from where Milton dwelt with his father. If we lay Sylvester's and Milton's work alongside, we can not escape conclusions that the scriptural themes Sylvester had sung in English couplets and placed before Milton when a boy — for which, too, the older poet had helped prepare and educate public taste — we can not escape conclusion that the intense conviction, the imagination and ambition of Milton matured, consciously seized for subject of his song what had been most popular and applauded in his boyhood. 302 WORKFELLOWS IN PROGRESSION that divine Wif both challenging time and outwearing it. And more than one hundred and sixty years later, in 1796, The Gentleman's Magazine tells that Sylvester's translation of Du Bartas' '* Divine Weekes and Workes" was more common than any volume of English verse of the first part of the seventeenth century. Strange! you exclaim. And why did the confessedly most popular poet of the first half of the seventeenth century so wholly perish in his appeal to later generations 1 One reason is that Milton's genius had outshone the older man's. Another reason lies in reactions in politics ajid in religious and ethical ideals. These often direct literary taste. We have Anthony a Wood dwelling on Sylvester's piety and sobriety of mind — saying he was inflamed with that reli- gious ardor which carries its principles into affairs of life — ** taking liberty upon him to correct the vices of the times . . . he suffered trouble. ' ' Intense conviction "TOBACCO BATTERED" 303 and stalwart adherence to conviction were not uncommon in practices of his time. But later Stuarts made them un- fashionable and nullified by ridicule. Stuart influence debased English ethical estimates ; effects of which influence long survived the Stuarts' hold upon the Eng- lish throne. Dryden, who in earlier years expressed admiration for Sylves- ter, echoes the change when, after ad- dressing himself to royal will, he termed Sylvester's translation of Du Bartas ** abominable fustian." ^ 1 Ben Jonson's sonnet "To Mr. Joshus Silvester" may be here worth quoting; "If to admire were to commend, my praise Might then both thee, thy work and merit raise: But as it is, (the child of ignorance. And utter stranger to all air of France,) How can I speak of thy great pains, but err? Since they can only judge, that can confer. Behold! the reverend shade of Bartas stands Before my thought, and, in thy right, commands That to the world I publish for him, this: Bartas doth wish thy English now were his. So well in that are his inventions wrought, As his will now be the translation thought. Thine the original; and France shall boast. No more those maiden glories she hath lost. 304 WORKFELLOWS IN PROGRESSION Sylvester had, we say, after the man- ner of Puritans, carried his religious ardor and its supporting principles into everyday affairs of life. His work evi- dences this. For instance, at the end of his laborious translation of Du Bartas' extended works are subscribed these intense lines translated from the fifth of the Quadrains of Pibrac : ''Say not My Hand This Work to End hath brought, Nor, This my Virtue hath attained to : Say rather thus. This God by mee hath wrought, GOD^S Author of the little Good I doe.'' A characteristic religious ardor we find in Sylvester's independent poems. It warms in his *' All's not Gold that Glisters" to a large and beautiful defi- nition of religion : ''Reverend RELIGION, where 's the heart That entertaines thee as thou art, Sincerely, for thine own respect? "TOBACCO BATTERED" 305 Where is the Minde, Where is the Man, May right be call'd a Christian; Not formall, but in true effect? ''Who, fixing all his Faith and Hope On God alone, from sacred Scope Of his pure Statutes will not stray ; Who comes in Zeal and Humblenesse, With true and hearty Singlenesse, Willing to walk the perfect Way: ''Who loves, with all his Soule and Minde, Almighty God, All-Wise, AU-kinde, All- whole, All-Holy, All-sufficing: Who but One onely God adores (Though Tyrants rage, and Satan rores) Without digressing, or disguising: "Who God's due Honour hath not given To Other things, in Earth or Heav'n; But bow'd and vow'd to Him alone; Him onely serv'd with filiall Awe, Pleas 'd and delighted in his Law, Discoursing Day and Night thereon: "Not, not for Forme, or Fashion sake, Or, for a Time, a Show to make. Others the better to beguile : 306 WORKFELLOWS IN PROGRESSION Nor it, in Jest, to wrest or cite; But in his heart it deep to write, And work it with his hands the-while; *' Loving his neighbour as himself e. Sharing to him his Power, his Pelfe, His Counsel, Comforts, Coats and Cates : Doing in all things to his Brother, But as Himselfe would wish from Other, Not Offring Other what hee hates : *' Whose Heart, inclin'd as doth behove-it, Unlawfully doth nothing covet (To any an offence to offer) : But, just and gentle towards all, Would rather (unto great, or small) Than doe one wrong, an hundred suffer: **Not thirsting Others Land or Life; Nor neighing after Maid or Wife ; Nor ayming any Injury ; Neither of polling, nor of pilling. Neither of cursing, nor of killing. Neither of Fraud, nor Forgerie; *^But will confess, if he offend. Relent, Repent, and soon amend, And timely render Satisfaction. "TOBACCO BATTERED" 307 Sure, his religion is not f ained, Who doth and hath him Thus demeaned ; Ay, deadly hating Evill-action. Sylvester's profound religious feeling again rises to rolling organ tones at the end of the poet's ^'Little Bartas'*: *'Supernall Lord, Eternal King of Kings, Maker, Maintainer, Mover of all things, How infinite ! How excellently rare ! How absolute ! Thy works, Thy wonders are 1 How much their knowledge is to be desir 'd ! How THOU, in all, to be of all admir'd !" Eeligion and reformatory zeal inflamed Sylvester. That is clear. Like senti- ments must have prompted his great skit on tobacco. Smoking, we have seen, had become fashionable in England during the years Sylvester was schooling and merchant-adventuring. To smoke was to do the last smart trick; and men and women and children essayed it. Then, too, there were shallow-brained, solemn- faced people proclaiming the weed's 308 WORKFELLOWS IN PROGRESSION curative powers. Dramatists Dekker, Thomas Heywood and others, and also Edmund Spenser in his ** Faerie Queen," had referred to the herb — oftenest in laudation. Sir John Beaumont when only nineteen, 1602, had told in even couplets of **The Metamorphosis of To- bacco," addressing his ** loving friend Master Michael Drayton": **Let me the sound of great Tabaccoes praise A pitch above those love-sicke Poets raise : Let me adore with my thrice-happie pen The sweete and sole delight of mortall men, The cornu-copia of all earthly pleasure, Where bank-rupt Nature hath consumed her treasure ! A worthie plant springing from Floraes hand, The blessed offspring of an uncouth land ! Breath-giving herbe ! none others I invoke To help me paint the praise of sugred smoke. ' ' Such were early praises of tobacco. But already reaction had set in. Oppo- sition to the ** sugred smoke" devel- oped, and a stand against '*this imita- "TOBACCO BATTERED" 309 tion of the manners of savage people." William Camden voiced this in saying that by smoking English folk would de- generate — ^^Anglorum corpora in bar- barorum degenerasse videantur." And outside England, in other countries, hatred of tobacco was prohibiting it as an abomination ; a pope or two even issuing decrees against its use in churches. The wheel of fortune had turned. The so- called first smoker in England, Sir Walter Ealeigh, was himself finally pass- ing sombre years in prison under sen- tence of death for conspiracy.^ This evolving antagonism found its first notable outbreak in **A Counter- Blaste to Tobacco ' ' published in the year 1604, and written by the King of Eng- 1 James' hatred of tobacco, it has been said, has- tened Raleigh's execution in 1618. Raleigh "hoped to perswade the world that he dyed an innocent man,'* wrote Dr. Robert Tounson, Dean of West- minster, having been commanded by Lords of the Council "to sett downe the manner of his death" ; that day Raleigh "eate his breakfast hertily, and tooke tobacco." 310 WORKFELLOWS IN PROGRESSION land. James' **Blaste" dimmed some- what of the glorious story enveloping the **herba panacea" — even if it fanned pipes to flame in protest. The king not only wrote his great skit, he otherwise emphasized his aversion by imposing on tobacco a heavy tax, and, when English farmers began to grow the herb, added a law against **to misuse and misemploy the soil of this fruitful kingdom. ' ' **Our Peace hath bred wealth:"^ wrote James: **And Peace and wealth hath brought foorth a generall sluggish- nesse, which makes us wallow in all sorts of idle delights, and soft delicacies. . . . There cannot be a more base, and yet hurtfuU corruption in a Countrey, then is the vile use (or other abuse) of taking Tobacco." ** Omnipotent power of Tobacco!" . . . **Many in this kingdom have had such a continuall use of taking this un- 1 Spelling and capitals in these excerpts follow an old edition. "TOBACCO BATTERED'* 311 saverie smoke, as now they are not able to forbeare the same, no more than an olde drunkard can abide to be long sober, without falling into an incurable weak- nesse and evill constitution. ... It is, as you use or rather abuse it, a branche of the sinne of drunkenesse. . . . You are not able to ride or walke the journey of a Jewes Sabboth, but you must have a reekie cole brought you from the next poore house to kindle your Tobacco with. . . . **And for the vanities committed in this filthie custome, is it not both great vanitie and uncleanenesse, that at the table, a place of respect, of cleanlinesse, of modestie, men should not be ashamed, to sit tossing Tobacco pipes, and puffing of the smoke of Tobacco one to another, making the filthie smoke and stinke thereof, to exhale athwart the dishes, and infect the aire, when very often, men that aborrre it are at their repast? . . . '^And is it not a great vanitie, that a 312 WORKFELLOWS IN PROGRESSION man cannot heartily welcome his friend now, but straight they must bee in hand with Tobacco? ... he that will' refuse to take a pipe of Tobacco among his fellowes ... is accounted peevish and no good company, even as they doe with tippeling in the cold Easterne Coun- tries. . . . *^ Moreover, which is great iniquitie, and against all humanitie, the husband shall not bee ashamed, to reduce thereby his delicate, wholesome, and cleane com- plexioned wife, to that extremitie, that either shee must also corrupt her sweete breath therewith, or else resolve to live in a perpetuall stinking torment. ' ' Tobacco-smoking, declared King James, is **a custome lothsome to the eye, hatefuU to the Nose, harmfuU to the braine, dangerous to the Lungs, . . . and in the blacke stinking fume thereof, neerest resembling the horrible Stigian smoke of the pit that is bottomlesse. " *^Such is the force of that naturall "TOBACCO BATTERED" 313 Self-love in every one of us," continued the King, *^and such is the corruption of envie bred in the brest of every one, as we cannot be content unlesse we imitate everything that our f ellowes doe, and soe proove ourselves capable of everything whereof they are capable, like Apes, counterfeiting the maners of others, to our owne destruction . . . the generall good liking and imbracing of this foolish custome, doeth but onely pro- ceede from that affectation of noveltie, and popular errour." King James made plain the royal de- testation of tobacco. A simple Puritan subject of his, Joshua Sylvester, had like hatred of ^ ^ the soveraine weede,' ' and he, too, put forth a protest in *^ Tobacco Battered and The Pipes Shattered (about their Ears that idly Idolize so base and barbarous a Weed; at least- wise over-love so loathsome Vanitie;) by a Volley of Hot Shot thundered from Mount Helicon. '* When the poem was 314 WORKFELLOWS IN PROGRESSION published is not clear. Lines in it would show that it followed James' ^^Counter- Blaste'': ''When Our Alcides (though at Peace with men, At War with Vices) as His armed Pen, . . . Hath, as with Arrowes, from His sacred Sides, All-ready chac't These stinking Stympha- lides". . .^ Sylvester's seizure by intense convic- tion and his courage in endeavoring to correct vices of his time, his profound religious feeling — these characteristics of his must now have buoyed him. Ex- cesses in what he termed a lately im- ported custom of savages, self-indul- gences that led his brothers to destruc- tion, stirred him. **We Shoot at Man- ners," he cried, **Wee would save the 1 The volumea from which these lines, the fore- going quotations from Sylvester, and the excerpts following were made, were printed in London in 1633 and 1641. Their frequent italics are omitted, but spelling and capitals are kept; and punctua- tion, so far as possible. "TOBACCO BATTERED" 315 Men.'' Those who read the poem can not doubt the writer's moral earnestness, his genuine and devoted ardor to work reform. His ethics are undeniably sin- cere and lofty. To-day our first thought may be that the wit of the verse is stronger than we, ourselves, discover. Yet such was in the mouth, and flowed in the ink, of Marlowe, Green, Shakespeare, Ben Jon- son, Drayton. Those people talked straight forward. They were not apt at vague abstractions and at calling up a haze. They did not use analytic, scien- tific, Greek and Latin words, in which practical, racy thought is often fog- bound to-day. Terse, homely phrase, smacking of the soil, was their wont. In such Sylvester makes clear his message. A native quaintness and individual tang are in every couplet. Indulging whim- sicalities, his fantasy takes on added warmth and his spirit bears fresh evi- dence of conviction. 316 WORKFELLOWS IN PROGRESSION Growls of this stern old English Puri- tan appeal with double force to those of us of to-day who believe in our right not to be smoked — who believe in the per- sonal liberty which refuses to permit another to force stale, nauseating smoke into mouths and lungs clean and inno- cent of their use. To-day an American citizen walking our streets, and even in our parks, our post-offices and other public buildings, has small chance for sanitary clear air. A misguided boy is apt to be before him puffing at a poison- loaded cigarette, or, at his hand an alien with a pipe or *^ brand," the offence of which smells to heaven. ** Needs must I band against the needless Use Of Don Tobacco and his f oule abuse : Which (though in Inde it be an Herbe indeed) In Europe is no better than a Weed ; Which, to their Idols, Pagans sacrifice, And Christians (heer) doe wel-nigh Idolize: Which taking, Heathens to the Divels bow "TOBACCO BATTERED" 317 Their Bodies ; Christians even their Soules do vow. . . . Two smoakie Engines, in this latter Age (Satans short Circuit; the more sharp his rage.) Have been invented by too-wanted "Wit, Or rather, vented from th' Infernall Pit, Guns and Tobacco-pipes, with Fire and Smoak ; (At least) a Third part of Mankind to choak: (Which happely, th' Apocalyps fore-told) Yet of the Two, Wee may (think I) be bold, In som respects, to think the Last, the Worst, (How-ever Both in their Effects accurst.) For, Guns shoot from-ward, only at their Foen; Tobacco-Pipes, home-ward, into their Owne (When, for the Touch-hole, firing the wrong end, Into our Selves the Poysons force wee send) ; Those, in the Field, in brave and hostile manner ; These, Cowardly, under a Covert Banner : Those, with Defiance, in a Threatful Terror; These, with Affiance, in a wilfuU Error: Those (though loud roaring, goaring deep, quick ridding) 318 WORKFELLOWS IN PROGRESSION These, stilly stealing, longer Languors breed- ing; Those, full of pain (perhaps) and fell de- spight: These, with false Pleasure, and a seem-delight (As Cats with Mice, Spiders with Flies) full rife. Pipe-playing, dallying, and deluding Life. /'Who would not wonder, in these Sunny- Dayes (So bright illightned with the Gospel's Rayes) Whence so much Smoak, and deadly Vapours com, To dim and damne so much of Christendome ? But, wee must ponder too. These dales are ThosQ Wherein the Divell was to be let lose ; And yawning broad Gate of that black Abyss To be set ope, whose bottom bound-lesse is ; That Satan, destin'd, evermore to dwell In Smoakie Fornace of that darkesom Cell, In Smoak and darkness, might inure and train His Own deer Minions, while they heer re- main. . . . "TOBACCO BATTERED" 319 **Then, in Despite, who-ever dare say Nay, Tobacconists, keep-on your course : you may, If you continue in your Smoakie Ure, The better far Hell's sulph'ry Smoak endure ; And heerin (as in All your other Evill) Grow neerer still and liker to the Divell : Save that the Divell (if hee could revoke) Would flee from filthy and unhealthy Smoak : Wherein (cast out of Heave 'n for hellish pride) Unwilling Hee, and forced, doth abide: Which, heerin worse than hee (the worst of 111) You long-for, lust-for, ly-for, dy-for still. For, as the Salamander lives in Fire, You live in smoak, and without smoak expire. '* Should it be question 'd (as right well it may) Whether Discovery of America That New-Found World, have yeelded to our Old More Hurt or Good: Till fuller Answer should Decide the Doubt, and quite determine it, Thus for the present might wee answer fit: . . . 320 WORKFELLOWS IN PROGRESSION '^But true it is, wee had this Trash of Theirs, Only in Barter of our broken Wares. Ours, for the most part, carried out but sin; And, for the most part, brought but Ven- geance in : . . . They carried Avarice, and Gold they got : They carried Bacchus and Tobacco brought. Alas, poor Indians! that, but English, None Could put them down in their owne Trade alone! . . . ''Of All the Plants that Tellus bosom yeelds, [n groves, glades, gardens, marshes, moun- tains, fields, None so pernicious to Man's Life in knowne, As is Tobacco, saving Hemp alone. Betwixt which Two there seems great Sym- pathy To ruinate poor Adam's Progeny: For, in them Both, a strangling vertue note, And both of them doe work upon the Throte ; The one, within it ; and without, the other ; And th' one prepareth Work unto the tother. For There doe meet (I meen at Gail and Gal- lowes) "TOBACCO BATTERED" 321 More of these beastly, base Tobacco-Fel- lowes, . . . Sith 'tis their common Lot (so double- choaked) Just Bacon-like, to be hang'd up and smoaked : A Destiny, as proper to befall To morall Swine, as to Swine naturall. ''Now, my first Puff shall but repell th' ill favour Of Place and Persons (of debauscht behav- iour) "Where 'tis most frequent : Second, shew you will, How little Good it doth: Third, how great 111. 'Tis vented most in Taverns, Tippling-cots, To Ruffians, Roarers, Tipsie-Tostie Pots; Whose Custom is, between the Pipe and Pot, (Th' one Cold and Moist, the other dry and Hot) To skirmish so (like Sword and Dagger- fight) That 'tis not easie to determine right. Which of their Weapons hath the Conquest got Over their Wits; the Pipe, or else the Pot. 322 WORKFELLOWS IN PROGRESSION Yet 'tis apparent, and by proof express, Both stab and Wound the Brain with Drunk- enness : For even the Derivation of the Name Seems to allude and to include the same : Tobacco, as rw paKxoi, one would say ; To (Cup-god) Bacchus dedicated ay. . . . ''0 Great Tobacco! greater than Great Can, Great Turke, Great Tartar, or Great Tam- berlan ! With Vulturs wings Thou haste (and swifter yet Than an Hungarian Ague, English Sweat) Through all Degrees, flown far, nigh, up and down; From court to cart; from Count to country Clown, Not scorning Scullions, Coblers, Colliers, Jakes-farmers, Fidlers, Ostlers, Oysterers, Roagues, Gypsies, Players Pandars, Punks, and All What common Scums, in common-Sewers fall. For, all, as Vassals, at thy beck are bent, And breathe by Thee, as their new Element. Which well may prove thy Monarchy the Greater ; "TOBACCO BATTERED" 323 Yet prove not Thee to be a whit the better; But rather Worse: for, Hell's wide-open Road Is easiest found, and by the Most still trod! . . . * ' If then Tobaceoning be good : How is 't, That lewdest, loosest, basest, foolishest, The most unthrifty, most intemperate. Most vitious, most debauscht, most desperate, Pursue it most : The Wisest and the Best Abhor it, shun it, flee it, as the Pest. . . . *'My second Puff, is Proof How little Good This Smoak hath don (that ever heer I cou'd) . For, first, there's none that takes Tobacco most. Most usually, most earnestly can boast That the excessive and continuall use - Of this dry Suck-at ever did produce Him any Good, Civill, or Naturall, Or Morall Good, or Artificiall : Unless perhaps they will alledge, it drawes Away the 111 which still it Self doth cause. Which course (meethinks) I can not liken bet- ter Than to an Usurer's kindness to his Debter; Who under shew of lending, still subtracts The Debters Owne, and then his own exacts; Till at the last hee utterly confound-him. 324 WORKFELLOWS IN PROGRESSION Or leave him worse and weaker than he f ound- him. ... **My Third and last Puff points at the great Evill This noisom Vapour works through wily divell ; If we may judge : if knowledge may be had By their Effects, how things be good or bad. . . . For, first of all, it falls on his Good-name; And so be-smears, and so be-smoaks the same, That never after scarce discerned is 't. Rare good Report of a Tobacconist: . . . *'For, if a Swearer or a Swaggerer, A Drunkard, Dicer, or Adulterer, Prove a Tobbacconist, it is not much: 'Tis sutable, 'tis well beseeming Such : . . . "But, let it be of any truly said, Hee's great, religious, learned, wise or staid; But hee is lately turn'd Tobacconist: 0! what a Blur! what an Abatement is 't! . . . '*It ill beseems a Church, CoUedge or Court, Or any place of any civill sort : "TOBACCO BATTERED'* 325 It fits Blasphemers, Euffians, Atheists, Dam'd Libertines, to be Tobacconists: Not Magistrates, not Ministers, not SehoUers, (Who are, or should be, sins severe Comptrol- lers) Nor any wise and sober personage, Of Gravity, of Honesty, of Age. . . . '*Next the Good-name, now let the Body show What wrongs to it from our Tobacco flow : For, as That is Man's baser Part indeed. It is most basely handled by this Weed. . . . **But the most certain and apparent 111 Is an 111 Habit which doth haunt them still ; Transforming Nature from her native Mould : For, Custom wee another Nature hold. And this vile Custom is so violent, And holds his Customers at such a Bent, That tho thereby more hurt than good they doubt : To die for it, they can not live without. . . . Yet doth the Custom (as wee likewise finde) Dis-nerve the Bodie, and dis-apt the Mind. '* First, in the Intellect, it d' outs the Light, Darkens the House, th' understandings Sight; . . . 326 WORKFELLOWS IN PROGRESSION '*Next it decayes and mars the Memorie, And brings it to strange Imbeeillitie. . . . *' Touching th' Affections, they are tyr'd no lesse By this fell Tyrants insolent Excesse : . . . Makes men more sudden, and more heed-less heady. More sullen sour, more stubbornely-unsteady, More apt to wrath, to wrangle, and to braule ; To give and take a Great offence, for Small. . . . ''But, if they say, that sometimes, taking it, The Minde is fre'ed from some instant Fit Of Anger, Grief e, or Feare; Experience tells It is but like some of our Tooth-ake Spells, Which for the present seem to ease the Pain, But after, double it with more Rage again; Because a little, for the time, it drawes, But leaves behinde the very Root and Cause. ** Lastly, the Conscience (as it is the best) This Indian Weed doth most of all molest ; Loading it daily with such Weight of Sin, Whereof the least shall at the last com-in To strict Account : the Losse of precious hours Neglect of God, of Good, of Us, of Ours : "TOBACCO BATTERED" 327 Our ill Example, prodigall Excess, Vain words, vain Oaths, Dice, Daring, Drunk- enness, Sloath, Jesting, Scoffing, turning Night to Day, And Day to Night ; Disorder, Disaray ; Places of Scorn and public Scandall hanting ; Persons of base and beastly Life frequent- ing. . . . This is the Eendez-vous, These are the Lists, Where doe encounter most Tobacconists. . . . *'The Last and least of all ToBAcco-harms, Is to the Purse : which yet it so becharms. That Juggler-like it jests-out all the Pelf, And makes a Man a Pick-purse to him- selfe. . . . *'How juster will the Heav'nly God Th' Eternall, punish with infernall Rod: In Hell dark Fomace (with black Fumes to choak) Those, that on Earth will still offend in Smoak? Offend their Friends, with a Most un-Respect : Offend "Wives and Children, with Neglect : Offend the Eyes, with foule and loathsom spawlings : 328 WORKFELLOWS IN PROGRESSION Offend the Nose, with filthy Fumes exhalings : Offend the Eares, with loud lewd Execrations : Offend the Mouth, with ugly Excreations : Offend the Sense, with stupefying Sense: Offend the Weake, to follow their Offence : Offend the Body, and offend the Minde : Offend the Conscience in a fearefuU kinde. Offend their Baptisme, and their Second Birth : Offend the Majestic of Heaven and Earth. ''Woe to the World because of such Of- fences ; So voluntaire, so voyd of all pretences Of all Excuse (save Fashion, Custome, Will) In so apparent, proved, granted, 111. Woe, woe to them by Whom Offences come; So scandalous to All our Christendom." • FINIS Deacidified using the Bookkeeper process. Neutralizing agent: Magnesium Oxide Treatment Date: Oct. 2009 Preservationlechnoiogies A WORLD LEADER IN COLLECTIONS PRESERVATION 111 Thomson Park Drive Cranberry Township, PA 16066 LIBRARY OF CONGRESS lliiiliillllii 018 394 346 7