PS 3545 
 ,R6 P7 
 1892 
 Copy 1 
 
LIBRARY OF CONGRESS. 
 
 Shelf ..S.C^.Xl 
 
 UNITED STATES OF AMERICA. 
 
LIBRARY OF CONGRESS. 
 
 Shelf - 
 
 NITED STATES OF AMERICA. 
 
/ 
 
 ^<^' 
 
 (j^s !£tgl?t as Ciiv. 
 
One hundred copies of this book have been made, each copy 
 numbered and signed by the author and the painter. This copy 
 is No.. 
 
 Copyrighted by 
 Jean Wright and Emma Keats Speed. 
 
Q^lig^^osOir. 
 
 Verses by Jean Wright 
 
 Water color by Emma Keats Speed. 
 
 
 
 FLEXNER & STAADEKER; 
 Louisville, WIDCCCXCII. 
 

YOUTH AND LOVE AND A SUMMER DAY." 
 
ONE can not be a dying swan 
 Off hand- 
 One can't become a Raphael 
 
 On demand — 
 One can bnt do one's best — 
 
 And do no more — 
 So patience, Gentle Pnblic, 
 
 We implore, 
 And bear in mind, we meekly beg of you, 
 Wise Buddha's rule- 
 (I think its No. 2) 
 *' Kill not — for pity's sake and lest you slay 
 The meanest thing upon its upward way." 
 
\ S light as air the merry jest, 
 /-A Where all's in pantomime expressed — 
 
 The crackling whip Ar'chino vai;lts to, 
 Old Pantaloon all trembling halts to — 
 Gay Harlequin, with knavish zest, 
 His love for Columbine confessed. 
 
 The lively tune that maidens waltz to, 
 The pretty vows that lads are false to. 
 The mellow laugh, the merry jest. 
 Are light as air. 
 
 While motes dance on with half mad zest. 
 Low down, with passion half suppressed, 
 
 Sings some poor wretch that life's been false to, 
 The old refrain, that music halts to, 
 " Comme la vie est amere " — confessed, 
 La vie's a trifling thing at best — 
 As light as air. 
 
A" 
 
 H, truth to tell, 
 
 'Tis sweet to lie 
 Within some fair and shady dell. 
 Ah, truth to tell, 
 Tis sweet to yield to love's sweet spell- 
 
 — I'll give him sigh for sigh — 
 For, truth to tell, 
 'Tis sweet to lie. 
 
THAT nez 7-efrottssc—'Tis, a pity 
 I make for subject of my ditty; 
 Unsentimental choice — and yet — 
 I pray, forgive if I forget 
 To praise the points you think are pretty. 
 
 Ah, Love, would I were wise or witty ! 
 I'd send you something fine — and yet, 
 Strive as I may, I can't forget 
 That nes retrousse. 
 
 Ah, Phyllis dear, your hair is pretty. 
 Your eyes alone are worth a ditty. 
 Your mouth with dainty pearls is set, 
 Your tout ensemble's fair — and yet, 
 I will remember — more's the pity — 
 That nez retrousse. 
 
Itlaraucritc. 
 
 W 
 
 ITH your dainty bit of sewing, 
 
 Marguerite, 
 And your smile, half shy, half knowing. 
 
 Wholly sweet, 
 And the rings of chestnut hair 
 On your forehead broad and fair, 
 
 Marguerite. 
 
 Ah, your voice is soft and low. 
 
 Marguerite, 
 
 But it thrills me thro' and thro'. 
 
 Marguerite, 
 
 Like the cooing of a dove 
 
 Speaking to its mate of love, 
 
 Marguerite. 
 
 Your eyes are wells of truth. 
 
 Marguerite, 
 
 And what they say, in sooth. 
 
 Is so sweet, 
 
 That my heart goes out to meet you. 
 
 And with tenderest love doth greet you. 
 Marguerite. 
 
The bloom upon your cheek, 
 
 Ah, my sweet. 
 
 Nestles in the rose heart deep. 
 
 Marguerite. 
 
 There 's a dimple in your chin 
 
 That my heart just fits within, 
 
 Ma petite. 
 
 From the ring upon your hand, 
 
 Margiierite, 
 
 To the dainty little slippers 
 
 On your feet, 
 
 And the chestnut crown above them, 
 
 I love them all— I love them, 
 
 Marguerite. 
 
 When from off your winsome face. 
 
 Marguerite, 
 
 Ruthless time has torn youth's grace. 
 Marguerite, 
 
 Still within my bosom's core, 
 
 lyove will live for evermore. 
 
 Marguerite. 
 
5:30 a. m. 
 
 O 
 
 H that proverbial early bird, 
 
 —The one that caught the worni- 
 I would that I had never heard 
 Of that proverbial early bird ! 
 A pious fraud, a snare absurd, 
 
 I boldly do affirm. 
 Was that proverbial early bird— 
 
 The one that caught the worm. 
 
 ENVOI. 
 
 And Prince, the worm — 
 
 He also rose betimes. 
 
 And yet, methinks his was a cruel fate. 
 
 Would it not seem the moral of the tale 
 
 Were this— 'Twere best to lie full late? 
 
I 
 
 CH liebe dich," was all he said, 
 
 And why I should have blushed so red, 
 
 I can not say — I do not know ; 
 
 The words could not have moved me so— 
 It must have been his look instead. 
 
 But why should I have hung my head, 
 And really almost felt afraid, 
 
 When what he meant I did not know, 
 " Ich liebe dich " ? 
 
 " Three German words " they were, he said. 
 " Teach me the meaning? No, instead 
 
 The words themselves he'd teach, and so 
 The meaning soon enoi:gh I'd know." 
 And soon my faltering lips he led 
 To say the words himself had said — 
 "Ich liebe dich." 
 
Y 
 
 OUTH and love and a summer day — 
 
 What fairer gifts could the gods bestow 
 Ah, could the golden time but stay, 
 Of youth and love and a summer day ! 
 
 If the grass would cover the brown old ground, 
 And the sun would shine the whole 3'ear 'round, 
 If youth lent wings to the dancing breeze, 
 And love gave lips to the whispering trees. 
 If 3'outh and love would never leave us. 
 No fairer gifts the gods could give us ! 
 
T 
 
 HE sun kissed the clover. 
 
 Each blossom blushed red — 
 For kisses bring blushes, 
 'Tis said. 
 
 Oh young maids are charming, 
 And ribbons are blue, 
 
 And boys are still saucy 
 At blithe twenty-two. 
 
 The sun kissed the clover — 
 Sweet Nancy blushed too. 
 
 Now who kissed sweet Nancy 
 I wonder — don't you ? 
 
o 
 
 «a (Bill. 
 
 BRITTANY FOLK SONG. 
 
 NCE upon a time there was a poor boy. 
 — Oulie oulai oulie oula — 
 Once upon a time there was a poor boj- 
 Who loved one 
 Who loved him not. 
 
 She said to him "bring me to-da\'," 
 
 — Oulie oulai oulie oula — 
 She said to him " bring me to-day 
 
 The heart of th}- mother 
 
 For my dog. ' ' 
 
 He goes to his home and his mother kills. 
 
 — Oulie oulai oulie oula — 
 He goes to his home and his mother kills, 
 
 Seizes the heart 
 
 And runs away. 
 
In running away down he falls. 
 — Oulie oulai oulie oixla— 
 
 In running away down he falls, 
 And the heart 
 Rolls on the ground. 
 
 As it rolls it speaks to him. 
 — Oulie oulai oulie oula — 
 As it rolls it speaks to him— 
 Listen thou 
 To what it says. 
 
 As it rolls it weeping says, 
 
 — OuUe oulai oulie oula— 
 As it rolls it weeping says, 
 "Art thou hurt 
 My poor child?" 
 
MON Ami fierce and tender, 
 What mischief hast thou planned 
 What would'st thou I should render 
 Mon Ami fierce and tender ? 
 The gods must well defend her 
 
 Who would thy siege withstand ! 
 Mon Ami fierce and tender, 
 
 What mischief hast thou planned 
 
 Ah food for sighs and laughter 
 
 Thy "game" is, mon Ami. 
 And what will follow after 
 Is food for sighs and laughter ! 
 Thy voice is even softer— 
 "He flirts unconsciously—" 
 Ah food for sighs and laughter. 
 Thy "game" is, mon Ami. 
 
BALLAD 
 
 C{]c ?lcformc& pirate. 
 
 A STUDY IN TRANSMIGRATION 
 
 I 
 
 N the far off Middle Ages, 
 
 — When that was I have no notion- 
 Out upon the dreary ocean 
 
 Roved a robber fierce and bold. 
 And, if we believe the storv. 
 So particularly gory 
 Was this dark and dreadful villain, 
 
 That the half has ne'er been told. 
 
 For he braved the raging billows. 
 And he feared not man nor demon. 
 He was quite an able seaman. 
 
 And his craft was sure and fast. 
 Oh, he lived at quite a high rate, 
 Did this dark and dreadful pirate, 
 For his flag was black as midnight 
 
 And he nailed it to the mast ! 
 
Thus for many a year he pkmdered 
 Robbed and murdered, swore and tiuindere, 
 But at last the villain blundered, 
 
 —Which was well, upon the whole 
 So they made a little rope fast. 
 And they hung him from the topmast. 
 —It may strike you as peculiar ; 
 But that pirate had a soul. 
 
 Had a soul above his station, 
 And in spite of his vocation,' 
 He'd a liberal education, 
 
 —Which is well, upon the whole. 
 And, besides his navigation. 
 Knew the doctrine of negation, 
 And about the transmigration ' 
 
 Of his own piratic soul. 
 
 Ah, but hear the end pathetic— 
 For I know the sad possessor 
 Of the soul of this transgressor 
 
 'Gainst the laws of God and man • 
 Though the strange and curious historv 
 Of the dark and dreadful mystery— ' 
 'Neath correctness of demeanor 
 
 He will hide // if he can. 
 
Now, instead of oaths piratic, 
 
 He writes verses enigmatic ; 
 
 Though he soothes his soul with triolets. 
 
 He sometimes makes a slip. 
 But he leads a model life now, 
 And deals no more in strife now ; 
 He's the mildest mannered man now 
 
 That ever scuttled ship. 
 
 He goes in for metaphysics. 
 And he's great at the poetics, 
 But, alas, he gets no solace 
 
 From the jingle of his rhyme. 
 Though he laughs a mirthless laughter, 
 Yet the look that follows after 
 Is of rayless melancholy. 
 
 For his soul is steeped in crime. 
 
T 
 
 HE day seems filled with mad mirth, 
 The merry breezes start ; 
 There's sunshine on the glad earth, 
 There sunshine in my heart. 
 
 The day seems hardly sober, 
 There's gold on every tree ; 
 
 It brings the world October — 
 It brings my L,ove to me. 
 
T 
 
 HOU'RT "Friendship's pledge," mj- prett}- rose, 
 And not a lover's token. 
 One scarce would guess, unless one knows, 
 Thou'rt " Friendship's pledge," my pretty rose. 
 F'l-om that faint blush one would suppose 
 
 There were sweet words unspoken. 
 Thou'rt "Friendship's pledge," my pretty rose. 
 And not a lover's token ? 
 
M 
 
 Y heart a willing captive lies 
 
 In twisted chains of golden hair. 
 Cirim warders twain two deep blue eyes ; 
 
 — My heart a willing captive lies — 
 The prisoner who from fetters flies 
 
 Like mine, is found extremely rare. 
 INI}' heart a imlling captive lies 
 
 In twisted chains of golden hair. 
 
TRANSLATIONS FROM HEINE, 
 
ICH RIEF DEN TEUFEL UND ER KAM.' 
 
 I CALLED the Devil, and lie came. 
 With wonderment his form I scan ; 
 He is not ugly, is not lame, 
 He is a dear and charming man 
 Just in the prime of life, and so 
 Quite up in the ways of the world, you know. 
 Talking of Church and State with tact— 
 A bit of a diplomat, in fact. 
 No wonder he 's pale, and hollow his eyes. 
 Since Sanscrit and Hegel his studies comprise. 
 His favorite poet is still Fouque, 
 But with the critics he will not bother ; 
 He has turned that over to his grandmother. 
 His dear grandmother, Hecate. 
 To my legal efforts he gave his praise, 
 Said he 'd thought of the law in his younger days. 
 He vowed my acquaintance an honor and credit. 
 And bowed with an infinite grace as he said it. 
 Then he asked if the Spanish Embassador 
 Had not presented us one to the other ? 
 I looked with more care than I had before. 
 And found in him my friend and brother. 
 
UND BIST DU ERST MEIN EHLICH WEIB." 
 
 K 
 
 H, if thou wert my wedded wife, 
 Much envied would 'st thou be ; 
 For thou should 'st live for pure pastime, 
 And fare right joyously. 
 
 Thy scoldings and thy stormings 
 
 I 'd suffer patiently ; 
 But if thou should 'st not praise my songs, 
 
 Then would I part from thee. 
 
WER ZUM ERSTEN MALE LIEBT " 
 
 H 
 
 E is a god who first time loves, 
 Tho' he may love in vain ; 
 But by the gods he is a fool 
 Who hapless loves again. 
 
 And such a fool am I — once more 
 
 Of hopeless love I sigh. 
 Sun, moon, and stars, they laugh at me, 
 
 And I laugh, too — and die. 
 
DU BIST WIE EINE BLUME 
 
 THOU-RT like a lovely flower, 
 So pure and fair thou art, 
 And when I look upon thee 
 Strange sadness fills my heart. 
 
 It seems to me that I should lay 
 My hands upon thy brow. 
 
 And pray that God will keep thee 
 As pure and fair as now. 
 
LIBRARY OF CONGRESS 
 
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