F44 .S2 A6 ^. ^^ ^0 c Vj • c •^.^^^ .* 4 o ^^<^ 1^ \0 AWM X>^<-t-^wv<;^ 'Sv^- \n *s- Midsummer m Wliittier's Country Midsummer m \V liittier s Country A Little Study oi Sanjwick Center By ETHEL ARM ES WitK Sketckes ky tke Autkor PnUisIicJ at BirmiatfliaiB. AlaWsM By Advance Preae "biK^c TO MY COMRADES OF THE HILLS ALICE AND H. P. J. Fo rewori This little study of Sandwich Center, tells quite simply the brief and almost uneventful annals of the town from its waking in the reign of George III throughout its term of active service in behalf of the colonies to its sleeping time today. It also gives quick glimpses of a few of the little people and places of delight in and around the village, and relates the Indian leg- ends and traditions told roundabout there, the story of famous Mount Cho- corua and the myths of Ossipee and Lake Asquam. The quotations running throughout are from Whittier's verse, as will readily be seen, and the sketches were done out under the open sky on the high hill tops, in apple orchards by winding roads and in long grasses of the fields, so that in those places where the student's touch has failed, artist charm may be dreamed into them by whosoever knows these sweet mountain meadows that were the Qua- ker poet's golden fields, and likewise, it is prayed, into the book. /. From the Little Path on the Apple Hill. II. In the Red Sunset Caravans of the Old Days Pass. III. The Little People of the Vil- lage. IV. "/ Lean my Heart Against the Day.'' V. Indian Legends Float in the Breezes. "It is as if the pine trees called mc From ceiled room and silent books. To see the dance of woodland shadows, ..And hear the song of April brooks! I. FROM THE LITTLE PATH ON THE APPLE HILL. "I would I were a painter for the sake of a sweet picture " Not far up along the road to Ossip- pee, just a quarter of a mile beyond the village, there is a little hill where rocks and apples grow. A stone wall, put up in the time of George IIL, shuts out a mischievous tangle of blackberry briars, and helps support the heavily burdened arms of one of the oldest of the trees, some of whose rosy apples hang right over a tiny gate going into the hill. A few other ap- ples have tumbled down among tall grasses which flirt, in the wmd, with dashing groups of black-eyed daisies — there, in the very face of the little path — and such a tattle tale of a path! Off it runs to each one of the ancient apple trees, winks naughtily in the shadows, then hides in the spears of the red-top grass away from the lis- tening leaves. Pretty soon, shaking itself free from the field flowers and the long reaches of the circling trees, 15. it climbs up the steep side of the hill, shudders by some big savage rocks that stretch out like an ogre's arms to grab it, and then — suddenly — before it is aware, is way up high on the tip-top of the little hill, all by itself, looking out to the whole wide world alone! * * * * "Through Sandwich Notch the west wind sang Good morrow to the cotter ** From this little path on the apple hill, the small white houses of the vil- lage appear like snow flakes. Some of them reach out in long, glistening lines, — they are white apron strings trying to hold back the runaway roads, for the little village is the mother place of a hundred highland roads, those truant chieftains of the New Hampshire Hills. Miles and miles through the purple mountains, by the white lake shores, they wind, — under gleaming birch belts, by dusky maple groves, along deep intervaels where the elms and willows droop, and where sing the sirens of the pines. Some- times they stop for breath in the low- lands where the sun burns hot, and, out of sight of their mother's eyes, they make golden love to the flowers there. Graceful forms of a thousand i6. Mx tAe. u.i,nd.'ina oT tV too.