NO PLAYS EXCHANGED.
Taking the Census
in Bingville
Price, 25 Cents
«»Plfi»IOMT, 1«««, BY WALTSR H. BAK«H *
THE AMAZONS ^^^^ ^ Three Acts. Seven males, ive xemaieSe
^^ Costumes, modern ; scenery, not difScult- Plays
a full eventngo
THP rARIWFT MINICTPD Farce in Four Acts. Ten nsaies. nine
IflC l/AOinCI fflinOlCI^ ^^^^^^^ costumes, modem society ,-
scenes y, three interiors. Plays a full evening.
DANDY DICK Farce in Three Acts. Seven males, four iemates.
Costumes^ modem ; scenery, two interiorSo "Plays
two hours and a half.
THE OAY LORD OCEX ^^^'^^^y ^ ^^^ ^^^^^ ^°^^ males ten
" females. Costumes, modern ; sce»ory.
two interiors and an exterior. Plays a full evening.
Hl^ HAITW IN ADDPfi Comedy in Four Acts. Nine males, fonf
lU J UVUOC in UnUCn females. Costumes, modern ; scenery^
three interiors. Plays a full evening,
THE HORRY HORSE ^^^^^y ^ Three Acts Ten males, five
females. Costumes, modern; scenery easy.
Plays two hours and a halt
IRIS I^ii^*™^* ^ Fi''^© -^cts. Seven males, seven females. CostumeSt
modem ; scenery, three interiors. Plays a full evening.
LADY' BODNTItVL ^^^ ^ ^^^ '^^^^^ Eight males, seven fe-
males. Costumes, modern ; scenery, four in-
teriors, not easy, Plays a full evening.
LETTY ^^^^^ *^ Four Acts and an Epilogue. Ten males, five fe-
males. Costumes, modem ; scenery complicated. Plays a
fiill evening'
Sent prepaid on receipt of price by
l^alter 1$. 'Bafeer & Company
NOo 5 Hamilton Place, Boston, Massachusetts
Taking the Census in
Bingville
An Entertainment in One Act
By
JESSIE A. KELLEY
Author of ^*- Scenes in a Restaurant^'' ^^Our Church
Fair,'' ''The Village Post-Office," ''Miss
Prim's Kindergarten," etc.
BOSTON
WALTER H. BAKER & CO.
1911
Taking the Census in Bingville
CHARACTERS
Census Taker.
Rosy Grady, an Irish maid.
Patrick M alone, a policeman ivho didn^t want to be ex-
amined.
Bill Watt, not so bright but still gets ahead of thejn all.
Mr. Harder, chauffeur.
Mr. Knott, aeronaut.
Mr. Stone, farmer who has rheumatiz.
Mrs. Jones, a much jnarried woman.
Mr. Saloon, a barber who is '* Ilejiglish.^*
Dr. Duncan.
Mrs. Tibbets, who tries to be young.
Mr. Single, aii editor.
Mr. Jepson, a grocer-postmaster.
Mrs. Sampson, 7vho has a large family.
Mr. More, an undertaker.
Mrs. Murphy, who is proud of her name.
Miss Hartley, a teacJier.
Mr. Sharp, a lawyer ivho is looking for clients.
Tony, a fruit dealer.
Mr. Ellwood, a minister.
Mrs. Stone, a farmer's wife who is afraid she has hook-
wor7n.
Susie Gibbs, who is love sick.
Copyright, 1911, by Wattttu tj -d...— «r Co.
TMP96-C06472
STAGE SETTING
Stage maybe arranged to represent a hall. If not conve-
nient to have curtain have the players come in in groups with
usual salutations, the moderator calling the meeting to order
when all are assembled. Departure may be made same as
entrance. If a curtain is used have the players seated when
it rises and the moderator calls meeting to order at once.
Curtain falls as census taker rushes out.
COSTUMES
Most of the costumes may be ordinary modern costumes but
where the parts admit, some grotesque costuming always adds
to the effect.
NOTES
The census taker may add much to the merriment by his
impatience, manifested in various ways as running fingers
through hair, pacing floor while stories are being told, etc., etc.
Bill Watt may also be much in evidence doing any droll things
— chewing gum, offering it to others, taking out looking glass
and fixing hair, spinning top, etc. Be very careful, however,
that in doing these things, no such disturbance is made that
the audience cannot hear what is being said. Census taker
should be careful not to have back to the audience at any
time. All should come forward and stand while being ques-
tioned. Speak slowly and distinctly. Make the jokes local in
every possible case. Practice story-telling until it can be done
perfectly, bringing out the point plainly and acting out the
part. Laugh heartily at the jokes. Songs and speeches may
be easily inserted if desired.
" My Pome too U " is taken from '' Life." " Love " and
** A Deal in Bananas " are also taken from papers.
3
Taking the Census in Bingville
Mr<. Single {in a very oratorical manner'). Fellow citi-
zens, we have met here to- night to consider the munificent offer
of that great and good man, Andrew Carnegie, who out of the
abundant generosity of his heart wishes to furnish us the where-
withal to build a library in this town.
Mr. More. Huh ! Guess he could furnish it better out of
his pocketbook than out of his heart.
Mr. Single {lookiiig at Mr. M. scornfully). If our brother
has anything to say worth saying will he kindly address the
chair ? If not, will he remain silent ? I am the chairman of
this meeting {pompously')^ and wish it run properly.
Mr. Ellwood. Mr. Chairman
Mr. Single {very suavely). Mr. Ellwood?
Mr. E. I understand that this man does not want to die
rich, perhaps remembering that it is easier for a camel to go
through the eye of a needle than for a rich man to enter
heaven, so I think it is our duty to help him dispose of a little
of his surplus wealth. I move that our secretary be instructed
to notify him to that effect.
Mr. Harder. Just tell him while you're writing that if he
needs any more help in getting rid of it that I should be very
willing to accommodate him to the extent of half a million or
so.
Mr. Stone. Wall, now, I tell yew, when I git rich, there's
one thing I'm a-goin' to hev.
Miss Hartley. What's that, Mr. Stone ?
Mr. Stone {going through motions). A pair of galluses for
my other pants. Dashed if I ain't tired of everlastingly shiftin'
galluses from one pair of trousers to tother.
(Census Taker rushes in.)
Census Taker. I'm glad I've found where the folks of this
forsaken town are. I've pounded at every door until my
knuckles are sore and couldn't raise a soul.
6 TAKING THE CENSUS IN BINGVILLE
Dr. Duncan. They say opportunity knocks once at every
man's door. This would be a poor time for her to knock
around here, wouldn't it?
Mr. Sharp. She hasn't knocked very loud at my door yet,
but I don't know why this is a poor day for her visit. Why?
Dr. D. Everybody would think it was the census man and
hide.
Census Taker. Guess that's what they all did in this
blooming place.
Mr. Sharp. I don't take any chances. I answer every
knock and give my office boy strict orders not to let a client
escape.
Mr. Knott. Thought you were the fellow I saw in the
court room the other morning rushing around as if you hadn't
time to breathe.
Mr. Sharp {laughing heartily). Did you see my boy come
rushing in for me ?
Mr. K. Yes. The way you ran out I thought some one
was dying. What was the matter ?
Mr. Sharp {acting it out). He told me there was a man
in the office who wanted to see me on business, so I didn't let
any grass grow under my feet before starting — hadn't seen a
client for a month. I ran till I was out of breath, the boy
behind me until he got near enough to say, "You needn't
hurry, sir, I've locked him in." Then I eased up, went in
slowly and told him I was very busy, but if he would be brief
I would give hun a few minutes of my valuable time.
Mr. Saloon. Did you get the case?
Mr. Sharp {dejectedly). No, he wanted the undertaker.
Census Taker. Will you people quit your gabbing and
answer my questions ? I've twenty-six questions to ask each
one of you, and how do you suppose I'm ever going to do it?
{Opens book, gets out pen, etc.)
Mr. Single {stepping up to Census Taker, throwing out
chest). Do you realize that you are interrupting a meeting of
which I am the chairman ?
Census Taker. Can't help that. This is government busi-
ness and must be attended to, willy-nilly. You go and sit
down until I'm ready for you. (Mr. Single, amid laughs of
the people, sits down.) I'll give some of the Avomen a chance
to talk first. They're always glad to exercise their tongues.
Mrs. Jones {aside). He seems to be very good at it him-
TAKING THE CENSUS IN BINGVILLE 7
self. Tongue hung in the middle and wags at both ends, I
should say.
Census Taker {pointing to Miss H.). I'll begin with you.
Please step out here where I can see and hear you better.
{Reads. ^ State whether head of family, wife, son, daughter,
boarder, lodger or servant.
Miss H. I'm a servant to the public. Let me see {count-
ing on finger s)y there's the superintendent one, seven on com-
mittee makes eight, I have fifty children
Census Taker. Fifty children ! That's the biggest family
I've struck yet.
{Laughter.^
Miss H. Fifty children who have each two parents
Census Taker {^nodding head). Oh, I see.
Miss H. Which makes one hundred, added to eight makes
one hundred and eight. Yes, I am servant to one hundred
and eight people.
Census Taker. Hired girls won't usually work in such
large families. Do all the washing ?
Miss H. (^frigidly). I am not a hired girl. I am a school-
teacher.
Census Taker {scratching head). Oh, that's it. Huh-huh !
(^Reads.) Male or female ?
Mrs. J. Such ridiculous questions ! If a woman had
charge of census-taking she'd know better than to ask such fool
questions.
Census Taker {reading). State whether white, black,
mulatto, Chinese, Japanese or Indian. S'pose you call your-
self white.
Mrs. Sampson {aside). She's most as black as an Indian.
Census Taker. How old are you? Give age in com-
pleted years at last birthday.
Miss H. {indignantly). I am an unmarried woman and I
don't think it right to have to answer that question.
Mrs. Murphy. Shure, a bold that won't sing must be
made to sing.
Census Taker. You will have to answer the question.
How old are you ?
Miss H. {defiantly). If you've got to know, I'm twenty-
five.
Census Taker. You are more than that. Tell the truth.
Miss H. Well, then, I'm thirty.
8 TAKING THE CENSUS .IN BINGVILLE
Census Taker. You're more than that, I know by the
looks. Own up.
Miss H. {s?iappishly). If you've got to know, I'm forty
years old, but I call this census-taking an imposition.
Census Taker. That's not so old. Cheer up. You have
some chance of getting married yet.
{Winks and smiles at audience.^
Miss H. I haven't lost hope, but I'll tell you one thmg; I
wouldn't marry you if you were the last man on earth, for I'm
tired and sick of your palaver already.
{Laughter.)
Mr. Stone. Thet's the time you got left, Mr. Census-
man. Can't git ahead of these 'ere schoolma'ams.
Census Taker {running down list of questions'). Where
were you born ?
Miss H. In Athens.
Census Taker. Huh, a foreigner ! A Greek.
Miss H. I am not a foreigner.
Census Taker. You said you were born in Athens, and
Athens is in Greece if I remember my geography.
Miss H. I was born in the Athens of America, in Boston.
Some people are so stupid.
Census Taker. And some people can't give a straight an-
swer to a straight question to save their necks. Father and
mother born in Athens too?
Miss H. {snappishly). Yes, they were.
Census Taker {looking down list and mumbling questions).
That's all I want of you.
Miss H. And I've had more than I want of you.
{Laughter.)
Census Taker. This man looks more intelligent. {Points
to Mr. E., who rises.) Are you head of the family?
Mr. E. Yes, presumably, but it isn't wise to be too sure.
{Turns to people.) Did I ever tell you that story of one of my
parishioners in my last parish ?
Dr. D. No, let's hear it.
Census Taker {in despairing fnanner). He's worse than
the woman.
Mr. E. Mr. Hines was a henpecked man if ever there was
one — didn't dare to say his soul was his own when his wife was
TAKING THE CENSUS IN BINGVILLE 9
around, but when she was away you'd think he owned the
earth.
Mrs. J. Just like all the male animals.
Mr. E. One time his wife went away to be gone several
days, so he invited some of his men cronies to come up and
spend the evening with him, which they did, and he was brag-
ging that he was boss in his own house, he'd like to see any
woman dictate to him, he had whoever he liked come to his
house, and they did just what they liked, came when they liked,
and went when they liked. *' In fact," he says, *' I am a regu-
lar Julius Caesar." {Laughter.') His wife had come quietly
in while he was talking, walked up to him, took him by the
ear and says: *< Juhus Caesar, you march straight up-stairs to
bed, and you," turning to his companions, *'go home; " and
they went. {Laughter.') I must answer this man's questions.
Census Taker {running down list of questions to himself).
How old ?
Mr. E. Forty-five. Father Time jogs along, doesn't he .?
Bill Watt. Say, Mr. EUwood, 1 never heard of Mother
Time. Wasn't there a Mother Time, too?
Mr. M. Oh, she got lost several centuries ago. Bill. She
waited to pin her hat on and has never caught up yet.
Bill. Couldn't she run ?
Mr. M. No, 'fraid she'd kill some one with the hatpin.
Bill {pulling hatpin out of Susie Gibbs' hat). I wouldn't
want to die such a turrible death. Gee ! Just look at that.
{Holds up hatpin.)
Susie. You give me my hatpin, Bill Watt.
Bill. Take it. I don't want your old hatpin. I'd be ar-
rested for carrying concealed weapons.
Mr. Jepson {acting out the story). I was in a crowded
street car the other night and the conductor roared out at a
meek looking little man who had evidently been imbibing a lit-
tle, ''Why don't you move up the aisle? There's lots of va-
cant room between you and the lady." The man shook his
head unsteadily. '* All the room that's there will stay there for
all me," he said rather thickly. '* I know when I'm well off,
betcher life." "Nothing's going to hurt you," says the con-
ductor. ''Notin'ng going to hurt me? Whash you call those
four hatpins? " And he pointed a wobbly finger at four hat-
pins in the woman's hat long enough to scare any man.
{Laughter.)
10 TAKING THE CENSUS IN BINGVILLE
Census Taker. Guess they'll get the returns from this
place some time in the next century. (7'6> Mr. E.) Any
children, mister?
Mr. E. Two, a boy and a girl.
Mr. H. Hear about my little girl wanting to sing at the
wedding in your church the other night, Mr. Elwood ?
Mr. E. No; wants to begin yomig, doesn't she? You
mean the Ross wedding?
Mr. H. Yes ; she'd heard the folks talking about the affair.
They spoke of some one who was to sing, so she piped up, '*!
want to sing at the wedding." ''No, dear, you couldn't sing
there," said her mother. *'Yes, I could; I know a pretty
piece to sing." " What is it? " I asked. '* I'd sing ' Heaven
Look with Pity.' " {Laughter.)
Mr. K. 1 took my little girl to the choral concert the other
night. Mr. Gustavo was the director, and you know how he
everlastingly waves that baton.
Mr. M. Who was the soprano soloist ?
Mr. K. Madame Alda. When she was singing a solo,
taking those very high notes, Amy leaned over to her mother,
and, in a loud whisper that could be heard half way across the
theatre, says, "Mamma, why does that man hit at the woman
with his stick ? " '' Hush," says her mother, <' he's not hitting
her." *' Well, then, what is she hollering so for? " says Amy,
and I didn't wonder she asked. (Laughier.')
Census Taker {breaking in hurriedly). Your occupation,
Mr. Elwood?
Mr. E. Minister. That makes me think of a story about
my little boy.
Census Taker. If they've started telling the bright sayings
of their kids I might as well stop.
Mrs. Sampson. The dear little boy ! What did he say?
Census Taker {disgustedly). The dear little boy ■
Mr. E. He is not allowed to come into my study when I am
writing, but the other morning he came in several times, so I
finally said to him, " How many times must I tell you not to
come in here when I am busy ? You must play somewhere
else. You break my train of thought. Do you understand ?
You break my train of thought." He hung his head and went
to find his mother. ** Mamma, papa has been calling me
names — dreadful names. He called me a train wrecker, and I
don't wreck trains, do I, mamma? " {Laughter. 7\y Census
Taker.) I beg your pardon. What's your next question ?
TAKING THE CENSUS IN BINGVILLE H
Census Taker. What denomination ?
Mr. E. a Methodist. I've got to tell another story about
that boy of mine.
Census Taker. Will he ever stop ?
Mr. E. He'd been rather naughty one day, so I asked him
if he didn't want to go to heaven to live. I was rather sur-
prised at his answer. '' No," he said, *' I've moved six times
already, and I'm getting rather tired of helping pack furniture."
{To Census Taker.) Anything more you want to ask?
Census Taker (reading frotn book). State whether able to
speak English. (Aside.) Only trouble with him is he doesn't
know when to stop speaking English. Very common trouble
with ministers. (Aloud.) That's all, sir. Perhaps this woman
with the children would like to answer next. Are these all the
children you have, madam?
Mrs. Stone. Yes.
Census Taker. This is a little girl. (Points to one.) And
this one belongs to the contrary sex. Am I right ?
Mrs. Stone. What did you say ?
Census Taker. I said this one belonged to the contrary
sex.
Mrs. Stone. Oh, yes, yes, they both belong to the con-
trary sex ; both girls, and contrary is no name for 'em.
Census Taker (smilirig at little girl). Wouldn't you like
to tell me what name your mother calls your father, my little
girl?
Child (indignantly). She don't call him any names. She
likes him. (Laughter.)
Census Taker. How old are you, madam?
Mrs. Stone. I've just reached my thirtieth birthday.
Census Taker (aside). Huh, took you about fifty years to
reach it. (Aloud.) Your occupation ?
Mrs. Stone. Oh, I get up about four o'clock, mornings,
get breakfast for the family and three hired men, see to the
milk, feed the hens and pigs, get the children off to school,
wash dishes, bake, sweep, make beds and
Census Taker. Oh, you keep house. (Writes ajid reads
aloud.) Occupation — none.
Mrs. Stone. I tell my husband I don't know what is the
matter with me. After I've washed, ironed, swept, baked,
washed dishes, fed pigs, milked cows and the rest of the work,
I'm too tired after supper to sew. I think I must have the
hookworm.
12 TAKING THE CENSUS IN BINGVILLE
Census Taker. Must be something serious the matter with
you if you're tired after that. (^To Mr. K.) Are you Shott ?
Mr. K. No, I'm not shot or half shot.
Census Taker. I thought you looked like a man I used to
know — John Shott.
Mr. K. No, I'm Knott.
Census Taker. Tell me what your name is then.
Mr. K. Will Knott.
Census Taker. Why not? What is your name?
Mr. K. Will Knott.
Census Taker {angrily). I demand you to tell your name.
Mr. K. How many times do you want me to tell it ? My
name is Will — W-i-1-1 — Knott — K-n-o-t-t.
Census Taker. Oh, certainly — Knott — your occupation?
Mr. K. An aeronaut. {Quotes.)
*' Death comes to daring spirits
Who wing the blue ;
The sparrow's fall is heeded ;
Will man's be, too?"
Dr. D. If you sail the blue you're a sailor, aren't you?
Mr. K. Guess so.
Dr. D. Why don't you use nautical language and say:
" Shiver my timbers " ?
Mr. K. Oh, you're behind the times. I say '* Shiver my
gas bag " or ** Shiver my wings."
Mr. Sharp. They call a man who is always on the water a
sea-dog, don't they?
Mr. K. I believe so.
Mr. Sharp. Then you must be a skye-terrier.
Mr. K. a skye-terrier ! Why ?
Mr. Sharp. Because you're always in the sky.
Census Taker. Any children? {Aside.) Most afraid to
ask that question for fear of getting them started on stories
again.
Mr. K. One.
Census Taker. How old ?
Mr. K. Let me see — born March, 1894. How old would
that be ?
Cen.sus Taker. Depends on whether it's a boy or a girl.
That will do for you. Who next?
Dr. D. Better try me.
TAKING THE CENSUS IN BINGVILLE I3
(Dr. D. steps out close to Census Taker.)
Census Taker. What smells so? {Holds nose.) Phew !
Dr. D. It's this suit. My wife had it packed away in
moth balls. When I put them on to-night she noticed I
looked rather sad and inquired the reason. ''These clothes,"
I moaned. ''You ought to look pleased over them," she
said; "there isn't a moth in them." "I know it," I replied,
"but it's just my sympathetic nature, which sometimes carries
me to painful extremes. Of course I'm glad the moths are
gone, but I can't help being sorry for them to have to die such
a horrible death."
Mr. J. Killed all the germs, hey ?
Dr. D. Yes, and don't know but it will kill me. Speaking
of germs makes me think of something my little boy
Census Taker. Oh, murder, on that tack again !
Dr. D. We're very careful about germs at our house ; spray
the telephone, sterilize the drinking cups, don't allow him to
drink in pubhc, etc.
Mr. Sharp. Don't wonder the kid gets sick of it.
Dr. D. The other night he said to me, "Papa, do you
know what I'm going to do when I grow up? " " No," I said,
expecting to hear he was to be a policeman or a conductor.
" I'm going to do something aw-ful. I'm — going — to — eat — a
— germ; a — real — live — germ."
{Laughter.)
Mr. M. Say, Doctor, how's your faith cure working ?
Dr. D. Fine — fine. Hear about my last case?
Mr. M. No, haven't heard.
Dr. D. You knew Mr. Johnson, Sam Johnson, didn't you?
Mr. M. The one that Uved on Ash Street ?
Dr. D. Yes; he was a pretty sick man last fall. Ought to
have gone to a warmer climate but couldn't afford to, so I
thought I'd try the power of imagination on him. I had a
large sun painted on the ceiling of his room and persuaded him
to think it was a hot sun shining on him.
Mr. M. How did it work ?
Dr. D. Fine at first. Thought he was improving rapidly
when, on my arrival there one morning, I found him dead.
Mr. J. Failed ?
Dr. D. No, it worked too well. His imagination was too
strong and he simply died of a sunstroke.
14 TAKING THE CENSUS IN BINGVILLE
(Man rushes in Jiolding fifiger.)
Man. Where is the doctor ?
Dr. D. Right here. What can I do for you ?
Man. I've cut my index finger.
Dr. D. {shaking head). Sorry, sorry, but I can't do any-
thing for you. I'm a specialist on the middle finger. Run
right across the street to Dr. Smith. \^Exit Man.
Census Taker. Did you say you had children, Doctor ?
Dr. D. I've got a parrot.
Mr. E. Good talker ?
Dr. D. Great, but I'm afraid I can't keep it here. Had
him in the medical college and he picked up a lot of pro-
fessional terms. Mrs. Simpson was calling on us the other
evening and somebody asked her to sing. You know what a
wretched, raspy voice she has. The instant she stopped that
parrot screeched: "Chloroform her, chloroform her." I've
lost that patient all right, and she was one of my wealthiest
ones.
Mr. Stone. I don't want to be no doctor. Reckon I'd
dream of cases.
Dr. D. 1 did dream of one the other night. Little Joseph
Abbott has had a number of operations, appendix and tonsils
removed, etc., and 1 pitied the poor little chap and had been
thinking of him a good deal. Suppose 1 had him on my mind
when I fell asleep, for I dreamed he was at the gates of heaven
asking to go in. Peter asked him if he had been baptized.
"No, not exactly," says he, "but I've had my appendix
removed, my tonsils taken out, my eye muscles cut, one kidney
removed and my ear drum pierced." Peter went over to the
card index, returned in a moment and said, "All right, sonny,
they're all here; you may come in and join them."
Miss PI. That's as bad as a little girl I had. She had been
absent several days, so I looked her up and inquired the cause.
"I'll tell you, ma'am," she says. " I wuz gittin' along reel
well in school and wuz goin' to keep on till I hed a fine eddi-
cation, but you know one day a man came and 'zamined me
and sed I'd have to hev my tonsils cut out, have my teeth
pulled out and wear glasses, and when I went home and told
my mother she sed, * You kin jest stay to hum ; I ain't a-goii)'
to hev you insected fer no school.' "
Mr. H. Guess you must have been the man, Doctor.
Census Taker {to Mrs. Tibbetts). I'll see if I can get
TAKING THE CENSUS IN BINGVILLE I5
in a few words now. You next, madam. I'll take the hardest
question first. How old are you ?
Mrs. T. {giggliftg like a schoolgirl^. I don't like to tell.
Census Taker. But you must tell.
Mrs. T. I'm afraid if the teacher heard she'd make me go
back to school.
Census Taker {aside). She's over forty, I'll wager.
{Aloud.) Come, madam, your age. I have no time to waste.
Mrs. T. I've kept my age a secret since I was twelve years
old.
Census Taker {slyly ; winking at people). Well, you'll
tell it one of these days. Women can't keep a secret.
Mrs. T. Well, I think when a woman has kept a secret
thirty-five years she knows pretty well how to keep it.
Census Taker. A little example in addition. Thirty-five
and twelve are forty-seven. Thank you, madam.
Mrs. T. You — you — you horrid creature !
Census Taker. Married ?
Mrs. T. {giggling). Not now.
Census Taker. How many times have you been married ?
Mrs. T. Three, but {giggling and co?nifig closer to Census
Taker) I'm willing to get married again.
{Tries to put arms around liim.)
Census Taker {stepping hack hastily). Madam, I am not
proposing, I am taking the census.
Mrs. T. Wouldn't you like to take a wife, too ?
Census Taker. No, I'm no bigamist. I have a wife and
six children already.
Mrs. T. Horrid creature ! I've a good mind to sue you
for trifling with my affections. {Floufices back to seat.)
Census Taker. The government ought to pay a hundred
dollars an hour for this job. Catch me ever taking the census
again. Here, you, mister {to Mr. Saloon), step up here and
answer these questions lively. (Mr. Saloon steps vp.) What
is your name ?
Mr. Saloon. John J. Saloon.
Census Taker. Saloon ! I never heard that name before.
Spell it.
Mr. Saloon. Hess, hay, hell, two hoes, hand hay hen.
Census Taker {dropping hook and pencil and staring at
him open-mouthed). Say, spell that again, will you? What
language do you speak, anyway ?
l6 TAKING THE CENSUS IN BINGVILLE
Mr. Saloon. Hi'in haii Henglishman hand Hi speak the
HengHsh language. Can't you understand plain Henglish,
you blooming hid lot ?
Census Taker (^picking up book). Well, try your ** Heng-
Hsh " again. Spell your name.
Mr. Saloon. Hess, hay, hell, two hoes, hand hay hen.
Census Taker (^shaking head in despair ; finally handifig
Mr. Saloon the book). Here, write your "Henglish"; I
can't "Henglish" it. (Mr. Saloon takes book, writes and
hands back. Census Taker reads aloud.) S-a-1-o-o-n. Why
couldn't you say so in the first place? Your occupation, Mr.
Saloon ?
Mr. Saloon. Hi'm a barber.
Mr. Sharp. Related to Christopher Columbus?
Mr. Saloon. Not that Hi know of.
Mr. Sharp. Thought perhaps you might be — same trade.
Mr. E. Why, Christopher Columbus' folks weren't barbers !
Mr. Sharp. History tells us they were woolcombers,
doesn't it? {Laughter.)
Census Taker. Ever serve in the navy, Mr. Saloon ?
Mr. Saloon. Yes, hay litde while, honly barber hin the
regiment. Major was hawful mad when Hi left.
Dr. D. Couldn't get any one to cut his hair, I suppose.
Mr. Saloon. When they told him there was no one hin the
regiment who could cut hair, he said : " Hain't there hay gar-
dener hin the company? Find him hand send him to me."
Mr. M. What good would a gardener do ?
Mr. Saloon. When the gardener came the major said :
" Hare you hay gardener ? " "Hi ham," he said. " Then go
cut hair," says the major. " Hi can't cut hair," says the gar-
dener. " Great guns, man, hif you can cut grass you can cut
hair. Go hand do hit."
Census Taker. I wish you'd cut out your stories. How
many children have you ?
Mr. Saloon. Six.
Census Taker. Give me their ages.
Mr. Saloon. Hall right, sir. Mary will be thirteen hin
September — yes — that must be right ; hand John his — John his
— ahem — John his — he's going on twelve Hi guess ; then Susie
— Susie — wait hay minute till Hi think — Susie- — ^Hi never can
remember how hold she his — but James his — James his — James
his — and Joe — Joe— Joe his — for goodness' sake, man, go hover
to the 'ouse hand hask my wife.
TAKING THE CENSUS IN BINGVILLE 17
\ '
\ Census Taker {sighing deeply). Go sit down. I'll try you
nixt. {Points to Mrs. Sampson.) Any children?
Mrs. Sampson. Yes.
Census Taker. Well, I'll hear about the rising generation
firs^.
T!([rs. Sampson. Rising generation ! If you tried gittin'
'em up in the mornin' a few times you'd never call 'em the
li.sin' generation agin.
Mr. E. Bless the children ! What should we do without
them?
Dr. D. That isn't the question. What would the measles,
mumps, chickenpox and whooping cough do without them ?
Mr. M. Yes, and what would the doctors do without the
measles, mumps, chickenpox and whooping cough ?
Census Taker. How many children have you ?
Mrs. Sampson (nodding head and counting on fingers).
Lemme see, there's Sue and Kate and Sarah and Liza and Bill
and Bob and Jim and Joe and John and
Census Taker. Now, madam, if you would just give me
the number.
Mrs. Sampson (angrily). Number? Number? We ain't
commenced numberin' 'em yet, thank ye. We ain't run out
of names.
Mrs. J. I don't see how you ever tell those twins apart,
Mrs. Sampson ; they're as like as two peas in a pod.
Mrs. Sampson. I can't alius, but if I hear a noise in the
pantry and call out, ''Bill, is thet you?" and he ses, ''Yes,
ma," I'm purty sure it's Bob, and he's up to some mischief.
Miss H. Where do you ever find room to put all your fam-
ily in that little house?
Mrs. Sampson. We do hev ruther a tight squeeze. When
the last baby came my husband said we'd got to make more
room somehow, so he hung the broom outdoors and cut off the
cat's tail. That made a little more room.
Census Taker. You haven't told me yet how many chil-
dren you have.
Mrs. Sampson. I don't know fer certain.
Census Taker. You don't know !
Mrs. Sampson. Not fer certain. You see. Bill's gone
fishin', Bob's got a gun and gone huntin', John's breaking a
colt, and Sue's thinkin' of elopin'. Can't reely tell how many
I hev till I get 'em all in bed.
Census Taker (disgustedly). Sit down. (Aside.) I'll
1 8 TAKING THE CENSUS IN BINGVILLE
say twenty-five for a guess. {To Mr. M.) You next. Oc-
cupation ?
Mr. M. Undertaker.
Mr. J. Solemn business, Mr. More, but I suppose you li?ve
some queer experiences like the rest of us ?
Mr. M. Yes; funny thing happened the other night.
Telephone rang, I answered, some one asked, " Can 1 get a
box for two here to-night? " ** Box for two? We don't have
boxes for two here. They're all for one." *' Isn't this the
City Theatre?" *'No," I said, "this is the undertaker's,"
and he hung up quick without ordering a box for two.
{Laugliter .^
Census Taker {impatiently). Any children?
Mr. M. Yes, one daughter.
Census Taker. Her name ?
Mr. M. {smiling at people). Postscript.
Census Taker. Postscript ! Do you mean to say your
daughter's name is Postscript ?
Mr. M. That's what we call her.
Mr. H. Why do you call her that ?
Mr. M. Because her name is Adaline More.
Mr. H. Ad-a-line More. Oh, I see. Pretty good.
Census Taker. That's all for you. Here, you fellow,
come out here. {Points to Bill, who shambles out, knocking
over several chairs.) What's your name?
Bill {gri7ining). Bill.
Census Taker. Bill what ?
Bill {hands in pocket, shifting from one foot to other). Bill
Watt.
Census Taker. Now don't try to be funny with me. I
want your name, and I want it quick. What is it ?
Bill {vacantly). Watt ! Watt ! Watt is my name.
Census Taker. Yes, what is your name?
Bill. Watt — Watt — Watt. Do you want me to whistle it?
Mr. E. His name is W-a-t-t— Watt.
Census Taker. Occupation ?
Bill. Hey ?
Census Taker. What do you work at?
Bill. I've got a job.
Mr. K. Where are you working, Bill ?
Bill. In a domino factory.
Mr. H. What do you do there ?
V
TAKING THE CENSUS IN BINGVILLE I9
}iLL. I put on the dots.
Mr. J. Why aren't you working to-day, Bill? Business
dull?
Bill. Business ain't dull; they're making double blanks
to-day; ain't no dots to put on. (^Laughter.')
Mr. Stone. Say, Bill, I know something you couldn't dew.
Bill. Guess not. I kin do anything.
Mr. Stone. Wall, you couldn't do this. Want to try it?
Bill. Fire ahead.
Mr. Stone. You can't carry water in a sieve.
Bill. Huh, that's easy.
Mr. Stone {luinking at crowd). Want to try it ?
Bill. What'll you give me if I do it ?
Mr. Stone. I'll give you a quarter.
Bill. All right, get your quarter ready. (Bill goes out
and amid roars of the crowd appears with a piece of ice in a
sieve.) Hand over your quarter.
Mr. Stone. I said water.
Bill. Ain't ice frozen water? You didn't say what kind
of water.
Chorus of Voices. Give him the money. He's won.
Got ahead of you that time, etc.
Dr. D. Don't get much ahead of Bill, after all.
(Mr. Stone gives Bill the money, ivhich he tries with his
teeth, drops to hear it ring, etc.)
Census Taker. Are you married, Bill?
Bill (sad/y). Yes, 1 am, and I wish I wasn't.
Mr. Sharp. Don't you like matrimony, Bill?
Bill. No, don't Uke it — don't like it at all.
Mr. Sharp. Why not?
Bill. Well, lawyer, yer see it's this way. Before we was
married, when I knocked at the door, she used ter say, ''Am
that you, honeysuckle?" Now when I come home she yells
out, "Wipe your dirty feet before you come in, you clown,
you ! " No, siree, matrimony ain't all a bed of roses.
Dr. D. (aside). Queer thing about this chap— offer him
the choice of a cent or a nickel and he'll take the cent every
time. (A/oud.) Here, Bill, which will you have?
(Offers him a penny and a nickel.)
Bill {grinning). I'll take this one.
20 TAKING THE CENSUS IN BINGVILLE
{Takes penny. Several others try him, Bill taking the
penny each time amid much laughter.')
Dr. D. Bill, why is it you always take the cent instead of
the nickel ?
Bill. What do you think? Think I'm a fool, hey? Sup-
pose I took the nickel, would I ever get the chance to take
another one ?
Census Taker. You're too smart for this crowd, Bill. I'm
through with you. Go, sit down.
Bill (returning to seat, counting pennies aloud). Got
enough to buy some 'backy.
Census Taker (to Mrs. J.). You next. Your name?
Mrs. J. I don't know.
Census Taker, You didn't understand my question.
What is your name ?
Mrs. J. I don't know for sure.
Census Taker. Don't know your own name !
Mrs. J. I've been divorced several times. At present my
name is Mrs. Jones in this state; in some states it is Miss
Simpson, my maiden name ; in three states it is Mrs. Brown,
my first husband's name, and in two states it is Mrs. Rogers,
my second husband's name.
Mr. Sharp. Say, when a woman marries and gets divorced
inside of a week what would you call it ?
Mr. Single. I'd call it taking his name in vain.
Census Taker. What were the causes of your divorces ?
Mrs. J. The causes of my divorces? My marriages, of
course.
Census Taker. Is this your residence?
Mrs. J. I eat and sleep here, but I have a trunk in the
next state where I am getting a divorce from my present
husband.
Census Taker. Then you're married at present ?
Mrs. J. I'm married in New York, Massachusetts and
Rhode Island, divorced in Oklahoma, Dakota and Alaska, a
bigamist in five states and a single woman in four others.
Mr. J. The old saying is true, "It is only fools who get
married."
Mrs. J. That's because Providence takes care of the fools.
Mr. J. How do you make that out?
Mrs. J. By giving them wives to look out for them. What
would you men have had if the Lord had not made us ?
TAKING THE CENSUS IN BING^^ILLE 21
Dr. D. One more rib.
{Laughter.')
Mrs. J. Statistics show also that seventy-five per cent, of
the male criminals — seventy-five per cent, of the male criminals
are unmarried. What does that show ?
Mr. Stone. Shows how many men ruther go to the peni-
tentiary than git married. Say, that hobble skirt you've got
on makes me tired. How do you ever git home in it ?
Mrs. J. {scornfully). You needn't worry about my getting
home. I get home in better season and in better condition
than you men folks do with your free- legged trousers.
Mr. H. Here's a conundrum. Why is it that all our coins
have a woman's head stamped on them ?
Mr. Single. Why do our coins have a woman's head
stamped on them ?
Mr. H. That's it.
Mr. M. Because money talks. Right ?
Mr. H. Right you are.
Census Taker. H^ow old are you, Mrs. Jones, Brown,
Rogers, Simpson, whatever your name is ?
Mrs. J. Thirty.
Census Taker. Thirty what ?
Mrs. J. Thirty years.
Census Taker. Oh, I thought it might be months. {Aside.)
She'll never see forty again. Guess I'll set a trap for her.
{Aloud.) How many years since you were first married ?
Mrs. J. {smilingly). Twenty-five years.
Census Taker. Thirty years old now, been married
twenty-five years. Married rather young, didn't you? Five
years is rather a tender age for matrimony.
Mrs. J. {indignantly). I'll not stay here to be insulted. I
am not perfect, but {striking an oratorical attitude and gesticu-
lating) who is perfect ? Think carefully each for himself or
herself — every man and woman in this audience — have you
ever known or heard of a perfect person — an absolutely perfect
person ? {Pauses. )
Mrs. Stone. I think I have, Mrs. Jones.
Mrs. J. Who was it, pray? I should like to meet that
person.
Mrs. Stone. It was my husband's first wife.
Mrs. J. {to Census 1 aker). Are you through widi your
crazy questions ?
22 TAKING THE CENSUS IN BINGVILLE
Census Taker. Yes, through with you.
Mrs, J. I'm going home, then. Vou men had better get
started too if you haven't any hobble skirts. [Exii Mrs. J.
Mr. Single. Hearing the name Jones makes me think of a
strange echo I heard once. Up in a range of hills about
twenty miles from here there is a little ravine where, if you
stand at one end of it and yell Jones, the echo comes back,
"Jones, Jones, Jones, what Jones?"
(^Laughter.)
Mr. M. Mrs. Jones is a strange woman.
Mr. E. Still she's very liberal in her charities.
Miss H. But not very practical. She was visiting my
school one day when I was talking to the children about the
sleeping sickness of the Africans, and the next day sent me
fifty alarm clocks to send to them.
Census Taker {to Rosy Grady). Come, my pretty girl,
your turn next.
Rosy. Shure, kape a civil tongue in yer head and not be
afther calling me pretty before all these folks for 1 can't be
afther returning the compliment. Begorra, I was in a strate-car
the other day and the conductor comes straight up to me, stops
in front of me and before all the paple says, ** Your fare."
"Shure," I says, "1 know I'm fair, but if you want to be
afther telling me that just come round to my place some aven-
ing." That stopped his noise for he just said, "Money."
I gave it to him and he wenl off quick as scat, looking rather
silly.
. Mrs. Sampson. Wliere are yon woiking now. Rosy?
Rosy. At Mrs. Lawson's.
Mrs. Sampson. What do you do?
Rosy. I take care of the baby.
Dr. D. Mr. Lawsoii is very particular about that baby,
isn't lie, Rosy ?
Rosy. Shure, he is that. When I wint to see about the
place Mrs. Lavvson says {rfiunickui,^), "My husband is very
particular about the person 1 have for a nurse. He wishes ine
to go into the most minute details about your qualifications.
Do you know how to prepare food ? Can you sew and mend ?
Do you mind sitting up late at night? Are you faithful and
devoted and have )^ou a kind and loving disposition ? " Shure,
I thought it was toime for me to say a woird, so I says, "Ex-
TAKING THE CENSUS IN BINGVILLE 23
cuse me, ma'am, am 1 to take care of the baby or your
husband?"
{LaughUr.)
Mrs. Stone. I'm coming to call on Mrs. Lawson some day.
I don't know as she'll care to see me.
Rosy. Shure, she will. Oi heard her tellin' Mr. Lawsoii
only last night that avery time the door-bell was afther ringing
it was some wan with a bill and she wished some wan would
call besoides the collector. Shure, she'd be glad to see you.
Mrs. Sampson. Well, I tried to call the other day and the
girl sed she wasn't to hum. I seen her peekin' out of the
winder when I went up the walk, so I jist give her her come-
uppance, told the girl to tell her that as I saw her peekin' out
of the winder I was afraid she was to hum and I'd have to go
in. She needn't think she's any better than other folks if she
does live in a bigger house. 'Tain't paid fer, I don't believe.
Mr. Sharp. Going to get married pretty soon. Rosy ?
Rosy. Yes, sor. 0!i {fumbling in pocket and taking out
soiled scrap of paper ivliich she hands to Mr. E.), he wanted
me to give you this; he's away jist now.
Mr. E. (reading). ''This is to give you nolis that me and
Rosy is comin' to your church on Saturday afternoon nex' to
undergo the opperation of matrimony at your hands. Please
be on hand as we are goin' to have a team and it is hired by
the hour."
Mr. Sharp. Thought you told me you wouldn't marry Pat
till he had saved a thousand dollars. He hasn'i got that much
saved yet, has he?
Rosy {twisting handkercJiief and looking doivn). Pie told
me last week that he had saved ten dollars and I told him that
was near enough.
Mr. J. What does he work at, Rosy ?
Rosy. Shure, he's the milkman that laves the milk ivery
morning. Mrs. Lawson saw him kiss me the other morning
and she says (ifmnicking), " In the future I will take the milk
in." *' Shure," says I, "it wouldn't be no use, mum, he's
promised never to kiss any one but me."
Mr. M. Was it his cart that got upset the other morning ?
Rosy. Yes. Shure, the strate-car run plum into it and
spilt can afther can of milk all over the strate. A big fat three-
hundred- pound woman got roight in front of Pat when he was
saying, ''What a waste! what a waste!" and do ye moind
24 TAKING THE CENSUS IN BINGVILLE
she was that mad and says she, ''Moiud your own business.
I'll look out fer me own waist." Moind that, will ye?
(^Laughter.')
Mrs. M. Shure, Rosy, I thought Jim Mahoney, the street-
car conductor, was your stiddy.
Rosy. He was; but I was afther getting tired of him. He
was afther talkin' shop all the toime.
Mrs. M. What did he say ? Begorra he was a foine con-
ductor.
Rosy. Sit up closer — sit up closer — he was afther saying all
the toime, and 1 couldn't stand it no longer.
Mr. Single. When is Pat coming back, Rosy?
Rosy. I've just had a letter from him. Shure, his eddica-
tion is illigant. {I'akes letter from pocket.') Look at that,
will ye, and he was afther writing it all himself. {Reads.)
''Miss Rosy Grady, at Mr. Lawson's Private Way, Dangerous
Crossing, Bingville, Massachusetts, U. S. A." Shure, I'm
proud of Pat.
Dr. D. Where are you going on your wedding trip. Rosy ?
Rosy. To the ould country. Shure, Pve the money all put
away in my slocking.
Dr. D. 1 hope you won't have the same experience a young
couple I knew had. It was a very rough trip and the boat was
rolling and pitching like fury. " Harry," said the young bride,
" do you still love me? " '' More than ever," was his earnest
reply. After a moment's pause she said, as she looked up with
a ghastly face, '' Harry, I thought that would make me feel
better, but it doesn't."
Census Taker {looking at watch). It's getting late;
hurry up. You next. (7> Mr. Single.) Are you single ?
Mr. Single. Yes.
Mr. E. Why, he's married; I married him.
Census Taker. What do you mean by lying to me, sir?
Mr. Single. I'm not lying — I'm Single.
Census Taker. Aren't you married?
Mr. Single, Yes, I'm married.
Census Taker. But you just told me you were single.
Mr, Single, I'm married, but I'm Single.
Census Taker. Is the man crazy? Are you married or
are you single ?
Mr. Single. Both ; I am married and my name is Single.
Understand ?
TAKING THE CENSUS IN BJNGVILLE 25
Census Taker. Some folks are so smart. You're the ed-
itor, aren't you ?
Mr. Single. Yes.
Mr. K. Suppose you'll have a glowing account of the
wedding in to-morrow's paper, Mr. Single?
Mr. Single. Yes, 1 have it here in my pocket all ready for
the press.
Susie. Oh, do read it, Mr. Single. I just love weddings.
(Sadiy.') I wonder if 1 will ever have one?
Mr. Single. I'll read you part of it. Couldn't sell my
paper if I give you all the news. (^Reads.) <' The bride looked
very well in a traveling suit, but all eyes were centred on the
groom. He wore a black suit that fitted his exquisite form to
perfection, and in his daintily gloved hand he held a bunch of
lilies-of-the-valley. His glossy hair was beautifully curled and
a delightful odor of hair oil of the finest quality floated back to
the audience as he slowly passed down the aisle. The young
people will miss him since he has joined the ranks of the bene-
dicts. He is loved by all for his many accomphshments, his
tender graces, pleasant smile and winning ways. The bride
has a good salary as a l)Ookke:eper, and the dear boy will miss
none of the luxuries of his bachelor life. A number of pretty
young men friends were at the station to see him depart."
How's that ?
Mrs. T. Well, that beats the Dutch. Not a word about
the bride's costume.
Mr. Single. The brides have had the monopoly long
enough. It's time to say a word about the man in the case.
Susie. I wouldn't care whether they said anything about
me or not, if I could only get a man.
Mr. M. Better not get married, Susie. Marriage is a
pottery.
Miss H. You mean a lottery, don't you, Mr. More ?
Mr. M. No, I mean a pottery — a place for making family
jars.
Census Taker (Jo Mr. Single). I understand you began
life as a newsboy.
Mr. Single {winkijig to people). No, you've been misin-
formed.
Census Taker. You didn't begin life as a newsboy?
Mr. Single. No, no, indeed ; I began life as an infant.
Mr. J. Have a nice trip to Washington, Mr. Single?
Mr. Single. Fine.
26 TAKING THE CENSUS m BINGVILLE
•
Mr. J. Congress in session ?
Mr. Single. Yes. Heard a pretty good thing when I was
in the Senate gallery.
Census Taker. Another story 1
Mr. Single. A gentleman and his little son were sitting
next to me, and the boy had a good many questions to ask.
Mr. E. Wouldn't be a live boy if he didn't.
Mr. Single. Finally the chaplain got up to offer prayer.
</<:/^ you. Shure
the tax man was around the ither day to tax me goat.
Mr. K. How much did he tax you for it, Pat ?
Pat. He taxed me eight dollars, the ould scalpeen.
Mr. K. Eight dollars ! That was pretty steep for a goat.
Pat. That's phwat Oi said. Says Oi to him, "Look here,
Casey, you know that goat ain't wurth eight dollars." Says
he, "Oi'm sorry, but that is the law; " thin he pulls a little
book from his pocket and rades : " * All property abutting on
Main Street should be taxed two dollars a foot.' Your goat is
'buttin' ' on Main Street, ain't he?" " Yis," says Oi, "he's
always a-butting." " He has four feet, hasn't he?" " Yis,"
says Oi. "And four times two is eight, ain't it?" "Yis,"
says Oi. " So eight dollars is the tax on your goat," says he.
It's no use thrying to resist the law, so I paid it ; but begorra
TAKING THE CENSUS IN BINGVILLE
43
whin my party gets in, there'll be a change in some of these
laws.
Census Taker. Are you a Democrat or a Republican ?
Pat. Oi'm nayther — Oi'm a Socialist.
Mr. H. Don't believe you know what a Socialist is, Pat.
Pat. Shure, Oi do. A Socialist believes in dividing prop-
erty aqually. If Oi had two million dollars Oi'd give you wan
and kape the ither myself.
Mr. H. If you had two farms, Pat, what would you do ?
Pat. Oi'd divide. Oi'd give you wan, and kape wan.
Mr. H. If you had two pigs, Pat, would you share those,
too?
Pat. Oh, you go to thunder. You know Oi've got two
foine pigs.
(^Laughter.)
Census Taker {closing book, grabbing hat). I'm through
with this job. I'm going right up to ihe office to hand in my
resignation. I didn't know there were so many blamed idiots
in the world. I've spent two solid hours with this bunch, and
I don't know any more than when I began. Stay here and
cackle all night if you want to. {Rushes out.')
CURTAIN
By the Author of ^^Mr. Bob"
THE NEW^CMJSADe" "
A Comedy in Two Acts
By Rachel Baker Gale
Twelve females. Costumes, modern ; scenery, two interiors. Plays one
hour and thirty minutes. A very amusing satire of the servant girl ques-
tion, brimful of telling incidents and effective lines. All the parts are
good and of nearly equal opportunity, and practically play themselves.
Well rehearsed, it is a sure success and goes with a scream. Irish, negro
and Swede character parts and a •* tough " girl. Strongly recommended
for ladies' clubs. Can be played only on payment of a royalty of ^5.00
to the author.
Pricey 25 cents
CHARACTERS
Miss Morris, nothing if not businesslike.
Mrs. Cogswell-Brown, who believes in cooperative housekeeping.
Mrs. Potter- Hewitt, who looks small, but is not.
Mrs. Raymond, who advocates '* The New Crusaded
Mrs. Archibald Tracey, in search of a 77iaid and experience.
Bridgett Mahoney, in search of " an ould gintleman.''
Mary Macguire, who likes ''the theyatre in the winter toifne.**
Augusta Olsen, who comes from "Svedetifor big 7nonay'*
Cassie Clay, who never ''takes suggestions from anybody,*^
Jennie Burch, who tiever "has ti77ie for afternoon tea'''
Matilda Johnson, who likes "slaughtemiobiles a7id a choffer**
Merry, the settleme7it girl — who s always "on de level.''
COATS AND PETTICOATS
A Comedy in One Act
By Rachel Baker Gale
One male (played by a woman), seven females, and if desired, sixteen
girls for chorus. Costumes, modern ; scene, an interior. Plays forty-five
minutes. A very lively and amusing piece introducing fancy dresses,
music and dancing. All the parts of about equal opportunity. Irish
comedy part and two capital " old maids." Very funny and not difficult.
Complete with music for the Suffragettes' song and march and the Old
Maids* song and march. Very strongly recommended.
Price, 25 cents
AN EASY MARK
A Farce in One Act
By Innis Gardner Osborn
Five males, two females. Costumes, modern ; scene, an easy interior.
Plays thirty-five minutes. A side-splitting farce of college life lively enough
to suit the most exacting demands. Full of funny incident and telling
lines. Burlesque actor and " tough " young man parts ; the rest " straight"
and all good. Recommended for schools. Price ^ /j cents.
New Pkys
THE DEACON'S SECOND WIFE
A Comedy in Three Acts
By Allan Abbott
Six males, six females. Costumes modern ; scenery, one interior, one
exterior. Plays two hours and a half. A play of rural life specially
written for school performance. All the parts are good and of nearly
equal opportunity, and the piece is full of laughs. Easy to produce ; no awk-
ward sentimental scenes ; can be strongly recommended for high schools.
Price, 25 cents
CHARACTERS
(^As originally pi oduced under the title of **Back to Nature^"* at The
Horace Mann School, New York, by the Senior Class of igog^
for the benefit of The Athletic Field.)
(In order of their first entrance)
Malvina Fitz, the Deacon's "first wife.**
Deacon Barachias Fitz, a bigamist in spite of himself,
Milton George Washington Fitz, a good specimen of Young
America,
Nancy Melissa Fitz, his sister — a close second,
Mrs. Brown, who likes to Uend to things.
Kate Rollins, the Deacon's " second wife.**
John D. Bullock, a captain of industry.
Mrs. Bullock, his boss.
Dorothy Bullock, an up-to-date society girl.
Hartley Bullock, author of "Why Boys Leave the Farm.^*
Earnest Rench, about everything there is.
Philip Gamboge, professional painter and amateur speculator,
LOOKING FOR MORE
A Farce in One Act
By Clarence Mansfield Lindsay
Four males, two females. Costumes modern; scene, an interior. Plays
thirty minutes. A very easy and lively farce that can be recommended for
performance by young people. The parts are very evenly divided in op-
portunity and effective without being in the least difficult.
Price, 15 cefits
WHAT HAPPENED
A Sketch in One Act
Two female characters. Costumes modern ; scenery unimportant. Plays
ten minutes. A very slight but very funny skit, suitable for a programme
or for a drawing-room performance without the least preparation in the
way of properties. A sure success if played rapidly.
Price, i^ cents
New Plays
THE VILLAGE SCHOOL MA'AM
A Play in Three Acts
By Arthur Lewis Tubbs
Author of " Valley Faring " Willowdale," " T/ie Country Minister^*
" The Penalty of Pride ^^ "Miss Buzby^s BoarderSy" etc.
Six males, five females. Co&tumes modern ; scenes an interior and an
exterior, or can be played in two interiors. Plays two hours or more.
An excellent comedy-drama, combining a strongly sympathetic dramatic
interest with an miusual abundance of genuine and unforced comedy.
The parts are unusually equal in point of interest and opportunity, are
genuine types of rural character, truly and vigorously drawn and easily
actable. No dialect parts, but plenty of variety in the comedy roles and
lots of amusing incident. An exceptionally entertaining piece, full of move-
ment and action, and without a dull moment. Can be strongly recommended.
Price 2^ cents
CHARACTERS
Richard Elliot, storekeeper and postmaster,
James B. Graham, a commercial traveller.
Rev. Mr. Flick, the village parson.
HoSEA Clegg, who belongs to the G. A. R.
Sam Alcott, who has a more than better half.
Tad, just a boy,
Sylvia Lennox, the village school-ma^ am.
Ida May Alcott, who has had advantages.
Mrs. Alcott, her proud mamma — so^neivhat forgetful,
Elvira Pratt, a dressmaker.
POSIE, who was born tired.
SYNOPSIS
Act I. — In front of the store and post-office on a morning in August.
Act II. — Same as Act I, the middle of the same afternoon. If more
convenient, these two acts may be played as an interior scene with very
few changes of " business " and dialogue, the stage being set in that case
as the inside of the store, with counter, post-office boxes, etc.
Act III. — The home of the Alcotts, three days later.
THE SUBSTANCE OF AMBITION
A Drama in One Act
By Mariejosephine Warren
Three males, one female. Scene, an interior ; costumes modern. PlayiJ
twenty minutes. A sketch of compelling dramatic interest by the author
of "The Elopement of Ellen." A serious piece of high class that can
*^ "^'v^m mended. Price i^ cents.
New Pfays
THE SAWDUST QUEEN
A Comedy Drama in Three Acts
jBy Dana J. Stevens
Author of ''Plain People," ''Old Acre Folk,'' etc.
Six males, five females. Costumes, modern ; scenery, two interiors.
Plays a full evening. A play of circus life, very picturesque and effective
and not difficult to get up. Unusually rich in character parts and comedy.
Soubrette lead; ladies' parts especially strong. Can be recommended.
Free for amateur performance. Price, 2^ cents.
CHARACTERS
Deacon Matthew Sterling.
Ned Sterling, his son.
Miss Prudence Prue, ]
Miss Patricia Prossitt, V three maiden ladies, his cousins.
Miss Patience Prouty, )
Mr. Silas Hankum, his solicitor.
Adanirum George Wasmngton Hobbes, proprietor of "77te
Great Forever Circus. ' *
TONEY O'Hara, an old clown.
The Herr Professor, acrobat and flying trapeze man.
HuLDA Schwartz, strojig lady and snake charmer.
Starlight, the sawdust queen.
SYNOPSIS
Act I.— Inside the dressing tent of "The Great Forever
Circus."
Act II. — Three days later. The living room in the Sterling
homestead.
Act III. — Several days later. Inside the dressing tent again.
THE SUMMERVILLE BAZAR
An Entertainment in One Act
By Frank Towslee
Twenty-one males, thirty-one females are called for, but this number
can be greatly reduced by " doubling " or by curtailing the length of the
entertainment. No scenery required ; costumes, modern. Plays about an
hour with specialties introduced when called for. This is a humorous
picture of a church sale, depending upon its characters and incidents,
which are home thrusts in almost any community, for its success. It ends
with a sale by auction which may be made a real one, if desired, to actu-
ally end up a fair. This entertainment will serve as an admirable frame
for a vaudeville entertainment, being designed to introduce songs, dances
or recitations at intervals in its action, but may be played wholly without
them, as a straight entertainment, if it is preferred. Price, 2^ cents.
On,
'^Py del to Cat. Diy,
^^W 10 i9r;
THP MAfilSTRATI' Farce In Three Acts. Twelve males, four
lUL iUAUlOlIXAIXi fejj^ales. Costumes, modern; scenery, all
interior. Plays two hours and a half.
THE NOTORIOUS MBS. EBBSMITP ^^ZZ,!ZJ^.
Costumes, modern ; scenery, all interiors PI ys a tull evening.
THF PROFl IfiATF PlaylnFourAcl-Bi oeven males, five females.
I^ I* Scenery, three interiors, rather elaborate ;
costumes, modern. Plays a full evening.
THE SCHOOLMISTRESS S^It.'J^^rrnr.rr;,
three interiors. Plays a full evening.
THE SECOND MRS. TANQUERAY ^^^l^,,^
tumes, modern ; scenery, three interiors. Plays a full evening.
SWFFT I AVFNDFR t;omedy in Three Acts, Seven males, four
^ females. Scene, a single interior; costumes,
modern. Plays a full evening.
THE TIMp^ Comedy in Four Acts. Six males, seven females.
Scene, a single interior ; costumes, modern. Plays a
full evening.
THF WFAKFR SFX ^<^™® I3a6er & Compani?
No. 5 Hamilton Place, Boston, Massachusetts
S. J. PARKHIIL 4k CO.. PRINTERS, BOSTON. O.S.A.