PR 5495 THE PENNY PIPER OF SARANAC C5 BY '"^ ' STEPHEN CHALMERS Class ^S^^i^r Book t>< y . Copyright N"^ . COPYRIGHT DEPOSIT. The Penny Piper of Saranac \ From a Copier Print copyright hy Curtis dr" Cameron^ Inc., Boston THE SARANAC LAKE STEVENSON MEMORIAL Designed by Gutzon Borglum THE PENNY PIPER OF SARANAC A?i Episode in Stevensoji's Life BY STEPHEN CHALMERS WITH PREFACE BY LORD GUTHRIE BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY MDCCCCXVI 6"^ COPYRIGHT, I912, BY THE OUTLOOK COMPANY COPYRIGHT, I916, BY STEPHEN CHALMERS ALL RIGHTS RESERVED / JUN 22 1916 ©CI,A4334C8 b A deal of Ariel, just a streak of Puck, Much Antony, of Hamlet most of all, And something of the Shoiter-Catechist. W. E. Henley PREFACE By Lord Guthrie "The Penny Piper of Saranac " is a most sane and real sketch of Robert Louis Stevenson. I call it a sketch of Stevenson, and not merely of his life at Saranac, for it shows much insight into his character, which was so complex that many people of broad minds but narrow sympathies thought it contradictory. His Puritanism was every bit as genuine as his Bohemianism. Such people could not, and their pres- l: vii n Preface ent-day representatives cannot, un- derstand this. But that was, and is, their fault ; not his. When peo- ple ask me what I thought of Stevenson, when, in the early sev- enties, we were much together in Edinburgh, at college and in the Speculative Society, and in 17 Heriot Row, his father's house, I usually reply, "Which Stevenson? I knew at least four! '' "The Penny Piper of Saranac'' has attained what I thought the impossible, for there is not a "chest- nut" in it! Most Stevensoniana are full of them, always old, some- times stale, and more than occasion- Preface ally rotten, in the sense that they attribute to him sayings and actions which those who knew Stevenson as I knew him are able to say in- stinctively he could never, and would never, have said or done. Gutzon Borglum, the sculptor, in his Saranac memorial bas-relief, has got beneath the surface and behind the mask as Saint- Gaudens (fine as his bas-relief is, as a work of art) never did. I liked the first sight of Borglum' s work; and it grows on me. It has charm, and it has strength, and it has pathos. It is the invalid, but the invalid who can say, *'0 Pain! Where is Preface thy victory?" It is the fascinating personahty of a man of genius who, with all his gaiety of manner and desire to give pleasure, was yet, in a matter of essential prin- ciple, like flint — a block of iron painted to look like a lath! Swanston Cottage^ Colmton^ Midlothian^ Scotland AUTHOR'S NOTE The following brief sketch of Robert Louis Stevenson's life at Saranac Lake during the winter of 1887-88, was done in collabo- ration with the late Dr. Edward Livingston Trudeau, who carefully edited the original manuscript, pay- ing particular attention to the pre- cise wording, so far as his memory served him, of the various conver- sations between the distinguished patient and himself. The essay has had a lively ca- reer which, the author hopes, is c; xi ] Author s Note only beginning. First published in the Outlook ^ it was later repro- duced from a backwoods printshop as a souvenir of the unveiling at Saranac Lake of Gutzon Borg- lum's memorial tablet, erected by the Stevenson Society. Stevenson himself might have described that modest edition as "a penny plain" and the present one, in the dig- nity of real covers, as " twopence colored." To Munsey's the author acknowledges permission to repro- duce the verses which appear else- where. Since the essay's first publication many things connected with it have Author s Note transpired. The present writer's collaborator has passed to his de- served long rest. He died a few days after the lasting bronze had been uncovered <'at the cottage up the road " in honor of his quondam friend and patient ; and his last message from the sick- chamber was, " I am glad to have lived to see it done.'' It is not claiming too much to say that it was directly the influ- ence of " The Penny Piper of Saranac " that led to the creation of the Saranac Lake Stevenson Memorial. While the author was working on the manuscript, Rob- [^xiii ] Author s Note ert Hobart Davis, a well-known New York editor, visited the Adi- rondacks and heard, through the writer, some of the late Dr. Tru- deau's reminiscent anecdotes of Stevenson. Realizing for the first time, perhaps, that at Saranac Lake the famous Scot had really produced his best contributions to English literature, Mr. Davis started an agitation for the erec- tion of a suitable memorial. He enlisted the interest of his friend, Gutzon Borglum, the noted sculp- tor, who created his design as a personal tribute to the genius of R. L. S. The committee which C xiv 3 Author s Note had the work in hand is now re- solved into the Stevenson Society of America, with an increasing membership and a rapidly grow- ing collection of Stevensoniana. Since the first publication of "The Penny Piper of Saranac" its author has heard but two anec- dotes which might have been in- cluded in the original essay. During Stevenson's stay at the Baker Cottage in the mountain hamlet, the Church of St. Luke the Beloved Physician, founded by Dr. Trudeau, had recently been built. Stevenson's mother, who was staying with him in Saranac Author s Note Lake, was much interested in the church's affairs. It is well known that the author had a strong aver- sion to hero- worshipers and lion- hunters — especially of the more inquisitive sex ; so when Mrs. Estella Martin, a member of an old Adirondack family, drove up to the cottage to confer with Mrs. Stevenson about a proposed church supper, R. L. S. took refuge in his "cubbyhole'' study and firmly shut the door. His mother pre- pared tea for the guest and sud- denly said, '' I would like you to meet my son, Louis." Mrs. Martin, who had heard L xvi ] Author s Note of the novelist's pet aversion, felt slightly nervous. Mrs. Stevenson went to the study door and there foUow^ed a whispered colloquy through a mere chink. Presently Stevenson came into the room, sat down by the stove, and, after a strained minute or two, asked Mrs. Martin if he might smoke. The moment his cigarette was alight the ice was broken and — " I had two hours of R. L. S.," says Mrs. Martin, " and he was the most interesting man I ever met." Later, it was planned to give the church benefit supper at the old Berkeley Inn in the village. [xvii ] Author s Note On the promise of Stevenson's mother that she would induce her son — somehow — to be present, the church ladies sold every avail- able seat, except one — that re- served for the lion of the occasion. Despite the elder Mrs. Steven- son's assurances, up to the last moment Robert Louis refused to be a party to the party. " Good Heavens ! " he exclaimed. '* They might ask me to make a speech!'' In the end the ladies had to kidnap him bodily. At first he was silent, even morose, when he took his seat at the supper table in the old inn ; but suddenly the humor C xviii ] Author s Noti of the situation struck him and his chameleon-like mood changed color. He threw himself into the affair with a spirit that was more Stevensonian than churchlike. He not only proceeded to enjoy him- self, but helped to make that church supper a memorable suc- cess ; and before he escorted his mother home, he insisted upon making a speech. All record of that speech is lost — more's the pity! Mrs. Martin does not remember just what he said, but — "It was — like him." No doubt it was ! S. C. ILLUSTRATIONS The Saranac Lake Stevenson Me- morial DESIGNED BY GuTZON BoRG- LUM Frontispiece ^ The Room where Stevenson wrote "A Christmas Sermon," "The Lantern-Bearers," etc. . . . 8 '^ The Stevenson Cottage at Saranac Lake 8 ^ The Stevenson Cottage . . . . 48 ^ Andrew Baker discussing R. L. S. with a Literary Pilgrim The Veranda where Stevenson WALKED and DREAMED . . . . 48 ^ GuTzoN Borglum and his Tribute TO R. L. S 60 ''^ Mr. and Mrs. Andrew Baker . . 60 The Penny Piper of Saranac ROBERT LOUIS STEVENSON Out of the land of the ancient bards A wandering minstrel strayed ; Courage and hope were the song he sang, And faith was the string he played. *