PRICE TWENTY-FIVE CENTS 
 
 ? 
 
 IPS 3521 %^ 
 ^ .fl86 F7 
 j 1922 
 [Copy 1 
 
SOME NEW PLAYS 
 
 '^ MOLLY BAWN. 35 cents. A comedy drama in 4 acts, by Makis Doran. 
 7 male, 4 female characters (or by doubling, 5 male and 3 female). Time, about 2 
 hours. Cased upon incidents from a story by "The Duchess.'' '1 he story is woven 
 about. Eleanor Massercne {Molly Baivn)^ whose mother eloped with a young Irishman, 
 which has so eml)ittered her grandfather that he disinherited her. After many years 
 of loneliness he sends for Molly. How the coquettish heiress wins the hard, old man, 
 is worked out in the play sometimes in a comedy setting and again in strong dramatic 
 tenseness. $ro.oo royalty per pcr/or7nance by amateurs. 
 
 ^UNACQUAINTED WITH WORK; or. Married hi Thirty 
 
 Days. 25 cents. A comedy in 5 acts, by O. E. Young. 6 male, 6 female cliarac- 
 ters. I interior scene. Time, 2 hours. Lharlcs Chester, a young man of leisure, 
 succeeds in running up several bills. At last his landlord, yacci<5 Sharp, threatens to 
 imprison him unless his board bill is paid. His aiuit's promise to help him out for the 
 last time if he marries within thirty days forces him to propose to every girl he meets, 
 which naturally gets him into more trouble. Th.ough his effort to get out of the 
 tangle many funny situations arise. Among the characters are a very funny chamber- 
 maid and her sweetheart, a darkey cook, a comical bellhop, a clever detective, etc. 
 
 "jl^WAlT AND S£E» 2S cents. A comedy-drama in 3 acts, by Helen C. 
 Cliffokd. 7 males, 7 females, i easy interior. Time, i^ hours. At a v/eek end 
 party one of the gueSts endeavors to purloin an important document, compelling a girl 
 over whom he believes he has control to assist him. While they are trying to open thu 
 safe they are discovered by the butler who proves to be an old trusted retainer of the 
 girl's father. Although the man tries to fasten the guilt upon the butler and the girl, 
 he is unsuccessful and a happy climax is reached. Among others it has] an excellent 
 sonbretie role. 
 
 *WIVE!S ON A STRIKE. 25 cents, a comedy in 3 acts, by Lillian 
 SriTON Pelee. 6 male, 7 or mure female characters. I'ime, 3 hours. 3 interior 
 scenes. Costumes raried. At a meeting of the Wives Welfare Club, it is decided to 
 ''go on Strike'' and fane Spink is to i.iake the te-<t case. The wives' grievances 
 greatly amuse Betty^ a bride of 30 days, who boasts of her husband's angelic qualities. 
 Her first offence of having supper late causes Such a row that Betty also decides to 
 "go on strike." Betty^s scheme to make her husband change his set ideas about 
 woman s rights is the cause of all the mix-up. How the strike is won and the hus- 
 bands taken back is cleverly depicted in the play. A parrot who swears at the right 
 moment adds lo the funny situations. 
 
 "l^HIS SISTERS* 25 cents. A farce in i act; by Beulah King, i m.-de, 
 and 8 female characters \ or 9 female characters as the male may easily be impersonated 
 by a female character, i interior. Time, 30 minutes. Three sisters, who adore their 
 handsome older brother, secretly plot to have him marry their particular friends' 
 Wow their plans are all upset and matters finally smoothed out is cleverly told in this 
 piay. 
 
 ^SUITED AT LAST* 2S cents, a sketch in I act, by Elizabeth 
 TJrquhart. 7 females and a discharged soldier. i interior, I'ime, about 40 
 minutes. Dorothy, a newly-wed wife, is in search of a cook; her mother, her chum, 
 her Aunt Jane give much advice as lo how she shall interview the various applicants, 
 in fact, so nuich so, that Dorothy is utterly confused and finally engages just what 
 her husband has advised from the beginning. 
 
 ^ENCORES AND EXTRAS. 35 cents. a collection of short mono- 
 logues suitable particularly for encores, but are available for any occasion to fill in for 
 a lew minutes ; contains black-face, Hebrew, a fond mother, a rube monologue, etc. 
 
 -jl^GORGEOUS CECILE. The* 25 cents, a comedy in 3 acts, by 
 Beulah King. 4 male, 5 female characters. i interior. Time, 2 hours. Max, the 
 ion of a wealthy widower, notwithstanding the schemes of his father and aunts, has 
 remained obdurate to all of their matrimonial plans. Upon his return home for a 
 visit, he finds, as usual, a girl whom it is hoped will subjugate him, but the hopes are 
 rrustrated, as it is " 'I'he Gorgeous Cecile" to whom he turns. The parts are all good 
 and well contrasted, with sparkling dialogue and plenty of action. 
 
 MADAME G. WHILIKENS* BEAUTY PARLOR, ascents. 
 
 An original entertainment jn 2 acts, by Viola Gardner BRovirN, for 12 (or less) female 
 characters, i interior scene. Time if played straight about 50 minutes. A very comi- 
 cal travesty on a beauty parlor during a busy day. Introducing amongotherSi Frenchi 
 Irish, colored, rube character, two salesladies, alj strongly contrasted. 
 
A FRIENDLY TIP 
 
 A PLAYLET IN ONE ACT 
 
 By 
 KATHARINE KAVANAUGH 
 
 Author of ''A Gentle Touch,'' "^ Stormy Night,'* 
 
 "The Wayfarers," "A Bachelors Baby,'* 
 
 "A Converted Suffragist," '*The Four 
 
 Adventurers," etc. 
 
 Copyright, 1922, by 
 Fitzgerald Publishing Corporation 
 
 •I? 
 
 Fitzgerald Publishing Corporation 
 Successor to 
 Dick & Fitzgerald 
 18 Vesey Street New York 
 
\o(Xl 
 
 CLO ♦)2084 
 
 ^'^f^O 
 
 1922 
 
 1. c 
 
R^Z^'J^^^ ^^^"'^ ^^'^^^^ ^^^ Professional Acting 
 if 5 ^^'^ P^^^ ^'^^ expressly reserved by thrDuh 
 
 to?;id\llv ''TT' """^^^'^ ^^^^ wlh^oprofi" 
 wifL f ^u^ ^' ,.-^"^ateur representation may be made 
 without such application and without charge 
 
 A Friendly Tip 
 
 CHARACTERS 
 
 Jim Norton rn i i ^ 
 
 Alice Norton ^^^ husband 
 
 Jean Downes ni'^ His ivife 
 
 Marie . ... ^ former sweetheart 
 
 m ' • ; The maid 
 
 liME. — The present. 
 
 Locality.— New York City 
 liME of Playing.— About thirty minutes. 
 
 SYNOPSIS 
 
 old^frTenS^^^^ ^'''' ^^^^^^^ ^^ ^^ 
 
 uiu irienasnip Jean and Jim discuss old times thpir 
 
 ambitions and experiences during the last ten years 
 Jim goes for opera tickets. Arrival of Jim's w1?e " 
 T.T '%-^ T ^Y ^P^^i^l ^^^^^^ Jean possesses 
 now to keep a husband. Jean exacts a promise from 
 
 ^Th Alic";'' '.' ""% '"?^- ^^^^^ ^^« worked wond^i" 
 with Alice and when Jim meets her unexpectedly he 
 hardly recognizes his wife. Through Jean '^ friendly 
 tip Alice has won back her husband 's love ^ 
 
A Friendly Tip 
 
 COSTUMES AND CHARACTERISTICS 
 
 Jim Norton, a good-looking man of about 35 years. 
 Wears evening clothes. 
 
 Alice Norton, a good-looking woman of refined ap- 
 pearance, about 30. On her first entrance she is very 
 quietly and unbecomingly dressed; her clothes are good 
 but unattractive and severe looking. Her hair is 
 brushed back in a plain and unbecoming fashion. She 
 must use very little rouge or cosmetic at first, so that the 
 difference in her appearance will be more pronounced on 
 her second entrance. For her second entrance she wears 
 a handsome evening gown, witli low shoes, etc. Her 
 hair is done up in a becoming style and she is altogether 
 a different looking person. To make this change quickly 
 it will be best to wear the evening gown under the ill- 
 fitting clothes on her first entrance, so that she will but 
 have to take off these outer garments. 
 
 Jean Downes, a handsome woman of about 30. 
 Wears an elegant evening gown. 
 
 Marie, a young girl of about 22. Wears a neat 
 French maid's costume, with fancy apron' and ribbons. 
 
 INCIDENTAL PROPERTIES 
 
 A handsome coat, brought in by Marie and worn by 
 Alice. 
 
 STAGE DIRECTIONS 
 
 As seen by a performer on the stage, facing the audi- 
 ence, R. means right hand; l. left hand; c, center of 
 stage; D. c, door at center; d. r., door at right; d. l., 
 door at left, up means toward back of stage ; down, to- 
 ward footlights. 
 
A Friendly Tip 
 
 SCENE. — Handsome room in Jean Downes' apart- 
 ment. Early evening. Door c. leading into hall. 
 Doors at r. and l. A table down l. of c. is set with 
 china, glassware and silver for two, also two wine 
 glasses ivhich are filled. Bunch of red roses in vase 
 in center of table. Costumer near d. c. Small table 
 DOWN R. Books and a mirror on small table. Chair 
 near small table, also chairs at large table and wher- 
 ever convenient. DISCOVERED — Marie arrang- 
 ing the flowers. 
 
 Marie {goes to d. l., speaks through door). Every- 
 thing is ready. Will Madame be pleased to look ? 
 
 ENTER Jean d. l. 
 
 Jean {crosses to table). Beautiful! You have done 
 well, Marie. 
 
 Marie. Will Madame allow me to suggest pink roses 
 instead of red? {Puts her hand out toward flowers) 
 
 Jean {catches her hand and smiles). No, no, Marie. 
 Red roses were always his favorites. I remember that — 
 though it has been ten years since he gave me any. 
 
 Marie. Ten years! Mon Dieu! A lifetime! 
 
 Jean. Ah, Marie, when one has passed thirty, ten 
 years seem only too short. 
 
 Marie. Past thirty! Madame must not say such 
 things. 
 
 Jean. But it is true, Marie, and you know it. 
 
 Marie. I forget it when I look at you. See {Takes 
 
 5 
 
A Friendly Tip 
 
 mirror from small table) the glass— what does it say to 
 you? 
 
 Jean. The glass lies, Marie. 
 
 Marie. No, it speaks the truth. A woman is as old 
 as she looks, and Madame is still young. The glass says 
 so. {Replaces mirror. Bell rings) It is Monsieur. 
 
 [EXITS D. c. 
 
 Jean. Fifteen minutes ahead of time. The same old 
 impatient Jim. 
 
 ENTER Marie d. c, followed by Jim. 
 
 Jim (gives liat to Marie and goes quickly down to 
 Jean, taking both her hands). Jean! 
 
 Jean. Jim, dear. (Marie has placed hat on cos- 
 turner and has turned with her hands clasped, looking 
 sentimentally at them. Jean sees her and speaks 
 sharply). Marie! 
 
 Marie {confused, puts her hand to mouth, stifles a 
 cough). Oh! [EXITS quickly d. r. 
 
 Jim {letting go of Jean's hands). By Jove, Jean, I 
 came near kissing you. How a habit will cling. 
 
 Jean. A habit ten years old? 
 
 Jim. Ah, but it has all come back — our jolly times 
 together and our rambles and talks — I say, Jean, why 
 didn't you marry me? 
 
 Jean. Why didn't you ask me? 
 
 Jim. I always meant to. Then suddenly you went 
 abroad to study, and the next thing I knew, you were 
 a famous actress 
 
 Jean. Oh, dear, no. Only a second rate performer. 
 
 Jim. But you are known on both continents. 
 
 Jean. I have a good press agent, that's all. 
 
 Jim. Has it made you happy, Jean ? All this wealth 
 and fame you have acquired since we parted years ago? 
 Are you content? 
 
 Jean. Contentment and happiness are hard to de- 
 fine, Jim. Ten years ago I thought this was what I 
 wanted, to make a name for myself, to travel, to see the 
 world — now, well, now, I am not so sure. There's some- 
 
A Friendly Tip f 
 
 thing I Ve missed — ^something every woman misses if she 
 lets it go out of her life. 
 
 Jim. What is that, Jean ? 
 
 Jean. The love of a good man and little children. A 
 home that is a home. But one cannot eat one's cake 
 and have it too. This is the life I chose. I must be 
 content. And you, Jim? You married, I believe? 
 
 Jim. Yes. You see, Jean, I didn't have any artistic 
 aspirations to sustain me. I was only a plain, work-a- 
 day lawyer, and I craved companionship. 
 
 Jean. Your wife ? 
 
 Jim. a good little woman; a model wife and house- 
 keeper, but totally without imagination. My house is 
 alwaj^s in order, my dinner always on time, and every- 
 thing done with a precision that is maddening. I never 
 knew until I married how tiresome a perfectly good 
 woman could be. 
 
 Jean. Surely you do not regret 
 
 eliM. I'm not sure. A man wants more than a mere 
 housekeeper when he marries. When I am in need of 
 real companionship I must seek my club, but even that 
 doesn't fill the want. There is nothing so ideal as a 
 perfect understanding between a man and the woman 
 he has married. 
 
 Jean. And you have not found it ? 
 
 Jim. No. Alice and I have very little in common. 
 She doesn't care for amusements, gowns, or any of the 
 things the average woman glories in. Before I got your 
 message I had purchased tickets for the opera to-night. 
 Farrar is singing Marguerite. When I asked her to go 
 she refused. I present her with an extra large check 
 and simply beg her to purchase some evening gowns — I 
 love to see a woman well dressed — but she considers that 
 a waste of money, and fixes herself up in some old rag 
 that looks like it antedated the flood. 
 
 Jean {laughs softly). You poor boy. 
 
 Jim. Don't misunderstand me, Jean. She is a very 
 excellent woman, but, unfortunately, we are not suited 
 to each other. 
 
8 A Friendly Tip 
 
 Jean (at table). Well, come, let us drown our trou- 
 bles in a glass of Chartreuse. (The glasses are filled) 
 Long life and happiness. {Raising her glass) 
 
 Jim. To our renewed friendship, Jean, — {In a softer 
 voice) — and to our lost opportunities. {Both drink) 
 Do you remember the little place on the avenue that we 
 used to drop into, Jean, where they served the little 
 French dinners and the red ink they called wine? 
 
 Jean {nods and seniles). Do I remember? It seems 
 but yesterday. 
 
 Jim. It has been ten years, my girl. You were a 
 student then, I a young barrister with very little 
 practice. 
 
 Jean. Very little indeed, Jimsy. 
 
 Jim. Well, I'll be honest, and say no practice. I'd 
 wait for you outside the conservatory until you came 
 tripping down the steps, then I'd tuck your arm in 
 mine, and humming and chatting we'd go trotting down 
 the avenue to Delatour's, the Frenchman's; then a ride 
 to a park or a roof-garden, and then home. A whispered 
 word or two at the door, and then good-night ! Gad, if 
 we could only bring back those days — if we only could ! 
 
 Jean {puts her hand on his). The mill will never 
 grind again with the waters that are passed. 
 
 Jim {takes her hand). We'll prove that old saying 
 untrue, Jean, or we'll come pretty close to it, I need 
 you — I never knew how much until to-night. We '11 take 
 up our friendship where we left off, and we'll try to 
 bring back the old days, as far as it lies in our power. 
 
 Jean. Your wife? 
 
 Jim. She won't mind. I think she finds me rather 
 annoying at times, and will be glad to be rid of me. I 
 told her of you; I am afraid I sang your praises too 
 loudly, although she is not jealous — I don't think she 
 is capable of jealousy, or love either, for that matter. 
 
 Jean. You may be misjudging her. There is noth- 
 ing so blind as a man who will not see. 
 
 Jim. Well, enough of my personal affairs. Will you 
 go to the opera with me to-night? 
 
A Friendly Tip 9 
 
 Jean. Have you the tickets ? 
 
 Jim. I returned them, but if you will say yes, I am 
 sure I can get the same seats or as good. It will take 
 me but fifteen minutes, and I can get back in time for a 
 bite too. 
 
 Jean {laughing). It will be a cold bite then. We 
 have let our dinner quite spoil. 
 
 Jim. We'll have something after the opera. I'll be 
 as quick as possible. We'll make an evening of it, eh, 
 Jean? {Takes hat) [EXITS d. c. 
 
 Jean. The same old Jim. How lightly time has 
 touched him. {Goes to table, thoughtfully ; takes a rose 
 in her hand and touches her lips with it) If we could 
 only turn the years back — if we only could ! 
 
 ENTER Marie d. r. 
 
 Marie. Madame, shall I serve dinner? 
 Jean. Not yet, Marie. Mr. Norton has gone out for 
 a few moments. {Bell rings) 
 
 Marie. The bell, Madame. Shall I answer? 
 
 Jean. Of course. [EXIT Marie d. g. 
 
 RE-ENTER Marie d. c, followed by Alice. 
 
 Alice {stands in doorway and looks at Jean, who is 
 at table h.). Miss Downes? 
 
 Jean. Yes. 
 
 Alice. I am Mrs. Norton. 
 
 Jean. Oh. You may go, Marie. 
 
 Marie. Yes, Madame. [EXITS d. r. 
 
 Jean. Won't you be seated? {Indicates chair r. near 
 small table) 
 
 Alice {crosses and sits). You will think it strange 
 of me to call on you. Miss Downes, when perhaps you 
 do not even know me. 
 
 Jean. I know your husband very well. Indeed, he 
 is a very old and dear friend. He was here but a mo- 
 ment ago. 
 
 Alice (rising). Oh, then perhaps I had better go. 
 
10 A Friendly Tip 
 
 Jean. Please don 't. You surely had some motive in 
 coming here. Won't you tell me what it was? 
 
 Alice {speaking tensely across the tahle to Jean). 
 Yes, I wanted to see what you looked like. You are a 
 paragon in his eyes. Only to-night he wished that I 
 was like you. That's why I came. To see for myself 
 what special graces you have for luring my husband 
 away from me. 
 
 Jean (speaking seriously, a trifle sadly). Please — 
 please do not saj^ anything you will regret later. I 
 don't want Jim's wife to hate me. He said you were 
 not jealous — but I see you are — and I am glad. 
 
 Alice. Glad? 
 
 Jean. Yes — because where there is jealousy there is 
 most likely love. It is not me your husband cares for. 
 I only represent to him the things he would like you to 
 be. Deep down in his heart I am sure he has a real and 
 true affection for you that no other woman can win 
 from you. 
 
 Alice. I have tried to be a good wife. 
 
 Jean. Yes, he admits you have kept his house in 
 order and looked after his comforts, but a paid servant 
 would do as much. I know Jim of old. I know how 
 he admires a pretty, beautifully gowned woman — all 
 men do. You have the means and the opportunity to 
 make the most of your appearance in your husband's 
 eyes. Have you done so? (Alice glances ruefully at 
 Tier plain costume. Jean smiles) Yes, it is very good 
 material — selected for its durability rather than its 
 beauty. {Crosses to Alice, removes her hat) You have 
 beautiful hair. What a pleasure a good French maid 
 would take in dressing it and arranging it becomingly. 
 Your hat would do nicely for a woman in very moderate 
 circumstances who had to make the pennies count, but 
 for the wife of a prosperous lawyer, who is only too 
 willing to make her a proper allowance, it is — to say the 
 least — out of date. 
 
 Alice {angrily). You are insulting. Madam. 
 
 Jean. Yes, I know ; I am risking your displeasure in 
 
A Friendly Tip 11 
 
 order to make the truth plain to you. You are risking 
 your life's happiness because you are blind to the little 
 things that count between a man and a woman. Will 
 you let me be still more brutal, and show you the dif- 
 ference ? 
 
 Alice. What do you mean ? 
 
 Jean. Let my maid take charge of you for a few 
 minutes. Promise me to put yourself entirely in her 
 hands, and let us see the result. Will you ? 
 
 Alice. That is an odd request. 
 
 Jean {takes her hands). My dear, you have clung 
 religiously to the conventions all your life. Take a 
 friendly tip and do the unconventional thing once, 
 please. 
 
 Alice. Very well. I'm beginning to like you, Jean 
 Downes. 
 
 Jean. I'm glad of that. {Goes toward d. r.) Marie! 
 
 ENTER Marie d. r., remains up stage. 
 
 Marie. Yes, Madame? 
 
 Jean, Marie, this is Mrs. Norton. I 've been singing 
 your praises and telling her how beautifully you dress 
 the hair. She is anxious to try your skill. Take her 
 into the other room and do your prettiest. 
 
 Marie {goes toward d. l.). Yes, Madame. It will be 
 a pleasure. 
 
 Alice {crosses to Marie, smiles at Jean). I am be- 
 coming interested, mj^self. 
 
 Jean. And, Marie, Mrs. Norton and I are of about 
 the same figure, don't you think? 
 
 Marie. Very much indeed, Madame. 
 
 Jean {bright and alert). The new dinner gown that 
 came yesterday. I wish to see Mrs. Norton in it. 
 
 Marie. Yes, Madame. 
 
 Alice {at d. l., looking across at Jean). I don't 
 know what you are up to, Jean Downes, but I will follow 
 your lead. 
 
 Jean {in a happy mood). I am going to show you 
 how to play your hand, Alice. (Marie and Alice EXIT 
 
12 A Friendly Tip 
 
 D. L. Jean hecomes pensive, almost sad. Goes to table, 
 in a meditative mood) His wife! And I am giving him 
 back to her. How easy it would be to — ^but no, Jean 
 Downes, you've always played square. Play square 
 now! (Bell rings. Jean goes to d. l., speaks through 
 door) I will attend to the door, Marie. {Smiles and 
 nods head approvingly) Ah, how becoming that, is to 
 you. I knew it would be. Go on with your task, Marie. 
 Come in as soon as you are ready, Alice. {Bell rings 
 again. Jean goes to d. c, tu7'ns to R. in hall, RE- 
 ENTERS immediately, speaking to Jim, who follows 
 her) So you succeeded in getting the tickets, did you? 
 
 Jim {pats hat on costumer, goes down). Yes, the very 
 seats I had before. Isn't that luck? {Looks at table) 
 Oh, I say, we shan't have much time for dinner. 
 
 Jean {laughs). And a man must eat. 
 
 Jim. I was thinking of you, Jean. To tell the truth, 
 Alice had a corking dinner ready before I left, and it 
 takes more than a fit of the sulks to rob me of my appe- 
 tite. But I insist on your having your dinner before we 
 start. 
 
 Jean. Jim, I hope you won't be disappointed, but 
 I'm afraid I can't go to the opera after all. 
 
 Jim {surprised). Can't go? Why, what has hap- 
 pened? You're not ill, Jean? {Takes her hands) 
 
 Jean. No, I'm never ill. But a friend has called 
 during your absence ; she is in the other room. 
 
 Jim. Oh, hang it ! I don 't wish to say anything 
 against your friend, Jean, but I do wish she had selected 
 some other evening for her visit. I thought I was going 
 to have you all to myself, and here somebody else comes 
 butting in. Who is she? Do I know her? 
 
 Jean. Maybe you do. If not, I '11 introduce you. 
 
 Jim. Well, I had better try to get another ticket, but 
 I'm afraid it is impossible to get three together this late 
 in the evening. 
 
 Jean. Jim, will you do me a favor ? {Puts her hand 
 on his arm) 
 
 Jim. I will do anything in the world for you, Jean. 
 
A Friendly Tip 13 
 
 Jean. Then I want you to take my friend to the 
 opera to-night, and leave me at home. 
 
 Jim. Jean! You don't mean that! You don't know 
 how much I've been looking forward to this evening 
 with you — just we two — and more evenings like this. 
 And here, at the very start-off, you send me off with 
 some perfectly strange woman that I don't care a hang 
 about. 
 
 Jean. I think you will care a great deal for her when 
 you really know her, Jim. She is a dear, sweet little 
 woman, and she loves you with all her heart. 
 
 Jim {taken by surprise). She — she — what? 
 
 Jean. She loves you, Jim. 
 
 Jim. Jean, dear, are you going crazy? You mean to 
 tell me this friend of yours, whom I don't know from 
 Adam, loves me — me ? 
 
 Jean. She as much as told me so. 
 
 Jim. Good gracious! I had no idea I was such an 
 Adonis! Jean, you're joking. Remember, until this 
 moment I have been a perfectly upright married man; 
 not a very loving husband, I admit, but a good one; a 
 perfectly good one, Jean; and here you are trying to 
 knock me off my pins by assuring me that a perfectly 
 strange woman loves me. You were joking, I know, but 
 please don 't do it again, dear ; it upsets me dreadfully. 
 
 Jean (laughs). I assure you it is the truth. Wait 
 here and I will send her in to you. (Starts toward d. l.) 
 
 Jim (catches her arm and draws her back). No, you 
 don't. You're not going to leave me! 
 
 Jean. Why not? You're not afraid of a woman? 
 
 Jim. No, — but I'm not used to meeting women who 
 love me. I'm afraid I won't know how to behave. 
 
 Jean. Let me tell you what to do. As soon as she 
 enters that door, take her in your arms, call her some 
 sweet name, and kiss her. 
 
 Jim. I don't know any sweet names. 
 
 Jean. Surely you used to call your wife some pet 
 name before you were married. 
 
 Jim. Let me see — I believe I used to call her 
 
14 A Friendly Tip 
 
 ' ' Snookums, " but Jean dear, I can't go up to a per- 
 fectly strange woman and call her " Snookums. ' * 
 
 Jean (laughs). No, Jim, I'm afraid that wouldn't 
 do. Well, you'll have to trust to luck; call her any- 
 thing your heart dictates. 
 
 Jim. Well, if you leave it to me, I'd call her a nui- 
 sance for spoiling our evening together. 
 
 Jean (going to d, h.), I Avant you to be very nice to 
 her, Jimsy. [EXITS d. l. 
 
 Jim. Now, what is she up to? That's the way with 
 these temperamental people ; you never know what they 
 are going to do next. (Goes R., picks up mirror from 
 table, and glances into it) Good Lord, look at me. I 
 wish I had a chance to fix up a bit 
 
 ENTER Alice at d. l., handsomely dressed; she coughs 
 slightly to attract Jim's attention. 
 
 ENTER Marie d. l., puts handsome cloak on cJiair and 
 
 EXITS D. R. 
 
 Jim (as Alice coughs, he turns giiiltily, tries to hide 
 mirror as he replaces it on table. He doesn't recognize 
 Alice). I — I beg your pardon — ^Jean — er — Miss Downes 
 neglected to mention your name — and — er — she doesn't 
 seem to be here to introduce us. 
 
 Alice (going to c, holding out both her hands to 
 him). Why, Jimmie, don't you know me? 
 
 Jim (surprised). Alice! Why — what — what in thun- 
 der are you doing here, and what have you done to your- 
 self — by George — you're a peach! 
 
 Alice. Jim. 
 
 Jim (still looking at her). Yes? 
 
 Alice. Do you like peaches? (Holds out her arms 
 to him) 
 
 Jim (takes her in his arms). You bet I do, old girl. 
 I never knew you were so darned good looking. But 
 what brought you here? I didn't dream that you knew 
 Jean. 
 
 Alice. I never saw her until this evening. I came 
 
A Friendly Tip 16 
 
 here full of jealousy and rage. I wanted to see what 
 kind of woman it was who was taking you away from 
 me. Jim, I wasn't in the room three minutes before I 
 fell in love with her too. She has given me a friendly 
 tip, a lesson in the art of keeping a husband. I have 
 always thought the way to keep a man was to feed him. 
 It seems I was wrong. (Laughs) 
 
 Jim {laughing, and taking her in his arms again^ 
 By George, it's good to see you like this. Why, A]' ^, 
 I'm proud of you. ,iC^^ 
 
 Alice. It is going to cost you a few pennies 
 year to see me dressed like this. > m&te ^ 
 
 Jim. Hang the cost. Haven't we got if* 
 
 ENTER Jean, d. l. - - 
 
 Jean. I see you have bee ^(,[p 
 
 Jim. Jean Downes, yr ,, ' ' -^ Sccjuaiinted. 
 glad you two have met. ■!," st&Ii^mer! By George, I'm 
 
 Jean. A man sh-- = ^ W'v^ife and my best friend. 
 than his wife, Jimp ■'^^^ "ave no woman friend other 
 
 Alice (j/oes U f- Kemeinber that, Alice, 
 should be his * A^0): ^ But I am willing that you 
 you let me \ ^^f ™2' *"<J I^ant you for mine. Won't 
 
 Jean ' .•<*'<»*-yfla better? vTun i 
 
 morrov; ^'fe«>rry, dear, but I sail for England to- 
 
 I;«; J«?n-' Isn't this sudden? 
 %*^-mrget1KS?'t>I ' ^^'f-^ «ke 
 
 .^r^^el^rLattSr^"^^^^^'^-- 
 .T«f ■ Ti ^^^^ "^f anything you asked me, Jean. 
 
 SoE. ^^^Kt^r?^° *" ^'"^ °p^- *°--^'^*— 
 
 Jean. Yes, that's as it s]widd be After that »n 
 hon.e together and talk things over.'N'ou must nevfi 
 
1^ A Friendly Tip 
 
 come so near drifting apart as you were to-night. 
 {hisses Alice) Keep the gown and the cloak as a pres- 
 ent from me. Good-bye, dear. (Puts cloak over Alice^s 
 shoulders. Alice goes toward d. c.) 
 
 Jim {goes to Jean, takes her hand). Then it's— 
 good-bye? ' 
 
 Jean. Yes. 
 
 Jim {softly) I understand. {After a pressure of 
 Jean s hand, lets it go, and turns up stage to Alice) 
 A pleasant, safe voyage, Jean. 
 
 [EXIT Jim and Auce d. c. arm in arm 
 ENTER Marie d. r., remains there. 
 Marie. Have they gone, Madame? 
 Jean {has been standing motionless at table l. watch- 
 ing Jim a;nd Alice EXIT ; softly) . Yes, they have gone, 
 Mane. I am once more alone! 
 
 CURTAIN 
 
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 ] 
 
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 ] 
 
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 ] 
 
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 45m 1 
 
 ] 
 
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 6 
 
 
 
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 L 
 
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 1 
 
 
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 1 
 
 1 
 
 
 80m ■ 
 
 •• 1 
 
 1 
 
 
 80m ■ 
 
 1 
 
 1 
 
 
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 1 
 
 1 
 
 
 20m "i 
 
 1 
 
 1 
 
 
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 Minstrel ] 
 
 
 
 any no. 
 
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 8 
 
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 2 
 
 
 
 10 
 
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 7 
 
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 4 
 
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 18 
 
 IVzh g» 
 
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 21 
 KJUWJ^. 
 
 
 
 2h / 
 
NOT I 0t5-s^»«yg„ ^ 
 
 Fraternal and Secret Societies 
 
 99 
 
 "INITIATION STUNTS 
 
 By Lieut. Beale Cormack 
 
 A collection of side degree stunts, initiations, yells, 
 cheers, toasts, etc. Also complete side degree works 
 which can be used as guides in forming other fraternal 
 societies. 
 
 CONTENTS 
 Part I 
 
 Fraternity Advantages 
 
 Names for Social Clubs and Fraternities 
 
 Slogans and Mottoes 
 
 Greek Letter Societies 
 
 Reason for Rough-House Initiation 
 
 Yells 
 
 Songs 
 
 Pledge Stunts 
 
 Fraternity Toast 
 
 Part II 
 
 Greek Letter Fraternities 
 
 Side Degree "Eta Phi Mu" 
 
 Oath 
 
 College Yells and Cheers 
 
 Miscellaneous Yells 
 
 Banquet Toasts 
 
 Hazing the Obstreperous 
 
 Cloth Binding. Price $1.00. Postage 5c. extra. 
 
 FITZGERALD PUBLISHING CORPORATION 
 
 Successor to 
 
 Dick & Fitzgerald 
 
 18 Vesey St., New York