*■■■■■■■ ■■■■ I n ■a w&Mm ■ HBI mSsm WBSR — HH BiBBl Bra mii^M™ ■ HHI JBBMHBH ■ Brail HHHHHHHHHMHMflHHflmBflnHH H Hill mm §11 Hi MI H HH ■■HH >J» ^ f=wf3$ • xV <#■ ^6* -4<3* . %,** .-'■ ■.• /\ l WwJ j?\ ~-W?- : s*\ ... J^ W /% f?# ** v % ;* * v bv" k ^5 *2ft « i '• ^ 6? V «S> "oV o .*&* w ;&£& %<♦* •• "«• <$ ** i .lit. ^ ••*< A RELIGION AND POETRY. RELIGION AND POETRY; SELECTIONS SPIRITUAL AND MORAL, FROM THE POETICAL WORKS THE REV. R. MONTGOMERY, M.A. Oxon. AUTHOR OF "LUTHER," "GOSPEL IN ADVANCE OF THE AGE." &C. &C. INTRODUCTORY ESSAY, BY ARCHER GURNEY, AUTHOR OF " KING CHARLES THE FIRST," TRANSLATOR OF " FAUST.' " The noble thought, the wise reflection, or the beautiful idea, each has its hour and scene of influence ; though often, like a trackless Angel on some errand of love, — acting silent, secret, and unobserved." PREFACE TO "THE OMNIPRESENCE." LONDON: PRINTED FOR PRIVATE CIRCULATION. 1847. LOND O N T ! Printed by Schulze and Co., 13, Poland Street. 205449 '15 PREFACE. The influence of Poetry in general, and its importance as a moral agent for intellectual culture, can scarcely be over estimated. A great Contem- porary Poet has beautifully remarked that, " Poetry is the breath and spirit of all Knowledge ; the impassioned expression which appears on the countenance of all Science." By those whose hearts respond to this sentiment, it will be admitted that the Poet is fulfilling his mission only in proportion as he devotes his genius and his talents to the service of Christianity, and to the illustration of whatever is most elevating and beautiful in the moral and natural world. In Montgomery's own language, the function of the Poet, when his heart beats with spiritual loyalty to the Cross, is so to invest all nature with an ideal VI PREFACE. radiance, that every religious eye may be capacitated to read and admire " That Mighty Poem which the Heavens and Earth Exhibit, written by Eternal Hands." " THE MESSIAH." It is true that Poetry has been but too often made the instrument for degrading, rather than elevating Man's spiritual nature ; but beyond a doubt, its legitimate aim and highest effort ought to be directed to the awaking, refining, and exalting our Consciousness, and carrying it beyond and above the beaten track of ordinary life, into the pure and lofty regions of Christianity. It is in this point of view that the Poet ought to excite our gratitude as well as our admiration, when we see him dedicate his powers to such hallowed purposes. Perhaps no English Poet has more thoroughly rendered Poetry subservient to this sublime object than Robert Montgomery. Spirituality is not the mere accidence, but the essence of his Poetry ; and we cannot read a page without observing how intensely he strives to realize Divinity, as the secret life and law which actuate and mould the universe of Matter and Mind; and in an age of sensual tendencies and frivolous excitement, it is no slight merit thus to PREFACE. magnify the Eternal, and celebrate the Unseen. His first poem has now been before the public for nearly a quarter of a century ; and the inte- rest with which each succeeding work continues to be regarded, bespeaks a healthy tone of moral feeling in a very large, and we trust, an increasing body, of intellectual Christians. His mental sway is daily becoming more felt ; while, like Wordsworth and Coleridge, he steadily advances into the higher regions of hallowed sentiment and thoughtful taste, boldly contending against those rationalizing and sensualizing principles so prevalent in our current literature. The spirit of Robert Montgomery's Christian Philosophy fully harmonizes with a profound truth so beautifully expressed by Ullman in his "Worship of Genius." — "However sublime may be the idea which the word Genius awakens in our mind, something infinitely greater arises before us at the short and simple word — God ! Though centuries have mused over the idea signi- fied by those few letters, we cannot believe that it is yet exhausted, or that it has lost its power over the mind ; we cannot believe that such Idea must abdicate its supremacy, and have another for its substitute, in order that the human mind should ascend to its loftiest and truest object of reverence. Vlll PREFACE. The word "God" still is, and ever will be, the highest problem for the thinker, the watch-word of hope for the pious, the thunder-bolt for the sinner, and thus wield an influence which the name of Genius will never attain." Believing as we do, that almost a complete body of Christian truth might be collected from Montgomery's works, it occurred to the Editor that an interesting and valuable selection might be made on a plan differing from mere extracts from the writings of any other Poet in the language ; and that by arranging under distinct theological and miscellaneous heads the scattered thoughts and original conceptions which characterize this Author, — a valuable volume, unique in its kind, might be composed. Such a publication is now offered to the reader ; and it is hoped it will be acceptable to all who reverence the moral develop- ment of our nature ; who can be touched with what is pure in motive and lofty in feeling ; or who can appreciate that tenderness, and those images of innocence and happiness, with which our Poet delights to illustrate the diversified scenery of human experience. Having obtained the Rev. Robert Montgomery's kind permission to make such a selection from his PREFACE. IX poetical works, on the plan proposed, the Editor has gone through his various poems with that view; and though he has far from exhausted the subject, it will be found that, as far as this volume extends, the most interesting passages of the Author's Poems, have been arranged under distinct heads : and, as there is scarcely a great Gospel truth or Moral sentiment, which Robert Mont- gomery has not clothed in the graces of poetical language, — the title of the work has been chosen as indicative of what appears ever to be his leading aim, namely, the alliance of Poetry with Religion. The reader will here find nothing but what tends to lift our redeemed humanity into holy communion with its reconciled God; while at the same time the Author's genius shines in every page pre-eminent for whatever is beautiful in sentiment, noble in aspiration, or catholic in sympathy. Ever may the spiritual loftiness of the following passage from his "Universal, Prayer," receive a responsive echo in the souls of all who believe that the Gospel is the sublimest Philosophy of Man, " And oh ! may those, the gifted few, Archangels of the Earth, before whose thrones Mortality doth bend, and half adore, Forget not what they owe to Thee, and Man ! X PREFACE. May Genius never stoop to pander vice, But fix her eye on Heaven, and Walk the Earth A Spirit conscious of her native Sphere." The depth of religious earnestness in Montgo- mery's Writings will not render this volume the less acceptable to those who are engaged in the arduous and responsible duties of training the youthful mind ; while his sound views of the Reformation make his writings peculiarly valuable at the present juncture in the Anglican Church. Nor ought the opinion of the most eminent men of foreign coun- tries be overlooked : the judgment of Tholuck, one of the most eloquent of living German Divines, is peculiarly valuable, as confirmatory of the Editor's estimate of Montgomery's services : thus then, has that illustrious theologian spoken of our poet's highest work — "Luther" — " I should think it," he says, " an injury done to us Germans, not to make known to them, your Poem, on that giant of Theology, Martin Luther." In conclusion, the Editor must now remark, that it was not deemed necessary to name the separate Works from whence the extracts are taken ; but only to indicate by spaces, that they have been selected from the Author's different poems, and classified under their appropriate heads. PREFACE. XI It only remains then for the Editor to thank the accomplished author of " Charles the First," for the fine specimen of effective criticism which forms an Introduction to this volume. S. J, IL MAY, 1847, CONTENTS. PAGE Introductory Essay ..... 1 Attributes of the Deity . . 77 Atonement 79 Britain's Safeguard . 81 Christ the Centre of Truth . 83 Christ's Eternity . 84 Christ the Head of the Church . , 85 Christ the Conqueror of Death . . 86 Childhood of Jesus . 87 Blessedness of Early Death . 89 Christ the Friend of the Lonely . . 90 The Babe, the Bible and the Mother . 92 Christ in Prayer 94 The Avenging Conscience 94 Adoration of the Saviour's Attributes 96 Christ raising the Widow's Son . 96 Principles taught by Christ 98 Christ walking on the Sea 101 Perfection of Christ's Human Nature 101 Christ in Gethsemane 103 Christ's Agony in the Garden 104 Christ on the Cross 105 CONTENTS. Christ's Resurrection Christ's Ascension A Churchyard Creation . Creation Incomplete Creation of Woman Deity in Creation adored Hymn of Adoration at the Birth of Christ The Ideal of Christ beyond the Actual of Art The Saviour hidden in an hour of Grief Primeval Innocence Fall of Man Immortality of the Soul Incarnation Power of Faith Christian Peace Duty Millennial Glory . Glories of Revelation Prayer . Creation, a Type of the Redeemer's Glory Connexion between the Mind and Nature The Sympathy of Nature The Inspiration of Nature The Christian, the only true Interpreter of Nature Man a Fallen Creature . Redemption was predestined Insufficiency of Natural Religion exemplified Memory is Undying Justification .... The Elective Sovereignty of God The Apostolic Church of England The Prodigal's Return . CONTENTS. The Reconciled God Death . A Holy Death . Eloquence of Tombs Comfort for the Christian Reason, Sense, and Faith Satanic Influence Power of the Spirit The Spirit needed to interpret Scripture Reflections on visiting a celebrated Cataract The Temptation . Infancy . The Solitary Monk Luther's Death . Luther's Character Dreams . Mystery Night . Contemplations suggested by Night Instinctive dread of Death To Die, — what is it ? Jairus' Daughter Love . Human Love. Power of the Affections . Woman's Love . Reflective Stanzas Christian Home . The Charms of Home . Influence of Early Impressions Jerusalem Life in its true Signification The Sacramental Rock . CONTENTS. The Sinai of the Conscience The two Worlds The Forgiven Most, Love Most Now is the accepted Time The Sisters The Virgin Mother The Miraculous Stream . Friendship No Contingency in the Lot of Man The Friendship of Luther and Melancthon Congenial Tastes cannot alone constitute Friendship God the Author of Holy Friendship London .... Reflections on London by Midnight The Power of Prayer The Infant in Prayer Romanism Popery springs from corrupt Nature The preaching of the Word Morning Sunset Moonlight A Moment Reflections on the Departed Year Incommunicable Feelings Retrospection The Ocean The Ocean preaches God Poetry .... Music .... The Magic Power of Melody Stanzas on Music The Organ-Boy . CONTENTS. The Pains of Genius . Milton .... Consumption . . . Local Association The Visioned City A Dream of Worlds The Power of Genius Apostrophe to a Departed Mother Lost Feelings The Plague Parental Fondness The Magical effect of Love A Brother The Holy Dead . A Retrospect The Power of the Scriptures The Domestic Bliss of England . The Hollowness of the World . The Diversity of the Human Mind The Evening Hour England The true Sphere of Woman A heautiful Sunset, and Night The Spartan Mother Loneliness A Sad Thought . The Undefined . The Return Home A Poet's Farewell CONTENTS. The Ballad Singers Painting . The Sabbath The Teachings of the Sabbath Privilege of Christian Suffering Our Cross the prelude to our Crown The Mystery of Human Sufferings Affliction one form of Communion with Christ Affliction tends to purify from Sin Solitude . Solitude not Morose The Past, Present, and Future . The Melancholy of Youthful Genius Intellectual Greatness . Intellectual Responsibility Mental Depravity Intellectual Martyrs Power of the Press The British Press The Awfulness of Books Chance exists not Providence is Individual The Individualizing tendency of Deity Consolations of Individual Providence The Minuteness of Providential Care Nothing Insignificant in the Moral World Wonders of Moral Connection . The Divine Will encircleth the Human Doctrine of the Resurrection. The World of Spirits . The Bards of Earth The departed Bride Etherialising power of Poetry . INTRODUCTORY ESSAY ON THE POETRY OF THE REV. ROBERT MONTGOMERY, M.A. Rarely has any subject engaged the attention of men on which more conflicting opinions have been expressed than the degree of merit attributable to the poetical works of the Rev. Robert Montgomery. Not literary differences alone have originated and sustained this literary strife : Religion and Theology have evoked the critical spirit of those who felt, or imagined themselves, aggrieved by the author's conclusions, and somewhat of that envy which frequently dogs success as its attendant shadow may have rendered the eyesight of objectors peculiarly, if not exclusively, keen to certain man- nerisms which did not really interfere with the merit of the Poet. At the same time, profundity of thought, — undoubted, though occasionally not done full justice to in the delivery — a deep religious earnestness, and a command of language, only too strikingly exhibited, could not fail to have their due weight with the reading public, which has, indeed, learnt to pay but little attention to the anonymous criticisms of the day : and thus the strange spectacle was presented to the observer's eyes, of a poet of twenty or thirty editions, the mark of unceasing and would-be-contemptuous ridicule in the pages of very many of the chief periodicals of the day. I have before hinted that the charges brought against Mr. 2 INTRODUCTORY ESSAY. Montgomery, or let me rather say, against Montgomery, as a poet, were not altogether without foundation. As I have been asked to furnish a critical Essay to a volume of extracts from the poetical works of this author, and as my duty, having accepted this task, is not to give my reflections to the world upon all imaginable objects in it, but chiefly to express my honest convictions with reference to the merits or demerits of the works commented on, I shall proceed at once to clear the way, (if I may use such an expression) by removing all objections "in limine" to that admiration which I regard as justly due to this poet, and by disposing forthwith of that general censure, at least, which will form the least pleasurable portion of my duty. For it surely need scarcely be stated, that however keen my perception may be of certain defects in Robert Montgomery's compositions, my individual judgment on the whole is decidedly in their favour, since I should not otherwise have undertaken what may be regarded as a preface to a series of extracts from this poet's works. But first, let me apologise to the reader for the apparently authoritative tone, which the avowed critic, who subscribes his lucubrations with his name, is necessarily driven to adopt. This tone is adopted invariably by anonymous writers, or scribblers, and the public, if it does not exactly believe them, is still content that they should promulgate their anonymous decrees, feeling rarely shocked by the autocratic vigour of their decisions. And here I may be permitted to observe, that the time has arrived for the utter abolition of this system of literary " Secret Police," which can only be compared, for mystery and despotism, to the government officials of ancient Venice, or of modern Russia. What a man really thinks, he should be ready publicly to proclaim, not under the mantle of the ubiquitous " We," but as the acknowledged result of his own individual perceptions. If he does not feel sufficiently assured of the justice of his conclusions to do this, let him for ever hold his peace ! — He will not then be so likely to denounce and ridicule what he is utterly incapable of under- standing; nor will he dare to commend, from motives of private friendship, or on other baser grounds, what he does INTRODUCTORY ESSAY. 6 not in his heart approve. Then, too, the reading public will be no longer liable to be deceived, even for a time, by the high-sounding pretensions to critical infallibility of men, who have been endeavouring themselves to compose for the whole of the?r lives, and have never succeeded in one single literary undertaking. The opinion of the man of sense will no longer, in the eyes of the multitude, be confounded with the " dicta" of the fool. The less learned portion of the public will have some guide to the degree of importance which they should attach to the critical praises or censures of individuals. Young and aspiring authors will no longer be in danger of being crushed, or of imagining themselves so, (to them nearly as bad) by the awful and seemingly omnipotent " We" of some wretched literary hack. Critics themselves will learn to advance no position which they are not prepared to support by arguments and facts, and will thus gain vastly with respect to modesty, justice, and truth. All classes then will reap an equal advantage from the abolition of the present Anony- mous System : nor let it be imagined that critical identification will lead to an individual literary despotism. There are too many men of talent avowing opposed opinions, and maintain- ing conflicting causes, to render this possible. Even a Johnson could not again assert an absolute supremacy over the intellects of his fellow mortals. But to return from this somewhat lengthy digression, which was, however, partly called for in vindication of the boldness with which I intend to express my literary opinions in the following pages. I can only say that I in no respect profess to speak authoritatively and " ex cathedra" — a position, indeed, which no critic whatever is, in my opinion, ever justified in taking. Still every affirmation, whether of moral, religious, or literary truth, must, of its very nature, be absolute as well as relative : relative, that is, with reference to Truth itself, of which no finite perception can present more than a shadow or indistinct image; absolute to him who makes it, that is, to his individual perception, which is, after all, what he is concerned with, and what it is his business to place distinctly before the public, if he once allows the mantle of the critic b 2 4 INTRODUCTORY ESSAY. to descend upon his shoulders. But, without imposing my convictions on any other person, I am bound to express them honestly and boldly, since I have once undertaken the task of ushering this volume into the world, and I must conse- quently needs assume a tone of decision, which might give offence to some amongst my readers, were it not thus overtly explained and apologized for. One word too may be per- mitted me on the special motives which have influenced me to undertake this task, and thus openly to force my individual perceptions on the public, contrary to the general custom of the day. The requisites for a perfect critic, for the ideal of critics, will rarely or perhaps never be found combined in one man : certainly / do not profess to lay the slightest claim to them. I have neither the deep learning on which a critical system may be accurately based, nor the acute sense of memory by which it is perhaps most fitly sustained. Yet, as one who himself lays claim to the title of poet, I trust that I may not be altogether deficient in that poetic discrimination which is as quick in the perception of the Beautiful as in the instinc- tive dislike of all that is opposed to it : i.e. in a literary, and not a distinctively moral or religious point of view. It is the hope that this natural power of perception and discrimination has been in some degree bestowed upon me, which has induced me to enter the critical arena at all. What, however, I have felt myself justified in doing, in common with so many others, under the cover of Anonimity, I should not, and cannot shrink from repeating in the open light of day; and I am more particularly moved to this public profession of my critical opinion, because so much unsparing ridicule has been lavished, by a certain set of critics, on the writings and the admirers of Robert Montgomery, in the apparent hope of annihilating his literary fame : ridicule, however, which has over-reached its aim, because it naturally excites a just and generous indignation in the breast of every impartial thinker, and so, as necessarily, involves a corresponding counter- action. Having had the pleasure to express my anonymous appro- INTRODUCTORY ESSAY. 5 bation of Mr. Montgomery's " Luther," and other works, in the " Theologian," " British Churchman," " New Quarterly," &c, &c, I could not hesitate to comply with a request made by the selector of the following pages, when he did me the honour to solicit the full and clear expression of my unbiassed opinions, in the form of the critical Essay now laid before the reader. There is, it may be remarked, this great advantage in acknowledged individual criticism, which the anonymous can never possess. There is no need here for the concealment of any private motives or causes whatsoever, I can profess publicly that the author of " Luther," &c, is my friend, and that I have undertaken this task, at the selector's solicitation, without fear of misconstruction, and without any injury to the possible weight of my statements or arguments, because I am personally responsible for whatever I may advance, and my regard for my own reputation is, to a certain extent, a guarantee that I shall not be influenced by any undue considerations. The fact that every word of praise will, in all probability be quoted against me by certain more or less influential literary journals, weighs, I can assure the reader, as little or nothing in the scale ; nay, if this have any influence at all, I rather think that it would lead me, from a love of fair play, to extenuate even the occasional literary offences of the author under my consideration, and defend him even on points where his adversaries have not assailed without some cause. This, however, would be nearly as incorrect, though not perhaps as mischievous, as injudicious abuse. And so, endeavouring to steer my course midway, and attain, as far as in mortal lies, a standard of critical impartiality, I will start by alluding to those defects, which are more or less incidental to the works of all men, and the existence of which is certainly not to be denied in the productions of Robert Montgomery. That I shall not be influenced, in some degree, by my sympathy with the Christian — whom the infidel has so furiously assailed — in my consideration as a critic of the poet, I do not pretend to affirm ; nor would I, if I could, deprive myself of the natural bias of sympathetic feeling. O INTRODUCTORY ESSAY. So much said, be it at once and distinctly acknowledged, as far as my individual perceptions are concerned, that Mr. Montgomery appears to me, in many instances, verbose beyond all reasonable limits, and occasionally mysterious, from a substitution of undoubtedly poetic sound for sense. To yield examples of these supposed errors here, would be an ungra- cious and an altogether uncalled for task. My primary duty is rather to point to the excellencies than dwell on the defects of my author. To this list of the latter, however, I must be permitted to add one of an even more important character, namely, the occasional overstepping of the boundaries of good taste, when the author, carried away by the genuineness and ardour of his conception, allows himself to be hurried into lengths, and seduced to expressions, which are not altogether justifiable. To these principal shortcomings may be added an occasional monotony of tone, which is perhaps, however, more or less inseparable from the nature of a long didactic poem. On the other hand, the most superficial reader of Mont- gomery's poems, cannot fail to perceive their occasionally daring, and always more or less striking sublimity of thought, their moral and religious grandeur, their vast and sometimes astonishing force and power, the poetical beauty of the descriptive passages occurring in them, and the great com- mand of language of the author, despite the drawback of an occasional exaggeration. Add to these the undoubted rythmical beauty and variety of Montgomery's blank verse, which is commonly relieved by the most artistic pauses or stops of various kinds ; not, be it observed, introduced on system and for effect, but obviously the external development of that " inward melody of the poet's soul," which un- doubtedly resides within him. It is easy for a certain class of critics, or, indeed, for any men, to deride the equal and oft-times majestic flow of Montgomery's " heroic stanza," even in which his " Omnipresence" is composed ; but it may be greatly questioned, whether many or any of these contemners could attain to similar effects. Still Mr. Montgomery's forte does not reside in these, but in that blank verse which is the fitting garb of his greater didactic works, and which, of INTRODUCTORY ESSAY. 7 all mediums of poetic expression, is the truest test of genius or mediocrity. Many beautiful, I may say, exquisite images, may also be discovered in Mr. Montgomery's poetical creations, exhibiting much of that ideal imaginativeness, for which many of his admirers even are wont to give him the least credit : — " Oh ! there are feelings, rich but faint, The hues of language cannot paint ; And pleasures, delicately deep, Which, like the palaces of sleep, Melt into dimness, when the light Would look upon their fairy sight." Montgomery 's " Woman" p. 46. And of such aerial and fanciful beauties Montgomery oft- times conveys the poetic perception to his readers. In the same volume which contains " Woman," I find a purely and sweetly imaginative illustration of "The Ballad Singer," wherein the poet, after apostrophising the " poor minstrel of the street," and alluding to the many wants and miseries which may have harassed her through years, continues : " Hast thou not felt them, maid Of many sorrows ? — yet so sweetly flows The tide of music in thy homely song Of tenderness, that when I hear thee sing, As in a vision thou art beaut'fied Above thy lot ; and, tripping o'er the green-dew'd hills, When young birds pipe their anthem to the morn, Like some bright creature whom the wood-gods love I see thee, in thy youth's elysian prime." I might close the quotation here, but cannot refrain from citing the five next exquisite lines : " That voice — oh ! was it born of Misery, Or breathed by Happiness into thy soul, When, hand in hand, o'er far remember'd fields, Down briery lanes, by margins of clear brooks And chiming streams, She led thee in her love ?" 8 INTRODUCTORY ESSAY. Mr. Montgomery's keen, poetical perception of the beauties of nature is deeply felt in this, as in so many other passages in his works. Yet, however many beauties of this order may present themselves in this author's pages, it cannot be denied that his religious, his eminently christian, and (used in no party sense) his peculiarly evangelical tone of thought and feeling, is what mainly distinguishes him from the common herd of his contemporaries — nay, what has affixed a character- istic and distinctive mark to his poetry regarded as a whole, which will probably secure him his own peculiar and separate " niche" (if we may so word it) in the literature of his native country. Of course it is not to be inferred that the religious grandeur of a Milton, or the mild and fervent piety of a Keble, combined in either case with whatever special views, is dis- paraged by this statement. But it is contended, that a system- atic and intellectual exposition of Christianity in the guise of poetry, has nowhere been so attempted, or so consistently achieved as in the poems of Robert Montgomery. It is for this cause that the distinctive title of this work (whether " Poetry and Religion" or " The Religion of Poetry" I know not), has been assumed. It must be admitted, as a distinctive characteristic of Mr. Montgomery's religious poetry, that it is addressed not only to the heart, but also to the mind ; that the intellectual as well as the moral glories of Christianity are poetically realized by him ; that he does not content himself with comforting and cheering the believer (mainly the labour of the other Christian bards of the day, Keble, Trench, "Williams, &c.) but proceeds to encounter, to denounce, and, if possible, to awaken the infidel, who either through active pride or negative indifference, re- fuses to receive the testimony of Revelation. And this is why the writers of a certain infidel school are so peculiarly severe on Mr. Montgomery, and acute in the detection of his errors. Tbey do not indeed take much notice of a Keble, but they are content that he should sing undisturbed. He lies beyond their sphere. Between him and them (let us say it without irreverence) " there is a great gulf fixed" which they are by no means anxious to bridge over. Such poetry, addressed exclu- INTRODUCTORY ESSAY. 9 sively to Christian sympathies, assuming a Christian basis without alluding to the objections to it, apparently taking it for granted that the common world without has nothing to do with Christianity, and may be allowed quietly to pursue its beaten track (I say apparently only, for no conclusion could be further from the minds of these poets than this,) such in- offensive passive religious poetry, mainly dealing with the affections, and not addressing itself (or not chiefly so,) to the intellectual powers, has been received by the advocates and adherents, secret or professed, of infidelity, with a species of benevolent contempt, the quiet indifferent smile of tacit appro- bation. Otherwise fares it with the glowing and energetic strains of Robert Montgomery, with his fiery but true-hearted and more than justified denunciations of the despicable Pyrr- honism of the day, the oft times affected, but alas ! still more real indifferentism of that vague and negative stupidity, which is now regarded in many quarters as the very height of earthly wisdom. Never was there an age in which more curious contrasts presented themselves to the observer. On the one hand, in the physical world, we have a species of adoration of the actual, the positive, mere facts as facts, independent of their utility to man. But in the moral world, this tendency, this longing for the positive, which is considered so praiseworthy elsewhere, is held to be altogether empiric and unphilosophical. The true philosopher, a certain class of thinkers will tell us, receives no truth as absolute or certain, not even the truth that Truth is Truth, for it is a question with him whether Truth and Falsehood may not be convertible terms. This general unreality, for which it is difficult to express sufficient loathing and contempt, is infinitely more dangerous and more destructive to Truth than any direct negation of it whatsoever. A direct negation must rest on some positive basis, which may be examined, criticised, and eventually rejected if proved unsound. But the mental obscuration which refuses either to accept or to reject, to see or not to see, the pitiable weakness which progresses for ever round the circle of known facts but refuses to make one step towards the centre where resides the Absolute, presents no object of 10 INTRODUCTORY ESSAY. assault ; and so it cannot be intellectually confounded, save indeed by the assertion cf Positive Truth, which works negatively though not actively against it. Such Pyrrhonism can be actively assailed by nothing, because it proceeds from nothing, rests on nothing, and truly is nothing. Let us hope that the common sense of all mankind will soon chant its requiem ! To return, however, to our poet : he has exposed the wretched weakness of this supposed philosophical superiority to universal truths ; he has shewn us that Revelation must either be an incarnate he, or the greatest of all facts ; and then, having supported and illustrated the latter hypothesis by ap- peals to the reasoning faculties of man, he proceeds to condemn most sternly, nay, to denounce as abhorred by the Almighty that small and egotistic indifference of unbelief, puffed up by its own preposterous self-conceit, " which refuses to hear the voice of the charmer, charm he never so wisely." Mont- gomery has anatomized the secret causes and motives of infi- delity, and has laid them bare before the eyes of all men ; he has caused that little vanity to writhe which plumed itself upon its supposed higher standing than that of those around it ; he has advocated the positive claims of Christianity on the intellect, as well as on the heart, and has thereby conferred the greatest benefit on a materialistic age. From his first poem to his last, we trace throughout the ardent desire to o'er-mform the minds of men with the abiding sense of the Divine presence, and in his latter works more especially we recognise the Christian development of Truth which teaches us to look everywhere for the presence of God in Christ. It is not to be supposed, however, that a poet exposed to such virulent and almost ceaseless assaults, and at the same time read and admired to so great an extent by the general public, should remain without critical supporters. I may be permitted to refer more especially here to the work of Mr. Clarkson, entitled, "Robert Montgomery and his Re- viewers," which appeared some years ago, and obtained, I believe, an extensive circulation at the time. Without pledg- ing myself to the approval of all the opinions expressed in the passage which I am about to extract from this singular work, INTRODUCTORY ESSAY. 11 I may be allowed to say, that the boldness of the writer's conceptions is as manifest as the nerve and energy of his expressions, though both occasionally hurry him to lengths not warranted by the rules of good taste. At page 144 of this work, I find the following remarks : — " Besides the eminent and elevated merit of Mr. R. Montgomery's poetry, (which for any critic to deny, in the face of the evidence here adduced, and in the face of the public, would be, to use the energetic language of St. Paul, ' to lie to his own soul') his didactic works are characterised by a peculiarly high and equally-sustained tone of morals and of religion. Hence one class of objectors. May he not breathe the ether of loftier sentiments than may suit the marsh-miasma of certain literary coteries, Epicuri de grege porci ; — may not the mountain heights to which the 'broad sail vans' of his eagle wings ascend, be such an atmosphere as the measured and measuring materialism of Utilitarian literature cannot breathe in and live ? The " Literary Gazette," referring to the religious character pervading Mr. R. Montgomery's didactic poetry, announces its appearance as a new poetical era. In this I concur. Master-minds either are created by, or themselves create and indicate great social and poetical eras. It is when the waters are stirred, that the most buoyant and valuable order of minds rises — like the fire containing inextinguishable oil of the naptha springs — to the surface. Great genius requires great excitement. Extraordinary events are requisite either as the precursors, the stimulants, or the accompani- ments of genius. Galvanized into giant force by them, common events touch not its governing nerve ; but if it be of Heaven — Heaven-born, it will, in its own unhurried and sure time, make itself manifest, and stand. Shakspeare, Milton, Dryden, Darwin, Byron, were kindled by the feeling of their several eras, and represented that feeling. Milton embodied the Puritanical perfectibility of his age. Darwin, with a different neology, and wielding the new and opposite energies of a deified Materialism, harbingered the great revolution which ravaged France, and shook Europe to its foundations — whose vital momentum was a philosophical perfectibility — 12 INTRODUCTORY ESSAY. 1 earthborn of the earth, earthy.' Byron, and Napoleon, (and correctly the first called himself — 1 The great Napoleon of the realms of rhyme'), represented the matured aspirations of the Revolution in the full colossal strength of its intellectual ambition, and in the startling contrast of its termination, — both dying when the convulsive throes of the departing giant, yielding up the ghost amidst eclipse and earthquake, proclaimed ' One woe is past.' The smoke of the evil cycle has now passed away, and it may be hoped that a day of moral enlightenment will succeed : historical analogy confirms the hope. Tracing our road by its suggestions, we may presume that the next era will probably be characterised by a re-ebbing tendency to- wards a deep and possibly progressive and permanent religious feeling. Poetry, as the expression of a nation's more elevated and excited feeling, will, as before, accompany the change ; just as it rushed at once, with the change of morals and manners, from the lofty chastity and republican rigour of Milton, into the licentious ribaldry which stained the poetry of the Restoration, when the— ' Willing Muses were debauch'd at Court.' If reasoning may warrant this anticipation, facts too numerous to be cited here, facts pressing on us on every side like the air, above, beneath, around us, evince that a great crisis of some kind is even now at hand ; ' imo vero etiam instat in foris.' Cowper boldly predicts that the crisis will be a millennium shortly to appear — (" Winter Walk"). Croly, Irving, Faber, Frere, and Wolfe concur. There is more splendour than probability, or orthodox warrant, in this magnificent expectation. A Christian community, embracing the world and universal man in one brotherhood of reciprocal good will; an universal empire of civilization, in which the only competition between nations might display itself in the emulation of intellectual and moral improvement, is desirable, and perhaps, though improbable, possible. It is the only INTRODUCTORY ESSAY. 13 perfectibility — the only terrestrial millennium, which philo- sophy could, which orthodox religion should acknowledge. Towards this great social diapason, it has been the strong impression of many wise and good men, that all the separate melodies, all the mingling harmonies of human aspiration, have been, and still are, ascending through the gamut of successive eras, through octaves of deepening or decreasing power, through many a changeful bar, and many a dissonant key-note. The possibility of such an era being admitted, the question may be fairly mooted — * Is Mr. Montgomery the poetical harbinger of this re-action — of this crisis — of this predicted and hoped for era of religious philosophy V I think he may challenge this character !" And a little way further on, this undoubtedly brilliant, though perhaps somewhat transcendental writer, sums up in favour of the opinion, that Montgomery is one of the greatest poets of the age. "And this I do," he continues, "when T look to the dispassionate result of this long and careful analysis of Mr. R. Montgomery's poems, as concerns his invention, his sentiments, or his diction; whether to comparison with the only poets who can compete with him ; whether to the puny nature of the objections, and their utter untenability ; whether to the testimony of all the most respected and influential critics of the day, or to the popular voice in his favour ; most especially when I look at the wide and original grasp of Christian philosophy, which the poems of Mont- gomery embrace; when I look at this never deluding mark of original genius, which heralded the different geniuses of Napoleon and Byron with forcible signs which he who ' ran might read,' namely, the synchronism of his appearance, as a religious and anti-infidel poet, at the precise crisis of a vast religious re-action in masses of opinion, which he has, in fact, grouped together, and poetically rallies and represents." Without denying that great occasions may call forth great talents, I beg leave to remark, that great talents will always find great occasions. In every age the current of popular opinion is setting in some direction ; in every age the powers of good and evil are at war in the moral as in the physical 14 INTRODUCTORY ESSAY. world ; in every age undying souls are lost and saved. VTe need not suppose then that a Robert Montgomery would, not at any time, and under any circumstances, have attained to real poetical eminence. Still is it true that under other impelling motives and causes, his genius might have taken an essentially different road. It is true, that individual mind of a very high, even of the highest order, is partially moulded by, just as it moulds, the age. And we cannot doubt that the un- reality of the fashionable philosophy of the day, greatly influenced our poet in assuming a position so directly positive, with reference to the leading truths of Revelation, and by a necessary consequence, so diametrically opposed to the unmeaning negations of indifferentism. Mr. Montgomery has made it his special duty poetically to proclaim a most important truth, too often controverted in the present day, that man is a free agent, practically responsible for his creed as for his life. It is not meant to be denied, that owing to the prejudices of education, or weakness of understanding, peculiar individuals may not be incapacitated from grasping or retaining Truth as Truth : it is simply contended that in the majority of cases, or at least, in very many, this blindness proceeds from a disinclination of the will, not from dimness of the sight, and must therefore be punished accordingly. For in what consists the happiness of the creature ? Surely in its peaceful har- mony — its moral oneness with the Creator. In the sub- mission of its finite, to the infinite Will. In its abandonment of self, and union with Eternal Love. And what lies at the very root, — what is the motive cause of Sin or Evil, if not the attempt of the creature (whether man or angel) to erect its own Ego in opposition to that of the Eternal God ? This is the mean selfishness, the paltry pride, which seeks for inde- pendence of its Maker, and would be God in its own eyes. This is sometimes the haughty arrogance, but more often the in^alan^, though miserable indifference, which seeing will not see, and hearing will not hear. The will is diseased to the very core, and the understanding can no longer distinguish good from evil. But though the privilege of discernment may INTRODUCTORY ESSAY. 15 be lost, the punishment for that loss will not be the less inevitable, because the corruption of the will is here the origin of evil, and that will is self-corrupted. As Coleridge finely says in his " Aids to Reflection," " The Unbelief which prejudges and prevents the experiment," (of realising Chris- tianity) " has its source elsewhere than in the corrupted judgment: not the strong free mind, but the enslaved Will is the true original Infidel in this instance." The mention of the honoured name of Coleridge, leads me to advert to another great poet, one of the greatest, indeed, who have ever adorned our country's literature, the friend and associate of Coleridge — I mean, the pure, and noble, and true- hearted, and grandly imaginative, and high-souled Southey, to whom justice has in no degree been done by his contempora- ries ; but who inevitably, sooner or later, must be ranked amongst " the foremost heirs of time." He, then, though not an indiscriminate, was a sincere and great admirer of Robert Montgomery's poetic powers. I mention this fact, because the applause of one such man is sufficient to counterbalance the censures of a thousand Macaulays, " et hoc genus omne" Since this name of Macaulay has found its way to the page before me, I may be allowed to say that a more pitiable dis- p lay of one-sided literary spite, if not of something worse, was never exhibited, than in this writer's assault upon Montgomery's " Omnipresence of the Deity" in the pages of the Edinburgh Review. It is characteristic too, both of the writer and his school, that although all the passages to which Mr. Macaulay has with some shew of justice made objections, all the imagined exaggerations held up to ridicule, have, perhaps with almost too unsparing a hand, been swept avmy, the critic yet embalms this charitable, I might almost say, this fragrant, composition, in the recently published collection of his critical lucubrations, without any attempt at extenuation of his most remarkable offence against good taste and good manners, and without the slightest allusion to the alterations and corrections effected in the meantime by the Poet ! Such a procedure carries its own condemnation with it. It manifests, I fear, but too plainly, that Mr. Macaulay delights in this opportunity of insulting and wounding the feelings of the Christian, who has so sternly 16 INTRODUCTORY ESSAY. condemned that class of " semi-indifferent" literary men to which he himself too probably belongs, and who has carried the sympathies of the public with him in so doing. The indignant tone of these remarks can call for no apology. They are prompted by a recent, a glaring, a most unjust, and most un- necessary insult, and I am quite sure that I shall carry the judgment and the feelings of nine tenths of my readers with me in making this assertion. To leave this unpleasant subject, a reference will be perhaps permitted to one or two distinguished admirers of Mr. Mont- gomery's poems, before I proceed to the more immediate con- sideration of those poems, one by one. I allude to the great historian, Alison, and to Professor Wilson, who appreciated " The Omnipresence" most highly in " Blackwood's Magazine" on its first appearance. Let it not be supposed, that I am endeavouring to support a poetic reputation by the mere citation of authorities ; or that I at all wish to bolster up my own individual judgment lest I should appear peculiar in the maintenance of certain opinions. Still, looking upon them merely as facts, my readers may be interested in being informed, or reminded, that such judgments have been passed by men of vast acknowledged intellectual power on Robert Montgomery's poetic works. And now let us proceed to the long promised, and perhaps too long delayed, examination of the separate fruits of Mr. Montgomery's genius, — leaving for the present his prose works on one side, and dealing but cursorily with some even of his poems. We cannot indeed afford space for a minute exam- ination of any of these, but must confine ourselves to tracing on the one hand the gradual development of the bard's poetic creed, whilst on the other hand we express our general opinion of the merits or demerits of each of these poems, and point at- tention to some of the beauties they contain. Let me not be thought hasty in my judgment, if I am not on every occasion enabled to detail all the separate perceptions whence my con- clusion has originated. An Essay, such as the one I am now writing, should not extend beyond a certain moderate limit, lest it fatigue the reader, and it is necessary for me to remem- ber, that the beauties of my author, and not my own ideas INTRODUCTORY ESSAY. 17 alone, are what I have to lay before the public. Without further preamble then let us turn to the consideration of the first of Mr. Montgomery's longer poems, which has enjoyed the widest circulation of all his works, and is still in very high favour with the reading public. And let me confess at once, that though I recognize the existence of great merits and great beauties in " the Omnipresence of the Deity," it yet appears to me more open to objections than any other of Mr. Mont- gomery's longer works ; and that I believe a lower rank must be assigned to it than either to " Luther" or " the Messiah," or " Satan," though this latter poem, replete with the most remarkable beauties, is also by no means free from defects. " The Omnipresence of the Deity" is characterized by great pomp of diction and display of rhythmical power. Its theme or subject matter is very grand, and this is no doubt grandly illustrated, and many passages are beautiful in the ex- treme. I shall have the pleasure of laying two or three of these before my readers, ere I proceed to a critical examination of the poem's merits or defects, the former of which may undoubtedly be held to be " high in the ascendant !" There is concentrated power in these lines : " Creation's master-piece ! a breath of God, Ray of His glory, quicken' d at His nod, Immortal man came next, divinely grand, Glorious and perfect from his Maker's hand :— - Last, softly beautiful as music's close, Angelic woman into being rose." There is great descriptive beauty in this night scene t " See ! not a cloud careers yon pathless deep Of molten azure, — mute as lovely sleep : Full, in her pallid light, the Moon presides, Shrined in a halo, mellowing as she rides ; And, far around, the forest and the stream Wear the rich garment of her silver beam. The lull'd winds, too, are sleeping in their caves ; No stormy prelude rolls upon the waves ; 18 INTRODUCTORY ESSAY. Nature is hush'd, as if her works adored The night-felt presence of creation's Lord !" But perhaps more characteristic still of the poet and the Christian, is the following passage, addressed to the mere idolator of nature. " From whence does moral elevation flow ? What pang is mute, what balm prepared for woe, Though ocean, mountains, sky and air impress Full on the soul a felt Almightiness ? Can ocean teach magnificence of mind ? Is truth made vocal by the deep-voiced wind ? Can flowers their bloom of innocence impart, Or tempt one weed of vileness from the heart ?" The following section commencing, " There is a Presence spiritually vast Around Thy church, arisen Saviour ! cast" is grand throughout, and I regret that I have not space to quote it. The descriptions of a vagrant or street-wanderer, and a captive are admirable. The latter pants, the poet says very forcibly, " To breathe, and live, and move, and be as free, As nature is, and man was made to be." There is great beauty also in the sea-paintings under the head of " storm and shipwreck ;" but I must refer my readers to the poem itself for coufirmation of my assertions. The influence of Darkness is afterwards very grandly illustrated. " 'Tis night : and mutt'ring comes the winter wind, While cloud-battalions slowly march behind." And finely is it said of the way-worn pilgrim : " Firm o'er the starless wild he moves his way, For He pervades the night who form'd the day." " The Young Convict" is a picture finely conceived and executed ; but it is surpassed by that of " the Maniac Boy." INTRODUCTORY ESSAY. 19 11 Down yon romantic dale, where hamlets few Arrest the summer pilgrim's frequent view, The village wonder, and the widow's joy, Dwells the poor, mindless, pale-faced maniac boy : He lives, and breathes, and rolls his vacant eye To greet the glowing fancies of the sky ; But on his cheek unmeaning shades of woe Reveal the wither'd thoughts that sleep below. A soulless thing, a haunter of the woods, He loves to commune with the fields and floods ; Sometimes along the woodland's winning glade, He starts, and smiles upon his pallid shade ; Or scolds with idiot threat the roaming wind, — But rebel music to the ruin'd mind ! Or on the shell-strewn beach delighted strays, Playing his fingers in the noontide rays, And when the sea waves swell their hollow roar, He counts the billows plunging to the shore : And oft, beneath the glimmer of the moon, He chants some wild and melancholy tune, Till o'er his soft'ning features seems to play A flick'ring gleam of mind's recovered sway. Thus, like a living dream, apart from men, From morn to eve he haunts the wood and glen ; But round him, near him, wheresoe'er he rove, A shielding angel tracks him from above, Nor harm from flood or fen shall e'er destroy The lonesome wand'rings of the maniac boy." There is a very graphic description of the ice-oceans of the far north in the next section, and then follows a distinctive Christian passage on the glory of Missions, in which the follow- ing two magnificent lines occur : li Go forth and teach / — and ye have gone, and done Deeds that will shine, when thou art dark, Sun !" The lines on a village christening are very pleasing, and equal praise must be awarded to " a Marriage Scene." Much c 2 20 INTRODUCTORY ESSAY. more is there deserving of special commendation in this part of the Poem ; but we pass on, though unwillingly, to part the third and last. Here we find many noble thoughts and feel- ings, nobly expressed, but less of pictorial poetic beauty. The denunciation of the French Revolution is as bold as it is just. The lines commencing, under the heading of " Hope beyond the Grave," " Monarchs of mind ! and spirits of the just ! Are ye entombed in everlasting dust ?" are very fine. And very touching is the apostrophe to a mother of which we quote the four first lines : " And thou, for ever fond, for ever true, Beneath whose smile the boy to manhood grew ; To sorrow piteous and to error mild, — Has death for ever torn thee from thy child ?" The death-bed of a Sceptic is described with great power, where it is said that he " Rounded his eyes into a ghastly glare, Locked his white lips, — and all was mute despair." " The Final Doom" contains passages of vast grandeur, and the concluding lines of the poem, which we cite, are at once grand and beautiful. " But here let silence our religion be, And prayer become the Muse's poetry ; Nor must the power of meditative song Grasp the high secrets which to God belong. Struck with due awe, let Fancy then retire, And Faith divine the dreaming soul inspire, Under the shade of that Almighty Throne From whose dread face the Universe hath flown !" The " Times" in its first notice of the first edition of this poem said very justly : "A glowing spirit of fervid devotion characterizes the whole work. In every page we find — i Thoughts that breathe and words that burn/ INTRODUCTORY ESSAY. 21 " The author appears to have felt that he stood in the pre- sence of Him whose greatness he was celebrating ; to Him he has prayed for inspiration, and from Him he has received it." Still there are various defects in this poem, and the most striking of these is the want of close connection betwixt the various sections of the poem. Frequently the poet passes rapidly from one subject to another, and supplies no link between them ; and even when the link is found, the connection appears ofttimes arbitrary and not based on the natural order of things. Of course, the very theme itself, " the Omnipresence of the Deity," necessitated a wide range of thought and of description, but I cannot but think that a more logical order of treatment might have been adopted. Mr. Montgomery rightly commences with the Creation, and paints in conclusion the terrors and the blessings of the Final Doom, but he passes from the narrative to the descriptive far too rapidly, and more than once repeats himself in so doing, more particularly in his tempest scenes. Sometimes too, I must confess, the sense appears to me, if not sacrificed, at least subordinate, to sound : and that intellectual power of piercing to the very centre of truth, so grandly manifested in " Luther," is but suggested here in passages few and far between. Still, the great, and long continued success of this poem proves that its merits must be both striking and peculiar ; and this is indeed the case. Graphic power, strength of expression, devotional fervour, and a keen perception of the beauties of Nature, all Montgomery's charac-* teristic excellencies as a poet, are to be found here. We need not wonder therefore at the work's success. ^ The leading idea of " the Omnipresence," is, of all those common to Chris- tians the most calculated, perhaps, in its realization, to render them worthy of eternal and immediate communion with their Creator. The next poetical publication of Mr. Montgomery was " Death ; a Universal Prayer, and Miscellaneous Poems." " Death" was at first by far too sombre in its conception, but has been since altered and much improved. It contains some of the most beautiful passages in Mr. Montgomery's poetry, 22 INTRODUCTORY ESSAY. amongst which we may particularize the story of " the Fallen Lady ;" " the Vision of the Pestilence in the City ;" the night scene with the two lovers in their hark on the sea, and the maiden's subsequent death ; and the apostrophe to the poet's own childhood, commencing, " I sing of death ; yet soon may darkly sleep." All these possess beauties more or less attractive and winning ; even the horror of the City of the Plague is softened by poetic grace. Other sterner passages, however, are perhaps more characteristic of the work. The descriptions of the evil Ministers of Death have all Mr. Montgomery's graphic power. I cannot quote from this poem, because my citations would be necessarily too long. I do not so much admire " A Universal Prayer," though it is fine in parts. Some of the minor poems, on the contrary, which appeared first, I believe, in this volume, are very beautiful. The stanzas, entitled " Infancy," have much merit in their simplicity. " That cherub gaze, that stainless brow, So exquisitely fair ! — Who would not be an infant now To breathe an infant's prayer ? " manhood ! could thy spirit kneel Beside that sunny child, As fondly pray, and purely feel With soul as undefiled : " That moment would encircle thee With light and love divine ; Thy gaze might dwell on Deity, And Heaven itself be thine." One of the finest of Montgomery's minor poems is un- doubtedly "London by Midnight." Can any description be more graphic than this ? — INTRODUCTORY ESSAY. 23 " O'er all a sad sublimity is spread — The garniture of night ; amid the air Darkly and drear yon airy temples rise Like shadows of the past ; the houses lie In dismal clusters, moveless as in sleep ; And, towering far above the rest, yon dome Appears, as if self-balanced in the gloom, — A spectre cowering o'er the dusky piles. " And see ! I stand on ground whose glorious name Might turn a coward brave ; on thy huge bridge, Triumphant Waterloo ! Above — how calm ! There moon and star commingling radiance shed, And bathe the skies in beauty. Smooth and pale The pearly-bosom'd clouds recline, enlink'd, Like wave festoons upon the glossy deep. Below, the Thames outspread, serene and dim ; And, as I gaze, a cooling breath ascends, And melts upon my brow ; like the worn heart When stormy cares have slept, the river seems Peaceful and still, save when the wind-sighs stir The waveless slumbers of its breast ; like dreams That quiver on the marble face of sleep. " Along each side the darkling mansions frown Funereal in their gloom. Afar, and faint, The bridge lamps glimmer o'er the tranquil stream, As if enchain'd upon the air ; beneath Are thrown out quiv'ring columns of red light ; And, here and there, a tower and shadowy spire Are imaged on the water ; sad and shrunk, Like flower-leaves wither'd by the summer-blaze." I know no picture-poetry in the English, or any other tongue, superior to this, and very little equal. The rest of the poem is as beautiful. The " Organ Boy," and the " Ballad Singer," (the former before alluded to) deserve as high praise. Of the former the poet says : — 24 INTRODUCTORY ESSAY. " He hath a spirit bright in its content, And playful in its poverty ; the rain Of English clouds, and atmospheric gloom Of this brave island-clime, have not bedimm'd The merriness of his brown cheek, nor quenched The lustre of his deeply-laughing eyes, That sparkle forth the sunbeams of the soul ! " Then breathe no pity on the organ-boy ; From Ms gay land a stock of sterling joy, And proud young feelings, that can well outwear Each frown of fate, the stripling wand'rer brought : His mother's smile still brightens round his heart ; His father's blessing, when he climb'd his knee At night, still sounds upon his inward ear ; And when the streets grew cloudy, and the tones His organ weaves fall fruitless on the air, He dreams of home, deep-bosom'd in bright vales Of beauty ; hill-spread vines, and fairy streams, That trifled sweetly as a sister's voice Who prattled in her slumber : — days will dawn When he again shall thread those glowing vales, And tell his travels, with unwearied tongue, To fond ones nestling round his own fire-side." But we must hasten on our way, for there is much before us, and if we devote so much space to these minor effusions, we shall be compelled to do injustice to the longer poems. The work which has given rise to the most startling difference of opinion, which has been used even in malicious mockery as a soubriquet, but which has justly sealed the fame of its author, must next engage our attention. When I name " Satan," my readers will no doubt agree with me, that no hasty ipse dixit should be ventured on its merits or demerits ; the general plan of the poem is so remarkable, and its execu- tion so singularly accords with that plan. Before we proceed to examine separate passages of this poem, it will be necessary to take a general survey of it as a whole, and to endeavour to INTRODUCTORY ESSAY. 25 ascertain whether its conception may be more fitly designated extravagant or grand. The attempt to develop the thoughts and feelings of the great Antagonist of Good, the enemy of man, and the rebel to God, in one long soliloquy of several thousand lines, was undoubtedly bold in the extreme ; and, I may add, was not susceptible of anything approaching to a perfect realization. Of course, all human works are more or less imperfect ; but a work striving to realize so extraordinary a monodrama was subject to a peculiar difficulty which precluded the possibility of attaining a thoroughly satisfactory result. The poet namely, (he being a creature of mingled good and ill, a human being — in fine a man,) undertook to enter dramatically into the innermost recesses of a fallen angel's soul — a soul of which the capacities for ill are boundless, and altogether unrelieved by a single instinct of moral goodness. A nature, in its present condition based on rebel pride, and issuing in relentless hate, is too dark, too terrible in its unearthly horrors to permit of human reproduction ; as, indeed, earth's shades may be considered beams when contrasted with the darkness of eternal night. The bare attempt to lay such a nature bare before us, in all its unutterable vileness, would have alike repelled both the poet and his hearers ; it would be felt, at once, that man, in this finite state, could not contemplate such infinity of ill. This exposition of "deepest and dreadest horrors," Montgomery accordingly has not striven to attain : he has cast the veil of a softening and shadowy humanity over the incarnation of evil, and, in thus acting, he has done most wisely. Still the question recurs : was it expedient to treat a theme at all which could but be imperfectly realised ? I think this question may be fairly answered in the affirmative. The object of the poet was to typify Intellect without God, under the form and in the nature of Satan, and to present this Intellect to us as sympathizing with the material beauty of the creation, sympathizing even, in a certain morbid poetic strain, with the fallen condition of man, and yet totally devoid of the principle of true Love. A living great historian, Alison, says, finely and justly, alluding in his History of Europe to a hero of 26 INTRODUCTORY ESSAY. the French Revolution, " ' He was the perfection of intellect without moral principle/ — an expression of the Rev. Robert Montgomery, who has unconsciously but graphically portrayed, in the character of the Prince of Darkness, in his noble poem of i Satan ; or, Intellect without God/ much of what historic truth must ascribe to the ruling principles and leading charac- ters of the Revolution." Mr. Clarkson, the critic above quoted, says, (writing, however, at a time when neither " Luther," nor " The Messiah" had appeared), " * Satan/ boldly daring as the title and conception are, appears to me the best of Mr. Montgomery's poems. It is at once more defined in outline; more magnificent in effect, and more finished in detail ; more affluent in imagery, and more vigorous in reasoning ; more logically analytical in its thoughts, and yet more sonorously eloquent in its diction. The monodramatic character of ' Satan/ has been either wilfully or unintentionally mistaken. It is an original and unique creation of the poet ; as much so as is the Prometheus of Greek tragedy. It is distinct from the coarse and vulgar Mephistopheles, the menial and harmless Devil of Marlow ; nor is it less distinct from the devilish sceptic, Gothe's Mephistopheles, devilish in every thing, whether mirthful or scoffing, whether he depreciates, despises, or detests. His self-concentred and self-torturing research are equally distinct from the too elevated pride, and the too god-like sublimity of ' Milton's hero ;' and still more so from the character of Lord Byron's ' Lucifer/ a spirit dephlogis- ticated of his vulgar elementary flames, and nearly as innocent of bad intentions ("Cain," p. 10,) as the nonchalant and quiet-loving Gods of Lucretius. Mr. Montgomery's ' Satan' is a deeply-reasoned abstraction, logically and metaphysically consistent ; a personification of the greatest of the archangels fallen, still vividly alive to the perceptions of eternal beauty, not fallen in intellect, though debased in morals, and therefore more intensely wrung with remorse and despair for the ambitious folly which divorced him so irrevocably from the ' fair and good.' " There is much truth and justice in these remarks : the poem, as a poem, has all the merits the critic ascribes to it ; the INTRODUCTORY ESSAY. 27 character of Satan, as here embodied, is an original and very fine conception. Still, although the fallen angel must be supposed capable of admiring physical, intellectual, and perhaps even moral beauty, it is not probable that he should delight in surveying this, but rather hastily avert his eyes from the detested sight, and revel in the contemplation of evil only. Such thoughts and ideas as Montgomery attributes to the chief of the spirits of darkness, may indeed arise before him, may occasionally crowd upon him against his will, but they can scarcely be supposed to be expressed voluntarily, clearly, and at length, by one to whom they must be unwelcome. Regret, Satan can not be held to feel : pride is ever his ruling principle, and even in his depths of anguish, that so-called freedom must be dear to him which permits him to erect his own Ego in opposition to that of the Supreme, There are passages in which Montgomery has magnificently embodied this truth, but others scarcely consistent with it. There is, occasionally, too direct a recognition of the abstract beauty of piety and obedience to God, which Satan surely could never permit himself to contemplate, (whatever might be his deep internal consciousness), without the expression of loathing and contempt. But we may be told, the poet would really present us with the innermost thoughts of the Prince of Darkness : not with his dramatic utterances. He is only compelled, from the insufficiency of human means, to embody those thoughts in external words, and thus to give a semblance of improbability to what is both probable and possible. But this can scarcely be received as a sufficient answer. The incongruity remains. The poem, undoubtedly, is monodramatic, and consists of one long external utterance. Satan apostrophizes the Elements, Earth, and Heaven. He is obviously not thinking only, but actually speaking; and we cannot but recognize a defect in his enthusiastic recognitions of the morally and physically Beautiful ; a defect, indeed, which has been the source of some of the poem's greatest beauties, but which in itself is scarcely capable of defence. So much said, be it at once acknowledged, that the idea of " Intellect without God," in as far as it can be realized by man, regarded 28 INTRODUCTORY ESSAY. apart from that active hatred which is alike infinite and terrible, is admirably illustrated in this great poem : great I call it without hesitation, because its beauties are numerous and of the first order, and its leading idea is grand, despite the perhaps unavoidable incongruity which I have above endea- voured to demonstrate. The development of the poem is in a somewhat peculiar direction, namely, internal, to a centre of actual fact and reality ; not outward, from less to greater. In this poem, Satan commences by contemplating our earth as a whole; he proceeds, in the First Book, to survey three quarters of the globe ; in the Second, he passes to the region where civilization has attained its highest sway, where the arts have exercised their fullest influence, where mind may be said to reign supreme : that is — Europe. In the Third Book he pauses to survey the world of mind, mainly within this region; not that it may not be found in full development elsewhere, as in America, but because the inhabitants of Europe may fitly be regarded as representatives of the more intellectual portion of mankind. In the Fourth Book, the Prince of the Powers of Evil takes a retrospective historical view of man's fortunes, from which he deduces the misery of the human race, and concludes with a bold defiance of the Almighty's power to secure the happiness of men. And now, in the Fifth Book, the poet proceeds, or makes the adversary of man proceed, inwardly, from Europe to England ; regarding the latter as the core of true civilization, the home of liberty, and the champion of good on earth. In the Sixth Book, Satan contemplates the metropolis, the centre of this England, from which converge the various radii that permeate the Empire — an Empire whose fall he prophecies, and in the destruction of which he hails the prostration for long, if not for ever, of the hopes and glories of mankind. It may be said that the point of view of the poet is too exclusively patriotic ; but this I cannot perceive. Speaking as a man, I cannot but hold the fate of Europe and the world, of Right and Liberty, and even Christianity, to be inextricably interwoven with that of England. We know, indeed, as Christians, that Heaven shall prevail in the deadly conflict sustained on this earth INTRODUCTORY ESSAY. 29 betwixt the Powers of Light and Darkness. But whether that Antichrist, who now is, and so long has been in the world, may not first attain to a seemingly despotic empire over the minds and souls of men; whether for a time, at least, Evil may not absolutely appear to triumph ; whether a long period of moral and religious Darkness may not await this earth of ours — who can presume to give positive answers, to these great questions ? It may be that Antichrist is thus for a season to prevail; it may be that England, as the champion of God's truth and guard of the rights of humanity, is to be swept away by the gathering tempest, is to be morally and mentally annihilated. And if so, well may Satan be supposed to rejoice in the contemplation of such a future, and attain a climax of revengeful joy in heralding the destruc- tion of this mighty Empire. Commencing at the remotest point, the poet thus gradually brings us to what is most immediately near and dear to us, so that the course of his poem may well be said to be internal, and towards a centre of reality. Still some objections may be, perhaps, justly urged to the scheme of construction adopted in this work. The Third and Fourth Books can with difficulty be brought into connection with the two opening and two closing cantos. They appear, to a certain extent, to break the chain of thought* Mr. Montgomery is undoubtedly too careless of attaining a climax. The grand idea, that the liberties and rights of earth and England are identical, and that they will probably be lost together, should have been expressed in some way in the closing lines of the poem, lest the reader lose sight of the unity of the conception, and imagine a chaos where artistic order should be clearly manifest. Let us now extract a few of the more striking passages of this work, which will illustrate our former remarks, and justify our high admiration of the poem. " Satan," the monodrama, then, commences with the apostrophe of the Prince of Darkness to the powers of nature, urging them to convulsive rage and fury, he standing on the peak of Ararat. This idea is at once grand and artistically appropriate, and it is finely embodied. The rising of the sun, which follows the 30 INTRODUCTORY ESSAY. tempest, is grandly described, and the general contemplation of earth ensuing is thus fitly and naturally introduced. Very fine is the passage commencing, — " Ere man was fashioned from his fellow dust I was ; and since the sound of human voice First trembled on the air, my darksome power Hath compassed him in mystery and might." Very graphic are the descriptions of ancient Judea, Egypt, Persia, and Chaldea ; nor must the denunciation of Napoleon, introduced by the contemplation of Asiatic Russia, pass without its due meed of praise. China is portrayed with peculiar power and accuracy ; we extract three lines only from an admirable passage : — " Antiquity, the childhood of the world, Broods like a torpid vapour o'er thy clime, Dulling its vigour into drowsy calm." Hindostan is then surveyed, and finally America ; and the Book concludes with a species of ambiguous prophecy of the future dominion of Freedom, which, however, Satan appears (naturally enough) to connect with the idea of Licence; for he says, " Slaves On earth are victims that I scorn to see. No ! let them in their liberty be mine !" And again he (Satan) contemplates with pleasure the possibi- lity of future lawlessness, when he says, " from deepest agony, With the proud wrath of ages in her soul, Freedom arise, and vindicate her name !" Upon the whole, the First Book, whatever its defects may be, is no doubt replete with grand conceptions, many of which are as grandly executed. The Second Book describes, in turn, the chief lands of Europe. A very fine passage, which I have not here space to quote, occurs in the poetical survey of Italy, INTRODUCTORY ESSAY. 31 portraying Byron by night in the Colosseum. Spain, Switzer- land, Greece, France, England, are graphically, and on the whole justly described in this canto. Germany is strangely omitted. The Book concludes with a magnificent embodi- ment of the beauties of external nature. I quote a portion of this fine passage as an illustration of the gentler charms of this poem : — " But lo ! the day declines, and to his couch The sun is wheeling. What a world of pomp The heavens put on, in homage to his power ! Romance hath never hung a richer sky, Or sea of sunshine, o'er whose yellow deep Triumphal barks of beauteous foam career, As though the clouds held festival, to hail Their god of glory to his western home. And now the earth is mirror'd on the skies ! While lakes and valleys, drown' d in dewy light, And rich delusions, dazzlingly array'd, Form, float, and die, in all their phantom joy. At length the Sun is throned ; but from his face A flush of beauty o'er creation flows, Then faints to paleness, for the day hath sunk Beneath the waters, dash'd with ruby dyes, And Twilight in her nun-like meekness comes : The air is fragrant with the soul of flowers, The breeze comes panting like a child at play, While birds, day-worn, are couch'd in leafy rest, And, calm as clouds, the sunken billows sleep. The dimness of a dream o'er nature steals, Yet hallows it ; a hush'd enchantment reigns ; The mountains to a mass of mellowing shade Are turn'd, and stand like temples of the night : While field and forest, fading into gloom Depart, and rivers whisper sounds of fear ; — A dying pause, as if the Almighty moved In shadow o'er his works, hath solemnized The world." 32 INTRODUCTORY ESSAY. All this is not only most beautiful, but also possible, from the lips of Satan, but we cannot extend this latter praise to the fine passage which concludes this Book, commencing, " No wonder moonlight made idolators." It is dramatically incorrect, and if not in itself peculiarly grand, the reader would be driven to condemn it utterly. Unfortunately, however, it is in unison with many other passages in the poem, and could not easily be removed. The Third Book contains much that is very beautiful, but much also that is open to the same objection ; let us instance Satan's enthusiastic praises of Benevolence, which are indeed supposed to be extorted from him, though we see not well wherefore. And again, is it not contrary to Satan's nature to say, though the idea in itself is most true and most beautiful, "So love is wisdom with a sweeter name." We must pass onward to the Fourth Book, although we could, with pleasure, quote pages and fill more with comments on them from the Third. Limited space, however, warns us to proceed. Perhaps of all the cantos of this poem, the Fourth is the finest and dramatically the most correct. Its retrospec- tive view of history is truly grand. Almost every sentence is overfraught with thought. Paradise is exquisitely described ; but still nobler are those passages which refer to the Great Redeemer, God and man alike. Towards the conclusion of the Book, Satan appears to harden himself in his pride against the convictions of despair, and bursts into the following magnifi- cent and, in its awful sublimity, unequalled address to the God-head. I quote " in extenso," for there is perhaps nothing finer, or more eminently dramatic, or more powerful, in the whole range of English poetry : " Thou dread Avenger ! ever living One ! Lone Arbiter ! Eternal, Vast, and True ; The Soul and Centre of created things, In atoms or in worlds ; before whose throne Eternity is weighed ; who look'st — and life INTRODUCTORY ESSAY, 33 Appears ; who frown'st — and life hath pass'd away ! Thou God ! — I feel Thine everlasting curse, Yet wither not : the lightnings of thy wrath Burn in my spirit ; yet it shall endure Unblasted, — that which cannot he extinct. " Thou sole Transcendency, and deep Abyss, From whence the universe of life was drawn ! Unutter'd is thy nature ; to Thyself Alone the proved and comprehended God : Though once the steep of thine Almightiness, My tow'ring spirit would have dared to climb, And sat beside Thee, God with God enthroned, — And vanquished fell, — Thy might 111 not disclaim. Immutable ! omnipotence is Thine ; Perfections, powers, and attributes unnamed Attend thee ; Thou art All ; and oh, how great That consummation ! Worlds to listening worlds Repeat it ; angels and archangels veil Their wings, and shine more glorious at the sound : Thus, infinite and fathomless Thou wert, And art, and wilt be. In thine awful blaze Of majesty, amid empyreal pomp Of sanctities, chief hierarch, I stood Before Thy throne terrifically bright, And heard the hymning thunders voice thy name, While bow'd the Heavens, and echoed Deity. Then heaved a dark and dreadless swell of pride Within me ; an ambition, huge and high Enough to evershadow The Supreme, In bright magnificence before me tower'd, — And fronted pride against Omnipotence ! Thus rose the anarchy, the hell of war Amid the skies : then frown'd embattled hosts, In unimaginable arms divine :•*-»■ But why recount it ? — We were disarray'd, And sent in flaming whirlwinds to the deep Tartarean, where my throne is fix'd in fire. 34 INTRODUCTORY ESSAY. " And yet divided empire have I won. Behold ! the havoc in thy beauteous world : And have I not,— recount it, space and time !— - Thy master-piece, creation's god of clay, Dethroned from that high excellence he held, When first man walk'd a shadow of Thyself ? Prostration vile, an alienate from Thee Man is ;— and shall his fallen nature rise, Her height regain, and fill ethereal thrones ? Many a cloud of evil shall be burst Ere that day come ; severe and dread the strife Of sullied nature with the soul of man ! — Wherever localized, whate'er his creed, Temptation like a spirit tracks his path ; Though every pang, by sin produced increase The agonized eternity I bear ! — The blackest midnight to the brightest day Is not more opposite than I to Thee : Thou art the glorious, I the evil one4 Thou reign'st above ; my kingdom is below. On earth 'tis thine to succour and adorn The soul through Him the interceding Judge By thoughts divine and agencies direct, To cheer the gentle and reward the good, And o'er the many waves and woes of life To pour the sunshine of almighty love : 'Tis mine to darken, wither, and destroy, Creation and her hopes, — to make them hell ! " Then roll thee on, thou high and haughty World ! Still be thy sun as bright, thy sea as loud In her sublimity, thy floods and winds As potent, and thy lording elements As vast in their creative range of power, As each and all have ever been : build thrones And empires, heap the mountain of thy crimes Be mean or mighty, wise or worthless still, — Yet I am with thee ! and my power shall reign INTRODUCTORY ESSAY. 35 Until the trumpet of thy doom be heard, Thine ocean vanished, and thy heavens no more ! — Till thou be tenantless, a weltering mass Of fire, a dying and dissolving world :■ — And then, — Thy hidden lightnings are unsheathed,— O God ! the thunders of despair shall roll : — Mine hour is come, and I am wreck'd of all, All, save Eternity, and that is mine !" Despite our preceding remarks, it is impossible not to wish that these lines were the last of the poem. In power and grandeur whatever follows them must be an anti-climax ; and our theory of the centralising progress of the work will avail but little against this fact. The Theology of this passage, however, is most sublime : the conception of the Prince of Darkness here embodied is more than Miltonic ; there is a consciousness of weakness in it blended with unutterable pride, a stern despair, than which nothing more terrible can be conceived. Further praises were altogether superfluous. The passage may well speak for itself. The fifth and sixth books must be viewed, apart from this magnificent burst, as a continuation of the first and second, and then great beauties will be discovered in them, though we can trust ourselves with no more long citations. The charms of nature are again painted with glowing lines. Finely is it said : " Such cloudy pomps Adorn the heavens, a poet's eye would dream His ancient Gods had all return'd again, And hung their palaces around the sun !" Striking thoughts will be found in almost every passage : " Partaken mercies are forgotten things ; But expectation hath a grateful heart, Hailing the smile of promise from afar : Enjoyment dies into ingratitude, 'Till God is buried in the boundless stores Himself created." d 2 36 INTRODUCTORY ESSAY. Here again is a beautiful description : " A sweet unwillingness to be observed Dwells in that maiden glance, and oft away From the bright homage of adoring eyes In delicate timidity thou glid'st ; Like a coy stream, that from fond daylight speeds, To hide its beauty in sequester'd bowers." How pointed and how forcible is the poet's satire, where alluding to literary men or rather " literateurs" of the day, he denounces those — " Who club together to recast the world, And love so many that they care for none! 1 * The last lines of the poem, completing the Satanic prophecy of England's downfall are fine, and may fitly be quoted here in illustration of our remarks on the poem's general bearings. The work, it may be observed, begins and ends with an earthly tempest : — " I love this passion of the elements, This mimicry of chaos, in their might Of storm ! — And here, in my lone awfulness, While every cloud a thunder-hymn repeats, Earth throbs, and Nature in convulsion reels, Farewell to England ! — Into other climes I wing my flight— but on her leave the spell I weave for nations, till her doom arrive. And come it shall ! — When on this guardian cliff Again I stand, the whirlwind and the wrath Of desolation will have swept her throne Away ! A darkness, as of old, will reign ; The woods be standing where her cities tower, And ocean wailing for his desert isle !" This poem, as a whole, may undoubtedly be pronounced a great work. Its defects are, to no slight degree, inseparable from its nature : its merits are such as powerful genius could INTRODUCTORY ESSAY. 37 alone have evoked. It is perhaps too long, or at least some passages in it might be spared without any injury to the work ; but it is fraught with noble thoughts and fervid descriptions of the beauties of nature. The conception of Satan, here presented to us, though only perfectly realised in passages, is fine in the extreme. The moral of the poem that " the highest intellec- tual refinement may be associated with the greatest moral debasement," (Mr. Montgomery's own words) is eminently important at the present day, and cannot be too much taken to heart by the unfortunate idolators of mind. The contempt with which the poet obviously regards Intellect, when separated from Divine Love, has roused the ire of too many of our living critics, who have accordingly seized on some few verbal exag- gerations scattered here and there throughout this long poem, and held them up, in a distorted form, before their readers' mental vision. Montgomery's " Satan," despite the sneers of those who fear, and the denunciations of those who hate it, despite even its own undeniable deficiencies, will and must con- tinue to live, as a really fine poem, for all time. The passages which I have cited, alone would suffice to seal the fame of any earthly poet. Having bestowed so much space on the consideration of " Satan," though far less than that poem might justly command, I shall be compelled to do great apparent injustice to three of Mr. Montgomery's longer poetic productions, — I mean " The Messiah," " Oxford," and " Woman." Each of these must be treated of, however, in its order, however briefly and insufficiently. Their subject and modes of treatment are, as need scarcely be observed, essentially dissimilar. The one which illustrates the highest theme, the highest, in truth, of all themes earthly or heavenly — " The Messiah" — also the first in point of time, would justify, and indeed requires an extended and careful analysis. It cannot be said of this poem that it rises fully to the level of its subject : what earthly production could ? What angels desire to look upon, how should man comprehensively and fully express ? If even Revelation affords but a shadow of eternal light, if even there we see not clearly, but " through 38 INTRODUCTORY ESSAY. a glass," what perfect manifestation can be expected from any earthly source ? The Redeemer's glories are chanted by myriads of angels, they are hymned by heavenly harps innu- merable : the most ideal, the most fervent earthly bard, can merely hope to catch some few sweet echoes from that celestial world of harmony. But, it will be asked perchance, should he not shrink then from the attempt to embody such infinite truth in mortal accents ? Surely he should not shrink. His power of perception in heavenly things may stand in the same ratio to those of his fellow men, as that of some loving angel to the choir of seraphim around him. Not only is earthly expression bounded, but earthly perception also. If the glories of the Almighty were revealed on earth as in Heaven, the beams which are there the daylight of eternal joy might prove here the instruments of man's destruction. As man, then, is justified in conceiving and realising Redemption's glories, in as far as his imperfect faculties allow him to do so, so may he also express his praise and adoration in the most glowing accents he can command, and thus endeavour to awaken a kindred flame in his brother-mortals' breast. Jt might seem unnecessary to prove, almost to maintain, so self- evident a proposition as this ; still, as it is frequently dis- puted, and that too by the assailants of Mr. Montgomery's poems, it would have been scarcely right to have passed over the subject altogether. Exonerating Mr. Montgomery then altogether from the plea of irreverence on this score, or, indeed, on any score, in as far as the spirit and intention of this work are concerned, I must still be permitted to give expression to a feeling of censure suggested by various passages of "The Messiah." The poet, then, as it appears at least to me, whilst he fully recognises and frequently realises the doctrine of the Trinity, yet does not invariably approach God Incarnate, our Blessed Lord and Redeemer, with sufficient holy awe and fear. That there is a morbid mystery too prevalent in some directions which should not be imitated, I am perfectly ready to admit ; but there is a boldness in such expressions as the one I am INTRODUCTORY ESSAY. 39 about to quote, (and only one will be needful) which, though consistent with Christian love and fervour, to me, at least, is not altogether satisfactory : — " * Tis written/ answer'd our undaunted Christ. ,, And one great omission, that of the solemn and direct proclama- tion of the Trinity in Unity, on the occasion of our Blessed Lord's baptism, at which it was so distinctly revealed, must not be passed over in silence. Such proclamation is, indeed, to be found elsewhere ; but here was its most fitting place, and there are certain central truths which are always welcome to us. Unlike earthly joys they never pall. I may appear severe in my estimate of this fine poem, but I must go on to state distinctly whatever omissions or deficien- cies I imagine to have discovered in it. The chief reason why its effect, though undoubtedly great, is not so over- whelming as might be expected, I hold to lie in the plan of the poem, which embraces (in my opinion) too wide a field, and deals too specially with the various manifestations of our Redeemer's boundless love. I should have preferred the selection of five or six of the principal events or moments of His earthly pilgrimage, from which retrospective and prospec- tive glances might have been directed to the other main incidents of His glorious career. In this way, I think, that a greater unity of conception and execution might have been attained, and, above all, the records of the Redeemer's lore in action, might have been more intensely devotional, because more fully and carefully embodied, than they possibly could be in a poem of moderate length, in which the attempt was made to illustrate the whole external and internal history of Redemption. Thus, the two first Books, if the truth must be plainly told, appear to me far greater, from a poetical point of view, than the remaining four, (with the exception of some very magnificent passages,) from the poet's endeavour to supply so many details within such insufficient limits. Thence I believe, and thence only, arises the apparent bordering on 40 INTRODUCTORY ESSAY. irreverence in some passages, which I have before alluded to. The divine simplicity and brevity of Holy Writ appear to preclude all earthly imitation. Any attempt, however unin- tentional, to rivalise them in the union of brevity and holy majesty, must be necessarily at least a partial failure. So much admitted, I should indeed act most unjustly were I to refuse the tribute of my high admiration to Montgomery's " Messiah." It is, with all its (partially unavoidable) defi- ciencies, a truly great poem, and as such will it be hailed when the present generation of men shall have passed away from earth. It contains passages of surpassing beauty and grace. I may particularise that episode in the Second Book, which narrates so lovingly the mental progression of a kindly-intentioned, though erring unbeliever. Perhaps the unhappy Shelley may have suggested some traits in this delineation of character. Returning to the First Book, let us place a few of its briefer and more concentrated beauties before our readers' eyes, which occur in the course of a majestic and nobly developed argument, and which in themselves demonstrate the intellec- tual superiority of Montgomery to the host of his petty critics and assailants. Thus we find in the course of a passage inculcating the duty of loving submission to the Divine Will*— " Let Nature hope, and while her blessings thrive. To secret Heaven resign the vast unknown" This is immediately followed by the bold but lofty declaration " The Mind was grander than the universe, Andy when corrupted, changed a world !" Merely pointing attention to the poetical illustration of the wilderness, where " Israel camped," and the very beautiful narration of Eve's dejection and subsequent hope,f we pass to Abraham's intended offering of his only son at God's command, where we find the following sweet lines : — * Page 3. t Page 8. INTRODUCTORY ESSAY. 41 " The patriarch bowed, and o'er the mountain path Both child and parent took their solemn way, But each was silent , for they thought of Heaven." The subsequent delineation of the ancient Patriarchs* is very grand, and the poet rises to high sublimity, when, alluding to the visions of the Prophets, he says, " Like phantoms towering from eternity, Dim Ages rose and answer'd to your spell !" Once more, how fine is— • " And a brave soul, though earth and hell combine To scatter tempest round its blighted way, Beholds a God, in all things but despair." The subsequent special apostrophe to Isaiahf has much grandeur ; but my brief extracts from the First Book are already as many as the space allotted me permits of. Four lines from the very fine passage in the Second Book already alluded to, illustrating an unbeliever's sorrows, will not be unwelcome here. (Probably the whole of the passage may be quoted in the body of this work, but of this I know nothing, being altogether unaware what passages the selector may have deemed most fitting for his purpose. This incidental remark will be pardoned, no doubt, though perhaps somewhat intru- sive here. It is right that every man should bear the respon- sibility of his own deeds.) To resume, what melancholy truth is there in this description of the withering influences of In- differentism, even upon a lofty soul : — " A dismal trance of dull satiety This lone world grew ; a dampness of despair, The sullen winter of a broken heart Was all he felt, — was all he wish'd to feel!" One particularly fine passage, that is, intellectually fine, must be quoted. J Others have, indeed, proclaimed the same truth, but have never carried conviction in so doing more fully to their readers' minds. This too is one of those * Page 14. t Page 25. % Page 47. 42 INTRODUCTORY ESSAY. central verities frequently denied, and still more frequently ignored, which cannot be too constantly brought before the world. " There are, who deem no revelation true That doth not by divine compulsion awe The universal mind to one belief. But, where the freedom of inviolate will, If truth descend with overpow'ring blaze ? — The lines of human character are lost, No principle can act, no feeling sway, No passion on the altar of pure faith Can nobly die, in sacrifice to Heaven : As heave the waters to a reinless wind, So, led by impulse, would the spirit yield To Fate's high will, without one virtue blest. For what is virtue, but a vice withstood, Or sanctity, but daring sin o'ercome ? Life is a warfare, which the soul confronts, Whilst good and evil, truth and error clash, Or rally round it in confused array ; And he, who conquers, wins the crown of Light Which Heaven has woven for her warrior saints." Many most poetical passages I have not space to quote ; one very brief one is — * A life of glory is a dream fulfill'd That fades in acting ; as a gorgeous cloud, E'en as it dazzles, is but dying air." Of course mere earthly glory is alluded to ; not that of the true patriot, or the real benefactor of mankind. A very beau- tiful description of night follows.* The Third Book opens the direct narrative of our Lord's life and death for us. Here occurs a fine burst of fervent adoration : " O world ! and was it thus thy Saviour came ?— Rich as the chorus of creation's morn From every region should thy lips have poured * Pages 56 and 57. INTRODUCTORY ESSAY. 43 A loud Hosannah, to proclaim the Lord, The skies have bent, the mountains clapp'd their hands, The cedars waved on every hallow'd hill, And sun and moon and each melodious star, And ocean, with his jubilee sublime, Have thrill'd the universe with natal joy !" The magnificent passage, commencing — " Empires have sunk and kingdoms pass'd away," need not be cited. Nor will I quote those truly exquisite lines, — " As when a mother for an absent child Laments," at large. They are too well known. Let me remark, how- ever, the beauty of the expression, addressed to Judea : " For the homeless race afar Thou yearnest with a soft maternal grief :" and again, the last lines, with their type of Judah's restora- tion — " Like music sleeping in a haughty lyre, Whose muteness only to the master-touch Breaks into sound that ravishes the world." Passing the very beautiful description of the Baptist's life in the wilderness, and the fine apostrophe to the " Oracles" of God,* I must quote these few lines; on Prayer : — " True adoration, what a voice is thine ! From earth it wanders through the Heaven of Heavens, There from the Mercy-seat itself evokes An answer, thrilling the seraphic host With added glory of celestial song ! — For prayer is man's omnipotence below, A soul's companionship with Christ and God, Communion with Eternity begun !" 44 INTRODUCTORY ESSAY. The last three lines are very bold, but they are also very grand, and, above all, eminently truthful. The Fourth Book has far less of beauty or of power. The Fifth rises again in various passages into high poetry, but we have no space left for citations. The eulogy of meekness has great merit.* The whole narrative of the miraculous revival of Jairus' daughter is admirably given. Five lines, which closely follow this, from their excessive grandeur must find admittance here : — " But not as ours are Thine unfathom'd ways, Jehovah ! in the mean Thy might display'd Its vastness ; on the low Thy lofty truth Descended ; out of weakness wisdom sprung ; So light from darkness, worlds from nothing, came f" The reunion of the widow of Nain and her son is touchingly told.f The passage chronicling the humble offering of "the sad and silent Magdalene" is justly celebrated. We cannot dwell longer on this Book. The Sixth is very fine, and yet does not satisfy the mind. I know not, indeed, what earthly record of the Crucifixion could. Extracts it would be impossible to make with propriety, at least, not in the course of this cursory notice. The reflections at the conclusion of the poem may be observed to possess great beauty, which rises into sublimity in the last three or four pages, shadowing forth the Day of Judgment. We shall cite the last few lines of the poem, the grandeur of which is worthy of their exalted theme, while the spirit of loving hope and humble piety breathed by them endears the poet to his brother Christians : — " The Spirit of eternity descends ; Seven thunders speak ; to Heaven He lifts His arm, And utters, — ' Time and earth shall be no more !' Creation withers at his dread command, And like a shade the Universe departs. " Oh, in this agony of Nature's death, May he, who dared from erring fancy's gloom * Page 130. t Page 153. INTRODUCTORY ESSAY. 45 To lift his spirit to the Light of Light, And shadow forth the lineaments divine Of God Incarnate, by redemption seen, — Unblasted look upon the Lord he sang ! And in some world unutterably bright, Where thought is holy as the heaven it breathes, By angels taught, around the Throne renew The song eternal fleeting time began." For more general observations on " The Messiah," I have not space. It is, I repeat it, a great poem, which must live ; and so I pass at once to the consideration of " Oxford" and " Woman," which I must treat more briefly and sketchily. Compelled to turn abruptly from heavenly to earthly themes, I fear lest an appearance of irreverence should thereby be unavoidably attached to this Essay. We have just dwelt on the Redemption of mankind, and glorious as may be many of " Oxford's" memories, we cannot but feel the descent, when leaving this empyreal theme, we discuss the practical virtues and vices of the inhabitants, past and present, of an university. But thus is it in the world. As man is constituted, he cannot but pass rapidly from high to low, from the sublime to the common place around him. The perpetual contemplation of the Deity is not intended for him in his present state : perhaps never intended ; for even the heavenly host are always engaged in action. The very essence of created being appears change ; the mind stagnates when confined to one sole theme. " Oxford" then, is a vigorous and instructive poem. It is far more than the best of companions for the stranger who visits this seat of learning : commemorating, as it does, with appropriate praises, many of our Britain's greatest worthies, " the hallowed memories" of Oxford ; eulogising and justly illustrating the value of our university education ; maintaining the high superiority of virtue and intellect to the recklessness which is too often regarded as manly spirit ; and doing all this in bold, yet generally chaste language, which " oversteps not the modesty of nature," — this poem claims an established 46 INTRODUCTORY ESSAY. position, and by no means a mean one, in our country's litera- ture. It must, of course, have a peculiar interest for Oxonians, describing, as it does, with graphic force, all Oxford's natural and architectural beauties, but for the general public too, it has an enduring value in its combination of uncompromising truthfulness, with the spirit of just reverence and praiseworthy sympathy. We quote a passage near the commencement of the poem as illustrative of its general tone and treat- ment :— - " There are who see no intellectual rays Flash from the spirit-light of other days ; Who deem no age transcendant as their own, And high the present o'er the past enthrone. — Yet not in vain the world hath aye adored The treasured wisdom ages gone afford, Or loved the freshness of that youthful time, When nature thrill'd, as man became sublime. For then the elements of mind were new, And fancy from their unworn magic drew ; Creation's self was one unrifled theme To fire a passion, or to frame a dream ; As yet unhaunted by inquiring thought. Each track of mind with mental bloom was fraught. The first in nature were the first to feel Impassioned wonder and romantic zeal ; Hence matchless vigor nerved their living page That won the worship of a future age : — From ancient lore see modern learning rise ! The last we honor, but the first we prize." And then behold the impartiality of justice in the poet's powerful contrast ! — " What soul so vacant, so profoundly dull, What brain so wither'd in a barren skull As his, who, dungeon'd in the gloom of eld, From all the light of living mind withheld, Can deem it half an intellectual shame To glow at Milton's worth or Shakspere's name !" INTRODUCTORY ESSAY. 47 Montgomery's satirical powers, which are great, peep forth, as it were, from this passage. His portraiture of Johnson is admirable. Speaking of his somewhat rough manners, he says most aptly, " They were the bark around some royal tree, Whose branches tow'ring in the heavens we see." But we have really no space for quotations from this work. One perhaps almost too vigorous sketch of youthful Oxonian folly may not, however, be omitted here. Those who have not yet perused the work, may possibly be tempted to do so by this specimen : — " But who can languish through the leaden hour When heart is dead, and only wine hath pow'r ? That brainless meeting of congenial fools Whose highest wisdom is to hate the schools, Discuss a tandem, or describe a race, And curse the Proctor with a solemn face,* Swear nonsense wit, and intellect a sin f Loll o'er the wine, and asininely grin ! Hard is the doom when awkward chance decoys A moment's homage to their brutal joys. What fogs of dulness fill the heated room, Bedimmed with smoke, and poison'd with perfume, Where now and then some rattling tongue awakes, In oaths of thunder, till the chamber shakes ! Then Midnight comes, intoxicating maid ! What heroes snore, beneath the table laid ! But, still reserv'd to upright posture true, Behold ! how stately are the sterling few.— Soon o'er their sodden nature wine prevails ; Decanters triumph, and the drunkard fails : As weary tapers at some wondrous rout, Their strength departed, winkingly go out. Each spirit flickers till its light is o'er, And all are darken'd, who were drunk before. * The Italics are mine. 48 INTRODUCTORY ESSAY. This is true vigorous satire, at once beneficial and amusing, and may effect more good than graver discourse. We trust, however, that from year to year there will be less occasion for such satirical reproaches* I know not how to pass from " Oxford" yet : so much of valuable matter, and even of true poetry does it contain. Southey is justly eulogised. It is said, that he saw at Oxford— " the orb of Liberty arise, To gild the earth with glory from the skies. What wonder, then, if his Chaldean gaze With glowing worship met her morning rays, Beheld them bright as freedom's rays should be, And thought they darted from a Deity ? Who did not feel, when first her shackles fell, The truth sublime that France inspired so well ? There is a freedom in the soul of man, No tyrant quenches, and no torture can ! But, when high virtue from her throne was hurl'd, And Gaul became the dungeon of the world, No mean deserter was the patriot proved Whose manhood censured what his youth had loved." Here again is a beautifully descriptive night-scene : " And ne'er hath city, since a moon began To hallow nature for the soul of man, Steep'd in the freshness of her fairy light, — More richly shone, than Oxford shines to-night ! No lines of harshness on her temples frown ; But all in one soft magic melted down, Sublimer grown, through mellow air they rise, And seem with vaster swell to awe the skies ! On arched windows how intensely gleams The glassy whiteness of reflected beams ! Whose radiant slumber on the marble tomb Of mitred founders, in funereal gloom Extends ; or else in pallid shyness falls On gothic casements, or collegiate walls. INTRODUCTORY ESSAY. 49 The groves in silver-leaf d array repose ; And, Isis ! — how serene thy current flows, With tinted surface by the meadowy way, Without a ripple, or a breeze at play." We break off unwillingly. Yet again, who feels not the force of this ? — " A moment ? — Well may that a moral be ! Whoe'er thou art, 'tis memory to thee : A tomb it piled, a mother bore to heaven, Or, like a whirlwind o'er the ocean driven, Rush'd on thy fate with desolating sway, And flung a desert o'er thy darken'd way !" Six more vigorous lines and we take leave of " Oxford," which must be confessed on the whole to be a very admirable work. — " Though Shakspeare sang, and Milton's soul aspired, Must Gray be scorn'd, nor Goldsmith be admired ? As well might Ocean of the Earth demand To let no river roll, no stream expand ; As well might mountains that embrace the skies Entreat the heavens to let no hills arise." One word be permitted on this subject. Mediocrity does not generally condemn new intellectual or poetical creations, because they do not pertain to the very first order of sublimity : on this point it is almost always unable to decide ; it is the novelty of these works which renders them obnoxious in the eyes of critics, who are unfortunately, for the most part, disappointed authors. This is an unpleasant subject, and it is useless to say more on it, as no change can be effected for the better, until the present system of Anonymity has received its death-blow. And now, to "Woman," a very pleasing and poetical creation, (in its literary embodiment, we mean), which we shall be compelled to treat somewhat slightingly. This work displays, as was before suggested, much true grace and much ideal fancy. The fault of the poem is a certain rhythmical £ 50 INTRODUCTORY ESSAY. monotony, which might have been more frequently broken. It is at present too level, and falls on the ear too smoothly. It is true, that water may be at once clear and deep ; but sight may easily be deceived by such a combination : thus the very union of sound and sense, if too continuous, may tend to lessen the effect of either of the twain. Here the stream is too lucid, and flows too placidly along. We want small whirpools, and pointed rocks, and gurgling rills, to yield us the advantages of contrast. Owing to this circumstance, "Woman" (the poem) will always please better perhaps in detail, than as a whole. The passage commencing, — " Alas ! how oft since time began, Hath woman been abased by man," is very vigorous, but not characteristic of the general merits of the poem. The commencement of Canto II., which con- ducts us to Eden, is very soft and beautiful. But we pass at once to a still sweeter passage, which must be our only extract from this work : not from any deficiency of truly poetic extracts, were there space to introduce them here. — " Queen of the hamlet ! years have flown, And still thou art unwooed and lone : Yet time, with magic unconfess'd, Has moulded feelings in thy breast, That now like buried music float With soft and secret under note ; So delicate they scarce appear To haunt thy spirit's maiden sphere, But waken'd once, and they shall be A soul within a soul to thee ! — Emotions of themselves afraid A temple in thy heart have made, Wherein they flutter, like a bird That trembles when its voice is heard ! — And fancy loves a Being now Whom shaping words can not avow, A form of fine imaginings To which attracted nature clings. — INTRODUCTORY ESSAY. 51 At length he comes ! that nameless one, The eye of dreams had gazed upon ! The magic and the mystery Of life have now begun for thee, And thou the type of heaven wilt prove, In primal, deep, and deathless love !" I feel that I am doing Montgomery injustice in rushing thus rapidly from theme to theme ; hut I must consult that unity of purpose which I have recommended so strongly to his artistic reflection ; and as my present purport is rather a general survey than a detailed review, my speed cannot be misinterpreted. It will not be imagined that I think little of the poem of " Woman," because I do not dwell upon its beauties. Our attention must be next called to a series of scriptural meditations, published in the form of a Christian annual, with very fine engravings, and entitled " The Sacred Gift." This work, with many additions, has been recently republished, as " Sacred Meditations and Moral Themes, in Verse," in a cheap and compendious form. " Christ amongst the Doctors," is one of the finer of these. It is fully imbued with that holy awe here and there lacking in the Messiah, and has also much poetic beauty, particularly in the description of our Lord and Saviour's childhood. In " The Raising of Lazarus," there is likewise much beauty. Martha and Mary are well contrasted. " The Prodigal Son," and " Christ appears to Mary," are also deserving of great praise. Indeed it may be observed, that Montgomery's spirit rarely rises to such a height as when contemplating the glories of Redemption. This entire work is fraught with many and deep thoughts, and characterized by great argumentative power. And now we approach Mr. Montgomery's last and greatest poem — " Luther," which, already much read, and much admired, and highly praised, has still not received that national recognition, (if I may so express myself) which of right pertains to it. It is an eminently practical poem, bearing on all the great questions, social, moral, and religious, e 2 52 INTRODUCTORY ESSAY. of the day. In a literary point of view, it is perhaps more finished than any of Mr. Montgomery's former poems, and, indeed, hoth in conception and execution, it may be said to combine their merits. Grace and dignity, and deep thought, and high poetic beauty, may all be found in " Luther." What we said of " The Messiah," and might also have said of " Satan," we emphatically repeat of this work — " it is a great poem." — Of course it is not devoid of defects. In the first place, I am inclined to consider it too long : not that I should like to miss any separate section ; but the general effect might perhaps be heightened by curtailments. It must be observed, indeed, that Mr. Montgomery appears to think more, in general, of parts than of a whole. Each section, each sentence, each period may be valuable, and yet an artistic oneness may not be preserved. Now this is decidedly less the case — that is, there is more true unity, in " Luther," than in any other of Mr. Montgomery's longer poems : indeed there is a very stately unity of design, though the details are not kept perfectly subordinate; but it is perhaps impossible for the didactic poet to emulate the dramatic bard in conciseness. The truth is, that his work must be judged by a totally different standard. It is not intended to be heard or perused from beginning to end at one and the same time, but is to be recurred to again and again for the sake of its separate parts or sections, and it is necessary that each of these should be in itself complete. " Luther" is of course, essentially a didactic and reflective poem : narrative there undoubtedly is in it ; but this is but the roll on which the poet's thoughts are strung ; we may even say, but the enclosure which contains the lake and marks its limits. The core of the work lies not in its narrative portions : they are but the necessary adjuncts, which give an external form and unity to it. "Luther" is a bold and powerful protest against Romanism, delivered in no mean party-spirit, expressing no narrow bigotry, but recognising that great mediceval Apostacy as the predicted Falling away within the Church of God itself, " for a time, and times, and half a time." INTRODUCTORY ESSAY. 53 Before we proceed to a discussion of its special beauties, let a sweeping notice be permitted us of the general course and bearings of the poem, in which I may perhaps quote a few sentences from my own review of Montgomery's " Luther," in the " British Churchman." The poem commences then with an exposition of the fundamental truth, that Christ is all in all; and most nobly is this truth expressed. The mystical body of the Church is next considered, and more especially the necessity of that Body's sufferings on earth. Man's prerogative of suffering for Christ, is nobly realised here. In the third section, Luther is introduced; the chief object of the section being, however, rather to point the need for his coming, than carefully delineate himself. The next reviews the various events and discoveries which proved the prologue to " the swelling theme," the mighty train of circumstances which led to the final consummation of the Reformation. The genius of Dante, and the discoveries of America and printing, are especially dwelt on. At last the poet proceeds to a fuller and most noble portraiture of Luther's soul. We know few passages in any poem, finer than that beginning — " Still what is life, but Imperfection's breath," and ending — " Gush'd into force when Feeling's reign began." It is at once grand in conception, and vigorous in execution, and, above all, intensely true. Luther's childhood is next described, very beautifully ; and then several sections follow, in which a hideous but unhappily too correct portraiture of the Papacy is given to the world. These are followed by the poetic treatment of Luther's youth, his friendship with Melanchthon, his gradually waxing perceptions of the truth, his bold defiance of Pope and Council, his abode in the Wartburg, his Patmos, his conflicts with his own rough spirit, his doubts and fears, and mental agonies, his eventual triumph over the demon of despondency, his assertion of " human right divine," in his selection of a female helpmate for weal and woe, his domestic bliss, his unwearied struggles 54 INTRODUCTORY ESSAY. for the cause of Christ, and his eventually saint-like and most Christian death. I have said that Montgomery has admirably exposed the errors and corruptions of Romanism in his " Luther." — No man can feel more abhorrence than I do of this Great but False Development of the Catholic Faith. Predicted by Isaiah, and the other Hebrew prophets, as also by the apostles and our Lord Himself, this Development or Corrup- tion, has been but too fully realised within the Roman Communion. Still it behoves us never to forget, that though the Visible Church of Christ has fallen into the grossest errors, " the gates of hell never have prevailed against it :" it has retained its hold on the central doctrines of Christianity — the Trinity in Unity, and the Godhead and Manhood of Christ ; it has dispensed the Christian sacraments ; it has not abandoned the lawful powers of the ministry. The Church of England, we knew, was in communion with Rome, was under her domination even, for many years, and was consequently guilty of idolatry, and a teacher, on many points at least, of falsehood. Still she did not cease to be the Church. Idolatry justifies the individual in leaving the Church's communion, but it does not un-church the Church. The Medioeval Church, with all its errors, ruled by the man of sin, animated in a great degree by Antichrist, was still the Church of Christ, an appointed channel of grace. We do not find this distinctly asserted in our poet's work. He appears, in words, at least, td have confounded the Medioeval Church, too generally, with the Antichristian and Romish spirit, which partially ruled and pervaded it. — Well would it have been perhaps also, had more pity been expressed for those Churches, which still lie stifled and oppressed beneath this mighty moral and religious Incubus. I have no hesitation in avowing, that I believe the Papacy to be — not Antichrist — but the Man of Sin. Yet it must be remembered, at the same time, that each individual Pope is a Catholic bishop, and may even (though the assertion appear strange,) be a good Christian in his personal capacity, and "Man of Sin" (of course unconsciously) by office. The INTRODUCTORY ESSAY. 55 Roman Churches then, (and I dwell upon this fact, because it is essential to a successful warfare against Romanism), are still Catholic Churches ; not catholic as orthodox, but in as far as they are still branches, though corrupted branches, of the Universal Christian Church. The pernicious and soul-destroying heresy which attributes saving merit to human actions, is vigorously and powerfully refuted in this poem. Indeed, the discovery of this truth is exhibited as the moral centre of the Reformation in Luther's mind, and in that of the world at large. And here let me be allowed to remark, that if this doctrine of human merit be once acceded to by men, they are extremely inconsistent if they do not, also, adopt Romanism as their creed. This error is the flood-gate which yields admission to an anti- christian deluge. The two great enemies of the Church of Christ are the Papal Apostacy, and Infidelity, or so called Rationalism. With the latter of these powers, Montgomery's " Luther" also grapples boldly, and, let me add, virtually crushes it within his mental grasp. With well-deserved contempt does the poet treat those empty scoffers, who presume to deny what they scarcely seem worthy to affirm. Worthy, we know they are ; for in the eyes of the Almighty the weakest intellec- tual faculties can not degrade his human creatures. Even here, however, I should gladly have seen more pity expressed for these deluded men. In the generality of cases their presumption is only equalled by their dulness of comprehen- sion; but, even when truly earnest and deep thinkers go astray, a charitable hope may surely be entertained, that the truth has never been clearly laid before them, never brought home to their consciences. The bigotry of unbelief is of all bigotries the most narrow-minded and violent. Certain leading falsities are received as truths, oftimes by minds of an even high order. Thus we find men declaring, and apparently believing, the existence of evil to be a proof of the non- existence of the Deity, and Revelation to be undubitably false, because Revelation's God might have placed its truths beyond a doubt, by tracing them on the skies. Strange is it, indeed, 56 INTRODUCTORY ESSAY. that a reasonable man should not perceive the weakness of these arguments. The fact that moral freedom cannot exist without choice, and that choice cannot possibly exist in a creature absolutely constrained to do what is right only, can apparently obtain no lodgment in the minds of such objectors. Vainly is it demonstrated that this very freedom, of which the possibility of evil was the condition, would have been altogether nullified by a direct revelation in the skies, which could have left nothing for human intellect and human faith to perform. Such elementary truths as these seem really beyond the range of a certain class of one-sided doubters; men of talent, nay, of genius if you will, but unfortunately not provided with common sense, and the power of perceiving that two and two make four in the moral, as well as in the physical world. Utilitarian selfishness, under every form, is strongly con- demned in "Luther." A fine spirit of Christian enthusiasm, and a glowing earnestness pervade the entire work. Intellec- tually considered, it is fraught with the highest excellencies. Perhaps my readers will bear with me, if I return to the opening of the work, and hurriedly go through it with them, quoting brief passages of pre-eminent power or merit, and animadverting on the leading characteristics of the work. The first section is entitled " Christ the Centre and Circum- ference of Truth," and embodies a grand conception in worthy accents. Attention may be pointed to the fine passage com- mencing, " Oh ! all we have, and are, or hope to be," which is not quoted here, mainly because the intellectual rather than the simply poetical beauties of "Luther," are what I now wish to demonstrate. A passage occurs towards the close of the section, which is therefore more to my purpose. — " Marts Deity is only dust refined, Himself recast in some ethereal mould ; A finite into Infinite enlarged, And this Dilation for a God mistook !" INTRODUCTORY ESSAY. 57 In " the Mystical Body of the Church," the second section, occurs a noble exposition of the value of suffering. — " Suffer for Christ ! — man's pure distinction this ! His high prerogative, his peerless crown Appointed. — Devils for themselves endure, And angels, quick as sunbeams, glide and go At His command, and own Him Liege and Lord ; But Virtue, by the Church's heart revealed, Mounts to a range sublimer, and excels Beyond the burning Watchers round His throne : For she can suffer ; and by sutf ring teach Lessons of Godhead, such as angels prize." We are compelled to pass on rapidly, though each of the paragraphs in this section might afford matter for careful exposition. "Man's need and God's supply," heralds the advent of Luther finely. This is followed by "The Divine Prologue," a peculiarly noble section, both in thought and expression. We shall, however, only cite three lines from it. The poet enquires whence books exercise such mighty influence. He continues : " Bethink thee, reader ! and the answer comes. — The universe itself was once a Thought ; A thought divine in depths almighty hid." Passing on, we soon arrive at that magnificent portraiture of Luther, to which we have already adverted, and which can scarcely be praised too much. This, however, is too long, and, perhaps I may add, too well known for citation here. Later occurs the fine line, — " Not as we learn, but as we live, we are." The next section, " Childhood," is full of poetic and ideal beauties. One highly imaginative passage we feel constrained to quote : u And lo ! in all things youth's poetic faith Beauty perceives ; or by perception makes 58 INTRODUCTORY ESSAY. The beautiful, a virgin heart admires. Thus, — flowers are fancies by the Earth produced, The clouds emotions of the Tempest born : The arch of heaven how eloquently high ! A bright Archangel of the burning east The sun ariseth on his wings of light, How watch'd and welcomed ! — Then comes Night august, A dread Magician ! with her sybil stars Attended ; and the twilight Sea is made Creation's poet, with his billowy lyre Rolling for ever an unconscious chant, Or broken swell of oceanic hymns ! Blood, heart, and brain, the beautiful inhale ; Matter and Mind a very duel fight By sweet contention, in the high- wrought mood Of young Entrancement ! — Forms without appeal, And thoughts within like answ'ring music play ; Till life itself a lovely poem seems, Tender, but touched with most impassioned tones. — So rapt is youth, and fervidly entranc'd When Genius fills it with her hallow'd fire, And all the open secret of the world Round a lone heart its earthless magic brings." Luther's fresh and buoyant, vigorous and genuine nature is finely pourtrayed in the course of this section. We now approach perhaps the most distinctive portion of this work. We accompany Luther to the University, and there witness the internal struggles of his conscience. The system of meritorious human works, availing to salvation, satisfies him not. Gradually the truth dawns upon him. — " From righteous Acts no righteous Nature flows ; First form the Nature, then the Acts arise, Spontaneous, free, by fertile love produced, — Not pleading Merit, but proclaiming Christ Within, by transcript of His life without." Faith is the groundwork and the source of Holiness in man. INTRODUCTORY ESSAY. 59 Works, indeed, deepen — intensify Faith, (for even saving Faith on earth is imperfect,) but these very Works which counteract upon Faith, arise from it, and can by no possibility be the origin of their own source. At last, " The Day- Star rises in the Heart of Faith." Luther begins to realise Christianity. He is sent to Rome, where, though fraught at first with the deepest reverence for long established authority, he eventually grows more and more persuaded of the necessity for some protest against error. Let us remark a fine passage here, reconciling the freedom of the creature, and the existence of evil with the omnipotence of the Almighty, — " All the waves of human Will, In lawless riot though they toss and rage, Within the circle of Thy Will supreme Alone are plunging ; if they rise or fall, 'Tis only as Thy helming Word decrees." And now " The Reformation's Dawn" approaches. But first, a retrospective view is taken of " The Gospel according to Man," or the system of meritorious human righteousness. Theologically, this species of summary, divided into three sections, must be confessed to be very fine, and it contains many striking lines and passages. We quote two brief samples : — " True greatness is to know how small we are ; We learn divinity by loving God, And as we love, alone can understand." And again, — " For what is holiness, but Heaven below ? Or Heaven itself, but holiness above ?" I can only refer the reader to the poem before me, for a full and admirable exposition of the errors of Romanism, that gigantic mockery of the truth, which must be held apart, however, from those catholic verities held by Rome in common with other Christian Churches. "The Inspiration of the Ideal," forms the subject of the next section, the general bearing of which is aptly expressed in these three lines : 60 INTRODUCTORY ESSAY. " Our heaven of feeling seeks a heaven of fact ; Some outward image, whose responsive mould May body forth imagination's dream." In unison with this idea we subsequently find a strong, but indirect protest against the soul-destroying errors of Asceti- cism, which would confound the use with the abuse, and denounce this beautiful world, and, indeed, all Matter, as necessarily and entirely under the dominion of Evil ; so that the very Arts themselves should only be the handmaids of Satan. Our author says, in the course of an eloquent passage : — " From hence the poetry of heart begins ; The painter's longing and the sculptor's love, Which purify from sensual dross and guile Our inner life, with all-expanding force ; Hence Homer drew, and solemn Milton drank The inspiration of a deathless song." A noble denunciation of the selfish spirit of the age ensues, which might well be cited here. But we pass on to " The Covenant of Hearts," which unites Luther and Melanchthon. Much is said here, and that eloquently, on the value of true friendship, and one fine passage concludes thus grandly : " Nor does Faith deny That e'en in Heaven ethereal friendships bring Their calm addition to celestial joy. — For Truth is social in the highest orb Of her dominion ! God Himself is not alone, But in deep light Tripersonally throned, In plural Godhead His perfection holds." We pass on rapidly, though we would willingly linger to contemplate the famous Synod of Worms, with Luther's undaunted proclamation of all his soul recognised as truth ; but the literary and intellectual merit of the poem now engages our attention, and we have not space for general comments. Let us content ourselves with two or three striking quotations from the next sections, with little of remark. — INTRODUCTORY ESSAY. 61 " For men live poems in their purest hours, But write them when the heart-song overflows." An exquisite descriptive scene ensues, followed by vigorous narrative. — " Soon the forest-boughs begin In the tranced quiet of a sunset hour To still their waving ; for the languid breeze Drops its gay motion, and the insect hum Low in the grass delights a pensive ear ; While the glad wings of home-returning birds Flap on the air, with audible advance, That bids you track them to their pine-built nest With eye pursuant. But amid this peace Of nature, deep as if with conscious depth, Hark ! tramp on tramp ! — with ringing hoofs, which rend The air before them, while the riven trees Tremble, as if the sudden whirlwind tore Their tangled umbrage, — horse and horsemen arm'd Plunge into view, in panoply complete, And mask'd : then, swift and silent, ere a thought Can think protection, Luther, from his steed Dismounted, by some mailed horseman grasp'd And cloak' d, and on a charger rudely thrown, At once is captured, — as by magic chain' d. And, in a second, hark ! the sounding hoofs Ring the deep forest with a hollow clang ; Then, onward through its beechen wilds and woods, Plunge the mask'd riders, with a trackless speed ; And, Luther ! — where is now thy destined home ? Who can forecast what God or man intends ? Or, tell what dungeon, stake, or crushing wrong Awaits thee, when at once so bright a day Ends in the shadow of so strange eclipse ?" We break off here unwillingly. Luther, as is well known, was borne to the Castle of Wartburg. We are now presented with his " Patmos." Here we find the proud but just thought, — " A single Mind the universe outweighs." — 62 INTRODUCTORY ESSAY. The flowers beheld by Luther, recalling Eden, are beautifully called, — " Orphans of dead paradise, That smiled upon him with a mournful grace." In this same section we find, in a previous passage — " For is not earth an hieroglyphic vast, From the low insect to the lofty star, Where science spells God's everlasting Name ?" " The Crisis" is powerfully embodied. Very beautiful, in the section entitled " Mental Resurrection," are these lines, — " Till oft, in rapt imagination's dream, Amid the universe of happy worlds This earth appear'd creation's loved St. John, Safe on the bosom of redemption's Lord, Reclining there in glory, and in rest." Very fine, theologically and poetically, is — " Many have much, but all desire a more ; But less than Infinite to man is nought : The More must be almighty, — or 'tis none ! But who hath Christ, has God by God bestow'd, And dread eternity becomes his friend." In " the Affections by the Truth made free," Luther's protest, by his own love, against enforced celibacy, is very admirably treated. If spaGe, or rather want of space, did not forbid, I should extract several passages, and one, conspicuous for its ideal beauty, commencing — " Or, in that region where the feelings dwell." One admirable domestic scene, however, must be cited from the next section. The most prejudiced adversary of Mont- gomery can scarcely fail to recognise its merit : " Behold the man, whom death nor dungeon awed, Serene and simple as a peasant live. No airs heroic in dramatic style, No sickly vapours of abstracted thought, INTRODUCTORY ESSAY. 63 No lofty, loveless, and disdainful looks, Around him here, severest judgment finds. But, plainly bold, with apostolic mien, And full-toned manhood in a free-born style, — A husband in the great reformer see, Like Martin Luther, and like nothing more ! * # # # " The Man was never in his Name absorb'd, Chained like a captive to his own renown. Framed in the homeliness of cottage worth, — A racy humour, and a rough disdain For mock supremacies, for mean effect, For little greatness, and for large pretence Were his : — and he, who held all Rome at bay, And bulwark' d Europe by his brave appeals, Looks he less lofty, to the hearts which love The sterling and the true, when playful seen In the mild sunshine of a married state ?" This preference of cheerful, active, wholesome piety to morbid, ascetic gloom, we gladly re-echo, though not thereby com- promising our belief, that there should be appointed times and seasons for spiritual humiliation and deep mourning for our sins, with the external accompaniments of prayer and fasting, as appointed by our Church. But such sorrow is the means to an end, not the end itself : not the goal of the Christian's life. That is joy in the very use of this world, and the con- templation of the world to come. The section entitled " the Catechism," has great beauties. The next attains to lofty grandeur. We cite one very noble passage, which in itself would be sufficient to justify high praises of Montgomery's poetic power. — " For if deep ocean, with her sumless waves, Not less in majesty of water rolls If haply some expiring billow sink ; Or forest huge, whose patriarchal trees Their wild luxuriance to the winds present, Not less o'erawes us, though some leaflet die : 64 INTRODUCTORY ESSAY. Then, would no countless throng of worlds, though dead Or stricken hy some everlasting blight, One shade on his supernal glory cast, Who makes and unmakes, moulds and masters all, But in Himself consummate God abides." What is there in Bailey's " Festus," so much praised by certain critics — and undoubtedly a fine work in parts — to be ranged beyond or above this passage, either for conception or execu- tion ? Here, both these essentials are united. We have no wild and irregular half-thoughts ; no disjointed and unreal imaginings ; no unhappy deficiencies in rhythm disturbing the current of thought. But comparisons are said to be odious, and I do not wish to press them here. Many fine passages on " the Incarnation" ensue, which, it is well said, in its operation upon this earth, — " Hath made its inorganic dust sublime, And link'd our clay to being's endless chain !" The poet is meeting the fallacies of those objecters, who hold this earth to be unworthy of the Incarnation of Godhead for its sake. Very grandly does he conclude, by asserting the Godhead's independence of all human ideas of greatness : " Who might, if thus He will'd Himself to shew, Round the mere centre of an atom cause Thy majesties, Eternity ! to move." A very fine passage commences — " Thus fiends against, but angels for, our souls Are now contending," We cite two lines from it : — " Depth within depth, God, how deep art Thou, Ark'd in Thyself, all secret and unshared !" Further on we find it said of Luther, — " As fact to thought, or law to will is framed, So Scripture to his faith a reason was." I can only allude to a very striking passage on the Temptation INTRODUCTORY ESSAY. 65 of our Lord, in connection with the personal being of Satan, citing this one line — " They mock the Devil who obey him most." A homely trath, yet not the less a truth, and an important one. Luther's dependence on God is finely illustrated in the lines — 41 Luther was great, and God would keep him so, By proving in Himself all greatness lay." We pass on to " the Destinies of Princes," a most important section, in which it is justly and forcibly said of the Roman Church, or Churches, as at present existing, that they are — " A mimic show of what in very life And lustre, form and glory, should the Church As ground and pillar of the truth, have been." The poet prophecies the final fall of Rome ; but fears that this may be preceded by a temporary triumph of that Anti-Christian Power. We point attention to this very important portion of the work before us, though we cannot dwell upon it as we should wish to do ; yet a few remarks must be permitted us. We must not expect, we are told, a gradual illumination of the world, without an intervening " Crisis .♦" from every re-awakening of the Church, that Church has fallen to a deeper abyss of ill. When the danger of Philosophic Platonism had passed away, more deadly Arianism succeeded ; and when this was subdued, even in the Church's hour of triumph, Romanism, a yet more insidious and treacherous foe appeared, to assert a supremacy of centuries. This has been stricken, but it is reviving, Jesuitism, that Arm of Satan, has upreared, and still uprears " the Man of Sin." Is Rome to re-assert her sway, to exercise a far more potent influence than of old, — veiling the intellectual corruption — the infidelity of Mankind, beneath the mask of external superstition ? Awful thoughts are indeed suggested by this section of the poem before us ! We pray that God may enable us to resist this mani- festation of Antichrist ; — that England's Church, at least, may uphold the banner of Christ ; — that Light may still beam upon the Isles ! As says the Prophet : ." To the Islands He 66 INTRODUCTORY ESSAY. will repay recompence. So shall they fear the name of the Lord from the west, and His glory from the rising of the sun. When the enemy shall come in like a flood, the Spirit of the Lord shall lift up a standard against him"* We despair not then. Though the enemy come in like a flood, somewhere shall the standard of the Lord be uplifted, somewhere, in " the west," and that in " Islands." Seem we too confident then, when we trust, in deep humiliation of spirit and fervent love, that our English nation, as a nation, may not even, for a time, be cast away ? But here this episodical enquiry must termi- nate. We return to the work before us. Pointing attention then, to the very fine passage commencing, " And though, by ardency of hope inspired," the imagery of which is magnificent, and also to the fearful forebodings of the solemn Warning, which closes with the two dread — let us hope not to be realised — lines, " But rather will our Gentile sun go down A bloody Occident, in wrath and gloom !" Let us pass at once to the next topic suggested by this work. The anticipation of a Personal Antichrist we know not how to share in : — " The sin of Ages into One condensed." An extraordinary — a culminating manifestation of Antichrist there may be ; but surely Antichrist is in the world, under the two forms of secret and of avowed Enmity to the Gospel : the former, as most fully embodied and realised in the system of false religion,^ called Romanism : the latter, as Infidelity, opposed to all religion. Romanism appears the greater, and the more fearful of the twain ; because, obviously " the Abomi- nation of Desolation" within the Catholic Church itself. We can imagine these Evil Powers to be drawn to some special Focus, but not that of any one Individuality. Unless Satan himself were to receive human form and embodiment, no single personal Antichrist would appear worthy to excite such alarm. Besides, this interpretation is at variance with the whole * Isaiah, Chap, lx, v. 18-19. INTRODUCTORY ESSAY. 67 analogy of Prophecy. The Man of Sin is the Papacy ; no one individual Pope : even so is Antichrist, that evidently more general and wider appellation, no one single, wretched creature who should attempt to conquer his Creator, but the very Principle of Evil incorporate in Mankind. I am aware that the incarnate and individual Christ may be appealed to, as appearing to call for an individual Antichrist as His opponent ; but it must be remembered that He was Infinite, and that, therefore, no one finite creature — nothing less, indeed, than the Evil of all Creation, could be imagined, even for a moment, to counterbalance His Omnipotence. But no more on this subject ; which has, indeed, already led me too far. Yet, the recent apostacies to Romanism may, in a great degree, be attributed to our unfortunate neglect of Prophecy as a nation. Once lose sight of the predicted medioeval Apostacy, and if you study in a reverential spirit the history of the Church, you can scarcely fail to be subjugated by Romanism in the end ! The next section, "Farewell to Time," forms a worthy preparation for the conclusion of this (I repeat it) great poem. Luther's death is therein touchingly and grandly shadowed forth. We do not quote from it, but those who are induced to read by our praises, may, perhaps wonder at our failing to do so. " The Poet's Retrospect and Patriot's Conclusion," however, claims our attention, and from this our last extracts shall be drawn. Here the glories of the Church of England are distinctly and lovingly set forth. The poet says, let us trust with prophetic inspiration — " And signs there be "Which stamp her with significant effect^ Teacher of nations, — fated yet to draw The future round her, as a central Ark, Where light, and liberty, and law secrete Their saving essence, to conserve the world." The poet sees the possibility of social anarchy which may blast our Institutions in Church and State, and eventually destroy the nation's Christianity. If I name Chartism here, I trust that my readers will not sneer. Possibly they little know f 2 68 INTRODUCTORY ESSAY. the dread dangers approaching, which consummate statesman- ship and equal justice to all, in the form of protection to labour, can alone now avert. I will not dwell on this terrible practical theme, the contemplation of which might seduce me to a long digression. Let us once more return to the poem, and its beauties. The hallowing influences of the Sabbath, or Lord's Day, (combined as these now are in One,) are dwelt upon with much thoughtful wisdom, by our author. His description of the Sabbath morning is very beautiful. Its religious services are nobly shadowed forth. What a lesson might the following fine passage read to many a haughty intellect ! Nay, what Christian thinker, who imagines that he soars intellectually above many of his fellow beings, can fail to acknowledge his own shortcomings, as he bends over such lines, and cry externally, " God be merciful to me, a sinner !" " Glory ! to think, that on this morn, mankind Bow at the footstool of their Common Sire In co-equality of dust, and sin, To plead our mercy at Salvation's fount.— Ye mighty hunters in the fields of truth ! Titans of thought ! ye giants of renown ! Colossal wonders in the world of mind, Who, with the shadow of your souls immense, Cover creation ! though your genius charm The eternal Public of Posterity, Your names are nothing in the balance now ! Bend the stiff mind, and bow the stubborn heart ; And in the pleadings of your helpless dust Go, take your station with yon cottage girl ; Or chant a verse with yonder hymning child : And, happy are ye ! if like them, ye feel That wisdom is, our ignorance to know. There, cast your anchors in the cloven Rock Of ages ; for behind the Veil it towers, Deep as eternity, and high as God !" This passage recalls a veiy beautiful one in Marston's " Gerald," a poem in which, be it said incidentally, the Christian will INTRODUCTORY ESSAY. 69 find very much to admire. One more beautiful night scene must be cited here. We quote from a passage, which is beauti- ful throughout. — " Lo, her placid brow O'er the dusk air the queenly Moon uplifts : And, e'en as music, solemn, deep and slow, Through the dark chambers of dejected mind Where all is shapeless, oft to order cites Thought after thought, successive and serene, So her wan lustre, as it mildly steals O'er the mute landscape, tree and bough, and bank Each out of dimness and disaster draws To shape and aspect, till the dew-drops gleam Like nature's diamonds on her night-garb thrown In countless sparkles ; but the stars grow pale, Like mortal graces near the excessive blaze Of Thine, Emmanuel /" Here we pause unwillingly. Few, indeed, will be found to dispute the poetry of this passage. The conclusion of the poem is characteristic, and very noble. The last poetic paragraph I shall cite in extenso, as illustrative of the hopes and aims of the poet, doubting not that he therein expresses his true and heart-felt desire.— " And now, Spirit ! at the noon of night, Under the arch of this poetic sky, While all around me breathes the hush of heaven, Thee I invoke, this erring strain to crown : Without thee, — 'tis but vanity and voice, And mere vexation into language thrown ; But with Thee, weakness is itself made strong, While nature's darkness turns to light divine. And if with me one aspiration dwell For truths, beyond philosophy to preach Or master ; if one thought this perill'd mind Inspire, where Thou, God of Grace, art seen, Prevenient Spirit ! 'tis from Thee derived. — And oh, if life with all its loneliness, 70 INTRODUCTORY ESSAY. The glow of youth hath still in heart retained ; If all the waste, the fever, and the fret Of buried pangs beyond the world to know From boyhood in its bleakness, e'en till now, Have not untuned me ; but a tone have left In concord with the beautiful and bright ; If nature thrill me, with as keen a joy As in the poetry of pensive youth It ever did ; if these for bliss remain, Blent with far deeper things, by suff ring taught, And faith transmitted for the life within, As onward through a bleak and heartless world My pathway windeth to the waiting tomb, — Spirit of Glory ! take my gratitude, And sanctify the closing strain I sing : Bear WTth my soul ; Thy blessing o'er it breathe, And all who love the Master whom I serve. Divine Emmanuel ! peace may all Thy Church possess, Till faith shall in sublime fruition end, All symbols cease, all sacraments retire, And earthly sabbaths into heavenly melt For men and angels ; where the host redeemed Shall in the Temple of pure Godhead keep The sabbath endless of almighty love." If we recognise an apparently too melancholy tone in some of the expressions in this noble " close," — for this world is not so entirely bleak and hearless as the poet (here at variance with himself) declares it, yet can we scarcely fail to admire the fervent spirit of devotion which breathes from this last strain of " Luther." The world has recognised, in part, the grandeur, and the beauty, and the value of this poem : it will yet learn to realise this more fully ; and perhaps this very Essay, imper- fect and sketchy as it is, may assist many in so doing. " Luther" will be, in time, the most widely circulated of Mr. Montgomery's poems. It is the most eminently practical of them all, and also the most poetical. We may add, that it is the most spiritual. Indeed, a growing earnestness and power INTRODUCTORY ESSAY. 71 of realising the sublimer mysteries of faith, may be traced throughout our author's works. More and more have his intellect and conscience learnt to feel and know, and body forth " the Incarnation ;" " the Godhead of the Messiah." A tone of deeper awe, and more catholic reverence, marks the advance in the poet's own mind. Be it not said that he has already attained the goal ! — that he can not yet gain in awful and earnest reality ! Man is imperfect ; cannot be absolutely perfect here on earth. But the Christian's graces should be ever on the increase; else must they be necessarily on the decline. Here, let us pause for a moment, to allude to the prose creations of our author. His " Reflective Discourses," his " Gospel before (or in advance of) the Age," and his " Christ our All in All," are not only all dedicated to the special setting forth of the Redeemer's Glory, but are also an intellectual armoury against the assaults of Infidelity, in which the same apparently exhaustless flow of new and striking ideas, (so conspicuous in all our author's poetic works), is combined with the calm ratiocination of the earnest thinker. One of the greatest historians of this century, who has but just passed from amongst the living — we mean the earnest- minded, the kind-hearted, the high-souled Sharon Turner, who was ever a sincere and warm admirer of Mr. Montgomery's poetical productions, has placed on record his approbation of the " Reflective Discourses," in these striking words : " I have perused nothing that I recollect, which brings our Divine Lord before us in such truth and majesty, in so intellectual a manner, and with such fine fulness and flow of language, and yet select and appropriate. * * * I think the Sermons (Discourses) must gratify the Christian who desires to be a sincere one, and to realise to himself and in himself, the ideal feelings, hopes, promises and blessings, which our gracious Lord sets before us. They are above a common or careless mind; but every mind that at all cultivates itself, (and many of the poorest are now doing so), will not be long in appre- ciating and understanding them. I have in you (Montgomery) 72 INTRODUCTORY ESSAY. all the energy and real feeling which my understanding wants." This is a noble testimony from a noble mind. I should say, however, that " the Gospel before the Age," not published when this eulogium was penned, was upon the whole the greatest, intellectually and spiritually, of Mr. Montgomery's prose works. In the former series of "the Theologian," I had the pleasure of contrasting this work with Emerson's Essays, in a somewhat elaborate article : here any further comments on the merits of that fine work would be out of place. Let us return to the more immediate subject- matter of the present Essay, though space and time warn me that my general summing up must be brief, and confined to the salient merits or deficiencies of my author. Robert Montgomery then, is eminently a Christian poet : offensive and defensive ; one, who not satisfied with maintain- ing the truth as truth, proceeds to denounce falsehood as falsehood ; and is thus, at once, both negative and affirmative in the highest sense. True is it, that we can assert no truth or fact without, by implication, denying its contrary. But this implication is often not obvious ; and it is well that it should be insisted on, more especially by the Christian Poet, as Montgomery does insist on it, and thereby constrain the indifferent even, to choose their side for good or evil. The positive and active sinfulness of what may be called merely negative indifference is constantly asserted and proved by Montgomery, and this is what renders him so obnoxious to the infidel, and so important in the Christian's eyes. His occa- sional deficiency in taste, which it is but just to add becomes less and less apparent as he appears to progress in spiritual realisation of Christianity, is amply counterbalanced by that uncompromising boldness— that straightforward truthfulness — that daring power, which, combined with high imaginative faculties, and an intimate perception of the Beautiful, stamp him as a true poet of a high order. And here the question suggests itself: "Will then Montgomery's poems really live ?" Will they be household-words centuries hence, in the mouths of the English People, or rather of the Anglo-Saxon race ? INTRODUCTORY ESSAY. 73 We know not this : for, centuries hence — one century hence even — this earth, as at present constituted, may have ceased to exist ; the Millennial Reign may have commenced, under what external conditions we know not ! Nay, in the coming conflict betwixt the Powers of Good and Evil, we know not what deepest thinkers and greatest bards may not, for a time, appear forgotten; utterly lost sight of! Even if many an earthly immortality should thus speedily decay, so much we know, and recognise as sure — the eternally Great and Beautiful dies not ! In a higher state of being, in the immediate presence of the Godhead, he who has devoted his powers to Truth, may yet humbly glory in his mental creations, may derive reflected joy from the contemplation of such " deeds ;" nay, even honoured and loved, with a love at least deepened through such memories, may he be by other blissful spirits, if he have indeed realised the glories of which he sang. Thus may Fame endure beyond the grave. Will it appear unseemly, if I breathe, in conclusion, my fervent hope, that the Christian poet whom I have eulogised may attain the goal of Chris- tianity? May Heaven give him grace to illustrate, through intellectual agency, the holy doctrines of the Cross ; may it purify, as far as possible, the illustrations thus originated, from error and imperfection; and may it finally receive such "works" — imperfect ever, and human at the best — as expressions of that saving Faith and Love, which prepare the soul for ever- lasting bliss ! RELIGION AND POETRY. RELIGION AND POETRY. ftttrttmttg of the Sifts* Thou Uncreate, Unseen, and Undefined, Source of all life, and fountain of the mind ; Pervading Spirit, whom no eye can trace, Felt through all time, and working in all space, Imagination cannot paint that spot Around, above, beneath, where Thou art not ! Primeval Power ! before Thy thunder rang, And Nature from eternity outsprang ! Ere matter form'd at Thy creative tone, Thou wert ; Almighty, Endless, and Alone : In Thine own essence, all that was to be, Sublime, unfathomable Deity : Thou said'st — and lo ! a universe was born, And Light flash' d from Thee, for her birth-day morn ! Stupendous God ! how shrinks our bounded sense To track the triumphs of Omnipotence ; 78 POETRY AND RELIGION. From sky-clad mountain, to the deepest den, From the mean insects, to immortal men ; Bless'd with Thy brightest smile, dare we confine Paternal Providence, supreme as thine ? Far as the fancy flies, or life-stream flows, From Georgia's desert to the Greenland snows, Where space exists, Thine eyes of mercy see, — Creation lives, and moves, and breathes in Thee ! Thou sole Transcendency, and deep Abyss, From whence the universe of life was drawn ! Unutter'd is Thy nature ; to Thyself Alone the proved and comprehended God : Immutable ! omnipotence is Thine ; Perfections, Powers, and Attributes unnamed, Attend Thee ; Thou art All ; and oh, how great That comsummation ! Lord of the Universe ! supreme, sublime, Immense Controller of all space and time ! Though oft thy red-wing'd lightnings sear the sky, And mutt 'ring thunders mark Thy track on high, One omnipresent, ever-sleepless love Pervades, directs, and tempers from above : When from Thy hands primeval earth outsprang, And starry music o'er the launch'd world rang, Thine emblem God was Love nor eye can see Where Love is not the master trait of thee — When bow'd by woe, and bleach'd by with'ring age, Alone the mourner treads the world's cold stage ; His fortune wreck'd, his friends beneath the sod, Where shall he fly, but to the arms of God ? Blest be yon viewless Spirit thron'd on high No heart's too wretched to attract His eye ; POETRY AND RELIGION. 79 No lot too lowly to engage His love, And win the smile of mercy from above ! He gazes on the sleepless couch of wo, And bids the dying light of hope to glow, Unarms the peril, heals the wounded mind, And charms each feeling home, to fate resign'd. That God is perfect One, Pervading all things with His presence whole ; Unfelt, unform'd, unheard, and unexplain'd, All Eye, all Ear, all Spirit, and all Power, His centre, Light, and his circumf rence, Love. Yet, what reveals Him Who all else reveals, — The Unexplain'd, who yet explaineth all ? "What Sun to systems, God to truth appears ; But yet, apart impenetrably shrined, A burning unapproachable remains. Jesus thy name, beyond all nature loud, Peals like the trumpet of eternity Through all the chambers of responsive faith, Making them echo with the voice of Christ ! Nature was forfeit, when the first man fell To sin ; and whatsoe'er in nature lives, In reason, morals ; or in mind enacts Dominion, from His vast atonement flows. And who but they who thus the earth baptize In Jesus, — half its fascinating creed Interpret ? Not, but myst'ry there abides, And most unfathom'd : for by sense we find Creation is the way of God to man, 80 POETRY AND RELIGION. In life or being outwardly express'd ; But in redemption, God with God proceeds By truth and glory, inwardly resolved : And, if the first our reason overtask, On what but scripture can the second stand ? But this we know, (howe'er the myst'ry shock The carnal, or the mind's conceit alarm,) Creation once her own creator saw In flesh embodied, when for sin he died ! Without Him, and this withering earth had sunk To hell, for ever blasted by that word Of vengeance, which her frowning Maker spoke, Who cannot His eternal nature change : Immutable in majesty, the same In sanction, the unalterably True. And therefore by His attributes, the Law, When broken, should to violated heaven Atonement offer ; — where the Sacrifice ? Till God for God, and Man for Man, appear'd, In wondrous union of incarnate power, Hung on the cross, and saved the guilty world ! A God with all his Glory laid aside Behold Him bleeding !-— on his awful brow The mingled sorrows of a world repose : " 'Tis finish'd !" — at those words creation throbs ; Round Hell's dark universe the echo rolls ; All nature is unthroned ; and mountains quake Like human being when the death-pang comes ; The sun has wither' d from the frighted air. And with a tomb-burst, hark ! the dead arise And gaze upon the living, as they glide With soundless motion through the city's gloom, Most awfully ! — the world's Redeemer dies ! POETRY AND RELIGION. 81 Hell heard, and shudder'd as it heard, the wail And dying words of Christ ; while Satan howl'd, And gnash' d his teeth, amid the furnace glow Of everlasting fires, to know his wrath Should ne'er be glutted on the world ! — that Heaven Was won, and to rebellious man unbarr'd. And now, the Counsel of Eternal Love, Tremendous, vast, unspeakably sublime, Wrapt in the folds of the Almighty Will Before the universe was shaped or born, Concludeth ! — Man's Redemption is complete, And sanction'd ; all the archetypal plan Of Deity, for reconciling sin With justice, by the mediating blood Of covenant, in Christ has been fulfill' d ; The Woman's Seed hath bruised the Serpent's Head ; For man hath lived, for man hath bled, and died, Hath rose immortal, and his presence shewn ; Not in the midnight, when the spirit shapes An earthless phantom ; but by living day Was Jesus heard, and manifestly seen. §3rttatn'j8 Safeguard Without the Bible, Britain's life-blood chills And curdles ; in that book, and by that book Almighty, — freedom can alone be kept From age to age, in unison with heaven. Without it, life is but a ling'ring death, A false existence that begets decay, Or fevers only into restless life Whose blood is madness, and whose breath despair ! G 82 POETRY AND RELIGION. For not philosophy, with Attic grace Bedeck'd, and dazzling ; nor can science deep, Sounding with searchful eye the vast abyss Of things created ; nor politic weal, Transcending all that earthly patriot dreams Of pure, and perfect — our great country guard. And though our banners on the four winds waft Defiance, in the face of this huge world ; Our swords flash vict'ry, and our commerce vie With more than Tyre, upon her throne of waves Once free and famous, — till our country prove The banking-centre of all climes and creeds, — Reft of her Bible, not a drop remains Of holy life-blood in the nation's heart ! Land of the Lord ; my own maternal isle ! Still in the noontide of celestial love Basking, beneath the cross of Christ adored, — How bounds the heart with patriotic throb Devoted, till each pulse a prayer becomes, When oft upon thy sea-dash' d cliff we stand, While ships by thousands haunt thy favour' d shores, And in their bosom half the world discharge Of riches and of splendour ! — God is thine My country ! faithful unto death be thou ; For He has made and magnified thy strength, E'en like a second Palestine, to prove The Ark of scripture, where a Christless world May find the truth that makes her spirit free. Thy bulwark is the Bible, in the heart Of Britain, like a second heart enshrined For inspiration, purity, and power : And, long o'er principle, and law and weal, O'er public virtue and o'er private life POETRY AND RELIGION. 83 May Scripture be sole paramount, and test ; The source and standard of majestic Faith, Where morals form, and whence our motives flow. ©totst the Gftttrt of Erutiu In Christ, the sum and substance of all Truths Are met, and manifest ; in Him, full-orb'd Religion ev'ry saving virtue finds ; For there alone the heart of God unveils Its vast expression : — in the Face Divine Of Him, (the arch Elect, before all worlds In secrecy of Love divine embrae'd) In Christ, the counterpart of Godhead, — shines That moral radiance which Himself repeats By humaniz'd reflection. There alone The fallen spirit, with an eye unfilm'd By grace, from sin and sensual darkness freed, The will and purpose, pardon, love and peace From God to man adoringly may find. All other media which inventive Pride Presumes to fashion, are but barren dreams : Man's Deity is only dust refin'd, Himself re-cast in some ethereal mould, A finite into Infinite enlarg'd, And this Dilation for a God mistook ! — But Thou, Emmanuel ! art the Way we come, The Truth we know, the endless Life secur'd, The all in all of God to us reveal'd, And us to Him restored. Creation's book Lies blotted o'er with sin's perplexing stain, And no erasure can Thy name detect, In full divinity of sound and sense g 2 84 POETRY AND RELIGION. Conspicuous, or complete. And what can Law, That dreadful paraphrase of Justice, speak To lawless Guilt, but condemnation dire ? And how can Reason in her light resolve That problem, deep as God, and dark as guilt, — How sin is punish'd and the sinner spar'd, When falls the sabre of celestial Wrath, And in one flash both Heaven and Hell illumes ? Or, say, can conscience, whose rebuking voice A jealous echo of the jealous God For aye reverberates the soul within, Can tins Alarmist, to the shrinking gaze Of Guilt — the trembler ! — Mercy's plan unfold ? Ah ! no : in Christ alone we Godhead find : In Christ alone His character evolves : On Calv'ry's hill God's attributes were thron'd ; Jehovah there in perfect climax shin'd ! ChrtjSt'jS Gttrnftg* From everlasting was The Christ of God Veiled in the purpose of His love divine ; But God hath no historian ; archives none His past eternity to us presents : For who the motions of His voiceless will Can number ? Saint and seraph here alike Are bafiTd, and the dread I am adore With that religion silent prayer begets. POETRY AND RELIGION. 85 etivitit tilt fytalt of the etmvcti. Vine of the Church, whose mystic branches are The host elect of sanctified and seal'd Immortals, — even so, as Christ is own'd, Our light is safe, our liberty secure. But, when to human from divine we turn With homage baseless, and to mortal breath A blind religion blinder incense pays, — Our brightest health is but consumption's bloom ! Faithful, or faithless, to her Lord as Head And true Sensorium of all living grace, E'en thus, as our beleaguer'd Church hath stood, Sublime in gifts or sunken into shame, The bride of Jesus hath on earth display' d Both form and features. To a threefold spring Religion only can for creed, or forms Betake her : and that triple source all time Illustrates, — Man, or God, or Priest alone ; As is each master, so her fate hath been. But when the priest his sacerdotal chains (Forged from the links of apostolic truth Perverted) round about pale Conscience wove ; When man, unsceptr'd of his kingly mind, A mere automaton for ritual springs To pull or play, as guile or gain inspired Their priestly mover ; — when to such The Esaus of the soul their birthright gave Of faith, and freedom in salvation's gift, Religion was the Jailer of mankind, And bound the Spirit in a rotting gloom Of Christless errors. But, when God appears Again refulgent on a Throne of grace, 86 POETRY AND RELIGION. Revival wakens ! — and the Truth reform'd By monk or martyr, is but Christ unveil'd : Prophet, and Priest, and King of souls redeem' d The church adores him. Then, Her powers expand, Her symbols preach, Her sacraments revive ; Her truths Humanity contain, and clasp With fine embraces of effective law And love, commingled ; then indeed, a Ground And Pillar of the Truth she stands, and pleads : Angels admire, and Devils cannot pluck One ray of beauty from her righteous crown ! For then, Ambassadress from heaven to earth, Glad tidings brings she on her mitred brow, And with her full-toned Gospel : then erect, In high pre-eminence o'er heart and head She holds the Saviour, crucified and crown'd. Sinner and Sin, for each her creed presents Befitting argument, both for God and man. There, one is pardon'd, — Mercy be adored ! The other, punish'd, — Justice own the doom ! So in twin glory, Love and Law complete Their vast expression ; thus alike, can Law Glare from the cross a dreadful verdict down On sin, on conscience and on coming doom ; While Love o'er all eclipsing radiance pours, And Mercy in its rapt meridian shines ! etitifit tiie €anqutvov of JBcatfu Oh ! Thou whose blood redeemingly was shed, The King of Terrors, but for Thee, appears In ghastly triumph on his dreadful throne ! The future languishes, the fainting world POETRY AND RELIGION. 8/ Departs, and lost in nothingless we lie, Forgotten dreams of ever-faded men, Till Thou art felt ! then o'er the barren grave The flowers of immortality begin To blossom ; Glory dwells beyond the tomb ! Though earth be darkened with the frown of Death ; Though hues autumnal, fallen leaves, and flow'rs Proclaim him ; and his shadow mar our dreams. There is that daunts him, when the trial comes ! And what an ecstacy, when first the gates Of light unfold, the melodies divine Commence, we hear the hallelujahs sound, Then, turn to glory, as we gaze and live Before the throne of Deity unveiTd ! — And oh, may I, when restless life is o'er, When mute the tongue, and motionless the hand, Each pang forgot, each pulse for ever still, A glorious voice of some bright angel learn, To sing thy love in far sublimer strain, Immortal Saviour ! where thy presence smiles, Till heaven complete what failing earth began. Cfullrfiootr of (Bolr. Goodness to all may infinitely come, But grace to sinners only can extend ; And thus, o'er evil triumphs endless good Beyond all words (save what in Heaven they speak) Rightly to equal with o'ertaking praise, Or rapture. Yet, in this a Will Supreme Itself must glorify, by calling whom The counsel of the Holy One decreed To make a monument of grace divine, — Ere Time began to count his awful hours. Yes ! though in Justice no election acts, But each award to character applies With truth unerring ; yet, when Mercy smiles, Prerogative alone the Godhead shows Unquestioned, such as men, nor angels, scan, Nor measure. — Motive God hath none ; For that, from his completeness plucks a ray, And on the orb of His perfection casts A veiling shadow : Motive, End, and Aim, All in Himself eternally abide. — His reasons are his attributes alone ; And each vast grace The Trinity unfolds In«merey's fulness, acts divinely free. POETRY AND RELIGION. 159 Wxt &po$tQlic Cfuttxh of ©nglantr* Founded in Christ, and by apostles formed, Glory of England ! — oh, my Mother Church, Hoary with time, but all untouched in creed, Firm to thy Master, with as fond a grasp Of faith as Luther, with his free-born mind Clung to Emmanuel, — doth thy soul remain. But yet, around thee scowls a fierce array Of Foes, and Falsehoods ; must'ring each their powers, And all prepared, their hallelujahs base Or bloody, o'er thy fallen towers to lift Triumphantly. And well may thoughtful hearts Heave with foreboding swell, and heavy fears, To mark, how mad Opinion doth infect Thy children ; how thine apostolic claims And love maternal, are regarded now By creedless vanity, or careless vice. For time there was, when peerless Hooker wrote And deep-soul'd Bacon taught the world to think ; When thou wert paramount, — thy cause sublime ! And in thy life, all polity and powers The Throne securing, or in law enshrined, With all estates our balanced Realm contains, — In thee supreme, a master-virtue own'd And honour' d. Church and State could then co-work Like soul and body in one breathing form Distinct, but undivided ; each with rule Essential to the kingdom's healthful frame, Yet both, in unity august and good Together, under Christ their living Head A hallowed Commonwealth of powers achieved, 1^0 POETRY AND RELIGION. But now, in evil times, sectarian Will Would split the Body, and to Sects reduce Our sainted Mother of th' imperial isles, That have for ages from her hosom drank Those truths immortal, Life and Conscience need. But never may th' indignities of hearts Self-blinded ; or the autocratic pride Of Reason, by no hallowing faith subdued, One lock of glory from her rev'rend head Succeed in plucking : Love and Awe and Truth Her doctrines preach, with apostolic force ; Her creed is Unity, her Head is Christ, Her Forms primeval, and her creed divine, And Catholic, that crowning name She wears, — In heaven revered, though unadmired below ; For God is catholic in love and law, While man in both would mere sectarian prove, And down the deeps of individual Self Would Christ, and Creed, and Calvarv absorb ! In this dread climax, when his pangs had reached That summit, where despair alone is seen, Did Mercy to remembrance softly bring Pictures of home, and portraits of the past ; Scenes of the heart, and those associate charms By Fancy cherished. But, above whate'er The melting pathos of remembered life Affected, — was a visioned Form of love, That reverend, hoary, broken-hearted sire, Upon whose fondness his rebellious pride POETRY AND RELIGION. 161 Rudely had dashed, as doth the headlong wave On the high bank that bounds it ; — that he saw ! And, so intently seemed the old man's eye To glisten on him with affecting ray Of unreproaching love, and with such power The silver tones of his forgiving lip Trembled within Imagination's ear, — That, lo ! at length, his indurated breast Sank into woman's softness ; and his eye Was moistened with such tears as Angels love ! And now, behold him, withered, tattered, bowed ; Pale with long famine, wearily he drags His homeward track ; but, so by suff'ring worn, That through the village, where his Boyhood dwelt, Unknown he steals, disguised in haggard wo. Oh, what a tide of memory there rolls, And what a gush of agony and grief Runs through his being, when that hill he gains, Climbed in calm hours of vanished innocence, And, underneath him, in the sunset pale Looks on the landmarks of his father's home ! — Mute with remorse, amid the tranquil scene Awhile he ponders ; till the silent forms Of Things grow eloquent with meek reproach : Meadow, and tree, and each familiar nook Instinct with meaning, to his mind appeals With more than language from Rebuke's harsh lip. For Nature yet her old expressions wore, And each loved haunt remained familiar still ; There, was the olive he had loved to watch, There, was the vine his infant hand had plucked, And there, the field-path, where he often paced As bright in spirit as the joyous beam 162 POETRY AND RELIGION. Beside him, and with step as gaily swift As the wild breeze that hurried o'er his head : Nothing looked altered : — for the fig-tree stood, And caught the day-gleam in its dying glow As oft the boy had watched it, when he sat Under the twilight of its laden boughs And fondly wove his fancies ; and, how sweet The lulling cadence of that well-loved stream ! E'en as of old, so wound its waters still In stainless beauty down their pebbled way : - Nothing has changed, but, oh, how changed is He ! Wxt MttontiUXf (Bolr* But yet, — that Prodigal was still his child/ And in the depths of this relation, all The shrouded Past was silently entombed At once ; when Pardon and Compassion threw Oblivion's pall o'er every thing, but love. And, reader ! art thou by such tale commoved ? Or, do these annals through thy spirit melt, Like balmy dews on summer's heated soil At twilight ? — Then, a teaching shadow view In the pure image of yon greeting sire Whose mercy hailed the home-returning boy, — Of love Almighty, by redemption preached ; Where God in Christ our blotted past forgives, And on the bosom of Paternal grace Welcomes to Heaven this Prodigal of worlds ! POETRY AND RELIGION. 163 Angel of darkness ! out of hell evoked, With dread the bosom of Creation thrill'd When fell thy shadow over Eden's bower, Whose beauty withered like the spirit's bloom, When the rich breath of young affection dies. Look back ! appall' d Imagination ! gaze Thine eye to dimness, o'er the track of time, Scathed by his fury ; mark the demon-wing'd, — 'Tis Death ! the uncontrollable ! his flight Begins, whose path wears desolation's smile ; And how eternity its gates unbars To let them in, the fleet and countless dead, Where myriads melt and vanish, like the gleams That flash from fever's eye ! Thy spell hath work'd, Thou king of woes ! thy wand hath been obey'd ; Destruction saw it, — and her deeds reply. The Sea hath buried in her floating tomb, The fire devour' d, the blighting pest consumed, The rocking earthquake into atoms crush'd, And conflagration, havoc, siege, and war, And malady, which like a fiend-breath acts, — Have martyr'd, — what an unimagined host Since the first grave for Adam's corpse unclosed ! And, oh, let mother, maid, and orphan tell, Let parent, friend, whate'er affection clasps, Or sweet relationship of soul implies, — How tears have rain'd from lids that watch'd and wept, As each beloved one, like a featured shade Melted in mute eternity ! — For Death M 2 164 POETRY AND RELIGION. Hath cull'd his victims from the choicest bowers And gardens of existence : fair as bright, And pure as paradise before the Fall, Have babes departed, ere one smiling look Hath traversed earth, or seen the life of Things : And, voiceless as the uncomplaining dews That wither on the dusky cheek of night, The silent victims of the heart's decay Have perish' d ! while within the dart was fix'd And rankling ; not a sigh their secret told : For pure and proud, and delicate as light, Their being faded : 'twas the damp of soul, The mildew of the mind, that check'd and chill' d Their health of spirit : friend and parent yearn'd Around them, wond'ring where the venom lurk'd, And thus, with cruel stealth defaced and marr'd That earth-born seraph, Beauty, robed for heaven ; But still they faded, with a calm decline, Serene as twilight, leaving early death A lovely secret by th' Almighty known — To die, is nature's universal doom ; The Past hath braved it, and the Future shall ; Though little deem we, as we laugh the hours Along, like echoes dandled by the wind, How swift our path is verging to the grave. Terrific Power ! how often in the hush Of midnight, when the thoughtless learn to think, The gay grow solemn, and the foolish wise, Visions of thee come floating o'er the mind, Like exhalations from a grave ! — How oft We feel an awfulness the soul o'ershade, As if 'twere soaring to the throne of God, Till, in one thought of heaven we bury all The breathing universe of life and man. POETRY AND RELIGION. 165 A death-cloud rises with the star of Life ; And ere upon the world our hearts expand Like flower-buds opening to the kiss of morn, With gay and guiltless love, — the voice of doom Awakes, a sermon from the grave is preach'd ; We live to die, and die again to live A spirit's life in unimagined worlds. First, Infancy, whose days are prattling dreams ; Next, Childhood, crown'd with beauty, health, and joy, (Those wizard three, that make the mind like spring, The breath, the bloom and sunshine of the soul) ; Then, Manhood, most majestic ; through the heavens Piercing with haughty eye, and printing earth With kingly steps ; ambition, love, and care, And energy, in wild and restless play, For ever heaving like a wave of fire ; And then comes passionless and feeble Age That droops, and drops into the silent grave : Here ends the scene of life,— one moment wept, The next forgotten ; let the curtain fall, Oblivion has our tale,— we lived, and died ! Thousands of years beneath thy sway have groan'd, Unwearied Death ! how many more shall bear The burden of the curse, no human tongue Can tell, for they are chronicled above ; Though ofttimes number' d by a guilty mind, When Thunders, like dread oracles, awake The world. Yet, come it will, however late, That day foretold when Death himself shall die ! And generations, now but dust and worms, Rise into being with an angel shout, And on the winds of glory soar to heaven. 166 POETRY AND RELIGION. Thus day by day and hour on hour went by, And still, like colour from a sunset-cloud Faded their brother from their grieving eyes ; Oh, how the rebel heart of reason throbbed With doubts unsaid ; or sickened into gloom Pining and prayerless ; still no Saviour comes ! For Lazarus the gate of death must pass. And well may Fancy see that brother die Watched by the hearts of those two sisters dear : But in that moment, in that breathless pause Half life, half death, when soul and sense divide Their empire, mark ! the sign religion loves. A pallid gleam of his departing soul Kindles a moment on the sunken cheek, As if from God's own countenance there came A token smile mysteriously illumed And sent athwart the universe to man. How blest the chamber where a saint expires, And on the bosom of Almighty love Pillows his head, in everlasting peace ! From time's bleak darkness, from disturbing shades Of sin and sorrow, into perfect light At once escaping, — what a thrill intense Through each fine nerve his new-awakened soul Must feel, when first the Everlasting beams, Flash on his eye from crowned Emmanuel's form ! But when around him rolls the mingled swell Of raptures high from loud Salvation's harps, Never can Angel like a saint redeemed Sing to the Lord, whose wounds in Heaven abide, " Worthy the Lamb ! for He was slain for me !" POETRY AND RELIGION. 167 ©loqttencc of Vomto, Who hath not pondered, with an awe profound As wordless, when beside a grave he stood ? And, while his soul dim speculation held With Truths that touch on Deity, and dust, In cause, or consequence — himself allied With dread Eternity, and Doom to come ? Oh ! solemn are thy shrines, thou sov'reign Death ! However humble, and wherever raised : For tombs are Preachers, and with tongueless power Harangue the Conscience, that, like Felix, shakes Before the Throne by apprehension reared Of future Judgment ! But, this stern appeal Not from the fanes where mausoleums hold The wreck of heroes, and time-laurelTd kings, Alone comes forth ; but oft is truly felt E'en by the brightest slave of earth-born glee, When some green churchyard, with its rustic mounds And grassy hillocks on his eye intrudes A sad memento ; — as when mournful Thought Wanders adown the dim cathedral aisle Piled with pale cenotaphs, or sculptured tombs, Where Silence hath an intellectual tongue Whose accent by the mind is heard alone.— Comfort for tht Christian* The Christian never dies ; in coffin'd dust What though he slumber, and the speechless grave With cold embrace his pallid form receives, — 168 POETRY AND RELIGION. Religion, like the shade of Christ, appears To heaven-eyed Faith beside the tomb to smile, And from her lips, seraphically fired, Rolls the rich strain, " Death ! where now thy sting ? O Grave ! thy vict'ry, where ?"«— extinguish' d both And baffl'd ; stingless death, and strengthless law, Together round the cross like trophies hang Self-vanquish'd ; — Death himself in Jesus died ! The Christian never dies ; his very death To him a birth-day into glory proves : For then, emerging fetterless and free From this dark prison-house of earth and sin, (All sensual dimness, like a veil withdrawn,) In mystic radiance soars the seraph Mind To regions high and holy, where the Truth Essential, Beauty's uncreated form, And Wisdom pure, in archetypal state To souls unearth' d their trinal blaze reveal. Unchain the eagle, break his iron bars, And when aloft, on wings exultant pois'd, Sun-ward he sweeps through clouds of rolling sheen And makes the blue immensity his home — Go mark him, while the flash of freedom breaks Forth from each eye-ball, in its burning glee, And there, the imaged rapture of a mounting soul When prisonless, from out the body pure, May Fancy witness ! — far away it flies And where the Sun of Righteousness enthroned, Eternal noon-tide round His ransom'd pours, Dwells in the smile of glory and of God. POETRY AND RELIGION. 169 l&eagjm, H$m$t 9 antr dFattfu By unbelief our primal Nature fell From light to darkness ; and by faith it mounts Back to the glory whence its pureness sank : But still, that fatal tyranny of sense Which Adam first around the virgin-soul Allowed to cast its paralyzing chain, Abides ; and needs a disenchanting spell Beyond our reason, in its brightest noon, To shame, or silence. — Yes, the felt, the seen, And tangible, alone appears the true ! The touch must regulate the law of truth, And to the body must our high-born soul Stoop like a slave, before the mind admits Motives divine, and miracles of grace, And myst'ries where the Infinite Unknown Inshrines His nature, and His love reveals. Yet, 'tis the madness of outrageous pride, The dismal lunacy of self-esteem ; And reason here a suicide becomes, When god o'er God it thus presumes to be, And dwarfs The Everlasting down to man ! Why wonder then, that as from God we fell By sense indulged, e'en so by sense denied Our ransomed Nature up to Him returns, Chastened, and humbled at each rising step : That thus, when Self, absorbed and crucified, Yields to the law of holiness and heaven, Our Being may at length, in loving awe, Look to its Centre, and celestial Source And draw from Deity the bliss it wants. 170 POETRY AND RELIGION. Strangely severe our doom to haughty minds May seem ; and myriads, like to Thomas, crave A Verity which sense alone can grasp, And endless miracle to man supply, — Christ in the Fleshy to be by hand and eye perused ! But yet, whate'er the comment reason make, Between the past and present, life is placed For test and trial ; and, as Wisdom meek This high probation for Hereafter bears, — So is the character Experience builds, And creed that Conscience for its own adopts. — - Faith eyes the past, and hope the future seeks, Yet either must with sacrificing zeal Something deny, which vulgar Sense enjoys. For do we not, as from th' Almighty, take The Gospel in its glory ? — Then, must Mind Learn on the altar of unreas'ning faith Itself to lay with immolating zeal : System, and science, and our self-esteem, And each atonement which our tears would pay, Must vanish ; while adown the haunted gloom Of twice nine hundred years we walk, To learn the Creed which Calvary inspires. Denial thus must be our Spirit's law, If with pure angels we aspire to dwell ; And, far above what bribing Sense can bring Through tact or taste, or eye, or ear, to man, — Faith on her wings must lift our Being up. Yet, faith is reason in its noblest form; And boasts an evidence most heavenly-bright, Sublimely equal to our spirit's need, In whatsoe'er submissive Love believes As sent from Deity, our world to save. — POETRY AND RELIGION. 171 For breathe we not the Church's sainted air, Where all is fragrant of the truths of old ? And ritual Forms, and ceremonial Types, With all high records of auxiliar sway, Historic Truths, traditionary Lore, And Monuments of sacramental grace, — These have we not ? And though rejecting pride Back on the blaze of this commingled orb Of evidence, a sneer presume to cast, Yet, have the wise and wondrous to such light Their hearts submitted, and repose enjoyed. And, more than this, a clear-eyed wisdom finds : For, if unrisen were our spirit's King, Then, long ere this the Galilean Lie Had vanished !— for the creed its claim enacts, Binds on the world offensive purity That flesh endures not : and if Christ were dead, Tombed in the darkness of sepulchral clay, How could His promise, with our souls to be Present for ever, — still on earth be proved Infallible, through faith's unbounded world ? A living Christian proves a living Christ As firmly to the soul, as if the Heavens Where now uncurtained, and our eyes entranced Looked through The Veil, and saw Him shining there In glory, bright as what the martyr viewed,— When Stephen mounted from his mangled clay In bleeding triumph, to his Master's breast ! Deistic Thomas, with his doubting mind, I envy not that most exacting man, Though eye to eye, and face to face he stood Before Messiah ; and, with hand outstretched And daring finger to his wounds applied, — 172 POETRY AND RELIGION. Answered his doubt, and silenced unbelief By evidence, that drew his adoration forth With over-awed amazement. — He to sight And sense appealed ; and well were both assured, When the mild Saviour to his eye appeared, Thrilling that doubter with resistless proof, E'en by the print, and pressure of those wounds Whence gushed salvation o'er a guilty world ! — But, rather let me, with a glance of faith Pierce the past ages, to my Lord behold ; And in the glass of his describing Word His life and lineaments of beauty trace. Child of the Church, and by Her creed sustained, By prayer, and praise, and Her memorial rites Doctrines and duties, and the hallowed round Of fasts and festivals, — oh ! let me learn The Sense to crucify ; and walk by faith As prophets, patriarchs, and priests have done ; By grace empowered beyond mere sight to live, And earth-born feelings, in their finest mood. — For not to Thomas did that blessing come, Which round the weakest who can now adore And clasp Emmanuel with the mind's embrace, Hovers like music, — from the lenient mouth Of Christ descending on the souls of all Who though they see not, yet the Lord believe In risen glory. Thus doth Faith exalt Man out of Self, and unto God reduce His errant nature, as its proper Home. Sense but the shadow, Faith the substance holds ; And, while the pageantries of Earth and Time Like golden clouds which line the gleaming west In airy nothingness have died away, — POETRY AND RELIGION. 173 That glorious Infinite of truth will beam Brighter and brighter, which pure faith pursues : Till, what in weakness now we dimly scan, By open vision future Heaven shall prove, And God unveiled our spirit's glory be. Jbatatttc Ibtflutntt. Perpetual motion of the moral vile He was, and is, and shall for ever be, The Prince of darkness — from his throne of death Dispensing ruin. Who his sway can meet, Or stretch the word, to where his sceptre waves O'er time, and scene, and universal man ! For every wheat he sows a rival tare In the vast field, where faith and virtue thrive. Each ward of intricated self he knows ; And so for each some fitting key he finds Wherewith to enter, and the heart possess. And, let the mockers of the World unseen, The solemn findings of th' experienced heart In this believe — that, like the Saxon Monk's, The life of Faith is one long battle now, Beyond the passion of exceeding words To syllable, with him who haunts the soul. As conscience preaches, so temptation tries By him directed ; hence, no mood is safe, No scenes are shelter'd, and no hours secure From art Infernal. — Ask the thoughtful Mind How often, when th' inflated world hath shrunk With all its forms, its follies and its fears Down to a shade, before the solid truths And substance of eternity believed ; 174 POETRY AND RELIGION. How often then, when Resolution winds Our being up by tension most sublime, To heaven's pursuit, and its majestic toils, — Back to the low and little we are lured ! Fever'd as ever, and with fretting pangs And noisome cares inextricably close, Again involved : as if this Earth were home, And immortality below the skies ! Nor height in God, nor depth in man, forbids Our dread assaulter. Attributes divine How oft he covers with deforming shade, Darkens for dread, or deepens for despair, Or softens down to sin's presuming dream, — Till God a Sentiment almighty seems, And nothing stronger ! — Or, the Law he wields, Fangs its dread curse with everlasting fire, And, on the gibbet of tormenting doubt Hangs the pale Conscience, in perpetual gloom. For though in health, when light the blood appears, And all looks bland that in Jehovah dwells, — Then, sin a trifle of the past becomes, A vacant nothing, with a sounding name ! But, when the dampness of the tomb bechills Our nature ; when some retribution frowns Black on the spirit, from the bar of God ; Then sin, which once a moral pigmy seem'd But scarce apparent, — like a giant swells Upward to heaven, and with some horrid shade Beclouds the Infinite on Whom it falls ! And more than this, the arch deceiver dares ; For he eternity to time contracts, And time to false eternity dilates, POETRY AND RELIGION. 175 When cheated fancy to his wand replies And, not one grace The Spirit's hand bestows, For which no counterpart in passion finds This dreadful Parodist of God, to man. But chief that Book, where inspirations breathe, How would he poison like a Pope of Hell ! Fain would he hurl it from the bounds of thought, Or, make it echo all his heart conceives. A spectacle to Angels and to God Is man, while acting on the stage of time, — Such truth the soul of inspiration breathed : And what a meaning centred in the thought ! Around, above,, beneath, where'er man lives And moves, unvision'd natures overhang His path, and chronicle his history. But o'er this pomp external, and the life Of sense, such beautifying veils are thrown, That men become idolaters to sight, Naming all else the nothingness of dreams :— - A wisdom worthy an infernal crown ! Why, if a bead of water in its round Of compass hath contained a countless host Of beings, limb'd, and full of perfect life ; If not a leaf that flutters on the tree, But is empeopled with an insect swarm ; If not a flower by fairy sunrise charm'd, But in the palace of its dew-drop dwell Unnumbered beings, that in gladness live ; Then why not, O ye self-adoring wise, A world of spirit-natures, though unseen, In number rivalling that creation yields ? And vacancy, that hueless void of air 176 POETRY AND RELIGION. Which men unanimated space define, Be pregnant with aerial shapes of life ? Jlnfoer of the Spirit* Eternal Former of the holy mind Vicar of Christ ! who art, to men redeem'd, Soul of their souls, and light of light within, Vast in thy sway, and viewless in thy strength,— How full, how free, unfathom'd, undefined Yet felt, art Thou, in purity, and power ! Thou o'er the chaos of the earth new horn Didst move, and print it with Thy plastic seal, And inspiration. Beauty hence began, Order, and Shape and Symmetries arose ; For Thou of all the Consummator art, In the green earth or garnish'd heaven display'd ; And Nature still is hut Thine organ, — moved Responsive to the impulse of Thy sway terrene, Her laws, her lineaments, and loveliness Are hut expressions of Thy shaping will, The outward index to Thine inward hand Creative : beauty is Thy vital power ; Grandeur and grace thine intimations are, And second Causes, form but stepping-stones O'er which Thou marchest to Thy works, and ways. And o'er the waters of our human world, The ruder chaos of revolted hearts, Still art Thou brooding, with thy halcyon calm. For never, since Pollution's blight commenced, From man (the savage of the senses made) One sigh or tear, or tone of sacredness To heaven had risen, or God's welcome sought, POETRY AND RELIGION. 177 But for thy grace, Spirit !— pledged and priced, And by the blood of earth's Great Martyr bought, E'en the pure Man-God, as to breath and blood By Thee was fashioned, in the Virgin's womb ; From whom His finite all its unction drew With Hell to combat, or for Earth to bleed. Oh ! for a language out of sunbeams made, In syllables of light Thy power to praise Helper and Healer of the heart, alone, Sustainer truly of the sinking mind, Sole Paraclete of all, for sin who weep ! Descend, and with the dewfall of Thy grace The world refresh, the wither'd Church revive, And the hot fever of our thirsting hearts With healing balm of blessedness, allay ! For thee without, our God denuded seems, The Christ is charmless, and the Bible mute To conscience, though to mental power it speak ; While all in morals, or in motive, — forms But heathen polish, with a purer name. And where the shrine, the palace, or the throne From whence Thy secrets, and Thy splendours flow ? Where shall our hearts those inspirations seek Which make all Christians, echoes of their Christ, Down from the full-toned holiness of heaven To feeblest notes, that yet from earth arise ? — Wherever man and mind, and scene and space Can meet or mingle, there, O Spirit ! Thou To Solemn fellowship the soul mayst charm. — What, though the herald stars no longer glide To light the Magi : though no mystic Bush Burn with divinity, in speaking fire ; 1^8 POETRY AND RELIGION. And, by no miracle made bare or bright, The Arm Eternal out of Heaven is waved ; Though shut the Vision, and the Witness seal'd, Nor Voice, nor Thunder out of glory rolls This earth to waken,-^still Thy love abides ; For the hush'd presence of the Holy One No bounds can limit, and no laws can bind From hearts that seek Him, in the tempted hour. In cities loud, amid the hum of men He walketh -, or, in loved and lonely haunts Shaded and secret, where Reflection hies ; On mountain heights, by musing poets traced, In vales withdrawn, by melancholy shores Lashed by the billow in eternal beat, — In each and all God's whisper may be heard, And still small Voice through listening conscience steal. Yea, heaven with all its sacredness of stars, Earth with all its majesties of scene, or might, Home with its magic, infant's guileless laugh, And mother's glowing smile, — a path may prove, Or channel, where His secrets may descend In solemn gushes through the spirit's depth. Descend pure Spirit ! light and life and love Without Thee, are not : poetry is Thine, Reason, and science, and majestic arts, The heaven-born virtues, intellectual powers, With all pre-eminence of grace or gifts, — Are but as glances from Thy glory cast, And caught by Mind. But who Thy sway can tell ? For at the first, the heavens and all their host, Moon, star and planets,- — from Thy hand derived Their radiance, from Thy wisdom learn'd then paths. And Earth is thine : Her elemental laws, POETRY AND RELIGION. 179 Her motions, harmonies and living hues And beauty, are but emanated powers From Thee, great Beauty's archetypal Seal ! While Man himself, (that miracle of forms) Into his mould was copied from Thy cast Ethereal ; and the whole of truths inspired, Prophetic utt'rance, or mirac'lous deed, Which was, or is, or shall be, — are but rays Sent from Thine essence to created mind. Without Thee, more than night Egyptian reigns I Duty sublime would stern distraction be, Commanding what our impotence alarms, — To love that Holy which our hearts abhor By nature ! But, Thy promised aid attends, Arches our being like the roof of heaven Where'er we wander ; and to will perverse Such power imparteth, that the precept takes Thy presence with it in each task assign' d. Thou teachest God ; and Man himself abides In fact unfathom'd, till Thy light reveal The two eternities of coming truth Within Him folded, — like a double germ Soon to expand in heaven, or hell, complete ! And hence our Nature grows an awful thing ; We thrill eternity in touching Man ! For, from the eyeballs of his living head Outlooks the Everlasting ! — though eclipsed ; While every heart-pulse in the life of faith Throbs with Thy Spirit, Inspiration's Lord. n 2 180 POETRY AND RELIGION. Eiit Spirit nertrtfj to inttvpvH &tviptuvt. But all is fruitless, save The Spirit teach, Console, attract, illumine, and adorn The penitential mind. Can deaf men feel How Music wakens her enchanted might ; Or blind ones, when the lids of Morning ope, Greet the proud radiance of commencing day ? — So dull and eyeless to the words and beams Of truth heaven-sanction'd, is the rocky heart, Before an unction of converting grace Descend, and bid the glorious change begin. Or, mark the body, when the soul is fled ; How pale and powerless, how corrupt and cold It lies, and withers like a dream of clay ! — So dead to things, transcendently divine, In carnal trance the soul itself abides, Till comes Thy Spirit with celestial breath, The faded lineaments of God revives, And quickens nature with transforming power : Then, Thou art all, and all in Thee resides. Eternity upon the Book of Life Reflected, — how sublime the means of grace ! In Christ, what love immeasurably deep Embodied ! what a glory robes the Cross ! Each word, each promise, each divine appeal By Thee brought home, — how vast redemption grows ! Vile passions sink ; and, low affections rais'd, No longer worm-like creep in dust and gloom But, wing'd by faith, beyond the world ascend, Exulting round the Throne, and hearing oft Faint echoes of some archangelic hymn To Jesus chanted ; — Who, as lord of deed POETRY AND RELIGION. 181 And life of thought, o'er all our heing reigns ; And oft hy sacred fascination led, To Calvary our yearning Hearts retire, Kneel at the Cross, and see the Saviour die ! UttLtctiom on btstttng a ccltfbtatrtr Cataract* In slumber, when some Dream of daring power Transcends creation, or out-dazzles earth, Man's wither'd paradise may seem revived ; And oft when Poesy and young Romance Together mount Imagination's throne, — What landscapes, fit for seraphim to walk, In the green loveliness of Nature's youth Have bloom'd beneath their fascinating smile ! And yet, no dreaming pomp, nor bardic spell, Can rival thee, by God himself arrayed With glory terrible and beauty wild, Thou earth-adorning Cataract ! — once seen, And seen for ever ; — heard in truth for once, And by the spirit heard for evermore ! When, like some vision of a ruin'd world In foaming majesty I saw thee fall From crag to crag, terrifically swift, My soul was hush'd, in trance of wonder bound ; A word was outrage ! mute as thought, I gazed Upon thee, vanquished by the dread sublime ; As in the presence of Almighty Power My being trembled — language was extinct ! 182 POETRY AND RELIGION. Aloft, aloft, precipitate and loud, The plunging Torrent like a war-horse leaps Adown the black ravine ! — and white with rage, And thunderingly hoarse, the headlong Wave From rock to rock in froth and foam careers, In tameless, terrible, unwearied ire For ever raving ! — Hark, the mountain thrills And throbs, the leaflets palpitate with awe, The branches quiver, like the limbs of Fear, On each grey elm, while, floating like the breath Of conscious being, lo ! the Mist ascends In tremor from the panting surge below, Lingers awhile, in airy balance hung, Then trembles downward with a quav'ring fall, In rain-drops delicate as unshed tears. King of stern waterfalls ! thine awe pervades, And like the genius of romance creates A spirit of enchantment round thy home : The valley, hush'd as desolation, loves ; The gloom chaotic of thine ancient hills, Torn by the tempest's savage wing, and deck'd With foliage, touch'd by autumn's pale decay; And drip of water, from the rocks dissolved In feeble music, faint as dream-heard sighs, — All these in one vast sentiment unite Around thee, making sight and sound appeal Like poetry, from Nature's heart evoked. And while with contemplation's spell-bound eyes, Amid the spray, the thunder, and the din, Monarch of waters ! upon thee I gazed, The witchery of deep association rose.— On myriads, now in earth and darkness mute, POETRY AND RELIGION. 183 I ponder'd, who, like me, had feasted soul And sense, and drank emotions rich as mine From thine enchantment. Here, the worldling came, And left, perchance, his worldliness behind ; Here, Pride, Ambition, Avarice, and Hate, Those demons of the mind their sceptres broke, And shrunk, like Satan from the Saviour's word, By thee o'erawed ! — and here the Poet dreamt, While sentiment and thought his heart o'erwhelm'd With magic potency, till he became Sublime in thy sublimity of scene ; And from the centre of his spirit felt Warm inspiration, like a sunrise, break, And meanings, full of wordless beauty, flow. Farewell ! thou roaring Flood of Scynfa* born, In loud monotony of foaming ire Rage on for ever ! rule all hearts and eyes That bow before thee : — Teacher of the wild And wondrous, may thy voice eternal be, And speak of HIM whose shadow is the sun, Whom torrent, sea, and tempest loudly praise, Whose love is syllabled by every breeze, While, seated on eternity's vast throne, He wields His sceptre o'er ten thousand worlds ! Farewell ! thou glory of a glorious clime, Farewell ! the sight, but not farewell the sense Of thee : for in the core of Mem'ry's heart The grand dominion of thy scene will dwell ; And oft amid the dust of daily life, The prose of dry existence, will beget Sensations high, and feelings nobly pure : Or, wafted back on fancy's sun-bright wing, * The name of the mountain whence the Rhaiadr rises. 184 POETRY AND RELIGION. My soul will visit thee, and hear again The thund'ring harmonies of thy dread stream, (Like a huge wave in endless plunge and roar,) And view the Almighty by His work revealed. And now came on temptation's demon hour To crush the Saviour ! — By the Holy Ghost Constrained, within a desert's trackless wild Alone He wander'd, unperceived by eyes Of mortal ; there to fathom time and truth, Redemption, and the vast design of Love. A noontide o'er his contemplation sped Away, and still the awful Thinker roved With foot unwearied : sunset, fierce and red, Succeeded : never hung a savage glare Upon the wilderness, like that which tinged This fated hour ; — the trees and herbless rock Wore angry lustre, and the dying Sun Sank downward like a deity of wrath, Behind him leaving clouds of burning wreck. And then, rose twilight ; not with tender hues, Or choral breezes, but with shade as dim And cold, as Death on youthful spirit throws : Sad grew the air, and soon th'afFrighted leaves And branches from the crouching Forest sent A wizard moaning, till the wild-bird shriek'd, Or flutter' d, and in dens of deepest gloom The lion shook, and dreadful monsters glared. Tremendous are ye, ever-potent Storms In wild magnificence of sound, and scene ! Watch'd on the mountains, in convulsive play, POETRY AND RELIGION. 185 Or from the ocean-margin, when the Sea With her Creator wrestles ! — and we hear The fancied winds of everlasting Power In wrath and gloom fly sweeping o'er the world ! But when hath Tempest, since a deluge roar'd, The pale earth shaken, like that stormy rage That tore the desert, while Messiah mused ? Then God to hands infernal seem'd to trust The helm of Nature, while a Chaos drove The elements to combat ! — night and storm, And rain, and whirlwind, in their frenzied wrath Triumphant, while aloft unnat'ral clouds Hung o'er the sky the imag'ry of Hell ! — Not hence alone tempestuous horror sprung : To aid the Tempter, shapes of ghastly light, With phantoms, grim beyond a maniac's dream, To thunder, darkness, and dread midnight gave A power unearthly : round thy sleepless head, Adored Redeemer ! did the Voices chant, Or wildly mutter their unhallow'd spell ; Yet, all serene Thy godlike virtue stood, — Unshaken, though the universe might fall. Thus forty days of dire temptation leagued Their might hell-born, with hunger, thirst, and pain. Meanwhile, in thankless calm the world reposed. Life went her rounds, and busy hearts maintained Their wonted purpose : still uprose the parent orb, And all the dewy ravishment of flowers Enkindled ; Day and Ocean mingled smiles ; And then, meek Night with starr'd enchantment rose, While moonlight wander'd o'er the palmy hills Of green-hair'd Palestine : and thus unmark'd By aught portentous, save demonian wiles, His fasting period in the desert gloom 186 POETRY AND RELIGION. Messiah braved. At length, by hunger rack'd, And drooping, deaden'd by the scorching thirst Of deep exhaustion, — round him nothing stood But rocky bleakness, mountains dusk and huge, Or riven crags, that seem'd the wreck of Worlds. And there, amid a vale's profoundest calm Where hung no leaf, nor lived one cheering tone Of waters, with an unappalled soul The Saviour paused, while arid stillness reign'd, And the dead air, — how dismally intense It hung, and thicken'd o'er the lifeless dale ! When lo ! from out the earth's unfathom'd deep The semblance of a mighty cloud arose ; From whence a Shape of awful stature moved, — A A r ast, a dim, a melancholy Form ; Upon his brow the gloom of thunder sat, And in the darkness of his dreadful eye Lay the sheath'd lightnings of immortal ire ! — As King of damn'd eternity, he faced The Godhead ; cent 'ring in that one still glance The hate of Heaven, the agony of Hell, Defiance, and despair ! — and then, with voice Sepulchral, deep as when a Tempest dies, Him thus address'd : " If Son of God Thou be, These stones, — command them into living bread !" " 'Tis written," answer'd The undaunted Christ, " Not bread alone, but every word of God, Is life !" — Scarce utter'd that sublime reply, When each ascended, and on noiseless wings Invisibly both God and Demon soar'd Together, rapid as th' almighty glance Which roams infinity. On Herod's towers, From whose dread altitude the very sky Seems nearer, while below a hush'd abyss Extendeth, dark with supernat'ral depth, — POETRY AND RELIGION. 187 They soon alighted ; where with impious wile Again the Tempter thus the Godhead tried : " If Son of God Thou be, Thyself cast down ! 'Tis written, ' Thee protecting angels watch For ever, lest a stone thy feet may dash.' " " The Lord thy God thou shalt not tempt !" — replied The Saviour : awed by such divine repulse, The baffled Demon for his last design Prepared ; and swiftly by an airy flight, To Quarantania's unascended top That crowns the wilderness with savage pomp, Messiah next he bore ; from thence, a World In visionary light lay all reveal'd With luring splendour ! — regions, thrones, and climes Of bloom and fragrance ; meadows, lakes, and groves ; And there lay cities, capp'd with haughty towers, With piles, and palaces of marble sheen, And domes colossal, with exulting flags Of royal conquest on their gilded spires : And there were armies, thick as trooping clouds, On plains assembled, — chariot, smoke, and steed, The pomp of death, and thunder-gloom of war : Nor absent, fleets within the silver bay Reposed, or riding o'er a gallant sea : All this, the world's Inspirer thus evoked, — One vast enchantment, one enormous scene Of splendour, deluging the dazzled eye With mingled radiance, till the fancy reel'd ! And then, outstretching with imperial sway A shadowy hand, Hell's crafty monarch spake, " This pomp and glory, this surpassing World Is Thine ! — if Thou wilt kneel and worship me I" Then bright as Deity, with truth erect, Victoriously Messiah thus rebuked The Prince of Hell : " Behind me, Satan, get ! 188 POETRY AND RELIGION. 'Tis written, thou shalt worship God alone ;" And thus responding, rays of awful truth His eye emitted, from whose dreaded glance The Devil shrunk, and wither'd into air ! — When, light as breezes, lovely as the Morn Descended, blooming with celestial grace, Angelic creatures, in whose hands upborne, By man unseen, the wafted Jesus sank To earth again ; and there, a squadron bright Of minist'ring Spirits round Him knelt, and sang. infant^ Something divine about an Infant seems To them, who watch it in that holy light Of meaning, caught from those celestial words Of Christ, — " Forbid them not, but let them come /" Fresh buds of Being ! beautiful as frail, Types of that Kingdom which our Souls profess To enter ! Symbols of that docile love And meek compliancy of creed and mind Which Heaven hath canonized, and for its own Acknowledged, — well may thoughtful Hearts perceive A mystery, beyond mere nature's law, Around them girdled like a moral zone. And who can wonder (if we love to trace The faint beginning of whatever lives) That o'er an infant, innocently decked With charms more delicate than dewy gleams Dropt on pale flowers, — the serious Mind of man Can ponder ? Or, with presage mildly sad, The colour of its coming years predict, When o'er that brow, with sunny whiteness clothed, Smooth as the cheek of Morning, —Time will stamp POETRY AND RELIGION. 189 His wrinkling traces ; and the purple bloom Of youth's gay spirit, like stern winter's blight On the bowed head of hoary Age becomes ! Yes ! eloquent, and touching more than tears, These incarnations of maternal dreams, — (Infants, by Beauty's plastic finger shaped) Have ever been : in all their ways and moods A winning power of unaffected grace Poetic faith, or pioas fancy, views. Wild as the chartered waves which leap and laugh, By sun and breeze rejoicingly inspired, Till the air gladdens with the glowing life They shed around them,— who their happy frame Can mark, or listen to their laughing tones, Behold their gambols, and the shooting gleams Of mirth, which sparkle from their restless eyes, Nor feel his fondness to the centre moved, Beyond a mere emotion ? But, to watch The tendrils of the mind come forth, The buds and petals of the soul expand Day after day, beneath a fostering care And love devoted, — this Religion deeply loves ! How the Great Parent of the Universe The outward to the inner world hath framed With finest harmony ; and for each sense An object apt by corresponding law arranged, — - Philosophy may there, with reverence, learn, As grows the virgin intellect of youth Familiar with all Forms, Effects, and moods Of nature's might, or Majesty, of scenes. And, what a text on Providence we read In the safe life of shielded infancy ! For who can count the multitude of babes, 190 POETRY AND RELIGION. That look more fragile than the silken clouds "Which bask upon the bosom of the air They brighten,— God's o'ershading Hand secures ! And number, if Arithmetic can reach The total, what a host of tiny feet Totter in safety o'er this troubled world ! Though all around them throng and rage Destructive Elements, whose faintest shock Would strike an infant into pulseless clay. And, oh ! fond mothers ! whose mysterious hearts Are finely strung with such electric chords Of feeling, that a single touch, a tone From those ye fondle, some responsive thrill Awakens, — when at night, a last long look That almost clings around the Form it eyes, Ye take of slumbering Infancy, whose cheeks Lie softly pillowed on the rounded arm, Rosy, and radiant with their dimpling sleep, — Well may ye waft upon some winged prayer A grateful anthem to your Lord enthroned, Who, once an Infant on his mother's knee, Not in His glory childhood's life forgets : For He, while systems, suns, and worlds Hang on His will, and by His arm perform Their functions, in all matter, space, and time, — Can hear the patter of an infant's foot, List to the beating of a mother's heart, Or, seal the eyelid of a babe at rest. But, like the lustre of a broken dream, How soon the fairy grace of morning life Melts from the growing child ! Corruptive airs Breathed from an atmosphere where sin is bred, Around them their contaminating spell POETRY AND RELIGION. 191 Exhale ; and Custom with its hateful load Of mean observances, and petty rites, Bend into dust these Instincts of the skies In the pure heart of genuine childhood seen, And, so enchanting ! — Then comes artful Trick, With forced Appearance, and a feeling veiled, When Fashion's creed, or folly's plea forbids A free expression. These with blending force The sweet integrities of youth assail For ever ; mar the delicacy of mind, And from the power intact of Conscience take Its holy edge, and soon the child impress With the coarse features of corrupted man. And, add to this, how omnipresent sin, That from the womb of being, to our grave Infects our nature with a fiendish blight, — Will act on passion earthly, and desires Malignant, base or mutinously warp'd From virtue, — and, alas ! how quick we find The vestal bloom of Innocence depart ! Then, what remains of all that blessed prime, That blooming promise, which the fair-brow' d child Of beauty gave in home's domestic bowers, — Lisping God's love beside parental knees, And seeming oft, as if the Saviour's arms Had compassed them, and left a circling spell Round his soft being ! — Where, ah ! where is gone The unworn freshness of that fairy child ? But, yet on earth from genial heaven there come Children, who, e'en though infancy enwrap Its weakness round them, — thoughts beyond their years, And feelings that in depth surpass the soul Of elder Age to fathom, — oft possess : 192 POETRY AND RELIGION. Mournful they are, and soft in shape and mien ; Reserved, and shy, as those retreating brooks Which love to vanish from th' observer's gaze, And find green shelter in the shading grass Or waving sedges. — Such, who has not seen, And round them felt a fascination float, A nameless spell, subduingly empowered To make stern Manhood be a child again ? A beaming mildness like the vesper star Their glance reveals : or, in some pensive gaze Soft as blue skies, but far more exquisite, A depth of sanctity there seems to dwell Beyond corruption. Strangers lightly pass ; And, by the semblance of a tiny form Misguided, — rarely on the Mind immense Within it tabernacled, can pause to think. Yet, underneath yon little frame of flesh, Something that shall outsoar the Seraphim Hereafter, as the price of Blood Divine, — May be enshrined ! And o'er that placid brow Shades of high meaning, from the spirit sent, E'en as they rise, may well from Age mature Challenge respect, and bid us wisely know, Childhood has depth of inner-life unseen, Feelings profound, of purest birth unknown, And sympathies of most unfathomed sway, Though stern Philosophy, or Reason's pride Can mock, or misbelieve them. — Souls they have So visited with visionary gleams Of God, and Truth ; and by such love sublime, Sent from the glory of a purer world, Are oft illumined, — Fancy might suspect Such children were the Exiles of the skies Prisoned in breathing flesh, awhile ordained POETRY AND RELIGION. 193 This earth to hallow ; but at times, the sense Of Home Immortal on their being rose, And bade them with divine emotion thrill, Though faltering tongue and feeble accent failed What passed within, to body forth, or tell : Then, Nature only, with a shaded brow And eye that glowed with melancholy gleams, Betokened, — what a heaven-born Spirit bears When half remembering its ethereal birth ! Then, look not lightly on a pensive child, Lest God be in it, gloriously at work ! And our Irreverence touch on truths, and powers And principles, which round the Throne are dear As holy. — Never may our hearts forget That Heaven with infancy redeemed is full, Crowded with babes, beyond the sunbeams bright And countless ! Forms of life that scarcely breathed Earth's blighting air, and things of lovely mould Which, ere they prattled, or with flowers could play, Or to the lullaby of watching Love Could hearken — back to God's own world were called ; And myriads, too, who learnt to lisp a prayer, Bend the soft knee, and heave devotion's sigh, Or carolled with a bird-like chant the psalms Of David,~with the Church in Heaven are found : For He who loved them, and on earth enwreathed His arms around them, now in Glory wills To hear their voices, and their souls array With beauty, bright as elder Spirits wear. 194 POETRY AND RELIGION. Eft* ftolitavg jfttcmft* And oh, what marvels did that Mind achieve, Which in itself a Reformation form'd ! For cent'ries, deep the night of falsehood reign'd, Mildew'd the Soul, and manacled her powers With fett'ring darkness ; cloistered Learning pined In cell monastic ; Science grew extinct ; The Bible moulder' d in scholastic rust ; That fountain, in the Saviour's wounded side For sin once oped, by sealing lies was shut ; And 'stead of that bright Garb which Mercy wove Of perfect Righteousness, By Jesus wrought, Spangled with graces, rich as God's own smiles — The filthy rags of ineffectual works Clad the cold skeleton of naked souls : While on his throne of sacerdotal lies, The arch imposter, Satan's rival, sat Self-deified, and ripen'd earth for hell. — Then, Luther rose ; and Liberty and Light Unbarr'd the soul, and let salvation in. Hark ! the dead Scriptures, into life recall'd, Harangue the conscience ; lo ! the Gospel lives ; Swift from the Cross a Roman darkness flies ; Martyrs and Saints, like bafiTd mock'ries sink To nothing, by victorious truth dispersed ; O'er fancied merit free redemption reigns ; And in the temple of the soul illum'd, No mortal Priesthood, with its pomp of lies, And Sacraments of sin, can enter now ; There Christ himself in triple Office rules, King, Priest, and Prophet, on the Spirit's throne. POETRY AND RELIGION. 195 Hutting Heatfw And if the chamber where the humblest yield The burden of their being up to God, Down to the roots of tenderness awakes Affection's nature ; if the feeblest mind That hovers on the precipice of time, — > When beetling o'er Infinity below Takes to itself some attributes, which speak Of awe and grandeur ; can we gather round That bed of glory where a Luther dies, Nor feel an aspiration ? Can we mark That eagle spirit, from its chain unbound, In light and liberty from this dim world Escaping, — nor, a solemn thrill partake Speechless, but how expressive ! There he lies, Pale in the swoon of swift-approaching death : But Mind is yet majestic ; and his brilliant eyes From the black lustre of their mental fire Alive with feeling, — look forth prayer, and shine Conscious and clear as ever ! while the lips Move with the verse, that on Messiah's once Quiver 'd in peace, when David's words of faith Wing'd his worn spirit to the breast of God. Deeper and deeper do the shades of death Around him close, while drop the fainting lids O'er his sunk eyeballs ; thickly heave and fall Those panting breath-gasps ; while the ear of Love Drinks with delight some shatter'd tones, or sighs Of Bible promise, or some falter'd notes Of faith, which tell the spirit's life within. The strife is mortal, but the strength divine o 2 1% POETRY AND RELIGION. That meets it ! Death, all stingless, and the law, All dreadless, — neither can from Luther's heart Hurl the high confidence, a Christian seats There on the throne of evangelic truth. Around him friends and mourners, each with sobs Half stifled, and with tears that hang unshed On the still'd eyelid of revering love, Are group' d ; while bands of waiting Angels watch The mighty spirit into glory pass ! Cold is the damp that dews his whit'ning brow, And pains convulse him with continuous rack ; But underneath that palpitating flesh Calm lies the Soul ! — in peace celestial bathed, Though clay and spirit sunder. Hark, again The last weak cry of ling'ring nature lifts A dying homage to the truth divine ; And then, on yonder kneeling forms and friends Before him, falls one faint and farewell gaze, And, — all is over ! while his features fix Their pale expression into placid trance. No sigh is heard, no groan, nor shudder comes ; But speechless, and with hands devoutly lock'd, And mute as monumental prayer, he lies A dead Immortal, deep in glory now ! And here the dead Elijah of the Gospel lies ! And rarely to the spirit's home hath fled From this low earth, a loftier Soul than he, The lion-hearted Luther ! Never more That princely mind with gen'rous pang shall bleed ; He sleeps in Jesus, but he wakes to God, POETRY AND RELIGION. 197 Chanting in heaven the song on earth he sung, " Worthy the Lamb ! for He was slain for me !" The race is o'er, the goal immortal reach'd ; Servant of Light, and vassal of his Lord, Him hath the Master with the host above United, call'd, rewarded, — and resumed Back to the Bosom whence his graces flow'd, And let the pope and priest their victor scorn, Each fault reveal, each imperfection scan, And by their fell anatomy of hate His life dissect, with satire's keenest edge, — And yet may Luther with his mighty heart Defy their malice, though it breathe of hell ! If soul majestic, and a dauntless mien ; If faith colossal, o'er all fiends and frowns Erect ; if energy that never slack'd, With all that galaxy of graces bright Which stud the firmament of christian mind ; If these be noble, — with a zeal conjoin'd That made his life one liturgy of love, Then may the Saxon, from his death-couch send A dreadless answer, that refutes all foes, Who dwarf his merit, or his creed revile With falsehood. Far beyond them soars the Soul They slander ; from his tomb there still comes forth A Magic, that appals them by its power ; And the brave monk who made the Popedom rock, Champions a world to show his equal yet ! 193 POETRY AND RELIGION. Breams No incantation which the outward sense In the full glow of waking life perceives, Rivals the magic by mysterious Night Evoked, — when Dreams, like Messengers from heaven, Rise from eternity, and round the soul Hover and hang, ineffably sublime ; But mocking language, when it tries to catch Their fine ethereality of truth, and power. — Yet, all are dreamers, in the heart or head Pursuing ever some phantasmal good, Some fairy Eden, where the flowerets bloom Beyond the winter's blight, or serpent's trail To waste or wither ; — Life itself a dream, An unreality of wondrous things, Of change abrupt, of crisis unforecast, Often in hours of high-raised fancy grows. And how religious is the sway of Dreams, Which are the movers of that secret world Where most we live, and learn, and love, — Building our being up to moral heights, Stone after stone, by rising truths advanced To full experience, and to noble aims ! The tombs of time they open, till the forms, The faces, and the features of our dead Lighten with life, and speech, and wonted smiles ! While memory beautifies the Thing it mourns, And to the dead a deeper charm imparts Than their gone life in fullest glory had. — And thus, in visions of the voiceless night. (Apparelled with that beauty which the mind POETRY AND RELIGION. 199 Gives to the loved and lovely when no more,) Rise from their tombs the forms of fleeted days, Friends of bright youth, — the fascinating dear ! Till back returns life's unpolluted dawn, And down the garden walk, or cowslipp'd field, (Where once he prattled, full of game and glee,) The man, transfigured back to childhood, — roves Tender as tears ! So, on the wind-bowed mast The sailor-boy in dreams a mother hails, And hears her blessing o'er his pathway breathed ; Or, pale and gasping, ere his life-drops ebb For ever, how the soldier thus depicts In the soft dream of some remembered day, The hands that reared him, or the hearts that heaved With omens, when the charm of tented fields Seduced him from the sweets of sainted home And virtue :— Dreams are thus half-miracles ; All time they master, and all truths embrace, Which melt the hardest, and our minds affect With things profounder than our creed asserts. But when creation with its primal bloom Was haunted, and the spirit-world appeared With thrilling nearness on this world of sense Splendours, and secrets, and mute signs to bring, Beyond what modern Grossness can receive Or sanction, — then to patriarchal Mind In that young period did Jehovah come, And unto conscience syllable His Name, By voices deep, in visions most divine : Or, Apparitions oft at noon of night Dimly the future to a seer unveiled, — Woeful, or wondrous, or with mercy charged. Such dreams the mystery of slumber made Heralds of grace, and harbingers of Heaven, 200 POETRY AND RELIGION. And prophets of the Infinite-To-Come, They were, and ministered high truth to man. Sleep was religion, for it glowed with God ; And that which Daylight could not, dared not see,- Oft in some trance when Mind o'er matter ruled, The night uncurtained, and to soul revealed Grandeurs and glooms, and glories without name. Above, beneath, around, — where'er we move Or live, an atmosphere of myst'ry floats ; For ever baffling, with its gloom unpierced, The pride of Reason's analytic gaze. E'en like that Pillar which, of cloud and fire Contemper'd, to the pilgrim Church bestowed A guidance solemn, through untrodden wilds ; So, human knowledge, in this world forlorn, In shade and light alternately prevails, Too dark for pride, too shining for despair. And thus, accordant with our state corrupt, From truth to truth, the educated Mind Through shades of awe is humblingly advanced ; While noble Ignorance, that knows itself, Kneels in the shadow of the Mercy-seat And prays the heart to piety, and love. Htfiftt. The Day is earth, but holy Night is heav'n ! To her a solitude of soul is given, Within whose depth, how beautiful to dream, POETRY AND RELIGION. 201 And fondly be, what others vainly seem ! Oh, 'tis an hour of consecrated might, For Earth's Immortals have adored the Night ; In song or vision yielding up the soul To the deep magic of Her still control. My own loved hour ! there comes no hour like thee, No world so glorious as thou form'st for me ; The fretful ocean of eventful day,— To waveless nothing how it ehbs away, As oft the chamber, where some haunted page Renews a poet, or revives a sage In pensive Athens, or sublimer Rome, To mental quiet woos the Spirit home. There stillness reigns, how eloquently deep ! And soundless air, more beautiful than sleep. Let Winter sway, — her dream-like sounds inspire : The social murmur of a blazing fire ; The hail-drop, hissing as it melts away In twinkling gleams of momentary play ; Or wave-like swell of some retreated Wind, In dying sadness echo'd o'er the mind, — But gently ruffle into varied thought The calm of feeling blissful Night has brought. How eyes the spirit, with contented gaze, The chamber mellow' d into social haze, And smiling walls, where, rank'd in solemn rows, The wizard volumes of the mind repose ! Thus, well may hours like fairy waters glide, Till morning glimmers o'er their reckless tide ; While dreams, beyond the realm of day to view, Around us hover in seraphic hue ; Till Nature pines for intellectual rest, — When, home awakens, and the heart is blest ; Or, from the window reads our wand'ring eye 202 POETRY AND RELIGION. The starry language of Chaldean sky ; And gathers in that one vast gaze above, A bright eternity of awe and love ! ©Ottttmjrtatumis gttsststotr fcg 'Sight* But the midnight hour is come ; The moon, with her pale hierarchy girt Of stars, is gliding to the ocean's brim : And, listen 1 — for the chime of far-off bells O'er a dead Sabbath tolls their dying tone. And now, the Day is buried ; to thy tomb Eternity, with all its hopes and fears Gather'd, and gone. But oh, how thrill'd The chords mysterious of our secret frame ! As if the stirrings of a life unborn, Latent but lovely, — this rapt hour inspired. The Dead seem gazing on our hearts again ! Illapses deep, irradiations pure Glide through our spirit, from a source unknown ; Until, by awful loveliness subdued, Heavenward the pilgrim lifts his eye of prayer Expressive : youth, and home, and long-fled days With soft revival, touch him into tears Unshed ; and while the arch of night yet rings With the soft echoes of the sunken chimes Around him, many a thoughtful sigh is heaved O'er visions gone ; while things that once becharm'd The dazzled fancy, pale and cold appear, — Weeds of the past on mem'ry's lonely shore ! Deep trance of Night ! a mystic power is thine, That sanctifies creation with a charm POETRY AND RELIGION. 203 Beyond what day-beams, in their brightest glow, Can emanate, whate'er the scene they gild. But, oh ! if ever into heart of man The Midnight, like a mute religion sent Her spirit, — surely when the captur'd monk Down the dim chambers of the Wartburg paced, Thy genius, then, in solemn glory reign'd ! There, by his window' d turret, lofty, bleak, And lone, unharm'd in holy peace he mused, The past revolved, and o'er the future pray'd. But there be moments, in this life of ours, Beyond the weak apocalypse of words E'er to unveil ; so charged with secret might, They master with perplexity immense, Or into voiceless sentiment transform Our spirit : like a cloud, we seem to float In formless vacancy, with fruitless gloom Begirt and blinded ; — till forced nature feels By truth replenish' d, and distinctive thoughts Rise from the heart, pathetic, soft, profound, Like tears of pity in a good man's eye. — Then, all we have been, are, or hope to be, Blends in strange climax ; and the soul's o'ersway'd With big emotion, or with breathless prayer. All that we Have been, yes, the night restores : Form after Form we loved, or knew, or fear'd, Moves o'er the platform of the summon'd past ; While dead eyes open, and familiar smiles Fall on our hearts ; or, household voices ring, Till the soul echoes with remember'd tones Sweeter than music in its tranced excess ! And all we are, — oh ! Night can this expound ; And self to self, beyond all preachers show, 204 POETRY AND RELIGION. In truthful plainness ;— making conscience start As sin on sin, which cov'ring daylight hides, From the dim back-ground of our being comes, To awe Conception. Then, the future's doom ! — - Oh, how the spirit of the midnight hush To That, significance and shape imparts, As depths of possibility untold Open beneath Imagination's eye, — Fearful, and fathomless, and full of God ! But, then we rise ourselves beyond ; and reach The skirts and shadows of a higher State, Yet to be master' d. Or, may Thought presume Thus to imagine, — that as embryo Life Hath latent inlets ere the breath begins, And dormant Senses undeveloped powers, — So, may our Spirit in the flesh perceive Faintly and feebly, some prelusive State, And preconceptions of Hereafter feel Which antedate a nobler Life, to come ? Here is the moment when our conscience If racked, or guilty ; when religion wakes From depths unopened in the fev'rish day, While awed Imagination lives, and feels Th' unborn poetry of speechless mind Within her quickened : loud the heart-throbs beat ; But, in this syncope of nature's voice, What mute theology a moment wields O'er the strained fancy ! — now indeed we prove That worded speech to manhood appertains, But Silence the Almighty's language is ; And Faith can hear it, — thrillingly intoned With inspirations from eternity ! POETRY AND RELIGION. 205 Ittfttttcttbe Irrcatr of ©tatfu Philosophy in vain her charm applies ; Reason may laugh, and science coldly sneer, And all the hravery of words may try Off from the soul this incubus of dread To shake : but still, the clay cold touch of Death Thrills through our bones like supernatural ice ; And in the chamber where his power we find, How the foot presses on the very floor As if with rev'rence ! and our breath is held In awed suspension ; scarcely can our Words venture abroad ; and as we sadly bend Our speculation o'er the marble face, In the stern paleness of its dread repose Beneath us lying, something not of earth Comes strangely creeping o'er the harrowed mind !- A hushed sensation, an unspoken chill, A choking weight that on our bosom sinks, Dismal as if the horrid grave immured Our being, while 'tis yet with life inspired. Eternity doth time and scene and soul Into itself absorb ; and what was once A fact believed, grows awful feeling now. TEo St> — tefiai ig it ? To die, — what is it ? but with swift embrace To clasp eternity, and cling to God With powers renewed, and faculties refined, And with the Essences of Truths and Things 206 POETRY AND RELIGION. To hold acquaintance infinite, and full ? To die, — what is it ? but from Time and Flesh Escaping, with our manumitted soul, On Shadows, Secrets, and Sublimities Behind the palpable of Sense retired, — At length to gaze ; and, where no clouding sin Perplexes reason, find all mysteries dark Which sadden earth with their o'ershading gloom, — In the vast light of vindicated Heaven Resolved for ever ? — Yes, the body's death Is but the breaking down of prison-walls, To let the Spirit into boundless life ! Say, who has felt this fevered anxious life, Its fretting heart-aches, falsehood, sin, and tears, Ambition's waste of unrewarded toils, Reluctant kindness, changing friends, and foes, Together with the chill that added tombs Cast o'er declining years ; and then are taught, By truths from Heaven, a brighter world to seek, — And have not, when like Hagar, reft and drear, Felt death a freedom, and a grave their home ? For, oh ! how many does the Clime of Souls Hold of the dearest, whom our hearts embraced, Esteem hath loved, or admiration known ! Eternity is richer far than time; Thus Faith and Feeling can alike perceive, Meetings how warm, and welcomings how bright, From each high Master-piece of human worth, Genius, or grace, or glory's finest Heirs, — Await us, in the spirit-peopled Land ! There, be the Patriarchs, Prophets, Priests, and Kings Of olden time ; and Saints august, who lived Like Angels, in their purity unstained ; POETRY AND RELIGION. 207 Apostles, Martyrs, and th' anointed Host Of Heaven-beloved, but unremembered Minds, Whose paths were lowly, but not less sublime,— There are they gathered to that sainted rest Where Christ, as Centre, over all presides In crowned perfection ; and to each imparts Himself for ever, with augmenting bliss. What then is death, but nobler Life begun, Release from bondage, — an Existence raised High o'er this Being, which we darkly bear Clogged with base fetters, by our fallen clay Fastened around the Spirit they enthral ? But, oh ! forget not, that a light hath flashed Forth from the tomb where buried Jesus lay, Immortal, — and o'er all the graves of earth Poured the clear lustre of a Life to come Celestial, and unchanged ! For when the pulse Of life returning, in His breast began To quicken, and His awful Form arose, Oh, then it was, as though creation's tombs Flew open, and the vast unreckoned dead Who were, or shall be, — in Himself arose : For in His Person, human Nature stands ; His life, salvation, and His death, the same ; — So, from the grave to God reducing back That Nature ransomed, and by merit raised. 208 POETRY AND RELIGION. Sfatrug' ©attsfitcr* On Jairus Heaven an only child bestow'd ; A lovely scion, round whose being twined The clinging fondness of parental fear : For, beautiful as Syria's lonely flowers That wave and murmur on the shady top Of wooded Lebanon, — her form had grown From infancy, till now, revealing Time Had written woman on her virgin cheek. Born in that land where Summer's pregnant beam Was brightest, where the fruits of Eden hung, And the rich mulberry spread a snowy bloom, While grapes empurpled ev'ry terraced hill, — Her shape and spirit magic influence caught From Syria's clime of glory ; — nature's grace By power of exquisite attraction seem'd Reflected from it : light and beauty fill'd Her soul, and flash'd from those irradiate eyes ; And walk'd she not, as Israel's daughter would, The mighty scenes where patriarchal feet Had trodden, where the God of Zion spake ! — Lake, fount, and river, and the mountains three Which camp'd her warriors, and that still o'erlook Esdraelon's plain, where tented Arabs dwell, Around whose home, when dewy nightfall comes, The gambling flocks to reedy murmurs play, — * From each and all pure inspiration sprung, And told how beautiful religion look'd By youth entempled in a spotless heart ! * See Malte Brim on Palestine. POETRY AND RELIGION. 209 And yet on her, so delicately young, Infection breathed, and poison'd blood and brain, Till all the bloom of animation died ! Her form was blighted, and her faded cheek The pallid certainty of coming doom Betray'd. — Oh, hear it, Heaven ! — a father's prayer Ascends the sky, to claim a brighter hope : Away ! with agonizing speed he flies, Nor treads the ground, nor hears the city-roar, Nor feels the motion of his moving limbs ; Condensed, and darken' d into wild despair His soul became, till Nature's functions fail'd, And earth was reeling from his dazzled gaze : When full amid the pharisaic throng He rush'd, and prostrate with a burst of wo, Thus broke the spirit from its horrid trance ! — " My daughter, Lord ! her dying pangs approach, But hasten ! touch her with Thy healing hand, And yet my child shall live !" — -Ere Jesus came, Her spirit vanish'd, like a lovely sound ! The house of mourning : hark ! the fun'ral dirge, The doleful flutes, and dying melodies Of instrumental tone, or wailing yells Of frantic grief and mercenary wo.* But, enter ! — there in yon sepulchral room Alone a childless mother comes to seal The lids of death, and on the marble lip Imprint a long and last — the parting kiss. And shall the worm of putrefaction feed On that young form, of Beauty's finest mould ? The light and life of twelve enchanted years, All sunk and shaded in remorseless dust ! — * Abbe* Fleury's Account of Jewish Ceremonies, &c. &c. P 210 POETRY AND RELIGION. Oh agony ! could thawing tears the soul Dissolve, let sufFring Nature shed them now. While o'er thy cheek, so eloquently pale, Once full of rosy life, her bending eye With dreadful speculation broods, — beloved, And blessed ! all thy winning ways and smiles, Thy look and laugh, in one sweet throng, return Upon her, till thy warm and living breath Again is playing round Affection's heart. But ah ! her martyr'd frame's convulsive heave, As if in that chaotic gloom of mind, When feeling is our only faith, the soul Would rive the body, and at once be free, — Betokens thou art death, and she despair ! Believe, and fear not ; in the blackest cloud A sunbeam hides ; and from the deepest pang Some hidden mercy may a God declare. There as she stood, delirious, rack'd, and wild, The Saviour enter'd, and his soothing glance Fell on the mother's torn and troubled heart, As moonlight on the ocean's haggard scene. The wailing minstrel, and the dirge of death, He bade them cease ; — " The maiden is not dead, But sleepeth !" Then around her vestal couch The mourning parents with His chosen Three Advanced, and in the midst, divinely calm, The Son of Man. — In lifeless beauty laid, A loveliness, and not the gloom of death The virgin wore ; and on her placid cheek The light of dreams reposed : oh, ne'er could dust A purer sacrifice from death receive ! But when He stoop'd, and held her icy hand, And utter'd, " Maid, arise !" the beating heart POETRY AND RELIGION. 211 Of wonder, doubt, delight, and awful fear, Was hush'd ; for, swift as echo to the voice Replies, the spirit of the dead awoke At His high summons ! whether from the arms Of angels, lock'd in some oblivious trance ; Or from the bloom and breath of Paradise Amid beatitude,— to earth recalled, To us unknown ; enough for man to know, That when the Lord of resurrection spake, The Soul return'd ! — and mark its coining glow ; Soft o'er each deaden' d cheek the rosy light Of cherub slumber steals ; the eyes unfold, And lift their veiny lids, as matin flowers When dew and sunshine fascinate their gaze ; In red and smiling play the lips relax, And, delicate as music's dying fall, The throb of life begins ; — she moves ! she breathes ! The dead hath risen, and a living child Sinks on the bosom of maternal love. Ethereal essence, interfused through space Is love. In orbs of glory spirits live By such perfection : and on earth it feeds And quickens all things with a soul-like ray, — The beautiful in its most beauteous sense ; And symbolized by Nature, in her play Of harmonies, her forms, her hues, and sounds : In each, connexion, aptitude, and grace Reside. Thus, flow'rs in their infantile bloom Of sympathy, the bend of trees and boughs, The chime of waters, and caress of winds, — p 2 212 POETRY AND RELIGION. Betoken that they all partake a sense Of that sweet principle that charms the world. And yet, though Love a human seraph be, When pure and blest, — by circumstance deform' d It turns a demon, in the heart enthron'd, Draining the life-blood out of Virtue's breast ! For many, gentle as their wishes once, "When love smil'd round them with prophetic ray, With hearts by disappointment torn and rent, And spirits blasted with the blight of wrong, — Are driven onward through a wild'ring course, Untemper'd and untam'd. Pftunan Hobr, Emotion that is most sublime Of all that hallows earth and time ; That principle from whence we draw The light of each celestial law ; Pervading sense, preserving power, Whom death nor darkness can devour ; An omnipresent might and spell Wherein all mind and matter dwell, — Is Love ! — By that bright word alone We vision forth The Vast Unknown ; The Ruler of the seraphim, Whose glory makes the glorious dim ! And not an element that grows But breathes the life which love bestows.- So magical its wide command, — The sternest rock, the blackest stand, Around an exiled wretch hath thrown A charm that Paradise might own. POETRY AND RELIGION. 213 And who, when form and face depart That seldom touch'd his deeper heart, Or, e'en in hours of marring strife Disturbed the pure serene of life, — That feels not, while he says, " Farewell I" A love-born sense within him dwell ? — A touch of heart, whose tenderness Provokes him with a thrilling stress ? And hence the captive, when the light Of freedom daunts his reeling sight, With something of a mute regret, His gaze on dungeon-walls hath set, Though Misery's hand had graven there The words and weakness of despair ! — There is but one who cannot love, The Anarch of the thrones above ; Apostate, in whose sleepless eyes A hell of burning hatred lies ; Whose torture is th' undying sense Of unadored omnipotence ; A wither'd, dark, defeated Mind, That curses Heaven, and scorns mankind ! — And will the loveless, stern, or grave, Think human fancies wildly rave, When young affection's meteors play In dazzling falsehood round their way ? Oh ! take him to some towering mind, Whose Orphic words entrance mankind, And when the mask is laid aside, And backward rolls the blood-warm tide Of feelings, rich with early truth, And vital with the flush of youth, — How wither'd, wan, and leafless, grows The laurel that Renown bestows, 214 POETRY AND RELIGION. To that bright wreath affection wove Round the fair brow of youthful Love ! — That love, whose faintest impulse wrings The bosom's agonized strings, And even in its mildest reign Overpowers him with a yearning pain, — • A feeling that is unforgot, That seems the core of life to rot, And deaden it with slow decay, As water frets the rock away ! Thus passion forms the bane of bliss Of being, in a world like this ; The day or night of inward joy, Which years may dim, but not destroy ; Love reigns but once, — yet that will be Affection's true eternity ! All future love mere echo seems Of vanish' d hope's melodious dreams ; A dying tone of lost delight, A fragment of those feelings bright That once, when youth and heart were whole, Excited, charm'd — and crush'd the soul I Pofocr of the &fftttiow. That power without whose added spell, So vast, yet so invisible, The lustre of our spirit wanes, And pleasures are but smiling pains, Is holy love, by hearts enjoy'd, Unchill'd, unchang'd, and unalloy'd. — And will the Stoic deem me wrong, A martyr of mistaken song ? Without it, what are crowns and kings, POETRY AND RELIGION. 215 But barren toys, and blighted things ? Art, Wit, and Genius, all we glow To think cold earth contains below, By woman's voice, or woman's name, Have gather'd fortune, might, and fame. — And ask him whom the world hath worn, Whose brain is rack'd, whose bosom torn Amid the dust, the heat, and strife, Around the day concenter'd, How exquisite that purer life, At eve, when he hath enter'd The garden path where Peace can wind, And cast the demon Care behind ! — The tottering pace of infant feet, That haste a homeward sire to greet ; Each budding thought, and broken word, So faintly seen, and softly heard 5 The tones of air, the tender hues Affection pours on all it views ; And, sweeter far, those eyes that live Upon the rays his own can give, Now kindled into fond excess Of light that speaks, and looks that bless ! — To him who feels such blended power To hallow Eve's domestic hour, The star of life, where'er he roam, Is she whose ray attracts him home. ^Roman's; Hofat* But might those Spirits who have been Still watchers of our troubled scene, Beholding with dejected eye 216 POETRY AND RELIGION. The throes of human agony, To Earth repeat the tale of life, Since first convulsed with gloom and strife,- How much, methinks, would Virtue prize That never dazzled mortal eyes, As Angels read the awful story Of empires dim, and ages hoary, And, while they scored a hero's crown, To woman give the heart's renown ! For pangs that tore with secret sway, For tears by night, and toils by day ; For tortures by the world untraced When love was wreck' d, and truth defaced : For fondness in the fiercest hour Of tyrant wrath, or ruin's power, — For every sad and silent wrong That Weakness suffer' d from the strong, — For these, and all young feeling bore, When mis'ry made it love the more ! A chaplet of celestial light Would angels weave for woman's right. Oh, she is all that soul can be, One deep, undying sympathy ! — When Life is scarce a moving dream, 'Tis like her spirit's native beam, That never from its fountain strays, But lives alone within her rays : And, round an infant, how divine The wreath a mother's arms can twine ! And when dark years of manhood bring Their load of fated suffering, As true as echo to the sound, Her blessings to his wants abound. — In sickness, ah ! how smooth the bed POETRY AND RELIGION. 217 Her duteous hand alone can spread ; And, when the shades of death advance, What paradise within her glance, While all her yearning soul appears Dissolved in love, and hathed with tears ! And say, can aught but Death unbind Affections round her soul entwined ? Though distance may bereave the eye, And o'er him hang a stranger sky, The sun that brings her spirit's day Is born of his illuming sway ! The ground he trod a glory wears ; The twilight walk his step declares ; No melody so sweetly heard As Fancy's love-repeated word ! His picture on her heart portray'd, (Soft mem'ry asks no other aid) — Bright o'er her face she oft can feel His visioned gaze of fondness steal ! The breathings of his soul begin To thrill her echoing soul within ; And then, ere truth is half aware, Her lips address the tongueless air In words of unregarded tone, — As sunlight on a rock is thrown Where flower nor herbage, fruit nor stream, Exult to drink the offer'd beam ! Against him raise a sland'rous breath, — And blooming looks the cheek of death, Compared with that appall'd distress That blights her features' loveliness ! Applaud him, — and the heart will rise, Irradiant in her dewy eyes ! 218 POETRY AND RELIGION. Lustrous, and fill'd with tearful light, Like rain-beads when the moon is bright. Voiceless her tongue, — but what a glow Of spirit's grateful overflow, In eloquent excess appears To ghtter through those dawning tears ! And, ah ! forgive, — if fondly weak, Too soft of one her soul will speak ; And faintly interweave his name With hours when Love should hide its claim : For thus chance words will oft betray How secret thoughts roam far away ; And hence, by soft and sudden tone, The dreamings of the mind are shewn, — Like rays of beauty, when they dart From out a cloud's divided heart, And dazzle into gay surprise The lids of unexpecting eyes. iCUttecttfat Stanzas* i. The pining leaf, the perish' d flower, The tints of Autumn thrown In pensive ruin o'er some bower, Where gay spring-buds had grown. The falt'ring wave, the feeble cloud That faints like thought away, — With nature's warning, unallow'd, Predict our own decay ! Poetry and religion. 219 And who can look down Life's dim vale, Where buried hours repose, Or listen to the rueful tale Of man's recurring woes,— Nor feel within the spirit's core A pang of mute regret, For feelings that exist no more, For joys whose sun is set. Yes, Lady ! in this life of dreams My heart has had its share, And still around my fancy beams The wreck of visions fair ; But hollow laugh, and heartless smile, And tones of mirth untrue, Can barely mock the soul awhile, And veil it from thy view. Another to the countless mass Of spirits who have fled, — I add my sigh as on I pass To regions of the dead ! II. The sunbeams in their brightest mirth Are dancing o'er the sea, And hues and harmonies of Earth Betoken summer's glee. 220 POETRY AND RELIGION. I watch the clouds with fairy glide Athwart the blue air gleam, And view them mirror' d on the tide Like features in a dream. The very leaves are ton'd with joy, And carol to the wind, Gaily as when, a pangless boy, They echoed back my mind. Gladness and glory blend their sway Around this ocean scene, — And yet, to me the brightest day Is dark to what hath been. The flowers of hope, the young and fair, Are dewless, cold, or dead ; The lip may laugh — but where, oh, where The spirit's sunshine fled ! I hear the voice of vanish' d Hours, And mourn the faded past ; Oh, why should feeling e'er be ours, And nought but mem'ry last ! Giivfettim Home* Home of the Christian ! when Messiah comes A scene of Heaven in miniature art thou, Where all is redolent of charms divine, Temper renewed, and souls by grace becalmed. Thy quiet precincts of a purer world Breathe to the heart of faith ; and, when compared POETRY AND RELIGION. 221 With what the worldling in his home enjoys, — E'en like the vexing hum of some large street Where all is haste and hurry, tramp and strife, In contrast with the unpolluted calm Of some cathedral, where a Spirit's hush Hath brooded — seems that worldling's noisy home. *Pi* €fiarms of Home* Yet, must Experience, bitter, bleak and long, Teach the wild spirit of ungrateful youth, How early Home, the seat of childhood's joy, Beneath whose shade th' Affections dwell embowered In maiden freshness, and in morning bloom, Mid kind restraints of reason, order, law, — A blessing hath, beyond that wider sphere Where the loud world, with all its painted scenes, Enacts the drama keen Excitement loves. But Time must teach, and Sorrow darkly learn This lesson of the soul ; and not till years Perchance, their course have channelled on the brow, Of Pleasure's cheat, Ambition's empty dreams, Or Passion's fell satiety hath taught, Each, in sad turn, the prodigal a truth, — Can early happiness be duly prized. Oh ! then, how often does that inward eye Eetentive, (in whose gaze the Past exists Immortally, the mind's perpetual Now), The sunshine of a quiet home revive, Till yearns the bosom for a scene no more ! — Then, will our conscience, by instinctive love . Pay the dear Past a debt of gratitude Mournful, as mighty. Then in truth we learn 222 POETRY AND RELIGION. That never music like a mother's voice, And never sweetness like a father's smile, And never pleasure like that home-horn throng Circling calm hoyhood, — has the World supplied ; Though much it promised, when our fev'rish mind Lured hy its syren tones, a rover turned, And, grasping shadows, — lost substantial bliss ! Our simpler tastes, our tones of purer thought, Our love for that which healthful Life demands In rounds of daily care, and duteous forms Of self-denial, — these exist no more. But foul desires, the satans of the soul, And morbid want, and mutinous unrest, In place have come ; and haply too, remorse, And jaded passion, jealousy, and scorn, With a fierce sense of wrong that rots the soul In secret, — in our cankered being dwell. And then, like paradise to exiled Eve, The Home deserted through our mem'ry smiles ! Murmur the brooks, and wave the garden-boughs, And greenly shines the meadow where we played In sporting boyhood, — till a tearful dew Melts from the heart, and in the eye dissolves ; And, like the spendthrift, soon the Soul decides Back to lost purity and peace to wend. Each step, repentance, and each sigh, a prayer. $nfttmtce of ©arlg ImfvttttHawt. But character is combination, drawn From Time and Scene, from Circumstance and Spot. The brooks which prattled in our Boyhood's ears, Or, on whose wavelets sail'd our tiny boat ; POETRY AND RELIGION. 223 The tree we climb'd, the path we loved to trace, The cowslipp'd valley, or the hawthorn bloom ; The widow's cottage, or some thatch' d abode Where dwelt the vet'ran of our native vale, Who smoothed our head, or press'd our rosy cheeks With ancient humour, — all, with shaping charm Secret but sure, that Being help to build Which manhood in its moral structure shows. For there is nothing which we feel, or see, Admire, or welcome, but a forming power From them doth flow, and reach the vestal mind. Sunrise and Sea, and solemn-vested Night When mute creation God's cathedral turns For Nature's worship, with all social things ;— The Hand you grasp, the Hearts your own selects, The sigh you echo, or the tear you shed Responsive, — none wield unavailing sway ; But leave impression, tinge, or secret tone, Hereafter in your complex manhood felt, Or found. And, like as our sepulchral dust Howe'er transmuted by organic change, Under the blast of Death's awaking trump Back to the Person, by attractive law Shall rally, and a perfect body form ; So, may the structure of our moral frame Completely from such causes manifold The after-finish of its form educe. Jerusalem, forlorn Judaean Queen ! Girt with the grandeur of eternal hills How art thou fallen from thy sacred height 224 POETRY AND RELIGION. Of splendour and renown ! Unhallowed now, Save by the tombs and memory of the past ; Hush'd are thy trumpets, that enrapt the air With Jubilee, — when freedom burst the chain Of captives, heart with heart embraced, and eye To eye beamed fellowship ; while not an ear But feasted on that soul-awakening sound ! Thy Temple vast — whose architect was God Himself, when first the giant fabric grew, That matchless pile on which Religion gazed With haughty glance, where Glory dwelt enshrined,- Where is it now ? Dead as the Roman dust That erst, with living valour fired, uncrown'd Thy queenly pride, and palsied thy vast walls, Strewing the plains with atoms of thy strength ! And yet, where yonder marbled courts, and mosques With sun-gilt minarets, like glitt'ring peaks Of mountain tops, are seen, a prophet stood, And in stern vision saw predestin'd Time Advancing, with dark ruin on his wings, To shatter thee, and sprinkle the wide earth With orphans of thy race. How scornful rang Thy laughter, when such vision was unrolFd ! — ■ But when thy hills were sadden'd with the cry Of Desolation, moaning her despair, Many a Demon on the viewless winds Exulted, shouting, with revengeful joy, " Thus sink the glories of great Palestine !" In moods of high romance, and holy thought, 'Tis pleasant down the depth of ages past To venture, re-erect huge Capitals, And hear the noise of cities now no more ! But Egypt, with her pyramids august, POETRY AND RELIGION. 225 Titanian Thebes, or Athens, temple-famed, Or Rome, that miracle of mighty arms, And whatsoe'er gigantic Fancy builds In visions of the vast and gone, — dissolve To shadows, when Remembrance pictures thee, Jerusalem ! Alas ! the wailing harp All truly mourn'd, a throneless Captive thou, In dust thy robes of beautiful array Have wither'd ; tears are on thy faded cheek, And nothing, save a glorious past, is thine ! — Those mountains, branded by th' almighty Curse, Ascend, and look down yon sepulchral vales, "Where silence by the tramp of desert steeds Alone is echo'd : paths of lifeless length, Dim walls, and dusky fanes, barbaric homes, And Arab huts, — how eloquently sad The ruin, how sublime the tale it tells ! Jerusalem ! the clank of heathen chains In iron wrath hath sounded o'er thy doom For ages : sword and savage on thy blood Have feasted ; fatal martyrdom was thine From Roman, Frank, and fiery Mameluke : E'en now, thy wreck is made Pollution's prey; And minarets their flashing spires uplift, Where once the palace of Jehovah blazed ! But round thy desolation lives a dream Of what Thou wert, when Heaven o'ershadow'd thee. Religion, fame, and glory — all endow'd With mingled light thy once celestial home. There 'tween thy Cherubim, th' Eternal dwelt ! From out the Cloud His utter'd meaning came ; The hymn of David, and the voice of seers By vision raptured, through thy streets have roll'd ; 226 POETRY AND RELIGION. And He who spake as never mortal did, In temple vast, and synagogue proclaim'd His awful mission : — well might warriors pause, The poet chant, and pure apostles bend Before thee, casting down their sacred wreaths, Queen of the desert ! once by angels walk'd, And still where murmurs of Jehovah's lip In dreams of melody, thy vales entrance ! %ift in ttsf tvut &tgttiftrattotu He lives the longest who has thought the most ; And by sublime anticipation felt That what's immortal must progressive prove, Or, retrograde in everlasting night ! What is action, but the Spirit's garb, Then form and pressure of a life unseen ? And that more awful than the outer Sense Can shape, or recognize by teaching words. Within is life ! — the Trinity come there To bless or blast, as we their own become By likeness, or satanical by sin ; But Life exterior, with its painted shows, And all its multiplex array of scenes By conduct acted, or experience tried, — Is like the ripple seen on Ocean's face ; Hiding the unregarded deeps below, And tempting gazers to discern no more. POETRY AND RELIGION. 227 Wto Sacramental Uocit* But can we, in this miracle of might And mercy, nought beyond some parched lips Fired with the fury of a scalding thirst, But in a moment by the summoned wave Subdued and softened, — can we nought but this Behold, and welcome ? No ! that Rock was Christ, A Mystery of stone, aloft it towered, Typing the properties of Him to come, The Rock of Ages ! Christ our Rest is made And Refuge, in whose riven side is hid The Church, blood-ransomed : And the ancient Type With eloquent exactness fits the truth Of Him, in whom all ritual shadows find, Their answ'ring substance, — Christ the perfect Lord ! For, e'en as rising to the vaulted sky The rocky form of Meribah appeared Both sky and earth conjoining, — so doth Christ In Godhead, reach the Infinite Supreme, In Manhood, touch the finite of Mankind, And both together with almighty bond Ineffably in one True Person join, For ever thus. But, when amid the heights Serene of some calm mountain you ascend, Casting your eye-glance with delighted gleam O'er the wide prospect, that around you spreads Magnificent and mighty, — know thou, well, Believer ! even thus, with eye unfilmed, Placed on the summits of redeeming Love, May Faith a landscape of divinest sweep, A moral prospect of amazing power u 2 228 POETRY AND RELIGION. And sacred grandeur, thrillingly survey, And glory as she gazes ! — Yes, the Rock is Christ, From whence Religion up to God may look To read His statutes, in full-orbed blaze Together magnified. And Truths which bind Eternity by their relations, rise Before thy sainted vision : — Heaven with all Its splendours ; Hell with all its hoarded pangs And penalties, upon this Rock the Soul May shadow forth : while Earth, and Man, and Time, In the clear light of this commanding view Resolve their paradox, and half unveil Secrets beyond the philosophic Mind To read, or master. — Providence and Life, And Death, with That which dwells beyond the tomb, And Judgment, at whose bar our Thoughts will stand As well as actions, — these upon this Rock Of mercy, on the eye of conscience pour Meanings that strike the Memory with awe, Yea, sometimes make Imagination pale As terror's hue. — But, when the destined wand, Waved by the Leader in this ruffled hour Of ire and anguish, smote the craggy pile, Behold ! an image of that Legal blow Hereafter on the perfect Flesh to fall Of Earth's dread Victim, whose vicarious blood The wounding stroke of Heaven's avenging Law Should, from his heart's unutterably deep Of mercy, summon. But the Stream that rushed From the rent side of that symbolic Rock, — What was it, but a liquid sacrament Of grace and gospel, of the Spirit's gift Purchased by pangs, and the all-priceless death Of God's own Martyr, for mankind secured ? POETRY AND RELIGION. 229 And, oh ! methinks, when Israel's fevered mouth Black with the burnings of their horrid thirst, Touched the cool water, — their delighted sense In the keen rapture of its first relief, Was to the lip, what pardon is to souls When Conscience, in the blood of Christ baptized, — At once is softened by that healing balm. And, e'en as that mysterious Water proved Exhaustless, o'er the arid wilds of Zin To thousands, in its pilgrimage of life Freshness and health with ever-flowing tide Imparting, — hath The Spirit's ceaseless love Through the vast wilderness of this vain world The Church companioned, giving endless grace To all Her family of faithful souls. Then gaze we with no unaffected glance On Meribah ; but mark with musing eye The mighty gushings of that God-sent stream, By Moses summoned from the smitten mount. For in that Rock a figured Rest we find ; And from those Waters, our refreshment flows By imaged virtue. Come then, Grace Divine ! And on the fever of this fretted Life Soul-wasting, all Thy holy dews respire ; Or, through the channel of our arid minds And hearts sin-withered, send Thy freshening power To cool them : Life without thee is a thirst That the parched soul with slakeless fury burns, Till Thou allay it, with that mystic stream Which Mercy from the Rock of Ages wrung. Then, all is vigour, peace, and purest joy ! Th' infernal Bloodhound who pursues the soul, Satan himself — the frailest in the flock 230 POETRY AND RELIGION. Of Christ can baffle : and, by faith transformed, Afflictions into future glory change, And weave their iris out of mortal tears. Site Shimi of tfit (Bonscitttct. But, there be moments of mysterious gloom, When frowns Almighty round the heart of guilt, Darker than death-shades, dismally profound, Hover and hang ; then, all the Past revives, Till the dead Hours quicken in their graves, The Infinite a fear becomes ! And all of God to all in man appeals For vengeance ; Horeb is on fire again, In thunder preaching its horrific curse. Then is there Sinai in the soul of man Erected there by that instinctive Law Which Nature's creed must canonize, and own : And oft, beneath its altitudes of gloom Pale Terrors, and alarm'd Compunctions fall By strong enforcement, at its awful base ; And the bow'd Spirit trembles into tears, While thunder-peals of God-proclaiming Truth Preach to our guilt tb/ uncompromising Law Which Conscience echoes, with responsive groan. Then, doubts, that make a Golgotha of mind, Madden the sinner with a fes'tring sway : The wind was sown, the whirlwind now is reap'd ; The seed was darkness— and the fruit is death ! POETRY AND RELIGION. 231 " Careful and cumbered about many things!" Alas ! poor Martha, and, alas, poor World With thy worn victims, — what description here ! For in those syllables our souls appear Imaged precisely ; there, we seem to live, Drawn to the life by Inspiration's pen ! Around, within, and often over man This fretting World a vile distraction brings With such a conquest, that the Soul becomes A wingless Nature, which can never soar Out of base earth, and unto God return, Its native centre. — Fortune, Fame, or Gold (That great Diana of the world's desire !) Or friends to gain, or foes to overmatch, These, with sad appliances, which come From envy's blight, or disappointment's frost, — How do they canker to its healthful core The heart within ! And hence, uneasy, sad, Or much perplexed, with all the vernal light Of hope departed, — myriads plod their way To sorrow, death, or disappointment's tomb, Because, too careful of to-morrow's cost ! This vexing dream, this unsubstantial life, This heartless pageant of a hollow world With gnawing earnestness they keenly prize, Pursue, and flatter ; — but the end is foiled. Oh ! that, like Mary, we did often bend Low at the feet of that unerring Lord Who loves us ; and the burdened Future leave Calmly to Him, who counts and knows our wants, 232 POETRY AND RELIGION. Who feeds the ravens, and the fowls of air, And clothes the lilies which nor toil, nor spin, With peerless beauty. Let us not to man, But to Jehovah, our to-morrows trust, For His they are ; and, what for them He wills Apportions, — wrangle howsoe'er we may ; Mistrusting Him, whom seraphim adore, And in the hollow of whose Hand revolves The living Universe, with all its worlds I But, how Anxiety the heart corrodes, Wasting the moral health of man away, — We seldom ponder, till too late perceived ! When, under burdens which ourselves inflict, The Intellect of half its glorious life Is sapped, while conscience turns a crippled thing; The heart gets aged ere the head grows old, And those bright virtues, which might nobly shine In that clear firmament of thought and power, W T here lofty Manhood would exult to act, Rarely, if ever, into influence dawn. — For else, the grandeurs, graces, charms, and scenes, The smiles of matin, and the shades of night, Sun, moon, and star, wild mountains and glad seas, Meadows and woods, and winds, and lulling streams, With fruits, and flowers like hues of paradise Amid us scattered, — would so well impress The moral being, that responsive Mind Upon the Beautiful would back reflect An answer, most intelligibly pure, To each appeal of beauty. But the world Can so infect the myriads of mankind, — That all those latent harmonies, that link Nature to man by loveliness and might, Lie undiscern'd : and, though a Spirit deep, POETRY AND RELIGION, 233 A Sentiment of fine significance and truth In all Creation, cultured souls may find, How few perceive it ! but, on objects gaze "With eye unmoved ; — as if by God unmade Their beauties, and by Him unformed their powers. Nature to them in all her shrines is mute ; Nor to her mystic oracles, that yield Such music to Imagination's ear, — Can the cold worldling condescend to list. Reader ! be thine, at least, the better Part, "Whate'er thy walk, thy weakness, or thy woes. That good, eternity will not destroy ; But rather, through all ages will expand By new accessions of ennobling power. — Yet, while the turmoil of this troubled world Tries the worn heart, or tempts the wearied mind To false dependence on the things of sight, Though perishing, — to Providence alone Thyself and thine, learn more and more to trust ; For He will keep thee, as His Own beloved, In perfect shelter, and in blessed peace, Now, and for ever ! And, when thus becalmed, Feelings of far diviner growth than Earth Can nourish, from thy spirit soon will rise, And hopes exalt the bosom they inspire : Till, like the prophets, patriarchs, saints, And all the Chivalry for Christ, who fought Faith's battle unto blood ! — above this world With all its pleasures, principles, and powers, Raised by The Spirit, thou wilt learn to live ; And call, whate'er opposing Flesh may dream, A God thy portion, and a heaven thy home. 234 POETRY AND RELIGION. Wxt jffavQibm Most, Hob* fflasu If Heaven be gratitude forever felt By Souls forgiven, who the most have sinned, Then, will the Marys, more than seraphs love The Master, at whose feet on earth they sat ; For, how can Angels, like the pardoned, know How much it cost to buy a sinner's crown Of glory ! — e'en Thy pangs and bloody sweat, And that last Sigh, which shook the universe With dread emotion, as it died away, Thou Shield of Earth, and Sun of all our souls ! Uofo is tilt ztttpttXs Vtmt* Whoe'er thou art, this truth take home, — and think ! Two Spirits only for thy soul contend, The Good and Bad, but now alone is Grace Imparted ; soon thy final sands will fall, And thou, in moral nakedness shalt be To Devil, or to Deity assign'd Through endless ages ! — Oh, that truth immense, This mortal immortality shall wear ! The pulse of Mind can never cease to play ; By God awaken'd, it for ever throbs, Eternal as His own eternity ! Above the Angels, or below the Fiends, To mount in glory, or in shame descend, — Mankind are destioed by resistless doom. POETRY AND RELIGION. 235 Wht Sisters. Martha was like the bright and breezy morn, Elastic motion, and exulting stir, — Hither and thither with unresting foot Gliding about, to show a duteous zeal And urgency, by prompt affection moved, As hostess to the Lord of Life and worlds. But Mary, in her vestal bloom, appeared Placid as twilight, on the dewy flowers Serenely radiant. Mild and thoughtful maid ! — She loved the hush of meditative hours, The shaded walks, the lapse of willow' d streams, The meek-voiced Evening, or the moonlight trance ; While the soft grandeur of the silent hills Sank on her heart like music, sad and low, As oft she wandered, 'mid the rocky glens Round Zion gathered. At the feet of Christ, While restless Martha at the household plied, She sat, and listened ; and, with eye upraised Beaming with prayer, and breath almost absorbed By power of reverence, to His words she clung, And in the manna of immortal Truth Found the rich banquet hunger'd Souls require. But thou, oh Virgin ! pensively inspired With calm and incommunicable dreams Thou art : and while the World's unresting tongue Rings with rapt wonder at Messiah's speech, 236 POETRY AND RELIGION. Thou in the depths of motherhood dost hide His words of glory, e'en like gems of truth Locked in the cabinet of silence there. But, not unheard that cry ! Though nothing human to its sad appeal Responded, Nature all around gave signs And tokens, that the tender God was moved By prayer and pity : for some desert-boughs With tremulous emotion seemed to thrill, And vibrate ; while the tranced leaves awoke, As stir the eyelids when a Vision starts An awe-struck sleeper ; while the torrid air, Under the coolness of a coming breeze Freshens, as if angelic wings began To wanton round it. — Hagar ! thou art heard, And answered ; o'er the harps of Heaven, And through hosannas of seraphic throngs In glory shining, — thine ascending voice Hath reached the mercy of the Holy One ! The orphan's Father, and the widow's Friend, Hath harkened to thee ; and thy pleading looks Have darted through immensity to God, And His compassion ! — Lo, a golden Pomp, (Cloud upon cloud, magnificently piled,) Floats down the sky, — as if on cars of light Angels were coming, for some message winged From courts ethereal ; and from out that Sheen Mysterious, hark ! a Voice, like thunder, deep, But, mild as music when it wakens tears, Is rolling ; and to Hagar thus it cries, POETRY AND RELIGION. 237 " Tremble thou not ! — behold, thy prayer is heard ; Lift thy pale boy ; his sinking frame uphold, For out of him a Nation shall arise Whose doom is glorious !" Back the Pomp retired, And with that equipage of soaring Light The speaking Angel into Heaven withdrew, — Tinging the air like sunset, with a track Of splendours brilliant ; while on earth there seemed A dewy balm insensibly to fall ; As if ambrosia from the skies exhaled Ethereal fragrance. — But thine eyes are oped, Pale, outcast Mother ! and a gushing fount Glitt'ringly fresh, as if from God just sprung, Springs from the desert with a sudden rise Before her ! — streaming with melodious play, Crystal, and cooling. Now, that water drink ! Slake thy hot thirst, the swooning boy revive ; But while the magic of this great relief Gladdens thy soul ; while earth and air grow fresh, As if by sympathy for thee inspired, Wake the young winds, and choral leaves rejoice, And wild birds into warbling anthems break Among the trees embosomed, — let our thoughts In this thy tragedy of trial, view Outlines of much that to ourselves extends A meaning : — in thy grief, as in a glass Heaven has reflected much for man to see ; And so by wisdom to himself apply Lessons of lore profound, which help to make The heart become a preacher to the head. 238 POETRY AND RELIGION. JFvimXf&iiip. True love our moral gravitation makes ; At once the motion, and the rest, of man : But when, and where, and how, th' electric chain Is closely fasten'd into Friendship's heart, Should make us ponder. For 'tis bane, or bliss, And over character will cast a hue Thy tinge, Eternity ! will not o'erlay ; Since love is plastic ; and by secret charm Shapes to resemblance with its moral Self Our yielded bosom ; and the yearning Heart Thus takes the likeness of the thing it loves, — E'en as the insect, from the herb derives A hue responsive to the food it eats. Hence, Virtue only forms the solid base, Rooted and grounded in the heart of Truth, Where friendship's high and holy structure stands Bedeck'd, and order'd, by approving Heaven. Two Finites can no lasting friendship make ; Between them both an Infinite must stand, And He is, God ! Without Him, all is mock ; The paint and pageant of the heart's outside By fancy colour'd, or by feeling tinged ; But, wanting holiness, — that All it needs That crowns a friendship with undying charm. Ho Conttngettxg in tilt Sot of Mm. Bound in the links of that ethereal Chain Which upward, from the insect's tiny pulse On earth that throbs, to yonder wheeling orbs POETRY AND RELIGION. 239 Enormous, its unbroken coil extends, Are all things by the hand Almighty held. And thus, what chance to vulgar Sense appears, Is veil'd causation, and confirm'd decree. Nature herself, through each organic change And form or function, is but Will supreme, In might or beauty, marching to result Predestined ; not an atom is consumed, No leaf can vibrate, not a billow laugh, Nor wild breeze flutter on its fairy wing, But God o'errules it, with control as nice As that which belts the planets with a zone Of harmony, and binds the stars with law. And though mere chaos, to an eye unpurged By rays extracted from Essential Light, (E'en by the Spirit's,) life's convulsive scene Too often looks,— -not thus to them who read The World's great volume, by explaining beams From scripture darted, does the map of time Appear. For then, disorder is but plan Divinely working by arranged degrees ; Upward and onward, into Truth evolved Through the long maze of labyrinthine wills And human actions. Kings, and slaves, and priests ; Erected monarchies, and crumbled thrones ; The shout of warriors, or an infant's wail ; In life, in faith, in conduct, or in creed Whate'er be witnessed,— God behind the Scene, From the high watch-tower of incessant sway Governs, and guides the blended Whole, unseen. Never the Eye omniscient drops its lid, Or slumbers ; whether Virtue's godlike brow Be greeted, and the Church's heart exult ; 240 POETRY AND RELIGION. Or, dark Temptation, like a demon come, Harness the soul, and lash Desire along To ruin, — in that change, no change exists. For, in the freedom of the foulest will Venting itself in vanity or vice ; Or, in the soarings of a strong-wing' d faith, That heavenward mounts, and leaves low earth behind,- Around them moves one all-inclusive Will Which, (leaving man responsible and free) For God retains supremacy, and law. TEiit dFrtrntrslup of Utttficr anlr MtlKttttixon, Fair Amity ! when thus indeed the fruit Of sacred principle, by love inspired, Thy bloom is fragrant of yon World of bliss Ethereal, and with fadeless beauty rife. And such when Luther and Melancthon's heart In oneness holy, blended their deep powers, Wert thou ; a friendship from the Cross that sprang In the green fulness of their common faith. And, in the annals of the Soul, how few The feelings, that more lovingly have twined A wreath of Nature round the brow of Grace, Than those which from the young and verdant breast Of their twin manhood, did together rise ! Distinct in tone, yet undivided, both Their hearts in melody combined, and met. POETRY AND RELIGION. 241 But if in nature, Poesy would find Their fancied echo— hark, the torrent's fall In liquid thunder foaming loud and fierce, From crag to crag precipitously bold, And there, is Luther ! — while along the banks Tree-shaded, list, the low and quiet stream, And there, is mild Melancthon ! Each to each The grace of contrast, and the charm that glows Round minds that vary, while the hearts embrace, Imparted, both in one vast work converged. And, ah ! what hours of evangelic peace, What hymns of soul, what praises blent with prayers, What feelings high, amid the ancient woods Of Wittemberg, were oft by both enjoy'd ! And, in the lassitude of lofty cares, When, crush'd beneath his adamantine wrongs The soul of Luther lay in bleeding gloom, How the calm sunshine of Melancthon' s face Around him shed the heart-restoring smile ! But o'er Thy page, unerring Author ! most Did their high Friendship in communion blend ; As truth on truth, from out the classic grave Of Language, where dead meanings darkly slept, Started to life, in Luther's noble tongue : Till Fatherland its own free Bible hail'd, And God in German to his country spake. Thus, day by day, the Book of Heaven became A sabbath port from Earth's tempestuous cares, That raged, and roll'd around them : Scene and Time And Circumstance, (those mast'ring Three That make, or mar the All that worldings dream,) To them were shadows, — which the radiant Word Dazzled to nought, as clouds in sunbeams die : The monarch's palace, or the monk's low cell, R 242 POETRY AND RELIGION. Or chamber dim, from out whose frescoed walls In massy framework look'd the pictured Dead That live in hues immortal, — 'twas alike To them, who on this world, were in the next, By Faith, or Feeling, ever wafted there. Then, what be those alliances elect, Those bonds and ligaments, by men baptized In friendship's name, save mean and modish Forms, Or Satires on the sacredness, and sense Of this high Virtue ? — mere enamell'd Lies ! Too often are they but the painted show Of perfumed amity ; whose silken ties Are light as gossamer, before the storm Severe Affliction round our lot may bring. — Convenience, lucre, folly, pride, or lust ; A ride, a dinner, or a small request ; Or, base communion in some pleasing sin By passion haunted — there, mock Friendships reach Their zenith, and their noblest zeal expires. But when, alas ! unbodied, and unveiTd Of earth's false trappings, in the World of souls The gay companions of the Feast and Song Meet in stern truth, unmantled to the core, Hideously naked, to the very heart Discover'd, — how the mask of Self will drop I And many a cheek, by radiant kindness clothed, Blacken with hate, with horror, and revenge Infernal : friendship now is ruin found ; And soft-mouth'd men, that seem'd in time so dear, Will each to each satanically yell Their horrible disgust, with loud dismay, And loathe, like Fiends, their lost eternity I POETRY AND RELIGION. 243 Congenial Eaisteis cannot alone constitute dFn>ntr«sfit|K But, cast your friendship into chaster mould ; Let genius, learning, or congenial taste, Or, fellowship like that the Muses love, Refined as Laelius felt, or Scipio found : Or, let Parnassus sing how poets lived, Whose lives and verses did together run And softly blend, like interwoven streams, — E'en at the best, such earth-born magic dies, Soon as the shadows of the grave begin To pall the Present with its passing joys ; Then, all their sweetness and their strength depart : Bred from the world — they with the world recede ; Friendship and flesh, together in one tomb They perish ! for they lack'd that saving life, That truth ethereal out of Godhead drawn, Which makes immortal what we cherish here. But, there is friendship, pure as Angels love Which Trust, and Truth, and Tenderness create, When two fond Hearts, with sacred force embrace By union deep, unworldly, and divine. Then, Friendship like a school for mind becomes, Where act to habit may itself mature ; And, Self-denied in little things, advance To show denial which a World may bless, And all The Churches with their plaudits hail. — Here, Faith with Friendship can indeed concur, Beyond mere tastes, and tempers, and according tones ; Since here be elements, whose charm outwears Sickness and sorrow, death and harsh surprise, R 2 244 POETRY AND RELIGION. With all the jarring dissonance that tries The truth of feeling, in its wisest hour. But, whence are these, but from th' Almighty drawn, And, like Himself, unchangeably sublime ! Here is a friendship, perfect, calm, sincere, Above mutation, and beyond decay ; A friendship, Lord ! whose archetype is Thine ; For, when on earth, Thy mortal Life assumed Manhood, with each consummate trait adorned ; And human Feeling, — how it thrills to view Laid on thy breast, the much-beloved St. John ! Oh, for a Friendship that outlives the sun, To last when Time hath faded, and when Flesh With all its burden, is a buried dream ! It drops a balsam in the wounded breast, Soothes a torn mind, the soul's dejection heals, 'Tis heart to sympathy, and hand to love, The look of feeling, and the lip of faith ; It charms the wisest, can the feeblest worth Uphold, and makes the poorest rich indeed. ©air tfie &utfuitr nf p^olg dFtfnttNGfttp* Man forms the foe, but God alone the friend, — If friend he be, with truthful love endow'd, And graced with those accoutrements of mind Religion sanctions. Then, that kindred bliss, What sweet affinities of thought, or taste ! The Janus temple of a jealous heart That shuts, or opens as the hour demands, Is here unwitnessed ; all is frank display, That scorns pretence, and scatters each disguise POETRY AND RELIGION. 245 A sun-clear verity, whose shining force Copes with all clouds of accident, or change Beams on the forehead of a cordial friend, How brightly glad, how greeting, and how bold ! Here is an amity our noblest wants Delight to welcome, as their true supply : It feeds the intellect with active life, The heart enlarges into loftier swell, And, in the counterplay it gives, and asks, Finds equal pleasure, when the echo sounds Sincere, and manly. But, affliction most The high-born amity of holy minds Illustrates : then, the sacrifice of self, Devoted, prompt, and passionately dear, — Whether by Griefs long watch through lonely hours, In tears, or substance, or by costly life The sacrificing Heart itself unfold, — How godlike is it ! how resembling Him, The soul's Philanthropist, creation's Friend, The world enriching — by Himself made poor ! Friendship like this, the seal of God confirms, Who cast our Nature into social mould, And bade it seek for brotherly response, Or bosom-counterparts, in bliss or wo. And thus, whate'er his rank, or high renown, Man needs an Echo, whose responsive charm Doubles himself, — by feeling's prompt reply ; To rich enjoyment adds a height'ning zest Untold ; and, when misfortune's east-wind blows, Or, cutting blasts of cold ingratitude Sweep the lorn bosom, by the world betray'd, — Softer than dews from Hermon's sainted height The tones of Friendship drop in Feeling's ear, For comfort ! — Mine be thus some Heaven-made friend, 246 POETRY AND RELIGION. And I 'will clasp him with the heart's embrace For ever. — Morning with its radiant blush, Noon with its glory, Twilight with its trance, Or balmy Night, with all the stars awake In beauty walking o'er their midnight round, How are they each, when friendship's echoing heart Throbs near our own, — with added charm endow'd ! Yea, all those homilies of Love and Might, Appealing Nature to the pensive reads Down winding lanes, or paths of vernal bloom, Or rustic haunt where rambling Boyhood loves To stray and linger, — how the tasteful friend Can with ourselves, interpret all their tones, In some pure strains of poetry and peace, When hearts are mingled ! and mild Nature wears A face of welcome, answerably sweet To all who woo her. — Nor does Faith deny That e'en in Heaven etherial friendships bring Their calm addition to celestial joy : For Truth is social, in the highest orb Of her dominion ; God himself is not alone, But, in deep light Tripersonally throned, In plural Godhead His perfection holds. Hontrotn But hail thou giant City of the world, Thou that dost scorn a canopy of clouds, And in the dimness of eternal smoke, For ever rising like an ocean-stream, Dost mantle thine immensity, — how vast And wide thy wonderful array of domes, In dusky masses staring at the skies ! POETRY AND RELIGION. 247 Time was, and dreary solitude was here ; When night-black woods, unvisited by man, In howling conflict wrestled with the winds : But now, the tempest of perpetual life Is heard, and, like a roaring furnace, fills With living sound the airy reach of miles. Thou more than Rome ! for never from her heart Of empire such disturbing passion roll'd, As emanates from thine. The mighty globe Is fever'd by thy name ; a thousand years And Silence hath not known thee ! What a weight Of awfulness will doomsday from thy scene Derive ; and when the blasting trumpet smites All cities to destruction, who will sink Sublime, with such a thunder-crash, as thou ? Myriads of domes, and temples huge, or high, And thickly wedded, like the ancient trees That in unviolated forests frown ; Myriads of streets, whose windings ever flow With viewless billows of chaotic sound ; Myriads of hearts in full commotion mix'd, From morn to noon, from noon to night again, Through the wide realm of whirling passion borne, — And there is London ! — England's heart and soul : By the proud flowing of her famous Thames She circulates through countless lands and isles Her queenly greatness : gloriously she rules, At once the awe and sceptre of the world ! Angels and demons ! to your watching eyes The rounded earth nought so tremendous shews As this vast city, in whose roar I stand, Unseen, yet seeing all. The lifeless gloom Of everlasting hills ; the solitudes 248 POETRY AND RELIGION. Untrod, the deep gaze of thy dazzling orbs That decorate the purple noon of night, Oh, Nature ! no such majesty supply : Creation's queen, by God Himself endowed, Upon the throne of elements thou sitt'st ; But, in the beating of one single heart There is that more than rivals thee ! and here The swellings of innum'rous hearts abound ; And not a Day but, ere it die, contains A hist'ry, that unroll'd, will awe the Heavens To wonder, and the listening Earth with fear ! ^factions on Honlrott 6g sRtttnttgbt* The fret and fever of the day are o'er, And London slumbers, but with murmurs faint, Like Ocean, when she folds her waves to sleep : 'Tis the pure hour for poetry and thought ; When passions sink, and man surveys the heavens, And feels himself immortal. O'er all a sad sublimity is spread, — The garniture of night ; amid the air, Darkly and drear yon airy steeples rise, Like shadows of the past ; the houses lie In dismal clusters, moveless as in sleep ; And, towering far above the rest, yon dome* Appears, as if self-balanced in the gloom, — A spectre cowering o'er the dusky piles. But see ! I stand on ground whose glorious name Might turn a coward brave ; on thy huge bridge, * St. Paul's. POETRY AND RELIGION. 249 Triumphant Waterloo ! Above, — how calm ! There moon and star commingling radiance shed, And bathe the skies in beauty. Smooth and pale The pearly-bosom'd Clouds recline, enlink'd Like wave-festoons upon the glossy deep. Below, the Thames outspread, serene and dim ; And, as I gaze, a cooling breath ascends And melts upon my brow ; like the worn heart When stormy cares have slept, the river seems Peaceful and still, save when the wind-sigh stir The waveless slumbers of its breast ; like dreams That quiver on the marble face of sleep. Along each side the darkling mansions frown Funereal in their gloom. Afar, and faint, The bridge-lamps glimmer o'er the tranquil stream, As if enchain'd upon the air ; beneath Are thrown out quiv'ring columns of red light ; And, here and there, a tower and shadowy spire Are imaged on the water ; sad and shrunk, Like flower-leaves withered by the summer blaze. Yonder, in dim magnificence, behold The many-window'd pile ;* apart and stern, In low'ring grandeur, like a lofty mind, Unmingling with the baser crowd. One half Is clothed with moonlight's pallid veil ; Beneath, a darkness dwells, whence portals yawn In cavern-gloom upon the drowsy tide, Like tombs unbarr'd. But, hark, from yonder dome The Day is toll'd into Eternity ! * Somerset House. 250 POETRY AND RELIGION. How hollow, dread, and dismal is the peal, Now rolling up its vast account to heaven ! Awhile it undulates, then dies away In mutter'd echoes, like the ehbing groans Of drowning men ; and see, the toiling moon Is in a fane of clouds, and I am lone, Unseen, but by the sleepless One : God ! I feel thine eye upon me, I shrink Awe-smote beneath its gaze, like melting snow Beneath thy sun ! And shall this City-queen — this peerless mass Of pillar'd homes, and grey-worn towers sublime, Be blotted from the world, and forests wave Where once the second Rome was seen ? Oh ! say, Will rank grass grow on England's royal streets, And wild beasts howl, where Commerce stalk' d supreme ? Alas, let Mem'ry dart her wizard glance Down vanish' d Time, till summon'd Ages rise With ruin'd empires on their wings ! Thought weeps With patriot truth to own a funeral day, Heart of the universe ! shall visit thee, When round thy wreck some lonely man shall roam, And, sighing, say, — " 'Twas here vast London stood V But hark ! again the heavy bell has peal'd Its doleful thunder ; on their watch the Stars Grow pale, the Moon seems wearied of her course, And morn begins to blossom in the East ; Then, let me home ! and Heaven protect my thoughts. POETRY AND RELIGION. 251 TEht Wotott of $rag*r* True Adoration, what a voice is thine ! From earth it wanders through the Heaven of Heavens, There from the Mercy-seat itself evokes An answer, thrilling the seraphic host With added glory of celestial song. — For Prayer is man's omnipotence helow, A soul's companionship with Christ and God, Communion with Eternity hegun ! Wxt Infant in Prager* "The smile of childhood, on the cheek of age.'* A child beside a mother kneels "With lips of holy love, And fain would lisp the vow it feels, To Him enthron'd above. That cherub gaze, that stainless brow, So exquisitely fair ! — Who would not be an infant now, To breathe an infant's prayer ? No crime hath shaded its young heart The eye scarce knows a tear ; 'Tis bright enough from earth to part And grace another sphere ! And I was once a happy Thing, Like that which now I see, No May-bird on ecstatic wing, More beautifully free : 252 POETRY AND RELIGION. The cloud that bask'd in noontide glow The flower that danced and shone, All hues and sounds, above, below, Were joys to feast upon ! Let wisdom smile — I oft forget The colder haunts of men, To hie where infant hearts are met, And be a child again ; To look into the laughing eyes And see the wild thoughts play, While o'er each cheek a thousand dyes Of mirth and meaning stray. Manhood ! could thy spirit kneel Beside that sunny child, As fondly pray, and purely feel With soul as undefiTd, That moment would encircle thee, With light and love divine ; Thy gaze might dwell on Deity, And Heaven itself be thine ! And as the City, so the Creed endures Deathless in might, immortally depraved ! Her aspect alters — when her power is weak ; Her plans are soften'd — when her foes are strong ; Her practise gentle — when the Age requires ; But Rome, in principle, is Roman still, POETRY AND RELIGION. 253 The changeless ever ! for her creed is one ; And that is, — to absorb the world in power, And on herself a faith almighty found Resistless, dread, infallibly divine ! tyopns springs from corrupt Hatttrr. Thy fountains, Nature, are the fatal spring Whence Pop'ry all her canker'd life-blood drains, And drains for ever — for they ever flow ! A moral cast from our corrupted soul Designing Rome hath taken ; and contrived A feign'd Religion, that, with fitting art Infernally for each expression finds Some flatt'ring counterpart, or creed, or charm. 'Tis man's religion, from the root of sin, By passion foster'd and by pride increased, Deep-grounded in the under-soil intense, Where guilty nature feels the goading pang, As conscience prompts, or keen compunction wakes. Hence creeds are moulded ; hence all gods are made ; While reason, bribed to superstition, bows, As sin and penance take relieving turns ; Till man himself his own atonement dreams, And draws salvation out of sighs, and tears. Wxt preadung of tilt WtovXt. Oh, Thou ! whose office 'tis the word to bless And quicken, till it breathes a living grace, Thee may we ever prove in presence nigh, 254 POETRY AND RELIGION. As Great Inspirer ; whose anointing power Alone can tune the sounding Brass to Heaven's True note, and bid our tinkling Cymbals do In mortal accent, an Immortal work ! Whether, beneath some bow'd cathedral's roof Of vastness, while the organ's billowy peals Roll like a sea of melody and might Down the dim nave, and long-retreating aisles, — Thy word is preach'd ; or, in some Saxon fane, Where rude simplicities, of ancient mould Linger in stone's most exquisite decay ; Wherever on the tide of human breath, Floats the rich argosy of gospel truth, As Christ appointed, — may dependance be The preacher's motto, and the preacher's mode ; Dependance meek on that concurring Grace Of Him, the Bible's Author, by whose light Alone, our Sermons live, and Souls are saved. ffiovnitiQ. And lo ! array'd in clouds of crimson pomp, The gradual Morn comes gliding o'er the waves That freshen under her reflected smiles, And veils the world with glory. Rocks and hills Are radiantly bedeck' d ; the glimm'ring woods And plains are mantled with their greenest robe, And night-tears glisten in her rosy beam. But in yon valleys, where from ivied cots Like matin incense, wreathing smoke ascends, How beautiful the flush of life ! The birds Are wing'd for heaven, and charm the air with song ; While, in the gladness of the new-born breeze POETRY AND RELIGION. 255 The young leaves flutter, and the flow'rets sigh Their blending odours out. And ye, bright streams ! Like happy pilgrims, how ye rove along By mead and bank, where violets love to dwell In solitude and stillness : all is fresh, And gaysome. Now the peasant, with an eye Glad as the noon-ray sparkling through a shower, Comes forth, and carols in thy waking beam, Thou sky-god ! reigning on thy throne of light. Sure airy painters have enrich'd thy sphere With regal pageantry ; such cloudy pomps Adorn the heavens, a poet's eye would dream His ancient Gods had all returned again, And hung their palaces around the sun ! Now melt the heavens, magnificently soft, Through the deep eye that loves to drink their hues Like draughts of lustre ; till the flooded gaze Oer'flows with splendour, and grows dim with light ; The larks renew their matins ; while the humbler birds Send hallelujahs to the King of morn Tiny and broken, but replete with praise ; Who, now uprising from his throne of clouds, Bares his red forehead to the greeting world ! The viewless finger of the fairy Wind Wanders about, and with a dimpling touch Ripples a stream ; or tunes the air to song, Till like an anthem by the breezes sung Fancy admires it ; but for this, — all earth Is cover'd o'er with meditation's calm, Solemn as in some hoary minster dwells ; And if no waving elegance of trees With falt'ring motion ; nor, the lisping talk Of flowers wind-ruffled ; nor the mellow tones 256 POETRY AND RELIGION. Of gliding waters, in their graceful flow Broke the hlest calm, — 'twere all a perfect trance In sweetest emblem of this haUow'd morn. But if from rustic solitude we turn To where, through parted hills old Ocean bares His breast of waters to the mantling sun, — Thou hast no sabbath, ever-rolling Sea ! At once 'tis witness'd ; but methinks thy waves Pant like the heavings of a heart, that swell And pulses heavenward with unspoken prayer. But now a sunset, with impassioned hues Of splendour, deepens round yon curving bay : 'Tis Inspiration's hour, when heaven descends In dream-like radiance on the earth becalm'd. — Hither ! thou victim of luxurious halls, The glory of yon west'ring clouds behold That, rich as eastern fancies, float the skies Along : and hark ! — the revelry of waves ; Now, like the whirling of unnumber'd wheels In faint approach, then wild as battle-roar In shatter' d echoes voyaging the wind ; And now, in white disorder they advance, Dissolve, and freshen all the beach with foam. Brief as a fancy, and as brightly vain, The sky-pomp fades ; and in his sumptuous robe Of cloudy sheen, the great high-Priest of earth Hath sunk to sleep beyond the ocean bound. Like weary eyelids, flowers are closing up Their beauty ; faint as rain-falls sound the leaves, POETRY AND RELIGION. 257 When ruffled by the dying breath of Day ; And twilight, that true hour for placid dreams Or tender thoughts, now dimly o'er the wave Its halcyon wing unfolds ; in spectral gloom The cloud-peak' d hills depart, and all the shore Lies calm, where nothing mars its pebbly sleep, Save when the step of yon lone wand'rer moves, Watching the boats in sailless pomp reposed ; Or, mournful listening to the curfew sound Of eve-bells, hymning from their distant spires. But now the gloriousness of light dissolves, And, like the radiance of some lovely dream Poetic slumber fashions, — softly melts And sweetly mellows into parting hues The hour of sunset. From the gleaming west A pallid lustre o'er the firmament Weakens and wanes ; and over earth reflects Beauty, that touches flower, and field, and fruit And yellow corn-fields sloping o'er the vale, With charms more exquisite than garish Noon Inspires. But, if on yonder height you stand, Beneath you, — what a British Arcady * In lustre qualified with coming shade, Is then unveil'd by sunny calm serened ! There as you gaze, around your temples throng The fresh-wing'd airs, from waving branches sent ; The breeze makes music ; while the cadence low Of distant sheep-bell dyingly comes on, Or, melts delightfully on Feeling's ear. Here Nature thrones enchantment ; far-off hills Crown'd with a coronet of glitt'ring trees ; Paler and paler to the west retire ; And woods, and coppice, lanes, and hedges green, s 258 POETRY AND RELIGION. With sun-bright cots, and farms of mossy roof; While here and there, some rustic temple lifts That gothic beauty, (whose mysterious power Acts on the eye, like poetry in stone Embodied,) — these in blent expression woo The gazer ; mix'd with many a fairy gleam From rivers flashing, as the sun-ray tips The current, cheering it with gay surprise. But now, a mellow shade of mantling hue Advances ; villages and towns retire Like pictured visions, — save where yonder tower In its tall symmetry, with golden tinge Retains the sunbeam ; and as home you wend, Hark ! on the ear of balmy evening comes The faint far chime of some cathedral-bell, With pensive summons ; which to Fancy, sounds A curfew for creation's sabbath-rest. And now, that rest is deep'ning; daylight ebbs ; But yet, or ever sinks yon priest of light, Around him like a burning shrine the heavens Gather, and glow, and with enfolding splendour wrap His decadence ; while colours richly deep And dazzling, woven from th' Almighty's loom Of nature, all the Occident inlay. — Lo ! one by one, with timid gleam, and slow, Star after star comes trembling into life And lustre ; radiant, mild, and mournful oft, Like the half tears in childhood's pensive eye, Do some appear ; while others, rich and round POETRY AND RELIGION. 259 Like burning jewels, dug from mines of light, Flash on the forehead of the mellowed sky Most brilliantly ; or, clustered into groups, The rest commingle their associate beams Dazzling the concave. Still, the earth obscured Lies dimly veil'd, with umbrage unrelieved, Waiting the lamp that lights her beauties up. And, yonder comes it ! — lo, her placid brow O'er the dusk air the queenly moon uplifts ; And, e'en as music, solemn, deep and slow, Through the dark chambers of dejected mind Where all is shapeless, oft to order cites Thought after thought, successive and serene, — So her wan lustre, as it mildly steals O'er the mute landscape, tree and bough and bank Each out of dimness and disorder draws To shape and aspect ; till the dew-drops gleam Like Nature's diamonds on her night-garb thrown, In countless sparkles : but the stars grow pale, Like mortal graces near th' excessive blaze Of Thine, Emmanuel ! save th' undazzled brows Of those large planets, eloquently bright With sheen unconquer'd. What a change at once The moon o'er all things by her beam hath cast ! Like faith, arising in some nighted heart, And touching nature with redemption's light Victorious. Wheresoe'er his roving eye Darts a pleased glance, hill, and brook and hedge, Rivers and streams, and meadowy range far off, Cities and towers, and tall cathedral spires And village churchyards, with their grassy tombs Attract the gazer ; till his glance is fed With loveliness, beyond the moving lip To mention. But above, — how beautiful ! s 2 260 POETRY AND RELIGION. There, solemnly the climbing Moon ascends ; And each thin clond within her silver reach She clothes with splendour ; like a mortal pang By Hope celestial into radiant peace Transmuted. But in this access divine Of nature's sabbath, solitude, and night, How like the fortunes of the Saviour's Bride The moon's high progress through the heaven appears ! Varied and full, now crescent and complete, Shaded, or dim, and then with radiance clad : So hath the Church along time's clouded scene Flourished or faded, shined, or suffered gloom ; But yet doth travel through her fated round Upward to glory ! — may deeper eyes discern In yon pale symbol of orac'lar sky, The moon-like radiance of imperfect man By grace made holy, but how changeful too ! E'en to the last, by shades of sin o'erhung Or hidden : while the imperial Lord of day, By his prerogative of light, portrays That sun-clear righteousness of state complete, Which all the justified of God arrays With faultless glory, fair as Jesus wore. $1 MtmttnU Oh ! fearful Time, the fathomless of thought, With what a myst'ry is thy meaning fraught ! Thy wings are noiseless in their rush sublime O'er scenes of glory, as o'er years of crime ; Yet comes a moment when thy speed is felt, Till past and future through our being melt, And a faint awfulness from worlds unknown, POETRY AND RELIGION. 261 In shadowy darkness gathers round our own ! A moment ! — well may that a moral be, Whoe'er thou art, 'tis memory to thee : A tomb it piled, a mother bore to heaven, Or, like a whirlwind o'er the ocean driven, Rush'd on thy fate with desolating sway, And flung a desert o'er thy darken'd way ! Utfttctiom on ttit 29£jm*ttfy ®t*v Another Year, methought a Spirit cried, Another Year is dead ! — Still rolls the world Magnificent as ever ; bright the Sun, And beautiful his native heaven ; the Earth Around, looks fresh as on her birth-day morn ; And Man, as gay as if no knell had rung, No heart been broken, and no tears been shed ! Where, then, the hist'ry of the buried Year, Of weal or woe, of glory and of shame ? Eternal ! not a minute fleets away That doth not waft a record to Thy throne ; Time cannot die ; the dim departed Years Again will rise, and cited ages come Like thoughts, — creations of the mind. A Year hath vanish'd and another Year Is born ; what awful changes will arise, What dark events lie hidden in the womb Of Time, imagination cannot dream ; — Ye Heavens ! upon whose brow a stillness lies, Deep as the silence of a thinking heart In its most holy hour, the world hath changed, But ye are changeless ; and your midnight race 262 POETRY AND RELIGION. Of starry watchers, view our glorious isle Undimmed, as when amidst her forest depths The savage roam'd, and chanted to the moon. — Spoiler of hearts and empires, vanish' d Year ! Ere for eternity thy wings were spread, Alone I listen'd to thy dark farewell. — The moon was center'd in the cloudless heaven, All pale as beauty on the brow of death ; And round about her, with attractive beam, Group'd the mild stars ; the anarchy of day Was husb/d, the turbulence of life becalm'd. From where I stood, a vast and voiceless plain, — A city, garmented with mellow light, Lay visible ; and, like romance in stone, Shone gloriously serene ! All sounds were dead ; The dew-drop, stirless as a frozen tear, Gleam'd on the verdure ; not an air-tone rang ; The leaves hung tranced as the lids of sleep ; Around me Nature in devotion seem'd, The Elements in adoration knelt, Till all grew worship — from the heart of things Material to the conscious soul of man ! ? Twas then sepulchral, hollow, deep, and loud The bell of midnight on the stillness burst, And made the air one atmosphere of awe. No more of sorrow for the fleeted year ! No tears can cancel, or recall it now : Hereafter, when before the throne of God Dead Ages shall revive, all its Crimes And Virtues will be summon'd to their doom :— Hark ! from a host of dimly-vision'd spires The midnight hour is rolling to the skies, POETRY AND RELIGION. 263 "While doubtful echoes undulate the air, Then glide away, like shadows, into gloom. A solemn peal, — a farewell voice of Time, It leaves a ling'ring tone in many a heart, Where merriment has made a home ; the young Who hear it in the festive chamber, sigh, And send their thoughts, sad pilgrims, to a tomb ; The aged hear it, — and the world forget ! Jttcommutucafcle dFeeltttgg* Oh ! there are feelings rich but faint, The hues of language cannot paint ; And pleasures, delicately deep, Which, like the palaces of sleep, Melt into dimness, when the light Would look upon their fairy sight ; And there are chords of happiness Whose spirit-tones our fancy bless, And make the music of our joy Complete, without one harsh alloy, — Yet, vain would words one note reveal Of melody which mind can feel ! There be some heart-entwining hours in life, With uncontrollable sensation rife ; When mellow'd thoughts, like music on the ear, Melt through the soul, and revel in a tear ! And, such are they, when, tranquil and alone, We sit and ponder on long periods flown ; 264 POETRY AND RELIGION. And, charm'd by Fancy's retrospective gaze, Live in an atmosphere of other days ; Till friends and faces, flashing on the mind, Conceal the havoc Time has left behind ! Thou rolling mystery of might and power ! Rocking the tempest on thy breast of waves, Or, spread in breezy rapture to the sun, Thou daring Ocean ! that couldst deluge worlds And yet rush on, — I hear thy deep-toned wrath In ceaseless thunder challenging the winds Resoundingly, and from afar behold Thine armied billows, heaving as they roar, And the wild sea-foam shiver on the gales ! And thou, weird Ocean ! on whose awful face Time's iron feet can print no ruin-trace, By breezes lull'd, or by the storm-blasts driven, Thy tow'ring waves uplift the mind to heaven. Tremendous art thou ! in thy tempest-ire, When the mad surges to the clouds respire, And like new Appennines from out the sea Thy waves march on in mountain majesty. — Oh ! never can the dark-souled Atheist stand, And watch the breakers boiling on the strand, Nor feel Religion from the sea arise, And preach to conscience what his will denies His heart is wiser than his head would be, POETRY AND RELIGION. 265 And awe instinctive tells, O God, of Thee ! He hears Him in the wind-heav'd ocean's roar, Hurling her billowy crags upon the shore ; He hears Him in the horror of the blast, And shakes while rush the raving whirlwinds past ! Muse, thou Art the Angel of the soul, whose voice The primal loveliness of vanish'd things Renews ; or haply, Thou, in pure perfection, art A Priestess, who behind the veil of sense Conducts the spirit to the holy shrine Where Beauty, Love, and Everlasting Light Are shrouded ; — then, a Prophetess, whose lip Their power interprets with a vocal spell. Thou beautiful Magician ! be thy name Whate'er thou wilt : creatress of delight Expression paints not ! though the world affright Thy radiant visit, still art thou revered ; And the soft wave of thy descending wings Is token'd by the pulse's quivering joy : Beneath the play of thy melodious smiles The spirit quickens into thrills of heaven, And Feeling worships at thy faintest sound ! All hours are thine ; all climes and seasons drink Thine effluence bright, and immaterial power : Thou with the universe twin-born didst rise ; And thou alone, when tempted Nature fell, Unfallen wert : and thus thy glorious aim, Like true Religion's, is to lead us back From recreant darkness to primeval bliss ! 266 POETRY AND RELIGION. All moods are thine ; all maladies of thought By thee are visited with healing sway : — For there be moments, when a hideous veil Of dimness, woven by some demon hand, Lies on the world ; when love itself is cold And earthy, and the tone affection breathes Falls fruitless on the mind, as ocean spray That dies unheeded on the savage rock ; When Nature is untuned, and all things wear The coarse reality derision loves. And then, how often thine assuasive balm, Spirit of beauty ! intellectual queen ! Is welcomed, — melting over heart and brain, Like dew upou the desert, till the soul Reviveth, and the world is exorcised ! — And thou canst hallow with ennobling power Deep impulses, of undiscover'd source, That comes like shades of pre-existent Life Athwart the mind, when superstition reigns.* For is not man mysteriously begirt By something dread, imagination feels, Yet fathoms not ? Dare human creed deny That mortal feeling, in its finest mood, May be some thrill of sympathetic chords That link our nature to a world unknown ? And since the spirit with the flesh doth war, And life is oft an agonizing thirst Which nothing visible can tame, or cool, That beauty, which the hues of thought create, By thee enchanted, — slakes the mental fire * Man can never altogether turn aside his thoughts from infinity ; and some obscure recollections will always remind him of his original home. — M. Schlegel. POETRY AND RELIGION. 267 That parches us within : and yearning dreams, And hopes that breathe of immortality, Thy power sublimeth with mysterious aid. Then, long as earth is round us, and the wings Of fancy by the light of faith ascend, May Poetry her sibyl language weave, Enlighten, charm, and elevate the world. The dewy spirit of a summer rain Falls not with fresher magic on the flower, Than flows sweet music through the soul of man.— The heavens were hung in melody ; the sea Weaves music when she rolls her full-voiced wave : The cloud-born thunders sound an organ-peal ; And every breeze hath music in its breath That throbs its way along the lyric air. What wonder, then, while nature hymns around, That music is a sympathy to souls, The power of exquisite delight ? From lips Of beauty, like aroma from the mind Exhaling forth ; or in the hoary aisle Of dim cathedral dying slow away ; Or, in some dream-built palace of the night, Where angel-whispers make the spirit glow, How sweet is music ! — with the light twin-born. And thy sad voice, poor minstrel of the street ! Hath sweetness in its sorrow ; wild thine air, And dim the meaning of that mournful eye ; Oh, yes ! cold poverty hath made thee droop, And worn the health-bloom of thy once fair cheek : Pale-lipp'd thou art, and charity may read 268 POETRY AND RELIGION. Upon thy face the story of thy life ;— The damp night-gush, the stony bed, the gripe Of famine, and that fever of a soul That not a smile hath visited through years Of deep despair, — hast thou not felt them, maid Of many sorrows ? yet so sweetly flows The tide of music in thy homely song Of tenderness, that when 1 hear thee sing, As in a vision, thou art beautified above Thy lot ; and, tripping o'er the dewy hills When young birds pipe their anthem to the morn, Like some bright creature whom the wood-gods love, I see thee in thy youth's elysian prime ! That voice — oh ! was it born of misery, Or, breathed by Happiness into thy soul, When, hand in hand, o'er far remember'd fields Down briery lanes, by margins of clear brooks And chiming streams, she led thee in her love ? Hast thou not hallowed oft with cottage hymn ; Some happy evening hour, and called the smile Of holiness upon thy father's cheek, As flowed his kindled feelings in thy song Of adoration ? — Minstrel of the street ! Whate'er has been thy lot, thy ballads breathe Of summer days to me ; and from each strain My heart can gather echoes, which have wings To bear it downward into years, where lie The buried joys that will not bloom again ! 'Eht ffl&sic Woton of JWelofcg; Who hath not felt the spirit of a voice, — Its echo haunt him in romantic hours ? POETRY AND RELIGION. 269 Who hath not heard from Melody's own Up Sounds that become a music to his mind ? Music is heavenlike ! in the festive home, "When throbs the lyre, as if instinct with life, And some sweet mouth is full of song, how soon A rapture flows from eye to eye, from heart To heart ! — while floating from the past, the forms We love are re-created, and the smile That lights the cheek is mirror'd on the heart. So beautiful the potency of sound, There is a sweetness in the homely chime Of village bells ; I love to hear them roll Upon the breeze ; like voices from the dead, They seem to hail us from a viewless world ! The heaven of music ! — how it wafts and waves Itself in all the poetry of sound, Amid an atmosphere of human heart Suffused, — so full the homage here outbreath'd : Now, throbbing like a happy thing of air, Then, dying a voluptuous death, as lost In its own lux'ry ; now alive again In sweetness, wafted like a vocal cloud Mellifluously breaking — seems the strain ! And what a play of magic on each face Of feeling ! Dread and thund'ry when it rolls, The eyes glance inward with a dream profound : When festive, such as storms a hero's mind, A spirit revels in the raptur'd face ! But when, from faint and feeble ecstasy Of tune, into a melancholy tone That pierces, ray-like, through the gloom of years, The music dies, — then, icy thrills the blood And glitt'ring sadness on each eye-ball spreads Like dewy rapture from the soul distill'd. 270 POETRY AND RELIGION. All music is the Mystery of sound, "Whose soul lies sleeping in the air, till rous'd,— - And, lo ! it pulses into melody : Deep, low, or wild, obedient to the throb Of instrumental magic ; on its wings Are visions too, of tenderness and love, Beatitude and joy. Thus, over waves Of beauty, landscapes in their loveliest glow, And the warm languish of their summer streams, A list'ning Soul is borne ; while home renews Its paradise, beneath the moon-light veil That mantles o'er the past, till unshed tears Gleam in the eye of memory. But when Some harmony of preternatural swell Begins, then, wing'd by awe, the spirit soars Away, and mingles with immensity ! Stanjas on Atttrfc* When the hush of twilight deepens, Wake, music ! then ; Or when the star of Hesper glows, And flings a beam of pale repose, Where yonder tide in beauty flows, Wake, music ! then. When the yearning heart is melted, Wake, music ! then ; As oft some dream of perish'd days Comes floating o'er the spirit's gaze, 'Till ev'ry pulse of mem'ry plays, Wake, music ! then. POETRY AND RELIGION. 271 When the cloud of sorrow blackens, Wake, music ! then ; Or, like the hymn of moonlight bird, Or rain-dew in the desert heard ; Or leaflet by a night-breeze stirr'd, Wake, music ! then. When the storm of pain arises, Wake, music ! then ; Like glory from an angel eye, Like pity in a parent sigh, In feeling softness tenderly, Wake, music ! then. He hath a spirit bright in its content And playful in its poverty ; the rain Of English clouds and atmospheric gloom Of this brave Island-clime, have not bedimmed The merriness of his brown cheek, nor quenched The lustre of his deeply-laughing eyes, That sparkle forth the sunbeams of his soul. — Then breathe no pity on the Organ-boy ; From his gay Land a stock of sterling glee, And proud young feelings, that can well outwear Each frown of fate, the stripling wand'rer brought : His mother's smile still brightens round his heart ; His father's blessing, when he climbed his knee At night, still sounds upon his inward ear ; And when the streets grow cloudy, and the tones His organ weaves fall fruitless on the air, He dreams of home, deep-bosomed in bright vales 272 POETRY AND RELIGION. Of beauty ; hill-spread vines, and fairy Streams That trifled sweetly as a sister's voice Who prattled in her slumber : — days will dawn When he again shall thread those glowing vales, And tell his travels with unwearied tongue To fond ones, nestling round his own fireside. Nor think his errant life too mean to sing, — Albeit no music tuned to courtly ears, That are too sickly for the native sounds That raise sweet echoes in romantic souls, — From him is heard ; there are, of meeker taste And simpler mind, who bid the roving boy A welcome, and enchanted hear the notes His organ wakes, of tenderness and truth ; As through the city's ever-busy streets, And darkly-winding lanes, he roams and plays, Many an ear drinks musical delight, Many an eye with beams of vanished years Is brightly charged ; and from her window-haunt, Who makes the street to tingle with the sound Of halfpence, thrown with no ungentle hand By some fair listener ? Haply, he woke dreams Of childhood, — thoughts that cannot breathe in words, But live and fade in sighs of fond regret. And round him what a throng of urchins group, And dream his music sweet as Orpheus made ! The laughter hushed, the noisy tongues asleep. The hoop, as weary, on his shoulder hung, A schoolboy stands to listen, and admire The melodies that dance along his soul, Like ripples fleeting o'er a ruffled stream. Then let the streets still waken to the sound POETRY AND RELIGION. 273 Of such boy -minstrels ; when afar they roam Through villages, where Music hath a touch Of magic in her meanest tone, may smiles Of welcome flash along the rough-worn face Of Age, and ruddy offspring of the fields ; May gentle skies and glowing days attend, And feelings toned to every tuneful hour. Zht ISallatr Sbtngersu There are who deem the Ballad-singer breathes^ No music that rewards harmonious ears ; — - To whom an Organ-boy but grating notes Of discord scatters on the homeless wind ; Their sympathies are seasoned high, and scorn The gentle : envy not their earthy souls ; For, hallowed Nature ! thou art ever true ; And he who wanders, with an eye of love And feeling, wide among thy many haunts, Through mountain-walks, or unambitious vales, Where stream and meadow mingle their romance Around, in storm and sunshine finds Thee still The same, and magical ! — And so in Life ; Her sweet humilities have grace and power Beyond her loftiness and fame : the Muse Can never play the courtier ; from the halls And palaces of Kings, she flies to glades Of lowliness, where Faculties are found, And Will and Action can reveal their sway : — Where beats a heart, there Poetry may breathe Her spirit round it ; beautifying look And word, extracting all the soul of things, And veiling Nature with a hue divine. T 274 POETRY AND RELIGION. IPatttttng, Painters are silent poets ; in their hues A language glows, whose words are magic tints Of meaning, which both eye and soul perceive. — Thus deep the power of deathless Art ! for Time Obeys her summons, and the Seasons wait Her godlike call ; while glory, love, and grace, And the deep harmonies of human thought, Live at the waving of her mighty wand ! Wxt Sbafcfcatin Ethereal Day Beyond the grossness of barbaric sense Rightly to value ; what a blighted scene, Yea, what a prison-vault of petty cares, Polluted dreams, and unbaptized joys Would earth, if Sabbathless, — at once become ! For if throughout infinity we feel And act, by conscious glory to our God Conjoin'd ; or, of divinity amerced, The gnawing worm of conscience must endure, - Then priceless is the Sabbath ! and we hail The soul of six days in the seventh divine. To let th' eternal o'er the temp'ral cast A shading awe, that bids this world away, And Earth to Heaven by aspiration's wing To lift ; by symbols and by signs to charm Cold nature, and imagination feed With rites that nourish for ennobling growth Its being ; then, by combination due Of epochs high, traditions pure, and faith POETRY AND RELIGION. 275 Unblemish'd from a gospel-fountain drawn, — Here is the function which a sabbath fills : Together with appliances devout Of praise, confession, penitence, and prayer That bathes the conscience in the crimson blood Of Jesus, — who can such a Day blaspheme, Thus propertied with those divinest powers That, to the roots of all which makes A people holy, or an empire wise, — Sends a live influence from Religion's heart ? And where yon palaces of commerce lift Their dusky, dim, and many-window'd piles, 'Mid roar of capitals, or cities vast, How does the day on which Messiah rose, Check the loud wheels, and hush the grating jars And vexing hum of avarice, and gain ; That care-worn artizans, with pallid cheeks, And all the wasted family of Toil, Each with his little one, — awhile may feel That men are more than rational machines For shaping matter, or absorbing food ! And on their foreheads see a title-page, An imprimatur of immortal life. — So on this day, (by Heaven's ordaining law Rank'd in the rubric of perpetual grace,) They all may learn their brotherhood, in God. There, as they group beneath the Bible's wing, And, through the centralizing love of Christ The level glory of our nature reach Together, — who can tell what sweet content, What calm submission to their clouded lot, With all the heart-burns which their toil-worn lives Experience ever, — from that moment flows ! t 2 276 POETRY AND RELIGION. Here all are equal ; in the bond of flesh, The ties of nature, and in guilt with God : Here, crowns and coronets, and truncheons drop To nothing ; king and subject share alike ; And in thy royalties, redeeming Love ! A prince may falter where a peasant lifts His plea ; while in the poor man's eye may shine A tear of rapture, Kingdoms could not raise, Nor, all that earth's diameter contains Purchase the peace his hallow'd conscience hath ! &fu &eariungjs of tfit Sabbath* Glory ! to think that on this morn, mankind Bow at the footstool of their Common Sire In co-equality of dust, and sin, To plead for mercy at Salvation's fount. — Ye mighty Hunters in the fields of truth ! Titans of thought ! ye Giants of renown ! Colossal wonders in the world of mind, Who, with the shadow of your souls immense Cover creation ! though your genius charm Th' eternal Public of posterity, Your names are nothing in the balance now ! Bend the stiff mind, and bow the stubborn heart And in the pleadings of your helpless dust Go, take your station with yon cottage-girl ; Or chant a verse with yonder hymning child : And, happy are ye ! if like them, ye feel That wisdom is, our ignorance to know. There, cast your anchors in the cloven rock Of ages ; for behind the veil it towers Deep as eternity, and high as God ! POETRY AND RELIGION. 277 Abhorr'd be therefore that most brutal aim, That rank hyperbole of godless crime Which massacres Religion at a blow, That ere by riot, lust, or lawless gain, Or by some logic, false as fiends inspire, — Our Sabbaths from their sanctity should fail Or falter. On two worlds at once they touch ; The Lights of this, the Landmarks of the next ; And, reft of these, all anarchies commence To madden ; nor can praise itself overprize The ordered notions of a day like this ; When thou, maternal Church ! whose head is hoai d With ages, but whose heart, like Jesu's, beats With love for spirits, — art a blessing proved By Forms, by Functions, and by ritual chants, And Sacraments of soul-exalting grace. Long may our Church, with her organic Powers And rites ministrant, this pure day revere : For Sabbaths make the Morals of our land ; And by their litanies of sacred love, By pulpit, priest, and all that past'ral sway Which o'er the meanest village in our land May cast a hue of elegance refined, — They form thermometers, whereby to mete (Rising or falling as their sanction acts) Our true advancement, in the noblest weal : — Since public virtue, monarchy, and law, And Church with State together are espoused By league of principle, and power of love ; — So, if our sabbaths be from sway dethroned, The music of the commonwealth is gone ! Soon into atoms will dissolve and drop That Fabric eloquent,— whose walls are mind, And founded deep in immemorial laws 278 POETRY AND RELIGION. And liberties : the Constitution falls ! Then guard them well, ye Senators and Priests, For they are priceless ; and to us preserve All that in heart and home, in temple or in state Is pure of worship, or of lore profound. And he who robs them of their rightful sway By pen, or speech, example, creed or life, — On heaven itself a sacrilege presumes, Man's awful being to the centre shocks, And plucks the apple from a Nation's eye ! iPrtbflege