NO PLAYS EXCHANGED. Taking the Census in Bingville Price, 25 Cents «»Plfi»IOMT, 1«««, BY WALTSR H. BAK«H * THE AMAZONS ^^^^ ^ Three Acts. Seven males, ive xemaieSe ^^ Costumes, modern ; scenery, not difScult- Plays a full eventngo THP rARIWFT MINICTPD Farce in Four Acts. Ten nsaies. nine IflC l/AOinCI fflinOlCI^ ^^^^^^^ costumes, modem society ,- scenes y, three interiors. Plays a full evening. DANDY DICK Farce in Three Acts. Seven males, four iemates. Costumes^ modem ; scenery, two interiorSo "Plays two hours and a half. THE OAY LORD OCEX ^^^'^^^y ^ ^^^ ^^^^^ ^°^^ males ten " females. Costumes, modern ; sce»ory. two interiors and an exterior. Plays a full evening. Hl^ HAITW IN ADDPfi Comedy in Four Acts. Nine males, fonf lU J UVUOC in UnUCn females. Costumes, modern ; scenery^ three interiors. Plays a full evening, THE HORRY HORSE ^^^^^y ^ Three Acts Ten males, five females. Costumes, modern; scenery easy. Plays two hours and a halt IRIS I^ii^*™^* ^ Fi''^© -^cts. Seven males, seven females. CostumeSt modem ; scenery, three interiors. Plays a full evening. LADY' BODNTItVL ^^^ ^ ^^^ '^^^^^ Eight males, seven fe- males. Costumes, modern ; scenery, four in- teriors, not easy, Plays a full evening. LETTY ^^^^^ *^ Four Acts and an Epilogue. Ten males, five fe- males. Costumes, modem ; scenery complicated. Plays a fiill evening' Sent prepaid on receipt of price by l^alter 1$. 'Bafeer & Company NOo 5 Hamilton Place, Boston, Massachusetts Taking the Census in Bingville An Entertainment in One Act By JESSIE A. KELLEY Author of ^*- Scenes in a Restaurant^'' ^^Our Church Fair,'' ''The Village Post-Office," ''Miss Prim's Kindergarten," etc. BOSTON WALTER H. BAKER & CO. 1911 Taking the Census in Bingville CHARACTERS Census Taker. Rosy Grady, an Irish maid. Patrick M alone, a policeman ivho didn^t want to be ex- amined. Bill Watt, not so bright but still gets ahead of thejn all. Mr. Harder, chauffeur. Mr. Knott, aeronaut. Mr. Stone, farmer who has rheumatiz. Mrs. Jones, a much jnarried woman. Mr. Saloon, a barber who is '* Ilejiglish.^* Dr. Duncan. Mrs. Tibbets, who tries to be young. Mr. Single, aii editor. Mr. Jepson, a grocer-postmaster. Mrs. Sampson, 7vho has a large family. Mr. More, an undertaker. Mrs. Murphy, who is proud of her name. Miss Hartley, a teacJier. Mr. Sharp, a lawyer ivho is looking for clients. Tony, a fruit dealer. Mr. Ellwood, a minister. Mrs. Stone, a farmer's wife who is afraid she has hook- wor7n. Susie Gibbs, who is love sick. Copyright, 1911, by Wattttu tj -d...— «r Co. TMP96-C06472 STAGE SETTING Stage maybe arranged to represent a hall. If not conve- nient to have curtain have the players come in in groups with usual salutations, the moderator calling the meeting to order when all are assembled. Departure may be made same as entrance. If a curtain is used have the players seated when it rises and the moderator calls meeting to order at once. Curtain falls as census taker rushes out. COSTUMES Most of the costumes may be ordinary modern costumes but where the parts admit, some grotesque costuming always adds to the effect. NOTES The census taker may add much to the merriment by his impatience, manifested in various ways as running fingers through hair, pacing floor while stories are being told, etc., etc. Bill Watt may also be much in evidence doing any droll things — chewing gum, offering it to others, taking out looking glass and fixing hair, spinning top, etc. Be very careful, however, that in doing these things, no such disturbance is made that the audience cannot hear what is being said. Census taker should be careful not to have back to the audience at any time. All should come forward and stand while being ques- tioned. Speak slowly and distinctly. Make the jokes local in every possible case. Practice story-telling until it can be done perfectly, bringing out the point plainly and acting out the part. Laugh heartily at the jokes. Songs and speeches may be easily inserted if desired. " My Pome too U " is taken from '' Life." " Love " and ** A Deal in Bananas " are also taken from papers. 3 Taking the Census in Bingville Mr<. Single {in a very oratorical manner'). Fellow citi- zens, we have met here to- night to consider the munificent offer of that great and good man, Andrew Carnegie, who out of the abundant generosity of his heart wishes to furnish us the where- withal to build a library in this town. Mr. More. Huh ! Guess he could furnish it better out of his pocketbook than out of his heart. Mr. Single {lookiiig at Mr. M. scornfully). If our brother has anything to say worth saying will he kindly address the chair ? If not, will he remain silent ? I am the chairman of this meeting {pompously')^ and wish it run properly. Mr. Ellwood. Mr. Chairman Mr. Single {very suavely). Mr. Ellwood? Mr. E. I understand that this man does not want to die rich, perhaps remembering that it is easier for a camel to go through the eye of a needle than for a rich man to enter heaven, so I think it is our duty to help him dispose of a little of his surplus wealth. I move that our secretary be instructed to notify him to that effect. Mr. Harder. Just tell him while you're writing that if he needs any more help in getting rid of it that I should be very willing to accommodate him to the extent of half a million or so. Mr. Stone. Wall, now, I tell yew, when I git rich, there's one thing I'm a-goin' to hev. Miss Hartley. What's that, Mr. Stone ? Mr. Stone {going through motions). A pair of galluses for my other pants. Dashed if I ain't tired of everlastingly shiftin' galluses from one pair of trousers to tother. (Census Taker rushes in.) Census Taker. I'm glad I've found where the folks of this forsaken town are. I've pounded at every door until my knuckles are sore and couldn't raise a soul. 6 TAKING THE CENSUS IN BINGVILLE Dr. Duncan. They say opportunity knocks once at every man's door. This would be a poor time for her to knock around here, wouldn't it? Mr. Sharp. She hasn't knocked very loud at my door yet, but I don't know why this is a poor day for her visit. Why? Dr. D. Everybody would think it was the census man and hide. Census Taker. Guess that's what they all did in this blooming place. Mr. Sharp. I don't take any chances. I answer every knock and give my office boy strict orders not to let a client escape. Mr. Knott. Thought you were the fellow I saw in the court room the other morning rushing around as if you hadn't time to breathe. Mr. Sharp {laughing heartily). Did you see my boy come rushing in for me ? Mr. K. Yes. The way you ran out I thought some one was dying. What was the matter ? Mr. Sharp {acting it out). He told me there was a man in the office who wanted to see me on business, so I didn't let any grass grow under my feet before starting — hadn't seen a client for a month. I ran till I was out of breath, the boy behind me until he got near enough to say, "You needn't hurry, sir, I've locked him in." Then I eased up, went in slowly and told him I was very busy, but if he would be brief I would give hun a few minutes of my valuable time. Mr. Saloon. Did you get the case? Mr. Sharp {dejectedly). No, he wanted the undertaker. Census Taker. Will you people quit your gabbing and answer my questions ? I've twenty-six questions to ask each one of you, and how do you suppose I'm ever going to do it? {Opens book, gets out pen, etc.) Mr. Single {stepping up to Census Taker, throwing out chest). Do you realize that you are interrupting a meeting of which I am the chairman ? Census Taker. Can't help that. This is government busi- ness and must be attended to, willy-nilly. You go and sit down until I'm ready for you. (Mr. Single, amid laughs of the people, sits down.) I'll give some of the Avomen a chance to talk first. They're always glad to exercise their tongues. Mrs. Jones {aside). He seems to be very good at it him- TAKING THE CENSUS IN BINGVILLE 7 self. Tongue hung in the middle and wags at both ends, I should say. Census Taker {pointing to Miss H.). I'll begin with you. Please step out here where I can see and hear you better. {Reads. ^ State whether head of family, wife, son, daughter, boarder, lodger or servant. Miss H. I'm a servant to the public. Let me see {count- ing on finger s)y there's the superintendent one, seven on com- mittee makes eight, I have fifty children Census Taker. Fifty children ! That's the biggest family I've struck yet. {Laughter.^ Miss H. Fifty children who have each two parents Census Taker {^nodding head). Oh, I see. Miss H. Which makes one hundred, added to eight makes one hundred and eight. Yes, I am servant to one hundred and eight people. Census Taker. Hired girls won't usually work in such large families. Do all the washing ? Miss H. (^frigidly). I am not a hired girl. I am a school- teacher. Census Taker {scratching head). Oh, that's it. Huh-huh ! (^Reads.) Male or female ? Mrs. J. Such ridiculous questions ! If a woman had charge of census-taking she'd know better than to ask such fool questions. Census Taker {reading). State whether white, black, mulatto, Chinese, Japanese or Indian. S'pose you call your- self white. Mrs. Sampson {aside). She's most as black as an Indian. Census Taker. How old are you? Give age in com- pleted years at last birthday. Miss H. {indignantly). I am an unmarried woman and I don't think it right to have to answer that question. Mrs. Murphy. Shure, a bold that won't sing must be made to sing. Census Taker. You will have to answer the question. How old are you ? Miss H. {defiantly). If you've got to know, I'm twenty- five. Census Taker. You are more than that. Tell the truth. Miss H. Well, then, I'm thirty. 8 TAKING THE CENSUS .IN BINGVILLE Census Taker. You're more than that, I know by the looks. Own up. Miss H. {s?iappishly). If you've got to know, I'm forty years old, but I call this census-taking an imposition. Census Taker. That's not so old. Cheer up. You have some chance of getting married yet. {Winks and smiles at audience.^ Miss H. I haven't lost hope, but I'll tell you one thmg; I wouldn't marry you if you were the last man on earth, for I'm tired and sick of your palaver already. {Laughter.) Mr. Stone. Thet's the time you got left, Mr. Census- man. Can't git ahead of these 'ere schoolma'ams. Census Taker {running down list of questions'). Where were you born ? Miss H. In Athens. Census Taker. Huh, a foreigner ! A Greek. Miss H. I am not a foreigner. Census Taker. You said you were born in Athens, and Athens is in Greece if I remember my geography. Miss H. I was born in the Athens of America, in Boston. Some people are so stupid. Census Taker. And some people can't give a straight an- swer to a straight question to save their necks. Father and mother born in Athens too? Miss H. {snappishly). Yes, they were. Census Taker {looking down list and mumbling questions). That's all I want of you. Miss H. And I've had more than I want of you. {Laughter.) Census Taker. This man looks more intelligent. {Points to Mr. E., who rises.) Are you head of the family? Mr. E. Yes, presumably, but it isn't wise to be too sure. {Turns to people.) Did I ever tell you that story of one of my parishioners in my last parish ? Dr. D. No, let's hear it. Census Taker {in despairing fnanner). He's worse than the woman. Mr. E. Mr. Hines was a henpecked man if ever there was one — didn't dare to say his soul was his own when his wife was TAKING THE CENSUS IN BINGVILLE 9 around, but when she was away you'd think he owned the earth. Mrs. J. Just like all the male animals. Mr. E. One time his wife went away to be gone several days, so he invited some of his men cronies to come up and spend the evening with him, which they did, and he was brag- ging that he was boss in his own house, he'd like to see any woman dictate to him, he had whoever he liked come to his house, and they did just what they liked, came when they liked, and went when they liked. *' In fact," he says, *' I am a regu- lar Julius Caesar." {Laughter.') His wife had come quietly in while he was talking, walked up to him, took him by the ear and says: *< Juhus Caesar, you march straight up-stairs to bed, and you," turning to his companions, *'go home; " and they went. {Laughter.') I must answer this man's questions. Census Taker {running down list of questions to himself). How old ? Mr. E. Forty-five. Father Time jogs along, doesn't he .? Bill Watt. Say, Mr. EUwood, 1 never heard of Mother Time. Wasn't there a Mother Time, too? Mr. M. Oh, she got lost several centuries ago. Bill. She waited to pin her hat on and has never caught up yet. Bill. Couldn't she run ? Mr. M. No, 'fraid she'd kill some one with the hatpin. Bill {pulling hatpin out of Susie Gibbs' hat). I wouldn't want to die such a turrible death. Gee ! Just look at that. {Holds up hatpin.) Susie. You give me my hatpin, Bill Watt. Bill. Take it. I don't want your old hatpin. I'd be ar- rested for carrying concealed weapons. Mr. Jepson {acting out the story). I was in a crowded street car the other night and the conductor roared out at a meek looking little man who had evidently been imbibing a lit- tle, ''Why don't you move up the aisle? There's lots of va- cant room between you and the lady." The man shook his head unsteadily. '* All the room that's there will stay there for all me," he said rather thickly. '* I know when I'm well off, betcher life." "Nothing's going to hurt you," says the con- ductor. ''Notin'ng going to hurt me? Whash you call those four hatpins? " And he pointed a wobbly finger at four hat- pins in the woman's hat long enough to scare any man. {Laughter.) 10 TAKING THE CENSUS IN BINGVILLE Census Taker. Guess they'll get the returns from this place some time in the next century. (7'6> Mr. E.) Any children, mister? Mr. E. Two, a boy and a girl. Mr. H. Hear about my little girl wanting to sing at the wedding in your church the other night, Mr. Elwood ? Mr. E. No; wants to begin yomig, doesn't she? You mean the Ross wedding? Mr. H. Yes ; she'd heard the folks talking about the affair. They spoke of some one who was to sing, so she piped up, '*! want to sing at the wedding." ''No, dear, you couldn't sing there," said her mother. *'Yes, I could; I know a pretty piece to sing." " What is it? " I asked. '* I'd sing ' Heaven Look with Pity.' " {Laughter.) Mr. K. 1 took my little girl to the choral concert the other night. Mr. Gustavo was the director, and you know how he everlastingly waves that baton. Mr. M. Who was the soprano soloist ? Mr. K. Madame Alda. When she was singing a solo, taking those very high notes, Amy leaned over to her mother, and, in a loud whisper that could be heard half way across the theatre, says, "Mamma, why does that man hit at the woman with his stick ? " '' Hush," says her mother, <' he's not hitting her." *' Well, then, what is she hollering so for? " says Amy, and I didn't wonder she asked. (Laughier.') Census Taker {breaking in hurriedly). Your occupation, Mr. Elwood? Mr. E. Minister. That makes me think of a story about my little boy. Census Taker. If they've started telling the bright sayings of their kids I might as well stop. Mrs. Sampson. The dear little boy ! What did he say? Census Taker {disgustedly). The dear little boy ■ Mr. E. He is not allowed to come into my study when I am writing, but the other morning he came in several times, so I finally said to him, " How many times must I tell you not to come in here when I am busy ? You must play somewhere else. You break my train of thought. Do you understand ? You break my train of thought." He hung his head and went to find his mother. ** Mamma, papa has been calling me names — dreadful names. He called me a train wrecker, and I don't wreck trains, do I, mamma? " {Laughter. 7\y Census Taker.) I beg your pardon. What's your next question ? TAKING THE CENSUS IN BINGVILLE H Census Taker. What denomination ? Mr. E. a Methodist. I've got to tell another story about that boy of mine. Census Taker. Will he ever stop ? Mr. E. He'd been rather naughty one day, so I asked him if he didn't want to go to heaven to live. I was rather sur- prised at his answer. '' No," he said, *' I've moved six times already, and I'm getting rather tired of helping pack furniture." {To Census Taker.) Anything more you want to ask? Census Taker (reading frotn book). State whether able to speak English. (Aside.) Only trouble with him is he doesn't know when to stop speaking English. Very common trouble with ministers. (Aloud.) That's all, sir. Perhaps this woman with the children would like to answer next. Are these all the children you have, madam? Mrs. Stone. Yes. Census Taker. This is a little girl. (Points to one.) And this one belongs to the contrary sex. Am I right ? Mrs. Stone. What did you say ? Census Taker. I said this one belonged to the contrary sex. Mrs. Stone. Oh, yes, yes, they both belong to the con- trary sex ; both girls, and contrary is no name for 'em. Census Taker (smilirig at little girl). Wouldn't you like to tell me what name your mother calls your father, my little girl? Child (indignantly). She don't call him any names. She likes him. (Laughter.) Census Taker. How old are you, madam? Mrs. Stone. I've just reached my thirtieth birthday. Census Taker (aside). Huh, took you about fifty years to reach it. (Aloud.) Your occupation ? Mrs. Stone. Oh, I get up about four o'clock, mornings, get breakfast for the family and three hired men, see to the milk, feed the hens and pigs, get the children off to school, wash dishes, bake, sweep, make beds and Census Taker. Oh, you keep house. (Writes ajid reads aloud.) Occupation — none. Mrs. Stone. I tell my husband I don't know what is the matter with me. After I've washed, ironed, swept, baked, washed dishes, fed pigs, milked cows and the rest of the work, I'm too tired after supper to sew. I think I must have the hookworm. 12 TAKING THE CENSUS IN BINGVILLE Census Taker. Must be something serious the matter with you if you're tired after that. (^To Mr. K.) Are you Shott ? Mr. K. No, I'm not shot or half shot. Census Taker. I thought you looked like a man I used to know — John Shott. Mr. K. No, I'm Knott. Census Taker. Tell me what your name is then. Mr. K. Will Knott. Census Taker. Why not? What is your name? Mr. K. Will Knott. Census Taker {angrily). I demand you to tell your name. Mr. K. How many times do you want me to tell it ? My name is Will — W-i-1-1 — Knott — K-n-o-t-t. Census Taker. Oh, certainly — Knott — your occupation? Mr. K. An aeronaut. {Quotes.) *' Death comes to daring spirits Who wing the blue ; The sparrow's fall is heeded ; Will man's be, too?" Dr. D. If you sail the blue you're a sailor, aren't you? Mr. K. Guess so. Dr. D. Why don't you use nautical language and say: " Shiver my timbers " ? Mr. K. Oh, you're behind the times. I say '* Shiver my gas bag " or ** Shiver my wings." Mr. Sharp. They call a man who is always on the water a sea-dog, don't they? Mr. K. I believe so. Mr. Sharp. Then you must be a skye-terrier. Mr. K. a skye-terrier ! Why ? Mr. Sharp. Because you're always in the sky. Census Taker. Any children? {Aside.) Most afraid to ask that question for fear of getting them started on stories again. Mr. K. One. Census Taker. How old ? Mr. K. Let me see — born March, 1894. How old would that be ? Cen.sus Taker. Depends on whether it's a boy or a girl. That will do for you. Who next? Dr. D. Better try me. TAKING THE CENSUS IN BINGVILLE I3 (Dr. D. steps out close to Census Taker.) Census Taker. What smells so? {Holds nose.) Phew ! Dr. D. It's this suit. My wife had it packed away in moth balls. When I put them on to-night she noticed I looked rather sad and inquired the reason. ''These clothes," I moaned. ''You ought to look pleased over them," she said; "there isn't a moth in them." "I know it," I replied, "but it's just my sympathetic nature, which sometimes carries me to painful extremes. Of course I'm glad the moths are gone, but I can't help being sorry for them to have to die such a horrible death." Mr. J. Killed all the germs, hey ? Dr. D. Yes, and don't know but it will kill me. Speaking of germs makes me think of something my little boy Census Taker. Oh, murder, on that tack again ! Dr. D. We're very careful about germs at our house ; spray the telephone, sterilize the drinking cups, don't allow him to drink in pubhc, etc. Mr. Sharp. Don't wonder the kid gets sick of it. Dr. D. The other night he said to me, "Papa, do you know what I'm going to do when I grow up? " " No," I said, expecting to hear he was to be a policeman or a conductor. " I'm going to do something aw-ful. I'm — going — to — eat — a — germ; a — real — live — germ." {Laughter.) Mr. M. Say, Doctor, how's your faith cure working ? Dr. D. Fine — fine. Hear about my last case? Mr. M. No, haven't heard. Dr. D. You knew Mr. Johnson, Sam Johnson, didn't you? Mr. M. The one that Uved on Ash Street ? Dr. D. Yes; he was a pretty sick man last fall. Ought to have gone to a warmer climate but couldn't afford to, so I thought I'd try the power of imagination on him. I had a large sun painted on the ceiling of his room and persuaded him to think it was a hot sun shining on him. Mr. M. How did it work ? Dr. D. Fine at first. Thought he was improving rapidly when, on my arrival there one morning, I found him dead. Mr. J. Failed ? Dr. D. No, it worked too well. His imagination was too strong and he simply died of a sunstroke. 14 TAKING THE CENSUS IN BINGVILLE (Man rushes in Jiolding fifiger.) Man. Where is the doctor ? Dr. D. Right here. What can I do for you ? Man. I've cut my index finger. Dr. D. {shaking head). Sorry, sorry, but I can't do any- thing for you. I'm a specialist on the middle finger. Run right across the street to Dr. Smith. \^Exit Man. Census Taker. Did you say you had children, Doctor ? Dr. D. I've got a parrot. Mr. E. Good talker ? Dr. D. Great, but I'm afraid I can't keep it here. Had him in the medical college and he picked up a lot of pro- fessional terms. Mrs. Simpson was calling on us the other evening and somebody asked her to sing. You know what a wretched, raspy voice she has. The instant she stopped that parrot screeched: "Chloroform her, chloroform her." I've lost that patient all right, and she was one of my wealthiest ones. Mr. Stone. I don't want to be no doctor. Reckon I'd dream of cases. Dr. D. 1 did dream of one the other night. Little Joseph Abbott has had a number of operations, appendix and tonsils removed, etc., and 1 pitied the poor little chap and had been thinking of him a good deal. Suppose 1 had him on my mind when I fell asleep, for I dreamed he was at the gates of heaven asking to go in. Peter asked him if he had been baptized. "No, not exactly," says he, "but I've had my appendix removed, my tonsils taken out, my eye muscles cut, one kidney removed and my ear drum pierced." Peter went over to the card index, returned in a moment and said, "All right, sonny, they're all here; you may come in and join them." Miss PI. That's as bad as a little girl I had. She had been absent several days, so I looked her up and inquired the cause. "I'll tell you, ma'am," she says. " I wuz gittin' along reel well in school and wuz goin' to keep on till I hed a fine eddi- cation, but you know one day a man came and 'zamined me and sed I'd have to hev my tonsils cut out, have my teeth pulled out and wear glasses, and when I went home and told my mother she sed, * You kin jest stay to hum ; I ain't a-goii)' to hev you insected fer no school.' " Mr. H. Guess you must have been the man, Doctor. Census Taker {to Mrs. Tibbetts). I'll see if I can get TAKING THE CENSUS IN BINGVILLE I5 in a few words now. You next, madam. I'll take the hardest question first. How old are you ? Mrs. T. {giggliftg like a schoolgirl^. I don't like to tell. Census Taker. But you must tell. Mrs. T. I'm afraid if the teacher heard she'd make me go back to school. Census Taker {aside). She's over forty, I'll wager. {Aloud.) Come, madam, your age. I have no time to waste. Mrs. T. I've kept my age a secret since I was twelve years old. Census Taker {slyly ; winking at people). Well, you'll tell it one of these days. Women can't keep a secret. Mrs. T. Well, I think when a woman has kept a secret thirty-five years she knows pretty well how to keep it. Census Taker. A little example in addition. Thirty-five and twelve are forty-seven. Thank you, madam. Mrs. T. You — you — you horrid creature ! Census Taker. Married ? Mrs. T. {giggling). Not now. Census Taker. How many times have you been married ? Mrs. T. Three, but {giggling and co?nifig closer to Census Taker) I'm willing to get married again. {Tries to put arms around liim.) Census Taker {stepping hack hastily). Madam, I am not proposing, I am taking the census. Mrs. T. Wouldn't you like to take a wife, too ? Census Taker. No, I'm no bigamist. I have a wife and six children already. Mrs. T. Horrid creature ! I've a good mind to sue you for trifling with my affections. {Floufices back to seat.) Census Taker. The government ought to pay a hundred dollars an hour for this job. Catch me ever taking the census again. Here, you, mister {to Mr. Saloon), step up here and answer these questions lively. (Mr. Saloon steps vp.) What is your name ? Mr. Saloon. John J. Saloon. Census Taker. Saloon ! I never heard that name before. Spell it. Mr. Saloon. Hess, hay, hell, two hoes, hand hay hen. Census Taker {dropping hook and pencil and staring at him open-mouthed). Say, spell that again, will you? What language do you speak, anyway ? l6 TAKING THE CENSUS IN BINGVILLE Mr. Saloon. Hi'in haii Henglishman hand Hi speak the HengHsh language. Can't you understand plain Henglish, you blooming hid lot ? Census Taker (^picking up book). Well, try your ** Heng- Hsh " again. Spell your name. Mr. Saloon. Hess, hay, hell, two hoes, hand hay hen. Census Taker (^shaking head in despair ; finally handifig Mr. Saloon the book). Here, write your "Henglish"; I can't "Henglish" it. (Mr. Saloon takes book, writes and hands back. Census Taker reads aloud.) S-a-1-o-o-n. Why couldn't you say so in the first place? Your occupation, Mr. Saloon ? Mr. Saloon. Hi'm a barber. Mr. Sharp. Related to Christopher Columbus? Mr. Saloon. Not that Hi know of. Mr. Sharp. Thought perhaps you might be — same trade. Mr. E. Why, Christopher Columbus' folks weren't barbers ! Mr. Sharp. History tells us they were woolcombers, doesn't it? {Laughter.) Census Taker. Ever serve in the navy, Mr. Saloon ? Mr. Saloon. Yes, hay litde while, honly barber hin the regiment. Major was hawful mad when Hi left. Dr. D. Couldn't get any one to cut his hair, I suppose. Mr. Saloon. When they told him there was no one hin the regiment who could cut hair, he said : " Hain't there hay gar- dener hin the company? Find him hand send him to me." Mr. M. What good would a gardener do ? Mr. Saloon. When the gardener came the major said : " Hare you hay gardener ? " "Hi ham," he said. " Then go cut hair," says the major. " Hi can't cut hair," says the gar- dener. " Great guns, man, hif you can cut grass you can cut hair. Go hand do hit." Census Taker. I wish you'd cut out your stories. How many children have you ? Mr. Saloon. Six. Census Taker. Give me their ages. Mr. Saloon. Hall right, sir. Mary will be thirteen hin September — yes — that must be right ; hand John his — John his — ahem — John his — he's going on twelve Hi guess ; then Susie — Susie — wait hay minute till Hi think — Susie- — ^Hi never can remember how hold she his — but James his — James his — James his — and Joe — Joe— Joe his — for goodness' sake, man, go hover to the 'ouse hand hask my wife. TAKING THE CENSUS IN BINGVILLE 17 \ ' \ Census Taker {sighing deeply). Go sit down. I'll try you nixt. {Points to Mrs. Sampson.) Any children? Mrs. Sampson. Yes. Census Taker. Well, I'll hear about the rising generation firs^. T!([rs. Sampson. Rising generation ! If you tried gittin' 'em up in the mornin' a few times you'd never call 'em the li.sin' generation agin. Mr. E. Bless the children ! What should we do without them? Dr. D. That isn't the question. What would the measles, mumps, chickenpox and whooping cough do without them ? Mr. M. Yes, and what would the doctors do without the measles, mumps, chickenpox and whooping cough ? Census Taker. How many children have you ? Mrs. Sampson (nodding head and counting on fingers). Lemme see, there's Sue and Kate and Sarah and Liza and Bill and Bob and Jim and Joe and John and Census Taker. Now, madam, if you would just give me the number. Mrs. Sampson (angrily). Number? Number? We ain't commenced numberin' 'em yet, thank ye. We ain't run out of names. Mrs. J. I don't see how you ever tell those twins apart, Mrs. Sampson ; they're as like as two peas in a pod. Mrs. Sampson. I can't alius, but if I hear a noise in the pantry and call out, ''Bill, is thet you?" and he ses, ''Yes, ma," I'm purty sure it's Bob, and he's up to some mischief. Miss H. Where do you ever find room to put all your fam- ily in that little house? Mrs. Sampson. We do hev ruther a tight squeeze. When the last baby came my husband said we'd got to make more room somehow, so he hung the broom outdoors and cut off the cat's tail. That made a little more room. Census Taker. You haven't told me yet how many chil- dren you have. Mrs. Sampson. I don't know fer certain. Census Taker. You don't know ! Mrs. Sampson. Not fer certain. You see. Bill's gone fishin', Bob's got a gun and gone huntin', John's breaking a colt, and Sue's thinkin' of elopin'. Can't reely tell how many I hev till I get 'em all in bed. Census Taker (disgustedly). Sit down. (Aside.) I'll 1 8 TAKING THE CENSUS IN BINGVILLE say twenty-five for a guess. {To Mr. M.) You next. Oc- cupation ? Mr. M. Undertaker. Mr. J. Solemn business, Mr. More, but I suppose you li?ve some queer experiences like the rest of us ? Mr. M. Yes; funny thing happened the other night. Telephone rang, I answered, some one asked, " Can 1 get a box for two here to-night? " ** Box for two? We don't have boxes for two here. They're all for one." *' Isn't this the City Theatre?" *'No," I said, "this is the undertaker's," and he hung up quick without ordering a box for two. {Laugliter .^ Census Taker {impatiently). Any children? Mr. M. Yes, one daughter. Census Taker. Her name ? Mr. M. {smiling at people). Postscript. Census Taker. Postscript ! Do you mean to say your daughter's name is Postscript ? Mr. M. That's what we call her. Mr. H. Why do you call her that ? Mr. M. Because her name is Adaline More. Mr. H. Ad-a-line More. Oh, I see. Pretty good. Census Taker. That's all for you. Here, you fellow, come out here. {Points to Bill, who shambles out, knocking over several chairs.) What's your name? Bill {gri7ining). Bill. Census Taker. Bill what ? Bill {hands in pocket, shifting from one foot to other). Bill Watt. Census Taker. Now don't try to be funny with me. I want your name, and I want it quick. What is it ? Bill {vacantly). Watt ! Watt ! Watt is my name. Census Taker. Yes, what is your name? Bill. Watt — Watt — Watt. Do you want me to whistle it? Mr. E. His name is W-a-t-t— Watt. Census Taker. Occupation ? Bill. Hey ? Census Taker. What do you work at? Bill. I've got a job. Mr. K. Where are you working, Bill ? Bill. In a domino factory. Mr. H. What do you do there ? V TAKING THE CENSUS IN BINGVILLE I9 }iLL. I put on the dots. Mr. J. Why aren't you working to-day, Bill? Business dull? Bill. Business ain't dull; they're making double blanks to-day; ain't no dots to put on. (^Laughter.') Mr. Stone. Say, Bill, I know something you couldn't dew. Bill. Guess not. I kin do anything. Mr. Stone. Wall, you couldn't do this. Want to try it? Bill. Fire ahead. Mr. Stone. You can't carry water in a sieve. Bill. Huh, that's easy. Mr. Stone {luinking at crowd). Want to try it ? Bill. What'll you give me if I do it ? Mr. Stone. I'll give you a quarter. Bill. All right, get your quarter ready. (Bill goes out and amid roars of the crowd appears with a piece of ice in a sieve.) Hand over your quarter. Mr. Stone. I said water. Bill. Ain't ice frozen water? You didn't say what kind of water. Chorus of Voices. Give him the money. He's won. Got ahead of you that time, etc. Dr. D. Don't get much ahead of Bill, after all. (Mr. Stone gives Bill the money, ivhich he tries with his teeth, drops to hear it ring, etc.) Census Taker. Are you married, Bill? Bill (sad/y). Yes, 1 am, and I wish I wasn't. Mr. Sharp. Don't you like matrimony, Bill? Bill. No, don't Uke it — don't like it at all. Mr. Sharp. Why not? Bill. Well, lawyer, yer see it's this way. Before we was married, when I knocked at the door, she used ter say, ''Am that you, honeysuckle?" Now when I come home she yells out, "Wipe your dirty feet before you come in, you clown, you ! " No, siree, matrimony ain't all a bed of roses. Dr. D. (aside). Queer thing about this chap— offer him the choice of a cent or a nickel and he'll take the cent every time. (A/oud.) Here, Bill, which will you have? (Offers him a penny and a nickel.) Bill {grinning). I'll take this one. 20 TAKING THE CENSUS IN BINGVILLE {Takes penny. Several others try him, Bill taking the penny each time amid much laughter.') Dr. D. Bill, why is it you always take the cent instead of the nickel ? Bill. What do you think? Think I'm a fool, hey? Sup- pose I took the nickel, would I ever get the chance to take another one ? Census Taker. You're too smart for this crowd, Bill. I'm through with you. Go, sit down. Bill (returning to seat, counting pennies aloud). Got enough to buy some 'backy. Census Taker (to Mrs. J.). You next. Your name? Mrs. J. I don't know. Census Taker, You didn't understand my question. What is your name ? Mrs. J. I don't know for sure. Census Taker. Don't know your own name ! Mrs. J. I've been divorced several times. At present my name is Mrs. Jones in this state; in some states it is Miss Simpson, my maiden name ; in three states it is Mrs. Brown, my first husband's name, and in two states it is Mrs. Rogers, my second husband's name. Mr. Sharp. Say, when a woman marries and gets divorced inside of a week what would you call it ? Mr. Single. I'd call it taking his name in vain. Census Taker. What were the causes of your divorces ? Mrs. J. The causes of my divorces? My marriages, of course. Census Taker. Is this your residence? Mrs. J. I eat and sleep here, but I have a trunk in the next state where I am getting a divorce from my present husband. Census Taker. Then you're married at present ? Mrs. J. I'm married in New York, Massachusetts and Rhode Island, divorced in Oklahoma, Dakota and Alaska, a bigamist in five states and a single woman in four others. Mr. J. The old saying is true, "It is only fools who get married." Mrs. J. That's because Providence takes care of the fools. Mr. J. How do you make that out? Mrs. J. By giving them wives to look out for them. What would you men have had if the Lord had not made us ? TAKING THE CENSUS IN BING^^ILLE 21 Dr. D. One more rib. {Laughter.') Mrs. J. Statistics show also that seventy-five per cent, of the male criminals — seventy-five per cent, of the male criminals are unmarried. What does that show ? Mr. Stone. Shows how many men ruther go to the peni- tentiary than git married. Say, that hobble skirt you've got on makes me tired. How do you ever git home in it ? Mrs. J. {scornfully). You needn't worry about my getting home. I get home in better season and in better condition than you men folks do with your free- legged trousers. Mr. H. Here's a conundrum. Why is it that all our coins have a woman's head stamped on them ? Mr. Single. Why do our coins have a woman's head stamped on them ? Mr. H. That's it. Mr. M. Because money talks. Right ? Mr. H. Right you are. Census Taker. H^ow old are you, Mrs. Jones, Brown, Rogers, Simpson, whatever your name is ? Mrs. J. Thirty. Census Taker. Thirty what ? Mrs. J. Thirty years. Census Taker. Oh, I thought it might be months. {Aside.) She'll never see forty again. Guess I'll set a trap for her. {Aloud.) How many years since you were first married ? Mrs. J. {smilingly). Twenty-five years. Census Taker. Thirty years old now, been married twenty-five years. Married rather young, didn't you? Five years is rather a tender age for matrimony. Mrs. J. {indignantly). I'll not stay here to be insulted. I am not perfect, but {striking an oratorical attitude and gesticu- lating) who is perfect ? Think carefully each for himself or herself — every man and woman in this audience — have you ever known or heard of a perfect person — an absolutely perfect person ? {Pauses. ) Mrs. Stone. I think I have, Mrs. Jones. Mrs. J. Who was it, pray? I should like to meet that person. Mrs. Stone. It was my husband's first wife. Mrs. J. {to Census 1 aker). Are you through widi your crazy questions ? 22 TAKING THE CENSUS IN BINGVILLE Census Taker. Yes, through with you. Mrs, J. I'm going home, then. Vou men had better get started too if you haven't any hobble skirts. [Exii Mrs. J. Mr. Single. Hearing the name Jones makes me think of a strange echo I heard once. Up in a range of hills about twenty miles from here there is a little ravine where, if you stand at one end of it and yell Jones, the echo comes back, "Jones, Jones, Jones, what Jones?" (^Laughter.) Mr. M. Mrs. Jones is a strange woman. Mr. E. Still she's very liberal in her charities. Miss H. But not very practical. She was visiting my school one day when I was talking to the children about the sleeping sickness of the Africans, and the next day sent me fifty alarm clocks to send to them. Census Taker {to Rosy Grady). Come, my pretty girl, your turn next. Rosy. Shure, kape a civil tongue in yer head and not be afther calling me pretty before all these folks for 1 can't be afther returning the compliment. Begorra, I was in a strate-car the other day and the conductor comes straight up to me, stops in front of me and before all the paple says, ** Your fare." "Shure," I says, "1 know I'm fair, but if you want to be afther telling me that just come round to my place some aven- ing." That stopped his noise for he just said, "Money." I gave it to him and he wenl off quick as scat, looking rather silly. . Mrs. Sampson. Wliere are yon woiking now. Rosy? Rosy. At Mrs. Lawson's. Mrs. Sampson. What do you do? Rosy. I take care of the baby. Dr. D. Mr. Lawsoii is very particular about that baby, isn't lie, Rosy ? Rosy. Shure, he is that. When I wint to see about the place Mrs. Lavvson says {rfiunickui,^), "My husband is very particular about the person 1 have for a nurse. He wishes ine to go into the most minute details about your qualifications. Do you know how to prepare food ? Can you sew and mend ? Do you mind sitting up late at night? Are you faithful and devoted and have )^ou a kind and loving disposition ? " Shure, I thought it was toime for me to say a woird, so I says, "Ex- TAKING THE CENSUS IN BINGVILLE 23 cuse me, ma'am, am 1 to take care of the baby or your husband?" {LaughUr.) Mrs. Stone. I'm coming to call on Mrs. Lawson some day. I don't know as she'll care to see me. Rosy. Shure, she will. Oi heard her tellin' Mr. Lawsoii only last night that avery time the door-bell was afther ringing it was some wan with a bill and she wished some wan would call besoides the collector. Shure, she'd be glad to see you. Mrs. Sampson. Well, I tried to call the other day and the girl sed she wasn't to hum. I seen her peekin' out of the winder when I went up the walk, so I jist give her her come- uppance, told the girl to tell her that as I saw her peekin' out of the winder I was afraid she was to hum and I'd have to go in. She needn't think she's any better than other folks if she does live in a bigger house. 'Tain't paid fer, I don't believe. Mr. Sharp. Going to get married pretty soon. Rosy ? Rosy. Yes, sor. 0!i {fumbling in pocket and taking out soiled scrap of paper ivliich she hands to Mr. E.), he wanted me to give you this; he's away jist now. Mr. E. (reading). ''This is to give you nolis that me and Rosy is comin' to your church on Saturday afternoon nex' to undergo the opperation of matrimony at your hands. Please be on hand as we are goin' to have a team and it is hired by the hour." Mr. Sharp. Thought you told me you wouldn't marry Pat till he had saved a thousand dollars. He hasn'i got that much saved yet, has he? Rosy {twisting handkercJiief and looking doivn). Pie told me last week that he had saved ten dollars and I told him that was near enough. Mr. J. What does he work at, Rosy ? Rosy. Shure, he's the milkman that laves the milk ivery morning. Mrs. Lawson saw him kiss me the other morning and she says (ifmnicking), " In the future I will take the milk in." *' Shure," says I, "it wouldn't be no use, mum, he's promised never to kiss any one but me." Mr. M. Was it his cart that got upset the other morning ? Rosy. Yes. Shure, the strate-car run plum into it and spilt can afther can of milk all over the strate. A big fat three- hundred- pound woman got roight in front of Pat when he was saying, ''What a waste! what a waste!" and do ye moind 24 TAKING THE CENSUS IN BINGVILLE she was that mad and says she, ''Moiud your own business. I'll look out fer me own waist." Moind that, will ye? (^Laughter.') Mrs. M. Shure, Rosy, I thought Jim Mahoney, the street- car conductor, was your stiddy. Rosy. He was; but I was afther getting tired of him. He was afther talkin' shop all the toime. Mrs. M. What did he say ? Begorra he was a foine con- ductor. Rosy. Sit up closer — sit up closer — he was afther saying all the toime, and 1 couldn't stand it no longer. Mr. Single. When is Pat coming back, Rosy? Rosy. I've just had a letter from him. Shure, his eddica- tion is illigant. {I'akes letter from pocket.') Look at that, will ye, and he was afther writing it all himself. {Reads.) ''Miss Rosy Grady, at Mr. Lawson's Private Way, Dangerous Crossing, Bingville, Massachusetts, U. S. A." Shure, I'm proud of Pat. Dr. D. Where are you going on your wedding trip. Rosy ? Rosy. To the ould country. Shure, Pve the money all put away in my slocking. Dr. D. 1 hope you won't have the same experience a young couple I knew had. It was a very rough trip and the boat was rolling and pitching like fury. " Harry," said the young bride, " do you still love me? " '' More than ever," was his earnest reply. After a moment's pause she said, as she looked up with a ghastly face, '' Harry, I thought that would make me feel better, but it doesn't." Census Taker {looking at watch). It's getting late; hurry up. You next. (7> Mr. Single.) Are you single ? Mr. Single. Yes. Mr. E. Why, he's married; I married him. Census Taker. What do you mean by lying to me, sir? Mr. Single. I'm not lying — I'm Single. Census Taker. Aren't you married? Mr. Single, Yes, I'm married. Census Taker. But you just told me you were single. Mr, Single, I'm married, but I'm Single. Census Taker. Is the man crazy? Are you married or are you single ? Mr. Single. Both ; I am married and my name is Single. Understand ? TAKING THE CENSUS IN BJNGVILLE 25 Census Taker. Some folks are so smart. You're the ed- itor, aren't you ? Mr. Single. Yes. Mr. K. Suppose you'll have a glowing account of the wedding in to-morrow's paper, Mr. Single? Mr. Single. Yes, 1 have it here in my pocket all ready for the press. Susie. Oh, do read it, Mr. Single. I just love weddings. (Sadiy.') I wonder if 1 will ever have one? Mr. Single. I'll read you part of it. Couldn't sell my paper if I give you all the news. (^Reads.) <' The bride looked very well in a traveling suit, but all eyes were centred on the groom. He wore a black suit that fitted his exquisite form to perfection, and in his daintily gloved hand he held a bunch of lilies-of-the-valley. His glossy hair was beautifully curled and a delightful odor of hair oil of the finest quality floated back to the audience as he slowly passed down the aisle. The young people will miss him since he has joined the ranks of the bene- dicts. He is loved by all for his many accomphshments, his tender graces, pleasant smile and winning ways. The bride has a good salary as a l)Ookke:eper, and the dear boy will miss none of the luxuries of his bachelor life. A number of pretty young men friends were at the station to see him depart." How's that ? Mrs. T. Well, that beats the Dutch. Not a word about the bride's costume. Mr. Single. The brides have had the monopoly long enough. It's time to say a word about the man in the case. Susie. I wouldn't care whether they said anything about me or not, if I could only get a man. Mr. M. Better not get married, Susie. Marriage is a pottery. Miss H. You mean a lottery, don't you, Mr. More ? Mr. M. No, I mean a pottery — a place for making family jars. Census Taker (Jo Mr. Single). I understand you began life as a newsboy. Mr. Single {winkijig to people). No, you've been misin- formed. Census Taker. You didn't begin life as a newsboy? Mr. Single. No, no, indeed ; I began life as an infant. Mr. J. Have a nice trip to Washington, Mr. Single? Mr. Single. Fine. 26 TAKING THE CENSUS m BINGVILLE • Mr. J. Congress in session ? Mr. Single. Yes. Heard a pretty good thing when I was in the Senate gallery. Census Taker. Another story 1 Mr. Single. A gentleman and his little son were sitting next to me, and the boy had a good many questions to ask. Mr. E. Wouldn't be a live boy if he didn't. Mr. Single. Finally the chaplain got up to offer prayer. </<:/^ you. Shure the tax man was around the ither day to tax me goat. Mr. K. How much did he tax you for it, Pat ? Pat. He taxed me eight dollars, the ould scalpeen. Mr. K. Eight dollars ! That was pretty steep for a goat. Pat. That's phwat Oi said. Says Oi to him, "Look here, Casey, you know that goat ain't wurth eight dollars." Says he, "Oi'm sorry, but that is the law; " thin he pulls a little book from his pocket and rades : " * All property abutting on Main Street should be taxed two dollars a foot.' Your goat is 'buttin' ' on Main Street, ain't he?" " Yis," says Oi, "he's always a-butting." " He has four feet, hasn't he?" " Yis," says Oi. "And four times two is eight, ain't it?" "Yis," says Oi. " So eight dollars is the tax on your goat," says he. It's no use thrying to resist the law, so I paid it ; but begorra TAKING THE CENSUS IN BINGVILLE 43 whin my party gets in, there'll be a change in some of these laws. Census Taker. Are you a Democrat or a Republican ? Pat. Oi'm nayther — Oi'm a Socialist. Mr. H. Don't believe you know what a Socialist is, Pat. Pat. Shure, Oi do. A Socialist believes in dividing prop- erty aqually. If Oi had two million dollars Oi'd give you wan and kape the ither myself. Mr. H. If you had two farms, Pat, what would you do ? Pat. Oi'd divide. Oi'd give you wan, and kape wan. Mr. H. If you had two pigs, Pat, would you share those, too? Pat. Oh, you go to thunder. You know Oi've got two foine pigs. (^Laughter.) Census Taker {closing book, grabbing hat). I'm through with this job. I'm going right up to ihe office to hand in my resignation. I didn't know there were so many blamed idiots in the world. I've spent two solid hours with this bunch, and I don't know any more than when I began. Stay here and cackle all night if you want to. {Rushes out.') CURTAIN By the Author of ^^Mr. Bob" THE NEW^CMJSADe" " A Comedy in Two Acts By Rachel Baker Gale Twelve females. Costumes, modern ; scenery, two interiors. Plays one hour and thirty minutes. A very amusing satire of the servant girl ques- tion, brimful of telling incidents and effective lines. All the parts are good and of nearly equal opportunity, and practically play themselves. Well rehearsed, it is a sure success and goes with a scream. Irish, negro and Swede character parts and a •* tough " girl. Strongly recommended for ladies' clubs. Can be played only on payment of a royalty of ^5.00 to the author. Pricey 25 cents CHARACTERS Miss Morris, nothing if not businesslike. Mrs. Cogswell-Brown, who believes in cooperative housekeeping. Mrs. Potter- Hewitt, who looks small, but is not. Mrs. Raymond, who advocates '* The New Crusaded Mrs. Archibald Tracey, in search of a 77iaid and experience. Bridgett Mahoney, in search of " an ould gintleman.'' Mary Macguire, who likes ''the theyatre in the winter toifne.** Augusta Olsen, who comes from "Svedetifor big 7nonay'* Cassie Clay, who never ''takes suggestions from anybody,*^ Jennie Burch, who tiever "has ti77ie for afternoon tea''' Matilda Johnson, who likes "slaughtemiobiles a7id a choffer** Merry, the settleme7it girl — who s always "on de level.'' COATS AND PETTICOATS A Comedy in One Act By Rachel Baker Gale One male (played by a woman), seven females, and if desired, sixteen girls for chorus. Costumes, modern ; scene, an interior. Plays forty-five minutes. A very lively and amusing piece introducing fancy dresses, music and dancing. All the parts of about equal opportunity. Irish comedy part and two capital " old maids." Very funny and not difficult. Complete with music for the Suffragettes' song and march and the Old Maids* song and march. Very strongly recommended. Price, 25 cents AN EASY MARK A Farce in One Act By Innis Gardner Osborn Five males, two females. Costumes, modern ; scene, an easy interior. Plays thirty-five minutes. A side-splitting farce of college life lively enough to suit the most exacting demands. Full of funny incident and telling lines. Burlesque actor and " tough " young man parts ; the rest " straight" and all good. Recommended for schools. Price ^ /j cents. New Pkys THE DEACON'S SECOND WIFE A Comedy in Three Acts By Allan Abbott Six males, six females. Costumes modern ; scenery, one interior, one exterior. Plays two hours and a half. A play of rural life specially written for school performance. All the parts are good and of nearly equal opportunity, and the piece is full of laughs. Easy to produce ; no awk- ward sentimental scenes ; can be strongly recommended for high schools. Price, 25 cents CHARACTERS (^As originally pi oduced under the title of **Back to Nature^"* at The Horace Mann School, New York, by the Senior Class of igog^ for the benefit of The Athletic Field.) (In order of their first entrance) Malvina Fitz, the Deacon's "first wife.** Deacon Barachias Fitz, a bigamist in spite of himself, Milton George Washington Fitz, a good specimen of Young America, Nancy Melissa Fitz, his sister — a close second, Mrs. Brown, who likes to Uend to things. Kate Rollins, the Deacon's " second wife.** John D. Bullock, a captain of industry. Mrs. Bullock, his boss. Dorothy Bullock, an up-to-date society girl. Hartley Bullock, author of "Why Boys Leave the Farm.^* Earnest Rench, about everything there is. Philip Gamboge, professional painter and amateur speculator, LOOKING FOR MORE A Farce in One Act By Clarence Mansfield Lindsay Four males, two females. Costumes modern; scene, an interior. Plays thirty minutes. A very easy and lively farce that can be recommended for performance by young people. The parts are very evenly divided in op- portunity and effective without being in the least difficult. Price, 15 cefits WHAT HAPPENED A Sketch in One Act Two female characters. Costumes modern ; scenery unimportant. Plays ten minutes. A very slight but very funny skit, suitable for a programme or for a drawing-room performance without the least preparation in the way of properties. A sure success if played rapidly. Price, i^ cents New Plays THE VILLAGE SCHOOL MA'AM A Play in Three Acts By Arthur Lewis Tubbs Author of " Valley Faring " Willowdale," " T/ie Country Minister^* " The Penalty of Pride ^^ "Miss Buzby^s BoarderSy" etc. Six males, five females. Co&tumes modern ; scenes an interior and an exterior, or can be played in two interiors. Plays two hours or more. An excellent comedy-drama, combining a strongly sympathetic dramatic interest with an miusual abundance of genuine and unforced comedy. The parts are unusually equal in point of interest and opportunity, are genuine types of rural character, truly and vigorously drawn and easily actable. No dialect parts, but plenty of variety in the comedy roles and lots of amusing incident. An exceptionally entertaining piece, full of move- ment and action, and without a dull moment. Can be strongly recommended. Price 2^ cents CHARACTERS Richard Elliot, storekeeper and postmaster, James B. Graham, a commercial traveller. Rev. Mr. Flick, the village parson. HoSEA Clegg, who belongs to the G. A. R. Sam Alcott, who has a more than better half. Tad, just a boy, Sylvia Lennox, the village school-ma^ am. Ida May Alcott, who has had advantages. Mrs. Alcott, her proud mamma — so^neivhat forgetful, Elvira Pratt, a dressmaker. POSIE, who was born tired. SYNOPSIS Act I. — In front of the store and post-office on a morning in August. Act II. — Same as Act I, the middle of the same afternoon. If more convenient, these two acts may be played as an interior scene with very few changes of " business " and dialogue, the stage being set in that case as the inside of the store, with counter, post-office boxes, etc. Act III. — The home of the Alcotts, three days later. THE SUBSTANCE OF AMBITION A Drama in One Act By Mariejosephine Warren Three males, one female. Scene, an interior ; costumes modern. PlayiJ twenty minutes. A sketch of compelling dramatic interest by the author of "The Elopement of Ellen." A serious piece of high class that can *^ "^'v^m mended. Price i^ cents. New Pfays THE SAWDUST QUEEN A Comedy Drama in Three Acts jBy Dana J. Stevens Author of ''Plain People," ''Old Acre Folk,'' etc. Six males, five females. Costumes, modern ; scenery, two interiors. Plays a full evening. A play of circus life, very picturesque and effective and not difficult to get up. Unusually rich in character parts and comedy. Soubrette lead; ladies' parts especially strong. Can be recommended. Free for amateur performance. Price, 2^ cents. CHARACTERS Deacon Matthew Sterling. Ned Sterling, his son. Miss Prudence Prue, ] Miss Patricia Prossitt, V three maiden ladies, his cousins. Miss Patience Prouty, ) Mr. Silas Hankum, his solicitor. Adanirum George Wasmngton Hobbes, proprietor of "77te Great Forever Circus. ' * TONEY O'Hara, an old clown. The Herr Professor, acrobat and flying trapeze man. HuLDA Schwartz, strojig lady and snake charmer. Starlight, the sawdust queen. SYNOPSIS Act I.— Inside the dressing tent of "The Great Forever Circus." Act II. — Three days later. The living room in the Sterling homestead. Act III. — Several days later. Inside the dressing tent again. THE SUMMERVILLE BAZAR An Entertainment in One Act By Frank Towslee Twenty-one males, thirty-one females are called for, but this number can be greatly reduced by " doubling " or by curtailing the length of the entertainment. No scenery required ; costumes, modern. Plays about an hour with specialties introduced when called for. This is a humorous picture of a church sale, depending upon its characters and incidents, which are home thrusts in almost any community, for its success. It ends with a sale by auction which may be made a real one, if desired, to actu- ally end up a fair. This entertainment will serve as an admirable frame for a vaudeville entertainment, being designed to introduce songs, dances or recitations at intervals in its action, but may be played wholly without them, as a straight entertainment, if it is preferred. Price, 2^ cents. On, '^Py del to Cat. Diy, ^^W 10 i9r; THP MAfilSTRATI' Farce In Three Acts. Twelve males, four lUL iUAUlOlIXAIXi fejj^ales. Costumes, modern; scenery, all interior. Plays two hours and a half. THE NOTORIOUS MBS. EBBSMITP ^^ZZ,!ZJ^. Costumes, modern ; scenery, all interiors PI ys a tull evening. THF PROFl IfiATF PlaylnFourAcl-Bi oeven males, five females. I^ I* Scenery, three interiors, rather elaborate ; costumes, modern. Plays a full evening. THE SCHOOLMISTRESS S^It.'J^^rrnr.rr;, three interiors. Plays a full evening. THE SECOND MRS. TANQUERAY ^^^l^,,^ tumes, modern ; scenery, three interiors. Plays a full evening. SWFFT I AVFNDFR t;omedy in Three Acts, Seven males, four ^ females. Scene, a single interior; costumes, modern. Plays a full evening. THE TIMp^ Comedy in Four Acts. Six males, seven females. Scene, a single interior ; costumes, modern. Plays a full evening. THF WFAKFR SFX ^<^™® I3a6er & Compani? No. 5 Hamilton Place, Boston, Massachusetts S. J. PARKHIIL 4k CO.. PRINTERS, BOSTON. O.S.A.